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It's the nation's favourite antiques experts, with £200 each, | 0:00:02 | 0:00:05 | |
a classic car, and a goal to scour Britain for antiques. | 0:00:05 | 0:00:09 | |
-That hurts. -The aim? | 0:00:12 | 0:00:14 | |
To make the biggest profit at auction, | 0:00:14 | 0:00:17 | |
but it's no mean feat, there'll be worthy winners, and valiant losers. | 0:00:17 | 0:00:21 | |
-So much! -So, will it be the high road to glory? | 0:00:22 | 0:00:25 | |
Or the slow road to disaster? | 0:00:25 | 0:00:27 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
It's the third leg of our Antiques Road Trip, with treasure hunters | 0:00:37 | 0:00:42 | |
David Barby and Margie Cooper, in their open top, 1979, | 0:00:42 | 0:00:45 | |
Mercedes 350 SL, | 0:00:45 | 0:00:48 | |
and with two wins in a row, David is looking for a hat-trick. | 0:00:48 | 0:00:52 | |
I always like to get a little sparkler. | 0:00:52 | 0:00:54 | |
But I don't know, it's all the luck of the draw. | 0:00:57 | 0:01:00 | |
David has a really proved himself | 0:01:02 | 0:01:04 | |
the master of ceramics on this road trip, not just once... | 0:01:04 | 0:01:07 | |
All finished at 240? | 0:01:07 | 0:01:10 | |
Well done! | 0:01:10 | 0:01:12 | |
..but twice. | 0:01:12 | 0:01:13 | |
170... | 0:01:13 | 0:01:15 | |
Oh, my goodness me. | 0:01:16 | 0:01:18 | |
That was amazing. | 0:01:18 | 0:01:19 | |
And travelling companion, Margie, is getting to know his wicked ways. | 0:01:19 | 0:01:25 | |
You just can't trust him. | 0:01:25 | 0:01:26 | |
He does this terribly puzzled and worried look, | 0:01:26 | 0:01:29 | |
and he's got an absolute fabulous little item, | 0:01:29 | 0:01:32 | |
that makes him a really good profit. | 0:01:32 | 0:01:35 | |
Margie has slowly but surely been growing her cash | 0:01:35 | 0:01:38 | |
over the last two auctions, which means she now has £294.40 to spend. | 0:01:38 | 0:01:44 | |
David, on the other hand, has more than doubled his money, | 0:01:44 | 0:01:49 | |
giving him a whopping £485.60 to splurge. | 0:01:49 | 0:01:52 | |
The route for the week takes our road trippers from Alnwick in Northumberland | 0:01:55 | 0:02:01 | |
through the beautiful English countryside, to the final destination of Lincoln, | 0:02:01 | 0:02:04 | |
200 miles away. | 0:02:04 | 0:02:07 | |
But today's trip begins in Bridlington on the coast, | 0:02:07 | 0:02:09 | |
before heading inland to the auction in Sheffield, the home of snooker. | 0:02:09 | 0:02:14 | |
Bridlington is a quaint seaside town, | 0:02:14 | 0:02:17 | |
bringing back some happy memories for David. | 0:02:17 | 0:02:20 | |
Do you know, this sort of holiday resort takes me back to | 0:02:22 | 0:02:25 | |
when I was very young, in the 1950... | 0:02:25 | 0:02:27 | |
er, 1960s! | 0:02:27 | 0:02:29 | |
THEY LAUGH | 0:02:29 | 0:02:30 | |
Yeah, right. | 0:02:30 | 0:02:32 | |
You were probably building sand castles here in 1643, | 0:02:32 | 0:02:35 | |
when the Royal troops landed to fight in the English Civil War. | 0:02:35 | 0:02:39 | |
But the only battle David faces today is with the Mercedes. | 0:02:39 | 0:02:43 | |
Right, now then, which is your shop? | 0:02:43 | 0:02:45 | |
-This is so difficult, getting out of this car. -Now, which is your shop? | 0:02:45 | 0:02:49 | |
-Yours is up there, isn't it? The Georgian Tea Rooms. -Yeah. | 0:02:49 | 0:02:51 | |
-And mine's here. All the very best. -Is that sincere? | 0:02:51 | 0:02:55 | |
It's always sincere. | 0:02:55 | 0:02:57 | |
The first stop for David is Priory Antiques. | 0:02:58 | 0:03:03 | |
-Hello. -Hello. -David Barby. You're? -Irene Cook. -Hello, Irene. | 0:03:04 | 0:03:09 | |
Can you point me in the direction of somewhere, let's say silver? | 0:03:09 | 0:03:13 | |
-Do you have any Silver? -Yes, we've got some... | 0:03:13 | 0:03:16 | |
some nice silver buttons in here. | 0:03:16 | 0:03:18 | |
Quite pretty. Yes. Yes, they're quite pretty. | 0:03:19 | 0:03:24 | |
-Have you got an eyeglass I could use? -Yes, I have. | 0:03:26 | 0:03:28 | |
-Oh, wonderful, thank you very much. -Now, what's David up to, here? | 0:03:28 | 0:03:33 | |
Silver is Margie's speciality. | 0:03:33 | 0:03:35 | |
Could he be playing her at her own game? Sneaky. | 0:03:35 | 0:03:38 | |
Right, these are quite small, they are probably blouse buttons. | 0:03:41 | 0:03:44 | |
They are for a lady. And they have got a female design on them. | 0:03:44 | 0:03:50 | |
I think the female is playing a lyre, so very Grecian, isn't it? | 0:03:50 | 0:03:55 | |
-What's the price on those? -Well, they are 70. -70! | 0:03:55 | 0:03:59 | |
Yes. | 0:04:01 | 0:04:02 | |
It's got to be a bit less than that. | 0:04:04 | 0:04:07 | |
They are very, very small buttons. | 0:04:08 | 0:04:11 | |
-I was thinking around about £40. -What about 50? | 0:04:11 | 0:04:14 | |
Can I say 45? Split the difference. | 0:04:17 | 0:04:19 | |
-OK. -45. -Yeah. | 0:04:19 | 0:04:22 | |
-OK. -OK. -That was quick. -It was, wasn't it? | 0:04:22 | 0:04:26 | |
Can you take me somewhere else? Show me another object. | 0:04:26 | 0:04:30 | |
Nearby, at the Georgian Tea Rooms, | 0:04:30 | 0:04:32 | |
Margie has found some silver of her own. | 0:04:32 | 0:04:36 | |
Two Edwardian scent bottles, at £35 for the pair. | 0:04:36 | 0:04:39 | |
So, how cheap would those be? | 0:04:39 | 0:04:41 | |
I think, considering I did buy them at a car boot sale, | 0:04:41 | 0:04:46 | |
there's a little bit of money in it for me. | 0:04:46 | 0:04:48 | |
-Yeah. -So, 20 quid, I'd walk away with a bit of a profit. | 0:04:48 | 0:04:52 | |
-A deal. Thank you. -So, we'll put those there, and I'll move on. | 0:04:52 | 0:04:58 | |
Another quick purchase, most unlike Margie. | 0:04:58 | 0:05:01 | |
Little pally pencils that... | 0:05:01 | 0:05:05 | |
they collapse. They're great. | 0:05:05 | 0:05:08 | |
But look at this one, it's a miniature one. It's £19! | 0:05:08 | 0:05:12 | |
And I really like it. | 0:05:14 | 0:05:15 | |
Miniature propelling pencils were popular with Victorians. | 0:05:15 | 0:05:19 | |
They could be attached to charm bracelets for a lady | 0:05:19 | 0:05:22 | |
out shopping, or even used with a dance card. | 0:05:22 | 0:05:24 | |
And would you believe it? Here is a card that would have been marked. | 0:05:24 | 0:05:31 | |
And I've actually never seen one of these. | 0:05:31 | 0:05:34 | |
So there's a list of all the dances, | 0:05:34 | 0:05:37 | |
and then each dance would have somebody's name. | 0:05:37 | 0:05:42 | |
And I think this has been... Let me have a quick look. | 0:05:42 | 0:05:44 | |
Yeah, somebody's put Spiderman on there! | 0:05:44 | 0:05:47 | |
That's what they look like, and I've never seen one of those before. | 0:05:56 | 0:05:59 | |
It's original. | 0:05:59 | 0:06:00 | |
I'm trying to work out what the one step is. | 0:06:02 | 0:06:04 | |
I don't know, absolutely no idea. | 0:06:04 | 0:06:06 | |
You certainly don't see it in any of the modern dance programs. | 0:06:06 | 0:06:09 | |
Yeah, I quite like that, but I'm not convinced it's Victorian. | 0:06:09 | 0:06:13 | |
-Well, I could do it for 15, and throw in this card... -Right. | 0:06:13 | 0:06:19 | |
..to make up a package. 12 at the very best. 12 at the death. | 0:06:19 | 0:06:23 | |
Yeah, not ten? | 0:06:23 | 0:06:25 | |
THEY LAUGH | 0:06:25 | 0:06:27 | |
You're amazing, you know? Absolutely amazing. | 0:06:27 | 0:06:30 | |
-Yeah, I know, aren't we awful? -Hang on, let me just check my heart. | 0:06:30 | 0:06:33 | |
It's settled down a bit. | 0:06:33 | 0:06:34 | |
-OK, ten. -All right. -Yeah. -Brill. -Thank you. | 0:06:34 | 0:06:38 | |
-Do you think I'll make a fortune? -No. | 0:06:38 | 0:06:41 | |
-Very striking. -It is, isn't it? | 0:06:43 | 0:06:45 | |
-That's £40. -It's very exhibition, isn't it? | 0:06:45 | 0:06:50 | |
At £40, it's too much for the type of pottery that it is. | 0:06:50 | 0:06:54 | |
-A 1960s West German vase, in case you were wondering. -15. | 0:06:54 | 0:06:58 | |
-SHE WHISPERS -25. | 0:07:02 | 0:07:04 | |
-My original price on that was £15. -'Why are they whispering?' | 0:07:04 | 0:07:08 | |
And I'd like to keep to £15, if you don't mind? | 0:07:08 | 0:07:12 | |
-Don't feel under any pressure. -Come down to 17. | 0:07:12 | 0:07:17 | |
£15. | 0:07:17 | 0:07:19 | |
It's got to be 15, I can't see it any more. | 0:07:21 | 0:07:25 | |
Erm, how about 16? | 0:07:27 | 0:07:29 | |
You're a hard woman. Really hard. Thank you very much. | 0:07:31 | 0:07:37 | |
Right, so that one vase, how much to I owe you? | 0:07:37 | 0:07:41 | |
Right, there's 45 for the buttons, and 16 for those. | 0:07:41 | 0:07:45 | |
£61. | 0:07:45 | 0:07:48 | |
I bet he'll use that "no change," line, all for the sake of a pound. | 0:07:48 | 0:07:53 | |
Have you some change, please, or would you strike that off? | 0:07:53 | 0:07:56 | |
-£60 exactly. -You're a hard man, aren't you? | 0:07:56 | 0:08:01 | |
-Go on then, we'll make it 60. -Cheeky beggar! | 0:08:01 | 0:08:05 | |
He got the vase for £15, after all. | 0:08:05 | 0:08:07 | |
Just as he's about to leave, David spots a rustic-looking garden bench. | 0:08:07 | 0:08:12 | |
But, with a price tag of £200, he needs to try it before he buys. | 0:08:12 | 0:08:17 | |
What exactly is he plotting? | 0:08:17 | 0:08:20 | |
-I think £60 is adequate. -I can't come down to that. | 0:08:24 | 0:08:28 | |
-You can! -I can't. | 0:08:28 | 0:08:31 | |
-68. -We'll split the difference at 65 and that's it. | 0:08:31 | 0:08:36 | |
-I won't say anything more. -68! | 0:08:36 | 0:08:39 | |
Good for you, girl. That will shut him up! | 0:08:39 | 0:08:42 | |
You've had your wicked way with me. | 0:08:55 | 0:08:57 | |
Perish the thought! | 0:08:57 | 0:08:59 | |
Right, OK. 68. | 0:09:02 | 0:09:04 | |
My goodness me! | 0:09:04 | 0:09:06 | |
-There's £80, thank you. -OK. | 0:09:06 | 0:09:09 | |
I'll just go and get the change. | 0:09:09 | 0:09:12 | |
Can I have it wrapped? | 0:09:12 | 0:09:14 | |
Margie is also settling her account. | 0:09:14 | 0:09:16 | |
£10 for the propelling pencil and dance card | 0:09:16 | 0:09:20 | |
and £24 for the pair of scent bottles. | 0:09:20 | 0:09:22 | |
-£30. -Thank you very much. I'll need change, after all. -Sure. | 0:09:22 | 0:09:27 | |
-If you give me ten... -Just in the nick of time. | 0:09:27 | 0:09:31 | |
-Margie! -Hello. -Hello, darling! | 0:09:31 | 0:09:36 | |
-I'm moving on. -How are you doing? | 0:09:37 | 0:09:40 | |
-OK. You? -Have you had a purchase? | 0:09:40 | 0:09:43 | |
Oh, you're not going to play that worried look, are you? | 0:09:44 | 0:09:49 | |
-Have you spent much? -No. -I'm just going out here. You can come in now. | 0:09:49 | 0:09:54 | |
-I'm going to go in your shop. -OK. | 0:09:54 | 0:09:56 | |
Best of luck across there. | 0:09:56 | 0:09:58 | |
He's probably been in and bought all the bargains, but never mind. | 0:10:01 | 0:10:05 | |
I don't know what David will have bought. Something quirky! | 0:10:05 | 0:10:09 | |
-It's behind you! -There's loads of things. It's really interesting. | 0:10:09 | 0:10:13 | |
-You've just got to think, you know. -It's behind you! | 0:10:13 | 0:10:17 | |
What's going to sell well? | 0:10:17 | 0:10:20 | |
Oh, for the love of... | 0:10:20 | 0:10:23 | |
This is a funny old thing, isn't it? | 0:10:23 | 0:10:25 | |
Look at that! It's a very imaginative piece, isn't it? | 0:10:25 | 0:10:29 | |
Yes, it is. A real cartwheel from a real cart. | 0:10:29 | 0:10:33 | |
The only thing missing is the horse. | 0:10:33 | 0:10:35 | |
Prrr! | 0:10:35 | 0:10:37 | |
Ha! Thanks, Margie. | 0:10:37 | 0:10:39 | |
Now, go and find something David hasn't bought. | 0:10:39 | 0:10:43 | |
What about that Mackintosh-style oak cabinet at £65? | 0:10:43 | 0:10:48 | |
I could do it for 40. | 0:10:49 | 0:10:51 | |
-40's a good price. -Yeah. -Especially with the glass - | 0:10:51 | 0:10:55 | |
-the bevelled glass. -I do like the glass. It is nice, yeah. | 0:10:55 | 0:10:58 | |
I'm just trying to imagine, is somebody going to...? | 0:10:58 | 0:11:01 | |
Like it as much as you do? | 0:11:01 | 0:11:03 | |
Absolutely! | 0:11:03 | 0:11:05 | |
The only way that you feel confident is that it becomes so cheap. | 0:11:05 | 0:11:09 | |
I know it sounds pathetic but a couple of pounds off 40 would help. | 0:11:09 | 0:11:13 | |
-38? -Oh, great. | 0:11:13 | 0:11:15 | |
-Well, I'll buy it. -OK then. -Thanks a lot. | 0:11:15 | 0:11:17 | |
All shopped out in Bridlington, it's time for our experts to move on. | 0:11:17 | 0:11:22 | |
Yeah, thanks, guys. Who's going to carry that cabinet | 0:11:22 | 0:11:26 | |
and huge great bench off to auction, hey? | 0:11:26 | 0:11:29 | |
Back on the road, our experts head to Hull, | 0:11:29 | 0:11:32 | |
where Margie is making a pit stop | 0:11:32 | 0:11:35 | |
for an Humber-lievable driving experience. | 0:11:35 | 0:11:39 | |
You love Humber cars. | 0:11:39 | 0:11:40 | |
I'm not so sure I know what Humber cars look like. | 0:11:40 | 0:11:43 | |
Well, they're rounded. | 0:11:43 | 0:11:45 | |
They're so typical of the 1940s, 1950s, aren't they? | 0:11:45 | 0:11:49 | |
You can't think of a quality car without thinking of a Humber. | 0:11:49 | 0:11:53 | |
Quality cars! Here? Are you sure? | 0:11:53 | 0:11:56 | |
That's more like it. | 0:11:58 | 0:12:00 | |
This is a private collection of 28 Humber cars, owned by Alan Marshall. | 0:12:00 | 0:12:04 | |
-I think you'll find all the best stuff's kept in here. -Oh, my word! | 0:12:06 | 0:12:09 | |
What an amazing collection! | 0:12:09 | 0:12:12 | |
Alan's businessman father started the collection in 1960 | 0:12:12 | 0:12:17 | |
with a second-hand Humber and used it to deliver potatoes. | 0:12:17 | 0:12:21 | |
These silver dream machines, favoured by the ruling classes, | 0:12:21 | 0:12:24 | |
were nicknamed old faithfuls for their reliability. | 0:12:24 | 0:12:27 | |
By the 1920s, the company, founded by Thomas Humber of Sheffield, | 0:12:27 | 0:12:31 | |
had established itself as a motor car manufacturer | 0:12:31 | 0:12:34 | |
of the highest quality. | 0:12:34 | 0:12:37 | |
Its original owner was Baroness Rothschild. | 0:12:37 | 0:12:40 | |
This colour is called black pearl over shell grey. | 0:12:40 | 0:12:43 | |
-You could really have any colour you liked. -It's gorgeous! | 0:12:43 | 0:12:46 | |
I just think it carries the land very well. | 0:12:46 | 0:12:49 | |
This, of course, was the debutant era of the big dresses | 0:12:49 | 0:12:52 | |
and high hair. Diamonds and fares. | 0:12:52 | 0:12:55 | |
The doors hinge backwards. | 0:12:55 | 0:12:58 | |
Then, what Humber did was raise the floors by about six inches | 0:12:58 | 0:13:01 | |
to cover the transmission tunnel, | 0:13:01 | 0:13:03 | |
so it allowed the ladies to walk in forwards, without having to shuffle. | 0:13:03 | 0:13:07 | |
And she could do a complete turn and then sit. | 0:13:07 | 0:13:10 | |
I was told the baroness actually used to sit at this side here. | 0:13:10 | 0:13:13 | |
She was quite vain and she loved to be seen by the people along the side of the road. | 0:13:13 | 0:13:17 | |
If you had the Pullman, this was the bees knees. | 0:13:17 | 0:13:20 | |
The cars were particularly popular with the Royal family. | 0:13:20 | 0:13:23 | |
King George VI had a fleet of 47 Humbers. | 0:13:23 | 0:13:27 | |
For anyone that was anyone, these were the cars to be seen in. | 0:13:27 | 0:13:31 | |
It was formerly the property of Edward and Mrs Simpson, | 0:13:36 | 0:13:40 | |
in their courting days. | 0:13:40 | 0:13:43 | |
-My word! -It's the only one of its type in the world that we know of. | 0:13:43 | 0:13:47 | |
It's called the Humber Snipe. It's a 1932 model. | 0:13:47 | 0:13:51 | |
Because of the couple's clandestine relationship, | 0:13:51 | 0:13:54 | |
this unique Royal car was ordered with a very special spec. | 0:13:54 | 0:13:58 | |
You can see it's got a very small back window and very dark inside. | 0:13:58 | 0:14:02 | |
I think you get more of an impression by sitting in | 0:14:02 | 0:14:04 | |
and sitting right back. | 0:14:04 | 0:14:06 | |
Imagine you're going around the streets of London. | 0:14:06 | 0:14:09 | |
-Nobody can see you in the back of the car. -Totally private! | 0:14:09 | 0:14:12 | |
Open the cupboard doors at that side. | 0:14:12 | 0:14:14 | |
-There's a lovely reading lamp in there. -Oh, look at that! | 0:14:14 | 0:14:17 | |
A cigar lighter. | 0:14:17 | 0:14:19 | |
There's even a little safe-deposit box under the carpet. | 0:14:19 | 0:14:23 | |
I'm sitting where Mrs Simpson sat. | 0:14:23 | 0:14:26 | |
Fantastic, hey! Anything down...? | 0:14:26 | 0:14:30 | |
-Ooh, hang on! -I've checked. | 0:14:30 | 0:14:33 | |
Have you checked? I fancy myself in here with a future king. | 0:14:33 | 0:14:38 | |
Well, if you want to be a queen, Margie, | 0:14:39 | 0:14:41 | |
you'd better get accustomed to the lifestyle. | 0:14:41 | 0:14:44 | |
Bring your tiara with you. | 0:14:44 | 0:14:46 | |
I haven't brought it with me, what a shame! | 0:14:46 | 0:14:49 | |
Right, here we go. Not too far. I don't want to use all your petrol. | 0:14:50 | 0:14:54 | |
-Right, I'm ready. -Elbow on the armrest, please. | 0:14:56 | 0:14:58 | |
-Elbow on the armrest. -Hand up vertical. | 0:14:58 | 0:15:00 | |
And wave! | 0:15:00 | 0:15:02 | |
CAR HORN | 0:15:15 | 0:15:18 | |
CHEERING AND APPLAUSE | 0:15:19 | 0:15:21 | |
Tell you what, you're very good at that! | 0:15:21 | 0:15:25 | |
So, Queen Margie ends the day in a slightly posher car than usual. | 0:15:25 | 0:15:30 | |
She always did have delusions of grandeur. Night-night, Ma'am! | 0:15:30 | 0:15:34 | |
It's a glorious new day for our antiques experts | 0:15:39 | 0:15:42 | |
and another chance for them to spend all their hoarded cash. | 0:15:42 | 0:15:46 | |
But someone is getting a little jumpy. | 0:15:46 | 0:15:48 | |
And now I'm being quite truthful with you - I'm in a panic mode. | 0:15:48 | 0:15:53 | |
So, I may buy the first thing I see. | 0:15:53 | 0:15:56 | |
-Oh, right! -So far, David has spent £128 on three items. | 0:15:56 | 0:16:01 | |
Some dainty, art nouveau buttons. A Retro German vase, | 0:16:01 | 0:16:06 | |
and a hulking great garden seat, | 0:16:06 | 0:16:08 | |
leaving him with £357.60 to splash. | 0:16:08 | 0:16:12 | |
Margie, meanwhile, has spent £68 | 0:16:13 | 0:16:15 | |
on a pair of silver-topped scent bottles, | 0:16:15 | 0:16:19 | |
a Victorian pencil and dance card, and an oak cabinet - | 0:16:19 | 0:16:23 | |
leaving her with £226.40 for the day ahead. | 0:16:23 | 0:16:27 | |
David and Margie are travelling 60 miles across country | 0:16:29 | 0:16:32 | |
to the next shop in Harworth, | 0:16:32 | 0:16:35 | |
a small town in the county of Nottinghamshire. | 0:16:35 | 0:16:37 | |
Here we go! There it is! | 0:16:40 | 0:16:43 | |
Oh! | 0:16:43 | 0:16:45 | |
Harrison's is quite literally a warehouse full of antiques. | 0:16:45 | 0:16:48 | |
Surely there's something here for David, | 0:16:48 | 0:16:51 | |
if he can make it out of the car, that is. | 0:16:51 | 0:16:54 | |
CAR HORN | 0:16:54 | 0:16:56 | |
-Stop it! -Are you trying to announce your arrival? | 0:16:57 | 0:17:01 | |
-Best of luck. -See you later. | 0:17:02 | 0:17:05 | |
Oh, dear! | 0:17:06 | 0:17:08 | |
-Hello. -Good morning. -David Barby. -Charlotte Harrison. | 0:17:09 | 0:17:13 | |
-Pleased to meet you. -Pleased to meet you. Goodness me! | 0:17:13 | 0:17:16 | |
-got a lot here, haven't you? -Quite a bit, yep. | 0:17:16 | 0:17:19 | |
I think I'll start on this are sort of wander through. | 0:17:19 | 0:17:23 | |
And, as David get into his stride, | 0:17:23 | 0:17:26 | |
it's not long before he's drawn to a piece of Bretby Art Pottery. | 0:17:26 | 0:17:31 | |
-I'll give you that for £5. -You're not giving me it. | 0:17:32 | 0:17:36 | |
-I'm paying £5 for it. -You cheapskate! -I've got another piece. | 0:17:36 | 0:17:41 | |
-Yeah. -I could have combined with that. -Right. | 0:17:41 | 0:17:45 | |
One of those West German vases, stands about that big. | 0:17:45 | 0:17:49 | |
I just thought that might add a little bit of interest. | 0:17:49 | 0:17:52 | |
So, David's thinking of combining this vase with his German one. | 0:17:52 | 0:17:56 | |
Come on, man! A fiver's hardly going to break the bank. | 0:17:56 | 0:17:59 | |
It's stencilled, isn't it, design? | 0:17:59 | 0:18:02 | |
Er, no need to rush a decision, hey? | 0:18:02 | 0:18:07 | |
Right, just let me continue my perambulations. | 0:18:07 | 0:18:10 | |
No problem. | 0:18:10 | 0:18:11 | |
Well, food for thought then and time for a ponder and a wander. | 0:18:11 | 0:18:14 | |
What about a nice piece of silver? | 0:18:14 | 0:18:17 | |
A hallmarked vase by Walker and Hall of Birmingham. | 0:18:17 | 0:18:20 | |
It's quality. | 0:18:22 | 0:18:23 | |
£84! | 0:18:23 | 0:18:26 | |
What's the best on that? | 0:18:26 | 0:18:27 | |
I would allow you to have it for 60. | 0:18:27 | 0:18:30 | |
-What about 50? -Meet you halfway - 55! | 0:18:30 | 0:18:34 | |
It's too much. And the school board? | 0:18:34 | 0:18:37 | |
Right, the price on that is 200. | 0:18:37 | 0:18:42 | |
-Oh, sugars! -Produced by Orme and Sons, | 0:18:42 | 0:18:45 | |
one of the most respected makers of billiard tables, | 0:18:45 | 0:18:47 | |
this late 19th-century school board | 0:18:47 | 0:18:49 | |
could be a nice little earner for David. | 0:18:49 | 0:18:52 | |
-I know it's got the button missing on the end... -It has. | 0:18:52 | 0:18:55 | |
So, for that, I can knock you off £20 then. | 0:18:55 | 0:18:59 | |
Just 20? | 0:18:59 | 0:19:02 | |
Well, how much do you think you'd like to pay? | 0:19:02 | 0:19:04 | |
Could it be 120? | 0:19:04 | 0:19:07 | |
I would say... My lowest I can take | 0:19:09 | 0:19:12 | |
is 150. I'm being good to you. | 0:19:12 | 0:19:15 | |
150. | 0:19:15 | 0:19:17 | |
-Crikey! -Thank you. | 0:19:17 | 0:19:20 | |
That's something you don't see every day. | 0:19:20 | 0:19:22 | |
You've been lucky today selling that. | 0:19:22 | 0:19:24 | |
Oh my God, you've taken that hand so quickly. | 0:19:24 | 0:19:27 | |
Well, Charlotte scores on the board but Barby is still after a winning pot. | 0:19:27 | 0:19:31 | |
-That vase, would you throw it in with that? -If you want me to. | 0:19:31 | 0:19:35 | |
Thank you very much. I'm happy. OK, lovely. | 0:19:35 | 0:19:39 | |
But, will they go snooker loopy for this | 0:19:39 | 0:19:42 | |
over at the auction in Sheffield? | 0:19:42 | 0:19:44 | |
Next door, Margie is eyeing up a nice pair of jugs. | 0:19:44 | 0:19:48 | |
Look out, look out! There's a Barby about. | 0:19:49 | 0:19:52 | |
-28. -Oh, look who's coming! | 0:19:52 | 0:19:55 | |
Look behind you! | 0:19:55 | 0:19:58 | |
Excuse me, I can feel someone's presence... | 0:19:59 | 0:20:02 | |
..in here. | 0:20:04 | 0:20:05 | |
-Sorry! -I can feel someone's presence. | 0:20:05 | 0:20:08 | |
-Have you finished? -No. You must fizzle off round there. | 0:20:08 | 0:20:11 | |
I will do. OK. | 0:20:11 | 0:20:15 | |
With the opposition dispatched, | 0:20:15 | 0:20:17 | |
Margie can take a closer look at the set of horse pictures. | 0:20:17 | 0:20:20 | |
-How much are they? -£40. | 0:20:20 | 0:20:22 | |
I'm just going to look at this really bad one. | 0:20:22 | 0:20:25 | |
The pictures are of winners of the renowned St Leger's Stakes - | 0:20:25 | 0:20:29 | |
a horse race that has taken place in Doncaster since 1776. | 0:20:29 | 0:20:35 | |
This one's called... | 0:20:35 | 0:20:38 | |
We're learning about horseracing today. The Blue Bonnet. | 0:20:38 | 0:20:42 | |
Blue Bonnet by a touchdown. Winner of the St Leger in 1812. | 0:20:42 | 0:20:48 | |
Yeah, what do you expect? | 0:20:48 | 0:20:50 | |
But, darling, I think that's passed the point of no return, I think. | 0:20:50 | 0:20:55 | |
Got to go for these, haven't we? | 0:20:57 | 0:20:59 | |
Marge is taking a £40 punt on the gee-gees. | 0:20:59 | 0:21:02 | |
But, what are the odds on them doing well at auction? | 0:21:02 | 0:21:05 | |
I think you've got a good chance with those. | 0:21:05 | 0:21:07 | |
Do you think so? Buy two get one free really, isn't it, with that one? | 0:21:07 | 0:21:10 | |
It's really bad, that one. | 0:21:10 | 0:21:11 | |
I've they just need cleaning up. | 0:21:11 | 0:21:14 | |
40's the absolute...? | 0:21:14 | 0:21:15 | |
-Oh, yes. -Oh, yes. -That is an absolute... -Steal. | 0:21:15 | 0:21:19 | |
-It's a steal, yeah. -I'm not going to argue with you. Thank you very much. | 0:21:19 | 0:21:23 | |
-You'll not go wrong with those. -Let's leave it with you. | 0:21:23 | 0:21:27 | |
-Thank you very much. -One, two... -Lovely! | 0:21:27 | 0:21:32 | |
Three, four. | 0:21:32 | 0:21:35 | |
No, £40. You give me 20s. | 0:21:35 | 0:21:38 | |
See how honest we are! | 0:21:38 | 0:21:40 | |
-I'll give you the benefit of the doubt! -What an idiot! | 0:21:40 | 0:21:44 | |
Gosh, she's hardly got any money as it is and now she's giving it away. | 0:21:44 | 0:21:48 | |
-Right, here I go. -Good luck to you. -Bye. | 0:21:48 | 0:21:51 | |
As Margie goes next door, it seems David has not been idle. | 0:21:51 | 0:21:56 | |
This is a piece of Worcester porcelain. | 0:21:56 | 0:22:00 | |
And it's quite a well-known design. | 0:22:00 | 0:22:03 | |
A little bit rubbed there on the gilt, | 0:22:03 | 0:22:06 | |
but this is in the form of a shell with coral. | 0:22:06 | 0:22:09 | |
You've got the lizard going up the side there, all in gilt. | 0:22:09 | 0:22:13 | |
This is typical sort of 1880/1890 top-quality porcelain. | 0:22:13 | 0:22:19 | |
Really very nice. | 0:22:19 | 0:22:22 | |
I like that. I'll ask the price on that. | 0:22:22 | 0:22:25 | |
-£50. -Is that the best? | 0:22:25 | 0:22:29 | |
Yeah, I would say so, yes. | 0:22:29 | 0:22:31 | |
-Would you do it for 40? -Er, 45? | 0:22:36 | 0:22:42 | |
-Thank you. -Thank you. -Right. | 0:22:45 | 0:22:48 | |
Another item for David. Hurrah! | 0:22:48 | 0:22:50 | |
Now, remember that silver vase he liked. | 0:22:50 | 0:22:52 | |
Like a magpie, silver. It draws me. | 0:22:52 | 0:22:56 | |
He got the price down to £55. | 0:22:56 | 0:22:58 | |
Can Margie do any better? | 0:22:58 | 0:23:00 | |
Nice vase. | 0:23:01 | 0:23:04 | |
1930s... | 0:23:04 | 0:23:06 | |
..Walker and Hall. | 0:23:07 | 0:23:10 | |
How much is this, Charlotte? | 0:23:10 | 0:23:12 | |
-I bet it's going to be too dear. -That's £85. -Yeah. | 0:23:12 | 0:23:15 | |
Jolly nice. | 0:23:15 | 0:23:17 | |
How much is it worth to you? | 0:23:17 | 0:23:19 | |
It would be half. | 0:23:19 | 0:23:21 | |
I would go as low as...50. | 0:23:21 | 0:23:25 | |
You're being very fair but it's just got to be a dead cert. | 0:23:25 | 0:23:29 | |
If you really want it, I will let you have it for 40. | 0:23:29 | 0:23:32 | |
£40. Yeah. | 0:23:32 | 0:23:34 | |
Hold on, that's £15 less than David was offered. | 0:23:34 | 0:23:37 | |
-It's a bargain at half the price. -Do you think so? | 0:23:41 | 0:23:44 | |
It's not a bargain, it's a good buy. | 0:23:44 | 0:23:47 | |
It's not a bargain, it's a good buy. | 0:23:47 | 0:23:50 | |
David is going to be furious. | 0:23:50 | 0:23:53 | |
So, that's one... | 0:23:53 | 0:23:56 | |
There. And two. That's your lot. | 0:23:56 | 0:23:58 | |
Thank you very much. | 0:23:58 | 0:24:00 | |
Blissfully unaware of the deal that's just been done, | 0:24:01 | 0:24:05 | |
David has driven 18 miles north to the Trolleybus Museum | 0:24:05 | 0:24:09 | |
at Sandtoft, for a spot of time travel. | 0:24:09 | 0:24:13 | |
Really, really looking forward to it. | 0:24:13 | 0:24:15 | |
It's going to bring back so many memories of when I was a kid. | 0:24:15 | 0:24:19 | |
# Clang, clang, clang went the trolley | 0:24:19 | 0:24:22 | |
# Ding, ding, ding went the bell | 0:24:22 | 0:24:25 | |
# Zing, zing, zing went my heartstrings... # | 0:24:25 | 0:24:28 | |
Very pleased to meet you. | 0:24:28 | 0:24:30 | |
Hi, I'm Bruce. Welcome to the museum. | 0:24:30 | 0:24:33 | |
Thank you very much indeed. It's like a time capsule, isn't it? | 0:24:33 | 0:24:36 | |
Yes, we're set in the 1950s and '60s, | 0:24:36 | 0:24:38 | |
which is the era of the trolleybus in Britain. | 0:24:38 | 0:24:40 | |
Travel in post-war Britain was a very different story, | 0:24:40 | 0:24:44 | |
when cars were considered an expensive luxury. | 0:24:44 | 0:24:47 | |
Trams and trolleybuses provided a popular and cheap form | 0:24:47 | 0:24:51 | |
of public transport in major cities like London, Leeds and Edinburgh. | 0:24:51 | 0:24:55 | |
What's the difference between a tram and a trolley bus? | 0:24:57 | 0:25:02 | |
Oh, trams need to run on rails, as most people remember from Blackpool. | 0:25:02 | 0:25:08 | |
Trams pick up the current from one overhead wire | 0:25:08 | 0:25:11 | |
and return the current through the rails, | 0:25:11 | 0:25:13 | |
whereas a trolleybus runs, as you can see, on normal rubber tyres. | 0:25:13 | 0:25:16 | |
-Yes. -But needs two wires in the air - | 0:25:16 | 0:25:19 | |
one to bring the current in and one to take it back. | 0:25:19 | 0:25:22 | |
-Very, very sort of environmentally friendly. -That's true. Yes. | 0:25:22 | 0:25:26 | |
There's no emissions at street level. | 0:25:26 | 0:25:29 | |
All the electricity is very clean | 0:25:29 | 0:25:31 | |
and it's an environmentally friendly form of transport. | 0:25:31 | 0:25:36 | |
The museum has over 50 trolleybuses from all over the world. | 0:25:36 | 0:25:40 | |
Some in full working order and others | 0:25:40 | 0:25:42 | |
that have only just started out on the long journey | 0:25:42 | 0:25:45 | |
towards refurbishment. | 0:25:45 | 0:25:47 | |
This is a prime example of the restoration going on at the moment. | 0:25:47 | 0:25:50 | |
This is a Nottingham trolley bus. | 0:25:50 | 0:25:52 | |
It's a six-wheeler and it dates from 1935. | 0:25:52 | 0:25:56 | |
It's all wooden structure. | 0:25:56 | 0:25:57 | |
That's right. Generally they were built of hardwood, which is why they survived. | 0:25:57 | 0:26:01 | |
This is an example of one that was turned into a garden shed, | 0:26:01 | 0:26:04 | |
when it was withdrawn. | 0:26:04 | 0:26:07 | |
-Right. -That's why it survived. Otherwise it would have been burned. | 0:26:07 | 0:26:11 | |
You can actually see that it's been used in the garden, can't you? | 0:26:11 | 0:26:14 | |
-Yes. -That's the original paintwork, which would be green underneath. -That's right. | 0:26:14 | 0:26:18 | |
How long is this going to take? | 0:26:18 | 0:26:21 | |
Oh, could be anywhere up to ten years! | 0:26:21 | 0:26:23 | |
-Ten years! -They've probably been at it about three or four already. | 0:26:23 | 0:26:27 | |
How many do you have working on it? | 0:26:27 | 0:26:28 | |
Um, three or four people, generally. | 0:26:28 | 0:26:31 | |
Because, with volunteers, it's an ad hoc arrangement, | 0:26:31 | 0:26:34 | |
there isn't a sort of a daily working party on it. | 0:26:34 | 0:26:36 | |
Just tell me, is there a bus that operates now? | 0:26:36 | 0:26:39 | |
Let's have a look at this trolleybus outside. | 0:26:39 | 0:26:42 | |
OK, all aboard. | 0:26:42 | 0:26:44 | |
Hello. | 0:26:45 | 0:26:47 | |
-Welcome aboard. -Thank you very much indeed. Where does it go? | 0:26:47 | 0:26:51 | |
Sandtoft Square or journey's end, the terminus, whichever. | 0:26:51 | 0:26:55 | |
-Journey's end, my favourite part. -There you are. -Thank you very much. | 0:26:55 | 0:26:59 | |
# I counted to ten then I counted to ten again... # | 0:26:59 | 0:27:04 | |
Hold tight, please! | 0:27:07 | 0:27:09 | |
This is wonderful. Absolutely marvellous! | 0:27:10 | 0:27:14 | |
I feel as though I'm in a time machine. | 0:27:14 | 0:27:17 | |
I shall open the door and end up in the 1950s. | 0:27:17 | 0:27:21 | |
It really is bringing back so many memories. | 0:27:21 | 0:27:24 | |
This is going to be the transport of the future. | 0:27:24 | 0:27:26 | |
# Bump, bump, bump went the brakes | 0:27:26 | 0:27:29 | |
# Thump, thump, thump went my heartstrings | 0:27:29 | 0:27:32 | |
# When he smiled, I could feel the car shake... # | 0:27:32 | 0:27:35 | |
Whilst David goes off his trolley, | 0:27:35 | 0:27:38 | |
Margie has driven on to Rotherham to squeeze in one last shop of the day. | 0:27:38 | 0:27:44 | |
Tick, tock, Margie! | 0:27:44 | 0:27:46 | |
-Hello. Hi, Margie! -Hi! | 0:27:46 | 0:27:48 | |
-How are you doing? -Not that brilliantly in the last hour. | 0:27:48 | 0:27:51 | |
Oh, dear! Come through, have a look around. | 0:27:51 | 0:27:54 | |
-Yeah, OK. You're mainly furniture, aren't you? -Mainly furniture. | 0:27:54 | 0:27:56 | |
Yes, I'm just trying to find a little piece to go with my last item, | 0:27:56 | 0:28:00 | |
which is to do with writing or miniatures | 0:28:00 | 0:28:04 | |
or something like that. | 0:28:04 | 0:28:06 | |
I've just thought about that little silver charm bracelet. | 0:28:06 | 0:28:10 | |
It's got some dancing slippers on. | 0:28:10 | 0:28:13 | |
It's very nice. What is it? 1960s, usually. | 0:28:13 | 0:28:16 | |
Usually a bit earlier. Could be 1940s, '50s. | 0:28:16 | 0:28:20 | |
-Back in fashion, aren't they? -Yeah, they sell OK. -Back in fashion. Yeah. | 0:28:21 | 0:28:25 | |
So, how much? | 0:28:25 | 0:28:28 | |
Well, it should be 45, er, £40. | 0:28:28 | 0:28:33 | |
I think that's too dear for me. | 0:28:33 | 0:28:36 | |
You see, I've bought something else. | 0:28:36 | 0:28:39 | |
-Mmm. -Yes, that's very nice of you... | 0:28:39 | 0:28:42 | |
It cost me 25. Do it for 35. | 0:28:42 | 0:28:44 | |
Margie has gone miniature mad. | 0:28:46 | 0:28:48 | |
-We'll shake on that. -Thank you very much. I hope you'll do well with it. | 0:28:48 | 0:28:52 | |
I do, too. I do, too. | 0:28:52 | 0:28:54 | |
With the bracelet, miniature pencil and dance card making one lot, | 0:28:56 | 0:29:00 | |
the shopping is over and David has one or two surprises in store. | 0:29:00 | 0:29:04 | |
-Margie! -Yeah. What's going on? | 0:29:04 | 0:29:07 | |
Oh, you bought that! | 0:29:07 | 0:29:09 | |
THEY LAUGH | 0:29:09 | 0:29:12 | |
I know, it's a love seat. | 0:29:12 | 0:29:13 | |
All my money's gone. | 0:29:13 | 0:29:15 | |
You're a little monkey, aren't you? | 0:29:15 | 0:29:17 | |
-You've bought other things? -Yes, I have. | 0:29:17 | 0:29:19 | |
Oh, my goodness. May I have a look? | 0:29:19 | 0:29:23 | |
Please. | 0:29:23 | 0:29:24 | |
Be careful with it because it cost a lot of money. | 0:29:24 | 0:29:27 | |
I'm sure it did. This man is driving me... | 0:29:27 | 0:29:31 | |
Ah, that's lovely. Nautilus Shell. | 0:29:31 | 0:29:33 | |
How lovely! That's absolutely gorgeous. | 0:29:33 | 0:29:36 | |
-The mark on the bottom is Worcester. Yeah. -Oh, that's beautiful. | 0:29:36 | 0:29:40 | |
And how much was it? | 0:29:40 | 0:29:42 | |
Have a guess. | 0:29:42 | 0:29:43 | |
180. | 0:29:45 | 0:29:46 | |
Miles out, Margie. Guess again. | 0:29:46 | 0:29:48 | |
Please, don't play games! I can't bear it! | 0:29:50 | 0:29:54 | |
£45. | 0:29:54 | 0:29:56 | |
£45?! | 0:29:57 | 0:29:59 | |
-I'm getting fed up with this. -DAVID LAUGHS | 0:29:59 | 0:30:02 | |
-I'm not playing this game any more. -Do you think it'll go for 180? | 0:30:02 | 0:30:04 | |
Don't look all hesitant like that, you're thrilled to bits! | 0:30:04 | 0:30:08 | |
I am really. Right, this cost me £150. | 0:30:08 | 0:30:11 | |
Lovely, with the chalk centre. | 0:30:11 | 0:30:14 | |
-That's right. -And all these panels work. | 0:30:14 | 0:30:17 | |
We've got one roundel missing | 0:30:17 | 0:30:18 | |
but I don't think it's... not too bad to turn out. | 0:30:18 | 0:30:20 | |
-Well, they are fun pieces, aren't they? -They are. Right. | 0:30:20 | 0:30:24 | |
Are you ready? | 0:30:24 | 0:30:25 | |
I am! | 0:30:25 | 0:30:26 | |
-Oh, I don't believe it! -What? -I do not believe it! -What? | 0:30:26 | 0:30:30 | |
-I do not believe it! -Believe it. | 0:30:30 | 0:30:32 | |
-That! -Why? | 0:30:32 | 0:30:33 | |
I turned it down for that. | 0:30:33 | 0:30:36 | |
-Oh, did you? -Yes. -Well, you've probably done better. | 0:30:36 | 0:30:38 | |
-You got that for 55? -No. -How much? -40. -You didn't! -I did. -You did not! | 0:30:38 | 0:30:43 | |
You know what, it's because I didn't want to buy it. | 0:30:43 | 0:30:46 | |
-Do you want to have a look? Have you...? -I've examined it, thank you. | 0:30:46 | 0:30:48 | |
Right, OK. | 0:30:48 | 0:30:50 | |
Er, let me have a look... | 0:30:50 | 0:30:51 | |
I'm fascinated by your prints. | 0:30:51 | 0:30:54 | |
Right, I don't think their prints. Hang on. Hopefully not. | 0:30:54 | 0:30:57 | |
They are prints laid to canvas. | 0:30:59 | 0:31:01 | |
-Are you sure? -Yeah. | 0:31:01 | 0:31:02 | |
Don't tell me they're going down the river? They were for £40. | 0:31:02 | 0:31:05 | |
Er... | 0:31:05 | 0:31:06 | |
Think they could fetch, what, 100? | 0:31:06 | 0:31:09 | |
I think that would be very favourable. £100. | 0:31:10 | 0:31:14 | |
-What, that would be optimistic? -Yeah. SHE CHUCKLES | 0:31:14 | 0:31:16 | |
But they are nice. They are nice things. | 0:31:16 | 0:31:19 | |
-I can't get over your silver vase at £40! -I think we've both done well. | 0:31:19 | 0:31:24 | |
-We'll see, won't we? -Yes. -We'll see. | 0:31:24 | 0:31:27 | |
Like butter wouldn't melt. But what do they really think? | 0:31:27 | 0:31:31 | |
David is becoming a formidable opponent. | 0:31:31 | 0:31:34 | |
I think he's bought really well today. | 0:31:34 | 0:31:37 | |
The risk is the billiard scoreboard | 0:31:37 | 0:31:40 | |
but, there again, if somebody's got a billiard table, erm, | 0:31:40 | 0:31:42 | |
that could do really well. | 0:31:42 | 0:31:44 | |
The items I don't think will do well are those lithographic prints, | 0:31:44 | 0:31:49 | |
which are in such an awful state. | 0:31:49 | 0:31:51 | |
Made to look as though they are actual oil paintings on canvas | 0:31:51 | 0:31:54 | |
but they are not. | 0:31:54 | 0:31:55 | |
OK, Mr smarty-pants. Let's find out! | 0:31:55 | 0:31:59 | |
From Rotherham there's one final push on to Sheffield | 0:31:59 | 0:32:02 | |
and auction day. | 0:32:02 | 0:32:04 | |
I think we're going to do quite well here, Margie. | 0:32:04 | 0:32:06 | |
-Well, I think you might! -I really, really do. | 0:32:06 | 0:32:08 | |
-I'm not as excited as you are! -I'm getting quite excited about this. | 0:32:08 | 0:32:11 | |
-Margie, all the best. -And to you, too. -Thank you. | 0:32:11 | 0:32:14 | |
Today our experts are doing battle at Sheffield Auction Gallery, | 0:32:16 | 0:32:20 | |
in business since 1840. | 0:32:20 | 0:32:22 | |
So they should know what they're talking about. | 0:32:22 | 0:32:24 | |
Let's see what auctioneer Robert Lea thinks | 0:32:24 | 0:32:27 | |
about David's and Margie's items. | 0:32:27 | 0:32:29 | |
'One of the two things I like,' | 0:32:29 | 0:32:31 | |
I certainly like the Snooker scoreboard, | 0:32:31 | 0:32:34 | |
that should do well in Sheffield, hopefully, the home of snooker! | 0:32:34 | 0:32:37 | |
Yeah, there's those three horseracing prints. | 0:32:37 | 0:32:40 | |
Quite early and I know they are in a tired state, | 0:32:40 | 0:32:43 | |
but we're not far from Doncaster, where the St Leger is, | 0:32:43 | 0:32:47 | |
so, hopefully, that should attract some local interest. | 0:32:47 | 0:32:49 | |
David began today's road trip with a mighty £485.60 | 0:32:52 | 0:32:56 | |
and has spent £323 on five lots, | 0:32:56 | 0:32:59 | |
leaving him with £162.60 cash in hand. | 0:32:59 | 0:33:03 | |
Margie started out with £294.40 and has also bought five lots | 0:33:06 | 0:33:11 | |
costing £183, leaving her with a cash reserve of £111.40. | 0:33:11 | 0:33:18 | |
-Here we are, here we are. -Here we go. | 0:33:22 | 0:33:25 | |
First up for Margie, it's the pair of Edwardian scent bottles. | 0:33:25 | 0:33:29 | |
28, a marker. | 0:33:29 | 0:33:31 | |
28...£30. 32...35... 8...£40. | 0:33:31 | 0:33:34 | |
£40...42...45...48...50. | 0:33:34 | 0:33:38 | |
-£50, hammer's going to drop! -It's a fair price. | 0:33:38 | 0:33:42 | |
The sweet smell of success for Margie | 0:33:43 | 0:33:45 | |
and a good profit on her first lot. | 0:33:45 | 0:33:48 | |
-That's excellent. He sold those well. -He did, bless him. | 0:33:48 | 0:33:51 | |
David's vase combo is up next - | 0:33:51 | 0:33:54 | |
the 1960s west German piece and the more traditional Bretby. | 0:33:54 | 0:33:59 | |
-£28 this lot and you're paying for the two. -28? | 0:33:59 | 0:34:02 | |
30, I'm after. | 0:34:02 | 0:34:03 | |
£30 it must be to take the commission... | 0:34:03 | 0:34:06 | |
Come on, come on. | 0:34:06 | 0:34:08 | |
That's one, there's one over there. | 0:34:08 | 0:34:10 | |
Looking at 32 to progress. | 0:34:10 | 0:34:12 | |
£30 standing bid. | 0:34:12 | 0:34:14 | |
32, gentleman on my left. | 0:34:14 | 0:34:16 | |
-Oh! -Got to be 35. 32 only. | 0:34:16 | 0:34:20 | |
Anyone offering any more? They've got to go! Over now, it's 32. | 0:34:20 | 0:34:24 | |
Oh, he's trying so hard. | 0:34:24 | 0:34:25 | |
-Ugh! -It's a profit. | 0:34:25 | 0:34:28 | |
Not a bad start for David but Margie takes an early lead. | 0:34:28 | 0:34:31 | |
-It's not £30 profits like yours! -Look at... | 0:34:31 | 0:34:33 | |
SHE LAUGHS | 0:34:33 | 0:34:35 | |
Now it's Margie's bundle of the Victorian propelling pencil | 0:34:35 | 0:34:39 | |
and dance card with the Silver Charm bracelet. | 0:34:39 | 0:34:43 | |
Must start the bidding at... | 0:34:43 | 0:34:46 | |
£18, 20 I'm after. | 0:34:46 | 0:34:47 | |
£20 I need to move on. | 0:34:47 | 0:34:50 | |
-With me at £18 on commission... -Oh, my Lord. -..22, 25, madam. | 0:34:50 | 0:34:54 | |
I'm out but I'm out too soon. I need 28 elsewhere. | 0:34:54 | 0:34:58 | |
-£25... -That's too low. | 0:34:58 | 0:35:00 | |
-No! -Over now, here? At 25. | 0:35:00 | 0:35:03 | |
Disaster. | 0:35:04 | 0:35:05 | |
Margie's cards are well and truly marked as she makes a loss of £20. | 0:35:05 | 0:35:08 | |
25? Oh, that's ridiculous. | 0:35:08 | 0:35:11 | |
That almost wipes out the profit you made earlier. | 0:35:11 | 0:35:14 | |
MARGIE LAUGHS | 0:35:14 | 0:35:16 | |
Oh, shh! | 0:35:16 | 0:35:17 | |
Next it's David's star buy, the Royal Worcester nautilus shell | 0:35:17 | 0:35:22 | |
and he's banking on this being a huge success. | 0:35:22 | 0:35:25 | |
Forced to start the bidding at £38. | 0:35:25 | 0:35:28 | |
40 I'm after. | 0:35:28 | 0:35:29 | |
-£40, it must be elsewhere. -Eh?! | 0:35:29 | 0:35:32 | |
£40...42...45... | 0:35:32 | 0:35:33 | |
-There you go. -..48...50... | 0:35:33 | 0:35:35 | |
He's on the hook. | 0:35:35 | 0:35:36 | |
-Can't believe it! -On my right so far, £50 bid only. | 0:35:36 | 0:35:41 | |
Any more? 55, it's got a shell! Hammers going to drop at £50. | 0:35:41 | 0:35:46 | |
-Are we finished? -Oh, £50. Oh, that is ridiculous. | 0:35:46 | 0:35:49 | |
Not quite the profit David was expecting, | 0:35:49 | 0:35:52 | |
giving Margie the chance to catch up. | 0:35:52 | 0:35:54 | |
I'm absolutely staggered. | 0:35:55 | 0:35:58 | |
Let's see if she can close the gap with the silver vase | 0:35:58 | 0:36:01 | |
that David ALMOST brought. | 0:36:01 | 0:36:02 | |
Lot of interest for, | 0:36:02 | 0:36:04 | |
to start the bidding at... | 0:36:04 | 0:36:06 | |
-£50 -..£55. | 0:36:06 | 0:36:08 | |
60, I'm after, elsewhere... | 0:36:08 | 0:36:11 | |
Has it stopped at 60? | 0:36:11 | 0:36:13 | |
Should go for 80, should go for 80. | 0:36:13 | 0:36:15 | |
..£70, gentleman on my left so far... | 0:36:15 | 0:36:18 | |
-Should go for 80. -Anyone else for 75? It's going to go. All over £70. | 0:36:18 | 0:36:22 | |
-Margie, that was good. -Bit disappointed. | 0:36:24 | 0:36:27 | |
A silver lining for Margie and another healthy profit. | 0:36:27 | 0:36:31 | |
-That's another £30! -Yes, I know, but the last lot got wiped out. | 0:36:31 | 0:36:34 | |
David's set of Art Nouveau silver buttons is up next. | 0:36:35 | 0:36:38 | |
They're crackers! | 0:36:38 | 0:36:40 | |
£30, 32 I'm after. 32...35...38. I'm out for £40. | 0:36:40 | 0:36:44 | |
-42...45...48... -Hey! -..No? | 0:36:44 | 0:36:47 | |
-45, I'm with the lady so far. -Oh, no! | 0:36:47 | 0:36:51 | |
They're so cheap! | 0:36:51 | 0:36:52 | |
£50. 55...60. | 0:36:52 | 0:36:56 | |
55 in white so far. Must be 60 elsewhere. | 0:36:56 | 0:36:59 | |
Somebody said, "They're so cheap." | 0:36:59 | 0:37:01 | |
-55, top of the shop... -They are cheap. | 0:37:01 | 0:37:03 | |
..they've got to go! | 0:37:03 | 0:37:06 | |
All bid at £55 with the gentleman? | 0:37:06 | 0:37:08 | |
-It's a profit! -Well... | 0:37:10 | 0:37:12 | |
-..at least I made £10. -Well done. | 0:37:13 | 0:37:15 | |
David's making small but steady profits | 0:37:15 | 0:37:18 | |
but will there be enough to win him the day? | 0:37:18 | 0:37:21 | |
I really am getting quite worried about the... | 0:37:21 | 0:37:24 | |
-Oh, I've got these awful racehorse things now! -..the other things I've left. | 0:37:24 | 0:37:28 | |
Now for Margie's tired old horse prints but has she backed a donkey? | 0:37:29 | 0:37:35 | |
-Quite a bit of interest in these. Must start the bidding at £110. -Oh! | 0:37:35 | 0:37:40 | |
MARGIE LAUGHS | 0:37:40 | 0:37:42 | |
110. 115 I'm after... | 0:37:42 | 0:37:45 | |
-Oh, brilliant. -..somebody has just thrown his programme down! | 0:37:45 | 0:37:49 | |
115 am after. | 0:37:49 | 0:37:50 | |
With me at 110. Must be 115... | 0:37:50 | 0:37:55 | |
I can't BELIEVE this! | 0:37:55 | 0:37:57 | |
Main commission bidder's going to take it. 115...120...125... | 0:37:57 | 0:38:01 | |
-Oh, great! -With me at 120 so far. Anybody else at 125? | 0:38:01 | 0:38:05 | |
Oh, that's great. | 0:38:05 | 0:38:06 | |
Shout at me if I've missed you. All done at 125? | 0:38:06 | 0:38:10 | |
Hammer's going to drop. | 0:38:10 | 0:38:11 | |
-Sold! -Wahey! | 0:38:13 | 0:38:15 | |
Racing ahead with the prints, | 0:38:15 | 0:38:18 | |
the odds on Margie winning have just been slashed! | 0:38:18 | 0:38:20 | |
Very good. | 0:38:20 | 0:38:22 | |
I thought they were absolutely appalling! | 0:38:22 | 0:38:24 | |
THEY LAUGH | 0:38:24 | 0:38:26 | |
I thought they were appalling! Oh! | 0:38:26 | 0:38:29 | |
Now it is David's rustic garden bench. | 0:38:31 | 0:38:34 | |
Will it leave him doing cartwheels of his own? | 0:38:34 | 0:38:36 | |
(Come on.) | 0:38:36 | 0:38:37 | |
-Starting at the bottom. 20. -Oh, don't! -£20. | 0:38:37 | 0:38:42 | |
22...25...28...£30...32... | 0:38:42 | 0:38:45 | |
35...38...40...two...45...48... | 0:38:45 | 0:38:49 | |
50...five...60...five...70... five...80...five... | 0:38:49 | 0:38:54 | |
90...five....100. | 0:38:54 | 0:38:56 | |
We'll do 105...ten. | 0:38:57 | 0:39:00 | |
No, 105 so far. Substantial piece... | 0:39:00 | 0:39:03 | |
Fair profit. | 0:39:03 | 0:39:05 | |
..anybody else with 110? Just right for the summer... | 0:39:05 | 0:39:08 | |
-Come on. -..anybody else...? -It's lovely. -..105... | 0:39:08 | 0:39:12 | |
Well done! | 0:39:12 | 0:39:13 | |
-Oh! -Oh! -Well done. | 0:39:14 | 0:39:17 | |
The respectable result on the garden seat. | 0:39:18 | 0:39:21 | |
Please be upstanding for Mr David Barby. | 0:39:21 | 0:39:24 | |
-How much did I make on that, Margie? -No idea. | 0:39:24 | 0:39:26 | |
More mock-intosh than Macintosh, it's Margie's final item, | 0:39:29 | 0:39:33 | |
the oak cabinet. | 0:39:33 | 0:39:34 | |
Need 28 move on. 28...£30... | 0:39:35 | 0:39:37 | |
32, madam? Looking at 35, now... | 0:39:37 | 0:39:39 | |
-Oh, this is a thrill. -..35... -Good Lord! | 0:39:39 | 0:39:44 | |
-Yeah, go on, just a bit more. -..with shelves. | 0:39:44 | 0:39:47 | |
35...38...£40. | 0:39:47 | 0:39:48 | |
-42. Seems cheap, this... -Made a profit. | 0:39:48 | 0:39:52 | |
-42. -..42, new bid, 45. -Yes! | 0:39:52 | 0:39:55 | |
-48...50... -Oh, it's a sweet little thing. | 0:39:55 | 0:39:58 | |
Untidy figure, let's have a half-century... | 0:39:58 | 0:40:01 | |
MARGIE LAUGHS | 0:40:01 | 0:40:02 | |
-Yeah, it's going. -..60 now... | 0:40:02 | 0:40:03 | |
-Oh, I planned it like this! -55 in stripes. | 0:40:03 | 0:40:06 | |
At £55, are we done? | 0:40:06 | 0:40:08 | |
Oh, bless it. | 0:40:08 | 0:40:10 | |
I really liked that. I don't care. | 0:40:10 | 0:40:13 | |
-It's made a profit. -It's made a profit. | 0:40:13 | 0:40:15 | |
Which puts Margie on course for her first victory. | 0:40:15 | 0:40:18 | |
-I doubted that it would... -I know you would, I know you did. | 0:40:18 | 0:40:21 | |
Right on cue, it's the snooker scoreboard. | 0:40:21 | 0:40:25 | |
David needs a big break on this if he's going to defeat Margie. | 0:40:25 | 0:40:29 | |
Quite a bit of interest in this, forced to start the bid at £130. | 0:40:29 | 0:40:34 | |
135, I'm looking out to move on. 135 and were looking elsewhere. | 0:40:34 | 0:40:38 | |
135...140...145... | 0:40:38 | 0:40:40 | |
But it's a slow starter. | 0:40:40 | 0:40:43 | |
(You're in profit.) | 0:40:43 | 0:40:44 | |
..170... | 0:40:44 | 0:40:46 | |
160 so far... | 0:40:46 | 0:40:48 | |
170...180...190... | 0:40:48 | 0:40:52 | |
200...210. | 0:40:52 | 0:40:55 | |
(Yeah, got people that it.) | 0:40:55 | 0:40:57 | |
You can relax now, David. | 0:40:57 | 0:40:58 | |
-..230...240... -Look at this. | 0:40:58 | 0:41:00 | |
..250...260... | 0:41:00 | 0:41:02 | |
He's potted the black. | 0:41:02 | 0:41:04 | |
-..270. -THEY GASP | 0:41:04 | 0:41:06 | |
-260 on the phone. So far at 260. Needs to be to 70... -Come on. | 0:41:06 | 0:41:11 | |
-We need a bigger break... -We do! | 0:41:11 | 0:41:12 | |
-Shh! -270, new bid. | 0:41:12 | 0:41:15 | |
-280... -(Come on.) | 0:41:15 | 0:41:18 | |
-290...300... -Just thought I was getting ahead. | 0:41:18 | 0:41:21 | |
310...320... | 0:41:21 | 0:41:23 | |
I told you Sheffield was the centre of snooker! | 0:41:23 | 0:41:27 | |
-..on the phone so far. I need 330 to move on. -Yes. | 0:41:27 | 0:41:31 | |
-(Shut up, you!) -We need a yes from somebody else. | 0:41:33 | 0:41:35 | |
-DAVID LAUGHS -Shut your mouth! | 0:41:35 | 0:41:37 | |
320 bit so far. Hammer's going to drop! | 0:41:37 | 0:41:40 | |
All done, are we, at 320? | 0:41:40 | 0:41:42 | |
With the board of snooker... | 0:41:42 | 0:41:44 | |
You have raced ahead. | 0:41:44 | 0:41:46 | |
-Well done, home of snooker, told you. -Oh! | 0:41:47 | 0:41:50 | |
Well done. | 0:41:50 | 0:41:51 | |
Look at that, top marks the David as he pockets the princely sum of £170. | 0:41:51 | 0:41:57 | |
Well, thank goodness. | 0:41:57 | 0:41:59 | |
-I almost wiped my face on that! -What an interesting sale. | 0:41:59 | 0:42:03 | |
I think I need something quite strong. | 0:42:03 | 0:42:07 | |
-I'll for an orange juice, come on then. -Yeah, come on but well done! | 0:42:07 | 0:42:10 | |
Margie started today's show with £294.40 | 0:42:12 | 0:42:17 | |
and after auction costs she's made a profit of £79.40, | 0:42:17 | 0:42:21 | |
increasing her spending power for the next round to £373.80. | 0:42:21 | 0:42:26 | |
David started with £485.60 but even after the costs | 0:42:31 | 0:42:36 | |
he has made a profit of £137.84, | 0:42:36 | 0:42:39 | |
increasing his stash of cash to a mighty £623.44, | 0:42:39 | 0:42:45 | |
claiming his third victory in a row. | 0:42:45 | 0:42:48 | |
-So, it is well done to you again! -And well done to you, Margie. | 0:42:50 | 0:42:55 | |
Quite good, nice to be in a, sort of, winning situation, isn't it? | 0:42:55 | 0:42:58 | |
Well, it is. Even if you are in a more winning situation than me! | 0:42:58 | 0:43:01 | |
-I thought I'd got you! -I thought you had, as well. | 0:43:01 | 0:43:04 | |
I was worried when those pictures went up for sale | 0:43:04 | 0:43:06 | |
because I thought they were so dreadful. | 0:43:06 | 0:43:09 | |
-I really thought they were so dreadful. -How dare you?! | 0:43:09 | 0:43:12 | |
-Where are we off to now? -Some more shopping. | 0:43:12 | 0:43:14 | |
And what are we going to buy? | 0:43:14 | 0:43:17 | |
Find out next time on the Antiques Road Trip, | 0:43:17 | 0:43:19 | |
when Margie gets musical... | 0:43:19 | 0:43:21 | |
PIANO MUSIC PLAYING | 0:43:21 | 0:43:24 | |
..and David gets lucky. | 0:43:25 | 0:43:27 | |
Two, you said. | 0:43:27 | 0:43:30 | |
-That's the best bit! -THEY LAUGH | 0:43:30 | 0:43:32 | |
Subtitles by Red Bee Media Ltd | 0:43:51 | 0:43:54 |