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It's the nation's favourite antiques experts | 0:00:02 | 0:00:04 | |
with £200 each, | 0:00:04 | 0:00:05 | |
a classic car, | 0:00:05 | 0:00:06 | |
and a goal to scour Britain for antiques. | 0:00:06 | 0:00:09 | |
That hurts. | 0:00:09 | 0:00:11 | |
What d'you think? | 0:00:11 | 0:00:13 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:21 | |
What have I done? | 0:00:21 | 0:00:22 | |
So, will it be the high road to glory or slow road to disaster? | 0:00:22 | 0:00:27 | |
-Put your back into it. -Shut up! | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:31 | |
Yeah. | 0:00:33 | 0:00:35 | |
On this Road Trip two auctioneers battle | 0:00:36 | 0:00:38 | |
to be crowned King of Scotland. | 0:00:38 | 0:00:41 | |
James Lewis is an auctioneer from Derbyshire, | 0:00:41 | 0:00:44 | |
who's proved he has a magic touch when it comes to turning a profit. | 0:00:44 | 0:00:47 | |
You don't often see something like that. | 0:00:47 | 0:00:49 | |
While Thomas Plant runs a Berkshire saleroom | 0:00:49 | 0:00:52 | |
and has proved that his acumen is matched only by his affability. | 0:00:52 | 0:00:56 | |
Can I have a go on something else now? | 0:00:56 | 0:00:59 | |
These two have been locked in a dynamic duel | 0:00:59 | 0:01:02 | |
for the last four legs of the Road Trip | 0:01:02 | 0:01:04 | |
and this final battle will decide which of them emerges victorious. | 0:01:04 | 0:01:08 | |
-Ah! -Whoops. | 0:01:09 | 0:01:11 | |
Both our boys started this Road Trip with a cool £200. | 0:01:11 | 0:01:14 | |
Over the last four legs, | 0:01:14 | 0:01:16 | |
Thomas has managed to trade up his total to £298.18. | 0:01:16 | 0:01:22 | |
Well done. | 0:01:22 | 0:01:23 | |
While James has astonished all and sundry | 0:01:23 | 0:01:26 | |
by turning his original 200 smackers into | 0:01:26 | 0:01:29 | |
not £500, not £600, not even £900, | 0:01:29 | 0:01:34 | |
but a whopping £1143.72. | 0:01:34 | 0:01:39 | |
Crikey! | 0:01:39 | 0:01:41 | |
Our pair are hitting the highways in a true Brit, | 0:01:42 | 0:01:45 | |
the classic 1953 Morris Minor. | 0:01:45 | 0:01:48 | |
She's a doughty old girl. | 0:01:48 | 0:01:49 | |
They've managed to cruise the Morris Minor | 0:01:51 | 0:01:53 | |
over the hills and glens of Caledonia, | 0:01:53 | 0:01:56 | |
from the wind-blown west coast, through the stunning highlands | 0:01:56 | 0:02:00 | |
and then back to the low country and Edinburgh. | 0:02:00 | 0:02:03 | |
They begin their final leg of their trip | 0:02:04 | 0:02:07 | |
in Ayrshire's county town, Ayr, | 0:02:07 | 0:02:09 | |
before touring round beautiful southwest Scotland | 0:02:09 | 0:02:12 | |
and ending up at their auction | 0:02:12 | 0:02:14 | |
in Scotland's craggy capital, Edinburgh. | 0:02:14 | 0:02:16 | |
Ayr is justly celebrated by the poet Robert Burns | 0:02:19 | 0:02:23 | |
for its honest men and bonnie lasses. | 0:02:23 | 0:02:26 | |
That sounds very promising | 0:02:26 | 0:02:28 | |
as Thomas drops James off at his first shop. | 0:02:28 | 0:02:32 | |
Right. Well done. | 0:02:32 | 0:02:34 | |
-Have fun. -James is heading into his first shop, | 0:02:36 | 0:02:40 | |
where dealer John will assist. | 0:02:40 | 0:02:41 | |
Anything special you're after today? | 0:02:43 | 0:02:45 | |
Trying to find something that might make a profit at auction. | 0:02:45 | 0:02:48 | |
You can come right through to the gallery. | 0:02:48 | 0:02:50 | |
With over £1,000 burning a hole in his pocket, | 0:02:50 | 0:02:52 | |
James can afford to think big on this leg. | 0:02:52 | 0:02:56 | |
But he's also determined to work out his strategy. | 0:02:56 | 0:03:00 | |
I'm trying to think about what will go with what, | 0:03:00 | 0:03:02 | |
to build up a more expensive lot. | 0:03:02 | 0:03:04 | |
This tin-plate toy dates from around 1910 | 0:03:08 | 0:03:11 | |
and is marked up at £35 and there's another toy that takes his fancy. | 0:03:11 | 0:03:16 | |
How about the bear? | 0:03:17 | 0:03:18 | |
On the ticket is £65. | 0:03:18 | 0:03:20 | |
And he...hah...seems to have pilfered your hat, James. | 0:03:20 | 0:03:24 | |
£40. Do that for you. | 0:03:24 | 0:03:26 | |
Looks better in my hat than I do. | 0:03:28 | 0:03:29 | |
Suits your hat. | 0:03:31 | 0:03:33 | |
He's big, isn't he? | 0:03:33 | 0:03:34 | |
Yeah. Everybody loves a teddy bear. | 0:03:34 | 0:03:37 | |
This might fit in with James's strategy | 0:03:38 | 0:03:42 | |
to build up themed job lots. | 0:03:42 | 0:03:44 | |
He's spotted another toy car, as well. The ticket says £20. | 0:03:44 | 0:03:48 | |
What could the Chad Valley car be? | 0:03:48 | 0:03:51 | |
-This little chap here with no key. -This one? -Yeah. | 0:03:51 | 0:03:53 | |
-Erm, do that for 15. -15. And the other car? | 0:03:53 | 0:03:57 | |
I'll do that one for 20. | 0:03:57 | 0:04:00 | |
What deal could John do on all three items? | 0:04:00 | 0:04:04 | |
The combined original ticket price was £120 | 0:04:04 | 0:04:07 | |
but James has got John down to £75 for the lot, so far. | 0:04:07 | 0:04:13 | |
Would you take 50 the three? | 0:04:13 | 0:04:14 | |
No. I couldn't do that. | 0:04:14 | 0:04:17 | |
What could you do? | 0:04:17 | 0:04:19 | |
I could let them go for 70. | 0:04:19 | 0:04:21 | |
There's one more childhood-themed item | 0:04:21 | 0:04:23 | |
that might make it into the job lot yet. | 0:04:23 | 0:04:26 | |
Would you throw that christening gown in with them? | 0:04:26 | 0:04:28 | |
Er...no. | 0:04:29 | 0:04:31 | |
I wouldn't throw it in, but I'll give you a really good price on it. | 0:04:31 | 0:04:35 | |
-Go on, then. -£10. | 0:04:35 | 0:04:37 | |
75 the lot, then. | 0:04:41 | 0:04:43 | |
Make it 80. | 0:04:43 | 0:04:44 | |
-Go on, 75. -Make it 80. | 0:04:44 | 0:04:46 | |
Oh, go on, then. Make it 80. | 0:04:46 | 0:04:47 | |
THEY LAUGH | 0:04:47 | 0:04:48 | |
I'm not hard enough. | 0:04:48 | 0:04:51 | |
Deal done! That was child's play. | 0:04:52 | 0:04:54 | |
Now he's spotted a military object, | 0:04:54 | 0:04:56 | |
which has been pressed into use as an umbrella stand. | 0:04:56 | 0:04:59 | |
It's a charge carrier that would have been used | 0:05:01 | 0:05:04 | |
to contain a cordite charge for an artillery weapon. | 0:05:04 | 0:05:08 | |
These were made from the 1700s | 0:05:09 | 0:05:11 | |
through to the early 20th century, though this is quite a late example. | 0:05:11 | 0:05:15 | |
It's priced up at £125. | 0:05:15 | 0:05:18 | |
It's a fun thing. Is there much movement in it? | 0:05:18 | 0:05:21 | |
Well, £65. | 0:05:21 | 0:05:23 | |
-Give you 50 for the stick stand. -Can you go 55? | 0:05:25 | 0:05:29 | |
-Go on, then. -Just so I've a bit of profit. -Go on. | 0:05:30 | 0:05:32 | |
A direct hit, and another lot in the bag. | 0:05:32 | 0:05:35 | |
But, on his way out, he spots yet another item that takes his fancy. | 0:05:35 | 0:05:40 | |
It's an early 20th century picnic hamper. | 0:05:41 | 0:05:44 | |
How much is this? | 0:05:45 | 0:05:46 | |
That? £50 would do for that. | 0:05:46 | 0:05:49 | |
How flexible are you on price? | 0:05:49 | 0:05:51 | |
Not much. | 0:05:51 | 0:05:52 | |
I'd be looking about 25. | 0:05:52 | 0:05:54 | |
I could let you have it for 40, but no less. | 0:05:56 | 0:05:59 | |
James is wondering if he can sweeten the deal | 0:05:59 | 0:06:02 | |
by assembling another job lot. | 0:06:02 | 0:06:04 | |
He's found a small boxwood device | 0:06:04 | 0:06:06 | |
for finishing self-assembled paper cartridges, | 0:06:06 | 0:06:10 | |
which would be fired from a shotgun. | 0:06:10 | 0:06:12 | |
The cartridge would have been inserted into the device | 0:06:12 | 0:06:15 | |
and the metal handle rolled over to close the end. | 0:06:15 | 0:06:18 | |
Now he's picked up a set of miniature dominoes | 0:06:20 | 0:06:22 | |
that date from around 1905. | 0:06:22 | 0:06:25 | |
Combined ticket price for all three items is £90. | 0:06:25 | 0:06:28 | |
What can James haggle John down to? | 0:06:28 | 0:06:31 | |
65. Call it 60. There you go. | 0:06:31 | 0:06:34 | |
55 and you've got a deal. | 0:06:34 | 0:06:37 | |
-No, 60, come on. -No. | 0:06:37 | 0:06:39 | |
59. | 0:06:41 | 0:06:43 | |
HE LAUGHS | 0:06:43 | 0:06:44 | |
You are... Oh, dear! | 0:06:44 | 0:06:46 | |
-Go for the 59. -55. | 0:06:46 | 0:06:49 | |
-Can't do it. I just can't do it. -57. | 0:06:49 | 0:06:52 | |
57, Done. | 0:06:52 | 0:06:54 | |
Oh, dear me! | 0:06:54 | 0:06:56 | |
You have to be the hardest negotiator I have ever come across. | 0:06:56 | 0:07:00 | |
Well, it's been fun. I've enjoyed it. Well done, you. | 0:07:00 | 0:07:04 | |
Wow. With that masterly display of negotiating grit, | 0:07:04 | 0:07:08 | |
James rounds up an absolutely bumper morning's shopping. | 0:07:08 | 0:07:12 | |
Meanwhile Thomas has driven a couple of miles down the road | 0:07:19 | 0:07:21 | |
to the neighbouring town of Prestwick. | 0:07:21 | 0:07:24 | |
Prestwick is thought to be the only place in the UK | 0:07:24 | 0:07:27 | |
that was ever visited by rock'n'roll legend Elvis Presley, | 0:07:27 | 0:07:32 | |
who made a whirlwind pit-stop here, during his military service in 1960. | 0:07:32 | 0:07:37 | |
Let's hope Thomas's first shop | 0:07:37 | 0:07:39 | |
is more Hunk O' Love than Heartbreak Hotel. | 0:07:39 | 0:07:43 | |
-Hello. -Good morning. -I'm Thomas. | 0:07:44 | 0:07:46 | |
Either way, he's meeting dealer Gary. | 0:07:46 | 0:07:48 | |
-Gary. Pleased to meet you. -Gary? -Yeah. | 0:07:48 | 0:07:50 | |
Enough chatting - it's time to find some buys, Thomas. | 0:07:52 | 0:07:56 | |
My strategy has been | 0:07:58 | 0:08:00 | |
buy at the low end and then sell, hopefully, better. | 0:08:00 | 0:08:03 | |
And I think I might carry on with that strategy, cos it's worked. | 0:08:03 | 0:08:08 | |
Spoken like a true traditionalist. | 0:08:08 | 0:08:10 | |
He's spotted a collection that might bring in a sweet profit. | 0:08:11 | 0:08:15 | |
Lovely tin. Look at that. "Home of Milady's Toffee." | 0:08:16 | 0:08:20 | |
Love that one. Really nice. | 0:08:23 | 0:08:26 | |
So decorative, aren't they? They're just lovely. | 0:08:26 | 0:08:29 | |
Never bought tins before. | 0:08:29 | 0:08:31 | |
Am I being really stupid? | 0:08:32 | 0:08:34 | |
We'll soon find out. | 0:08:34 | 0:08:35 | |
They date from the early 20th century. | 0:08:35 | 0:08:38 | |
The combined ticket price for all the tins is around the £80 mark. | 0:08:38 | 0:08:43 | |
What would you do as a really enticing deal? | 0:08:43 | 0:08:48 | |
Charge you for the two really nice ones, | 0:08:48 | 0:08:50 | |
which are in good condition, | 0:08:50 | 0:08:53 | |
and I'll throw the rest in. That's 45 for the lot. | 0:08:53 | 0:08:55 | |
Now, I, obviously, am selling at auction, | 0:08:55 | 0:08:58 | |
so if I can give you... 45's a lovely price. | 0:08:58 | 0:09:01 | |
It's a really fair price. | 0:09:01 | 0:09:03 | |
-But I'd like to give you £30 for the lot. -30? | 0:09:03 | 0:09:06 | |
-OK. 30. -30? -Yeah. | 0:09:06 | 0:09:08 | |
Brilliant. Thank you very much. | 0:09:08 | 0:09:10 | |
-Can I give you some spondoolies? -Pleasure. | 0:09:10 | 0:09:13 | |
Before he leaves, he spots one more thing that takes his fancy. | 0:09:16 | 0:09:19 | |
It's an octagonal Chinese plate, dating from the 18th century. | 0:09:19 | 0:09:23 | |
Ticket price is a bargain £8. | 0:09:23 | 0:09:26 | |
Can he get Gary down any further? | 0:09:26 | 0:09:28 | |
5. | 0:09:30 | 0:09:32 | |
Deal. | 0:09:32 | 0:09:34 | |
-Thank you very much. -Pleasure. | 0:09:34 | 0:09:36 | |
Done and done. | 0:09:36 | 0:09:37 | |
Two lots in the old bag and our Thomas is up and running. | 0:09:37 | 0:09:41 | |
Thomas is heading back to Ayr to meet James and hand over the car. | 0:09:42 | 0:09:45 | |
-Aha! -Hello. -How are you? | 0:09:49 | 0:09:52 | |
Very good. Buy much? | 0:09:52 | 0:09:53 | |
-Seven things, actually. -Oh, really? -Yeah, three lots. | 0:09:53 | 0:09:57 | |
I bought two lots. Maybe more things. | 0:09:57 | 0:10:00 | |
-More than seven. -No! | 0:10:00 | 0:10:03 | |
-I've left it in the same place. -Brilliant. | 0:10:03 | 0:10:05 | |
-Thank you. Have fun. -I will. | 0:10:05 | 0:10:08 | |
James is happy with his morning's bumper buys, | 0:10:08 | 0:10:11 | |
so he's taking the motor and heading over to Alloway, | 0:10:11 | 0:10:14 | |
a suburb of Ayr. | 0:10:14 | 0:10:15 | |
As a man of culture, he's keen to pay a visit to the local attraction, | 0:10:18 | 0:10:22 | |
that tells the story of Ayrshire's most celebrated son | 0:10:22 | 0:10:25 | |
and Scotland's national poet, The Robert Burns Birthplace Museum, | 0:10:25 | 0:10:30 | |
where he's meeting curator Amy. | 0:10:30 | 0:10:32 | |
-Hi. How you doing? -Hello. | 0:10:32 | 0:10:34 | |
-I'm James. Nice to see you. -Hi, nice to meet you. -And you. | 0:10:34 | 0:10:36 | |
This is the birthplace of Robert Burns. | 0:10:36 | 0:10:39 | |
He was born in a room within that cottage. | 0:10:39 | 0:10:42 | |
-Shall we go in and have a look? -Sure, follow me. -After you. | 0:10:42 | 0:10:45 | |
Born in 1759 into a modest farming family here in Alloway, | 0:10:45 | 0:10:50 | |
Burns went on to become both Scotland's bard | 0:10:50 | 0:10:54 | |
and a writer loved around the world. | 0:10:54 | 0:10:56 | |
His poems and songs, like Tam o' Shanter | 0:10:56 | 0:10:58 | |
and Auld Lang Syne and My Love Is Like A Red, Red Rose, | 0:10:58 | 0:11:04 | |
are still regularly performed and read today. | 0:11:04 | 0:11:07 | |
This is the kitchen of Burns' cottage | 0:11:07 | 0:11:10 | |
and this room is significant, not because it was a kitchen, | 0:11:10 | 0:11:13 | |
but because it was also the bedroom and the place | 0:11:13 | 0:11:15 | |
where Robert Burns was born. He was actually born in that bed. | 0:11:15 | 0:11:20 | |
My goodness! | 0:11:20 | 0:11:21 | |
Robert Burns only lived here until he was about six years old. | 0:11:21 | 0:11:25 | |
-OK. -And then they moved to another farm nearby. | 0:11:25 | 0:11:27 | |
How did he go from being a boy here to Scotland's greatest writer? | 0:11:27 | 0:11:32 | |
It is quite amazing that he did achieve so much. | 0:11:32 | 0:11:36 | |
I think a lot of that came from the fact that his father, William, | 0:11:36 | 0:11:39 | |
very strongly believed in educating his children, | 0:11:39 | 0:11:42 | |
They weren't rich, by any means, but what little they did have, | 0:11:42 | 0:11:44 | |
I think they spent wisely, towards the education of their children. | 0:11:44 | 0:11:47 | |
Robert was educated until he was in his teens | 0:11:47 | 0:11:50 | |
and, at that time, he went to work on the farm. | 0:11:50 | 0:11:53 | |
He actually worked for other farmers at harvest time. | 0:11:53 | 0:11:56 | |
During that time, he was inspired by a young lass | 0:11:56 | 0:12:00 | |
that he worked with in the fields | 0:12:00 | 0:12:01 | |
and that's when he wrote his first poem, | 0:12:01 | 0:12:03 | |
Once I Lov'd A Bonnie Lass, to Handsome Nell. | 0:12:03 | 0:12:06 | |
So the theme of love inspiring someone to write something great | 0:12:06 | 0:12:09 | |
is a theme that carries throughout much of Robert's life. | 0:12:09 | 0:12:12 | |
Burns continued writing throughout his young life | 0:12:12 | 0:12:15 | |
and built up an impressive body of work. | 0:12:15 | 0:12:18 | |
Amy's taking James across the road to the modern museum building, | 0:12:18 | 0:12:21 | |
where she's going to show him some of the vast collection | 0:12:21 | 0:12:24 | |
of Burns manuscripts that the Centre holds. | 0:12:24 | 0:12:27 | |
-So. -Blue paper? -It may not look like much, | 0:12:29 | 0:12:32 | |
lying there, but it is a Kilmarnock edition, | 0:12:32 | 0:12:36 | |
which is the first published edition of Burns' work. | 0:12:36 | 0:12:40 | |
There were 610 of them published in 1786 | 0:12:40 | 0:12:44 | |
and today less than 100 survive. | 0:12:44 | 0:12:47 | |
-Can I pick it up? -Sure. Go ahead. | 0:12:47 | 0:12:50 | |
This first edition of Burns' work brought him fame in Scotland | 0:12:50 | 0:12:54 | |
and set him on the road to immortality. | 0:12:54 | 0:12:57 | |
One of these Kilmarnock editions recently sold at auction | 0:12:57 | 0:13:01 | |
for £40,000. | 0:13:01 | 0:13:03 | |
And we have probably one of the most well-known works here. | 0:13:05 | 0:13:09 | |
Oh! To A Mouse! | 0:13:09 | 0:13:13 | |
-Wee fleeket... -That's an S. -Sleeket. | 0:13:13 | 0:13:16 | |
Let me help you there, James. | 0:13:16 | 0:13:18 | |
This poem, addressed to a field mouse, | 0:13:18 | 0:13:21 | |
whose nest Burns has turned up with his plough, | 0:13:21 | 0:13:25 | |
contains some of his most famous lines. | 0:13:25 | 0:13:27 | |
Words worth remembering on the Road Trip, eh? | 0:13:37 | 0:13:39 | |
-So this was the book that made him famous? -That's right. | 0:13:39 | 0:13:43 | |
So why so famous? | 0:13:43 | 0:13:45 | |
The work struck a chord with people, really. | 0:13:45 | 0:13:48 | |
He wrote about things everyone saw, | 0:13:48 | 0:13:49 | |
so it appealed to people locally here, that were farmers, | 0:13:49 | 0:13:53 | |
and also the gentry of Edinburgh, so it appealed to everyone. | 0:13:53 | 0:13:56 | |
This universality and theme of brotherhood | 0:13:56 | 0:13:59 | |
is central to what is, perhaps, Burns' best-known work. | 0:13:59 | 0:14:03 | |
Next Amy has a very special treat in store for James. | 0:14:03 | 0:14:07 | |
The next thing we have here is a fragment of Auld Lang Syne. | 0:14:07 | 0:14:10 | |
-No way! -Yes. | 0:14:10 | 0:14:12 | |
It's written in Burns' own handwriting. | 0:14:13 | 0:14:16 | |
-This is the original script? -Yes. | 0:14:16 | 0:14:19 | |
So Auld Lang Syne has got to be... | 0:14:22 | 0:14:25 | |
got to be in the top ten most famous songs in the world. | 0:14:25 | 0:14:30 | |
Yeah, it's popular the world over. | 0:14:30 | 0:14:32 | |
In Japan it's played at the end of the working day. | 0:14:32 | 0:14:36 | |
It's just wonderful how it appeals to people across the world, | 0:14:36 | 0:14:39 | |
because of the sentiments in it. | 0:14:39 | 0:14:41 | |
You don't often see something like that. | 0:14:41 | 0:14:43 | |
"We'll take a cup of kindness yet for auld lang syne." | 0:14:44 | 0:14:49 | |
Oh, how amazing. | 0:14:49 | 0:14:50 | |
This has been absolutely incredible. Thank you very much. | 0:14:50 | 0:14:55 | |
-It was my pleasure. Thank you for coming. -Wow. | 0:14:55 | 0:14:57 | |
Meanwhile, James's auld acquaintance, | 0:15:05 | 0:15:08 | |
Thomas, is still back in Ayr, | 0:15:08 | 0:15:10 | |
at the same shop James visited earlier. | 0:15:10 | 0:15:13 | |
Can he work the same magic with dealer John? | 0:15:13 | 0:15:15 | |
You see, I need something... | 0:15:17 | 0:15:20 | |
..to beat him with, thrash him with. | 0:15:23 | 0:15:26 | |
Not literally. | 0:15:29 | 0:15:31 | |
Well, let's hope not. But a pretty object has caught Thomas's eye. | 0:15:31 | 0:15:34 | |
I have a real passion for Scandinavian things | 0:15:36 | 0:15:40 | |
and here we have a piece of Royal Copenhagen | 0:15:40 | 0:15:43 | |
and it's simply marvellous. | 0:15:43 | 0:15:45 | |
Just because of the design, the style. | 0:15:45 | 0:15:47 | |
Royal Copenhagen porcelain | 0:15:48 | 0:15:50 | |
has been a manufacturer of Danish porcelain since 1775. | 0:15:50 | 0:15:54 | |
This 1950s vase is priced at £40, | 0:15:54 | 0:15:58 | |
and that's not the only Scandinavian beauty Thomas has spotted. Oh, no. | 0:15:58 | 0:16:02 | |
Oh. Didn't see this. Mm. | 0:16:04 | 0:16:07 | |
As a bit of a freak, when it comes to these things, | 0:16:07 | 0:16:11 | |
it says Holmegaard, Per Lutken. | 0:16:11 | 0:16:15 | |
It's quite an early biomorphic bowl. | 0:16:15 | 0:16:19 | |
Per Lutken was a glassmaker | 0:16:19 | 0:16:22 | |
at the Danish glass factory Holmegaard. | 0:16:22 | 0:16:25 | |
Many of his designs are considered 20th century classics. | 0:16:25 | 0:16:28 | |
This dates from around 1955. | 0:16:28 | 0:16:31 | |
Ticket price is £40. | 0:16:31 | 0:16:33 | |
We could put that with the Copenhagen, the vase, | 0:16:33 | 0:16:38 | |
and make a lot. | 0:16:38 | 0:16:40 | |
You know, Danish stuff. | 0:16:40 | 0:16:42 | |
There could be another job lot here on the way, | 0:16:42 | 0:16:45 | |
but he's spotted yet another shiny item. | 0:16:45 | 0:16:48 | |
I quite like that hall mirror. It's quite a nice thing. | 0:16:48 | 0:16:52 | |
It's good. It's not that old, though. | 0:16:52 | 0:16:55 | |
-Can I lift it down? -Course you can. | 0:16:55 | 0:16:57 | |
This 1950s mirror might appeal to a fan of retro style. | 0:16:58 | 0:17:02 | |
It's priced up at £45. | 0:17:02 | 0:17:04 | |
Cool, daddy-O! | 0:17:04 | 0:17:06 | |
Good bit of styling. | 0:17:06 | 0:17:08 | |
Well, it's for throwing light around the room. | 0:17:08 | 0:17:11 | |
Yeah, looks lovely. | 0:17:11 | 0:17:13 | |
It's not a bad look, though. I think it's a good, general sale. | 0:17:13 | 0:17:16 | |
Tick tock. Time's running out. | 0:17:18 | 0:17:20 | |
Thomas has found a lot of things he likes | 0:17:20 | 0:17:22 | |
but has yet to strike a deal on any of them. | 0:17:22 | 0:17:26 | |
And it looks like he's spotted something else - | 0:17:26 | 0:17:28 | |
an Art Deco travelling clock. | 0:17:28 | 0:17:30 | |
-There's no price on this. -No. | 0:17:35 | 0:17:38 | |
Well, I was going to say, like the mirror... | 0:17:38 | 0:17:40 | |
..like the vase, like the bowl, quite like this, | 0:17:42 | 0:17:46 | |
could we do all of that for 80 with this thrown in? | 0:17:46 | 0:17:49 | |
It would need to be 90. | 0:17:50 | 0:17:52 | |
85? | 0:17:52 | 0:17:54 | |
Yeah, I'll go for 85. | 0:17:54 | 0:17:56 | |
-Good man. -Good man. | 0:17:56 | 0:17:58 | |
TIM WHISTLES | 0:17:58 | 0:18:00 | |
Well haggled, Thomas. | 0:18:00 | 0:18:02 | |
He gets a £45 reduction on the ticket price | 0:18:02 | 0:18:04 | |
of the mirror, vase and bowl, | 0:18:04 | 0:18:07 | |
and the travelling clock thrown in for a fiver. | 0:18:07 | 0:18:10 | |
James has driven on into Thornhill, and he seems to have acquired | 0:18:12 | 0:18:16 | |
something interesting in the way of eyewear. | 0:18:16 | 0:18:19 | |
I feel like Toad of Toad Hall. Bah! | 0:18:19 | 0:18:22 | |
I'm saying nothing. | 0:18:22 | 0:18:24 | |
This monument in the pretty country town of Thornhill | 0:18:25 | 0:18:28 | |
commemorates the 19th century Scottish explorer | 0:18:28 | 0:18:31 | |
Joseph Thomson, a local boy famed for his African expeditions. | 0:18:31 | 0:18:35 | |
Let's hope James can embrace that spirit of adventure | 0:18:37 | 0:18:39 | |
as he heads into Rosebank Antiques, | 0:18:39 | 0:18:42 | |
where he's meeting the lovely Pauline. | 0:18:42 | 0:18:44 | |
-Hello there. -Hello. -Hi, I'm James. | 0:18:44 | 0:18:46 | |
-I'm Pauline. -Nice to see you. | 0:18:46 | 0:18:47 | |
He's only just arrived but James has spied something. | 0:18:47 | 0:18:51 | |
-Fun, isn't he? -Yes, he's lovely. | 0:18:56 | 0:18:59 | |
Love the expression. | 0:18:59 | 0:19:01 | |
Unusual, being a lion. | 0:19:01 | 0:19:02 | |
It's a Staffordshire pottery figure of a lion sitting with a lamb, | 0:19:02 | 0:19:06 | |
dating from the 19th century. | 0:19:06 | 0:19:08 | |
Staffordshire figures can be highly collectible | 0:19:10 | 0:19:12 | |
and rare figures fetch huge sums. | 0:19:12 | 0:19:15 | |
But any damage can decrease their value considerably. | 0:19:15 | 0:19:18 | |
On the ticket is £155. | 0:19:18 | 0:19:22 | |
What could he be? | 0:19:22 | 0:19:24 | |
-100? -Good. | 0:19:25 | 0:19:27 | |
It's the hole in the back that's the killer. | 0:19:30 | 0:19:33 | |
I didn't know whether that was in the mould. | 0:19:33 | 0:19:35 | |
No, I think it's been dropped at some point. | 0:19:35 | 0:19:38 | |
He's lovely at the front. Lovely face. | 0:19:39 | 0:19:42 | |
Staffordshire's really gone off the boil, | 0:19:42 | 0:19:44 | |
but they either want it | 0:19:44 | 0:19:46 | |
and pay really good money for it, | 0:19:46 | 0:19:49 | |
or very, very difficult to get any money. | 0:19:49 | 0:19:51 | |
Pop it back then, James. | 0:19:51 | 0:19:53 | |
Now, something else catches his eye. | 0:19:53 | 0:19:55 | |
It's a 19th century clock movement, which has become separated | 0:19:55 | 0:19:59 | |
from the clock case it belonged to. | 0:19:59 | 0:20:01 | |
The ticket price is £40. | 0:20:01 | 0:20:03 | |
What would be the best on the movement? | 0:20:04 | 0:20:05 | |
30. | 0:20:05 | 0:20:07 | |
He's interested, but he can't get his mind off the Staffordshire lion. | 0:20:07 | 0:20:12 | |
Did you buy him well? Is there much movement in there? | 0:20:12 | 0:20:15 | |
-There's a little bit. -Yeah? | 0:20:15 | 0:20:17 | |
-Could I make you a cheeky offer? -You can. | 0:20:17 | 0:20:20 | |
You can always say no! 50. | 0:20:20 | 0:20:22 | |
A little bit more. | 0:20:24 | 0:20:27 | |
Will Pauline cut him a deal | 0:20:27 | 0:20:28 | |
for both the clock movement and the lion? | 0:20:28 | 0:20:31 | |
Will you take 20 for that and 60 for that? | 0:20:32 | 0:20:34 | |
-I would, yeah. -Leaves you a profit? -Yeah. -Brilliant. | 0:20:34 | 0:20:37 | |
-In that case, you've got a deal. -Thank you. | 0:20:37 | 0:20:39 | |
Thank you very much. Thank you. | 0:20:39 | 0:20:41 | |
Deal done, but James is going to take one more little item, as well - | 0:20:41 | 0:20:45 | |
a miniature gaming table, priced at only £4. | 0:20:45 | 0:20:48 | |
He's still game for a haggle, though. | 0:20:48 | 0:20:50 | |
-Will you take a couple for that one? -Yeah. -Brilliant, thanks. | 0:20:50 | 0:20:54 | |
The miniature gaming table is a snip at £2. | 0:20:54 | 0:20:57 | |
He'll add it to the job lot | 0:20:57 | 0:20:58 | |
of hamper, cartridge tool and dominoes. | 0:20:58 | 0:21:01 | |
And he's off! | 0:21:01 | 0:21:03 | |
So both boys are shopped out. | 0:21:04 | 0:21:06 | |
Let's remind ourselves of what they bought. | 0:21:06 | 0:21:09 | |
Thomas began this leg with a modest £298.18 | 0:21:10 | 0:21:14 | |
and spent £120 on five auction lots. | 0:21:14 | 0:21:18 | |
They comprise a collection of biscuit and toffee tins, | 0:21:19 | 0:21:21 | |
a porcelain vase, | 0:21:21 | 0:21:23 | |
paired with a Holmegaard glass bowl | 0:21:23 | 0:21:26 | |
a 1950s convex mirror, | 0:21:26 | 0:21:28 | |
a Chinese 18th century octagonal dish | 0:21:28 | 0:21:31 | |
and an Art Deco travelling time piece. | 0:21:31 | 0:21:33 | |
James kicked off with an eye-watering £1,143.72 | 0:21:35 | 0:21:41 | |
and spent £274 on five lots. | 0:21:41 | 0:21:44 | |
They are a 19th century long cased clock movement and dial, | 0:21:44 | 0:21:48 | |
a military charge carrier, | 0:21:48 | 0:21:50 | |
a large lot made up of the picnic hamper, a sandwich box with flasks, | 0:21:50 | 0:21:55 | |
a cartridge maker, | 0:21:55 | 0:21:57 | |
a gaming table and a set of Edwardian dominoes. | 0:21:57 | 0:22:00 | |
Phew! | 0:22:00 | 0:22:01 | |
He also bought a Staffordshire model of the lion and lamb, | 0:22:01 | 0:22:05 | |
and, yes, even a cuddly toy in the form of a teddy bear | 0:22:05 | 0:22:08 | |
which is grouped with a child's christening gown | 0:22:08 | 0:22:11 | |
and two toy cars. Lordy! | 0:22:11 | 0:22:13 | |
So what do they really think of each other's buys, eh? | 0:22:14 | 0:22:17 | |
Thomas, as usual, has bought a really mixed bag. | 0:22:17 | 0:22:20 | |
The tins are a little bit specialist, | 0:22:20 | 0:22:22 | |
but the Chinese plate, that's a great one, | 0:22:22 | 0:22:24 | |
that should show a great profit. | 0:22:24 | 0:22:27 | |
But there's nothing there that I think will win in the competition. | 0:22:27 | 0:22:31 | |
It is all about the lion. | 0:22:31 | 0:22:33 | |
What a good thing. Well done, James. | 0:22:33 | 0:22:37 | |
The only criticism, I would say - | 0:22:37 | 0:22:39 | |
the bear, the Lehmann car and the other car. | 0:22:39 | 0:22:43 | |
Those three together appeal to three different people, | 0:22:43 | 0:22:46 | |
so that could be an Achilles heel. | 0:22:46 | 0:22:48 | |
Thomas and James have wandered the rolling Scottish lowlands | 0:22:50 | 0:22:53 | |
and are heading for their final auction | 0:22:53 | 0:22:55 | |
in the majestic capital of Edinburgh. | 0:22:55 | 0:22:58 | |
Edinburgh's picture-postcard streets and volcanic vistas | 0:22:59 | 0:23:03 | |
reflect its rich and varied history. | 0:23:03 | 0:23:05 | |
In the 18th century, this city, | 0:23:05 | 0:23:07 | |
which cradled the Enlightenment thinkers, | 0:23:07 | 0:23:10 | |
was also known as the Athens of the North. | 0:23:10 | 0:23:12 | |
Let's hope that some of those smarts have rubbed off on Thomas and James | 0:23:14 | 0:23:18 | |
as they head for their auction. | 0:23:18 | 0:23:20 | |
Ramsay Cornish Auctions, in the Leith area of the city, | 0:23:20 | 0:23:23 | |
holds both specialists and general sales. | 0:23:23 | 0:23:26 | |
50 to start it quickly. | 0:23:26 | 0:23:27 | |
The final showdown is about to begin | 0:23:27 | 0:23:29 | |
with auctioneer Martin Cornish presiding. | 0:23:29 | 0:23:32 | |
First up is Thomas' Chinese blue and white plate. | 0:23:33 | 0:23:36 | |
30 to start it? 20? | 0:23:36 | 0:23:38 | |
20 I'm bid. | 0:23:38 | 0:23:39 | |
25, 30, 35... | 0:23:39 | 0:23:41 | |
40 here. | 0:23:41 | 0:23:43 | |
At £40, 45... | 0:23:43 | 0:23:45 | |
50, 55, 60... | 0:23:45 | 0:23:47 | |
65, 70, 75, 80... | 0:23:47 | 0:23:50 | |
85, 90, 95, 100. | 0:23:50 | 0:23:53 | |
£100. | 0:23:53 | 0:23:54 | |
On commission at £100. | 0:23:54 | 0:23:56 | |
Last call at 100. | 0:23:56 | 0:23:58 | |
What an astonishing profit for the outlay of a fiver. | 0:24:00 | 0:24:03 | |
Good show. | 0:24:03 | 0:24:04 | |
One for James now, as his job lot of toys | 0:24:06 | 0:24:08 | |
and christening gown comes under the hammer. | 0:24:08 | 0:24:10 | |
Will it charm the saleroom? | 0:24:10 | 0:24:12 | |
-50 for the lot to start it quickly. -Oh, God! -Oh, early bath for you. | 0:24:12 | 0:24:15 | |
£50 I'm bid for the lot. | 0:24:15 | 0:24:16 | |
55, 60, 65... | 0:24:16 | 0:24:18 | |
70, 75... | 0:24:18 | 0:24:19 | |
-At 75 for the lot. -No. No! | 0:24:19 | 0:24:22 | |
75, 80, 85... | 0:24:22 | 0:24:24 | |
90. | 0:24:24 | 0:24:26 | |
Gentleman at the back, at £90. | 0:24:26 | 0:24:28 | |
At £90, for the lot at 90. | 0:24:28 | 0:24:32 | |
Hardly a disaster | 0:24:32 | 0:24:34 | |
but might Thomas finally be breaking James' winning streak? | 0:24:34 | 0:24:38 | |
Next it's Thomas' Danish vase and bowl. | 0:24:39 | 0:24:41 | |
30 to start? 20 to get them going? | 0:24:41 | 0:24:44 | |
20 I'm bid. At £20, 25, 30... | 0:24:44 | 0:24:48 | |
Five. Lady's bid at 35. | 0:24:48 | 0:24:50 | |
-Bit more. -At 35, at 35. | 0:24:50 | 0:24:53 | |
What a pity. The room doesn't seem as keen | 0:24:53 | 0:24:55 | |
on Scandinavian design as Thomas is. | 0:24:55 | 0:24:58 | |
Up now, it's another lot for James - | 0:24:59 | 0:25:01 | |
His hamper, shotgun cartridge tool, mini gaming table and dominoes. | 0:25:01 | 0:25:06 | |
50 to start it quickly. | 0:25:06 | 0:25:08 | |
50 I'm bid. | 0:25:08 | 0:25:10 | |
55, 60, 65, 70, 75... | 0:25:10 | 0:25:14 | |
80, 85. 85, new bidder. | 0:25:14 | 0:25:17 | |
90, 95, 100. | 0:25:17 | 0:25:19 | |
At £100, 110, 120... | 0:25:19 | 0:25:22 | |
Well done. | 0:25:22 | 0:25:23 | |
At 120. Last call at 120, at 120... | 0:25:23 | 0:25:27 | |
That was touch and go, though, wasn't it? | 0:25:27 | 0:25:29 | |
But, in the end, a picnic of a lot for James. | 0:25:29 | 0:25:32 | |
But still not quite enough to catch up with Thomas. | 0:25:32 | 0:25:35 | |
But it's Thomas's sweet collection | 0:25:36 | 0:25:38 | |
of 1900s biscuit and confectionery tins up next. | 0:25:38 | 0:25:41 | |
Will the punters bite? | 0:25:41 | 0:25:44 | |
30 to start them. 20? | 0:25:44 | 0:25:46 | |
20 I'm bid for all the tins. At £20 I'm bid. £25, 30... | 0:25:46 | 0:25:50 | |
35, 40. At £40. Gentleman's bid. | 0:25:50 | 0:25:54 | |
At £40 for all the tins, at 40, at 40... | 0:25:54 | 0:25:58 | |
A modest profit, but a win nevertheless, | 0:25:58 | 0:26:00 | |
and Thomas is still in the lead today. | 0:26:00 | 0:26:03 | |
Now James's charge carrier. | 0:26:03 | 0:26:04 | |
Can it stage am assault on the saleroom? Boom boom. | 0:26:04 | 0:26:08 | |
50 to start it. 30. | 0:26:08 | 0:26:11 | |
-40?! -40, 45, 50, 55, 60... | 0:26:11 | 0:26:15 | |
65, 70... | 0:26:15 | 0:26:16 | |
It's got long legs. It's got loads of legs. | 0:26:16 | 0:26:19 | |
100, 110, 120. | 0:26:19 | 0:26:22 | |
-120. -Well done! | 0:26:22 | 0:26:24 | |
In the room, at 120 and I'm selling, last call. | 0:26:24 | 0:26:27 | |
-Super. -Well done. -Super. -Good. | 0:26:27 | 0:26:30 | |
A shaky start but it recovers to victory | 0:26:30 | 0:26:33 | |
and that puts James in the lead. | 0:26:33 | 0:26:35 | |
Now it's Thomas' Art Deco travelling timepiece. | 0:26:36 | 0:26:39 | |
10 to start it. 10 I'm bid. | 0:26:39 | 0:26:41 | |
10 I'm bid for this. | 0:26:41 | 0:26:42 | |
12, 14, 16. 16 in front. | 0:26:42 | 0:26:46 | |
At £16, for the travelling timepiece, at £16. | 0:26:46 | 0:26:49 | |
-Oh, that's cheap. -Still. | 0:26:49 | 0:26:51 | |
-At 16... -Profit. -It's profit. | 0:26:51 | 0:26:54 | |
Once again, a lot bought for £5 does the business for Thomas, | 0:26:54 | 0:26:57 | |
but it's not enough to retake the lead. | 0:26:57 | 0:26:59 | |
Another timely lot now, as James' clock movement is up. | 0:26:59 | 0:27:04 | |
80 to start it. 80 I'm bid. | 0:27:04 | 0:27:07 | |
£80 I'm bid. At £80, 85, 90... | 0:27:07 | 0:27:09 | |
95, 100. | 0:27:09 | 0:27:12 | |
At £100. | 0:27:12 | 0:27:14 | |
-Brilliant. -110... | 0:27:14 | 0:27:16 | |
110. Nobody else now? Going on at 110, at 110... | 0:27:16 | 0:27:21 | |
-Brilliant. -Good result. | 0:27:21 | 0:27:23 | |
Time simply runs away with James as he widens his lead yet again. | 0:27:23 | 0:27:28 | |
The last two lots in this whole shebang now - | 0:27:29 | 0:27:33 | |
first, the retro 1950s mirror for Thomas. | 0:27:33 | 0:27:35 | |
30 to start it. 20. | 0:27:35 | 0:27:37 | |
20 I'm bid. 25, 30, 35... | 0:27:37 | 0:27:40 | |
40, 45, 50. 50 on my left. | 0:27:40 | 0:27:44 | |
At £50. 55. | 0:27:44 | 0:27:46 | |
At 55 down beside me, at 55. | 0:27:46 | 0:27:49 | |
-Last call and I'm selling at 55. -Oh, that's brilliant. | 0:27:49 | 0:27:52 | |
It's a nice little earner, but it's not the flyer he needs. | 0:27:52 | 0:27:56 | |
Last of all, the Staffordshire lion. Will it roar? | 0:27:59 | 0:28:01 | |
-200 to start it. -Crikey! | 0:28:01 | 0:28:03 | |
200 I'm bid. | 0:28:03 | 0:28:05 | |
210, 220... | 0:28:05 | 0:28:07 | |
230, 240... | 0:28:07 | 0:28:09 | |
250, 260, 270... | 0:28:09 | 0:28:12 | |
280, 290, 300... | 0:28:12 | 0:28:15 | |
320. I'm selling it at 320. Nobody else... | 0:28:15 | 0:28:19 | |
340, 360. At 360 now. | 0:28:19 | 0:28:23 | |
On the phone, last call at 360, and I'm selling it... | 0:28:23 | 0:28:27 | |
It's a great profit to end on. | 0:28:27 | 0:28:29 | |
Indeed it is. The star lot at the last gasp, | 0:28:29 | 0:28:33 | |
and James Lewis has done it again. | 0:28:33 | 0:28:36 | |
Well done, James. Well, it's been a pleasure. | 0:28:36 | 0:28:38 | |
Thomas, you are such a gent. | 0:28:38 | 0:28:40 | |
-It has been a pleasure. -You thoroughly thrashed me. | 0:28:40 | 0:28:43 | |
Thomas Plant started this leg with £298.18 | 0:28:45 | 0:28:48 | |
After paying auction costs, | 0:28:48 | 0:28:51 | |
he made a respectable profit of £81.72, | 0:28:51 | 0:28:54 | |
meaning that he ends this Road Trip with £379.90. | 0:28:54 | 0:28:59 | |
Well, Thomas, at least you're smiling, boy. | 0:28:59 | 0:29:03 | |
James Lewis, meanwhile, somehow began with £1,143.72 | 0:29:04 | 0:29:10 | |
and made a startling profit of £382 | 0:29:10 | 0:29:15 | |
in this auction and finishes victorious with £1,525.72 | 0:29:15 | 0:29:21 | |
Wow. | 0:29:21 | 0:29:23 | |
So, as our affable chaps disappear off in their beloved old Morris... | 0:29:24 | 0:29:28 | |
-I hate this car! -Don't be nasty. | 0:29:28 | 0:29:30 | |
..we join a brand-new couple of experts, | 0:29:30 | 0:29:33 | |
Charlie Ross and Catherine Southon. | 0:29:33 | 0:29:36 | |
OK, Charlie, let the fun begin. | 0:29:36 | 0:29:39 | |
I've got the girl of my dreams by my side, | 0:29:39 | 0:29:41 | |
the car of my dreams in front of me. | 0:29:41 | 0:29:43 | |
Life is fantastic, except it's raining. | 0:29:43 | 0:29:46 | |
Charlie is a seasoned Road-Tripper | 0:29:48 | 0:29:50 | |
with a penchant for furniture. He ran his own auction house | 0:29:50 | 0:29:53 | |
for over 25 years, so, as such, always knows exactly what he wants. | 0:29:53 | 0:29:58 | |
-I want that. -I told you! | 0:29:58 | 0:30:01 | |
And while Catherine is a relative newbie to the Road Trip, | 0:30:02 | 0:30:05 | |
only a fool would underestimate her considerable knowledge | 0:30:05 | 0:30:08 | |
of maritime art and scientific instruments. | 0:30:08 | 0:30:10 | |
Oh ho! Yes. And her legendary powers of persuasion... | 0:30:10 | 0:30:14 | |
-Can I give you £20 for it? -No! -Oh, come on! | 0:30:14 | 0:30:17 | |
Our cosy couple begin their adventure with £200 | 0:30:20 | 0:30:23 | |
and a classic 1966 Austin Healey, | 0:30:23 | 0:30:25 | |
affectionately known as a Frog-eyed Sprite. | 0:30:25 | 0:30:29 | |
The problem is the car doesn't have a hood. | 0:30:29 | 0:30:32 | |
-Cuddle up to me! -Cosy up to me! -That's the way! | 0:30:32 | 0:30:34 | |
Cosy! | 0:30:34 | 0:30:36 | |
Maybe the weather was better back in 1966. | 0:30:36 | 0:30:40 | |
HE SHIVERS | 0:30:40 | 0:30:41 | |
Catherine and Charlie will be travelling over 200 miles | 0:30:43 | 0:30:45 | |
from the heart of the Wiltshire countryside | 0:30:45 | 0:30:48 | |
wending their way eastwards along the sunny South Coast | 0:30:48 | 0:30:50 | |
before finishing up in Rye, East Sussex. | 0:30:50 | 0:30:54 | |
On this leg we're starting our journey in the village of Corsham, | 0:30:56 | 0:30:59 | |
straddling Somerset and finishing up with an auction showdown in Devizes. | 0:30:59 | 0:31:04 | |
Let's hope our devilish duo hit it off. | 0:31:05 | 0:31:07 | |
I think, by the end of this trip, | 0:31:07 | 0:31:10 | |
-I could be in love with you. -In love, Charlie? | 0:31:10 | 0:31:13 | |
-I thought we already WERE in love. -Yeah? -Steady on, you two! | 0:31:13 | 0:31:16 | |
While Catherine heads into her first shop in Corsham... | 0:31:16 | 0:31:20 | |
Hello! Hi, Lee, hi. | 0:31:20 | 0:31:21 | |
..Charlie's off to find his in the village of Kington St Michael. | 0:31:21 | 0:31:26 | |
That's if he can get out of the car, that is, poor old boy. | 0:31:26 | 0:31:29 | |
Steady. | 0:31:29 | 0:31:31 | |
Samantha, it's Charlie. | 0:31:31 | 0:31:33 | |
-Lovely to see you. -And it's not long | 0:31:33 | 0:31:36 | |
before Charlie spots something he's always drawn to. | 0:31:36 | 0:31:38 | |
Samantha, your lady's quite interesting, what's she made of? | 0:31:38 | 0:31:42 | |
She's stoneware. | 0:31:42 | 0:31:44 | |
I can't go wrong here! | 0:31:44 | 0:31:46 | |
Do you do rooms as well? I could stay! | 0:31:46 | 0:31:48 | |
Steady! There's plenty here to feast the eye on, though. | 0:31:48 | 0:31:52 | |
Could these light up Charlie's life? | 0:31:52 | 0:31:55 | |
Quite a sweet little pair of candlesticks there. | 0:31:55 | 0:31:58 | |
-They're Birmingham, aren't they? Have you dated them for me? -Yes. | 0:31:58 | 0:32:02 | |
Yeah, 1935 and they are in super condition. | 0:32:02 | 0:32:05 | |
I see you've got them priced at £45, | 0:32:05 | 0:32:07 | |
which is sort of the top end of where I would see them at auction. | 0:32:07 | 0:32:12 | |
You tell me what you would like to pay and I will see what I can do. | 0:32:12 | 0:32:15 | |
If I could buy those for £20 | 0:32:15 | 0:32:18 | |
I would snap them out of your hands. | 0:32:18 | 0:32:20 | |
-£20 is a little bit low. -Yeah. | 0:32:20 | 0:32:22 | |
If you were to offer me £25, I could let you have them | 0:32:22 | 0:32:25 | |
-at what I paid for them... -Are you sure that would...? -Yeah. | 0:32:25 | 0:32:30 | |
Well, I think they're really sweet. | 0:32:30 | 0:32:32 | |
Deal number one! Do you know, | 0:32:32 | 0:32:35 | |
-that's my first buy on the trip? -Fantastic. | 0:32:35 | 0:32:38 | |
So, every time I think of this trip, Samantha, I shall think of you. | 0:32:38 | 0:32:42 | |
Yeah, they all say that! | 0:32:42 | 0:32:43 | |
You're terribly accommodating though, Samantha, | 0:32:43 | 0:32:46 | |
and Charlie's off to a good start. | 0:32:46 | 0:32:48 | |
Not quite so much luck for Catherine. | 0:32:50 | 0:32:53 | |
Harley Antiques is stuffed with beautiful things, | 0:32:53 | 0:32:56 | |
with price tags to match. | 0:32:56 | 0:32:58 | |
Far too expensive for me, I think. | 0:32:58 | 0:33:01 | |
(I'm a bit worried that everything I'm seeing | 0:33:02 | 0:33:04 | |
(is slightly out of my price range!) | 0:33:04 | 0:33:07 | |
(Don't panic Catherine!) | 0:33:07 | 0:33:09 | |
(I will find something, I will dig deep and I will find it.) | 0:33:09 | 0:33:13 | |
That's the spirit, girl! | 0:33:13 | 0:33:17 | |
Charlie and Samantha are having a great time on the other hand. | 0:33:19 | 0:33:23 | |
I've just seen a biscuit barrel, here, | 0:33:23 | 0:33:27 | |
which has got a silver-plated top, | 0:33:27 | 0:33:29 | |
cut-glass body, not pressed glass, which is nice, | 0:33:29 | 0:33:33 | |
a particularly nice swing handle. | 0:33:33 | 0:33:35 | |
Forerunners of our modern-day cookie jars, biscuit barrels | 0:33:35 | 0:33:39 | |
have been popular for over 200 years. This one was made | 0:33:39 | 0:33:42 | |
by the Sheffield silversmiths William Hutton and Sons | 0:33:42 | 0:33:46 | |
in the early 20th century, perfect for preventing | 0:33:46 | 0:33:49 | |
your custard creams from drying out. If you like custard creams. | 0:33:49 | 0:33:52 | |
The great thing is that Samantha doesn't have a price on this, | 0:33:52 | 0:33:56 | |
which leads me to believe that this is free with every purchase. | 0:33:56 | 0:33:59 | |
You tell me what you would like to pay... Oh, no! | 0:33:59 | 0:34:01 | |
-You'd smack me! -I could... | 0:34:01 | 0:34:04 | |
Do something really saucy on that? | 0:34:04 | 0:34:07 | |
£10, and it's yours. | 0:34:07 | 0:34:09 | |
HE BLOWS A RASPBERRY | 0:34:09 | 0:34:12 | |
Blimey! You're making an old man's glasses steam up here! | 0:34:12 | 0:34:15 | |
-Can you really do that for a tenner? -I can. | 0:34:15 | 0:34:17 | |
Samantha! Let me kiss you again! | 0:34:17 | 0:34:20 | |
This is the most golden day of my life! | 0:34:20 | 0:34:23 | |
He'll be wearing her hand out! | 0:34:23 | 0:34:25 | |
Down the road, though, Catherine still has her entire £200 to spend, | 0:34:25 | 0:34:29 | |
which leaves one problem. | 0:34:29 | 0:34:31 | |
(That's so nice!) | 0:34:31 | 0:34:33 | |
It's £395. | 0:34:33 | 0:34:37 | |
I want to cry, because there are some beautiful things here! | 0:34:37 | 0:34:41 | |
She is right! | 0:34:41 | 0:34:43 | |
This intricate piece of shellwork | 0:34:43 | 0:34:45 | |
is a fine example of what are called sailor's valentines. | 0:34:45 | 0:34:48 | |
They date from the 19th century and usually come from Barbados | 0:34:48 | 0:34:51 | |
where they were sold to sailors who brought them home for loved ones. | 0:34:51 | 0:34:55 | |
But it's too much for you, love! | 0:34:55 | 0:34:57 | |
I know I'm looking at everything that's nice and expensive! | 0:34:58 | 0:35:02 | |
No such problems, though, for Charlie boy! | 0:35:05 | 0:35:07 | |
Oh, I like one of your street signs. | 0:35:09 | 0:35:11 | |
I'd quite like a little ride up Nunnery Lane! | 0:35:11 | 0:35:13 | |
Nunnery Lane. | 0:35:13 | 0:35:15 | |
It's a nice thing to have in your house, really. | 0:35:16 | 0:35:19 | |
That's fun. | 0:35:19 | 0:35:21 | |
I forget how much money's on Nunnery Lane. | 0:35:21 | 0:35:24 | |
-I think it's £35, something like that. -I could do that for £25. | 0:35:24 | 0:35:27 | |
Are you able to satisfy my quirky sense of humour on Nunnery Lane | 0:35:27 | 0:35:32 | |
-at 20 quid or is that... -It's pushing it a bit. | 0:35:32 | 0:35:34 | |
I don't want to push you, I don't want to push you, darling. | 0:35:34 | 0:35:37 | |
-It's a bit too much. -Yeah. -£25. -£25 is the death, as they say. | 0:35:37 | 0:35:43 | |
-Would £22 make any difference? -I'll do it for £22. -Are you sure? | 0:35:43 | 0:35:47 | |
-Anything for the cause. -Anything for the cause. The Roscoe cause! | 0:35:47 | 0:35:51 | |
-Can I give you a proper kiss? Mwah! Mwah! -Thank you. | 0:35:51 | 0:35:55 | |
That's so kind of you. I've got three things! | 0:35:55 | 0:35:57 | |
I don't believe this! | 0:35:57 | 0:35:59 | |
In record time, Charlie's snaffled up a pair of candlesticks, | 0:35:59 | 0:36:01 | |
a biscuit barrel and a Nunnery Lane sign, | 0:36:01 | 0:36:04 | |
all for £57. Wow! | 0:36:04 | 0:36:07 | |
-Thank you very much. -Thank you, take care. | 0:36:07 | 0:36:10 | |
Cor! She must be exhausted! | 0:36:10 | 0:36:11 | |
While Charlie can afford to put his feet up, | 0:36:11 | 0:36:14 | |
Catherine is still struggling to spot a bargain | 0:36:14 | 0:36:16 | |
within this treasure trove of a shop. | 0:36:16 | 0:36:19 | |
I can see lots of beautiful things, | 0:36:19 | 0:36:21 | |
-but they're just out of my price range. -Come on, Catherine! Buck up! | 0:36:21 | 0:36:25 | |
Not everything in this shop has a three digit price tag on it, | 0:36:25 | 0:36:28 | |
A juice strainer. The good thing about this | 0:36:28 | 0:36:32 | |
is the Asprey stamp on the back. | 0:36:32 | 0:36:35 | |
So, it's a good retailer in London, the top retailer in London. | 0:36:35 | 0:36:39 | |
It's got £78 on it, so I'm guessing he'll go down to about £55. | 0:36:39 | 0:36:43 | |
Ha! You'll be lucky! | 0:36:43 | 0:36:45 | |
-£40. -Oh, come on! | 0:36:45 | 0:36:48 | |
Some people are never happy. | 0:36:48 | 0:36:50 | |
-Could you do any more? -£35. | 0:36:50 | 0:36:53 | |
-And that is... -£30 and I will take it from you. | 0:36:53 | 0:36:56 | |
-Shall we? Shall we? -Yeah. | 0:36:58 | 0:37:01 | |
Thank you very much indeed. | 0:37:01 | 0:37:04 | |
A lot of kissing on this show. | 0:37:04 | 0:37:06 | |
It's been a moist day in all senses of the word for Catherine | 0:37:06 | 0:37:10 | |
but now she has a treat in store. | 0:37:10 | 0:37:12 | |
She's travelling ten miles south-west | 0:37:15 | 0:37:17 | |
to Somerset's jewel in the crown, the city of Bath. | 0:37:17 | 0:37:20 | |
Bath was originally established as a spa town by the Romans, | 0:37:23 | 0:37:27 | |
thanks to its unique hot springs. | 0:37:27 | 0:37:29 | |
It evolved into a resort city for wealthy Elizabethans | 0:37:29 | 0:37:32 | |
and then later, the Georgians, who designed much | 0:37:32 | 0:37:36 | |
of the iconic architecture we see today. | 0:37:36 | 0:37:39 | |
Built in that beautiful, honey-coloured stone. | 0:37:39 | 0:37:43 | |
Catherine's come to a place we're all familiar with, | 0:37:43 | 0:37:46 | |
the Post Office, but she's not here to post a letter, no, no. | 0:37:46 | 0:37:49 | |
She's come to find out how the postal system we all know today originally came about. | 0:37:49 | 0:37:54 | |
-Catherine Southon. Hello, are you Audrey? -I am indeed. | 0:37:54 | 0:37:57 | |
Audrey, it's lovely to meet you. | 0:37:57 | 0:37:59 | |
Audrey Swindells is going to show Catherine around. | 0:37:59 | 0:38:03 | |
-First of all, who are all these? -Who are these? | 0:38:03 | 0:38:06 | |
Well, Ralph Allen, this chap, he ran all the mail | 0:38:06 | 0:38:11 | |
that didn't go to London, previously everything went to London. | 0:38:11 | 0:38:15 | |
If you sent a letter from here to Bristol, it went to London and back | 0:38:15 | 0:38:19 | |
-Right... -and you had to pay a mileage. | 0:38:19 | 0:38:21 | |
So, it's expensive, right. | 0:38:21 | 0:38:23 | |
Ralph Allen was given contracts to make the transportation of letters | 0:38:23 | 0:38:27 | |
more efficient across the country | 0:38:27 | 0:38:29 | |
and the museum is lucky enough to have one. | 0:38:29 | 0:38:31 | |
This is the original and the only one that exists. | 0:38:31 | 0:38:36 | |
One of Allen's responsibilities was to open post | 0:38:36 | 0:38:39 | |
from anyone who posed a danger to the established monarchy. | 0:38:39 | 0:38:43 | |
Postmasters were not only in a position to do this, | 0:38:43 | 0:38:47 | |
they were actually TOLD to do this, | 0:38:47 | 0:38:50 | |
to open letters from various people. | 0:38:50 | 0:38:54 | |
Before the invention of stamps, postage was calculated per page. | 0:38:55 | 0:38:59 | |
So, writers didn't let any paper go to waste. | 0:38:59 | 0:39:03 | |
You used every scrap of it, as you can see there, | 0:39:03 | 0:39:07 | |
you'd write horizontally and then diagonally | 0:39:07 | 0:39:11 | |
and when I transcribed that, which took me a couple of weeks | 0:39:11 | 0:39:15 | |
I was inclined to wonder whether... | 0:39:15 | 0:39:19 | |
I know, the recipient, that's exactly what I was thinking! | 0:39:19 | 0:39:22 | |
The first ever stamp was the Penny Black, | 0:39:22 | 0:39:25 | |
introduced over 170 years ago and it was sent from here in Bath. | 0:39:25 | 0:39:30 | |
This one went out on May 2, 1840. | 0:39:30 | 0:39:35 | |
-So, where is this original stamp now? -In the Far East. -Oh, is it? | 0:39:35 | 0:39:39 | |
Yes. It sold for £55,000 in 1990 | 0:39:39 | 0:39:44 | |
and it's considered if it came on the market again now | 0:39:44 | 0:39:47 | |
-it would be worth a million. -Wow! | 0:39:47 | 0:39:49 | |
A million pounds, eh? The Penny Black | 0:39:49 | 0:39:53 | |
brought letter-writing to the masses and soon post offices | 0:39:53 | 0:39:56 | |
were springing up all over the country. | 0:39:56 | 0:39:58 | |
This is the model of a Victorian post office, | 0:39:58 | 0:40:01 | |
they just had a similar system everywhere. | 0:40:01 | 0:40:05 | |
-So, why is the cat there? -Because the cat was on the payroll. | 0:40:05 | 0:40:09 | |
It was actually listed for the money for feeding it | 0:40:09 | 0:40:14 | |
because it kept down the mice and the rats, | 0:40:14 | 0:40:19 | |
-which, of course, could eat the mail. -Chew the post. -Chew the mail. | 0:40:19 | 0:40:22 | |
What a good kitty! | 0:40:22 | 0:40:24 | |
CAT MEOWS | 0:40:24 | 0:40:25 | |
Well, it's time to bid the Postal Museum and beautiful Bath farewell, | 0:40:25 | 0:40:29 | |
Catherine, and hook back up with your extremely cheerful travelling companion. | 0:40:29 | 0:40:33 | |
-Charlie, are you always this happy? -Yeah. | 0:40:33 | 0:40:37 | |
-Are you? -Yeah. | 0:40:37 | 0:40:38 | |
I think this is going to be an exhausting trip. | 0:40:38 | 0:40:40 | |
I knew this budding love affair would never last. | 0:40:40 | 0:40:44 | |
Catherine and Charlie are heading south-west | 0:40:44 | 0:40:46 | |
towards the village of Wedmore in Somerset. | 0:40:46 | 0:40:48 | |
Now, Wedmore may not look like an island to you and I, | 0:40:51 | 0:40:54 | |
but this village sits on a small hill | 0:40:54 | 0:40:57 | |
in the middle of the Somerset Levels | 0:40:57 | 0:40:59 | |
and back in Saxon times was surrounded by water. | 0:40:59 | 0:41:02 | |
Since then, it's been known as the Isle of Wedmore | 0:41:02 | 0:41:05 | |
and still is today. | 0:41:05 | 0:41:07 | |
Time to drop your anchor, we've arrived at our next shop. | 0:41:07 | 0:41:10 | |
Lemon Tree Antiques is stuffed to the gunnels with goodies, | 0:41:10 | 0:41:13 | |
so Charlie wastes no time. | 0:41:13 | 0:41:16 | |
Let's hope he doesn't kiss owner, Les... | 0:41:16 | 0:41:18 | |
-How are you, Roscoe? -I'm very well indeed! | 0:41:18 | 0:41:21 | |
-I've heard plenty about you. -Have you? Is it all good? | 0:41:21 | 0:41:24 | |
Um, marginal! | 0:41:24 | 0:41:26 | |
-Charlie! -Here comes Miss Southon. | 0:41:26 | 0:41:28 | |
-Good morning, young lady. -I've got my high heels on. Hello. | 0:41:28 | 0:41:31 | |
What a pleasure to meet you. | 0:41:31 | 0:41:32 | |
-Move out of the way, Charlie, I'm moving in! -I can see! All right! | 0:41:32 | 0:41:36 | |
Les is now going to give me none of his time whatsoever. | 0:41:36 | 0:41:40 | |
It's all about Southon. | 0:41:40 | 0:41:42 | |
Bye-bye Charlie, we've made friends. | 0:41:42 | 0:41:44 | |
I can see you and Les are going to have a cracking time! | 0:41:44 | 0:41:47 | |
Now, while Charlie has a little browse about... | 0:41:51 | 0:41:54 | |
..Catherine has already spotted something she likes. | 0:41:55 | 0:41:58 | |
-I like your Georgian pipe box. -Yes, | 0:41:58 | 0:42:01 | |
-how much do we have written on that? -Quite a lot. | 0:42:01 | 0:42:04 | |
-Too much. -Well, have you ever seen another one? -No. | 0:42:04 | 0:42:07 | |
-Then it isn't too much money. -£220. | 0:42:07 | 0:42:10 | |
That's obviously a misprint, I expect he meant to put £150 on it, | 0:42:10 | 0:42:14 | |
-don't you think? -Well, I would hope even less than that. | 0:42:14 | 0:42:17 | |
Cos I like you and I want you to beat that old Roscoe chap in there, | 0:42:17 | 0:42:20 | |
130 quid and it's yours, there you are. | 0:42:20 | 0:42:22 | |
Now, how can I do any better than that? | 0:42:22 | 0:42:25 | |
-Any chance of tucking it under £100? -Final offer, £120. | 0:42:25 | 0:42:28 | |
I'm very tempted at £100. | 0:42:28 | 0:42:30 | |
That's one for Catherine to mull over. | 0:42:30 | 0:42:32 | |
Les's shop is full of exceptional pieces of antique furniture, | 0:42:32 | 0:42:36 | |
right up Charlie's street, so I'm sure he'll find something classy, | 0:42:36 | 0:42:41 | |
any minute now... | 0:42:41 | 0:42:43 | |
That is cool! | 0:42:43 | 0:42:45 | |
I know cigarettes aren't really in, | 0:42:45 | 0:42:48 | |
but there's a real Smith's Deco advertising clock. | 0:42:48 | 0:42:52 | |
This clock actually dates from the 1950s and was made by clockmakers | 0:42:54 | 0:42:58 | |
Smith when tobacco advertising was still very popular. | 0:42:58 | 0:43:02 | |
Well, I think it says £150. | 0:43:03 | 0:43:04 | |
-I'd give you 50 quid for it. -You wouldn't, would you? | 0:43:05 | 0:43:08 | |
-It's cracked at the top... -I guess you won't be taking it, then. | 0:43:08 | 0:43:10 | |
If you want to give me £80, you can have it at cost all day long. | 0:43:10 | 0:43:14 | |
That's a fantastically generous offer. | 0:43:14 | 0:43:16 | |
If I can't find anything I like more, and I really like that, | 0:43:16 | 0:43:20 | |
-I'll buy that. -While Charlie has a think, | 0:43:20 | 0:43:22 | |
Catherine's seen something tasty | 0:43:22 | 0:43:24 | |
-and it's not Les... -These would have been used years ago, | 0:43:24 | 0:43:27 | |
by workers in the field. Full of cider. | 0:43:27 | 0:43:30 | |
-It's a big stoneware... -Yes, indeed. | 0:43:30 | 0:43:33 | |
-..bottle inside. -Yeah. There's another one, actually, there is two. | 0:43:33 | 0:43:37 | |
They're quite nice, actually. | 0:43:37 | 0:43:39 | |
They're quite nice, I think they're marked 50 or 60 quid. | 0:43:39 | 0:43:42 | |
-Yeah, 50 quid. -Is that for the two of them, 50 quid? | 0:43:42 | 0:43:45 | |
No, they're £50 each. If you wanted the two, | 0:43:45 | 0:43:48 | |
give me 50 quid for one and I'll give you the other one. | 0:43:48 | 0:43:53 | |
-Can I give you 30 quid for the two? -No, you can't, sweetie pie. | 0:43:53 | 0:43:56 | |
Seeing as you're such a willing young lady, | 0:43:56 | 0:43:59 | |
-(£40, but don't tell that Roscoe.) -(No, I won't!) | 0:43:59 | 0:44:03 | |
Cor! Blatant favouritism! | 0:44:03 | 0:44:05 | |
But no sale yet, Catherine's having a smashing time... | 0:44:05 | 0:44:09 | |
Oh, crikey! I'm breaking glass! | 0:44:09 | 0:44:12 | |
That's a Stanhope. | 0:44:14 | 0:44:16 | |
A Stanhope is when you've got this little, almost like a lens | 0:44:16 | 0:44:19 | |
right at the top and you look through it | 0:44:19 | 0:44:22 | |
and there was lots of different... | 0:44:22 | 0:44:24 | |
scenes that you could see. | 0:44:24 | 0:44:26 | |
I say that, I can't actually see anything in there. | 0:44:28 | 0:44:31 | |
But what I have seen is that this is also a tape measure. | 0:44:32 | 0:44:36 | |
Stanhopes are novelty collectables and souvenirs | 0:44:36 | 0:44:40 | |
produced in the mid-19th century. | 0:44:40 | 0:44:42 | |
This one is partly ivory, but because it was made before 1947, | 0:44:42 | 0:44:47 | |
it's legal to trade. It has £85 on the ticket | 0:44:47 | 0:44:51 | |
and Catherine won't want to pay that! | 0:44:51 | 0:44:53 | |
-Les? -Yep. | 0:44:53 | 0:44:55 | |
-I picked this up cos I thought it was a Stanhope. -It is. | 0:44:55 | 0:44:59 | |
It's just got no pictures in it. | 0:44:59 | 0:45:01 | |
They are there, my love, honestly, I'm sure they are. | 0:45:01 | 0:45:04 | |
Really? Who does it belong to? Oh, they are! They are! | 0:45:04 | 0:45:07 | |
You've been having me on all along, you rascal! | 0:45:07 | 0:45:10 | |
-They are! I can see Crystal Palace. -The price has doubled! | 0:45:10 | 0:45:13 | |
-No, I can see Crystal Palace. -The prices has doubled! -Darling. | 0:45:13 | 0:45:15 | |
Yes, sweetie pie. What? | 0:45:15 | 0:45:18 | |
I like the little tape measure idea in it. | 0:45:18 | 0:45:21 | |
-50 quid, there you are. -Oh, no, come on! | 0:45:21 | 0:45:24 | |
How much do you want to give me? | 0:45:24 | 0:45:26 | |
-Can I give you £20 for it? -No! -Oh, come on! | 0:45:26 | 0:45:29 | |
-(30 quid, how about that?) -(30 quid.) -(How about that?) | 0:45:29 | 0:45:32 | |
Despite Les's best efforts, | 0:45:32 | 0:45:35 | |
Catherine's still not biting. | 0:45:35 | 0:45:37 | |
There's plenty to get excited about in here, | 0:45:37 | 0:45:40 | |
but neither expert has actually bought anything yet! | 0:45:40 | 0:45:44 | |
Look at this! | 0:45:44 | 0:45:45 | |
Oh, wonderful! Wonderful! | 0:45:47 | 0:45:50 | |
Block puzzle from, Oh, I don't know, | 0:45:50 | 0:45:55 | |
1890? Certainly Victorian. | 0:45:55 | 0:45:57 | |
And I think in the bottom, | 0:45:57 | 0:46:00 | |
you've got all the different pictures there. | 0:46:00 | 0:46:04 | |
There are six different pictures. | 0:46:04 | 0:46:05 | |
Great thing for a child to do, | 0:46:05 | 0:46:08 | |
I would love to buy this. | 0:46:08 | 0:46:10 | |
Now, the puzzle hasn't got a ticket on it, | 0:46:11 | 0:46:13 | |
so Charlie's hoping for a deal. | 0:46:13 | 0:46:15 | |
-Lovely Les? -Roscoe, sir. | 0:46:15 | 0:46:17 | |
Come and melt into my arms. This is fantastic! Oh, yes, | 0:46:17 | 0:46:21 | |
-it's the best puzzle you'll find. -Oh! | 0:46:21 | 0:46:22 | |
Keeps old men active, doesn't it? I tell you what, I tell you what. | 0:46:22 | 0:46:25 | |
-Yeah. -20 quid, you wouldn't be able to resist it. | 0:46:25 | 0:46:29 | |
-But I'm not saying 20 quid! -THEY LAUGH | 0:46:29 | 0:46:32 | |
But I will. | 0:46:34 | 0:46:35 | |
-Les! That's fabulous. -How about that? | 0:46:35 | 0:46:38 | |
Les! You're giving them away now! | 0:46:38 | 0:46:41 | |
So, the deal is done, | 0:46:41 | 0:46:43 | |
£20 for the puzzle and 80 smackers for the cigarette clock. | 0:46:43 | 0:46:47 | |
And Charlie's free to head off. | 0:46:47 | 0:46:50 | |
That just leaves Catherine to, | 0:46:50 | 0:46:52 | |
well, find something else she likes the look of. | 0:46:52 | 0:46:55 | |
I'm just wondering about Mr Punch doorstop. | 0:46:55 | 0:46:58 | |
£80, now he looks like he's been there a long time. | 0:46:58 | 0:47:01 | |
-Les, What can he be? -15 quid. | 0:47:01 | 0:47:05 | |
-Can he? -Yeah, he can be. | 0:47:05 | 0:47:07 | |
-There you are. We've cracked it, kid! -Really good. -Put it there! | 0:47:07 | 0:47:11 | |
You can kiss my hand. | 0:47:11 | 0:47:13 | |
That'll do, don't get carried away. | 0:47:13 | 0:47:16 | |
-Right, so I'm having... I think I'm going to have your pipe box. -Yes. | 0:47:16 | 0:47:20 | |
-I think I'm going to have your Punch. -Yes. | 0:47:20 | 0:47:22 | |
-Well, we've agreed on the Punch, no going back. -We have. | 0:47:22 | 0:47:25 | |
-Your baskets. -Yes. I'll tell you what I'll do. | 0:47:25 | 0:47:28 | |
90 quid. Yeah, for the box, | 0:47:28 | 0:47:31 | |
-15. -For the Punch. | 0:47:31 | 0:47:33 | |
35 and I'll tell you what, I'll throw in the Stanhope | 0:47:33 | 0:47:35 | |
for you for £25. | 0:47:35 | 0:47:38 | |
That's lovely. You are completely gorgeous. | 0:47:38 | 0:47:41 | |
Oh, sweetie pie! I wouldn't go that far! | 0:47:41 | 0:47:43 | |
Nor would I. After a discount of £320, though, perhaps I might! | 0:47:43 | 0:47:48 | |
Catherine's gone wild and spent £165 | 0:47:48 | 0:47:51 | |
on four items, concluding her shopping. | 0:47:51 | 0:47:54 | |
-I've got no money left. -I know, | 0:47:54 | 0:47:56 | |
-but Charlie's a decent enough chap, isn't he? -He won't give me any! | 0:47:56 | 0:47:59 | |
Speaking of Charlie, he's hopped over to Bath | 0:47:59 | 0:48:03 | |
and the Old Bank Centre, hoping to spend his remaining £43. | 0:48:03 | 0:48:07 | |
-This shop goes on for ever! -It's a gigantic antiques emporium. | 0:48:09 | 0:48:14 | |
Most things seem to be well into three figures. | 0:48:14 | 0:48:17 | |
Don't despair, Charlie! | 0:48:17 | 0:48:18 | |
Hello, what's this? | 0:48:18 | 0:48:20 | |
It's a miniature barrel, but it's pure Arts and Crafts, | 0:48:20 | 0:48:23 | |
it's about 1900 in date, | 0:48:23 | 0:48:25 | |
silver-plated banding is good, | 0:48:25 | 0:48:28 | |
the tap is a nice shape | 0:48:28 | 0:48:30 | |
and a great thing for dispensing brandy or sherry. | 0:48:30 | 0:48:34 | |
No good, is it? It's £80, I can't insult the man too much. | 0:48:34 | 0:48:38 | |
No, you really can't. | 0:48:38 | 0:48:40 | |
It's probably not worth asking, but | 0:48:40 | 0:48:42 | |
there's a barrel on a sort of cross stretcher | 0:48:42 | 0:48:45 | |
which is 80 quid, and I've got, like, 40 quid left in my coffer | 0:48:45 | 0:48:50 | |
-and that's probably... -OK. -Are you sure? | 0:48:50 | 0:48:52 | |
-That's really kind. I shall go and get it. -OK. | 0:48:52 | 0:48:54 | |
-Brilliant, thank you. -It's been a day of most accommodating dealers. | 0:48:54 | 0:48:59 | |
-There we go, £40. -OK. -That's really kind of you. Thank you very much. | 0:48:59 | 0:49:03 | |
Yes, thank you. | 0:49:04 | 0:49:06 | |
So, all shopping's done and dusted. | 0:49:06 | 0:49:08 | |
Let's refresh our memories as to what this pair of charmers bought. | 0:49:08 | 0:49:11 | |
Both experts kicked off with £200 apiece. | 0:49:11 | 0:49:15 | |
Catherine spent £195 on five auction lots - | 0:49:15 | 0:49:18 | |
an Asprey's juice extractor, | 0:49:18 | 0:49:20 | |
an ivory and bone Stanhope tape measure, | 0:49:20 | 0:49:23 | |
a cast iron doorstop in the form of Mr Punch, | 0:49:23 | 0:49:26 | |
a George III mahogany pipe tray | 0:49:26 | 0:49:29 | |
and two stoneware cider jars in baskets. | 0:49:29 | 0:49:33 | |
Charlie spent £197 of his budget on six lots - | 0:49:33 | 0:49:37 | |
a pair of silver candlesticks, an Edwardian biscuit barrel, | 0:49:37 | 0:49:40 | |
a street sign of Nunnery Lane, | 0:49:40 | 0:49:42 | |
an advertising clock, | 0:49:42 | 0:49:43 | |
a Victorian jigsaw puzzle in original box | 0:49:43 | 0:49:47 | |
and an Arts and Crafts oak and silver plated spirit barrel. | 0:49:47 | 0:49:51 | |
So, what do they really think of each other's purchases? | 0:49:51 | 0:49:54 | |
That puzzle, I saw that puzzle and I looked at that puzzle | 0:49:54 | 0:49:58 | |
but I didn't even ask the price because I thought it was | 0:49:58 | 0:50:01 | |
going to be too much and I really regret that now. | 0:50:01 | 0:50:03 | |
The tape measure is nice, but I would prefer it if it was all ivory. | 0:50:03 | 0:50:07 | |
It's part bone, part ivory, | 0:50:07 | 0:50:09 | |
and the bone bit, the quality of carving isn't great, | 0:50:09 | 0:50:11 | |
but again it was cheap. She's bought well, the girl! | 0:50:11 | 0:50:14 | |
It is going to be a really interesting contest | 0:50:14 | 0:50:17 | |
because I've got absolutely no idea who is going to win this one. | 0:50:17 | 0:50:20 | |
It will be a tight contest... but I shall win! | 0:50:20 | 0:50:23 | |
Well, we'll have to see about that, won't we? | 0:50:23 | 0:50:26 | |
So, it's been a splendid first leg, | 0:50:27 | 0:50:30 | |
kicking off in Corsham, Wiltshire, | 0:50:30 | 0:50:32 | |
following a delightful loop through Somerset, | 0:50:32 | 0:50:34 | |
then back into Wiltshire and our auction venue du jour - Devizes. | 0:50:34 | 0:50:39 | |
Come on! | 0:50:39 | 0:50:40 | |
-I can't get out! -Do you want some help? -Help an old man! | 0:50:40 | 0:50:45 | |
This leg's showdown is taking place at Henry Aldridge & Son, | 0:50:45 | 0:50:50 | |
purveyors of furniture, ceramics and terrifying dolls. | 0:50:50 | 0:50:53 | |
Hold on to your hats, auctioneer Alan Aldridge is about to begin. | 0:50:53 | 0:50:57 | |
You deserve profits because you are so lovely. | 0:50:58 | 0:51:00 | |
Pass the sick bag, will you? | 0:51:00 | 0:51:02 | |
First up is Catherine's doorstop in the form of Mr Punch. | 0:51:04 | 0:51:08 | |
-£25. -No, he is asking for 25. -Oh. | 0:51:08 | 0:51:11 | |
10 I've got, 12, 14, 16, 18, 20? | 0:51:14 | 0:51:18 | |
-At £18, 18... -That's not very good, I need a bit more than that. | 0:51:18 | 0:51:21 | |
All going, and done. | 0:51:21 | 0:51:24 | |
Well, it could be worse. | 0:51:24 | 0:51:26 | |
I suppose so, but that is a loss after the auction house takes | 0:51:26 | 0:51:30 | |
its well-earned commission. | 0:51:30 | 0:51:32 | |
Well, you nearly made a profit, lost a few pence I would say. | 0:51:32 | 0:51:36 | |
Charlie's up next with his own little favourite, | 0:51:36 | 0:51:39 | |
the Nunnery Lane street sign. | 0:51:39 | 0:51:42 | |
BOTH: # We all live down Nunnery Lane! # | 0:51:42 | 0:51:45 | |
25 quid? | 0:51:45 | 0:51:47 | |
-No. -25? Nice sign? | 0:51:47 | 0:51:49 | |
10! 10, thank you. | 0:51:49 | 0:51:51 | |
10, 12, 14, 16, 18, 20? At £18, | 0:51:51 | 0:51:56 | |
at £18 I've got. £18. | 0:51:56 | 0:51:59 | |
-Nunnery Lane! -HE SOBS | 0:51:59 | 0:52:02 | |
Oh, dear, not looking good! | 0:52:02 | 0:52:05 | |
-Shall we give up now? -Never give up. | 0:52:05 | 0:52:07 | |
Wise words, Charlie. | 0:52:07 | 0:52:10 | |
There's always hope, and next up is Catherine's Stanhope. | 0:52:10 | 0:52:14 | |
-I'll start the bid at £40. -That would be nice, £40. 40, come on. -30? | 0:52:14 | 0:52:19 | |
25? 20 I have got. 25 anywhere? | 0:52:20 | 0:52:23 | |
20 on the lady's bid. Five, quickly? | 0:52:23 | 0:52:25 | |
-Oh, there is a bid. -22, 24, 26. -Yes. | 0:52:25 | 0:52:31 | |
28? At 26 all going... | 0:52:31 | 0:52:34 | |
A bit of movement there, that was almost exciting! | 0:52:34 | 0:52:37 | |
Now you're getting desperate. | 0:52:39 | 0:52:40 | |
Another loss I'm afraid, after commission. | 0:52:40 | 0:52:43 | |
Yes, you've lost about a fiver | 0:52:43 | 0:52:44 | |
but, may I say, in my book that would be a triumph. | 0:52:44 | 0:52:48 | |
And Charlie's up next. It's his 1950s cigarette advertising clock. | 0:52:48 | 0:52:53 | |
-80 quid. -Oh! He's asking 80. | 0:52:53 | 0:52:57 | |
-That's what he's asking because that's what it cost. -£80 anywhere? | 0:52:57 | 0:53:02 | |
What about 20 quid then? | 0:53:02 | 0:53:03 | |
£20? | 0:53:03 | 0:53:06 | |
20 I've got. 20 I've got, 20 I've got. | 0:53:06 | 0:53:09 | |
At £20, sold. | 0:53:09 | 0:53:12 | |
£60 down the old drain. A disaster! | 0:53:12 | 0:53:17 | |
-That's very unfortunate. -You'll have to give it up, Charlie. | 0:53:17 | 0:53:21 | |
This could be the comeback though. | 0:53:21 | 0:53:24 | |
It's Charlie again with his Victorian block puzzle. | 0:53:24 | 0:53:27 | |
£20? £20? | 0:53:27 | 0:53:30 | |
-I can't believe this. -15? | 0:53:30 | 0:53:32 | |
15 I've got. | 0:53:32 | 0:53:34 | |
£2, 17? 15, 17. | 0:53:34 | 0:53:37 | |
£15. At £15, am I done? | 0:53:37 | 0:53:39 | |
BANGS GAVEL | 0:53:39 | 0:53:40 | |
You have been done, I am afraid, on that one. | 0:53:40 | 0:53:44 | |
Another loss, and Charlie has to pick up the pieces. | 0:53:46 | 0:53:50 | |
-I would give you £15 all day long. -I'd have paid 50 quid for it! | 0:53:50 | 0:53:55 | |
Moving on, it is Catherine's Asprey juice jobby. | 0:53:57 | 0:54:00 | |
15, to get me away? | 0:54:02 | 0:54:03 | |
What about £10 on it? | 0:54:03 | 0:54:05 | |
10 I've got, thank you. 12? | 0:54:05 | 0:54:07 | |
This is Asprey! | 0:54:07 | 0:54:09 | |
Oh, here it goes, here it goes! | 0:54:09 | 0:54:12 | |
16 anywhere else? £14, 14. All done? | 0:54:12 | 0:54:16 | |
-The thing is, if you don't laugh, you're crying. -If you don't laugh. | 0:54:16 | 0:54:20 | |
True. That's another loss for Catherine. | 0:54:20 | 0:54:23 | |
£14, that's kind of insulting. | 0:54:23 | 0:54:27 | |
More silver next, | 0:54:27 | 0:54:29 | |
Charlie's miniature candlesticks, bought for £25. | 0:54:29 | 0:54:32 | |
20 to start me? | 0:54:32 | 0:54:35 | |
10, to get me away. 10 I've got. | 0:54:35 | 0:54:37 | |
10, 15. | 0:54:37 | 0:54:39 | |
£10 on the maiden bid, 15? 15. | 0:54:39 | 0:54:41 | |
20, 25, 30, 35? What about 32. | 0:54:41 | 0:54:46 | |
32, that's a profit, Charlie. Your first one. | 0:54:46 | 0:54:51 | |
-34. -A profit! | 0:54:51 | 0:54:53 | |
# I'm in the money. # | 0:54:53 | 0:54:57 | |
# He's in the money! # | 0:54:57 | 0:54:59 | |
At last! a profit for Charlie. | 0:54:59 | 0:55:02 | |
I think I made about three quid there! | 0:55:02 | 0:55:05 | |
If you counteract that against everything else... | 0:55:05 | 0:55:08 | |
Yes, yes, yes, it's still a loss of well over £100. | 0:55:08 | 0:55:11 | |
It's not quite as bad as that, Charlie. | 0:55:11 | 0:55:13 | |
Now, will anyone be tempted by Catherine's cider jars in baskets? | 0:55:14 | 0:55:19 | |
15? A tenner? £10. | 0:55:19 | 0:55:23 | |
-She was going to bid at 15. -Don't... | 0:55:23 | 0:55:25 | |
10, 12... | 0:55:25 | 0:55:28 | |
He'll take the bid, hang on. | 0:55:28 | 0:55:29 | |
16, 18, 20. What about 19? | 0:55:29 | 0:55:33 | |
-You were on a roll for a moment there. -20? | 0:55:33 | 0:55:36 | |
-At £20. -BANGS GAVEL | 0:55:36 | 0:55:38 | |
Oh, my gosh. It's painfully hard. | 0:55:38 | 0:55:42 | |
Gosh, it's turning into a tough auction for both experts, | 0:55:42 | 0:55:46 | |
but there are still three lots to go. | 0:55:46 | 0:55:48 | |
Surely this one can't go wrong? | 0:55:48 | 0:55:51 | |
-Charlie's biscuit barrel. -25. | 0:55:51 | 0:55:54 | |
Everything starts at 25 and then rapidly drops down. | 0:55:54 | 0:55:58 | |
20 I've got. | 0:55:58 | 0:55:59 | |
-He's got 20! -£20, at £20 what about 22? At £20. | 0:55:59 | 0:56:03 | |
Come on, 22, someone! | 0:56:03 | 0:56:05 | |
At £20, all going. | 0:56:05 | 0:56:06 | |
A profit! | 0:56:06 | 0:56:08 | |
Splendid! | 0:56:08 | 0:56:09 | |
Charlie's edging his way back into the competition. | 0:56:09 | 0:56:13 | |
Charlie's last lot now, will someone be tempted by his spirit barrel? | 0:56:14 | 0:56:18 | |
-20 to start me? -38...or 12. -15. | 0:56:18 | 0:56:21 | |
-15, there we are. -15, 17? At 15, 15, 15. | 0:56:21 | 0:56:25 | |
15, I told you, didn't I? | 0:56:25 | 0:56:29 | |
15, done. | 0:56:29 | 0:56:31 | |
And once again, Charlie, you have been. | 0:56:32 | 0:56:34 | |
Poor Charlie, a rather limp finish to his lots. | 0:56:34 | 0:56:38 | |
It's a long wait, 61 years, to have the worst day of your life. | 0:56:38 | 0:56:44 | |
It's all come down to the last lot of the day | 0:56:44 | 0:56:47 | |
but that pipe tray could go either way. | 0:56:47 | 0:56:50 | |
I shall be really, really upset, | 0:56:50 | 0:56:53 | |
I mean seriously upset, if it doesn't make more than | 0:56:53 | 0:56:56 | |
-£50 or £60. -It's not going to go for anywhere... | 0:56:56 | 0:56:59 | |
And, let me start at a modest... | 0:56:59 | 0:57:03 | |
-No, we don't want modest. -180. | 0:57:03 | 0:57:06 | |
-How much? -180. -150? | 0:57:06 | 0:57:10 | |
£100? | 0:57:10 | 0:57:12 | |
Oh, come on! | 0:57:12 | 0:57:14 | |
-60, 70, 80, 90. -You're going! | 0:57:14 | 0:57:18 | |
100, 110, 120, | 0:57:18 | 0:57:22 | |
130, 140, 150, 160... | 0:57:22 | 0:57:27 | |
-There is hope in the world! -170, 180? | 0:57:27 | 0:57:29 | |
180 at 180, at 180? He's done it again. | 0:57:32 | 0:57:35 | |
-Come here. -Oh! | 0:57:35 | 0:57:39 | |
That is brilliant. | 0:57:39 | 0:57:41 | |
-Yes! I love you! -The trouble is, it was hers. | 0:57:41 | 0:57:44 | |
Yes, a splendid result for Catherine. | 0:57:44 | 0:57:47 | |
The pipe tray has done her good. | 0:57:47 | 0:57:49 | |
-You're over 200 quid. -About 205. | 0:57:49 | 0:57:53 | |
-You made a profit! -# I'm in the money! # | 0:57:53 | 0:57:55 | |
Both our experts started this leg with £200. | 0:57:55 | 0:57:57 | |
After paying auction costs, Charlie has made a loss, | 0:57:57 | 0:58:01 | |
poor old chap, of £96.96. | 0:58:01 | 0:58:04 | |
That leaves him with a rather paltry £103.04 to carry forward. | 0:58:04 | 0:58:09 | |
The lovely Catherine on the other hand is the winner today. | 0:58:10 | 0:58:13 | |
She's made a profit of £16.56 so that means | 0:58:13 | 0:58:16 | |
she takes forward £216.56 to spend next time. | 0:58:16 | 0:58:21 | |
-Come on, Miss Southon, I'll open the door. -It's not looking great, is it? | 0:58:21 | 0:58:24 | |
-The heavens are about to open! -There we go! | 0:58:24 | 0:58:27 | |
-Right. -Come on, Charlie. Onwards and upwards, dear. | 0:58:27 | 0:58:31 | |
The battle is lost, the war is not over. | 0:58:31 | 0:58:35 | |
Next time on the Antiques Road Trip, | 0:59:11 | 0:59:12 | |
Catherine cranks up the charm offensive. | 0:59:12 | 0:59:15 | |
You have got lovely eyes. Has anyone ever told you that? | 0:59:15 | 0:59:17 | |
-Thank you, I hope that's not been recorded. -And, Charlie runs into trouble. | 0:59:17 | 0:59:21 | |
I've got a confession to make. | 0:59:21 | 0:59:23 | |
Subtitles by Red Bee Media Ltd | 0:59:36 | 0:59:38 |