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It's the nation's favourite antiques experts | 0:00:02 | 0:00:04 | |
with £200 each, a classic car, | 0:00:04 | 0:00:06 | |
and a goal to scour Britain for antiques. | 0:00:06 | 0:00:09 | |
That hurts! | 0:00:09 | 0:00:10 | |
Is it the right way up? | 0:00:12 | 0:00:14 | |
The aim, to make the biggest profit at auction. But it's no mean feat. | 0:00:14 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:21 | |
I look like the mad hatter! | 0:00:21 | 0:00:23 | |
So will it be the high road to glory | 0:00:23 | 0:00:26 | |
or slow road to disaster? | 0:00:26 | 0:00:27 | |
I'm only in this programme to be Anita Manning's chauffeur! | 0:00:27 | 0:00:30 | |
This is the Antiques Road Trip! | 0:00:30 | 0:00:32 | |
Yeah! | 0:00:33 | 0:00:35 | |
We're out enjoying the open road with Anita Manning and Philip Serrell | 0:00:40 | 0:00:44 | |
in a '65 sky-blue Sunbeam Alpine. | 0:00:44 | 0:00:46 | |
I love it because it goes with my boots. | 0:00:48 | 0:00:51 | |
There are times in your life when you wish you'd got a bloke as your partner! | 0:00:52 | 0:00:56 | |
Phil is an auctioneer from Worcester whose gruff exterior | 0:00:56 | 0:01:00 | |
conceals the heart of a true romantic. | 0:01:00 | 0:01:03 | |
Does that give me a certain look? | 0:01:03 | 0:01:05 | |
Phil, I love you because you're daft and dangerous! | 0:01:05 | 0:01:09 | |
Anita is also an auctioneer and even though she hails from Glasgow, | 0:01:09 | 0:01:14 | |
the two do have something else in common. | 0:01:14 | 0:01:16 | |
This is going to surprise the nation here, | 0:01:17 | 0:01:19 | |
-but you and I are both ex PE teachers! -That's right! | 0:01:19 | 0:01:23 | |
I specialised in dance, not rugby! | 0:01:23 | 0:01:26 | |
-Did you do the Bump, or whatever it was? -The Bump? -Wasn't that a dance craze? | 0:01:26 | 0:01:31 | |
Come on, Anita. Who could forget the Bump? | 0:01:31 | 0:01:34 | |
Both our road trippers have £200 each spending money. | 0:01:37 | 0:01:40 | |
Their Road Trip starts in Ford, in the far north of England, | 0:01:40 | 0:01:44 | |
then ventures into Scotland before winding its way southwards | 0:01:44 | 0:01:48 | |
and concluding in Yorkshire at Harrogate. | 0:01:48 | 0:01:50 | |
On this leg, we kick off in Northumberland at Ford | 0:01:50 | 0:01:53 | |
and head over the border to an auction in Edinburgh. | 0:01:53 | 0:01:57 | |
The sleepy village of Ford | 0:01:59 | 0:02:00 | |
takes its name from a crossing of the River Till | 0:02:00 | 0:02:03 | |
which in Anglo-Saxon times | 0:02:03 | 0:02:05 | |
was apparently popular with nuns and monks | 0:02:05 | 0:02:08 | |
travelling between the holy places of Iona and Lindisfarne. | 0:02:08 | 0:02:13 | |
Once a humble dairy, this place is now THE destination | 0:02:21 | 0:02:25 | |
for those seeking the unusual, the eclectic and the bizarre. | 0:02:25 | 0:02:28 | |
You'll find just about anything here. | 0:02:28 | 0:02:31 | |
I suppose these would have been the - what do you call them? - | 0:02:31 | 0:02:35 | |
the pens that the cows are kept in. | 0:02:35 | 0:02:38 | |
Do they keep cows in a dairy? | 0:02:38 | 0:02:40 | |
Have you ever seen an actual farm, Anita? | 0:02:40 | 0:02:43 | |
Bread sauce! Bread sauce! | 0:02:43 | 0:02:46 | |
He doesn't like me at all. | 0:02:46 | 0:02:48 | |
What's Anita spotted? | 0:02:48 | 0:02:51 | |
I'm quite interested in these prints. | 0:02:51 | 0:02:54 | |
They are the fashion plates of the 1860s. | 0:02:54 | 0:02:58 | |
They show us the type of dress that women wore at that time. | 0:02:58 | 0:03:04 | |
It's a very sort of girlie thing to buy | 0:03:04 | 0:03:06 | |
and I know that Phil will hate them and think I'm totally mad. | 0:03:06 | 0:03:11 | |
They're only £9.50. | 0:03:11 | 0:03:13 | |
I think it's £9.50 for one, so it's pretty cheap. | 0:03:13 | 0:03:16 | |
Time to consult Lynne. | 0:03:16 | 0:03:18 | |
Is it 9.50 for the pair? | 0:03:19 | 0:03:21 | |
-Nice try, Anita! -9.50 each. | 0:03:21 | 0:03:23 | |
-They're 9.50 each. -But I could do the two for 15. | 0:03:23 | 0:03:28 | |
Could you do them for 12? Could you come to 12 on them? | 0:03:28 | 0:03:32 | |
Why not? | 0:03:32 | 0:03:34 | |
-Will we do it? -We'll do it. -That's lovely. Thanks again. | 0:03:34 | 0:03:38 | |
So, Anita has two pictures in the bag. | 0:03:38 | 0:03:40 | |
Looks like Phil's getting with the farmyard idea. | 0:03:40 | 0:03:43 | |
I quite like these two. | 0:03:43 | 0:03:45 | |
There's a sort of a chicken theme recurring here. | 0:03:45 | 0:03:49 | |
Not exactly antiques, though, are they, Phil? | 0:03:49 | 0:03:51 | |
The thing is, will my plans come home to roost? Ha-ha! | 0:03:51 | 0:03:55 | |
Dear me, that was a really bad "yolk"! | 0:03:55 | 0:03:57 | |
Oh, please! What does Keith think? | 0:03:57 | 0:04:00 | |
We've got them up at 20 each. | 0:04:00 | 0:04:02 | |
Yeah. Can you do £18 for the two? | 0:04:02 | 0:04:06 | |
Call it 20. Then you've got one for nothing. | 0:04:06 | 0:04:09 | |
Go on, then. Is that the way it works? | 0:04:09 | 0:04:11 | |
-Hark at this! But I like them, anyway. -All right. | 0:04:11 | 0:04:14 | |
Ah, I wonder what that was used for? | 0:04:15 | 0:04:17 | |
-Can you tell me anything about this? -I know about that. Can you guess what it is? | 0:04:17 | 0:04:21 | |
I thought it was the stretcher that they used to carry the drunks to jail on a Saturday night! | 0:04:21 | 0:04:27 | |
-It's a coffin carrier. -Is it a coffin carrier? -A coffin carrier. | 0:04:27 | 0:04:30 | |
How macabre! | 0:04:30 | 0:04:32 | |
It's the type of thing you could take a chance on | 0:04:32 | 0:04:36 | |
if it was, you know, a low price. | 0:04:36 | 0:04:38 | |
I think it's quite a low price. Let me check. | 0:04:38 | 0:04:40 | |
Lynne's gone off to consult Keith, | 0:04:40 | 0:04:43 | |
leaving Anita to ponder. | 0:04:43 | 0:04:45 | |
I'd pay 20 quid for that. | 0:04:45 | 0:04:47 | |
Just to see the expression on Phil Serrell's face! | 0:04:48 | 0:04:52 | |
Could this be bought for 20 quid? | 0:04:52 | 0:04:54 | |
I mean, I'm playing a wild card here. | 0:04:54 | 0:04:58 | |
It could go to auction and get a pound and I could lose 19 quid! | 0:04:58 | 0:05:01 | |
I think we could let it go at 30. | 0:05:01 | 0:05:05 | |
But that would be absolutely my bottom price. | 0:05:05 | 0:05:09 | |
Could you come to 25? Could you come halfway down? | 0:05:09 | 0:05:12 | |
Well, since it's you! | 0:05:12 | 0:05:14 | |
Oh, thank you so much! | 0:05:14 | 0:05:17 | |
Could it be a moment of madness? | 0:05:17 | 0:05:20 | |
Now, that is unusual. | 0:05:21 | 0:05:23 | |
Is Anita's strategy to beat Phil at his own game? | 0:05:23 | 0:05:26 | |
I'm sure he'll rise to the challenge, though! | 0:05:26 | 0:05:29 | |
Keith, I love all this architectural stuff. | 0:05:29 | 0:05:31 | |
What's that? | 0:05:31 | 0:05:33 | |
That's a ridge tile. | 0:05:33 | 0:05:35 | |
-Ridge tile? -A hump-back ridge tile. | 0:05:35 | 0:05:38 | |
What would be the point of that? | 0:05:38 | 0:05:40 | |
Just, I think, for decoration. Something different on a roof. | 0:05:40 | 0:05:44 | |
-That's glazed stoneware. -It is. | 0:05:44 | 0:05:46 | |
What on earth would you do with that? How much is that? | 0:05:46 | 0:05:49 | |
20 quid. | 0:05:49 | 0:05:51 | |
Do you, know, I think that's cheap. But... | 0:05:51 | 0:05:54 | |
-I just don't know who would buy it? -Mm. | 0:05:57 | 0:05:59 | |
Yeah. Who? | 0:05:59 | 0:06:01 | |
And 20 quid is the absolute finito? | 0:06:01 | 0:06:03 | |
-I might tweak it a little bit. -Right. -I could manage a tenner for it. | 0:06:03 | 0:06:08 | |
Is he really going to buy that? | 0:06:08 | 0:06:10 | |
He is, you know! | 0:06:10 | 0:06:12 | |
Keith, thank you very much. | 0:06:12 | 0:06:13 | |
-I'll put this in the back of the car before she sees me! -Thank you. -Thank you. Bye! -Bye! | 0:06:13 | 0:06:18 | |
With some, er, unusual buys on board, | 0:06:20 | 0:06:23 | |
Anita and Phil must now hurry up and motor | 0:06:23 | 0:06:26 | |
from Ford to Berwick Upon Tweed. | 0:06:26 | 0:06:29 | |
Although it's been English since 1482, | 0:06:32 | 0:06:35 | |
a recent poll suggested that 80% of residents | 0:06:35 | 0:06:39 | |
would rather be under Scottish rule. | 0:06:39 | 0:06:41 | |
And there are enough ramparts around here to remind us | 0:06:41 | 0:06:44 | |
that you can never say never! | 0:06:44 | 0:06:47 | |
Knowing Phil, he'll probably pick up a battlement going cheap! | 0:06:47 | 0:06:50 | |
This place looks like a real mixed bag. | 0:06:53 | 0:06:56 | |
Part antique, part charity shop. But the man from Worcester | 0:06:56 | 0:06:59 | |
is quick to spot something. | 0:06:59 | 0:07:01 | |
Hell's bells! 250?! | 0:07:05 | 0:07:07 | |
Is that £2.50? | 0:07:08 | 0:07:10 | |
I'm joking, man. I just wanted to see your face when you saw 250! | 0:07:10 | 0:07:14 | |
I thought I did the jokes round here, Tom! | 0:07:14 | 0:07:17 | |
If you pull that off, there's a proper price underneath. | 0:07:17 | 0:07:20 | |
Really. Is that your... 40 quid? | 0:07:20 | 0:07:22 | |
-Cheap, isn't it? -Is that your shop price? -Too cheap. | 0:07:22 | 0:07:26 | |
It's a piece of Royal Worcester. | 0:07:26 | 0:07:28 | |
G 161. | 0:07:28 | 0:07:30 | |
-That's the pattern number of it. -Right. | 0:07:30 | 0:07:32 | |
If you look in the pattern book, it will tell you that 161 is a small, squat fluted vase | 0:07:32 | 0:07:39 | |
and the G will tell you that originally it came from the Granges Factory. | 0:07:39 | 0:07:44 | |
And then it's got there a little square. | 0:07:44 | 0:07:47 | |
As if by magic, if you look just there, | 0:07:47 | 0:07:51 | |
a square tells you that it was made in 1928. | 0:07:51 | 0:07:53 | |
Genius. | 0:07:53 | 0:07:55 | |
I think he's done this before, you know. | 0:07:55 | 0:07:57 | |
So, we know how old it is. | 0:07:57 | 0:07:59 | |
Who's it by, that's the question. | 0:07:59 | 0:08:01 | |
-Do you know who it's by? -There's a name on it. | 0:08:01 | 0:08:04 | |
James Stinton. | 0:08:04 | 0:08:06 | |
The Stinton dynasty dates back as far as the early 19th century. | 0:08:06 | 0:08:10 | |
For four generations, the various family members painted china | 0:08:10 | 0:08:14 | |
with each specialising in particular scenes. | 0:08:14 | 0:08:17 | |
For James, it was pheasants. | 0:08:17 | 0:08:19 | |
Their work is massively collectable. | 0:08:19 | 0:08:22 | |
£40, I presume, is your best price. | 0:08:22 | 0:08:24 | |
Yes! | 0:08:26 | 0:08:27 | |
-I'm going to ask, because... -I thought it was cheap at 40. | 0:08:27 | 0:08:30 | |
35. | 0:08:32 | 0:08:33 | |
I'm going to buy it off you. | 0:08:33 | 0:08:35 | |
Let me tell you, I think that's worth between £200 to £300. | 0:08:35 | 0:08:40 | |
I think Tom might need to sit down, now. | 0:08:40 | 0:08:42 | |
I'm really, really pleased. Thank you very much. | 0:08:42 | 0:08:45 | |
So I'm going to buy that off you. That's 35. | 0:08:45 | 0:08:48 | |
You've been so kind, it's not true. | 0:08:48 | 0:08:50 | |
I love this, as well. | 0:08:50 | 0:08:52 | |
This angling guide is by the Hardy family who started as gunsmiths | 0:08:53 | 0:08:58 | |
in nearby Alnwick in 1872, | 0:08:58 | 0:09:02 | |
but later made their name with fishing equipment. | 0:09:02 | 0:09:04 | |
I think that's fantastic. What's the best you can do on that? | 0:09:05 | 0:09:08 | |
Bearing in mind that you've just got a really cheap vase... | 0:09:10 | 0:09:12 | |
-I have, I have, I have. -40 quid. | 0:09:12 | 0:09:14 | |
Can I give you 35 quid for that? | 0:09:14 | 0:09:17 | |
-Go on. -You're a gentleman. | 0:09:19 | 0:09:22 | |
That was quick work. I think he's rather pleased with those. | 0:09:22 | 0:09:26 | |
Back on road, the mood in the Sunbeam is best described as "mixed"! | 0:09:28 | 0:09:34 | |
You're not giving me this smiley, cheery person the whole week, are you? | 0:09:34 | 0:09:38 | |
-I can't help it! -It's going to wear me out! Absolutely wear me out. | 0:09:38 | 0:09:42 | |
Please don't be this happy all the time. | 0:09:42 | 0:09:45 | |
-My face isn't made for miserable. -True. And mine is! | 0:09:45 | 0:09:48 | |
Our two are now in Scotland | 0:09:49 | 0:09:51 | |
veering towards the auction in Edinburgh, | 0:09:51 | 0:09:53 | |
with a few stops along the way and Innerleithen is one of them... | 0:09:53 | 0:09:58 | |
-Cheers, Anita. -Bye-bye, darling. | 0:09:59 | 0:10:01 | |
..where Phil's about to put shopping aside and take a trip back in time. | 0:10:01 | 0:10:06 | |
Behind this unassuming shop front is a unique piece of industrial heritage. | 0:10:06 | 0:10:12 | |
-Hi. -Hello! -I'm Philip. How are you? -I'm Jen. Nice to meet you. | 0:10:12 | 0:10:17 | |
This is a fantastic building. This is Robert Smail's print works? | 0:10:17 | 0:10:20 | |
-Yes, here in Innerleithen. -They set up in the 19th century? | 0:10:20 | 0:10:24 | |
-1866. -Never had much of a clear-out, did they? | 0:10:24 | 0:10:26 | |
That's the lovely thing about the Smails. They never modernised, and never threw anything away. | 0:10:26 | 0:10:30 | |
When, after 120 years, the family finally gave up the unequal struggle against new technology, | 0:10:32 | 0:10:39 | |
the National Trust stepped in to create a working museum of printing. | 0:10:39 | 0:10:44 | |
-This is the type room, is it? -The case room. | 0:10:44 | 0:10:47 | |
It's called that because it's where you store your cases of type. | 0:10:47 | 0:10:51 | |
We've got 400 cases of type. | 0:10:51 | 0:10:53 | |
-A case is a literal wooden case that contains letters of the alphabet. -Absolutely right. | 0:10:53 | 0:11:00 | |
For each alphabet, you'd have two cases. The upper case, which sits on the upper part of the rack, | 0:11:00 | 0:11:05 | |
that's for capital letters. | 0:11:05 | 0:11:07 | |
-Your lower case... -It's as simple as that. -It is. | 0:11:07 | 0:11:09 | |
It was really important that you put them back in the right case. | 0:11:09 | 0:11:12 | |
The type, when it's cast, is cast in mirror image | 0:11:12 | 0:11:15 | |
and apprentices were told to mind their p's and q's | 0:11:15 | 0:11:18 | |
because a p would look like a q, and a q would look like a p. | 0:11:18 | 0:11:20 | |
-So you'd have to put it in the right place. -I love expressions like that. | 0:11:20 | 0:11:24 | |
So your p's and q's come from... There's a q. | 0:11:24 | 0:11:28 | |
-Yep. -I have to remember where I got this. There's a p. | 0:11:28 | 0:11:31 | |
So if it looks like a p, it must be a q. | 0:11:32 | 0:11:35 | |
Tell you what, that is confusing! | 0:11:35 | 0:11:37 | |
Downstairs in the machine room, Smails continues to print | 0:11:38 | 0:11:43 | |
on ancient letter-press machines like the Arab clamshell platen, | 0:11:43 | 0:11:47 | |
the Wharfedale Reliance and the original Heidelberg. | 0:11:47 | 0:11:52 | |
Miller and Richards in nearby Edinburgh were a major type foundry | 0:11:55 | 0:11:59 | |
supplying type to the world. | 0:11:59 | 0:12:02 | |
The archives of Smails reflects the importance of printing. | 0:12:02 | 0:12:06 | |
They're a fascinating social history of the first industrial age. | 0:12:06 | 0:12:10 | |
This one is quite interesting. | 0:12:11 | 0:12:13 | |
It's a poster, again 1912, the coming of women's suffrage | 0:12:13 | 0:12:19 | |
-to the town. -Really? | 0:12:19 | 0:12:21 | |
They once printed a newspaper on these premises | 0:12:21 | 0:12:23 | |
and acted as a shipping agency, booking passages to the New World. | 0:12:23 | 0:12:28 | |
Responsible work and the letter-press type setter | 0:12:28 | 0:12:31 | |
was at the centre of it all. | 0:12:31 | 0:12:33 | |
No wonder it took a seven-year apprenticeship. I wonder what Phil can learn in an hour? | 0:12:33 | 0:12:38 | |
It's left to right. So you're setting it exactly the same way as you'd write it, | 0:12:38 | 0:12:43 | |
but as the letters are a mirror image, you have to set them upside-down. | 0:12:43 | 0:12:47 | |
I'm going to do my name, right? | 0:12:47 | 0:12:49 | |
Wherever the little label is, it's the space below. | 0:12:49 | 0:12:52 | |
That's the first mistake, then. | 0:12:52 | 0:12:54 | |
I was just about to be "Hilip" Serrell, was I? | 0:12:54 | 0:12:56 | |
-Yeah. -So that goes there. -Yes. | 0:12:56 | 0:12:57 | |
Each letter has a little nick or groove on them. | 0:12:57 | 0:13:02 | |
That helps you get them up the right way. So if you see... | 0:13:02 | 0:13:05 | |
-You're a natural! Well done! -I know. | 0:13:05 | 0:13:07 | |
But the only way to find out if it's right is to take a proof of it. | 0:13:07 | 0:13:10 | |
Apply the ink, grab some paper, | 0:13:10 | 0:13:13 | |
get a hold of the mighty Eagle press | 0:13:13 | 0:13:16 | |
and pull! | 0:13:16 | 0:13:18 | |
Is that you, sir? | 0:13:19 | 0:13:21 | |
Good Lord above! It is, as well! | 0:13:21 | 0:13:22 | |
-I'm going to keep that! -Excellent. | 0:13:22 | 0:13:25 | |
Well done, Phil. And to cap it all, you successfully spelt your own name! | 0:13:25 | 0:13:30 | |
Meanwhile, Anita has, with equal aplomb, | 0:13:33 | 0:13:35 | |
made her way from Innerleithen to Melrose. | 0:13:35 | 0:13:39 | |
Several well-known rugby players hail from Melrose. | 0:13:41 | 0:13:44 | |
This looks like a very nice little shop. | 0:13:44 | 0:13:48 | |
There's a real mix of glitz and glamour in here. | 0:13:48 | 0:13:51 | |
Although it's Anita's bag, she only has £163. | 0:13:51 | 0:13:54 | |
Hello, dog. | 0:13:54 | 0:13:56 | |
But, as well as that puppy, it seems there's an elephant in this room. | 0:13:56 | 0:14:01 | |
Can I lift this up and have a good wee look at it? | 0:14:01 | 0:14:05 | |
And another! | 0:14:05 | 0:14:06 | |
I like those. It would be nice to get them at a reasonable price. | 0:14:06 | 0:14:11 | |
-Are they the type of thing that the posh Edinburgh folk will buy? -Yes. | 0:14:11 | 0:14:16 | |
Yes, actually. | 0:14:16 | 0:14:17 | |
Are they as sophisticated as the Glasgow crowd? | 0:14:17 | 0:14:20 | |
Differently! | 0:14:20 | 0:14:22 | |
-Good answer, Sue! -What I'm doing here is | 0:14:22 | 0:14:25 | |
I'm trying to avoid coming straight out and saying, "What sort of price?" | 0:14:25 | 0:14:30 | |
It could be a way out of my price, and it might not. | 0:14:30 | 0:14:33 | |
Um... | 0:14:33 | 0:14:34 | |
£90 the pair. | 0:14:36 | 0:14:38 | |
Hmm. Not exactly jumbo. But worth thinking about. | 0:14:38 | 0:14:42 | |
Is there anything in here that you think is a good buy, or is it all too expensive for me? | 0:14:42 | 0:14:48 | |
What I like is that lovely Art Deco ring there. | 0:14:48 | 0:14:51 | |
That will be outwith my price range. | 0:14:51 | 0:14:53 | |
-It's not diamonds, Anita. -It's not diamonds? -No. | 0:14:53 | 0:14:56 | |
It looks the part, doesn't it? | 0:14:56 | 0:14:58 | |
But it's got to be £75. | 0:14:58 | 0:15:01 | |
The design is lovely, isn't it? | 0:15:01 | 0:15:03 | |
A good sparkle, as well! | 0:15:03 | 0:15:05 | |
-When she showed me, I was, "Ooh!" -"£75? Yes, I'll take it right away!" | 0:15:05 | 0:15:09 | |
Now, I think I've got to have a go at these elephant tables. | 0:15:09 | 0:15:14 | |
I'd also like to have a go at the ring. | 0:15:14 | 0:15:17 | |
-Is there no negotiation on the ring at all? -No. | 0:15:17 | 0:15:19 | |
-On the tables, I was thinking round about 50. Is that... -No. | 0:15:19 | 0:15:23 | |
-No, they'd have to be more than 50. -Have to be more than 50? | 0:15:23 | 0:15:27 | |
Can we come anywhere near that? | 0:15:27 | 0:15:29 | |
65? | 0:15:29 | 0:15:30 | |
Is 60 out of it altogether? | 0:15:30 | 0:15:32 | |
-All right, 60. -Will we go to 60, uh-huh? | 0:15:32 | 0:15:37 | |
That's great. That's lovely. Thank you very much. | 0:15:37 | 0:15:39 | |
I'm so pleased, because I just fell in love with them. | 0:15:39 | 0:15:43 | |
So, Anita's changed her mind and bought the ring | 0:15:43 | 0:15:46 | |
as well as the elephant tables for £135. | 0:15:46 | 0:15:49 | |
Back together, Phil and Anita motor further north | 0:15:52 | 0:15:55 | |
from Melrose to Danderhall. | 0:15:55 | 0:15:58 | |
Well, they started out in a dairy | 0:16:02 | 0:16:04 | |
and now they've arrived at a couple of industrial units, | 0:16:04 | 0:16:07 | |
ready to get their hands dirty and have a rummage. | 0:16:07 | 0:16:10 | |
These are called Codd bottles and they're great fun. | 0:16:13 | 0:16:16 | |
In the 19th century, you used to have a little wooden tool | 0:16:16 | 0:16:20 | |
that you put on top and you bashed it and then it knocked that marble | 0:16:20 | 0:16:24 | |
down to the bottom so you could drink out of it. | 0:16:24 | 0:16:26 | |
Then kids used to smash these bottles and play marbles with the marble inside. | 0:16:26 | 0:16:33 | |
They can be massively collectable, | 0:16:34 | 0:16:36 | |
depending upon what it says on the front. | 0:16:36 | 0:16:39 | |
This has got Manchester on it, | 0:16:39 | 0:16:41 | |
which won't be a great deal of help in Edinburgh, I don't think! | 0:16:41 | 0:16:45 | |
Now, they might appeal. | 0:16:45 | 0:16:48 | |
Murano glass. From the 1960s. | 0:16:49 | 0:16:52 | |
They have bags of style. | 0:16:52 | 0:16:54 | |
Murano glass, famous for its colour, | 0:16:54 | 0:16:56 | |
is from the Venetian island of the same name. | 0:16:56 | 0:16:58 | |
The glass-makers were allegedly encouraged to move there from nearby Venice | 0:16:58 | 0:17:03 | |
because of the fire hazards involved with their trade. | 0:17:03 | 0:17:06 | |
One is marked up at £15, and the other is marked up at 25. | 0:17:06 | 0:17:13 | |
So that's 40 quid for both of them. | 0:17:13 | 0:17:16 | |
Now, I don't want to pay £40 for both of them. | 0:17:17 | 0:17:20 | |
I haven't got £40 to spend. | 0:17:20 | 0:17:23 | |
Actually, Anita, you've only got £28, so you can't afford the asking price for that, either. | 0:17:23 | 0:17:29 | |
It's a little oak table. | 0:17:30 | 0:17:32 | |
Art Deco in style. | 0:17:32 | 0:17:35 | |
There's not a lot to it, | 0:17:35 | 0:17:39 | |
but the simplicity is what people like today. | 0:17:39 | 0:17:42 | |
It's solid oak. It's not veneered. It's a nice little thing. | 0:17:42 | 0:17:46 | |
While Anita ponders spending her last few pounds, | 0:17:46 | 0:17:50 | |
cash-rich Phil, who has £100 left, | 0:17:50 | 0:17:52 | |
is busy once more with architectural salvage. | 0:17:52 | 0:17:56 | |
That's going to be a mother to move, that is! | 0:17:56 | 0:17:58 | |
But what on earth is it? | 0:17:58 | 0:18:00 | |
What do you reckon it was? Was it like the keystone off a bridge? | 0:18:06 | 0:18:09 | |
-Apparently. -Sort of set into the middle of the bridge. | 0:18:09 | 0:18:13 | |
But while Phil wrestles with metal, Anita's moved on to the bargaining stage. | 0:18:13 | 0:18:17 | |
It's lovely. It's a wee gem. | 0:18:17 | 0:18:19 | |
You're looking in the region of £18? | 0:18:19 | 0:18:21 | |
-That would be too little for me. -Does it come anywhere near that? | 0:18:21 | 0:18:25 | |
It would have to be around 25. | 0:18:25 | 0:18:28 | |
-Around 25? -Couldn't be any less than 25. | 0:18:28 | 0:18:31 | |
What about on the glass? | 0:18:33 | 0:18:36 | |
If I wanted to go on the glass? | 0:18:36 | 0:18:38 | |
I could do the two for 30. | 0:18:38 | 0:18:40 | |
Could you come to 25 on the two glasses? | 0:18:40 | 0:18:42 | |
27 is the best on them. | 0:18:42 | 0:18:46 | |
-OK, we'll take a chance and go on it. Thank you very much. -Thanks. | 0:18:47 | 0:18:51 | |
So, two pieces of glass for £27. | 0:18:51 | 0:18:53 | |
Just one pound left, then. | 0:18:53 | 0:18:56 | |
Back to Phil and he's definitely plumped for the bit of bridge, | 0:18:56 | 0:19:00 | |
but the dealer seems a bit shy! | 0:19:00 | 0:19:02 | |
Can I give you 30 quid for it? | 0:19:02 | 0:19:04 | |
Get it out your way? | 0:19:04 | 0:19:06 | |
There's another way of looking it. It can sit there forever. | 0:19:06 | 0:19:09 | |
But this is a shop, not a museum! | 0:19:09 | 0:19:12 | |
I'll give you 35 quid for that. | 0:19:12 | 0:19:15 | |
Are you going to lift it? | 0:19:16 | 0:19:18 | |
Well, I'll get it lifted. | 0:19:18 | 0:19:19 | |
-When? -Soon. | 0:19:19 | 0:19:22 | |
-I'll give you 35 quid. -Have it for 30 quid if you lift it today. | 0:19:22 | 0:19:25 | |
OK, you're on. | 0:19:25 | 0:19:28 | |
Away off these premises today. | 0:19:28 | 0:19:30 | |
-You're on. -40 quid if you dinnae. | 0:19:30 | 0:19:33 | |
30 quid, done deal. Got a tenner? | 0:19:33 | 0:19:35 | |
Give us the 40 quid and I'll give you the tenner back when you lift it. | 0:19:35 | 0:19:38 | |
-It'll be moved today, I promise. -Then you'll get the tenner back. | 0:19:38 | 0:19:41 | |
-30 quid if it's moved today. -A tenner back if you move it today. | 0:19:41 | 0:19:44 | |
Thank you very much. | 0:19:44 | 0:19:46 | |
Well done, Phil... I think! | 0:19:46 | 0:19:47 | |
Plus a £10 discount if he can only shift it quick. | 0:19:47 | 0:19:51 | |
Phil's got some wheels already and his £10 change, too. | 0:19:51 | 0:19:54 | |
I don't think I should have bought this. | 0:19:54 | 0:19:57 | |
How far's he going to get with that, though? Not in the Sunbeam! | 0:19:57 | 0:20:00 | |
Ah. Well done, Phil. | 0:20:03 | 0:20:05 | |
If I'd have known that, I'd have bought the whole bridge! | 0:20:11 | 0:20:14 | |
Huh, our experts are definitely shopped out. | 0:20:14 | 0:20:18 | |
Anita began with £200. She's spent a total of £199 | 0:20:19 | 0:20:23 | |
on an early 20th-century coffin carrier, | 0:20:23 | 0:20:26 | |
a pair of side tables, an Art Deco ring, | 0:20:26 | 0:20:30 | |
two pieces of 1960s Murano glass | 0:20:30 | 0:20:33 | |
and a pair of framed prints. | 0:20:33 | 0:20:35 | |
-I owe you some change. -For a cup of tea? | 0:20:35 | 0:20:38 | |
Phil also started out with £200. He spent £130 on a large, wrought-iron metal plaque, | 0:20:38 | 0:20:45 | |
a 1920s Royal Worcester vase, | 0:20:45 | 0:20:48 | |
a late 19th-century tile, | 0:20:48 | 0:20:50 | |
two art pottery bowls, | 0:20:50 | 0:20:52 | |
and a 1920s Hardy's Angler's Guide. | 0:20:52 | 0:20:55 | |
Now it's time to hear what our experts think of each other's shopping. | 0:20:55 | 0:21:00 | |
I think Anita's done really well | 0:21:00 | 0:21:02 | |
and I think her real ace is that ring | 0:21:02 | 0:21:04 | |
cos if those are diamonds, that's surely going to be worth £300. | 0:21:04 | 0:21:07 | |
This group of things that Philip has bought is so Philip Serrell. | 0:21:07 | 0:21:12 | |
Wonderful, delicate piece of Worcester | 0:21:12 | 0:21:15 | |
and that big...cast-iron bridge thingy! | 0:21:15 | 0:21:20 | |
The elephants, well, you know, | 0:21:20 | 0:21:22 | |
I can't quite see those at all. | 0:21:22 | 0:21:23 | |
At 60 quid, that seems like a pile of money. | 0:21:23 | 0:21:26 | |
It's the day of the auction and they haven't got far to go. | 0:21:27 | 0:21:31 | |
Which way is north? | 0:21:31 | 0:21:33 | |
That way. | 0:21:34 | 0:21:36 | |
-Is that just a...? -It's that way or that way. | 0:21:36 | 0:21:39 | |
-Where's the sun? -This is not... The sun?! | 0:21:39 | 0:21:42 | |
We're in Scotland, what sun?! | 0:21:42 | 0:21:44 | |
There's no sun at all, you silly woman! What sun? | 0:21:44 | 0:21:48 | |
-It's raining, it's grey, there's no sun anywhere! -If we know where the sun is... | 0:21:48 | 0:21:53 | |
After starting out in Ford, | 0:21:53 | 0:21:55 | |
our experts are finally heading for lovely Edinburgh. | 0:21:55 | 0:21:58 | |
Ah, as capital city and heart of the Scottish Enlightenment, | 0:22:00 | 0:22:05 | |
dominated by the castle, | 0:22:05 | 0:22:07 | |
Edinburgh has many famous and infamous buildings, | 0:22:07 | 0:22:11 | |
like the expensive Parliament. | 0:22:11 | 0:22:13 | |
Anyone seen any salmon rising? | 0:22:13 | 0:22:16 | |
I'm quite excited. | 0:22:16 | 0:22:18 | |
I love the thrill of anticipation of a new auction. | 0:22:18 | 0:22:22 | |
-Well, it looks like a shop as well, doesn't it? -Yeah. | 0:22:22 | 0:22:25 | |
This is Shapes Auctioneers, where they recently sold | 0:22:25 | 0:22:28 | |
a pair of Sir Walter Scott's slippers for £3,000. | 0:22:28 | 0:22:32 | |
OK. | 0:22:32 | 0:22:34 | |
Almost ready. | 0:22:34 | 0:22:35 | |
Oh, dear! Something's happened to Phil's ridged tile. | 0:22:35 | 0:22:39 | |
It really doesn't help when one of your own crew go and drop it! | 0:22:39 | 0:22:42 | |
Oh, dear! | 0:22:42 | 0:22:44 | |
So now it's up to auctioneer Gavin | 0:22:44 | 0:22:46 | |
to estimate what it would have sold for. | 0:22:46 | 0:22:49 | |
We had a 30 to 40 estimate, and the insurance will cover that. | 0:22:49 | 0:22:53 | |
So I would say about £35 for something that's been damaged. | 0:22:53 | 0:22:57 | |
It could be a good day for them! | 0:22:57 | 0:22:59 | |
I've made 20 quid by breaking something. How cool is that? | 0:22:59 | 0:23:02 | |
-Where's the sledgehammer? -I'm going to rip into everything now! | 0:23:02 | 0:23:06 | |
Quick, let's get started before anything else gets bust! | 0:23:06 | 0:23:09 | |
Lindsay Brown is in the rostrum. | 0:23:09 | 0:23:12 | |
-Ooh, I'm getting the wobbles. -I didn't know you were the nervous type. | 0:23:12 | 0:23:15 | |
I'm like a coiled spring. | 0:23:15 | 0:23:17 | |
First up, the Worcester vase. | 0:23:17 | 0:23:19 | |
Phil has high hopes for this one. | 0:23:19 | 0:23:21 | |
50? I'll take 50. | 0:23:21 | 0:23:23 | |
55. 60. | 0:23:23 | 0:23:24 | |
65. 70. | 0:23:24 | 0:23:26 | |
75. It's our bid. | 0:23:26 | 0:23:30 | |
On my right at 75. | 0:23:30 | 0:23:32 | |
I'll be surprised if that's all it sells for. It's ridiculously cheap. | 0:23:32 | 0:23:36 | |
£80 online. | 0:23:36 | 0:23:38 | |
£80 and he's out. | 0:23:38 | 0:23:40 | |
It's £80 on the net, then. | 0:23:40 | 0:23:41 | |
-Still for nothing. -£80. -Ouch! | 0:23:41 | 0:23:43 | |
Selling at £80. £80. | 0:23:43 | 0:23:46 | |
GROANS | 0:23:46 | 0:23:48 | |
That was way short of the £200 he wanted. | 0:23:48 | 0:23:51 | |
But with that and the broken tile, | 0:23:51 | 0:23:54 | |
the wily old fox is off to a solid start. | 0:23:54 | 0:23:58 | |
What can his chickens do? | 0:23:58 | 0:24:00 | |
Anyone interested at 20 for the two items? | 0:24:00 | 0:24:03 | |
Thank you, madam, I see you. | 0:24:03 | 0:24:04 | |
-£20 seated. -I'm just losing money. -Looking for 25. | 0:24:04 | 0:24:07 | |
Selling, then, to the maiden bid at £20 | 0:24:07 | 0:24:10 | |
to the lady seated. Last chance. | 0:24:10 | 0:24:13 | |
-All out at £20. -That just cost me three quid. | 0:24:13 | 0:24:17 | |
Yes, a loss after commission. | 0:24:17 | 0:24:20 | |
But you're still in the lead here. | 0:24:20 | 0:24:22 | |
You haven't sold anything yet! | 0:24:22 | 0:24:25 | |
OK. Anita's first lot. | 0:24:26 | 0:24:27 | |
The Murano glass. | 0:24:27 | 0:24:29 | |
£10. Is there 15 going on? 15, I see you. | 0:24:29 | 0:24:32 | |
20? Got to be worth it. You're getting two. | 0:24:32 | 0:24:34 | |
Go for it. £20. Do you want to bid? | 0:24:34 | 0:24:37 | |
I have 20 online, so you're too late! There you go. | 0:24:37 | 0:24:40 | |
20 online, and the lady is out also. | 0:24:40 | 0:24:42 | |
Selling online at £20. | 0:24:42 | 0:24:44 | |
25. I see you. Thank you. 25 we have. | 0:24:44 | 0:24:47 | |
Seated in the middle at 25. Someone with some taste! | 0:24:47 | 0:24:51 | |
There we go. 25. 25. | 0:24:51 | 0:24:53 | |
It's good value for money. | 0:24:53 | 0:24:55 | |
But I've still made a loss. | 0:24:55 | 0:24:58 | |
Don't fret. It's Anita's ring next. | 0:24:58 | 0:25:00 | |
They're definitely not diamonds. | 0:25:00 | 0:25:02 | |
But will it sparkle? | 0:25:02 | 0:25:04 | |
-Where shall we say, ladies? £20 to start? -£20? For heaven's sake! | 0:25:04 | 0:25:08 | |
Any interest at ten? Ten, I see you. I have 15 here. 20. | 0:25:08 | 0:25:11 | |
25 with me. | 0:25:11 | 0:25:13 | |
£30. £30 seated in the room. | 0:25:13 | 0:25:16 | |
35. 40. 45. | 0:25:16 | 0:25:18 | |
50. 55. It's very twinkly. You won't regret it. | 0:25:18 | 0:25:22 | |
Last call at 55. 55 and selling, then. At 55. | 0:25:22 | 0:25:26 | |
-It could have been worse. -Another loss. What's next, Anita? | 0:25:26 | 0:25:31 | |
So, we've got a coffin carrier! | 0:25:31 | 0:25:34 | |
I love that. | 0:25:34 | 0:25:36 | |
-A fun thing. I hope it doesn't bury you! -Fun? | 0:25:36 | 0:25:38 | |
Yeah, he just wished he'd spotted it! OK. | 0:25:39 | 0:25:42 | |
Shift change. Gavin's now at the helm. | 0:25:42 | 0:25:45 | |
30 we have, straight in. £30. | 0:25:45 | 0:25:47 | |
Anyone else? 30. 35. | 0:25:47 | 0:25:50 | |
40. 45. 50. | 0:25:50 | 0:25:53 | |
-It's going to make 80 quid, this. -55. | 0:25:53 | 0:25:55 | |
60. | 0:25:55 | 0:25:56 | |
-65. -Come on! -70. -Good girl. | 0:25:56 | 0:25:59 | |
70 still, standing. | 0:25:59 | 0:26:00 | |
£70. Anybody else? £70, this unusual lot. £70. | 0:26:00 | 0:26:06 | |
Maybe it was the type of item that Edinburgh would love. | 0:26:06 | 0:26:09 | |
It wasn't a dead loss, was it? | 0:26:09 | 0:26:11 | |
No, it carried off a few pounds instead! | 0:26:11 | 0:26:13 | |
Philip, we're approaching the moment of truth. | 0:26:14 | 0:26:18 | |
OK, Edinburgh. Are you ready for this? | 0:26:20 | 0:26:22 | |
Hope you've got a strong boot and good muscles to move this one out! | 0:26:23 | 0:26:26 | |
Who'll start me off at 20? | 0:26:26 | 0:26:29 | |
I'll sell this for 20. 20 we have. £20 | 0:26:29 | 0:26:32 | |
against you all. 20, still seated. | 0:26:32 | 0:26:34 | |
Last chance. 25. New bidder. | 0:26:34 | 0:26:36 | |
25. 30. | 0:26:36 | 0:26:38 | |
35. | 0:26:39 | 0:26:41 | |
£35. I will sell then. | 0:26:41 | 0:26:43 | |
£35. Any last chance? | 0:26:43 | 0:26:45 | |
35. | 0:26:46 | 0:26:47 | |
So, someone actually wants the middle of a bridge! | 0:26:47 | 0:26:50 | |
-It's your lot now, darling. -Sh, sh! | 0:26:51 | 0:26:54 | |
Concentrate. It's in wonderful condition, isn't it? | 0:26:54 | 0:26:58 | |
Wonderful condition. | 0:26:58 | 0:26:59 | |
What will Phil's dog-eared book make? | 0:26:59 | 0:27:03 | |
A copy of Hardy's Anglers' Guide. | 0:27:03 | 0:27:05 | |
48th edition. Slightly used condition. | 0:27:05 | 0:27:07 | |
-Whose side are you on? -We'll start it off at £20. £20 we have. | 0:27:07 | 0:27:11 | |
£20 in the room. | 0:27:11 | 0:27:13 | |
-£20 we have standing at the back. -Can I bid on this? | 0:27:13 | 0:27:16 | |
-Anybody else? -Oh, no! | 0:27:16 | 0:27:17 | |
£20. Still standing. I'm going to sell this at £20. | 0:27:17 | 0:27:21 | |
On the maiden bid. First come, first served. | 0:27:21 | 0:27:24 | |
That's just cost me 20 quid. | 0:27:24 | 0:27:25 | |
-Oh, darling. -I've spent... | 0:27:25 | 0:27:27 | |
Do you know, you're so insincere! | 0:27:27 | 0:27:30 | |
Another one gets away! | 0:27:31 | 0:27:33 | |
Watch out, heffalump's about! | 0:27:34 | 0:27:37 | |
Go on, somebody! £30. Liven up your life. | 0:27:37 | 0:27:40 | |
You can see someone's keen to move these! £20. Just £10 each. | 0:27:40 | 0:27:44 | |
Oh, no! | 0:27:44 | 0:27:45 | |
That's what we've got. £20 in the room. Come on, somebody! | 0:27:45 | 0:27:48 | |
Bring the hammer down! Sell 'em! | 0:27:48 | 0:27:51 | |
-25. -Yes! | 0:27:51 | 0:27:53 | |
25. 30. | 0:27:53 | 0:27:54 | |
35. | 0:27:54 | 0:27:56 | |
40. 45. | 0:27:56 | 0:27:58 | |
-Anybody else? -The woman is deranged! -Against the internet. | 0:27:58 | 0:28:01 | |
In the room. At £45. Last chance. Fair warning. | 0:28:01 | 0:28:05 | |
Can I just get this right? | 0:28:05 | 0:28:07 | |
You are Glasgow's leading fine art and antique auctioneer, | 0:28:07 | 0:28:10 | |
-and you've put your name to those? -Yeah, they're lovely! | 0:28:10 | 0:28:13 | |
No stampede into profits, though! | 0:28:13 | 0:28:15 | |
Finally, Anita's pictures. Bought cheaply, so there must be a profit here. | 0:28:16 | 0:28:21 | |
£10? | 0:28:22 | 0:28:24 | |
£10, surely? | 0:28:24 | 0:28:26 | |
£10, anyone? A fiver for the two? Surely? | 0:28:26 | 0:28:28 | |
Come on! £5. You can see it means something to somebody. | 0:28:28 | 0:28:31 | |
£5 I have! £5. Anybody else? | 0:28:31 | 0:28:35 | |
-£5. (Ten!) -£10 I have. -Yes! | 0:28:35 | 0:28:37 | |
£10 there on the right. 15, thank you. £15. | 0:28:37 | 0:28:40 | |
-There's just no justice at all! -15 I have. | 0:28:40 | 0:28:42 | |
-15. Thank you. -Yes! | 0:28:42 | 0:28:44 | |
£20 here. £20. £20. | 0:28:44 | 0:28:46 | |
Ready? It's yours at £20. | 0:28:46 | 0:28:49 | |
They were robbed! | 0:28:49 | 0:28:51 | |
Absolutely robbed! | 0:28:51 | 0:28:53 | |
Oh, dear. Another measly profit after commission. | 0:28:53 | 0:28:57 | |
That means Phil's our winner. | 0:28:57 | 0:29:00 | |
He, at least, has more than he started out with. | 0:29:00 | 0:29:03 | |
After paying auction costs, | 0:29:03 | 0:29:05 | |
Anita's only got £177.30p to spend next time. | 0:29:05 | 0:29:10 | |
Phil, on the other hand, made a tiny profit, | 0:29:10 | 0:29:13 | |
leaving £225.80p in his pocket. | 0:29:13 | 0:29:16 | |
Cor, blimey! That didn't quite go according to plan, did it? | 0:29:17 | 0:29:22 | |
We'll let the winner drive the limo. | 0:29:22 | 0:29:24 | |
I'm only in this programme to be Anita Manning's chauffeur! | 0:29:24 | 0:29:27 | |
Ha! So Jeeves - I mean Phil - is the designated driver, whilst Anita | 0:29:30 | 0:29:35 | |
can sit back and relax in the delightful 1965 Sunbeam Alpine. | 0:29:35 | 0:29:40 | |
Groovy! | 0:29:40 | 0:29:42 | |
It's a Sunday morning. | 0:29:42 | 0:29:43 | |
-We should be going to church, shouldn't we, really? -Yes. | 0:29:43 | 0:29:46 | |
-Especially you. Confess your sins. -We haven't got long enough! | 0:29:46 | 0:29:50 | |
This road trip started out at Ford in Northumberland, | 0:29:51 | 0:29:55 | |
and ventures into Scotland before winding its way southwards | 0:29:55 | 0:29:58 | |
once more, concluding at Harrogate, in Yorkshire. | 0:29:58 | 0:30:01 | |
On this leg, we kick off at Haltwhistle in Northumberland, | 0:30:03 | 0:30:06 | |
and make for County Durham, with an auction at Barnard Castle. | 0:30:06 | 0:30:10 | |
This is Hadrian's Wall, | 0:30:12 | 0:30:14 | |
and nearby, the charming village of Haltwhistle claims to be | 0:30:14 | 0:30:18 | |
the geographic centre of Britain. | 0:30:18 | 0:30:20 | |
Although it does have rivals to that title. Speaking of rivals... | 0:30:20 | 0:30:24 | |
Us Sassenachs don't realise it is almost as far from Edinburgh | 0:30:24 | 0:30:29 | |
to the north of Scotland as it is from London to Edinburgh. | 0:30:29 | 0:30:32 | |
That's right. | 0:30:32 | 0:30:33 | |
-There we are. -OK, darling. Well, have fun. -You take care. | 0:30:34 | 0:30:39 | |
I'm going to enjoy the peace and quiet. | 0:30:39 | 0:30:41 | |
While Phil tootles off, Anita gets shopping. | 0:30:41 | 0:30:45 | |
-Hello. -Hello. | 0:30:45 | 0:30:48 | |
-I'm Anita. -Lovely to meet you! I'm Susan. | 0:30:48 | 0:30:51 | |
OK, Anita. | 0:30:51 | 0:30:53 | |
You've got a decent £177.30 for this leg, | 0:30:53 | 0:30:57 | |
but it needs to be spent wisely. | 0:30:57 | 0:30:59 | |
Perhaps Susan can recommend something she's had for a while. | 0:31:00 | 0:31:03 | |
I've got a nice, quirky, very quirky I call it, 1930s duck down here. | 0:31:03 | 0:31:09 | |
-Oh, right. Uh-huh. -It appeals to me because I'm a bit zany. -Oh, right. | 0:31:09 | 0:31:15 | |
Oh, yeah. That's good. | 0:31:15 | 0:31:16 | |
The Beswick Pottery in Stoke on Trent | 0:31:16 | 0:31:18 | |
became famous for their animal figurines in the 1930s. | 0:31:18 | 0:31:22 | |
But things really took off in 1948 when they secured | 0:31:22 | 0:31:26 | |
the rights to reproduce several Beatrix Potter characters. | 0:31:26 | 0:31:29 | |
-The first being Jemima Puddleduck. -Look at the expression on his face! | 0:31:29 | 0:31:33 | |
-I know. -He's quite coy. -He is, yes. | 0:31:33 | 0:31:37 | |
No sale on the duck, but can she resist something sparkly? | 0:31:37 | 0:31:41 | |
I have some gold clip earrings, just very small ones. | 0:31:41 | 0:31:46 | |
They are 1970s London. | 0:31:46 | 0:31:48 | |
Ticket price £25. | 0:31:48 | 0:31:50 | |
These are nine carat. And they're rather pretty. | 0:31:50 | 0:31:53 | |
They are cultured pearls, not real pearls. | 0:31:53 | 0:31:55 | |
So, they wouldn't have been terrifically expensive | 0:31:55 | 0:31:59 | |
when they were bought. | 0:31:59 | 0:32:01 | |
What I'd be looking to pay on these is about £10. | 0:32:01 | 0:32:04 | |
Ooh! Let me have a little look. | 0:32:04 | 0:32:08 | |
Mmm. | 0:32:08 | 0:32:09 | |
-I'll do them for 12. -You'd do them for 12. Let's go for 12, then. | 0:32:14 | 0:32:18 | |
-That's absolutely fine. Thank you very much. -Great. | 0:32:18 | 0:32:21 | |
She's off to a solid start. Phil, meanwhile, is hoping to cope alone. | 0:32:21 | 0:32:25 | |
But it is awfully quiet in this car without her. | 0:32:25 | 0:32:29 | |
I'm sort of missing her in the same way that you miss earache. | 0:32:29 | 0:32:32 | |
Phil's motored just a few short miles along the A69, | 0:32:32 | 0:32:36 | |
from Haltwhistle to Brampton. | 0:32:36 | 0:32:39 | |
And there's that Hadrian again. | 0:32:39 | 0:32:41 | |
I wonder if he ever came through here. | 0:32:41 | 0:32:44 | |
Bonnie Prince Charlie certainly did, and now Phil Serrell, | 0:32:44 | 0:32:47 | |
in his sky-blue chariot. | 0:32:47 | 0:32:49 | |
This antiques centre in a fine hall, just next to the church, | 0:32:49 | 0:32:53 | |
is really something. | 0:32:53 | 0:32:55 | |
This is just a wicked shop. | 0:32:55 | 0:32:57 | |
I haven't even got in yet. | 0:32:57 | 0:32:59 | |
The auction in Barnard Castle is a general sale, | 0:32:59 | 0:33:03 | |
so Phil needs to keep that in mind when dishing out his £225.80 | 0:33:03 | 0:33:08 | |
spending money, and not get too carried away. | 0:33:08 | 0:33:11 | |
Maybe take advice from Steve. | 0:33:11 | 0:33:13 | |
This is your shop. Which is the best bit? | 0:33:13 | 0:33:16 | |
Point me in the direction of something I'll make a profit on. | 0:33:16 | 0:33:19 | |
There's a little bargain for you. £14. The hinges are a bit loose. | 0:33:19 | 0:33:22 | |
The feet are missing but it's a good £10 lot for you. | 0:33:22 | 0:33:26 | |
-OK. I like that. -Rosewood tea caddy. 19th century. | 0:33:27 | 0:33:30 | |
Isn't it a sarcophagus shape tea caddy? | 0:33:30 | 0:33:32 | |
This is from the days when they locked tea up, because the servants used to pinch it, wasn't it? | 0:33:32 | 0:33:36 | |
That's fantastic. I like that. Really? Is that a tenner? | 0:33:36 | 0:33:39 | |
You can have it for ten. It just came in yesterday. | 0:33:39 | 0:33:42 | |
-Fresh off the press. -That's bought. -Well, that paid off. | 0:33:42 | 0:33:46 | |
-Now, how about a bigger box? -This is a trunk. | 0:33:46 | 0:33:49 | |
It probably dates to about 1890, 1910. | 0:33:49 | 0:33:53 | |
This is a real servants' trunk. | 0:33:53 | 0:33:56 | |
I think it's a really good thing. | 0:33:56 | 0:33:58 | |
I like that. You know what? | 0:33:58 | 0:34:01 | |
This place, it's like waking up on Christmas morning, | 0:34:01 | 0:34:04 | |
there's presents everywhere. | 0:34:04 | 0:34:06 | |
He's quite giddy, isn't he? Only £10 splashed so far. | 0:34:06 | 0:34:09 | |
But I sense he's not finished yet. | 0:34:09 | 0:34:11 | |
What's the best you can do it for? | 0:34:11 | 0:34:13 | |
-£85. -Right. | 0:34:13 | 0:34:15 | |
Let me just have a wander round. | 0:34:15 | 0:34:17 | |
Then I'll give you a shout in a second. | 0:34:17 | 0:34:20 | |
Meanwhile, back in Haltwhistle, centre of Britain... | 0:34:20 | 0:34:23 | |
ENGLISHMAN SINGS VERY SLOWLY | 0:34:23 | 0:34:25 | |
I can't understand this language. | 0:34:25 | 0:34:28 | |
That's cos, girls, you're not playing it at the right speed. | 0:34:28 | 0:34:33 | |
Enough, Anita! You're here to shop. | 0:34:33 | 0:34:36 | |
I noticed this little set here, Susan. | 0:34:36 | 0:34:39 | |
-Yes. The pewter. -Ah, that's more like it. | 0:34:39 | 0:34:43 | |
These were doing not too badly a wee while ago | 0:34:43 | 0:34:46 | |
-but they've gone off the boil a wee bit. -I know they have - a little bit. -This is quite a nice one. | 0:34:46 | 0:34:50 | |
-I've had it in quite a while. -You've had it a wee while? -Yeah. | 0:34:50 | 0:34:54 | |
-A-ha. -I can do something on the price. Yes, it's 40. | 0:34:54 | 0:34:59 | |
It's Arts and Crafts. | 0:34:59 | 0:35:00 | |
-It has a slight medieval look about it. -It has. | 0:35:00 | 0:35:03 | |
Probably 1920s, 1930s. Round about that period. | 0:35:03 | 0:35:09 | |
Hand-hammered with all these little dimples. | 0:35:09 | 0:35:11 | |
Somebody sat with a little hammer and tap, tap, tap. | 0:35:11 | 0:35:14 | |
If that was coming in for sale, | 0:35:14 | 0:35:17 | |
I would put an estimate of... | 0:35:17 | 0:35:21 | |
in the region of 20. | 0:35:21 | 0:35:23 | |
I know you've had it for quite a long time, | 0:35:23 | 0:35:25 | |
so I was wondering if you'd maybe be able to do a deal on it. | 0:35:25 | 0:35:29 | |
-I'm looking to pay round about £18 for it. -Yes. | 0:35:29 | 0:35:33 | |
-So, we could go for that on that. -Yeah. -OK. That's wonderful. | 0:35:33 | 0:35:38 | |
-That's wonderful, Susan. That's absolutely terrific. -You're very welcome. | 0:35:38 | 0:35:42 | |
At last, Anita's finally splashed £30 on some keen bargains. | 0:35:42 | 0:35:48 | |
Now, has Phil made his mind up yet? | 0:35:48 | 0:35:52 | |
-Hang about. He's spotted even more stuff. -It's a cotton-reel holder. | 0:35:52 | 0:35:56 | |
A lady would have used that for her sewing. | 0:35:56 | 0:35:59 | |
There's little drawer underneath for perhaps needles, pins, all that sort of thing. | 0:35:59 | 0:36:03 | |
-May I just have a look? -You certainly can. | 0:36:03 | 0:36:05 | |
I just think that's a really lovely thing. Country made thing. | 0:36:05 | 0:36:08 | |
It's a fabulous little thing. Really is nice. | 0:36:08 | 0:36:11 | |
So, what's the very best on that? | 0:36:11 | 0:36:13 | |
It's got £70 on the ticket but you can have it for 55, | 0:36:13 | 0:36:17 | |
you can have it for. | 0:36:17 | 0:36:18 | |
I love that! I love that! Let's have another look round. | 0:36:18 | 0:36:21 | |
This could turn into an epic. Steve now says | 0:36:21 | 0:36:25 | |
he has some Sheffield plate silver that Phil must see. | 0:36:25 | 0:36:29 | |
-If these were period, they'd be what? -Fabulous! | 0:36:29 | 0:36:33 | |
They'd be 1690, 1710, 1715. | 0:36:33 | 0:36:36 | |
-And a few thousand pounds as well. -Yeah, lots of thousands of pounds. | 0:36:36 | 0:36:39 | |
-They're Walker & Hall. -Walker & Hall were like Rolls-Royce, weren't they? | 0:36:39 | 0:36:43 | |
Sheffield plate has thin layers of silver laid onto copper, | 0:36:43 | 0:36:47 | |
enabling Sheffield manufacturers like Walker & Hall to make items | 0:36:47 | 0:36:51 | |
looking like solid silver at a fraction of the cost. | 0:36:51 | 0:36:54 | |
What's the best you can do on those? | 0:36:54 | 0:36:56 | |
They are £75, you can have them for £65. | 0:36:56 | 0:37:01 | |
-I think I've made my mind up. -Smashing. | 0:37:01 | 0:37:04 | |
Really, Phil, are you sure? | 0:37:04 | 0:37:07 | |
-That was 55, wasn't it? -That was. -That was 65, I believe those were. | 0:37:07 | 0:37:13 | |
-So that's 120 quid. -And that's a massive total of £10. | 0:37:13 | 0:37:17 | |
You're a star. I'll pay for those now. | 0:37:17 | 0:37:19 | |
You've been really, really kind to me, thank you. | 0:37:19 | 0:37:21 | |
So, £130 for the candlesticks, the bobbin stand and the caddy. | 0:37:21 | 0:37:26 | |
-Thank you very much. -Thank you very much. | 0:37:26 | 0:37:29 | |
It may have taken some time, but Phil's amassed quite a pile. | 0:37:29 | 0:37:33 | |
Together again, Anita and Phil | 0:37:34 | 0:37:36 | |
must now make their way from Brampton to Carlisle. | 0:37:36 | 0:37:40 | |
The county town of Cumberland has been here | 0:37:40 | 0:37:43 | |
since before the Romans, but as you might have guessed, | 0:37:43 | 0:37:46 | |
Hadrian did have quite an influence hereabouts. | 0:37:46 | 0:37:49 | |
Hi, hello, I'm Anita. | 0:37:49 | 0:37:52 | |
-Lovely to be here. -Delighted to meet you. | 0:37:52 | 0:37:54 | |
This place looks a bit like a film set | 0:37:54 | 0:37:56 | |
designed to resemble a Victorian street. | 0:37:56 | 0:37:59 | |
The only difference being that | 0:37:59 | 0:38:01 | |
it's made up of stuff from a real bit of old Carlisle, | 0:38:01 | 0:38:04 | |
one that was knocked down in the '80s | 0:38:04 | 0:38:05 | |
to make way for a shopping centre. Oh, well, that's progress! | 0:38:05 | 0:38:09 | |
The lovely Wendy has her own place here, | 0:38:09 | 0:38:12 | |
as well as looking after the shops of other dealers. | 0:38:12 | 0:38:14 | |
That's an interesting, a nice... I like that singing blue. | 0:38:14 | 0:38:18 | |
-The ticket price is £45. -It's a nice thing, isn't it? -It's very pretty. | 0:38:18 | 0:38:22 | |
-Is it a wee stamp box? -Yes. -Not silver? | 0:38:22 | 0:38:25 | |
No. | 0:38:27 | 0:38:28 | |
It's tempting, and I love its wee... It's glass, isn't it? | 0:38:28 | 0:38:32 | |
Yes, it's pretty. Well, that can be very cheap. | 0:38:32 | 0:38:35 | |
-Can that be very, very cheap? -Very, very cheap. | 0:38:35 | 0:38:37 | |
I mean, how very, very, the bargain of the century could this be? | 0:38:37 | 0:38:40 | |
-One offer, -10. Done. -Right. | 0:38:40 | 0:38:43 | |
So, with another one in the old bag, | 0:38:43 | 0:38:46 | |
it's not long before Anita finds something a little more earthy. | 0:38:46 | 0:38:50 | |
This one is from 1923. | 0:38:50 | 0:38:55 | |
Now, 1923, the world was quite a different place | 0:38:55 | 0:38:58 | |
and collectors of globes | 0:38:58 | 0:39:00 | |
liked to see how the world was at that particular time. | 0:39:00 | 0:39:03 | |
Yup, we'd only just got the USSR back then, | 0:39:03 | 0:39:06 | |
plus Sri Lanka was Ceylon | 0:39:06 | 0:39:08 | |
and belonged to something called the British Empire. | 0:39:08 | 0:39:11 | |
-£145. -Oh, my! | 0:39:11 | 0:39:14 | |
Step back, Anita, step back. | 0:39:14 | 0:39:17 | |
Might able to do a deal, but should I be spending all that money? | 0:39:17 | 0:39:21 | |
No. That is costing the Earth! | 0:39:21 | 0:39:24 | |
This caught my eye. I have a weakness for a terrestrial globe. | 0:39:24 | 0:39:28 | |
How much sort of movement could there be on that? | 0:39:28 | 0:39:31 | |
Well, it's got 145 on that. Normally, around about the 10% mark, | 0:39:31 | 0:39:36 | |
so you're talking about probably 120. | 0:39:36 | 0:39:40 | |
I'm tempted, I'm tempted! | 0:39:40 | 0:39:42 | |
Luckily, the dealer is having a cup of tea next door, so Anita should get an answer soon. | 0:39:42 | 0:39:46 | |
How about 115? | 0:39:46 | 0:39:49 | |
115, it's becoming tempting. | 0:39:49 | 0:39:52 | |
Could you ask if they would sell that terrestrial globe for £80? | 0:39:52 | 0:39:57 | |
Well, I hope he doesn't choke on a custard cream | 0:39:57 | 0:40:00 | |
when he hears Anita's latest cheeky offer. | 0:40:00 | 0:40:03 | |
Right, well, he was shocked! | 0:40:03 | 0:40:07 | |
But he would like to do a deal, that's what it's all about. | 0:40:07 | 0:40:11 | |
-So, 90 is his price, 90, that's coming down a lot. -It is. | 0:40:11 | 0:40:14 | |
How about a compromise between the two, | 0:40:14 | 0:40:17 | |
and I won't even ask him, I'll just tell him £85, it's a deal. | 0:40:17 | 0:40:21 | |
-Let's try it. Let's go for it, let's go for it. -Well done, Anita. | 0:40:21 | 0:40:24 | |
Oh, I've done it again! I've done it again! | 0:40:24 | 0:40:27 | |
Back together, the pair are heading to the little Cumbrian hamlet | 0:40:27 | 0:40:32 | |
of Temple Sowerby. | 0:40:32 | 0:40:34 | |
There's a castle over there, look. | 0:40:34 | 0:40:36 | |
-Where? Oh, right. -On the right, over there. Is that a castle? | 0:40:36 | 0:40:39 | |
I think it's a ruin, a bit like yourself. | 0:40:39 | 0:40:42 | |
Where Phil's about to find himself in a strangely clean farmyard. | 0:40:44 | 0:40:49 | |
-Have a good day. -Right, remember, Philip - no big lumps of iron. | 0:40:50 | 0:40:54 | |
The bigger the better. See you later, bye. | 0:40:54 | 0:40:57 | |
Unlikely. | 0:40:57 | 0:40:58 | |
This quirky place has been nominated one of Britain's best antique shops. | 0:40:58 | 0:41:02 | |
It may only be a barn, | 0:41:02 | 0:41:04 | |
but the shrewd mix of antiques and vintage is enough to inspire. | 0:41:04 | 0:41:08 | |
However, Phil's only got about £100 on him. | 0:41:08 | 0:41:12 | |
This market's really a retail environment, you know. | 0:41:12 | 0:41:15 | |
I'm going to struggle to buy anything here | 0:41:15 | 0:41:18 | |
Time for a word with Andy. | 0:41:19 | 0:41:21 | |
Is your storeroom, is it through there? | 0:41:21 | 0:41:24 | |
It's my workshop usually, | 0:41:24 | 0:41:26 | |
but we've just had a bric-a-brac clear-out sale this weekend. | 0:41:26 | 0:41:29 | |
-Can I go and have a look? -Yeah, sure. -Thank you. | 0:41:29 | 0:41:32 | |
Now this is much more Chez Phil. | 0:41:38 | 0:41:40 | |
I like it when a man says, "This is the stuff I want to get rid of." | 0:41:40 | 0:41:44 | |
What we might find out in a minute is | 0:41:44 | 0:41:46 | |
how badly he wants to get rid of it. | 0:41:46 | 0:41:48 | |
-That's a bit traditional for you, isn't it? -Yeah, to be honest... | 0:41:48 | 0:41:52 | |
-What will you do with that? -I've put a really low price on. | 0:41:52 | 0:41:55 | |
If somebody wants a cheap chest of drawers, that's it? | 0:41:55 | 0:41:58 | |
What's your best price on that? | 0:41:58 | 0:41:59 | |
Er, make me an offer. | 0:41:59 | 0:42:01 | |
I'd want to buy it for 40 or 50 quid, | 0:42:01 | 0:42:03 | |
-because I tell you why, I think the top needs sorting. -Oh, yeah. | 0:42:03 | 0:42:07 | |
It needs all this cock-beading doing down here. | 0:42:07 | 0:42:09 | |
I'm going to give you 40 quid for it. | 0:42:09 | 0:42:11 | |
-40 quid? -I know I'm being really cheeky. | 0:42:11 | 0:42:14 | |
No, you're not, because I use them for scrap, so it's a balance of what we can get. | 0:42:14 | 0:42:18 | |
There's an element, the escutcheons and the locks are worth more to me | 0:42:18 | 0:42:21 | |
-than it is as a piece of furniture. Are you going to take it now? -Yeah. | 0:42:21 | 0:42:25 | |
-Give us 40 quid. -Oh, you're a gentleman, thank you. | 0:42:25 | 0:42:28 | |
Thank you very much indeed. | 0:42:28 | 0:42:29 | |
Meanwhile, Anita has made her way | 0:42:31 | 0:42:33 | |
from Temple Sowerby to Kirby Stephen. | 0:42:33 | 0:42:36 | |
BELL | 0:42:41 | 0:42:43 | |
Anita still wants to find one more item, but while downstairs | 0:42:43 | 0:42:47 | |
a perfectly respectable selection of bric-a-brac awaits. | 0:42:47 | 0:42:50 | |
Upstairs are hats, and Anita certainly does like a hat. | 0:42:50 | 0:42:55 | |
# Mirror, mirror, mon amour | 0:42:58 | 0:43:00 | |
# Send me what I'm waiting for | 0:43:00 | 0:43:01 | |
# Pick me up an image so fine So fine... # | 0:43:01 | 0:43:05 | |
Now I look like a dowager duck. | 0:43:06 | 0:43:08 | |
A dowager duck! SHE LAUGHS | 0:43:08 | 0:43:11 | |
I think it's terribly chic. | 0:43:11 | 0:43:13 | |
Now, just calm down, Anita, and apply yourself. | 0:43:13 | 0:43:15 | |
What about that clock? | 0:43:15 | 0:43:17 | |
It has the look, | 0:43:17 | 0:43:19 | |
it's got that Art Deco 1930s geometric shape and I like it. | 0:43:19 | 0:43:24 | |
Whoops! You only have about £50 left. | 0:43:24 | 0:43:28 | |
What I was looking at was this clock, Penny. | 0:43:28 | 0:43:31 | |
It's Art Deco style, it's not from the 1930s, | 0:43:31 | 0:43:34 | |
it's maybe a bit later than that, '50s. | 0:43:34 | 0:43:37 | |
I know it had some pieces with it. | 0:43:37 | 0:43:40 | |
That's right, yes, it would have had two side ornaments | 0:43:40 | 0:43:43 | |
and the little back plate is missing. | 0:43:43 | 0:43:46 | |
What I'd be looking to pay would be in the region of 30 to 35. | 0:43:46 | 0:43:52 | |
I would have thought more £50. | 0:43:52 | 0:43:55 | |
-It might be a wee bit dear for me at 50. -Right. | 0:43:55 | 0:43:58 | |
Is there another wee bit of movement, maybe in the region of 40? | 0:43:58 | 0:44:02 | |
-How's 45 sounding? -45? -I think that really is the best. | 0:44:02 | 0:44:06 | |
45, it's not a bad price and I probably have got a chance with that. | 0:44:06 | 0:44:10 | |
-It's a deal. -Thank you very much. | 0:44:10 | 0:44:12 | |
-I'll get that wrapped for you. -OK, thank you. | 0:44:12 | 0:44:15 | |
With Anita now almost penniless, let's see what her rival can do. | 0:44:15 | 0:44:19 | |
Because having grabbed the Sunbeam, | 0:44:20 | 0:44:22 | |
and trundled north along to Appleby-in-Westmorland, | 0:44:22 | 0:44:25 | |
Phil's looking for one more buy. | 0:44:25 | 0:44:27 | |
It would be quite nice just to find | 0:44:27 | 0:44:29 | |
one thing that I can go off piste on. | 0:44:29 | 0:44:32 | |
I shudder to think what that might mean. | 0:44:32 | 0:44:34 | |
Appleby's famous annual horse fair | 0:44:35 | 0:44:37 | |
was first held as long ago as the 12th century. | 0:44:37 | 0:44:41 | |
That does look an intriguing sign! | 0:44:42 | 0:44:44 | |
Davina, meet Phil. He may not be your easiest customer. | 0:44:46 | 0:44:50 | |
Has that label been on there a long time? | 0:44:50 | 0:44:53 | |
Not that long, or else it would have smudged. | 0:44:53 | 0:44:55 | |
-That's a blow. I was hoping... -It would smudged in the rain. | 0:44:55 | 0:44:58 | |
SHE LAUGHS | 0:44:58 | 0:45:01 | |
What would be the very, very best on that? | 0:45:01 | 0:45:04 | |
-Very best. -15. | 0:45:07 | 0:45:10 | |
OK. Thank you. Put that one back. | 0:45:10 | 0:45:13 | |
Hm, he's in a funny mood today. | 0:45:13 | 0:45:15 | |
Just a touch out of my price range, unfortunately. | 0:45:15 | 0:45:18 | |
Will I need my hanky box as I'm coming round with you? | 0:45:18 | 0:45:21 | |
No, I might need mine. | 0:45:21 | 0:45:23 | |
Ha! Now, have a proper look around, Phil. | 0:45:23 | 0:45:25 | |
Actually, I've just seen something else. What's that? | 0:45:25 | 0:45:28 | |
Sewing clamps, are they? That's a sewing clamp, isn't it? | 0:45:28 | 0:45:32 | |
It sort of just slides onto there like that, | 0:45:32 | 0:45:34 | |
and you just tighten him up and... | 0:45:34 | 0:45:38 | |
That goes on there as well, you just tighten that up. | 0:45:39 | 0:45:42 | |
That one, it's basically like a little pincushion. | 0:45:42 | 0:45:45 | |
I think they're probably ivory. | 0:45:45 | 0:45:47 | |
Under the 1947 CITES agreement, it's illegal to buy or sell | 0:45:47 | 0:45:51 | |
any ivory objects unless they were made before June of that year. | 0:45:51 | 0:45:56 | |
But as these are late Victorian or Edwardian, they'll be fine. | 0:45:56 | 0:46:00 | |
What's your best on these? Your very, very best. | 0:46:00 | 0:46:05 | |
35. You really are going to make a profit on that, I'm certain. | 0:46:05 | 0:46:09 | |
I'm going to buy these two off you, my love. | 0:46:09 | 0:46:12 | |
£35 sews up that little deal. | 0:46:12 | 0:46:14 | |
Back in the lovely old town of Kirby Stephen, Anita's stopped shopping. | 0:46:14 | 0:46:19 | |
In one of the town's many fine buildings, | 0:46:19 | 0:46:22 | |
Anita's come to see an historic collection | 0:46:22 | 0:46:26 | |
of one of her favourite things - frocks. | 0:46:26 | 0:46:28 | |
Hello, Lynn. I have been so looking forward to coming here. | 0:46:30 | 0:46:36 | |
I am a dedicated follower of fashion. How did it all start? | 0:46:36 | 0:46:41 | |
I bought a blanket box full of linen, tablecloths and stuff | 0:46:41 | 0:46:45 | |
and in the bottom of the box was a cape and that really set me off. | 0:46:45 | 0:46:50 | |
That was over 30 years ago. | 0:46:52 | 0:46:53 | |
Since then, Lynn has acquired | 0:46:53 | 0:46:56 | |
over 400 vintage dresses of various ages and styles, | 0:46:56 | 0:47:00 | |
many accessories too, but it all started with one little cape. | 0:47:00 | 0:47:04 | |
It's 1870s, and we know that | 0:47:04 | 0:47:06 | |
because it's got nice what we call "pagoda" sleeves | 0:47:06 | 0:47:09 | |
and she would have had white ruff sleeves underneath | 0:47:09 | 0:47:12 | |
that came up to the elbow. | 0:47:12 | 0:47:14 | |
I just love it. It's responsible for me spending an awful lot of money. | 0:47:14 | 0:47:19 | |
I would think my collection's worth over £100,000, if not more, | 0:47:19 | 0:47:23 | |
but I don't care, I just love it. | 0:47:23 | 0:47:25 | |
For many years, Lynn kept her amazing collection at home | 0:47:25 | 0:47:29 | |
using it for fashion shows and talks. | 0:47:29 | 0:47:32 | |
But now the public can view it every weekend for free. | 0:47:32 | 0:47:36 | |
-Is this a ball dress or an evening dress? -It is a ball gown. | 0:47:36 | 0:47:39 | |
Because of all the lace, | 0:47:39 | 0:47:41 | |
this depicts that this lady had a lot of money. | 0:47:41 | 0:47:44 | |
I mean, it's gorgeous. | 0:47:44 | 0:47:46 | |
-They were prestige dressing. There were power dressing. -They were. | 0:47:46 | 0:47:50 | |
For most modern women, | 0:47:54 | 0:47:55 | |
the only equivalent of those fine frocks is their wedding dress | 0:47:55 | 0:48:00 | |
and Lynn has over 100 of these. | 0:48:00 | 0:48:02 | |
There's lace ones, there's satin ones, | 0:48:02 | 0:48:05 | |
velvet ones and as you can see, they're all different. | 0:48:05 | 0:48:09 | |
So everyone's got a story, everyone's had a happy bride? | 0:48:09 | 0:48:12 | |
Most of them, yes, except this one. | 0:48:12 | 0:48:14 | |
Now this one, it's had three owners. | 0:48:14 | 0:48:18 | |
The person who originally made it was jilted, | 0:48:18 | 0:48:21 | |
so she passed it on to a cousin. | 0:48:21 | 0:48:23 | |
And unfortunately, she died, so she didn't wear it. | 0:48:23 | 0:48:27 | |
And then the third owner is the lady I got it from, | 0:48:27 | 0:48:30 | |
she was a missionary out in Africa somewhere | 0:48:30 | 0:48:33 | |
and she put it on to get married | 0:48:33 | 0:48:36 | |
and when she turned round just for the finishing touches, | 0:48:36 | 0:48:40 | |
it was absolutely covered in creepy crawlies, | 0:48:40 | 0:48:43 | |
so she took it off and got married | 0:48:43 | 0:48:45 | |
in a little white frock belonging to one of the servant girls. | 0:48:45 | 0:48:49 | |
Oh, that's so sad. Poor wee dress, it's never had a bride. | 0:48:49 | 0:48:52 | |
-Do you think it might have in the future? -No. | 0:48:52 | 0:48:56 | |
It's a little bit unlucky, isn't it, really? | 0:48:56 | 0:48:58 | |
And who could resist a dress with such a tale? | 0:48:58 | 0:49:02 | |
Certainly not our Anita. | 0:49:02 | 0:49:04 | |
What do you think? | 0:49:06 | 0:49:08 | |
Well, I think I've found myself another model for future shows. | 0:49:08 | 0:49:13 | |
Great. | 0:49:13 | 0:49:15 | |
All I need now is a man. | 0:49:15 | 0:49:17 | |
Oh, no, it can't be. | 0:49:17 | 0:49:18 | |
The curse strikes again. Not Blakey from On The Buses?! | 0:49:18 | 0:49:22 | |
Don't do it! | 0:49:22 | 0:49:23 | |
We'll leave Anita playing Mr and Mrs. | 0:49:25 | 0:49:29 | |
Now, she began with £177.30 and spent £170 | 0:49:29 | 0:49:33 | |
on an early 20th century pewter tea and coffee service, | 0:49:33 | 0:49:37 | |
a 1900s 12-inch globe, a marble mantel clock | 0:49:37 | 0:49:41 | |
in the Art Deco taste, a 1900s stamp box | 0:49:41 | 0:49:45 | |
and nine-carat gold earrings. | 0:49:45 | 0:49:48 | |
Let's go for it. | 0:49:48 | 0:49:50 | |
Phil started out with £225.80 | 0:49:50 | 0:49:53 | |
and spent £205 on a pair of 1900s silver-plated candlesticks, | 0:49:53 | 0:49:58 | |
a bobbins stand, a 1900 tea caddy, | 0:49:58 | 0:50:01 | |
two ivory sewing clamps | 0:50:01 | 0:50:04 | |
and an early 19th century mahogany chest of drawers. | 0:50:04 | 0:50:07 | |
Great buys. | 0:50:07 | 0:50:09 | |
But let's find out what our experts really think of each other's lots. | 0:50:09 | 0:50:13 | |
I can't see anywhere where there's a potential for big losses. | 0:50:13 | 0:50:16 | |
I think the pewter service, that's profit, | 0:50:16 | 0:50:19 | |
the earrings, profit, | 0:50:19 | 0:50:20 | |
the dog... you can't lose too much there. | 0:50:20 | 0:50:23 | |
I think they're a lovely little group of items. | 0:50:23 | 0:50:26 | |
They're proper, regular antiques. I like them all, | 0:50:26 | 0:50:30 | |
but I particularly like the little ivory sewing implements. | 0:50:30 | 0:50:33 | |
I think they're beautiful. | 0:50:33 | 0:50:35 | |
The globe, that's my real bit of green-eyed jealousy creeping in, | 0:50:35 | 0:50:39 | |
because it's a really nice thing. I think she could do well with that. | 0:50:39 | 0:50:43 | |
After starting out at Haltwhistle, | 0:50:43 | 0:50:46 | |
Anita and Phil are now motoring to the auction at Barnard Castle, | 0:50:46 | 0:50:50 | |
which locals fondly call Barney. | 0:50:50 | 0:50:54 | |
Do you know what? | 0:50:54 | 0:50:55 | |
I think these auctioneers will look after us well today. | 0:50:55 | 0:50:59 | |
You're optimistic, then? | 0:50:59 | 0:51:00 | |
No, I've sent them threatening letters if they don't! | 0:51:00 | 0:51:04 | |
This is the auction house where they don't just sell the usual sort of thing. | 0:51:04 | 0:51:08 | |
In fact, they once included a five-door family hatchback | 0:51:08 | 0:51:11 | |
alongside antique furniture. | 0:51:11 | 0:51:13 | |
This place is packed, and we're about to start. | 0:51:13 | 0:51:17 | |
OK, Anita's dog and clock. | 0:51:18 | 0:51:20 | |
Not a pub, but an Art Deco-style timepiece. | 0:51:20 | 0:51:23 | |
With commission interest, I'll start straight in at 50. | 0:51:23 | 0:51:26 | |
50 I'm bid, I'll take five next. | 0:51:26 | 0:51:28 | |
£50 I'm bid... | 0:51:28 | 0:51:30 | |
Five anywhere? 55... 60... | 0:51:30 | 0:51:32 | |
Five in the room, 65 in the room. | 0:51:32 | 0:51:34 | |
Let's see 70. 65. Can I see 70 anywhere? | 0:51:34 | 0:51:37 | |
All done at 65. | 0:51:37 | 0:51:40 | |
BANGS GAVEL | 0:51:40 | 0:51:41 | |
-Well done you! -I'm happy with that. I'm happy. | 0:51:41 | 0:51:43 | |
Quite right too. A very good start. | 0:51:43 | 0:51:46 | |
More Anita. Hand-hammered and under the hammer. | 0:51:48 | 0:51:52 | |
-Who'll start me at £50? -Come on... | 0:51:53 | 0:51:56 | |
20 I'll go. | 0:51:56 | 0:51:57 | |
20 bid. At 20. I'll take two. | 0:51:57 | 0:52:00 | |
£20 I'm bid. 22 anywhere? | 0:52:00 | 0:52:02 | |
22... 25... | 0:52:02 | 0:52:04 | |
28, 30, 32, | 0:52:04 | 0:52:06 | |
bid at 32... | 0:52:06 | 0:52:07 | |
35 anywhere? 35... | 0:52:07 | 0:52:09 | |
-35 bid. 35. -38... Yes! -Would you just stop?! | 0:52:09 | 0:52:13 | |
-At 40 in front. -All done at 40... | 0:52:13 | 0:52:15 | |
BANGS GAVEL Yes! | 0:52:15 | 0:52:18 | |
Good! | 0:52:18 | 0:52:19 | |
More profits. Anita's catching up. | 0:52:19 | 0:52:22 | |
Just leave me alone! | 0:52:22 | 0:52:24 | |
I don't want to leave you alone! | 0:52:24 | 0:52:26 | |
Oh, God... | 0:52:26 | 0:52:27 | |
Aww! Phil's turn. | 0:52:28 | 0:52:29 | |
He loves those candlesticks. | 0:52:29 | 0:52:31 | |
Set me away for these. 50 for them. | 0:52:31 | 0:52:34 | |
Worth all of that. £50? | 0:52:34 | 0:52:36 | |
30 then? | 0:52:36 | 0:52:38 | |
£30 I'm bid. | 0:52:38 | 0:52:39 | |
Back of the room at £30. 32? 32 on the net. | 0:52:39 | 0:52:42 | |
32. 35. Two bidders on the net. 38. | 0:52:42 | 0:52:46 | |
40. 40 bid. 42. 42 bid. | 0:52:46 | 0:52:49 | |
42. 45. | 0:52:49 | 0:52:50 | |
45 bid. 48 in the room. | 0:52:50 | 0:52:53 | |
48 in the room. 50. | 0:52:53 | 0:52:54 | |
50 bid. At 50 bid. £50 in the room. | 0:52:54 | 0:52:57 | |
Across the room, 55. | 0:52:57 | 0:52:59 | |
-55. -60. 60 bid. | 0:52:59 | 0:53:01 | |
At £60 in the back then. All done at 60? | 0:53:01 | 0:53:04 | |
BANGS GAVEL | 0:53:04 | 0:53:05 | |
That's just cost me 15 quid. | 0:53:05 | 0:53:07 | |
Yup, it'll be a much bigger loss after commission. | 0:53:07 | 0:53:10 | |
-Now we're almost equal, as we speak. -Are you an auctioneer or a mathematician? | 0:53:10 | 0:53:15 | |
You've got to be both. You know that. | 0:53:15 | 0:53:17 | |
Next, Anita's globe. | 0:53:17 | 0:53:19 | |
Will she be sitting on top of the world? Ha! | 0:53:19 | 0:53:22 | |
-Nice thing. We have a telephone line. -Oh! -I'm at 38 bid. | 0:53:22 | 0:53:26 | |
38 I'm bid. I'll take 40. | 0:53:26 | 0:53:28 | |
42. 45. 48. 50. | 0:53:28 | 0:53:31 | |
Five. 60. 60 bid. 60 bid. I'll take five. | 0:53:31 | 0:53:35 | |
65. 70. | 0:53:35 | 0:53:38 | |
75. 75 bid. | 0:53:38 | 0:53:39 | |
-God. -80. 80 bid. | 0:53:39 | 0:53:41 | |
85. 90. 90 bid in the room. | 0:53:41 | 0:53:45 | |
95 on the phone. | 0:53:45 | 0:53:47 | |
95 on the phone. Let's see 100. | 0:53:47 | 0:53:49 | |
-100 now. 100 in the room. -Yes! -100 bid. | 0:53:49 | 0:53:53 | |
110 on the floor. 120 in the room. | 0:53:53 | 0:53:55 | |
120 in the room. I'll take 130. | 0:53:55 | 0:53:57 | |
-I love phone booths. -Yeah. | 0:53:57 | 0:53:59 | |
130 on the phone. 140 if you like, sir. | 0:53:59 | 0:54:02 | |
130 on the telephone. | 0:54:02 | 0:54:04 | |
All done at 130? Selling at 130... | 0:54:04 | 0:54:06 | |
BANGS GAVEL | 0:54:06 | 0:54:07 | |
-Yes! -Well done you. -Come on! | 0:54:07 | 0:54:11 | |
Everyone loved it. | 0:54:11 | 0:54:12 | |
Another fine profit for Anita. | 0:54:12 | 0:54:15 | |
Your little tea caddy. | 0:54:15 | 0:54:16 | |
If that doesn't make a profit, I will pack up. | 0:54:16 | 0:54:19 | |
Time for Phil to fight back | 0:54:19 | 0:54:22 | |
with this battered caddy. | 0:54:22 | 0:54:24 | |
With interest, I'll start you with 25 bid. | 0:54:24 | 0:54:27 | |
That's a relief. | 0:54:27 | 0:54:29 | |
28. 30. 32. 35. | 0:54:29 | 0:54:32 | |
At 35 bid. 38 on the net. 38 on the net. | 0:54:32 | 0:54:35 | |
40 with me. | 0:54:35 | 0:54:37 | |
£40 to see 42. £40. 42. | 0:54:37 | 0:54:39 | |
-Happy? -Yeah, I am, actually. | 0:54:39 | 0:54:41 | |
At 48 bid. At 48. 50. I'm 50 bid now. | 0:54:41 | 0:54:44 | |
At £50. All done at 50... | 0:54:44 | 0:54:46 | |
BANGS GAVEL | 0:54:46 | 0:54:47 | |
So good, are you happy? Let's see a wee smile. | 0:54:47 | 0:54:51 | |
Steady on, Phil! Things are looking up, though. | 0:54:51 | 0:54:54 | |
It's my lot next. | 0:54:54 | 0:54:56 | |
He's right, you know. | 0:54:58 | 0:55:00 | |
The cotton reel stand. Worth a packet or what? | 0:55:00 | 0:55:02 | |
And with interest, I'm bid 35. 35 I'm bid. | 0:55:02 | 0:55:06 | |
38. 40. 42. | 0:55:06 | 0:55:08 | |
45. 48. 50. | 0:55:08 | 0:55:10 | |
50 bid. Five. It's only another five pounds. | 0:55:10 | 0:55:13 | |
Five. 60. | 0:55:13 | 0:55:15 | |
Five anywhere? 65. | 0:55:15 | 0:55:16 | |
70, madam. 75. | 0:55:16 | 0:55:18 | |
Come on. 80. | 0:55:18 | 0:55:20 | |
Five. 90? Round it up. | 0:55:20 | 0:55:23 | |
I like zeroes. £85 in front of me. | 0:55:23 | 0:55:26 | |
All done at £85. | 0:55:26 | 0:55:28 | |
BANGS GAVEL | 0:55:28 | 0:55:29 | |
-Tell you what, he worked really hard. -He worked hard, yeah. | 0:55:29 | 0:55:33 | |
More profits for the man from Worcester. | 0:55:33 | 0:55:35 | |
Next up, Anita's bargain stamp box. | 0:55:37 | 0:55:40 | |
A continental white-metal mounted blue-banded agate stamp box. | 0:55:40 | 0:55:44 | |
About 1900. | 0:55:44 | 0:55:46 | |
With interest I'm at 38 bid. | 0:55:46 | 0:55:48 | |
I thought it would do well. | 0:55:48 | 0:55:50 | |
£38 I'm bid. 38. 40. 42. 45. 48. | 0:55:50 | 0:55:54 | |
48 bid. | 0:55:54 | 0:55:55 | |
At £48 bid. Do I see 50 anywhere? | 0:55:55 | 0:55:58 | |
Internet's in at 50. At 50 bid on the net. | 0:55:58 | 0:56:00 | |
All done at 50... | 0:56:00 | 0:56:01 | |
BANGS GAVEL | 0:56:01 | 0:56:03 | |
-£50. -I think it's a cracking thing. -Can't complain at that. | 0:56:03 | 0:56:07 | |
Yup, we definitely approve of that one. | 0:56:07 | 0:56:10 | |
What do you think your earrings will make? | 0:56:10 | 0:56:12 | |
They should make in excess of £20. | 0:56:12 | 0:56:15 | |
We'll see, Anita. You've certainly done well so far, darling. | 0:56:15 | 0:56:19 | |
-Should kind of double up my money. -Yeah. | 0:56:19 | 0:56:22 | |
With interest I'm at 18. | 0:56:22 | 0:56:23 | |
There you are. You were spot on. | 0:56:23 | 0:56:25 | |
20 bid. At £20 in the room. Do I see 22? | 0:56:25 | 0:56:29 | |
22. 25. 28. | 0:56:29 | 0:56:31 | |
At £28 bid. 30. 30 bid. | 0:56:31 | 0:56:33 | |
At £30 in the corner then. All done at 30... | 0:56:33 | 0:56:35 | |
BANGS GAVEL | 0:56:35 | 0:56:36 | |
-That was a short and sweet 15 quid profit. -But that's spot on. | 0:56:36 | 0:56:40 | |
They're neck and neck now. | 0:56:40 | 0:56:43 | |
My profit's going to come out of my chest of drawers. | 0:56:43 | 0:56:46 | |
How did you get that for 40 quid? | 0:56:46 | 0:56:48 | |
Well, we can probably rule out charm! | 0:56:48 | 0:56:51 | |
Nice chest of drawers. Good proportions. | 0:56:51 | 0:56:54 | |
I'm bid £90 on it. 90 I'm bid. | 0:56:54 | 0:56:56 | |
That's all right. | 0:56:56 | 0:56:57 | |
95. 100. | 0:56:57 | 0:56:59 | |
100 bid. 110. 120. | 0:56:59 | 0:57:01 | |
120 bid. Don't leave it for ten. | 0:57:01 | 0:57:04 | |
120 with me. 130 on the net. | 0:57:04 | 0:57:06 | |
Let's see 140. | 0:57:06 | 0:57:07 | |
It's an internet bid at 130. | 0:57:07 | 0:57:09 | |
You're out still. Selling at 130... | 0:57:09 | 0:57:12 | |
-BANGS GAVEL -130. | 0:57:12 | 0:57:13 | |
But I'm pleased, that's given me a leg up, hasn't it? | 0:57:15 | 0:57:18 | |
A huge profit, actually, from a chest that was destined for scrap. | 0:57:18 | 0:57:22 | |
Next lot's the old sewing bits then. | 0:57:22 | 0:57:24 | |
-Internet's in at 38. -Are you getting excited? | 0:57:24 | 0:57:27 | |
I think he is, Anita. | 0:57:27 | 0:57:30 | |
Who'll start me at 50? | 0:57:31 | 0:57:34 | |
40 then? | 0:57:34 | 0:57:36 | |
40 I'm bid. £40 I'm bid. | 0:57:36 | 0:57:37 | |
£40. At 40 bid. 42. | 0:57:37 | 0:57:40 | |
45. | 0:57:40 | 0:57:41 | |
48. 50. 50 bid. | 0:57:41 | 0:57:43 | |
Five. 55. 60. 60 bid. | 0:57:43 | 0:57:46 | |
At £60 then. 65. | 0:57:46 | 0:57:48 | |
65. 70. | 0:57:48 | 0:57:49 | |
At 70 bid then. | 0:57:49 | 0:57:51 | |
At £70. All done at 70... | 0:57:51 | 0:57:52 | |
BANGS GAVEL | 0:57:52 | 0:57:53 | |
I've completely lost the plot of what I've done and haven't done. | 0:57:53 | 0:57:56 | |
-Will I count it all up for you? -You count the money. | 0:57:56 | 0:57:59 | |
Another good profit | 0:57:59 | 0:58:00 | |
and Anita's adding up proves that Phil carries the day. | 0:58:00 | 0:58:05 | |
-And as I'm in profit, I'll buy you a cup of tea. -You're a darling. | 0:58:05 | 0:58:09 | |
After paying auction costs, Anita now has: | 0:58:09 | 0:58:15 | |
Phil, on the other hand, is still way out in the lead with: | 0:58:15 | 0:58:20 | |
Well done, boy! | 0:58:20 | 0:58:22 | |
-That really wasn't too bad, was it? -It was absolutely great. | 0:58:22 | 0:58:26 | |
-He did a good job, didn't he? -Yes! | 0:58:26 | 0:58:29 | |
On to the next! | 0:58:29 | 0:58:31 |