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The nation's favourite antiques experts, £200 each, one big challenge. | 0:00:02 | 0:00:06 | |
Well, duck, do I buy you or don't I? | 0:00:06 | 0:00:08 | |
Who can make the most money buying and selling antiques as they scour the UK? | 0:00:08 | 0:00:12 | |
The aim is trade up, and hope that each antique turns a profit. | 0:00:12 | 0:00:16 | |
But it's not as easy as it looks, and dreams of glory can end in tatters. | 0:00:16 | 0:00:20 | |
I'm a loser! I'm a loser. | 0:00:20 | 0:00:23 | |
So, will it be the fast lane to success, | 0:00:23 | 0:00:25 | |
or the slow road to bankruptcy? | 0:00:25 | 0:00:26 | |
Oh! There's a mouse! There's a mouse! | 0:00:26 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
We're still out there, | 0:00:35 | 0:00:37 | |
fighting the elements and hurtling along the antiques highway. | 0:00:37 | 0:00:42 | |
But it's our last trip for this fine pair of experts - | 0:00:42 | 0:00:47 | |
David Barby and Charles Hanson. | 0:00:47 | 0:00:49 | |
This is it, this is the big one. | 0:00:49 | 0:00:51 | |
-You've got such a lead on me, how on earth am I going to make it up? -I'm a lap ahead. | 0:00:51 | 0:00:55 | |
-But, you know, you've got some legs on you, I'm sure. -Not at my age! | 0:00:55 | 0:00:58 | |
THEY LAUGH | 0:00:58 | 0:01:01 | |
Known simply as the Master, a man with serious, intimidating depth of antiques knowledge, | 0:01:01 | 0:01:08 | |
yet strangely, David Barby just loves to shop. | 0:01:08 | 0:01:12 | |
I'm going in. | 0:01:12 | 0:01:14 | |
Can't resist a bargain. | 0:01:14 | 0:01:16 | |
And giving "the Master" a run for his money, | 0:01:16 | 0:01:19 | |
the young pretender himself, Bonnie Prince Charles Hanson. | 0:01:19 | 0:01:23 | |
An all-action auctioneer from Derbyshire. | 0:01:23 | 0:01:26 | |
With the commission to pay as well, It'd need 30 to break even for me. | 0:01:26 | 0:01:31 | |
Are you OK? | 0:01:31 | 0:01:33 | |
Yeah, sorry, Charles, yeah, I've just lost the will to live. | 0:01:33 | 0:01:36 | |
Well, he can go on a bit. | 0:01:36 | 0:01:38 | |
LAUGHTER | 0:01:38 | 0:01:39 | |
But that's not stopped Charles from making lots and lots of money this week. | 0:01:39 | 0:01:44 | |
-GAVEL BANGS -Oh, that is marvellous, Charles. | 0:01:44 | 0:01:47 | |
So, from his original £200, Charles is standing proud with a robust £400.96. | 0:01:47 | 0:01:54 | |
That's brought a smile to his face. | 0:01:54 | 0:01:57 | |
And the finishing line is in sight. | 0:01:57 | 0:02:00 | |
David, meanwhile, has struggled, despite his great skill, turning tiny profits through the week. | 0:02:00 | 0:02:07 | |
Do you know, you're the most irritating person I absolutely... I'm going outside. | 0:02:07 | 0:02:12 | |
So David languishes behind, his £200 barely swollen to £261.68. | 0:02:12 | 0:02:20 | |
All he needs now is the luck of the road trip. | 0:02:20 | 0:02:26 | |
But the super-cool 1959 Hillman Minx is taking him dangerously close to Charles's home patch. | 0:02:26 | 0:02:32 | |
You know, I know people. | 0:02:34 | 0:02:36 | |
What I'm concerned about is you going to these dealers' shops, | 0:02:36 | 0:02:39 | |
and they'll know you, they'll greet you like a long-lost friend. | 0:02:39 | 0:02:42 | |
-"Charles! How wonderful to see you!" -Get out of here. THEY LAUGH | 0:02:42 | 0:02:45 | |
This week's road trip is a huge 300-mile sprint - | 0:02:47 | 0:02:49 | |
Lichfield, south to Frome, back up north to the Wirral Peninsula, | 0:02:49 | 0:02:53 | |
and ending in Nottingham for the final showdown. | 0:02:53 | 0:02:56 | |
On this leg, they're leaving Congleton, heading through Derbyshire, | 0:02:56 | 0:03:00 | |
and ending up at auction in Nottingham. | 0:03:00 | 0:03:03 | |
Handsome, historical Stafford is the first port of call. | 0:03:03 | 0:03:08 | |
-Awful cold. -Oh! | 0:03:08 | 0:03:10 | |
-Do you want a kiss? -No. | 0:03:10 | 0:03:12 | |
THEY LAUGH | 0:03:12 | 0:03:13 | |
Just keep wiping the windscreen with that snotty tissue. | 0:03:13 | 0:03:17 | |
Preparations are already under way for an 1100th year anniversary of Stafford's foundation. | 0:03:17 | 0:03:24 | |
Kind Alfred the Great's daughter, Ethelfleda, is no longer with us, | 0:03:24 | 0:03:30 | |
but established the Borough of Stafford way back in AD 913. | 0:03:30 | 0:03:34 | |
CAR DOOR SLAMS Come on, David, get eager! | 0:03:34 | 0:03:36 | |
This is our last trip together. It's our last feeding frenzy of antiques. | 0:03:36 | 0:03:40 | |
-Why do you use such language? -Because this is it! | 0:03:40 | 0:03:44 | |
-The... -Charles, do not touch me. You go down there, I'm going here. | 0:03:44 | 0:03:47 | |
David, if you want to play hard, I'll play hard. | 0:03:47 | 0:03:50 | |
David, it's only a game. David! | 0:03:50 | 0:03:53 | |
A game to you, Charles. | 0:03:53 | 0:03:54 | |
But David begins this final shopping trip £139.28 down, | 0:03:54 | 0:03:59 | |
and he needs a plan. | 0:03:59 | 0:04:01 | |
My word, the pressure is on, so I've got my work cut out. | 0:04:01 | 0:04:04 | |
My ploy - spend the lot. | 0:04:04 | 0:04:06 | |
Church Lane Antiques offers two floors of intriguing prospects, | 0:04:08 | 0:04:11 | |
with lovely assistant Maureen to help. | 0:04:11 | 0:04:14 | |
-Hello. Can I call you Maureen? -Please do. -Oh, good. | 0:04:14 | 0:04:18 | |
-Now. -Hmm? -Is there anything that you personally think is absolutely a knock-out? | 0:04:18 | 0:04:23 | |
Well, where do I begin? | 0:04:23 | 0:04:25 | |
I do like that. | 0:04:25 | 0:04:26 | |
-Might make problems that it has no mark on it whatsoever. -Mm-hmm. | 0:04:26 | 0:04:30 | |
And that's 120, so I'll be quite honest, I'm losing at the moment. | 0:04:30 | 0:04:34 | |
I'm £150 down on Charles Hanson. | 0:04:34 | 0:04:38 | |
And this is why I hesitate at that price of 120. | 0:04:38 | 0:04:41 | |
Well, complaining isn't going to help. | 0:04:41 | 0:04:44 | |
Keep looking, David. | 0:04:44 | 0:04:45 | |
Gosh, there's another shop up here! | 0:04:45 | 0:04:48 | |
This is beautiful, beautiful decoration. | 0:04:48 | 0:04:51 | |
All of that is hand-painted. | 0:04:51 | 0:04:53 | |
And the sides are emulating basketwork. | 0:04:53 | 0:04:57 | |
The mark on the back is Spode. Spode started bone china. | 0:04:58 | 0:05:03 | |
There was a factory called New Hall that produced hard-paste porcelain, | 0:05:03 | 0:05:08 | |
and they sold the clay to other manufacturers. | 0:05:08 | 0:05:12 | |
And Spode used that base of clay and put bone ash with it, | 0:05:12 | 0:05:16 | |
hence the term bone china. | 0:05:16 | 0:05:17 | |
The asking price for the Spode dish is £100, | 0:05:19 | 0:05:23 | |
but now something else at £110 has caught David's eye. | 0:05:23 | 0:05:27 | |
-Masonic cufflinks. -Enamelled on one side. | 0:05:27 | 0:05:29 | |
That's a very acquired subject, isn't it? | 0:05:29 | 0:05:31 | |
I wonder how many Masons would go into a general sale? | 0:05:31 | 0:05:35 | |
Masonic lodges have ancient traditions, | 0:05:37 | 0:05:40 | |
founded by the Master Stonemasons who built Britain's castles and cathedrals, | 0:05:40 | 0:05:45 | |
but many original members were unable to read, | 0:05:45 | 0:05:49 | |
so trade symbols like the compass and set square were used in ceremonial items. | 0:05:49 | 0:05:55 | |
Like cufflinks. | 0:05:55 | 0:05:58 | |
110, I think I said. | 0:05:59 | 0:06:01 | |
-So what would they be priced at? -80. | 0:06:01 | 0:06:04 | |
I'll give it to you for 60. | 0:06:07 | 0:06:08 | |
So, with his familiar hurt expression on display, David is wanting three items. | 0:06:10 | 0:06:17 | |
The £100 Spode dish, the £110 Masonic cufflinks, | 0:06:17 | 0:06:22 | |
and the £120 Arts and Crafts box. | 0:06:22 | 0:06:26 | |
But he wants them all at £60 each. | 0:06:27 | 0:06:30 | |
I'll make a call. | 0:06:32 | 0:06:33 | |
Hi, Stuart. No, he would like all three at £60 each. | 0:06:33 | 0:06:37 | |
Sharp intake of breath. | 0:06:37 | 0:06:39 | |
All three at 200. | 0:06:39 | 0:06:42 | |
-Can we split the difference? -Hang on a sec. Have a word, it's Stuart. | 0:06:42 | 0:06:45 | |
I think 180 is the price I'd like to offer for these. | 0:06:45 | 0:06:49 | |
That is a difference, 190, God, that leaves me nothing. | 0:06:49 | 0:06:54 | |
All right, 190. | 0:06:54 | 0:06:55 | |
OK, I'm metaphorically shaking your hands. | 0:06:56 | 0:07:00 | |
Ha ha! And now Stuart might be wise to, metaphorically speaking, check his wallet and his watch. | 0:07:00 | 0:07:05 | |
-Thank you very much. -It's been a pleasure. | 0:07:05 | 0:07:07 | |
Really? | 0:07:07 | 0:07:08 | |
Oh, well. | 0:07:08 | 0:07:09 | |
And whilst David's growing in confidence, Charles appears to be shrinking. | 0:07:09 | 0:07:15 | |
Ian, I've never come across such a big copper kettle in my life. | 0:07:16 | 0:07:20 | |
You've got the biggest kettle I've ever seen. | 0:07:20 | 0:07:23 | |
It was a shop sign, Charles, that used to hang outside Dale's Shop in Stafford in 1828. | 0:07:23 | 0:07:29 | |
It would have watched dandies and ladies of the day walk past. | 0:07:29 | 0:07:32 | |
-Charles Dickens stayed opposite. -Really? -At the Swan Hotel. | 0:07:32 | 0:07:36 | |
-And they say that he wrote The Old Curiosity Shop based on this genuine shop. -Really? | 0:07:36 | 0:07:40 | |
That's amazing, Ian. And if it could talk, what could it tell us? | 0:07:40 | 0:07:44 | |
-Well, one thing it would tell us... -Yeah. -..is it's got pellet holes here. -Oh, yes? | 0:07:44 | 0:07:48 | |
-And they were put in by the delivery boy for Dale. -Really? | 0:07:48 | 0:07:52 | |
-He didn't like working for Dale, so he decided to shoot the side. -Really? | 0:07:52 | 0:07:56 | |
As far as provenance goes, this enormous antique has just about the best you can get. | 0:07:56 | 0:08:00 | |
HE SIGHS | 0:08:00 | 0:08:03 | |
But can proud Ian let it leave the safety of his shop? | 0:08:03 | 0:08:07 | |
Ian, I've got £400 in my kitty really, and I don't mind paying a bit for it. | 0:08:08 | 0:08:14 | |
What's your best price? | 0:08:14 | 0:08:15 | |
-(It's not for sale.) -Is it not for sale? | 0:08:15 | 0:08:17 | |
Ian, I think it's great, and it's great to see. | 0:08:17 | 0:08:20 | |
And whilst Charles goes off the boil, happy shopper David's gone for a rummage. | 0:08:20 | 0:08:25 | |
Strangely choosing a rather lovely charity shop, | 0:08:25 | 0:08:30 | |
providing funds for the local Katharine House Hospice. | 0:08:30 | 0:08:33 | |
Liz and Alex lend their time here, but have they got time for Barby's business? | 0:08:33 | 0:08:40 | |
Aren't these so stylish? These were produced in 1978, limited edition. | 0:08:40 | 0:08:45 | |
This is by Royal Doulton. | 0:08:45 | 0:08:47 | |
So we've got Pierrot and Punchinello, oh, this is Columbine. | 0:08:47 | 0:08:53 | |
But aren't they absolutely superb? For £6.50 each. | 0:08:53 | 0:08:57 | |
Mais oui. | 0:08:57 | 0:08:59 | |
Tease! | 0:08:59 | 0:09:00 | |
I'm going to buy these. | 0:09:00 | 0:09:02 | |
You are going to buy these? | 0:09:02 | 0:09:03 | |
I'm letting my heart rule my head, I think. | 0:09:03 | 0:09:06 | |
-£6.50 each, then. -Ah! | 0:09:06 | 0:09:07 | |
For goodness's sake! Please don't haggle, David, it's a charity shop. | 0:09:07 | 0:09:12 | |
-£19.50. -Yes. -Will you take £20 for me? | 0:09:12 | 0:09:14 | |
-Thank you very much. -Thank you very much. -That's very kind of you. | 0:09:14 | 0:09:18 | |
50p? | 0:09:18 | 0:09:19 | |
Yet how delightful to see David actually paying more than the asking price. | 0:09:19 | 0:09:25 | |
And shopping-wise, he's putting the young pretender to shame. | 0:09:27 | 0:09:30 | |
Bit concerned, frantic shopping, but I'll get there. | 0:09:32 | 0:09:34 | |
But where Hanson refused to purchase, Barby now dares to tread. | 0:09:36 | 0:09:42 | |
Stand by, Ian. | 0:09:42 | 0:09:43 | |
-Hello. -Hello, how are you? -David Barby, we've met before, haven't we? | 0:09:43 | 0:09:48 | |
-Nice to meet you. Somewhere along the line. -Your face is so familiar. -Is it? | 0:09:48 | 0:09:51 | |
-Perhaps you've met me in a... -Don't say anything else. -No. -No. | 0:09:51 | 0:09:54 | |
THEY LAUGH | 0:09:54 | 0:09:56 | |
Well, quite. Actually, I think there are rather too many familiar faces here in Stafford today. | 0:09:56 | 0:10:02 | |
Oh, my goodness me! | 0:10:04 | 0:10:06 | |
I know neither of us are fans of these items, | 0:10:06 | 0:10:09 | |
but we need to make a profit. | 0:10:09 | 0:10:12 | |
-Do I like them? -No. | 0:10:12 | 0:10:13 | |
-Do I like them? -No. | 0:10:14 | 0:10:18 | |
Well, you don't have to like them. | 0:10:19 | 0:10:22 | |
Royal Doulton's talented designer, Harry Simeon, | 0:10:22 | 0:10:25 | |
reinvented the classic Toby jug in the 1920s, | 0:10:25 | 0:10:29 | |
creating full head, full colour character jugs of famous British heroes and villains. | 0:10:29 | 0:10:36 | |
But can this motley crew turn David a profit? | 0:10:36 | 0:10:38 | |
Because you're knocking the stuff, you can have one, two, three, | 0:10:40 | 0:10:44 | |
four, five, six pieces for £50. | 0:10:44 | 0:10:47 | |
-What about 40? -40?! | 0:10:47 | 0:10:50 | |
-You want to get rid of them. -Not that desperately. £50. | 0:10:50 | 0:10:54 | |
I like 40. Give me a chance at 40. | 0:10:54 | 0:10:59 | |
-I'll tell you what, 45 quid. -Split the difference. 42. | 0:10:59 | 0:11:02 | |
Oh, you're a hard man. He's a hard man, isn't he? | 0:11:02 | 0:11:05 | |
Yeah, go on then. | 0:11:05 | 0:11:07 | |
Very wise, Ian. Back down before the sob story starts. | 0:11:07 | 0:11:12 | |
-Three. Did we say 40? -We said 42. | 0:11:17 | 0:11:21 | |
You don't want to split into a tenner, do you? | 0:11:21 | 0:11:23 | |
-Do you want to flick? -Yeah. -Have you got a coin? -No. | 0:11:23 | 0:11:28 | |
-You can have it for 40 quid, go on. -Thank you very much. | 0:11:28 | 0:11:31 | |
-That's all right. -Thank you. | 0:11:31 | 0:11:34 | |
Well, what's £2 if it gets David out of the shop? | 0:11:34 | 0:11:37 | |
Some would say cheap at the price. | 0:11:37 | 0:11:39 | |
Now, he could be stealing a shopping lead on his young tormentor. | 0:11:39 | 0:11:43 | |
I really, really, really enjoy winding David up. | 0:11:43 | 0:11:47 | |
Because David's very easy to wind up. | 0:11:47 | 0:11:50 | |
David just seems to be rambling around, whilst with me, | 0:11:50 | 0:11:54 | |
I'm fairly focussed. That's why I'm winning | 0:11:54 | 0:11:56 | |
But I'm still nervous because David's the sort of expert | 0:11:56 | 0:11:59 | |
who can suddenly pull a real find out the bag. | 0:11:59 | 0:12:02 | |
With a fair wind behind him, | 0:12:03 | 0:12:05 | |
the Road Trip is lurching hard of starboard | 0:12:05 | 0:12:08 | |
to take Charles on a historical maritime adventure in Milford. | 0:12:08 | 0:12:12 | |
Not quite Hanson country, | 0:12:15 | 0:12:17 | |
Charles is headed to the former home of the Anson family. | 0:12:17 | 0:12:21 | |
From 1624, Shugborough Estate was home to local lawyer William Anson. | 0:12:21 | 0:12:27 | |
A century later, great-grandson Admiral George Anson | 0:12:27 | 0:12:31 | |
would make the family very rich and famous. | 0:12:31 | 0:12:34 | |
# We'll set sail again | 0:12:36 | 0:12:39 | |
# Heading for the Spanish Main. # | 0:12:39 | 0:12:42 | |
Oh, look at this. Wowee! | 0:12:42 | 0:12:44 | |
Well, you're right there, Charles. | 0:12:44 | 0:12:47 | |
That is one entrance, isn't it? | 0:12:47 | 0:12:50 | |
Charles is about to meet with project development manager Coreen Caddy. | 0:12:50 | 0:12:54 | |
-Not an Anson? -No, not an Anson. | 0:12:54 | 0:12:57 | |
I am a Hanson, you see. | 0:12:57 | 0:12:59 | |
So it almost feels, drop the H, I'm coming home. | 0:12:59 | 0:13:02 | |
Well, I have to say you'd be following in some very fine footsteps if you were an Anson, | 0:13:02 | 0:13:07 | |
because we have some very grand heritage. | 0:13:07 | 0:13:09 | |
-What are you trying to say? -I'm saying nothing. | 0:13:09 | 0:13:12 | |
George Anson became 18th century Britain's most successful and celebrated naval hero, | 0:13:13 | 0:13:21 | |
though strangely not that well known today, | 0:13:21 | 0:13:23 | |
taking historical second place to that Admiral Horatio fellow. | 0:13:23 | 0:13:28 | |
When I think of naval heroes, | 0:13:28 | 0:13:30 | |
I think of Nelson, Trafalgar, the Egyptian campaign and all of that. | 0:13:30 | 0:13:34 | |
Everybody knows about Nelson, but nobody talks about Anson. | 0:13:34 | 0:13:38 | |
And yet we would argue strongly | 0:13:38 | 0:13:40 | |
that he's the biggest naval hero of all time. | 0:13:40 | 0:13:44 | |
So how did he suddenly acquire all of this money and new found wealth? | 0:13:44 | 0:13:47 | |
Twice a year there was a large Spanish treasure ship | 0:13:47 | 0:13:51 | |
that crossed the Pacific. | 0:13:51 | 0:13:53 | |
It was loaded with Spanish treasure from the South Americas. | 0:13:53 | 0:13:56 | |
-Everything you can imagine. Gold, jewels. -Precious stones. -Absolutely. | 0:13:56 | 0:14:01 | |
George, being very ambitious, went to King George | 0:14:01 | 0:14:05 | |
and said, "I think I can capture that treasure galleon for you." | 0:14:05 | 0:14:10 | |
In 1739, Admiral Anson requested 1,000 fit men on ships | 0:14:10 | 0:14:16 | |
for a daring escapade to capture the treasure. | 0:14:16 | 0:14:20 | |
He did get his 1,000 men, but he had 170 people from hospitals, | 0:14:21 | 0:14:25 | |
so sick and injured soldiers, | 0:14:25 | 0:14:27 | |
265 Chelsea pensioners with an average age of 70. | 0:14:27 | 0:14:31 | |
I'm afraid to say that all the pensioners were dead before they got to Madeira. | 0:14:31 | 0:14:36 | |
As they rounded the tip of South America, several ships broke up. | 0:14:36 | 0:14:39 | |
One crew mutinied. | 0:14:39 | 0:14:42 | |
They ended up in the San Francisco area with just 100 men left and the flagship. | 0:14:42 | 0:14:46 | |
-And the flagship which was? -The Centurion. -The Centurion. | 0:14:46 | 0:14:49 | |
Last remaining ship, the Centurion finally had a piece of good luck | 0:14:49 | 0:14:54 | |
whilst hunting the Spanish galleon. | 0:14:54 | 0:14:57 | |
Would you believe, they actually happened on it by accident? | 0:14:57 | 0:15:00 | |
They spent months seeking it and failed. They stumbled across it and thought, "Shall we have a go?" | 0:15:00 | 0:15:05 | |
And they captured it. It was absolutely loaded with treasures. | 0:15:05 | 0:15:09 | |
In the 18th century, for naval ships' crews, | 0:15:09 | 0:15:13 | |
the capture of every enemy ship and cargo was called prize money, | 0:15:13 | 0:15:17 | |
part of which was passed back to every sailor, no matter how junior. | 0:15:17 | 0:15:23 | |
So I think of myself as a bit of a treasure hunter. | 0:15:23 | 0:15:26 | |
Now I'm trying to gather these antiques to make a small profit at auction. | 0:15:26 | 0:15:30 | |
Not really for Queen and Country today but just more for my competition. | 0:15:30 | 0:15:33 | |
But I'm thinking of gold coins and real treasure, you know? | 0:15:33 | 0:15:36 | |
Big chests of jewels, falling out. Any of that here? | 0:15:36 | 0:15:40 | |
Well, you say you're the treasure hunter, | 0:15:40 | 0:15:43 | |
it's up to you to hunt them out. | 0:15:43 | 0:15:44 | |
OK. I'll follow you. | 0:15:44 | 0:15:46 | |
Coreen, is there any treasure around here? | 0:15:46 | 0:15:49 | |
Well, perhaps not the treasure you're quite looking for. | 0:15:49 | 0:15:52 | |
However I would say this lump of wood is perhaps my favourite treasure. | 0:15:52 | 0:15:57 | |
-It looks like a piece of driftwood. -It's far more important than that. | 0:15:57 | 0:16:01 | |
This is the last remaining piece of the figurehead of HMS Centurion, | 0:16:01 | 0:16:07 | |
the ship that captured all of the Spanish treasure. | 0:16:07 | 0:16:10 | |
Amazingly, this fine relic of our maritime history spent many years | 0:16:10 | 0:16:17 | |
as both a pub sign and then garden furniture at Chelsea Hospital | 0:16:17 | 0:16:21 | |
before its incredible value to Britain was rediscovered in the 1920s. | 0:16:21 | 0:16:25 | |
A national treasure indeed | 0:16:25 | 0:16:27 | |
and surely enough to satisfy our Charles. | 0:16:27 | 0:16:30 | |
The cabinet marks the spot. | 0:16:32 | 0:16:34 | |
Wow! So, Coreen, this is what I've been waiting for. This is it. | 0:16:34 | 0:16:37 | |
-There's not much here, is there? -No, there's not much. -No. | 0:16:37 | 0:16:40 | |
Most of it was reminted for the King. | 0:16:40 | 0:16:43 | |
Charles must sadly make do with the few remaining spoils of George Anson's historic voyage. | 0:16:43 | 0:16:49 | |
The captured Spanish captain's compass | 0:16:49 | 0:16:52 | |
and a few gold doubloons that escaped the minting furnace. | 0:16:52 | 0:16:57 | |
-Ms Caddy, thank you very, very much. -Bye-bye. -Bye-bye. | 0:16:57 | 0:17:00 | |
Goodbye, Miss Caddy, indeed. | 0:17:01 | 0:17:04 | |
Now, Charles and David head for their hammocks as the day draws to an end. | 0:17:04 | 0:17:09 | |
Sweet dreams, shipmates! | 0:17:09 | 0:17:12 | |
Day two begins suddenly with great expectations for the final shopping showdown. | 0:17:16 | 0:17:22 | |
-Why do you have to fiddle? Do you have to keep your hands occupied all the time? -Sorry! | 0:17:22 | 0:17:27 | |
I can't believe it! | 0:17:27 | 0:17:30 | |
So far, Charles has spent... | 0:17:32 | 0:17:33 | |
well, nothing. Not a sausage. | 0:17:33 | 0:17:38 | |
A red-hot £400.96 is still burning a hole in his pocket. | 0:17:38 | 0:17:42 | |
I ought to buy all three but the problem is, they're quite boring. | 0:17:42 | 0:17:47 | |
David, meanwhile, got cracking spending £250 on five items. | 0:17:47 | 0:17:51 | |
The Arts and Crafts box, the Spode serving dish, | 0:17:53 | 0:17:57 | |
the Masonic cufflinks, the Dolton plates and a bevy of character jugs. | 0:17:57 | 0:18:02 | |
David has only £11.68 to his name, but no regrets so far. | 0:18:05 | 0:18:11 | |
For once, I have let my head rule my heart. | 0:18:11 | 0:18:15 | |
But, oh dear! I do dislike them. | 0:18:15 | 0:18:18 | |
Hi, mum. Hi, dad. | 0:18:18 | 0:18:21 | |
I'm with Dave! | 0:18:23 | 0:18:24 | |
Milford now joins the list | 0:18:26 | 0:18:28 | |
of wonderful English places in David and Charles's past. | 0:18:28 | 0:18:32 | |
The road trip pushes on once more 34 miles east to Derby. | 0:18:32 | 0:18:37 | |
-Our last waltz together. -I used to do the Charleston. -You didn't! -I did. -You didn't? | 0:18:40 | 0:18:44 | |
I loved doing the Charleston. | 0:18:44 | 0:18:46 | |
Seven! Huh! | 0:18:46 | 0:18:47 | |
So, our light-footed experts trip their way into Charles Hanson's local town. | 0:18:49 | 0:18:54 | |
On 4th December 1745, | 0:18:54 | 0:18:56 | |
Derby played host to that other young pretender, | 0:18:56 | 0:19:00 | |
Bonnie Prince Charlie. | 0:19:00 | 0:19:02 | |
He set up his council of war here. | 0:19:02 | 0:19:05 | |
This is a massive day today. | 0:19:05 | 0:19:09 | |
We're in Derbyshire, my homeland. | 0:19:09 | 0:19:10 | |
It's an iconic day for me because I've got to buy all my items in Derbyshire. | 0:19:10 | 0:19:14 | |
To round off my road would be to beat David Barby. Will it happen? I really hope so. | 0:19:14 | 0:19:20 | |
-Good morning. -Good morning. How nice to see you, old fellow! | 0:19:22 | 0:19:24 | |
Luckily, Colin and Julie are here to help if Charles can maintain his fear of influence. | 0:19:24 | 0:19:31 | |
Colin, the little decanter set. Look at that colour. It' radiant, gaudy, it is very art deco. | 0:19:32 | 0:19:37 | |
-At auction, it might make £25. It might make 30. And you're only asking £25 for it. -Cheaper than charity! | 0:19:37 | 0:19:44 | |
-Well, I'm a charitable case here. -Don't knock me down, Charles, on £25. -Do you know what? | 0:19:44 | 0:19:49 | |
If I was to come to your saleroom, it'd be 45. | 0:19:49 | 0:19:52 | |
Ooh! Suddenly the local connections are not in Charles's favour. | 0:19:54 | 0:19:58 | |
-What does affect value, Colin, is this corroding here. -It's not corrosion, it's muck. | 0:19:58 | 0:20:04 | |
Is it? Colin, where there's muck, there's brass. | 0:20:04 | 0:20:08 | |
It just wants cleaning. | 0:20:08 | 0:20:10 | |
I'd be happy to pay £25 for it with a caveat, OK. | 0:20:10 | 0:20:17 | |
-And my caveat is this. If Julie, Julie? -Yes. -Yes, it's Julie. | 0:20:17 | 0:20:23 | |
-Sorry, Julie. -If Julie can take this muck off, I'll pay £25 for it. | 0:20:23 | 0:20:28 | |
-If she can't, I'll only pay £15 for it. -OK. Silvo. | 0:20:28 | 0:20:34 | |
Let's get the Silvo out and start rubbing then. | 0:20:34 | 0:20:37 | |
-All right, we are in business. -I'm rubbing as hard as I can. | 0:20:37 | 0:20:41 | |
-It is coming off actually. -I don't believe it! -Look at that shine. -Wow! | 0:20:43 | 0:20:48 | |
It actually looks like Charles Hanson will have two pay a full ticket price for an antique. | 0:20:48 | 0:20:54 | |
-Colin. -Shake it, shake it, shake it. -Exactly. | 0:20:55 | 0:20:58 | |
He's got me as well. | 0:20:58 | 0:21:00 | |
Colin, you shook me, you rattled me. | 0:21:00 | 0:21:03 | |
-I shook you. -At £25, you've got me. It's a deal. Thank you, Julie. Well done! | 0:21:03 | 0:21:08 | |
Well done, Colin, and hats off to the lovely hard-working Julie, eh? | 0:21:08 | 0:21:12 | |
This derby chancer might wish he'd stayed in Staffordshire perhaps. | 0:21:12 | 0:21:17 | |
This is a county map of Stafford, made in the years 1818 and 1819. | 0:21:18 | 0:21:24 | |
What I like about this map is, if you look carefully, you can see it's done in little rectangles | 0:21:24 | 0:21:30 | |
because the map was pasted on to a canvas | 0:21:30 | 0:21:35 | |
and there are little gaps between each section to allow the canvas to be folded. | 0:21:35 | 0:21:41 | |
So this was a map that you would use on a journey. You would travel, rather like the road trip. | 0:21:41 | 0:21:47 | |
These days, it's sat nav but those were the days of coach. | 0:21:47 | 0:21:51 | |
I love maps. | 0:21:51 | 0:21:53 | |
They're not only ingenious, a cartographer's art, but also, they are wonderful to look at. | 0:21:53 | 0:21:59 | |
This is our history in detail | 0:21:59 | 0:22:02 | |
I've spotted this little green Street glass bowl. | 0:22:04 | 0:22:07 | |
It's hand-blown. There's a ground pontil mark on the base | 0:22:07 | 0:22:10 | |
where the rod has been blown and snapped off to create this wonderful design. | 0:22:10 | 0:22:14 | |
But the way it sits is very evocative of the arts and crafts, evocative of a return to nature | 0:22:14 | 0:22:22 | |
and very much of the art nouveau. | 0:22:22 | 0:22:24 | |
The swirl of the air bubbles and the way this base has been blown shows a certain honesty. | 0:22:24 | 0:22:31 | |
Mm. The posy bowl is certainly very beautiful. | 0:22:33 | 0:22:37 | |
Those bubbles were hypnotic but at £15, can it turn a profit? | 0:22:37 | 0:22:42 | |
-I quite like this little bowl here. -There's not a lot of money in it. | 0:22:43 | 0:22:47 | |
-You're not going to make any money buying a cheap thing like that. -I've got to beat David Barbie. | 0:22:47 | 0:22:52 | |
If you double its price, what's £8 in a competition? You want to be making £80. | 0:22:52 | 0:22:58 | |
-You think my game plan is all wrong? -You've got to change the style and go upmarket. | 0:22:58 | 0:23:05 | |
I never thought I'd see the day(!) Charles? Exposed as a bit cheap(?) | 0:23:05 | 0:23:11 | |
Any bit of help. £5 for it? | 0:23:11 | 0:23:14 | |
£8, Charles, it's yours. That's almost half price. | 0:23:14 | 0:23:18 | |
£6? Going once! Come on, Colin! | 0:23:18 | 0:23:22 | |
-Go on then. -It's gone! | 0:23:22 | 0:23:24 | |
Well done, Charles, but is this all you want from your beloved Derbyshire today? | 0:23:24 | 0:23:29 | |
I ought to be really buoyant by the fact I'm in Derby, but, in fact, I'm not. Something is going wrong. | 0:23:29 | 0:23:38 | |
I've got to somehow pull the cat out of the bag. | 0:23:38 | 0:23:41 | |
Luckily, fellow dandy, Dennis, is just waiting to help down at Ashbourne Road antiques. | 0:23:41 | 0:23:48 | |
Hop to it, Charles! | 0:23:48 | 0:23:50 | |
Hi! Good to see you. Charles Hanson. | 0:23:50 | 0:23:52 | |
I feel underdressed compared to you. | 0:23:52 | 0:23:54 | |
The cravat, you know, this look. | 0:23:54 | 0:23:57 | |
-It's fantastic! -You're really kind. | 0:23:57 | 0:24:01 | |
-I'm looking for things that are a bit quirky, a bit different. -You've come to the right place. | 0:24:01 | 0:24:06 | |
Is that silver in this little loving cup? | 0:24:06 | 0:24:08 | |
-You know your stuff. -Get out of here! -You didn't say, is that silver, which is plated, | 0:24:08 | 0:24:13 | |
you went straight to that. | 0:24:13 | 0:24:15 | |
I like this decoration. It's beautifully cast and gilded also. | 0:24:15 | 0:24:20 | |
On the base, it says, | 0:24:20 | 0:24:21 | |
"The Royal Christening, August 1982." | 0:24:21 | 0:24:27 | |
Which royal was christened in 82? | 0:24:27 | 0:24:29 | |
MUMBLES | 0:24:29 | 0:24:31 | |
-You've got all this information. I'm hoping you would tell me. -William! Will's! Will's! | 0:24:31 | 0:24:36 | |
-Prince William who got married recently. -I'm not an historian like you. -Get out of here! | 0:24:36 | 0:24:40 | |
The reason I like it is it's quite a modern design. | 0:24:40 | 0:24:45 | |
I wonder who the maker is. Do we know? | 0:24:45 | 0:24:47 | |
-It's a lovely little piece. -It's Stuart Devlin. | 0:24:48 | 0:24:51 | |
Charles, you wanted a great find, you've got one. | 0:24:51 | 0:24:55 | |
Stuart Devlin is one of the best contemporary silversmiths, | 0:24:55 | 0:25:00 | |
designer of Australia's decimal coinage and Olympic medals as well as his famous decorative eggs. | 0:25:00 | 0:25:06 | |
Dennis, I'm a local man. I'm always at your disposal, OK? | 0:25:06 | 0:25:09 | |
-Boys stick together in Derby, don't we? -That's right. | 0:25:09 | 0:25:12 | |
Exactly! I quite like that because it's a decorative object. What's the best price on it? | 0:25:12 | 0:25:18 | |
Well, I'm in your expert hands. | 0:25:18 | 0:25:20 | |
-Well, Dennis, you know. -Whatever you say is gospel. -Oh, Dennis, I can't do that! | 0:25:20 | 0:25:26 | |
It's got £99 on it. Give us 100 for cash. | 0:25:26 | 0:25:29 | |
100? Euros, pounds, sterling? | 0:25:31 | 0:25:35 | |
We're talking pounds. | 0:25:35 | 0:25:37 | |
-What's your absolute best price? -£75. | 0:25:37 | 0:25:40 | |
Oh, Dennis. We're getting close now. | 0:25:40 | 0:25:42 | |
-Getting really close. -£70 because I like you. -Get out of here! -You're a wonderful guy. | 0:25:42 | 0:25:46 | |
Dennis, I'll pay £70 for it. | 0:25:46 | 0:25:49 | |
-Brother? -I think you're being fair. -Give me a high five. | 0:25:51 | 0:25:55 | |
-Are we in? -Yes, I think you're being fair. -Sold for £70! Dennis, what have I done? | 0:25:55 | 0:25:59 | |
Dennis, I do love your style. | 0:25:59 | 0:26:02 | |
-We're a similar size. I'm going to start wearing cravats. I'm serious. -OK. | 0:26:02 | 0:26:06 | |
-If that's the case, there you go. -You know what? I love cravats. I've never worn a cravats before. | 0:26:06 | 0:26:11 | |
-So you do it up like that? -Look at that! -Dennis, I kid you not. | 0:26:11 | 0:26:15 | |
-I will start wearing cravats. Can I borrow this? -You can have that one. -Are you serious? -You can have it. | 0:26:15 | 0:26:21 | |
It's worth almost as much as my silver loving cup. I love it. | 0:26:21 | 0:26:24 | |
Hats off again to that Derbyshire dandy and his new sartorial friend. | 0:26:24 | 0:26:30 | |
This weeks shopping is now heading for a crunch photo finish. | 0:26:30 | 0:26:34 | |
Back with David and he's decided to play it safe with no further investment. Bless him! | 0:26:37 | 0:26:44 | |
I'm probably an old fuddy-duddy. I think I am. | 0:26:44 | 0:26:48 | |
If I was Charles, I'd be very, very cautious and not risk that £150 lead he's made. | 0:26:48 | 0:26:56 | |
Of course, it's too late to worry about that. | 0:26:56 | 0:26:59 | |
From a coalface of antique shopping, David is breaking free with literary abandon. | 0:26:59 | 0:27:05 | |
Heading briefly out of town where a very important house awaits his arrival. | 0:27:05 | 0:27:12 | |
Number 8a Victoria Street, Eastwood. | 0:27:12 | 0:27:16 | |
On 11 September 1885, Arthur and Lydia Lawrence had their fourth child, David Herbert. | 0:27:16 | 0:27:22 | |
Best known today as the romantic novelist, DH Lawrence. | 0:27:22 | 0:27:26 | |
-Please come in to see Mrs Lawrence's home. -Thank you very much indeed. Gosh! | 0:27:33 | 0:27:37 | |
In the late 19th century, employment in this part of the world centred on the culprits. | 0:27:37 | 0:27:44 | |
Young DH Lawrence grew up with a strong coal miner father | 0:27:44 | 0:27:48 | |
and an educated mother who inspired his passion for words. | 0:27:48 | 0:27:54 | |
Today, local heritage assistant, Jackie Greaves, has the pleasure of educating David. | 0:27:54 | 0:28:00 | |
Where did he achieve his scholastic ability? I notice the bookcase over there. | 0:28:02 | 0:28:07 | |
Mrs Lawrence was an uncertified teacher. This is DH Lawrence's mother. | 0:28:07 | 0:28:11 | |
All through his life, he really had quite a lot of illness | 0:28:11 | 0:28:14 | |
so he spent a lot of time at home with his mother who sort of home tutored him here. | 0:28:14 | 0:28:19 | |
She used to encourage her children to read, particularly the eldest, Emily. | 0:28:19 | 0:28:23 | |
She used to read to the younger children quite a lot. Swiss Family Robinson was a favourite. | 0:28:23 | 0:28:27 | |
Success as a writer would come many years later. | 0:28:30 | 0:28:32 | |
Lawrence's greatest novels, The Rainbow, Women in Love and, of course, Lady Chatterley's Lover, | 0:28:32 | 0:28:37 | |
all drew on the frustration and aspiration of the educated working class man. | 0:28:37 | 0:28:44 | |
This museum has been lovingly recreated to resemble the home of a 19th-century coalminer's son. | 0:28:46 | 0:28:53 | |
Arthur Lawrence, DH Lawrence's father, was actually a coal miner. | 0:28:53 | 0:28:57 | |
In those days they had the tin loaf which was designed to bake the bread in the right shape | 0:28:57 | 0:29:02 | |
and the ladies make their own. | 0:29:02 | 0:29:04 | |
-A very thick sandwich? -Yes. -What would have been in it? | 0:29:04 | 0:29:07 | |
-Cheese and pickle? -Well, they weren't, unfortunately, able to take cheese. | 0:29:07 | 0:29:11 | |
-Arthur Lawrence worked about 750 feet underground so it was too hot for cheese. -It would just melt. | 0:29:11 | 0:29:16 | |
But the ladies made my favourite, which was home-made jam or bread and dripping, | 0:29:16 | 0:29:21 | |
an old-fashioned favourite at the time. | 0:29:21 | 0:29:23 | |
-That helped keep the bread nice and moist. -Oh! That is wonderful history! | 0:29:23 | 0:29:29 | |
Published in 1913, DH Lawrence's third novel, Sons and Lovers, | 0:29:30 | 0:29:36 | |
is often regarded as his first masterpiece. | 0:29:36 | 0:29:39 | |
The realistic tale of a stifled miner's son trying to rise up from his background, | 0:29:40 | 0:29:46 | |
the novel also deals explicitly with sexual awakening and was heavily edited before publication. | 0:29:46 | 0:29:55 | |
Amazingly, the full racy version was not available until 1992. | 0:29:55 | 0:29:59 | |
All this creativity came from humble, cash-strapped origins. | 0:30:02 | 0:30:07 | |
Jackie has just one last item to make our David feel humble. | 0:30:07 | 0:30:12 | |
-Here, we have a coal carving. -Sorry, what? | 0:30:12 | 0:30:14 | |
-Carving made of coal. -Right. -It was quite commonplace in this area | 0:30:14 | 0:30:19 | |
because people didn't really have surplus money to buy gifts. | 0:30:19 | 0:30:22 | |
So, a lot of people made their own presents. DH Lawrence made this for a friend. It is a pen stand. | 0:30:22 | 0:30:28 | |
-It's so light, isn't it? -Yes. | 0:30:28 | 0:30:30 | |
So there would have been a little ink bottle there so that hole is to secure it in place | 0:30:30 | 0:30:35 | |
so it wouldn't slide. | 0:30:35 | 0:30:36 | |
-And the pens rested there. -Yes. -That is incredible. And he carved this? | 0:30:36 | 0:30:41 | |
He carved it for his friend and, writing a note along with that, | 0:30:41 | 0:30:44 | |
he said if he didn't like it, he could put it in the fire for fuel. | 0:30:44 | 0:30:47 | |
-How wonderful! -So it wasn't a wasted gift. | 0:30:47 | 0:30:51 | |
-I feel quite privileged to handle this actually. -You are. | 0:30:51 | 0:30:54 | |
You really, really are, David. You lucky chap. | 0:30:54 | 0:30:58 | |
David sets out to rejoin his competitor. | 0:30:58 | 0:31:02 | |
With tales of Derbyshire drudgery and shopping struggles, let's hope he's dressed appropriately. | 0:31:02 | 0:31:10 | |
-Could you let me into a secret? -Yes, David. -Why are you wearing that pink and blue cravat? | 0:31:10 | 0:31:14 | |
-I am wearing it for you. -That's lovely. I am so impressed and quite touched. -Thanks, David. | 0:31:14 | 0:31:20 | |
Oh, do get on with it! | 0:31:20 | 0:31:21 | |
-Here's my first item. -Oh! I like it, David. | 0:31:21 | 0:31:24 | |
-If you look very closely at this little stem here, you can even see little hairs. -I know! | 0:31:24 | 0:31:29 | |
You buy quality. You by a big capital "A" for antique. | 0:31:29 | 0:31:32 | |
David, I've gone for that little shake, rattle and roll. | 0:31:32 | 0:31:36 | |
-Crikey me! Look at that! -First of all, I love the colour. Date wise, it's got to be 40s or 50s. | 0:31:36 | 0:31:42 | |
Yes, I was hoping it might be earlier but I think you're right. I think it's stylish. | 0:31:42 | 0:31:46 | |
-It is complete. I love this cracked effect. -So do I. I like that immensely. | 0:31:46 | 0:31:50 | |
And now David can impress with a thing of beauty. | 0:31:50 | 0:31:55 | |
-Hello! It's a lovely copper cigar box. -You've got this lovely seaweed motif and then the shell detail. | 0:31:55 | 0:32:00 | |
-Does it have legs, Charles? -Oh, David, it has long legs. | 0:32:00 | 0:32:05 | |
I'm feeling a bit sick at the moment because I'm panicking. I bought that. | 0:32:05 | 0:32:09 | |
Something about it gave me a lift, David. | 0:32:09 | 0:32:11 | |
I love the fact that it's handmade, it's spun. | 0:32:11 | 0:32:14 | |
-The whole thing is full of handcrafted work. -What's it worth? | 0:32:14 | 0:32:18 | |
-20? -Mmm. I thought maybe about 30, but I'm wrong. | 0:32:18 | 0:32:21 | |
But £6, David, I can't go wrong, can I? | 0:32:21 | 0:32:24 | |
-These are wonderful, David. -They're nine-carat gold. | 0:32:24 | 0:32:26 | |
They're not gold?! | 0:32:26 | 0:32:28 | |
They are beautifully enamelled, in good condition. | 0:32:28 | 0:32:31 | |
-I suspect they cost you about... -Quite a lot. -Were they a lot? -£70. | 0:32:31 | 0:32:35 | |
I think they have got legs. | 0:32:35 | 0:32:37 | |
This is my star lot. Ooh. Feel it! | 0:32:37 | 0:32:40 | |
-That is lovely. -Oh, David! That's poetry in my ears. Who's it by? | 0:32:40 | 0:32:46 | |
-I hope I'm right. SD. -Stuart Devlin. -Yes! Do you think it is? | 0:32:46 | 0:32:49 | |
Yeah. Regardless of the weight of the silver, Stuart Devlin, | 0:32:49 | 0:32:52 | |
-he's going through the roof. -Yes. | 0:32:52 | 0:32:54 | |
That is so good. Stuart Devlin. | 0:32:54 | 0:32:57 | |
But it's also 1980s. | 0:32:57 | 0:33:00 | |
Could we get something a little bit older perhaps? | 0:33:00 | 0:33:03 | |
-Oh, my... -Don't say anything at all. -Muy bueno, senor. Are they Spanish? | 0:33:03 | 0:33:06 | |
These are all subject matter taken from the Italian comedy, and | 0:33:06 | 0:33:11 | |
all of the designs are by an artist from the '70s called LeRoy Neiman. | 0:33:11 | 0:33:15 | |
-They are like jewels on the wall. I paid £19.50. -You didn't. -I did. | 0:33:15 | 0:33:21 | |
-£19 and 50 pence? -Yes, for the three. | 0:33:21 | 0:33:24 | |
And a 50p donation to the hospice. So £20, really. | 0:33:24 | 0:33:28 | |
-Come on. -That and that. -Oh. Beswick Micawber. | 0:33:28 | 0:33:33 | |
-I paid £40. -You didn't! -I did. -So maybe you paid a bit too much. | 0:33:33 | 0:33:37 | |
-Oh, dear, Charles. -But it doesn't matter. | 0:33:37 | 0:33:39 | |
Because I paid £40 to include that one. | 0:33:39 | 0:33:42 | |
David Barby, you're beginning to play like me now. | 0:33:42 | 0:33:45 | |
David, you've got Charles on the ropes. Can you go for the knockout? | 0:33:45 | 0:33:50 | |
Good condition. Oh, hello. | 0:33:50 | 0:33:52 | |
-I'm not quite sure what's going on here, David. -There we are. | 0:33:52 | 0:33:56 | |
I'm sweating now. I'm beginning to feel a tension | 0:33:56 | 0:33:59 | |
-and a goose pimple approaching, because... -And... | 0:33:59 | 0:34:02 | |
-Oh, come on. -No, no, no more! | 0:34:02 | 0:34:04 | |
-David Barby, I don't believe it. -It's good, isn't it? -That's too good. | 0:34:04 | 0:34:08 | |
But is it really TOO good? | 0:34:08 | 0:34:09 | |
What do you chaps really, really think? | 0:34:09 | 0:34:13 | |
I'm very disappointed in Charles's objects | 0:34:13 | 0:34:17 | |
because he didn't spend all his money. | 0:34:17 | 0:34:19 | |
We're about to freefall into our finale. I'm very nervous. | 0:34:19 | 0:34:22 | |
He's brought a really, really good, varied mix. | 0:34:22 | 0:34:25 | |
The star object is his Stuart Devlin commemorative cup. | 0:34:25 | 0:34:28 | |
But hopefully Hanson's silver cup will be hoisted up | 0:34:28 | 0:34:31 | |
and that will be my crowning glory. | 0:34:31 | 0:34:33 | |
That's the spirit. | 0:34:33 | 0:34:35 | |
Always good to aim high, no matter how ridiculously unrealistic. | 0:34:35 | 0:34:41 | |
First of all, let's get our chaps to auction. | 0:34:41 | 0:34:45 | |
-What will you miss most about us being together? -You driving, Charles. | 0:34:45 | 0:34:49 | |
You drive me to distraction. | 0:34:49 | 0:34:52 | |
The road trip gets a wriggle on, heading 15 miles east, | 0:34:52 | 0:34:55 | |
across Brian Clough Way, and over the county line. | 0:34:55 | 0:35:00 | |
Last stop for the week is Nottingham. | 0:35:00 | 0:35:03 | |
Today is, finally, an auction day, | 0:35:05 | 0:35:08 | |
so our road trip renegades arrive in fresh attire, raring to go. | 0:35:08 | 0:35:14 | |
Well, Charles, here we are, the final curtain. My goodness me. | 0:35:14 | 0:35:19 | |
It's the end of the romance between you and I. | 0:35:19 | 0:35:22 | |
-You used to work here, didn't you? -10 years ago. | 0:35:22 | 0:35:25 | |
-Bring back happy memories? -So much so. | 0:35:25 | 0:35:27 | |
Opened in 1993, Mellors and Kirk are well known for fine art sales, | 0:35:27 | 0:35:33 | |
antiques and today's general sale. | 0:35:33 | 0:35:35 | |
Our Charles cut his teeth here as a young sales porter | 0:35:35 | 0:35:40 | |
and fledgling auctioneer, | 0:35:40 | 0:35:42 | |
and the prodigal son returns. | 0:35:42 | 0:35:46 | |
But what does auctioneer Nigel Kirk | 0:35:46 | 0:35:48 | |
think of the mixed offerings from both our experts? | 0:35:48 | 0:35:51 | |
Well, I'm afraid the glass objects are of minimal value | 0:35:51 | 0:35:56 | |
and, frankly, I'd be grateful for any sum that we got bid. | 0:35:56 | 0:35:59 | |
David's bought a selection of character jugs, | 0:35:59 | 0:36:02 | |
so I think he's gone for quantity, not quality. | 0:36:02 | 0:36:05 | |
The three plates are very modern | 0:36:05 | 0:36:08 | |
but really they would be better consigned to a charity shop | 0:36:08 | 0:36:11 | |
rather than a fine art auctioneer. | 0:36:11 | 0:36:13 | |
Funny you should say that. | 0:36:13 | 0:36:15 | |
So David started today's show with just £261.68 | 0:36:17 | 0:36:22 | |
and spent a daring £250 of it on five auction lots. | 0:36:22 | 0:36:27 | |
Charles started slowly and, well, ended up slowly too, | 0:36:29 | 0:36:33 | |
spending just £101 from his healthy £400.96 balance | 0:36:33 | 0:36:38 | |
on a mere three auction lots. | 0:36:38 | 0:36:43 | |
Our experts straighten their ties and take their seats. | 0:36:43 | 0:36:47 | |
How does it feel that this young pretender has taken a mantle | 0:36:47 | 0:36:51 | |
over the might of David Barby? | 0:36:51 | 0:36:53 | |
Every dog has to have his day. | 0:36:53 | 0:36:56 | |
Down, boy! And hush now. | 0:36:56 | 0:36:58 | |
The sale's about to start. | 0:36:58 | 0:37:00 | |
David's corking Spode dish is first up for grabs. | 0:37:02 | 0:37:05 | |
£30 for it, please. 30? 20? | 0:37:05 | 0:37:08 | |
20 I'm bid. | 0:37:08 | 0:37:09 | |
Thank you, sir. 20, 30, 40. | 0:37:09 | 0:37:11 | |
£40. Any more? | 0:37:11 | 0:37:14 | |
Selling at 40, 50, 60. £60. Second row, selling at £60. | 0:37:14 | 0:37:18 | |
A disappointing start for David, especially on such a lovely item. | 0:37:19 | 0:37:24 | |
-Will you catch me up? -I don't know. One lives in hope. | 0:37:24 | 0:37:29 | |
Stranger things have happened. | 0:37:29 | 0:37:31 | |
Could the gold Masonic cufflinks turn the tide for David? | 0:37:31 | 0:37:36 | |
-£20 for them, please. -Take it steady. | 0:37:36 | 0:37:38 | |
-Oh, Charles. -Let's get them sold. -40? | 0:37:38 | 0:37:40 | |
£30 it is. 40. 50. 60. | 0:37:40 | 0:37:43 | |
-£70. -Come on. -Commission bid. I'll sell. | 0:37:43 | 0:37:47 | |
-That's OK. -It's not. -You broke even. -Don't try and console me. | 0:37:47 | 0:37:52 | |
It's best to say nothing, actually. | 0:37:52 | 0:37:54 | |
And now the young pretender's first lot seeks some decisive bidding. | 0:37:54 | 0:37:59 | |
£20 for it, please. 20? | 0:37:59 | 0:38:01 | |
-£10. -Come on. -Do we have a bid? Five I'm bid, thank you. | 0:38:01 | 0:38:05 | |
At five. 10, may I say? | 0:38:05 | 0:38:06 | |
Oh, dear me. | 0:38:06 | 0:38:09 | |
£5 only, and I shall sell it at £5. | 0:38:09 | 0:38:11 | |
That's all I thought it was worth. | 0:38:11 | 0:38:14 | |
Quite possibly. | 0:38:14 | 0:38:15 | |
But a shame for Charles. I think that £1 loss really hurt. | 0:38:15 | 0:38:19 | |
I can't believe it. | 0:38:19 | 0:38:21 | |
So, let's have something bright and cheerful to lift our spirits. | 0:38:21 | 0:38:25 | |
£20 for them, may I see? | 0:38:25 | 0:38:27 | |
10 I'm bid. Thank you. At 10. 15, 20. | 0:38:27 | 0:38:30 | |
25? At £20. On my right, I'm selling at 20. | 0:38:30 | 0:38:34 | |
-Broke even. -What happened? | 0:38:34 | 0:38:37 | |
The auctioneer is speedy. | 0:38:37 | 0:38:38 | |
And that means David's chances are fading fast. | 0:38:38 | 0:38:43 | |
David, it's never over until the last gavel falls on your very last lot. | 0:38:45 | 0:38:49 | |
True enough, but first Charles's startling cocktail set | 0:38:49 | 0:38:54 | |
wants to dazzle the room. | 0:38:54 | 0:38:56 | |
-20? £10. -Oh, no. -10 I'm bid. Thank you, at £10. | 0:38:56 | 0:39:01 | |
-15 for it? -One more. -15. | 0:39:01 | 0:39:03 | |
Charles, dear friend, you're going to need more than just one more. | 0:39:03 | 0:39:07 | |
£15, I shall sell it. | 0:39:07 | 0:39:09 | |
£15. | 0:39:09 | 0:39:11 | |
No great shakes there, then, Charles, | 0:39:11 | 0:39:13 | |
but you are still ahead on the week. | 0:39:13 | 0:39:15 | |
What can David do with this motley crew of hopefuls? | 0:39:17 | 0:39:19 | |
-We're nearly there, Charles. -Will we keep in touch afterwards? | 0:39:19 | 0:39:23 | |
I doubt we will. | 0:39:23 | 0:39:24 | |
Ooh. Let's just get on with the sale, shall we? | 0:39:24 | 0:39:28 | |
20? | 0:39:28 | 0:39:29 | |
20 I'm bid, thank you, sir. At 20, 30, 40. | 0:39:29 | 0:39:32 | |
£40. No more? Selling at 40. | 0:39:32 | 0:39:35 | |
Whoo! Was that it? | 0:39:35 | 0:39:37 | |
David Barby's mugs were mugged. So cruelly and, well, quickly. | 0:39:37 | 0:39:44 | |
I think this auction will hang on one thing, OK, and it's coming up next. | 0:39:44 | 0:39:49 | |
And here it is. Charles's prize sterling-silver commemorative cup. | 0:39:49 | 0:39:54 | |
The style of it is so neat for that decade. I love it. | 0:39:55 | 0:40:00 | |
£30. 40. 50. | 0:40:00 | 0:40:02 | |
60. 70. | 0:40:02 | 0:40:04 | |
80. 90. 100. | 0:40:04 | 0:40:06 | |
-Keep going. -At £100 on my left. 120. | 0:40:06 | 0:40:10 | |
130? | 0:40:10 | 0:40:11 | |
At 120. I will sell. | 0:40:11 | 0:40:13 | |
That's good. My dream is about to crack open. Champagne? | 0:40:13 | 0:40:17 | |
Maybe a bit early, Charles. | 0:40:17 | 0:40:20 | |
Though I have to say, you look unbeatable now. | 0:40:20 | 0:40:23 | |
David must pray the lovely Art Nouveau box | 0:40:24 | 0:40:28 | |
can turn copper into cash. | 0:40:28 | 0:40:30 | |
You could hear a pin drop in here. | 0:40:30 | 0:40:32 | |
50. Any interest? 50, 30. | 0:40:32 | 0:40:35 | |
Nobody want it? 30, 40. | 0:40:35 | 0:40:36 | |
50, 60, 70, 80 with me. | 0:40:36 | 0:40:39 | |
90 to you. 100. 110. 120 here. | 0:40:39 | 0:40:42 | |
-130? At 120. -Good price, David. -Selling with me at £120. | 0:40:42 | 0:40:47 | |
-All done? -That's amazing. | 0:40:47 | 0:40:49 | |
I commend you for finding an antique. | 0:40:49 | 0:40:51 | |
I think we all commend David Barby today. | 0:40:51 | 0:40:55 | |
But sadly that double-your-money sale is just not enough | 0:40:55 | 0:40:59 | |
to beat Charles. | 0:40:59 | 0:41:00 | |
-Come on, David, congratulations. -No. | 0:41:00 | 0:41:03 | |
You're the one that has congratulations. Well done, Charles. | 0:41:03 | 0:41:06 | |
Brave words in the face of defeat. What a nice chap. | 0:41:06 | 0:41:11 | |
Sadly, after paying auction costs, | 0:41:11 | 0:41:13 | |
David's £261.68 grew by a mere £4.20. | 0:41:13 | 0:41:20 | |
David ends his road trip with £265.88, | 0:41:20 | 0:41:25 | |
but he can hold his head high. | 0:41:25 | 0:41:27 | |
The local hero began with £400.96 | 0:41:29 | 0:41:34 | |
and turned another modest profit of £13.80. | 0:41:34 | 0:41:40 | |
Charles ends the week with £414.76. Well done, boy. | 0:41:40 | 0:41:45 | |
The chaps' combined profits will go to Children in Need. | 0:41:48 | 0:41:51 | |
Congratulations to that victorious young pretender, | 0:41:51 | 0:41:55 | |
and, David, no sweat. It's Hanson-town. | 0:41:55 | 0:41:59 | |
Give me a high five, David. It's been a great day. | 0:42:00 | 0:42:04 | |
David, this great business, there is so much luck involved, and all the romance, long may it continue. | 0:42:04 | 0:42:10 | |
-You've taught me so much. -I hope so, David. | 0:42:10 | 0:42:14 | |
I do wish David would stop mentioning romance, | 0:42:14 | 0:42:17 | |
but then, this pair have had quite a week together. No, not like that. | 0:42:17 | 0:42:22 | |
# It takes two, baby | 0:42:22 | 0:42:25 | |
# It takes two, baby... # | 0:42:25 | 0:42:26 | |
David Barby, what's happened?! | 0:42:26 | 0:42:29 | |
-I tripped last night. -You didn't! -This is a sympathy vote. | 0:42:29 | 0:42:32 | |
-Shall we shop as a couple? -I'd rather not. -Why not? | 0:42:32 | 0:42:35 | |
We're not married. Thank God! | 0:42:35 | 0:42:38 | |
Oh, sugars. | 0:42:38 | 0:42:41 | |
David! Come on! David! | 0:42:43 | 0:42:46 | |
-Who are you up against? -Charles Hanson. -Oh, no contest. | 0:42:46 | 0:42:49 | |
And may the best man...win. | 0:42:49 | 0:42:51 | |
Oh, no. | 0:42:51 | 0:42:52 | |
-Can't believe it. -This is hard work today. | 0:42:52 | 0:42:54 | |
-Selling now, 150. -You've well and truly nailed me today. | 0:42:54 | 0:42:59 | |
Well, let's hope they both learn from each other. | 0:43:01 | 0:43:05 | |
-Come on. -I've got to calm down. It's been such an exciting day. | 0:43:05 | 0:43:08 | |
THEY LAUGH | 0:43:08 | 0:43:11 | |
Next time on the Antiques Road Trip, it's out with the old | 0:43:11 | 0:43:15 | |
and in with the new, | 0:43:15 | 0:43:16 | |
as we hook up with antiques experts Mark Stacey and Margie Cooper. | 0:43:16 | 0:43:20 | |
Farewell till then. | 0:43:22 | 0:43:23 | |
You are a sort of Road Trip virgin, if you like. MARGIE LAUGHS | 0:43:26 | 0:43:31 | |
-You know my biggest problem? -What? | 0:43:31 | 0:43:34 | |
-My hair blowing about in this car. -Oh, right. | 0:43:34 | 0:43:37 | |
Subtitles by Red Bee Media Ltd | 0:43:45 | 0:43:50 |