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'It's the nation's favourite antiques experts | 0:00:02 | 0:00:04 | |
'with £200 each, a classic car and a goal to scour Britain for antiques.' | 0:00:04 | 0:00:09 | |
That hurts. | 0:00:09 | 0:00:11 | |
'The aim -to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:18 | |
'There'll be worthy winners and valiant losers.' | 0:00:18 | 0:00:21 | |
I look like the mad hatter! | 0:00:21 | 0:00:23 | |
'So, will it be the high road to glory or the slow road to disaster?' | 0:00:23 | 0:00:27 | |
I'm only in this to be Anita Manning's chauffeur! | 0:00:27 | 0:00:30 | |
'This is the Antiques Road Trip. | 0:00:30 | 0:00:32 | |
'Yeah! | 0:00:33 | 0:00:35 | |
'On this week's road trip, we're on country roads | 0:00:40 | 0:00:43 | |
'in a lovely 1965 Sunbeam Alpine | 0:00:43 | 0:00:46 | |
'with two auctioneers, Philip Serrell and Anita Manning.' | 0:00:46 | 0:00:49 | |
ANITA: I keep forgetting that you're a country boy. | 0:00:49 | 0:00:53 | |
Because I always thought that you were a sophisticated city type. | 0:00:53 | 0:00:57 | |
There's nothing sophisticated about me. | 0:00:57 | 0:00:59 | |
# Me and the farmer Like brother, like sister | 0:00:59 | 0:01:02 | |
# Getting on like hand and blister | 0:01:02 | 0:01:04 | |
# Me a-a-and the farmer... # | 0:01:04 | 0:01:08 | |
'Philip from Worcester has a bluff exterior which conceals, well... | 0:01:08 | 0:01:14 | |
'a bluff interior. He does have his uses, though.' | 0:01:14 | 0:01:17 | |
-Look at the little sheepy weepy. -Ah! | 0:01:17 | 0:01:19 | |
-Young sheep have different names in different parts of the world. -There's one there called 17. | 0:01:19 | 0:01:25 | |
'Anita from Glasgow is a thoroughly metropolitan sort but she loves the countryside, too.' | 0:01:25 | 0:01:30 | |
-Look at that big... I thought that was a big boulder! -No! | 0:01:30 | 0:01:33 | |
That is a silage bail, Anita. | 0:01:33 | 0:01:36 | |
'So far, Anita's bought several shiny sophisticated pieces | 0:01:36 | 0:01:40 | |
'as well as a thoroughly rustic coffin carrier.' | 0:01:40 | 0:01:44 | |
Could it be a moment of madness? | 0:01:44 | 0:01:46 | |
'She began with £200 | 0:01:46 | 0:01:48 | |
'and has £265.60p to spend today. | 0:01:48 | 0:01:52 | |
'Phil's put his faith in a big lump of cast iron, | 0:01:53 | 0:01:56 | |
'but also bought several more traditional items | 0:01:56 | 0:01:59 | |
'and developed a surprising interest in sewing.' | 0:01:59 | 0:02:02 | |
I think that's a really lovely thing. | 0:02:02 | 0:02:04 | |
'He also began with £200, | 0:02:04 | 0:02:06 | |
'and has the lead with £344.70p at his disposal. | 0:02:06 | 0:02:10 | |
'He's still not exactly happy, though.' | 0:02:10 | 0:02:13 | |
I've gone and bought really predictable, old-fashioned antiques. | 0:02:13 | 0:02:18 | |
I haven't done me daft trick yet. ANITA LAUGHS | 0:02:18 | 0:02:21 | |
'This week's road trip starts out at Ford in Northumberland | 0:02:21 | 0:02:26 | |
'and ventures into Scotland, | 0:02:26 | 0:02:28 | |
'before winding its way southwards, concluding at Harrogate, Yorkshire. | 0:02:28 | 0:02:33 | |
'Our latest instalment begins in the Dales at Middleham, | 0:02:33 | 0:02:37 | |
'and heads for the Lake District, | 0:02:37 | 0:02:39 | |
'before an auction at Penrith in Cumbria. | 0:02:39 | 0:02:42 | |
'They call Middleham the New Market of the north. | 0:02:44 | 0:02:46 | |
'Horse racing is by far the biggest employer in the town. | 0:02:46 | 0:02:50 | |
'Several major trainers are based here. | 0:02:50 | 0:02:52 | |
'The first arrived back in 1765.' | 0:02:52 | 0:02:56 | |
-Shall we park in there? -Why not? That's a good place. | 0:02:56 | 0:02:59 | |
-I think that's a wide enough gap. -Watch it! | 0:02:59 | 0:03:02 | |
Oh! | 0:03:02 | 0:03:04 | |
-What's your plan? -I'm going to go round with a brush and a shovel. | 0:03:05 | 0:03:09 | |
I'm going to get bags of horse muck for roses. Take it to the auction. It'll sell. | 0:03:09 | 0:03:14 | |
'Some might say that's not unlike what you usually do, Phil. | 0:03:14 | 0:03:18 | |
'I'm sure Middleham can offer more, much more. | 0:03:18 | 0:03:21 | |
'Hm. As I thought, a very nice shop. | 0:03:23 | 0:03:26 | |
'Angela keeps it packed to the gunwales, too. | 0:03:26 | 0:03:29 | |
'Nothing obviously Serrell-esque, though.' | 0:03:29 | 0:03:31 | |
Isn't that just a little child's table-top sewing machine? | 0:03:31 | 0:03:36 | |
I think that's really sweet. | 0:03:36 | 0:03:39 | |
'Ah. Of course. Sewing!' | 0:03:39 | 0:03:41 | |
-What's your ticket price on that? -It would have to be 75. -I like that. | 0:03:41 | 0:03:46 | |
'And what's that?' | 0:03:46 | 0:03:48 | |
-This is a cartridge filler. -Yeah. -'Ah. OK.' | 0:03:48 | 0:03:51 | |
-That clamps onto a table, doesn't it? -Yes. | 0:03:51 | 0:03:54 | |
And you put your cartridge in there. | 0:03:54 | 0:03:57 | |
-This is for a 12-gauge or 12-bore, cos it's got a 12 on it. -Yes. | 0:03:57 | 0:04:00 | |
-How much is that one? -I said 35. | 0:04:00 | 0:04:03 | |
-That's 35 ticket price and how much is this one? -25. | 0:04:03 | 0:04:06 | |
'Some devices for filling shotgun cartridges and a Victorian sewing machine.' | 0:04:06 | 0:04:11 | |
-I've given you top prices. -Top prices? -Yes. | 0:04:11 | 0:04:14 | |
'I think the expression is brass tacks.' | 0:04:14 | 0:04:17 | |
There is room for movement, but I won't move that much. | 0:04:17 | 0:04:20 | |
I've got to try and buy those two for 25, 30 quid. | 0:04:20 | 0:04:24 | |
Oh, no, no. No way on this earth. No, no. | 0:04:24 | 0:04:27 | |
-I want at least 45 for them. -What about the sewing machine? | 0:04:27 | 0:04:30 | |
-I'd do it for 40. -35 quid on that. | 0:04:30 | 0:04:33 | |
-38 and you've got it. -Can you go any better than 38? -37. | 0:04:33 | 0:04:36 | |
What's the very best on those two? | 0:04:36 | 0:04:38 | |
-It has to be 40. -Those have got to be 40. -Yeah. | 0:04:38 | 0:04:42 | |
Look, I'll do 35... 35, that's 75. For the lot. | 0:04:42 | 0:04:47 | |
'Er, are we following this?' | 0:04:47 | 0:04:49 | |
-You'd do 35 on that, 40 on them? -Yeah. | 0:04:49 | 0:04:52 | |
I'm going to buy one of them. How much for just that one? | 0:04:52 | 0:04:55 | |
'What's he up to?' | 0:04:55 | 0:04:58 | |
-18... -22. -Yeah. | 0:04:58 | 0:05:00 | |
-I'm going to have that. -Right. | 0:05:00 | 0:05:02 | |
-OK? For sure, cos I like that. -Yeah. | 0:05:02 | 0:05:05 | |
-So this is 22, that's 37. -Yeah. | 0:05:05 | 0:05:08 | |
Add the two together is...59. | 0:05:08 | 0:05:10 | |
'I'm feeling as bamboozled as Angela.' | 0:05:10 | 0:05:13 | |
-Would 55 the two be any good? -No. -OK. | 0:05:13 | 0:05:16 | |
Tell me what's the best you can do. I'll have them both. | 0:05:16 | 0:05:19 | |
-Two off. -57 quid. -Yeah. -OK, I'll have them both, please. | 0:05:19 | 0:05:23 | |
'Phew! Sewing machine and cartridge filler for 57. I think.' | 0:05:23 | 0:05:28 | |
You haven't got any headache tablets? | 0:05:28 | 0:05:30 | |
-I might have paracetamol. -Bring the bottle! | 0:05:30 | 0:05:33 | |
'I think we could all do with some after that, Philip. | 0:05:33 | 0:05:37 | |
'Now, where's Anita?' | 0:05:37 | 0:05:39 | |
-Hello. I'm Anita. -Hello, Anita. -Can I have a wee look around? -Oh, please do. | 0:05:39 | 0:05:43 | |
'Richard's shop is a great mix of antiques and collectibles, | 0:05:43 | 0:05:47 | |
'plenty of nods to the equine, too, | 0:05:47 | 0:05:50 | |
'which, in this town is hardly surprising.' | 0:05:50 | 0:05:52 | |
This is the winner of the Lincoln in 1937. | 0:05:52 | 0:05:57 | |
This is the horse, Marmaduke Jinks. | 0:05:57 | 0:06:00 | |
-Marmaduke Jinks! -What a great name! -It is. | 0:06:00 | 0:06:03 | |
'Marmaduke Jinks achieved immortality | 0:06:04 | 0:06:08 | |
'when its name was used, along with other past winners of the Lincoln, | 0:06:08 | 0:06:12 | |
'in the classic 1930s Totopoly board game. | 0:06:12 | 0:06:16 | |
'No mention of price yet, | 0:06:16 | 0:06:18 | |
'but I'm not convinced Anita wants to buy Mr Jinks. | 0:06:18 | 0:06:21 | |
'Keep looking, Richard.' | 0:06:21 | 0:06:23 | |
-I know these things aren't old but they're big showy pieces. -They are. | 0:06:23 | 0:06:27 | |
-Possibly Indian. -Uh-huh. | 0:06:27 | 0:06:30 | |
-Turquoise is nice. -Turquoise is very popular, isn't it? -Uh-huh. | 0:06:30 | 0:06:34 | |
'The ticket price on those is £35 each.' | 0:06:34 | 0:06:37 | |
If I was buying the two of them, | 0:06:37 | 0:06:39 | |
what sort of price could you do them for? | 0:06:39 | 0:06:42 | |
I can let you have both of those for £2. | 0:06:42 | 0:06:45 | |
-I can't go wrong on that... -'Blimey! £2!' | 0:06:46 | 0:06:50 | |
Good. OK. That's a deal. Thank you very, very much. | 0:06:50 | 0:06:54 | |
'A deal? I should think so, Anita. It's a gift! | 0:06:54 | 0:06:57 | |
'You've got a real friend there. | 0:06:57 | 0:06:59 | |
'Just round the corner, Phil's on the prowl. | 0:06:59 | 0:07:02 | |
'Is it me, or has the wily old fox got a sniff of something? | 0:07:02 | 0:07:05 | |
'And I don't mean manure!' | 0:07:05 | 0:07:07 | |
I've been to Middleham many times before. | 0:07:07 | 0:07:10 | |
I know that behind these houses there are racing stables. | 0:07:10 | 0:07:14 | |
I'm going to see if I can knock on the door | 0:07:14 | 0:07:16 | |
and buy something a bit horsey. | 0:07:16 | 0:07:19 | |
'The Glasgow House yard is one of the oldest in Middleham, | 0:07:19 | 0:07:22 | |
'dating back to 1800. | 0:07:22 | 0:07:24 | |
'It currently belongs to the Fairhursts, Chris and Judy.' | 0:07:24 | 0:07:28 | |
KNOCKS ON DOOR | 0:07:28 | 0:07:31 | |
-Hi. I'm Philip. How are you? -Hi. | 0:07:34 | 0:07:36 | |
-You train racehorses. -We do. -I want to buy something. | 0:07:36 | 0:07:40 | |
I don't know what, yet. Have you got any old blankets, rugs? | 0:07:40 | 0:07:43 | |
They might be past their sell-by date. | 0:07:43 | 0:07:46 | |
You got any old silks? | 0:07:46 | 0:07:48 | |
-Y-yeah. We might have some old silks. -Really? | 0:07:48 | 0:07:51 | |
You can have a look in the saddle room, see if there's anything that you might be able to sell. | 0:07:51 | 0:07:57 | |
-That's what I should be asking for, a tip. -We're racing today! | 0:07:57 | 0:08:01 | |
-Where? -Newcastle. -And it's called? -Tigerino. | 0:08:01 | 0:08:04 | |
'Well, he's certainly got his hoof in the door. | 0:08:04 | 0:08:07 | |
'Tips and goodness knows what else!' | 0:08:07 | 0:08:10 | |
These are old. Father would have had these before us! Chris's father. | 0:08:10 | 0:08:16 | |
This is obviously a newer one. | 0:08:16 | 0:08:18 | |
-Has that got your...? -Yeah. -Ho! Look at that! | 0:08:18 | 0:08:23 | |
That's a starting point. How much would a saddle cost? | 0:08:23 | 0:08:26 | |
-Don't worry. I don't want to buy one! £1,000? -They vary. | 0:08:26 | 0:08:29 | |
Those, we can't give them away. | 0:08:29 | 0:08:32 | |
You probably could give one away! LAUGHS | 0:08:32 | 0:08:35 | |
-We'll throw it in with the rug, yeah! -No, I'm up for that. | 0:08:35 | 0:08:39 | |
-Why can't you give them away? -The trees have probably gone. | 0:08:39 | 0:08:42 | |
-The tree being the spine of the saddle? -Exactly. | 0:08:42 | 0:08:46 | |
-That's lovely leather. -It is good leather. | 0:08:46 | 0:08:49 | |
-You can't give that away? -We wouldn't be able to give that away. | 0:08:49 | 0:08:52 | |
-I'd give you 20 quid for the two, that's me best shot. Go on. -30. | 0:08:52 | 0:08:56 | |
Get out of here! You've got a saddle you can't give away. | 0:08:56 | 0:09:00 | |
-That we have to replace. -I do like negotiating on something you can't give away. | 0:09:00 | 0:09:05 | |
So, is that worth five or ten quid? | 0:09:05 | 0:09:08 | |
If you can't GIVE them away. | 0:09:08 | 0:09:11 | |
-Ten. -You've got a deal. You're an angel. Thank you very much, my love. | 0:09:11 | 0:09:15 | |
If this makes a profit, you'll have half the Yorkshire Dales trying to buy them off you. | 0:09:15 | 0:09:20 | |
-Thank you very much indeed. -You're welcome. | 0:09:20 | 0:09:22 | |
What was that called? Tigeroni? | 0:09:22 | 0:09:25 | |
-Tigerino! -Tigerino at Newcastle tonight. Write that down. | 0:09:25 | 0:09:28 | |
-'Not bad, eh? A tip, too.' -Hope I've got a winner. | 0:09:28 | 0:09:32 | |
'That worthless old saddle might just have become an important part in Serrell's country collection. | 0:09:32 | 0:09:38 | |
'Now, what's Anita horsing around with?' | 0:09:38 | 0:09:42 | |
Feature win! Yes! | 0:09:42 | 0:09:44 | |
What have I got? £300? | 0:09:46 | 0:09:48 | |
-You're a gambler! You've lost! -I've lost. | 0:09:48 | 0:09:51 | |
-Oh, no! Is this an omen? -RICHARD LAUGHS | 0:09:51 | 0:09:55 | |
-What age is this? -It's not very old, actually. | 0:09:55 | 0:09:57 | |
Probably '70s, '80s. | 0:09:57 | 0:09:59 | |
'But it's in full working order. A ticket price of £100, though. | 0:09:59 | 0:10:04 | |
'Nudge? Hold? Nudge? What?' | 0:10:04 | 0:10:07 | |
I want to buy it, but I can only buy it if it's really, really, | 0:10:07 | 0:10:11 | |
really, really, really, really cheap. | 0:10:11 | 0:10:14 | |
BOTH LAUGH | 0:10:14 | 0:10:16 | |
Would you miss it if it went? | 0:10:16 | 0:10:19 | |
I'll let you have it for £10. | 0:10:19 | 0:10:21 | |
-You can't turn it down for that. -Ah! Give me a kiss! | 0:10:21 | 0:10:25 | |
'Jackpot! I think.' | 0:10:25 | 0:10:27 | |
That's the best deal in the world! | 0:10:27 | 0:10:29 | |
'90% off this time! | 0:10:29 | 0:10:32 | |
'Ha! Richard seems to have an everything-must-go policy for Anita. | 0:10:32 | 0:10:37 | |
'He's happy enough, though, and she's not one to look a gift horse in the mouth. | 0:10:37 | 0:10:42 | |
'Now she's after his Jaguar mascot.' | 0:10:42 | 0:10:45 | |
-I think this one's had a bit of weathering. -Uh-huh. | 0:10:45 | 0:10:48 | |
-It's got a bit of pitting on it. -Yes. | 0:10:48 | 0:10:51 | |
Taking into consideration the condition, | 0:10:51 | 0:10:54 | |
erm...is there... Would you be able to do a deal on that? | 0:10:54 | 0:10:58 | |
I'll have a look for you, Anita. See what we can do. | 0:10:58 | 0:11:02 | |
'The asking price is £65, but what's the betting that'll come down, eh?' | 0:11:02 | 0:11:07 | |
Anita, I think I can do that for £20 for you. | 0:11:07 | 0:11:10 | |
-Oh. Can I kiss you again? -RICHARD LAUGHS | 0:11:10 | 0:11:13 | |
'Well, it was hardly a spending spree, | 0:11:14 | 0:11:17 | |
'but three lots with a combined ticket price of 235, | 0:11:17 | 0:11:21 | |
'bagged for just £32. | 0:11:21 | 0:11:23 | |
'Unbelievable! | 0:11:23 | 0:11:24 | |
'Phil, meanwhile, has made his way to another corner of Wensleydale, | 0:11:26 | 0:11:30 | |
'travelling a few short miles from Middleham to Masham. | 0:11:30 | 0:11:34 | |
'Like its neighbour, this ancient town is famous for livestock. | 0:11:34 | 0:11:39 | |
'Though here, it's not horses but sheep that count. | 0:11:39 | 0:11:42 | |
'Monks from nearby abbeys used to bring their beasts to the local sheep fair. | 0:11:42 | 0:11:47 | |
'It's not the only thing Masham is now known for, as Phil is about to find out. | 0:11:47 | 0:11:53 | |
'This is Theakston's, brewing beer since 1827.' | 0:11:53 | 0:11:57 | |
-Simon, how are you? -Very nice to see you. | 0:11:58 | 0:12:00 | |
I've been dreading coming because clearly, | 0:12:00 | 0:12:03 | |
someone with a frame like this, has no interest in alcohol at all! | 0:12:03 | 0:12:07 | |
But now I'm here, I may as well have a look round. | 0:12:07 | 0:12:10 | |
'Beer making isn't that complicated, which is why it's thought to be our oldest fermented beverage. | 0:12:10 | 0:12:15 | |
'The ancient Mesopotamians even had a beer goddess. | 0:12:15 | 0:12:19 | |
'Brewing to a consistently high standard is a great secret. | 0:12:19 | 0:12:22 | |
'In Masham, it all started with the landlord of the Black Bull.' | 0:12:22 | 0:12:26 | |
Robert Theakston, my great great grandfather, was good at brewing beer. | 0:12:26 | 0:12:30 | |
He was a very fussy, details man, and when you make beer, you have to be really fussy and detailed. | 0:12:30 | 0:12:36 | |
As his popularity grew, other licensees asked him to brew beer for them as well. | 0:12:36 | 0:12:41 | |
'This company doesn't believe in change for change's sake, | 0:12:41 | 0:12:45 | |
'so most of the equipment here is pretty low-tech, | 0:12:45 | 0:12:48 | |
'like the 100-year-old barley mill.' | 0:12:48 | 0:12:50 | |
We use electric motors to drive it. The wheels and gears are original. | 0:12:50 | 0:12:55 | |
-You could modernise this process quite easily. -Oh, yes. | 0:12:55 | 0:12:58 | |
But you'd lose the taste. | 0:12:58 | 0:13:01 | |
That is so therapeutic just to watch that. | 0:13:01 | 0:13:03 | |
And the smell is absolutely lovely, it really is. | 0:13:03 | 0:13:08 | |
'Once the barley's been crushed, it ends up in the mash tub below, | 0:13:08 | 0:13:13 | |
'where the starch is washed out and converted into sugar.' | 0:13:13 | 0:13:16 | |
-How long has this been here? -This was installed when the brewery was built, 1875. | 0:13:16 | 0:13:21 | |
-That's older than the old shaker! -Yeah. | 0:13:21 | 0:13:24 | |
The wooden lid has been replaced from time to time, | 0:13:24 | 0:13:27 | |
but the metalwork is original. | 0:13:27 | 0:13:29 | |
-Inside, that's absolutely unchanged. -What's this made of? -Cast iron. | 0:13:29 | 0:13:33 | |
-It's very heavy and very thick so it'll last out my lifetime. -You be describing me! | 0:13:33 | 0:13:38 | |
'Next, the sugar is infused with hops in the copper. | 0:13:38 | 0:13:42 | |
'Once the yeast is added, the fermentation starts.' | 0:13:42 | 0:13:46 | |
BUBBLING This is the last bit of the process? | 0:13:46 | 0:13:49 | |
-Pretty much, yes. -Do you know what I love here? | 0:13:49 | 0:13:52 | |
-You can see this yeast moving. -That's carbondioxide. | 0:13:52 | 0:13:55 | |
It would make a great Bond set. | 0:13:55 | 0:13:58 | |
You can just see the villain lowering, drowned in a vat of booze! | 0:13:58 | 0:14:02 | |
What a way to go! | 0:14:02 | 0:14:04 | |
'Something else that makes this brewery unusual, or "peculiar", | 0:14:04 | 0:14:08 | |
'is Jonathan, their cooper, one of only two in the country. | 0:14:08 | 0:14:11 | |
'Jonathan makes the wooden casks for the ale.' | 0:14:11 | 0:14:15 | |
Why do you not use plastic barrels or tin barrels? | 0:14:15 | 0:14:19 | |
-Are you insulting me now? -No, no. You're too big to insult! | 0:14:19 | 0:14:23 | |
You've got an inch and a quarter thickness of timber, | 0:14:23 | 0:14:27 | |
which is there to insulate the beer | 0:14:27 | 0:14:29 | |
and make the beer the best quality it can be when it reaches the pubs. | 0:14:29 | 0:14:33 | |
'Like all great craftsmen, Jonathan makes making a barrel | 0:14:33 | 0:14:37 | |
'look as easy as shooting fish in one. | 0:14:37 | 0:14:40 | |
'I'm sure he can pass on a few tips to a keen amateur like Phil.' | 0:14:40 | 0:14:44 | |
-How often do you have to sharpen that? -Whenever it gets blunt. | 0:14:44 | 0:14:47 | |
Ask a bloody fool question, you get a damn fool answer. | 0:14:47 | 0:14:51 | |
You could do an instant self-vasectomy! | 0:14:51 | 0:14:54 | |
-THAT is what we're going to do next. -This might take some time. | 0:14:54 | 0:14:59 | |
Sod it! | 0:14:59 | 0:15:01 | |
-What is that? -This is what we call a bar. | 0:15:01 | 0:15:04 | |
-Knock it down. -Trying to knock it down, Jonathan! | 0:15:08 | 0:15:11 | |
Ever had a problem getting your knocker-upper in the bunghole? | 0:15:16 | 0:15:19 | |
Watch what you're doing with that! | 0:15:19 | 0:15:21 | |
Lift off. | 0:15:23 | 0:15:25 | |
There we go. | 0:15:25 | 0:15:26 | |
That's fantastic, isn't it? | 0:15:26 | 0:15:29 | |
'I think we can say that he didn't do well, | 0:15:29 | 0:15:31 | |
'but Phil being Phil, he's seen an opportunity.' | 0:15:31 | 0:15:34 | |
What I think would be quite good, if I bought one this size | 0:15:34 | 0:15:38 | |
and cut it into two for a pair of planters. | 0:15:38 | 0:15:41 | |
What would you sell those for? | 0:15:41 | 0:15:44 | |
We don't normally like to sell casks, Phil, | 0:15:44 | 0:15:47 | |
because they're for our customers, for putting beer in. | 0:15:47 | 0:15:50 | |
I'm sure we could find an old one, Simon. | 0:15:50 | 0:15:53 | |
-What's the best you can do me for? -Well, we could probably manage to do £22. | 0:15:53 | 0:15:58 | |
You're a gentleman and a scholar. Can I just thank you? | 0:15:58 | 0:16:01 | |
'Well done, Phil. Try to lift them up higher. | 0:16:01 | 0:16:05 | |
'We don't want to scrape the bottom, do we? | 0:16:05 | 0:16:08 | |
'Back in Middleham, Anita has another shop in her sights, | 0:16:11 | 0:16:15 | |
'the same one the old fox graced earlier.' | 0:16:15 | 0:16:18 | |
Hello? Hello! | 0:16:18 | 0:16:20 | |
Angela! It's lovely to see you again. You're looking well. | 0:16:22 | 0:16:26 | |
'Yes, those two have previous. | 0:16:26 | 0:16:28 | |
'Last year, Anita bought a horse measuring stick from Angela | 0:16:28 | 0:16:32 | |
'and it did rather well at auction. | 0:16:32 | 0:16:35 | |
'Phil may have got here first, but there's plenty of bargains to go around.' | 0:16:35 | 0:16:40 | |
Anything old, interesting and dead. | 0:16:40 | 0:16:42 | |
-Is that right? -I don't have to feed it. | 0:16:42 | 0:16:46 | |
'What'll it be, though? Of course. | 0:16:46 | 0:16:48 | |
'She rarely misses an opportunity to hat-up.' | 0:16:48 | 0:16:51 | |
There's that one and this one on the rack. | 0:16:51 | 0:16:54 | |
Put it on. | 0:16:54 | 0:16:56 | |
We're a couple of swells! | 0:16:56 | 0:16:59 | |
-This isn't my best look. -LAUGHS | 0:16:59 | 0:17:01 | |
That would look better on. It's a tighter fit. It's an older one. | 0:17:01 | 0:17:06 | |
That's much smarter, especially if you had your fishnets on! | 0:17:06 | 0:17:10 | |
You could do a kind of juggling act. | 0:17:10 | 0:17:13 | |
-What is that thing they do? -Cabaret. | 0:17:13 | 0:17:16 | |
Ooh, my goodness! | 0:17:16 | 0:17:18 | |
I look like the mad hatter. | 0:17:18 | 0:17:21 | |
'Er, lovely, but what about the costs of those hats? | 0:17:21 | 0:17:25 | |
'Ticket price on the black one is £48 | 0:17:25 | 0:17:28 | |
'and £85 for either of the modern ones.' | 0:17:28 | 0:17:30 | |
What I'm looking to pay | 0:17:30 | 0:17:32 | |
on a top hat | 0:17:32 | 0:17:35 | |
to sell in auction | 0:17:35 | 0:17:37 | |
is probably between £20 and £25. | 0:17:37 | 0:17:40 | |
No way. It would have to be a bit more than that. Just a bit more. | 0:17:42 | 0:17:47 | |
-At 30 I might have a chance, Angela. -Yeah. I'm willing at 30. | 0:17:47 | 0:17:51 | |
-You're willing at 30? -Yeah. -Is there any chance the two of those for 40? | 0:17:51 | 0:17:56 | |
-No. -Two for 40. -50. | 0:17:56 | 0:17:58 | |
-If you came down a wee bit, it'd give me a better chance. -I know but I'm sticking at that. | 0:17:58 | 0:18:03 | |
I mean, I like that one. | 0:18:03 | 0:18:05 | |
It's a Victorian one, a definite Victorian one. | 0:18:05 | 0:18:08 | |
What did I say? 50? I'd do those two for 45. | 0:18:08 | 0:18:11 | |
The black one and the grey one. | 0:18:11 | 0:18:14 | |
-Could you do them for...? -No. That's the death. 45. | 0:18:14 | 0:18:17 | |
-Yes, that's the death. -Could you do 42? | 0:18:17 | 0:18:20 | |
-Do 42. It'll give me that wee bit of chance. -Go on, then. | 0:18:20 | 0:18:24 | |
-I'll give you the 42. -42? -Yeah. -42. | 0:18:24 | 0:18:27 | |
Right, you put on that. I'll put on this. | 0:18:27 | 0:18:30 | |
-You put on this. -Right ho. And we'll... | 0:18:30 | 0:18:34 | |
-And we'll shake on 42. -Right, thank you. | 0:18:34 | 0:18:37 | |
'Hats off to Anita and poor Angela, hey? | 0:18:38 | 0:18:41 | |
'Phil, too. What a day it's been in Wensleydale.' | 0:18:41 | 0:18:44 | |
Cheese! I haven't had any cheese. | 0:18:44 | 0:18:46 | |
'Go on. Treat yourselves. Night night. | 0:18:46 | 0:18:49 | |
'It's a new day, and Phil is taking a new approach to the road trip.' | 0:18:51 | 0:18:56 | |
-Phil, can you go backwards? -Yeah. | 0:18:56 | 0:18:59 | |
-Careful, careful, careful. -COW MOOS | 0:18:59 | 0:19:02 | |
'Yesterday, Anita picked up some bargain bangles, | 0:19:02 | 0:19:05 | |
'a bargain car mascot, a bargain slot machine and two toppers. | 0:19:05 | 0:19:09 | |
'All that came to a mere £74, | 0:19:09 | 0:19:11 | |
'leaving her with £191.60p to splurge.' | 0:19:11 | 0:19:16 | |
# We're a couple swells... # | 0:19:16 | 0:19:19 | |
'While Phil acquired a sewing machine, a cartridge filler, | 0:19:19 | 0:19:23 | |
'two barrel planters and an old saddle for a total of £89. | 0:19:23 | 0:19:27 | |
'Leaving him with £255.70p to spend, and he's certainly itching.' | 0:19:27 | 0:19:33 | |
I do want to try and take the band off the bundle. | 0:19:33 | 0:19:37 | |
-You want to try and what? -Take the band off the bundle! | 0:19:37 | 0:19:41 | |
-Oh, you want to spend money. -Absolutely right. | 0:19:41 | 0:19:44 | |
'They're heading for an auction in Penrith. Next stop, Kendal, | 0:19:45 | 0:19:50 | |
'gateway to the Lakes.' | 0:19:50 | 0:19:52 | |
What I particularly like is the way they've got the scaffolding erected. | 0:19:54 | 0:19:58 | |
-Is that very Lake District? -It is very Lake District. Nice feature that. | 0:19:58 | 0:20:03 | |
'If yesterday was all about cheese and beer, | 0:20:03 | 0:20:06 | |
'today, it's mint cake, apparently invented by the state. | 0:20:06 | 0:20:10 | |
'The confectionary is a favourite snack of walkers and climbers, | 0:20:10 | 0:20:14 | |
'and Kendal's most famous export. | 0:20:14 | 0:20:16 | |
'Our two are making for their first shop, | 0:20:16 | 0:20:20 | |
'but there does seem to be some disagreement as to where it is.' | 0:20:20 | 0:20:24 | |
No. That's the hairdresser's. | 0:20:24 | 0:20:26 | |
'Now it looks like Phil's been tempted elsewhere.' | 0:20:27 | 0:20:30 | |
He's chatting to a guy up there. | 0:20:30 | 0:20:32 | |
-So you reckon there's another good place to go? -Yes. | 0:20:32 | 0:20:35 | |
-The Dockray in Kendal. You go over the bridge. -Up there... | 0:20:35 | 0:20:40 | |
They're gesticulating wildly. | 0:20:40 | 0:20:42 | |
-Over there. -First turning on the right. Down the side of the river. | 0:20:43 | 0:20:47 | |
There's an industrial site, and it's there. | 0:20:47 | 0:20:50 | |
'So Phil's off to the industrial estate. | 0:20:50 | 0:20:53 | |
'I hope he doesn't regret it. While Anita sticks with the plan.' | 0:20:53 | 0:20:57 | |
-Good morning. -Good morning. I'm Anita. | 0:20:59 | 0:21:02 | |
What a beautiful place, Robert. | 0:21:02 | 0:21:06 | |
'In Robert's shop, there's plenty of room for his speciality | 0:21:06 | 0:21:09 | |
'of watches and clocks, but there's also so much more, | 0:21:09 | 0:21:13 | |
'including free mint cake.' | 0:21:13 | 0:21:15 | |
-There we are. -"The pack full of energy!" | 0:21:15 | 0:21:18 | |
Phil doesn't know what he's missing. | 0:21:19 | 0:21:21 | |
In this shop there is such a variety of everything you could wish for. | 0:21:21 | 0:21:27 | |
This is the type of shop that Phil Serrell LOVES! | 0:21:27 | 0:21:32 | |
'Oh, dear. | 0:21:32 | 0:21:34 | |
'This definitely isn't an Anita sort of place. | 0:21:34 | 0:21:38 | |
'A load of furniture - some of it old, | 0:21:38 | 0:21:40 | |
'but quite a lot, um...more modern. | 0:21:40 | 0:21:43 | |
'What can Phil come up with?' | 0:21:43 | 0:21:45 | |
You can often tell more about something by looking at the back of it than the front. | 0:21:45 | 0:21:51 | |
This looks like an interesting sort of Art Nouveau display cabinet. | 0:21:51 | 0:21:55 | |
What you can see about it, look, | 0:21:55 | 0:21:57 | |
is that we've got some new Pozidriv screws in here. | 0:21:57 | 0:22:01 | |
Which, to the best of my knowledge, weren't greatly used in the Art Nouveau period. | 0:22:01 | 0:22:06 | |
'I think our Phil is feeling a little down in the dumps. | 0:22:06 | 0:22:10 | |
'Remember that hot tip he got? Finished sixth. Ha!' | 0:22:10 | 0:22:14 | |
Planter. | 0:22:14 | 0:22:15 | |
Not sure how old it is. | 0:22:15 | 0:22:17 | |
Looks like it's trying to be around 1890, 1900. | 0:22:17 | 0:22:21 | |
It could be a lot lot later. | 0:22:21 | 0:22:24 | |
This is 12 quid. If I can get that for a good bit less, that would go | 0:22:24 | 0:22:28 | |
with my barrel planters that I've got. | 0:22:28 | 0:22:32 | |
That's worth looking at. | 0:22:32 | 0:22:34 | |
'It looks like Phil's talking to himself. In fact, the dealer's a bit shy.' | 0:22:34 | 0:22:39 | |
-I wouldn't mind a bit of discount. -How much is on it? | 0:22:39 | 0:22:43 | |
-It's got 12 quid on it. -£10 to you. -You're all heart, you(!) | 0:22:43 | 0:22:47 | |
'Seems a tenner is as low as he'll go.' | 0:22:47 | 0:22:49 | |
Mr Generous(!) I see why you don't want to be seen. | 0:22:49 | 0:22:52 | |
-That's it? Finished? -That is it. -Go on. I think it's a bit of fun. | 0:22:52 | 0:22:56 | |
'Good gracious! What's Anita unearthed?' | 0:22:58 | 0:23:01 | |
A ball and chain, Anita. | 0:23:01 | 0:23:04 | |
'Ha ha! Well, that wouldn't have been an obvious choice.' | 0:23:04 | 0:23:07 | |
-Very, very heavy. Do take care. -Don't lift it? -No. | 0:23:07 | 0:23:11 | |
We think it's a horse one, rather than one for a man. | 0:23:11 | 0:23:14 | |
-That would keep a man where you would want him. -Yes, yes. | 0:23:14 | 0:23:18 | |
'I can't help wondering if Anita's spent too much time with Phil.' | 0:23:18 | 0:23:21 | |
-Have you had it for long? -My brother bought it about... | 0:23:21 | 0:23:25 | |
-50 years ago! -Not quite that long. Two or three years ago. | 0:23:25 | 0:23:29 | |
-You've had it for a couple of years and it's not 18-carat gold. -No. | 0:23:29 | 0:23:34 | |
-But it's cast iron. -It's probably quite handy as a door stop. -Yes. | 0:23:34 | 0:23:39 | |
-How much is it? -To you, £50. | 0:23:39 | 0:23:42 | |
Could I buy that from you for... | 0:23:42 | 0:23:46 | |
around about £20? | 0:23:46 | 0:23:48 | |
Could we do a deal at 25 on it? | 0:23:48 | 0:23:51 | |
-At 25? -Yes. | 0:23:51 | 0:23:53 | |
Could we come to sort of halfway, at, say, 22? | 0:23:53 | 0:23:57 | |
-Oh, go on, then. -You're a darling. Thank you. | 0:23:57 | 0:24:00 | |
# Save us from the ball and chain | 0:24:00 | 0:24:02 | |
# Save us from the ball and chain... # | 0:24:04 | 0:24:06 | |
'Oh, yes, and one other thing you didn't know about Kendal, | 0:24:07 | 0:24:11 | |
'all that mint cake has some surprising side effects.' | 0:24:11 | 0:24:14 | |
You couldn't help a lady in distress? | 0:24:14 | 0:24:17 | |
-And is your back all right? -Yes. | 0:24:17 | 0:24:19 | |
ANITA STRAINS | 0:24:19 | 0:24:21 | |
Oh! | 0:24:24 | 0:24:25 | |
What a team! | 0:24:25 | 0:24:27 | |
Let me feel those muscles. | 0:24:28 | 0:24:31 | |
Superman! | 0:24:32 | 0:24:34 | |
'Will Phil notice that the front wheels are barely touching the road?' | 0:24:34 | 0:24:39 | |
-CRUNCHES GEARS -Oops. | 0:24:39 | 0:24:42 | |
'Right, onwards they press, through the Lakes to Low Newton. | 0:24:42 | 0:24:48 | |
'Could this be where Phil finally de-bands his bundle?' | 0:24:48 | 0:24:52 | |
-Architectural antiques! -That'll be good. | 0:24:52 | 0:24:55 | |
-Big things! -Big, big, big things. | 0:24:55 | 0:24:58 | |
See you later on. | 0:24:58 | 0:25:00 | |
'Yes, this is a perfect Serrell hunting ground, | 0:25:00 | 0:25:03 | |
'a sort of reclamation heaven | 0:25:03 | 0:25:05 | |
'full of what Phil would call "big old lumps". | 0:25:05 | 0:25:08 | |
'Plenty inside, but Phil's clearly feeling the lure of the lump | 0:25:08 | 0:25:12 | |
'dragging him towards the yard.' | 0:25:12 | 0:25:15 | |
I quite like these. You wouldn't want three. | 0:25:15 | 0:25:18 | |
That one's thingey on the top's broken. | 0:25:18 | 0:25:21 | |
That one's got a bit of damage. | 0:25:21 | 0:25:24 | |
I think that's the one for me. | 0:25:24 | 0:25:26 | |
'Time to consult Clive and Pip on those.' | 0:25:27 | 0:25:31 | |
Those things there, they almost look like lead dovecotes. | 0:25:31 | 0:25:34 | |
-They do. -What are they? | 0:25:34 | 0:25:37 | |
-They're air vents, aren't they? -From a stable? -A stable block, yes. | 0:25:37 | 0:25:41 | |
-They're not far off being completely useless, -Absolutely | 0:25:41 | 0:25:45 | |
-But a thing of beauty. -So I might be bonkers buying that. | 0:25:45 | 0:25:49 | |
-You could be just the man to make a profit on those. -What he means is, I'm bonkers. | 0:25:49 | 0:25:54 | |
'Yes, and he would have a point.' | 0:25:54 | 0:25:56 | |
-What have you got them priced up at? -They're 195 apiece. -Hm. | 0:25:56 | 0:26:00 | |
I think they're 60 to 90 quid worth, that's what I think. | 0:26:00 | 0:26:03 | |
-What might be your best on those? -I'd like to think I could get £95. | 0:26:03 | 0:26:08 | |
Let's put a parcel together. That might be the way forward. | 0:26:08 | 0:26:12 | |
'Seems Phil is taking his unique definition of antiques | 0:26:12 | 0:26:16 | |
'to an entirely new level. Lordy! | 0:26:16 | 0:26:18 | |
'Now, is there anything crazier here?' | 0:26:18 | 0:26:21 | |
-What's that cowling off? -It came off an old chicken house. | 0:26:21 | 0:26:26 | |
-At one point, it would have rotated, wouldn't it? -Yeah. | 0:26:26 | 0:26:30 | |
It seized up long ago. But it's a quirky thing, isn't it? | 0:26:30 | 0:26:34 | |
-How much is that? -£40. -I'm warming to the task. | 0:26:34 | 0:26:38 | |
-That is daft, isn't it? -Hm. -Proper daft, that is. | 0:26:38 | 0:26:41 | |
-It's an air vent? -Yes. Venting a roof where there'd be animals in. | 0:26:41 | 0:26:45 | |
-It wouldn't just be letting air in, it'd be letting... -Air out. -Right. | 0:26:45 | 0:26:49 | |
'It sort of fits in with yesterday's manure scheme, anyway.' | 0:26:49 | 0:26:54 | |
-Let's have another look round. -'But has he gone too far this time?' | 0:26:54 | 0:26:58 | |
What's that? | 0:26:58 | 0:27:00 | |
-'Looks fascinating.' -It's an early frame rucksack. | 0:27:01 | 0:27:06 | |
That'll be 1910, 1914, won't it? | 0:27:06 | 0:27:09 | |
'Ticket price £75.' | 0:27:09 | 0:27:11 | |
Put your arms through it. | 0:27:11 | 0:27:13 | |
-This is where I knock everything flying. Have I got it the right way up? -Yeah. | 0:27:15 | 0:27:20 | |
-Made for a smaller man than you, Philip. -Yeah. | 0:27:20 | 0:27:23 | |
That's most folk. | 0:27:23 | 0:27:25 | |
So that's a rucksack? | 0:27:25 | 0:27:27 | |
Then you strap your load to the back of that. | 0:27:27 | 0:27:30 | |
Let me have a look at the back. | 0:27:30 | 0:27:34 | |
-What's your best on that? -£30. | 0:27:34 | 0:27:36 | |
Can I buy the two air vents and this for 140 quid? | 0:27:36 | 0:27:40 | |
No, but they could be 145. | 0:27:41 | 0:27:43 | |
You're a gentleman. It's bonkers, isn't it? | 0:27:44 | 0:27:48 | |
'Blimey, he's actually bought them. | 0:27:48 | 0:27:50 | |
'Now, a quick bite of mint cake and off you hike in search of Anita. | 0:27:50 | 0:27:55 | |
'What does he look like, eh? | 0:27:55 | 0:27:57 | |
'Now, Anita has travelled for five miles | 0:28:05 | 0:28:07 | |
'from Low Newton to Cark, bless her. | 0:28:07 | 0:28:10 | |
'Anita's now off to Holker Hall. | 0:28:11 | 0:28:14 | |
'The magnificent sandstone mansion was once described by Pevsner, | 0:28:14 | 0:28:19 | |
'the famous architectural historian, | 0:28:19 | 0:28:21 | |
'as "the best Elizabethan gothic house in the north of England".' | 0:28:21 | 0:28:26 | |
-Hello. -Hello, Anita. Welcome to Holker Hall. | 0:28:26 | 0:28:29 | |
-How nice to see you. -Maira, I'm so looking forward to seeing the hall. | 0:28:29 | 0:28:33 | |
-Well, I'll show you around. -Thank you. | 0:28:33 | 0:28:36 | |
'According to guide Maira, there's been a house at Holker since 1604. | 0:28:36 | 0:28:41 | |
'But much about the present building is down to one William Cavendish, | 0:28:41 | 0:28:46 | |
'who inherited it in 1834. | 0:28:46 | 0:28:48 | |
'He acquired the much grander Chatsworth House | 0:28:48 | 0:28:52 | |
'when he became Duke of Devonshire a few years later, | 0:28:52 | 0:28:56 | |
'but continued to spend his time and money at comfortable Holker.' | 0:28:56 | 0:29:00 | |
-This is our library. Beautiful room. -It's wonderful. Wonderful. | 0:29:00 | 0:29:05 | |
The seventh Duke was a fascinating man. | 0:29:05 | 0:29:09 | |
What sort of influence did he have in this area? | 0:29:09 | 0:29:12 | |
I think he had a great influence in the area. | 0:29:12 | 0:29:15 | |
He supplied a lot of work to people. | 0:29:15 | 0:29:18 | |
Railways were starting to come into the country in the 1840s. | 0:29:18 | 0:29:23 | |
He was instrumental in bringing the railways to this area. | 0:29:23 | 0:29:27 | |
And then Barrow-in-Furness, a very tiny village in those days, he started ship building there. | 0:29:27 | 0:29:33 | |
And in the late 1800s, the first British submarine was built | 0:29:33 | 0:29:38 | |
in the place that William had created. | 0:29:38 | 0:29:41 | |
'But disaster struck the Cavendishes when, in 1871, | 0:29:42 | 0:29:46 | |
'a fire at Holker destroyed the entire west wing. | 0:29:46 | 0:29:50 | |
'However, with typical Victorian verve, | 0:29:50 | 0:29:52 | |
'the Duke immediately set about rebuilding and, within four years, | 0:29:52 | 0:29:56 | |
'a fine new west wing had sprung up.' | 0:29:56 | 0:29:59 | |
This is the main entrance hall. | 0:29:59 | 0:30:02 | |
Very splendid. | 0:30:02 | 0:30:04 | |
I think the Duke wanted to build grander than had been here before. | 0:30:04 | 0:30:07 | |
It's on the foundations of the old wing, but rather more lofty. | 0:30:07 | 0:30:12 | |
'Over by the fireplace, there's a reminder of the old building.' | 0:30:12 | 0:30:16 | |
The day after the fire, the family came in to look at the devastation. | 0:30:16 | 0:30:21 | |
I think there was a marble vase on a plinth that looked whole. | 0:30:21 | 0:30:25 | |
One of the people just touched it and it absolutely crumbled to pieces. | 0:30:25 | 0:30:30 | |
-They incorporated it when they made the new fireplace. -I see. | 0:30:30 | 0:30:35 | |
-It's a lovely idea, isn't it? -It is. | 0:30:35 | 0:30:38 | |
To bring part of the old Holker Hall into the new. | 0:30:38 | 0:30:42 | |
'Many of the lost treasures were replaced by paintings, | 0:30:42 | 0:30:46 | |
'furniture and books from Chatsworth, | 0:30:46 | 0:30:48 | |
'including works by Henry Cavendish, the 18th-century scientist - | 0:30:48 | 0:30:52 | |
'another member of one of Britain's richest, most powerful dynasties.' | 0:30:52 | 0:30:57 | |
The windows are particularly interesting | 0:30:57 | 0:31:00 | |
because all the ducal insignia are in there. | 0:31:00 | 0:31:03 | |
The ducal coronet, 7th Duke of Devonshire, William Cavendish, | 0:31:03 | 0:31:06 | |
and the Cavendish serpents, Cavendo tutus. | 0:31:06 | 0:31:09 | |
I think it's "secure by being on guard". | 0:31:09 | 0:31:13 | |
'Or even "look before you leap".' | 0:31:13 | 0:31:16 | |
-HORN HONKS -'Time to leave Holker Hall | 0:31:16 | 0:31:20 | |
'for the big reveal - this'll be interesting.' | 0:31:20 | 0:31:22 | |
I think you've got together the Turner Prize, Philip. | 0:31:22 | 0:31:26 | |
What on earth is that?! | 0:31:26 | 0:31:29 | |
-Hold on. I'll just keep... -All right. | 0:31:29 | 0:31:32 | |
Philip, this looks like a lot of old rubbish. What on earth is it? | 0:31:32 | 0:31:37 | |
I mean, I know that's a saddle. | 0:31:37 | 0:31:39 | |
That saddle actually goes with this rucksack here. | 0:31:39 | 0:31:43 | |
-Is that a rucksack? -It's a very early rucksack, yeah. | 0:31:43 | 0:31:47 | |
This is an Arts & Crafts tin air vent. | 0:31:47 | 0:31:51 | |
-A what? -It's an air vent off a coach house. I thought it was really cool. | 0:31:51 | 0:31:56 | |
-If you're going to buy one, you might as well buy two. -What is this? | 0:31:56 | 0:32:00 | |
Another air vent. In case the first one doesn't work. | 0:32:00 | 0:32:03 | |
-A nice little sewing machine. -That's lovely. -Isn't it sweet? | 0:32:03 | 0:32:07 | |
That is a cartridge filler. | 0:32:07 | 0:32:09 | |
'Two words guaranteed to set her pulse racing(!) | 0:32:09 | 0:32:12 | |
'Now, Anita, is honesty the best policy?' | 0:32:12 | 0:32:16 | |
It's lovely. It's all lovely. | 0:32:16 | 0:32:18 | |
Well, I think your wee sewing machine is very cute. | 0:32:19 | 0:32:22 | |
I think that cartridge filler looks like an old tap. | 0:32:22 | 0:32:26 | |
-But I'll tell you something. -Yeah. | 0:32:26 | 0:32:28 | |
-I think this is a work of art. -It's a lovely thing, isn't it? | 0:32:28 | 0:32:32 | |
Philip, I hope you like my lot as much as I liked your lot. | 0:32:32 | 0:32:38 | |
And this... is what I bought. | 0:32:38 | 0:32:42 | |
This is a ball and chain. It's a big dod of iron. | 0:32:42 | 0:32:48 | |
You said this lot over here that I bought was a load of tat. | 0:32:48 | 0:32:52 | |
ANITA LAUGHS And you have bought that. | 0:32:52 | 0:32:55 | |
I couldn't resist it. I bought it specially for you. | 0:32:55 | 0:32:59 | |
Really? Thank you for that(!) | 0:32:59 | 0:33:01 | |
-I know what THAT is. How much was that? -20 quid. | 0:33:01 | 0:33:05 | |
That's all right. And what about your bangles? | 0:33:05 | 0:33:08 | |
They're eastern, probably got some silver content in it. | 0:33:08 | 0:33:12 | |
A wee bit of turquoise. Is it your style? | 0:33:12 | 0:33:15 | |
-I haven't worn any like that lately. -You haven't. | 0:33:15 | 0:33:18 | |
I only paid two quid for them. | 0:33:18 | 0:33:20 | |
You've got one, two, three, four. | 0:33:20 | 0:33:23 | |
If you like games, and you like a bit of a punt, | 0:33:23 | 0:33:27 | |
-well, this is what I bought. -Really? How much was that? | 0:33:27 | 0:33:31 | |
-A tenner. -That's cheap enough. That's got to make 50, 60 quid. | 0:33:31 | 0:33:35 | |
-You think so? -Yeah. | 0:33:35 | 0:33:36 | |
-Do you think we should have a wee go at it? -Yeah. Let's see if we can win a car. | 0:33:36 | 0:33:41 | |
'Right, girls and boys. What did they really think?' | 0:33:42 | 0:33:46 | |
I don't think she can lose any money. | 0:33:46 | 0:33:49 | |
The top hats were the most expensive and they should do OK. | 0:33:49 | 0:33:51 | |
The Jaguar mascot should do OK. | 0:33:51 | 0:33:54 | |
The bloomin' manacle? That's a bit dodgy, that. | 0:33:54 | 0:33:58 | |
These...big...metal things have sculptural qualities. | 0:33:58 | 0:34:04 | |
I think people will buy them for their garden. | 0:34:04 | 0:34:06 | |
So, although I teased him, I think he might do all right with that lot. | 0:34:06 | 0:34:11 | |
I've spent the thick end of £250. She's spent just under £100. | 0:34:11 | 0:34:16 | |
It's going to be an interesting one. Difficult to call, in my view. | 0:34:16 | 0:34:20 | |
'After starting out at Middleham in Wensleydale, | 0:34:20 | 0:34:23 | |
'this part of our trip will conclude at an auction in Penrith, Cumbria. | 0:34:23 | 0:34:28 | |
'Just a few miles outside the Lake District National Park, | 0:34:28 | 0:34:32 | |
'the town is the market centre for the region. | 0:34:32 | 0:34:35 | |
'At Penrith Farmers' & Kidd's auctioneers, as well as antiques, they also sell livestock.' | 0:34:35 | 0:34:40 | |
-They're selling fine ewes and rams today. -Really? -Yeah. | 0:34:40 | 0:34:44 | |
I wonder how all your old junk is going to do. | 0:34:44 | 0:34:48 | |
'But I'm assured they keep the sheep safely apart from the breakables. | 0:34:48 | 0:34:53 | |
'So, while everyone takes a much closer look, | 0:34:53 | 0:34:56 | |
'let's hear what auctioneer Thom Sarjeant thinks of Phil and Anita's offerings.' | 0:34:56 | 0:35:02 | |
Most things that I would think of interest are anything horse-related. | 0:35:02 | 0:35:07 | |
A stable vent will have quite a bit of interest, | 0:35:07 | 0:35:10 | |
the horse tether, for the same reason. | 0:35:10 | 0:35:12 | |
The top hats, people use them for show jumping et cetera. | 0:35:12 | 0:35:15 | |
Items that'll do worse, maybe the fruit machine. | 0:35:15 | 0:35:18 | |
Not much interest in that, I'm afraid. | 0:35:18 | 0:35:21 | |
'Anita began with £265.60p | 0:35:21 | 0:35:25 | |
'and spent a mere £96 on five auction lots. | 0:35:25 | 0:35:30 | |
'Phil started out with £344.70p | 0:35:30 | 0:35:34 | |
'and he splashed £244 of it, also on five lots. | 0:35:34 | 0:35:39 | |
'Kick-off approaches. Cue some last-minute doubt.' | 0:35:39 | 0:35:43 | |
It's just occurred to me, | 0:35:43 | 0:35:45 | |
do you think the farmers of Penrith | 0:35:45 | 0:35:47 | |
would have much occasion to wear top hats? | 0:35:47 | 0:35:52 | |
-They always go milking with top hats around here. -Do they? -Yeah. | 0:35:52 | 0:35:55 | |
'Everyone's a hatter round here!' | 0:35:55 | 0:35:58 | |
Lot 28. The black moleskin hat and the other grey top hat. | 0:36:00 | 0:36:05 | |
I have £10 bid. Ten for the two hats. 12. 15. 18. 20. | 0:36:05 | 0:36:09 | |
£20. Two. 22. 25. 28. | 0:36:09 | 0:36:12 | |
At 28. 30. £30. Two. 32. 35. Far back at 35. 38. | 0:36:12 | 0:36:17 | |
40 bid. Two. 42. 45. 48. 50. 55. 60. | 0:36:17 | 0:36:22 | |
-60 bid. At 60 at the far back... -Well done you. | 0:36:22 | 0:36:27 | |
£60... | 0:36:27 | 0:36:29 | |
I have to say, I think your model sold them for you. | 0:36:29 | 0:36:32 | |
'And quick, too. I'm sure him has had a few heifers under his hammer.' | 0:36:32 | 0:36:37 | |
I've got my real big punt up next, those two air cowls. | 0:36:37 | 0:36:41 | |
-You getting nervous? -Yeah. I put my neck on the block. | 0:36:41 | 0:36:44 | |
'Yes, a unique vent lot. Anything might happen.' | 0:36:44 | 0:36:49 | |
Various bids on this one. I have 110. 120 bid... | 0:36:49 | 0:36:53 | |
Got me out of trouble. | 0:36:53 | 0:36:55 | |
..150. 160. 170. 180. At 180 bid. | 0:36:55 | 0:36:58 | |
At £180 bid. At 180 the lot. 180 against the room now. | 0:36:58 | 0:37:02 | |
-190. 200. 200. 200 bid. -Oh, God! | 0:37:02 | 0:37:05 | |
200 and away, then, selling on commission at £200. | 0:37:05 | 0:37:09 | |
Oh, well done, Phil. Well done. | 0:37:10 | 0:37:12 | |
'If those can sell, all bets are off.' | 0:37:12 | 0:37:16 | |
-You like a bit of jeopardy. You like danger. -Living on the edge, kid! | 0:37:16 | 0:37:21 | |
'Next, the old beer barrels and the pot from the industrial estate.' | 0:37:21 | 0:37:25 | |
15. 18. 20 bid with me. On commission, 20 bid. 20 for the two. | 0:37:25 | 0:37:29 | |
22. 25. 28. £28 bid. At 30. | 0:37:29 | 0:37:33 | |
£30 bid, and two. 32. 35. | 0:37:33 | 0:37:36 | |
-£35 bid... -Are you into profit? -Notional, yeah. | 0:37:36 | 0:37:40 | |
..At 38 at the far back. At 38 and selling. At £38... | 0:37:40 | 0:37:44 | |
1452. | 0:37:44 | 0:37:46 | |
-That stands me, after commission, of about £1. -Every pound counts. | 0:37:46 | 0:37:50 | |
'That means Phil's still safely out ahead.' | 0:37:50 | 0:37:54 | |
-Next up is your ball and chain. -I haven't seen one of them again. | 0:37:54 | 0:37:58 | |
-You don't expect to see them in the middle of Glasgow. -Not too much demand in a modern society. | 0:37:58 | 0:38:03 | |
'Yes, who WOULD want such a thing?' | 0:38:03 | 0:38:06 | |
The Victorian cast iron ball and chain horse tether... | 0:38:06 | 0:38:10 | |
Lift it up, darling! | 0:38:10 | 0:38:12 | |
I have £30. Two. Five. Eight. 38. A bit higher, Simon! 40 bid. 42. | 0:38:12 | 0:38:16 | |
45. 48. 50. Five. 60. Five. | 0:38:16 | 0:38:20 | |
-70. Five. 80. Five. -Well done, you! | 0:38:20 | 0:38:22 | |
85 bid. 85 for that one. And away selling at £85... | 0:38:22 | 0:38:26 | |
-A real good buy. -Yeah. -Did you expect that? | 0:38:26 | 0:38:29 | |
I had absolutely no idea what it was going to get. | 0:38:29 | 0:38:32 | |
'Well, there's certainly a demand in Penrith.' | 0:38:32 | 0:38:35 | |
Maybe it's because it's a rural area. | 0:38:35 | 0:38:38 | |
'The world's oddest rucksack and a broken old saddle.' | 0:38:38 | 0:38:42 | |
There's a guy interested. | 0:38:42 | 0:38:44 | |
Lot 82, army issue canvas shoulder pack and also the racing saddle. | 0:38:44 | 0:38:51 | |
Ten bid for those. Ten bid. £12 bid for those. 15. 18. 20. | 0:38:51 | 0:38:55 | |
-20 bid. Two. 22. 25... -It's coming on. | 0:38:55 | 0:38:58 | |
..32. 35. 38. 40. 40 bid. And five. 45. 50. | 0:38:58 | 0:39:02 | |
55. 60. Five. 70. 75. | 0:39:02 | 0:39:05 | |
75? 75 against now. At 75. | 0:39:05 | 0:39:07 | |
75 bid for those. At 75. | 0:39:07 | 0:39:09 | |
-That surprised me. -All done then, at £75... | 0:39:09 | 0:39:13 | |
Well done. | 0:39:13 | 0:39:15 | |
A massive relief. ANITA LAUGHS | 0:39:15 | 0:39:18 | |
'I'll bet he's glad he didn't bring muck now!' | 0:39:18 | 0:39:21 | |
-Two bangles coming up now. Should make 20 quid. -You think? | 0:39:21 | 0:39:25 | |
-15 quid. 12 quid. -They're nothing to do with tethering horses, are they? | 0:39:25 | 0:39:29 | |
'The bangles are decorative and modern, but bought for almost nowt.' | 0:39:29 | 0:39:34 | |
£10 bid for those at ten. 12. 15. | 0:39:34 | 0:39:36 | |
-18. 20. -Good. | 0:39:36 | 0:39:38 | |
20 for those. At 20. 22. 25. 28. | 0:39:38 | 0:39:41 | |
-30. 30 bid. Two. Five. £38 bid. -That's good. | 0:39:41 | 0:39:44 | |
-At 38 for those. At 38... -Result, isn't it? -Yes. | 0:39:44 | 0:39:48 | |
And selling, then, at £38... | 0:39:48 | 0:39:50 | |
38. | 0:39:51 | 0:39:53 | |
Look at the look on her face! MIMICS ANITA: 38! | 0:39:55 | 0:39:58 | |
'Very modest, as she quietly catches up.' | 0:39:58 | 0:40:02 | |
-We're about neck-and-neck here. -I don't know. I'm frightened to count. | 0:40:02 | 0:40:06 | |
'Let's concentrate, shall we? Phil's little sewing machine next.' | 0:40:06 | 0:40:11 | |
-The Victorian child's cast iron sewing machine... -This is it. | 0:40:11 | 0:40:15 | |
..scroll decoration. Five, 12, 15 bid. | 0:40:15 | 0:40:17 | |
Ouch! | 0:40:17 | 0:40:19 | |
18. 20. 20 bid. Two. 25. | 0:40:19 | 0:40:21 | |
28. 30. 30 bid. Two. 35. 38. £38 bid. | 0:40:21 | 0:40:24 | |
40. 42. 45. | 0:40:24 | 0:40:26 | |
48. 50. Five. 55. 60 bid. | 0:40:26 | 0:40:29 | |
At 60 for that one. And five. 65. 65 bid. | 0:40:29 | 0:40:32 | |
At 65, 65, 65. | 0:40:32 | 0:40:35 | |
65 all done and selling, then, at £65. | 0:40:35 | 0:40:39 | |
-Didn't I say to you about 60 quid? -You know your sewing machines. | 0:40:39 | 0:40:44 | |
I could make a very sexist remark here but I'm above that. | 0:40:44 | 0:40:48 | |
'It does you credit, Phil. Nice profit, too. | 0:40:48 | 0:40:52 | |
'Now for his cartridge filler device from the same shop.' | 0:40:52 | 0:40:56 | |
-How much did you pay for it, Phil? -£22. | 0:40:56 | 0:40:59 | |
-Is that cheap? -How do I know? I've never seen one before. | 0:40:59 | 0:41:03 | |
Five. Ten. 12. £15 with me. | 0:41:03 | 0:41:05 | |
-Ouch! -On the book, then, at 15 bid. | 0:41:05 | 0:41:09 | |
At 15 bid, the cartridge filler. 18. 20. | 0:41:09 | 0:41:11 | |
20 bid. Two. Five. 25... | 0:41:11 | 0:41:14 | |
-It's creeping up. -28. 30. 32. 35. | 0:41:14 | 0:41:17 | |
35 and away, selling then, at £35. | 0:41:17 | 0:41:20 | |
I thought it might have made a little more but I don't know why. | 0:41:21 | 0:41:25 | |
'I don't think anyone predicted what Phil's offerings would make.' | 0:41:25 | 0:41:29 | |
-We've got your Jaguar car mascot, haven't we? -Yeah. | 0:41:29 | 0:41:32 | |
I bought that for you because you're a petrol head, aren't you? | 0:41:32 | 0:41:36 | |
'Americans call these car mascots hood ornaments.' | 0:41:36 | 0:41:39 | |
Five bid for that one. Five bid. Five. Eight. Ten. Ten bid. | 0:41:39 | 0:41:42 | |
12. 15. At £15 against now. 18. | 0:41:42 | 0:41:46 | |
£18 bid. At 20. £20 bid. And two. 22. 25. | 0:41:46 | 0:41:51 | |
Eight. 28. 30. £30 bid. | 0:41:51 | 0:41:53 | |
At 30 for the mascot there. 30 for the Jag... 32. | 0:41:53 | 0:41:56 | |
32 in the middle, then, at 32. | 0:41:56 | 0:42:00 | |
All done and selling at £32. | 0:42:00 | 0:42:02 | |
He's done a real good job. We'll come here again. | 0:42:03 | 0:42:06 | |
'Yeah. Not a single loss today.' | 0:42:06 | 0:42:09 | |
Now, my fruit machine, what's it going to make? | 0:42:09 | 0:42:12 | |
-A bit of a gamble, isn't it? -Not at ten quid. | 0:42:12 | 0:42:15 | |
-That was a joke. -Oh, sorry. I forgot about your sense of humour. | 0:42:15 | 0:42:19 | |
'Most people have, Anita. | 0:42:19 | 0:42:21 | |
'It was cheap, but will this fruit machine pay out?' | 0:42:21 | 0:42:24 | |
I have 20 on commission. 20 bid. Two. Five. Eight. 30. | 0:42:24 | 0:42:28 | |
30 bid. Two. 32. 35. 38. | 0:42:28 | 0:42:31 | |
40. 42. 45... | 0:42:31 | 0:42:33 | |
That's good. | 0:42:33 | 0:42:34 | |
..Five. 60. At 60 bid. | 0:42:34 | 0:42:36 | |
-Any more? 60. Oh! -All done for the fruit machine at 60? | 0:42:36 | 0:42:40 | |
Selling, then, at £60. | 0:42:40 | 0:42:43 | |
-If every tenner you spent earned you 50 quid it'd be all right. -Uh-huh. | 0:42:43 | 0:42:47 | |
'A great profit, and Anita steals this leg of the trip! | 0:42:47 | 0:42:52 | |
'With £129.50p after auction costs, | 0:42:52 | 0:42:55 | |
'she has £395.10p. | 0:42:55 | 0:42:58 | |
'Phil made £94.66p today, | 0:42:59 | 0:43:02 | |
'giving him pole position with £439.36p.' | 0:43:02 | 0:43:06 | |
-That was a good auction, wasn't it? -Really, really good. Lovely. | 0:43:06 | 0:43:10 | |
-We both did well. -Yeah. Top dollar. | 0:43:10 | 0:43:12 | |
-I've got to watch you, haven't I? -You certainly have, my darling. | 0:43:12 | 0:43:17 | |
BOTH: Whoa...! | 0:43:20 | 0:43:22 | |
'Next time on the Antiques Road Trip, Phil feels the pinch.' | 0:43:22 | 0:43:26 | |
We got flies in here? | 0:43:26 | 0:43:28 | |
-'And Anita goes metric.' -Ten shillings. | 0:43:28 | 0:43:31 | |
-Do you think I could get it for 50 pence? -Probably not. | 0:43:31 | 0:43:35 | |
Subtitles by Red Bee Media Ltd | 0:43:47 | 0:43:49 | |
E-mail [email protected] | 0:43:49 | 0:43:51 |