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It's the nation's favourite antiques experts with £200 each, a classic car and a goal | 0:00:02 | 0:00:07 | |
-to scour Britain for antiques. -That hurts. | 0:00:07 | 0:00:12 | |
What do you think? | 0:00:12 | 0:00:13 | |
The aim - to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:18 | |
-There will be worthy winners and valiant losers. -What have I done?! | 0:00:18 | 0:00:22 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:22 | 0:00:27 | |
Put your back into it! | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:35 | |
It's the start of a new leg and we join experts Thomas Plant and James Lewis on the open road | 0:00:36 | 0:00:43 | |
in a classic 1950s Morris Minor. | 0:00:43 | 0:00:46 | |
LAUGHTER | 0:00:46 | 0:00:48 | |
See? | 0:00:48 | 0:00:49 | |
And the competition is fierce. | 0:00:49 | 0:00:51 | |
Ah! | 0:00:52 | 0:00:54 | |
Battling swordsman Thomas Plant is an experienced auctioneer who specialises in jewellery. | 0:00:54 | 0:00:59 | |
But so far he's lagging behind. | 0:00:59 | 0:01:02 | |
It's a bit like the balance of power between James and I. | 0:01:02 | 0:01:05 | |
This is what I feel I've got. And this is James's money. | 0:01:05 | 0:01:09 | |
His rival, Derbyshire auctioneer James Lewis, is something of a celebrity. | 0:01:09 | 0:01:13 | |
-Are you going to give me your autograph? -That's 12. | 0:01:13 | 0:01:17 | |
-He also likes tribal art and quirky collectibles. -What do you think? | 0:01:17 | 0:01:22 | |
So far, Thomas has made a respectable £284.22 | 0:01:22 | 0:01:27 | |
from his original £200 starter pack. | 0:01:27 | 0:01:30 | |
-Well done. -So he has plenty of cash to splash on this leg. | 0:01:30 | 0:01:35 | |
Meanwhile, James's original £200 | 0:01:35 | 0:01:38 | |
has mushroomed to a whopping £797.10. | 0:01:38 | 0:01:42 | |
Thomas and James are travelling over 800 miles, | 0:01:44 | 0:01:48 | |
looping their way from the Scottish west coast up to the Highlands, | 0:01:48 | 0:01:52 | |
down to the Lowlands and back again, eventually finishing at the country's capital city, Edinburgh. | 0:01:52 | 0:01:58 | |
But on this, their third leg, the boys are starting off in Dunkeld | 0:01:58 | 0:02:02 | |
and heading up to the north-east of Scotland | 0:02:02 | 0:02:05 | |
for an auction showdown in Buckie. | 0:02:05 | 0:02:09 | |
The little town of Dunkeld is one of Perthshire's gems. | 0:02:11 | 0:02:15 | |
Nestling beneath thickly wooded hills on the banks of the Tay, there is a definite air of tranquillity. | 0:02:15 | 0:02:22 | |
This is lovely, James. Scotland in the sun. | 0:02:22 | 0:02:26 | |
A rare thing, but beautiful when it happens. | 0:02:26 | 0:02:28 | |
-And without delay James saunters off to his first shop to meet owner Margaret. -Hello there. | 0:02:28 | 0:02:35 | |
-Hello. How are you? -I'm James. | 0:02:35 | 0:02:37 | |
Originally selling sweets, then fish, now antiques, Vintage is the oldest shop on the street, | 0:02:37 | 0:02:45 | |
dating back to 1804. | 0:02:45 | 0:02:47 | |
-That's the pound shelf! -Is it? I don't mind a pound shelf. I'm not proud. | 0:02:47 | 0:02:52 | |
Meanwhile, Thomas is headed to Dunkeld Antiques, | 0:02:55 | 0:02:59 | |
situated in a converted church, perhaps in search of a miracle. | 0:02:59 | 0:03:03 | |
I could be in my smoking room, | 0:03:03 | 0:03:06 | |
sort of lounging like a Lothario. Just imagine. | 0:03:06 | 0:03:10 | |
It's rather good, don't you think? | 0:03:10 | 0:03:13 | |
Not really. There we go, Thomas. I'm not so sure about that. | 0:03:13 | 0:03:16 | |
How about something a bit more...you? | 0:03:16 | 0:03:19 | |
I think that's rather fun. | 0:03:19 | 0:03:22 | |
It's a tobacco jar in stoneware. | 0:03:22 | 0:03:25 | |
But I love the Honey Dew on there. | 0:03:26 | 0:03:29 | |
This 19th-century stoneware tobacco jar has moulded leaf handles | 0:03:29 | 0:03:34 | |
and Honey Dew written in gilt lettering. It would have been used to hold loose tobacco | 0:03:34 | 0:03:41 | |
and would originally have had a cover. | 0:03:41 | 0:03:43 | |
-It's quite stylish. -SILENTLY MOUTHS PRICE | 0:03:43 | 0:03:48 | |
I think it's lovely, though. | 0:03:48 | 0:03:50 | |
Well, better keep on looking, then. | 0:03:50 | 0:03:53 | |
Er, what's that? | 0:03:53 | 0:03:54 | |
It might be something to do with fishing or it could be a weapon. | 0:03:56 | 0:03:59 | |
It's a priest... It's a bar. | 0:03:59 | 0:04:02 | |
Heavy. | 0:04:02 | 0:04:06 | |
You could knock your fish on the head or you could protect yourself. | 0:04:06 | 0:04:10 | |
But it's quite nice, though. Isn't it rather handsome? | 0:04:10 | 0:04:13 | |
The concealed club within this 19th-century walking cane | 0:04:13 | 0:04:19 | |
is called a priest and could be used to despatch captured fish quickly and humanely. | 0:04:19 | 0:04:24 | |
Time to see if owner David will budge on the £90 asking price. | 0:04:24 | 0:04:28 | |
-I like the stick. -All right. -I like the tobacco jar. | 0:04:28 | 0:04:33 | |
If you need something, you've got to save up for it. If you don't have the money, you can't buy it. | 0:04:33 | 0:04:39 | |
I'll see what I can do. | 0:04:39 | 0:04:41 | |
These two items combined are £230, | 0:04:41 | 0:04:44 | |
which would decimate most of Thomas's budget. | 0:04:44 | 0:04:46 | |
What would you say if I gave you 150 for the jar and the stick? | 0:04:46 | 0:04:51 | |
I would think that's very generous. | 0:04:51 | 0:04:54 | |
-It would be, from your point of view. -Actually, no... | 0:04:54 | 0:04:58 | |
-I can actually cope with that. -Have I gone in with too much now? | 0:04:58 | 0:05:02 | |
Em... | 0:05:02 | 0:05:03 | |
An £80 reduction on the combined price, eh? Not bad, Thomas, | 0:05:03 | 0:05:08 | |
Back with Margaret, James also has something. | 0:05:08 | 0:05:12 | |
And it's not from the pound shelf. He's spotted a large bronze Chinese censer. | 0:05:12 | 0:05:17 | |
Ticket price £45. | 0:05:17 | 0:05:20 | |
What could that be? | 0:05:20 | 0:05:21 | |
30...38? | 0:05:23 | 0:05:26 | |
OK. That's... I think that's very fair. | 0:05:26 | 0:05:29 | |
These were apparently originally used for ritual offerings of food and drink. | 0:05:29 | 0:05:35 | |
As this example in archaic style dates from the 19th century, | 0:05:35 | 0:05:39 | |
it would have been made as a decorative work of art. | 0:05:39 | 0:05:42 | |
-Hello? What's this? -Two potential objects here. | 0:05:42 | 0:05:46 | |
A Persian coffee pot, mid-19th century, | 0:05:46 | 0:05:50 | |
possibly even earlier. | 0:05:50 | 0:05:53 | |
But value-wise, not a huge amount. | 0:05:53 | 0:05:56 | |
The Chinese censer is the genuine article | 0:05:56 | 0:05:59 | |
and would make a striking job lot with the Persian coffee pot, | 0:05:59 | 0:06:03 | |
priced at £10. | 0:06:03 | 0:06:05 | |
-Could you do that for 30? -32. | 0:06:05 | 0:06:09 | |
40 for the two. | 0:06:09 | 0:06:11 | |
40 for the two... | 0:06:11 | 0:06:12 | |
OK. The Chinese for 32. | 0:06:12 | 0:06:15 | |
-I'll give you a fiver for that. Is that all right? -Fine. | 0:06:15 | 0:06:20 | |
Thank you very much. Lovely. | 0:06:20 | 0:06:22 | |
James has bargained well and has got a handsome duo for his first buy of the day. | 0:06:22 | 0:06:29 | |
It's back to Thomas to see if he's found anything else to go with his cane and jar, apart from the dogs. | 0:06:29 | 0:06:34 | |
Well, what we've got here is a nice set | 0:06:34 | 0:06:38 | |
of 19th-century beam scales. | 0:06:38 | 0:06:41 | |
-I don't know whether those appeal. -They're good fun, aren't they? -Yeah. | 0:06:41 | 0:06:45 | |
The scales are £95 and they were made by J White and Sons | 0:06:45 | 0:06:50 | |
of Auchtermuchty in Fife, Scotland. | 0:06:50 | 0:06:54 | |
But will Thomas want to spend that after already agreeing £150 for the storage jar and walking stick? | 0:06:54 | 0:07:01 | |
-You could have those for £50. -180 for the three items. | 0:07:01 | 0:07:07 | |
I must admit, it's nice to see you getting excited. Obviously, you're getting a good deal here. | 0:07:07 | 0:07:12 | |
Right, OK, you've got a deal. You've got a deal. 180. | 0:07:12 | 0:07:17 | |
Well, what a deal for Thomas on three items. | 0:07:17 | 0:07:21 | |
Not far away, James is taking things in his stride. | 0:07:21 | 0:07:26 | |
He's heading for The Little Curio Shop, run by Finlay, an art student in his youth, | 0:07:26 | 0:07:31 | |
so it's full of elaborate odds and ends. | 0:07:31 | 0:07:34 | |
And genuine pedigrees. Woof! | 0:07:34 | 0:07:39 | |
Hello. | 0:07:39 | 0:07:40 | |
It's not long before James's expert eye spots something else. | 0:07:41 | 0:07:46 | |
Mm. Does this bust look familiar to you? Those flowing locks? | 0:07:46 | 0:07:52 | |
That noble expression? | 0:07:52 | 0:07:55 | |
-He's impressive. Lovely. -No, it's not James. Sadly, | 0:07:55 | 0:08:00 | |
the identity of this 1840s disembodied Greek philosopher is unknown. | 0:08:00 | 0:08:06 | |
-How much is he? -95. | 0:08:06 | 0:08:09 | |
95? OK. | 0:08:09 | 0:08:11 | |
He's certainly got a look about him, | 0:08:11 | 0:08:14 | |
How flexible is the 95? | 0:08:14 | 0:08:16 | |
-I'd go down to 80. -80. | 0:08:16 | 0:08:20 | |
How does 50 quid grab you? | 0:08:20 | 0:08:22 | |
But maybe Finlay's son Alexander can help here. | 0:08:22 | 0:08:25 | |
What do you think? You think 50 quid's better. | 0:08:25 | 0:08:29 | |
Er, well, maybe... | 0:08:29 | 0:08:32 | |
Probably 75. | 0:08:32 | 0:08:35 | |
75. OK. | 0:08:35 | 0:08:36 | |
What do you say? What do you say? | 0:08:36 | 0:08:39 | |
"65!" | 0:08:39 | 0:08:41 | |
Oh, she says 65. | 0:08:41 | 0:08:43 | |
-65. -Is that all right? You've got a deal. | 0:08:43 | 0:08:48 | |
Thank you so much. Thank you. | 0:08:48 | 0:08:51 | |
Off to a new shop with you now, James. | 0:08:52 | 0:08:54 | |
Don't take it too easy, will you? | 0:08:54 | 0:08:56 | |
Look at that? | 0:08:56 | 0:08:58 | |
He's in Dunkeld Antiques, where Thomas previously bought his cane, pot and scales. | 0:08:59 | 0:09:05 | |
-I mean, I don't know whether these Crown Derby things appeal to you. -Let's have a look. | 0:09:05 | 0:09:10 | |
The first thing to ask is do they have their boxes? You can knock 30% off if they don't. | 0:09:10 | 0:09:17 | |
-The answer is no. -OK, they should have a rectangular certificate signed by Hugh Gibson, | 0:09:17 | 0:09:22 | |
the chairman of Royal Crown Derby. Then we look underneath. You've got a gold stopper, not silver. Good. | 0:09:22 | 0:09:29 | |
If it was a second, it would have a silver stopper. But without its box, it's a killer. | 0:09:29 | 0:09:34 | |
The hippo is £120 | 0:09:34 | 0:09:36 | |
and the stag £140. | 0:09:36 | 0:09:39 | |
It's a stag. If a stag won't sell in Scotland, it won't sell anywhere. | 0:09:39 | 0:09:44 | |
As both paperweights don't have their valuable original box, | 0:09:44 | 0:09:47 | |
certificate and tissue paper, | 0:09:47 | 0:09:49 | |
-can James get a decent discount on them? -£50 each. | 0:09:49 | 0:09:53 | |
Oh, well, at that... At that they're cheap. | 0:09:53 | 0:09:55 | |
-Just tell me the sort of price you're thinking of. -I've never done this before. | 0:09:55 | 0:09:59 | |
-I want to give you £60 each. -All right. -Is that all right? -Fine. | 0:09:59 | 0:10:04 | |
I've never... I'm...I'm speechless. | 0:10:04 | 0:10:08 | |
Well, you know, I like to be able to think that I'm fair and... | 0:10:08 | 0:10:13 | |
-120 for the two. -Fine. Excellent. -Thank you. | 0:10:13 | 0:10:16 | |
It seems James has bought with his heart, | 0:10:16 | 0:10:19 | |
and David's £140 markdown has given him a fighting chance at auction. | 0:10:19 | 0:10:24 | |
It's time for James and Thomas to rejoin, | 0:10:26 | 0:10:29 | |
and both gents are deciding on a budget plan. | 0:10:29 | 0:10:32 | |
-I'm trying to spend all my money. -I can't do that! | 0:10:32 | 0:10:36 | |
-Don't rub it in! -Sorry! | 0:10:36 | 0:10:39 | |
Our boys are now heading nearly 100 miles north to Nairn. | 0:10:39 | 0:10:42 | |
Gosh! | 0:10:42 | 0:10:43 | |
Nairn has been a popular holiday destination since Victorian times | 0:10:46 | 0:10:50 | |
and it enjoys a prime location on the Moray Firth coast, | 0:10:50 | 0:10:54 | |
just 16 miles east of Inverness. | 0:10:54 | 0:10:57 | |
Thomas has parted from his rival and is intent on shopping. | 0:11:00 | 0:11:03 | |
Nice shorts(!) | 0:11:04 | 0:11:07 | |
Morning! | 0:11:07 | 0:11:10 | |
There's an assorted mix of goodies from traditional to ornamental, | 0:11:10 | 0:11:15 | |
but Thomas needs something special if he's to catch up James. | 0:11:15 | 0:11:18 | |
Maybe owner Steve can help. | 0:11:18 | 0:11:22 | |
Ah, yes, I think that's about the '60s, something like that. | 0:11:22 | 0:11:26 | |
Somebody's obviously been over to Venice and bought it for a trip. It's very good quality. | 0:11:26 | 0:11:32 | |
And it's signed on the bottom. It's on at 33. | 0:11:32 | 0:11:37 | |
-Say £20. How about that? -£20. -Lovely green colour. | 0:11:38 | 0:11:41 | |
The other thing I quite like is this here. It's what we call biomorphic. Taken from nature. | 0:11:41 | 0:11:49 | |
Almost like an amoeba it looks like. A single-cell organism. | 0:11:49 | 0:11:53 | |
Thomas has also found a vintage blue art glass bowl to go with his growing collection. | 0:11:53 | 0:11:58 | |
-What would you do for those three? -20 on that one. | 0:11:58 | 0:12:03 | |
-20 on that one. -This one we've got 26 on. | 0:12:03 | 0:12:05 | |
Er, say 15. | 0:12:05 | 0:12:08 | |
And what have we got on that one? Say a fiver. | 0:12:08 | 0:12:12 | |
-five, -twenty... £40 total. -£40 total. -Mm-hm. | 0:12:12 | 0:12:15 | |
You've come down a lot. £30. | 0:12:15 | 0:12:19 | |
Em, it's a bit tight, but to give you a good chance, we'll do it. | 0:12:20 | 0:12:26 | |
Wow! Surely Thomas can gain a profit on those vibrant bowls. | 0:12:26 | 0:12:32 | |
Thank you very much. | 0:12:32 | 0:12:34 | |
James is keen to soak up the history of the area | 0:12:35 | 0:12:38 | |
so Thomas gives him a lift to Inverness. | 0:12:38 | 0:12:41 | |
Inverness is the most northern city in Britain | 0:12:43 | 0:12:46 | |
and one of its claims to fame is its castle. | 0:12:46 | 0:12:49 | |
But it's the townhouse that James is heading for today. | 0:12:49 | 0:12:52 | |
On 7th September, 1921, this building made history | 0:12:52 | 0:12:57 | |
when it hosted the first ever Cabinet meeting outside London. | 0:12:57 | 0:13:02 | |
-Thank you very much. -Enjoy your shopping! | 0:13:02 | 0:13:04 | |
-Yeah. -Don't get any bargains! | 0:13:04 | 0:13:06 | |
Such a team player. | 0:13:06 | 0:13:08 | |
Here to meet James is local historian Jamie Gaukroger. | 0:13:08 | 0:13:11 | |
-Jamie, hi. -Hello there. Welcome to Inverness Townhouse. -Fantastic building. -It is. | 0:13:11 | 0:13:18 | |
The interior of the building itself is grand, with an imposing staircase rising from the entrance. | 0:13:18 | 0:13:25 | |
In this council chamber the historic meeting was held. | 0:13:25 | 0:13:28 | |
Of all places, why did they choose here to have the meeting? | 0:13:28 | 0:13:33 | |
Lloyd George, the Prime Minister, was on holiday in the Highlands, up at Gare Loch, | 0:13:33 | 0:13:38 | |
as were several other Ministers. | 0:13:38 | 0:13:41 | |
Winston Churchill was on holiday up here. | 0:13:41 | 0:13:42 | |
And the King was holidaying at Moy, just a few miles from Inverness. | 0:13:42 | 0:13:46 | |
Rather than everyone travel back to London, the Ministers in London came up to Inverness. | 0:13:46 | 0:13:53 | |
The emergency meeting was called after several years of violence in Ireland came to a head. | 0:13:53 | 0:13:59 | |
Sinn Fein leader Eamon de Valera | 0:13:59 | 0:14:02 | |
was calling for an independent Ireland. | 0:14:02 | 0:14:05 | |
-Churchill himself was here? -Yes. -So what was his role in 1921? | 0:14:05 | 0:14:10 | |
-He was Colonial Secretary. -Colonial! | 0:14:10 | 0:14:14 | |
We couldn't get away with that today! | 0:14:14 | 0:14:17 | |
So did they actually view Ireland as a colony? | 0:14:17 | 0:14:21 | |
Some would say they did. It was certainly part of the Empire. | 0:14:21 | 0:14:25 | |
-Who else out of the Cabinet was here? -Lloyd George, Prime Minister. | 0:14:25 | 0:14:29 | |
-And Stanley Baldwin, future Prime Minister. -Yeah. | 0:14:29 | 0:14:33 | |
Out of the 21 members, 16 of the Cabinet were here. | 0:14:33 | 0:14:38 | |
At the meeting, council officer William Bain passed round a blank sheet of paper | 0:14:38 | 0:14:43 | |
-which each member signed to document the occasion. -Gosh. | 0:14:43 | 0:14:48 | |
Lloyd George was the first to sign, then Austen Chamberlain, the Lord Privy Seal. | 0:14:48 | 0:14:52 | |
All the way down to Winston Churchill at the bottom. | 0:14:52 | 0:14:55 | |
The politicians then were, in fact, the celebrities of their day | 0:14:55 | 0:15:00 | |
and the British Cabinet meeting was so momentous, it drew cheering crowds who gathered outside. | 0:15:00 | 0:15:07 | |
People were coming from all round Inverness, all parts of the Highlands, lining the rooftops, | 0:15:07 | 0:15:12 | |
in shop windows. | 0:15:12 | 0:15:14 | |
-After this crisis Cabinet meeting, what was the result? -The Government said Ireland could have self-rule, | 0:15:14 | 0:15:21 | |
self-government, if it stayed within the Empire. | 0:15:21 | 0:15:25 | |
Meanwhile, as the Morris Minor is still out of action, | 0:15:26 | 0:15:30 | |
James takes a taxi from Letham | 0:15:30 | 0:15:33 | |
and hence South to Glencarse for his final shop of the leg. | 0:15:33 | 0:15:37 | |
The townhouse was witness to this pivotal event as the first venue outside London to host the Cabinet. | 0:15:39 | 0:15:47 | |
-I've really enjoyed it. Thank you. -Most welcome. -Cheers. | 0:15:47 | 0:15:50 | |
Now it's time for James and Thomas to have their own rendezvous | 0:15:50 | 0:15:55 | |
as they head east to their last shop of the leg in Auldearn. | 0:15:55 | 0:15:59 | |
-And Thomas wants pampering. -I have got sand in my toes. | 0:15:59 | 0:16:04 | |
-They need brushing off. -If you expect me to brush your feet...! | 0:16:04 | 0:16:08 | |
This is supposed to be about buying antiques, although sometimes I do wonder. | 0:16:08 | 0:16:12 | |
Please don't try this at home. | 0:16:13 | 0:16:16 | |
OK, boys, stop it before it all ends in tears. | 0:16:16 | 0:16:20 | |
-Yes! Yes! -What do you mean "yes"?! You're dead! | 0:16:20 | 0:16:24 | |
James and Thomas split up in search of their items, | 0:16:24 | 0:16:30 | |
but Thomas, who loves to parry, is still reeling from the impromptu duel. | 0:16:30 | 0:16:34 | |
He went... | 0:16:34 | 0:16:36 | |
like a charging herd of bulls. | 0:16:36 | 0:16:39 | |
It would be nice to buy something meaty, but I don't want furniture. | 0:16:39 | 0:16:43 | |
Anyway, I got him back. A quick parry riposte. | 0:16:43 | 0:16:47 | |
Great. Now they can concentrate on shopping. | 0:16:47 | 0:16:51 | |
This is not a bad little thing. | 0:16:51 | 0:16:54 | |
It's a Japanese Satsuma vase. | 0:16:54 | 0:16:58 | |
It's from the Meiji period, around 1895, and decorated with geisha figures | 0:16:59 | 0:17:05 | |
from the Imperial Court. | 0:17:05 | 0:17:08 | |
This is typical of Japanese export china of that period, | 0:17:09 | 0:17:14 | |
but £22 is really cheap. | 0:17:14 | 0:17:16 | |
Definitely a profit. | 0:17:16 | 0:17:18 | |
Meanwhile, Thomas is going for...kitchenware! | 0:17:18 | 0:17:22 | |
You sort of clamp it on to something. | 0:17:22 | 0:17:27 | |
Follows and Bate Limited. Patent marmalade cutter, Manchester. | 0:17:27 | 0:17:34 | |
Yes, it's an orange slicer. | 0:17:34 | 0:17:36 | |
I think I've found my final item. Everybody likes a bit of marmalade | 0:17:36 | 0:17:41 | |
-and the Scottish like marmalade more than most nations, don't they? -If you say so, Thomas. | 0:17:41 | 0:17:47 | |
I don't want to leave it there. I don't want James to find it. | 0:17:47 | 0:17:51 | |
Too late, Thomas. It's already been spotted. | 0:17:51 | 0:17:53 | |
-What is it? -It's nothing. | 0:17:53 | 0:17:55 | |
-Maybe something I might purchase. -Let's have a look. -No! | 0:17:55 | 0:17:58 | |
Come on, James. You've got your own lots to find. | 0:17:58 | 0:18:02 | |
Right. What do I do here? | 0:18:02 | 0:18:05 | |
I've got the Japanese Satsuma vase, but then I've got these, | 0:18:05 | 0:18:09 | |
which are marked for Meissen. | 0:18:09 | 0:18:12 | |
Meissen was, without question, the finest porcelain maker | 0:18:12 | 0:18:16 | |
of the 18th and 19th century. They were the first factory to invent porcelain in Europe. | 0:18:16 | 0:18:22 | |
But these plates are by Helena Wolfsohn. These are 1880. Copies of Meissen. | 0:18:22 | 0:18:30 | |
The Helena Wolfsohn business was taken to court by Meissen | 0:18:30 | 0:18:35 | |
for using their AR trademark and it's considered to be | 0:18:35 | 0:18:39 | |
the first copyright case of its kind. They were ordered to change the mark to show they were copies. | 0:18:39 | 0:18:45 | |
They're 24. | 0:18:45 | 0:18:47 | |
That's 22. What do I do? | 0:18:49 | 0:18:51 | |
Well, it's tricky, James, but you could buy them all! Time to call in owner Roger. | 0:18:53 | 0:18:58 | |
-The first thing was that, the vase. -Yeah. | 0:18:58 | 0:19:02 | |
It's got 22 on it. | 0:19:02 | 0:19:04 | |
Well, certainly we could do it for £20. It's well priced. | 0:19:04 | 0:19:08 | |
I was thinking more along the lines of 15. | 0:19:08 | 0:19:10 | |
-Yeah. 18 would be the absolute best. -Is it? | 0:19:10 | 0:19:13 | |
OK, if that's your best. | 0:19:13 | 0:19:16 | |
The other thing was these. Two of those at 12 each. | 0:19:16 | 0:19:21 | |
-Yeah. -Em... What could they be? -Again, £10 each could do the job. | 0:19:21 | 0:19:26 | |
I'll give you 30 for all three. | 0:19:26 | 0:19:28 | |
I could do a deal at 35. | 0:19:28 | 0:19:31 | |
You said 35 was your best. | 0:19:31 | 0:19:33 | |
-£35 it is. -Thank goodness for that. | 0:19:33 | 0:19:36 | |
Now Thomas is mulling over the cutter, ticket price £15. | 0:19:38 | 0:19:43 | |
-What can your really wonderful price be on that? -I would think £12. | 0:19:43 | 0:19:47 | |
-10. -12 I think there would still be some money available in that. | 0:19:47 | 0:19:52 | |
-I'd be happier at 10. -Go between. Call it 11. Thank you. | 0:19:52 | 0:19:57 | |
£11. Thank you very much. | 0:19:57 | 0:20:00 | |
Right. The boys are all shopped out, | 0:20:00 | 0:20:02 | |
so let's remind ourselves what they ended up with. | 0:20:02 | 0:20:05 | |
James kicked off this leg with £797.10 | 0:20:05 | 0:20:10 | |
and spent only £257 on five auction lots. | 0:20:10 | 0:20:14 | |
They are a 19th-century bust, a large Chinese bronze censer | 0:20:14 | 0:20:19 | |
paired with a late 19th-century Persian coffee pot, | 0:20:19 | 0:20:22 | |
Two Royal Crown Derby paperweights, | 0:20:22 | 0:20:25 | |
a Satsuma pottery vase | 0:20:25 | 0:20:27 | |
and a pair of Helena Wolfsohn plates. | 0:20:27 | 0:20:30 | |
Thomas began with considerably less, £284.22, | 0:20:30 | 0:20:34 | |
and spent £221 also on five lots comprising a walking cane with pull-out priest, | 0:20:34 | 0:20:41 | |
a 19th-century stoneware tobacco jar, | 0:20:41 | 0:20:44 | |
a set of balance scales, | 0:20:44 | 0:20:46 | |
a Murano glass bowl, a 1960s glass bowl and a blue art glass bowl, | 0:20:46 | 0:20:52 | |
and a steel marmalade cutter. Phew! | 0:20:52 | 0:20:55 | |
So, don't hold back, boys, | 0:20:55 | 0:20:57 | |
what do you really think about each other's booty? | 0:20:57 | 0:21:00 | |
Thomas has bought really well. The items are interesting. | 0:21:00 | 0:21:04 | |
I like the scales, love the tobacco jar. | 0:21:04 | 0:21:06 | |
There will be profits in some places and a couple of losses, too. | 0:21:06 | 0:21:10 | |
The thing I really don't like is the Royal Crown Derby paperweights. | 0:21:10 | 0:21:16 | |
Never in a month of Sundays would I buy them. | 0:21:16 | 0:21:19 | |
If they make mega money, I'll feel sick cos I saw them in the shop. | 0:21:19 | 0:21:23 | |
After travelling from Dunkeld up to Nairn, Inverness and Auldearn, | 0:21:23 | 0:21:29 | |
James and Thomas head for the auction showdown in Buckie. | 0:21:29 | 0:21:33 | |
-Ah, breathe in that sea air! -I don't know... | 0:21:35 | 0:21:38 | |
Oh, come on! You'll be fine. Get your bottom in here. | 0:21:38 | 0:21:41 | |
-I get all funny. -You always get all funny! | 0:21:41 | 0:21:45 | |
Family-run Cluny's in Buckie is the stage for our auction. | 0:21:46 | 0:21:50 | |
with auctioneer John Ferguson in charge. | 0:21:50 | 0:21:53 | |
I feel that I could do badly today. I feel it in my bones. | 0:21:54 | 0:21:59 | |
-First up is James's Satsuma vase. -£40 for the vase? | 0:21:59 | 0:22:04 | |
What will we say then? 40 or 30? | 0:22:04 | 0:22:07 | |
-20? -Oh... | 0:22:07 | 0:22:10 | |
-Go on. -20 bid. 22. I'm bid 5. | 0:22:10 | 0:22:14 | |
-25. 28. -Internet bidding! | 0:22:14 | 0:22:18 | |
Online at 32. In the room at 32. | 0:22:18 | 0:22:20 | |
-35. I'll get you all. 38. -Fresh bidding. 40. -42. | 0:22:20 | 0:22:26 | |
45. Do I see 8? | 0:22:26 | 0:22:28 | |
-48. 48. -I told you. Good old John. | 0:22:28 | 0:22:32 | |
I'll take another wee one. 55. | 0:22:32 | 0:22:35 | |
"I'll take another wee one"! | 0:22:35 | 0:22:38 | |
At 58. All finished, then? | 0:22:38 | 0:22:41 | |
Well done, John. | 0:22:41 | 0:22:43 | |
The auctioneer got James a good profit there. | 0:22:43 | 0:22:46 | |
When it went down and down... But...! | 0:22:46 | 0:22:51 | |
Next it's Thomas with his luxurious walking stick with pull-out priest. | 0:22:51 | 0:22:55 | |
£50. 50. 40. | 0:22:55 | 0:22:58 | |
-£20, surely. -Oh! -£20. 20 I'm bid. | 0:22:58 | 0:23:01 | |
At 20 bid now. 20 and 2. And 5. 25. 8. | 0:23:01 | 0:23:06 | |
28. And 30. 32. 35. 38. | 0:23:06 | 0:23:09 | |
40. £40. I'll take 2. 42. 45. | 0:23:09 | 0:23:13 | |
-At 45. -Go on! | 0:23:13 | 0:23:15 | |
50. He shakes his head at 50. | 0:23:15 | 0:23:19 | |
Are we all done this time at £50? | 0:23:19 | 0:23:23 | |
Oh, 50. | 0:23:23 | 0:23:25 | |
Oh, dear. And with auction costs, he'll lose more than that. | 0:23:25 | 0:23:30 | |
Well, he started at 20. | 0:23:30 | 0:23:32 | |
-Now will James's porcelain make a profit? -22. | 0:23:32 | 0:23:36 | |
5. 25. 28. | 0:23:36 | 0:23:39 | |
And 30. 35. 40. | 0:23:39 | 0:23:42 | |
And 2. 5. 48. | 0:23:42 | 0:23:44 | |
-Go on, go on, go on. -At 48. | 0:23:44 | 0:23:47 | |
At £48, then. At 48. | 0:23:47 | 0:23:50 | |
48, well done. You've made a good profit on that. | 0:23:50 | 0:23:55 | |
Another good profit after commission. | 0:23:55 | 0:23:57 | |
I'm in trouble. | 0:23:58 | 0:24:00 | |
-Will Thomas's colourful glass bowl the crowds over? -£10 I'm bid. | 0:24:00 | 0:24:06 | |
-At 10. -It's started. -12 now. | 0:24:06 | 0:24:09 | |
12 bid. 15. £18. Where are you? | 0:24:09 | 0:24:12 | |
- 22 here. - 22 online. Don't stop there. | 0:24:12 | 0:24:15 | |
-Go on! -30's online. | 0:24:15 | 0:24:18 | |
-At 30 online. -Don't stop! -At 32. At 32. | 0:24:18 | 0:24:24 | |
Are we finished online? Bid's in the room, then. £32. | 0:24:24 | 0:24:29 | |
That was one that you thought was going to do really well. | 0:24:29 | 0:24:32 | |
It's a signed bit of glass. | 0:24:32 | 0:24:35 | |
Oh, dear, Thomas. That glass just didn't cut it. | 0:24:35 | 0:24:38 | |
-I'm getting deflated. -I'm gutted. | 0:24:38 | 0:24:42 | |
Will James prove he really has the Midas touch | 0:24:42 | 0:24:44 | |
with his Chinese censer and Eastern coffee pot? | 0:24:44 | 0:24:48 | |
100, surely. 50, then. | 0:24:48 | 0:24:51 | |
50 I'm bid. At £50. At 50. | 0:24:51 | 0:24:54 | |
-Anybody at £50? -No way! -At £50. At 50. | 0:24:54 | 0:24:58 | |
55, thank you. | 0:24:58 | 0:25:01 | |
55. And 60. £60. | 0:25:01 | 0:25:04 | |
-It's profit. -All done at £60? | 0:25:04 | 0:25:07 | |
Well, it's got to be at £60. | 0:25:07 | 0:25:09 | |
-Well... -You made profit, though. | 0:25:09 | 0:25:12 | |
I have to say I'm gutted about that. | 0:25:12 | 0:25:15 | |
At least it's a profit, James. | 0:25:15 | 0:25:18 | |
-It's very disappointing. -Isn't it? That could have made 300 quid. | 0:25:18 | 0:25:21 | |
Surely this decorative pot will change Thomas's fortunes. | 0:25:23 | 0:25:28 | |
-£30, then. 30. Shall I say 20, then? -You see... | 0:25:28 | 0:25:32 | |
£20. Ah, thank you. 20. At £20. | 0:25:32 | 0:25:36 | |
And we have 22. 25. A new bidder at 25. | 0:25:36 | 0:25:40 | |
28 now. 28. 30. | 0:25:40 | 0:25:43 | |
32. Standing at 32. At 32. | 0:25:43 | 0:25:46 | |
Are we all finished and done, then? | 0:25:46 | 0:25:48 | |
Oh. Another loss and another blow for Thomas. | 0:25:52 | 0:25:57 | |
I would swap | 0:25:57 | 0:25:58 | |
three of my Satsuma vases for one of those. | 0:25:58 | 0:26:01 | |
Well, there you are. You can't help it. | 0:26:01 | 0:26:03 | |
Now, will this mysterious Greek win over the bidders? | 0:26:03 | 0:26:08 | |
£50 for the bust? 40, then. | 0:26:08 | 0:26:10 | |
What?! | 0:26:10 | 0:26:12 | |
Don't you like them? | 0:26:13 | 0:26:14 | |
-40. -Online. 45. Where are you? 45. 48. | 0:26:14 | 0:26:20 | |
50. 5. 60. | 0:26:20 | 0:26:23 | |
Yeah. You know it makes sense. | 0:26:23 | 0:26:26 | |
-Go on! -65? Yeah? £70 is online. | 0:26:27 | 0:26:33 | |
75, eh? Yeah? | 0:26:33 | 0:26:35 | |
That'll do. £75. All done? | 0:26:35 | 0:26:39 | |
Break even. | 0:26:40 | 0:26:42 | |
Well, James. At least he looks like he's gone to a good home. | 0:26:42 | 0:26:48 | |
-A minor loss. -It could have been a considerable one. | 0:26:48 | 0:26:51 | |
Can these scales tip the balance in Thomas's favour? | 0:26:51 | 0:26:56 | |
-Auchtermuchty. -It sounds German. | 0:26:56 | 0:27:00 | |
Cast-iron Auchtermuchty balance scales. | 0:27:00 | 0:27:04 | |
-There we are. Auchtermuchty! -From the horse's mouth. | 0:27:04 | 0:27:06 | |
£20 bid. At 20. 22. | 0:27:06 | 0:27:09 | |
5. At 25. 28 now. 28. And 30. | 0:27:09 | 0:27:13 | |
32. 35. | 0:27:13 | 0:27:15 | |
-38. At 38. -Go on! -He's online. | 0:27:15 | 0:27:19 | |
42's online. At 42. | 0:27:19 | 0:27:22 | |
42. | 0:27:22 | 0:27:24 | |
-45. -45. Go on. | 0:27:24 | 0:27:26 | |
-45 online. 45. -It's online. | 0:27:26 | 0:27:29 | |
48. And 50 online. | 0:27:29 | 0:27:32 | |
-At 50. -Let them have it. -Anyone want involved at 50? | 0:27:32 | 0:27:36 | |
-Come on, Scotland! -At £50. It's online. | 0:27:36 | 0:27:40 | |
At 50. | 0:27:40 | 0:27:42 | |
Oh. | 0:27:42 | 0:27:44 | |
-A small profit, yes? -Yes. | 0:27:44 | 0:27:45 | |
At last, a profit, but Thomas still isn't happy. | 0:27:45 | 0:27:50 | |
-I'm going to go on strike. -You can't! -And buy poor items. | 0:27:50 | 0:27:55 | |
Poor quality. | 0:27:55 | 0:27:56 | |
James bought this Derby duo with his heart and not his head. | 0:27:56 | 0:28:02 | |
So, will his gamble pay off? | 0:28:02 | 0:28:04 | |
200. 100, then. One I'm bid. At one I'm bid. | 0:28:04 | 0:28:09 | |
At 100. 120. 140. 160. | 0:28:09 | 0:28:12 | |
180. 200. | 0:28:12 | 0:28:15 | |
220's there. I need 240. Sorry, 240 is in the room. 260. | 0:28:15 | 0:28:20 | |
-260. -280. 280, I have. -This pair of animals are really taking off! | 0:28:20 | 0:28:25 | |
320. I have 340 with me. 360. Are we all done? | 0:28:25 | 0:28:31 | |
Finished at 360? | 0:28:33 | 0:28:34 | |
-I'm pleased at that. -I bet you are! | 0:28:34 | 0:28:37 | |
So, it's a stash of cash for James. Well done. | 0:28:37 | 0:28:41 | |
For what they were, it was still cheap. Great profit. | 0:28:43 | 0:28:46 | |
Thomas is now hoping his marmalade cutter will sweeten the crowd. | 0:28:46 | 0:28:50 | |
-12. 15. Now at 15. -Profit. -Profit. | 0:28:50 | 0:28:55 | |
18, I'm bid. 20's online. | 0:28:55 | 0:28:57 | |
-Online! -Online. | 0:28:57 | 0:28:59 | |
Anybody who makes marmalade with this, I'll buy a jar off you. | 0:28:59 | 0:29:04 | |
I was at £20 online. 22's online. | 0:29:04 | 0:29:07 | |
-Oh! -22. Online it's 22. | 0:29:07 | 0:29:10 | |
-Go on! -Keep it going! -At 28. | 0:29:10 | 0:29:15 | |
Are we all done and sure at £28? | 0:29:15 | 0:29:17 | |
-Well, it was a profit. -A good profit. -You finished on a high. | 0:29:19 | 0:29:23 | |
A profit, but not enough to promote him from the bottom division. | 0:29:23 | 0:29:29 | |
Thomas started this leg with £284.22 | 0:29:29 | 0:29:34 | |
and, after paying auction costs, he's made a loss of £63.56, | 0:29:34 | 0:29:39 | |
leaving him with £220.66. | 0:29:39 | 0:29:42 | |
James, however, is rising to the Premiership. | 0:29:42 | 0:29:46 | |
He started with £797.10 | 0:29:46 | 0:29:49 | |
and, after costs, made a profit of £235.82, | 0:29:49 | 0:29:53 | |
giving him a massive £1,032.92 going forward. | 0:29:53 | 0:29:59 | |
What an extraordinary amount! | 0:29:59 | 0:30:02 | |
Soon, you'll be able to get a mop out and wipe the floor with me. | 0:30:02 | 0:30:05 | |
-You already have. -Oh, come on. You just need that one lucky find. | 0:30:05 | 0:30:10 | |
-Right! I need some bargains! -Come on! | 0:30:13 | 0:30:15 | |
-This is the fightback! -The fightback begins now! | 0:30:16 | 0:30:19 | |
You'll have to fight hard from that position, Thomas. We're off again, | 0:30:19 | 0:30:24 | |
heading into the fourth leg of this epic road trip. | 0:30:24 | 0:30:27 | |
-How old are you, James? -39. -I thought you were 50! | 0:30:27 | 0:30:31 | |
Miaow! Bad Thomas! | 0:30:31 | 0:30:34 | |
On this trip, Thomas and James will be travelling over 800 miles, | 0:30:34 | 0:30:39 | |
looping their way from the Scottish west coast up to the Highlands | 0:30:39 | 0:30:43 | |
down to the Lowlands and back again, eventually finishing up | 0:30:43 | 0:30:47 | |
at the country's capital city, Edinburgh. | 0:30:47 | 0:30:49 | |
On this leg, they are starting off in Tarland, Aberdeenshire, | 0:30:49 | 0:30:54 | |
then heading south for an auction in the ancient capital, Dunfermline. | 0:30:54 | 0:30:58 | |
Just over 30 miles west of Aberdeen, | 0:30:58 | 0:31:02 | |
Tarland is a quiet and pretty village, with breathtaking scenery. | 0:31:02 | 0:31:06 | |
-Wow, great views. Are you coming in as well? -No. | 0:31:06 | 0:31:09 | |
I've got other shops to go to. I've got bigger fish to fry! | 0:31:09 | 0:31:13 | |
All right, calm down. | 0:31:13 | 0:31:14 | |
Don't forget to pick me up! | 0:31:15 | 0:31:17 | |
Tower Workshop is a family-run business, | 0:31:19 | 0:31:21 | |
whose stock includes 17th to 19th-Century antiques. | 0:31:21 | 0:31:25 | |
With over £1,000 in his pocket, surely he can afford a splurge. | 0:31:28 | 0:31:32 | |
I'm feeling under pressure. Under pressure. | 0:31:32 | 0:31:37 | |
Owner George steps in and takes James to see | 0:31:37 | 0:31:41 | |
-his secret stash in the shed. -How much is the mangle? | 0:31:41 | 0:31:44 | |
I would need £35 for that. | 0:31:44 | 0:31:47 | |
Those things are an absolute nightmare. | 0:31:47 | 0:31:50 | |
They should be worth so much more than they are. | 0:31:50 | 0:31:52 | |
The quite nice thing is it's got a name, Northern Co-Operative | 0:31:53 | 0:31:57 | |
Society, which was big up here. So you're buying a bit of social history | 0:31:57 | 0:32:01 | |
here, as well. It's not just a useful item - and it still works. | 0:32:01 | 0:32:06 | |
I can see that making 15, 20, 25 quid at auction. 35, tops. | 0:32:06 | 0:32:10 | |
Mmm. Nope. 35 is my bottom on it. | 0:32:10 | 0:32:13 | |
-There's no movement, at all? -35, I think is, you know... | 0:32:13 | 0:32:17 | |
-Is it? -Yeah. -Right. OK, decision made. That's a no. | 0:32:17 | 0:32:21 | |
-OK. -Let's move on. -Let's try something else. | 0:32:21 | 0:32:24 | |
It seems George isn't making | 0:32:24 | 0:32:25 | |
much headway with James, | 0:32:25 | 0:32:27 | |
whereas Thomas is moseying | 0:32:27 | 0:32:30 | |
five miles south, with his stash of £220.66. | 0:32:30 | 0:32:33 | |
to his first shop, in Dinnet. | 0:32:33 | 0:32:35 | |
Auld Alliance Antiques is a Road Trip regular. | 0:32:35 | 0:32:40 | |
It's an Aladdin's cave, filled to the brim with bric-a-brac, | 0:32:40 | 0:32:44 | |
where you can find anything, including the odd gem, | 0:32:44 | 0:32:47 | |
all curated by owner Dave and partner Jane. | 0:32:47 | 0:32:50 | |
I've got to stop looking at antiques and start looking at junk. | 0:32:50 | 0:32:55 | |
It's the only way forward. | 0:32:55 | 0:32:57 | |
Maybe Dave can point Thomas in the right direction. | 0:32:57 | 0:33:00 | |
-Have you got some interesting things in your box? -I just got it. | 0:33:00 | 0:33:05 | |
-Can I have a rummage? -Yeah. | 0:33:05 | 0:33:07 | |
-Has this been bought from the local auction? -It's mostly rubbish. | 0:33:07 | 0:33:12 | |
Thomas has spotted a mix of period hunting and training crops. | 0:33:12 | 0:33:17 | |
I quite like this one. And it's obviously for the military. | 0:33:17 | 0:33:21 | |
It's got its little number there. Has that got to be a lot of money? | 0:33:21 | 0:33:25 | |
Not very much. It wouldn't be more than a tenner. | 0:33:25 | 0:33:28 | |
-And what's... This is a silver one. -That's a hunting crop. | 0:33:28 | 0:33:32 | |
-Quite nice. And what's that one got to be? -About 15. | 0:33:32 | 0:33:37 | |
-I like those. I like those. -Have a thinky-poo. -A thinky-poo? | 0:33:37 | 0:33:42 | |
Yeah, a thinky-poo! | 0:33:42 | 0:33:44 | |
Hello! James has something to have a thinky-poo over, too. | 0:33:45 | 0:33:49 | |
Oh, my goodness. It's revolting. | 0:33:51 | 0:33:53 | |
It's a work of art! It's again, a bit of social history. | 0:33:53 | 0:33:58 | |
-How much is that? -£20. -I don't want it! I don't want it! | 0:33:58 | 0:34:04 | |
This is a Murano glass table lamp, with figures in 18th-century dress. | 0:34:04 | 0:34:09 | |
Murano is renowned for its quality and design, | 0:34:09 | 0:34:14 | |
although James might not be keen on this one. | 0:34:14 | 0:34:17 | |
The price also includes a ruby glass figure of an Italian court | 0:34:17 | 0:34:21 | |
-and a sculpted bird. Gosh. -Just buy the three pieces of me. | 0:34:21 | 0:34:25 | |
Beauty is in the eye of the beholder, James. | 0:34:25 | 0:34:28 | |
-This is definitely the case with these two pieces -Quack, quack. | 0:34:28 | 0:34:32 | |
And the lamp. Three pieces. Do a deal, go on. | 0:34:32 | 0:34:36 | |
They deserve to be ground up and put as road fill. They have nothing | 0:34:36 | 0:34:40 | |
-about them whatsoever. -James... -I'll give you a tenner for the three. | 0:34:40 | 0:34:45 | |
-You should be begging me. -I think it's a good thing, that. | 0:34:45 | 0:34:49 | |
-You don't! You know it's rubbish. -I don't. -You do! -Do I? -Yes! | 0:34:49 | 0:34:54 | |
-You just bought yourself a lamp. -You've really talked me into that. | 0:34:55 | 0:34:58 | |
I think it'll do well. I'm on halfers! | 0:34:58 | 0:35:02 | |
The art glass trio are very collectable, so James should be | 0:35:02 | 0:35:07 | |
happy to snap them up. I think he's met his match with this | 0:35:07 | 0:35:11 | |
-silver-tongued salesman, though. -Should I have bought the mangle? No. | 0:35:11 | 0:35:17 | |
-I'll give you a fiver off it, James. Have a go. -I'll give you 15 quid. | 0:35:17 | 0:35:21 | |
-Oh, no, James. -If it makes 35, after commission, I make 15 quid. | 0:35:21 | 0:35:27 | |
-I can't do it. -I know. Look, that's what I wanted to spend. | 0:35:27 | 0:35:30 | |
-And that's what I've spent. -Oh, dear. -That's pathetic. | 0:35:30 | 0:35:33 | |
-That won't keep me going long. -Another two for the mangle. OK? | 0:35:33 | 0:35:39 | |
You just bought a mangle! | 0:35:40 | 0:35:43 | |
So, George has managed to sell James a mangle, two glass figurines | 0:35:43 | 0:35:47 | |
and a lamp that he doesn't want, all for £30. | 0:35:47 | 0:35:51 | |
It's vile, it's disgusting, it has no class. | 0:35:51 | 0:35:56 | |
It's cracked, it's chipped - guaranteed profit. | 0:35:56 | 0:35:59 | |
I think George could sell anything. What a charming bloke! | 0:35:59 | 0:36:03 | |
Let's see how Thomas is getting on. He's found a rather odd object. | 0:36:07 | 0:36:11 | |
You sometimes want to go up to people and say, "Can I measure you up? I want to see what you're like." | 0:36:11 | 0:36:17 | |
-Measure their proportions. Don't you ever feel that? -Er, no. | 0:36:17 | 0:36:22 | |
But this 19th-century steel contraption was used for measuring. They have a ticket price of £25. | 0:36:22 | 0:36:28 | |
-I like those and I like the crops. I like this. -I'm not quite sure what | 0:36:28 | 0:36:35 | |
it is, but it's got an adjustable height. It might be for hanging game or something. | 0:36:35 | 0:36:41 | |
-Can that be a good price? -I'll do it for £15 or something. | 0:36:41 | 0:36:44 | |
Oh, yeah. Brilliant. I can't decide about those dividers. | 0:36:44 | 0:36:47 | |
-I think he's referring to the calipers. -How much are the dividers? | 0:36:47 | 0:36:51 | |
-They're calipers. -A tenner. | 0:36:51 | 0:36:54 | |
Thomas's bill comes to a grand total of £50. | 0:36:54 | 0:36:58 | |
Right. Time for some negotiations. | 0:36:58 | 0:37:01 | |
-Can I give you a straight 50? -Yeah, I suppose so. -You suppose so? | 0:37:01 | 0:37:05 | |
Not quite what I was expecting. Well, at least he stuck to his plan | 0:37:07 | 0:37:11 | |
of buying the curious. Let's hope it pays off. | 0:37:11 | 0:37:14 | |
Keen to keep buying, Thomas drives 40 minutes east, | 0:37:15 | 0:37:20 | |
to Drumoak. Drumoak is a quaint village in Aberdeenshire. | 0:37:20 | 0:37:24 | |
Located nearby lies the grounds of the 13th-century Drum Castle, | 0:37:24 | 0:37:29 | |
the oldest intact castle owned by the National Trust for Scotland. | 0:37:29 | 0:37:34 | |
Mm. His final destination appears to be a caravan site. | 0:37:36 | 0:37:41 | |
-Hello! -Hello. -How are you? -Fine, thank you. | 0:37:41 | 0:37:45 | |
-This is your lock-up, is it? -This is the lock-up! | 0:37:45 | 0:37:49 | |
Dealer Susan keeps everything and anything here. She had to start selling out of necessity, | 0:37:49 | 0:37:54 | |
as there was no more room in her house to keep all the bits she started collecting. | 0:37:54 | 0:38:00 | |
This is the strangest place I've ever bought antiques | 0:38:00 | 0:38:02 | |
Don't be put off, Thomas. There are hidden treasures within this storage trailer. Get rummaging. | 0:38:04 | 0:38:09 | |
I'll have to get these trousers laundered. | 0:38:09 | 0:38:12 | |
-Getting dirty might have paid off. -Got some pens here. | 0:38:12 | 0:38:17 | |
Ah, my knees, my knees, my knees. This is a nippy number three. | 0:38:17 | 0:38:21 | |
-That must be good. -It's fine and rare. | 0:38:21 | 0:38:25 | |
Thomas has unearthed a marbled, Art Deco, Conway Stewart, | 0:38:25 | 0:38:30 | |
14-carat-gold-nibbed fountain pen, | 0:38:30 | 0:38:32 | |
with matching pencil and two spare pencils. | 0:38:32 | 0:38:35 | |
Oh, yes. They're kept in a 1935 Cadbury's Jubilee tin. | 0:38:35 | 0:38:40 | |
They're quite sweet, really. And people like them. | 0:38:40 | 0:38:43 | |
And then you've got this extraordinary Victorian thing. | 0:38:43 | 0:38:47 | |
Like an oil lamp. It's for something. I wonder if it's a table lighter. | 0:38:47 | 0:38:52 | |
It is, Thomas. A 1920s, silver-plated, gentleman's cigar table lighter, as an oil lamp. | 0:38:52 | 0:38:58 | |
However, that and the pen set don't appear to have a ticket price. | 0:38:58 | 0:39:02 | |
-How much for these? -Four pens and a tin. | 0:39:02 | 0:39:06 | |
-£20. -I'll give you a tenner for them. | 0:39:09 | 0:39:13 | |
£20 and I'll give you that genie lamp as a pressie. | 0:39:13 | 0:39:18 | |
I know it sounds mean of me, but £20 is a bit too much. | 0:39:18 | 0:39:22 | |
-How about 15? -I still...I still think that 15... | 0:39:22 | 0:39:27 | |
-They're fun little things. -With the lamp thrown in. | 0:39:27 | 0:39:30 | |
15 with the lamp. Do me £10 for those two. Go on. | 0:39:30 | 0:39:35 | |
-And if you don't win, you come back and buy me ice cream. -I promise. | 0:39:35 | 0:39:40 | |
-Done. -I promise. Thank you very much. | 0:39:40 | 0:39:42 | |
Cor, that Susan's nice. I wonder if she'll get her ice cream? | 0:39:45 | 0:39:49 | |
Right, time for Thomas to hook back up with James. | 0:39:49 | 0:39:53 | |
-Look - cows! -Thomas, you're so easily impressed. | 0:39:53 | 0:39:57 | |
The boys are heading 50 miles south, to Kirriemuir, | 0:39:59 | 0:40:03 | |
However, there's been a hitch. | 0:40:03 | 0:40:05 | |
DRAMATIC MUSIC | 0:40:05 | 0:40:07 | |
The Morris has broken down. | 0:40:07 | 0:40:08 | |
-We have been smelling a funny smell. -I thought that was you. | 0:40:10 | 0:40:14 | |
-Can I suggest we get a taxi? -Or hitch. | 0:40:15 | 0:40:19 | |
The gents still have plenty to do, so Thomas gets a lift from a kind neighbour, | 0:40:19 | 0:40:24 | |
as he wants to explore Kirriemuir, | 0:40:24 | 0:40:26 | |
whilst James takes a taxi half an hour east, to Letham, | 0:40:26 | 0:40:30 | |
as he wants to get back to business. | 0:40:30 | 0:40:32 | |
-Hello there. -Hello. | 0:40:34 | 0:40:35 | |
-I'm James. -I'm Barbara. -Wow! This place is full! | 0:40:35 | 0:40:39 | |
It's not been a great start to the day, so let's hope | 0:40:39 | 0:40:42 | |
Lovejoy Antiques cheers him up. Barbara is on hand if needs be. | 0:40:42 | 0:40:47 | |
-Oh, £1,445. -Yes. Break the piggy bank. | 0:40:50 | 0:40:54 | |
Has he spotted something to make him part with his cash? | 0:40:54 | 0:40:58 | |
The creamware jug, made somewhere around 18... | 0:40:58 | 0:41:03 | |
1830, 1840, probably. | 0:41:03 | 0:41:06 | |
Yep, it's 19th century, with a painting that commemorates | 0:41:06 | 0:41:10 | |
the iron bridge over the River Wear in Sunderland. | 0:41:10 | 0:41:15 | |
-However, it's slightly damaged. -Hand-painted, which is nice. | 0:41:15 | 0:41:19 | |
Creamware doesn't matter so much, if it's damaged, | 0:41:19 | 0:41:23 | |
because it's very soft and, therefore, it chips very easily. | 0:41:23 | 0:41:27 | |
-I have it on at 190, so 150 would be my best. -OK. | 0:41:27 | 0:41:32 | |
-I was thinking about two figures. -130. | 0:41:32 | 0:41:36 | |
£60 to £100 is what I think it would go for at auction. | 0:41:38 | 0:41:41 | |
Oh, no, I couldn't. | 0:41:41 | 0:41:43 | |
-Anywhere close? -How would 110 suit you? | 0:41:45 | 0:41:50 | |
-100 is the best. Very, very best. -OK. | 0:41:59 | 0:42:01 | |
-In that case, I'll buy your jug. -Right. -Thank you very much. | 0:42:01 | 0:42:06 | |
-100. -Thank you very much. | 0:42:06 | 0:42:09 | |
Back in Kirriemuir, Thomas has taken time out to feel inspired. | 0:42:11 | 0:42:15 | |
It's a charming and historic town in the county of Angus and best known | 0:42:15 | 0:42:20 | |
as the birthplace of JM Barrie, the creator of Peter Pan. | 0:42:20 | 0:42:25 | |
Believe it or not, this unassuming terrace is where | 0:42:25 | 0:42:28 | |
world-famous playwright James Matthew Barrie was born | 0:42:28 | 0:42:31 | |
to handloom weaver David Barrie and Margaret Ogilvy, | 0:42:31 | 0:42:36 | |
the daughter of a stonemason. Now part of the National Trust | 0:42:36 | 0:42:40 | |
for Scotland. Thomas will find out how Barrie's story began. | 0:42:40 | 0:42:44 | |
-Hello. -Hi, Thomas. How are you doing? -Good, thank you. -Let me tell you about this room. | 0:42:44 | 0:42:49 | |
John McKenna is our tour guide. | 0:42:49 | 0:42:51 | |
The room we're in just now is the family living room. | 0:42:51 | 0:42:55 | |
Everything happened in here - cooking, eating, sleeping. | 0:42:55 | 0:42:58 | |
-Who slept there? -That would be the children. It's a box bed. | 0:42:58 | 0:43:02 | |
The kids would all be squeezed in in concertina fashion and Mum and Dad would have next door. | 0:43:02 | 0:43:08 | |
Barrie was the ninth of ten children | 0:43:08 | 0:43:12 | |
and this is where he would have heard the fantastical stories from his mother and grandmother, | 0:43:12 | 0:43:18 | |
those that found their way into his writings, particularly Peter Pan. | 0:43:18 | 0:43:23 | |
However, this room also holds sad memories. | 0:43:23 | 0:43:26 | |
When he was six years old, there was a tragedy in the family. | 0:43:26 | 0:43:29 | |
His brother, within a couple of days of his 14th birthday, died in a tragic skating accident. | 0:43:29 | 0:43:35 | |
-They brought the body home and presented it on the table for the wake. -No? | 0:43:35 | 0:43:41 | |
-That affected Jamie Barrie deeply. -That's awful. | 0:43:41 | 0:43:45 | |
Barrie's mother Margaret was devastated by David's loss. | 0:43:45 | 0:43:50 | |
When he heard her crying, he tried to console her | 0:43:50 | 0:43:54 | |
by mimicking his deceased brother and dressed up in his clothes. How sad is that? | 0:43:54 | 0:43:59 | |
My opinion is that's the way Barrie always consoled himself about his brother's death, | 0:43:59 | 0:44:05 | |
knowing the fact that his brother won't ever grow up to be a man, | 0:44:05 | 0:44:09 | |
and he then invented this whole fantasy about Peter Pan and this Neverland. | 0:44:09 | 0:44:14 | |
-So Neverland, never grow up? -Yeah. | 0:44:14 | 0:44:16 | |
The ground floor of the cottage has been transformed to resemble Barrie's London apartments, | 0:44:16 | 0:44:22 | |
including the desk on which he used to write his now famous stories. | 0:44:22 | 0:44:26 | |
-That is the original manuscript for Peter Pan, the play. -Really? | 0:44:26 | 0:44:32 | |
And what's really interesting about it is Barrie actually wrote five different endings. | 0:44:32 | 0:44:36 | |
I'd love to find out what the other four were. | 0:44:36 | 0:44:39 | |
This room holds many artefacts, including Barrie's glasses | 0:44:39 | 0:44:44 | |
and a letter from his dear friend, Captain Scott of the Antarctic. | 0:44:44 | 0:44:48 | |
When they discovered Scott's body, they found a letter written to JM Barrie. | 0:44:48 | 0:44:53 | |
They were great friends and Scott, here he is dying in the tent in the wilderness of the Antarctic, | 0:44:53 | 0:44:59 | |
pleading with Barrie to look after his children. | 0:44:59 | 0:45:02 | |
"..in a very comfortless spot. | 0:45:02 | 0:45:06 | |
"Hoping this letter may be found and sent to you, | 0:45:06 | 0:45:10 | |
"I write a word of farewell." | 0:45:10 | 0:45:13 | |
When you see something as significant as a letter of this nature, | 0:45:13 | 0:45:18 | |
you realise there was more to the man than we can ever encapsulate in his writings. | 0:45:18 | 0:45:23 | |
Barrie had no children. | 0:45:23 | 0:45:25 | |
He drew upon his own childhood experiences for his inspiration | 0:45:25 | 0:45:30 | |
and he sat in this very seat to write a lot of his celebrated work, including Peter Pan. | 0:45:30 | 0:45:36 | |
-Can you tell me what that is? -It's a pirate. And what's that up there? | 0:45:36 | 0:45:41 | |
-It's a galleon. -Oh, it is a boat. | 0:45:41 | 0:45:43 | |
Then, over here, you've got Tinker Bell. | 0:45:43 | 0:45:46 | |
So Barrie's sitting here, runs out of inspiration and what does he do? | 0:45:46 | 0:45:51 | |
He's trying to visualise... | 0:45:51 | 0:45:54 | |
He's taking it out of his head and making it into a form, | 0:45:54 | 0:45:57 | |
so that he can draw from that form to continue with his play or his novel. | 0:45:57 | 0:46:02 | |
Barrie remained devoted to the town of Kirriemuir | 0:46:02 | 0:46:05 | |
and kept in touch with his friends and family whilst pursuing his London literary life. | 0:46:05 | 0:46:12 | |
This man of modest origin received a baronetcy, the Order of Merit and many other honours. | 0:46:12 | 0:46:18 | |
However, if you visit his grave, you simply see "James Matthew Barrie". | 0:46:18 | 0:46:24 | |
Unassuming to the very end. | 0:46:24 | 0:46:26 | |
-Thank you very much, John. -I'm glad you've enjoyed yourself. -It's been a real, real pleasure. | 0:46:26 | 0:46:31 | |
Meanwhile, as the Morris Minor is still out of action, | 0:46:31 | 0:46:35 | |
James takes a taxi from Letham and heads south to Glencarse | 0:46:35 | 0:46:41 | |
for his final shop of the leg. Oh, dear, he is really pooped! | 0:46:41 | 0:46:44 | |
-I hope you find lots of bargains. -Thank you. | 0:46:44 | 0:46:49 | |
Springing into action, James enters Michael Young Antiques. | 0:46:50 | 0:46:54 | |
Established in 1887, this shop is third generation. | 0:46:54 | 0:46:59 | |
-Ah, Michael! -Hello. -James. Nice to see you. | 0:46:59 | 0:47:01 | |
It has an extensive collection of fine quality items, | 0:47:01 | 0:47:05 | |
dating from the Georgian and Victorian eras. | 0:47:05 | 0:47:09 | |
-How flexible are you on these? -They're 150. | 0:47:09 | 0:47:13 | |
-What do you suggest? -I was thinking a lot less. | 0:47:13 | 0:47:17 | |
These are four assorted, nine-carat gold brooches. | 0:47:18 | 0:47:22 | |
They include an amethyst and an Art Deco, nine-carat gold bar. | 0:47:22 | 0:47:26 | |
-I was thinking £20 each, something like that. -80 quid? | 0:47:26 | 0:47:30 | |
Do you want to make it the round 100 I think they've got to be worth 100. | 0:47:31 | 0:47:35 | |
Right, OK, I'm going to think on those. | 0:47:37 | 0:47:39 | |
Back on the road, and in a cab, Thomas is making his way to join James at Michael Young Antiques. | 0:47:39 | 0:47:47 | |
Hello, James. Fancy seeing you here! | 0:47:47 | 0:47:51 | |
I thought I might have had a bit more of a head start. | 0:47:51 | 0:47:55 | |
Thomas wastes no time in scanning the shop, | 0:47:55 | 0:47:58 | |
while James seems to have found his star buy. | 0:47:58 | 0:48:03 | |
I quite like that. A bit of Chinese bronze. | 0:48:03 | 0:48:08 | |
That surface would have been polished, so you would literally have had it as a hand mirror. | 0:48:08 | 0:48:14 | |
Put it on a lady's dressing table. | 0:48:14 | 0:48:15 | |
Before the use of bronze mirrors, people simply reflected their faces by filling a basin with water. | 0:48:15 | 0:48:23 | |
This mirror is apparently from the Song Dynasty, 1200 AD, | 0:48:23 | 0:48:26 | |
and is priced at £200, but Michael is open to negotiation. | 0:48:26 | 0:48:32 | |
-Do you want to give me 100 for it? -If I paid you 100, I'd lose. | 0:48:32 | 0:48:36 | |
-So you don't want to give me 100! -I think that's the most it would make. | 0:48:36 | 0:48:39 | |
-Is 50 quid any good? -Is there anything else you want? | 0:48:39 | 0:48:43 | |
James has got his eye on two promising lots. Michael wanted | 0:48:44 | 0:48:48 | |
£100 for the four gold brooches, | 0:48:48 | 0:48:51 | |
so maybe he'll reduce the price of the mirror. | 0:48:51 | 0:48:53 | |
That, we were talking about 50. | 0:48:53 | 0:48:56 | |
Would you take 120 if I bought the two - that and that? | 0:48:56 | 0:48:59 | |
-Let's do it and see how they go. Yeah. -We've got a deal. Thank you. Thank you. | 0:49:01 | 0:49:06 | |
Over on the other side of the shop, Thomas seems to have spotted something. | 0:49:06 | 0:49:11 | |
This is a 19th century, cast-iron fountain spout. | 0:49:11 | 0:49:14 | |
-Superb. -Yeah. -It'd be nice to have that in your garden, wouldn't it? -It would be. | 0:49:14 | 0:49:19 | |
-What would you expect to get for that? -20 quid or something. | 0:49:19 | 0:49:23 | |
I do think that's rather fun. Could I... I have to ask. | 0:49:23 | 0:49:28 | |
-Could I ask... Could I give you 15 for it? -You could, yes. | 0:49:28 | 0:49:32 | |
-Would you accept that? -I'd be glad. -So, 15? -Thanks very much indeed. -Thank you very much, Michael. | 0:49:32 | 0:49:38 | |
Well, Thomas's tactic was not to spend big. | 0:49:38 | 0:49:41 | |
This bespoke water feature definitely ticks that box. | 0:49:41 | 0:49:45 | |
Great stuff, Thomas. That concludes the shopping. | 0:49:48 | 0:49:50 | |
Let's jog our memories as to what the chaps bought. | 0:49:50 | 0:49:53 | |
James began this leg with a gargantuan £1,032.92, | 0:49:54 | 0:49:58 | |
and spent, well, a rather paltry £250 on five auction lots. | 0:49:58 | 0:50:03 | |
He bought a large Murano figural table lamp, together with a figure | 0:50:03 | 0:50:08 | |
in 18th century dress and a glass bird, | 0:50:08 | 0:50:10 | |
a cast-iron mangle, an early Chinese bronze mirror, | 0:50:10 | 0:50:14 | |
a set of four brooches and a 19th century creamware jug. | 0:50:14 | 0:50:19 | |
Thomas started with somewhat less - £220.66, and only spent a teeny | 0:50:19 | 0:50:24 | |
£75 on five lots. | 0:50:24 | 0:50:27 | |
They are, an agricultural steel measure, paired with a hook | 0:50:27 | 0:50:30 | |
for hanging game, a pair of riding crops, | 0:50:30 | 0:50:33 | |
a gold-nibbed fountain pen, along with two pencils, | 0:50:33 | 0:50:37 | |
in a silver Jubilee tin, a 1920s silver-plated cigar table light | 0:50:37 | 0:50:41 | |
and a cast-iron fountain spout, as you do. | 0:50:41 | 0:50:45 | |
OK, so what do they think of each other's purchases? | 0:50:45 | 0:50:48 | |
Oh, Thomas has been so careful. Not a single risk. | 0:50:48 | 0:50:53 | |
Everything he's bought will be a profit. | 0:50:53 | 0:50:56 | |
All those lovely bits of big Murano figures. £10?! | 0:50:56 | 0:51:01 | |
-Going to make 100. On the whole, he's done rather well. -If he doesn't make a profit, the world's bonkers. | 0:51:01 | 0:51:07 | |
This leg of the road trip started north in Tarland, | 0:51:07 | 0:51:10 | |
worked its way to Dinnet, then east to Drumoak, | 0:51:10 | 0:51:14 | |
then 50 miles to Kirriemuir, with a stop in Letham, | 0:51:14 | 0:51:18 | |
and then south to Glencarse before ending up in Dunfermline for the auction. | 0:51:18 | 0:51:23 | |
Dunfermline has one of the best preserved medieval landscapes in Scotland. | 0:51:23 | 0:51:28 | |
It's also well known as the birthplace of Scottish-American industrialist Andrew Carnegie | 0:51:28 | 0:51:34 | |
who led the expansion of the American steel industry in the late 19th century. | 0:51:34 | 0:51:39 | |
At last, the Morris is back on the road. | 0:51:39 | 0:51:42 | |
-Profits or losses? -Realistically, I should be in for a profit. | 0:51:42 | 0:51:46 | |
Well, you played it safe, so here's hoping. | 0:51:46 | 0:51:50 | |
Family-run business Castleblair Auctions is today's battleground | 0:51:50 | 0:51:54 | |
and auctioneer Paul Heggen is wielding the gavel today. | 0:51:54 | 0:51:58 | |
Right, take your seats! We're off! | 0:51:58 | 0:52:01 | |
-You've been given a booster seat. -I've been given a booster seat, James! -You little man, you! | 0:52:01 | 0:52:07 | |
First up is Thomas's 19th century, cast-iron fountain head. | 0:52:07 | 0:52:11 | |
-£28. -28. -Underbidders are out. 28. Bid 30. | 0:52:11 | 0:52:15 | |
32. 35. 38. 40. | 0:52:15 | 0:52:18 | |
42. 45. Book bids are out at 45. We're on the floor at 45. | 0:52:18 | 0:52:22 | |
48. 50. | 0:52:22 | 0:52:25 | |
5. 55 I'm bid now. All finished at 55? Last call at 55...? | 0:52:25 | 0:52:29 | |
-55. Was that 55? -Well done, well done. | 0:52:29 | 0:52:33 | |
That water feature has given Thomas a great start. | 0:52:33 | 0:52:36 | |
Fighting back, making back that profit. | 0:52:36 | 0:52:40 | |
James splashed the cash with this damaged Creamware jug. | 0:52:40 | 0:52:43 | |
Will his spending pay off? | 0:52:43 | 0:52:46 | |
-Lots of bids on this again. I can start the bidding at £35. -Oh, no. | 0:52:46 | 0:52:50 | |
-You'll be fine. -38. 40... -Calm down. | 0:52:50 | 0:52:52 | |
-Calm down. -45. 48. 50. | 0:52:52 | 0:52:55 | |
-Calm down. -Book's out at 55. On the floor at 55. All finished at 55? | 0:52:55 | 0:53:00 | |
60. 5. 70. 5. | 0:53:00 | 0:53:03 | |
-80 to my left. -Oh! -Calm down, James. | 0:53:03 | 0:53:07 | |
-Last call, £80...? -No! | 0:53:07 | 0:53:09 | |
-You lost money on that one. -JAMES PRETENDS TO SOB | 0:53:09 | 0:53:11 | |
How dramatic! The loss of £20 won't dent James's extraordinary lead. | 0:53:11 | 0:53:17 | |
-If you spend more than £100... -You make a loss. | 0:53:17 | 0:53:20 | |
Will Thomas's hunting and training crops whip the crowd into a frenzy? | 0:53:20 | 0:53:25 | |
£50 for it? 50? 40? 30 to start it? £30 bid. | 0:53:25 | 0:53:29 | |
30 bid. 30 on the lot. £30. 32. | 0:53:29 | 0:53:32 | |
35. 38. 40. | 0:53:32 | 0:53:34 | |
42. 45. | 0:53:34 | 0:53:37 | |
48 to my left. At £48. New bid at 50. | 0:53:37 | 0:53:40 | |
On the book, bid at 55. 60. | 0:53:40 | 0:53:42 | |
Book's out at 60. We're on the floor again at 60. All finished at £60? | 0:53:42 | 0:53:47 | |
-60, that's not bad. -Well done. | 0:53:48 | 0:53:50 | |
Definitely. Thomas seems to be moving in the right direction. | 0:53:50 | 0:53:54 | |
Sweet smell of profit! | 0:53:54 | 0:53:57 | |
James is now pinning his hopes on this group of gold brooches. | 0:53:57 | 0:54:01 | |
£75 bid on the book. 75. 75. | 0:54:01 | 0:54:04 | |
80. 5. 90. 5. | 0:54:04 | 0:54:06 | |
100. 100 here at... 5. 110. | 0:54:06 | 0:54:10 | |
All finished at 110? Last call at 110...? | 0:54:10 | 0:54:13 | |
-Good profit. Really good profit. -I'm pleased. | 0:54:13 | 0:54:16 | |
Thank goodness! And no more dramatics! | 0:54:16 | 0:54:19 | |
-You look sort of smug. -Smug? -£40, that's brilliant, really, isn't it? | 0:54:19 | 0:54:25 | |
Thomas got a real bargain with this pen set. | 0:54:25 | 0:54:27 | |
Let's hope it's not a write-off! | 0:54:27 | 0:54:31 | |
-I can start on the book at 15, then. -Told you. -16. 18. 20. 22. | 0:54:31 | 0:54:37 | |
-25. Book's at 25... -Told you, 25! | 0:54:37 | 0:54:40 | |
£25. All finished at 25? Last call at £25...? | 0:54:40 | 0:54:44 | |
Pleased? Show some sort of reaction! | 0:54:44 | 0:54:47 | |
An excellent profit for Thomas, who also has his poker face on. | 0:54:47 | 0:54:52 | |
Now time for that 1870s Aberdeen mangle that James didn't want. | 0:54:52 | 0:54:57 | |
-Lots and lots of interest in this. -It's quite attractive. | 0:54:57 | 0:55:00 | |
I can start the bidding here at...£60. | 0:55:00 | 0:55:03 | |
Underbidders are all out. 60 bid, 60 on the lot. | 0:55:03 | 0:55:06 | |
£60 on the mangle. At £60. 65. | 0:55:06 | 0:55:09 | |
70. We're on the book at £70. | 0:55:09 | 0:55:11 | |
All finished at £70? Book bid at 70. Last call at £70? | 0:55:11 | 0:55:14 | |
-Hmm. -What do you mean, "hmm"? | 0:55:14 | 0:55:18 | |
The unloved mangle has had the last laugh | 0:55:18 | 0:55:20 | |
as it's wrung out a great profit for James. | 0:55:20 | 0:55:24 | |
-Would you have paid 35 for it? -No. I would've left it. -So would I. | 0:55:24 | 0:55:28 | |
Next up is the cigar lighter that Thomas got for free. | 0:55:28 | 0:55:32 | |
£5 for it, then? | 0:55:32 | 0:55:34 | |
-£5 bid. 6. -There are five or six hands up. | 0:55:34 | 0:55:38 | |
10. 12. 15. | 0:55:38 | 0:55:40 | |
-Lady's bid at £18... -£18? I'm not worried about that. | 0:55:40 | 0:55:43 | |
Last call at £18...? | 0:55:43 | 0:55:45 | |
Could have made a bit more, but it doesn't matter. | 0:55:45 | 0:55:48 | |
This silver-plated, genie-style wick trimmer | 0:55:48 | 0:55:52 | |
gave Thomas a much-needed, although petite, profit. | 0:55:52 | 0:55:55 | |
James really did value this ancient mirror, | 0:55:55 | 0:55:58 | |
but will the crowd see its worth? | 0:55:58 | 0:56:00 | |
£50 bid. Thank you. 50. 5. | 0:56:00 | 0:56:04 | |
60. 5. 70. | 0:56:04 | 0:56:06 | |
-5. -Calm down, James. -80. | 0:56:06 | 0:56:08 | |
-Let it go. -5. 90. | 0:56:08 | 0:56:10 | |
5. 100. And 10 on the lot. | 0:56:10 | 0:56:13 | |
110. New bid at 120. 130. | 0:56:13 | 0:56:16 | |
-See? I told you. -All finished at £130? Last call at 130...? | 0:56:16 | 0:56:21 | |
-Yay. -There you are. -That's all right. -Come on. | 0:56:21 | 0:56:25 | |
All right? Surely that profit is something to shout about! | 0:56:25 | 0:56:28 | |
Now leave me alone. | 0:56:28 | 0:56:30 | |
Don't... You're such a baby. | 0:56:30 | 0:56:33 | |
Will these quirky, 19th century contraptions | 0:56:33 | 0:56:36 | |
yield Thomas the profit he needs? | 0:56:36 | 0:56:39 | |
At £10 shall we start it, then? | 0:56:39 | 0:56:42 | |
£10 bid. 10. 12. | 0:56:42 | 0:56:44 | |
15. 18. | 0:56:44 | 0:56:46 | |
New bid at 20. 20, at the back. At £20. 22. | 0:56:46 | 0:56:49 | |
25. 28. Last call at £28...? | 0:56:49 | 0:56:54 | |
-Ohh... 28. -What do you mean, "Ohh?" It's a profit. | 0:56:54 | 0:56:57 | |
Yes, James, it is, but Thomas won't see much of his £3 profit | 0:56:57 | 0:57:01 | |
after auction costs. | 0:57:01 | 0:57:03 | |
James didn't want this glass family of figurines | 0:57:03 | 0:57:06 | |
or the Murano table lamp. | 0:57:06 | 0:57:09 | |
-I can start with the book bid at 20. -20. -20 bid on the lot. 22. 25. | 0:57:09 | 0:57:13 | |
28. 30. 32. | 0:57:13 | 0:57:16 | |
35. 38. | 0:57:16 | 0:57:18 | |
-40. -They're in the room. -42. | 0:57:18 | 0:57:21 | |
45. 48. 50. New bid at £50. | 0:57:21 | 0:57:25 | |
All finished at £50? Last call at £50...? | 0:57:25 | 0:57:29 | |
-50. -Very good. -£40 profit. -Yeah. | 0:57:29 | 0:57:32 | |
I thought it should have made another... | 0:57:32 | 0:57:35 | |
There should be a one in front of that. | 0:57:35 | 0:57:37 | |
The classic design of Murano speaks for itself | 0:57:37 | 0:57:40 | |
and at last, its value has been appreciated. | 0:57:40 | 0:57:43 | |
-You thought it was worth 150? -They're rare things. Like that, in that condition, they're rare. | 0:57:43 | 0:57:49 | |
Thomas started this leg with £220.66. | 0:57:49 | 0:57:53 | |
After paying auction costs and making a profit of £77.52, | 0:57:53 | 0:57:59 | |
that leaves him with a decent £298.18. | 0:57:59 | 0:58:03 | |
James started with a whopping £1,032.92 | 0:58:05 | 0:58:10 | |
and after auction costs, made £110.80 profit, | 0:58:10 | 0:58:14 | |
boosting his piggy bank to £1,143.72 | 0:58:14 | 0:58:19 | |
and making him the clear winner of this leg. | 0:58:19 | 0:58:22 | |
So, how do you feel? A profit? That's a rare thing for you, Thomas. | 0:58:22 | 0:58:26 | |
There's no need. There's no need to behave like that, Mr Lewis. | 0:58:26 | 0:58:30 | |
Maybe this is the start of Thomas's fightback. | 0:58:30 | 0:58:34 |