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The nation's favourite antique experts, | 0:48:01 | 0:48:03 | |
£200 each and one big challenge. | 0:48:03 | 0:48:06 | |
Well, duck, do I buy you or don't I? | 0:48:06 | 0:48:08 | |
Who can make the most money | 0:48:08 | 0:48:10 | |
buying and selling antiques as they scour the UK? | 0:48:10 | 0:48:13 | |
The aim is trade up and hope that each antique turns a profit, | 0:48:13 | 0:48:16 | |
but it is not as easy as it looks | 0:48:16 | 0:48:19 | |
and dreams of glory can end in tatters. | 0:48:19 | 0:48:20 | |
I'm a loser. | 0:48:20 | 0:48:23 | |
Will it be the fast lane to success or the slow road to bankruptcy? | 0:48:23 | 0:48:26 | |
Oh, there's a mouse. | 0:48:26 | 0:48:29 | |
This is the Antiques Road Trip. | 0:48:29 | 0:48:31 | |
Yeah. | 0:48:34 | 0:48:36 | |
It's the fourth day of our road trip and our duelling duo, | 0:48:36 | 0:48:40 | |
David Barby and Charles Hanson, are on the home straight | 0:48:40 | 0:48:44 | |
in their classic 1959 Hillman Minx. And Charles is feeling rather smug. | 0:48:44 | 0:48:49 | |
At the moment Hanson is challenging for the title, David, | 0:48:50 | 0:48:54 | |
what's going on? | 0:48:54 | 0:48:55 | |
I feel very much like something from the past, not really with it. | 0:48:55 | 0:49:01 | |
-You're the dinosaur and I'm the... -New breed, yes. | 0:49:01 | 0:49:05 | |
-Are we in second gear or third? -Second gear. -Don't panic. | 0:49:05 | 0:49:07 | |
Throughout this week David, | 0:49:07 | 0:49:10 | |
an antiques valuer and lover of the quirky, | 0:49:10 | 0:49:13 | |
has developed some unique ways of sealing a deal... | 0:49:13 | 0:49:16 | |
Yeah. Two buys. | 0:49:16 | 0:49:19 | |
..but has also been laid low by a series of auction disasters. | 0:49:19 | 0:49:24 | |
Going at five. | 0:49:24 | 0:49:27 | |
I'll tell you what, it's been like a rollercoaster, a big dipper. | 0:49:27 | 0:49:30 | |
Charles, on the other hand, | 0:49:30 | 0:49:33 | |
is an auctioneer with a love of English porcelain and tight places. | 0:49:33 | 0:49:38 | |
-John, I'm stuck. -Are you stuck? -John. | 0:49:38 | 0:49:41 | |
He's always in a rush. | 0:49:41 | 0:49:43 | |
I've now realised, for the first time, there are four gears, | 0:49:45 | 0:49:48 | |
not just two. | 0:49:48 | 0:49:49 | |
Each of our experts began this week | 0:49:49 | 0:49:52 | |
with a whopping £200 in their pocket, | 0:49:52 | 0:49:55 | |
but after the third leg of this Antiques Road Trip, | 0:49:55 | 0:49:59 | |
Charles is winning by a nose. | 0:49:59 | 0:50:01 | |
So far he has made £269.46 | 0:50:04 | 0:50:05 | |
and has a commanding lead of nearly 14 whole pounds over his rival. | 0:50:07 | 0:50:12 | |
Cheer up. | 0:50:13 | 0:50:14 | |
You've made a profit, I'm making losses, so don't grumble at that. | 0:50:14 | 0:50:19 | |
Yes, you tell him, David. | 0:50:19 | 0:50:21 | |
He's used to being in the front | 0:50:21 | 0:50:23 | |
and now has to make do with a more modest £255.48 to spend. | 0:50:23 | 0:50:28 | |
David, what are you looking for? | 0:50:31 | 0:50:32 | |
I'll tell you what, Charles, I wish I could find something startling... | 0:50:32 | 0:50:36 | |
Like the landscape? | 0:50:36 | 0:50:38 | |
..really startling. | 0:50:38 | 0:50:41 | |
But all is not lost. | 0:50:41 | 0:50:42 | |
This road trip is taking our experts from Lichfield down to Frome, | 0:50:43 | 0:50:48 | |
up to the Wirral peninsula and finally to Nottingham. | 0:50:48 | 0:50:52 | |
Today, though, they're getting into gear in Chester, in Cheshire, | 0:50:54 | 0:50:58 | |
before veering east to North Rode, near Congleton, for the auction. | 0:50:58 | 0:51:02 | |
The history of Chester dates back to Roman times | 0:51:05 | 0:51:08 | |
but you don't have to do an archaeological dig to find it. | 0:51:08 | 0:51:12 | |
Its city wall is one of the best preserved in the British Isles | 0:51:12 | 0:51:16 | |
and its stunning black-and-white 19th-century buildings, | 0:51:16 | 0:51:20 | |
modelled on the Jacobean style, are all too plain to see. | 0:51:20 | 0:51:23 | |
David, David, look at the heritage around you, | 0:51:28 | 0:51:31 | |
feel the fertile lands of this great city. | 0:51:31 | 0:51:33 | |
Charles, you should write a travel guide, really. | 0:51:33 | 0:51:37 | |
Oh, I don't know, his sense of direction is appalling. | 0:51:37 | 0:51:41 | |
Still, when it comes to finding an antique shop he has a sort of... | 0:51:41 | 0:51:46 | |
knack. | 0:51:46 | 0:51:48 | |
Antiques, hopefully antiques in here. There we are. I'm in. | 0:51:50 | 0:51:55 | |
And it doesn't take long before Hawkeye Hanson finds his prey, | 0:51:56 | 0:52:00 | |
which is unusual for him. | 0:52:00 | 0:52:02 | |
This is an interesting little work of art, I quite like this, | 0:52:02 | 0:52:05 | |
perhaps, Kelvin, it's a snuff box | 0:52:05 | 0:52:07 | |
but the interior is fully mirrored which makes me think, obviously, | 0:52:07 | 0:52:12 | |
it was more a box to cover up your pores, | 0:52:12 | 0:52:15 | |
to cover up your smallpox or boils. | 0:52:15 | 0:52:18 | |
Very glitzy, very glamorous, you can imagine a WAG today in Wilmslow | 0:52:18 | 0:52:22 | |
buying this and taking it off and showing Wayne Rooney, maybe. | 0:52:22 | 0:52:26 | |
-Do you agree, Kelvin? -I do agree, entirely. | 0:52:26 | 0:52:29 | |
But it's Georgian, Charles, not diamante. | 0:52:29 | 0:52:32 | |
Now, anything else? | 0:52:32 | 0:52:34 | |
-I quite like this over here, Kelvin, as well. -It's a money box. | 0:52:34 | 0:52:38 | |
What I like about it is it's a late Victorian seamed brass-cast money bank | 0:52:38 | 0:52:45 | |
for a young person in the Victorian era. | 0:52:45 | 0:52:48 | |
You have to unscrew the nut to take out your money. | 0:52:48 | 0:52:51 | |
I think it's charming. | 0:52:51 | 0:52:54 | |
I want to believe it, I want to believe, Kelvin, it's Victorian | 0:52:54 | 0:52:56 | |
and it's pucker but so many of these, over the years, | 0:52:56 | 0:53:02 | |
have been reproduced. I'm always so wary, Kelvin. | 0:53:02 | 0:53:07 | |
I agree, Charles, but I think that one is right. | 0:53:07 | 0:53:11 | |
It's got all the right age and polishing on it. | 0:53:11 | 0:53:14 | |
Have you got a little utensil? | 0:53:14 | 0:53:16 | |
There's all this old dirt in these mullioned windows, look at this. | 0:53:16 | 0:53:21 | |
You've got all this powdered polish and dirt coming out. | 0:53:21 | 0:53:25 | |
My penknife is now quite dirty, or Kelvin's is. | 0:53:25 | 0:53:30 | |
But I don't doubt that, Kelvin, I think it's all genuine. | 0:53:30 | 0:53:33 | |
Amazing what a bit of dirt can tell you. | 0:53:33 | 0:53:36 | |
So whilst Charles cogitates over his boxes, little and large, | 0:53:36 | 0:53:40 | |
David is down the road in the glamorous Bank Gallery Antiques | 0:53:40 | 0:53:43 | |
with Rachel, poor girl. | 0:53:43 | 0:53:46 | |
What's this strange little thing here? | 0:53:46 | 0:53:49 | |
It's a dressing table brush, it could be a gent's shaving brush. | 0:53:49 | 0:53:53 | |
Oh, no. | 0:53:53 | 0:53:55 | |
I think what this is for is for brushing off powder, | 0:53:55 | 0:54:00 | |
after ladies had put powder onto their faces, | 0:54:00 | 0:54:03 | |
because it's a gentle brush, they would just brush it off. | 0:54:03 | 0:54:07 | |
The thistle motif here was quite popular on hat pins. | 0:54:07 | 0:54:11 | |
-How much is it? -£43. -Ohh. | 0:54:11 | 0:54:14 | |
What's the very best you could do on that? | 0:54:14 | 0:54:16 | |
On that one, really because of the price of silver... | 0:54:16 | 0:54:19 | |
Oh, feel the weight, there's no silver there. | 0:54:19 | 0:54:21 | |
We could let that go for 32, and that's a good price. | 0:54:21 | 0:54:24 | |
Let's split the difference at 30. Stone's a bit chipped. | 0:54:25 | 0:54:30 | |
-I'll let it go for 30. -We have a purchase. | 0:54:30 | 0:54:32 | |
-There you go. -Thank you very much. | 0:54:32 | 0:54:34 | |
Your hands are cold. You should have a warm heart. | 0:54:34 | 0:54:38 | |
Oh, David, she has knocked £13 off the ticket price, you know. | 0:54:38 | 0:54:43 | |
Some people are never happy. | 0:54:43 | 0:54:46 | |
Right, what's Charles up to? | 0:54:48 | 0:54:49 | |
More to the point, has he bought anything yet? I suspect not. | 0:54:49 | 0:54:53 | |
Oh, they're interesting. | 0:54:54 | 0:54:56 | |
-Kelvin, where did the these come from? -I think they are German. | 0:54:56 | 0:55:00 | |
When I bought them, originally, I thought they were transfer printed. | 0:55:00 | 0:55:03 | |
-Right. -But when you look at them very closely, | 0:55:03 | 0:55:05 | |
they are actually handpainted. | 0:55:05 | 0:55:07 | |
Yes. They are delightful vignettes of | 0:55:07 | 0:55:09 | |
these courting couples, in a 1730s style but reproduced in the 1870s. | 0:55:09 | 0:55:15 | |
I think they're charming, they're decorative, but what would you do with them? | 0:55:15 | 0:55:19 | |
-You could put them in a four on the wall. -Yes. | 0:55:19 | 0:55:21 | |
Or you could do them individually. | 0:55:21 | 0:55:23 | |
I mean, they're plaques rather than tiles, aren't they? | 0:55:23 | 0:55:26 | |
I've called them a tile but I think they are actually plaques. | 0:55:26 | 0:55:30 | |
I like the word tile, Kelvin, it makes them sound cheaper | 0:55:30 | 0:55:33 | |
and possibly more in my price range. | 0:55:33 | 0:55:35 | |
-Bathroom tiles, aren't they, really? -Plaques, Charles. | 0:55:35 | 0:55:38 | |
Sorry, Kelvin, plaques. Or in the south they call them pla-agues. | 0:55:38 | 0:55:42 | |
Enough of your plaques and your pla-aques, young man. | 0:55:44 | 0:55:48 | |
You've eyed up the £40 patch box, the £88 money box | 0:55:50 | 0:55:54 | |
and those tiles marked at £100. | 0:55:54 | 0:55:57 | |
So what about a deal, Kelvin? | 0:55:57 | 0:56:00 | |
That's £50, Charles, that's £25, Charles. | 0:56:00 | 0:56:04 | |
-£75, yeah. -If you buy those. -Yes, yes. | 0:56:04 | 0:56:08 | |
Those can be £30. | 0:56:08 | 0:56:10 | |
-Between friends. -The lot. They are £20 each. | 0:56:10 | 0:56:14 | |
Goodness me. HE GULPS | 0:56:14 | 0:56:16 | |
-Which makes a grand sum of £105, is that right? -Yeah. | 0:56:16 | 0:56:20 | |
I feel we've got the chemistry, I feel we're like brothers. | 0:56:20 | 0:56:23 | |
Well, we are fairly close now, aren't we? | 0:56:23 | 0:56:26 | |
I'll buy the whole lot for 95 and it's done. | 0:56:28 | 0:56:32 | |
Sorry, Charles, can't do. No. | 0:56:32 | 0:56:34 | |
-I'll sell you that for £45, Charles. -Yeah. | 0:56:34 | 0:56:37 | |
If you buy that for the £20. | 0:56:37 | 0:56:39 | |
So that's total then. | 0:56:40 | 0:56:42 | |
Which would mean 45 plus... | 0:56:42 | 0:56:44 | |
-20. -..which is 65... | 0:56:44 | 0:56:48 | |
Yeah, and 30 | 0:56:48 | 0:56:50 | |
..which makes 95. | 0:56:50 | 0:56:51 | |
Hang on, £95? But didn't Kelvin say... | 0:56:51 | 0:56:55 | |
Oh, well, never mind. He's not noticed. | 0:56:55 | 0:56:58 | |
I'm going, I'm happy. | 0:56:58 | 0:57:01 | |
Shake hands, quick. | 0:57:01 | 0:57:02 | |
-£95? -Yes. -We are done. | 0:57:02 | 0:57:05 | |
Unheard of for me, I've bought three items in my first shop, | 0:57:05 | 0:57:09 | |
what's going on? I'm hopefully having an explosion of self belief. | 0:57:09 | 0:57:12 | |
And about time, too. | 0:57:12 | 0:57:14 | |
Now, whilst Charles comes to terms with his significant achievement, | 0:57:17 | 0:57:21 | |
David is not resting on his laurels. | 0:57:21 | 0:57:24 | |
He's in a shop with an outdoor theme. | 0:57:24 | 0:57:28 | |
That's quite interesting. | 0:57:28 | 0:57:29 | |
These are edging for a garden path. | 0:57:29 | 0:57:33 | |
So you would create your garden path | 0:57:33 | 0:57:36 | |
and you would create it with cinder. | 0:57:36 | 0:57:38 | |
Then, you have your garden on that side | 0:57:38 | 0:57:40 | |
and this would be the division | 0:57:40 | 0:57:42 | |
between the cinder path and the garden. | 0:57:42 | 0:57:45 | |
These date probably from the middle of the Victorian period. | 0:57:45 | 0:57:48 | |
And for those of you wondering, | 0:57:48 | 0:57:51 | |
there's about a 15-foot run of edging tiles in that box | 0:57:51 | 0:57:56 | |
and they're £95 all in. | 0:57:56 | 0:57:59 | |
Miss Marple would have loved this. It's for spraying roses. | 0:57:59 | 0:58:03 | |
If they've got bugs. | 0:58:03 | 0:58:06 | |
You have two side sections here. So you've got a single jet there | 0:58:06 | 0:58:10 | |
and the other side you can change it round to a multijet | 0:58:10 | 0:58:14 | |
which you can unscrew and then put on the top there. | 0:58:14 | 0:58:17 | |
Careful. | 0:58:17 | 0:58:19 | |
That really is a fascinating object. | 0:58:19 | 0:58:23 | |
At £24 it's worth a squeeze. | 0:58:24 | 0:58:26 | |
Simon, I rather like the garden edging tiles | 0:58:27 | 0:58:30 | |
but they are little bit off-putting on the price. | 0:58:30 | 0:58:33 | |
-Right. -And I like the garden syringe. | 0:58:33 | 0:58:36 | |
If I went for the tiles on their own, how much would they be? | 0:58:36 | 0:58:40 | |
I'll do the tiles for 65 and the sprayer for 18. | 0:58:40 | 0:58:45 | |
I reckon they are worth £45, those tiles. | 0:58:45 | 0:58:48 | |
You are being very hard on me today. | 0:58:48 | 0:58:50 | |
Oh, aah, oh. | 0:58:50 | 0:58:53 | |
We know that expression. | 0:58:53 | 0:58:56 | |
If I went for the edging tiles, at 45, and the sprayer at 18. | 0:58:56 | 0:58:59 | |
Go on then, you drive a hard bargain. | 0:59:01 | 0:59:04 | |
Oh, thank you very much indeed. That's very kind of you. | 0:59:04 | 0:59:08 | |
Right, I've got two quirky objects now. | 0:59:08 | 0:59:11 | |
Quirky? I'll say that, David. | 0:59:11 | 0:59:13 | |
Exhausted by his sudden flush of confidence earlier, | 0:59:15 | 0:59:18 | |
Charles is taking a rest from shopping. | 0:59:18 | 0:59:20 | |
He's left Chester behind for a lie down. | 0:59:20 | 0:59:22 | |
No, he hasn't, he's actually motoring, | 0:59:22 | 0:59:24 | |
as only Charles can, 15 miles north to the Wirral peninsula | 0:59:24 | 0:59:28 | |
and Port Sunlight, but will he find his way. | 0:59:28 | 0:59:31 | |
Oh, yes, he has. | 0:59:31 | 0:59:33 | |
This is a special return visit to this very pretty Victorian village | 0:59:33 | 0:59:37 | |
for the Antiques Road Trip. | 0:59:37 | 0:59:39 | |
Built by soap magnate William Hesketh Lever, | 0:59:39 | 0:59:41 | |
to house his factory workers, | 0:59:41 | 0:59:43 | |
Port Sunlight was hailed | 0:59:43 | 0:59:45 | |
as a modern antidote to austere Victorian living, | 0:59:45 | 0:59:48 | |
so much so it attracted the attention of royalty. | 0:59:48 | 0:59:51 | |
Previously, expert Mark Stacey looked at how Lever pioneered advertising, | 0:59:52 | 0:59:56 | |
but this time it's Charles who returns | 0:59:56 | 1:00:00 | |
to investigate that famous royal connection. | 1:00:00 | 1:00:04 | |
They don't call him Juan Carlos for nothing. | 1:00:04 | 1:00:06 | |
It looks so chocolate-boxy, everything is idyllic, | 1:00:06 | 1:00:09 | |
everything is so well manicured | 1:00:09 | 1:00:12 | |
from the brickwork to the plantations, it looks idyllic. | 1:00:12 | 1:00:16 | |
Charles' first port of call is the social club for a history lesson | 1:00:17 | 1:00:21 | |
from exhibitions officer Stuart Irwin, | 1:00:21 | 1:00:24 | |
who looks even younger than Charles. | 1:00:24 | 1:00:25 | |
This site looks impressive, how did it come about? | 1:00:25 | 1:00:29 | |
Well, originally it was a piece of marshland, | 1:00:29 | 1:00:31 | |
it was covered by tidal creeks that came from the River Mersey | 1:00:31 | 1:00:34 | |
-which at high tide would flood the whole piece. -Yes. | 1:00:34 | 1:00:37 | |
Now, William Hesketh Lever, later the first Lord Leverhulme, | 1:00:37 | 1:00:39 | |
saw a lot of potential in it. | 1:00:39 | 1:00:41 | |
He had planning permission to build a factory there | 1:00:41 | 1:00:43 | |
and he knew he wanted to create a housing estate for his workers. | 1:00:43 | 1:00:46 | |
-And his factory produced... -Soap. -..soap. | 1:00:46 | 1:00:50 | |
..Sunlight soap. | 1:00:50 | 1:00:53 | |
And it was thanks to this simple domestic product, | 1:00:53 | 1:00:56 | |
that work could begin here in 1888 | 1:00:56 | 1:00:59 | |
to house many of Lever's 7,000 factory workers. | 1:00:59 | 1:01:02 | |
You've got no old soap, have you, to show me? | 1:01:06 | 1:01:08 | |
-We've got a couple of blocks. -Have you really? This is original soap. | 1:01:08 | 1:01:12 | |
Oh, my goodness me. So what age is this, Stuart? | 1:01:12 | 1:01:15 | |
I'd estimate this to be from around about the 1930s. | 1:01:15 | 1:01:17 | |
-Wowee, may I touch it? -You may. -So this is original? | 1:01:17 | 1:01:21 | |
It still smells. | 1:01:21 | 1:01:23 | |
Oops, on my nose. | 1:01:23 | 1:01:25 | |
By the mid-1890s the company was selling 40,000 tons of soap | 1:01:25 | 1:01:29 | |
and Lever wanted his workers to benefit from this prosperity. | 1:01:29 | 1:01:35 | |
When you think of these great industrial towns like Manchester, | 1:01:37 | 1:01:40 | |
Warrington and you think, you know, | 1:01:40 | 1:01:42 | |
the workhouse and life here must be like paradise to workers? | 1:01:42 | 1:01:46 | |
The average death rate was a lot lower | 1:01:46 | 1:01:48 | |
than elsewhere in the country, the birth rate was a lot higher. | 1:01:48 | 1:01:50 | |
Port Sunlight children were generally healthier, stronger | 1:01:50 | 1:01:53 | |
than their counterparts across the water in Liverpool. | 1:01:53 | 1:01:56 | |
In March 1914, the village was given the royal seal of approval. | 1:01:58 | 1:02:03 | |
King George V and Queen Mary visited the factory | 1:02:03 | 1:02:06 | |
and out came the bunting, the invitations and the dance cards. | 1:02:06 | 1:02:10 | |
There were eight dances held in the wake of the king and queen's visit. | 1:02:10 | 1:02:15 | |
One of them, you will notice there, | 1:02:15 | 1:02:17 | |
the ladies' waltz which I think was a particular favourite. | 1:02:17 | 1:02:19 | |
The girls would all line up on one side of the auditorium. | 1:02:19 | 1:02:23 | |
The male employees would line up on the other side | 1:02:23 | 1:02:26 | |
and on the signal the girls would rush across and pick their partner. | 1:02:26 | 1:02:29 | |
In 1930, the Lever factory became Unilever, | 1:02:35 | 1:02:39 | |
the company that survives today. | 1:02:39 | 1:02:42 | |
And while many of the houses are now privately owned, | 1:02:42 | 1:02:45 | |
the community spirit Lever helped build here still endures. | 1:02:45 | 1:02:49 | |
Meanwhile, back in Chester, David is hunting hard for something | 1:02:55 | 1:02:59 | |
that'll turn the tables on his young rival | 1:02:59 | 1:03:02 | |
and he's dropped in on our old friend Kelvin. | 1:03:02 | 1:03:05 | |
-Hello. -Hello. -David Barby. -Kelvin. | 1:03:05 | 1:03:09 | |
David has spent the day buying quirky items | 1:03:09 | 1:03:10 | |
and something tells me it's not going to stop here. | 1:03:10 | 1:03:15 | |
There you go, David, just have a look in there. | 1:03:15 | 1:03:17 | |
Oh, that's for needles, what is it, it's pressed paper, isn't it? | 1:03:17 | 1:03:21 | |
I think the top is pressed paper and then felt underneath, isn't it? | 1:03:21 | 1:03:24 | |
Gosh, that is so unbelievably delicate. | 1:03:24 | 1:03:27 | |
This unusual pussy needlecase dates from the late 19th century | 1:03:27 | 1:03:32 | |
when embroidery was experiencing something of a revival | 1:03:32 | 1:03:36 | |
thanks to the arts and crafts movement. | 1:03:36 | 1:03:38 | |
I see, while you're stroking that, you're a lover of cats, David. | 1:03:39 | 1:03:43 | |
-It won't meow at you now. -Oh, isn't that lovely? | 1:03:43 | 1:03:47 | |
He doesn't look a happy pussycat. | 1:03:47 | 1:03:49 | |
-Well, I tell you what will tie up nicely with it. -What's that? | 1:03:49 | 1:03:52 | |
A little pair of Georgian scissors. | 1:03:52 | 1:03:55 | |
They are so fine, that when a lady had come to the end of her needlework | 1:03:55 | 1:03:58 | |
she would just cut the thread like that. | 1:03:58 | 1:04:01 | |
Oh, what a choice little object. | 1:04:01 | 1:04:04 | |
And at £18, I feel a sort of sewing job lot coming on. | 1:04:07 | 1:04:10 | |
-This, David, do you know what it is? -Oh, it's a bodkin, is it? | 1:04:12 | 1:04:16 | |
-No, well, it's not a bodkin in such as. -Oh. | 1:04:16 | 1:04:20 | |
What's the little scoop for? | 1:04:20 | 1:04:21 | |
-I'd hate to think it was for medicine. -It's for wax, ear wax. | 1:04:21 | 1:04:25 | |
-Ooh. -You take a bit of ear wax to put on your thread | 1:04:25 | 1:04:28 | |
so that your thread was supple. | 1:04:28 | 1:04:30 | |
No. | 1:04:30 | 1:04:31 | |
Yeah, honestly, so you could put it through that gap there | 1:04:31 | 1:04:33 | |
and bodkin it through. | 1:04:33 | 1:04:35 | |
-Urggh. -Oh, it works, look. | 1:04:35 | 1:04:38 | |
Do you know, I think that's a wonderful thing. | 1:04:41 | 1:04:44 | |
Right, I've got three items there, haven't I? | 1:04:44 | 1:04:47 | |
So that could all go as one lot. I love the cat. | 1:04:47 | 1:04:50 | |
-There's £18.50 on the cat but it's £10 to you. -OK. | 1:04:50 | 1:04:53 | |
£18 on that and it's also £10 for that. | 1:04:53 | 1:04:57 | |
There's £10 on that, so that's a £5 note. | 1:04:57 | 1:05:03 | |
So you've spent the vast total of £25. | 1:05:03 | 1:05:05 | |
That sounds fair to me. | 1:05:05 | 1:05:08 | |
Look out, it's the Barby stare. | 1:05:10 | 1:05:12 | |
And Kelvin's got one to match. | 1:05:12 | 1:05:15 | |
Who's going to crack first, then? | 1:05:15 | 1:05:18 | |
-You're still thinking? -'You're still thinking, you're still thinking.' | 1:05:23 | 1:05:28 | |
Come on, David, part with your £25. Don't be mean. | 1:05:28 | 1:05:31 | |
-Can we split it at £22? -I can't, honestly. | 1:05:32 | 1:05:36 | |
He's a hard man, Kelvin. | 1:05:36 | 1:05:38 | |
We've learnt that today. | 1:05:38 | 1:05:40 | |
I'm sorry, David, it's £25 for three nice items. | 1:05:40 | 1:05:44 | |
I'd like to sell you something more expensive | 1:05:44 | 1:05:46 | |
-but if you're only mean and got £25, I'll have to have your £25. -Right. | 1:05:46 | 1:05:50 | |
-Thank you. -It's a pleasure. And he's got a packet full of money. | 1:05:50 | 1:05:56 | |
So with the day done, David's chauffeur awaits. | 1:05:57 | 1:06:00 | |
-Lean right, lean right. -Look, Charles... -Lean, David. | 1:06:04 | 1:06:08 | |
Your driving is appalling. Christopher Columbus. | 1:06:08 | 1:06:12 | |
But onwards they press, today Chester, tomorrow the world. | 1:06:12 | 1:06:17 | |
Uh-oh. | 1:06:17 | 1:06:18 | |
I hope those storm clouds aren't a sign of things to come? | 1:06:18 | 1:06:22 | |
It's day two, and Charles has decided on a detour | 1:06:27 | 1:06:29 | |
via his home county, Derbyshire, great. | 1:06:29 | 1:06:32 | |
Oh, look at that, David, look at that view. | 1:06:34 | 1:06:36 | |
And while the views are to die for, it seems Charles is intent on | 1:06:36 | 1:06:39 | |
killing off the 50-year-old Hillman Minx, | 1:06:39 | 1:06:43 | |
or at least its gearbox. | 1:06:43 | 1:06:45 | |
HE CRASHES THE GEARS | 1:06:45 | 1:06:47 | |
I can't find the gear. | 1:06:47 | 1:06:48 | |
I can't work out whether it's in three or four. | 1:06:48 | 1:06:51 | |
Oh, sugars, I really think you should pull over, Charles. | 1:06:51 | 1:06:55 | |
I can smell something terrible. | 1:06:55 | 1:06:57 | |
I thought it was you, actually. | 1:06:57 | 1:06:59 | |
Charles' driving is so erratic, it's like his personality. | 1:06:59 | 1:07:03 | |
I'm not technically minded but I know exactly the problem. | 1:07:03 | 1:07:08 | |
He's been driving without putting the handbrake off. | 1:07:08 | 1:07:10 | |
Trying to get more power to move along | 1:07:10 | 1:07:13 | |
but it's restricted because of the handbrake. | 1:07:13 | 1:07:15 | |
Oh, the silly boy. | 1:07:15 | 1:07:17 | |
I've got a flat battery, David, seriously it won't start. | 1:07:17 | 1:07:22 | |
Charles, put it out of gear. | 1:07:22 | 1:07:24 | |
David, I'm out of gear. | 1:07:24 | 1:07:25 | |
Right. Hold on, hold on. | 1:07:25 | 1:07:27 | |
I'm going to push it. Shall I start it? | 1:07:28 | 1:07:31 | |
No, not yet, crikey. | 1:07:31 | 1:07:34 | |
-Now. -Go on, David. | 1:07:34 | 1:07:37 | |
David, how did you do that? | 1:07:41 | 1:07:45 | |
Fantastic! | 1:07:45 | 1:07:47 | |
I thought it was completely dead. | 1:07:47 | 1:07:49 | |
Like Superman, flexed your muscles and got us going again. | 1:07:51 | 1:07:56 | |
Well, after that muscular performance it's no surprise | 1:07:56 | 1:08:00 | |
that David is in the fast lane on this leg of the road trip, | 1:08:00 | 1:08:02 | |
having spent £118 on four auction lots. | 1:08:02 | 1:08:06 | |
Charles traditionally is a slow starter. | 1:08:09 | 1:08:11 | |
He surprised us all, however, today by nabbing three auction lots | 1:08:11 | 1:08:15 | |
and spending £95. | 1:08:15 | 1:08:18 | |
So with much more to come, | 1:08:18 | 1:08:20 | |
if Charles would just improve the driving, | 1:08:20 | 1:08:24 | |
our boys leave Chester and head east to the market town of Macclesfield. | 1:08:24 | 1:08:29 | |
I used to live there, great place. | 1:08:29 | 1:08:31 | |
Once known world over for the manufacture of silk. | 1:08:31 | 1:08:35 | |
Indeed, many of the silk covered buttons and ties | 1:08:35 | 1:08:38 | |
worn in the late 18th century would have come from here | 1:08:38 | 1:08:41 | |
but that's the last thing on our experts' minds right now. | 1:08:41 | 1:08:45 | |
Charles, all I'm going to say to you is this, | 1:08:46 | 1:08:49 | |
I'm so pleased to be getting out of this car | 1:08:49 | 1:08:52 | |
because I think your ploy is to exhaust me, | 1:08:52 | 1:08:54 | |
both mentally and physically exhausted. | 1:08:54 | 1:08:58 | |
Come on, you're not exhausted, come on, David. | 1:08:58 | 1:09:03 | |
Oh, well, after that demanding morning with Charles, | 1:09:03 | 1:09:07 | |
David seeks some peace and quiet with Dawn patrol in her little shop, | 1:09:07 | 1:09:11 | |
an establishment about the size of a double bedroom. | 1:09:11 | 1:09:14 | |
-A little bit of silver here? -Yeah. | 1:09:14 | 1:09:17 | |
-That's fairly late, isn't it? -1902. | 1:09:17 | 1:09:21 | |
-Yes. -I tell you what's very nice, this silver jug by Walker & Hall. | 1:09:21 | 1:09:25 | |
It's the name that sells the jug, isn't it? | 1:09:25 | 1:09:27 | |
Well, Walker & Hall was a good maker | 1:09:27 | 1:09:30 | |
and I like also this sort of ogee decoration all the way around, | 1:09:30 | 1:09:34 | |
which is quite nice, | 1:09:34 | 1:09:35 | |
and then you've got the triple pad foot at the bottom. | 1:09:35 | 1:09:38 | |
Walker & Hall were a well respected Sheffield company | 1:09:38 | 1:09:41 | |
specialising in silver and silver plate from the mid-1800s. | 1:09:41 | 1:09:47 | |
This pennant-shaped hallmark makes their work easy to spot. | 1:09:47 | 1:09:52 | |
Ticket price on the sauce boat, a hefty £75. | 1:09:52 | 1:09:55 | |
I like that and what I'm going to suggest is, | 1:09:58 | 1:10:02 | |
if I take that, how much will you take for the two? | 1:10:02 | 1:10:06 | |
Now, with the spoon at £18, that's a combined tot up price of £93. | 1:10:06 | 1:10:11 | |
Now, Dawn, what do you say? | 1:10:11 | 1:10:14 | |
£48 for the two? | 1:10:14 | 1:10:16 | |
How about £50 for the two? | 1:10:16 | 1:10:18 | |
Ooh. £48. | 1:10:18 | 1:10:21 | |
Yeah, that's fine. | 1:10:21 | 1:10:23 | |
There is somebody up there loves me. OK. | 1:10:23 | 1:10:27 | |
-Thank you very much. -Thank you very much indeed. | 1:10:27 | 1:10:30 | |
-Oh. -David. -Charles, how nice to see you. | 1:10:32 | 1:10:35 | |
-What are you doing in there? -Well, I've just bought something. | 1:10:35 | 1:10:38 | |
I'm in the money, I'm in the money. Best of luck. | 1:10:38 | 1:10:40 | |
I don't believe you. | 1:10:40 | 1:10:42 | |
Well, David's happy. | 1:10:45 | 1:10:46 | |
Could it be because he's abandoning Charles, and Macclesfield, | 1:10:46 | 1:10:49 | |
and heads three miles south to the village of Gawsworth | 1:10:49 | 1:10:53 | |
to see one of Cheshire's finest historic houses? | 1:10:53 | 1:10:57 | |
This grade one Tudor manor house is Gawsworth Hall, | 1:11:01 | 1:11:05 | |
comfortable home to the Richards family | 1:11:05 | 1:11:08 | |
but also much sought after back in 1712 when, legend has it, | 1:11:08 | 1:11:13 | |
Lord Mohun and the Duke of Hamilton fought over the estates | 1:11:13 | 1:11:17 | |
and both died in what was purported to be | 1:11:17 | 1:11:20 | |
the most famous duel in English history. | 1:11:20 | 1:11:23 | |
Today, the feuding is long over | 1:11:23 | 1:11:25 | |
and Rupert Richards is on hand to show David | 1:11:25 | 1:11:28 | |
some of the delights of living in a historic house. | 1:11:28 | 1:11:31 | |
-This is the family room? -Yes, this is the library. | 1:11:36 | 1:11:40 | |
Many visitors ask us why there's a television in the corner there. | 1:11:40 | 1:11:43 | |
It's because my father likes watching his sports reports. | 1:11:43 | 1:11:48 | |
-Does he like watching antiques programmes? -He... | 1:11:48 | 1:11:50 | |
Don't answer that. | 1:11:50 | 1:11:52 | |
As well as being crammed with knick-knacks | 1:11:52 | 1:11:56 | |
and mementoes of family achievements, | 1:11:56 | 1:12:00 | |
the house oozes centuries of history. | 1:12:00 | 1:12:03 | |
In the dining room, | 1:12:03 | 1:12:04 | |
the space is dominated by this enormous oak refectory table. | 1:12:04 | 1:12:08 | |
Datewise, it's probably what, 1570, 1580, that's the period? | 1:12:11 | 1:12:15 | |
Around 1580. | 1:12:15 | 1:12:16 | |
I love tables of this period | 1:12:16 | 1:12:20 | |
because they echo the Renaissance that was happening in Italy. | 1:12:20 | 1:12:24 | |
I was always told, rightly or wrongly, | 1:12:24 | 1:12:26 | |
that those very thick stretchers | 1:12:26 | 1:12:29 | |
were where gentlemen and ladies used to rest their legs, | 1:12:29 | 1:12:32 | |
for fear of vermin coming up from the straw. | 1:12:32 | 1:12:36 | |
That's probably apocryphal or something like that. | 1:12:36 | 1:12:38 | |
This table is a real treasure. | 1:12:38 | 1:12:42 | |
Well, we have got another treasure to show you which is just this way. | 1:12:42 | 1:12:47 | |
The design of the current chapel at Gawsworth Hall | 1:12:49 | 1:12:52 | |
is the work of Rupert's grandfather. | 1:12:52 | 1:12:56 | |
Central are these stunning stained glass windows | 1:12:56 | 1:12:58 | |
by arts and crafts champion William Morris. | 1:12:58 | 1:13:02 | |
That they survive at all is down to pure luck. | 1:13:02 | 1:13:05 | |
This is wonderful. | 1:13:05 | 1:13:07 | |
The glass came from a redundant church and, er... | 1:13:07 | 1:13:10 | |
My grandfather was very good at acquiring remnants | 1:13:10 | 1:13:15 | |
from derelict or disused churches. | 1:13:15 | 1:13:17 | |
He saw that they were about to be taken to the local tip | 1:13:17 | 1:13:21 | |
and thought he better rescue them. | 1:13:21 | 1:13:23 | |
I can't believe that, I can't believe that, when was this? | 1:13:23 | 1:13:28 | |
This would've been in the 1950s. | 1:13:28 | 1:13:31 | |
There was so much destruction of Victorian buildings | 1:13:31 | 1:13:34 | |
and churches at that time and, of course, windows were just dismissed, | 1:13:34 | 1:13:38 | |
they were torn out and kept for the lead only. | 1:13:38 | 1:13:41 | |
Well, heritage was very passe | 1:13:43 | 1:13:44 | |
and you were thought to be quite mad to collect anything like this, | 1:13:44 | 1:13:48 | |
or even live in a large house like Gawsworth. | 1:13:48 | 1:13:51 | |
Or be a devotee of anything Victorian. | 1:13:51 | 1:13:53 | |
They are a thing of beauty and, as a child growing up here, | 1:13:53 | 1:13:57 | |
the stained glass was something that caught your attention. | 1:13:57 | 1:14:03 | |
Thanks to the enterprising work through the centuries | 1:14:03 | 1:14:06 | |
and generations of occupants of Gawsworth Hall, the house, | 1:14:06 | 1:14:11 | |
although open to the public, is a cherished family home as well. | 1:14:11 | 1:14:16 | |
Back in Macclesfield, | 1:14:18 | 1:14:20 | |
Charles is also taking a turn in the little shop with Dawn. | 1:14:20 | 1:14:24 | |
First thing I have seen and what I like in Dawn's shop is this, | 1:14:24 | 1:14:26 | |
what you think is an apple and the apple you can bite in half | 1:14:26 | 1:14:31 | |
and there's your apple core on the inside. | 1:14:31 | 1:14:34 | |
It's Carlton ware from probably circa 1935. | 1:14:35 | 1:14:39 | |
Unmarked, but we've still got... | 1:14:39 | 1:14:41 | |
whoops, there's some pepper coming out. Dear me. | 1:14:41 | 1:14:44 | |
Sorry, they've obviously some pepper in? And salt? Yes, they have. | 1:14:44 | 1:14:47 | |
-Goodness me. It is salt, isn't it? -They work, yeah. | 1:14:47 | 1:14:50 | |
They are in good condition and it's what the market likes, | 1:14:50 | 1:14:53 | |
a novel salt and pepper, which are full of marriage | 1:14:53 | 1:14:58 | |
and they're happy and clappy because they've always been together as one. | 1:14:58 | 1:15:02 | |
They sit like so and, you know, Dawn, I quite like that lot. | 1:15:02 | 1:15:05 | |
Out of interest, Dawn, what's the best price on that lot, | 1:15:05 | 1:15:08 | |
to a young man who is desperately trying to compete with Mr Barby? | 1:15:08 | 1:15:11 | |
-How about £15? -And what's your very best price, Dawn? | 1:15:11 | 1:15:15 | |
That is my very best price. | 1:15:15 | 1:15:18 | |
OK, Dawn, I'll think about it. | 1:15:18 | 1:15:19 | |
Well, he may not be desperate but he's in no rush to leave. | 1:15:19 | 1:15:23 | |
A chance, maybe, for Dawn to show off more of her wares, | 1:15:23 | 1:15:26 | |
like this old ornamental sailing vessel. | 1:15:26 | 1:15:29 | |
Ah, look at that. Dawn, it's what we call filigree work, isn't it? | 1:15:31 | 1:15:36 | |
This sort of tiny, pierced ornamentation | 1:15:36 | 1:15:39 | |
of this great sailing vessel, with the flag up here | 1:15:39 | 1:15:42 | |
and all the rigging and the three mast sails. | 1:15:42 | 1:15:45 | |
-How old is it, '50s, '60s? -I'd guess about the '60s, yes. | 1:15:45 | 1:15:49 | |
-And what's the best price, Dawn? -25. | 1:15:49 | 1:15:52 | |
£25 is not a bad buy but it's not quite an antique, is it, Dawn? | 1:15:52 | 1:15:57 | |
-No, it's a collectable item. -I'm quite taken by it. | 1:15:57 | 1:15:59 | |
-I'd like you to buy something. -Great, that's a good sign. | 1:15:59 | 1:16:03 | |
Could be in luck here. | 1:16:03 | 1:16:04 | |
I think she means the antiques, Charles. | 1:16:04 | 1:16:07 | |
There's three sort of pencil implements here | 1:16:07 | 1:16:09 | |
which appear to be in silver. | 1:16:09 | 1:16:11 | |
This pencil here, for example, would go in like so | 1:16:11 | 1:16:13 | |
and then by pushing it up and down you find your pencilling size. | 1:16:13 | 1:16:17 | |
That's nice, OK. | 1:16:17 | 1:16:18 | |
Then we've got this interesting little... | 1:16:18 | 1:16:21 | |
-Whoops, goodness me. -No, Charles. | 1:16:21 | 1:16:24 | |
It is a small shop. | 1:16:24 | 1:16:26 | |
-Nice little collection there, aren't they? -It is. | 1:16:26 | 1:16:29 | |
Well, they were and at £90 they're also not cheap | 1:16:29 | 1:16:32 | |
but can Charles push his luck with Dawn. | 1:16:32 | 1:16:34 | |
This stylish pencil and that beautiful little Persian, or Indian, | 1:16:34 | 1:16:39 | |
or Far Eastern silver sailing ship, that would be one lot, in my opinion. | 1:16:39 | 1:16:44 | |
That would encourage, hopefully, silver collectors | 1:16:44 | 1:16:46 | |
and dealers to bid for it. | 1:16:46 | 1:16:48 | |
My other lot would be my apple salt and pepper novel pots. | 1:16:48 | 1:16:53 | |
What would they both cost me to buy, if I bought the whole lot? | 1:16:53 | 1:16:58 | |
-Dawn, for your local lad. -£50. -£50, £50. | 1:16:58 | 1:17:02 | |
You can do it. | 1:17:02 | 1:17:03 | |
Dawn, we're so close. | 1:17:03 | 1:17:04 | |
I know I can be a bit cheeky but you must be realistic with me, | 1:17:04 | 1:17:07 | |
and tell me to go away or give me a slap, | 1:17:07 | 1:17:09 | |
but my best offer, Dawn, I would go at 40. | 1:17:09 | 1:17:14 | |
-Go on, then. -Are you sure? | 1:17:14 | 1:17:16 | |
-I think you'll do really well. -Think so? | 1:17:16 | 1:17:18 | |
-Yeah. -Hope so too. Thanks, Dawn, going, going, sold. | 1:17:18 | 1:17:20 | |
Thanks very, very much. All the best to you, bye. | 1:17:20 | 1:17:25 | |
Yes, he's too much for any warm-blooded woman to resist. | 1:17:25 | 1:17:28 | |
Time now for our experts to head for the auction. | 1:17:30 | 1:17:34 | |
Hello, any antiques for sale? | 1:17:34 | 1:17:35 | |
They're going, going, gone, David. | 1:17:35 | 1:17:37 | |
But before that, they must show each other their buys. | 1:17:37 | 1:17:41 | |
Instead of getting up close and personal they're having a row. | 1:17:41 | 1:17:43 | |
Like any old married couple. | 1:17:45 | 1:17:48 | |
David, I honestly don't know why you feel | 1:17:48 | 1:17:50 | |
you've got to sit in the back of the car, now. | 1:17:50 | 1:17:51 | |
I think it's ridiculous. | 1:17:51 | 1:17:53 | |
I feel safer in the back, Charles. | 1:17:53 | 1:17:55 | |
I can hold onto lots of things, | 1:17:55 | 1:17:57 | |
particularly when we go round corners. | 1:17:57 | 1:17:58 | |
OK. Fine. | 1:17:58 | 1:18:00 | |
Oh, dear. It's a right tiff. | 1:18:00 | 1:18:02 | |
Right, close your eyes. I want to tell you what you feel. | 1:18:02 | 1:18:05 | |
What I feel, David... | 1:18:05 | 1:18:07 | |
It's a ladies' dusting brush. It's 1903. | 1:18:07 | 1:18:10 | |
I think it's 1940s. | 1:18:10 | 1:18:12 | |
-Oh, Charles. -No, I do, David. -It's not 19... | 1:18:12 | 1:18:15 | |
The date doesn't matter. It comes down to price. We're a date. | 1:18:15 | 1:18:17 | |
-We're what? -A date, together. | 1:18:17 | 1:18:20 | |
-I'm trying to make poetry between us and have fun. -I'd rather you not. | 1:18:20 | 1:18:24 | |
He really doesn't want to play, Charles. | 1:18:24 | 1:18:27 | |
I've bought something, you can criticise it, you can go for it. | 1:18:27 | 1:18:31 | |
I love it. I'm just looking at the screw, actually. | 1:18:31 | 1:18:34 | |
-Ooh, I can't undo it. -Just be careful because it all falls apart. | 1:18:34 | 1:18:37 | |
Oh, no. | 1:18:37 | 1:18:39 | |
Did he do that deliberately? | 1:18:39 | 1:18:41 | |
Oh, dear. | 1:18:41 | 1:18:43 | |
This is an accumulation of items, Charles. | 1:18:45 | 1:18:47 | |
I don't know what that is. | 1:18:47 | 1:18:49 | |
-It's for... -Oh, I don't believe that for one minute. | 1:18:49 | 1:18:52 | |
..removing ear wax. | 1:18:52 | 1:18:54 | |
It's to wax the cotton thread so it will go through the hole. | 1:18:54 | 1:18:56 | |
Is that so? | 1:18:56 | 1:18:58 | |
-Next. -A pair of needlework scissors. | 1:18:58 | 1:19:00 | |
Those are George III. | 1:19:00 | 1:19:01 | |
-Very, very nice. -And this is very, very fragile | 1:19:01 | 1:19:04 | |
so I'll ask you not to take it out of its folder. | 1:19:04 | 1:19:07 | |
What is it? | 1:19:07 | 1:19:09 | |
It's a... What did I say? Do not take it out of its folder. | 1:19:09 | 1:19:12 | |
-That's fine. -Charles. | 1:19:12 | 1:19:14 | |
The very fact cats were such a feature of Victorian homes, | 1:19:14 | 1:19:18 | |
so why wouldn't you have one as your needle retainer. | 1:19:18 | 1:19:21 | |
-I love it. You love porcelain, David. -Yes. | 1:19:21 | 1:19:25 | |
So, we went to Germany, for you. | 1:19:25 | 1:19:27 | |
They probably are Dresden, they probably come from the 1880s. | 1:19:27 | 1:19:30 | |
Well, they are the sort of things I might see in a clock case. | 1:19:30 | 1:19:34 | |
Exactly, romantic, like you and I, courting our wares together. | 1:19:34 | 1:19:39 | |
-What is the matter with the boy? -Are they romancing you? -No. | 1:19:39 | 1:19:42 | |
-Are they turning you on? -No. -Really? | 1:19:42 | 1:19:44 | |
Yeah. Right. | 1:19:44 | 1:19:46 | |
Hey, be careful, what is that? | 1:19:46 | 1:19:48 | |
Early 20th century and it's a brass garden spray. | 1:19:48 | 1:19:53 | |
I reckon you paid between 35 and 45 for it. | 1:19:53 | 1:19:57 | |
-You're wrong. -You paid more? | 1:19:57 | 1:20:00 | |
-You're wrong. £18. -You didn't? That's a real bargain. | 1:20:00 | 1:20:03 | |
I think that's lovely, I think that's my quirkiest piece. | 1:20:03 | 1:20:05 | |
0K, this lot was my dodgy buy. | 1:20:05 | 1:20:07 | |
You might not like it. | 1:20:07 | 1:20:09 | |
As a souvenir, my only concern is that it's in such poor condition. | 1:20:09 | 1:20:13 | |
This has age. It cost me £20. | 1:20:13 | 1:20:16 | |
That's a good buy. I think it's interesting. | 1:20:16 | 1:20:18 | |
OK, David, your turn. | 1:20:18 | 1:20:20 | |
It's a condiment spoon. | 1:20:20 | 1:20:22 | |
You paid about £8 for it. | 1:20:22 | 1:20:24 | |
Silver, £8? | 1:20:24 | 1:20:26 | |
-How much? -48. -No, you didn't. £48? | 1:20:26 | 1:20:30 | |
-It did come with that. -Oh, right, David Barby. | 1:20:30 | 1:20:33 | |
Oh, that's not fair. | 1:20:33 | 1:20:35 | |
That is lovely. Sorry, David. OK, are you ready? | 1:20:35 | 1:20:38 | |
-Silver pencils, three of them. -Yes. -Do you like? -Yes, yes, I do. | 1:20:38 | 1:20:42 | |
-So, together with the silver pencils, I put this with it. Do you like it? -No. | 1:20:42 | 1:20:47 | |
-No. OK. -I wouldn't have bothered with that. | 1:20:47 | 1:20:50 | |
-Don't you think it gives it more pedigree? -Pedigree? | 1:20:50 | 1:20:54 | |
You mean clout. | 1:20:54 | 1:20:55 | |
Clout. | 1:20:55 | 1:20:57 | |
-Right, my final lot is this, Charles. -That's it? -Yes. | 1:20:57 | 1:21:02 | |
You bought just one earthenware...? | 1:21:02 | 1:21:04 | |
No, there's 15 foot in the back. | 1:21:04 | 1:21:06 | |
I can see these in places like Congleton or Macclesfield gardens, | 1:21:06 | 1:21:10 | |
where people sort of kept their cabbages in certain areas. | 1:21:10 | 1:21:13 | |
-Flowers on another side. -Absolutely. -I think these are rather nice. | 1:21:13 | 1:21:16 | |
Are you ready? | 1:21:16 | 1:21:17 | |
My finale, | 1:21:17 | 1:21:19 | |
-I don't believe it, hold it, David, it's broken. -What is it? | 1:21:19 | 1:21:23 | |
It's broken, David. It was a pepper and it was also salt. | 1:21:23 | 1:21:28 | |
It survived 60 years and then you and I get together and it breaks. | 1:21:28 | 1:21:32 | |
Well, you might get £10 just for half an apple. | 1:21:32 | 1:21:35 | |
He'll be lucky to get nibble on that. | 1:21:39 | 1:21:41 | |
So what do our experts really think of each other's lots, | 1:21:41 | 1:21:45 | |
as if we can't guess? | 1:21:45 | 1:21:47 | |
The little bronze money box, it looks brand spanking new | 1:21:47 | 1:21:51 | |
and I think he's probably not going to get his money back on that. | 1:21:51 | 1:21:55 | |
It's another varied mix from David. I do think he's overspent. | 1:21:55 | 1:21:58 | |
That little pump, I think that could be a bit of a dodgy buy. | 1:21:58 | 1:22:01 | |
Probably I'm a little bit too staid. | 1:22:01 | 1:22:04 | |
Probably am, really. | 1:22:04 | 1:22:07 | |
Oh, David, no, come back, don't be hurt. | 1:22:07 | 1:22:09 | |
-Charles, take me to the auction. -David, are you ready? -Now. | 1:22:09 | 1:22:12 | |
Christopher Columbus. | 1:22:14 | 1:22:16 | |
Time now for the big showdown. | 1:22:16 | 1:22:19 | |
Our boys began this road trip in Chester, in Cheshire, | 1:22:19 | 1:22:22 | |
and after a number of stop offs, | 1:22:22 | 1:22:24 | |
are heading North Rode, near Congleton, | 1:22:24 | 1:22:27 | |
for some nailbiting auction action. | 1:22:27 | 1:22:30 | |
Their destination, Adam Partridge, Auctioneer and Valuers | 1:22:32 | 1:22:36 | |
in an unassuming country abode, sell everything from textiles to silver. | 1:22:36 | 1:22:43 | |
-David, we are here. -Oh, thank goodness for that. | 1:22:43 | 1:22:46 | |
I'm fairly convinced that today could be your day. | 1:22:46 | 1:22:49 | |
-Do you honestly think so? -Yes, I do. | 1:22:49 | 1:22:51 | |
Today you could be the Queen Of Hearts, OK. | 1:22:51 | 1:22:53 | |
What, are you romancing again? | 1:22:53 | 1:22:55 | |
So inside, it's a flurry of activity already | 1:22:58 | 1:23:01 | |
and wielding the gavel today is Adam Partridge himself. | 1:23:01 | 1:23:06 | |
But before he gets going, a thought about our experts' lots, sir, please. | 1:23:06 | 1:23:10 | |
Charles seems to have been quite erratic, which isn't a surprise. | 1:23:10 | 1:23:13 | |
Don't rate those tiles. | 1:23:13 | 1:23:15 | |
He called them plaques, to make them sound more glamorous, they're tiles. | 1:23:15 | 1:23:18 | |
They are not good. But if I had put my money on any antiques expert making money | 1:23:18 | 1:23:23 | |
it would have to be David Barby. | 1:23:23 | 1:23:24 | |
But will Adam Partridge be right? | 1:23:24 | 1:23:27 | |
David started this leg on £255.48 | 1:23:28 | 1:23:32 | |
and has spent a healthy £166, on five auction lots, | 1:23:32 | 1:23:36 | |
with an incredible amount of drama. | 1:23:36 | 1:23:39 | |
Charles, on the other hand, started slightly ahead on £269.46 | 1:23:41 | 1:23:45 | |
and spent a very cautious £135, | 1:23:45 | 1:23:49 | |
also on five auction lots, and a lot of chatting up. | 1:23:49 | 1:23:53 | |
With Charles already a short nose ahead in this competition, | 1:23:55 | 1:23:58 | |
£14 actually, | 1:23:58 | 1:24:00 | |
but with one item in tatters, | 1:24:00 | 1:24:02 | |
can David trump his young rival? | 1:24:02 | 1:24:05 | |
Hold onto your seats, ladies and gents, here we go. | 1:24:07 | 1:24:10 | |
First up, Charles's Georgian snuffbox. | 1:24:10 | 1:24:14 | |
-Give me £20. -Come on, auctioneer. -Shut up, Hanson. £20. | 1:24:14 | 1:24:17 | |
Yes, shut up. | 1:24:17 | 1:24:19 | |
£20, snuff patch box. 20 bid, I'll take a fiver now. | 1:24:19 | 1:24:21 | |
And it's cheap at that. | 1:24:21 | 1:24:22 | |
25 on the Internet. | 1:24:22 | 1:24:23 | |
I'll take 30, 30 and five now. | 1:24:23 | 1:24:26 | |
-Hammer's up now at £30, it's on my left. At £30. -One more. -Thank you. | 1:24:26 | 1:24:30 | |
Good man, well played. I'm in business, David, I'm away. | 1:24:30 | 1:24:34 | |
-You do not get anything out of that rack. -Why not? | 1:24:35 | 1:24:38 | |
Just put it back. | 1:24:38 | 1:24:40 | |
He's just like a naughty schoolboy, isn't he? Look at him go. | 1:24:40 | 1:24:43 | |
Right, moving on, David's sewing kit | 1:24:43 | 1:24:45 | |
with the ear wax scoop, | 1:24:45 | 1:24:47 | |
that's sure to be a crowd puller. | 1:24:47 | 1:24:49 | |
-Bid me £40, £30. -No, no. -I can't believe this. | 1:24:51 | 1:24:56 | |
£20. Bid me £20 on the bodkin. | 1:24:56 | 1:24:57 | |
20 bid, Internet. At £25. Don't look disgusted yet it's not over. | 1:24:58 | 1:25:02 | |
Where else can you find a Georgian ear wax scoop for £25? | 1:25:02 | 1:25:06 | |
-All done at £25? -Yes. | 1:25:06 | 1:25:09 | |
It's cheap, it just shows what social pedigree you can unearth | 1:25:09 | 1:25:14 | |
and it's not appreciated. | 1:25:14 | 1:25:17 | |
Do you know you're the most irritating person | 1:25:17 | 1:25:20 | |
I absolutely have met? | 1:25:20 | 1:25:23 | |
Oh, well, that's a bit harsh. | 1:25:23 | 1:25:24 | |
May be true. | 1:25:25 | 1:25:27 | |
Now, can Charles cash in his Victorian money box for a profit? | 1:25:27 | 1:25:31 | |
-Are you nervous? -Yes, I'm very nervous. | 1:25:31 | 1:25:33 | |
-I can tell because you are talking all the time. -Stop it. | 1:25:33 | 1:25:37 | |
20 bid, five now. At £20, take a fiver then. | 1:25:37 | 1:25:40 | |
30, five, 40, 45, 50 and five, 65, you are out online. | 1:25:40 | 1:25:45 | |
-Keep going. -65, are you all done? | 1:25:45 | 1:25:47 | |
-It's a gain. -He just gets so excited. | 1:25:49 | 1:25:52 | |
You won't get rid of him that way, David. | 1:25:53 | 1:25:56 | |
Now, what about that garden spray pump thing of yours? | 1:25:57 | 1:26:01 | |
Working order. | 1:26:01 | 1:26:02 | |
I've got £10 in one place, take 15, | 1:26:02 | 1:26:06 | |
20, £20 the garden spray, | 1:26:06 | 1:26:07 | |
20, any more at 20? | 1:26:07 | 1:26:08 | |
-25. -Oh. -Oh, yeah. | 1:26:08 | 1:26:10 | |
There's a sympathy bid if ever I saw one. | 1:26:10 | 1:26:12 | |
£25, all done now? £25. | 1:26:12 | 1:26:16 | |
-Yes. -That's really good. -I feel quite emotional. | 1:26:16 | 1:26:19 | |
So do we, a £7 profit before costs. | 1:26:19 | 1:26:23 | |
Who bought it? | 1:26:23 | 1:26:25 | |
The lady with the blonde hair and the red top. The lady in red. | 1:26:25 | 1:26:28 | |
-I think I've fallen in love with that lady. -Love, then it must be... | 1:26:28 | 1:26:32 | |
# Lady in red. # | 1:26:32 | 1:26:34 | |
Ahh. | 1:26:36 | 1:26:39 | |
Right, moving on, David's next lot, | 1:26:39 | 1:26:42 | |
that 15-foot run of Victorian garden tiles | 1:26:42 | 1:26:46 | |
are also sure to get the ladies swooning. | 1:26:46 | 1:26:50 | |
-I've got 40 on line, take five. -There's not a murmur in the room. | 1:26:50 | 1:26:53 | |
On our estimate at £40. 50, £50, | 1:26:53 | 1:26:56 | |
I think you have an admirer. At £50. | 1:26:56 | 1:26:59 | |
Here we are, are you all done at £50? Thank you. | 1:26:59 | 1:27:02 | |
Well, there's one lady who's going to be doing | 1:27:02 | 1:27:05 | |
an awful lot of gardening. | 1:27:05 | 1:27:06 | |
It looks to me as if she's winking at us? | 1:27:09 | 1:27:10 | |
I think she's winking at me, actually. | 1:27:10 | 1:27:12 | |
I think she appreciates the more mature person, | 1:27:12 | 1:27:14 | |
in more ways than one. | 1:27:14 | 1:27:17 | |
So could David's new found fan | 1:27:18 | 1:27:20 | |
also be persuaded to buy his little brush? | 1:27:20 | 1:27:23 | |
£20 the dusting brush. | 1:27:23 | 1:27:25 | |
I can't believe this. | 1:27:25 | 1:27:26 | |
At £20. At £20 only. | 1:27:26 | 1:27:28 | |
It's silver. | 1:27:28 | 1:27:30 | |
-20, £25. -That's a profit, isn't it? -No. -All done now? | 1:27:30 | 1:27:33 | |
Selling at 30. | 1:27:33 | 1:27:35 | |
Well, at least you broke even. | 1:27:37 | 1:27:39 | |
Now, spare a though for Charles' condiment set. | 1:27:39 | 1:27:43 | |
It's supposed to be in two pieces, not ten. | 1:27:43 | 1:27:46 | |
Unfortunately, or should I say fortunately, | 1:27:47 | 1:27:49 | |
it's been under the hammer already. | 1:27:49 | 1:27:51 | |
Thank you very much, sympathy, please. | 1:27:51 | 1:27:54 | |
-Five pounds. -Come on. | 1:27:54 | 1:27:56 | |
£5, there really is one born every day. Any more, now? | 1:27:56 | 1:27:59 | |
-You're lucky I gave an insurance value of 15 quid on it. -Cheap. | 1:27:59 | 1:28:03 | |
So, just to be clear, the hammer price was £5 | 1:28:04 | 1:28:07 | |
but, because the apple was damaged in transit, | 1:28:07 | 1:28:10 | |
it's the £15 insurance price that stands. Got it? | 1:28:10 | 1:28:15 | |
Are they plaques? Or tiles? | 1:28:15 | 1:28:20 | |
Whatever they are, they're up next. | 1:28:20 | 1:28:23 | |
-I've got £40 with my bidder. -Come on. -65, 75, 80 bid, with me. | 1:28:23 | 1:28:28 | |
£80 on my book, | 1:28:28 | 1:28:29 | |
£90, on my books. | 1:28:29 | 1:28:30 | |
100 bid. At 100, 120 bid. | 1:28:30 | 1:28:33 | |
-I told you they would. -Come on. | 1:28:33 | 1:28:34 | |
130 on the Internet, at 130. | 1:28:34 | 1:28:38 | |
-150 on the Internet, 150. Any more at 150? -Taken for... | 1:28:38 | 1:28:41 | |
I wish you'd take them with you. | 1:28:41 | 1:28:42 | |
At 150, selling now at 150. | 1:28:42 | 1:28:46 | |
-Oh, that is marvellous, Charles, congratulations. -Thanks, David. | 1:28:46 | 1:28:49 | |
Crumbs. A staggering £120 profit before costs. | 1:28:49 | 1:28:55 | |
So with Charles sailing firmly into the lead, | 1:28:56 | 1:28:59 | |
can his assorted vessel and pens bring him home another win? | 1:28:59 | 1:29:05 | |
-They might bomb. -Of course they won't. -They might do. | 1:29:05 | 1:29:07 | |
They won't, Charles. | 1:29:07 | 1:29:08 | |
30 bid, five, 40 bid, take five, at 45 at the back, | 1:29:08 | 1:29:13 | |
is there 50? | 1:29:13 | 1:29:14 | |
55, at the back of the room, 55. | 1:29:14 | 1:29:16 | |
-One more for good luck. -All done then at £55? | 1:29:16 | 1:29:18 | |
-60, 65. -One more. | 1:29:18 | 1:29:20 | |
Last chance to bid at £65. | 1:29:20 | 1:29:22 | |
We are selling online at £65. | 1:29:22 | 1:29:25 | |
Yes. | 1:29:25 | 1:29:27 | |
And with Charles's £195 lead, before costs, | 1:29:27 | 1:29:31 | |
can David's sauce boat and spoon dent the boy wonders armour? | 1:29:31 | 1:29:36 | |
I'm bid £50, take five, online 60 now, any more now at 65? | 1:29:36 | 1:29:40 | |
-70, five, 80, bid £80. -Come on, David, this is great. | 1:29:40 | 1:29:43 | |
At £80, 80, would you like five anywhere? At 80 for the final time. | 1:29:43 | 1:29:48 | |
It's good, but not good enough to win. | 1:29:48 | 1:29:51 | |
Can Barby take defeat like a man? | 1:29:53 | 1:29:56 | |
You well and truly nailed me today, Charles. You really, really have. | 1:29:56 | 1:30:00 | |
The only point is, if you gloat in the car, on the way back, | 1:30:00 | 1:30:06 | |
I shall be furious. | 1:30:06 | 1:30:07 | |
I can see it welling up in you now. | 1:30:09 | 1:30:12 | |
It's tough, but someone has to be runner-up. | 1:30:15 | 1:30:19 | |
David started this fourth leg with £255.48 | 1:30:19 | 1:30:24 | |
and, after auction costs, made a profit of £6.20. | 1:30:24 | 1:30:27 | |
Great. | 1:30:29 | 1:30:30 | |
Leaving him with £261.68 going into the final round. | 1:30:30 | 1:30:36 | |
Charles, meanwhile, started slightly ahead of his rival on £269.46 | 1:30:36 | 1:30:41 | |
and, after costs, made a whopping £131.50 profit, | 1:30:41 | 1:30:45 | |
leaving him rolling in £400.96 going into the home stretch. | 1:30:45 | 1:30:52 | |
That is a real result for the young pretender. | 1:30:54 | 1:30:57 | |
-Wasn't it fantastic? -Oh, dear, dear. I'm going to beat you next time. | 1:30:59 | 1:31:03 | |
-I'm going to be the comeback kid. -Really? -Yeah. | 1:31:03 | 1:31:05 | |
-Sitting in the back again, Charles, I hope you don't mind? -Oh, David. | 1:31:05 | 1:31:10 | |
Right, Charles, first gear, first gear. | 1:31:10 | 1:31:12 | |
Next time, it's the end of the Road Trip for David and Charles. | 1:31:18 | 1:31:22 | |
David puts the pressure on. | 1:31:22 | 1:31:24 | |
40? | 1:31:24 | 1:31:26 | |
You won't get rid of them? | 1:31:26 | 1:31:28 | |
Charles puts the kettle on. | 1:31:28 | 1:31:30 | |
I've never come across such a big copper kettle in my life. | 1:31:30 | 1:31:33 | |
And they both put their foot on the Road Trip pedal. | 1:31:33 | 1:31:36 | |
Subtitles by Red Bee Media Ltd | 1:31:51 | 1:31:53 |