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It's the nation's favourite antiques experts with £200 each, | 0:00:02 | 0:00:05 | |
a classic car and a goal - to scour Britain for antiques. | 0:00:05 | 0:00:09 | |
That hurts. | 0:00:09 | 0:00:10 | |
The aim - to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:18 | |
There will be worthy winners and valiant losers. | 0:00:18 | 0:00:21 | |
So much?! | 0:00:21 | 0:00:22 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:22 | 0:00:27 | |
SHE LAUGHS | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
It's the second leg of our antiques odyssey, | 0:00:36 | 0:00:39 | |
with treasure hunters David Barby and Margie Cooper | 0:00:39 | 0:00:42 | |
in their open-top 1979 Mercedes 350 SL. | 0:00:42 | 0:00:46 | |
And fresh from success, David is raring to go. | 0:00:46 | 0:00:50 | |
-I'm anxious to get shopping now. -Yeah. | 0:00:51 | 0:00:54 | |
I'm really excited I've got that money to spend. | 0:00:54 | 0:00:57 | |
Hard-earned money, Margie. | 0:00:57 | 0:01:00 | |
It certainly was! | 0:01:00 | 0:01:01 | |
Not that he's one to gloat at all. | 0:01:03 | 0:01:06 | |
David is the man of the moment after winning the first auction. | 0:01:08 | 0:01:12 | |
Oh, well congratulations. | 0:01:12 | 0:01:15 | |
He's the master of ceramics and also, the master of seduction. | 0:01:15 | 0:01:19 | |
-Beryl, look in my eyes. -Go on, then. | 0:01:19 | 0:01:22 | |
This is where I don't really know what I'm doing. | 0:01:22 | 0:01:25 | |
Margie Cooper likes to take a more chilled approach. | 0:01:25 | 0:01:28 | |
That'll keep you cool, man! | 0:01:28 | 0:01:30 | |
Cool is one thing, | 0:01:30 | 0:01:32 | |
but Margie had a lukewarm response at the first auction, making a small profit, | 0:01:32 | 0:01:36 | |
which means she only has £238 to spend on the next round. | 0:01:36 | 0:01:41 | |
-That's life, isn't it? -Certainly is. | 0:01:41 | 0:01:44 | |
David, on the other hand, more than doubled his initial £200, | 0:01:44 | 0:01:47 | |
giving him a mighty £417 to spend on today's road trip. | 0:01:47 | 0:01:52 | |
How much was that? | 0:01:52 | 0:01:54 | |
The route for the week takes our road trippers from Alnwick, | 0:01:54 | 0:01:58 | |
in Northumberland, through the beautiful English countryside | 0:01:58 | 0:02:01 | |
to their final destination of Lincoln, 200 miles away. | 0:02:01 | 0:02:06 | |
But today's trip begins in Barnard Castle in County Durham, | 0:02:06 | 0:02:09 | |
winding its way cross-country | 0:02:09 | 0:02:11 | |
to the delightful seaside town of Scarborough. | 0:02:11 | 0:02:14 | |
Barnard Castle is built around the great castle | 0:02:18 | 0:02:20 | |
founded in the Norman conquest. | 0:02:20 | 0:02:22 | |
Situated on the north side of the River Tees, | 0:02:22 | 0:02:25 | |
this pretty location is a real draw for travellers. | 0:02:25 | 0:02:29 | |
-I'm not going to say good luck. -Why not? -Because I don't mean it. | 0:02:29 | 0:02:34 | |
The first stop for Margie is Robson's Antiques to meet owner, Dale. | 0:02:34 | 0:02:38 | |
-Good morning. -Hello, good morning. -Wow! | 0:02:40 | 0:02:44 | |
-Margie. -Hello, Margie, nice to meet you. -You too. | 0:02:44 | 0:02:47 | |
There's something here to suit all tastes. It's a real Aladdin's cave. | 0:02:47 | 0:02:52 | |
-My word, an Aladdin's cave. -I just said that. | 0:02:52 | 0:02:56 | |
-I'm going to have a look round, if I may. -Yeah, look away. | 0:02:56 | 0:02:59 | |
-So, I'll see you later. -See you in a little bit. | 0:02:59 | 0:03:01 | |
-So, what's the plan of action? -I'm going to start up here... | 0:03:01 | 0:03:04 | |
Yes? | 0:03:04 | 0:03:05 | |
If I haven't got much money, | 0:03:05 | 0:03:07 | |
I buy better than when I've got loads of money. | 0:03:07 | 0:03:10 | |
You're at an advantage today then, | 0:03:10 | 0:03:12 | |
since you've only got half as much cash as David. | 0:03:12 | 0:03:15 | |
Ooh, whatever is that? | 0:03:15 | 0:03:17 | |
Gosh, never seen one of them before. | 0:03:18 | 0:03:21 | |
Must be a hearth brush... | 0:03:22 | 0:03:23 | |
with a brass horrible face... | 0:03:25 | 0:03:28 | |
and another horrible face. | 0:03:30 | 0:03:32 | |
-I've never seen one of those. -Well, you have now. | 0:03:32 | 0:03:35 | |
It's £45 but is that going to, if I get it really much cheaper, | 0:03:35 | 0:03:39 | |
I wonder is that going to be a saleable thing? | 0:03:39 | 0:03:42 | |
Is somebody going to want to buy that? | 0:03:42 | 0:03:44 | |
While Margie dithers over the hearth brush, | 0:03:44 | 0:03:46 | |
David steams ahead to the Mission Hall Antiques Centre just down the road. | 0:03:46 | 0:03:52 | |
-Hello there! -Good morning. | 0:03:56 | 0:03:58 | |
-We have something in common, haven't we? -We have. | 0:03:58 | 0:04:00 | |
-Your name's David. -It is. -Mine's David as well. That's a good start. | 0:04:00 | 0:04:04 | |
It's a good start. | 0:04:04 | 0:04:05 | |
And so, the Barby charm offensive begins. Watch this... | 0:04:05 | 0:04:09 | |
There's a little piece of toleware. | 0:04:14 | 0:04:16 | |
Toleware is a French term describing tin or steel-made objects | 0:04:16 | 0:04:21 | |
often enamelled and with decorative designs. | 0:04:21 | 0:04:25 | |
Inside there... | 0:04:25 | 0:04:27 | |
you'd have a compartment. | 0:04:27 | 0:04:29 | |
Ah! Isn't that lovely? | 0:04:29 | 0:04:31 | |
You put your spices in there. | 0:04:31 | 0:04:33 | |
Included in that circular section, that's the little nutmeg grater. | 0:04:33 | 0:04:38 | |
Isn't that good? So it's complete. | 0:04:38 | 0:04:42 | |
And I remember my grandmother having one of these. | 0:04:42 | 0:04:45 | |
That's quite nice, I like that. | 0:04:45 | 0:04:48 | |
I like that - good social history there. Mm. | 0:04:48 | 0:04:51 | |
Mm, I feel a deal coming on | 0:04:53 | 0:04:55 | |
-I'd say £40. -£40... | 0:04:55 | 0:04:57 | |
-35? -Could we say 30? | 0:04:57 | 0:05:01 | |
35 would be better. | 0:05:01 | 0:05:02 | |
HE LAUGHS | 0:05:04 | 0:05:06 | |
-32. I'll do it for 32, go on. -Hallelujah! | 0:05:06 | 0:05:11 | |
-Thank you very much, sir. -Thank you very much. | 0:05:13 | 0:05:15 | |
I haven't got the two pounds, unfortunately. | 0:05:15 | 0:05:18 | |
That is the oldest trick in the book, David! | 0:05:18 | 0:05:20 | |
I saw you look! I saw you look! | 0:05:20 | 0:05:25 | |
Nice try! | 0:05:25 | 0:05:26 | |
Oh, dear, oh, dear - you're such a hard man. | 0:05:26 | 0:05:29 | |
That's rich coming from you! | 0:05:29 | 0:05:32 | |
Back up the road, Margie is surveying the silverware. | 0:05:32 | 0:05:35 | |
That's a little card case, look. | 0:05:35 | 0:05:37 | |
She's eyeing up an Edwardian business card holder | 0:05:37 | 0:05:41 | |
and is considering a job lot of silver. | 0:05:41 | 0:05:43 | |
I need to compile a few bits. | 0:05:43 | 0:05:45 | |
I do actually have a set of sorts that's come in, | 0:05:45 | 0:05:49 | |
and that could be reasonable. | 0:05:49 | 0:05:51 | |
-An Edwardian manicure set. -How much is it, then? -25. | 0:05:51 | 0:05:54 | |
-What, for the whole lot? -Yeah. -Hmm. | 0:05:54 | 0:05:57 | |
-So, you've said 20 for that. -25 for that. -Yeah. | 0:05:59 | 0:06:03 | |
There's probably weight in that one! | 0:06:03 | 0:06:05 | |
I always laugh when I'm bidding! | 0:06:05 | 0:06:07 | |
-I don't know why, I should be more serious. -Yeah, yeah. | 0:06:07 | 0:06:10 | |
So what's your best offer... | 0:06:10 | 0:06:12 | |
-It's got to be that really. -Is it? -45. -It couldn't be 38? | 0:06:12 | 0:06:15 | |
Oh, God, no! | 0:06:15 | 0:06:18 | |
-I'm a bit... -£40 for the two. | 0:06:18 | 0:06:22 | |
And I don't think you can go wrong with that. | 0:06:22 | 0:06:24 | |
-OK. -OK. -We'll do it. | 0:06:24 | 0:06:26 | |
-Will we do that? -We'll do it. -Thank you very much. | 0:06:26 | 0:06:29 | |
With the silver sorted, Margie turns her attention | 0:06:29 | 0:06:32 | |
back to the hearth brush. | 0:06:32 | 0:06:35 | |
I've never seen one before. | 0:06:35 | 0:06:36 | |
I just think I like it, I like the heart, I like the wood. | 0:06:36 | 0:06:40 | |
-£30, it can be. -I've just spent 40! -Very, very best. -I've just spent 40! | 0:06:40 | 0:06:45 | |
I know, I know, but... | 0:06:45 | 0:06:47 | |
We have to make a bit of money. | 0:06:47 | 0:06:49 | |
I know you do. | 0:06:49 | 0:06:51 | |
So, 65 wouldn't do the deal? | 0:06:51 | 0:06:53 | |
-40, 50, 65... OK, we'll do that. -Go on then. -Thank you very much. | 0:06:55 | 0:06:59 | |
-It's a bit of a laugh! -I'll polish it. | 0:06:59 | 0:07:01 | |
-I'll even polish it for you, yeah? -That's great. | 0:07:01 | 0:07:04 | |
So, £65 for the manicure set and hearth brush. | 0:07:04 | 0:07:08 | |
Oh, look who's here! | 0:07:08 | 0:07:11 | |
Oh no, quick! Excuse me! | 0:07:11 | 0:07:13 | |
-Have you bought something? -Yeah, I just have. | 0:07:13 | 0:07:17 | |
-I'll just go through to the back room. -Right, go on then. -OK. | 0:07:17 | 0:07:20 | |
-Go on then. -Yes, all right. -You're not to look. -I won't, no. | 0:07:20 | 0:07:23 | |
-Have you bought anything? -Yes. -He has! -In my bag. | 0:07:23 | 0:07:25 | |
Ooh, I wonder what she's found? | 0:07:25 | 0:07:29 | |
He's such an nosy parker! | 0:07:29 | 0:07:31 | |
All will be revealed, David, but not just yet. | 0:07:31 | 0:07:35 | |
-Six, and that's seven. Just check it, will you, Dale? -Lovely. | 0:07:35 | 0:07:38 | |
Bye! | 0:07:39 | 0:07:41 | |
Ah, two lots. | 0:07:41 | 0:07:44 | |
With Margie out of the way, David has free rein. | 0:07:44 | 0:07:50 | |
Goodness me, this IS an Aladdin's cave! | 0:07:50 | 0:07:54 | |
Yes, we've already said that, David, twice! | 0:07:54 | 0:07:56 | |
Oh! It's got its cover! | 0:07:56 | 0:08:00 | |
Registration mark on the bottom, so that's a good sign. | 0:08:04 | 0:08:09 | |
This charming piece of Prattware is a hot water jug produced in 1851. | 0:08:09 | 0:08:15 | |
I really like that. | 0:08:15 | 0:08:16 | |
Particularly since it's got its original lid. | 0:08:17 | 0:08:21 | |
I think I'll see what sort of price I can get on that. | 0:08:22 | 0:08:25 | |
Prepare to witness the master at work as he engages his powers | 0:08:25 | 0:08:29 | |
of flattery, charm and Jedi mind tricks. | 0:08:29 | 0:08:33 | |
-You can try and sell it to me. -I can try and sell it to you? | 0:08:33 | 0:08:36 | |
It's £48. I'd like you to do your very, very best please. | 0:08:36 | 0:08:39 | |
£35. | 0:08:39 | 0:08:41 | |
Is that the silent treatment? | 0:08:46 | 0:08:48 | |
I would like it at a much less figure than you've quoted. | 0:08:48 | 0:08:51 | |
A much less figure? Well, you're very persuasive. | 0:08:51 | 0:08:54 | |
And it really should be the figure I've quoted. | 0:08:57 | 0:09:00 | |
-But if you'll give us £25 for it, I would accept that. -OK. | 0:09:00 | 0:09:04 | |
The incredible Mr Barby does it again. | 0:09:04 | 0:09:07 | |
At the same time, you've got in the window a pudding basin. | 0:09:07 | 0:09:12 | |
-Yes, yeah. -With a green transfer on. How much is that? | 0:09:12 | 0:09:16 | |
-Off the top of my head, I think that's about £80. -80?! -Yeah. | 0:09:16 | 0:09:20 | |
I can get it out and we can have a look at it, | 0:09:20 | 0:09:22 | |
but it is a decent amount of money. | 0:09:22 | 0:09:24 | |
£80! £80! | 0:09:24 | 0:09:29 | |
Well, I have to start high with you! You're a hard bargainer. | 0:09:29 | 0:09:32 | |
I think it's got to be around £30. | 0:09:32 | 0:09:34 | |
Just say no, Dale! | 0:09:34 | 0:09:36 | |
It's got to be £50. Maybe do it for 45, but... | 0:09:37 | 0:09:40 | |
It's a nice object. Somebody else will buy that. | 0:09:40 | 0:09:43 | |
-Could we split the difference at 35? -Oh, no, no, no way. -Good for you. | 0:09:43 | 0:09:46 | |
I tell you what, £40, but that's absolutely it, and that's cheap. | 0:09:46 | 0:09:52 | |
38 would be very, very kind to me. | 0:09:52 | 0:09:56 | |
Don't give in! | 0:09:56 | 0:09:58 | |
HE SIGHS | 0:09:58 | 0:10:00 | |
You've had one good deal, | 0:10:00 | 0:10:01 | |
I think you should give me a good deal on that! | 0:10:01 | 0:10:05 | |
Here he goes again. Don't look into his eyes, Dale! | 0:10:05 | 0:10:08 | |
(Please.) | 0:10:10 | 0:10:11 | |
HE SIGHS | 0:10:14 | 0:10:16 | |
-Go on, then, we'll do that. -OK, thank you very much indeed. | 0:10:16 | 0:10:19 | |
Some people just never learn! | 0:10:19 | 0:10:21 | |
Now, where's that money? Where's that money? | 0:10:23 | 0:10:27 | |
I'll have to prise it off you! | 0:10:27 | 0:10:28 | |
So how much do I owe you? | 0:10:30 | 0:10:32 | |
63. Oh, look at that! Just right! | 0:10:32 | 0:10:37 | |
You couldn't make it up! | 0:10:40 | 0:10:42 | |
Hardly denting his groaning wallet, that's another two items for David - | 0:10:42 | 0:10:46 | |
The hot water jug at £25, and the pudding basin for 38. | 0:10:46 | 0:10:51 | |
Reunited, David and Margie cross the county border into Richmond | 0:10:52 | 0:10:56 | |
in North Yorkshire, where they both shopped before. | 0:10:56 | 0:11:00 | |
This time, Margie is destined for the stage. | 0:11:00 | 0:11:02 | |
The Georgian Royal Theatre in Richmond | 0:11:03 | 0:11:07 | |
is the best surviving example of a Georgian Playhouse in Britain, | 0:11:07 | 0:11:11 | |
lovingly restored to all its former glory in 2002. | 0:11:11 | 0:11:14 | |
-You must be Sarah? -Hi! -Hi, I'm Margie. | 0:11:18 | 0:11:21 | |
-Come on in, welcome to the Georgian Theatre Royal. -Thank you very much. | 0:11:21 | 0:11:24 | |
So, Sarah, is this the main entrance? | 0:11:24 | 0:11:26 | |
It would have been the original entrance to the theatre, | 0:11:26 | 0:11:29 | |
cos this is the original box office that we've just passed. | 0:11:29 | 0:11:31 | |
-Oh, right. -Would you like to come up to the gallery? -I'd love to. | 0:11:31 | 0:11:34 | |
The theatre was built in 1788 by the famous actor-manager, | 0:11:34 | 0:11:39 | |
Samuel Butler, to entertain the masses. | 0:11:39 | 0:11:42 | |
Social status dictated the seating arrangements. | 0:11:42 | 0:11:45 | |
For most, it would have been the cheap seats in the gallery. | 0:11:45 | 0:11:48 | |
How wonderfully intimate. | 0:11:48 | 0:11:50 | |
It seats 214 now, | 0:11:50 | 0:11:52 | |
but it would have seated 400 when it was first opened. | 0:11:52 | 0:11:55 | |
Up in the gallery, you can see a lot of features | 0:11:55 | 0:11:57 | |
of the original Georgian Theatre, for example these kicking boards. | 0:11:57 | 0:12:01 | |
They would have had no qualms in kicking them | 0:12:01 | 0:12:03 | |
if they didn't like something that was going on stage. | 0:12:03 | 0:12:06 | |
That would put me off, I think, if I was an actor | 0:12:06 | 0:12:09 | |
by the fact that everybody's so close. | 0:12:09 | 0:12:11 | |
The boxes are actually on the stage. There'd have been nowhere to hide at all. | 0:12:11 | 0:12:14 | |
And people would be fidgeting and shouting. | 0:12:14 | 0:12:16 | |
-One thing, though, the mobile phones wouldn't be going. -No! | 0:12:16 | 0:12:19 | |
So, these are the cheap seats. Can you show me the dear ones? | 0:12:19 | 0:12:22 | |
-Yes, just through there. I'll take you down now. -Great. | 0:12:22 | 0:12:25 | |
For the aristocracy, it was a different story. | 0:12:27 | 0:12:31 | |
They could afford somewhere and little grander, | 0:12:31 | 0:12:34 | |
with views directly onto the stage - the royal box! | 0:12:34 | 0:12:37 | |
Cheap seats up there, posh seats down here, | 0:12:37 | 0:12:40 | |
all singing and dancing, a really good view of the stage? | 0:12:40 | 0:12:43 | |
Yes, but it wouldn't have been all good. | 0:12:43 | 0:12:45 | |
We've heard reports that there was a bunch of ladies who'd sat here, paid a lot of money, | 0:12:45 | 0:12:49 | |
and complained that there was water coming through the roof | 0:12:49 | 0:12:52 | |
onto their posh hats and everything. But obviously, it wasn't water. | 0:12:52 | 0:12:55 | |
The people had been sat upstairs for eight hours, no toilet facilities, | 0:12:55 | 0:12:58 | |
and they'd have been relieving themselves in buckets, | 0:12:58 | 0:13:01 | |
so we can only assume that what was tripping on their hats wasn't water! | 0:13:01 | 0:13:04 | |
Oh, gosh! | 0:13:04 | 0:13:05 | |
So, that's where the royal "wee" comes from! | 0:13:05 | 0:13:09 | |
Backstage, Margie's tour continues as she prepares to tread the boards. | 0:13:09 | 0:13:14 | |
-Right, so this is under this stage. -Very exciting! Gosh. | 0:13:15 | 0:13:20 | |
Oh, so what have we got here? | 0:13:20 | 0:13:22 | |
This is another feature of Georgian theatre, it's the trap mechanism. | 0:13:22 | 0:13:26 | |
Oh, that's the trap door? | 0:13:26 | 0:13:28 | |
Yes, there would have been three of these when the theatre first opened. | 0:13:28 | 0:13:32 | |
Two corner traps and a coffin one at the back of the stage, | 0:13:32 | 0:13:36 | |
which they'd have used for scenery as well as entrances on stage. | 0:13:36 | 0:13:39 | |
-Right. -So, do you fancy having a go? -I thought you might ask me that. | 0:13:39 | 0:13:43 | |
Not really! But I will. | 0:13:43 | 0:13:45 | |
I can't do it on my own, so I just need to get some muscle power. | 0:13:45 | 0:13:48 | |
-Right, I'm ready. -Here come the boys! | 0:13:48 | 0:13:49 | |
Keep my shoulders in, legs straight. | 0:13:49 | 0:13:52 | |
Head straight. | 0:13:53 | 0:13:55 | |
DRUM ROLL | 0:13:56 | 0:13:58 | |
Chops away! Here I come! | 0:13:58 | 0:14:01 | |
Ta-da! | 0:14:03 | 0:14:05 | |
And for my next trick, I'm going to thrash that David Barby. | 0:14:05 | 0:14:08 | |
Bravo! More! More! | 0:14:08 | 0:14:12 | |
As the lights go down for Margie, | 0:14:16 | 0:14:18 | |
there's more drama in store for David at his next stop - Yarm. | 0:14:18 | 0:14:24 | |
The name of the town is derived from the old Norse word "yarum", | 0:14:28 | 0:14:32 | |
meaning "an enclosure to catch fish." | 0:14:32 | 0:14:35 | |
I wonder what David will manage to reel in here? | 0:14:35 | 0:14:39 | |
Hello - David. | 0:14:39 | 0:14:41 | |
-Oh, hello. -Hello, how are you? -Sandy Welsh. | 0:14:41 | 0:14:43 | |
-And you're Sandy? -Yes, I am. -What a lovely name. | 0:14:43 | 0:14:46 | |
I recognise that face. We've been here before with Philip Serrell. | 0:14:47 | 0:14:50 | |
-70 quid for the two. -How much?! | 0:14:50 | 0:14:55 | |
-Good luck, David. -Right, what I'd like to do is have a look round. | 0:14:55 | 0:14:58 | |
-I tell you what I'm after. -Right, go on. | 0:14:58 | 0:15:01 | |
-I'm after something quirky. -Only me! | 0:15:01 | 0:15:06 | |
-You're priceless, can't afford you! Let me have a look round, then. -Yes. | 0:15:06 | 0:15:10 | |
She's a feisty one. Could David Barby finally have met his match? | 0:15:10 | 0:15:17 | |
This is a Victorian scrap screen, | 0:15:17 | 0:15:20 | |
where it was a hobby to cut out of magazines or use greeting cards | 0:15:20 | 0:15:27 | |
and stick them on to a screen. | 0:15:27 | 0:15:30 | |
-This is a possibility. -Oh, not cheap! Anything else? | 0:15:31 | 0:15:36 | |
That's £80, it's a little bit too much for me. | 0:15:36 | 0:15:39 | |
How much could it go for? | 0:15:39 | 0:15:41 | |
You might be able to take advantage of me today, | 0:15:41 | 0:15:46 | |
because I had a late night last night. | 0:15:46 | 0:15:49 | |
Oh, I say! Frisky! | 0:15:49 | 0:15:51 | |
This is Walter Moorcroft vase of cylindrical form | 0:15:53 | 0:15:56 | |
and I suppose probably made to hold spills | 0:15:56 | 0:15:59 | |
used for lighting fires or candles. | 0:15:59 | 0:16:03 | |
-Right, it's nice. -So, what sort of figure? -Oh... | 0:16:03 | 0:16:08 | |
When I said you could take advantage I didn't mean the whole way! | 0:16:08 | 0:16:12 | |
-Well, halfway? -Well, erm... | 0:16:14 | 0:16:18 | |
-80? -Oh! | 0:16:18 | 0:16:21 | |
You're taking advantage of ME! | 0:16:21 | 0:16:23 | |
-80? Oh, come on! -Well... -Sandy! | 0:16:24 | 0:16:30 | |
75. | 0:16:30 | 0:16:31 | |
These two started off so well together, | 0:16:31 | 0:16:34 | |
but I sense it could all end in tears. | 0:16:34 | 0:16:37 | |
-Absolutely. -Let me put that out there. -Put it to one side. | 0:16:37 | 0:16:41 | |
I'll put that to one side. Because I trust you... | 0:16:41 | 0:16:45 | |
Brace yourself, Sandy. | 0:16:45 | 0:16:46 | |
..I'm going to ask you the best price that you can do for me on that. | 0:16:46 | 0:16:52 | |
I trust your honesty and your kindness. | 0:16:52 | 0:16:55 | |
I'll tell you what, you're good. | 0:16:55 | 0:16:57 | |
-You're good. -You what? | 0:16:58 | 0:17:01 | |
Finally, someone has rumbled the silver-tongued charmer! | 0:17:01 | 0:17:05 | |
In your heart of hearts, | 0:17:05 | 0:17:06 | |
what do you think would be a good price on that for me and you? | 0:17:06 | 0:17:13 | |
A good price? I'd say half the price you're asking. | 0:17:13 | 0:17:17 | |
You're making me head ache. 55. | 0:17:18 | 0:17:20 | |
-48. -You have worn me to a frazzle. | 0:17:20 | 0:17:24 | |
-So, it's 48? -I'll let you have it for 48 if you buy something else. | 0:17:24 | 0:17:28 | |
-Where are your post cards? -You've worn me out! | 0:17:28 | 0:17:32 | |
David won over the battle of the Moorcroft, | 0:17:32 | 0:17:34 | |
but can Sandy triumph over the Victorian scrap screen, price - £168. | 0:17:34 | 0:17:39 | |
You'll make a fortune on that screen. | 0:17:39 | 0:17:43 | |
Sandy, I don't think it's in good condition, darling. | 0:17:43 | 0:17:46 | |
No, but that's it, shabby chic. | 0:17:46 | 0:17:49 | |
Not that shabby. | 0:17:49 | 0:17:51 | |
There's plenty of chic. | 0:17:51 | 0:17:54 | |
There is plenty of cheek! | 0:17:54 | 0:17:56 | |
-Can you tuck it just under the £100, please? -No. | 0:17:56 | 0:18:00 | |
If I said you 115, then that would be it. Otherwise, we can't do it. | 0:18:01 | 0:18:07 | |
-Could we split the difference at 100? -Oh! -That's splitting the difference. | 0:18:07 | 0:18:12 | |
Go on, then. | 0:18:12 | 0:18:14 | |
What have I done? What have I done? | 0:18:15 | 0:18:18 | |
-That's £148 you owe me. -Oh, so much! | 0:18:18 | 0:18:23 | |
Yes... | 0:18:23 | 0:18:25 | |
My husband will say to me, "You're losing your touch." | 0:18:27 | 0:18:31 | |
You're not losing your touch at all. | 0:18:31 | 0:18:34 | |
Sandy, thank you very much. | 0:18:34 | 0:18:36 | |
So, no hard feelings. Time to kiss and make up. | 0:18:36 | 0:18:39 | |
-Made in heaven! -Thank you. -£2, thank you. -Thank you. | 0:18:39 | 0:18:43 | |
-Bye. -Bye-bye. | 0:18:45 | 0:18:48 | |
Was that Sandy crying? | 0:18:48 | 0:18:50 | |
Well, perhaps she'll have the last laugh | 0:18:50 | 0:18:53 | |
when the scrap screen goes to auction. | 0:18:53 | 0:18:55 | |
With five items already in the bag, David can sleep like a baby. | 0:18:55 | 0:19:00 | |
Night night. | 0:19:00 | 0:19:01 | |
It's not just a brand-new day, | 0:19:06 | 0:19:08 | |
it's a very special day for one of our antiques experts. | 0:19:08 | 0:19:11 | |
# Oh what a beautiful morning! # | 0:19:13 | 0:19:17 | |
-It certainly is. It's your birthday. -It's my birthday. | 0:19:17 | 0:19:20 | |
# Happy birthday to you...# | 0:19:21 | 0:19:23 | |
Yes, he's another year older, | 0:19:23 | 0:19:25 | |
but does that make him any more valuable? | 0:19:25 | 0:19:28 | |
Well, it doesn't matter - he's loaded anyway. | 0:19:28 | 0:19:31 | |
So far, David has spent £243 on five items - | 0:19:31 | 0:19:35 | |
a vintage spice tin, a Grimwade pudding basin, a Felix Pratt hot water jug, | 0:19:35 | 0:19:39 | |
a Moorcroft vase and a Victorian scrap screen, | 0:19:39 | 0:19:42 | |
which means he still has £174 cash in hand. | 0:19:42 | 0:19:46 | |
Margie, meanwhile, has managed to part with £65 on two lots - | 0:19:48 | 0:19:51 | |
the hearth brush and a bundle of silverware, | 0:19:51 | 0:19:54 | |
which gives her a total of £173 to spend on today's shopping. | 0:19:54 | 0:19:57 | |
The first stop of the day | 0:20:01 | 0:20:02 | |
is a mystery location in the suburbs of Middlesbrough, | 0:20:02 | 0:20:06 | |
where Margie is going on a secret mission to secure her next purchase. | 0:20:06 | 0:20:11 | |
I think it's a business run from a house. | 0:20:11 | 0:20:12 | |
-Oh, right? -It's a bit of a mystery. -Well, Margie, I think we're here. | 0:20:12 | 0:20:16 | |
-Yeah. So, it's all very intriguing. -I know! | 0:20:16 | 0:20:19 | |
I wish I was with you, actually. Buy lots! Spend all your money? | 0:20:19 | 0:20:24 | |
Margie has arranged to meet the owner, Jim. | 0:20:25 | 0:20:28 | |
I think it's over there somewhere. | 0:20:28 | 0:20:30 | |
Let's hope she finds the right house, | 0:20:30 | 0:20:31 | |
otherwise she's about to get done for breaking and entering. | 0:20:31 | 0:20:35 | |
-Good morning. -Good morning, Margie. Pleasure to meet you. | 0:20:39 | 0:20:42 | |
Welcome to Appleton Antiques, Middlesbrough. | 0:20:42 | 0:20:44 | |
-Thank you very much indeed. -Pleasure. | 0:20:44 | 0:20:46 | |
Jim's antiques shop is actually an extension of his home | 0:20:46 | 0:20:50 | |
and only select buyers get to visit, | 0:20:50 | 0:20:53 | |
so Margie had better make the most of it! | 0:20:53 | 0:20:56 | |
-My eye's suddenly gone to this. -It does... -It's distressed. | 0:20:56 | 0:21:01 | |
-It's distressed. -What a good word! | 0:21:01 | 0:21:04 | |
£59, so where's it distressed? | 0:21:04 | 0:21:09 | |
-It's quite heavy. -Distressed? I call it cracked! | 0:21:09 | 0:21:11 | |
Do you want to see on the bottom - it's got a nice crack on the base. | 0:21:11 | 0:21:16 | |
Yeah, yeah, lovely! | 0:21:16 | 0:21:17 | |
-But it's got a presence. -It certainly has. | 0:21:19 | 0:21:21 | |
And no wonder - it's a classic piece of Linthorpe pottery | 0:21:21 | 0:21:24 | |
by influential designer, Christopher Dresser. | 0:21:24 | 0:21:27 | |
Linthorpe was only produced over a ten-year period from 1879, | 0:21:27 | 0:21:32 | |
so it's now highly collectable. | 0:21:32 | 0:21:34 | |
I've never seen anything quite like it. £59... | 0:21:34 | 0:21:38 | |
-40's the rock bottom. -Rock bottom. | 0:21:40 | 0:21:42 | |
I'm going to be brave and I'm going to say, | 0:21:42 | 0:21:44 | |
I would have been really happy at 35, but you're not going to go down? | 0:21:44 | 0:21:47 | |
-40's the best, yeah. -OK, Jim. -Good, thank you. | 0:21:47 | 0:21:51 | |
So that's...£40, Jim. | 0:21:51 | 0:21:55 | |
-Thank you very much. -Thanks so much. | 0:21:55 | 0:21:57 | |
Back on the road, David has driven 30 miles across to Whitby | 0:21:57 | 0:22:01 | |
the on the east coast of Yorkshire. | 0:22:01 | 0:22:03 | |
The fishing port emerged during the Middle Ages. | 0:22:03 | 0:22:07 | |
It's where Captain Cook learned seamanship. | 0:22:07 | 0:22:10 | |
Known for its fish and chips, Whitby is also famous for something else. | 0:22:10 | 0:22:14 | |
I'm on the way to meet a young lady | 0:22:14 | 0:22:19 | |
who's going to tell me about Whitby jet. | 0:22:19 | 0:22:21 | |
It's going to be quite a fascinating lesson. | 0:22:21 | 0:22:25 | |
The jet found in Whitby is unrivalled | 0:22:25 | 0:22:28 | |
to that found anywhere else in the world. | 0:22:28 | 0:22:30 | |
The semi-precious gemstone | 0:22:30 | 0:22:32 | |
comes from ancient fossilised monkey puzzle trees | 0:22:32 | 0:22:36 | |
formed when trees decomposed under extreme pressure | 0:22:36 | 0:22:40 | |
182 million years ago. | 0:22:40 | 0:22:43 | |
Much of the raw material is found here at Boggle Hole | 0:22:43 | 0:22:46 | |
in Robin Hood Bay. | 0:22:46 | 0:22:48 | |
-What a romantic place! -It's gorgeous, isn't it? | 0:22:48 | 0:22:50 | |
-I'm David, what's your name? -Rebecca. | 0:22:50 | 0:22:53 | |
-You come here often, do you? -Yeah, on days off. | 0:22:53 | 0:22:56 | |
What do I look for, is it all black? | 0:22:56 | 0:23:00 | |
It is black, but it's quite difficult to actually find it. | 0:23:00 | 0:23:03 | |
Because of coastal erosion, it's illegal to mine the jet, | 0:23:03 | 0:23:06 | |
which can make it difficult to find. | 0:23:06 | 0:23:08 | |
One way of telling it is by its weight. | 0:23:08 | 0:23:11 | |
Obviously, stones and pebbles are quite heavy. | 0:23:11 | 0:23:14 | |
Jet is a very light material, with it being fossilised wood. | 0:23:14 | 0:23:17 | |
-Right, right. -That is heavy, that's definitely not jet. | 0:23:17 | 0:23:20 | |
-Don't even need to scratch that to find out. -Just my luck! | 0:23:20 | 0:23:23 | |
Everything I pick up, you throw away! | 0:23:23 | 0:23:25 | |
We've not been very successful, have we? | 0:23:25 | 0:23:27 | |
We've not, really, but it is VERY difficult to find. | 0:23:27 | 0:23:30 | |
I'm sure it is. I think we've experienced that. | 0:23:30 | 0:23:32 | |
Have you got a piece on you, what I should be looking for? | 0:23:32 | 0:23:35 | |
Yeah, I do. I've a couple of examples. | 0:23:35 | 0:23:37 | |
Jet comes in two different ways, really. | 0:23:37 | 0:23:40 | |
There's either sea-washed jet or cliff jet. | 0:23:40 | 0:23:43 | |
So, that's the sea-washed yet. You can feel how light it is. | 0:23:43 | 0:23:46 | |
-It is, it would almost float. -Yeah, it's not what you expect. | 0:23:46 | 0:23:49 | |
You look at it, it looks quite a dark, heavy material, | 0:23:49 | 0:23:53 | |
but it's incredibly light. It's also warm to the touch as well. | 0:23:53 | 0:23:56 | |
-And it's been polished by the sand, hasn't it, and the sea? -Yeah, yeah. | 0:23:56 | 0:24:00 | |
We actually prefer it sea-washed | 0:24:00 | 0:24:03 | |
-as opposed to out of the cliff like this. -Why's that? | 0:24:03 | 0:24:07 | |
When it's sea washed, it tumbles against the rocks in the waves | 0:24:07 | 0:24:11 | |
-and it gets off any shale or impurities. -Right, I follow that. | 0:24:11 | 0:24:15 | |
So you're literally left with the best stuff. | 0:24:15 | 0:24:18 | |
It's easier for us to work with as a product. | 0:24:18 | 0:24:21 | |
Why don't I take you to the shop | 0:24:21 | 0:24:23 | |
and you can see various different designs in the antiques section, | 0:24:23 | 0:24:26 | |
and you can also have a go at cutting some yourself if you like? | 0:24:26 | 0:24:28 | |
-And maybe a cup of tea? -Oh, definitely a cup of tea! | 0:24:28 | 0:24:31 | |
Thank you very much. | 0:24:31 | 0:24:33 | |
Queen Victoria loved Whitby jet and made the jewellery popular | 0:24:33 | 0:24:36 | |
during her 40-year period of mourning. | 0:24:36 | 0:24:39 | |
Back at Rebecca's workshop, | 0:24:39 | 0:24:42 | |
David is about to get a lesson in working with the semi-precious stone. | 0:24:42 | 0:24:45 | |
This is the ring that I'm going to get you to work on. | 0:24:48 | 0:24:51 | |
I've got a piece of jet that's roughly cut and polished, | 0:24:51 | 0:24:55 | |
so what I want you to do is grind that into that exact shape | 0:24:55 | 0:24:59 | |
so that it fits in perfectly. | 0:24:59 | 0:25:01 | |
That is the first process of working with jet. | 0:25:01 | 0:25:03 | |
Have a go. I'll turn the machine on for you. | 0:25:03 | 0:25:06 | |
That's it. | 0:25:14 | 0:25:15 | |
-You have to have a good eye. -You do. -Where did you train? | 0:25:15 | 0:25:19 | |
I trained doing jewellery, like the silversmithing side, | 0:25:19 | 0:25:23 | |
at Birmingham City University in the Jewellery Quarter. | 0:25:23 | 0:25:27 | |
It's the best place I could have trained, | 0:25:29 | 0:25:31 | |
but I didn't know anything about working jet | 0:25:31 | 0:25:33 | |
until I came to work for this company. | 0:25:33 | 0:25:35 | |
Of course, you can't go anywhere else, can you? | 0:25:35 | 0:25:37 | |
-Because there's no jet anywhere else. -Well, no. | 0:25:37 | 0:25:40 | |
-Shall I give it a try now? -Yeah. | 0:25:43 | 0:25:44 | |
I think it's gone slightly at an angle. | 0:25:46 | 0:25:48 | |
That's very good for your first try, I have to say. You're almost there. | 0:25:48 | 0:25:53 | |
This is one that I've done earlier. | 0:25:53 | 0:25:56 | |
That's what it's going to look like when it's done, | 0:25:56 | 0:25:58 | |
when the piece of jet is set in place. | 0:25:58 | 0:26:01 | |
I think it's wonderful. | 0:26:01 | 0:26:03 | |
I hope you have loads of people come and have a look at this, | 0:26:03 | 0:26:06 | |
-because it's fantastic. -Oh, we do, yeah. | 0:26:06 | 0:26:07 | |
-Thank you very much. -You're quite welcome. | 0:26:07 | 0:26:09 | |
-And thanks for letting me have a go. -That's OK. You did very well. | 0:26:09 | 0:26:12 | |
I'm going to have a shower. | 0:26:12 | 0:26:13 | |
Make it a cold one. | 0:26:15 | 0:26:16 | |
While David cleans up, | 0:26:16 | 0:26:18 | |
Margie has travelled four miles south to the village of Sleights. | 0:26:18 | 0:26:22 | |
Located in the Esk Valley, | 0:26:24 | 0:26:26 | |
Sleights is a charming little village where time passes slowly - | 0:26:26 | 0:26:31 | |
unless you're Margie Cooper hunting down a bargain, that is. | 0:26:31 | 0:26:35 | |
As usual, we're in a bit of a rush. | 0:26:35 | 0:26:37 | |
Let's have a look in here. | 0:26:37 | 0:26:40 | |
-Hello. You must be Phil? -Hello, pleased to meet you. | 0:26:40 | 0:26:43 | |
-I'm Margie. -Hi. -Hi. God, it's cold, isn't it? | 0:26:43 | 0:26:45 | |
It is, it's not the warmest of days out there. | 0:26:45 | 0:26:47 | |
Eskdale Antiques is quite literally a barn of a shop | 0:26:47 | 0:26:51 | |
based in an old farmyard. | 0:26:51 | 0:26:53 | |
Let's hope Margie doesn't end up buying a pile of you-know-what by mistake! | 0:26:53 | 0:26:57 | |
-Do you like advertising? -Oh! | 0:26:57 | 0:26:59 | |
One and nine with three gallons, | 0:27:00 | 0:27:02 | |
so it's got a slight motoring association. | 0:27:02 | 0:27:04 | |
How much is that? | 0:27:04 | 0:27:07 | |
45. | 0:27:07 | 0:27:09 | |
-You know, I'm lost for words? -It's quite retro, isn't it? | 0:27:09 | 0:27:13 | |
-And retro's quite... -I know. -It's quite in fashion, retro stuff. | 0:27:13 | 0:27:16 | |
-Oh, gosh. -It's just something a bit unusual. -Yeah... | 0:27:16 | 0:27:18 | |
I don't know whether I want to risk £45 on that, | 0:27:18 | 0:27:22 | |
cos I don't know what I'm doing. | 0:27:22 | 0:27:24 | |
It's never stopped you before, Margie. | 0:27:24 | 0:27:26 | |
Oh, I don't know. How low could it go? | 0:27:26 | 0:27:27 | |
If I said 35 to you. | 0:27:27 | 0:27:30 | |
-35? -It must give you 15 or 20 quid at least, maybe a bit more? | 0:27:30 | 0:27:34 | |
-That's not going to go for 50 quid, is it? -Yeah, I think it will. | 0:27:34 | 0:27:37 | |
Oh, I don't think so. | 0:27:37 | 0:27:40 | |
It's just all guesswork with something like that, isn't it? | 0:27:40 | 0:27:43 | |
Yeah, but that's what makes it fun, isn't it? | 0:27:43 | 0:27:45 | |
-It'd make it fun if it was 25 quid. -How about going halfway? | 0:27:45 | 0:27:51 | |
-Meet me in the middle. -Oh, gosh, 30 still sounds dear, Phil, doesn't it? | 0:27:52 | 0:27:58 | |
-We'll make a deal if you like. -25? | 0:27:58 | 0:28:00 | |
Yeah, we'll make a deal at 25 quid, OK? Thank you very much. | 0:28:00 | 0:28:03 | |
Thank you very much. Let's give you some money. | 0:28:03 | 0:28:06 | |
We've got 20, 30. There you go. | 0:28:06 | 0:28:09 | |
Thank you very much. | 0:28:09 | 0:28:11 | |
-Thank you very much. -There we go, just a fiver. | 0:28:11 | 0:28:13 | |
That's great, thanks, Phil. Oh, what have I done? | 0:28:13 | 0:28:17 | |
With time running out, Margie legs it across to Whitby... | 0:28:17 | 0:28:21 | |
Here goes - nothing ventured...! | 0:28:21 | 0:28:24 | |
..where David is looking for his last shop of the day. | 0:28:24 | 0:28:27 | |
Gosh, it's getting rather late now. | 0:28:27 | 0:28:29 | |
I'll just nip down there and see if there's a shop open, | 0:28:29 | 0:28:32 | |
because I haven't shopped today and I need to get one more item. | 0:28:32 | 0:28:35 | |
Well, you know what they say, David? He who shops last shops longest. | 0:28:35 | 0:28:40 | |
Looks like Margie's stolen his thunder. | 0:28:40 | 0:28:43 | |
She's beaten you to the last shop. | 0:28:43 | 0:28:47 | |
-Hi, hello. -Hello, how do you do? -Margie Cooper, and you are? -Frank. | 0:28:47 | 0:28:50 | |
Frank. Hi, Frank. I'm just going to have a quick look round, | 0:28:50 | 0:28:53 | |
-is that all right? -You're quite welcome, yes. | 0:28:53 | 0:28:57 | |
You've got all sorts in here. | 0:28:57 | 0:28:59 | |
-Yeah, there's a bit of everything. -Yeah. | 0:28:59 | 0:29:02 | |
-That's nice. -Yeah, it is. | 0:29:02 | 0:29:04 | |
Not that easy to... Where's the other one? | 0:29:04 | 0:29:07 | |
THEY LAUGH | 0:29:07 | 0:29:09 | |
-There's not two, is there? -I think there might be! | 0:29:09 | 0:29:12 | |
Yes, some antiques come in matching pairs, just like our experts. | 0:29:12 | 0:29:17 | |
Where there's Margie, David's usually not far behind. | 0:29:17 | 0:29:21 | |
Oh, I can't believe it, Margie's in there! Oh no! | 0:29:21 | 0:29:26 | |
-I see what you mean about the barometers, they're quite nice. -They're lovely. | 0:29:28 | 0:29:32 | |
-What sort of money can they be? What's the middle one? -The rope one? | 0:29:32 | 0:29:36 | |
-Yeah. -Has it got £60 on it? £40. | 0:29:36 | 0:29:39 | |
-Not 20? -No, can't do it at 20. | 0:29:39 | 0:29:42 | |
Oh, now what? Oh, it is him! | 0:29:42 | 0:29:46 | |
What? I'm going now, I'm nearly finished. | 0:29:48 | 0:29:51 | |
Are you buying a pair of shoes? | 0:29:51 | 0:29:53 | |
SHE LAUGHS | 0:29:53 | 0:29:55 | |
I can't wait any longer. | 0:29:55 | 0:29:57 | |
She hasn't bought anything. Typical women! | 0:29:58 | 0:30:02 | |
35 and that's it, right? | 0:30:02 | 0:30:07 | |
You've got to buy something otherwise... | 0:30:07 | 0:30:09 | |
You'll kick me out of the shop. | 0:30:09 | 0:30:11 | |
You're fed out with me now, aren't you? I can't feel it. | 0:30:11 | 0:30:14 | |
He's not the only one! | 0:30:14 | 0:30:15 | |
I've had enough. | 0:30:15 | 0:30:17 | |
I'm going back to the hotel. | 0:30:20 | 0:30:22 | |
And just like that, David Barby becomes Diva Barby. | 0:30:22 | 0:30:27 | |
SHE LAUGHS | 0:30:27 | 0:30:29 | |
-Here we are. -Right, thank you so much. | 0:30:29 | 0:30:33 | |
-Margie has sealed the deal on the barometer for £35. -There you go. | 0:30:33 | 0:30:37 | |
-Thank you so much. -OK, my dear. | 0:30:37 | 0:30:40 | |
And I hope it makes a profit. | 0:30:40 | 0:30:44 | |
-You'll be all right. -Thanks a lot. -OK then. | 0:30:44 | 0:30:49 | |
After David's calmed down with a good dose of gripe water, | 0:30:49 | 0:30:52 | |
our experts are ready to reveal themselves. | 0:30:52 | 0:30:55 | |
Well, not literally! | 0:30:55 | 0:30:57 | |
A case of "you show me yours and I'll show you mine." | 0:30:57 | 0:31:00 | |
-Right, you start, Margie. -Ready? | 0:31:00 | 0:31:03 | |
Yeah, let's have a look. | 0:31:03 | 0:31:04 | |
-There's another. -Oh! -There's something else. -Oh! | 0:31:06 | 0:31:09 | |
I've seen something I would have bought! | 0:31:10 | 0:31:12 | |
This is the piece de resistance. | 0:31:12 | 0:31:14 | |
Oh, pull the other one! It's got tights on. | 0:31:14 | 0:31:16 | |
Oh no, that brings back too many memories. | 0:31:16 | 0:31:19 | |
I could never get them on then! | 0:31:19 | 0:31:21 | |
That is wonderful! I like that. | 0:31:24 | 0:31:27 | |
Well, I don't. I don't understand the market. | 0:31:27 | 0:31:29 | |
-How much did you pay for that? -25 quid. -Oh, that's good. | 0:31:29 | 0:31:33 | |
-Can I just dive in immediately, please? -Yeah. | 0:31:33 | 0:31:37 | |
-How funny you've gone for that. -I love it. | 0:31:37 | 0:31:39 | |
-I know. I was rather hoping... -I'm so envious. | 0:31:39 | 0:31:42 | |
Now I AM surprised. | 0:31:42 | 0:31:45 | |
-What did you pay for that? -25. -Oh, that's so cheap. | 0:31:45 | 0:31:49 | |
Thank you, dear. | 0:31:49 | 0:31:50 | |
Then I would imagine the next thing I'm looking at, is this Burmantofts? | 0:31:50 | 0:31:54 | |
-Linthorpe. -Oh, sugars! | 0:31:54 | 0:31:56 | |
-But, very distressed. -But not as distressed as David! | 0:31:59 | 0:32:03 | |
What is so good about this is the shape. How much did you pay for it? | 0:32:03 | 0:32:08 | |
-£40. -Oh, that's a giveaway. | 0:32:08 | 0:32:10 | |
-Lovely, lovely piece. -It will be, with all those cracks! | 0:32:10 | 0:32:14 | |
OK, now look at my miserable little collection. | 0:32:14 | 0:32:17 | |
-Oh, God! -Oh, gosh! | 0:32:19 | 0:32:21 | |
And then... | 0:32:21 | 0:32:22 | |
Oh, my goodness. | 0:32:24 | 0:32:26 | |
-What's that, scrap work? -Yes. -I say! | 0:32:26 | 0:32:30 | |
-And how much did you pay? -£100. -Hmm... | 0:32:30 | 0:32:34 | |
-About £100 too much. -Well, good luck David. | 0:32:34 | 0:32:36 | |
Thank you very much. Thank you. Just sounds like my mother. | 0:32:36 | 0:32:39 | |
Let's get to the next thing, come on. | 0:32:39 | 0:32:41 | |
Can I look at that Japan - is it Japan tinware? What is it? | 0:32:41 | 0:32:44 | |
-Toleware. -Oh, that's nice, isn't it? Oh, I like that. | 0:32:44 | 0:32:48 | |
We've both got quite unusual things, I hope. | 0:32:48 | 0:32:51 | |
You have, that's really nice. How much did you pay for that? | 0:32:51 | 0:32:55 | |
Oh, have a guess - a lot. | 0:32:55 | 0:32:58 | |
-65? -No. | 0:32:58 | 0:33:01 | |
-28. -Oh! | 0:33:01 | 0:33:04 | |
Er, £32 I think! | 0:33:04 | 0:33:05 | |
I'm getting to know you now. | 0:33:05 | 0:33:07 | |
-What about? -Little Moorcroft. -Isn't it sweet? -It is sweet. | 0:33:07 | 0:33:11 | |
-25? -48. | 0:33:11 | 0:33:14 | |
-We'll wait and see. -We will wait and see. It'll be interesting. | 0:33:15 | 0:33:18 | |
Thank you very much for revealing yours, Margie. | 0:33:18 | 0:33:20 | |
-Thank you for revealing yours. -Not at all. | 0:33:20 | 0:33:23 | |
That's what they're saying now, but what do they really think? | 0:33:23 | 0:33:26 | |
I thought her Linthorpe pot - oh, such a dream! | 0:33:26 | 0:33:30 | |
I don't know whether she knows a Christopher Dresser design, | 0:33:30 | 0:33:33 | |
and even though it's cracked, there's going to be demand for it, | 0:33:33 | 0:33:36 | |
so she's bought exceedingly well. | 0:33:36 | 0:33:38 | |
I think she's bought better than me, actually. | 0:33:38 | 0:33:41 | |
Mine are so basic and ordinary. | 0:33:41 | 0:33:45 | |
There's no "wow" factor there, except for the screen, which I still like. | 0:33:45 | 0:33:50 | |
I just hate those screens. | 0:33:50 | 0:33:52 | |
I think they're everything that's bad about Victoriana. | 0:33:52 | 0:33:55 | |
He's going to be very lucky if he gets a profit. | 0:33:55 | 0:33:57 | |
I was so thrilled he liked my brush! | 0:33:57 | 0:34:00 | |
That lovely little Arts and Crafts brush. | 0:34:00 | 0:34:03 | |
But it's not up to me, it's up to the people of Scarborough. | 0:34:03 | 0:34:05 | |
From wonderful Whitby, | 0:34:06 | 0:34:08 | |
there's just one final push on to the seaside town of Scarborough. | 0:34:08 | 0:34:12 | |
Seeing Scarborough at its very best. | 0:34:12 | 0:34:15 | |
-Elegant town, isn't it? -That's enough of the sightseeing. | 0:34:15 | 0:34:18 | |
It's time to get down to business! | 0:34:18 | 0:34:21 | |
Not a cloud in the sky! | 0:34:21 | 0:34:23 | |
-What a lovely day! -Yeah. | 0:34:23 | 0:34:25 | |
Today, our experts are doing battle at David Duggleby's auction house, | 0:34:25 | 0:34:29 | |
a family-run business with over 40 years' experience. | 0:34:29 | 0:34:33 | |
What will the main man think of David and Margie's items? | 0:34:33 | 0:34:37 | |
One of the most interesting lots then is the jardiniere, Linthorpe, | 0:34:37 | 0:34:40 | |
attributed to Christopher Dresser. | 0:34:40 | 0:34:42 | |
Everything going about it, | 0:34:42 | 0:34:43 | |
apart from it's got a great big crack in it. | 0:34:43 | 0:34:46 | |
I think they'll do all right. | 0:34:46 | 0:34:49 | |
David began today's road trip with a mighty £417 | 0:34:49 | 0:34:52 | |
and has spent £243 on five lots, | 0:34:52 | 0:34:55 | |
leaving him with £174 still burning a hole in his pocket. | 0:34:55 | 0:35:00 | |
By comparison, Margie started out with a meagre £238 | 0:35:02 | 0:35:05 | |
and has also bought five lots, costing £165, | 0:35:05 | 0:35:09 | |
leaving her with £73 cash in hand. | 0:35:09 | 0:35:12 | |
-How are you feeling? -How am I feeling? | 0:35:12 | 0:35:16 | |
How am I feeling?! Nervous. | 0:35:16 | 0:35:18 | |
It's awful sitting next door to a winner. | 0:35:19 | 0:35:22 | |
Oh, no don't build my hopes up. Here we go. | 0:35:22 | 0:35:24 | |
Lot number 13, then. | 0:35:24 | 0:35:26 | |
So, kicking things off is David's 1930s Moorcroft vase. | 0:35:26 | 0:35:32 | |
£40, I'm in at 40. | 0:35:32 | 0:35:34 | |
At £40, at 40. | 0:35:34 | 0:35:36 | |
At 40, five, 50, five, at 60. | 0:35:36 | 0:35:39 | |
Five, 70. Five, 80. | 0:35:39 | 0:35:42 | |
Five, 90. Five, 100. | 0:35:42 | 0:35:45 | |
110, 120. | 0:35:45 | 0:35:47 | |
120 with me, £120. 120, 130, fresh bid. | 0:35:47 | 0:35:53 | |
130. 140. | 0:35:53 | 0:35:54 | |
150. 160. 170. | 0:35:54 | 0:35:58 | |
At £170, then, at 170. | 0:35:58 | 0:36:00 | |
It's in the room, it's selling at 170. All done, 170. | 0:36:00 | 0:36:05 | |
Oh no, defeated before I start! | 0:36:05 | 0:36:08 | |
Oh, my goodness me, that was amazing. | 0:36:10 | 0:36:12 | |
David Barby has done it again, with a blooming great profit of £122. | 0:36:12 | 0:36:18 | |
Wow! | 0:36:18 | 0:36:20 | |
-I don't want to play this game any more. -Yours is still to come. | 0:36:20 | 0:36:24 | |
But can Margie close the gap | 0:36:24 | 0:36:27 | |
with her badly cracked Linthorpe jardiniere? Er... | 0:36:27 | 0:36:31 | |
There we are, we've got some interest in this one. | 0:36:31 | 0:36:34 | |
We can start this at £40, I'm in at 40. | 0:36:34 | 0:36:36 | |
At £40, at 40. | 0:36:36 | 0:36:38 | |
50 with me. At £50 then? At 50. At £50, and five. | 0:36:38 | 0:36:42 | |
-At 60. £60. Selling at 60, then. -60 quid! | 0:36:42 | 0:36:47 | |
Going in at 60. All done at £60? It's selling at 60, then. All done. | 0:36:47 | 0:36:52 | |
-You've made a profit, Margie. -£60! -Yeah, but it's £20. | 0:36:52 | 0:36:57 | |
Yeah, but it should have rolled on a bit more. | 0:36:57 | 0:36:59 | |
It's a respectable profit, but just not enough to jump into the lead. | 0:36:59 | 0:37:04 | |
-Christopher Dresser and all that? -But it was smashed. | 0:37:04 | 0:37:07 | |
Will David's toleware spice tin curry favour with the bidders? | 0:37:10 | 0:37:14 | |
With me at £25. At 25, at 30. At 30. | 0:37:14 | 0:37:19 | |
35. At 40, 45? | 0:37:19 | 0:37:22 | |
At 50, £50 in the room, at 50. | 0:37:22 | 0:37:24 | |
At £50, then, it's selling. All done at £50? | 0:37:24 | 0:37:28 | |
Going at 50, all done? 50. | 0:37:28 | 0:37:30 | |
A nice price for the spice | 0:37:30 | 0:37:32 | |
and another tasty little profit for David. | 0:37:32 | 0:37:35 | |
That's good. | 0:37:37 | 0:37:38 | |
The pressure is on for the next item - | 0:37:38 | 0:37:41 | |
Margie's 1930s oak barometer. | 0:37:41 | 0:37:44 | |
£20 to start, 20. £20 anywhere, 20? 20 bid. At 20. | 0:37:44 | 0:37:50 | |
At £20 at the back there, £20. 25, 25. | 0:37:50 | 0:37:53 | |
At £25 on this side? Selling at 25. Are you all done at £25? £25. | 0:37:53 | 0:37:59 | |
Uh-oh, I can see the storm clouds brewing for Marjorie. | 0:37:59 | 0:38:03 | |
-It's not my day. -You've got other things coming up, Margie. | 0:38:03 | 0:38:07 | |
Here we are, all you need for your tea today. | 0:38:07 | 0:38:10 | |
David's next lot is the Grimswade pudding basin. | 0:38:10 | 0:38:13 | |
But will it turn out to be a duff purchase? | 0:38:13 | 0:38:15 | |
With me at £25. At 25, at 30. | 0:38:15 | 0:38:19 | |
£30. 35 with me. 35. At 40? | 0:38:19 | 0:38:22 | |
£40 on this side, at 40. | 0:38:22 | 0:38:24 | |
At £40, it's selling at 40. Are we all done at £40? | 0:38:24 | 0:38:27 | |
Got to go. All done? It's going at 40. | 0:38:27 | 0:38:30 | |
-You've made a profit. Or have you? -Yes. | 0:38:30 | 0:38:33 | |
The proof was in the pudding, but only just. | 0:38:35 | 0:38:38 | |
Still, at least it's profit - I'm not making a loss. | 0:38:38 | 0:38:41 | |
Another of David Barby's items next - | 0:38:41 | 0:38:43 | |
the Felix Pratt hot water jug. | 0:38:43 | 0:38:45 | |
£20 bid on it, at 20. | 0:38:45 | 0:38:47 | |
At £20 with me at £20, then, at 20. | 0:38:47 | 0:38:50 | |
Five, 30. Five, at 40. At £40. | 0:38:50 | 0:38:54 | |
-It's worth more than that. -On commission, then, at £40, at 40. | 0:38:54 | 0:38:58 | |
-You won't get a better example. -He's right! | 0:38:58 | 0:39:00 | |
It's selling, are we all done at 40? | 0:39:00 | 0:39:02 | |
It's profit. It's profit. | 0:39:03 | 0:39:06 | |
A lukewarm response to the hot water jug, | 0:39:06 | 0:39:09 | |
but David still profits to the tune of £15. | 0:39:09 | 0:39:12 | |
-Disappointing. -It is disappointing. -It is disappointing. -Very surprised. | 0:39:12 | 0:39:16 | |
Oh, no! | 0:39:16 | 0:39:18 | |
Disappointing for David, but it gives Margie a chance to catch up. | 0:39:18 | 0:39:21 | |
-Just tell me when it's over. -Have faith in your taste. | 0:39:21 | 0:39:23 | |
Let's hope there are no snags with this 1960s advertising board. | 0:39:25 | 0:39:29 | |
Number 95, there. There we are, we've got a bit of interest in it. | 0:39:29 | 0:39:32 | |
-Let's start it at £20. -There you are, you're in. | 0:39:32 | 0:39:34 | |
20, at £20, I'm in at 20. At 20. | 0:39:34 | 0:39:38 | |
At 20, and five. At 30, and five. | 0:39:38 | 0:39:41 | |
At 40. And five, at 50. | 0:39:41 | 0:39:43 | |
-And five, £55 in the room, at £55. -£55! | 0:39:43 | 0:39:47 | |
It's here to sell, it's going at 55. Are we all done at £55? | 0:39:47 | 0:39:51 | |
-Wonderful! -Hooray! | 0:39:51 | 0:39:54 | |
Suspend your disbelief - Margie is quids-in with her saucy stocking ad. | 0:39:56 | 0:40:02 | |
That was good. | 0:40:02 | 0:40:03 | |
Margie's luck has turned, but can she clean up | 0:40:03 | 0:40:07 | |
with her Arts and Crafts hearth brush? | 0:40:07 | 0:40:09 | |
20, at £20. At 20. In the room at £20 then, it's here to sell. | 0:40:09 | 0:40:14 | |
It's going at 20 then. Are we all done at £20? And five. £25, 25. | 0:40:14 | 0:40:19 | |
30, £30 here. 35. | 0:40:19 | 0:40:21 | |
At 40, £40. At 40. Selling at 40, then. | 0:40:21 | 0:40:26 | |
Are we all done at £40? It's got to go, we all done at 40? | 0:40:26 | 0:40:29 | |
That's OK. You're not losing. | 0:40:31 | 0:40:33 | |
A tidy little profit nevertheless. | 0:40:33 | 0:40:36 | |
We can't all make large profits. | 0:40:36 | 0:40:38 | |
Let's see if David's still smiling | 0:40:40 | 0:40:42 | |
when his tatty old Victorian scrap screen comes up next. | 0:40:42 | 0:40:45 | |
I hope they put on the screen the other side, the red screen. | 0:40:45 | 0:40:50 | |
I don't like the scraps! | 0:40:50 | 0:40:51 | |
There we are, lot 120, the modesty screen there. | 0:40:53 | 0:40:58 | |
A modesty screen! I love the description. | 0:40:58 | 0:41:00 | |
You can put your 1960s stockings on behind this one. | 0:41:00 | 0:41:04 | |
-£40 I have bid, at 40. -40, is that all?! -At £40, at 40. | 0:41:04 | 0:41:07 | |
At £40, at 40 for the screen there, 40. | 0:41:07 | 0:41:09 | |
-Come on! -At 40, and five. | 0:41:09 | 0:41:12 | |
45, and 50. Five, 60. | 0:41:12 | 0:41:15 | |
-Five, 70. -It's going! -Come on! -£70 with me then, at 70. -It's going! | 0:41:15 | 0:41:19 | |
-Five, 80. -It's going. -£80 with me, at 80. | 0:41:19 | 0:41:22 | |
It's on commission, it's here to sell. | 0:41:22 | 0:41:24 | |
It's going at 80 then. Are we all done at £80? Selling at 80, £80. | 0:41:24 | 0:41:29 | |
-Oh! -Ouch! That scrap screen is scrap value. Oh dear. | 0:41:29 | 0:41:34 | |
Still, no need to cry, David. | 0:41:34 | 0:41:36 | |
Margie's last hope lies with her silver collection, | 0:41:37 | 0:41:41 | |
which she needs to sell for at least £110 to stand any chance of winning. | 0:41:41 | 0:41:46 | |
No pressure, then. | 0:41:46 | 0:41:48 | |
35, 40. 45, at 50. | 0:41:48 | 0:41:51 | |
55, at 60. | 0:41:51 | 0:41:53 | |
-Keep going. -65, at 70. 75, at £75. | 0:41:53 | 0:41:57 | |
-That's good. You were bang on. -75, 75. £80 on the phone, at 80. | 0:41:57 | 0:42:01 | |
-80 on the phone. -At 90. -We were on the phone. | 0:42:01 | 0:42:04 | |
At £90 here, at 90. Selling at 90, then. | 0:42:04 | 0:42:07 | |
All done at £90? Going at 90, all done at 90? | 0:42:07 | 0:42:10 | |
Well done! | 0:42:10 | 0:42:12 | |
Well, it's a sterling profit but sadly, not enough. | 0:42:12 | 0:42:15 | |
That's it. You're a bit of a wily old fox, aren't you? | 0:42:15 | 0:42:18 | |
You're a crafty vixen, aren't you? Ooh! | 0:42:18 | 0:42:21 | |
Margie started today's show with £238 and after auction costs, | 0:42:21 | 0:42:25 | |
she's made a profit of £56.40, | 0:42:25 | 0:42:29 | |
increasing her spending power for the next round to £294.40. | 0:42:29 | 0:42:34 | |
David started with £417, | 0:42:36 | 0:42:39 | |
but even after costs, he's made a profit of £68.60, | 0:42:39 | 0:42:43 | |
increasing his stash of cash to a mighty £485.60, | 0:42:43 | 0:42:47 | |
claiming his second victory in a row. | 0:42:47 | 0:42:50 | |
-You happy? -I'm very happy. What about you? -I'm quite happy. | 0:42:53 | 0:42:57 | |
-You made a profit. -I know, but you had a really good flyer there. | 0:42:57 | 0:43:01 | |
-That's auctions for you. -I know. | 0:43:01 | 0:43:04 | |
I can't wait for the next sale. | 0:43:04 | 0:43:05 | |
Off we go! This is a lovely, lovely place. | 0:43:08 | 0:43:12 | |
-I think we need to go for a paddle. -Well, you can. | 0:43:12 | 0:43:15 | |
Come on, Barby, let's go party! The ice creams are on you. | 0:43:15 | 0:43:20 | |
Next time on the Antiques Road Trip... | 0:43:22 | 0:43:24 | |
Margie has delusions of grandeur... | 0:43:24 | 0:43:28 | |
I fancy myself in here with the future king. | 0:43:28 | 0:43:30 | |
..and David comes over most peculiar. | 0:43:32 | 0:43:35 | |
150. Thank you. | 0:43:35 | 0:43:38 | |
Subtitles by Red Bee Media Ltd | 0:43:55 | 0:43:58 |