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It's the nation's favourite antiques experts | 0:00:01 | 0:00:04 | |
with £200 each, a classic car | 0:00:04 | 0:00:07 | |
and a goal to scour Britain for antiques. | 0:00:07 | 0:00:10 | |
It hurts! | 0:00:10 | 0:00:11 | |
The aim? To make the biggest profit at auction. But it's no mean feat. | 0:00:14 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:21 | |
You mean lot! | 0:00:21 | 0:00:24 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:28 | |
There's always another auction. | 0:00:28 | 0:00:30 | |
This is the Antiques Road Trip! | 0:00:30 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:35 | |
On your marks! On this road trip, we have TWO Marks | 0:00:35 | 0:00:38 | |
competing for glorious victory. | 0:00:38 | 0:00:41 | |
Mark Stacey is a Sussex auctioneer | 0:00:41 | 0:00:44 | |
who's known for his keen eye and hard bargaining... | 0:00:44 | 0:00:48 | |
Do these people not know it's a recession? | 0:00:48 | 0:00:50 | |
You're hating me, aren't you? | 0:00:51 | 0:00:53 | |
..while Mark Hales is a West Country ceramics expert and auctioneer | 0:00:53 | 0:00:58 | |
who needs to pick up something cheap but attractive. | 0:00:58 | 0:01:01 | |
OK, darling? | 0:01:01 | 0:01:03 | |
From his original £200, | 0:01:03 | 0:01:05 | |
Mark Stacey has now grown his budget to a very respectable £332.10. | 0:01:05 | 0:01:11 | |
While Mark Hales has only inched upwards from his original £200 | 0:01:11 | 0:01:16 | |
to a skimpy £234.52. | 0:01:16 | 0:01:20 | |
Our marvellous pair of Marks are piloting a gleaming scarlet beauty, | 0:01:20 | 0:01:25 | |
the curvy 1968 Triumph Spitfire. | 0:01:25 | 0:01:28 | |
This week, the two Marks are full of Eastern promise | 0:01:31 | 0:01:34 | |
as they travel nearly 300 miles from Finedon in Northamptonshire | 0:01:34 | 0:01:38 | |
through six east English counties | 0:01:38 | 0:01:40 | |
to Colchester in Essex. | 0:01:40 | 0:01:42 | |
On this leg, they cruise through lovely East Anglia | 0:01:42 | 0:01:46 | |
from Harleston in Norfolk | 0:01:46 | 0:01:48 | |
to the auction at Campsea Ashe in Suffolk. | 0:01:48 | 0:01:52 | |
-We'll just have fun, shall we? -Yes. | 0:01:52 | 0:01:54 | |
That's the order of the day - have some fun! | 0:01:54 | 0:01:57 | |
Their first stop is the pretty market town of Harleston, | 0:02:01 | 0:02:05 | |
which prides itself on its array of independent retailers. | 0:02:05 | 0:02:09 | |
Sounds like the ideal place to get our chaps started. | 0:02:09 | 0:02:11 | |
They're heading for the local flea market... | 0:02:11 | 0:02:16 | |
Which way is it? Round here? | 0:02:16 | 0:02:18 | |
..a lively, monthly event at the Swan pub | 0:02:18 | 0:02:21 | |
with stalls of many different stripes. | 0:02:21 | 0:02:24 | |
-I'll leave you out here looking, Mark. -Thank you so much. | 0:02:24 | 0:02:26 | |
-There are bits for you to look at. -Be lucky, Mark. | 0:02:26 | 0:02:30 | |
-Good morning. Can I have a little look round? -Course you can. -Thank you. | 0:02:32 | 0:02:35 | |
Sorry, I've just seen these bales. | 0:02:35 | 0:02:37 | |
I like these sorts of things. | 0:02:37 | 0:02:40 | |
There's something very tactile about bales, isn't there? | 0:02:40 | 0:02:42 | |
-They are. -They need a polish up. -They do. | 0:02:42 | 0:02:45 | |
It's a shame you haven't got the jack. | 0:02:47 | 0:02:49 | |
(I don't know anything about bowls!) | 0:02:49 | 0:02:53 | |
Shocking news! | 0:02:53 | 0:02:54 | |
Probably talking a load of bowls! | 0:02:54 | 0:02:56 | |
Steady! | 0:02:56 | 0:02:57 | |
How much have you got on those? | 0:02:57 | 0:02:59 | |
-15. -That's quite reasonable, isn't it? -It is reasonable, yes. | 0:02:59 | 0:03:03 | |
I think ten would be better. | 0:03:03 | 0:03:05 | |
All right, then, ten. £10. | 0:03:05 | 0:03:09 | |
I'm going to buy those for £10. | 0:03:09 | 0:03:12 | |
Huh! A perfect score on the first roll! | 0:03:12 | 0:03:16 | |
Morning! | 0:03:16 | 0:03:17 | |
-Mark, there's nothing in here for you. -Fancy meeting you here! | 0:03:17 | 0:03:20 | |
-It's all gone, I'm afraid. -Haven't seen you for ten minutes. | 0:03:20 | 0:03:23 | |
-I've reserved it all. -Have you bought something? -No. | 0:03:23 | 0:03:25 | |
Oh, you fibber! | 0:03:25 | 0:03:27 | |
-Did my friend Mark buy anything? -Yes, he did. -Did he, indeed? | 0:03:27 | 0:03:31 | |
Rumbled! | 0:03:31 | 0:03:32 | |
When I asked him, he said, "I bought nothing." Did he, indeed? | 0:03:32 | 0:03:36 | |
-Are you competing with him? -I most certainly am. | 0:03:36 | 0:03:38 | |
Yes, you are, Mark. You'd better get hunting because Mark's spotted something else. | 0:03:38 | 0:03:44 | |
-They're not gold, are they? -I'm not sure. -Nice shape, though. | 0:03:44 | 0:03:47 | |
A pair of cufflinks. | 0:03:48 | 0:03:50 | |
Could Mark have struck gold so early in the day? | 0:03:50 | 0:03:52 | |
-How much are they, sir? -Five. -£5. | 0:03:54 | 0:03:58 | |
-Could I just take them to the light? -Yes. -With your thing. | 0:03:58 | 0:04:02 | |
I think I've found a mark on this that says 18-carat gold. | 0:04:04 | 0:04:09 | |
I think these are gold. | 0:04:09 | 0:04:11 | |
And for £5, that's an absolute bargain. | 0:04:12 | 0:04:15 | |
So I'm going to buy them, I think. | 0:04:15 | 0:04:17 | |
What a find, eh? | 0:04:17 | 0:04:19 | |
I didn't think I was going to buy anything here today, | 0:04:19 | 0:04:22 | |
-but I'll buy those for £5 from you. -Thank you very much. | 0:04:22 | 0:04:25 | |
I'll get my money out. | 0:04:25 | 0:04:26 | |
You ARE in a rush, Mark. Suspicious! | 0:04:26 | 0:04:30 | |
A pair of solid 18-carat gold cufflinks for £5! | 0:04:30 | 0:04:35 | |
I'm on a roll, I think! Bring it on! | 0:04:35 | 0:04:37 | |
Bring it on, indeed! But, oh, dear. Poor Mark Hales is still empty-handed. | 0:04:37 | 0:04:43 | |
So it's back on the road again. | 0:04:43 | 0:04:46 | |
They're driving eight miles across the county border | 0:04:46 | 0:04:49 | |
to Bungay in Suffolk. | 0:04:49 | 0:04:51 | |
The market town of Bungay sits in the Waveney Valley, | 0:04:51 | 0:04:56 | |
on the edge of The Broads. | 0:04:56 | 0:04:58 | |
In 1577, a ghostly black dog known as Black Shuck | 0:04:58 | 0:05:03 | |
is said to have killed two people in the town. | 0:05:03 | 0:05:06 | |
Spooky! | 0:05:06 | 0:05:08 | |
Let's hope for no such similar dramatics today | 0:05:08 | 0:05:12 | |
as Mark Stacey is heading for Mayfair Antiques | 0:05:12 | 0:05:14 | |
run by owner Joe. | 0:05:14 | 0:05:16 | |
-Hello. -Hello. -I'm Mark. -I'm Joe. | 0:05:16 | 0:05:20 | |
Mark's spotted something on top of one of the cabinets. | 0:05:25 | 0:05:28 | |
It's a sweet little Art Deco jug in the shape of a pussy. | 0:05:28 | 0:05:32 | |
I think it looks rather cute. | 0:05:33 | 0:05:35 | |
I don't know it's going to make a lot of money at auction, | 0:05:35 | 0:05:37 | |
maybe £10 or £20. | 0:05:37 | 0:05:39 | |
But look, the price is just £2. | 0:05:39 | 0:05:43 | |
A bargain in anyone's book. | 0:05:43 | 0:05:45 | |
But Joe's got a proposal. | 0:05:45 | 0:05:48 | |
-I'll tell you what I'll do. -What? | 0:05:48 | 0:05:49 | |
Toss you for it. Double or quits. | 0:05:49 | 0:05:51 | |
Oh, no, I'm not going to do that! | 0:05:51 | 0:05:53 | |
Double or quits? I always lose when I do these. | 0:05:53 | 0:05:56 | |
You couldn't... You can't. You can't. | 0:05:56 | 0:05:58 | |
I can't really refuse, can I, for £2? | 0:06:01 | 0:06:03 | |
-Oh, please, let it be mine. Who's calling? -You can call. | 0:06:03 | 0:06:09 | |
Flip the coin, then. | 0:06:09 | 0:06:12 | |
Oh, the tension! | 0:06:12 | 0:06:15 | |
Tails. | 0:06:15 | 0:06:16 | |
Yes! | 0:06:16 | 0:06:18 | |
Double or quits, you said. | 0:06:18 | 0:06:20 | |
I can't believe that! | 0:06:20 | 0:06:21 | |
Terrific. | 0:06:24 | 0:06:25 | |
Mark's gamble pays off. | 0:06:25 | 0:06:27 | |
He's like the cat who got the cream. Or pussy, actually. | 0:06:27 | 0:06:30 | |
Keen to continue his buying spree, | 0:06:30 | 0:06:33 | |
Mark hotfoots it to Beccles in Suffolk. | 0:06:33 | 0:06:36 | |
Once a thriving Saxon river port, Beccles was granted its charter | 0:06:36 | 0:06:42 | |
by Queen Elizabeth I in 1584. | 0:06:42 | 0:06:46 | |
Mark has Blybergate Antiques in his sights. | 0:06:46 | 0:06:51 | |
-How are you? -Fine, thank you. You? -I'm Mark. | 0:06:51 | 0:06:53 | |
-Hello, Mark. I'm Kate. -Nice to meet you. I'm after a bargain. | 0:06:53 | 0:06:56 | |
-You'll find one here. -How many times have I heard that? | 0:06:56 | 0:06:59 | |
Huh! The cheek! | 0:06:59 | 0:07:01 | |
Mark's seen a plate, which is in tin-glaze pottery called Majolica. | 0:07:03 | 0:07:10 | |
I quite like this because I love Majolica. | 0:07:10 | 0:07:12 | |
I love the vibrancy of it. | 0:07:12 | 0:07:15 | |
In the Victorian era, it exploded from the Staffordshire factories | 0:07:15 | 0:07:19 | |
from the 1860s onwards. | 0:07:19 | 0:07:21 | |
It's all a bit bright and garish, isn't it? | 0:07:21 | 0:07:24 | |
Bit like me, really! | 0:07:24 | 0:07:26 | |
You don't have to agree with that! | 0:07:26 | 0:07:28 | |
I said nothing! | 0:07:28 | 0:07:31 | |
It is marked on the back, and it's only priced up at £18. | 0:07:31 | 0:07:36 | |
-Why is it only £18? -I can make it more. -How dare you? | 0:07:36 | 0:07:40 | |
How faddy-dare you? | 0:07:40 | 0:07:42 | |
Oh, you too! | 0:07:42 | 0:07:44 | |
-So what could you do that for, then? -To you, Mark, it can be 12. | 0:07:44 | 0:07:47 | |
Oh, we're so close. | 0:07:47 | 0:07:50 | |
As long as you don't say 10 to me, it can be 12. | 0:07:50 | 0:07:53 | |
I'm so close, honestly. I want to give you £10 for it. | 0:07:53 | 0:07:56 | |
-If you can do a tenner, I'll have it. -Go on, then, Mark. You may have it for a tenner. | 0:07:56 | 0:08:00 | |
-Thank you very much. -You're welcome. | 0:08:00 | 0:08:01 | |
Well, aren't I spending a lot of money today? | 0:08:01 | 0:08:05 | |
£25 so far. | 0:08:05 | 0:08:07 | |
You're East Anglia's answer to Donald Trump! | 0:08:07 | 0:08:11 | |
Time for our Marks to reunite, as they head onwards towards Framlingham in Suffolk. | 0:08:11 | 0:08:16 | |
The town's historic conservation area is one of the finest in England | 0:08:16 | 0:08:20 | |
and is dominated by Framlingham Castle, | 0:08:20 | 0:08:22 | |
a magnificent 12th-century fortress. | 0:08:22 | 0:08:25 | |
What better place for Mark to storm into his first shop of the day? | 0:08:25 | 0:08:30 | |
He's charging off towards Goodbrey Antiques. | 0:08:30 | 0:08:33 | |
-I'm Mark. -I'm Richard. -How do you do? | 0:08:33 | 0:08:36 | |
How do you do? Right, how is the empty-handed Mr Hales feeling this fine morning? | 0:08:36 | 0:08:41 | |
Under pressure. Got to buy something. | 0:08:41 | 0:08:43 | |
There's something that might fit the bill. | 0:08:43 | 0:08:46 | |
This is why I like spending a lot of time. | 0:08:46 | 0:08:48 | |
The more you're in a room, the more you notice, you know? | 0:08:48 | 0:08:53 | |
It's an old sash cramp, | 0:08:53 | 0:08:55 | |
used to hold the panels of a sash window together during gluing. | 0:08:55 | 0:09:00 | |
Ticket price is £25. | 0:09:00 | 0:09:02 | |
When you think about it, tools aren't bad in general sales. | 0:09:02 | 0:09:05 | |
Richard, the clamp? | 0:09:05 | 0:09:06 | |
Can Mark squeeze that price any? | 0:09:06 | 0:09:09 | |
What would be the best money for the cramp? | 0:09:09 | 0:09:12 | |
Well, while Mark thinks on it, there's something else on the other side of the shop as well. | 0:09:12 | 0:09:18 | |
-Lions! -The lions. I could do something on the lions. | 0:09:18 | 0:09:21 | |
-Not very old, are they? -No, but they're wonderfully done | 0:09:21 | 0:09:24 | |
with all those teeth and eyes. | 0:09:24 | 0:09:26 | |
On the ticket it's £45. | 0:09:26 | 0:09:28 | |
What could Mark claw them down to? | 0:09:28 | 0:09:33 | |
-They'd go for 30. -Yeah. | 0:09:33 | 0:09:35 | |
-Richard? -Yeah? -Hi. | 0:09:38 | 0:09:39 | |
-I've had a little think. -How are you doing? | 0:09:39 | 0:09:42 | |
-I like the clamp. And I like the lions. -Yes. | 0:09:42 | 0:09:45 | |
If I had them both, Richard, that's 30 and 20. | 0:09:45 | 0:09:48 | |
-Could you knock a fiver off? -I could knock a fiver off. That's it. | 0:09:48 | 0:09:52 | |
-That's 45. -45 for those two items. -All right. Thank you, Richard. | 0:09:52 | 0:09:56 | |
-I'll have those. -You've got a bargain! -Thank you. | 0:09:56 | 0:09:59 | |
Wow! Mark has some buys at last! | 0:09:59 | 0:10:02 | |
Right, then. | 0:10:02 | 0:10:04 | |
Mark Stacey, meanwhile, is so relaxed about his shopping, | 0:10:07 | 0:10:10 | |
he's driving nine miles west | 0:10:10 | 0:10:12 | |
to have a wander around historic Helmingham Hall | 0:10:12 | 0:10:15 | |
and its stunning gardens. | 0:10:15 | 0:10:17 | |
It's quite an impressive house, isn't it? | 0:10:19 | 0:10:22 | |
That's an understatement! | 0:10:22 | 0:10:25 | |
Work on the glorious moated manor house at Helmingham | 0:10:28 | 0:10:32 | |
began in the 15th century. | 0:10:32 | 0:10:34 | |
Today, it's surrounded by beautiful formal gardens | 0:10:34 | 0:10:38 | |
and parkland. | 0:10:38 | 0:10:40 | |
The estate has been handed down from generation to generation of the Tollemache family. | 0:10:40 | 0:10:46 | |
Mark's lucky enough to have expert guides to the house and gardens. | 0:10:46 | 0:10:49 | |
He's meeting Tim and Zar, the current Lord and Lady Tollemache. | 0:10:49 | 0:10:55 | |
-Good morning! I'm Mark, Lord Tollemache. -Hi, I'm Tim. | 0:10:55 | 0:10:58 | |
-Nice to meet you, Tim. -Mark, I'm Zar. | 0:10:58 | 0:11:00 | |
Lady Tollemache is a garden designer. | 0:11:00 | 0:11:04 | |
She and dogs Mungo and Maestro are going to give Mark a quick tour of the gardens | 0:11:04 | 0:11:08 | |
before he sees the hall. | 0:11:08 | 0:11:10 | |
Indeed, the gardens boast a great historical feature. | 0:11:10 | 0:11:13 | |
-Oh, this is the other moat. -This is the garden moat. | 0:11:13 | 0:11:15 | |
Yes. So this predates the house, actually. | 0:11:15 | 0:11:19 | |
Because the house was built in 1490. | 0:11:19 | 0:11:21 | |
And this was before. Probably used as a cattle stockade. | 0:11:21 | 0:11:26 | |
Oh, yes. To protect your livestock, I suppose. | 0:11:26 | 0:11:29 | |
And then, of course, it was made into a garden in 1510. | 0:11:29 | 0:11:33 | |
The wall was put in in 1740. | 0:11:33 | 0:11:36 | |
And so it's been a garden for about 500 years. | 0:11:36 | 0:11:39 | |
We've got to keep the tradition going, haven't we? | 0:11:39 | 0:11:41 | |
-It's an isolated garden with its own moat. -Yes. | 0:11:41 | 0:11:45 | |
Mark's heading into the house, towards the drawbridge | 0:11:45 | 0:11:48 | |
which is still raised and lowered every day | 0:11:48 | 0:11:50 | |
as it has been for hundreds of years. | 0:11:50 | 0:11:53 | |
-We pull it up every night. -Gosh! | 0:11:55 | 0:11:56 | |
-Electronically, I hope! -Electronically now. | 0:11:56 | 0:12:00 | |
Inside, Lord Tollemache has a very special treat lined up, | 0:12:00 | 0:12:04 | |
a chance to see one of Helmingham's great historical treasures. | 0:12:04 | 0:12:08 | |
-Mark, well done. You've been round the garden. -Oh, it's been wonderful. | 0:12:08 | 0:12:11 | |
We've had such a fantastic time. | 0:12:11 | 0:12:13 | |
-And you're going to show us... -A bit of history. -Wonderful. Lead on, as they say! | 0:12:13 | 0:12:18 | |
Helmingham has been the family seat since 1487 | 0:12:18 | 0:12:21 | |
and over the centuries, the Tollemaches have been involved in a grand sweep of British history. | 0:12:21 | 0:12:27 | |
What are you going to show me in here, Tim? | 0:12:27 | 0:12:29 | |
I'm going to show you some letters all to do with the wonderful secret society of The Sealed Knot. | 0:12:29 | 0:12:36 | |
In the 17th century, King Charles I was beheaded, and England was mired in Civil War. | 0:12:38 | 0:12:45 | |
Supporters of the monarchy planned to have his heir, Charles II, | 0:12:45 | 0:12:48 | |
restored to the throne. | 0:12:48 | 0:12:50 | |
One of Lord Tollemache's ancestors | 0:12:50 | 0:12:54 | |
was a member of the secret society, The Sealed Knot, | 0:12:54 | 0:12:57 | |
which planned to bring the young king back from exile on the Continent. | 0:12:57 | 0:13:02 | |
Lionel Tollemache, who was here at Helmingham at the time, | 0:13:02 | 0:13:05 | |
was very much involved with this secret society. | 0:13:05 | 0:13:08 | |
Unfortunately, he died fairly young | 0:13:08 | 0:13:11 | |
and Charles II wrote two letters which lie here on this table | 0:13:11 | 0:13:17 | |
to his widow, | 0:13:17 | 0:13:18 | |
saying how very sad he was to hear of her loss, | 0:13:18 | 0:13:22 | |
and to thank her particularly for all the work they were doing | 0:13:22 | 0:13:27 | |
to help him be restored to the throne. | 0:13:27 | 0:13:29 | |
-Wow! These are the originals? -The original letters. | 0:13:29 | 0:13:33 | |
-From Charles II. -His handwriting is certainly better than mine | 0:13:33 | 0:13:37 | |
and you can read these letters really quite clearly. | 0:13:37 | 0:13:40 | |
"Madame, I have so good an account of the affection of my friends towards me." | 0:13:40 | 0:13:44 | |
They're both signed, "Madame, Your truly affectionate friend, | 0:13:44 | 0:13:48 | |
-"Charles R." -This was 1654. | 0:13:48 | 0:13:51 | |
-So this was six years before. -Paris. Yes, May 28th, 1654. | 0:13:51 | 0:13:56 | |
-So that was six years actually before he was restored to the throne. -That's right, yes. | 0:13:56 | 0:14:02 | |
Tim, thank you very much. As a lover of history, it's been great to see the letters. | 0:14:02 | 0:14:07 | |
It's been a great pleasure to show you round. | 0:14:07 | 0:14:09 | |
Thank you very much! | 0:14:09 | 0:14:11 | |
And with that, it's back to the hoi polloi with you, Mark! | 0:14:15 | 0:14:19 | |
Meanwhile, Mark Hales has travelled the 17 miles | 0:14:24 | 0:14:28 | |
to Needham Market in Suffolk. | 0:14:28 | 0:14:30 | |
Needham Market's parish church was completed in 1500 | 0:14:31 | 0:14:35 | |
and remains a terrific example of medieval building ingenuity. | 0:14:35 | 0:14:40 | |
Let's hope Mark can be as inventive | 0:14:41 | 0:14:44 | |
as he heads for his last shop, Bygones. | 0:14:44 | 0:14:47 | |
-Hi, I'm Mark. -Hello, Mark. I'm Paul. -Hello, Paul. -Nice to meet you. | 0:14:48 | 0:14:51 | |
It's not long before Mark spots something. | 0:14:51 | 0:14:54 | |
Auto memorabilia is selling. Things like this are still collectable. | 0:14:54 | 0:14:58 | |
These went on the bars on the front of your '50s and '60s cars. | 0:14:58 | 0:15:03 | |
One, two, three, four, five, six, seven, | 0:15:03 | 0:15:07 | |
eight, nine. | 0:15:07 | 0:15:09 | |
-How many were over there? -Five. | 0:15:09 | 0:15:11 | |
-What's that? 14. -Yep. | 0:15:11 | 0:15:14 | |
And Paul has another piece of automobilia that might suit. | 0:15:14 | 0:15:19 | |
What about an old car mascot? Champagne Charlie. | 0:15:19 | 0:15:22 | |
There he is! Champagne Charlie! | 0:15:23 | 0:15:26 | |
Hee-hee! | 0:15:26 | 0:15:28 | |
# Champagne Charlie is me name | 0:15:28 | 0:15:31 | |
# Champagne drinking is me game... # | 0:15:31 | 0:15:35 | |
The character of Champagne Charlie was popularised | 0:15:35 | 0:15:38 | |
by Victorian music-hall performer George Leybourne. | 0:15:38 | 0:15:42 | |
Charlie, a caricature of a drunken aristocrat living the high life, | 0:15:42 | 0:15:47 | |
became a popular comic figure. | 0:15:47 | 0:15:49 | |
Decorative car mascots, like this one, | 0:15:51 | 0:15:54 | |
were all the rage in earlier days of motoring. | 0:15:54 | 0:15:57 | |
The ticket price for all the car badges and the mascot | 0:15:57 | 0:16:01 | |
is a whopping £325. | 0:16:01 | 0:16:03 | |
If I bought Champagne Charlie and all the badges for 60 quid... | 0:16:04 | 0:16:08 | |
-Yeah. -I'll give them a go. | 0:16:08 | 0:16:10 | |
Do you want to have a deal now, today, at 60? | 0:16:11 | 0:16:14 | |
All right, mate. | 0:16:14 | 0:16:17 | |
-All right? -Thank you, Paul. -OK, sir. -You're giving me a chance, aren't you? -Yep. | 0:16:17 | 0:16:21 | |
What a deal! | 0:16:21 | 0:16:23 | |
A gift! | 0:16:23 | 0:16:25 | |
Now, there's a dapper chappy on the other side of the shop, | 0:16:25 | 0:16:27 | |
and I don't mean Paul! | 0:16:27 | 0:16:30 | |
-Paul, who's this chap here? -The advertising sign? | 0:16:30 | 0:16:33 | |
"Sticker knitwear. Style. 1960." | 0:16:33 | 0:16:36 | |
Very nice. | 0:16:36 | 0:16:37 | |
-What do you think? -How much is it, seriously? -50. | 0:16:37 | 0:16:40 | |
-£50? -50 quid to you. | 0:16:40 | 0:16:42 | |
-Come on, 40 quid. -Give us your money. | 0:16:42 | 0:16:45 | |
40 quid just for a laugh, OK? | 0:16:45 | 0:16:46 | |
-Am I going to lose money? I don't know. -You won't lose money. | 0:16:46 | 0:16:49 | |
-Good fun. Thank you very much indeed. -All right. -Thank you. Another purchase. | 0:16:49 | 0:16:53 | |
Tick-tock. Mark's running out of time to make any more buys, | 0:16:53 | 0:16:57 | |
but he's just spotted yet another item. | 0:16:57 | 0:17:00 | |
What's this clock? Why didn't I see that? I quite like that. | 0:17:00 | 0:17:03 | |
"To WP Thompson, from his colleagues | 0:17:03 | 0:17:06 | |
"in the department of electricity, Kuwait, Jan 1958." | 0:17:06 | 0:17:12 | |
If I bought it for 30 quid I can see a profit in it. | 0:17:12 | 0:17:14 | |
-It'll make more than 30 quid? -I'd have thought so. | 0:17:14 | 0:17:17 | |
-What do you reckon? -Yeah. -Shall we shake on that one as well? | 0:17:17 | 0:17:20 | |
-OK. Thank you very much. -That's a bit of fun. | 0:17:20 | 0:17:23 | |
Now he's on fire. | 0:17:23 | 0:17:25 | |
Downstairs, something else has caught his eye. | 0:17:25 | 0:17:27 | |
Ooh, what's this? Plaster. | 0:17:27 | 0:17:30 | |
That is made of plaster. But look at the colour. | 0:17:30 | 0:17:33 | |
And who is this chap? That looks so period, doesn't it? | 0:17:33 | 0:17:37 | |
Look at the back. It's all plaster. | 0:17:37 | 0:17:40 | |
I'll have to ask Paul about that. He can enlighten me. | 0:17:40 | 0:17:43 | |
Is it '30s or '50s? | 0:17:43 | 0:17:44 | |
-You don't recognise it? -It's nothing like you, Paul, even when you were younger. Sorry. | 0:17:44 | 0:17:49 | |
-It's when I had a moustache. -Errol Flynn, it looks like. | 0:17:49 | 0:17:52 | |
Do that for a tenner? Then I can put it in with my clock. | 0:17:52 | 0:17:55 | |
I'll be fair with you. 15. | 0:17:55 | 0:17:58 | |
-15. Thank you, Paul. -Thank you. | 0:17:58 | 0:18:00 | |
Good heavens! Mark's bagged four buys for a whopping £145. | 0:18:00 | 0:18:05 | |
And all at the very last second. | 0:18:05 | 0:18:08 | |
-Thank you very much. -Look, I've got some left. That never happens to me. | 0:18:08 | 0:18:11 | |
-You can take us down the pub, then. -Gladly I would. I would! | 0:18:11 | 0:18:14 | |
Now, while you get pally, | 0:18:16 | 0:18:18 | |
Mark Stacey has caught up and is heading for Needham Market's Station Yard Emporium. | 0:18:18 | 0:18:24 | |
-Hello. -Hello. | 0:18:24 | 0:18:26 | |
-I'm Mark. -Ellie. -Nice to meet you. -And you. | 0:18:26 | 0:18:29 | |
What are you fiddling with? | 0:18:32 | 0:18:34 | |
I quite like that box. | 0:18:34 | 0:18:35 | |
It's specimen woods. | 0:18:35 | 0:18:38 | |
It's quite an early box. I'd have thought that's got to be 1830, 1840. | 0:18:38 | 0:18:44 | |
But £75?! | 0:18:44 | 0:18:46 | |
Do these people not know there's a recession? | 0:18:46 | 0:18:49 | |
You're hating me, aren't you? | 0:18:49 | 0:18:51 | |
You're driving them potty. Speaking of pots, | 0:18:51 | 0:18:56 | |
there's an eye-catching piece of ceramic | 0:18:56 | 0:18:58 | |
on the other side of the shop. | 0:18:58 | 0:18:59 | |
Another piece of Majolica. | 0:18:59 | 0:19:01 | |
I've already got a piece of Majolica, haven't I? | 0:19:02 | 0:19:05 | |
This has got £85 on it. | 0:19:05 | 0:19:08 | |
It might go with my Wedgwood piece. | 0:19:08 | 0:19:10 | |
Time to strike a deal, eh? | 0:19:10 | 0:19:12 | |
I'm not a very good negotiator. | 0:19:12 | 0:19:15 | |
False modesty! | 0:19:15 | 0:19:16 | |
I need to know some best prices, if I can. | 0:19:16 | 0:19:19 | |
-60. -Right. | 0:19:19 | 0:19:21 | |
-65. -OK. | 0:19:21 | 0:19:23 | |
Do you think we could get anywhere near £40 for that? | 0:19:23 | 0:19:26 | |
45. | 0:19:26 | 0:19:27 | |
I knew you were going to say that! | 0:19:27 | 0:19:29 | |
If you had the two. | 0:19:29 | 0:19:31 | |
-For 45? Oh, lovely! -40 for that one... | 0:19:31 | 0:19:34 | |
-40 for this one? -And 40 for that one. | 0:19:34 | 0:19:37 | |
Oh, she is a mean woman, isn't she? | 0:19:37 | 0:19:40 | |
She's hooking me in. I'm being... | 0:19:40 | 0:19:42 | |
I think I'm going to call Crimestoppers because I think I'm being mugged! | 0:19:42 | 0:19:47 | |
Oh, do come on, Mark! | 0:19:47 | 0:19:49 | |
40 and 40. | 0:19:49 | 0:19:51 | |
Deal. I'm not going to argue with you. | 0:19:51 | 0:19:53 | |
For once! Terrific! | 0:19:53 | 0:19:55 | |
Mark's last two buys are in the bag. | 0:19:55 | 0:19:58 | |
Time to jog our memory as to what they've purchased. | 0:19:58 | 0:20:01 | |
Mark Hales began this leg with £234.52, | 0:20:03 | 0:20:06 | |
and finally managed to spend £190 on five auction lots. | 0:20:06 | 0:20:11 | |
They are a wooden cramp for window sashes, | 0:20:11 | 0:20:14 | |
a pair of carved lions, a collection of bumper badges | 0:20:14 | 0:20:18 | |
and car mascot, a 1956 presentation clock | 0:20:18 | 0:20:21 | |
with a 1920s bust portrait and a retro advertising sign. | 0:20:21 | 0:20:26 | |
Mark Stacey kicked off with £332.10, and parted with £105, | 0:20:26 | 0:20:31 | |
also on five lots. | 0:20:31 | 0:20:33 | |
And Art Deco cat jug, an early 19th-century box, | 0:20:33 | 0:20:36 | |
four bowling woods, a pair of Edwardian cufflinks | 0:20:36 | 0:20:40 | |
and a Majolica dish, paired with the Majolica pot and stand. | 0:20:40 | 0:20:44 | |
So, what did our chums think of each other's booty? | 0:20:44 | 0:20:48 | |
The box. LOVE his box. | 0:20:48 | 0:20:49 | |
Regency, slightly later. | 0:20:49 | 0:20:52 | |
It's not in vogue at the moment, but jolly good buy. | 0:20:52 | 0:20:55 | |
The cat, well, it's worth a tenner, basically. | 0:20:55 | 0:20:58 | |
It was a gift, at the end of the day. | 0:20:58 | 0:20:59 | |
Louis Wain style, but Louis Wain cats have square heads, not round ones. | 0:20:59 | 0:21:03 | |
The cufflinks. Well, I missed those in the flea market. | 0:21:03 | 0:21:06 | |
Good for him. What a good buy. | 0:21:06 | 0:21:08 | |
Undoubtedly I think the most successful item will be the Champagne Charlie. | 0:21:08 | 0:21:13 | |
And with all those little car badges. | 0:21:13 | 0:21:15 | |
That should be a good lot for a general sale. | 0:21:15 | 0:21:18 | |
Harold. What can you say about him? | 0:21:18 | 0:21:21 | |
I think I'll skip on. It's a sign. 40 quid?! | 0:21:21 | 0:21:24 | |
Sounds a bit of a price to me, to be honest. | 0:21:24 | 0:21:26 | |
If there's any justice in the world, I really should come out on top in this one. | 0:21:26 | 0:21:30 | |
Well, that's fighting talk. | 0:21:30 | 0:21:33 | |
On this leg, our pair of haggling heroes has travelled | 0:21:34 | 0:21:37 | |
from Harleston in Norfolk | 0:21:37 | 0:21:39 | |
to Campsea Ashe in Suffolk. | 0:21:39 | 0:21:41 | |
The area of Campsea Ashe is thought to have been inhabited | 0:21:42 | 0:21:46 | |
since the Roman period. | 0:21:46 | 0:21:49 | |
The village's Abbott's Auction Rooms | 0:21:49 | 0:21:53 | |
have been staging lively sales since the 1920s. | 0:21:53 | 0:21:56 | |
Here we go, Mark. | 0:21:56 | 0:21:58 | |
Jolly good. | 0:22:01 | 0:22:02 | |
Well, Mark. | 0:22:05 | 0:22:07 | |
This is the moment! | 0:22:07 | 0:22:09 | |
On your marks! It's hammer time! And James Shand is in charge. | 0:22:11 | 0:22:15 | |
Here we go. | 0:22:15 | 0:22:16 | |
First up, it's Mark Stacey's combined lot of Majolica ceramics. | 0:22:16 | 0:22:22 | |
30 and off we go, then. 30 I have here in front. | 0:22:22 | 0:22:25 | |
At 30. Do I see 5? It's at 30. 35. | 0:22:25 | 0:22:29 | |
40. 5. 50. 5. Do I see 60? | 0:22:29 | 0:22:34 | |
With the lady at £55. | 0:22:34 | 0:22:36 | |
I sell at 55. | 0:22:36 | 0:22:39 | |
A disappointing first lot for the confident Mr Stacey. | 0:22:39 | 0:22:43 | |
£5 profit. | 0:22:43 | 0:22:45 | |
But a loss after commission. | 0:22:45 | 0:22:47 | |
Now it's Mark Hales' retro clock and plaque. | 0:22:48 | 0:22:51 | |
I start the bidding at £20. | 0:22:51 | 0:22:53 | |
With me and on the book at 20. At 20. Do I see 2? | 0:22:53 | 0:22:56 | |
Not doing terribly well, is he? | 0:22:56 | 0:22:58 | |
28. 30. | 0:22:58 | 0:23:00 | |
30 with me. 32 is in the room now. At 32. | 0:23:00 | 0:23:03 | |
We haven't even got our money back at the moment. | 0:23:03 | 0:23:05 | |
In the room at £32. I sell at 32. | 0:23:05 | 0:23:09 | |
Not a great start. | 0:23:09 | 0:23:12 | |
A magnificent loss. | 0:23:12 | 0:23:14 | |
Can Mr Hales' natty friend Harold | 0:23:15 | 0:23:18 | |
get him back on track to a profit? | 0:23:18 | 0:23:20 | |
10 to start me for this one. 10 I have at the back. At £10 only. | 0:23:20 | 0:23:24 | |
Do I see 12? | 0:23:24 | 0:23:25 | |
-Come on! -12 is there. 14. | 0:23:25 | 0:23:28 | |
16. 18. 20. 2. | 0:23:28 | 0:23:31 | |
-He's worth more than that. -25. | 0:23:31 | 0:23:34 | |
28. | 0:23:34 | 0:23:36 | |
30. | 0:23:36 | 0:23:37 | |
-On my right at £30. -Ah, well. -I sell at 30. | 0:23:37 | 0:23:41 | |
Not a good day for retro, it seems! | 0:23:41 | 0:23:45 | |
Another day, another loss! | 0:23:46 | 0:23:48 | |
Mark Stacey won the coin toss. | 0:23:48 | 0:23:51 | |
But can his cat jug win over the sale room? | 0:23:51 | 0:23:55 | |
10 and off we go for this one. 10 I have. 12. | 0:23:55 | 0:23:57 | |
14. 16. | 0:23:57 | 0:23:59 | |
18. 20. | 0:23:59 | 0:24:01 | |
20. In the middle at 20. And 2. | 0:24:01 | 0:24:04 | |
25. | 0:24:04 | 0:24:05 | |
28. 30. | 0:24:05 | 0:24:07 | |
And 2. 35. 38. 40. | 0:24:07 | 0:24:11 | |
40. In the middle at 40. Is there another bidder? | 0:24:11 | 0:24:14 | |
40 and I sell. | 0:24:14 | 0:24:16 | |
A spectacular profit into Mr Stacey's swelling coffers. | 0:24:16 | 0:24:21 | |
What have I got to do? Look at him, grinning like a Cheshire cat! | 0:24:21 | 0:24:26 | |
I'm the cat that's got the cream! | 0:24:26 | 0:24:28 | |
Will Mr Hales' car badges and mascot | 0:24:28 | 0:24:31 | |
provide a reason to break out the bubbly? | 0:24:31 | 0:24:35 | |
20 and up we go. 20 I have. 22. | 0:24:35 | 0:24:38 | |
-25. -This is so rare! -30. | 0:24:38 | 0:24:41 | |
2. 35. 38. | 0:24:41 | 0:24:43 | |
40 and 2. 45. | 0:24:43 | 0:24:46 | |
There's a lot of interest. | 0:24:46 | 0:24:48 | |
55. 60. 5. | 0:24:48 | 0:24:50 | |
70. 5. 80. 5. | 0:24:50 | 0:24:54 | |
90. 5. 100. | 0:24:54 | 0:24:56 | |
-100, here at 100. -Don't stop! Get past it. | 0:24:56 | 0:24:59 | |
Get past that barrier. That's better. | 0:24:59 | 0:25:02 | |
110 on the far side. 120. | 0:25:02 | 0:25:04 | |
130. | 0:25:04 | 0:25:06 | |
-Better. -140. -Getting cheerful! | 0:25:06 | 0:25:09 | |
-140's on the pillar. -Getting happy. -150. | 0:25:09 | 0:25:11 | |
160. | 0:25:11 | 0:25:12 | |
170. 180. | 0:25:12 | 0:25:15 | |
-190. -I'm redeemed! -200. | 0:25:15 | 0:25:17 | |
And 10. | 0:25:17 | 0:25:19 | |
In the corner at 210. Any other bids? I shall sell at £210. | 0:25:19 | 0:25:23 | |
A right Champagne Charlie YOU are, Mark! | 0:25:24 | 0:25:28 | |
With that, he's stolen a triumphant lead. | 0:25:28 | 0:25:31 | |
-Yes! -Well done! | 0:25:31 | 0:25:33 | |
-£210, Mark! -I'm going to hug Mark Stacey! -Oh, my God! -Isn't that good? | 0:25:33 | 0:25:39 | |
Next, the bowls. | 0:25:40 | 0:25:43 | |
Is Mark Stacey on a roll? | 0:25:43 | 0:25:45 | |
10 and off we go, then, on the bowling woods. | 0:25:45 | 0:25:48 | |
10 I have here at 10. Do you wish to bid 12? | 0:25:48 | 0:25:50 | |
12. Gentleman's bid there at 12. | 0:25:50 | 0:25:54 | |
They're cheap at 12. Do I see 14? Gentleman's bid at £12. | 0:25:54 | 0:25:56 | |
Any other bids? At £12 and I sell at 12. | 0:25:56 | 0:26:00 | |
It would seem not. | 0:26:02 | 0:26:03 | |
-Oh, auctions are such a funny business. -This one is! | 0:26:04 | 0:26:08 | |
The lions are next. | 0:26:08 | 0:26:10 | |
They may be the king of beasts, | 0:26:10 | 0:26:12 | |
but will they make Mr Hales king of the sale room? | 0:26:12 | 0:26:15 | |
10 and off we go for these. Nice lot at 10. 10 I have. | 0:26:17 | 0:26:21 | |
At £10 only. 10, 12. 14. | 0:26:21 | 0:26:23 | |
16. 18. | 0:26:23 | 0:26:25 | |
-Come along, now. -I think that's enough, Mark. | 0:26:25 | 0:26:29 | |
Any other bids? At £18. I sell at 18. | 0:26:29 | 0:26:33 | |
No crown for you, Mr Hales! | 0:26:33 | 0:26:36 | |
And your magnificent lead is being nibbled away. | 0:26:36 | 0:26:39 | |
-There you go. -They didn't roar, those lions, did they? | 0:26:39 | 0:26:42 | |
No. Another loss. | 0:26:42 | 0:26:44 | |
Next, it's Mark Stacey's inlaid wooden box - | 0:26:44 | 0:26:47 | |
the one Mark Hales loved. | 0:26:47 | 0:26:49 | |
Start the bidding with me at £60. Do I see 5? | 0:26:49 | 0:26:52 | |
With me and on the book at 60. | 0:26:52 | 0:26:54 | |
-At 60. -5. You're going to be OK. | 0:26:54 | 0:26:58 | |
-80. -80. I'm happy with that. | 0:26:58 | 0:27:00 | |
90. 5. 100. | 0:27:00 | 0:27:02 | |
And 10. 120. | 0:27:02 | 0:27:04 | |
-Ooh. -Good. -130. | 0:27:04 | 0:27:05 | |
-Fantastic. -Any other bids? | 0:27:05 | 0:27:07 | |
I'm going to sell at 130. | 0:27:07 | 0:27:10 | |
A stormer. Mark Hales is still ahead | 0:27:11 | 0:27:14 | |
but Mr Stacey is snapping at his heels! | 0:27:14 | 0:27:17 | |
-Well done, Mark. -£90 profit. -Really good buy. | 0:27:18 | 0:27:21 | |
Now, the find of the leg. | 0:27:21 | 0:27:23 | |
Mr Stacey's 18-carat cufflinks. | 0:27:23 | 0:27:26 | |
Will they be enough for him to steal the lead? | 0:27:26 | 0:27:30 | |
I start the bidding with me at £50. | 0:27:32 | 0:27:34 | |
Do I see 5? 55. | 0:27:34 | 0:27:36 | |
60. 5. | 0:27:36 | 0:27:38 | |
70. 5. 80. 5. | 0:27:38 | 0:27:41 | |
90. 5. | 0:27:41 | 0:27:43 | |
100. And 10. | 0:27:43 | 0:27:45 | |
110. 110's on my right. At 110. | 0:27:45 | 0:27:48 | |
Any other bids at £110. | 0:27:48 | 0:27:50 | |
I sell at 110. | 0:27:50 | 0:27:52 | |
Not bad for an outlay of a fiver! | 0:27:53 | 0:27:56 | |
Mr Stacey has stolen the lead. | 0:27:56 | 0:27:58 | |
Gosh! | 0:27:58 | 0:28:00 | |
Wonderful! Well done! | 0:28:01 | 0:28:02 | |
Actually, I've got to be pleased with that. | 0:28:02 | 0:28:04 | |
One more lot to go. | 0:28:04 | 0:28:06 | |
Indeed there is. | 0:28:06 | 0:28:08 | |
It all hangs on Mr Hales' sash cramp. | 0:28:08 | 0:28:13 | |
I start the bidding with me at £20. Do I see 2? | 0:28:13 | 0:28:15 | |
22. 25. | 0:28:15 | 0:28:17 | |
28 is in the room. At 28. Do I see 30? | 0:28:17 | 0:28:21 | |
In the room at 28. On my right at £28. Any other bids? | 0:28:21 | 0:28:25 | |
You were right. | 0:28:25 | 0:28:27 | |
A respectable profit. | 0:28:27 | 0:28:29 | |
But it isn't enough to regain the lead. | 0:28:29 | 0:28:32 | |
It could have been worse. That was OK. | 0:28:33 | 0:28:35 | |
That's the spirit, Mark. | 0:28:35 | 0:28:37 | |
Great British dignity in defeat! | 0:28:37 | 0:28:40 | |
It's been a roller coaster. Ups and downs. | 0:28:40 | 0:28:43 | |
Very exciting. Well done. | 0:28:43 | 0:28:44 | |
-We've enjoyed it. -I really have. | 0:28:44 | 0:28:46 | |
Come on. Let's find out who's won. | 0:28:46 | 0:28:48 | |
Ah, you always make up in the end. How sweet! | 0:28:48 | 0:28:51 | |
So, Mr Stacey stole that bout with his bargain gold cufflinks. | 0:28:51 | 0:28:56 | |
Mark Hales started this leg with £234.52. | 0:28:58 | 0:29:03 | |
After paying auction costs, | 0:29:03 | 0:29:05 | |
he made a profit of £70.76 | 0:29:05 | 0:29:08 | |
and carries £305.28 on to the next leg. | 0:29:08 | 0:29:12 | |
The other Mark, meanwhile, | 0:29:15 | 0:29:17 | |
started with £332.10. | 0:29:17 | 0:29:19 | |
He made a smashing profit of £179.54, | 0:29:19 | 0:29:23 | |
giving him £511.64 to go forwards. | 0:29:23 | 0:29:28 | |
-What a successful day all round, Mark, I think. -It was good. | 0:29:29 | 0:29:32 | |
-That was jolly good. -Mark, no. | 0:29:32 | 0:29:34 | |
-Open the door for the victor. -That's what I'm here for! | 0:29:34 | 0:29:37 | |
-Open the door for the victor. -After you, sir. | 0:29:37 | 0:29:40 | |
-Thank you. -There you are, Mr Winner. -I could get used to this! | 0:29:40 | 0:29:43 | |
I'm sure you could! | 0:29:43 | 0:29:45 | |
-That's it. -Forward! | 0:29:45 | 0:29:48 | |
Now, hold tight as the battle of the Marks continues, | 0:29:48 | 0:29:51 | |
as they head into their final leg of the trip. | 0:29:51 | 0:29:54 | |
Our chaps have been journeying through eastern lands, starting | 0:29:54 | 0:29:58 | |
in Finedon in Northamptonshire, then travelling 300 miles | 0:29:58 | 0:30:02 | |
through five English counties, heading towards Colchester, Essex. | 0:30:02 | 0:30:05 | |
On this last leg of their epic road trip, they begin in Clare | 0:30:07 | 0:30:11 | |
in Suffolk, heading for their final auction in Colchester. | 0:30:11 | 0:30:15 | |
-A nice little Georgian town again, isn't it? -Very pretty. | 0:30:16 | 0:30:20 | |
During the medieval period, | 0:30:23 | 0:30:25 | |
the small town of Clare prospered from the cloth industry. | 0:30:25 | 0:30:29 | |
Today, its large range of listed buildings makes it an attractive place to start buying. | 0:30:29 | 0:30:35 | |
Right then, here we are. | 0:30:35 | 0:30:38 | |
-Jolly good. -You're very keen, Mark. -I am very keen. | 0:30:38 | 0:30:41 | |
I can't wait for this. | 0:30:41 | 0:30:44 | |
You're positively bouncing, Mark. | 0:30:44 | 0:30:46 | |
-I'm popping in that one, I think. -OK, I'm off this way. Be lucky. | 0:30:46 | 0:30:50 | |
-I'll catch up with you later. -Don't catch up with me TOO soon. -Oh, I will. -Bye! | 0:30:50 | 0:30:55 | |
Mark Stacey is heading off towards FD Salter Antiques | 0:30:55 | 0:30:59 | |
with his splendid £511, where David rules the roost. | 0:30:59 | 0:31:03 | |
-Hello. -Hello. | 0:31:03 | 0:31:06 | |
-I'm Mark. -Hello. David. | 0:31:06 | 0:31:07 | |
-Nice to meet you, David. Lovely little shop. -Thank you. | 0:31:07 | 0:31:11 | |
Let's hope Mark is in luck as he hunts for his first item. | 0:31:11 | 0:31:15 | |
Now, there's something that might be Mark's cup of tea. | 0:31:17 | 0:31:21 | |
It's quite pretty, isn't it? | 0:31:21 | 0:31:23 | |
Quite a sweet little thing. It's a little, um... | 0:31:24 | 0:31:27 | |
pewter...embossed tea caddy. | 0:31:27 | 0:31:31 | |
Almost Arts and Crafts in a way. | 0:31:31 | 0:31:34 | |
The 19th century Arts and Crafts movement reacted against the manufacturing changes | 0:31:34 | 0:31:40 | |
brought on by the Industrial Revolution | 0:31:40 | 0:31:43 | |
and harked back to the styles and craftsmanship of previous centuries. | 0:31:43 | 0:31:47 | |
I'll see what David says price-wise. We might be lucky. | 0:31:47 | 0:31:50 | |
-What I did find, David, was this little tea caddy. -Yeah. | 0:31:50 | 0:31:55 | |
-Embossed with pewter, I suppose. -I would say it was pewter, yes. | 0:31:55 | 0:31:59 | |
It's obviously got a bit of age | 0:31:59 | 0:32:01 | |
-because it's got that lovely patina on there. -It has, yes. | 0:32:01 | 0:32:04 | |
But there was no price on it, David. | 0:32:04 | 0:32:07 | |
-Do I need to sit down? -No, it's not too bad at all. It can be £35 to you. | 0:32:07 | 0:32:12 | |
That's actually not too bad, is it? | 0:32:12 | 0:32:14 | |
We couldn't get to 30? | 0:32:14 | 0:32:16 | |
-I don't want to push you too much. -I can't, I'm afraid. -OK. | 0:32:16 | 0:32:20 | |
I've not bought anything like this before. | 0:32:20 | 0:32:23 | |
-I'm going to buy it for 35. -Lovely. -That's very kind of you. Thank you very much. | 0:32:23 | 0:32:27 | |
Meanwhile, Mark Hales is a couple of minutes away | 0:32:31 | 0:32:34 | |
and heading into Clare Antiques & Interiors, | 0:32:34 | 0:32:36 | |
with his less-impressive £305. | 0:32:36 | 0:32:38 | |
His day isn't going quite so swimmingly. | 0:32:38 | 0:32:41 | |
What to do, what to do? | 0:32:43 | 0:32:45 | |
What to buy? | 0:32:45 | 0:32:48 | |
That, Mark, is the question. | 0:32:48 | 0:32:50 | |
I keep seeing bits and pieces that I can buy for £15, they might make £25. It's not what I'm after. | 0:32:50 | 0:32:56 | |
I'm trying to buy something with considerable profit in it. | 0:32:56 | 0:33:00 | |
And I'm not dreaming. | 0:33:01 | 0:33:03 | |
-It happens. I've done it before. I can do it again. -Indeed you have. | 0:33:03 | 0:33:08 | |
-Yes, yes! I'm going to hug Mark Stacey. -Oh, my God! | 0:33:08 | 0:33:11 | |
While Mark Hales pulls himself together, | 0:33:13 | 0:33:16 | |
the competitive Mark Stacey is nearby and has just spotted another shop he's keen to have a gander at - | 0:33:16 | 0:33:22 | |
Market Hill Antiques. | 0:33:22 | 0:33:24 | |
-Hello there. -Morning, sir. | 0:33:26 | 0:33:28 | |
-I'm Mark. -Robin. -Nice to meet you. | 0:33:28 | 0:33:30 | |
As ever, Mark's eagle eye is hunting for a bargain. Watch out, Robin. | 0:33:31 | 0:33:37 | |
Mark's on fire today. He's just spotted a pair of Georgian lead tobacco boxes. | 0:33:38 | 0:33:44 | |
There's one with the Prince of Wales feathers here. They are 1720s? | 0:33:44 | 0:33:48 | |
Yeah. They're probably Scottish. | 0:33:48 | 0:33:50 | |
They had the main tobacco import from Virginia and places like that. | 0:33:50 | 0:33:54 | |
The Scottish port of Glasgow | 0:33:54 | 0:33:56 | |
dominated the 18th century tobacco trade with the American colonies | 0:33:56 | 0:34:00 | |
and many great fortunes were built on the weed. | 0:34:00 | 0:34:04 | |
-I'll do you "buy one, get one free". -OK. -Do you want to look at the price now? -No. | 0:34:04 | 0:34:10 | |
-185. -Oh, my God! | 0:34:12 | 0:34:14 | |
I'm always open to an offer. | 0:34:14 | 0:34:16 | |
I don't want to be reckless and jeopardise my hard-earned winnings. | 0:34:16 | 0:34:21 | |
£120, they've got to make a profit for the pair? | 0:34:21 | 0:34:24 | |
I mean, it does seem reasonable, but I do like round figures, you see. | 0:34:24 | 0:34:28 | |
-150 then? -No, 100. That's what I was thinking. | 0:34:28 | 0:34:31 | |
-110 the pair. -You can't do them for 100? Shake on 100? -Go on. | 0:34:31 | 0:34:37 | |
-What have I done? -Spent £100, sir. | 0:34:39 | 0:34:41 | |
-I can't go back now, can I? -No, we shook on it. -We have. | 0:34:41 | 0:34:45 | |
-Sweating, sir? -I am sweating. I've never bought anything like this before. I'm really worried. | 0:34:45 | 0:34:50 | |
Where are you going, Mark? Get back here! | 0:34:50 | 0:34:53 | |
That's more like it. | 0:34:53 | 0:34:55 | |
And Robin gets his cash, finally, | 0:34:56 | 0:34:59 | |
and another buy is in the bag, despite the tomfoolery. | 0:34:59 | 0:35:04 | |
Mark Hales, though, still hasn't found anything in the other shop. | 0:35:04 | 0:35:08 | |
It's all going wrong for me today. I've just got to... | 0:35:08 | 0:35:12 | |
So he's taking a break from the stresses of buying. | 0:35:12 | 0:35:15 | |
I hope I haven't missed anything. It's so easy to miss things. | 0:35:15 | 0:35:19 | |
Right, onward. | 0:35:19 | 0:35:22 | |
Onward. | 0:35:22 | 0:35:23 | |
And he's driving the 32 miles to Maldon in Essex. | 0:35:27 | 0:35:31 | |
The town's history is tied to the Blackwater Estuary on which it sits. | 0:35:34 | 0:35:39 | |
Traditional Thames sailing barges, | 0:35:39 | 0:35:41 | |
which once carried cargoes through the waterways of eastern England, | 0:35:41 | 0:35:45 | |
can still be glimpsed. | 0:35:45 | 0:35:48 | |
Today, Mark is visiting the town's Combined Military Services Museum | 0:35:54 | 0:35:58 | |
and meeting museum historian Clive. | 0:35:58 | 0:36:00 | |
-Good afternoon, sir. -Good afternoon, sir. -I'm Mark. | 0:36:00 | 0:36:04 | |
-I'm Clive. -Hello, Clive. | 0:36:04 | 0:36:06 | |
The museum's collection illustrates the proud history of Britain's armed forces. | 0:36:06 | 0:36:12 | |
Some of the most interesting pieces | 0:36:12 | 0:36:15 | |
relate to espionage and covert operations in the 20th century. | 0:36:15 | 0:36:19 | |
Clive's going to show Mark one of them. | 0:36:19 | 0:36:23 | |
-Now, what have we here? -This is a suitcase radio. | 0:36:23 | 0:36:27 | |
It was the type of thing issued | 0:36:27 | 0:36:29 | |
to Special Operations Executive operatives in the Second World War. | 0:36:29 | 0:36:33 | |
Both men and women. And they used it to communicate back to the UK. | 0:36:33 | 0:36:37 | |
The Special Operations Executive, or SOE, | 0:36:37 | 0:36:40 | |
was a secret British Army unit convened during World War II | 0:36:40 | 0:36:45 | |
to engage in covert reconnaissance and sabotage behind enemy lines. | 0:36:45 | 0:36:50 | |
Way in advance of its time in terms of communications. You can pick it up, carry it | 0:36:50 | 0:36:55 | |
and the obvious disguise for it was a suitcase, hence "suitcase radios". | 0:36:55 | 0:36:59 | |
The men and women of the SOE risked their lives | 0:36:59 | 0:37:02 | |
to send information vital to the war effort back to Britain. | 0:37:02 | 0:37:06 | |
-They were brave. -They were indeed. Very much so. | 0:37:06 | 0:37:09 | |
You can put the headphones on and have a tap on the Morse key. | 0:37:09 | 0:37:12 | |
Oh, lovely. Right, now, what's SOS? | 0:37:12 | 0:37:15 | |
-Dot-dot-dot, dash-dash-dash, dot-dot-dot. -That's it. -I've done it. I've sent a message. | 0:37:15 | 0:37:21 | |
Now, is that a gun in Clive's pocket? | 0:37:22 | 0:37:25 | |
I've got something else here that you might find of interest, | 0:37:25 | 0:37:29 | |
craftily concealed about my person. | 0:37:29 | 0:37:30 | |
-This... -That's a gun. | 0:37:30 | 0:37:33 | |
It's a Luger, a standard German Second World War pistol. | 0:37:33 | 0:37:37 | |
But this one is rather special, and this weapon, along with another one, | 0:37:37 | 0:37:41 | |
-was prepared for an assassination attempt on Hitler in 1944. -That actual Luger? | 0:37:41 | 0:37:46 | |
Yeah. They decided in July 1940 | 0:37:46 | 0:37:48 | |
not to carry on with the operation because it was considered | 0:37:48 | 0:37:51 | |
that Hitler was doing so much damage to the German war effort by himself | 0:37:51 | 0:37:55 | |
that it was best to leave him alive. | 0:37:55 | 0:37:58 | |
Yes. It sort of makes sense in retrospect, doesn't it? | 0:37:58 | 0:38:01 | |
That gun would have been used, had the operation gone ahead. | 0:38:01 | 0:38:04 | |
I'm having trouble getting my head round this. | 0:38:04 | 0:38:07 | |
That actual pistol, basically, could have changed history. | 0:38:07 | 0:38:11 | |
It could have changed the history of the world. Can I have a go? | 0:38:11 | 0:38:13 | |
Like all of the firearms here, the Luger has been deactivated, thank goodness, so it can't fire | 0:38:13 | 0:38:20 | |
and there's no chance of Mark doing himself a mischief. | 0:38:20 | 0:38:23 | |
It's almost as if it was made for me. | 0:38:23 | 0:38:26 | |
Oh, yes, Mark, you do look the part. | 0:38:26 | 0:38:29 | |
MOVIE GUNFIRE | 0:38:29 | 0:38:31 | |
"JAMES BOND" THEME MUSIC | 0:38:31 | 0:38:34 | |
Now, Clive has some other super spy gadgets to show Mark. | 0:38:34 | 0:38:38 | |
This room is packed full of items thought to have been used in espionage during the Cold War. | 0:38:38 | 0:38:44 | |
Much of the collection was amassed by two real-life British agents, | 0:38:45 | 0:38:49 | |
the husband and wife spy team Peter and Prue Mason | 0:38:49 | 0:38:53 | |
who used many of these specially designed items in the field. | 0:38:53 | 0:38:58 | |
Here are some particular artefacts that I thought you might find interesting. | 0:38:58 | 0:39:03 | |
I think Clive might be Essex's answer to Q. | 0:39:03 | 0:39:08 | |
I won't tell you what they are. I want you to think James Bond. | 0:39:08 | 0:39:11 | |
-My goodness me! -See if you can see what's different about these shoes. | 0:39:11 | 0:39:15 | |
Apart from the fact they're very sexy patent leather. | 0:39:15 | 0:39:18 | |
-Each to their own, Clive. -Now, now! | 0:39:18 | 0:39:21 | |
Oh, oh, here we go. If I pull that out... Oh, nasty. | 0:39:21 | 0:39:24 | |
-There you go. -That's for doing his nails, isn't it? | 0:39:24 | 0:39:28 | |
The shoes contain a concealed blade, | 0:39:29 | 0:39:32 | |
just like the shoes worn by arch-villainess Rosa Klebb in Bond film From Russia With Love. | 0:39:32 | 0:39:39 | |
Typical James Bond scenario. All you've got to do is flick that out. | 0:39:39 | 0:39:44 | |
-Flick that out with your other foot or wiggling about. -Yeah, or on a chair. -Cut your ropes. | 0:39:44 | 0:39:49 | |
Quick bit of kung fu or whatever and out the building. Don't forget the young lady. | 0:39:49 | 0:39:54 | |
Daniel Craig is quaking in his Italian leather brogues, I'm sure. | 0:39:54 | 0:39:58 | |
Just pick up that cigarette there. | 0:39:58 | 0:40:00 | |
That's heavy. | 0:40:00 | 0:40:03 | |
-It's a gun. -Of course it is. How obvious! Of course it's a gun(!) | 0:40:03 | 0:40:07 | |
It's a single-shot pistol. | 0:40:07 | 0:40:09 | |
-Is it really? -To fire it, you have to twist that. | 0:40:09 | 0:40:12 | |
All you would do is twist it and that would... | 0:40:12 | 0:40:15 | |
-Fire a bullet out of the end. -This is Boy's Own stuff. This is straight out of books. | 0:40:15 | 0:40:20 | |
The museum holds all manner of secrets, but the rest of them are for Mark's eyes only. | 0:40:20 | 0:40:26 | |
I shouldn't really show you this, but we do have one or two items... | 0:40:26 | 0:40:31 | |
Mark Stacey, though, is back in Clare, Suffolk, | 0:40:33 | 0:40:36 | |
and has popped into the shop that gave Mark Hales such gyp earlier. | 0:40:36 | 0:40:40 | |
Can his eagle eye spot anything his rival missed? | 0:40:40 | 0:40:45 | |
I see this little box here. It's got Ollivant & Botsford on it. | 0:40:45 | 0:40:50 | |
Ollivant & Botsford were jewellers, silversmiths and watchmakers. | 0:40:50 | 0:40:54 | |
Shall we open the box? Come on, let's open the box. | 0:40:54 | 0:40:57 | |
Oh, goody, let's! | 0:40:57 | 0:41:00 | |
-It could be a winner. Can I have a look at this, sir? -Sure. | 0:41:00 | 0:41:04 | |
Dealer Jim will get it out of the case. Drumroll, please! | 0:41:04 | 0:41:08 | |
Let's hope it's as exciting as it looks. | 0:41:08 | 0:41:11 | |
Oh. | 0:41:11 | 0:41:13 | |
Well, that was an anti-climax. | 0:41:13 | 0:41:15 | |
Whatever was in there... | 0:41:15 | 0:41:18 | |
Issued by the Royal Observatory, Greenwich, 19th of September, 1917. | 0:41:18 | 0:41:24 | |
The box used to contain a deck watch used for naval navigation. | 0:41:26 | 0:41:31 | |
The number on the box's lid uniquely identifies it | 0:41:31 | 0:41:35 | |
and ties it to these records held in the Royal Observatory, Greenwich. | 0:41:35 | 0:41:39 | |
They confirm the box's provenance and tell the story of its working life. | 0:41:39 | 0:41:44 | |
It was acquired by the Royal Observatory in the 1890s | 0:41:44 | 0:41:48 | |
and was issued to many Royal Navy vessels before being retired in 1922. | 0:41:48 | 0:41:54 | |
It's just an intriguing little thing, but £40... | 0:41:54 | 0:41:59 | |
Is the deal negotiable, do you think? | 0:41:59 | 0:42:01 | |
-He could certainly do something on that price. -What do you think he'd take? -I know he'd do 35 on it. | 0:42:01 | 0:42:07 | |
-Do you think he would come down to 30? -I'd have to call him. -Would you mind doing that? | 0:42:07 | 0:42:12 | |
-He'll do £30 for it. -I've got to have it for £30. | 0:42:12 | 0:42:15 | |
Thank you very much indeed. | 0:42:15 | 0:42:18 | |
Marvellous. And Mark Stacey sails off to his next shop. | 0:42:18 | 0:42:22 | |
He's travelling the 39 miles to the small Essex village of Rettendon. | 0:42:24 | 0:42:29 | |
A compact, but charming destination. | 0:42:30 | 0:42:32 | |
Its church, All Saints, dates from the 13th century. | 0:42:32 | 0:42:37 | |
He's strolling off into Rettendon Antiques. | 0:42:38 | 0:42:41 | |
Is there anything he might risk his hard-earned on? | 0:42:42 | 0:42:46 | |
There is this fire screen. | 0:42:48 | 0:42:50 | |
The centre piece is made out of beaten copper and I quite like these very stylish roses. | 0:42:50 | 0:42:56 | |
They're almost like Tudor roses. | 0:42:56 | 0:42:58 | |
It's got £55 on it. | 0:42:58 | 0:43:00 | |
We know you regard that as the very loosest of jumping-off points, Mark. | 0:43:00 | 0:43:05 | |
-Best see what you can strike up with the lovely proprietor Elaine. -Elaine! | 0:43:05 | 0:43:11 | |
Sorry, Elaine. I found this and dare I say what I want to pay for it? | 0:43:11 | 0:43:15 | |
I mean, it's got 55 on it. What do you think the lowest will be on that? | 0:43:15 | 0:43:21 | |
-I could do it for £20. -£20. | 0:43:21 | 0:43:24 | |
It doesn't sound too bad, does it? | 0:43:24 | 0:43:26 | |
We couldn't tweak it under a bit for good luck? | 0:43:26 | 0:43:29 | |
I don't want to force you, honestly. It's not in my nature, but... | 0:43:30 | 0:43:35 | |
WIND WHISTLES | 0:43:35 | 0:43:36 | |
Who will break the silent battle of wills? | 0:43:36 | 0:43:40 | |
-You're a very good saleswoman, you know. -I think it's worth the £20. | 0:43:43 | 0:43:48 | |
-Go on, I'll take it for 20. -Have we got a deal? -We have. | 0:43:48 | 0:43:52 | |
There's something you don't see every day. Mark is outdone at his own game. | 0:43:52 | 0:43:58 | |
Elaine gets her £20 and Mark gets his fire screen. | 0:43:58 | 0:44:02 | |
And with that highly irregular occurrence, | 0:44:02 | 0:44:04 | |
time for Mark to rejoin, er, Mark. | 0:44:04 | 0:44:08 | |
They're heading to the Essex village of Battlesbridge | 0:44:08 | 0:44:11 | |
through which the River Crouch flows | 0:44:11 | 0:44:14 | |
along its stately way. | 0:44:14 | 0:44:16 | |
And here, our haggling heroes go to war in the same place... | 0:44:20 | 0:44:24 | |
..Battlesbridge Antiques Centre. | 0:44:25 | 0:44:27 | |
This complex of shops holds over 80 dealers, so there should be plenty for everyone. | 0:44:27 | 0:44:31 | |
-This looks good. -Are you feeling happier now? -Yeah. This is great. | 0:44:31 | 0:44:35 | |
They're heading off in different directions. | 0:44:35 | 0:44:39 | |
-You're keen. -I want to get in there. -Don't worry about me. | 0:44:39 | 0:44:42 | |
-Good morning, sir. -Good morning. -I'm Mark. -My name's John. | 0:44:42 | 0:44:47 | |
With no buys yet, Mark is going to have to work fast. | 0:44:48 | 0:44:52 | |
Already I've seen a lovely Wemyss jardiniere. Is it in good condition? | 0:44:52 | 0:44:57 | |
Let's have a quick look. | 0:44:57 | 0:44:59 | |
225. That's too much for me. | 0:44:59 | 0:45:01 | |
Wemyss Ware is a type of decorative pottery originally produced | 0:45:01 | 0:45:06 | |
in Ceres, Fife, from around the 1880s to the 1930s. | 0:45:06 | 0:45:11 | |
It was decorated by a chap called Nekola and this is all hand-painted. | 0:45:11 | 0:45:16 | |
Several patterns. Lots of different flowers, plants. | 0:45:16 | 0:45:19 | |
-You've got 225 on it. I want to buy it for 150. -OK. -What's it got to be? | 0:45:19 | 0:45:23 | |
The absolute best to you has got to be £175. | 0:45:23 | 0:45:26 | |
-Bottom line? -That's the absolute best. -OK, let's have a go. | 0:45:26 | 0:45:30 | |
-Thank you very much. -Thank you, John. -I'll get this wrapped up for you. -Brilliant. | 0:45:30 | 0:45:35 | |
Yeah... He who dares wins, John. | 0:45:36 | 0:45:38 | |
Oh, yeah, Del Boy. Oh, yeah. | 0:45:38 | 0:45:41 | |
Bye! | 0:45:42 | 0:45:43 | |
Meanwhile, Mark Stacey is outside. | 0:45:44 | 0:45:47 | |
Well, I've just spotted something which is completely barking mad - | 0:45:47 | 0:45:51 | |
a pair of cast-iron... what only can be described really as castle hinges. | 0:45:51 | 0:45:58 | |
It's almost like a fleur-de-lys design. | 0:45:58 | 0:46:01 | |
These would have gone on to a moat bridge or something. | 0:46:01 | 0:46:04 | |
Or a very, very old wooden door. | 0:46:04 | 0:46:07 | |
And I don't know if I'm crazy or very wise in trying to buy them. | 0:46:07 | 0:46:12 | |
On the ticket is £125. | 0:46:13 | 0:46:15 | |
I must be having a funny five minutes. I'm getting a hot flush about these. It's really quite mad. | 0:46:16 | 0:46:22 | |
-Oh, settle down, dear. -What would be your best price? | 0:46:22 | 0:46:26 | |
-I'd go to 75. -75. -That would be my best price. | 0:46:26 | 0:46:30 | |
-You couldn't go to 70 for me? -I'll go to 70. | 0:46:30 | 0:46:33 | |
I must be mad, but I'll have them for £70. Thank you very much. | 0:46:33 | 0:46:38 | |
Aha! A buy fit for a king. | 0:46:38 | 0:46:40 | |
Across the way, Mark Hales is really starting to feel the pressure. | 0:46:40 | 0:46:45 | |
He's still only bought one item. | 0:46:45 | 0:46:48 | |
Oh, now that's nice. | 0:46:48 | 0:46:49 | |
That is me all over. | 0:46:49 | 0:46:51 | |
Lovely Georgian stoneware tankard. | 0:46:53 | 0:46:55 | |
Markings on it. In good order. | 0:46:55 | 0:46:58 | |
Imagine a couple of pints of porter in that. | 0:46:58 | 0:47:02 | |
£35. Let's see what we can get it for. | 0:47:02 | 0:47:05 | |
I know what you're going to say. It's got £35 on it. | 0:47:05 | 0:47:09 | |
-I want it for 25. -I can sell it for 30. | 0:47:09 | 0:47:13 | |
-Oh, blimey. Can't you do 28? -30. | 0:47:13 | 0:47:15 | |
Right. Let's have a go. I love it. | 0:47:15 | 0:47:18 | |
-Thank you very much. I'll get that packed up for you. -Thank you. | 0:47:18 | 0:47:22 | |
Aha! Ceramics maestro Mark is back in familiar territory. | 0:47:22 | 0:47:27 | |
Maybe his luck's about to change. | 0:47:27 | 0:47:30 | |
Meanwhile, Mark Stacey is still outside and boxing clever. | 0:47:30 | 0:47:34 | |
The dealer's just brought this out of the back of his van and, basically, it's a box. | 0:47:35 | 0:47:41 | |
Have I bought any boxes so far? | 0:47:41 | 0:47:44 | |
Listen, you've bought four of the flaming things! | 0:47:44 | 0:47:47 | |
-It's a Victorian ladies' jewellery box in walnut. -Mark's thinking it might make a job lot | 0:47:47 | 0:47:53 | |
with his pewter tea caddy. The ticket price is £35. | 0:47:53 | 0:47:57 | |
Best speak to dealer Colin. Col? | 0:47:57 | 0:48:00 | |
-Any way we can get it for 25? -30? | 0:48:01 | 0:48:04 | |
It has to be 25, I'm afraid. I paid so much for the tea caddy. | 0:48:04 | 0:48:07 | |
-Go on, then. -Are you sure? 25? Lovely, thank you. | 0:48:07 | 0:48:11 | |
And with that, Mark Stacey's completed his shopping. | 0:48:11 | 0:48:15 | |
Mark Hales still has money to spend, so travels on alone, | 0:48:15 | 0:48:19 | |
35 miles to Debden, Essex, | 0:48:19 | 0:48:21 | |
for his last chance to shop. | 0:48:21 | 0:48:24 | |
Leafy Debden in the Uttlesford area of Essex is rural tranquillity itself. | 0:48:25 | 0:48:30 | |
In recent years, it's been twinned with the Nepalese village of Tang Ting. | 0:48:30 | 0:48:35 | |
Not a lot of people know that. Let's hope Mark can look forward to similar co-operation | 0:48:35 | 0:48:41 | |
-as he heads to Debden Antiques. -My last shop of the entire trip! | 0:48:41 | 0:48:46 | |
-Ohh! I have to buy one or two items here. -Indeed you do. Hopefully, | 0:48:46 | 0:48:52 | |
fresh-faced dealer James can be of some assistance. | 0:48:52 | 0:48:56 | |
-Would it be OK if I look around? -Sure. -Thank you very much. | 0:48:56 | 0:48:59 | |
It's crunch time. | 0:48:59 | 0:49:01 | |
I like the big decorative things. | 0:49:01 | 0:49:03 | |
A large, hand-painted vintage ship's name board from the vessel... | 0:49:03 | 0:49:06 | |
-What, Organs?! -Oh, lordy! | 0:49:06 | 0:49:08 | |
-Ogano! -Thank you. | 0:49:08 | 0:49:12 | |
On the ticket, £245. | 0:49:12 | 0:49:15 | |
I've got £100 and 28p. | 0:49:15 | 0:49:18 | |
And...and what I want, James, | 0:49:18 | 0:49:20 | |
right, cos I know you're on my wavelength, | 0:49:20 | 0:49:24 | |
is something big and showy. It's all a gamble. £100.28. | 0:49:24 | 0:49:29 | |
-You can have that for £100. -I'd better take it. | 0:49:29 | 0:49:33 | |
-And I do want the 28p. -I don't blame you! | 0:49:33 | 0:49:36 | |
Look, 20, 40, 60, 80, 90, | 0:49:36 | 0:49:41 | |
-5, 100. -And 28p. -28p. | 0:49:41 | 0:49:44 | |
James, you got me out of a pickle. | 0:49:44 | 0:49:46 | |
That's all right. I'm sure it will do OK. | 0:49:46 | 0:49:50 | |
And now you can get it off the wall. | 0:49:50 | 0:49:53 | |
-OK... -Marvellous. Mark has three lots, at last. | 0:49:53 | 0:49:57 | |
With our boys shopped-out, let's remind ourselves what they bought. | 0:50:01 | 0:50:05 | |
Mark Stacey began his final leg with £511.64, | 0:50:05 | 0:50:10 | |
and spent £280 on five auction lots, | 0:50:10 | 0:50:13 | |
which are a pewter tea caddy with a Victorian jewellery casket, | 0:50:13 | 0:50:16 | |
two early-18th century tobacco boxes, | 0:50:16 | 0:50:20 | |
a Great War mahogany compass box, | 0:50:20 | 0:50:22 | |
an Arts and Crafts fire screen, | 0:50:22 | 0:50:25 | |
and a pair of Victorian door hinges. | 0:50:25 | 0:50:28 | |
Meanwhile, Mark Hales started with £305.28, and spent | 0:50:28 | 0:50:32 | |
every last penny on a mere three lots. They are | 0:50:32 | 0:50:35 | |
a Wemyss Ware jardiniere, | 0:50:35 | 0:50:37 | |
a large stoneware tankard and a ship's name board, | 0:50:37 | 0:50:40 | |
along with one of its brass portholes. | 0:50:40 | 0:50:43 | |
So let's get the gloves off, eh? | 0:50:43 | 0:50:45 | |
The Ogano ship sign. | 0:50:45 | 0:50:47 | |
It's a pastiche, of course. Someone's put the portholes on. | 0:50:47 | 0:50:51 | |
Are they the originals? Possibly. 100 quid? Might be a small profit. | 0:50:51 | 0:50:56 | |
Looking forward to the auction, | 0:50:56 | 0:50:58 | |
but I've said this before - it ain't over until the auctioneer puts his gavel down. | 0:50:58 | 0:51:04 | |
Good for him. I thought he was pretty brave. | 0:51:04 | 0:51:06 | |
Forget about the hinges. There's bits off, half of one is missing. | 0:51:06 | 0:51:12 | |
Anything could happen at auction. I'm in with a chance. | 0:51:12 | 0:51:15 | |
On this epic road trip, | 0:51:18 | 0:51:20 | |
the two Marks have travelled nearly 300 miles through East Anglia. | 0:51:20 | 0:51:24 | |
On this leg, they started in Clare, Suffolk. | 0:51:24 | 0:51:27 | |
They're heading now for their final showdown in Colchester, Essex. | 0:51:27 | 0:51:31 | |
The town has housed a military garrison since as far back as the Roman period | 0:51:34 | 0:51:38 | |
and was an important city in Ancient Britain. | 0:51:38 | 0:51:41 | |
Let's hope our Marks can harness a bit of that warrior spirit as they head for their last auction. | 0:51:43 | 0:51:49 | |
A venerable Colchester institution, | 0:51:49 | 0:51:52 | |
Reeman Dansie Auctioneers have been established here since 1881. | 0:51:52 | 0:51:57 | |
Anything could happen as our pair readied themselves | 0:51:57 | 0:52:01 | |
for the final showdown. | 0:52:01 | 0:52:02 | |
James Grinter's the man with the gavel. | 0:52:02 | 0:52:05 | |
First up, Mark Stacey's pair of lead tobacco boxes. | 0:52:05 | 0:52:08 | |
Will they set the saleroom alight or simply smoulder? | 0:52:08 | 0:52:12 | |
£40 to start me. 40? 40 I have. | 0:52:12 | 0:52:14 | |
40. I haven't lost everything! | 0:52:14 | 0:52:17 | |
£42 down there. 42. 44. 46. 48. | 0:52:17 | 0:52:20 | |
-50. 5. 60. 5. -Come on, a bit more. | 0:52:20 | 0:52:24 | |
All done at £65. | 0:52:24 | 0:52:28 | |
So a less than stellar start for Mark Stacey. | 0:52:28 | 0:52:32 | |
-Thank goodness - a loss! -Charming(!) | 0:52:32 | 0:52:35 | |
It's boxes, boxes everywhere as Mark Stacey's next lot takes the stage. | 0:52:35 | 0:52:41 | |
£40 to start me. 40 I have now. | 0:52:41 | 0:52:43 | |
40. 42. 44. | 0:52:43 | 0:52:47 | |
46. 48. 50. | 0:52:47 | 0:52:49 | |
55. 60. | 0:52:49 | 0:52:51 | |
-Well, I've got my money back. -Any advance? | 0:52:51 | 0:52:55 | |
All done now at £60. All done? | 0:52:55 | 0:52:59 | |
They held their value, but that's a loss after the auction house's commission. | 0:52:59 | 0:53:05 | |
Is it Mark Hales' chance to catch up? | 0:53:05 | 0:53:08 | |
-I thought there might be a £20, £30 profit. -I thought they'd make 120 in a sale like this. | 0:53:08 | 0:53:13 | |
So Mark Hales' first lot now, as his Wemyss jardiniere meets the saleroom. | 0:53:13 | 0:53:19 | |
What do you say to start me? £100? | 0:53:19 | 0:53:22 | |
-£100 I have down here now. At £100. -Come on. -110. | 0:53:22 | 0:53:26 | |
120. 130. 140. 150. | 0:53:26 | 0:53:29 | |
-160. 170. -Good. -180. -That's my money back. | 0:53:29 | 0:53:34 | |
At £190 bid. 190. 200? | 0:53:34 | 0:53:37 | |
I'm going to sell. All done at 190. | 0:53:37 | 0:53:40 | |
A profit, but not the one he hoped for. | 0:53:40 | 0:53:44 | |
He'll still need a flyer to catch up. | 0:53:44 | 0:53:48 | |
-I've got to laugh. -You made a £15 profit, Mark. | 0:53:48 | 0:53:53 | |
Enough of the sighing, boys. | 0:53:53 | 0:53:55 | |
Maybe Mark Stacey's Arts and Crafts fire screen will ignite the saleroom's interest. | 0:53:55 | 0:54:01 | |
30? £30 to start me somewhere. £30. | 0:54:01 | 0:54:04 | |
32. 34. 36. | 0:54:04 | 0:54:06 | |
38. 40. | 0:54:06 | 0:54:08 | |
At 40. 42. 44. 46. 48. | 0:54:08 | 0:54:12 | |
50. At £50. Gentleman at the back. | 0:54:12 | 0:54:15 | |
-That's good. -It's good. | 0:54:15 | 0:54:18 | |
At £50. | 0:54:18 | 0:54:20 | |
-Another modest profit. -Well done, Mark, yes. | 0:54:20 | 0:54:25 | |
Add that to the coffers. | 0:54:25 | 0:54:28 | |
One now for Mark Hales as his antique tankard is up. | 0:54:28 | 0:54:33 | |
-£30 to start me. 30 I have. -Show me a profit. | 0:54:33 | 0:54:36 | |
At £30. Do I have 32? £30 is bid. | 0:54:36 | 0:54:40 | |
-32 anywhere? -No. | 0:54:40 | 0:54:42 | |
At £30. All done. | 0:54:42 | 0:54:45 | |
NOT what he hoped for. | 0:54:45 | 0:54:48 | |
-Oh, dear. Story of my life. -Don't despair. | 0:54:48 | 0:54:51 | |
You've still got the Ogano ship sign. | 0:54:51 | 0:54:55 | |
Indeed he does! | 0:54:55 | 0:54:57 | |
But the next lot hinges | 0:54:57 | 0:54:59 | |
on what the punters make of Mark Stacey's...hinges. | 0:54:59 | 0:55:03 | |
-These weren't my favourite at all. -I really regret buying these. | 0:55:03 | 0:55:07 | |
-I can't look. -Don't give him 30. | 0:55:07 | 0:55:10 | |
-Oh, no... -Please don't. -32. | 0:55:10 | 0:55:12 | |
34. 36. 38. | 0:55:12 | 0:55:15 | |
40. 2. 44. 46. | 0:55:15 | 0:55:18 | |
-48. 50. -No! | 0:55:18 | 0:55:20 | |
55. 60. | 0:55:20 | 0:55:22 | |
-65. 70. -Are we having a snooze? | 0:55:22 | 0:55:26 | |
-You're going to wake up in a moment. -95. 100. At £100. Going to sell. | 0:55:26 | 0:55:32 | |
All done. At £100. | 0:55:32 | 0:55:35 | |
An unexpected triumph for Mark Stacey. Lovely. | 0:55:36 | 0:55:39 | |
I'm really not as unhinged as I thought I was. | 0:55:39 | 0:55:43 | |
Right. After that stunner from Mark Stacey, | 0:55:43 | 0:55:46 | |
the ship's sign would really have to have the wind in its sails | 0:55:46 | 0:55:51 | |
if it's to redeem Mark Hales. | 0:55:51 | 0:55:53 | |
£30 for it. 30 I have down here. | 0:55:53 | 0:55:56 | |
At 32. Make it 34? | 0:55:56 | 0:55:59 | |
34. 36. 38. | 0:55:59 | 0:56:02 | |
40 I have. Another place. | 0:56:02 | 0:56:04 | |
-42. -It's climbing very slowly. | 0:56:04 | 0:56:06 | |
44. 46. 48. 50. At £50. | 0:56:06 | 0:56:10 | |
Against you. 55? 55. | 0:56:10 | 0:56:12 | |
-60. 65. -Fresh bidder. -70. | 0:56:12 | 0:56:16 | |
Oh. Clawing its way. Clawing its way. | 0:56:16 | 0:56:20 | |
85. 90. | 0:56:20 | 0:56:23 | |
95. | 0:56:23 | 0:56:25 | |
At £95. In the far corner at 95. | 0:56:25 | 0:56:29 | |
I'm going to sell. Against you all at 95. | 0:56:29 | 0:56:33 | |
It fails to sail, sadly, for Mark Hales. | 0:56:33 | 0:56:37 | |
Finally now, Mark Stacey's intriguing mahogany deck watch box. | 0:56:40 | 0:56:45 | |
Minus the watch. | 0:56:45 | 0:56:46 | |
Might it sail off into the sunset? | 0:56:46 | 0:56:48 | |
I have two commissions with me. I go straight in at £100 with me. | 0:56:48 | 0:56:53 | |
-At 100. 110. -Gosh! -120. 130. 140. | 0:56:53 | 0:56:56 | |
150. 160. 170. 180. | 0:56:56 | 0:57:00 | |
-At £180. Still with me. 190. -Well done, Mark. | 0:57:00 | 0:57:04 | |
At 200 on the book now. | 0:57:04 | 0:57:06 | |
200 against you on the internet. At £200. It's going to be sold. | 0:57:06 | 0:57:11 | |
All done at £200? | 0:57:11 | 0:57:13 | |
Mark Stacey, you look quite flabbergasted. | 0:57:13 | 0:57:17 | |
-Well done. -That lot certainly went tick-tock. | 0:57:17 | 0:57:21 | |
A stonking profit for Mark Stacey, and his victory is decisive. | 0:57:21 | 0:57:27 | |
-I don't know what to say. -Fantastic. | 0:57:27 | 0:57:29 | |
Attack of the vapours, Mark? So a run of bad luck for Mark Hales | 0:57:31 | 0:57:35 | |
and an absolute flyer on the deck watch box | 0:57:35 | 0:57:39 | |
have determined that Mark Stacey is the king of this road trip! | 0:57:39 | 0:57:43 | |
-Very well done, Mark. -Thank you. -You did really well. | 0:57:43 | 0:57:47 | |
Mark Hales started this final leg with £305.28. | 0:57:50 | 0:57:55 | |
After auction costs, he made an unfortunate loss of £46.98, | 0:57:55 | 0:58:00 | |
and finishes the road trip with £258.30. | 0:58:00 | 0:58:04 | |
Bad luck. | 0:58:04 | 0:58:06 | |
Mark Stacey began with £511.64, | 0:58:08 | 0:58:13 | |
and with the help of that deck watch | 0:58:13 | 0:58:16 | |
made a terrific £109.50 profit today, | 0:58:16 | 0:58:19 | |
giving him a victorious total of £621.14. | 0:58:19 | 0:58:24 | |
All the money our boys have made will go to Children In Need. | 0:58:24 | 0:58:29 | |
-Well, Mark, what an auction that was. -Yes. You did terribly well. | 0:58:29 | 0:58:32 | |
-Highs and lows. -Highs and lows. | 0:58:32 | 0:58:35 |