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It's the nation's favourite antiques experts with £200 each, | 0:00:02 | 0:00:05 | |
a classic car and a goal to scour Britain for antiques. | 0:00:05 | 0:00:10 | |
That hurts. | 0:00:10 | 0:00:11 | |
What do you think? | 0:00:12 | 0:00:14 | |
The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:18 | |
-There will be worthy winners and valiant losers. -What have I done?! | 0:00:18 | 0:00:23 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
-Put your back into it! -Shut up, James! | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:35 | |
It's a brand-new Road Trip, and we're hitting the tarmac | 0:00:38 | 0:00:41 | |
with a pair of thoroughly dashing gents and antiques experts, | 0:00:41 | 0:00:45 | |
Thomas Plant and James Lewis. | 0:00:45 | 0:00:47 | |
If anyone wasn't sure that I was a country bumpkin and a bit slow before... | 0:00:47 | 0:00:51 | |
James, I don't think you're slow at all. I think you're quite sharp. | 0:00:51 | 0:00:55 | |
Thomas Plant is an auctioneer with a passion for all things shiny - | 0:00:55 | 0:01:00 | |
jewellery, watches and silver. | 0:01:00 | 0:01:02 | |
I am like a pig in the proverbial when it comes to things like that. | 0:01:02 | 0:01:05 | |
James Lewis is also an auctioneer who began his antiques career | 0:01:05 | 0:01:10 | |
at the age of six by bidding on a bird cage for his budgie. | 0:01:10 | 0:01:14 | |
Now, however, he's more fond of ducks. | 0:01:14 | 0:01:17 | |
GABBLES LIKE DONALD DUCK | 0:01:17 | 0:01:18 | |
Yes... | 0:01:18 | 0:01:20 | |
Our affable duo begin their adventure with £200 each | 0:01:20 | 0:01:24 | |
and are travelling in this gorgeous little 1953 Morris Minor. | 0:01:24 | 0:01:28 | |
It's fresh, James! We have the mustiness of the Morris Minor. | 0:01:29 | 0:01:32 | |
It was the Morris Minor? I thought it was you! I thought it was the suit. | 0:01:32 | 0:01:36 | |
Really? Oh! Oh! Oh, James, that's so uncalled for! | 0:01:36 | 0:01:41 | |
Thomas and James will be travelling over 800 miles, | 0:01:41 | 0:01:45 | |
looping their way from Largs on the Scottish West Coast | 0:01:45 | 0:01:49 | |
up to the Highlands, down to the Lowlands and back again, | 0:01:49 | 0:01:53 | |
eventually finishing in the country's capital city of Edinburgh. | 0:01:53 | 0:01:56 | |
On this first leg, we're starting off our mammoth journey in Largs, | 0:01:56 | 0:02:00 | |
crossing over to the East Coast, | 0:02:00 | 0:02:02 | |
before heading back to the auction showdown in Glasgow. | 0:02:02 | 0:02:05 | |
Our first stop of the day is Largs, Ayrshire, | 0:02:08 | 0:02:11 | |
a seaside town famous for invasions, | 0:02:11 | 0:02:13 | |
firstly by the Vikings, who brought war and pillage, | 0:02:13 | 0:02:17 | |
and then by the Italians, who brought ice cream and antique dealers. | 0:02:17 | 0:02:20 | |
-Can you see it? -That's it! -Blue sign. -Brilliant. | 0:02:20 | 0:02:23 | |
Narducci's is a huge family-run emporium stacked with fabulous furniture | 0:02:23 | 0:02:27 | |
and all manner of collectables. | 0:02:27 | 0:02:29 | |
Luckily, owner Franco is on hand to help, | 0:02:29 | 0:02:32 | |
and Thomas has a watertight strategy. | 0:02:32 | 0:02:35 | |
Just concentrate, think, but don't be too cautious. | 0:02:35 | 0:02:39 | |
Yes, be bold, be brave. | 0:02:39 | 0:02:42 | |
James, meanwhile, is drawn immediately to something familiar. | 0:02:42 | 0:02:46 | |
Any resemblance to me is merely coincidental. | 0:02:46 | 0:02:49 | |
I just have a little bit of catching up to do on the hair. Twins! | 0:02:49 | 0:02:53 | |
You said it, James. | 0:02:54 | 0:02:56 | |
Now, what's this Thomas has spotted with a ticket price of £65? | 0:02:56 | 0:03:00 | |
I might ask about that. | 0:03:00 | 0:03:03 | |
Don't leave it, Thomas. | 0:03:03 | 0:03:05 | |
Too late! James has spotted it too. | 0:03:05 | 0:03:08 | |
It's quite interesting. | 0:03:08 | 0:03:10 | |
The market in Chinese things is booming at the moment. | 0:03:10 | 0:03:14 | |
Under Chairman Mao, people in China | 0:03:14 | 0:03:16 | |
were not allowed to retain anything from their imperial past, | 0:03:16 | 0:03:19 | |
so things were destroyed, things were buried in gardens. | 0:03:19 | 0:03:22 | |
Now China's opened up to the West | 0:03:22 | 0:03:24 | |
and the head of every successful Chinese business | 0:03:24 | 0:03:27 | |
is wanting to buy back his own heritage, so this sort of thing, | 0:03:27 | 0:03:31 | |
although it's not great quality, it's very fashionable. | 0:03:31 | 0:03:34 | |
Franco! | 0:03:34 | 0:03:35 | |
Can't believe it. Not quick enough. | 0:03:35 | 0:03:38 | |
Yep, you have to be decisive in this game, Thomas, if you recall. | 0:03:38 | 0:03:41 | |
-I like this. Do you mind if I offer you a cheeky one? -Be cheeky. | 0:03:41 | 0:03:46 | |
-I was thinking around 45, £50. -That's very cheeky. -I know. | 0:03:46 | 0:03:49 | |
-That's very cheeky. -I know. I know. | 0:03:49 | 0:03:52 | |
-And you'll be totally justified in saying no. -Try me again. | 0:03:52 | 0:03:56 | |
I was thinking that it could easily make 70 or 80 at the auction. | 0:03:56 | 0:04:00 | |
Then less commission. 55? | 0:04:01 | 0:04:04 | |
£60, there you are. | 0:04:04 | 0:04:06 | |
I think the 60 is very fair, but I think it will still show me a loss. | 0:04:11 | 0:04:15 | |
-The very best I could do is 55. -OK. | 0:04:15 | 0:04:19 | |
-Does that help you? -Yeah. OK, we'll take that. Thank you. | 0:04:19 | 0:04:24 | |
So, with one purchase already snatched from his grasp, | 0:04:24 | 0:04:28 | |
Thomas's only option is to get his act together. | 0:04:28 | 0:04:30 | |
CLATTERING | 0:04:30 | 0:04:33 | |
Oops! Not sure Franco approves. | 0:04:33 | 0:04:37 | |
Oh, Thomas. It's only the first leg! | 0:04:37 | 0:04:41 | |
I could listen to James droning on and just drift off to sleep. | 0:04:41 | 0:04:45 | |
Has he finished yet? | 0:04:45 | 0:04:47 | |
No, he hasn't, and whilst you're snoozing, | 0:04:47 | 0:04:50 | |
James has sniffed out a couple of perfume bottles. | 0:04:50 | 0:04:54 | |
-How much are they? -£60 a pair. | 0:04:54 | 0:04:56 | |
-£60 for the two. They're not a pair. -Yeah. | 0:04:56 | 0:05:00 | |
-That's unusual, isn't it? -It's a pretty one, isn't it? | 0:05:00 | 0:05:03 | |
-Do that one for 35. -What would be your best on these two? | 0:05:03 | 0:05:08 | |
How do you see them? | 0:05:08 | 0:05:09 | |
I see that at 25. | 0:05:12 | 0:05:14 | |
And I think that would make 20 at auction. | 0:05:14 | 0:05:17 | |
So I think they'd make 45, so 30? | 0:05:17 | 0:05:20 | |
-I can't really do them for 30. £35, how's that? -32? | 0:05:22 | 0:05:27 | |
-33? -Oh, go on! | 0:05:29 | 0:05:32 | |
It was painful enough saying 32, | 0:05:32 | 0:05:33 | |
because I knew you were being fair anyway. | 0:05:33 | 0:05:36 | |
No pressure, Thomas, but James has already bought three items. | 0:05:36 | 0:05:40 | |
Time for a light bulb moment. | 0:05:40 | 0:05:43 | |
It's a good piece of Deco - an original lamp, a hoop dancer. | 0:05:43 | 0:05:48 | |
The really good ones would have been in bronze, and this is in spelter, | 0:05:48 | 0:05:54 | |
and the chroming is slightly damaged, | 0:05:54 | 0:05:58 | |
but, look, it's definitely 1920s. | 0:05:58 | 0:06:01 | |
But, obviously, cos it's not a great quality one, | 0:06:01 | 0:06:04 | |
the definition isn't there in the face, | 0:06:04 | 0:06:07 | |
and I expect that to be reflected, really, in the price. | 0:06:07 | 0:06:11 | |
Let's see if Franco agrees. | 0:06:11 | 0:06:13 | |
-That's a bit of fun. How much is that? -£65. -65. | 0:06:13 | 0:06:18 | |
-What would you do if I was really interested in it? -55. | 0:06:18 | 0:06:23 | |
-I was at round about 30. -Couldn't, honestly. You're halving it. | 0:06:23 | 0:06:29 | |
-Can't do it for £30. -What can you do? | 0:06:29 | 0:06:32 | |
To you, 40. | 0:06:32 | 0:06:34 | |
-35? -Can't, honestly. -You can't? -I've come from 65. | 0:06:34 | 0:06:37 | |
I know you have, I know you have. | 0:06:37 | 0:06:39 | |
You need to come up a wee bit to meet me. | 0:06:39 | 0:06:41 | |
The thing is, I was thinking, because Glasgow's quite a cool city, | 0:06:41 | 0:06:45 | |
and it's full of cosmopolitan people, that is a lovely object. | 0:06:45 | 0:06:51 | |
-Go on. -Thank you. | 0:06:52 | 0:06:54 | |
Phew! Thank goodness for that. Something's in the bag at last. | 0:06:54 | 0:06:59 | |
He may be three purchases up, but James is clearly not done yet, | 0:06:59 | 0:07:02 | |
and now he's found something else to tickle his fancy. | 0:07:02 | 0:07:05 | |
These are probably made in India, turn of the century, | 0:07:05 | 0:07:09 | |
almost certainly for the Western market. | 0:07:09 | 0:07:13 | |
How much are they? | 0:07:13 | 0:07:14 | |
£15. | 0:07:14 | 0:07:16 | |
Would you take a tenner for them? | 0:07:19 | 0:07:21 | |
I'll take 12. | 0:07:21 | 0:07:23 | |
Go on, then. | 0:07:23 | 0:07:24 | |
I'm not going to haggle you any more than that. | 0:07:24 | 0:07:28 | |
No flies on our James today. So, just to recap, | 0:07:28 | 0:07:31 | |
he's hoovered up two perfume bottles, | 0:07:31 | 0:07:33 | |
a carved wooden Chinese figure | 0:07:33 | 0:07:35 | |
and the little silver-coloured jug and bowl, all for £100. | 0:07:35 | 0:07:39 | |
Thomas is not going to be outdone. | 0:07:39 | 0:07:42 | |
He's on the hunt for something else. Something Chinese. | 0:07:42 | 0:07:44 | |
Looks like a bronze pot. | 0:07:44 | 0:07:46 | |
It's the myth of two dragons, | 0:07:46 | 0:07:48 | |
fighting over this flaming pearl, the eternal pearl, | 0:07:48 | 0:07:51 | |
but it's Chinese and it's very nice quality. | 0:07:51 | 0:07:55 | |
-I quite like it. Franco? -Uh-huh. | 0:07:55 | 0:07:59 | |
-£28, if it's any good? -28. -28. | 0:07:59 | 0:08:02 | |
-Can we do a deal at 20? -25? | 0:08:02 | 0:08:05 | |
22? | 0:08:05 | 0:08:07 | |
On you go. £22. I'll go for that. | 0:08:07 | 0:08:10 | |
Good deal. Thank you. And I've just noticed these here. | 0:08:10 | 0:08:14 | |
-Have these sold? -They're just in as well! | 0:08:14 | 0:08:16 | |
They're bamboo. They're decorative, they're big. | 0:08:16 | 0:08:21 | |
I'd say they are 1900s, wouldn't you? | 0:08:21 | 0:08:25 | |
I wouldn't say they're ancient. What have those got to be? | 0:08:25 | 0:08:28 | |
-£40 a pair. -They are the flavour, aren't they? | 0:08:28 | 0:08:31 | |
They're very decorative. | 0:08:31 | 0:08:32 | |
Would you do those, if I gave you 50 for the lot? | 0:08:32 | 0:08:35 | |
No. No. 60. I can do £60. Wee package for you. | 0:08:35 | 0:08:39 | |
-So, bought that for 22, quite happy. 35? -Go on. | 0:08:39 | 0:08:44 | |
-Is that all right? -That's OK. | 0:08:44 | 0:08:46 | |
Excellent work. So, Thomas has bought a Chinese bronze bowl, | 0:08:46 | 0:08:50 | |
a pair of Oriental bamboo vases and an Art Deco lamp, all for £97. | 0:08:50 | 0:08:55 | |
Our boys are all shopped out in Largs, | 0:08:55 | 0:08:57 | |
and are now back in the old Minor, | 0:08:57 | 0:09:00 | |
heading for the next destination, Kilbirnie. | 0:09:00 | 0:09:03 | |
-That is stunning! -I've never actually seen a loch, | 0:09:03 | 0:09:06 | |
so I'm really looking forward to it. | 0:09:06 | 0:09:08 | |
-No! -No, I haven't seen one! I'm very excited! | 0:09:08 | 0:09:10 | |
And you still haven't seen one, Thomas. | 0:09:10 | 0:09:14 | |
THAT'S the sea. | 0:09:14 | 0:09:15 | |
Their destination in Kilbirnie is The Stirrup Cup, | 0:09:15 | 0:09:19 | |
where Thomas is dropping James off. | 0:09:19 | 0:09:20 | |
Thank you very much. Thank you! | 0:09:20 | 0:09:23 | |
-Have great fun. -Don't forget to pick me up! -No, I won't. | 0:09:23 | 0:09:27 | |
It's full of antiques, curios and vintage goods, | 0:09:29 | 0:09:33 | |
but is there anything here to attract our James? | 0:09:33 | 0:09:36 | |
The Road Trip has visited this shop before, | 0:09:39 | 0:09:41 | |
and owner Greta is determined that James doesn't leave empty-handed, | 0:09:41 | 0:09:46 | |
so she's nipped next door to her house | 0:09:46 | 0:09:48 | |
to fetch something rather unusual. | 0:09:48 | 0:09:50 | |
Now, I always think these look very pornographic, | 0:09:50 | 0:09:54 | |
as you can probably imagine. | 0:09:54 | 0:09:57 | |
Funnily enough, this curious object is actually a Coco de Mer, | 0:09:57 | 0:10:02 | |
the largest seed in the entire plant kingdom. | 0:10:02 | 0:10:05 | |
This could be the deal of a lifetime for James, | 0:10:05 | 0:10:07 | |
as the polished ones are the rarest, | 0:10:07 | 0:10:10 | |
some fetching several thousand pounds. | 0:10:10 | 0:10:12 | |
-The Coco de Mer, how much could that be? -30. | 0:10:12 | 0:10:15 | |
-30?! -£30. | 0:10:15 | 0:10:18 | |
Will they appreciate it at auction? £30. | 0:10:18 | 0:10:22 | |
-It depends how much the Glasgow people know. -Yeah, that's it. | 0:10:22 | 0:10:25 | |
Because they are highly collectable now. | 0:10:25 | 0:10:28 | |
The Seychelles island they're from, | 0:10:28 | 0:10:30 | |
there's only one Seychelles island that they're from now. | 0:10:30 | 0:10:33 | |
The trees are extinct on the other... | 0:10:33 | 0:10:36 | |
Not allowed to export them, either. | 0:10:36 | 0:10:38 | |
No. They're not allowed to export them, that's right. | 0:10:38 | 0:10:41 | |
So it's got to be an old one, hasn't it? | 0:10:41 | 0:10:43 | |
There are sanctions on them. | 0:10:43 | 0:10:44 | |
I like it. Will you take 20 for it? | 0:10:44 | 0:10:48 | |
25. | 0:10:48 | 0:10:50 | |
-22, and you've got a deal. -Och, 25! -Go on, then. | 0:10:50 | 0:10:53 | |
-I hate haggling. Go on. 25. -Thank you very much. | 0:10:53 | 0:10:57 | |
James, how could you haggle her down? | 0:10:57 | 0:10:59 | |
Now, is there anything else while you're here, | 0:10:59 | 0:11:02 | |
like the painting perhaps? | 0:11:02 | 0:11:04 | |
It's quite nicely done with cottages and figures in there. | 0:11:04 | 0:11:07 | |
It might be worth a punt at 25. | 0:11:07 | 0:11:10 | |
James phones his auction house for a bit of background information. | 0:11:10 | 0:11:14 | |
It's J, it could be Gilmuir. | 0:11:14 | 0:11:17 | |
Yeah, that's the right period. | 0:11:19 | 0:11:21 | |
Thank you very much. | 0:11:21 | 0:11:22 | |
There are Gilmours, James Gilmour listed | 0:11:22 | 0:11:25 | |
as a marine artist painting little rocky coves, | 0:11:25 | 0:11:29 | |
that's what he is best known for. £25. | 0:11:29 | 0:11:32 | |
I'm not going to haggle. I'm not going to knock you down. | 0:11:32 | 0:11:35 | |
£25, you've got a deal. Thank you. | 0:11:35 | 0:11:38 | |
So, James now has a Coco de Mer and a painting all for £50. What a deal! | 0:11:38 | 0:11:43 | |
-Thank you. Thank you very much. -Thank you. | 0:11:45 | 0:11:47 | |
And it looks like the painting might be a bargain, too. | 0:11:47 | 0:11:50 | |
We're seeing James Gilmour oils and watercolours of this size | 0:11:50 | 0:11:53 | |
making 150, 170, 140, 190. | 0:11:53 | 0:11:58 | |
So, yeah, great, pleased with that. | 0:11:58 | 0:12:01 | |
James has high hopes for his purchases, | 0:12:01 | 0:12:04 | |
but right now, it's time to hook back up with Thomas. | 0:12:04 | 0:12:07 | |
The boys have left the West Coast behind | 0:12:09 | 0:12:11 | |
and are heading to the Scottish capital city of Edinburgh. | 0:12:11 | 0:12:15 | |
With over £100 burning a hole in his pocket, | 0:12:15 | 0:12:18 | |
Thomas heads straight for the shops. | 0:12:18 | 0:12:20 | |
-I'm Thomas. -I'm Terri. | 0:12:20 | 0:12:22 | |
-Terri, nice to meet you. -Nice to meet you too. | 0:12:22 | 0:12:24 | |
Cabaret Antiques is brimming | 0:12:24 | 0:12:26 | |
with all kinds of curios and collectables. | 0:12:26 | 0:12:30 | |
But, most of all, it's stacked to the rafters | 0:12:30 | 0:12:32 | |
with what Thomas loves more than anything. | 0:12:32 | 0:12:35 | |
I absolutely adore jewellery. That is my most favourite thing. | 0:12:35 | 0:12:40 | |
I'm like a pig in the proverbial when it comes to things like that. | 0:12:40 | 0:12:43 | |
Is there anything here to fall in love with? | 0:12:43 | 0:12:47 | |
This is something I got yesterday, which I think you'll like. | 0:12:47 | 0:12:52 | |
Ooh! | 0:12:52 | 0:12:54 | |
That's amethyst and silver. | 0:12:54 | 0:12:57 | |
-It is marked 800. -800. -It's going to be German, absolutely. | 0:12:58 | 0:13:02 | |
That's not £800, but the Continental Silver Mark | 0:13:04 | 0:13:07 | |
and shows that it was made in Germany. | 0:13:07 | 0:13:09 | |
It's in the Art Nouveau style, | 0:13:09 | 0:13:11 | |
which in Germany was called Jugendstil, | 0:13:11 | 0:13:15 | |
meaning "young style". | 0:13:15 | 0:13:16 | |
120 to you. | 0:13:16 | 0:13:18 | |
Ooh! I don't have enough money to spend on that. | 0:13:18 | 0:13:21 | |
That's a pity. | 0:13:21 | 0:13:23 | |
100. That's it. | 0:13:23 | 0:13:26 | |
-It is lovely. -It is, it is. | 0:13:26 | 0:13:28 | |
-It's a huge risk. -No, it's not! -What do you mean, "No, it's not"? | 0:13:28 | 0:13:33 | |
No, it's not. It's quality! Quality! | 0:13:33 | 0:13:36 | |
-It is super. -Yeah. | 0:13:36 | 0:13:38 | |
Leave it there and it'll sort of glint at me and shine. | 0:13:38 | 0:13:43 | |
Well... Oh, God. | 0:13:43 | 0:13:47 | |
It is good. | 0:13:47 | 0:13:48 | |
Yes, it's good, but at that price? | 0:13:48 | 0:13:51 | |
Best to focus on something else, | 0:13:51 | 0:13:54 | |
like a pair of binoculars, for instance. | 0:13:54 | 0:13:57 | |
They're rather fun, aren't they? They're field glasses. | 0:13:57 | 0:14:00 | |
-With the compass on. -With the compass, yeah. | 0:14:00 | 0:14:04 | |
"Bakery, fresh fruit and veg..." The supermarket over the road. | 0:14:04 | 0:14:07 | |
-30 quid to you. -If I buy that brooch... | 0:14:07 | 0:14:10 | |
If you buy the brooch at 100, you get those for 20, so that's 120... | 0:14:10 | 0:14:15 | |
I can't afford those at 20. | 0:14:15 | 0:14:17 | |
Oh, well. Forget it then. | 0:14:17 | 0:14:19 | |
Let's not fall out yet. There's no need. Please. | 0:14:19 | 0:14:25 | |
You can have that and as I can't remember what I paid for this, | 0:14:26 | 0:14:31 | |
you can have that as your lucky penny. And that's it. | 0:14:31 | 0:14:35 | |
100 for the two. | 0:14:35 | 0:14:37 | |
Is that it? 100? Is that it? | 0:14:37 | 0:14:39 | |
-You couldn't do two figures? -No. -You sure? | 0:14:39 | 0:14:41 | |
-Shake. -Please. -No. | 0:14:41 | 0:14:43 | |
-You sure you can't do any more? -No. -Really? -Yes. Come on. | 0:14:43 | 0:14:46 | |
Would you take a fiver off? | 0:14:46 | 0:14:48 | |
-No. -Go on. -No. -Go on. | 0:14:48 | 0:14:51 | |
No, no, no, no, no, no. | 0:14:51 | 0:14:54 | |
No, come on, come on. No, no, no. I don't care. No, no. | 0:14:54 | 0:14:58 | |
Come on. Fair's fair. | 0:14:58 | 0:15:00 | |
I've been sucked in by you, Terri. | 0:15:00 | 0:15:02 | |
-Thank you very much. -OK. -That's very kind. | 0:15:02 | 0:15:06 | |
Thomas has decided to spend £100 on the amethyst brooch | 0:15:06 | 0:15:09 | |
and gets the pair of field glasses for free. | 0:15:09 | 0:15:13 | |
Thank you. | 0:15:13 | 0:15:14 | |
What have I done?! | 0:15:15 | 0:15:17 | |
Now, now, you've still got £3 left. | 0:15:17 | 0:15:20 | |
While Thomas heads off to his next shop with his remaining pennies, | 0:15:20 | 0:15:25 | |
James is up the road, | 0:15:25 | 0:15:27 | |
bracing himself for a rather uncomfortable appointment. | 0:15:27 | 0:15:29 | |
Hello, I'm James. Good to see you. | 0:15:29 | 0:15:32 | |
Hello, I'm Chris Henry. I'm the Director Of Heritage | 0:15:32 | 0:15:34 | |
here at Royal College of Surgeons of Edinburgh. | 0:15:34 | 0:15:37 | |
The Surgeons' Hall was developed as a teaching museum | 0:15:37 | 0:15:40 | |
for medical students and was initially set up in 1505, | 0:15:40 | 0:15:45 | |
after the Pope decided to permit the human body to be dissected. | 0:15:45 | 0:15:49 | |
Oh, my goodness. You've got some strange bits and pieces in here! | 0:15:49 | 0:15:54 | |
Many of the exhibits have been donated | 0:15:54 | 0:15:56 | |
and Chris is taking James to see one man's particular obsession. | 0:15:56 | 0:16:00 | |
If anyone out there is a bit squeamish about the dentist's | 0:16:00 | 0:16:04 | |
I suggest you go and make a cup of tea. | 0:16:04 | 0:16:07 | |
Here we are. This is the dental collection. | 0:16:07 | 0:16:09 | |
-I'm sure you're cringing already. -THEY LAUGH | 0:16:09 | 0:16:14 | |
Nervously going to start feeling my mouth. | 0:16:14 | 0:16:16 | |
50 years ago, Menzies Campbell - not the MP, but a dental historian - | 0:16:16 | 0:16:22 | |
donated his unique collection of teeth | 0:16:22 | 0:16:25 | |
and dental instruments to the museum. | 0:16:25 | 0:16:29 | |
Campbell's collection includes examples | 0:16:29 | 0:16:31 | |
of some of the earliest dental work, | 0:16:31 | 0:16:34 | |
including a replica of some ancient dentures. | 0:16:34 | 0:16:37 | |
What you can see is the two extra teeth | 0:16:37 | 0:16:39 | |
have been wired together at the base, | 0:16:39 | 0:16:42 | |
along with the teeth that still remain within the jaw. | 0:16:42 | 0:16:45 | |
-So that would be 600...? -Yes, 700 BC. Something like that. -700 BC. -Yeah. | 0:16:45 | 0:16:50 | |
Dentists had to rely on natural materials to make dentures. | 0:16:50 | 0:16:54 | |
Elephant ivory was used, but gave people very bad breath. | 0:16:54 | 0:16:59 | |
Then, hippopotamus ivory. | 0:16:59 | 0:17:02 | |
It was more resilient and did not yellow quite as badly. | 0:17:02 | 0:17:04 | |
Later, dentures took an ever more macabre twist. | 0:17:04 | 0:17:08 | |
Human teeth were also used for dentures. | 0:17:08 | 0:17:11 | |
We've got an example here, in which has the front set is human teeth. | 0:17:11 | 0:17:17 | |
Which were known as Waterloo Teeth. | 0:17:17 | 0:17:19 | |
The teeth were taken from casualties at the Battle of Waterloo. | 0:17:19 | 0:17:25 | |
-I have to say, I don't really fancy it. -No, I can't say I would. | 0:17:25 | 0:17:28 | |
I think I'd prefer mine to be hippo teeth. I think. | 0:17:28 | 0:17:31 | |
The development of dental instruments was equally innovative. | 0:17:31 | 0:17:37 | |
Dental drills were pretty poor, because they were hand-driven, | 0:17:37 | 0:17:41 | |
so you couldn't get enough speed up. | 0:17:41 | 0:17:43 | |
But the great breakthrough came in 1864, | 0:17:43 | 0:17:47 | |
when Harrington invented the clockwork drill, | 0:17:47 | 0:17:49 | |
You had a key, you stuck it in here, wound it up. | 0:17:49 | 0:17:53 | |
You could get two minutes of drilling. | 0:17:53 | 0:17:57 | |
That's quite a weight. | 0:17:58 | 0:18:00 | |
Yeah. But it was a huge improvement on what had gone before. | 0:18:00 | 0:18:03 | |
This is an amazing collection, | 0:18:03 | 0:18:05 | |
but, I have to say, one that's slightly...uneasy. | 0:18:05 | 0:18:08 | |
-But thank you very much. Thank you. -You're welcome. -Really enjoyed it. | 0:18:08 | 0:18:11 | |
Ouch! | 0:18:11 | 0:18:13 | |
While James recovers from a fascinating - | 0:18:13 | 0:18:17 | |
albeit unsettling - museum, Thomas is determined to spend his last £3. | 0:18:17 | 0:18:21 | |
Hello. | 0:18:21 | 0:18:23 | |
Perhaps husband-and-wife team Robert and Valerie can help. | 0:18:23 | 0:18:29 | |
Luckily, Thomas does have a plan. | 0:18:29 | 0:18:31 | |
I have just bought some field glasses. | 0:18:31 | 0:18:33 | |
But I was thinking it would be nice to slip a hip flask in there. | 0:18:33 | 0:18:37 | |
This pair are very accommodating | 0:18:37 | 0:18:40 | |
and happen to have rather a nice hip flask to show Thomas. | 0:18:40 | 0:18:44 | |
You'd have to be good at haggling. | 0:18:44 | 0:18:45 | |
That shouldn't be a problem. | 0:18:45 | 0:18:48 | |
Lovely. | 0:18:48 | 0:18:50 | |
It's got the pewter cup with it. | 0:18:50 | 0:18:52 | |
So you fill it with your whisky. In it goes. Then down it. | 0:18:52 | 0:18:56 | |
You said I've got to be good at negotiating. | 0:18:56 | 0:18:59 | |
-Mm-hm. -If I put down what I have left... That's all I've got. | 0:18:59 | 0:19:03 | |
-Three British pounds. -Are you sure? -I promise you. | 0:19:03 | 0:19:06 | |
-We don't want to turn you upside down. -You can turn me upside down. | 0:19:06 | 0:19:09 | |
Would you do me a favour? | 0:19:09 | 0:19:11 | |
-Do you promise never to come back? -I promise to come back loads. | 0:19:11 | 0:19:15 | |
-With money. -With proper money. -OK, you've got a deal, Thomas. | 0:19:15 | 0:19:19 | |
That's very kind of you. | 0:19:21 | 0:19:22 | |
-Thomas, I think you are the luckiest man I know. -Spent up! | 0:19:22 | 0:19:27 | |
With every penny dispatched with, | 0:19:27 | 0:19:29 | |
it's time to meet up with James and leave Edinburgh behind. | 0:19:29 | 0:19:34 | |
They're heading 20 miles towards the East Lothian coast | 0:19:34 | 0:19:38 | |
and the settlement of Fenton Barns. | 0:19:38 | 0:19:41 | |
Thomas is all spent up. | 0:19:44 | 0:19:46 | |
But James still has £50 to splash about, | 0:19:46 | 0:19:49 | |
so perhaps this small emporium might have something tasty on offer. | 0:19:49 | 0:19:53 | |
-I'm James. Hi. -Nice to meet you. | 0:19:53 | 0:19:57 | |
It looks promising. | 0:19:57 | 0:19:59 | |
There are plenty of small collectables here. | 0:19:59 | 0:20:01 | |
It's just about finding the right one. | 0:20:01 | 0:20:04 | |
This is a little Victorian...locket. | 0:20:04 | 0:20:08 | |
On one side, we've got a hinged compartment that we open up, | 0:20:08 | 0:20:12 | |
and there it's got a glazed compartment in the centre there, | 0:20:12 | 0:20:15 | |
which was probably for a lock of hair. | 0:20:15 | 0:20:18 | |
I don't think it's gold. Um... | 0:20:18 | 0:20:22 | |
It's probably gold plate or it could, at a push, be Pinchbeck, | 0:20:22 | 0:20:26 | |
which was invented by a Doctor Pinchbeck. | 0:20:26 | 0:20:29 | |
It's a metal that looks like gold, feels like gold, | 0:20:29 | 0:20:31 | |
but just isn't gold. | 0:20:31 | 0:20:33 | |
Owner Helen has priced the locket at £35, but James won't pay that. | 0:20:33 | 0:20:39 | |
Look, what about 30? | 0:20:39 | 0:20:40 | |
How about that for an absolute knockdown, giveaway price? | 0:20:40 | 0:20:43 | |
It's sweet but just unfashionable. | 0:20:43 | 0:20:46 | |
Would you take 25 for it, then? | 0:20:46 | 0:20:48 | |
-SHE GASPS -28. | 0:20:48 | 0:20:50 | |
-I'm not going to knock you down. -Thank you. -Thank you. | 0:20:50 | 0:20:52 | |
That's both experts shopped out. | 0:20:52 | 0:20:56 | |
Thanks very much. Thank you. Bye-bye. | 0:20:56 | 0:20:59 | |
So let's remind ourselves of what goodies they bought. | 0:21:01 | 0:21:05 | |
Both chaps kicked off their road trip with £200 each. | 0:21:05 | 0:21:07 | |
Thomas spent every penny of his budget on five auction lots, | 0:21:07 | 0:21:11 | |
comprising an Art Deco table lamp, a pair of bamboo sleeve vases, | 0:21:11 | 0:21:15 | |
a Chinese bronze bowl, | 0:21:15 | 0:21:17 | |
an Art Nouveau amethyst and paste brooch, | 0:21:17 | 0:21:19 | |
a pair of field binoculars with mounted compass | 0:21:19 | 0:21:22 | |
and a pewter hip flask. | 0:21:22 | 0:21:24 | |
James, meanwhile, spent £178 of his cash on five lots. | 0:21:25 | 0:21:31 | |
A large Coco de Mer, | 0:21:31 | 0:21:33 | |
an oil painting by James Gilmour, | 0:21:33 | 0:21:35 | |
an Anglo-Indian milk jug with sugar basin | 0:21:35 | 0:21:38 | |
paired with two silver and glass scent bottles, | 0:21:38 | 0:21:40 | |
a Victorian gold-coloured locket | 0:21:40 | 0:21:43 | |
and a Chinese hardwood carving. | 0:21:43 | 0:21:45 | |
So, go on, then. Let's hear what they really think about each other's items. | 0:21:45 | 0:21:49 | |
I don't think he's got anything that is going to storm through | 0:21:49 | 0:21:52 | |
and make huge profits. | 0:21:52 | 0:21:53 | |
The brooch, I don't know, I'm not a massive costume jewellery person. | 0:21:53 | 0:21:57 | |
I know it's amethyst, but it doesn't do anything for me. | 0:21:57 | 0:22:00 | |
But he knows his jewellery, | 0:22:00 | 0:22:02 | |
so fingers crossed that'll do well for him. | 0:22:02 | 0:22:04 | |
That Coco de Mer is just so nice. | 0:22:04 | 0:22:07 | |
I have always wanted one. | 0:22:07 | 0:22:09 | |
I think they're amazing things. | 0:22:09 | 0:22:11 | |
So 25 quid - how does he do it?! | 0:22:11 | 0:22:14 | |
It's been a fruitful first leg, | 0:22:14 | 0:22:17 | |
beginning on the West Coast, in Largs, | 0:22:17 | 0:22:20 | |
travelling all the way to the East Coast via Edinburgh, | 0:22:20 | 0:22:23 | |
and now back again to our auction venue, Glasgow. | 0:22:23 | 0:22:26 | |
-Nervous? -The pressure's on. | 0:22:26 | 0:22:28 | |
Come on. | 0:22:28 | 0:22:30 | |
The theatre of dreams is McTear's, | 0:22:30 | 0:22:32 | |
and there's plenty here to attract the Glaswegian buyers. | 0:22:32 | 0:22:35 | |
Well, maybe not everything. | 0:22:35 | 0:22:37 | |
Hold tight, chaps, auctioneer Hamish Wilson is about to begin. | 0:22:37 | 0:22:41 | |
First up is James's Chinese figure, the one Thomas missed out on. | 0:22:41 | 0:22:46 | |
At £30 here. £30, do we see five? | 0:22:46 | 0:22:49 | |
40, 45. At 45, any advance on 45? | 0:22:49 | 0:22:53 | |
50 is bid there. At £50, any advance on 50? | 0:22:53 | 0:22:57 | |
At £50, five is now bid. At 55, £60. | 0:22:57 | 0:23:00 | |
£60 is bid. Do you want to bid five, sir? | 0:23:00 | 0:23:03 | |
65. 70 is bid now. At £70, any advance on 70? | 0:23:03 | 0:23:06 | |
Well done. Making money. | 0:23:06 | 0:23:09 | |
£70, last call on 70. | 0:23:09 | 0:23:11 | |
70. | 0:23:11 | 0:23:13 | |
-You would've earned a little bit, wouldn't you? -Two quid. | 0:23:13 | 0:23:16 | |
-£2? -Yes. | 0:23:16 | 0:23:17 | |
Not quite the stoking profit James was hoping for, | 0:23:17 | 0:23:21 | |
but a profit nevertheless. | 0:23:21 | 0:23:22 | |
It's better than a loss, isn't it? | 0:23:22 | 0:23:26 | |
Continuing the Chinese theme, it's Thomas's bronze bowl. | 0:23:26 | 0:23:30 | |
I'll start it low at 30, do I see five? | 0:23:30 | 0:23:33 | |
-At £30, five is bid there. -Straight through. | 0:23:33 | 0:23:36 | |
40, 45, sir? 45. | 0:23:36 | 0:23:38 | |
50, at 55, 60, 65. | 0:23:38 | 0:23:41 | |
Any further bids at 65? 70, new bidder. | 0:23:41 | 0:23:44 | |
At 75 now. At £75 are we all done? | 0:23:44 | 0:23:47 | |
80, new bidder. | 0:23:47 | 0:23:49 | |
-Coo! -Fresh! | 0:23:49 | 0:23:50 | |
80, are we all done? At £80... | 0:23:50 | 0:23:54 | |
Well done. Well done. Well done. | 0:23:54 | 0:23:56 | |
That did well. A good start for Thomas. | 0:23:56 | 0:23:59 | |
Thank you, James. Thank you. | 0:23:59 | 0:24:02 | |
Can James make up some ground with his gold-coloured pendant? | 0:24:02 | 0:24:06 | |
At £18, do I see 20? 20 is bid there and five with me. | 0:24:06 | 0:24:09 | |
At 25, do I see 30? £30 is bid now. | 0:24:09 | 0:24:12 | |
At 35 against you now. And 40 is bid now. | 0:24:12 | 0:24:15 | |
At £40, do I see five? | 0:24:15 | 0:24:17 | |
I thought I was... I'm dead on. | 0:24:17 | 0:24:20 | |
Are we all done then? £40. | 0:24:20 | 0:24:22 | |
-I'm pleased with that. -I bet you are. | 0:24:22 | 0:24:26 | |
Yes, a solid profit, even after the auction house | 0:24:26 | 0:24:30 | |
takes its well-earned commission. | 0:24:30 | 0:24:31 | |
You'll be walking out of there buoyed. | 0:24:31 | 0:24:34 | |
I'm buoyed with my, so far, eight quid. | 0:24:34 | 0:24:37 | |
Thomas's bamboo sleeve vases are up next. | 0:24:37 | 0:24:41 | |
-£10 only. -Don't start at £10! | 0:24:41 | 0:24:44 | |
At £10, do I see 12 now? At £10, 12, 15. | 0:24:44 | 0:24:48 | |
18, 20 and five. | 0:24:48 | 0:24:51 | |
At 25. Did someone else want to come in? At £25. | 0:24:51 | 0:24:53 | |
-Come on! -Selling, then, on £25. | 0:24:53 | 0:24:57 | |
I kept thinking I was going to get told off by the auctioneer. | 0:24:57 | 0:25:00 | |
That's, I think, very cheap. | 0:25:00 | 0:25:01 | |
Oh, dear. Yeah, that's a loss for Thomas. | 0:25:01 | 0:25:05 | |
Moving swiftly on, James's painting by Gilmour. | 0:25:07 | 0:25:10 | |
He has high hopes for this one. | 0:25:10 | 0:25:12 | |
-This time, I'm bid £30. -Straight in. | 0:25:12 | 0:25:15 | |
Five is bid. 40 with me, sir. | 0:25:15 | 0:25:17 | |
It'll be fine. It's creeping up slowly. | 0:25:17 | 0:25:21 | |
45, 50 now. 55? | 0:25:21 | 0:25:23 | |
£50 is bid. At 55, new bidder. | 0:25:23 | 0:25:26 | |
-The hammer's not fallen. -£55! | 0:25:26 | 0:25:28 | |
Finished at £55. | 0:25:28 | 0:25:30 | |
No! | 0:25:30 | 0:25:32 | |
God, that's dreadful! | 0:25:32 | 0:25:33 | |
It's James's turn to be disappointed, | 0:25:33 | 0:25:36 | |
although he has made a profit. | 0:25:36 | 0:25:38 | |
-Sweet smell of profit all the way. -Yeah, I suppose so. | 0:25:38 | 0:25:42 | |
It's still anyone's game and Thomas's Art Deco lamp is next. | 0:25:44 | 0:25:48 | |
-At 35, 35. -It's going to go. Go on. -£40, at £40. | 0:25:48 | 0:25:52 | |
Five now, 50, at 50, 55. | 0:25:52 | 0:25:56 | |
Do I see 60? 60 is bid now. | 0:25:56 | 0:25:59 | |
65, new bidder. 65, 70, 75. | 0:25:59 | 0:26:03 | |
£75, are we all done, then, on £75? | 0:26:03 | 0:26:07 | |
-80, new bidder. -Go on, go on. | 0:26:07 | 0:26:09 | |
On the telephone then at 80. Are we all sure now? | 0:26:09 | 0:26:12 | |
£80 is bid. Last call on £80. | 0:26:12 | 0:26:15 | |
-Brilliant, brilliant. -That makes it up a bit. -Happier now! | 0:26:15 | 0:26:21 | |
An excellent profit for Thomas. He's back in the lead. | 0:26:21 | 0:26:26 | |
-Brilliant! Brilliant! -Oh! | 0:26:26 | 0:26:28 | |
Up next is a job lot for James. | 0:26:29 | 0:26:31 | |
He's combined his silver metalware with two perfume bottles. | 0:26:31 | 0:26:35 | |
-I'm bid 40 here, at £40. -Straight in. | 0:26:35 | 0:26:37 | |
£40, five now. At 45 and 50 against you. | 0:26:37 | 0:26:41 | |
55 and 60 against you. | 0:26:41 | 0:26:43 | |
65 and 70 against you. | 0:26:43 | 0:26:45 | |
It's going to reach more than I thought. | 0:26:45 | 0:26:48 | |
75, 80 against you. 85. | 0:26:48 | 0:26:50 | |
90 now. 95. | 0:26:50 | 0:26:52 | |
100. 100 is bid. | 0:26:52 | 0:26:55 | |
-110... -Don't cry out. | 0:26:55 | 0:26:57 | |
Any advance on 110? At £110. | 0:26:57 | 0:26:59 | |
It did well. Yes! | 0:26:59 | 0:27:02 | |
-How much? -110. -I missed that because of the bear hug. | 0:27:02 | 0:27:06 | |
The bear has done well. James has moved ahead. | 0:27:06 | 0:27:10 | |
I'm pleased with that. That's a good result. | 0:27:10 | 0:27:12 | |
Thomas has also combined lots. | 0:27:12 | 0:27:14 | |
He's put his freebie binoculars together with the hip flask. | 0:27:14 | 0:27:18 | |
I'm bid £20, at 20 only. | 0:27:18 | 0:27:20 | |
-We're in straight profit. -25 straightaway, do I see 30? | 0:27:20 | 0:27:23 | |
30, 35, and 40. | 0:27:23 | 0:27:26 | |
Five, sir? Go on. | 0:27:27 | 0:27:29 | |
-Go on! -Go on! | 0:27:29 | 0:27:31 | |
At 45, do I see 50? Thank you. At 50, any advance on 50? | 0:27:31 | 0:27:34 | |
One more, sir? At £50, does anyone else want to come in? | 0:27:34 | 0:27:38 | |
-It's the hip flask. -Profit. -It's the hip flask which did it. -Yes. | 0:27:38 | 0:27:41 | |
An excellent profit there. Thomas is edging his way back. | 0:27:42 | 0:27:47 | |
-Well done. -No, I'm pleased about that. REALLY pleased. -240. | 0:27:47 | 0:27:51 | |
James's last lot of the day, his Coco de Mer, | 0:27:51 | 0:27:55 | |
or as they say in Glasgow, "bum nut". | 0:27:55 | 0:27:57 | |
This time, interest here, I've got to start the bidding here at £85. | 0:27:57 | 0:28:01 | |
90 is bid. 100, 110, 120, 130, new bidder. I'm out. | 0:28:01 | 0:28:06 | |
-140... -He paid £25 for this. -Told you. | 0:28:06 | 0:28:10 | |
-170, 180. -Told you. | 0:28:10 | 0:28:12 | |
190, £200 is bid. | 0:28:12 | 0:28:14 | |
220 now, 240, 260. Any further bids? | 0:28:14 | 0:28:17 | |
-Go on, go on. -At 260, 280. | 0:28:17 | 0:28:20 | |
-Can you believe this? -300. | 0:28:20 | 0:28:22 | |
-Told you. -At £300, £300. -Well done, James. | 0:28:22 | 0:28:26 | |
In the corner then at 300. Are we all done then? | 0:28:26 | 0:28:28 | |
£300, last call on 300. | 0:28:28 | 0:28:31 | |
Good Lord. | 0:28:31 | 0:28:32 | |
-Yes! -Well done. Well done. | 0:28:32 | 0:28:35 | |
What about that? A stonking profit of £275 for James. | 0:28:35 | 0:28:40 | |
For a seed. | 0:28:40 | 0:28:42 | |
Fantastico! Brilliant! | 0:28:42 | 0:28:44 | |
It all hangs on Thomas's amethyst brooch now. | 0:28:44 | 0:28:49 | |
Bought for £100. | 0:28:49 | 0:28:50 | |
At £15, do I see 18? | 0:28:50 | 0:28:53 | |
At £15, do I see 18? 18 is bid there, 20 with me, sir. | 0:28:53 | 0:28:56 | |
-Uh-oh. -25. | 0:28:56 | 0:28:58 | |
-Oh, my God. -Not looking good. | 0:28:58 | 0:29:00 | |
At 25, do I see 30? | 0:29:00 | 0:29:03 | |
Come on. Over there. | 0:29:03 | 0:29:05 | |
30, thank you. At 30, any advance on 30? | 0:29:05 | 0:29:08 | |
Oh, my God. | 0:29:08 | 0:29:09 | |
You're not stopping me pointing them out when it's your thing! Oh, no! | 0:29:09 | 0:29:13 | |
£30, are we all done? | 0:29:13 | 0:29:15 | |
Ouch! | 0:29:15 | 0:29:17 | |
Big hole. | 0:29:17 | 0:29:18 | |
Yep, disaster for Thomas. | 0:29:18 | 0:29:20 | |
I've learnt my lesson there. I've learnt my little lesson. | 0:29:20 | 0:29:24 | |
Both our experts started this leg with £200. | 0:29:25 | 0:29:28 | |
After paying auction costs, Thomas has made a small profit of £17.30. | 0:29:28 | 0:29:33 | |
That leaves him with a respectable £217.30 to carry forwards. | 0:29:33 | 0:29:38 | |
But James is this leg's super trouper. | 0:29:40 | 0:29:42 | |
His Coco de Mer shot his profit up to £293.50, | 0:29:42 | 0:29:48 | |
which means he takes forward a delectable £493.50 to spend. | 0:29:48 | 0:29:53 | |
-Well done, James. -Thank you. -You must be feeling cock-a-hoop? | 0:29:54 | 0:29:59 | |
-It's all luck. Come on, let's go. -Are you excited? -Yes. | 0:29:59 | 0:30:03 | |
Our boys are heading on to the next leg of their road trip. | 0:30:06 | 0:30:09 | |
It's just beautiful. | 0:30:09 | 0:30:11 | |
I think Scotland is dire when it's raining! | 0:30:11 | 0:30:14 | |
But...you can't beat it when it's like this. | 0:30:14 | 0:30:18 | |
On this journey, Thomas and James will be travelling over 800 miles, | 0:30:18 | 0:30:22 | |
looping their way from the Scottish west coast up to the Highlands, | 0:30:22 | 0:30:26 | |
down to the Lowlands, and back again, | 0:30:26 | 0:30:29 | |
eventually finishing at the country's capital city, Edinburgh. | 0:30:29 | 0:30:32 | |
However, on this leg they're starting off in Balloch, | 0:30:33 | 0:30:36 | |
next to Loch Lomond, | 0:30:36 | 0:30:38 | |
and ending on the east coast in Dundee for their auction. | 0:30:38 | 0:30:41 | |
But the Morris Minor has other ideas. | 0:30:41 | 0:30:44 | |
Oh, no! No way! Look at that! | 0:30:44 | 0:30:49 | |
Oh, no. It's really bad now. | 0:30:49 | 0:30:51 | |
-What a disaster! -Hitch. -Hitch? Let's get out, then! | 0:30:51 | 0:30:55 | |
Brilliant! | 0:30:55 | 0:30:57 | |
See, that's the way you do it, Thomas! Hello. | 0:30:57 | 0:31:00 | |
-Is there any possibility you might give us a lift? -What a nice lady. | 0:31:00 | 0:31:06 | |
Oh, Balloch. I can see the sign. | 0:31:06 | 0:31:09 | |
The boys are off to Loch Lomond Antiques and Art Centre, | 0:31:09 | 0:31:11 | |
Thomas with a modest £217 in hand, | 0:31:11 | 0:31:14 | |
James with his gargantuan £493, so good luck, chaps. | 0:31:14 | 0:31:18 | |
If you know of any wonderful bargains I should be looking at, feel free to point them out. | 0:31:18 | 0:31:22 | |
Thomas is already up and running with Doreen. | 0:31:22 | 0:31:26 | |
-I want to look at this drinking set. -OK. | 0:31:26 | 0:31:29 | |
I seem to do quite well with things which are alcohol-related! | 0:31:29 | 0:31:33 | |
This Art Deco silver-plated travelling cocktail set | 0:31:33 | 0:31:37 | |
would be fabulous for the jet set! | 0:31:37 | 0:31:40 | |
-There's the three cups. -I think there might be four. | 0:31:40 | 0:31:45 | |
-I think this lifts off. -Oh, there's another one there? Oh, cool! | 0:31:45 | 0:31:48 | |
And I think there's more inside. | 0:31:48 | 0:31:52 | |
It's quite fun, really. I love these things. | 0:31:52 | 0:31:54 | |
We've got on that 45, but can maybe take it down to 40, | 0:31:54 | 0:31:57 | |
but I think...that's all we could do. | 0:31:57 | 0:32:00 | |
-D'you think so? -Yes. -25. -Maybe 30. -Maybe 30? | 0:32:00 | 0:32:06 | |
No. 36. 35, then. | 0:32:06 | 0:32:11 | |
-What about 30? -Can't do 30, no, I can't. | 0:32:11 | 0:32:15 | |
32. | 0:32:15 | 0:32:16 | |
-OK! 32. -Thank you. Brilliant. | 0:32:18 | 0:32:23 | |
That's fine, it's fine! | 0:32:23 | 0:32:24 | |
Thank goodness for that. | 0:32:24 | 0:32:27 | |
So, a drinks set and a kiss from the lovely Doreen. | 0:32:27 | 0:32:30 | |
Not bad going, Thomas! | 0:32:30 | 0:32:32 | |
James has got Doreen's husband Brian looking after him. | 0:32:32 | 0:32:36 | |
-I wonder if he'll get a kiss? -Can I see the little cannon, please? | 0:32:36 | 0:32:40 | |
I wonder what that was for. | 0:32:40 | 0:32:42 | |
-Could be for matches, couldn't it? -Matches, yes. | 0:32:42 | 0:32:45 | |
-I wonder if that's the striker, actually? -Yes. | 0:32:45 | 0:32:48 | |
It's a funny old thing. | 0:32:49 | 0:32:51 | |
This Victorian match holder with the cranberry glass barrel | 0:32:51 | 0:32:55 | |
seems a steal at £28. | 0:32:55 | 0:32:58 | |
-Would 15 quid buy it? -20 is the bottom line on that one. -Is it? | 0:32:58 | 0:33:02 | |
-Yes. -Do a bit more off it? | 0:33:02 | 0:33:05 | |
If a pound helps, we'll do it for 19. | 0:33:05 | 0:33:08 | |
-I'm not going to argue with you. I can see you're doing your best. -Thank you. | 0:33:08 | 0:33:12 | |
Well, you have got nearly £500 burning a hole in your pocket! | 0:33:14 | 0:33:18 | |
Anything else, James? | 0:33:18 | 0:33:19 | |
How about that shield-shaped box just in there? | 0:33:19 | 0:33:23 | |
We've got 90 on it. 75? | 0:33:24 | 0:33:28 | |
OK. | 0:33:28 | 0:33:29 | |
Can I make a cheeky offer of 50 on that? | 0:33:29 | 0:33:31 | |
-If we could split it to 55... -55... Yeah, OK. | 0:33:31 | 0:33:37 | |
Mm, that was easy - but James seems distracted by something else. | 0:33:37 | 0:33:43 | |
It's a weird thing! | 0:33:43 | 0:33:46 | |
-What do you think? Improvement? -Yes! | 0:33:46 | 0:33:49 | |
This extraordinary piece of tribal art | 0:33:50 | 0:33:53 | |
is an open-eyed mask with monkey cresting, dating from the 1880s. | 0:33:53 | 0:33:58 | |
-Without question, this is early. I'm thinking it might be bronze. -And brass over it. | 0:33:58 | 0:34:03 | |
It's just that wonderful colour in there, that darkness. | 0:34:03 | 0:34:08 | |
And then you turn it over, | 0:34:08 | 0:34:09 | |
and it's just been polished for 100 years or more. | 0:34:09 | 0:34:11 | |
-94 on there... -Which is far too much. -Yes. | 0:34:11 | 0:34:15 | |
65 probably is the bottom line there. | 0:34:15 | 0:34:18 | |
Mm. I feel a bit of a job lot coming on | 0:34:18 | 0:34:20 | |
for the silver-shaped dressing-table box and the bronze mask. | 0:34:20 | 0:34:24 | |
65 and 55. A hundred the two? | 0:34:24 | 0:34:28 | |
Yeah, I think we could do a hundred on the two. | 0:34:28 | 0:34:30 | |
-You've got a deal. -Thank you. -Brilliant. | 0:34:30 | 0:34:32 | |
Ooh! James does seem rather taken with the mask. | 0:34:32 | 0:34:36 | |
Now, has Thomas stopped flirting with Doreen? | 0:34:36 | 0:34:40 | |
-These have just come in, have they? -Yes. | 0:34:40 | 0:34:43 | |
-Oh, that's so sweet! -I thought that was very pretty. | 0:34:43 | 0:34:46 | |
This 1900 moustache-and-comb set | 0:34:46 | 0:34:49 | |
has a silver and tortoise shell element to it. | 0:34:49 | 0:34:52 | |
Tortoiseshell is endangered, but since this antique utility | 0:34:52 | 0:34:57 | |
was made before 1947, | 0:34:57 | 0:34:59 | |
That means Thomas IS able to sell it at auction. | 0:34:59 | 0:35:02 | |
-Ticket price - £35. -But what a present | 0:35:02 | 0:35:06 | |
to give our narrator... with his little moustache! | 0:35:06 | 0:35:11 | |
He-he-he(!) | 0:35:11 | 0:35:12 | |
Size isn't everything, Thomas. Time to do a deal with Doreen. | 0:35:12 | 0:35:16 | |
What's that going to be, in your world, this one here? | 0:35:16 | 0:35:19 | |
£35. | 0:35:19 | 0:35:20 | |
Now, with the cocktail set secured for £32, can Thomas | 0:35:20 | 0:35:24 | |
wheeler-deal for the £35 grooming kit? | 0:35:24 | 0:35:28 | |
Can I give you 50 for the both? | 0:35:28 | 0:35:30 | |
-Go on. -OK. -Yeah? -50 for both. -50 for both. -Be lucky. | 0:35:30 | 0:35:34 | |
-Thank you. -Brilliant. -Thank you. That's us. | 0:35:34 | 0:35:36 | |
What a charmer! | 0:35:36 | 0:35:37 | |
Thomas has managed to get both the drinks set | 0:35:37 | 0:35:40 | |
and the 'tache grooming kit | 0:35:40 | 0:35:42 | |
for £50. Brilliant. | 0:35:42 | 0:35:44 | |
At the other end of the shop, James has negotiated on | 0:35:44 | 0:35:48 | |
a dressing table box, a vintage mask and a match holder. | 0:35:48 | 0:35:50 | |
But he's not finished yet. | 0:35:50 | 0:35:52 | |
-The pair of toast racks. -Yes. -Ooh, these could fit the bill, | 0:35:54 | 0:35:58 | |
-at £98. -What could they do? | 0:35:58 | 0:36:01 | |
-Eh...80? -Oh, blimey. | 0:36:01 | 0:36:03 | |
What would you like to pay for it? | 0:36:03 | 0:36:06 | |
I was thinking...a good bit off that. | 0:36:06 | 0:36:09 | |
-Yeah. -Don't worry. -To give you a fighting chance, how about | 0:36:09 | 0:36:13 | |
..78? | 0:36:15 | 0:36:16 | |
-Hmm. -75? Touching somewhere near? | 0:36:17 | 0:36:21 | |
-Would you do 150 the three? -One more bid and we can do it. | 0:36:23 | 0:36:26 | |
-155? -Yeah. -OK. | 0:36:26 | 0:36:28 | |
-You've got a deal. -Thank you. -Brilliant. Thank you. | 0:36:28 | 0:36:31 | |
Crikey. So, after one last haggle, James has got the silver box, | 0:36:31 | 0:36:35 | |
the silver toast racks and the mask for £155. | 0:36:35 | 0:36:39 | |
And with the match holder at £19, that's not bad for a day's shop. | 0:36:39 | 0:36:44 | |
Thank you. | 0:36:44 | 0:36:45 | |
The pair are riding high and, great, the motor's been fixed. | 0:36:45 | 0:36:50 | |
Good old James | 0:36:50 | 0:36:52 | |
gives Thomas a lift, 30 miles east, to Stirling, | 0:36:52 | 0:36:54 | |
and the famous Wallace Monument. | 0:36:54 | 0:36:56 | |
It looks marvellous, doesn't it? | 0:36:56 | 0:36:58 | |
It's lovely. I'm really looking forward to this. | 0:36:58 | 0:37:01 | |
William Wallace was a Scottish hero who fought and died | 0:37:03 | 0:37:07 | |
trying to free Scotland from English rule. | 0:37:07 | 0:37:09 | |
Here to tell the tale is archaeologist Murray Cook. | 0:37:12 | 0:37:16 | |
This is the National Wallace Monument. | 0:37:16 | 0:37:18 | |
It's built in 1869, to commemorate William Wallace | 0:37:18 | 0:37:23 | |
and his famous battle at Stirling Bridge. | 0:37:23 | 0:37:26 | |
Proudly positioned on the Abbey Craig, overlooking the site | 0:37:27 | 0:37:31 | |
of his greatest victory, this Gothic tower captures the drama | 0:37:31 | 0:37:34 | |
of Wallace's campaign. | 0:37:34 | 0:37:36 | |
Wallace is THE national hero. He's from relatively common origins. | 0:37:36 | 0:37:41 | |
He's not a member of the establishment, | 0:37:41 | 0:37:44 | |
not a member of the aristocracy. | 0:37:44 | 0:37:45 | |
He didn't say no. He just kept fighting. He didn't surrender. | 0:37:45 | 0:37:50 | |
I mean, he's a hothead. | 0:37:50 | 0:37:51 | |
Named Braveheart, Wallace inspired the Scots to stand up | 0:37:51 | 0:37:57 | |
to their oppressors, the English. | 0:37:57 | 0:38:00 | |
The choice of weapon was the sword, believed to resemble this one. | 0:38:00 | 0:38:04 | |
Probably some element of that is Wallace's sword. | 0:38:04 | 0:38:08 | |
The Wallace sword was restored by King James IV in 1505. | 0:38:08 | 0:38:13 | |
Standing at five and a half feet, | 0:38:13 | 0:38:16 | |
it's unlikely that Wallace would have actually used this in battle. | 0:38:16 | 0:38:21 | |
-Wallace was a big man. -Six foot ten? -He's between six and seven feet. | 0:38:21 | 0:38:27 | |
You'd have to be very big to wield it. | 0:38:27 | 0:38:31 | |
Certainly big, to smash that into someone's body | 0:38:31 | 0:38:33 | |
and then pull it out again. It's a big sword for a big hero. | 0:38:33 | 0:38:38 | |
Just hold your breath, because, really, this view is incredible. | 0:38:38 | 0:38:42 | |
It's just a spectacular panorama. | 0:38:42 | 0:38:45 | |
Oh, my! | 0:38:45 | 0:38:47 | |
From the top of the monument, it's possible to see Stirling Castle | 0:38:47 | 0:38:51 | |
and the site of eight battlefields, | 0:38:51 | 0:38:54 | |
including Bannockburn and, of course, Stirling Bridge. | 0:38:54 | 0:38:57 | |
The rugby pitch is where the Battle of Stirling Bridge was fought, | 0:38:57 | 0:39:02 | |
where 5,500 troops died. Just on that spot. | 0:39:02 | 0:39:07 | |
-You are looking at bloody ground. -And also, with the weight of troops | 0:39:09 | 0:39:14 | |
and knights and all that machinery of war they had, | 0:39:14 | 0:39:17 | |
they got there and they realised, "Oh, it's far too late to turn back." | 0:39:17 | 0:39:22 | |
They were stuck. | 0:39:22 | 0:39:23 | |
The English made a tactical error in crossing the too-narrow | 0:39:25 | 0:39:28 | |
Stirling Bridge, so giving victory to the Scots | 0:39:28 | 0:39:31 | |
and making Wallace a national hero. | 0:39:31 | 0:39:35 | |
However, Wallace paid the ultimate price. | 0:39:35 | 0:39:37 | |
He was later captured - and hung, drawn and quartered | 0:39:37 | 0:39:41 | |
by the English in 1305. | 0:39:41 | 0:39:43 | |
But his legend lives on in this grand tribute. | 0:39:45 | 0:39:49 | |
A Victorian looking at that feels that's a primitive past. | 0:39:49 | 0:39:54 | |
We're now moving forward, "Look what we've achieved." | 0:39:54 | 0:39:57 | |
I think they should be very proud of what they achieved. | 0:39:57 | 0:40:00 | |
Well said, Thomas. Especially for a Sassenach. | 0:40:00 | 0:40:04 | |
But it's time to get back to shopping. | 0:40:04 | 0:40:07 | |
Speaking of which, James had driven 20 miles to Alva, to Glentana Mill, | 0:40:07 | 0:40:12 | |
where he's hoping to conjure up his own antiques adventure. | 0:40:12 | 0:40:16 | |
-Hello, there. -James, nice to meet you. -Nice to see you. | 0:40:16 | 0:40:18 | |
Glentana Mill houses 15 dealers and hundreds of collectibles. | 0:40:20 | 0:40:24 | |
Although James has just over £300 in his pocket, | 0:40:24 | 0:40:28 | |
nothing seems to be tickling his fancy. | 0:40:28 | 0:40:30 | |
£890! | 0:40:30 | 0:40:33 | |
HE SIGHS | 0:40:33 | 0:40:34 | |
Don't give up yet. | 0:40:34 | 0:40:36 | |
A picture may say 1,000 words, | 0:40:36 | 0:40:38 | |
but in this case, James, it's just two - | 0:40:38 | 0:40:41 | |
is that still life saying "buy me"? | 0:40:41 | 0:40:45 | |
Here we've got a 19th-Century Scottish school still life | 0:40:45 | 0:40:50 | |
oil on canvas of a vase of, sort of, meadow flowers and grasses. | 0:40:50 | 0:40:55 | |
Probably painted around 1890. It has a bit of a look to it, | 0:40:55 | 0:41:01 | |
but just wondering whether I should go for that. | 0:41:01 | 0:41:03 | |
Well, at £65, it would be rude not to. | 0:41:03 | 0:41:07 | |
It's time to negotiate with owner Ellis. | 0:41:07 | 0:41:09 | |
What could you do on that for me? | 0:41:09 | 0:41:11 | |
-Could probably do 55. -Hmm. -What were you thinking about? | 0:41:11 | 0:41:16 | |
-About 30. -The best I could do would be 40. | 0:41:16 | 0:41:20 | |
Well, that does seem reasonable. | 0:41:20 | 0:41:23 | |
-Looks like I'm buying a picture off you, then. -Right. -£40. -Yeah. | 0:41:24 | 0:41:28 | |
With his loot in the bag, it's time for James and Thomas to reunite | 0:41:28 | 0:41:32 | |
and Thomas has devised one way to kill off the competition. | 0:41:32 | 0:41:34 | |
-Oh, Thomas! -Not me. -Argh! -That's not me. | 0:41:36 | 0:41:41 | |
-That's you! -I promise you. | 0:41:41 | 0:41:43 | |
-It smells like poo. -Well, thank goodness the roof's down. Moving on, | 0:41:43 | 0:41:48 | |
our boys are heading over an hour east, from Alva to St Andrews. | 0:41:48 | 0:41:52 | |
Ah, St Andrews, look! Look! Look! | 0:41:52 | 0:41:57 | |
James drops off Thomas, as he's got his own plan of action. | 0:41:57 | 0:42:00 | |
-Look at that. Isn't it marvellous? -Oh, fantastic! | 0:42:00 | 0:42:04 | |
-Are you a bit jealous? -I want the Cyberman's hat. | 0:42:04 | 0:42:07 | |
I'll see what I can do. | 0:42:07 | 0:42:09 | |
Thomas is hoping to get something curious from Curiosity. | 0:42:10 | 0:42:14 | |
Happy to help are two shop assistants. Hugh Grant? | 0:42:14 | 0:42:19 | |
No, Peter and Peter. Smart dandies with the same name. | 0:42:19 | 0:42:23 | |
Would you mind if I had a quick look? | 0:42:23 | 0:42:25 | |
-If you see anything, give me a shout. -Thank you very much. | 0:42:25 | 0:42:28 | |
Oh, what's this? | 0:42:33 | 0:42:35 | |
These are so funny, they're so, sort of, '50s, | 0:42:35 | 0:42:38 | |
you know, good, sort of, seaside humour, which we now find fun. | 0:42:38 | 0:42:43 | |
"Don't forget you promised to teach me to drive a car, too." | 0:42:43 | 0:42:46 | |
Just married. Of course, some cards are by famous artists, | 0:42:46 | 0:42:50 | |
which make them more appealing. | 0:42:50 | 0:42:53 | |
-There's a Mabel Lucie Attwell there. -This collection contains at least | 0:42:53 | 0:42:57 | |
one saucy postcard by famous graphic artist Donald McGill. | 0:42:57 | 0:43:02 | |
Postcards like these sold in their millions | 0:43:02 | 0:43:05 | |
-and are now highly collectible. -There's 78 cards here. | 0:43:05 | 0:43:08 | |
I'm wondering if I can buy the album off you for about £40. | 0:43:08 | 0:43:12 | |
For the whole album, we'd be looking at something a bit more | 0:43:12 | 0:43:15 | |
-than 40, I'm afraid. -What would you be looking for? | 0:43:15 | 0:43:17 | |
120, that was the sort of figure that we were looking at. | 0:43:17 | 0:43:21 | |
They're not worth that at auction. No, all right. Thank you very much. | 0:43:21 | 0:43:26 | |
I think my work is done here. | 0:43:26 | 0:43:27 | |
Oh, Thomas is playing tough! | 0:43:27 | 0:43:30 | |
I'll tell you what I'll do. Seeing as you're interested in them all. | 0:43:31 | 0:43:36 | |
All of them, I can do them... | 0:43:36 | 0:43:38 | |
Roughly about 80 of them there, I can do them all for £50 for you. | 0:43:38 | 0:43:40 | |
-£50? -£50 for the lot. | 0:43:40 | 0:43:43 | |
-Deal. -Deal. That's a deal. Thank you, Peter. | 0:43:47 | 0:43:49 | |
Well played, Thomas. | 0:43:49 | 0:43:51 | |
A no-nonsense approach and a great discount, but he's not finished yet. | 0:43:51 | 0:43:57 | |
That's a mad thing. | 0:43:57 | 0:43:59 | |
An egg. | 0:43:59 | 0:44:00 | |
A wooden egg. And a coat of brass over it. | 0:44:00 | 0:44:05 | |
God, I've never seen something like that before. | 0:44:06 | 0:44:08 | |
An oak and brass decorative egg. Ticket price, £12. | 0:44:08 | 0:44:14 | |
Looks in-ter-esting, but any idea what it is? | 0:44:14 | 0:44:18 | |
What do you know about this? | 0:44:18 | 0:44:20 | |
I'm going to be honest with you, we don't know a great deal about it. | 0:44:20 | 0:44:23 | |
We think it's fairly old, about 80 years old, but we're uncertain. | 0:44:23 | 0:44:27 | |
-Obviously, covered in brass. -Um... It's a mad thing. | 0:44:27 | 0:44:30 | |
I think it's a curious object. Quite distinctive, very decorative. | 0:44:30 | 0:44:34 | |
What can you do on that? | 0:44:34 | 0:44:36 | |
To be honest, I think that's a very fair price, as it is. | 0:44:36 | 0:44:40 | |
But seeing as you've bought that. Together - £60. | 0:44:40 | 0:44:43 | |
-£60? -£60, for the two. -55, for the two. | 0:44:43 | 0:44:47 | |
I tell you what, halfway and we'll meet with a deal there. | 0:44:47 | 0:44:50 | |
-55? -57.50. -57.50. Madness. So, that would cost me 7.50. | 0:44:50 | 0:44:56 | |
Go on. | 0:44:58 | 0:44:59 | |
What a nice chap. | 0:44:59 | 0:45:01 | |
Goodness, Thomas seems to be on a shopping spree. | 0:45:01 | 0:45:06 | |
This is a moulding plane. Really nicely made. | 0:45:06 | 0:45:10 | |
The appeal is that they're really lovely decorative objects. | 0:45:10 | 0:45:14 | |
And also, some restorers do still use them. | 0:45:14 | 0:45:17 | |
There are all types of blades in there. | 0:45:17 | 0:45:19 | |
When you're wanting to do a bit of moulding, | 0:45:19 | 0:45:22 | |
I think it would come out like that. Can that be pennies? Not literally. | 0:45:22 | 0:45:26 | |
Thomas, seeing as you've bought other stuff from us, | 0:45:26 | 0:45:29 | |
that's 22 at the moment. Ten pounds, it's yours. | 0:45:29 | 0:45:32 | |
I'll take it, then. | 0:45:32 | 0:45:35 | |
I've bought three things off you now, haven't I? | 0:45:35 | 0:45:38 | |
Well remembered. | 0:45:38 | 0:45:39 | |
Curiosity may have killed the cat, | 0:45:40 | 0:45:43 | |
but Thomas is the cat that got the cream. £67.50 well spent. | 0:45:43 | 0:45:47 | |
Now, he's on a roll. There is no holding our Thomas back. | 0:45:47 | 0:45:50 | |
Now, he has heads for a rather appropriately-named shop. | 0:45:50 | 0:45:54 | |
-Can I have a rummage? -Yes, have a rummage. | 0:45:54 | 0:45:56 | |
Felicity runs this establishment, | 0:45:58 | 0:46:00 | |
a budget antiques and shabby-chic combo, | 0:46:00 | 0:46:03 | |
and with just under £100 to spend, it's perfect for Thomas. | 0:46:03 | 0:46:06 | |
-Ooh, this is quite good! -But what is it? | 0:46:06 | 0:46:10 | |
I think it's a tool for scraping a wooden plank of some description. | 0:46:10 | 0:46:16 | |
It's stamped up here. This could be the answer to my prayers. | 0:46:16 | 0:46:21 | |
I could put this...with my plane. | 0:46:21 | 0:46:25 | |
Good thinking. | 0:46:25 | 0:46:26 | |
Adding what looks like a wood shaver to his wooden plane mould. | 0:46:26 | 0:46:31 | |
That would make a job lot. | 0:46:31 | 0:46:32 | |
-What's this got to be? -A fiver. -I'm not going to argue with you. | 0:46:32 | 0:46:38 | |
-Good! -I'm not going to barter, I'm not going to haggle, | 0:46:38 | 0:46:40 | |
I'm not going to try and knock you down. | 0:46:40 | 0:46:42 | |
-Just take it like that. -I'm going to take it like that. | 0:46:42 | 0:46:46 | |
Give you a fiver, cos I don't know what it is. | 0:46:46 | 0:46:48 | |
Well, mission accomplished, on a tight budget. | 0:46:48 | 0:46:52 | |
Elsewhere in St Andrews, | 0:46:52 | 0:46:55 | |
James is also hoping for some last-minute items. | 0:46:55 | 0:46:58 | |
-Hello, there. -Hello. | 0:46:58 | 0:46:59 | |
OK, James, what's on the shopping list? | 0:47:00 | 0:47:02 | |
It's either got to be something on its own, | 0:47:02 | 0:47:04 | |
something to go with the silver, | 0:47:04 | 0:47:07 | |
or something to go with the canon. | 0:47:07 | 0:47:09 | |
There's an eclectic mix of goodies here, | 0:47:09 | 0:47:12 | |
but what will sell at auction? Maybe owner Anne can help. | 0:47:12 | 0:47:15 | |
We have something quite unusual up there as well. | 0:47:15 | 0:47:18 | |
I thought you would point out the Romans! | 0:47:18 | 0:47:21 | |
I can see the Romans from here. | 0:47:21 | 0:47:24 | |
This set of fibreglass Romans originally stood outside a pub. | 0:47:25 | 0:47:29 | |
Ticket price £280. | 0:47:29 | 0:47:31 | |
If I'm lucky, they'd make 50 quid. They're mad! | 0:47:31 | 0:47:35 | |
And they're completely unique. | 0:47:35 | 0:47:37 | |
HE LAUGHS | 0:47:37 | 0:47:39 | |
Not surprised! | 0:47:39 | 0:47:40 | |
Then you could buy the horse as well, couldn't you? | 0:47:42 | 0:47:45 | |
You're going to try and bankrupt me! | 0:47:45 | 0:47:48 | |
Has Thomas been here and paid you? | 0:47:48 | 0:47:50 | |
Time's a-ticking, and James seems to be losing the plot. | 0:47:50 | 0:47:55 | |
I'm going to offer a really cheeky, silly, low price. | 0:47:55 | 0:47:58 | |
Oh, crikey! | 0:47:58 | 0:47:59 | |
Only because I think they're the most crazy things I've ever seen. | 0:47:59 | 0:48:03 | |
-I think they're probably worth nothing. -I'll go with that. | 0:48:03 | 0:48:05 | |
I'll offer you a crazy price of 20 quid. | 0:48:05 | 0:48:08 | |
Oh now, come on! | 0:48:08 | 0:48:10 | |
-I know, it's crazy. -50. | 0:48:10 | 0:48:12 | |
Oh! | 0:48:12 | 0:48:13 | |
25. | 0:48:13 | 0:48:14 | |
Oh... What else are you going to buy? | 0:48:14 | 0:48:17 | |
Good question. Didn't you say you were looking for some silver? | 0:48:17 | 0:48:22 | |
How about those? How much could they be? | 0:48:23 | 0:48:26 | |
How much do you want to spend in this shop? | 0:48:26 | 0:48:28 | |
They're worth a tenner to me. | 0:48:28 | 0:48:29 | |
-All right, you can have them for a tenner. -Right. | 0:48:29 | 0:48:31 | |
What James has is an Edwardian silver boot hook and shoe horn, | 0:48:31 | 0:48:36 | |
for £15 less than the ticket price. | 0:48:36 | 0:48:38 | |
But Anne's still trying to push the Romans on to him. | 0:48:38 | 0:48:42 | |
-They're completely bonkers. -50. | 0:48:42 | 0:48:44 | |
I don't want them, I just think they're crazy. | 0:48:44 | 0:48:47 | |
30 quid. You stick your hand out if you want to. | 0:48:47 | 0:48:50 | |
-Deal. -You do? £30! | 0:48:50 | 0:48:52 | |
I do not know who's more crazy, you or me. | 0:48:52 | 0:48:56 | |
They may be unusual, but that's £250 off the asking price. | 0:48:56 | 0:49:02 | |
How does he do it? | 0:49:02 | 0:49:03 | |
Well, it's a bit of company in the back of the car, isn't it? | 0:49:04 | 0:49:08 | |
So that draws a line under the shopping for this leg. | 0:49:11 | 0:49:14 | |
Let's refresh the old grey matter as to what the boys bought. | 0:49:14 | 0:49:17 | |
Thomas started this leg with £217.30 and spent £122.50 | 0:49:17 | 0:49:22 | |
on five auction lots. They are: | 0:49:22 | 0:49:23 | |
an Art Deco travelling cocktail drinks set, | 0:49:23 | 0:49:26 | |
a 1900s moustache brush and comb in a case, | 0:49:26 | 0:49:31 | |
an album of early 20th-century postcards, | 0:49:31 | 0:49:33 | |
an oak and brass bound egg, | 0:49:33 | 0:49:36 | |
and two early 20th-century tools. | 0:49:36 | 0:49:40 | |
James, meanwhile, started with a luscious £493.50 | 0:49:40 | 0:49:44 | |
and parted with £254 exactly. | 0:49:44 | 0:49:47 | |
He bought a bronzed tribal mask, | 0:49:47 | 0:49:49 | |
a collection of silver comprising a toast rack, | 0:49:49 | 0:49:52 | |
a pair of shoehorns, and a dressing table box, | 0:49:52 | 0:49:55 | |
a Scottish School still life, | 0:49:55 | 0:49:58 | |
a Victorian novelty vesta, | 0:49:58 | 0:49:59 | |
and a pair of life-sized figures of Roman emperors. | 0:49:59 | 0:50:03 | |
So, what do they think of each others' buys? | 0:50:03 | 0:50:06 | |
We've both bought some real tat. | 0:50:06 | 0:50:08 | |
The little moustache set is great, with the brush and comb. | 0:50:08 | 0:50:13 | |
I think in the right sale, it might return a decent profit. | 0:50:13 | 0:50:16 | |
The classical figures. | 0:50:16 | 0:50:18 | |
I mean, has he had a taste bypass? | 0:50:18 | 0:50:20 | |
Has he had a lobotomy? | 0:50:20 | 0:50:22 | |
Has his front brain been removed? What was that? | 0:50:22 | 0:50:25 | |
I think the result is going to be touch and go. | 0:50:25 | 0:50:28 | |
I bought some real rubbish, but mind you, so did he. | 0:50:28 | 0:50:31 | |
It's been a memorable leg of this trip. | 0:50:32 | 0:50:34 | |
Kicking off in Balloch, and then shimmying along | 0:50:34 | 0:50:37 | |
to historic Stirling, | 0:50:37 | 0:50:38 | |
before a wee trek to St Andrews via Alva. | 0:50:38 | 0:50:42 | |
Now, they're on their way to their final destination, Dundee. | 0:50:42 | 0:50:45 | |
There we go. Slip it in there. | 0:50:45 | 0:50:48 | |
-All right, James? -Make sure the handbrake works. | 0:50:48 | 0:50:50 | |
I will. If you get out, it might be a bit better! | 0:50:50 | 0:50:54 | |
The auction battleground is Curr and Dewar in Dundee. | 0:50:55 | 0:51:00 | |
They've been established auctioneers and valuers since 1862. | 0:51:00 | 0:51:03 | |
Auctioneer Steven Dewar is in charge today. | 0:51:03 | 0:51:06 | |
Steady yourselves, it's time to begin. | 0:51:06 | 0:51:09 | |
Oh, dear. Well, here we go. | 0:51:09 | 0:51:11 | |
-First up is James's rare African mask. -Interest opens me up at £80. | 0:51:13 | 0:51:19 | |
-There you are, see. -And £80 it is on the mask. £80. | 0:51:19 | 0:51:22 | |
Are you all done at £80? 90. 100. | 0:51:22 | 0:51:26 | |
-And 10. And 110 now. -Go on! | 0:51:26 | 0:51:29 | |
Any advance on £110? | 0:51:29 | 0:51:31 | |
Well, you've doubled your money. | 0:51:33 | 0:51:36 | |
James won't need the mask to cover his face in shame | 0:51:36 | 0:51:40 | |
as he's made a healthy profit. | 0:51:40 | 0:51:42 | |
-Do you slightly wish you could take it home? -Take it home! | 0:51:42 | 0:51:45 | |
-Yes, exactly. That's the thing. -But you can't. -I know. | 0:51:45 | 0:51:48 | |
Thomas is next with his job lot of tools comprising | 0:51:49 | 0:51:53 | |
the wood shaver and the moulding plane. | 0:51:53 | 0:51:54 | |
-At £10. 12, sir. 15. 18. -Into profit. -In the hall there, £18. | 0:51:54 | 0:52:00 | |
-Is there anybody else there? -18 quid! I've lost money on those. | 0:52:00 | 0:52:03 | |
-No, you haven't. -Yes, I have. -No, you haven't! -£18. | 0:52:03 | 0:52:08 | |
-Broken even. -Broken even. -What a disgrace! | 0:52:08 | 0:52:11 | |
Yes, after auction costs, you'll barely see any of that. | 0:52:11 | 0:52:15 | |
But at least it isn't a loss, Thomas. Next are James's silver lot. | 0:52:15 | 0:52:20 | |
A toast rack, dressing-table box, and boot hook and horn. | 0:52:20 | 0:52:24 | |
Interest starts me off here. £50. | 0:52:24 | 0:52:27 | |
At £50. 60. 70. | 0:52:27 | 0:52:30 | |
80. 90. 100. And 10. | 0:52:30 | 0:52:34 | |
-110 commission. At £110. Any advance on 110? -Go on! Yes! | 0:52:34 | 0:52:39 | |
You did well to get that. | 0:52:39 | 0:52:40 | |
That'll be an even bigger loss after commission. | 0:52:40 | 0:52:43 | |
But at least James is keeping his pecker up. | 0:52:43 | 0:52:46 | |
Take it on the chin 100%. My fault. I paid too much. | 0:52:46 | 0:52:49 | |
-Can Thomas catch up with his mysterious decorative egg? -£15. | 0:52:51 | 0:52:55 | |
-18. 20. 2. 25. 28. 30. -Go on! | 0:52:55 | 0:53:00 | |
30 commission bidder. Any advance, then? £30 I have. | 0:53:00 | 0:53:05 | |
Well done! | 0:53:05 | 0:53:06 | |
They may laugh, but this double yolk has quadrupled in value. | 0:53:06 | 0:53:10 | |
Best profit so far on that bloody egg! | 0:53:10 | 0:53:13 | |
James is hoping to strike it rich | 0:53:13 | 0:53:17 | |
with his Victorian novelty match holder. | 0:53:17 | 0:53:20 | |
20 seated. 2. 25. 28. 30. | 0:53:20 | 0:53:24 | |
30 in the room. £30. | 0:53:24 | 0:53:28 | |
Yay! | 0:53:28 | 0:53:30 | |
-It's all right, I suppose. -What do you mean, it's all right I suppose? | 0:53:30 | 0:53:33 | |
Everything can't make three figures! | 0:53:33 | 0:53:35 | |
Honestly, there's no pleasing some people! | 0:53:35 | 0:53:39 | |
Thought it might have made a bit more, but it's fine. | 0:53:39 | 0:53:41 | |
Will these fun postcards wish Thomas bon voyage? | 0:53:41 | 0:53:45 | |
Interest starts me off at £25. | 0:53:45 | 0:53:48 | |
-I told you. -28. 30. 2. 35. 38. 40. 2. | 0:53:48 | 0:53:53 | |
-Go on! -At £42. Last chance, and it will sell. | 0:53:53 | 0:53:58 | |
45. 48. £48 seated... | 0:53:58 | 0:54:01 | |
-at £48 now. -Go on! | 0:54:01 | 0:54:04 | |
50. 5. 60. 5. 70. 5. | 0:54:04 | 0:54:10 | |
-75 seated. -Go on. Go on! | 0:54:10 | 0:54:15 | |
James, what are you doing? This isn't even your stuff! | 0:54:15 | 0:54:20 | |
-You bidding, sir? And 5. -One more. -90. And 5. | 0:54:20 | 0:54:24 | |
95 in the front. At £95. All done at £95. | 0:54:24 | 0:54:29 | |
Well done! | 0:54:30 | 0:54:32 | |
Well done. | 0:54:33 | 0:54:34 | |
James rallied the bidders, | 0:54:34 | 0:54:36 | |
but it's Thomas who'll keep this healthy profit. | 0:54:36 | 0:54:39 | |
-That's doubled your money. -But still, yes, that's great. | 0:54:39 | 0:54:43 | |
Will this gruesome twosome help James conquer the antiques empire? | 0:54:44 | 0:54:49 | |
A pair of life-size bronze composite figures. Roman emperors. | 0:54:49 | 0:54:53 | |
For the pair of them, interest starts me off at £30. | 0:54:53 | 0:54:57 | |
-There you are, you see. -35. 40. 5. 50. 5. 60. 5. | 0:54:57 | 0:55:04 | |
£65 in the hall. | 0:55:04 | 0:55:05 | |
70. 5. 80. 5. | 0:55:06 | 0:55:10 | |
At £90 in the hall. 5. 100. | 0:55:10 | 0:55:15 | |
And 10. 120. 130. 140. | 0:55:15 | 0:55:21 | |
150 is bid down the right. And 150 is bid. All done. | 0:55:21 | 0:55:25 | |
-No way! -Yes! | 0:55:25 | 0:55:27 | |
Last chance. They're 150. Thank you. | 0:55:27 | 0:55:32 | |
-Well done, James. Well done. -That is so wrong on so many levels! | 0:55:32 | 0:55:36 | |
Would you Adam and Eve it? | 0:55:36 | 0:55:39 | |
These Romans had the last laugh, putting James firmly in the lead. | 0:55:39 | 0:55:43 | |
-I thought that was bonkers. -No, I think they're brilliant. | 0:55:43 | 0:55:47 | |
Could the quaint moustache brush | 0:55:47 | 0:55:49 | |
and comb set give Thomas the miracle he needs? | 0:55:49 | 0:55:52 | |
-Going over to my right. -I can't see many moustaches. | 0:55:52 | 0:55:56 | |
18. 20. | 0:55:56 | 0:55:58 | |
-2. 25. 28 standing. -He's sporting a moustache. | 0:55:58 | 0:56:04 | |
-At 28 - are you all done, then? -Brilliant! -It is, isn't it? | 0:56:04 | 0:56:11 | |
A tidy £10 profit here for Thomas. But James is still top of the pops! | 0:56:11 | 0:56:15 | |
He has got a moustache, as well! | 0:56:16 | 0:56:18 | |
I know. He wants to trim it. | 0:56:18 | 0:56:21 | |
Er... He can hear you! | 0:56:22 | 0:56:24 | |
Staying with Thomas and his last lot, | 0:56:25 | 0:56:26 | |
it's the smart travelling cocktail set. | 0:56:26 | 0:56:30 | |
-Interest starts me at £35. -Profit, brilliant. | 0:56:30 | 0:56:33 | |
For the cocktail set - 40. 5. | 0:56:33 | 0:56:35 | |
50. 5. | 0:56:35 | 0:56:37 | |
-Yes, it's worth that. -Bottom estimate. -Last chance, then. £60. | 0:56:37 | 0:56:43 | |
-Yes, well done. -Double money. | 0:56:44 | 0:56:46 | |
A great return there, Thomas. | 0:56:46 | 0:56:48 | |
But your profits will definitely not | 0:56:48 | 0:56:50 | |
shake or stir James's winning streak. | 0:56:50 | 0:56:53 | |
So that is the sweetest little profit throughout every single lot. | 0:56:53 | 0:56:57 | |
I love that. | 0:56:57 | 0:56:58 | |
Will James's oil-on-canvas be the final death-"nail" | 0:56:58 | 0:57:02 | |
in Thomas's antique dreams? | 0:57:02 | 0:57:04 | |
What will we say? £200? £100? | 0:57:04 | 0:57:08 | |
100 bid, thank you. | 0:57:08 | 0:57:09 | |
And 100. 120. 140. 160. | 0:57:09 | 0:57:13 | |
200. At 200 now. | 0:57:13 | 0:57:15 | |
Any advance at 200? 220. | 0:57:15 | 0:57:17 | |
240. 260. 280. | 0:57:17 | 0:57:21 | |
280 is a commission bidder. Last chance. | 0:57:21 | 0:57:24 | |
-James! -Yay! -Wow! -Profit! | 0:57:25 | 0:57:28 | |
Wow! With an unbeatable £240 profit, | 0:57:28 | 0:57:32 | |
this still life proves that James really is the master! | 0:57:32 | 0:57:37 | |
-Jolly good. -Lunch is on you! -That's why I bought it. | 0:57:37 | 0:57:39 | |
Thomas started this leg with £217.30 and after auction costs | 0:57:42 | 0:57:47 | |
he's made a decent profit of £66.92. | 0:57:47 | 0:57:50 | |
That leaves him with £284.22 to carry forward. | 0:57:52 | 0:57:57 | |
James lifts this leg's cup. | 0:58:00 | 0:58:04 | |
He started with £493.50 and after making £303.60 profit, | 0:58:04 | 0:58:09 | |
he's accumulated a humongous £797.10 to carry on to the next leg. | 0:58:09 | 0:58:15 | |
-Congratulations! -Well done you, two great profits! | 0:58:18 | 0:58:21 | |
Well, a great profit from your end. So what are you on now? | 0:58:21 | 0:58:24 | |
-Sort of £1,000, is it? Is it £100,000? -Um, getting there! | 0:58:24 | 0:58:28 | |
-I'm feeling positive about today's results. Very positive. -Good. | 0:58:28 | 0:58:33 | |
Let's go! | 0:58:33 | 0:58:34 |