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(Tim Wonnacott) It's the nation's favourite antiques experts | 0:00:01 | 0:00:03 | |
with £200 each, | 0:00:03 | 0:00:05 | |
a classic car | 0:00:05 | 0:00:06 | |
and a goal to scour Britain for antiques. | 0:00:06 | 0:00:09 | |
That hurts. | 0:00:09 | 0:00:11 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:21 | |
So much! | 0:00:21 | 0:00:22 | |
So, will it be the high road to glory or slow road to disaster? | 0:00:22 | 0:00:27 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:31 | |
Yeah. | 0:00:33 | 0:00:35 | |
It's a brand new week and a brand new road trip, | 0:00:36 | 0:00:39 | |
so let's meet our brand new treasure hunters. | 0:00:39 | 0:00:42 | |
David Barby first became interested in antiques at the age of 12! | 0:00:43 | 0:00:47 | |
And he's been at it ever since, which is a very, very, long time. | 0:00:47 | 0:00:51 | |
Oh, I feel old today. | 0:00:51 | 0:00:53 | |
He's known by his colleagues as The Master. | 0:00:53 | 0:00:56 | |
Beryl, look in my eyes. 22. | 0:00:56 | 0:00:59 | |
And here's his travelling companion, Margie Cooper. | 0:00:59 | 0:01:02 | |
Afternoon. | 0:01:02 | 0:01:03 | |
Margie comes from a long line of antique dealers. | 0:01:04 | 0:01:07 | |
She loves a bargain but she doesn't always have a plan. | 0:01:07 | 0:01:10 | |
I've absolutely no idea what his game plan is. I'm just worrying about mine. | 0:01:11 | 0:01:15 | |
It's day one for David and Margie | 0:01:17 | 0:01:19 | |
as they set off in their retro 1979 Mercedes 350 SL. | 0:01:19 | 0:01:24 | |
It's a real dream machine and Margie has fond memories of the classic car. | 0:01:24 | 0:01:28 | |
So, do you remember Dallas, David? | 0:01:30 | 0:01:33 | |
I remember Dallas with Joan Collins. | 0:01:33 | 0:01:35 | |
No, she was in Dynasty. | 0:01:35 | 0:01:37 | |
Don't you mean Dynasty? | 0:01:37 | 0:01:38 | |
This was the iconic car that Bobby owned. | 0:01:38 | 0:01:41 | |
-Bobby was JR's brother. -Right, right. | 0:01:41 | 0:01:44 | |
So, as our very own Sue Ellen and JR hit the open road, | 0:01:44 | 0:01:47 | |
let's hope oil's well that ends well(!) | 0:01:47 | 0:01:51 | |
The route for the week ahead takes our intrepid road travellers | 0:01:55 | 0:01:59 | |
from Alnwick in Northumberland | 0:01:59 | 0:02:01 | |
through beautiful countryside | 0:02:01 | 0:02:02 | |
to the final destination of Lincoln, 200 miles away. | 0:02:02 | 0:02:06 | |
Today's road trip begins in Alnwick | 0:02:08 | 0:02:10 | |
and ends up 90 miles due south in Leyburn, North Yorkshire. | 0:02:10 | 0:02:14 | |
So, first up is historic Alnwick. | 0:02:15 | 0:02:17 | |
This picturesque market town dates back to 600AD | 0:02:20 | 0:02:24 | |
and was a staging post on the Great North Road between London and Edinburgh. | 0:02:24 | 0:02:28 | |
But taking centre stage is the magical Alnwick Castle, | 0:02:28 | 0:02:31 | |
star of the Harry Potter films. | 0:02:31 | 0:02:34 | |
-I always thought it was a mock-up, but it isn't, is it? It's here. -No, no, no. -That's incredible. | 0:02:34 | 0:02:39 | |
-Just look at it. Splendid. -It really is very good. | 0:02:39 | 0:02:41 | |
It's certainly cast a spell on our experts. | 0:02:42 | 0:02:44 | |
The first stop for Margie is nearby Alnwick Lodge. | 0:02:44 | 0:02:47 | |
What a fabulous place! | 0:02:48 | 0:02:51 | |
Now this looks the sort of place where there's hidden treasures. | 0:02:52 | 0:02:54 | |
-Do you think so? -Don't forget your handbag with all that money. | 0:02:54 | 0:02:57 | |
-See you! -Bye. -Bye. | 0:02:57 | 0:02:59 | |
Now, this looks interesting. | 0:03:00 | 0:03:03 | |
I'm excited. | 0:03:03 | 0:03:04 | |
This exquisite emporium has been owned by Peter Smith since 1978. | 0:03:04 | 0:03:08 | |
-Hi! -Good morning. -Peter, good morning. | 0:03:09 | 0:03:12 | |
Peter has lovingly transformed the lodge into the most unusual of shops | 0:03:12 | 0:03:16 | |
and declares his love of antiques from the rooftops... | 0:03:16 | 0:03:18 | |
-literally. -Look up as well as down. | 0:03:18 | 0:03:21 | |
I quite like that. It isn't Worcester, but it looks just like Worcester. | 0:03:21 | 0:03:24 | |
I think it's, sort of, like 1900, isn't it? | 0:03:27 | 0:03:29 | |
1900s, 1920? | 0:03:29 | 0:03:31 | |
I'm just impressed by the quality of the painting. | 0:03:31 | 0:03:35 | |
I like that. It would be nice if that was a little Worcester cup, | 0:03:35 | 0:03:37 | |
because that would go for, like, 20 or 30 pounds. And it's only a fiver. | 0:03:37 | 0:03:42 | |
What's David going to say if I show him that? Is he going to laugh? | 0:03:42 | 0:03:45 | |
He probably is. | 0:03:46 | 0:03:47 | |
Stop worrying about what David might say. It's only a fiver. | 0:03:47 | 0:03:51 | |
But it could be cheaper, couldn't it? Five pounds. | 0:03:51 | 0:03:54 | |
-Four pounds? -Four pounds. | 0:03:54 | 0:03:55 | |
I can't argue with you, can I? | 0:03:56 | 0:03:59 | |
-It's very beautiful. -But it's not going to set the world on fire. | 0:03:59 | 0:04:01 | |
So you've said four, yeah? | 0:04:01 | 0:04:03 | |
£3.50. My final offer. | 0:04:04 | 0:04:07 | |
Look, I'm not going to argue with you. £3.50's fine. | 0:04:07 | 0:04:09 | |
Just up the road at the Antiques Centre, | 0:04:09 | 0:04:12 | |
David also has his eye on a rather special mug. | 0:04:12 | 0:04:15 | |
This is a political election victory mug, | 0:04:18 | 0:04:21 | |
which is quite rare. | 0:04:21 | 0:04:23 | |
The great contest at Alnwick, which is interesting, this is where we are. | 0:04:23 | 0:04:27 | |
"The choice of the people and Northumberlands." | 0:04:28 | 0:04:31 | |
But what an interesting piece. | 0:04:31 | 0:04:34 | |
How much is that? £38. | 0:04:34 | 0:04:36 | |
I like that. | 0:04:41 | 0:04:43 | |
I feel a deal coming on. | 0:04:43 | 0:04:44 | |
What's the value on that? What's your very best price? | 0:04:44 | 0:04:47 | |
Oh, gosh. | 0:04:47 | 0:04:49 | |
But will David be able to work his magic on Beryl? | 0:04:49 | 0:04:53 | |
-It's got to be quite cheap, actually. -Yeah. 20? | 0:04:53 | 0:04:55 | |
-It's very reasonable. -Awful spasm I had in my heart then. | 0:04:55 | 0:04:58 | |
That it was too cheap? | 0:05:00 | 0:05:03 | |
No! | 0:05:03 | 0:05:05 | |
I think the condition goes against it, really, | 0:05:05 | 0:05:07 | |
but it's an interesting piece because of its local history. | 0:05:07 | 0:05:10 | |
-Oh, g... 15. And that's it. -That's the lowest, is it? | 0:05:10 | 0:05:13 | |
-Yea. Yeah. -OK. -Because I've only put it in this morning. | 0:05:14 | 0:05:16 | |
-Have you really? -Yes, yeah. | 0:05:16 | 0:05:18 | |
Well, no point in rushing a decision when there's some enticing pieces of Staffordshire nearby. | 0:05:18 | 0:05:23 | |
Is that £15 the pair? | 0:05:25 | 0:05:27 | |
Well, I suppose to you, yes. | 0:05:27 | 0:05:29 | |
But anybody else, no. | 0:05:29 | 0:05:31 | |
They don't sell, do they? | 0:05:31 | 0:05:33 | |
That's the trouble with Staffordshire at the moment. | 0:05:33 | 0:05:36 | |
-Such a shame. -Well, we seem to sell them. | 0:05:36 | 0:05:38 | |
-Do you really? -We've only got those. We haven't got any more cos we've sold the rest. | 0:05:38 | 0:05:42 | |
So, these are the rejects? | 0:05:42 | 0:05:44 | |
Cheeky. | 0:05:44 | 0:05:46 | |
Well, no, those are something else that's come in this morning. | 0:05:46 | 0:05:48 | |
Do you want to think about it? I'll put them aside. | 0:05:53 | 0:05:56 | |
-OK. -Right. | 0:05:56 | 0:05:58 | |
-I'll put them in the office. -Lovely. Thank you very much. | 0:05:58 | 0:06:00 | |
Well, he's not the only one getting excited. | 0:06:00 | 0:06:03 | |
See, that catches my eye. I really like Imari porcelain. | 0:06:05 | 0:06:09 | |
You know, the blues and the lovely colours. | 0:06:09 | 0:06:12 | |
Let's just have a look. Really pretty. | 0:06:12 | 0:06:15 | |
Imari porcelain was made in Japan and extensively exported | 0:06:15 | 0:06:20 | |
via the port of Imari between the 17th and 20th centuries. | 0:06:20 | 0:06:24 | |
Can you spot the slight problem? | 0:06:25 | 0:06:28 | |
Huge crack there. | 0:06:28 | 0:06:29 | |
-Very mendable problem. -Yeah. | 0:06:29 | 0:06:33 | |
If it's cheap enough, I'll go for it. | 0:06:33 | 0:06:35 | |
So, it's £10. | 0:06:35 | 0:06:38 | |
You said eight pounds on it. | 0:06:38 | 0:06:40 | |
It's going to have to be five. | 0:06:40 | 0:06:42 | |
Otherwise, I don't think there's any point in me trying. | 0:06:42 | 0:06:45 | |
5.50? | 0:06:47 | 0:06:49 | |
You love your 50ps, don't you? | 0:06:49 | 0:06:52 | |
5.50, you're on. | 0:06:52 | 0:06:54 | |
Thank you. | 0:06:54 | 0:06:55 | |
Right. After all that, I owe you £9. | 0:06:55 | 0:06:58 | |
£9. Not bad for a cracked plate and a teacup. | 0:06:58 | 0:07:01 | |
So, off to find David. | 0:07:01 | 0:07:03 | |
I hardly dare tell him what I've bought. | 0:07:03 | 0:07:06 | |
He'd better not laugh. | 0:07:07 | 0:07:09 | |
Laugh? David's far too busy for that. | 0:07:10 | 0:07:12 | |
He's now got his eye on a copper coal scuttle | 0:07:13 | 0:07:16 | |
and has stallholder, Annie, in his sights. | 0:07:16 | 0:07:19 | |
-75. -Ooph! | 0:07:19 | 0:07:21 | |
Too much for the present state of the market. | 0:07:22 | 0:07:26 | |
It really is. Can you go down to 40? | 0:07:26 | 0:07:28 | |
No, no. No way, no. | 0:07:28 | 0:07:32 | |
-50. Sorry. -Could you split the difference between 40 and 50? 45. | 0:07:33 | 0:07:37 | |
That's a lot off. | 0:07:38 | 0:07:40 | |
But copper is not selling at the moment. | 0:07:41 | 0:07:44 | |
-OK. -Well, you know the market. | 0:07:44 | 0:07:46 | |
I'll believe you. | 0:07:46 | 0:07:48 | |
-Go on then, 45. -45, yeah. OK, 45. | 0:07:50 | 0:07:53 | |
-Thank you. -Thank you very much indeed. -Thank you. | 0:07:53 | 0:07:56 | |
Looks like he's not finished yet, though. | 0:07:56 | 0:07:57 | |
Here comes that cracked tankard and the Staffordshire figures. | 0:07:57 | 0:08:01 | |
Right, now we've got that | 0:08:01 | 0:08:05 | |
and we've got those two pieces. | 0:08:05 | 0:08:07 | |
You've told me I can have those at 15. I hoped for 10 but... | 0:08:07 | 0:08:11 | |
No, it's got to be... They've got to be 15 each. | 0:08:12 | 0:08:16 | |
Those for 15 and that for 15, that's 30. | 0:08:16 | 0:08:19 | |
That's the worrying one, actually. | 0:08:19 | 0:08:22 | |
-I think you're... -Could you do them for 20, please? | 0:08:22 | 0:08:25 | |
Well, I think that's a bit... | 0:08:26 | 0:08:28 | |
-25, OK? -Can we split the difference at 22? | 0:08:28 | 0:08:31 | |
-No. -22. -25. | 0:08:31 | 0:08:32 | |
-Beryl, look in my eyes. -22,22. | 0:08:32 | 0:08:35 | |
25. | 0:08:35 | 0:08:37 | |
Go on then, being as it's you, yeah. | 0:08:37 | 0:08:38 | |
The master of seduction. That hypnotic stare has worked a charm. | 0:08:38 | 0:08:44 | |
David. | 0:08:44 | 0:08:45 | |
HORN HONKS | 0:08:45 | 0:08:47 | |
-Are you ready? -My word, you're raring to go. | 0:08:47 | 0:08:49 | |
Have you had a good day? | 0:08:49 | 0:08:51 | |
-So-so. -Oh. -Have you had a good day? | 0:08:51 | 0:08:54 | |
Wonderful. Absolutely superb. | 0:08:54 | 0:08:56 | |
I've enjoyed every minute of it. | 0:08:56 | 0:08:58 | |
Reunited, David and Margie are back on the road | 0:08:58 | 0:09:01 | |
and are heading towards Rothbury in the heart of the Northumberland countryside, | 0:09:01 | 0:09:05 | |
where David's taking a break to recharge his batteries, literally. | 0:09:05 | 0:09:09 | |
Cragside! Do we go up here? | 0:09:10 | 0:09:12 | |
Cragside House is famed for being the first in the world | 0:09:14 | 0:09:17 | |
to generate its own electricity | 0:09:17 | 0:09:20 | |
and is so-called because it stands on a crag, of course. | 0:09:20 | 0:09:23 | |
My, oh my, what a splendid house. | 0:09:24 | 0:09:27 | |
-Hello. David Barby. -Hello. Andrew Sawyer. | 0:09:27 | 0:09:29 | |
I'm longing to know about this house. It looks splendid. | 0:09:29 | 0:09:32 | |
So, what are you going to show me first of all? | 0:09:32 | 0:09:33 | |
I'm going to show you where the electricity was generated first. | 0:09:33 | 0:09:36 | |
-Well, lead on. -Thank you. | 0:09:36 | 0:09:38 | |
Cragside's owner, Lord William Armstrong, | 0:09:40 | 0:09:43 | |
thought fossil fuels would run out within 200 years. | 0:09:43 | 0:09:46 | |
Nicknamed The Geordie Genius, he pioneered green energy | 0:09:47 | 0:09:51 | |
by using waterfalls to drive in-house generators. | 0:09:51 | 0:09:54 | |
Well, all the equipment survives. | 0:09:58 | 0:10:01 | |
We don't run it any longer because it is very much a museum piece. | 0:10:01 | 0:10:04 | |
-Right. -And because of its great national importance. | 0:10:04 | 0:10:08 | |
Where did the idea about creating electricity and light bulbs come from? | 0:10:08 | 0:10:12 | |
Was it a variety of people? | 0:10:12 | 0:10:15 | |
Yes, it's a culmination of all sorts of people's thoughts, really, | 0:10:15 | 0:10:20 | |
and Lord Armstrong was very good at taking people's ideas | 0:10:20 | 0:10:25 | |
and evolving them. | 0:10:25 | 0:10:26 | |
He was a great innovator really. | 0:10:26 | 0:10:29 | |
Genius. | 0:10:29 | 0:10:30 | |
Not just electricity but free electricity. | 0:10:30 | 0:10:34 | |
What about drought? | 0:10:34 | 0:10:35 | |
Well, this was one of the problems that he did encounter in the 1890s | 0:10:35 | 0:10:40 | |
and he added the battery room to try and take up that slack. | 0:10:40 | 0:10:46 | |
-Right. -But, eventually, he had to put in a gas engine | 0:10:46 | 0:10:50 | |
for those periods of drought. | 0:10:50 | 0:10:52 | |
So, he designed this for his own use? | 0:10:52 | 0:10:54 | |
-Yes. -And his own use was to light the house. | 0:10:54 | 0:10:58 | |
Yes, to make it the first house in the world to be lit by hydroelectricity. | 0:10:58 | 0:11:01 | |
But it was a bit of a juggling act | 0:11:01 | 0:11:04 | |
with the caretaker of the electric light and the butler. | 0:11:04 | 0:11:07 | |
-Yes. -Because the butler had to turn off lights | 0:11:07 | 0:11:10 | |
out of rooms to put on lights in rooms that they were going into. | 0:11:10 | 0:11:15 | |
-Right. -Because they could only have 97 on at any one time. | 0:11:15 | 0:11:19 | |
-Oh, this is fascinating. -So, the green energy generated | 0:11:19 | 0:11:22 | |
by this giant dynamo ended up here, | 0:11:22 | 0:11:25 | |
lighting the very first lamp, in 1880. | 0:11:25 | 0:11:28 | |
Oh, this is wonderful. | 0:11:28 | 0:11:30 | |
These are the cloisonne vases, | 0:11:30 | 0:11:32 | |
which were kerosene lamps, | 0:11:32 | 0:11:34 | |
and he converted them over to the electric light. | 0:11:34 | 0:11:37 | |
And he made the electric connection | 0:11:37 | 0:11:40 | |
by having them in a saucer of mercury. | 0:11:40 | 0:11:43 | |
Then he lifted them out of the saucer of mercury to turn them off | 0:11:43 | 0:11:47 | |
and put them into the saucer of mercury to turn them on. | 0:11:47 | 0:11:50 | |
But these were the first lamps to be lit in the first room. | 0:11:50 | 0:11:54 | |
He was known as The Magician, wasn't he? | 0:11:54 | 0:11:56 | |
The place was known as The Palace Of The Modern Magician. | 0:11:56 | 0:12:00 | |
And if you think that's magic, just wait until you see upstairs. | 0:12:00 | 0:12:04 | |
Lord Armstrong was keen to show off his electricity | 0:12:04 | 0:12:07 | |
to the great and the good. | 0:12:07 | 0:12:09 | |
Oh my. | 0:12:09 | 0:12:10 | |
Oh my. | 0:12:12 | 0:12:13 | |
That is stunning. | 0:12:13 | 0:12:16 | |
This room was entirely added | 0:12:17 | 0:12:19 | |
for the visit of the Prince and Princess of Wales in 1884. | 0:12:19 | 0:12:23 | |
Well, they came to see the electric light in this very modern home. | 0:12:23 | 0:12:27 | |
-Right. -And they did have a choice | 0:12:27 | 0:12:29 | |
of either going to stay with the Duke of Northumberland... | 0:12:29 | 0:12:32 | |
-Who had no electric light. -Indeed. | 0:12:32 | 0:12:34 | |
And actually chose to come here. | 0:12:34 | 0:12:37 | |
Now, this was modern living, wasn't it? But for the very wealthy. | 0:12:37 | 0:12:41 | |
Yes. This is the house, really, where modern living began. | 0:12:41 | 0:12:45 | |
So it was about 60, 70 years before the rest of Britain, | 0:12:45 | 0:12:49 | |
ordinary people, could actually enjoy electric light in the home. | 0:12:49 | 0:12:52 | |
But this is where it all began, here. | 0:12:53 | 0:12:56 | |
Yes. You're having a wonderful Armstrong moment. | 0:12:56 | 0:12:59 | |
-Does it happen to many people? -Oh, it happens to everyone that stands in this room. | 0:13:00 | 0:13:04 | |
I'm sure it does. Andrew, can I honestly say, | 0:13:04 | 0:13:06 | |
this is one of the most exciting properties I've been in to. | 0:13:06 | 0:13:09 | |
It's wonderful. And thank you very much for taking me round. | 0:13:09 | 0:13:12 | |
You're very welcome. | 0:13:12 | 0:13:14 | |
Meanwhile, back in the old jalopy, | 0:13:14 | 0:13:16 | |
Margie has driven 30 miles south to Newcastle. | 0:13:16 | 0:13:19 | |
Historically a part of Northumberland, | 0:13:20 | 0:13:22 | |
Newcastle is situated on the north bank of the River Tyne. | 0:13:22 | 0:13:25 | |
It's the perfect place for our Margie to pick up an antique or two. | 0:13:25 | 0:13:28 | |
Right. We're here. | 0:13:33 | 0:13:35 | |
Margie's next shop is the Fern Avenue Antique Centre, | 0:13:36 | 0:13:40 | |
run by Giuseppe Anthony. | 0:13:40 | 0:13:42 | |
-Hi. Hello. -Hello there. Pleased to meet you. | 0:13:43 | 0:13:45 | |
-Margie Cooper. Nice to me meet you. -Are you all right? Pleased to meet you. | 0:13:45 | 0:13:48 | |
-I'm going to have a look round. -Yeah, please do. | 0:13:48 | 0:13:51 | |
-And, see how we get on. -Okey doke. | 0:13:51 | 0:13:54 | |
Margie's only spent a paltry £9 so far | 0:13:54 | 0:13:57 | |
but I sense a shift in strategy. | 0:13:57 | 0:13:59 | |
Well, my plan is to just try and find something. | 0:14:00 | 0:14:02 | |
I'd like to find a couple of things, you know, 40, 50 pounds each, | 0:14:02 | 0:14:07 | |
that I can make, sort of, 20 or 30 pounds on. | 0:14:07 | 0:14:10 | |
I do want to go for it a little bit, don't I? | 0:14:10 | 0:14:12 | |
What's this? | 0:14:12 | 0:14:14 | |
These do well. | 0:14:16 | 0:14:18 | |
-It's a dough bowl. -Yeah. -Eastern European, for mixing the dough, | 0:14:18 | 0:14:22 | |
come in various sizes, make a great sledge. | 0:14:22 | 0:14:25 | |
Yeah. | 0:14:25 | 0:14:26 | |
Looks Romanian to me. | 0:14:26 | 0:14:28 | |
Made out of a single piece of wood, in this case sycamore, | 0:14:28 | 0:14:31 | |
and, after being hollowed out, the giant bowls were used to mix dough in. | 0:14:31 | 0:14:36 | |
That's cheap and cheerful. | 0:14:36 | 0:14:38 | |
£38, which doesn't sound very dear. | 0:14:38 | 0:14:40 | |
So how cheap can this be, 'Seppe? Come on, you want me out of here, don't you? | 0:14:41 | 0:14:45 | |
35 quid and it's for nothing. | 0:14:45 | 0:14:47 | |
-35. You've knocked three quid off. -Yeah. | 0:14:48 | 0:14:51 | |
You've put sycamore there. | 0:14:51 | 0:14:53 | |
I'm syca-you! | 0:14:53 | 0:14:56 | |
-I don't blame you. I'm sick of myself. -No. | 0:14:56 | 0:14:58 | |
Come on, can it be, like...? | 0:14:58 | 0:15:00 | |
-Can it be what? -Can it be 25 quid? | 0:15:00 | 0:15:01 | |
No, it can't be 25. | 0:15:01 | 0:15:03 | |
£32, but that is the bottom line. | 0:15:03 | 0:15:05 | |
-Don't even think about bidding me. -Really? -Yeah. | 0:15:06 | 0:15:09 | |
-Cos I'd offend you? -I wouldn't be offended but you'll just get a "no". | 0:15:09 | 0:15:13 | |
£32, it's not a lot of money. | 0:15:14 | 0:15:17 | |
-We'll have it. -Right? -Yeah. | 0:15:17 | 0:15:19 | |
So that's one, two, three, £40. | 0:15:19 | 0:15:23 | |
-Thank you very much. -Lovely. Great. | 0:15:23 | 0:15:26 | |
-The strategy's not working. -You're not wrong there. | 0:15:30 | 0:15:33 | |
Wasn't the idea to buy boldly? | 0:15:33 | 0:15:36 | |
Never mind, there's still time. | 0:15:36 | 0:15:38 | |
Sunderland beckons. | 0:15:38 | 0:15:40 | |
Founded in 1179 at the mouth of the River Wear, | 0:15:43 | 0:15:47 | |
Sunderland grew from a humble fishing village | 0:15:47 | 0:15:50 | |
to become a thriving port, trading coal and salt. | 0:15:50 | 0:15:53 | |
Last shop of the day. | 0:15:55 | 0:15:57 | |
SPOOKY MOAN | 0:15:59 | 0:16:01 | |
Oh, my goodness. | 0:16:05 | 0:16:07 | |
It's the head of a giraffe, isn't it? | 0:16:07 | 0:16:09 | |
It says, "Please do not touch". | 0:16:09 | 0:16:12 | |
Oi, can't you read? | 0:16:12 | 0:16:13 | |
Yeah, it is. | 0:16:13 | 0:16:15 | |
A weird and wonderful shop. Right, let's have a look round. | 0:16:15 | 0:16:18 | |
-I'm a bit fascinated by your giraffe. -Hello. | 0:16:18 | 0:16:20 | |
This strange curiosity shop belongs to David Whitfield, | 0:16:20 | 0:16:24 | |
who is giraffe-daft. | 0:16:24 | 0:16:26 | |
Have a look round. Just help yourself. Feel free. | 0:16:26 | 0:16:28 | |
Right. That's an interesting piece of wood isn't it, your baluster here? | 0:16:28 | 0:16:31 | |
Er, newel post. | 0:16:31 | 0:16:33 | |
-Can I just unleash it? -Course you can. Do you want a hand? | 0:16:35 | 0:16:38 | |
Yeah. I might just try and get him down a bit. | 0:16:38 | 0:16:41 | |
You don't want it to drop on your toes. | 0:16:41 | 0:16:43 | |
-So what did you say, darling? -£60. | 0:16:47 | 0:16:48 | |
And that's the least? | 0:16:52 | 0:16:54 | |
-£40. -Oh, done it. | 0:16:54 | 0:16:57 | |
-OK. -That's terrific. Oh, I love it. | 0:16:57 | 0:16:59 | |
Love it, love it, love it. | 0:16:59 | 0:17:01 | |
I think we got the message. | 0:17:01 | 0:17:03 | |
I haven't spent long in the shop and I found something. | 0:17:03 | 0:17:07 | |
-£40. -Thank you very much indeed. | 0:17:07 | 0:17:09 | |
-Thank you so much. -Thank you, Margie. Lovely meeting you. | 0:17:09 | 0:17:11 | |
And you, too. | 0:17:11 | 0:17:12 | |
Well, I can't believe I've just bought a newel post. | 0:17:12 | 0:17:14 | |
-Nor can I. -But I think it's superb | 0:17:14 | 0:17:17 | |
and I'm really pleased and it's the best buy today. | 0:17:17 | 0:17:20 | |
So I'm off. | 0:17:20 | 0:17:22 | |
-See ya. -See ya. | 0:17:22 | 0:17:23 | |
Wouldn't want to be you, not with that newel post. | 0:17:23 | 0:17:26 | |
Margie has splashed the cash on a piece of old staircase | 0:17:26 | 0:17:29 | |
but will she still love it tomorrow? | 0:17:29 | 0:17:31 | |
Night-night. | 0:17:31 | 0:17:33 | |
It's a brand new day and our experts are pushing south | 0:17:34 | 0:17:37 | |
in their 1979 Mercedes 350 SL, with David in the driving seat. | 0:17:37 | 0:17:43 | |
The thing that I'm worried about is it's automatic. | 0:17:44 | 0:17:46 | |
I have never driven an automatic before. | 0:17:46 | 0:17:49 | |
Now he tells us. | 0:17:49 | 0:17:51 | |
I feel as though I should be doing something with the left leg. | 0:17:51 | 0:17:53 | |
Just leave your left leg alone. Give it a rest. | 0:17:53 | 0:17:56 | |
These two are turning into a right old married couple. | 0:17:56 | 0:18:00 | |
So far, David's spent £67 on two lots. | 0:18:00 | 0:18:03 | |
A lovely pair of Staffordshire figures bundled together | 0:18:03 | 0:18:05 | |
with a chipped, old tankard and a copper coal scuttle, | 0:18:05 | 0:18:08 | |
which means he's still got £133 burning a hole in his pocket... | 0:18:08 | 0:18:12 | |
..and smiling. | 0:18:13 | 0:18:15 | |
Margie, meanwhile, has managed to spend a total of £81 on three lots. | 0:18:17 | 0:18:21 | |
A pretty porcelain cup paired with a cracked Imari plate, | 0:18:21 | 0:18:25 | |
a mahogany newel post and a rather rustic dough bowl. | 0:18:25 | 0:18:28 | |
A porter would just stand there like that. | 0:18:28 | 0:18:30 | |
But will she rise to the challenge and prove to be a worthy winner, | 0:18:30 | 0:18:33 | |
with just £119 cash remaining? | 0:18:33 | 0:18:37 | |
Before he gets down to more shopping, | 0:18:39 | 0:18:41 | |
David is making a detour to Weardale in County Durham | 0:18:41 | 0:18:45 | |
to drop Margie off for a royal appointment. | 0:18:45 | 0:18:48 | |
This is an area of outstanding natural beauty, | 0:18:49 | 0:18:51 | |
rolling hills and valleys, | 0:18:51 | 0:18:53 | |
and it even has a pony. | 0:18:53 | 0:18:55 | |
-Well, here we are. -Now, you have a good day. | 0:18:56 | 0:18:58 | |
-I will do so. -Don't buy anything special. | 0:18:58 | 0:19:00 | |
-I promise not to do that. -I'll see you later. | 0:19:00 | 0:19:03 | |
Bye-bye. | 0:19:03 | 0:19:05 | |
-That's a good start. -Margie is here to meet Anita Atkinson. | 0:19:08 | 0:19:12 | |
Union Jack mad. | 0:19:13 | 0:19:15 | |
A loyal subject with a right royal passion. | 0:19:15 | 0:19:17 | |
-Anita! -Hello. You made it. Margie Cooper. | 0:19:17 | 0:19:20 | |
-I have made it. -Pleased to meet you. Come on in. | 0:19:20 | 0:19:22 | |
Would you please be upstanding | 0:19:22 | 0:19:24 | |
for Anita's enormous collection of royal memorabilia. | 0:19:24 | 0:19:26 | |
Oh, my goodness me. | 0:19:28 | 0:19:30 | |
This is some of it. | 0:19:30 | 0:19:31 | |
Gosh, so when did you start all this? | 0:19:31 | 0:19:34 | |
I think my collection really took off in Silver Jubilee year | 0:19:34 | 0:19:37 | |
because that was the first big occasion of my lifetime. | 0:19:37 | 0:19:41 | |
I've now got over 5,000. | 0:19:41 | 0:19:44 | |
Anita used to be the world record holder for the largest collection | 0:19:44 | 0:19:47 | |
-but she recently lost her crown. -I'm not bothered about it at all. | 0:19:47 | 0:19:50 | |
In fact, I'm over the moon that there's someone else as daft as me. | 0:19:50 | 0:19:53 | |
Right, well, I can show you my oldest piece, | 0:19:53 | 0:19:55 | |
-if you'd like to see that. -I'd particularly like to see that. | 0:19:55 | 0:19:57 | |
Because the collection starts at Queen Victoria's coronation. | 0:19:57 | 0:20:01 | |
This is actually an original newspaper | 0:20:01 | 0:20:04 | |
and it's the coronation edition of the Sun, | 0:20:04 | 0:20:08 | |
-June 28th, 1838. -That is a lovely thing to have. | 0:20:08 | 0:20:12 | |
The whole country was rejoicing, of course, because, you know, | 0:20:12 | 0:20:15 | |
this young queen, 18 years old, she was a teenager and the first female monarch for 100 years. | 0:20:15 | 0:20:19 | |
-Yeah. -And I think they had been a bit fed up with old men. | 0:20:19 | 0:20:22 | |
That's a really fabulous piece of memorabilia. | 0:20:24 | 0:20:26 | |
And from the oldest piece in the collection to one of the newest. | 0:20:26 | 0:20:30 | |
What's going on with this, then? | 0:20:30 | 0:20:32 | |
Well spotted! | 0:20:34 | 0:20:36 | |
A mug celebrating the wedding of Kate Middleton and, er... | 0:20:36 | 0:20:40 | |
Prince Harry? | 0:20:40 | 0:20:41 | |
So who got this wrong then? | 0:20:41 | 0:20:43 | |
Well, the manufacturers. | 0:20:43 | 0:20:46 | |
Off with their heads! | 0:20:46 | 0:20:47 | |
I had to pay £10 for that mug. | 0:20:47 | 0:20:49 | |
-Oh, that's funny, isn't it? -I had to get it imported from China. | 0:20:49 | 0:20:52 | |
-You see, in 30, 40, 50 years' time... -Yeah. That is unusual. | 0:20:52 | 0:20:56 | |
That is the royal wedding mug to collect. | 0:20:56 | 0:20:58 | |
That'll be on the Antiques Road Trip. | 0:20:58 | 0:21:00 | |
Anita's collection is so big that most of it isn't even on display. | 0:21:01 | 0:21:05 | |
-So, here we go. -Yeah, well, there's more up here. | 0:21:06 | 0:21:09 | |
This is where most of the collection is. | 0:21:09 | 0:21:11 | |
-Right. -Up here, in the loft. | 0:21:11 | 0:21:13 | |
With 36 boxes full, Anita has royals coming out of the rafters. | 0:21:13 | 0:21:18 | |
Don't you find it frustrating to have a lot of your stuff up here? | 0:21:19 | 0:21:22 | |
-Oh, it is, yeah. -Cos you've probably forgotten half the things that are in here. -Yeah. | 0:21:22 | 0:21:25 | |
-You haven't got the room. -Isn't that awful, Edward VII in the loft? | 0:21:25 | 0:21:28 | |
-Yeah, I know. -And there's not many folk can say that. | 0:21:28 | 0:21:32 | |
I've got to get back to my shopping. | 0:21:32 | 0:21:34 | |
I've got to beat this David Barby. | 0:21:34 | 0:21:37 | |
And he's out now, shopping, and I'm here, up this ladder. | 0:21:37 | 0:21:40 | |
-Mind how you go down the ladder. -I certainly will. | 0:21:40 | 0:21:42 | |
Cos that would be an easy win, wouldn't it, if I fell? | 0:21:42 | 0:21:45 | |
-Bye! -Bye. | 0:21:47 | 0:21:48 | |
With a right royal wave to Weardale, | 0:21:49 | 0:21:53 | |
David has driven on to Durham, | 0:21:53 | 0:21:55 | |
where there's also a royal connection. | 0:21:55 | 0:21:57 | |
This impressive castle is the ancient palace of the Prince Bishops, | 0:22:03 | 0:22:06 | |
who exercised extraordinary powers over the diocese. | 0:22:06 | 0:22:09 | |
In Durham's indoor market, it seems David has also caught the royal bug. | 0:22:13 | 0:22:18 | |
-Oh, dear. -Now, isn't that fun? | 0:22:18 | 0:22:21 | |
Isn't that fun? | 0:22:21 | 0:22:22 | |
This is a cameo portrait of the Duke of Edinburgh and Elizabeth. | 0:22:22 | 0:22:27 | |
Now, this was made by Crown Devon, a very good company. | 0:22:27 | 0:22:29 | |
So there's loads of local history there. | 0:22:29 | 0:22:33 | |
That's a very nice pot. I quite like that. | 0:22:33 | 0:22:36 | |
That's £16. A little bit on the high side but we can come back to that. | 0:22:36 | 0:22:40 | |
I'd like to have something that had royal connections | 0:22:42 | 0:22:45 | |
because of the, you know, the Diamond Jubilee. | 0:22:45 | 0:22:48 | |
And there's this Wedgwood tankard there. | 0:22:48 | 0:22:51 | |
That's a good design one. | 0:22:51 | 0:22:54 | |
That's the Silver Jubilee. | 0:22:54 | 0:22:55 | |
Have a look at these. They're two sailor dolls and they were produced as sort of souvenirs. | 0:22:58 | 0:23:04 | |
£12.50 each. | 0:23:04 | 0:23:06 | |
A little bit on the top side. | 0:23:06 | 0:23:08 | |
Sylvia, are these yours? | 0:23:09 | 0:23:12 | |
Yes. Yes, they are. | 0:23:12 | 0:23:14 | |
What's the best price you could do on the little dolls? | 0:23:14 | 0:23:17 | |
What's the best price you could do on them? | 0:23:17 | 0:23:19 | |
Oh, that's asking me to be both buyer and seller. | 0:23:19 | 0:23:22 | |
£10 each. | 0:23:25 | 0:23:27 | |
That's still too much, that's £20 for two. | 0:23:27 | 0:23:28 | |
-Are you going to stare at me for ages then? -No, I'm not. | 0:23:28 | 0:23:32 | |
I wouldn't bet on it. | 0:23:32 | 0:23:34 | |
-15, final, final offer. -For the two? | 0:23:34 | 0:23:37 | |
Yes. | 0:23:37 | 0:23:38 | |
They're jolly cheeky chappies, aren't they? | 0:23:41 | 0:23:43 | |
Will you take £10 for the two? | 0:23:43 | 0:23:45 | |
£12.50, that's it. | 0:23:48 | 0:23:50 | |
(£10.) | 0:23:53 | 0:23:55 | |
Oh, go on, £10. | 0:23:57 | 0:23:59 | |
Whoever would have guessed that David had a thing for sailors? | 0:23:59 | 0:24:03 | |
I think they're great fun. | 0:24:03 | 0:24:05 | |
Thank you very much indeed. | 0:24:05 | 0:24:06 | |
With another purchase under his belt, David rejoins Margie | 0:24:07 | 0:24:10 | |
for their final shopping spree in Richmond. | 0:24:10 | 0:24:13 | |
Situated on the River Swale, this beautiful little market town | 0:24:16 | 0:24:19 | |
is dominated by the 11th century castle, a Mecca for tourists. | 0:24:19 | 0:24:23 | |
Time's running out now. We've only got another few hours. | 0:24:24 | 0:24:27 | |
Well, that's right. I'm getting into a panic situation, very apprehensive, | 0:24:27 | 0:24:31 | |
I just don't know what I'm going to find here. | 0:24:31 | 0:24:33 | |
Richmond has been described as the most romantic town in the North of England. | 0:24:33 | 0:24:38 | |
But will our experts fall in love with anything else to make them part with their cash? | 0:24:38 | 0:24:43 | |
-Best of luck. -And you, too. | 0:24:43 | 0:24:45 | |
-See you. -Bye. -Bye. | 0:24:45 | 0:24:47 | |
Don't worry about parking the car, guys, we'll take care of that. | 0:24:47 | 0:24:50 | |
David has found his way to Harry Thompson's shop | 0:24:53 | 0:24:55 | |
and immediately spies a lovely piece of Prattware. | 0:24:55 | 0:24:59 | |
Oh, my God. This, basically, is a paste pot. | 0:25:01 | 0:25:06 | |
And, around about sort of 1845, 1850... | 0:25:07 | 0:25:12 | |
..they used to present gentlemen's hair grease ointment | 0:25:13 | 0:25:16 | |
in plain, white pottery boxes. | 0:25:16 | 0:25:18 | |
And then somebody suggested, if we put a coloured picture on the top, | 0:25:20 | 0:25:23 | |
they'd sell more of the product. | 0:25:23 | 0:25:25 | |
David's quite right. Prattware elaborate polychrome images | 0:25:25 | 0:25:29 | |
were transfer-printed onto the top of hair grease and fish paste pots, | 0:25:29 | 0:25:33 | |
and they're now highly collectable today. | 0:25:33 | 0:25:35 | |
I think this one is of Strasbourg, is it not? | 0:25:35 | 0:25:38 | |
-I don't know. -I think it's Strasbourg. | 0:25:38 | 0:25:41 | |
So I rather like that one. | 0:25:41 | 0:25:44 | |
-You've got 50 on it. -Well, I know. | 0:25:44 | 0:25:47 | |
But that doesn't mean it's 50, does it? | 0:25:47 | 0:25:50 | |
What sort of price would it be? | 0:25:50 | 0:25:52 | |
Do I go up or down? | 0:25:52 | 0:25:54 | |
No. You go down, you go down. | 0:25:54 | 0:25:57 | |
Can you do it at 20 quid for us? | 0:25:59 | 0:26:00 | |
-Would you rob an old pensioner? -Yes. | 0:26:00 | 0:26:03 | |
Look how weary and tired I look like, you know. | 0:26:03 | 0:26:06 | |
And, I mean, some day you'll get to be old. | 0:26:06 | 0:26:08 | |
Oh, I feel old today. I feel old today! | 0:26:09 | 0:26:13 | |
22 Harry, please? | 0:26:14 | 0:26:16 | |
23. | 0:26:16 | 0:26:18 | |
Or 53, I aren't bothered. 53 or 23. | 0:26:19 | 0:26:22 | |
-23. -Oh. | 0:26:22 | 0:26:24 | |
-Thank you very much. -Are you going home now? | 0:26:24 | 0:26:26 | |
Oh, no. No, there might be something else lurking around. | 0:26:26 | 0:26:29 | |
I know. That's what's worrying me. | 0:26:29 | 0:26:31 | |
Not something, David, someone. | 0:26:31 | 0:26:33 | |
Look who's lurking at the door. | 0:26:33 | 0:26:35 | |
-Am I allowed to, or have you finished? -Yes, come on in. | 0:26:35 | 0:26:37 | |
-Let me introduce you to 'Arry. -Oh right, have you finished? | 0:26:37 | 0:26:41 | |
-Almost, yes. -Hello Harry. Well, I don't want to disturb you. | 0:26:41 | 0:26:44 | |
It's all right. I just want him out. | 0:26:44 | 0:26:47 | |
-You got rid of him. -He's robbed me summat rotten. | 0:26:47 | 0:26:49 | |
Has he robbed you? That means he's bought something. | 0:26:49 | 0:26:51 | |
Well, if I stay up here. I'll stay out of your way. I'll just go in here. | 0:26:51 | 0:26:55 | |
David, he's bought something. Bully for him. | 0:26:55 | 0:26:58 | |
Oh, she's not bitter, that girl. | 0:26:58 | 0:27:00 | |
Come on, Margie, you're in happy Harry's emporium now, | 0:27:00 | 0:27:04 | |
where there really is something for everyone. | 0:27:04 | 0:27:07 | |
That's quite interesting. Shelley. Collectable. | 0:27:08 | 0:27:10 | |
1930s. | 0:27:11 | 0:27:13 | |
The price is right. | 0:27:13 | 0:27:16 | |
Then you've got the lustre, which is very nice. 1930s. | 0:27:16 | 0:27:20 | |
Not a brilliant painting in the middle. | 0:27:20 | 0:27:22 | |
But purely because it's clean. | 0:27:24 | 0:27:27 | |
You know, it's not amazing, but I think it would sell. | 0:27:28 | 0:27:32 | |
Well, you'd better not dally then cos, down the road, | 0:27:33 | 0:27:36 | |
David is scenting success with a perfume bottle. | 0:27:36 | 0:27:39 | |
-I like that. -It is nice, that, isn't it? | 0:27:41 | 0:27:43 | |
So we've got a hinge-top section there, | 0:27:44 | 0:27:47 | |
with the cork, which I think has been replaced, actually. | 0:27:47 | 0:27:51 | |
And then this end, which is a screw end, | 0:27:53 | 0:27:56 | |
that would have been, again, you've got a cork stopper. | 0:27:56 | 0:28:00 | |
And I think that would have been for smelling salts. | 0:28:00 | 0:28:02 | |
I think it's the sort of thing that, if people are collecting scent bottles, and they do, | 0:28:04 | 0:28:08 | |
that's quite a nice little item. | 0:28:08 | 0:28:10 | |
That's got 95 on it, which is a little bit high. | 0:28:12 | 0:28:16 | |
What's the very best you can do on that? | 0:28:17 | 0:28:19 | |
Right, well, I'm saying I'm not going to go any lower than 65. | 0:28:20 | 0:28:23 | |
That's a good drop, a really good drop. 65. | 0:28:24 | 0:28:27 | |
What about £50? | 0:28:27 | 0:28:30 | |
No. I'll do you 55. | 0:28:30 | 0:28:32 | |
Can we split the difference at 52, please? | 0:28:32 | 0:28:35 | |
-(Go on, then.) -52. -52, that's it. | 0:28:39 | 0:28:42 | |
And that's why some people call him The Master. | 0:28:43 | 0:28:46 | |
This is mild hysteria now because we're on the last knockings. | 0:28:48 | 0:28:52 | |
What's this? This footman's quite nice, isn't it? | 0:28:54 | 0:28:57 | |
-Ooh, God, it's so heavy. -Oh, aye, that's nice. | 0:28:57 | 0:29:00 | |
By gum it's old, isn't it? Brass footman. | 0:29:02 | 0:29:05 | |
Interesting detail on the top. | 0:29:06 | 0:29:09 | |
I don't know enough about it but I quite like it. | 0:29:10 | 0:29:13 | |
In the early 19th century, fireside stools, or footmen like this, | 0:29:13 | 0:29:16 | |
were used to keep kettles and pans on. | 0:29:16 | 0:29:19 | |
Oh, God, we've got a floppy leg here. | 0:29:20 | 0:29:22 | |
No, I don't think that's... I quite like that, but... | 0:29:23 | 0:29:26 | |
Do you think I should buy this footman? | 0:29:26 | 0:29:28 | |
How much is it? | 0:29:28 | 0:29:30 | |
65 quid. | 0:29:30 | 0:29:32 | |
Right, so, if I buy that for a fiver. | 0:29:32 | 0:29:36 | |
It's that pretty little Shelley bowl. | 0:29:37 | 0:29:39 | |
-What would you want for the... -50. -50 quid. | 0:29:40 | 0:29:42 | |
Right, because I want to spend my money and because I'm fed up | 0:29:46 | 0:29:50 | |
and it's too late now to go anywhere else, it's the end of the day. | 0:29:50 | 0:29:52 | |
-I'll tell you what I'll do. -Yeah. | 0:29:53 | 0:29:55 | |
If you look at it all, give me 45. | 0:29:55 | 0:29:59 | |
-And go. -45. | 0:29:59 | 0:30:00 | |
Bless you. Harry, you're a star. | 0:30:00 | 0:30:02 | |
So that's £45 for the bowl and the footman. Deal done. | 0:30:02 | 0:30:06 | |
Well done, happy Harry. | 0:30:06 | 0:30:08 | |
I'm sorry if I've tested your patience. | 0:30:08 | 0:30:11 | |
You haven't tested my patience. As long as I'm taking some money, I don't care. | 0:30:11 | 0:30:16 | |
-Charming young ladies like you. -Young ladies. Here's another tenner. | 0:30:16 | 0:30:19 | |
No, my eyesight's going. | 0:30:21 | 0:30:25 | |
What a charmer! I'd get out while the going's good, Margie. | 0:30:25 | 0:30:27 | |
Thankfully, that's cheered her and him up. | 0:30:27 | 0:30:30 | |
With the final deals done, it's time for our experts to reveal their items to each other. | 0:30:32 | 0:30:37 | |
A bit like show and tell but for grown-ups. | 0:30:37 | 0:30:39 | |
Heads or tails? | 0:30:39 | 0:30:41 | |
-Which do you want? -Heads. -Heads. You ready? | 0:30:41 | 0:30:44 | |
Yeah. Oh, my... | 0:30:44 | 0:30:46 | |
-OK. It's tails. -It's tails. -Tails. | 0:30:46 | 0:30:48 | |
-So it's my choice. -It's your choice. | 0:30:48 | 0:30:50 | |
So you reveal. | 0:30:50 | 0:30:52 | |
Oh, dear, dear, dear. | 0:30:52 | 0:30:53 | |
Ooh. Oh, very David Barby. | 0:30:53 | 0:30:58 | |
Oh, I like... Oh, my goodness. | 0:30:58 | 0:31:00 | |
-Oh! -Oh! | 0:31:00 | 0:31:02 | |
And there's the coin. | 0:31:02 | 0:31:04 | |
What do you think? | 0:31:05 | 0:31:06 | |
My eye goes to that. | 0:31:06 | 0:31:09 | |
Absolutely super and in extremely good condition. | 0:31:11 | 0:31:13 | |
-That's my most expensive item. -Was it? | 0:31:13 | 0:31:15 | |
You paid 60 to 70 pounds for it? | 0:31:15 | 0:31:19 | |
I paid £52 for it and I think it has got a potential of making a profit. | 0:31:19 | 0:31:23 | |
Yeah, if it's right, you'll probably get just under 100 quid for it. | 0:31:23 | 0:31:27 | |
If not, you're probably talking, what, 70, 75. | 0:31:27 | 0:31:31 | |
-Yeah. -That looks interesting, at the back. | 0:31:31 | 0:31:33 | |
Oh, crikey, what's that big tankard at the back? | 0:31:33 | 0:31:35 | |
-It's commemorative. -Yes, but it's in appalling condition. | 0:31:35 | 0:31:38 | |
-Yeah. -Appalling condition. | 0:31:38 | 0:31:41 | |
Oh, that's lovely, isn't it? | 0:31:41 | 0:31:43 | |
Isn't it nice? I love anything to do with politics. | 0:31:43 | 0:31:45 | |
I think that's a really good piece. | 0:31:45 | 0:31:47 | |
Margie's seems oddly impressed by that tired, old tankard. | 0:31:47 | 0:31:51 | |
Right, come on girl, let's have a look at yours. | 0:31:51 | 0:31:53 | |
Right, here we go. Don't laugh. | 0:31:53 | 0:31:55 | |
Oh. | 0:32:00 | 0:32:01 | |
-Oh. -That's... | 0:32:02 | 0:32:04 | |
It's not often you see David Barby lost for words. | 0:32:06 | 0:32:09 | |
Oh. | 0:32:09 | 0:32:11 | |
Dough. | 0:32:11 | 0:32:12 | |
Is it a dough or is it a... | 0:32:12 | 0:32:16 | |
a mixer? | 0:32:16 | 0:32:17 | |
-Well, I don't know, it was sold... -It's continental, isn't it? | 0:32:17 | 0:32:19 | |
-Yeah, it is, European. -Continental. | 0:32:19 | 0:32:22 | |
And they would use it for storing vegetables. | 0:32:22 | 0:32:23 | |
Well, it's supposed to be a dough bowl. | 0:32:23 | 0:32:26 | |
-A dough bowl? -Dough bowl. -Right. -That's hard to say. | 0:32:26 | 0:32:29 | |
I can see it filled with cabbage, at harvest festival, | 0:32:29 | 0:32:34 | |
-with turnips and things like that. -Yeah. -I like the Imari. | 0:32:34 | 0:32:38 | |
Yeah, but turn it over. | 0:32:38 | 0:32:41 | |
-Ah. -I just thought that could be repaired. Five pounds. | 0:32:41 | 0:32:45 | |
Oh, that's so cheap. | 0:32:45 | 0:32:46 | |
And then there's Margie's bit of staircase. | 0:32:46 | 0:32:49 | |
Now, do tell me about the newel post. | 0:32:49 | 0:32:51 | |
-I know you're dying to tell me. -I love architectural stuff. | 0:32:51 | 0:32:53 | |
-Right. -You're obviously not keen, are you? | 0:32:53 | 0:32:55 | |
-I like this sort of thing. -No, I'm not, I'm not. | 0:32:55 | 0:32:57 | |
-Have we done all right? -I think we've got such diverse objects. | 0:32:57 | 0:33:01 | |
I think yours are more exciting than mine. | 0:33:01 | 0:33:04 | |
I think you've done very well. | 0:33:04 | 0:33:06 | |
Marge, best of luck at the auction. | 0:33:06 | 0:33:08 | |
Well, they're being nice to each other's faces | 0:33:10 | 0:33:12 | |
but what do they really think of each other's items? | 0:33:12 | 0:33:15 | |
I think Marjory has got quite an eclectic mix there. | 0:33:15 | 0:33:18 | |
The newel post, if anybody's restoring a house, | 0:33:18 | 0:33:21 | |
that's an ideal piece of Victoriana. | 0:33:21 | 0:33:23 | |
Out of the two of us, it's level pegging. | 0:33:23 | 0:33:26 | |
I think his old commemorative, | 0:33:26 | 0:33:28 | |
it'll be really interesting to see what that does | 0:33:28 | 0:33:32 | |
because it's so old and it's so damaged, | 0:33:32 | 0:33:34 | |
that could be a disaster. | 0:33:34 | 0:33:36 | |
I think I might just have the edge. | 0:33:37 | 0:33:39 | |
With both our experts feeling confident, | 0:33:39 | 0:33:41 | |
it's time to test their metal as they head out | 0:33:41 | 0:33:44 | |
into the open road and off to auction. | 0:33:44 | 0:33:46 | |
BOTH: # Wish me luck As I wave you goodbye | 0:33:46 | 0:33:49 | |
Gracie Fields. | 0:33:52 | 0:33:53 | |
From Alnwick, it's been an eventful first leg of the road trip | 0:33:55 | 0:33:58 | |
with one final push on to the auction at Leyburn, | 0:33:58 | 0:34:01 | |
in the heart of the Yorkshire Dales. | 0:34:01 | 0:34:03 | |
-Moment of truth. -Can be told. | 0:34:05 | 0:34:07 | |
Well, all I can say, Marge, is best of luck. | 0:34:08 | 0:34:10 | |
Today, our experts are doing battle at Tennants, | 0:34:10 | 0:34:14 | |
one of Yorkshire's most highly regarded auction houses. | 0:34:14 | 0:34:17 | |
It attracts buyers from around the world. | 0:34:17 | 0:34:19 | |
But will David and Margie's items have a global appeal? | 0:34:19 | 0:34:22 | |
We'll ask auctioneer Jeremy Patterson. | 0:34:22 | 0:34:25 | |
I think the Victorian double scent bottle's a decent lot. | 0:34:25 | 0:34:28 | |
I mean, it's small, condition's OK on it as well. | 0:34:28 | 0:34:32 | |
Quite desirable. I think that should sell OK. | 0:34:32 | 0:34:35 | |
The newel post. Not quite sure what you actually do with that. | 0:34:35 | 0:34:38 | |
Who knows? But certainly quirky anyway. | 0:34:38 | 0:34:41 | |
Sounds to me like a bit of a mixed bag then. | 0:34:42 | 0:34:44 | |
A cross between could-do-well and could-do-better. | 0:34:44 | 0:34:47 | |
But have they spent their money wisely? | 0:34:47 | 0:34:50 | |
David began the road trip with £200 and spent £152 on five lots, | 0:34:52 | 0:34:57 | |
leaving him with £48 cash in hand. | 0:34:57 | 0:34:59 | |
Margie also started with £200 and also bought five lots | 0:35:03 | 0:35:06 | |
but she only spent £126, | 0:35:06 | 0:35:08 | |
leaving her with £74 in the kitty. | 0:35:08 | 0:35:11 | |
And, as the auction gets under way, the tension is beginning to show. | 0:35:13 | 0:35:16 | |
I'm hyperventilating. | 0:35:20 | 0:35:21 | |
First up is David with this pretty, | 0:35:23 | 0:35:25 | |
if unfashionable, little piece of Prattware. | 0:35:25 | 0:35:28 | |
£50 for lot number 68. 50, 20, bid. | 0:35:28 | 0:35:31 | |
£20 I am bid. 30. 30 and you're in. | 0:35:31 | 0:35:34 | |
Any more bidders on this? For the pot, got to sell. | 0:35:34 | 0:35:37 | |
Any more bidders? 40. Against you, sir. | 0:35:37 | 0:35:39 | |
£40, the lady's bid. | 0:35:39 | 0:35:40 | |
On my right for the last time, 40'll take it, thank you. | 0:35:40 | 0:35:44 | |
Well done, mate, you've got a profit. | 0:35:44 | 0:35:47 | |
That's nice, isn't it? | 0:35:47 | 0:35:50 | |
Very nice indeed. Not a big profit but a profit nevertheless. | 0:35:50 | 0:35:54 | |
-I'm always happy once we've made a start. -I know. | 0:35:54 | 0:35:56 | |
-Don't worry, you'll make a profit on your footman. -Are you sure? | 0:35:56 | 0:35:59 | |
What, even with its wobbly leg? | 0:35:59 | 0:36:01 | |
Lot number 73, this 19th century footman. | 0:36:01 | 0:36:05 | |
£20 to start me. Bid, 20 at the back. | 0:36:05 | 0:36:07 | |
30, 40, 50, 60. | 0:36:07 | 0:36:10 | |
£60 I am bid in the room. | 0:36:10 | 0:36:12 | |
Bid standing against you, Madam, at 60. | 0:36:12 | 0:36:14 | |
Going to sell this. Any more bids? Don't want you to lose it for one bid. | 0:36:14 | 0:36:17 | |
£60'll take it. | 0:36:17 | 0:36:18 | |
Well done. | 0:36:18 | 0:36:20 | |
That's 20 quid profit, Marjory. | 0:36:22 | 0:36:25 | |
So, Margie takes an early lead with a profit on her first piece. | 0:36:25 | 0:36:28 | |
You've made £20. | 0:36:28 | 0:36:30 | |
-I'm three ahead of you. -I know. | 0:36:30 | 0:36:32 | |
I'm getting worried now, I'm really getting panicky. | 0:36:32 | 0:36:35 | |
Which is more than can be said for some in this auction room. | 0:36:35 | 0:36:37 | |
Wakey-wakey then, it's time for the next lot. | 0:36:37 | 0:36:40 | |
David's Victorian glass scent bottle. | 0:36:40 | 0:36:43 | |
-Here we go. -Isn't that lovely? | 0:36:43 | 0:36:44 | |
What am I going to say, £50 to start for that, 50? | 0:36:46 | 0:36:48 | |
30, bid. £30. Good scent bottle this. | 0:36:48 | 0:36:50 | |
40, 50, 60, 70, 80, 90. | 0:36:50 | 0:36:54 | |
£90 back row, lady's bid. | 0:36:54 | 0:36:57 | |
-100 if you wish anywhere? £90 right at the back row. -So cheap. | 0:36:57 | 0:36:59 | |
Don't miss it for one bid. With the lady at 90'll take it. | 0:36:59 | 0:37:02 | |
I told you you'd get 80, you got 90. | 0:37:03 | 0:37:06 | |
-Well done. -Thank you very much. | 0:37:06 | 0:37:08 | |
How much profit is that, Marjory? | 0:37:08 | 0:37:10 | |
Another profit for David. | 0:37:11 | 0:37:13 | |
£38, which is definitely not to be sniffed at. | 0:37:13 | 0:37:16 | |
Next, Margie's two pieces of porcelain. | 0:37:18 | 0:37:21 | |
A bargain at nine pounds. | 0:37:21 | 0:37:23 | |
£30 on the two. £20, thank you. 20 I am bid at the back. | 0:37:23 | 0:37:26 | |
155. £20 the starting bid. | 0:37:26 | 0:37:29 | |
Any advance on this? 20. 30. 30 to the lady. | 0:37:29 | 0:37:32 | |
At £30 at the back. 40 new bidder. 50. 50 on the back row against you, sir. | 0:37:32 | 0:37:37 | |
£50 at the moment. Any more bids on that? Going to sell. | 0:37:37 | 0:37:40 | |
All finished at 50. | 0:37:40 | 0:37:42 | |
I'm coming to this room again. | 0:37:42 | 0:37:43 | |
I am going to give him a kiss after this. He's brilliant. | 0:37:45 | 0:37:48 | |
Well, what a result, eh? | 0:37:48 | 0:37:50 | |
That is incredible. £41 profit. | 0:37:52 | 0:37:55 | |
And that definitely puts Margie back in the game. | 0:37:56 | 0:37:59 | |
-Oh, dear. Oh, dear. Oh, dear. -My nerves are going. | 0:37:59 | 0:38:01 | |
So are mine. | 0:38:01 | 0:38:03 | |
Now, can David do any better with his Staffordshire pottery figures | 0:38:03 | 0:38:06 | |
and that cracked commemorative tankard? | 0:38:06 | 0:38:09 | |
-He's giving it a good build-up. -..Alnwick, Northumberland. | 0:38:09 | 0:38:11 | |
£50 to start me. 50 bid, thank you, sir. | 0:38:11 | 0:38:14 | |
50 straight in, 60, 70, 80, 90, 100, | 0:38:14 | 0:38:18 | |
110, 120, 30, 140, | 0:38:18 | 0:38:20 | |
150, 160, 170, 180, 190. | 0:38:20 | 0:38:24 | |
Two bid, 220, 240. 240 I am bid. | 0:38:24 | 0:38:28 | |
Room bid at the moment. Rare mug there. | 0:38:28 | 0:38:30 | |
-It is rare. -Any more bids on this? For the last time. | 0:38:30 | 0:38:32 | |
Back right the bid. All finished at 240. | 0:38:32 | 0:38:34 | |
Well done! | 0:38:35 | 0:38:37 | |
Well, who would have thought that. A £218 profit on £22 of outlay. | 0:38:37 | 0:38:42 | |
Well done. | 0:38:42 | 0:38:44 | |
Flipping heck, what am I congratulating you for? | 0:38:44 | 0:38:46 | |
How much was that? | 0:38:47 | 0:38:49 | |
So can the auctioneer wield his magic | 0:38:53 | 0:38:55 | |
with Margie's pretty £5 Shelley bowl? | 0:38:55 | 0:38:58 | |
£30 for it. Good design, that one, 20. | 0:38:59 | 0:39:01 | |
£10 I am bid, thank you. Lot number 217 for Shelley. | 0:39:01 | 0:39:04 | |
-£10 bid on this one, 20, you're in. -It's worth more than that. | 0:39:04 | 0:39:07 | |
£20 I am bid on the Shelley bowl. | 0:39:07 | 0:39:09 | |
-30 anywhere? 1930s example as well. -Oh, no. | 0:39:09 | 0:39:11 | |
Bid's there, all finished on the gent's bid, £20. | 0:39:11 | 0:39:15 | |
Well, it's still a tidy profit for such little outlay. | 0:39:17 | 0:39:20 | |
-This interesting newel post. -The next item could be the answer to Margie's prayers. | 0:39:20 | 0:39:25 | |
But only if she can salvage a profit from it. | 0:39:25 | 0:39:27 | |
I'm not sure where the rest of the staircase is. | 0:39:29 | 0:39:31 | |
-Have I come late? -You cheeky monkey. | 0:39:31 | 0:39:34 | |
We'll see anyway. £20 for the post. | 0:39:34 | 0:39:36 | |
20, tenner. £10. Thank you, sir. £10 starts me. | 0:39:36 | 0:39:40 | |
£10 in the room. Shall I sell this? At 10 only. | 0:39:40 | 0:39:44 | |
15 bid. £20 you're in, sir. | 0:39:44 | 0:39:47 | |
-20 against, madam. -Keep going. -Don't miss it for one bid. | 0:39:47 | 0:39:50 | |
-All finished for the post. -Oh no. -£20'll take it. | 0:39:50 | 0:39:53 | |
Well done, sir. Do you want to take it now? | 0:39:53 | 0:39:56 | |
Thanks. | 0:39:56 | 0:39:58 | |
Well, he's got an absolute bargain. | 0:39:58 | 0:40:00 | |
Would you believe it? | 0:40:00 | 0:40:02 | |
It posted a loss(!) | 0:40:02 | 0:40:04 | |
But that, that is a scandal. That is worth a lot more than that. | 0:40:04 | 0:40:08 | |
I admire your guts in buying it. | 0:40:08 | 0:40:11 | |
All aboard for David's next lot | 0:40:11 | 0:40:13 | |
and his slightly scary-looking sailor boys. | 0:40:13 | 0:40:16 | |
These two charming 1930s Nora Wellings style. | 0:40:16 | 0:40:20 | |
Oh, for goodness' sake, don't start whipping up enthusiasm. | 0:40:20 | 0:40:24 | |
Start me at 20, sir. Bid. £20 at the back. | 0:40:24 | 0:40:26 | |
30, 40. | 0:40:26 | 0:40:28 | |
-40. Bid's at the back now with 40. -Come on. | 0:40:28 | 0:40:30 | |
Take the five if you want, sir. All finished at £40. | 0:40:30 | 0:40:32 | |
-40 quid, well who would've... -Any advance at 40 for the two? | 0:40:32 | 0:40:36 | |
-Thank you. £40. -You can't go wrong. -£40. | 0:40:36 | 0:40:39 | |
Who would've thought? | 0:40:39 | 0:40:41 | |
David's riding on the crest of a wave | 0:40:41 | 0:40:43 | |
with his two sailor boys and that profit. | 0:40:43 | 0:40:46 | |
But he's still not home and dry. | 0:40:46 | 0:40:48 | |
-We've both got one lot left. -Yes. | 0:40:48 | 0:40:50 | |
So, if you make a profit on your next lot, | 0:40:50 | 0:40:53 | |
you've scored on every single one. | 0:40:53 | 0:40:56 | |
Here we are, here we are. | 0:40:57 | 0:40:59 | |
David's final item is this decorative 19th century copper coal hod. | 0:40:59 | 0:41:03 | |
But will it set the auction room ablaze? | 0:41:03 | 0:41:05 | |
£20 bid thank you, sir. £20, got a commission bid on this. | 0:41:05 | 0:41:09 | |
20. Any more bids on this? 20, 30, 40. | 0:41:09 | 0:41:12 | |
On commission, it's my bid at the moment. One more, sir. | 0:41:12 | 0:41:15 | |
-Come on. -40. No buyer. My bid'll take it, then. | 0:41:15 | 0:41:16 | |
Any advance £40 and going? | 0:41:16 | 0:41:19 | |
-Commission bid. -Oh, what a shame. | 0:41:19 | 0:41:21 | |
You've not swept the boards. | 0:41:21 | 0:41:23 | |
I've lost. | 0:41:24 | 0:41:26 | |
No need to be a drama queen, David. It's only £5. | 0:41:26 | 0:41:29 | |
You've lost a fiver. I'm sorry for your loss. | 0:41:29 | 0:41:32 | |
Margie may yet have the last laugh. | 0:41:36 | 0:41:39 | |
She's still got her European dough bowl, | 0:41:39 | 0:41:41 | |
but will it rise to the occasion and give her the bread she needs to win? | 0:41:41 | 0:41:46 | |
£20 for a good piece of country furniture there. | 0:41:48 | 0:41:51 | |
£20 surely. Bid, thank you, sir. 20 starting bid. | 0:41:51 | 0:41:54 | |
-20, 30. 30 front row, 40, 50. -You're in profit. | 0:41:54 | 0:41:59 | |
-Frank, one more, sir. £50 I am bid. -It's not enough. | 0:41:59 | 0:42:01 | |
-60 anywhere for that large bowl? -You're in profit. | 0:42:01 | 0:42:04 | |
-You are in profit. -Don't be condescending. | 0:42:05 | 0:42:07 | |
Aw. | 0:42:07 | 0:42:09 | |
-That's disappointing again. -No it's not. It's a profit. | 0:42:09 | 0:42:12 | |
Sadly, Margie's dough bowl hasn't risen enough. | 0:42:12 | 0:42:15 | |
David Barby has triumphed. | 0:42:15 | 0:42:17 | |
-Well, congratulations, do you want to shake my hand? -Yes. | 0:42:17 | 0:42:19 | |
-Well done on your first day's success. -Don't worry about that newel post. | 0:42:21 | 0:42:25 | |
Margie started the show with £200 and, after auction costs, | 0:42:27 | 0:42:30 | |
has increased her spending power to £238. | 0:42:30 | 0:42:33 | |
David also started with 200 | 0:42:35 | 0:42:36 | |
and, with some canny buys, he's more than doubled his cash. | 0:42:36 | 0:42:40 | |
So, after auction costs, | 0:42:40 | 0:42:42 | |
he has an impressive £417 going into the next leg. | 0:42:42 | 0:42:46 | |
-Oh Margie, wasn't that good? I really, really enjoyed that. -It certainly was. | 0:42:46 | 0:42:50 | |
-Excuse me. -What? -I thought I was driving? | 0:42:50 | 0:42:52 | |
I'm a little bit concerned in your present state. | 0:42:52 | 0:42:55 | |
Are you going to be in control emotionally? | 0:42:55 | 0:42:57 | |
-Of course. I'm driving. -Oh, dear. Right, there we go. | 0:42:58 | 0:43:01 | |
Why do I always give way to women? | 0:43:02 | 0:43:04 | |
Ah well, David might be in the lead | 0:43:04 | 0:43:07 | |
but it looks like Margie's in charge going into the next round. | 0:43:07 | 0:43:10 | |
Next time on the Antiques Road Trip, Margie pops up in Richmond. | 0:43:11 | 0:43:15 | |
Here I come. | 0:43:15 | 0:43:17 | |
-Da-dah! -And David meets his match in Yarm. | 0:43:19 | 0:43:22 | |
That's it, shabby chic. | 0:43:22 | 0:43:24 | |
Not that shabby. | 0:43:24 | 0:43:27 | |
Well, there's plenty of chic. | 0:43:27 | 0:43:29 | |
There's plenty of cheek! | 0:43:29 | 0:43:31 | |
Subtitles by Red Bee Media Ltd | 0:43:51 | 0:43:52 |