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The nation's favourite antiques experts, | 0:48:02 | 0:48:04 | |
£200 each and one big challenge. | 0:48:04 | 0:48:06 | |
Well, duck, do I buy you or don't I? | 0:48:06 | 0:48:08 | |
Who can make the most money | 0:48:08 | 0:48:10 | |
buying and selling antiques as they scour the UK? | 0:48:10 | 0:48:12 | |
Sold. | 0:48:12 | 0:48:13 | |
The aim is trade up and hope that each antique turns a profit. | 0:48:13 | 0:48:17 | |
But it's not as easy as it looks, | 0:48:17 | 0:48:18 | |
and dreams of glory can end in tatters. | 0:48:18 | 0:48:21 | |
HONKING | 0:48:21 | 0:48:22 | |
So, will it be the fast lane to success | 0:48:22 | 0:48:25 | |
or the slow road to bankruptcy? | 0:48:25 | 0:48:26 | |
That's the sweat over. | 0:48:26 | 0:48:29 | |
This is the Antiques Road Trip. | 0:48:29 | 0:48:31 | |
Today, ladies and gentlemen, auctioneers James Lewis | 0:48:37 | 0:48:40 | |
and Anita Manning are going head-to-head in Norfolk. | 0:48:40 | 0:48:43 | |
And it seems someone's getting a wee bit competitive. | 0:48:43 | 0:48:47 | |
-How much have you got to spend? -I've got... | 0:48:47 | 0:48:50 | |
Not as much as me! | 0:48:50 | 0:48:51 | |
THEY LAUGH | 0:48:51 | 0:48:53 | |
Yet, James, yet! | 0:48:53 | 0:48:55 | |
James's overwhelming confidence perhaps stems from the fact | 0:48:55 | 0:48:58 | |
he's cleaned up at auction two days in a row. | 0:48:58 | 0:49:02 | |
-That's the excitement of the auction. -Yeah, that is brilliant. | 0:49:02 | 0:49:05 | |
But don't underestimate our girl Anita. | 0:49:05 | 0:49:08 | |
She's as canny as canny can be. | 0:49:08 | 0:49:10 | |
Don't rest on your laurels. | 0:49:10 | 0:49:13 | |
I'm not going to! | 0:49:13 | 0:49:15 | |
You never know, this wee woman might creep up behind you. | 0:49:15 | 0:49:19 | |
So far, James has turned his original £200 stake | 0:49:21 | 0:49:25 | |
into a marvellous £428.20. | 0:49:25 | 0:49:29 | |
As for Anita, she's currently sitting on £306.84, | 0:49:29 | 0:49:34 | |
which makes James the undisputed champion so far. | 0:49:34 | 0:49:38 | |
Although, as our experts take their 1970s VW Beetle on | 0:49:38 | 0:49:42 | |
the third leg of their Road Trip, anything is possible. | 0:49:42 | 0:49:45 | |
The best laid plans of mice and men gang aft agley. | 0:49:45 | 0:49:49 | |
-It's Robert Burns. -Robert who? | 0:49:53 | 0:49:56 | |
Oh, James! | 0:49:56 | 0:49:58 | |
Our journey this week is taking us from Pateley Bridge, Yorkshire, | 0:49:58 | 0:50:02 | |
and heading south via East Anglia and the West Country, | 0:50:02 | 0:50:05 | |
ending up, we hope, in Cirencester. | 0:50:05 | 0:50:08 | |
But today, we're kicking off in Fakenham, | 0:50:10 | 0:50:12 | |
and we'll end this leg with an auction in Aylsham. | 0:50:12 | 0:50:16 | |
Situated on the River Wensum, Fakenham owes much of its | 0:50:16 | 0:50:21 | |
good fortune to Henry VIII because when he abolished | 0:50:21 | 0:50:24 | |
the monastery in the neighbouring town of Heston, suddenly this | 0:50:24 | 0:50:27 | |
market town became the stopover of choice for weary pilgrims. | 0:50:27 | 0:50:32 | |
So, what better place for our experts to park the VW | 0:50:32 | 0:50:36 | |
and conduct a little commerce? | 0:50:36 | 0:50:38 | |
-20 dealers, James. -That's 10 each. -OK. | 0:50:38 | 0:50:42 | |
Though, one shop, two experts - things can get messy. | 0:50:42 | 0:50:45 | |
There's only about £100 between James and I, | 0:50:46 | 0:50:50 | |
and it's possible to catch up and go forward, that would be fun. | 0:50:50 | 0:50:55 | |
But James is a formidable opponent. Oh, he's a cracker. | 0:50:55 | 0:51:01 | |
-He's a hard guy to beat. -I'll say. | 0:51:01 | 0:51:02 | |
Already he's found something he likes. | 0:51:02 | 0:51:06 | |
-It's probably French. It's Art Deco. -And a snip at £35. | 0:51:06 | 0:51:10 | |
The inkwell is typically Art Deco. | 0:51:12 | 0:51:15 | |
They're straight lines, very architectural in style. | 0:51:15 | 0:51:20 | |
And inside, a little glass liner. | 0:51:20 | 0:51:23 | |
My problem is, again, I think my heart might be ruling my head. | 0:51:24 | 0:51:28 | |
I'd like to have that on my desk. | 0:51:28 | 0:51:30 | |
James is still at that cabinet down there. | 0:51:30 | 0:51:33 | |
I'm just waiting for him to go away. | 0:51:33 | 0:51:36 | |
I heard that! | 0:51:36 | 0:51:38 | |
-Hello, darling! -Hello! | 0:51:38 | 0:51:40 | |
Not much longer, Anita, he's called Mandy over. | 0:51:40 | 0:51:43 | |
It's got a bit of something about it. | 0:51:43 | 0:51:46 | |
But, a bit of breakage on the top there. | 0:51:46 | 0:51:48 | |
-Yes, it's sad that so many things are damaged, isn't it? -Yeah. | 0:51:48 | 0:51:52 | |
-That would need to be about 20. -25? | 0:51:52 | 0:51:56 | |
I was thinking 15, but 20 would be my max. | 0:51:56 | 0:52:00 | |
Can I split it with you, £22.50? | 0:52:00 | 0:52:03 | |
I can't. I can't, that's... | 0:52:03 | 0:52:05 | |
If I was going to go for it, it would have to be that. | 0:52:05 | 0:52:08 | |
-OK, go on, 20, I'll do that. -OK. | 0:52:08 | 0:52:11 | |
-With the deal done... -Thanks very much. | 0:52:11 | 0:52:14 | |
..and the cabinet finally vacated, | 0:52:14 | 0:52:16 | |
it's Anita's chance to find something gorgeous. | 0:52:16 | 0:52:19 | |
And she's thinking Murano. Not one piece but two. | 0:52:19 | 0:52:24 | |
Here's another piece here. | 0:52:24 | 0:52:26 | |
It's got that nice weight in it, a nice polished base. | 0:52:27 | 0:52:31 | |
And that's rather pretty. | 0:52:31 | 0:52:32 | |
Together, a nice wee lot, | 0:52:32 | 0:52:35 | |
but it all depends on the price I can get it for. | 0:52:35 | 0:52:37 | |
Together, they're priced at £20, but naturally, | 0:52:37 | 0:52:41 | |
Anita's motto is "never pay retail". | 0:52:41 | 0:52:43 | |
I'd be looking to buy the two of them for 10. Would that be possible? | 0:52:43 | 0:52:49 | |
-OK, let me go and make a phone call. -OK. | 0:52:49 | 0:52:52 | |
Not exactly high-stakes negotiation but every penny counts. | 0:52:53 | 0:52:58 | |
-He says the best on those would be 14. -14? -Yes. | 0:52:58 | 0:53:02 | |
-Could you ask him if he'd go to 12? -I could do that for you. | 0:53:05 | 0:53:09 | |
Thank you, Mandy, thank you. | 0:53:09 | 0:53:11 | |
I know he will cos he already told me. | 0:53:13 | 0:53:15 | |
SHE LAUGHS | 0:53:15 | 0:53:16 | |
-He said, "Try 14 and if they won't do it, I'll take 12." -Oh, Mandy! | 0:53:16 | 0:53:21 | |
Right, here we go. | 0:53:23 | 0:53:24 | |
Our next stop on this Road Trip is Holt, | 0:53:25 | 0:53:28 | |
a small market town with rather a colourful history. | 0:53:28 | 0:53:32 | |
Yep, from the plague of 1348, | 0:53:32 | 0:53:34 | |
which saw the surprising demise of 23 priests, | 0:53:34 | 0:53:38 | |
to the great fire of 1708 which destroyed the entire town. | 0:53:38 | 0:53:44 | |
Holt is no stranger to drama or antique shops. | 0:53:44 | 0:53:46 | |
-I'm James. -Nice to see you. -What a fantastic shop. | 0:53:46 | 0:53:51 | |
-Just how they used to be 20 years ago. -My prices are going down! | 0:53:51 | 0:53:56 | |
-Good, I'll have a wander. -Now, that's a little mercenary, James. | 0:53:57 | 0:54:02 | |
Although, considering you love the old-school nature of the shop, | 0:54:02 | 0:54:06 | |
I'm surprised - have to say delighted - | 0:54:06 | 0:54:08 | |
that you're ultimately drawn to this collection. | 0:54:08 | 0:54:11 | |
Could you tell me about these? | 0:54:12 | 0:54:13 | |
They don't seem to fit in your policy of glass and ceramics. | 0:54:13 | 0:54:17 | |
-My son has joined the business. -OK. | 0:54:17 | 0:54:19 | |
-These are mammoth teeth with the roots here. -That's wonderful. | 0:54:19 | 0:54:25 | |
This is a mammoth tusk. | 0:54:25 | 0:54:26 | |
Now, bones can be highly saleable IF they have the right provenance, | 0:54:28 | 0:54:33 | |
and Richard says this collection's from the late 19th century | 0:54:33 | 0:54:36 | |
and was purchased from a Norfolk country house. | 0:54:36 | 0:54:39 | |
So, given that they're new to the market, | 0:54:39 | 0:54:41 | |
they might stir a bit of interest. | 0:54:41 | 0:54:44 | |
-My son's put 480 on the collection. -Oh, right. -Yes. | 0:54:44 | 0:54:48 | |
Good heavens, that is a lot of interest. | 0:54:48 | 0:54:51 | |
Would you be able to do it for 200? | 0:54:51 | 0:54:53 | |
-Would you be able to phone him and ask? -I'll phone my son, shall I? | 0:54:53 | 0:54:57 | |
-Thank you. Just see what he says. -Right. | 0:54:57 | 0:55:00 | |
Well, I don't know. Maybe I'm mad, offering £200. | 0:55:02 | 0:55:05 | |
It's a collection of old bones, at the end of the day. It's... | 0:55:05 | 0:55:08 | |
But it's different. | 0:55:10 | 0:55:11 | |
In a way, I hope I get the answer no, they won't take £200. | 0:55:11 | 0:55:16 | |
Because I think to offer £200 for that lot might be slightly bonkers. | 0:55:16 | 0:55:21 | |
-I've been in touch with my son... -Yes. | 0:55:23 | 0:55:27 | |
..and he said...£250 would be the very best. | 0:55:27 | 0:55:34 | |
JAMES SIGHS | 0:55:34 | 0:55:36 | |
It's too much. It's too much for me, I think. | 0:55:36 | 0:55:41 | |
So, the sensible thing to do here is walk away. Right, James? | 0:55:41 | 0:55:44 | |
My right hand is just waiting to come out. | 0:55:44 | 0:55:48 | |
-An extra 10, would it make any difference to him? -220. -Oh, blimey! | 0:55:48 | 0:55:54 | |
The more you hesitate, the more it'll go up. | 0:55:56 | 0:55:58 | |
215 and you've got a deal. | 0:55:58 | 0:56:00 | |
And I am completely insane. | 0:56:02 | 0:56:04 | |
-Well, I think you are making a bad mistake, really. -Do you? -Yes. | 0:56:04 | 0:56:10 | |
Well, that is encouraging! Hah! | 0:56:10 | 0:56:13 | |
Anyway, going in the opposite direction on this particular | 0:56:13 | 0:56:18 | |
Road Trip is Anita, who couldn't resist a visit to Houghton Hall, | 0:56:18 | 0:56:22 | |
the very stately home of Sir Robert Walpole who, in 1721, | 0:56:22 | 0:56:25 | |
became Britain's first ever Prime Minister. | 0:56:25 | 0:56:29 | |
Look at those wonderful domes. Look, they have cricket on the green. | 0:56:29 | 0:56:35 | |
And there's plenty more to see, with John, the curator. | 0:56:35 | 0:56:39 | |
-John, hello, I'm Anita. -Hello, Anita, very pleased to meet you. | 0:56:39 | 0:56:43 | |
-Welcome to Houghton Hall. -Are you going to be my guide? | 0:56:43 | 0:56:47 | |
Sir Robert was also the first head of government | 0:56:47 | 0:56:51 | |
to occupy 10 Downing Street, which George II bought for him as a gift. | 0:56:51 | 0:56:55 | |
But our man had much grander ideas, going on to spend, in today's terms, | 0:56:55 | 0:57:00 | |
about £50 million on a house that celebrates and encourages excess. | 0:57:00 | 0:57:06 | |
Though this tour begins in one of the more modest rooms, | 0:57:06 | 0:57:09 | |
the study, where the portraits | 0:57:09 | 0:57:11 | |
on the wall begin to tell his somewhat egotistical story. | 0:57:11 | 0:57:16 | |
The most important one is Sir Robert Walpole over there. | 0:57:16 | 0:57:19 | |
He's in the uniform of a ranger of Richmond Park, | 0:57:19 | 0:57:22 | |
which was an honorary position which carried with it | 0:57:22 | 0:57:25 | |
a grace and favour lodge in the grounds, | 0:57:25 | 0:57:27 | |
into which he popped his mistress, who's in the centre picture. | 0:57:27 | 0:57:31 | |
-That was his girlfriend? -That's right. That's Maria Skerritt. | 0:57:31 | 0:57:34 | |
And the lady in the blue headdress is his wife, Catherine. | 0:57:34 | 0:57:37 | |
When Catherine died in 1737, Sir Robert married his mistress, Maria. | 0:57:37 | 0:57:43 | |
I love this room, there's a feeling of cosiness. | 0:57:43 | 0:57:46 | |
Now, this leads us through to the Stone Hall. | 0:57:46 | 0:57:49 | |
And it's in this breathtaking room that Sir Robert's guests | 0:57:54 | 0:57:58 | |
would first arrive. | 0:57:58 | 0:57:59 | |
It's only function to leave you in no doubt as to | 0:57:59 | 0:58:02 | |
the status of your host. | 0:58:02 | 0:58:04 | |
Over here, we come to the focal point of the room, | 0:58:04 | 0:58:07 | |
which is the bust of Sir Robert dressed as a Roman senator | 0:58:07 | 0:58:11 | |
which epitomises his position of power and authority in this country. | 0:58:11 | 0:58:17 | |
You notice that he's surrounded, either side | 0:58:17 | 0:58:19 | |
and all the way round the room, by genuine 2nd century AD | 0:58:19 | 0:58:23 | |
busts of Romans, and he's higher than all of them. | 0:58:23 | 0:58:26 | |
-I was going to say that, he's above them all. -That's right. | 0:58:26 | 0:58:29 | |
He had a fine opinion of himself. | 0:58:29 | 0:58:32 | |
-Nothing is by accident in this house. -I know. | 0:58:32 | 0:58:34 | |
Sir Robert's guests would then be received in the official | 0:58:34 | 0:58:39 | |
state rooms and invited to dine underneath the grand ceiling | 0:58:39 | 0:58:42 | |
of the principal dining room, which is a tribute to | 0:58:42 | 0:58:45 | |
Dionysus, the god of wine, feasting and having a great time. | 0:58:45 | 0:58:49 | |
And in this room, important guests would come, | 0:58:51 | 0:58:56 | |
political alliances would be made. | 0:58:56 | 0:59:00 | |
-In fact, at this table, and this is the original table. -That's right. | 0:59:00 | 0:59:04 | |
Some people call it a political table | 0:59:04 | 0:59:07 | |
-because it was split into four parts. -How apt! | 0:59:07 | 0:59:09 | |
So if you wanted to have different factions, you could separate them. | 0:59:09 | 0:59:12 | |
If you wanted to keep an eye on what everybody was talking about, | 0:59:12 | 0:59:15 | |
you had them together. A diarist of the time described feasting here, | 0:59:15 | 0:59:19 | |
guests were "up to their chins in venison, beef and lamb | 0:59:19 | 0:59:23 | |
"and over their chins in claret and white wine." | 0:59:23 | 0:59:27 | |
So many a good story will have been told in this very room. | 0:59:27 | 0:59:31 | |
That's right. | 0:59:31 | 0:59:32 | |
Such a decadent life was rather costly, and eventually | 0:59:32 | 0:59:36 | |
the family had to raise substantial funds, which they did by selling | 0:59:36 | 0:59:40 | |
the largest group of pictures from a single country house ever. | 0:59:40 | 0:59:44 | |
And the buyer was Catherine the Great of Russia. | 0:59:44 | 0:59:46 | |
-See the view to the west? -Wow! | 0:59:46 | 0:59:50 | |
It's just over two miles from here to the far horizon. | 0:59:50 | 0:59:54 | |
The Houghton estate now is about 4,500 acres. | 0:59:54 | 0:59:57 | |
But in Sir Robert Walpole's time, it was nearer 20,000. | 0:59:57 | 1:00:00 | |
I've had a lovely time with you looking round that house, | 1:00:00 | 1:00:04 | |
looking out onto that. | 1:00:04 | 1:00:06 | |
-Do you think we have time for a wee glass of wine? -What a good idea. | 1:00:06 | 1:00:10 | |
-James has certainly drawn the short straw today, hasn't he? -Stuff him! | 1:00:10 | 1:00:15 | |
I'll go along with that. | 1:00:15 | 1:00:17 | |
Well, speaking of our good friend James, he's still in Holt. | 1:00:17 | 1:00:23 | |
Though he has moved on to Mews Antiques, | 1:00:23 | 1:00:25 | |
where Peter is proving to be quite the salesman. | 1:00:25 | 1:00:28 | |
-If you can find the name on it, you've got a hell of a piece. -Yeah. | 1:00:28 | 1:00:34 | |
-I've been looking at that for a long time. -I wish. | 1:00:34 | 1:00:37 | |
-It ought to say something, Glasgow School or something like that. -Yeah. | 1:00:37 | 1:00:43 | |
-But... -It doesn't. -It doesn't, no. | 1:00:43 | 1:00:46 | |
There's a great big hole, as well. | 1:00:46 | 1:00:48 | |
It's been repaired, it's as I got it, on the bottom there. | 1:00:48 | 1:00:51 | |
And just in case you're wondering, it's an Arts and Crafts log bin, | 1:00:51 | 1:00:57 | |
embossed rather nicely with Viking galleons in choppy seas, ca1890. | 1:00:57 | 1:01:02 | |
What could that be? | 1:01:02 | 1:01:04 | |
-75's our very best on that. -75, yeah. -It's worth it all day long. | 1:01:04 | 1:01:11 | |
-For me, I'd be looking at about 45. -Can't do. -No. | 1:01:12 | 1:01:18 | |
I don't mind giving you a fighting chance, | 1:01:18 | 1:01:20 | |
but I'm not going to cut my throat. | 1:01:20 | 1:01:23 | |
I don't blame you, I wouldn't want you to. | 1:01:23 | 1:01:25 | |
Yeah, I'd be looking at 50, 55. | 1:01:25 | 1:01:29 | |
-Oh, you're not going to toss a coin for it! Oh, no! -If you're game, I am. | 1:01:30 | 1:01:36 | |
-65 upper, 50 lower. -45 lower. -No, too far out. | 1:01:36 | 1:01:41 | |
You've got to leave me something in it. | 1:01:41 | 1:01:44 | |
-You've got to leave me a chance, too! -Too right. -60-50 then. -Done. | 1:01:44 | 1:01:48 | |
Go on. I'll have heads. | 1:01:48 | 1:01:50 | |
-Tails, my son. -Tails. Oh! You've got a deal, £60. Done. | 1:01:54 | 1:01:59 | |
-I didn't even want it! -Nobody comes in here for anything they want! | 1:01:59 | 1:02:05 | |
-They certainly don't come here for anything they need. -Like a haircut! | 1:02:05 | 1:02:08 | |
And something else James doesn't need is... | 1:02:08 | 1:02:11 | |
-This weird thing here. -Oh, that marvellous device. | 1:02:11 | 1:02:15 | |
Handle him tenderly. | 1:02:16 | 1:02:18 | |
Now, the gong is an ancient Chinese custom used to signal | 1:02:18 | 1:02:23 | |
peasant workers in from the fields. | 1:02:23 | 1:02:25 | |
This one, however, is more ornamental, probably English | 1:02:25 | 1:02:28 | |
and dating to the 1920s. | 1:02:28 | 1:02:30 | |
-Ticket price - £42. -£20, it needs to be. | 1:02:30 | 1:02:34 | |
Ooh, I really don't know, we'd have to ask. | 1:02:34 | 1:02:39 | |
If we get in touch with the guy, | 1:02:39 | 1:02:40 | |
whether he's remotely going to consider that. | 1:02:40 | 1:02:43 | |
It's a long way short. | 1:02:43 | 1:02:44 | |
-See if you can make him feel sorry for me! -Right, I'll go and ask. | 1:02:44 | 1:02:49 | |
Thank you. | 1:02:49 | 1:02:51 | |
£20 is the absolute limit. | 1:02:51 | 1:02:55 | |
I'm not budging, I'm not tossing a coin. | 1:02:55 | 1:02:58 | |
-Just as well, when the dealer's answer is yes. -Deal. | 1:02:58 | 1:03:02 | |
-There you go. -Deal. | 1:03:02 | 1:03:05 | |
Leaving James and Anita to end the day's shopping | 1:03:05 | 1:03:08 | |
with a game of twenty questions. | 1:03:08 | 1:03:10 | |
-Is it some weird and wonderful, obscure thing? -Yes. -Is it? -Yes! | 1:03:10 | 1:03:16 | |
-Is it lovely to look at? -No. | 1:03:16 | 1:03:19 | |
Am I going to love it or hate it? | 1:03:19 | 1:03:22 | |
-Hate it. -Am I? -Yeah. | 1:03:22 | 1:03:23 | |
Day two, and our experts are back on the road, once again hoping | 1:03:30 | 1:03:34 | |
to relieve the antique dealers of Norfolk of many a bargain. | 1:03:34 | 1:03:38 | |
I have to tell you, I did not buy the most sensible of objects yesterday. | 1:03:38 | 1:03:42 | |
-A fool. -No. -A fool parts with his money very easily. -Who dares wins. | 1:03:42 | 1:03:49 | |
Yes, that's the spirit. | 1:03:50 | 1:03:52 | |
And so far, James has dared to spend £315 on four | 1:03:52 | 1:03:55 | |
rather unusual auction lots. | 1:03:55 | 1:03:58 | |
-I think you're making a bad mistake, really. -Do you?! | 1:03:58 | 1:04:02 | |
Anita, on the other hand, is off to a very slow start, | 1:04:02 | 1:04:06 | |
having bought just one auction lot for £12. | 1:04:06 | 1:04:09 | |
-The tortoise and the hare, James. -I know, I know. | 1:04:09 | 1:04:11 | |
You don't have to remind me. | 1:04:11 | 1:04:13 | |
Today, we're once again going back from whence we came, | 1:04:13 | 1:04:17 | |
in order to drop James off in the village of Thursford. | 1:04:17 | 1:04:20 | |
It's here you'll find the Thursford Collection, | 1:04:20 | 1:04:23 | |
something that started as a hobby for the late George Cushing | 1:04:23 | 1:04:27 | |
and has ended up becoming one of the world's most important | 1:04:27 | 1:04:30 | |
steam and fairground museums, | 1:04:30 | 1:04:32 | |
though these days the man in charge is his son John. | 1:04:32 | 1:04:36 | |
-John, great to see you. -And you. -I've heard so much about this place. | 1:04:36 | 1:04:41 | |
-Let me show you around. -Love to. | 1:04:41 | 1:04:43 | |
The tradition of fairs dates back at least 800 years | 1:04:43 | 1:04:47 | |
and was a chance for traders to sell their wares. | 1:04:47 | 1:04:50 | |
Over time, acrobats, musicians and performers also joined the mix. | 1:04:50 | 1:04:56 | |
But what really revolutionised the experience was steam, | 1:04:56 | 1:04:59 | |
providing everything from the rides to the music. | 1:04:59 | 1:05:03 | |
Oh, look at that! So when was this made? | 1:05:03 | 1:05:06 | |
Well, this would have been made before the war, | 1:05:06 | 1:05:09 | |
this is actually a German organ. It was overhauled | 1:05:09 | 1:05:12 | |
and Father bought it in '62 or '63, I think. | 1:05:12 | 1:05:15 | |
Just because he loved the sound. | 1:05:15 | 1:05:17 | |
It brought back his childhood memories | 1:05:17 | 1:05:19 | |
when he went to the fair and heard nothing but fairground organs. | 1:05:19 | 1:05:23 | |
-Does it still play? -Indeed it does. We'll crank it up. -Come on, then. | 1:05:23 | 1:05:27 | |
FAIRGROUND MUSIC | 1:05:27 | 1:05:30 | |
-That is incredible, it's so loud, isn't it? -Yeah. | 1:05:37 | 1:05:41 | |
But I suppose, in the hustle and bustle of a fairground, | 1:05:41 | 1:05:44 | |
-it needed that volume to get an attraction. -It did. | 1:05:44 | 1:05:47 | |
Of course, there were many other fairground organs | 1:05:47 | 1:05:50 | |
in the fair at that time, including inside the rides. | 1:05:50 | 1:05:53 | |
In the 1860s, the arrival of the steam-powered merry-go-round | 1:05:53 | 1:05:57 | |
had some people fearing for their children's lives. | 1:05:57 | 1:06:00 | |
But despite their concerns of injury and explosion, | 1:06:00 | 1:06:04 | |
the ride went on to become a classic. | 1:06:04 | 1:06:06 | |
I've never seen one of those. | 1:06:06 | 1:06:09 | |
Well, you wouldn't have done, | 1:06:09 | 1:06:11 | |
-because this is the only one in the world. -Is it, really? | 1:06:11 | 1:06:14 | |
It's really an antique, yes. | 1:06:14 | 1:06:16 | |
-At the time, people would stand 50 deep to watch this. -Really? | 1:06:16 | 1:06:21 | |
Yeah, just going round. | 1:06:21 | 1:06:22 | |
Not only is this penny ride the only one of its kind, | 1:06:22 | 1:06:27 | |
it's also a local, produced in the Norfolk factory of Frederick Savage. | 1:06:27 | 1:06:31 | |
It was always rumoured that when the showmen paid for these things, | 1:06:31 | 1:06:36 | |
they would take sacks of pennies to pay for them. | 1:06:36 | 1:06:40 | |
Wow. | 1:06:40 | 1:06:41 | |
And the people who built them | 1:06:41 | 1:06:44 | |
-obviously had to count all those pennies out. -Yeah. | 1:06:44 | 1:06:46 | |
-Does this still work? -Indeed it does, yeah. We run this every day. | 1:06:46 | 1:06:50 | |
-Would you like a ride? -I was hoping you were going to say that! | 1:06:50 | 1:06:53 | |
Come on, lead the way. | 1:06:53 | 1:06:55 | |
Of course, the organ would be playing. | 1:06:58 | 1:07:00 | |
I never went to sea because I got seasick. | 1:07:00 | 1:07:03 | |
The feeling's coming back to me. | 1:07:03 | 1:07:05 | |
HE LAUGHS | 1:07:05 | 1:07:07 | |
Oh, James, you big old girl's blouse. | 1:07:07 | 1:07:10 | |
You just sit back and enjoy the ride. | 1:07:10 | 1:07:12 | |
Meanwhile, we'll check on Anita. | 1:07:12 | 1:07:14 | |
Her next stop, the seaside town of Sheringham, | 1:07:17 | 1:07:22 | |
a community built firmly and squarely on the fishing industry. | 1:07:22 | 1:07:25 | |
That is, until the locals discovered they could earn more | 1:07:26 | 1:07:30 | |
in the summer from renting out their cottages to middle-class Londoners | 1:07:30 | 1:07:34 | |
than they could from an entire year of fishing. And for Anita, | 1:07:34 | 1:07:38 | |
currently, she's fishing for a bargain. | 1:07:38 | 1:07:40 | |
This looks promising. | 1:07:40 | 1:07:42 | |
SHE LAUGHS | 1:07:42 | 1:07:46 | |
-Could be an interesting shop. Love your Dalek. -He's gorgeous, isn't he? | 1:07:46 | 1:07:50 | |
-Is he for sale? -No, no, no! | 1:07:50 | 1:07:54 | |
Perhaps just as well. Best we see what else Glenda has to offer. | 1:07:54 | 1:07:58 | |
There's certainly a diverse range. | 1:07:58 | 1:08:01 | |
-You never know what I might find up here. -Lots of spiders, lots of dust. | 1:08:01 | 1:08:07 | |
And after the most thorough of searches, | 1:08:07 | 1:08:10 | |
Anita's rather keen on this. | 1:08:10 | 1:08:12 | |
Good quality, no name. Probably Italian. Probably Murano glass. | 1:08:12 | 1:08:17 | |
(I quite like that.) | 1:08:17 | 1:08:19 | |
While Murano glass dates back to the 10th century, | 1:08:19 | 1:08:22 | |
this piece practically screams the early '70s. | 1:08:22 | 1:08:26 | |
But not to worry, in the world of antiques and collectables, | 1:08:26 | 1:08:29 | |
glass is hot right now. | 1:08:29 | 1:08:31 | |
Which could explain why there's no price tag, or it's fallen off. | 1:08:31 | 1:08:34 | |
-Could I make an offer? -Yeah. | 1:08:34 | 1:08:36 | |
£20. That's what I'd like to pay on him. | 1:08:36 | 1:08:41 | |
-OK. -Shall we go for it? -We'll go for £20. -But Anita's not done yet. | 1:08:41 | 1:08:46 | |
Something curious has caught her eye. No, not that, this. | 1:08:46 | 1:08:50 | |
-This is a shortbread mould. -Yeah. | 1:08:52 | 1:08:55 | |
-And it's probably late 19th-early 20th century. -Think so? | 1:08:55 | 1:08:59 | |
-It's a country piece. -It is, yes. | 1:08:59 | 1:09:03 | |
Actually, I think that country might be Scandinavia. | 1:09:03 | 1:09:06 | |
And given the size of the mould, | 1:09:06 | 1:09:08 | |
it was probably used by a high-street baker. | 1:09:08 | 1:09:10 | |
But £45? Really? | 1:09:10 | 1:09:15 | |
If I was buying this, | 1:09:15 | 1:09:17 | |
I would be looking to buy it in the region of £12-18. | 1:09:17 | 1:09:23 | |
-Right. I would've liked it as close to 20 as possible. -How about 15? -OK. | 1:09:23 | 1:09:28 | |
-Can we do 15? -We'll do 15. -That's wonderful, thank you very much. | 1:09:28 | 1:09:31 | |
Thank you. | 1:09:31 | 1:09:32 | |
After a slow start yesterday, | 1:09:32 | 1:09:35 | |
Anita now has three auction lots up her sleeve. | 1:09:35 | 1:09:39 | |
AND she's got her determined stride on. | 1:09:39 | 1:09:42 | |
Though things aren't going nearly as well for James, | 1:09:42 | 1:09:45 | |
as I'm afraid there's bad news about the fossil collection. | 1:09:45 | 1:09:49 | |
'I think that yesterday when you were in the shop, you asked my dad | 1:09:49 | 1:09:53 | |
'if they came from a local auction | 1:09:53 | 1:09:54 | |
-'or if they came from a country house.' -Yeah. | 1:09:54 | 1:09:57 | |
'And he got muddled up, they actually came from both. | 1:09:57 | 1:10:01 | |
'They came from the local country house, | 1:10:01 | 1:10:04 | |
'but I bought them at auction.' | 1:10:04 | 1:10:06 | |
Oh, right. Where did you buy them from? | 1:10:06 | 1:10:08 | |
'I bought them from a Keys auction, | 1:10:08 | 1:10:10 | |
'from their antiques sale, which is in Aylsham.' | 1:10:10 | 1:10:13 | |
I know exactly where it is. That's where I'm taking them to. | 1:10:13 | 1:10:18 | |
'Ah! OK.' | 1:10:18 | 1:10:21 | |
-Even worse, at that auction they sold for £70. -Oh, jeez! | 1:10:21 | 1:10:27 | |
But the good news is Luke's prepared to refund two-thirds | 1:10:27 | 1:10:32 | |
of the £215 James gave him. Wow! | 1:10:32 | 1:10:35 | |
If I give you a fiver profit, and took them to Keys and just... | 1:10:35 | 1:10:41 | |
just because they are the most wacky things I have ever seen, | 1:10:41 | 1:10:44 | |
-what would you say? -'Actually, yes, let's do it.' | 1:10:44 | 1:10:49 | |
-Will you? -'Yup. I would be happy to do that because this is a mess that I have made.' | 1:10:49 | 1:10:56 | |
Ah, yes. So that we are all clear here, | 1:10:56 | 1:10:59 | |
as the fossils have recently been bought from | 1:10:59 | 1:11:02 | |
the auction house we are going to, Luke is kindly dropping the price from £215 down to £75. | 1:11:02 | 1:11:08 | |
Which hopefully means all parties are happy. | 1:11:08 | 1:11:11 | |
A very honest mistake made by his dad. | 1:11:11 | 1:11:13 | |
He has been an antiques dealer there for over 40 years | 1:11:13 | 1:11:16 | |
and to still take a much reduced profit. | 1:11:16 | 1:11:18 | |
But at least he has made a fiver, it is a couple of pints in the local pub. | 1:11:18 | 1:11:22 | |
Oh, good, a happy ending, I think, particularly for James. | 1:11:22 | 1:11:26 | |
Our next stop - Cromer - | 1:11:26 | 1:11:28 | |
a popular resort town often referred to as the gem of the Norfolk coast. | 1:11:28 | 1:11:34 | |
Its popularity dates back to the 19th century when some of the wealthy Norwich banking families | 1:11:34 | 1:11:39 | |
decided to make it their summer home. | 1:11:39 | 1:11:43 | |
Oh, lovely! Lovely! | 1:11:43 | 1:11:46 | |
Even Edward VII once popped down for a spot of golf. | 1:11:46 | 1:11:50 | |
Anita is popping into Brisbane Antiques. | 1:11:50 | 1:11:55 | |
BELL RINGS | 1:11:56 | 1:11:57 | |
-Hi, Anita. -Hey, there. | 1:11:57 | 1:12:00 | |
Hello, it is lovely to meet you. | 1:12:00 | 1:12:02 | |
-And be in this fabulous wee town. -Yeah, excellent. -This looks nice. | 1:12:02 | 1:12:07 | |
Yes, very nice and before long our canny Scot is finding herself | 1:12:07 | 1:12:13 | |
quite excited by Philip's knick-knacks. | 1:12:13 | 1:12:15 | |
This is rather sweet. It is a little ivory box. | 1:12:15 | 1:12:20 | |
And this cartouche here is probably gold. | 1:12:20 | 1:12:23 | |
I think this is probably Georgian. | 1:12:23 | 1:12:26 | |
It is a period piece. | 1:12:26 | 1:12:28 | |
And, because it is pre-1947, as far as the ivory goes | 1:12:28 | 1:12:31 | |
it is legal and above board. | 1:12:31 | 1:12:33 | |
Inside is a little toothpick. | 1:12:33 | 1:12:37 | |
This is the type of thing that a fine Georgian gentleman would | 1:12:37 | 1:12:42 | |
have in his pocket, and after lunch would take his little ivory box out, | 1:12:42 | 1:12:49 | |
take his little silver toothpick out and make himself lovely again. | 1:12:49 | 1:12:54 | |
And for the ladies, | 1:12:54 | 1:12:56 | |
Anita is thinking this gold brooch - Edwardian and fabulous. | 1:12:56 | 1:13:01 | |
It has a lovely turquoise and little row of seed pearls. | 1:13:01 | 1:13:06 | |
Now, this is in the shape of a wishbone. | 1:13:08 | 1:13:11 | |
Maybe if I buy this brooch I get my wish to make a profit. | 1:13:11 | 1:13:15 | |
Well, if anyone can twist Philip's arm, it's you, Anita. Watch out! | 1:13:15 | 1:13:19 | |
I quite like the wee ivory box. Could it be sold for £45-£50? | 1:13:19 | 1:13:25 | |
I'd do a straight 50 on that | 1:13:26 | 1:13:28 | |
and that would give you a chance on that. And 60 on that. | 1:13:28 | 1:13:31 | |
I tell you what, what I would like to buy the two for is £100. | 1:13:31 | 1:13:36 | |
-That is what I would like to buy the two for. -I will do 100. | 1:13:36 | 1:13:39 | |
Yeah, that will give you a chance. | 1:13:39 | 1:13:42 | |
Oh, you're a darling! Thank you so much! | 1:13:42 | 1:13:44 | |
Don't you just love her? | 1:13:44 | 1:13:48 | |
As for James, he's all right, he's in Aldborough. | 1:13:48 | 1:13:53 | |
This charming town centres around one very well-kept village green. | 1:13:53 | 1:13:58 | |
And what was the grocer's store is now selling antiques and collectables. | 1:13:58 | 1:14:03 | |
-My word, what a collection of stone beer bottles. -I know. | 1:14:03 | 1:14:07 | |
-Is this your collection? -Well, I have gone downmarket. | 1:14:07 | 1:14:11 | |
So this is mainly to make the shop look a bit more interesting. | 1:14:11 | 1:14:17 | |
-You'll find more junk in here than the whole of Norfolk! -Ha-ha! | 1:14:17 | 1:14:20 | |
Now, obviously Terry has a dry sense of humour to say the least, | 1:14:20 | 1:14:24 | |
but a stroll through his shop soon reveals | 1:14:24 | 1:14:28 | |
a cornucopia of treasures. | 1:14:28 | 1:14:30 | |
That's the first piece of Charles and Camilla commemorative | 1:14:30 | 1:14:35 | |
I've ever seen. | 1:14:35 | 1:14:36 | |
-How much is that, just for interest? -I'd think a fiver. | 1:14:36 | 1:14:40 | |
It's Wedgwood and I've never ever seen one before. | 1:14:40 | 1:14:44 | |
I think it's quite good. But it is not for me today, though. | 1:14:44 | 1:14:47 | |
And so a wee bit of strolling and much chin rubbing later, | 1:14:48 | 1:14:54 | |
James quite likes the look of this. | 1:14:54 | 1:14:56 | |
As you'd expect for an Arts and Crafts style clock, it is carved in oak. | 1:14:56 | 1:15:00 | |
And at the top here we have these very stylised flag irises. | 1:15:00 | 1:15:05 | |
The whole shape is typical of the Arts and Crafts period - 1870, 1890. | 1:15:05 | 1:15:12 | |
With a very plain dial and the screws are prominent, not hidden. | 1:15:12 | 1:15:19 | |
Because the idea of the Arts and Crafts is you show how it's made. | 1:15:19 | 1:15:23 | |
It is, however, not as early as it looks. | 1:15:23 | 1:15:25 | |
It's 20th century, probably around 1930, | 1:15:25 | 1:15:30 | |
maybe even later than the Arts and Crafts style. | 1:15:30 | 1:15:34 | |
-How much is it? -I could do 30 quid. -I don't think it would make... | 1:15:34 | 1:15:38 | |
-By the time the commission gets taken off. -This is the problem. 25. | 1:15:38 | 1:15:42 | |
I think there is a profit in that one. | 1:15:42 | 1:15:44 | |
OK, that is something to think about. | 1:15:44 | 1:15:46 | |
What is this one, this little chap here? | 1:15:46 | 1:15:49 | |
-Oh, it is not as nice, is it? -No. | 1:15:49 | 1:15:52 | |
I'll do the two for 30 quid. | 1:15:52 | 1:15:55 | |
-Now there must be a profit. -30? | 1:15:55 | 1:15:59 | |
Would 20 buy them? | 1:15:59 | 1:16:01 | |
-By the time they take the commission off. -I know. | 1:16:01 | 1:16:04 | |
-Hang on, I'll get my handkerchief out in a minute. -Go on. | 1:16:04 | 1:16:06 | |
-25. How's that? -That's a deal. -OK. | 1:16:06 | 1:16:11 | |
That's James done and dusted then, and just moments | 1:16:11 | 1:16:14 | |
after his departure, guess who's also in the neighbourhood? | 1:16:14 | 1:16:17 | |
Hi! Are you Terry? | 1:16:17 | 1:16:20 | |
-Lovely to meet you. -What are you doing here? I just seen a friend of yours a while ago. | 1:16:20 | 1:16:26 | |
-Has that big besom James Lewis been here? -Yes, he certainly has. | 1:16:26 | 1:16:30 | |
-Has he bought all the bargains? -Well, he may have done. -Oh, no! | 1:16:30 | 1:16:33 | |
I am not 100 percent sure. | 1:16:33 | 1:16:35 | |
Don't you worry, Anita, Terry has something that might be right | 1:16:35 | 1:16:38 | |
up your "veg and meat", as in street. | 1:16:38 | 1:16:41 | |
Now there is a bargain that he did turn down. Have a look at this. | 1:16:41 | 1:16:45 | |
Have you ever seen one of those before? | 1:16:45 | 1:16:47 | |
I have never seen one in my life. | 1:16:47 | 1:16:50 | |
ANITA LAUGHS | 1:16:50 | 1:16:52 | |
It is lovely, Terry. But it is not for me. | 1:16:53 | 1:16:56 | |
-Every home should have one. -Now there's something that I looked at. | 1:16:56 | 1:16:59 | |
I don't have a lot of time so I'm pushed, I'm under pressure. | 1:16:59 | 1:17:03 | |
But this wee thing here, it's not a thing of any great significance. | 1:17:03 | 1:17:11 | |
Not going to make a lot of money, | 1:17:11 | 1:17:13 | |
but I have another two items which I thought | 1:17:13 | 1:17:15 | |
I might put this with my other items to make a wee lot. | 1:17:15 | 1:17:18 | |
Well, you're going to tell me you are hard up and you need to make a profit, so three quid? | 1:17:20 | 1:17:26 | |
ANITA LAUGHS | 1:17:26 | 1:17:28 | |
-How's that? -It is a very generous sort of price. But... | 1:17:28 | 1:17:34 | |
I thought there might be. | 1:17:34 | 1:17:37 | |
I am looking to put it with another item. | 1:17:37 | 1:17:40 | |
-It is just to bulk up the item and I was wondering if you could give me it for £1. -Oh, take the damn thing. | 1:17:40 | 1:17:47 | |
Well, that's us then. | 1:17:48 | 1:17:50 | |
Thanks very much. | 1:17:50 | 1:17:52 | |
I'm late. I'm late. | 1:17:52 | 1:17:54 | |
-I bought one thing. -That's right. | 1:17:54 | 1:17:56 | |
It's time to bring our experts back together for a little show and tell. | 1:17:56 | 1:18:00 | |
Ding-dong! | 1:18:00 | 1:18:02 | |
You ready? Lift one corner and... | 1:18:02 | 1:18:05 | |
Oh! The collection of fossils. | 1:18:05 | 1:18:09 | |
Which, as it turns out, have already been to auction not long ago, | 1:18:09 | 1:18:12 | |
selling for just £70. | 1:18:12 | 1:18:13 | |
And what would be the worst auction in the world, a week ago, | 1:18:15 | 1:18:21 | |
that these could have been seen in? | 1:18:21 | 1:18:23 | |
-The one we are going to next week. -Exactly. So they cost me £75. | 1:18:23 | 1:18:29 | |
And I think under almost any circumstance, | 1:18:29 | 1:18:32 | |
that would have a good chance at a profit. | 1:18:32 | 1:18:36 | |
You might get away, there might be a collector there who's entranced by it. | 1:18:36 | 1:18:40 | |
-And I think it is a very interesting lot. -There we are. | 1:18:40 | 1:18:42 | |
-Slide this back. -We will see what happens, James. | 1:18:42 | 1:18:45 | |
-You might be lucky. -Well, I need a lot of luck on my side, | 1:18:45 | 1:18:48 | |
if I'm to do anything with those. | 1:18:48 | 1:18:50 | |
Yes, talk about being between a rock and a hard place, James. | 1:18:50 | 1:18:53 | |
-What I've bought is a shortbread mould. -Is that what that is? | 1:18:53 | 1:19:00 | |
-How interesting. So what did you pay? -I paid £15 for it. -That is cheap. | 1:19:00 | 1:19:05 | |
-I can see that making 45. -You like it? -I do. -Good, James. | 1:19:05 | 1:19:11 | |
-There we are. -Oh, yes. | 1:19:11 | 1:19:13 | |
It's, er, my little elephant family inkwell. | 1:19:13 | 1:19:16 | |
I like the shape of the inkwell. | 1:19:16 | 1:19:18 | |
It has that geometric Art Deco look about it. | 1:19:18 | 1:19:21 | |
And that is putting a date on it. It's a nice little thing. | 1:19:21 | 1:19:25 | |
And continuing today's animal theme... | 1:19:25 | 1:19:28 | |
That is fantastic! | 1:19:28 | 1:19:31 | |
-It is a lovely pussy cat. -Isn't that wonderful? So, how much was he? | 1:19:31 | 1:19:36 | |
-He was £20. -Well, you know, Murano glass, in my opinion, | 1:19:36 | 1:19:40 | |
is very underrated. | 1:19:40 | 1:19:41 | |
And also the quality. | 1:19:41 | 1:19:43 | |
It's even got gold dust, hasn't it, in the collar here? | 1:19:43 | 1:19:46 | |
Let's hope we get gold dust in the price, James. | 1:19:46 | 1:19:49 | |
Yeah, a few sovereigns would be nice. | 1:19:49 | 1:19:51 | |
-How about that? -Oh, he's great! | 1:19:51 | 1:19:54 | |
He's looking at me. In a very strange way, James. | 1:19:55 | 1:19:59 | |
-What do you think he's worth? -Um... | 1:19:59 | 1:20:01 | |
I don't know, he's maybe worth 40, 45, £50? | 1:20:01 | 1:20:06 | |
-That is what I thought. Paid 20. -A good buy. -Yes. I thought it was all right. | 1:20:06 | 1:20:10 | |
My next item is a sweet little ivory box. | 1:20:10 | 1:20:14 | |
-Ahh, toothpick box, Georgian one. -That's right. -Oh, how lovely. | 1:20:14 | 1:20:19 | |
-1780? -Yeah, about that period. -Wonderful. | 1:20:19 | 1:20:24 | |
-How much was it? -£60. -Well, I think there is a profit there. | 1:20:24 | 1:20:28 | |
-You can imagine that making 100, 120. -Now that would be nice. | 1:20:28 | 1:20:33 | |
-What you think to that? -That is a big beastie. | 1:20:33 | 1:20:36 | |
I think that is lovely. | 1:20:36 | 1:20:38 | |
-I like that. -I had to toss a coin for it. | 1:20:38 | 1:20:43 | |
I lost. And I had to pay £60. | 1:20:43 | 1:20:46 | |
But I think that I would have paid | 1:20:46 | 1:20:48 | |
£60 any day of the week for that. I like it. | 1:20:48 | 1:20:52 | |
I have gone back to my jewellery again | 1:20:52 | 1:20:54 | |
and I bought this little Edwardian brooch. | 1:20:54 | 1:20:58 | |
One of the things I liked about it is the wishbone shape, | 1:20:58 | 1:21:03 | |
but the wishbone has been broken. | 1:21:03 | 1:21:06 | |
And the best end has been left there. | 1:21:06 | 1:21:09 | |
Yeah, it is the winning brooch, isn't it? It is the winning end. | 1:21:09 | 1:21:14 | |
What do you think to that little clock? | 1:21:14 | 1:21:16 | |
-Its face is a bit squeegee, James. -Squeegee? Squeegee? | 1:21:16 | 1:21:22 | |
-Not squeegee, squee-gee. -Oh! | 1:21:22 | 1:21:26 | |
-That is better. -What about that one? | 1:21:26 | 1:21:29 | |
I like that one. Yeah, it's good as well. | 1:21:32 | 1:21:34 | |
Probably together maybe £50 to £80. | 1:21:35 | 1:21:40 | |
I paid 25. | 1:21:40 | 1:21:41 | |
Oh, that's a good lot for 25, James. | 1:21:41 | 1:21:43 | |
-There we go, that is my last lot. -That's your last lot. | 1:21:43 | 1:21:46 | |
As for Anita's, it's a rather eclectic mix of glass and pottery. | 1:21:46 | 1:21:51 | |
-That's my favourite. -That is a nice one, I like that as well. | 1:21:51 | 1:21:55 | |
-What did you pay for...? -Cumulatively, £13. | 1:21:55 | 1:22:00 | |
I paid £12 for this lot and a pound for that. | 1:22:00 | 1:22:04 | |
Should make a couple of quid on that. | 1:22:04 | 1:22:06 | |
Good, well what a mixed bag, eh? | 1:22:07 | 1:22:09 | |
Yeah, but viva la difference. | 1:22:09 | 1:22:12 | |
Hmm? | 1:22:12 | 1:22:13 | |
Let's celebrate the difference in taste. | 1:22:13 | 1:22:17 | |
It was the Scottish-French accent. It threw me completely. | 1:22:17 | 1:22:21 | |
THEY LAUGH | 1:22:21 | 1:22:22 | |
Very diplomatic. But what do our experts really think? | 1:22:22 | 1:22:27 | |
James' two clocks might struggle. | 1:22:27 | 1:22:30 | |
They are a standard auction fare. | 1:22:30 | 1:22:33 | |
And this type of item has gone down in price. | 1:22:33 | 1:22:37 | |
But the little clock with the enamelled face deserves £25, | 1:22:37 | 1:22:42 | |
but maybe only in a retail situation. | 1:22:42 | 1:22:46 | |
I think he might be lucky to get out of that one. | 1:22:46 | 1:22:48 | |
I don't think Anita's got anything that's going to make big money. | 1:22:48 | 1:22:52 | |
But then again, | 1:22:52 | 1:22:53 | |
I don't think anything's there where she's going to lose either. | 1:22:53 | 1:22:57 | |
She's been very canny in the way she's spent, | 1:22:57 | 1:23:00 | |
hasn't spent very much money at all. | 1:23:00 | 1:23:02 | |
Whereas I have spent loads more money. Loads more. | 1:23:02 | 1:23:07 | |
After teeing off in Fakenham, | 1:23:07 | 1:23:09 | |
Anita and James end this leg | 1:23:09 | 1:23:11 | |
with an auction showdown | 1:23:11 | 1:23:13 | |
in the country village of Aylsham. | 1:23:13 | 1:23:16 | |
This picturesque spot was once renowned for its linen which | 1:23:16 | 1:23:21 | |
Edward II and Edward III couldn't get enough of. | 1:23:21 | 1:23:24 | |
And the markets there have been going strong now for 700 years, | 1:23:24 | 1:23:29 | |
but the reason we are here, Aylsham also has a weekly auction. | 1:23:29 | 1:23:33 | |
So what does Roy Murphy of Keys Auctioneers have to | 1:23:33 | 1:23:36 | |
say about James' and Anita's booty? | 1:23:36 | 1:23:39 | |
I think James has got the edge on today's showing. | 1:23:39 | 1:23:43 | |
His Newland piece and fossils, I think they are going to well. | 1:23:43 | 1:23:46 | |
On the other hand, Anita has got two pieces of jewellery. | 1:23:46 | 1:23:49 | |
She's got a little wishbone brooch and also a toothpick case | 1:23:49 | 1:23:53 | |
which, they could do well. | 1:23:53 | 1:23:55 | |
The smaller items, little items tend to do well here. | 1:23:55 | 1:23:58 | |
James started this leg with a very solid £420.20. | 1:23:58 | 1:24:02 | |
And after paying a reduced price on that fossil collection, | 1:24:02 | 1:24:07 | |
his total spend comes to £200 for five auction lots. | 1:24:07 | 1:24:12 | |
Anita, meanwhile, began with £306.84 and has been as frugal as ever, | 1:24:13 | 1:24:18 | |
spending £148 also for five auction lots. | 1:24:18 | 1:24:23 | |
So without further ado, let the auction begin! | 1:24:23 | 1:24:26 | |
First up, Anita's 1960s Murano glass pussy. Meow! | 1:24:27 | 1:24:33 | |
£30. I'm bid. At 30 in the middle of the room now. | 1:24:33 | 1:24:36 | |
32 at the back. 32. | 1:24:36 | 1:24:38 | |
35? 35. 38? 38. | 1:24:38 | 1:24:41 | |
40? No encouragement from the front there. 40 there. At 40. | 1:24:41 | 1:24:45 | |
42? 42 now. We will take it then at £42. | 1:24:45 | 1:24:50 | |
We're off to an exciting start! | 1:24:51 | 1:24:53 | |
That is a pre-commission profit of £22. | 1:24:53 | 1:24:56 | |
Well done. | 1:24:56 | 1:24:57 | |
Let's see if James' Arts and Crafts log bin can do better. | 1:25:00 | 1:25:04 | |
£50 start? £30 start? £30. I'm bid at 30. | 1:25:04 | 1:25:08 | |
32, I have in the middle of the room now. 32. | 1:25:08 | 1:25:11 | |
A fresh bid at 35. 38. | 1:25:11 | 1:25:13 | |
At 38, the hammer is up, I shall sell then. At £38. | 1:25:13 | 1:25:19 | |
Well! | 1:25:19 | 1:25:20 | |
That was disappointing. | 1:25:20 | 1:25:22 | |
-I thought it would do more than that. -I mean, really?! | 1:25:22 | 1:25:25 | |
-Huge loss. -£22, to be exact, old bean. | 1:25:27 | 1:25:30 | |
Although, on a happier note, if you would like to make the world's | 1:25:30 | 1:25:34 | |
biggest shortbread biscuit, | 1:25:34 | 1:25:36 | |
then look no further than Anita's next lot. | 1:25:36 | 1:25:38 | |
Look at that! | 1:25:38 | 1:25:40 | |
Opening bid here beside me at 30. | 1:25:41 | 1:25:44 | |
We are all out at £30 in the room. £30 I have. At £30. 32. | 1:25:44 | 1:25:49 | |
35? 35. 38? 38? 38. 40? | 1:25:49 | 1:25:54 | |
42. Right-hand side, takes it then at 42. | 1:25:54 | 1:25:57 | |
So far our canny Anita is on the money. | 1:25:57 | 1:26:02 | |
That is another profit of £27. Hooray! | 1:26:02 | 1:26:05 | |
Time for James' collection of early 20th-century clocks. | 1:26:06 | 1:26:10 | |
Which even HE is beginning to doubt. | 1:26:10 | 1:26:12 | |
I like the stylised irises. It is a good heavy solid oak clock. | 1:26:12 | 1:26:18 | |
The other one's been around. | 1:26:18 | 1:26:20 | |
£50 is the opening bid beside me now. | 1:26:20 | 1:26:23 | |
At 50, 50 the opening bed is 50. 55. 60. 65. | 1:26:23 | 1:26:29 | |
70, 75. 80. 85. 90. | 1:26:29 | 1:26:32 | |
Right beside me at 90. | 1:26:32 | 1:26:35 | |
All done then at 90. £90 goes to commission. | 1:26:35 | 1:26:38 | |
Bravo, James. That's a sensational profit of £65. | 1:26:38 | 1:26:42 | |
That was good. That was... Stunned into complete silence. | 1:26:42 | 1:26:46 | |
Onto Anita's mixed lot now, | 1:26:46 | 1:26:49 | |
which from Murano glass to Scandinavian pottery, has it all. | 1:26:49 | 1:26:55 | |
£10. Five for it? Do I hear £5 anywhere for it? | 1:26:55 | 1:27:00 | |
Five pounds. Five. Eight? | 1:27:00 | 1:27:02 | |
Do you want 10, madam? Ten it is now. At 10. | 1:27:02 | 1:27:06 | |
12 in the middle of the room. At 15. A fresh bidder. At 15. | 1:27:06 | 1:27:10 | |
At 15 then and selling. 15. | 1:27:10 | 1:27:12 | |
I thought they were going to sell it at five for a minute. | 1:27:12 | 1:27:16 | |
I know. Maybe I should have taken that plaque for nothing! | 1:27:16 | 1:27:20 | |
Yap, a poor showing there. But moving on... | 1:27:20 | 1:27:23 | |
it's James' Art Deco desk stand. | 1:27:23 | 1:27:26 | |
Finely adorned with a family of heffalumps! | 1:27:27 | 1:27:31 | |
Starting me at £50 on this lot here? At 50? 30? £20 start. | 1:27:31 | 1:27:35 | |
20, I'm bid in the middle of the room. | 1:27:35 | 1:27:38 | |
20? 20? 22? | 1:27:38 | 1:27:40 | |
25, 28. 30. 32. | 1:27:40 | 1:27:41 | |
35. 38. 40. 42. 45. | 1:27:43 | 1:27:47 | |
48. 50. 55. 60. 65. | 1:27:47 | 1:27:50 | |
70. 75. No. 75. | 1:27:51 | 1:27:54 | |
At 75. 75 and all done. Hammer's up and away then at 75. | 1:27:54 | 1:27:59 | |
Well blow me down, that's a result and a half! | 1:27:59 | 1:28:02 | |
Not to mention a £55 profit pre-commission. | 1:28:02 | 1:28:05 | |
Something to trumpet about. | 1:28:05 | 1:28:07 | |
Yup, here is hoping the bidders are just as passionate | 1:28:07 | 1:28:10 | |
when it comes to Anita's Edwardian gold brooch. | 1:28:10 | 1:28:14 | |
-I think we both liked that. -Yeah, the wishbone. -Yeah! | 1:28:14 | 1:28:18 | |
£40 is the bid beside me here. | 1:28:18 | 1:28:21 | |
£40 now. At 40, 42. 45. 48. | 1:28:21 | 1:28:25 | |
50? No. At 50. 55, fresh bidder. 55. | 1:28:25 | 1:28:30 | |
60. 60 beside me. Still at 60. You're out in the room. | 1:28:30 | 1:28:34 | |
60. £60 goes to commission. | 1:28:34 | 1:28:37 | |
Not a bad result. But we were hoping for better. | 1:28:38 | 1:28:41 | |
-Next it's James' rather amusing table gong. -We will start at £50. | 1:28:43 | 1:28:49 | |
50? 30? Is the bid at 30? | 1:28:49 | 1:28:52 | |
32 - I have now. At 35. 38. 38, 40? | 1:28:52 | 1:28:57 | |
£40. Now at 40. | 1:28:57 | 1:28:59 | |
40. 42. 45? | 1:28:59 | 1:29:03 | |
45, 48 at the back now. At 48. | 1:29:03 | 1:29:06 | |
48. The hammer's up, I will sell at £48. £48. | 1:29:06 | 1:29:11 | |
-That is a good profit. -It is. | 1:29:11 | 1:29:13 | |
-I am happy with that. -And so you should be, James. | 1:29:13 | 1:29:17 | |
£28, that is not to be sniffed at. | 1:29:17 | 1:29:20 | |
One of my favourites now - Anita's Georgian ivory toothpick box, | 1:29:22 | 1:29:26 | |
complete with silver toothpick. | 1:29:26 | 1:29:29 | |
That is a lovely classic little Georgian antique. | 1:29:29 | 1:29:32 | |
46 is the opening bid. 46. 46. 46. 48. | 1:29:32 | 1:29:38 | |
48. A fresh bid at 50. 55 now. | 1:29:38 | 1:29:41 | |
At 55. At 55 now. Hammer's up. We will sell then. At 55. | 1:29:41 | 1:29:46 | |
Oh, a bit disappointed at that. | 1:29:46 | 1:29:49 | |
I'll say. That was very surprising. | 1:29:49 | 1:29:52 | |
But the drama isn't over yet. | 1:29:54 | 1:29:55 | |
We are ending with a lot that's no stranger to this auction house - | 1:29:55 | 1:29:59 | |
it's James' infamous fossil collection. | 1:29:59 | 1:30:02 | |
And we start here at £100 on this lot here. £100 is the bid. | 1:30:02 | 1:30:08 | |
It is right beside me here. We have an opening bid of £100 now. | 1:30:08 | 1:30:11 | |
The hammer is up at £100 and selling. £100 goes to commission. | 1:30:11 | 1:30:16 | |
Never mind, you made a profit, James. | 1:30:16 | 1:30:19 | |
Yes, against the odds, too. | 1:30:19 | 1:30:20 | |
The story of James' fossils has a happy ending, for James. | 1:30:20 | 1:30:25 | |
Anita, though, started this leg with £306.84. | 1:30:25 | 1:30:31 | |
And has made a modest profit of £27.48. | 1:30:31 | 1:30:34 | |
Giving her a grand total of £334.32 to spend tomorrow, bless her. | 1:30:34 | 1:30:41 | |
James, meanwhile, began with £428.20. | 1:30:41 | 1:30:44 | |
And after another cracking auction, | 1:30:44 | 1:30:47 | |
he's made a profit of £87.82, which means the lead is still his | 1:30:47 | 1:30:53 | |
with £516.02 in the kitty. Cheer up! | 1:30:53 | 1:30:59 | |
What a day. Do you know, I will never ever try and predict an auction again. | 1:30:59 | 1:31:06 | |
The things that we thought were going to do well didn't. | 1:31:06 | 1:31:10 | |
And other things that we weren't too sure about went up in price. | 1:31:10 | 1:31:14 | |
-Yeah, completely crazy. -Where are we going, James? -Suffolk. | 1:31:14 | 1:31:18 | |
-That sounds nice. -Adventure. -Adventure. | 1:31:19 | 1:31:24 | |
Next time on the Antiques Road Trip - Anita finds what she is looking for. | 1:31:27 | 1:31:31 | |
There are a couple of Scottish items on this desk. | 1:31:31 | 1:31:34 | |
And James finds time for a new hobby. | 1:31:34 | 1:31:37 | |
-Arms straight out. -Oh, look at that! | 1:31:37 | 1:31:40 | |
Subtitles by Red Bee Media Ltd | 1:31:52 | 1:31:55 |