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The nation's favourite antiques experts. £200 each, one big challenge. | 0:00:02 | 0:00:06 | |
Well, Duck, do I buy you, or don't I? | 0:00:06 | 0:00:08 | |
Who can make the most money buying and selling antiques, as they scour the UK? | 0:00:08 | 0:00:12 | |
Sold. | 0:00:12 | 0:00:13 | |
The aim is trade up and hope each antique turns a profit, | 0:00:13 | 0:00:17 | |
but it's not as easy as it looks and dreams of glory can end in tatters. | 0:00:17 | 0:00:21 | |
-HONKING -So will it be the fast lane to success, | 0:00:21 | 0:00:25 | |
or the slow road to bankruptcy? | 0:00:25 | 0:00:26 | |
That's the sweat over. | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
This week on the Road Trip, | 0:00:36 | 0:00:39 | |
it's England versus Scotland in a 1970s VW, | 0:00:39 | 0:00:42 | |
as auctioneers James Lewis and Anita Manning slug it out | 0:00:42 | 0:00:45 | |
in the auction rooms of Britain. | 0:00:45 | 0:00:47 | |
We've had three auctions. | 0:00:49 | 0:00:51 | |
Yesterday's was a bit up and down and totally unexpected. | 0:00:51 | 0:00:55 | |
-You know, after yesterday, it's a mad world. -Indeed. | 0:00:55 | 0:01:00 | |
It's been one of those weeks, actually. | 0:01:00 | 0:01:02 | |
And it's seen Anita employing a very frugal approach. | 0:01:02 | 0:01:05 | |
-Positively Scottish. -I was wondering if you could give me it for a pound? | 0:01:05 | 0:01:10 | |
Even so, she's taken a right hammering... | 0:01:10 | 0:01:13 | |
GAVEL BANGS | 0:01:13 | 0:01:15 | |
THEY GROAN | 0:01:16 | 0:01:17 | |
A bit it disappointed at that. | 0:01:18 | 0:01:21 | |
..because, as she's quick to point out... | 0:01:21 | 0:01:23 | |
-James is a formidable opponent. -Yes, it's true. | 0:01:23 | 0:01:28 | |
Even though our wonder boy is making some rather strange choices... | 0:01:28 | 0:01:31 | |
I think to offer £200 for that lot, I'd be slightly bonkers. | 0:01:31 | 0:01:35 | |
..he's absolutely cleaning up at auction. | 0:01:35 | 0:01:38 | |
-90... -GAVEL BANGS | 0:01:38 | 0:01:39 | |
Thank you so much! | 0:01:41 | 0:01:44 | |
-GAVEL BANGS That's a good price. -Brilliant! | 0:01:44 | 0:01:47 | |
To date, James has managed to transform his original £200 stake | 0:01:49 | 0:01:55 | |
into, by hook or by crook, a fabulous £516.02. | 0:01:55 | 0:01:58 | |
As for Anita, despite being as canny as canny can be, | 0:02:01 | 0:02:04 | |
she still remains in second place with just £334.32. | 0:02:04 | 0:02:09 | |
So James, it's a beautiful morning and we're now in Suffolk. | 0:02:11 | 0:02:16 | |
A county that I have never been to, ever. | 0:02:16 | 0:02:19 | |
Our journey this week is taking us | 0:02:21 | 0:02:23 | |
from Pateley Bridge in Yorkshire | 0:02:23 | 0:02:25 | |
and heading south, via East Anglia, | 0:02:25 | 0:02:27 | |
and on to the West Country, | 0:02:27 | 0:02:29 | |
reaching its conclusion in Cirencester. | 0:02:29 | 0:02:32 | |
But right now, we're en route to Needham Market in Suffolk | 0:02:32 | 0:02:35 | |
and we'll end this leg with an auction in Bedford. | 0:02:35 | 0:02:39 | |
Back in its day, Needham Market thrived, thanks to wool. | 0:02:45 | 0:02:48 | |
But the plague of 1663 put something of a spanner in the works, | 0:02:48 | 0:02:53 | |
as the town was ultimately chained off | 0:02:53 | 0:02:55 | |
and two thirds of the population perished. Oh, dear. | 0:02:55 | 0:02:59 | |
Still, on a much happier note, it's also the hometown | 0:02:59 | 0:03:03 | |
of actress June Brown, also known as Dot Cotton off of EastEnders. | 0:03:03 | 0:03:08 | |
OK, darling. I'm going on to the next town. Have fun in there. | 0:03:09 | 0:03:14 | |
-I will. -And remember, James, | 0:03:14 | 0:03:17 | |
-spend, spend, spend. -Not a chance! | 0:03:17 | 0:03:20 | |
-You spend if you want to. Not me. -THEY LAUGH | 0:03:20 | 0:03:24 | |
So, as Anita struggles to see over the dashboard, | 0:03:24 | 0:03:28 | |
James is already looking for a profit. | 0:03:28 | 0:03:30 | |
-Hi. -Hi, how are you? -I'm James, nice to see you. | 0:03:30 | 0:03:33 | |
-Ellie. -Hi, Ellie. Hi. | 0:03:33 | 0:03:35 | |
And here, in the Station Yard Emporium, | 0:03:35 | 0:03:38 | |
there's something for everyone, even the perfect telephone for your very own Playboy Mansion. | 0:03:38 | 0:03:43 | |
Wow! I've never seen anything | 0:03:44 | 0:03:47 | |
quite so revolting in all my life! | 0:03:47 | 0:03:49 | |
Well, that's nice. What James does like, though... | 0:03:49 | 0:03:52 | |
That's a nice little thing. | 0:03:53 | 0:03:57 | |
Good, practical, useful box. | 0:03:57 | 0:04:00 | |
Bridge written across the front. | 0:04:00 | 0:04:02 | |
Little angles on it, even got the original playing cards | 0:04:02 | 0:04:06 | |
and a drop-down front. | 0:04:06 | 0:04:09 | |
But the great news is that bridge is as fashionable today as it was then. | 0:04:09 | 0:04:14 | |
Meanwhile, Anita's hurtling towards | 0:04:14 | 0:04:17 | |
the historic market town of Framlingham | 0:04:17 | 0:04:21 | |
or, as the locals like to call it, Fram. | 0:04:21 | 0:04:24 | |
This neck of the woods is also where, in 1553, | 0:04:25 | 0:04:28 | |
Mary Tudor took refuge and gathered supporters | 0:04:28 | 0:04:31 | |
in order to campaign for her rightful place on England's throne. | 0:04:31 | 0:04:35 | |
And speaking of campaigns, | 0:04:37 | 0:04:39 | |
Anita's is to finally outbuy and outfox that old rogue James Lewis. | 0:04:39 | 0:04:45 | |
Hi, I'm Anita. | 0:04:45 | 0:04:47 | |
Which brings her to Witchball Antiques, | 0:04:47 | 0:04:51 | |
a shop she is already just a little bit in love with. | 0:04:51 | 0:04:54 | |
It is literally the kind of shop you dream about. | 0:04:54 | 0:04:59 | |
So, determined not to waste a single second, | 0:04:59 | 0:05:01 | |
Anita's enlisting Jill's help in finding purchase number one. | 0:05:01 | 0:05:05 | |
-What a clutter. -Wait a minute, I've got these. | 0:05:05 | 0:05:09 | |
-Those, there's two prints, there. -Oh, right. | 0:05:11 | 0:05:15 | |
The National, Grand National. | 0:05:15 | 0:05:18 | |
Nice choice, though these John Beer prints of the 1903 Grand National | 0:05:19 | 0:05:24 | |
are priced at £145 the pair! | 0:05:24 | 0:05:29 | |
-Jill, we're in horsey country. -Yes, definitely. That's for sure. | 0:05:29 | 0:05:32 | |
We're going to an auction in Bedford, which is not too far, | 0:05:32 | 0:05:35 | |
surely there must be interest in horses there? | 0:05:35 | 0:05:38 | |
-Absolutely. -I do like them. | 0:05:38 | 0:05:40 | |
You do. Do you ride? | 0:05:40 | 0:05:42 | |
I had a wee burst of horseriding in my sort of 30s, when I realised | 0:05:42 | 0:05:47 | |
I was a big grown-up girl and I could get some lessons. | 0:05:47 | 0:05:50 | |
And I was so enthusiastic that I became sort of not bad quite quickly. | 0:05:50 | 0:05:56 | |
-Did you? -And I did some jumping as well, which was great. | 0:05:56 | 0:06:00 | |
But what I really wanted was to gallop across the plains, you know? | 0:06:00 | 0:06:04 | |
THEY LAUGH | 0:06:04 | 0:06:07 | |
On a golden palomino. | 0:06:07 | 0:06:08 | |
So it's just one of these things you sort of pick up | 0:06:08 | 0:06:11 | |
and then let go again, but I love looking at horses. | 0:06:11 | 0:06:14 | |
In that case, go on, make Jill an offer. | 0:06:14 | 0:06:18 | |
I dare you. | 0:06:18 | 0:06:20 | |
They're a wee bit dear for me. | 0:06:20 | 0:06:22 | |
Is there anything that we can do on price? | 0:06:22 | 0:06:24 | |
I'll get down to 60, but I can't do any better. | 0:06:26 | 0:06:29 | |
That is actually what I paid for them. | 0:06:29 | 0:06:32 | |
That's what you paid for them. You can't come any lower than that. | 0:06:32 | 0:06:35 | |
I don't want to take a loss. | 0:06:35 | 0:06:38 | |
To tell you the truth, I can't resist them, so it's a deal. Thank you. | 0:06:38 | 0:06:42 | |
Well done, Anita. | 0:06:42 | 0:06:43 | |
Back in Needham Market, James has found something else he likes. | 0:06:43 | 0:06:48 | |
To start with, we've got the city, Worcester, 1902. | 0:06:48 | 0:06:53 | |
Obviously, it tells you exactly what it is. | 0:06:53 | 0:06:56 | |
It's a plate made for the coronation of Edward, | 0:06:56 | 0:06:59 | |
Queen Victoria's son. | 0:06:59 | 0:07:02 | |
But you often get these in Staffordshire pottery | 0:07:02 | 0:07:06 | |
and they're fairly cheaply made most of the time, | 0:07:06 | 0:07:09 | |
but this one is a porcelain. | 0:07:09 | 0:07:11 | |
Turn it over and it has the Royal Worcester mark. | 0:07:11 | 0:07:14 | |
Turn it back and it has the same price tag as the bridge box. | 0:07:14 | 0:07:18 | |
My favourite price of £22.50. | 0:07:18 | 0:07:21 | |
I'll ask what their best is on that. | 0:07:21 | 0:07:24 | |
And I'll see if I can do a deal on that. | 0:07:24 | 0:07:27 | |
See how we go. | 0:07:27 | 0:07:30 | |
The woman to talk to is our Ellie. | 0:07:30 | 0:07:33 | |
What would be, what could you do that for? | 0:07:33 | 0:07:37 | |
Are they very flexible at the front, there? | 0:07:38 | 0:07:41 | |
Well, it would normally be 20. | 0:07:41 | 0:07:44 | |
-18? -18, OK. | 0:07:44 | 0:07:46 | |
The same for that one, I think. | 0:07:46 | 0:07:49 | |
-35 for the two. -35. | 0:07:49 | 0:07:52 | |
-That would probably be the best on them. -OK. | 0:07:52 | 0:07:55 | |
The only thing that's worrying me about that is the fact it's lost a tray inside. | 0:07:55 | 0:07:59 | |
It should have a little tray in there. | 0:07:59 | 0:08:02 | |
If they could be 30, I would take them. | 0:08:03 | 0:08:07 | |
-Yeah. -OK. 30 on those, that's a definite yes, then. | 0:08:09 | 0:08:13 | |
That was easy, wasn't it? | 0:08:13 | 0:08:15 | |
How is Anita getting on? | 0:08:15 | 0:08:18 | |
This is a little miniature microscope. | 0:08:18 | 0:08:22 | |
I like miniature things and they are very appealing to the buyers. | 0:08:22 | 0:08:26 | |
I think we are going to enter a collectors' sale, so this | 0:08:26 | 0:08:29 | |
is the type of thing which might be of interest to the buyers there. | 0:08:29 | 0:08:33 | |
It's made of brass, polished brass. | 0:08:33 | 0:08:35 | |
And I think that it's probably... | 0:08:35 | 0:08:38 | |
Yes. I can see something at the bottom of it, a couple of earwigs. | 0:08:38 | 0:08:43 | |
So it's in working order. | 0:08:43 | 0:08:46 | |
It would have perhaps been used in maybe the turn of the century, | 0:08:46 | 0:08:50 | |
beginning of the 20th century. | 0:08:50 | 0:08:52 | |
I quite like that. | 0:08:52 | 0:08:54 | |
I'm going to ask the price of it and see if I can get a deal on it. | 0:08:54 | 0:08:57 | |
As for the ticket price, £45. | 0:08:57 | 0:09:01 | |
I'd like to be buying it in the region of...15-20. | 0:09:02 | 0:09:08 | |
Is it possible anywhere near that? | 0:09:08 | 0:09:11 | |
I think it would probably have to be about £30. I don't think I can do any better than that. | 0:09:11 | 0:09:18 | |
I don't know if I'd be able to make a profit on that. | 0:09:18 | 0:09:22 | |
OK, I'll continue looking. There was another thing I was looking at. | 0:09:22 | 0:09:27 | |
The clock. The brass clock. | 0:09:27 | 0:09:30 | |
Hmm... Not bad, and by the look of it, | 0:09:30 | 0:09:32 | |
I think we're talking the Arts and Crafts period here. | 0:09:32 | 0:09:35 | |
I like the shape, I like the embossed flowers here. And it's ticking away. | 0:09:35 | 0:09:41 | |
-Your husband's sorted that out. -It does go. | 0:09:41 | 0:09:45 | |
Would I be able to buy that for about 20? | 0:09:45 | 0:09:50 | |
-Can I just...? Maybe 25, but I'd have... -To ask the boss? -Yes! | 0:09:50 | 0:09:56 | |
I thought you were the boss! | 0:09:56 | 0:09:59 | |
The thing is, the many clocks in this shop belong to Jill's husband, who repairs them for a living. | 0:09:59 | 0:10:05 | |
The final say on this goes to him. | 0:10:05 | 0:10:08 | |
-Anita. -How did you get on? -I can do £30 on that for you. | 0:10:10 | 0:10:13 | |
But the other piece, the little microscope, he can do 20. | 0:10:13 | 0:10:17 | |
-He can do 20? -Yes. So does that help? | 0:10:17 | 0:10:21 | |
Ah-ha. It helps... | 0:10:21 | 0:10:24 | |
-What it's given me now is a dilemma, which one do I like the most? -I see. Which one to buy? | 0:10:24 | 0:10:30 | |
If I take two of them, can you knock another wee bit off? | 0:10:30 | 0:10:36 | |
-How about 45 for the two? -45, will we go for it? It's a deal! Thank you so much. | 0:10:36 | 0:10:42 | |
Extremely chuffed with the morning's shopping, | 0:10:42 | 0:10:45 | |
Anita's next stop is what's considered to be | 0:10:45 | 0:10:48 | |
the birthplace of thoroughbred horse racing. | 0:10:48 | 0:10:52 | |
Where else but Newmarket? | 0:10:52 | 0:10:54 | |
After all, they've been racing here as far back as 1622 | 0:10:59 | 0:11:04 | |
and currently, the town is home to more than 50 trainers, | 0:11:04 | 0:11:07 | |
not to mention 3,000 racehorses, | 0:11:07 | 0:11:10 | |
making it the logical location of the National Horseracing Museum. | 0:11:10 | 0:11:16 | |
Alan, how lovely to meet you. | 0:11:16 | 0:11:18 | |
I'm so excited to be in this museum because I am a girl who loves horses. | 0:11:18 | 0:11:24 | |
-Excellent. We've got some wonderful things to show you. -Lead on. | 0:11:24 | 0:11:28 | |
Amongst the many exhibits, there's everything from a skeleton of Hyperion, | 0:11:29 | 0:11:35 | |
considered by some the greatest thoroughbred racer of the 20th century... | 0:11:35 | 0:11:39 | |
He was a small horse, only 15 hands. | 0:11:39 | 0:11:42 | |
But he had a tremendous engine and a wonderful stride. | 0:11:42 | 0:11:46 | |
..to the silks of some of the world's most acclaimed jockeys, | 0:11:46 | 0:11:51 | |
such as local boy Francis Buckle, also known as the Pocket Hercules, | 0:11:51 | 0:11:55 | |
who first raced in 1783 weighing just 3 stone 13 pounds. | 0:11:55 | 0:12:00 | |
Gosh! And then there's the legendary Frankie Dettori | 0:12:00 | 0:12:05 | |
who, in 1996, achieved the miraculous feat of winning seven races on a single day at Ascot. | 0:12:05 | 0:12:12 | |
I was there that day and as each race went on, | 0:12:12 | 0:12:15 | |
it became more incredible - he can't surely win the next race! | 0:12:15 | 0:12:20 | |
It came to the seventh race and he was on this not very fancied horse. | 0:12:20 | 0:12:27 | |
But he managed to summon up something and put this horse on the line to win. | 0:12:27 | 0:12:33 | |
If only I'd had money on it! When it comes to racing legends, | 0:12:33 | 0:12:38 | |
no-one quite compares to renowned tipster Prince Monolulu | 0:12:38 | 0:12:44 | |
who, in the 1920s, | 0:12:44 | 0:12:45 | |
charmed the punters with his catchphrase - "I've got an 'orse". | 0:12:45 | 0:12:49 | |
He claimed to be a chief from a tribe in Abyssinia, | 0:12:49 | 0:12:54 | |
but what we now know is he was actually | 0:12:54 | 0:12:57 | |
born in the Dutch West Indies and he dressed up in colourful jackets like this. | 0:12:57 | 0:13:02 | |
He used to stand in the centre of the track and he used to wave his arms and cry, | 0:13:02 | 0:13:07 | |
"I've got an 'orse", and hand out these little slips of paper. | 0:13:07 | 0:13:12 | |
These were his tips? And people would pay for them? | 0:13:12 | 0:13:16 | |
They would pay modestly for them, I guess. | 0:13:16 | 0:13:19 | |
I suppose that's what makes the world of horseracing so fascinating, | 0:13:19 | 0:13:24 | |
because you have so many elements. | 0:13:24 | 0:13:26 | |
You have these wonderful creatures at the peak of perfection, | 0:13:26 | 0:13:31 | |
you have the jockeys, you have the tipsters, | 0:13:31 | 0:13:34 | |
the gambling involved in it, and the thrill of the race itself. | 0:13:34 | 0:13:39 | |
Speaking of which, Anita, you're in for a right royal treat. | 0:13:39 | 0:13:42 | |
Next on our tour, the horse simulator, which jockey Lester Piggott once trained on. | 0:13:42 | 0:13:47 | |
Say hello to Legless... Nice horsey! | 0:13:47 | 0:13:50 | |
..who you're going to be riding! | 0:13:52 | 0:13:55 | |
So saddle up, girl, and get your leg over. | 0:13:55 | 0:13:59 | |
Go for it, Legless! | 0:14:01 | 0:14:03 | |
# Like the swiftest arrow whizzing from a bow | 0:14:03 | 0:14:07 | |
# Like a mighty cannonball he seems to fly... # | 0:14:07 | 0:14:10 | |
Oh, yes! Oh, wait a minute... | 0:14:10 | 0:14:13 | |
What sort of a programme is this?! | 0:14:13 | 0:14:16 | |
Doesn't seem to be all that comfortable, that position! | 0:14:16 | 0:14:18 | |
# Champion the wonder horse! # | 0:14:18 | 0:14:22 | |
And on that climactic note, which Anita didn't quite hit, | 0:14:22 | 0:14:26 | |
it's time to ride off into the sunset. | 0:14:26 | 0:14:30 | |
Day two, and our experts are once again hitting the back roads | 0:14:36 | 0:14:40 | |
and high streets of Suffolk, though seriously, can't they go any faster? | 0:14:40 | 0:14:45 | |
We have lost time and time again, haven't we? | 0:14:45 | 0:14:48 | |
James, we have both decided that the best thing to do is to spend little money. | 0:14:48 | 0:14:53 | |
-I know! -What have we done? We've gone out and spent money we shouldn't have! | 0:14:53 | 0:14:57 | |
So far on this leg, James is off to the slowest of starts. | 0:14:57 | 0:15:05 | |
Despite a full day of shopping, he's spent just £30 on two auction lots. | 0:15:05 | 0:15:09 | |
Anita, on the other hand, has been throwing caution to the wind. | 0:15:09 | 0:15:12 | |
She's splashed out £105 on three auction lots. | 0:15:12 | 0:15:16 | |
Our first stop today, the village of Grundisburgh, | 0:15:18 | 0:15:22 | |
which has stood on this very spot for at least 1,000 years. | 0:15:22 | 0:15:26 | |
Mind you, we're just here for the darts. And when I say darts, | 0:15:29 | 0:15:32 | |
I mean the private collection of Patrick Dee | 0:15:32 | 0:15:35 | |
who, for the last 16 years, has indulged a lifelong passion for the game, and even built his own museum, | 0:15:35 | 0:15:42 | |
otherwise known as the shed in the back of his garden, stuffed with his arrows. | 0:15:42 | 0:15:48 | |
I'm really looking forward to seeing this collection of Patrick's. | 0:15:48 | 0:15:52 | |
It's not something he's inherited or that's been built up over generations, | 0:15:52 | 0:15:57 | |
it's just something that he's loved and he's passionate about. | 0:15:57 | 0:16:01 | |
That's often the best mark of a collector. | 0:16:01 | 0:16:04 | |
-Hello! -Hello. -Good to see you. Good to see you. Oh, the tie! | 0:16:04 | 0:16:09 | |
Look at that! Oh, my word! | 0:16:09 | 0:16:12 | |
Patrick's choice in neckwear is just the tip of the iceberg. | 0:16:12 | 0:16:16 | |
His collection boasts every piece of memorabilia imaginable, | 0:16:16 | 0:16:22 | |
taking our expert into a world he knows almost nothing about. | 0:16:22 | 0:16:26 | |
Bull's-eye! | 0:16:26 | 0:16:28 | |
Oh, my... Oh, wow! | 0:16:28 | 0:16:30 | |
That is incredible! | 0:16:32 | 0:16:34 | |
I've never seen anything like it. | 0:16:34 | 0:16:37 | |
So tell me, what are your star lots? What have you got? | 0:16:38 | 0:16:42 | |
Well, the older ones, these are from the 1930s. | 0:16:42 | 0:16:47 | |
Made with a turkey feather. | 0:16:47 | 0:16:50 | |
They're not very heavy, are they? | 0:16:50 | 0:16:51 | |
No. They're ever so light. | 0:16:51 | 0:16:54 | |
Like that one there, the French dart. | 0:16:54 | 0:16:57 | |
-That's got the lead weight in the middle. -That's far more sensible. | 0:16:57 | 0:17:01 | |
Yeah, to give it a bit of weight. | 0:17:01 | 0:17:03 | |
The origins of darts are subject to considerable debate. | 0:17:03 | 0:17:08 | |
Some believe it began as a pub game where crossbows were fired at the end of a beer barrel. | 0:17:08 | 0:17:13 | |
Others believe everything, from the Ancient Greeks through to the Tudors. | 0:17:13 | 0:17:17 | |
-Tell me about the boards. -The oldest one is a Plasticine one. | 0:17:17 | 0:17:22 | |
-Plasticine? -Yes. | 0:17:22 | 0:17:25 | |
What they used to do, when you played on it, | 0:17:25 | 0:17:27 | |
and when you used it a bit, cos the Plasticine used to be with the wooden darts | 0:17:27 | 0:17:32 | |
because if you used tungsten, you'll splatter it. | 0:17:32 | 0:17:36 | |
-They used to have a roller and they'd roll it out again. -Really? Like the divots in a polo match! | 0:17:36 | 0:17:43 | |
The game gained popularity during the 1920s, | 0:17:43 | 0:17:46 | |
thanks to a standardised dartboard. | 0:17:46 | 0:17:48 | |
But what really changed the landscape | 0:17:48 | 0:17:51 | |
was the introduction of a national competition in 1947. | 0:17:51 | 0:17:56 | |
When I was growing up, | 0:17:57 | 0:17:58 | |
the names I remember - Eric Bristow, John Lowe... | 0:17:58 | 0:18:02 | |
-John Lowe, yeah. -Jocky Wilson. -Yeah. | 0:18:02 | 0:18:06 | |
Bobby George. | 0:18:06 | 0:18:08 | |
Speaking of Bobby George, also known as the King of Bling, one of his famous capes is right here. | 0:18:08 | 0:18:15 | |
Though today, Patrick can go one better. | 0:18:15 | 0:18:18 | |
I've got a special guest for you to meet! | 0:18:18 | 0:18:21 | |
-Where is he? -Bobby George. -All right, James? -Really good! | 0:18:21 | 0:18:25 | |
-How are you? -Lovely-jubbly! -Have you got a collection like this? | 0:18:25 | 0:18:29 | |
I've got a few bits and pieces, but not like this. This is way over the top! | 0:18:29 | 0:18:33 | |
I'm not being... I don't think anyone's got anything like this. | 0:18:33 | 0:18:38 | |
It's unbelievable. | 0:18:38 | 0:18:40 | |
Mind you, it turns out Bobby is a bit of a history buff. | 0:18:40 | 0:18:44 | |
-These were called a French dart. This comes from a crossbow. -Right. | 0:18:44 | 0:18:51 | |
The bowmen of England, the long bowmen, in-between battles, | 0:18:51 | 0:18:55 | |
-used to have a game of darts, but use arrows. That's where the word arrows comes from. -OK. | 0:18:55 | 0:19:00 | |
They used to cut them down to 14 inches and throw them at wooden targets. | 0:19:00 | 0:19:04 | |
But when they fought the French, the bolts off the crossbow were shorter. | 0:19:04 | 0:19:09 | |
So they used these. And that's why it's called a French dart. | 0:19:09 | 0:19:13 | |
And lesson number two, James, how to actually throw one. | 0:19:15 | 0:19:19 | |
When you throw the dart, put your arm straight out. | 0:19:19 | 0:19:22 | |
Look at the dartboard, look at the treble. Arm straight out. | 0:19:22 | 0:19:26 | |
Bit lower. Come on, James. Oh, look at that! | 0:19:28 | 0:19:31 | |
Oh! I'm getting there! Look at that! | 0:19:31 | 0:19:34 | |
You see? I've got the skill. | 0:19:36 | 0:19:37 | |
Believe that and you'll believe anything! | 0:19:39 | 0:19:43 | |
As for Anita, she isn't wasting any time. | 0:19:43 | 0:19:46 | |
Currently, she's en route to the city of Cambridge, | 0:19:46 | 0:19:50 | |
home to one of Britain's most famous universities. | 0:19:50 | 0:19:54 | |
It was established in the 13th century, after a group of scholars decided | 0:19:54 | 0:19:58 | |
to flee the hostile townspeople of Oxford. | 0:19:58 | 0:20:01 | |
Why? We're not so sure, though thanks to them, | 0:20:01 | 0:20:05 | |
the likes of Francis Bacon, Sir Isaac Newton | 0:20:05 | 0:20:09 | |
and Charles Darwin all received their education right here. | 0:20:09 | 0:20:13 | |
Then, of course, there's the shopping. | 0:20:18 | 0:20:21 | |
-Hi. I'm Anita. -I'm David. Very nice to meet you. -It's lovely to be in Cambridge. | 0:20:25 | 0:20:30 | |
While Gabor Cossa Antiques may not be the biggest shop in town, | 0:20:30 | 0:20:36 | |
it's certainly packed to the gunnels. | 0:20:36 | 0:20:39 | |
And what a range, inspiring Anita to forget her love of jewellery | 0:20:39 | 0:20:43 | |
and glass and opt for something outside the box. | 0:20:43 | 0:20:47 | |
This is a lovely little box of dolls' clothing. | 0:20:47 | 0:20:52 | |
On the top, we have a selection of hats from various periods and styles. | 0:20:52 | 0:20:59 | |
Look at this rather elaborate affair here, | 0:20:59 | 0:21:02 | |
which would probably be worn by a dowager duchess. | 0:21:02 | 0:21:08 | |
We have a little hand-sewn nightie. This lovely little lacework here. | 0:21:08 | 0:21:15 | |
Little pink bow. And a pair of Victorian bloomers. | 0:21:15 | 0:21:20 | |
No girl should be without a pair! | 0:21:21 | 0:21:26 | |
I think I'll have a word with David about this little box. | 0:21:26 | 0:21:31 | |
Because after all, a price tag of £45 is just a little high for our Anita. | 0:21:31 | 0:21:36 | |
I have mixed feelings about this sort of thing. | 0:21:36 | 0:21:39 | |
I find dolls' things actually a little creepy. | 0:21:39 | 0:21:42 | |
But on the other hand, I'm quite attracted to it as well, | 0:21:42 | 0:21:45 | |
not that I want to dress up dolls! | 0:21:45 | 0:21:47 | |
But there's something about little things... | 0:21:47 | 0:21:51 | |
-I thought that this would be fun to buy. -I think it will be 35. | 0:21:51 | 0:21:55 | |
Would it be possible for you to come... | 0:21:55 | 0:22:00 | |
-..to nearer the 25 limit? -I will take 27, if that's any good? | 0:22:02 | 0:22:07 | |
That's great. 27, I'm delighted with that. | 0:22:07 | 0:22:11 | |
And I think it's great fun, and it's nice really to have something different. | 0:22:11 | 0:22:16 | |
My thoughts exactly, which is probably why James is now headed back to Fram, | 0:22:16 | 0:22:21 | |
into the very shop Anita did so well in yesterday. | 0:22:21 | 0:22:25 | |
-Hello. -Hello, James. -Lovely to see you. What a shop! | 0:22:30 | 0:22:36 | |
Though as you make your way around, don't forget the old proverb - | 0:22:36 | 0:22:40 | |
"Lovely to look at, delightful to hold, but if you should break it..." | 0:22:40 | 0:22:46 | |
-Oh! Woops! -"..consider it sold." -Cut that! | 0:22:46 | 0:22:51 | |
The only thing to consider is, with so many objects, | 0:22:51 | 0:22:54 | |
how can James possibly decide on just one? | 0:22:54 | 0:22:58 | |
Hmm! | 0:22:58 | 0:23:00 | |
It's, erm... | 0:23:01 | 0:23:04 | |
It's a tribal quiver, which would have been over the shoulder... | 0:23:04 | 0:23:09 | |
That should be tied on. | 0:23:09 | 0:23:11 | |
..with little steel barbed arrows | 0:23:11 | 0:23:16 | |
that are varying according to whatever you're trying to catch. | 0:23:16 | 0:23:23 | |
And do you know what? I'm thinking Amazon Pygmy circa 1895. | 0:23:23 | 0:23:29 | |
Funny old thing. How much is it? | 0:23:29 | 0:23:32 | |
-£20. -£20? -Yes. -Well, that's not going to break the bank. | 0:23:32 | 0:23:36 | |
But will it make a profit, and more importantly, | 0:23:38 | 0:23:41 | |
is James ready to make a decision this soon after lunch? | 0:23:41 | 0:23:46 | |
All right. So £20 for that. That's something to think about. | 0:23:46 | 0:23:50 | |
Righty-oh, then. | 0:23:50 | 0:23:51 | |
Back in Cambridge, Anita's moved on to the local antique centre, | 0:23:51 | 0:23:57 | |
where she's wasting no time in tracking down her next bargain. | 0:23:57 | 0:24:01 | |
-Stephen? -Yes, Anita. | 0:24:02 | 0:24:06 | |
There are a couple of Scottish items on this desk. | 0:24:06 | 0:24:10 | |
Well, I did say we have a complete mixture of merchandise. | 0:24:10 | 0:24:14 | |
Although it's made in Birmingham, I thought it was quite apt, | 0:24:14 | 0:24:18 | |
where we have this lovely thistle, | 0:24:18 | 0:24:21 | |
with the amethyst glass stone atop. | 0:24:21 | 0:24:25 | |
And in case you haven't guessed, | 0:24:25 | 0:24:28 | |
it's a Charles Horner hatpin holder, early 1900s. | 0:24:28 | 0:24:32 | |
Very stylish, and right next to it, | 0:24:32 | 0:24:35 | |
the item that made Charles Horner a household name, the hatpin. | 0:24:35 | 0:24:39 | |
I say...buy them both. | 0:24:39 | 0:24:42 | |
-I have to have a go at that, don't I? -Well, I think you should. | 0:24:42 | 0:24:46 | |
The Scottish connection. | 0:24:46 | 0:24:49 | |
Would it be possible to buy that in the region of...in the 20s? | 0:24:49 | 0:24:57 | |
-20, 25... Would it be possible? -Certainly not 20. -Not 20. | 0:24:57 | 0:25:02 | |
Because I know what it owes me. | 0:25:02 | 0:25:05 | |
-You've paid... -I could certainly do it for 25. | 0:25:05 | 0:25:09 | |
-25. -Which is nearly a 50% reduction. | 0:25:09 | 0:25:12 | |
It's very tempting. | 0:25:13 | 0:25:15 | |
-Are you going to throw that in with it? -I certainly am not! | 0:25:17 | 0:25:21 | |
My goodness gracious me! | 0:25:21 | 0:25:24 | |
Oh, well. It was worth a try. | 0:25:24 | 0:25:26 | |
What if I said you can have them both for a 50 pound note? | 0:25:26 | 0:25:31 | |
That's got to tempt you. | 0:25:31 | 0:25:34 | |
It's certainly tempting me. | 0:25:34 | 0:25:36 | |
It's certainly tempting me! I've got to take that. | 0:25:36 | 0:25:41 | |
-Well, OK. I'll get them wrapped up. -It's a deal. -And good luck with them. | 0:25:41 | 0:25:45 | |
Thank you. I'm very pleased at that. | 0:25:45 | 0:25:48 | |
And so you should be, girl! That's an absolute bargain. | 0:25:48 | 0:25:52 | |
James, on the other hand, loves just about everything he sees. | 0:25:52 | 0:25:57 | |
How about the shells for a group, for the whole lot? | 0:25:57 | 0:26:00 | |
50, OK. | 0:26:00 | 0:26:02 | |
I like that. | 0:26:02 | 0:26:04 | |
It's a good little group. | 0:26:04 | 0:26:07 | |
It's by a very well known factory called Royal Dux, | 0:26:07 | 0:26:12 | |
based in Czechoslovakia. | 0:26:12 | 0:26:15 | |
And the raised pink triangle mark is the earlier mark. | 0:26:15 | 0:26:20 | |
They were well known for doing this... | 0:26:20 | 0:26:24 | |
what's known as a blush ivory glaze, | 0:26:24 | 0:26:25 | |
which is quite matt, and then they would have a dusted gilt. | 0:26:25 | 0:26:31 | |
And in this shop, there's two pieces. | 0:26:31 | 0:26:35 | |
One group of donkeys, very nice, and one goat pulling a cart. | 0:26:35 | 0:26:39 | |
If you wanted the two, I could do them for...55. | 0:26:41 | 0:26:46 | |
-How about that? -55. OK. | 0:26:46 | 0:26:49 | |
Let's see... There's the quiver for £20, | 0:26:50 | 0:26:53 | |
the shells for 50 and the Royal Dux also 50, or 120 the lot. | 0:26:53 | 0:26:59 | |
What sort of deal could you do for all three? | 0:26:59 | 0:27:03 | |
I could take another £10 off, but that's it. | 0:27:03 | 0:27:07 | |
110. | 0:27:07 | 0:27:09 | |
Deal. | 0:27:11 | 0:27:12 | |
Thank you very much. | 0:27:12 | 0:27:14 | |
Now James is done for the day, | 0:27:14 | 0:27:17 | |
it's time to reunite our experts for a little show and tell. | 0:27:17 | 0:27:20 | |
I'm intrigued by what is under that cloth. Show me your first buy. | 0:27:22 | 0:27:28 | |
OK. Here we go. | 0:27:28 | 0:27:29 | |
Doesn't that look so beautiful, James? | 0:27:31 | 0:27:35 | |
I must say, it's more aesthetically pleasing than your old bag of bones! | 0:27:35 | 0:27:40 | |
Well, you can't get much worse, can you? | 0:27:40 | 0:27:44 | |
Price though - £50? | 0:27:44 | 0:27:47 | |
-£50? That's not bad at all. -It's not, is it? -It's not bad. | 0:27:47 | 0:27:50 | |
My first lot is a pair of prints. | 0:27:50 | 0:27:55 | |
These prints are of the Grand National, | 0:27:55 | 0:27:59 | |
which is not Newmarket, but it's another famous course. | 0:27:59 | 0:28:02 | |
I think it's Aintree. So it's a pair of nice horsey prints | 0:28:02 | 0:28:06 | |
and I'm hoping Bedford isn't too far away from Newmarket. | 0:28:06 | 0:28:10 | |
That one's a particularly rare Australian print. | 0:28:10 | 0:28:12 | |
-That's why it's upside down! -Incredible. How much were they? | 0:28:12 | 0:28:16 | |
-I paid £60 for the two. -Oh, that's fine. Now, my next... | 0:28:16 | 0:28:21 | |
-What do you think to that? -It's in lovely condition. | 0:28:21 | 0:28:27 | |
-1902, Worcester, commemorative plate. -I've never, ever seen one of those. | 0:28:27 | 0:28:32 | |
So I thought it was really unusual. | 0:28:32 | 0:28:36 | |
I don't know whether it's worth £5 or £100. | 0:28:36 | 0:28:42 | |
Well, let's hope it's not the former. | 0:28:42 | 0:28:45 | |
My second item, James, is a little brass clock. | 0:28:45 | 0:28:52 | |
-I love this lovely arch top here. -It's lancet-shaped. It's great. | 0:28:52 | 0:28:58 | |
It's Arts and Crafts again. It has this little detail of the embossed roses. | 0:28:58 | 0:29:04 | |
-£25, I paid for that. -That's cheap. Has to be cheap, doesn't it? | 0:29:04 | 0:29:08 | |
-I can see that doubling money. -Let me see your next item. | 0:29:08 | 0:29:12 | |
-And there we are. -A nice box, James. -Number three. | 0:29:12 | 0:29:16 | |
It's got a fold-down front, silver mounted, | 0:29:16 | 0:29:18 | |
from about 1905, inscribed "Bridge" across the centre. | 0:29:18 | 0:29:23 | |
I'm finding that any items associated with bridge are doing well. | 0:29:23 | 0:29:28 | |
-A good tactical choice. -I like it. | 0:29:28 | 0:29:31 | |
And for what it's worth, I like it a lot! | 0:29:31 | 0:29:34 | |
My next item, James, | 0:29:34 | 0:29:36 | |
is a little lot of dollies' clothes. | 0:29:36 | 0:29:42 | |
I've got little bunnets, Victorian bunnets, little frocks, | 0:29:42 | 0:29:46 | |
and all sorts of little silly things. | 0:29:46 | 0:29:49 | |
-But they did amuse me. -What did you pay? -£27. | 0:29:49 | 0:29:53 | |
That is really cheap. They're rare. I think you've done really well. | 0:29:53 | 0:29:57 | |
-That's nice. Royal Dux? -Mmm. | 0:29:59 | 0:30:02 | |
-Is he in perfect condition? -He's had an ear off, and glued back. | 0:30:02 | 0:30:08 | |
It's absolutely charming, | 0:30:08 | 0:30:09 | |
and I think that people love donkeys, and... You're buying a lot of animals. | 0:30:09 | 0:30:15 | |
I'll say. And there's still that old goat to come. | 0:30:15 | 0:30:17 | |
-What do you think to that? -That's nice. -Tip off the horn. | 0:30:17 | 0:30:22 | |
Other than that, it's in good order. | 0:30:22 | 0:30:24 | |
I like these enormously. I really do like them, | 0:30:24 | 0:30:28 | |
-but I'm not sure about price on these because of the damage. -I wasn't sure, | 0:30:28 | 0:30:33 | |
-but I paid £50 for the two. -For the two. | 0:30:33 | 0:30:36 | |
I think at that price, James, you can't go far wrong. | 0:30:36 | 0:30:40 | |
I'm sure you'll make a profit. I don't usually buy scientific instruments, | 0:30:40 | 0:30:45 | |
but I couldn't resist this wee guy. | 0:30:45 | 0:30:48 | |
I think it's a nice little thing. It's probably absolutely useless. | 0:30:48 | 0:30:53 | |
-What did you pay? -I paid 20. -That's absolutely fine. -Is it? | 0:30:53 | 0:30:57 | |
As for today's most unusual lot, feast your eyes, Anita! | 0:30:57 | 0:31:01 | |
There we are. Have to do this to show you. | 0:31:01 | 0:31:06 | |
The quiver is leather and hide, possibly South American. | 0:31:06 | 0:31:10 | |
My gut reaction is they are Pygmy or bushmen type arrows. | 0:31:10 | 0:31:16 | |
I thought it was a really interesting, funky, speculative lot. | 0:31:16 | 0:31:23 | |
-How much? Fiver? -Ten. | 0:31:23 | 0:31:26 | |
In that case, I'm thinking profit, profit, profit, frankly. | 0:31:26 | 0:31:30 | |
My last lot, we have a little silver hatpin holder. | 0:31:30 | 0:31:35 | |
-Again, we're looking at a lovely piece of art nouveau. -Very you. | 0:31:35 | 0:31:41 | |
In exactly the same way that that arrow thing is very me, | 0:31:41 | 0:31:45 | |
that is very you! | 0:31:45 | 0:31:46 | |
-What did you pay for this? -50. -You've done all right there. -Yeah. | 0:31:46 | 0:31:50 | |
-I like those. -I think there's another £80 to £100 there. | 0:31:50 | 0:31:54 | |
Fingers crossed, James. | 0:31:54 | 0:31:56 | |
Well, our experts have impeccable manners, as you would expect. | 0:31:56 | 0:32:00 | |
But what do they really think? | 0:32:00 | 0:32:02 | |
The dolls' clothes really leave me totally cold, | 0:32:02 | 0:32:05 | |
but I do know that there is a great market for them. | 0:32:05 | 0:32:08 | |
And textiles, at the moment, are doing really well. | 0:32:08 | 0:32:11 | |
But dolls aren't. So it's going to be an interesting thing to see | 0:32:11 | 0:32:16 | |
whether the doll buyers are still prepared to pay a lot of money for miniature textiles. | 0:32:16 | 0:32:20 | |
The quiver and arrows... Well, is that not a typical James Lewis item? | 0:32:20 | 0:32:27 | |
For ten quid, it's not going to make all that much difference. | 0:32:27 | 0:32:31 | |
Not something I'd have bought, but there'll be somebody out there that wants them. | 0:32:31 | 0:32:36 | |
Here's hoping! | 0:32:36 | 0:32:38 | |
After beginning this leg in Needham Market, | 0:32:40 | 0:32:43 | |
Anita and James now end with an auction showdown | 0:32:43 | 0:32:46 | |
in the town of Bedford. | 0:32:46 | 0:32:48 | |
During World War II, | 0:32:48 | 0:32:49 | |
Bedfordshire effectively became the spy capital of Britain, | 0:32:49 | 0:32:54 | |
possibly due to its central location, | 0:32:54 | 0:32:57 | |
with everything from code-breaking | 0:32:57 | 0:33:00 | |
to the training of secret agents taking place here. | 0:33:00 | 0:33:02 | |
Though more importantly for us, it's also home to W&H Peacock, our auctioneers du jour. | 0:33:02 | 0:33:10 | |
Are you looking forward to it, James? | 0:33:10 | 0:33:12 | |
What do you think the answer is to that one? | 0:33:12 | 0:33:15 | |
-No! -We look forward to every auction! -I dread every auction. | 0:33:15 | 0:33:20 | |
-But the room's full. They're flowing out of the door. -Wow! | 0:33:20 | 0:33:24 | |
Doing the honours on the podium today is David Fletcher. What does he think of our experts' choices? | 0:33:29 | 0:33:34 | |
The bridge box - now, that is a stylish lot. | 0:33:34 | 0:33:38 | |
There are a lot of bridge players, a lot of bridge players have a bit of dosh, | 0:33:38 | 0:33:42 | |
and I hope they'll be looking to invest in something like that. | 0:33:42 | 0:33:46 | |
If you play the game, you play it in style. | 0:33:46 | 0:33:50 | |
The hatpin is my favourite lot. Charles Horner is a big name. | 0:33:50 | 0:33:55 | |
This is a good example of him at his most stylish. | 0:33:55 | 0:33:58 | |
In the Art Nouveau style, it's great. | 0:33:58 | 0:34:01 | |
James started this leg with an impressive £516.02 | 0:34:04 | 0:34:08 | |
and has gone on to spend £140 on five auction lots. | 0:34:08 | 0:34:12 | |
Anita kicked off with £343.32 | 0:34:14 | 0:34:18 | |
and has parted with £182, also for five auction lots. | 0:34:18 | 0:34:23 | |
So, without further ado, let the auction begin. | 0:34:25 | 0:34:28 | |
First up, Anita's brass Arts and Crafts mantle clock. | 0:34:30 | 0:34:34 | |
-This is going to do well. -Let's hope so! | 0:34:34 | 0:34:37 | |
£50, may I say? | 0:34:37 | 0:34:39 | |
30? | 0:34:39 | 0:34:41 | |
Straight up. | 0:34:41 | 0:34:43 | |
40 online. | 0:34:43 | 0:34:45 | |
5. | 0:34:45 | 0:34:46 | |
50. 55. | 0:34:46 | 0:34:49 | |
Calm down. It's not you. You're not up there. | 0:34:49 | 0:34:52 | |
Stop it! Stop it! | 0:34:53 | 0:34:56 | |
In the blue shirt. 65, it's you. 70, the blue shirt. At £70. | 0:34:56 | 0:35:00 | |
I'm selling now at £70. | 0:35:02 | 0:35:05 | |
GAVEL BANGS | 0:35:06 | 0:35:07 | |
-Yes! -Well done. Well done. That is fantastic. | 0:35:07 | 0:35:12 | |
Yes, indeed. That's a £45 profit, pre-commission. | 0:35:12 | 0:35:16 | |
On to James's Edward VII commemorative plate. | 0:35:17 | 0:35:21 | |
10 for this. | 0:35:21 | 0:35:22 | |
11, 12. | 0:35:22 | 0:35:24 | |
15, sir? No? At £12. | 0:35:24 | 0:35:26 | |
15. 15, there. | 0:35:26 | 0:35:29 | |
15. 18. | 0:35:29 | 0:35:31 | |
20. In the front row. | 0:35:31 | 0:35:33 | |
22. 25. 28. | 0:35:34 | 0:35:37 | |
30. 35. No? | 0:35:37 | 0:35:41 | |
At £35. Back of the room. All done. | 0:35:41 | 0:35:44 | |
GAVEL BANGS | 0:35:44 | 0:35:45 | |
-That's all right. -I haven't got a clue what that was worth. | 0:35:45 | 0:35:49 | |
-£25. -35! | 0:35:49 | 0:35:51 | |
Oh, sorry. | 0:35:51 | 0:35:52 | |
Are you pinching a tenner off me? | 0:35:52 | 0:35:55 | |
Nicely played, James. We're off to a cracking start. | 0:35:56 | 0:35:59 | |
And next, it's Anita's miniature microscope in polished brass. | 0:36:01 | 0:36:05 | |
20, I'm bid. Thank you, sir. At £20. | 0:36:05 | 0:36:08 | |
-22. 25. 28. -Come on. | 0:36:08 | 0:36:11 | |
-30. -Yes! -At £30. | 0:36:11 | 0:36:14 | |
-Go on! -Come on! | 0:36:14 | 0:36:16 | |
We'll go with 35. | 0:36:16 | 0:36:19 | |
At 35. 40. | 0:36:19 | 0:36:22 | |
45. 50. | 0:36:22 | 0:36:24 | |
At £50. You're about to make a young lady very happy. | 0:36:24 | 0:36:28 | |
-THEY LAUGH -In the middle of the room. At £50. | 0:36:28 | 0:36:32 | |
GAVEL BANGS | 0:36:32 | 0:36:33 | |
Yes! | 0:36:33 | 0:36:35 | |
THEY LAUGH | 0:36:35 | 0:36:36 | |
-Well done, well done. -Great auctioneer. | 0:36:36 | 0:36:39 | |
Oh, yes, that's your money doubled, | 0:36:39 | 0:36:42 | |
and then some. | 0:36:42 | 0:36:43 | |
But can our fabulous auctioneer sells James's | 0:36:45 | 0:36:48 | |
seashells from the seashore? Let's find out, shall we? | 0:36:48 | 0:36:52 | |
£30. 35. | 0:36:52 | 0:36:56 | |
40, 5. 50. Five, sir? No? At £50. | 0:36:56 | 0:37:01 | |
55. All done. | 0:37:01 | 0:37:04 | |
GAVEL BANGS | 0:37:04 | 0:37:06 | |
-Oh! -A bit of a disappointment. | 0:37:06 | 0:37:09 | |
Never mind, James. | 0:37:09 | 0:37:10 | |
You'll just have to chalk this one up to experience. | 0:37:10 | 0:37:14 | |
Moving on now to Anita's collection of dolls' clothes. | 0:37:14 | 0:37:18 | |
A specialist lot, to say the least. | 0:37:18 | 0:37:20 | |
But how will it do in a general auction? | 0:37:20 | 0:37:23 | |
20. 22. 25. | 0:37:23 | 0:37:26 | |
28. 30. | 0:37:26 | 0:37:29 | |
35. No? At £35. | 0:37:29 | 0:37:32 | |
Latest bid at 35. All done... | 0:37:32 | 0:37:37 | |
GAVEL BANGS | 0:37:37 | 0:37:38 | |
Oh, well. | 0:37:38 | 0:37:39 | |
No, it's fine, James. It's fine. | 0:37:39 | 0:37:41 | |
Oh, knickers! | 0:37:41 | 0:37:43 | |
So much for textiles. | 0:37:43 | 0:37:44 | |
Next! | 0:37:44 | 0:37:46 | |
Ah, James's silver-mounted bridge box, | 0:37:48 | 0:37:51 | |
the very definition of style. | 0:37:51 | 0:37:53 | |
-30! -Ooh! | 0:37:53 | 0:37:55 | |
30, 5. 40, 5. | 0:37:55 | 0:37:59 | |
50, 5. | 0:37:59 | 0:38:00 | |
60, 5. | 0:38:01 | 0:38:02 | |
70, 5. | 0:38:02 | 0:38:05 | |
80, 5. | 0:38:05 | 0:38:06 | |
90, 5. 100. | 0:38:06 | 0:38:09 | |
At £100. | 0:38:09 | 0:38:11 | |
110. Oh, gone up now. 120. | 0:38:11 | 0:38:13 | |
At 120. All done at 120... | 0:38:13 | 0:38:18 | |
GAVEL BANGS | 0:38:18 | 0:38:19 | |
-Yes. -Thank you. Thank you. | 0:38:19 | 0:38:24 | |
Bravo! That's a £100 profit, pre-commission. | 0:38:24 | 0:38:28 | |
Let's hope there's some money left | 0:38:28 | 0:38:31 | |
for Anita's Grand National prints | 0:38:31 | 0:38:33 | |
by First World War artist John Beer. | 0:38:33 | 0:38:36 | |
At 30. 35. | 0:38:37 | 0:38:39 | |
40, 5. 50, 5. | 0:38:39 | 0:38:44 | |
-At £55. -Come on. | 0:38:44 | 0:38:47 | |
-And £55. -Aah... | 0:38:47 | 0:38:50 | |
GAVEL BANGS | 0:38:50 | 0:38:51 | |
Oh... | 0:38:52 | 0:38:54 | |
-Well... -There was nobody even to look at to encourage. -I know. | 0:38:55 | 0:39:00 | |
It's our first loss of the day, I'm afraid. | 0:39:01 | 0:39:04 | |
And it means James is galloping ahead. | 0:39:04 | 0:39:07 | |
His next item, that cheeky South American quiver. | 0:39:09 | 0:39:13 | |
-I've got £10 on the book. -Ooh! -£10. 12. 15. | 0:39:13 | 0:39:18 | |
18. 20. 22. | 0:39:18 | 0:39:21 | |
At £22, 25, 28. 30. | 0:39:21 | 0:39:25 | |
35. 40, 5. 50. | 0:39:25 | 0:39:28 | |
55, fresh bid. No? At 55. | 0:39:28 | 0:39:33 | |
All done then at 55... | 0:39:33 | 0:39:36 | |
GAVEL BANGS | 0:39:37 | 0:39:38 | |
-That's OK, that's OK. -Absolutely fine. | 0:39:38 | 0:39:42 | |
Though let's not forget, it did make a decent profit. | 0:39:42 | 0:39:46 | |
Looking to regain a little lost ground, | 0:39:48 | 0:39:51 | |
Anita's last great hope | 0:39:51 | 0:39:53 | |
is this charming Charles Horner hat pin and hat pin holder. | 0:39:53 | 0:39:56 | |
Best of luck, old girl! | 0:39:56 | 0:39:58 | |
At 50, 5. 60, 5. 70. At £70. | 0:39:58 | 0:40:05 | |
-Here! -Here! -Online, 80. With me at £80. | 0:40:06 | 0:40:10 | |
-Hello! -Come to you in a minute, | 0:40:10 | 0:40:11 | |
come to you in a minute. £85... | 0:40:11 | 0:40:13 | |
LAUGHTER | 0:40:13 | 0:40:14 | |
Oh, my, this IS exciting! | 0:40:14 | 0:40:17 | |
100. | 0:40:17 | 0:40:18 | |
-110. -Yes! | 0:40:18 | 0:40:20 | |
-110 on online. -Here, here. -I'll take you now. 120. | 0:40:20 | 0:40:25 | |
See, I didn't forget you. | 0:40:25 | 0:40:27 | |
130. 140. 150, may I say? 150. | 0:40:27 | 0:40:31 | |
160. | 0:40:31 | 0:40:33 | |
170? 170. | 0:40:33 | 0:40:37 | |
180. At the back of the room, 180. 190. | 0:40:37 | 0:40:41 | |
-190... -Go on, round it up. One more. -One more. | 0:40:41 | 0:40:45 | |
BOTH: Yes! | 0:40:45 | 0:40:47 | |
210. At 210. | 0:40:47 | 0:40:51 | |
I'm working jolly hard on this lot! 210. It's online. All done... | 0:40:52 | 0:40:56 | |
Sure? Have another go. | 0:40:56 | 0:40:58 | |
GAVEL BANGS | 0:40:58 | 0:40:59 | |
-Oh! -Oh. -Thank you. | 0:40:59 | 0:41:01 | |
Well done. | 0:41:01 | 0:41:02 | |
Well done. Well done. | 0:41:02 | 0:41:04 | |
-Brilliant. -Ah, that was good. | 0:41:04 | 0:41:07 | |
-That is a fantastic result. -I know, but it was so exciting, wasn't it? | 0:41:07 | 0:41:11 | |
And dare I say it? That figure gives Anita the lead in this auction. | 0:41:11 | 0:41:18 | |
But there's one item still to go. | 0:41:18 | 0:41:20 | |
James's slightly damaged Royal Dux. | 0:41:20 | 0:41:23 | |
Mind you, there is no doubting the quality. | 0:41:23 | 0:41:26 | |
They've got everything going for them, | 0:41:26 | 0:41:28 | |
apart from the fact that they're broken. | 0:41:28 | 0:41:30 | |
Now, start me, please, £200. | 0:41:30 | 0:41:32 | |
-Bid, thank you. At 200. 210. -What?! | 0:41:32 | 0:41:36 | |
At 210. 220. 230. 240. 250. | 0:41:36 | 0:41:42 | |
At £250. | 0:41:42 | 0:41:45 | |
-Good Lord! -250, all go? | 0:41:45 | 0:41:47 | |
-260, on the telephone. -Go on! | 0:41:47 | 0:41:49 | |
270. | 0:41:49 | 0:41:51 | |
-280. -Go on! -290. -Go on! Keep going! | 0:41:52 | 0:41:55 | |
300. 320. | 0:41:57 | 0:41:58 | |
350. | 0:41:58 | 0:42:01 | |
LAUGHTER | 0:42:01 | 0:42:04 | |
At 320. | 0:42:04 | 0:42:06 | |
At £320... | 0:42:06 | 0:42:09 | |
GAVEL BANGS | 0:42:09 | 0:42:10 | |
Yeah! | 0:42:10 | 0:42:13 | |
LAUGHTER AND APPLAUSE | 0:42:15 | 0:42:16 | |
Oh, my word! | 0:42:18 | 0:42:19 | |
James Lewis, you old dog. You surprised yourself. | 0:42:19 | 0:42:24 | |
Pre-commission, that's a staggering profit of £270. | 0:42:25 | 0:42:30 | |
When he said 200, I thought he was asking for 200. | 0:42:30 | 0:42:32 | |
When he actually said 200 bid, I thought, oh, what?! | 0:42:32 | 0:42:35 | |
I can't believe that. | 0:42:35 | 0:42:37 | |
That's a great result. Really, really pleased. | 0:42:37 | 0:42:40 | |
Well, what an auction! | 0:42:41 | 0:42:43 | |
Anita started with £334.32 and, after commission, | 0:42:45 | 0:42:49 | |
made a profit of £162.40, | 0:42:49 | 0:42:52 | |
giving her a grand total of £496.72 to spend tomorrow. | 0:42:52 | 0:42:57 | |
GAVEL BANGS | 0:43:00 | 0:43:01 | |
James, meanwhile, began with £516.02, | 0:43:01 | 0:43:05 | |
and after making a massive £339.70, | 0:43:05 | 0:43:10 | |
the lead is once again his, with £855.72 in the coffers. | 0:43:10 | 0:43:16 | |
-Where are we off to now? -Oxfordshire. -Let's go. -Onwards and upwards. | 0:43:17 | 0:43:22 | |
Next on the Antiques Road Trip, Anita gets ruthless. | 0:43:23 | 0:43:28 | |
Will you sell me him for a tenner? | 0:43:28 | 0:43:29 | |
HE LAUGHS | 0:43:29 | 0:43:30 | |
James goes for broke. | 0:43:30 | 0:43:33 | |
-My God, what have I done?! -HE LAUGHS | 0:43:33 | 0:43:36 | |
Subtitles by Red Bee Media Ltd | 0:43:50 | 0:43:55 |