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It's the nation's favourite antiques experts | 0:00:02 | 0:00:04 | |
with £200 each, a classic car and a goal to scour Britain for antiques. | 0:00:04 | 0:00:10 | |
That hurts. | 0:00:10 | 0:00:11 | |
Have I got it the right way up? | 0:00:13 | 0:00:14 | |
The aim -to make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:21 | |
I look like the mad hatter! | 0:00:21 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
I'm only in this to be Anita Manning's chauffeur! | 0:00:27 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:35 | |
We join our two auctioneers, Phil Serrell and Anita Manning, | 0:00:41 | 0:00:44 | |
on beautiful country roads in a lovely 1965 Sunbeam Alpine. | 0:00:44 | 0:00:50 | |
-ANITA: -I keep forgetting that you're a country boy. | 0:00:50 | 0:00:53 | |
Because I always thought that you were a sophisticated city type. | 0:00:53 | 0:00:58 | |
There's nothing sophisticated about me. | 0:00:58 | 0:01:00 | |
Philip from Worcester has a bluff exterior which conceals, well... | 0:01:00 | 0:01:04 | |
a bluff interior. He does have his uses, though. | 0:01:04 | 0:01:08 | |
Look at the little sheepy weepies. | 0:01:08 | 0:01:10 | |
-Aw! -Young sheep have different names in different parts of the world. | 0:01:10 | 0:01:14 | |
There's one there called 17. | 0:01:14 | 0:01:16 | |
Anita from Glasgow is a thoroughly metropolitan sort but she loves the countryside, too. | 0:01:16 | 0:01:21 | |
-Look at that big... I thought that was a big boulder! -No! | 0:01:21 | 0:01:24 | |
That is a silage bail, Anita. | 0:01:24 | 0:01:27 | |
She began the trip with £200 | 0:01:29 | 0:01:31 | |
and has £265.60p to spend on this leg. | 0:01:31 | 0:01:35 | |
Phil also began with £200, | 0:01:35 | 0:01:37 | |
and has the lead with £344.70p at his disposal. | 0:01:37 | 0:01:42 | |
He's not exactly happy, though. | 0:01:42 | 0:01:44 | |
I've been and bought really predictable, old-fashioned antiques. | 0:01:44 | 0:01:50 | |
I haven't done me daft trick yet. ANITA LAUGHS | 0:01:50 | 0:01:54 | |
This road trip starts at Ford in Northumberland | 0:01:54 | 0:01:57 | |
and ventures into Scotland, | 0:01:57 | 0:01:59 | |
before winding its way southwards, | 0:01:59 | 0:02:01 | |
concluding at Harrogate, Yorkshire. | 0:02:01 | 0:02:04 | |
Our latest instalment begins in the Dales at Middleham, | 0:02:04 | 0:02:08 | |
and heads for the Lake District, | 0:02:08 | 0:02:10 | |
before an auction at Penrith in Cumbria. | 0:02:10 | 0:02:13 | |
They call Middleham the Newmarket of the North. | 0:02:15 | 0:02:17 | |
Horse racing is by far the biggest employer in the town. | 0:02:17 | 0:02:21 | |
-We parking there? -Why not? | 0:02:21 | 0:02:23 | |
-CAR BUMPS -Oh! | 0:02:23 | 0:02:25 | |
-What's your plan? -I'm going to go round with a brush and a shovel. | 0:02:25 | 0:02:28 | |
I'm going to get bags of horse muck for roses. Take it to the auction. It'll sell. | 0:02:28 | 0:02:33 | |
Some might say that's not unlike what you usually do, Phil. | 0:02:33 | 0:02:37 | |
I'm sure Middleham can offer more. | 0:02:37 | 0:02:40 | |
As I thought, a very nice shop. | 0:02:40 | 0:02:42 | |
Angela keeps it packed to the gunwales, too. | 0:02:42 | 0:02:44 | |
Isn't that just a little child's table-top sewing machine? | 0:02:44 | 0:02:50 | |
I think that's really sweet. | 0:02:50 | 0:02:52 | |
-What's your ticket price on that? -It would have to be 75. -I like that. | 0:02:52 | 0:02:56 | |
And what's that? | 0:02:56 | 0:02:58 | |
-This is a cartridge filler. -Yeah. -Ah. OK. | 0:02:58 | 0:03:00 | |
-That clamps onto a table, doesn't it? -Yes. | 0:03:00 | 0:03:04 | |
And you put your cartridge in there. | 0:03:04 | 0:03:06 | |
-This is for a 12-gauge or 12-bore, cos it's got a 12 on it. -Yes. | 0:03:06 | 0:03:10 | |
-That's 35 ticket price and how much is this one? -25. | 0:03:10 | 0:03:14 | |
Some devices for filling shotgun cartridges | 0:03:14 | 0:03:17 | |
and a Victorian sewing machine. | 0:03:17 | 0:03:18 | |
There is room for movement, but I won't move that much. | 0:03:18 | 0:03:21 | |
I've got to try and buy those two for 25, 30 quid. | 0:03:21 | 0:03:24 | |
Oh, no, no. No way on this earth. No, no. | 0:03:24 | 0:03:27 | |
-I want at least 45 for them. -What about the sewing machine? | 0:03:27 | 0:03:31 | |
-I'd do it for 40. -35 quid on that. | 0:03:31 | 0:03:34 | |
-38 and you've got it. -Can you go any better than 38? -37. | 0:03:34 | 0:03:37 | |
What's the very best on those two? | 0:03:37 | 0:03:39 | |
-It has to be 40. -Those have got to be 40. -Yeah. | 0:03:39 | 0:03:42 | |
Look, I'll do 35... 35, that's 75. For the lot. | 0:03:42 | 0:03:48 | |
Er, are we following this? | 0:03:48 | 0:03:50 | |
-You'd do 35 on that, 40 on them? -Yeah. | 0:03:50 | 0:03:53 | |
I'm going to buy one of them. How much for just that one? | 0:03:53 | 0:03:56 | |
What's he up to here? | 0:03:56 | 0:03:58 | |
-18... -22. -Yeah. | 0:03:58 | 0:04:00 | |
-I'm going to have that. -Right. | 0:04:00 | 0:04:03 | |
-OK? For sure, cos I like that. -Yeah. | 0:04:03 | 0:04:06 | |
-So this is 22, that's 37. -Yeah. | 0:04:06 | 0:04:08 | |
Add the two together is...59. | 0:04:08 | 0:04:11 | |
Tell me what's the best you can do. I'll have them both. | 0:04:11 | 0:04:14 | |
-Two off. -57 quid. -Yeah. -OK, I'll have them both, please. | 0:04:14 | 0:04:18 | |
Phew! Sewing machine and cartridge filler for 57. I think. | 0:04:18 | 0:04:23 | |
You haven't got any headache tablets? | 0:04:23 | 0:04:26 | |
-I might have paracetamol. | 0:04:26 | 0:04:27 | |
I think we could all do with some after that, Philip. | 0:04:27 | 0:04:31 | |
Now, where's Anita? | 0:04:31 | 0:04:33 | |
-Hello. I'm Anita. -Hello, Anita. | 0:04:33 | 0:04:35 | |
-Can I have a wee look around? -Oh, please do. | 0:04:35 | 0:04:37 | |
Richard's shop is a great mix of antiques and collectibles, | 0:04:37 | 0:04:41 | |
-I know these things aren't old but they're big showy pieces. -They are. | 0:04:41 | 0:04:45 | |
Possibly Indian. | 0:04:45 | 0:04:47 | |
-Turquoise is nice. -Turquoise is very popular, isn't it? -Uh-huh. | 0:04:47 | 0:04:51 | |
The ticket price on those is £35 each. | 0:04:51 | 0:04:54 | |
If I was buying the two of them, | 0:04:54 | 0:04:56 | |
what sort of price could you do them for? | 0:04:56 | 0:05:00 | |
I can let you have both of those for £2. | 0:05:00 | 0:05:02 | |
-I can't go wrong on that... -Blimey! £2! | 0:05:03 | 0:05:07 | |
Good. OK. That's a deal. Thank you very, very much. | 0:05:07 | 0:05:11 | |
A deal? I should think so, Anita. It's a gift! | 0:05:11 | 0:05:14 | |
You've got a real friend there. | 0:05:14 | 0:05:16 | |
Just round the corner, Phil's on the prowl. | 0:05:16 | 0:05:18 | |
Is it me, or has the wily old fox got a sniff of something? | 0:05:18 | 0:05:22 | |
And I don't mean manure! | 0:05:22 | 0:05:24 | |
I've been to Middleham many times before. | 0:05:24 | 0:05:27 | |
I know that behind these houses there are racing stables. | 0:05:27 | 0:05:31 | |
I'm going to see if I can knock on the door | 0:05:31 | 0:05:33 | |
and buy something a bit horsey. | 0:05:33 | 0:05:36 | |
The Glasgow House yard is one of the oldest in Middleham, | 0:05:36 | 0:05:39 | |
dating back to 1800. | 0:05:39 | 0:05:41 | |
It currently belongs to the Fairhursts, Chris and Judy. | 0:05:41 | 0:05:45 | |
KNOCKS ON DOOR | 0:05:45 | 0:05:47 | |
-Hi. I'm Philip. How are you? -Hi. | 0:05:51 | 0:05:53 | |
-You train racehorses. -We do. -I want to buy something. | 0:05:53 | 0:05:57 | |
I don't know what, yet. | 0:05:57 | 0:05:58 | |
You can have a look in the saddle room, see if there's anything that | 0:05:58 | 0:06:03 | |
-you might be able to sell. -That's what I should be asking for, a tip. | 0:06:03 | 0:06:06 | |
Well, he's certainly got his hoof in the door. | 0:06:06 | 0:06:09 | |
These are old. Father would have had these before us! Chris's father. | 0:06:09 | 0:06:14 | |
This is obviously a newer one. | 0:06:14 | 0:06:16 | |
That's a starting point. How much would a saddle cost? | 0:06:16 | 0:06:19 | |
Those, we can't give them away. | 0:06:19 | 0:06:22 | |
You probably could give one away! LAUGHS | 0:06:22 | 0:06:25 | |
-We'll throw it in with the rug, yeah! -No, I'm up for that. | 0:06:25 | 0:06:29 | |
-Why can't you give them away? -The trees have probably gone. | 0:06:29 | 0:06:33 | |
-The tree being the spine of the saddle? -Exactly. | 0:06:33 | 0:06:36 | |
-That's lovely leather. -It is good leather. | 0:06:36 | 0:06:39 | |
-You can't give that away? -No. | 0:06:39 | 0:06:41 | |
I'd give you 20 quid for the two, that's me best shot. Go on. | 0:06:41 | 0:06:43 | |
-30. -Get out of here! You've got a saddle you can't give away. | 0:06:43 | 0:06:47 | |
So, is that worth five or ten quid? | 0:06:47 | 0:06:50 | |
If you can't GIVE them away. | 0:06:50 | 0:06:52 | |
-Ten. -You've got a deal. You're an angel. Thank you very much, my love. | 0:06:52 | 0:06:56 | |
If this makes a profit, you'll have half the Yorkshire Dales trying to buy them off you. | 0:06:56 | 0:07:01 | |
-Thank you very much indeed. -You're welcome. | 0:07:01 | 0:07:03 | |
-Not bad, eh? -Hope I've got a winner. | 0:07:03 | 0:07:05 | |
That worthless old saddle might just have become an important part in Serrell's country collection. | 0:07:05 | 0:07:12 | |
Now, what's Anita horsing around with? | 0:07:12 | 0:07:15 | |
Feature win! Yes! | 0:07:15 | 0:07:18 | |
What have I got? £300? | 0:07:20 | 0:07:22 | |
-You're a gambler, I see! You've lost! -I've lost. | 0:07:22 | 0:07:25 | |
-Oh, no! Is this an omen? -RICHARD LAUGHS | 0:07:25 | 0:07:29 | |
-What age is this? -It's not very old, actually. | 0:07:29 | 0:07:31 | |
Probably '70s, '80s. | 0:07:31 | 0:07:34 | |
A ticket price of £100, though. Nudge? Hold? Nudge? What? | 0:07:34 | 0:07:39 | |
I want to buy it, but I can only buy it if it's really, really, | 0:07:39 | 0:07:42 | |
really, really, really, really cheap. | 0:07:42 | 0:07:45 | |
BOTH LAUGH | 0:07:45 | 0:07:47 | |
Would you miss it if it went? | 0:07:47 | 0:07:49 | |
I'll let you have it for £10. | 0:07:49 | 0:07:52 | |
-You can't turn it down for that. -Ah! Give me a kiss! | 0:07:52 | 0:07:56 | |
Jackpot! I think. | 0:07:56 | 0:07:57 | |
That's the best deal in the world! | 0:07:57 | 0:08:00 | |
He's happy enough, though, and she's not one to look a gift horse in the mouth. | 0:08:00 | 0:08:04 | |
Now she's after his Jaguar mascot. | 0:08:04 | 0:08:07 | |
-I think it's got a bit of pitting on it. -Yes. | 0:08:07 | 0:08:10 | |
Would you be able to do a deal on that? | 0:08:10 | 0:08:12 | |
I'll have a look for you, Anita. | 0:08:12 | 0:08:14 | |
The asking price is £65, but what's the betting that'll come down, eh? | 0:08:14 | 0:08:20 | |
Anita, I think I can do that for £20 for you. | 0:08:20 | 0:08:23 | |
-Oh. Can I kiss you again? -RICHARD LAUGHS | 0:08:23 | 0:08:25 | |
Well, it was hardly a spending spree, | 0:08:27 | 0:08:29 | |
but three lots with a combined ticket price of 235, | 0:08:29 | 0:08:33 | |
bagged for just £32. Unbelievable! | 0:08:33 | 0:08:36 | |
Phil, meanwhile, has made his way to another corner of Wensleydale, | 0:08:38 | 0:08:42 | |
travelling a few short miles from Middleham to Masham. | 0:08:42 | 0:08:46 | |
Like its neighbour, this ancient town is famous for livestock. | 0:08:46 | 0:08:51 | |
Though here, it's not horses but sheep that count. | 0:08:51 | 0:08:54 | |
But it's not the only thing Masham is now known for, | 0:08:54 | 0:08:57 | |
as Phil is about to find out. | 0:08:57 | 0:09:00 | |
This is Theakston's, brewing beer since 1827. | 0:09:00 | 0:09:05 | |
-Simon, how are you? -Very nice to see you. | 0:09:05 | 0:09:08 | |
I've been dreading coming here because clearly, | 0:09:08 | 0:09:10 | |
someone with a frame like this, has no interest in alcohol at all! | 0:09:10 | 0:09:14 | |
But now I'm here, I may as well have a look round. | 0:09:14 | 0:09:17 | |
Beer making isn't that complicated, | 0:09:17 | 0:09:19 | |
but brewing to a consistently high standard is a great secret. | 0:09:19 | 0:09:22 | |
In Masham, it all started with the landlord of the Black Bull. | 0:09:22 | 0:09:26 | |
Robert Theakston, my great great grandfather, was good at brewing beer. | 0:09:26 | 0:09:30 | |
He was a very fussy, details man, and when you make beer, you have to be really fussy and detailed. | 0:09:30 | 0:09:35 | |
As his popularity grew, other licensees asked him to brew beer for them as well. | 0:09:35 | 0:09:40 | |
Unlike some, this company doesn't believe in change for change's sake, | 0:09:40 | 0:09:45 | |
so most of the equipment here is pretty low-tech, | 0:09:45 | 0:09:48 | |
like the 100-year-old barley mill. | 0:09:48 | 0:09:50 | |
We use electric motors to drive it. The wheels and gears are original. | 0:09:50 | 0:09:56 | |
That is so therapeutic, just to watch that. | 0:09:56 | 0:09:59 | |
And the smell is absolutely lovely, it really is. | 0:09:59 | 0:10:03 | |
Once the barley's been crushed, it ends up in the mash tub below, | 0:10:03 | 0:10:08 | |
where the starch is washed out and converted into sugar. | 0:10:08 | 0:10:11 | |
-How long has this been here? -This was installed when the brewery was built, 1875. | 0:10:11 | 0:10:16 | |
-That's older than the old shaker! -Yeah. | 0:10:16 | 0:10:20 | |
The wooden lid has been replaced from time to time, | 0:10:20 | 0:10:23 | |
but the metalwork is original. | 0:10:23 | 0:10:24 | |
-Inside, that's absolutely unchanged. -What's this made of? -Cast iron. | 0:10:24 | 0:10:28 | |
-It's very heavy and very thick so it'll last out my lifetime. -You could be describing me! | 0:10:28 | 0:10:34 | |
Next, the sugar is infused with hops in the copper. | 0:10:34 | 0:10:37 | |
Once the yeast is added, the fermentation starts. | 0:10:37 | 0:10:41 | |
BUBBLING This is the last bit of the process? | 0:10:41 | 0:10:44 | |
-Pretty much, yes. -Do you know what I love here? | 0:10:44 | 0:10:47 | |
-You can see this yeast moving. -That's carbon dioxide. | 0:10:47 | 0:10:50 | |
It would make a great Bond set. | 0:10:50 | 0:10:53 | |
You can just see the villain lowering, drowned in a vat of booze! | 0:10:53 | 0:10:58 | |
What a way to go! | 0:10:58 | 0:11:00 | |
Something else that makes this brewery unusual, or "peculiar", | 0:11:00 | 0:11:03 | |
is Jonathan, their cooper, one of only two in the country. | 0:11:03 | 0:11:07 | |
Jonathan makes the wooden casks for the ale. | 0:11:07 | 0:11:10 | |
Why do you not use plastic barrels or tin barrels? | 0:11:10 | 0:11:14 | |
With the wooden cask, | 0:11:14 | 0:11:15 | |
you've got an inch and a quarter thickness of timber, | 0:11:15 | 0:11:18 | |
which is there to insulate the beer | 0:11:18 | 0:11:21 | |
and make the beer the best quality it can be when it reaches the pubs. | 0:11:21 | 0:11:24 | |
Like all great craftsmen, Jonathan makes making a barrel | 0:11:24 | 0:11:28 | |
look as easy as shooting fish in one. | 0:11:28 | 0:11:30 | |
-What is that? -This is what we call a bar. | 0:11:30 | 0:11:33 | |
-Knock it down. -Trying to knock it down, Jonathan! | 0:11:39 | 0:11:42 | |
Ever had a problem getting your knocker-upper in the bunghole? | 0:11:46 | 0:11:49 | |
Watch what you're doing with that! | 0:11:49 | 0:11:52 | |
Lift off. | 0:11:53 | 0:11:55 | |
There we go. | 0:11:55 | 0:11:56 | |
That's fantastic, isn't it? | 0:11:56 | 0:11:59 | |
Phil being Phil, he's seen an opportunity. | 0:11:59 | 0:12:02 | |
What I think would be quite good, if I bought one this size | 0:12:02 | 0:12:06 | |
and cut it into two for a pair of planters. | 0:12:06 | 0:12:09 | |
What would you sell those for? | 0:12:09 | 0:12:12 | |
We don't normally like to sell casks, Phil, | 0:12:12 | 0:12:14 | |
because they're for our customers, for putting beer in. | 0:12:14 | 0:12:18 | |
I'm sure we could find an old one, Simon. | 0:12:18 | 0:12:21 | |
-What's the best you can do me for? -Well, we could probably manage to do £22. | 0:12:21 | 0:12:26 | |
You're a gentleman and a scholar. Can I just thank you? | 0:12:26 | 0:12:29 | |
Well done, Phil. Try to lift them up higher. | 0:12:29 | 0:12:33 | |
We don't want to scrape the bottom, do we? | 0:12:33 | 0:12:36 | |
Back in Middleham, Anita has another shop in her sights, | 0:12:39 | 0:12:43 | |
the same one the old fox graced earlier. | 0:12:43 | 0:12:46 | |
Hello? Hello! | 0:12:47 | 0:12:48 | |
Angela! It's lovely to see you again. You're looking well. | 0:12:50 | 0:12:54 | |
Phil may have got here first today, but these two have met previously. | 0:12:54 | 0:12:58 | |
Last year Anita bought a horse-measuring stick from Angela | 0:12:58 | 0:13:01 | |
and now Anita seems to be eyeing up the hats. | 0:13:01 | 0:13:04 | |
-There's that one and this one on the rack. -Put it on. | 0:13:04 | 0:13:09 | |
We're a couple of swells! | 0:13:09 | 0:13:12 | |
-This isn't my best look. -LAUGHS | 0:13:12 | 0:13:14 | |
That would look better on. It's an older one. | 0:13:14 | 0:13:17 | |
That's much smarter, especially if you had your fishnets on! | 0:13:17 | 0:13:21 | |
Er, lovely, but what about the costs of those hats? | 0:13:21 | 0:13:25 | |
Ticket price on the black one is £48 | 0:13:25 | 0:13:27 | |
and £85 for either of the modern ones. | 0:13:27 | 0:13:30 | |
What I'm looking to pay | 0:13:30 | 0:13:32 | |
on a top hat | 0:13:32 | 0:13:34 | |
to sell in auction | 0:13:34 | 0:13:36 | |
is probably between £20 and £25. | 0:13:36 | 0:13:40 | |
It would have to be a bit more than that. Just a bit more. | 0:13:41 | 0:13:44 | |
-At 30 I might have a chance, Angela. -Yeah. I'm willing at 30. | 0:13:44 | 0:13:49 | |
-You're willing at 30? -Yeah. -Is there any chance the two of those for 40? | 0:13:49 | 0:13:54 | |
-50. -If you came down a wee bit, it'd give me a better chance. | 0:13:54 | 0:13:57 | |
I mean, I like that one. | 0:13:57 | 0:13:59 | |
It's a Victorian one, a definite Victorian one. | 0:13:59 | 0:14:02 | |
What did I say? 50? I'd do those two for 45. | 0:14:02 | 0:14:05 | |
The black one and the grey one. | 0:14:05 | 0:14:08 | |
Could you do 42? | 0:14:08 | 0:14:09 | |
-Do 42. It'll give me that wee bit of a chance. -Go on, then. | 0:14:09 | 0:14:13 | |
-I'll give you the 42. -42? -Yeah. -42. | 0:14:13 | 0:14:16 | |
Right, you put on that. I'll put on this. | 0:14:16 | 0:14:19 | |
-You put on this. -Right ho. And we'll... | 0:14:19 | 0:14:23 | |
-And we'll shake on 42. -Right, thank you. | 0:14:23 | 0:14:25 | |
Hats off to Anita and poor Angela, hey? | 0:14:27 | 0:14:30 | |
Back on the road, and Phil is taking a new approach to buying. | 0:14:30 | 0:14:34 | |
I do want to try and take the band off the bundle. | 0:14:34 | 0:14:38 | |
-You want to try and what? -Take the band off the bundle! | 0:14:38 | 0:14:42 | |
-Oh, you want to spend money. -Absolutely right. | 0:14:42 | 0:14:46 | |
They're heading for an auction in Penrith. Next stop, Kendal, | 0:14:46 | 0:14:51 | |
gateway to the Lakes. | 0:14:51 | 0:14:53 | |
So far, we've had beer. Now, it's mint cake. | 0:14:54 | 0:14:57 | |
Apparently invented by mistake, | 0:14:57 | 0:14:59 | |
the confectionery is a favourite snack of walkers and climbers | 0:14:59 | 0:15:03 | |
and Kendal's most famous export. | 0:15:03 | 0:15:06 | |
Car parked, our two head their separate ways. | 0:15:07 | 0:15:10 | |
Phil is on the sniff for treasure, so goes walkies, | 0:15:10 | 0:15:13 | |
while Anita sticks to the town with £191.60p to splurge. | 0:15:13 | 0:15:18 | |
-Morning. -Good morning. I'm Anita. | 0:15:18 | 0:15:21 | |
-I'm Robert. -What a wonderful place, Robert. | 0:15:21 | 0:15:24 | |
In Robert's shop, there's plenty of room for his speciality | 0:15:24 | 0:15:27 | |
of watches and clocks, but there's also so much more, | 0:15:27 | 0:15:31 | |
including free mint cake. | 0:15:31 | 0:15:33 | |
-There we are. -"The pack full of energy!" | 0:15:33 | 0:15:36 | |
Phil doesn't know what he's missing. | 0:15:38 | 0:15:40 | |
This is the type of shop that Phil Serrell LOVES! | 0:15:41 | 0:15:46 | |
Oh, dear. | 0:15:46 | 0:15:48 | |
This definitely isn't an Anita sort of place. | 0:15:48 | 0:15:51 | |
It's an industrial estate full of furniture, | 0:15:51 | 0:15:54 | |
some of it old, | 0:15:54 | 0:15:56 | |
but quite a lot, um...more modern. | 0:15:56 | 0:15:58 | |
You can often tell more about something by looking at the back of it than the front. | 0:15:58 | 0:16:05 | |
This looks like an interesting sort of Art Nouveau display cabinet. | 0:16:05 | 0:16:09 | |
What you can see about it, look, | 0:16:09 | 0:16:11 | |
is that we've got some new Pozidriv screws in here. | 0:16:11 | 0:16:15 | |
Which, to the best of my knowledge, | 0:16:15 | 0:16:17 | |
weren't greatly used in the Art Nouveau period. | 0:16:17 | 0:16:20 | |
What will Phil spend his £255.70p on? | 0:16:20 | 0:16:25 | |
Planter. Not sure how old it is. | 0:16:25 | 0:16:28 | |
Looks like it's trying to be around 1890, 1900. | 0:16:28 | 0:16:33 | |
It could be a lot, lot later. | 0:16:33 | 0:16:35 | |
This is 12 quid. If I can get that for a good bit less, that would go | 0:16:35 | 0:16:40 | |
with my barrel planters that I've got. | 0:16:40 | 0:16:44 | |
That's worth looking at. | 0:16:44 | 0:16:45 | |
Now it looks like Phil's talking to himself. In fact, the dealer's a bit shy. | 0:16:45 | 0:16:50 | |
-It's got 12 quid on it. -£10 to you. -You're all heart, you(!) | 0:16:50 | 0:16:54 | |
Seems a tenner is as low as he'll go. | 0:16:54 | 0:16:57 | |
Go on, I'll buy it off you. I think it's a bit of fun. | 0:16:57 | 0:17:00 | |
Good gracious! What's Anita unearthed? | 0:17:01 | 0:17:04 | |
A ball and chain, Anita. | 0:17:04 | 0:17:06 | |
Ha ha! | 0:17:06 | 0:17:07 | |
We think it's a horse one, rather than one for a man. | 0:17:07 | 0:17:11 | |
-That would keep a man where you would want him. -Yes. | 0:17:11 | 0:17:15 | |
-It's cast iron. -It's probably quite handy as a door stop. -Yes. | 0:17:15 | 0:17:20 | |
-How much is it? -To you, £50. | 0:17:20 | 0:17:23 | |
Could I buy that for...£20? | 0:17:23 | 0:17:26 | |
-25 on it? -At 25? -Yes. | 0:17:26 | 0:17:30 | |
Say, 22? | 0:17:30 | 0:17:32 | |
-Oh, go on, then. -You're a darling. Thank you. | 0:17:32 | 0:17:35 | |
# Save us from the ball and chain | 0:17:35 | 0:17:38 | |
Wow! That mint cake has some remarkable side-effects. | 0:17:38 | 0:17:42 | |
It's also given Anita the ability to drive. | 0:17:42 | 0:17:46 | |
GEARS CRUNCH | 0:17:47 | 0:17:48 | |
Oops! | 0:17:48 | 0:17:50 | |
Right, onwards they press, | 0:17:50 | 0:17:52 | |
through the Lakes to Low Newton. | 0:17:52 | 0:17:54 | |
Could this be where Phil finally de-bands his bundle? | 0:17:55 | 0:17:59 | |
Righty-o. See you later on. | 0:17:59 | 0:18:01 | |
Yes, this is a perfect Serrell hunting ground, | 0:18:01 | 0:18:04 | |
a sort of reclamation heaven. | 0:18:04 | 0:18:07 | |
Plenty inside, but Phil's clearly feeling the lure of the lump | 0:18:07 | 0:18:11 | |
dragging him towards the yard. | 0:18:11 | 0:18:13 | |
I quite like these. There's three of them but you wouldn't want three. | 0:18:13 | 0:18:17 | |
That one's got the thingy on the top broken. | 0:18:17 | 0:18:19 | |
That one's got a bit of damage. | 0:18:19 | 0:18:22 | |
I think that's the one for me. | 0:18:22 | 0:18:24 | |
Time to consult Clive and Pip on those. | 0:18:25 | 0:18:29 | |
They almost look like lead dovecotes. | 0:18:29 | 0:18:31 | |
-They do. -What are they? | 0:18:31 | 0:18:34 | |
-They're air vents, aren't they? -From a stable? -A stable block, yes. | 0:18:34 | 0:18:38 | |
So I might be bonkers buying that. | 0:18:38 | 0:18:40 | |
You could be just the man to make a profit on those. | 0:18:40 | 0:18:43 | |
What he means is, I'm bonkers. | 0:18:43 | 0:18:45 | |
Yes, and he would have a point. | 0:18:45 | 0:18:48 | |
-What have you got them priced up at? -They're 195 apiece. -Hmm. | 0:18:48 | 0:18:51 | |
-What might be your best on those? -I'd like to think I could get £95. | 0:18:51 | 0:18:56 | |
Let's put a parcel together. That might be the way forward. | 0:18:56 | 0:19:00 | |
Now, is there anything crazier here? | 0:19:00 | 0:19:04 | |
-What's that cowling off? -It came off an old chicken house. | 0:19:04 | 0:19:09 | |
-At one point, it would have rotated, wouldn't it? -Yeah. | 0:19:09 | 0:19:13 | |
It seized up long ago. But it's a quirky thing, isn't it? | 0:19:13 | 0:19:17 | |
-How much is that? -£40. -I'm warming to the task. | 0:19:17 | 0:19:20 | |
That is daft, isn't it? Let's have another look round. | 0:19:20 | 0:19:24 | |
What's that? | 0:19:24 | 0:19:25 | |
-Looks fascinating. -It's an early frame rucksack. | 0:19:26 | 0:19:30 | |
Ticket price £75. | 0:19:30 | 0:19:32 | |
-Have I got it the right way up? -Yeah. | 0:19:33 | 0:19:35 | |
-Made for a smaller man than you, Philip. -Yeah. | 0:19:37 | 0:19:39 | |
That's most folk. | 0:19:39 | 0:19:41 | |
So that's a rucksack? | 0:19:41 | 0:19:43 | |
-What's your best on that? -£30. | 0:19:43 | 0:19:46 | |
Can I buy the two air vents and this for 140 quid? | 0:19:46 | 0:19:49 | |
No, but they could be 145. | 0:19:50 | 0:19:53 | |
You're a gentleman. It's bonkers, isn't it? | 0:19:53 | 0:19:57 | |
Blimey, he's actually bought them. | 0:19:57 | 0:19:59 | |
Now, a quick bite of mint cake and off you hike in search of Anita. | 0:19:59 | 0:20:04 | |
What does he look like, eh? | 0:20:04 | 0:20:05 | |
So that's the shopping all wrapped up. | 0:20:11 | 0:20:13 | |
Anita began with £265.60p | 0:20:13 | 0:20:17 | |
and she spent a mere £96 on a Jaguar car mascot, | 0:20:17 | 0:20:21 | |
two top hats by Christie's of London and Woodrow of Piccadilly, | 0:20:21 | 0:20:25 | |
two white metal bangles with turquoise inserts, | 0:20:25 | 0:20:28 | |
a Victorian cast-iron ball and chain horse tether, | 0:20:28 | 0:20:31 | |
and a 1970s fruit machine. | 0:20:31 | 0:20:33 | |
Phil started out with £344.70p | 0:20:35 | 0:20:38 | |
and he splashed £244 of it on a Victorian rucksack, | 0:20:38 | 0:20:43 | |
which he'll pair with a leather racing saddle, | 0:20:43 | 0:20:46 | |
a Victorian child's sewing machine, | 0:20:46 | 0:20:49 | |
an air vent and weathervane, | 0:20:49 | 0:20:51 | |
a pair of barrel planters, together with a salt glazed planter | 0:20:51 | 0:20:56 | |
and a 19th-century cartridge filler. | 0:20:56 | 0:20:58 | |
Interesting lots, but what do our experts think? | 0:20:58 | 0:21:03 | |
I don't see how she can really lose any money. | 0:21:03 | 0:21:05 | |
The top hats were the most expensive and they should do OK. | 0:21:05 | 0:21:08 | |
The Jaguar mascot should do OK. | 0:21:08 | 0:21:10 | |
The bloomin' manacle? That's a bit dodgy, that. | 0:21:10 | 0:21:14 | |
These...big...metal things have sculptural qualities. | 0:21:14 | 0:21:20 | |
I think people will buy them for their garden. | 0:21:20 | 0:21:23 | |
So, although I teased him, I think he might do all right with that lot. | 0:21:23 | 0:21:28 | |
After starting out at Middleham in Wensleydale, | 0:21:28 | 0:21:31 | |
this part of our trip will conclude at an auction in Penrith, Cumbria. | 0:21:31 | 0:21:35 | |
Just a few miles outside the Lake District National Park, | 0:21:35 | 0:21:39 | |
the town is the market centre for the region. | 0:21:39 | 0:21:42 | |
At Penrith Farmers' & Kidd's auctioneers, as well as antiques, they also sell livestock. | 0:21:42 | 0:21:48 | |
-They're selling fine ewes and rams today. -Really? -Yeah. | 0:21:48 | 0:21:51 | |
I wonder how all your old junk is going to do. | 0:21:52 | 0:21:56 | |
Kick-off approaches. Cue some last-minute doubt. | 0:21:56 | 0:22:00 | |
Do you think the farmers of Penrith | 0:22:00 | 0:22:02 | |
would have much occasion to wear top hats? | 0:22:02 | 0:22:07 | |
-They always go milking with top hats around here. -Do they? -Yeah. | 0:22:07 | 0:22:10 | |
Everyone's a hatter round here! | 0:22:10 | 0:22:13 | |
Ten for the two hats. 12. 15. 18. 20. | 0:22:14 | 0:22:17 | |
£20. Two. 22. 25. 28. | 0:22:17 | 0:22:20 | |
At 28. 30. £30. Two. 32. 35. | 0:22:20 | 0:22:23 | |
Far back at 35. 38. | 0:22:23 | 0:22:25 | |
40 bid. Two. 42. 45. 48. 50. 55. 60. | 0:22:25 | 0:22:30 | |
60 bid. At 60 at the far back... £60... | 0:22:30 | 0:22:34 | |
I have to say, I think your model sold them for you. | 0:22:34 | 0:22:38 | |
And quick, too. I'm sure him has had a few heifers under his hammer. | 0:22:38 | 0:22:43 | |
I've got my real big punt up next, those two air cowls. | 0:22:43 | 0:22:47 | |
-You getting nervous? -Yeah. I put my neck on the block. | 0:22:47 | 0:22:50 | |
Yes, a unique vent lot. Anything might happen. | 0:22:50 | 0:22:55 | |
Various bids on this one. I have 110. 120 bid... | 0:22:55 | 0:22:58 | |
Got me out of trouble. | 0:22:58 | 0:23:01 | |
..150. 160. 170. 180. | 0:23:01 | 0:23:03 | |
At 180 the lot. 180 against the room now. | 0:23:03 | 0:23:05 | |
-190. 200. 200. 200 bid. -Oh, God! | 0:23:05 | 0:23:09 | |
On commission at £200. | 0:23:09 | 0:23:12 | |
Oh, well done, Phil. Well done. | 0:23:12 | 0:23:14 | |
If those can sell, all bets are off. | 0:23:14 | 0:23:17 | |
-You like a bit of jeopardy. You like danger. -Living on the edge, kid! | 0:23:17 | 0:23:22 | |
Next, the old beer barrels and the pot from the industrial estate. | 0:23:22 | 0:23:26 | |
15. 18. 20 bid with me. On commission, 20 bid. 20 for the two. | 0:23:26 | 0:23:31 | |
22. 25. 28. £28 bid. At 30. | 0:23:31 | 0:23:34 | |
£30 bid, and two. 32. 35. | 0:23:34 | 0:23:37 | |
-£35 bid... -Are you into profit? -Notional, yeah. | 0:23:37 | 0:23:42 | |
..At 38 at the far back. At 38 and selling. At £38... | 0:23:42 | 0:23:46 | |
1452. | 0:23:46 | 0:23:47 | |
-That stands me, after commission, of about £1. -Every pound counts. | 0:23:47 | 0:23:51 | |
That means Phil's still safely out ahead. | 0:23:51 | 0:23:55 | |
Next up is your ball and chain. | 0:23:55 | 0:23:57 | |
You don't expect to see them in the middle of Glasgow. | 0:23:57 | 0:23:59 | |
Not too much demand in a modern society. | 0:23:59 | 0:24:03 | |
Yes, who WOULD want such a thing? | 0:24:04 | 0:24:06 | |
The Victorian cast iron ball and chain horse tether... | 0:24:06 | 0:24:09 | |
Lift it up, darling! | 0:24:09 | 0:24:11 | |
I have £30. Two. Five. Eight. 38. A bit higher, Simon! 40 bid. 42. | 0:24:11 | 0:24:15 | |
45. 48. 50. Five. 60. Five. | 0:24:15 | 0:24:19 | |
-70. Five. 80. Five. -Well done, you! | 0:24:19 | 0:24:21 | |
85 bid. 85 for that one. And away selling at £85... | 0:24:21 | 0:24:25 | |
-A real good buy. -Yeah. -Did you expect that? | 0:24:25 | 0:24:29 | |
I had absolutely no idea what it was going to get. | 0:24:29 | 0:24:31 | |
Well, there's certainly a demand in Penrith. | 0:24:31 | 0:24:35 | |
Maybe it's because it's a rural area. | 0:24:35 | 0:24:37 | |
The world's oddest rucksack and a broken old saddle. | 0:24:37 | 0:24:42 | |
There's a guy interested. | 0:24:42 | 0:24:44 | |
Lot 82, army issue canvas shoulder pack and also the racing saddle. | 0:24:44 | 0:24:50 | |
Ten bid for those. Ten bid. £12 bid for those. 15. 18. 20. | 0:24:50 | 0:24:54 | |
-20 bid. Two. 22. 25... -It's coming on. | 0:24:54 | 0:24:58 | |
..32. 35. 38. 40. 40 bid. And five. 45. 50. | 0:24:58 | 0:25:01 | |
55. 60. Five. 70. 75. | 0:25:01 | 0:25:04 | |
75? 75 against now. At 75. | 0:25:04 | 0:25:06 | |
75 bid for those. At 75. | 0:25:06 | 0:25:09 | |
-That surprised me. -All done then, at £75... | 0:25:09 | 0:25:12 | |
Well done. | 0:25:12 | 0:25:14 | |
I'll bet he's glad he didn't bring muck now! | 0:25:14 | 0:25:17 | |
-Two bangles coming up now. Should make 20 quid. -You think? | 0:25:17 | 0:25:21 | |
-15 quid. 12 quid. -They're nothing to do with tethering horses, are they? | 0:25:21 | 0:25:26 | |
The bangles are decorative and modern, but bought for almost nowt. | 0:25:26 | 0:25:30 | |
£10 bid for those at ten. 12. 15. | 0:25:30 | 0:25:33 | |
-18. 20. -Good. | 0:25:33 | 0:25:35 | |
20 for those. At 20. 22. 25. 28. | 0:25:35 | 0:25:37 | |
-30. 30 bid. Two. Five. £38 bid. -That's good. | 0:25:37 | 0:25:41 | |
-At 38 for those. At 38... -Result, isn't it? -Yes. | 0:25:41 | 0:25:44 | |
And selling, then, at £38... | 0:25:44 | 0:25:46 | |
38. | 0:25:48 | 0:25:49 | |
Look at the look on her face! MIMICS ANITA: 38! | 0:25:51 | 0:25:55 | |
Very modest, as she quietly catches up. | 0:25:55 | 0:25:58 | |
-We're about neck-and-neck here. -I don't know. I'm frightened to count. | 0:25:58 | 0:26:02 | |
Let's concentrate, shall we? Phil's little sewing machine next. | 0:26:02 | 0:26:07 | |
-The Victorian child's cast iron sewing machine... -This is it. | 0:26:07 | 0:26:11 | |
..scroll decoration. Five, 12, 15 bid. | 0:26:11 | 0:26:14 | |
Ouch! | 0:26:14 | 0:26:15 | |
18. 20. 20 bid. Two. 25. | 0:26:15 | 0:26:17 | |
28. 30. 30 bid. Two. 35. 38. £38 bid. | 0:26:17 | 0:26:20 | |
40. 42. 45. | 0:26:20 | 0:26:22 | |
48. 50. Five. 55. 60 bid. | 0:26:22 | 0:26:26 | |
At 60 for that one. And five. 65. 65 bid. | 0:26:26 | 0:26:29 | |
At 65, 65, 65. | 0:26:29 | 0:26:31 | |
65 all done and selling, then, at £65. | 0:26:31 | 0:26:36 | |
-Didn't I say to you about 60 quid? -You know your sewing machines. | 0:26:36 | 0:26:40 | |
I could make a very sexist remark here but I'm above that. | 0:26:40 | 0:26:44 | |
It does you credit, Phil. Nice profit, too. | 0:26:44 | 0:26:48 | |
Now for his cartridge filler device from the same shop. | 0:26:48 | 0:26:52 | |
-How much did you pay for it, Phil? -£22. | 0:26:52 | 0:26:56 | |
-Is that cheap? -How do I know? I've never seen one before. | 0:26:56 | 0:26:59 | |
Five. Ten. 12. £15 with me. | 0:26:59 | 0:27:02 | |
-Ouch! -On the book, then, at 15 bid. | 0:27:02 | 0:27:05 | |
At 15 bid, the cartridge filler. 18. 20. | 0:27:05 | 0:27:08 | |
20 bid. Two. Five. 25... | 0:27:08 | 0:27:10 | |
-It's creeping up. -28. 30. 32. 35. | 0:27:10 | 0:27:13 | |
35 and away, selling then, at £35. | 0:27:13 | 0:27:16 | |
I thought it might have made a little more but I don't know why. | 0:27:17 | 0:27:21 | |
I don't think anyone predicted what Phil's offerings would make. | 0:27:21 | 0:27:25 | |
-We've got your Jaguar car mascot, haven't we? -Yeah. | 0:27:25 | 0:27:28 | |
I bought that for you because you're a petrol head, aren't you? | 0:27:28 | 0:27:32 | |
Americans call these car mascots hood ornaments. | 0:27:32 | 0:27:35 | |
Five bid for that one. Five bid. Five. Eight. Ten. Ten bid. | 0:27:35 | 0:27:39 | |
12. 15. At £15 against now. 18. | 0:27:39 | 0:27:43 | |
£18 bid. At 20. £20 bid. And two. 22. 25. | 0:27:43 | 0:27:47 | |
Eight. 28. 30. £30 bid. | 0:27:47 | 0:27:49 | |
At 30 for the mascot there. 30 for the Jag... 32. | 0:27:49 | 0:27:53 | |
32 in the middle, then, at 32. | 0:27:53 | 0:27:56 | |
All done and selling at £32. | 0:27:56 | 0:27:58 | |
He's done a real good job. We'll come here again. | 0:28:00 | 0:28:03 | |
Yeah. Not a single loss today. | 0:28:03 | 0:28:05 | |
Now, my fruit machine, what's it going to make? | 0:28:05 | 0:28:09 | |
-A bit of a gamble, isn't it? -Not at ten quid. | 0:28:09 | 0:28:11 | |
-That was a joke. -Oh, sorry. I forgot about your sense of humour. | 0:28:11 | 0:28:16 | |
Most people have, Anita. | 0:28:16 | 0:28:18 | |
It was cheap, but will this fruit machine pay out? | 0:28:18 | 0:28:20 | |
I have 20 on commission. 20 bid. Two. Five. Eight. 30. | 0:28:20 | 0:28:24 | |
30 bid. Two. 32. 35. 38. | 0:28:24 | 0:28:27 | |
40. 42. 45... | 0:28:27 | 0:28:29 | |
That's good. | 0:28:29 | 0:28:31 | |
..Five. 60. At 60 bid. | 0:28:31 | 0:28:33 | |
-Any more? 60. Oh! -All done for the fruit machine at 60? | 0:28:33 | 0:28:36 | |
Selling, then, at £60. | 0:28:36 | 0:28:39 | |
-If every tenner you spent earned you 50 quid it'd be all right. -Uh-huh. | 0:28:39 | 0:28:43 | |
A great profit, and Anita steals this leg of the trip! | 0:28:43 | 0:28:48 | |
With £129.50p after auction costs, | 0:28:48 | 0:28:51 | |
she has £395.10p. | 0:28:51 | 0:28:54 | |
Phil made £94.66p today, | 0:28:55 | 0:28:58 | |
giving him pole position with £439.36p. | 0:28:58 | 0:29:03 | |
-That was a good auction, wasn't it? -Really, really good. Lovely. | 0:29:03 | 0:29:06 | |
-We both did well. -Yeah. Top dollar. | 0:29:06 | 0:29:08 | |
Feeling buoyant, the pair motor on in the super '65 Sunbeam Alpine. | 0:29:14 | 0:29:20 | |
HORN HONKS | 0:29:20 | 0:29:22 | |
-You ever trod in a cowpat? -Oh, no, no, no. -"Oh, no, no, no." | 0:29:22 | 0:29:28 | |
Together they've beaten a path across the back roads of the north, | 0:29:28 | 0:29:31 | |
sometimes quite literally. | 0:29:31 | 0:29:33 | |
Where does a road like this go to? Is this typical of your countryside? | 0:29:33 | 0:29:37 | |
Where I come from, this is the M25. | 0:29:37 | 0:29:40 | |
This Road Trip starts out at Ford in Northumberland | 0:29:42 | 0:29:44 | |
and ventures into Scotland before wending its way southwards once more | 0:29:44 | 0:29:48 | |
and concluding at Harrogate in Yorkshire. | 0:29:48 | 0:29:52 | |
On this leg they start out in Cumbria, at Kirkby Lonsdale, | 0:29:52 | 0:29:55 | |
and make for an auction by the sea near Blackpool at Cleveleys. | 0:29:55 | 0:29:59 | |
The writer and critic John Ruskin described this view of the River Lune | 0:29:59 | 0:30:03 | |
as one of the loveliest in England | 0:30:03 | 0:30:05 | |
and the rest of Kirkby Lonsdale isn't too shabby either. | 0:30:05 | 0:30:09 | |
This is my first shop. I wonder what treasures await me. | 0:30:09 | 0:30:13 | |
I hope there's nothing too good. | 0:30:13 | 0:30:15 | |
Anita has £395 to splash and the shop sells | 0:30:15 | 0:30:19 | |
traditional antiques and some especially fine glass. | 0:30:19 | 0:30:23 | |
The star piece is actually this particular one, | 0:30:23 | 0:30:26 | |
which dates from 1725. | 0:30:26 | 0:30:29 | |
Can I see that? | 0:30:29 | 0:30:32 | |
Oh, yeah, its beautiful. That's wonderful. | 0:30:32 | 0:30:35 | |
Leonard is justifiably proud of his glass | 0:30:35 | 0:30:38 | |
but that's well out of Anita's range. | 0:30:38 | 0:30:40 | |
This particular one will take you back £895. | 0:30:40 | 0:30:43 | |
Oh, dear. I thought so. | 0:30:43 | 0:30:45 | |
I'm sure you can stretch to that! | 0:30:45 | 0:30:48 | |
Not in the Antiques Road Trip. | 0:30:48 | 0:30:50 | |
But while Anita keeps searching, what's become of Philip? | 0:30:51 | 0:30:55 | |
He's making his way south from Kirkby | 0:30:55 | 0:30:58 | |
around the edge of the Yorkshire Dales to Ingleton. | 0:30:58 | 0:31:01 | |
That's one of Yorkshire's famous Three Peaks. | 0:31:01 | 0:31:05 | |
It's called Ingleborough | 0:31:05 | 0:31:07 | |
and tends to dominate the skyline round here. | 0:31:07 | 0:31:10 | |
-Hello. How are you? -Fine, thank you. | 0:31:11 | 0:31:15 | |
This is all your stock...? | 0:31:15 | 0:31:17 | |
-No, there's 25 different dealers in here. -25! Blimey! | 0:31:17 | 0:31:22 | |
Phil's got £439.36 to splash | 0:31:22 | 0:31:26 | |
maybe dealer Gaynor can help him spend it. | 0:31:26 | 0:31:29 | |
It's got a bit of damage on the front. | 0:31:29 | 0:31:32 | |
There's a bit of damage on the front. | 0:31:32 | 0:31:34 | |
-£16?! -That's a bargain! | 0:31:34 | 0:31:37 | |
-16... -Don't you think? -No, I don't! Good Lord. -Come on. -Put that by. | 0:31:37 | 0:31:41 | |
-Are those an optician's board? -Yes, it is. | 0:31:41 | 0:31:44 | |
-How much is it? -It's £8.50. | 0:31:44 | 0:31:47 | |
Oh, I'm not having that! Let's have a look at it, mate. | 0:31:47 | 0:31:50 | |
-That's a bargain. -Is that right? -I reckon. -Is that what you say to all the boys? | 0:31:50 | 0:31:54 | |
Hold on, let's just see if it works. | 0:31:54 | 0:31:57 | |
W, that's all I can see there! | 0:31:57 | 0:32:00 | |
£8.50 is clearly far too much money. But we might be able to have a bit of a chat about that in a bit. | 0:32:00 | 0:32:06 | |
Ah, these pups are sweet. | 0:32:06 | 0:32:09 | |
This is an advertising thing for Black & White Scotch whiskey. | 0:32:09 | 0:32:13 | |
It's lovely. You've got the two little terriers here. | 0:32:13 | 0:32:16 | |
Those terriers were first dreamt up by the whiskey's creator, | 0:32:16 | 0:32:20 | |
James Buchanan, during the 1890s. | 0:32:20 | 0:32:22 | |
However, the original brand name was the House of Commons. | 0:32:22 | 0:32:26 | |
They repro these. | 0:32:26 | 0:32:28 | |
And this to me does look like a repro. | 0:32:28 | 0:32:31 | |
-Is that a new one or an old one? -I was told it was an old one. -OK. | 0:32:31 | 0:32:34 | |
-Who's your dealer? -I'll phone him up. Colin. -Colin. | 0:32:34 | 0:32:36 | |
-You have a word with Colin. -Yeah. | 0:32:36 | 0:32:38 | |
Back at Kirby Lonsdale, | 0:32:38 | 0:32:39 | |
has Anita found anything within her price range? | 0:32:39 | 0:32:42 | |
The other things that tickled my fancy | 0:32:43 | 0:32:47 | |
is little Lady and the Tramp here. | 0:32:47 | 0:32:50 | |
These are little Wade Whimsies. | 0:32:50 | 0:32:53 | |
Whimsies were sold as pocket-money toys | 0:32:53 | 0:32:55 | |
and even given away free with teabags or in Christmas crackers. | 0:32:55 | 0:33:00 | |
During the '60s, | 0:33:00 | 0:33:02 | |
the Wade Company cannily got into making Disney characters. | 0:33:02 | 0:33:05 | |
They're highly collectible today but rarely fetch a lot of money. | 0:33:05 | 0:33:09 | |
Ticket price, £35. | 0:33:09 | 0:33:10 | |
What sort of price could I be getting these for? | 0:33:10 | 0:33:13 | |
For the two, I'd do them for 25. | 0:33:13 | 0:33:16 | |
If I was putting them into auction, | 0:33:16 | 0:33:18 | |
my estimate would be in the region of £15 for the two. | 0:33:18 | 0:33:22 | |
Could you bring it down to near enough the 15 on it? | 0:33:22 | 0:33:25 | |
I'd split the difference, they'd have to be 20. | 0:33:25 | 0:33:28 | |
Could you split it again and come to 18? Could you do 18 on it? | 0:33:28 | 0:33:32 | |
Would you do them for 18? | 0:33:34 | 0:33:35 | |
I'll do them for 18 because you'll have a bit of fun with Philip. | 0:33:35 | 0:33:38 | |
Lady and the Tramp! | 0:33:38 | 0:33:40 | |
I know! | 0:33:40 | 0:33:41 | |
At last we have a deal. And that canny Anita got them round to her way of thinking in the end. | 0:33:41 | 0:33:48 | |
OK, so what about Phil? | 0:33:48 | 0:33:49 | |
I think the time has come when you and I need to have a very serious talk. | 0:33:49 | 0:33:53 | |
OK. Let's do it. | 0:33:53 | 0:33:54 | |
Look at that. We've got black and white and black and white! | 0:33:54 | 0:33:58 | |
-That's meant to be. -That is what you call a sales pitch! | 0:33:58 | 0:34:02 | |
-Well, when we spoke to Colin the dealer... -I can see I'm going to need to pull up a chair here. | 0:34:02 | 0:34:06 | |
-He wanted 25 for this. -I know exactly what he wanted. | 0:34:06 | 0:34:09 | |
-So I would say to you... -Go on, this is going to be good, isn't it? | 0:34:09 | 0:34:13 | |
-30 for the two. -I was thinking of 20 the two. | 0:34:13 | 0:34:16 | |
It's possible... | 0:34:16 | 0:34:18 | |
-What? -That I could let you have the two for 25. | 0:34:18 | 0:34:21 | |
Go on then, you're a star. Thank you ever so much. There you are. | 0:34:21 | 0:34:24 | |
For those of you at home struggling with your eyesight, | 0:34:24 | 0:34:28 | |
here's a quick afternoon test. | 0:34:28 | 0:34:31 | |
Well I'm not sure the auction house is going to be blinded by the quality of the haul so far. | 0:34:31 | 0:34:35 | |
But, er, hang on, things might be looking up. | 0:34:35 | 0:34:38 | |
I'm just leaving the shop and it always happens, you see something else that you like. | 0:34:38 | 0:34:42 | |
We have got three Famille Rose late 19th-century plates. | 0:34:42 | 0:34:47 | |
These aren't rare. These were made for the export market. | 0:34:47 | 0:34:52 | |
So really, in itself, it's a little work of art. | 0:34:52 | 0:34:55 | |
£25 is the ticket price, but what can Leonard do? | 0:34:55 | 0:34:59 | |
I mean, that could be 18. | 0:34:59 | 0:35:00 | |
-Could you do that for 15? -Yeah, I'll take 15 for that. | 0:35:00 | 0:35:03 | |
OK, that's another deal. Wonderful! Wonderful! | 0:35:03 | 0:35:07 | |
So, Anita has got those doggies out of the window for £18 and the plate for £15. | 0:35:08 | 0:35:13 | |
Well, thankfully, we seem to be getting somewhere. | 0:35:13 | 0:35:17 | |
Now, Phil is supposed to be picking up Anita. But hold on, something's come up. | 0:35:17 | 0:35:22 | |
Have you got anything I could buy off you? | 0:35:22 | 0:35:25 | |
No little knick-knacks in your van? Nothing? OK, thanks, matey. | 0:35:25 | 0:35:30 | |
Appleby Horse Fair is close by. That's a big lure for travellers. | 0:35:30 | 0:35:35 | |
Typical Phil to spot the chance of a deal. | 0:35:35 | 0:35:39 | |
-So this is a Peterborough whip? -Yeah. -What's a Peterborough whip? | 0:35:39 | 0:35:42 | |
-It's a driving whip. -We sit on these things here. | 0:35:42 | 0:35:45 | |
Sit on there, you put one foot there, one foot there, look. | 0:35:45 | 0:35:48 | |
Oh hold on, here we go, this is going to go horribly wrong, this is. | 0:35:48 | 0:35:51 | |
-So I sit on there like that? -Just tap the horse. | 0:35:51 | 0:35:53 | |
-One foot there, one foot there, that's why you have a short whip. -You just tap him? | 0:35:53 | 0:35:57 | |
-You just touch him on, yeah. -And how much would one of these be? | 0:35:57 | 0:35:59 | |
It could be owt from £20 to £100 in a sale. | 0:35:59 | 0:36:02 | |
He said that without even smiling or flinching! | 0:36:02 | 0:36:05 | |
-What else have you got. -What else have we got? -Collar. | 0:36:05 | 0:36:08 | |
Collar, let's have a look at the collar. | 0:36:08 | 0:36:11 | |
Now... | 0:36:11 | 0:36:14 | |
-Do you use that? -That's what you put on him to pull his bow tops with. | 0:36:14 | 0:36:18 | |
We'll do you the whip and the collar for 30 quid. That's fairer. | 0:36:18 | 0:36:21 | |
-OK. Can I have a picture thrown in? -Take a picture of him, Danny? | 0:36:21 | 0:36:24 | |
Thanks, chaps. Let me shake you by the hand. | 0:36:24 | 0:36:26 | |
-I really enjoyed that. -No problems, thank you very much. -Thanks a lot. | 0:36:26 | 0:36:29 | |
-Thank you, Sam. -All right. | 0:36:29 | 0:36:30 | |
Time for Anita and Phil to head west from Ingleton to Carnforth. | 0:36:31 | 0:36:36 | |
Recognise it? | 0:36:36 | 0:36:37 | |
It's the railway town where they filmed much of Brief Encounter. | 0:36:37 | 0:36:41 | |
Sadly, though, the place where our romantic couple must part. | 0:36:41 | 0:36:45 | |
There's your shop there. I'll drop you off here. | 0:36:45 | 0:36:47 | |
Now, sweet sorrow or sweet bargains for Philip? | 0:36:47 | 0:36:50 | |
I favour the latter. | 0:36:50 | 0:36:52 | |
-Hi, I'm Philip. How are you? -Fine, thank you very much. | 0:36:52 | 0:36:55 | |
Good to see you. This is a proper shop, isn't it? | 0:36:55 | 0:36:58 | |
It certainly is. Proper full, too. | 0:36:58 | 0:37:02 | |
Michael's not one for the hard sell though. | 0:37:02 | 0:37:04 | |
It's bric-a-brac, Phillip. | 0:37:04 | 0:37:05 | |
Ah, now this is where he keeps the stuff he is really proud of. | 0:37:05 | 0:37:09 | |
I've got a hankering for a painting. | 0:37:09 | 0:37:12 | |
Well, you've come to the right place here, I would say. | 0:37:12 | 0:37:14 | |
I'd like to spend somewhere between £50 and £80 on a painting. | 0:37:14 | 0:37:18 | |
-I like that. -Owen Bowen. | 0:37:18 | 0:37:19 | |
Quite a late one, not a good one. | 0:37:19 | 0:37:22 | |
-It's not a good one? -No. -So much would that be? | 0:37:22 | 0:37:24 | |
That one would be 120. | 0:37:24 | 0:37:26 | |
What does he turn up on Art Price at, do you know? | 0:37:26 | 0:37:28 | |
Thousands. You surely know Owen Bowen? | 0:37:28 | 0:37:31 | |
Owen Bowen was born in Leeds in 1873 and is best known | 0:37:31 | 0:37:35 | |
for his impressionistic landscapes of Yorkshire. | 0:37:35 | 0:37:38 | |
They can fetch decent prices, too. | 0:37:38 | 0:37:40 | |
His early things are sort of £5,000-£10,000. | 0:37:40 | 0:37:44 | |
Is there any way you can give me that for a hundred quid? | 0:37:44 | 0:37:47 | |
-You can't? -Sorry. -No, I understand that. | 0:37:47 | 0:37:49 | |
-Look at that little card up there. -A nice little picture. Very nice. | 0:37:49 | 0:37:53 | |
It comes free with any Owen Bowen. It's by Donald Woods. | 0:37:53 | 0:37:57 | |
OK, I'll have those two. | 0:37:57 | 0:37:59 | |
-Now I will have this, cos I like it. -OK. | 0:37:59 | 0:38:02 | |
-So if I buy the two off you for £120. -Yeah. -10, 12. | 0:38:02 | 0:38:05 | |
-Thank you very much indeed. -Thank you very much indeed. | 0:38:05 | 0:38:09 | |
While Philip's been acquiring a view of Yorkshire, | 0:38:10 | 0:38:13 | |
Anita's motored to the heart of Red Rose country | 0:38:13 | 0:38:16 | |
where they used to have wars about such things in the 15th century. | 0:38:16 | 0:38:20 | |
Driving south from Carnforth to Lancaster. | 0:38:20 | 0:38:24 | |
This historic county town of Lancashire | 0:38:24 | 0:38:28 | |
is infamous as the site of the Pendle witch trials in 1612. | 0:38:28 | 0:38:32 | |
The huge numbers who received the death sentence, | 0:38:32 | 0:38:35 | |
earning Lancaster the dubious nickname of the hanging town. | 0:38:35 | 0:38:40 | |
This has once belonged to one, Thomas Covell, | 0:38:40 | 0:38:43 | |
the Justice of the Peace during those trials. | 0:38:43 | 0:38:46 | |
And it's reckoned to be the oldest in Lancaster. | 0:38:46 | 0:38:49 | |
-Hi. -Hello, I'm Anita. -I'm Anthea. Welcome to the Judges Lodges Museum. | 0:38:49 | 0:38:53 | |
I'm really looking forward to this. | 0:38:53 | 0:38:55 | |
Later on, the old hall became lodgings for visiting judges | 0:38:55 | 0:38:59 | |
and nowadays it's a museum housing fine Lancashire Gillows furniture. | 0:38:59 | 0:39:04 | |
But Anita's here to visit the house's other great collection, | 0:39:07 | 0:39:10 | |
the Museum of Childhood. | 0:39:10 | 0:39:12 | |
Anthea, I've never seen such a big collection of dolls. | 0:39:16 | 0:39:19 | |
Where have they all come from? | 0:39:19 | 0:39:22 | |
The majority of the dolls we have came from a collection built up by a man called Barry Elder. | 0:39:22 | 0:39:26 | |
Elder was a doll repair man, or surgeon, who began his collection in London during the '50s | 0:39:27 | 0:39:33 | |
and later moved to Lancashire. | 0:39:33 | 0:39:35 | |
Only a fraction of the collection's 2,500 dolls are on display here, | 0:39:35 | 0:39:40 | |
some dating from the 1700s. | 0:39:40 | 0:39:42 | |
Many of them once crowded into Barry's home | 0:39:43 | 0:39:46 | |
and this painting shows his family, with some of his many dolls. | 0:39:46 | 0:39:51 | |
Actually you can't tell the difference | 0:39:51 | 0:39:55 | |
-between the real people and the dolls. -You can't. | 0:39:55 | 0:39:58 | |
I wonder if Barry could tell the difference between them? | 0:39:58 | 0:40:03 | |
I think he wanted people to walk in and feel that the dolls | 0:40:03 | 0:40:08 | |
could come to life at any minute. | 0:40:08 | 0:40:10 | |
That's a scary thought. That is a scary thought. | 0:40:10 | 0:40:13 | |
Well sometimes dolls are a bit scary. | 0:40:15 | 0:40:17 | |
Isn't that him out of the Omen? | 0:40:17 | 0:40:20 | |
Are you scared of them? | 0:40:22 | 0:40:23 | |
I do walk quickly through while I'm locking up the building. | 0:40:23 | 0:40:26 | |
-I try to keep the lights on if we're here late. -Do you? | 0:40:26 | 0:40:28 | |
-And you don't glance... -No, I don't look back. | 0:40:28 | 0:40:31 | |
Oooh, eerie! | 0:40:33 | 0:40:36 | |
I think Anita's glad to be back with Phil for once! | 0:40:36 | 0:40:39 | |
Back on the road, the usual inane banter ensues. | 0:40:41 | 0:40:45 | |
I think it's coming from without and not within. | 0:40:45 | 0:40:47 | |
ANITA LAUGHS | 0:40:47 | 0:40:48 | |
They're heading for auction in Cleveleys, but their next stop | 0:40:48 | 0:40:52 | |
is just on the outskirts of Lancaster. | 0:40:52 | 0:40:54 | |
-Phil, what about that, is that not your type of thing? -That's a lot of old bull that, isn't it? | 0:40:54 | 0:40:58 | |
Look at the size of this place, over 40,000 square feet | 0:41:02 | 0:41:05 | |
and at least 80 dealers all presided over by a father and son. | 0:41:05 | 0:41:10 | |
Just where do you start? | 0:41:10 | 0:41:12 | |
The scale of the shop is just astonishing. | 0:41:15 | 0:41:19 | |
I don't know what to buy. | 0:41:19 | 0:41:21 | |
With £264.36 in his pocket, | 0:41:21 | 0:41:24 | |
Phil appears to have sniffed out something familiar. | 0:41:24 | 0:41:28 | |
This is a Canton vase, Chinese. | 0:41:28 | 0:41:31 | |
It's made around about 1880, 1890 and it's made for our market. | 0:41:31 | 0:41:34 | |
It originally would have been one of a pair. This is a nice vase. | 0:41:34 | 0:41:39 | |
It's just a pity it's got a chip there and it's a very recent chip, I would think. | 0:41:39 | 0:41:42 | |
-Alan, how are you? -I'm all right, Phil. | 0:41:42 | 0:41:45 | |
-Have you seen that dink just there? -I hadn't, to tell you the truth. | 0:41:45 | 0:41:48 | |
Pity that, isn't it? | 0:41:48 | 0:41:50 | |
Because that's only just come in. | 0:41:50 | 0:41:51 | |
They're a nice piece, nice decorating piece. | 0:41:51 | 0:41:53 | |
-They add colour to a house, don't they? -You've got £90 on it. | 0:41:53 | 0:41:57 | |
Yeah, it could be better than that, | 0:41:57 | 0:41:59 | |
especially when you've shown that there is a slight flaw in it. | 0:41:59 | 0:42:03 | |
How about on that one, 60? | 0:42:03 | 0:42:05 | |
Can I get it under the £50 mark, can we do that? | 0:42:05 | 0:42:09 | |
You're pushing me on that, Phil. Can we not call it 50? | 0:42:09 | 0:42:12 | |
-OK, I'll have that off you for £50. -OK. | 0:42:14 | 0:42:16 | |
I think you're being fair with me. | 0:42:16 | 0:42:18 | |
20... | 0:42:18 | 0:42:20 | |
Anita seems to have taken a methodical approach | 0:42:21 | 0:42:24 | |
on how to spend her remaining £362.10 | 0:42:24 | 0:42:28 | |
There's a game of Glidoball | 0:42:28 | 0:42:30 | |
and I don't really know what Glidoball is | 0:42:30 | 0:42:32 | |
but it looks interesting. | 0:42:32 | 0:42:37 | |
I don't know this game but... | 0:42:38 | 0:42:41 | |
what we've got is hooks... | 0:42:41 | 0:42:45 | |
I think Glidoball may have been a doomed attempt to supplant croquet from the '20s. | 0:42:45 | 0:42:51 | |
-You have to get the balls onto this circular thing here. -That's right. | 0:42:51 | 0:42:57 | |
-Ten shillings. Do you think I'd get it for 50p? -Probably not, no. | 0:42:57 | 0:43:02 | |
Cheeky, Anita! the actual price is £45.50. | 0:43:02 | 0:43:07 | |
I wondered what sort of price I could get that for? | 0:43:07 | 0:43:12 | |
Yeah, I'm sure I could speak to him and see what the best price is. | 0:43:12 | 0:43:15 | |
-Ask him if he'll take 20 quid for it. -Right, OK. | 0:43:15 | 0:43:17 | |
Yeah, but in a place of this size, that could take some time. | 0:43:17 | 0:43:22 | |
Oh, he's gone to see his dad. | 0:43:25 | 0:43:28 | |
She saw the ten shillings and wanted to buy it at that. | 0:43:28 | 0:43:30 | |
If she has a ten shilling note, she can have it, on her. | 0:43:30 | 0:43:34 | |
If she has one, if not she'd have to pay £30. | 0:43:36 | 0:43:39 | |
How are we doing, Jimmy? | 0:43:39 | 0:43:40 | |
-OK, they're hard work, some of these dealers. -Are they hard work? | 0:43:40 | 0:43:43 | |
They are. I've spoken to him and he said that his best would be £30. | 0:43:43 | 0:43:48 | |
Now, if that's not good enough, | 0:43:48 | 0:43:50 | |
then I'm willing to get my hand smacked for another fiver. | 0:43:50 | 0:43:54 | |
-25 would be the best. -Smack your hand there. It's a deal. | 0:43:54 | 0:43:58 | |
Now, she's grabbed Alan about something else. | 0:43:58 | 0:44:02 | |
I rather like this chair. | 0:44:02 | 0:44:04 | |
-I'm not surprised, it's come out of Scotland. -Has it, really?? | 0:44:04 | 0:44:07 | |
-This is our only Scottish dealer, this one. -Isn't that interesting? | 0:44:07 | 0:44:11 | |
I like this one, it does have an Arts & Crafts, Art Nouveau look about it. | 0:44:11 | 0:44:15 | |
-It has been reupholstered. -Definitely. | 0:44:15 | 0:44:19 | |
I like the fact that it's an elbow chair. | 0:44:19 | 0:44:22 | |
-I think that gives it an extra dimension? -I think it's nice. | 0:44:22 | 0:44:26 | |
-You like it? -Mm, I do. | 0:44:26 | 0:44:27 | |
Priced up at 35 which is not dear. I know that's not dear. | 0:44:27 | 0:44:31 | |
I would like to be buying it somewhere in the region, | 0:44:31 | 0:44:36 | |
below about 20. | 0:44:36 | 0:44:38 | |
-I think, 25, we could do. -25. | 0:44:38 | 0:44:43 | |
And I think even at 25 there's profit in it. | 0:44:43 | 0:44:46 | |
Is it possible to go to 20 on it? At 20 I could make a little on it. | 0:44:46 | 0:44:51 | |
-Go on, we'll do that. -Oh, you're a darling, thank you so much. | 0:44:51 | 0:44:55 | |
With Anita sitting pretty, where's Phil got to? | 0:44:55 | 0:44:59 | |
-Have you got any spectacles? -Jimmy, have we got some old...? | 0:44:59 | 0:45:04 | |
You mean, you don't know! every cabinet that's here. | 0:45:04 | 0:45:07 | |
-We've only 500,000 items. -I know, I know. | 0:45:07 | 0:45:10 | |
-Are there any in that one? -I bought an eyesight chart | 0:45:10 | 0:45:13 | |
and it'd be quite fun to put some spectacles with it. | 0:45:13 | 0:45:16 | |
Point me in the right direction. | 0:45:16 | 0:45:19 | |
-We going to have a look. -Right. | 0:45:19 | 0:45:22 | |
Do you know which direction were heading into? | 0:45:22 | 0:45:25 | |
This is like looking for a pair of spectacles in an antique warehouse. | 0:45:25 | 0:45:29 | |
It is, yeah. | 0:45:29 | 0:45:30 | |
# I can see for miles and miles | 0:45:30 | 0:45:33 | |
# I can see for miles and miles... # | 0:45:33 | 0:45:35 | |
Are these me, Alan? | 0:45:35 | 0:45:37 | |
These are the old Eric Morecambe ones, aren't they? | 0:45:37 | 0:45:40 | |
What about the John Lennon look? | 0:45:40 | 0:45:42 | |
What's that's snooker player, Dennis Taylor? | 0:45:42 | 0:45:45 | |
I'm not really sure they're me, actually. | 0:45:45 | 0:45:47 | |
-Right, I'm going to have a look around, Alan. You keep on the case. -Yeah. | 0:45:47 | 0:45:51 | |
The search goes on. | 0:45:51 | 0:45:53 | |
I think Phil craves something a little more sophisticated. | 0:45:53 | 0:45:57 | |
Pince-nez. | 0:45:57 | 0:45:59 | |
How does that look? | 0:46:01 | 0:46:03 | |
Now, those are very much more you, sir. | 0:46:03 | 0:46:05 | |
How much are they? | 0:46:05 | 0:46:07 | |
They are all of £10 on the ticket, including the case. | 0:46:07 | 0:46:11 | |
What's the best you can do those for? | 0:46:11 | 0:46:13 | |
Well, if you're not going to haggle with me, I'll do them at five. | 0:46:13 | 0:46:17 | |
-No, I'm going to have those off you. -Are you? -Yeah. | 0:46:17 | 0:46:20 | |
-There you are. -Right. -That's very kind. -There you go. | 0:46:20 | 0:46:23 | |
-And a bit of change would be lovely. -And a bit of change as well. You're a hard man. | 0:46:23 | 0:46:27 | |
Thanks very much indeed. | 0:46:28 | 0:46:31 | |
So a fiver for the specs and £50 for the Canton vase. | 0:46:31 | 0:46:34 | |
With more items bagged, it's time to hit the road again. | 0:46:34 | 0:46:39 | |
And, motor South from Lancaster to Lytham St Anne's, | 0:46:39 | 0:46:42 | |
where it's damp. | 0:46:42 | 0:46:45 | |
This is Lytham, where they like a round of golf. | 0:46:45 | 0:46:49 | |
Also notable because the great Les Dawson once lived around here. | 0:46:49 | 0:46:53 | |
There you are, all the best. | 0:46:53 | 0:46:56 | |
-Oh, thank you very much. -Ah, sweet. | 0:46:56 | 0:46:58 | |
-Hello. Hi, I'm Anita. -Hi, Anita. -Lovely to see you. | 0:46:59 | 0:47:03 | |
John's shop has quite a few quality antiques | 0:47:03 | 0:47:07 | |
but I think Anita has her eye on something of more recent vintage. | 0:47:07 | 0:47:11 | |
It's a good 20th century design. | 0:47:11 | 0:47:14 | |
I like the fact that it's quite useful. | 0:47:14 | 0:47:16 | |
I would use it as a bedside cabinet. | 0:47:16 | 0:47:17 | |
1960s, 1970s. | 0:47:17 | 0:47:20 | |
I don't know the designer, I think the dealer might know. | 0:47:20 | 0:47:23 | |
It would be interesting to know. I do like that. | 0:47:23 | 0:47:26 | |
Actually, I think it might be a Componibili storage unit | 0:47:26 | 0:47:29 | |
designed by Anna Ferrieri in 1969. | 0:47:29 | 0:47:33 | |
Very nice, but a bit of a risk. | 0:47:33 | 0:47:35 | |
Something more classical for Cleveleys perhaps? | 0:47:35 | 0:47:39 | |
It's a little pepperette and you'd use it for powder | 0:47:39 | 0:47:43 | |
after you had written a letter with your fountain pen, or whatever. | 0:47:43 | 0:47:48 | |
You would have powder in that so that it would absorb the ink. | 0:47:48 | 0:47:52 | |
It is hallmarked silver. | 0:47:52 | 0:47:55 | |
Made in Birmingham. | 0:47:55 | 0:47:57 | |
Probably in the late 19th century. | 0:47:57 | 0:48:00 | |
But it's not just as crisp as I would like to have it. | 0:48:01 | 0:48:06 | |
The ticket price is £80, though. | 0:48:06 | 0:48:10 | |
Should that be taken with a pinch of salt(?) | 0:48:10 | 0:48:11 | |
What's the best on that? | 0:48:11 | 0:48:13 | |
I could do 40 on that. | 0:48:16 | 0:48:18 | |
Mm, half price then. | 0:48:18 | 0:48:20 | |
Could you take another tenner off of that? | 0:48:20 | 0:48:22 | |
There's a little profit in that for me and I think there'd be quite a decent one for you. | 0:48:22 | 0:48:27 | |
35... | 0:48:28 | 0:48:30 | |
-I'm going for the silver. -A quality piece. | 0:48:30 | 0:48:33 | |
Thank you very much. That's sweet. | 0:48:33 | 0:48:35 | |
It wee and charming. | 0:48:35 | 0:48:37 | |
A bit like me...sometimes. | 0:48:37 | 0:48:40 | |
£35, not to be sneezed at. | 0:48:40 | 0:48:44 | |
It's time to see what you've both bought. | 0:48:44 | 0:48:47 | |
Anita began with £395.10 | 0:48:47 | 0:48:50 | |
and has just spent £113 on | 0:48:50 | 0:48:53 | |
a 19th century pepperette, | 0:48:53 | 0:48:55 | |
a Wade Disney Lady and the Tramp, | 0:48:55 | 0:48:57 | |
a 19th century Canton Famille Rose plate, | 0:48:57 | 0:49:00 | |
an Art Nouveau chair and a 1930s Glidoball game. | 0:49:00 | 0:49:05 | |
-Do you think I'd get it for 50p? -Probably not. | 0:49:05 | 0:49:07 | |
Phil started out with £439.36 | 0:49:07 | 0:49:12 | |
and has splashed out £230 | 0:49:12 | 0:49:14 | |
on an Owen Bowen oil on canvas | 0:49:14 | 0:49:18 | |
paired with a Donald Wood landscape, | 0:49:18 | 0:49:20 | |
an eye testing chart and a pair of pince nez, | 0:49:20 | 0:49:23 | |
a 19th century Canton vase, | 0:49:23 | 0:49:25 | |
a 1950s whisky advertising model of two dogs, | 0:49:25 | 0:49:29 | |
a driving whip together with a leather horse harness | 0:49:29 | 0:49:33 | |
and a framed photograph of Phillip Serrell with travellers. | 0:49:33 | 0:49:36 | |
Are these me, Alan? | 0:49:36 | 0:49:38 | |
But what do our pair think of each other's shopping? | 0:49:38 | 0:49:42 | |
If they give her things away, she can only lose £113 or whatever it is | 0:49:42 | 0:49:47 | |
whereas I spent double that, I piled my money in to that Chinese vase | 0:49:47 | 0:49:52 | |
and those paintings, and how will they do? | 0:49:52 | 0:49:55 | |
It's in the lap of the Gods. | 0:49:55 | 0:49:56 | |
I really, really love that picture! | 0:49:56 | 0:49:59 | |
I would've paid double that amount! | 0:49:59 | 0:50:01 | |
I think he's going to do well on that. | 0:50:01 | 0:50:03 | |
After starting out in Kirkby Lonsdale, this part of our trip | 0:50:03 | 0:50:07 | |
will conclude at an auction just outside Blackpool, in Cleveleys. | 0:50:07 | 0:50:12 | |
# Da-da-da-da...# | 0:50:12 | 0:50:14 | |
# To be beside the seaside | 0:50:14 | 0:50:16 | |
# Beside the seaside Beside the sea! # | 0:50:16 | 0:50:20 | |
You're looking a wee bit anxious there. | 0:50:20 | 0:50:22 | |
"Wee bit" undersells it a bit. | 0:50:22 | 0:50:25 | |
Come on, we'll have a good time. | 0:50:25 | 0:50:28 | |
This is Smythes. It can be a bit of a squeeze. | 0:50:28 | 0:50:32 | |
-The tension's unbearable. -I know. | 0:50:32 | 0:50:35 | |
First up, Phil's gamble. | 0:50:35 | 0:50:38 | |
The Yorkshire landscape and the little picture that sealed the deal. | 0:50:38 | 0:50:41 | |
-This is yours! -Is it? | 0:50:41 | 0:50:43 | |
What can I say to start it? Not worth 100? | 0:50:44 | 0:50:47 | |
£50 for it? £50 bid. | 0:50:47 | 0:50:50 | |
Five. At 55 bid. 60 can I say?. | 0:50:50 | 0:50:52 | |
At £60 bid. 70 can I make it? | 0:50:52 | 0:50:56 | |
70. 80. £80 bid. | 0:50:56 | 0:50:59 | |
Now make it 90. 90. | 0:50:59 | 0:51:01 | |
Are you all done at 90, for the last time at 90? All done at 90. | 0:51:01 | 0:51:06 | |
That painting's worth more than it's just been sold for | 0:51:06 | 0:51:09 | |
but at the end of the day... | 0:51:09 | 0:51:11 | |
I'm going to cry! | 0:51:11 | 0:51:12 | |
An even bigger loss after commission but it could've been much worse. | 0:51:12 | 0:51:16 | |
My stuff coming up next, | 0:51:16 | 0:51:18 | |
and I might be laughing on the other side of my face now! | 0:51:18 | 0:51:22 | |
Cry "profit"! And let loose the dogs of Whimsy! | 0:51:22 | 0:51:26 | |
Can I hear £20? Not worth £20? | 0:51:26 | 0:51:28 | |
Well, I've ten bid. | 0:51:28 | 0:51:30 | |
I've ten bid. At 12? 12. | 0:51:30 | 0:51:33 | |
14. At 14 bid. At 14. | 0:51:33 | 0:51:37 | |
For the last time at 14. | 0:51:37 | 0:51:39 | |
That's on commission at 14. | 0:51:39 | 0:51:40 | |
I think you've done very, very well. | 0:51:40 | 0:51:42 | |
I think I've got away with that. | 0:51:42 | 0:51:43 | |
Anita's not started any better, despite that appealing look. | 0:51:43 | 0:51:48 | |
The porter's got your eye-testing chart. | 0:51:48 | 0:51:50 | |
It must be next. It must be next. | 0:51:50 | 0:51:53 | |
Well-spotted. 20/20, I'd say. | 0:51:53 | 0:51:56 | |
There you are. Your own eye-testing kit. | 0:51:56 | 0:51:59 | |
What can I say for that? Can I say ten? | 0:51:59 | 0:52:01 | |
Five? At five pounds? | 0:52:01 | 0:52:03 | |
I think I'm heading for a full house of losses here. | 0:52:03 | 0:52:06 | |
Six pounds. At six pounds. | 0:52:06 | 0:52:08 | |
We're climbing. We're climbing. | 0:52:08 | 0:52:10 | |
All done? Sure? | 0:52:10 | 0:52:13 | |
You lucky man. | 0:52:13 | 0:52:15 | |
I hope they're not having fun at my expense here. | 0:52:15 | 0:52:19 | |
It looks like no-one could see its worth, Phil. | 0:52:19 | 0:52:23 | |
I'm beginning to wish I'd bought a Goblin teasmade or, you know... | 0:52:23 | 0:52:27 | |
-A strimmer? -Yeah. | 0:52:27 | 0:52:30 | |
Now this is quality. Apart from the chip, that is. | 0:52:30 | 0:52:33 | |
Can I say £100 for it? Well, give me a bid for it? Can I have 30? | 0:52:33 | 0:52:37 | |
40. At 40? 50? 60? | 0:52:37 | 0:52:40 | |
70? 80? | 0:52:40 | 0:52:42 | |
At £80? It's still cheap. 90. £90 bid. | 0:52:42 | 0:52:45 | |
At 90. Another bidder. 100. | 0:52:45 | 0:52:49 | |
There you are, darling. | 0:52:49 | 0:52:51 | |
115. 120. 125. | 0:52:51 | 0:52:53 | |
130. | 0:52:53 | 0:52:55 | |
135. | 0:52:55 | 0:52:56 | |
140. | 0:52:56 | 0:52:58 | |
145. 150. | 0:52:58 | 0:53:01 | |
155. 160. | 0:53:01 | 0:53:04 | |
165. You're out? | 0:53:04 | 0:53:07 | |
-At 165 then, only bid. All done? -Could've swum the Channel with it. | 0:53:07 | 0:53:09 | |
I'm really happy with that. | 0:53:11 | 0:53:12 | |
You're up, Philip. You haven't made any losses now. That's excellent. | 0:53:12 | 0:53:16 | |
That sort of makes up for the paintings. | 0:53:16 | 0:53:19 | |
Actually it's a bit of a result to have sold that | 0:53:19 | 0:53:22 | |
-in the middle of the Hoovers and the vacuums! -Well done, Philip! | 0:53:22 | 0:53:24 | |
Now, Cleveleys does like Canton, | 0:53:24 | 0:53:28 | |
and Anita bought it cheap. Fingers crossed. | 0:53:28 | 0:53:30 | |
May I say £50 to start it? | 0:53:30 | 0:53:33 | |
Not worth 50? 40. | 0:53:33 | 0:53:36 | |
I've 40 on the book. At 40. 42. | 0:53:36 | 0:53:38 | |
44. 46. | 0:53:38 | 0:53:41 | |
48. At 48 bid. | 0:53:41 | 0:53:43 | |
50. | 0:53:43 | 0:53:44 | |
Are we all done at £50? For the last time at 50? | 0:53:44 | 0:53:48 | |
Yes! | 0:53:48 | 0:53:49 | |
That's a real good profit, that is. | 0:53:49 | 0:53:51 | |
If only they had bought more Canton. | 0:53:51 | 0:53:54 | |
-Maybe we're getting into the swing of it, Philip. -Do you think so? | 0:53:54 | 0:53:58 | |
Anita's chair, questionable reupholstery, but nice and dry. | 0:53:58 | 0:54:03 | |
50 for it? Not worth 50? | 0:54:03 | 0:54:06 | |
Well, I've £20 bid for it. | 0:54:06 | 0:54:09 | |
May I say 22? 22 bid. | 0:54:09 | 0:54:11 | |
At 22 bid. 24 bid. At 24. | 0:54:11 | 0:54:14 | |
26 can I say? At 24, it is then. Have you all done at 24 now? | 0:54:14 | 0:54:18 | |
All done. | 0:54:18 | 0:54:21 | |
That's made a pound. | 0:54:21 | 0:54:22 | |
Or has it not lost a pound? | 0:54:22 | 0:54:24 | |
Anything that doesn't lose today is a little triumph. | 0:54:24 | 0:54:28 | |
You haven't got your mother bidding, have you? Are you sure? | 0:54:28 | 0:54:32 | |
Phil's wee doggies, definitely '50s they now think. | 0:54:32 | 0:54:36 | |
Quite unusual item, a collector's item. What can I say for it? | 0:54:36 | 0:54:39 | |
Well, I've ten bid. Ten. Ten. | 0:54:39 | 0:54:42 | |
Can I hear 14? 16. £16 bid here. | 0:54:42 | 0:54:46 | |
At £18 only bid. £20 can I make it? | 0:54:46 | 0:54:50 | |
All done at 18. All finished? | 0:54:50 | 0:54:53 | |
-18, could've been worse. -Yeah. | 0:54:53 | 0:54:56 | |
You know, I think they look a bit disappointed. | 0:54:56 | 0:54:59 | |
Him too. Related? | 0:54:59 | 0:55:02 | |
Now, will Anita's silver pep things up? | 0:55:02 | 0:55:05 | |
Can I have 20 bid? At 20. Thank you, madam. | 0:55:05 | 0:55:08 | |
22 bid. 24. 26. | 0:55:08 | 0:55:12 | |
28. 30. | 0:55:12 | 0:55:14 | |
32. | 0:55:14 | 0:55:16 | |
-32 at the back. -I think you've had a result with that. | 0:55:16 | 0:55:19 | |
34. It's a cheap lot is this. | 0:55:19 | 0:55:23 | |
34. For the last time at 34. | 0:55:23 | 0:55:25 | |
-I think you had a result there, madam. -I think so as well. | 0:55:27 | 0:55:31 | |
That is a blow, but then it's not Canton. | 0:55:31 | 0:55:35 | |
The lady on my left keeps laughing. I don't know what's the matter. | 0:55:35 | 0:55:38 | |
-She's enjoying herself. -Is she? | 0:55:38 | 0:55:41 | |
OK, sports time. Anyone for Glidoball? | 0:55:41 | 0:55:45 | |
Quite an unusual lot, that, so what can I say to start? | 0:55:45 | 0:55:48 | |
It is original, it's in its original box, a high-tech game in its time. | 0:55:48 | 0:55:54 | |
Can I say 30 for it? | 0:55:56 | 0:55:57 | |
-Somebody's gone to a lot of trouble buying this. -Yes! | 0:55:57 | 0:56:01 | |
I've £10 bid. £10 bid. | 0:56:01 | 0:56:03 | |
Now, can I hear £12 for it? | 0:56:03 | 0:56:05 | |
12? Thank you, sir. | 0:56:05 | 0:56:06 | |
14. 16. 18. | 0:56:06 | 0:56:10 | |
20. | 0:56:10 | 0:56:11 | |
22. At 22. We've got two gentleman in the audience here. | 0:56:11 | 0:56:17 | |
At 22. Will I hear 24 anyway? The highlight of the sale, this. | 0:56:17 | 0:56:22 | |
-Well done, sir. 26. -(Yes!) | 0:56:22 | 0:56:24 | |
Prayers have been answered. 26. | 0:56:24 | 0:56:28 | |
28. | 0:56:28 | 0:56:29 | |
30? Go on! | 0:56:29 | 0:56:31 | |
30. At 30 it is. | 0:56:31 | 0:56:33 | |
For the last time at 30. All done. | 0:56:33 | 0:56:36 | |
Yes! | 0:56:37 | 0:56:39 | |
Jolly good. You've made Anita's day. | 0:56:39 | 0:56:41 | |
-Lord help us. Honestly. -Yes! | 0:56:41 | 0:56:44 | |
If only the game itself was that much fun. | 0:56:44 | 0:56:47 | |
I'm all that excited, I've made about two quid. | 0:56:47 | 0:56:50 | |
Phil's last attempt to woo Cleveleys. | 0:56:52 | 0:56:55 | |
The photo of Philip Serrell will swing this one. | 0:56:55 | 0:56:58 | |
I don't think so! | 0:56:58 | 0:57:00 | |
He's a pin-up! | 0:57:00 | 0:57:03 | |
What can I say for the lot? £30? | 0:57:03 | 0:57:06 | |
Not worth 30. £20? | 0:57:06 | 0:57:08 | |
Can't go much less than that. | 0:57:08 | 0:57:10 | |
-Oh, you can, trust me. -The photo alone's worth that! | 0:57:10 | 0:57:13 | |
Well, it's a start. £10, the only bid. At £10, only bid. | 0:57:13 | 0:57:16 | |
12. 14. | 0:57:16 | 0:57:19 | |
16. 18. 20. | 0:57:19 | 0:57:21 | |
22. 24. 26. | 0:57:21 | 0:57:25 | |
28. 30. | 0:57:25 | 0:57:27 | |
30 it is. Once in a lifetime chance, this. | 0:57:27 | 0:57:31 | |
32. 34. | 0:57:31 | 0:57:33 | |
36. 38. 40. | 0:57:33 | 0:57:36 | |
42. 44. 46. | 0:57:36 | 0:57:39 | |
At 46, only bid. | 0:57:39 | 0:57:41 | |
I think it's your handsome face. | 0:57:41 | 0:57:44 | |
Last time at 46? All done? | 0:57:44 | 0:57:46 | |
So that means I've made a profit today, does it? | 0:57:46 | 0:57:49 | |
I think so, Philip. | 0:57:49 | 0:57:50 | |
Yes, and the leaderboard remains unchanged | 0:57:50 | 0:57:53 | |
on a lean day by the seaside. | 0:57:53 | 0:57:56 | |
Anita began with £395.10, and after auction costs, she made £11.64, | 0:57:56 | 0:58:03 | |
giving her £406.74 to spend next time. | 0:58:03 | 0:58:07 | |
Philip started out with £439.36 and after auction costs, | 0:58:07 | 0:58:13 | |
he picked up £36.50, so now he has £475.86 for their next leg. | 0:58:13 | 0:58:20 | |
Numbers have confused me today but I think I've gone a bit further ahead. | 0:58:20 | 0:58:24 | |
-I think you have but don't worry, the party isn't over yet. -Ha ha! | 0:58:24 | 0:58:28 | |
Forward, Macduff! | 0:58:30 | 0:58:32 |