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It's the nation's favourite antiques experts with £200 each, | 0:00:02 | 0:00:05 | |
a classic car, and a goal - to scour Britain for antiques. | 0:00:05 | 0:00:09 | |
That hurts. | 0:00:09 | 0:00:10 | |
Have I got it the right way up? | 0:00:12 | 0:00:14 | |
The aim - to make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:21 | |
I look like the Mad Hatter. | 0:00:21 | 0:00:24 | |
Will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:27 | |
I'm only in this programme to be Anita Manning's chauffeur. | 0:00:27 | 0:00:30 | |
This is the Antiques Road Trip, yeah! | 0:00:30 | 0:00:35 | |
This week we're in a super Sunbeam Alpine, 1965 vintage, | 0:00:37 | 0:00:41 | |
with Anita Manning and Philip Serrell. | 0:00:41 | 0:00:45 | |
-You ever trod in a cowpat? -Oh, no, no, no. -"Oh, no, no, no." | 0:00:45 | 0:00:50 | |
Together they've beaten a path across the back roads of the north, | 0:00:50 | 0:00:54 | |
sometimes quite literally. | 0:00:54 | 0:00:56 | |
Where does a road like this go to? Is this typical of your countryside? | 0:00:56 | 0:01:00 | |
Where I come from, this is the M25. | 0:01:00 | 0:01:03 | |
Philip, just go easy. | 0:01:03 | 0:01:04 | |
You might turn a corner and bump into a sheep. | 0:01:04 | 0:01:06 | |
-I've never bumped into a sheep, it will be absolutely fine. -Oh, no. | 0:01:06 | 0:01:10 | |
THEY SCREAM | 0:01:10 | 0:01:13 | |
Auctioneer Phil from Worcester finds strange beauty in the bizarre. | 0:01:13 | 0:01:18 | |
That is daft, isn't it? Proper daft, that is. | 0:01:18 | 0:01:21 | |
While Anita from Glasgow, also an auctioneer, | 0:01:21 | 0:01:24 | |
shows worrying signs of sharing his fascination. | 0:01:24 | 0:01:26 | |
Could it be a moment of madness? | 0:01:26 | 0:01:28 | |
Anita started with £200 and has £395.10 to spend today. | 0:01:28 | 0:01:35 | |
Lift it up, darling! | 0:01:37 | 0:01:39 | |
Philip also began with £200 | 0:01:39 | 0:01:43 | |
and has a narrow lead with £439.36 at his disposal. | 0:01:43 | 0:01:47 | |
-I need to be on my mettle now. -I'm snapping at your heels, darling. | 0:01:47 | 0:01:51 | |
This fees a bit like a romantic assignation. | 0:01:51 | 0:01:54 | |
Get out the car, quick sharp. | 0:01:56 | 0:01:58 | |
Look at that, that's a fantastic view, isn't it? | 0:01:58 | 0:02:01 | |
Where are we, Philip? | 0:02:01 | 0:02:04 | |
I suppose Lake District, Yorkshire Dales, Cumbrian Fells. | 0:02:04 | 0:02:07 | |
See that glowering bit up there, I think that's Scotland-wards. | 0:02:07 | 0:02:13 | |
This week's Road Trip starts out at Ford in Northumberland | 0:02:13 | 0:02:17 | |
and ventures into Scotland before wending its way southwards once more | 0:02:17 | 0:02:21 | |
and concluding at Harrogate in Yorkshire. | 0:02:21 | 0:02:24 | |
Leg four starts out in Cumbria, at Kirkby Lonsdale, | 0:02:24 | 0:02:28 | |
and makes for an auction by the sea near Blackpool at Cleveleys. | 0:02:28 | 0:02:32 | |
The writer and critic John Ruskin described this view of the River Lune | 0:02:35 | 0:02:39 | |
as one of the loveliest in England | 0:02:39 | 0:02:41 | |
and the rest of Kirkby Lonsdale isn't too shabby either. | 0:02:41 | 0:02:45 | |
Kirkby can boast of a Devil's Bridge and a Salt Pie Lane as well. | 0:02:45 | 0:02:50 | |
Those contained mutton apparently. | 0:02:50 | 0:02:54 | |
This is so exciting! I love it, I love it. | 0:02:54 | 0:02:57 | |
This is my first shop. I wonder what treasures await me. | 0:02:57 | 0:03:01 | |
I hope there's nothing too good. | 0:03:01 | 0:03:04 | |
This shop sells country furniture, traditional antiques | 0:03:06 | 0:03:09 | |
and some especially fine glass. | 0:03:09 | 0:03:11 | |
The star piece is actually this particular one, | 0:03:11 | 0:03:15 | |
which dates from 1725. | 0:03:15 | 0:03:18 | |
Can I see that? | 0:03:18 | 0:03:21 | |
Oh, yeah, its beautiful. That's wonderful. | 0:03:21 | 0:03:24 | |
Leonard is justifiably proud of his glass | 0:03:24 | 0:03:26 | |
but that's well out of Anita's range. | 0:03:26 | 0:03:29 | |
This particular one will take you back £895. | 0:03:29 | 0:03:32 | |
Oh, dear. I thought so. | 0:03:32 | 0:03:33 | |
I'm sure you can stretch to that! | 0:03:33 | 0:03:36 | |
Not in the Antiques Road Trip. | 0:03:36 | 0:03:39 | |
Well, we're over halfway through the trip now, Anita. It has been known. | 0:03:40 | 0:03:45 | |
But while Anita keeps searching, what's become of Philip? | 0:03:45 | 0:03:49 | |
He's making his way south from Kirkby | 0:03:49 | 0:03:51 | |
around the edge of the Yorkshire Dales to Ingleton. | 0:03:51 | 0:03:55 | |
That's one of Yorkshire's famous Three Peaks. | 0:03:55 | 0:03:59 | |
It's called Ingleborough | 0:03:59 | 0:04:01 | |
and tends to dominate the skyline round here, | 0:04:01 | 0:04:04 | |
a bit like Philip's been dominating the leaderboard this week. | 0:04:04 | 0:04:08 | |
But with Anita now snapping at his heels, the pressure is most certainly on. | 0:04:08 | 0:04:11 | |
-Hello. How are you? -Fine, thank you. | 0:04:11 | 0:04:14 | |
This is all your stock...? | 0:04:14 | 0:04:17 | |
-No, there's 25 different dealers in here. -25! | 0:04:17 | 0:04:20 | |
-Blimey! Which is yours? -I can't tell you that. -You can! | 0:04:20 | 0:04:24 | |
I don't want to influence you. | 0:04:24 | 0:04:27 | |
Don't worry, Gaynor. | 0:04:27 | 0:04:28 | |
The only thing likely to influence our Philip is the price | 0:04:28 | 0:04:31 | |
and this looks like the sort of place where he'll find | 0:04:31 | 0:04:34 | |
something to his unique taste. | 0:04:34 | 0:04:36 | |
-This is a fantastic suitcase, isn't it? -It's gorgeous. | 0:04:36 | 0:04:40 | |
-That will be over 50 quid? -Quite a bit over 50 quid, yes. | 0:04:40 | 0:04:44 | |
-It's about 500. -That is over 50 quid, isn't it? | 0:04:44 | 0:04:48 | |
I reckon that'd fit in the back of that little sports car you just rolled up in. | 0:04:48 | 0:04:52 | |
Those two could be worth watching. | 0:04:52 | 0:04:54 | |
What about Anita back in Kirkby Lonsdale. Getting any warmer? | 0:04:54 | 0:04:57 | |
-It's a great fun piece, probably from the '40s, '50s? -'50s. | 0:04:57 | 0:05:03 | |
It's an electric fire, am I right? | 0:05:03 | 0:05:06 | |
Yes, but because you can get your hand in there, | 0:05:06 | 0:05:08 | |
nowadays you've got to say it's a work of art. | 0:05:08 | 0:05:11 | |
The other things that tickled my fancy | 0:05:11 | 0:05:15 | |
is little Lady and the Tramp here. | 0:05:15 | 0:05:17 | |
These are little Wade Whimsies and I remember as a wee girl, | 0:05:17 | 0:05:22 | |
having a wee collection of Wade Whimsies. | 0:05:22 | 0:05:25 | |
Whimsies were sold as pocket-money toys | 0:05:25 | 0:05:28 | |
and even given away free with teabags or in Christmas crackers. | 0:05:28 | 0:05:32 | |
During the '60s, | 0:05:32 | 0:05:34 | |
the Wade Company cannily got into making Disney characters. | 0:05:34 | 0:05:38 | |
They're highly collectible today but rarely fetch a lot of money. | 0:05:38 | 0:05:41 | |
Ticket price, £35. | 0:05:41 | 0:05:44 | |
What sort of price could I be getting these for? | 0:05:44 | 0:05:47 | |
For the two, I'd do them for 25. | 0:05:47 | 0:05:49 | |
If I was putting them into auction, | 0:05:49 | 0:05:52 | |
my estimate would be in the region of £15 for the two. | 0:05:52 | 0:05:55 | |
Could you bring it down to near enough the 15 on it? | 0:05:55 | 0:05:59 | |
I'd split the difference, they'd have to be 20. | 0:05:59 | 0:06:01 | |
Oh, it's so tempting, Leonard. It's so tempting. | 0:06:01 | 0:06:04 | |
-These little creatures are smiling at me. -They're fabulous. | 0:06:04 | 0:06:08 | |
Could you split it again and come to 18? Could you do 18 on it? | 0:06:08 | 0:06:14 | |
19 - and that is the bottom line. | 0:06:14 | 0:06:17 | |
Ah well, I think they're getting there at last. What about Phil and Gaynor? | 0:06:17 | 0:06:21 | |
It's got a bit of damage on the front. | 0:06:21 | 0:06:23 | |
There's a bit of damage on the front. There's a chunk missing. | 0:06:23 | 0:06:26 | |
-Turn it around the other way, you'll never see it. -Yeah. | 0:06:26 | 0:06:29 | |
I think it is a log box, don't you? | 0:06:29 | 0:06:31 | |
-Expensive. £16?! -That's a bargain! | 0:06:31 | 0:06:35 | |
-16... -Don't you think? -No, I don't! Good Lord. -Come on. -Put that by. | 0:06:35 | 0:06:39 | |
-Are those an optician's board? -Yes, it is. | 0:06:39 | 0:06:43 | |
-How much is it? -It's £8.50. | 0:06:43 | 0:06:45 | |
Oh, I'm not having that! Let's have a look at it, mate. | 0:06:45 | 0:06:49 | |
-That's a bargain. -Is that right? -I reckon. -Is that what you say to all the boys? | 0:06:49 | 0:06:53 | |
Hold on, let's just see if it works. | 0:06:53 | 0:06:55 | |
W, that's all I can see there! | 0:06:55 | 0:06:58 | |
£8.50 is clearly far too much money. But we might be able to have a bit of a chat about that in a bit. | 0:06:58 | 0:07:05 | |
Now, what about those two pups? | 0:07:05 | 0:07:08 | |
This is an advertising thing for Black & White Scotch whiskey. | 0:07:08 | 0:07:12 | |
It's lovely. You've got the two little terriers here. | 0:07:12 | 0:07:14 | |
Anita's always banging on at me that I love my dogs. So that's quite a bit of fun. | 0:07:14 | 0:07:20 | |
Those terriers were first dreamt up by the whiskey's creator, | 0:07:20 | 0:07:23 | |
James Buchanan, during the 1890s. | 0:07:23 | 0:07:26 | |
However, the original brand name was the House of Commons. | 0:07:26 | 0:07:29 | |
They repro these. | 0:07:29 | 0:07:32 | |
And this to me does look like it's in - if you look there. | 0:07:32 | 0:07:35 | |
In fact, I'd have a pound that this might be a repro. | 0:07:35 | 0:07:38 | |
-Is that a new one or an old one? -I was told it was an old one. -OK. | 0:07:38 | 0:07:42 | |
-Who's your dealer? -I'll phone him up. Colin. -Colin. | 0:07:42 | 0:07:45 | |
-You have a word with Colin. -Yeah. | 0:07:45 | 0:07:48 | |
Would you believe it? Both experts are now haggling over the price of dog figurines? | 0:07:48 | 0:07:53 | |
I still like these Wee Whimsies. I still like them! | 0:07:53 | 0:07:58 | |
And I think, would you do them for 18? Would you do them for 18? | 0:07:58 | 0:08:02 | |
-I'll do them for 18. -Oh, you're a darling! You're a darling. | 0:08:02 | 0:08:05 | |
Because you'll have a bit of fun with Philip. Lady and the Tramp! | 0:08:05 | 0:08:08 | |
I know! Right, that's absolutely fabulous. | 0:08:08 | 0:08:10 | |
At last we have a deal. And that canny Anita got them round to her way of thinking in the end. | 0:08:10 | 0:08:17 | |
I think the time has come when you and I need to have a very serious talk. | 0:08:17 | 0:08:20 | |
-OK. Let's do it. -Look, I'm going to an auction room. Cleveley, they're at. | 0:08:20 | 0:08:25 | |
You're going to sell this at auction in Cleveleys? | 0:08:25 | 0:08:27 | |
-I wouldn't. -Really? | 0:08:27 | 0:08:29 | |
It's not a risk that I would take. | 0:08:29 | 0:08:32 | |
So, that's a no on the log box. | 0:08:32 | 0:08:35 | |
Look at that. We've got black and white and black and white! | 0:08:35 | 0:08:38 | |
-That's meant to be. -That is what you call a sales pitch! | 0:08:38 | 0:08:43 | |
So, what we have got here is an eye testing kit that's got no age to it, | 0:08:43 | 0:08:47 | |
and we've a whiskey advertising sign, we're not sure how old it is. | 0:08:47 | 0:08:50 | |
What would you do the two for, please? | 0:08:50 | 0:08:52 | |
-Well, when we spoke to Colin the dealer... -I can see I'm going to need to pull up a chair here. | 0:08:52 | 0:08:56 | |
-He wanted 25 for this. -I know exactly what he wanted. | 0:08:56 | 0:08:59 | |
-So I would say to you... -Go on, this is going to be good, isn't it? | 0:08:59 | 0:09:03 | |
-30 for the two. -I was thinking of 20 the two. | 0:09:03 | 0:09:06 | |
He'll never do that. It's possible... | 0:09:06 | 0:09:09 | |
-What? -That I could let you have the two for 25. | 0:09:09 | 0:09:12 | |
Go on then, you're a star. Thank you ever so much. There you are. | 0:09:12 | 0:09:16 | |
For those of you at home struggling with your eyesight, | 0:09:16 | 0:09:19 | |
here's a quick afternoon test. | 0:09:19 | 0:09:22 | |
Well I'm not sure the auction house is going to be blinded by the quality of the haul so far. | 0:09:22 | 0:09:26 | |
But, er, hang on, things might be looking up. | 0:09:26 | 0:09:29 | |
I'm just leaving the shop and it always happens, you see something else that you like. | 0:09:29 | 0:09:33 | |
We have got three Famille Rose late 19th-century plates. | 0:09:33 | 0:09:39 | |
Oriental stuff is coming back. These aren't rare. | 0:09:39 | 0:09:41 | |
These were made for the export market. | 0:09:41 | 0:09:44 | |
I've always liked them. The colours are beautiful. | 0:09:44 | 0:09:47 | |
Look at these lovely greens and pinks. | 0:09:47 | 0:09:50 | |
So really, in itself, it's a little work of art. | 0:09:50 | 0:09:53 | |
£25 is the ticket price, but what can Leonard do? | 0:09:53 | 0:09:57 | |
It's sort of 1880s. It's just lovely with the bird and things. | 0:09:57 | 0:10:02 | |
I mean, that could be 18. | 0:10:02 | 0:10:05 | |
-Could you do that for 15? -Yeah, I'll take 15 for that. | 0:10:05 | 0:10:07 | |
OK, that's another deal. Wonderful! Wonderful! | 0:10:07 | 0:10:11 | |
So, Anita has got those doggies out of the window for £18 and the plate for £15. | 0:10:11 | 0:10:17 | |
Well, thankfully, we seem to be getting somewhere. | 0:10:17 | 0:10:21 | |
Now, Phil is supposed to be picking up Anita. But hold on, something's come up. | 0:10:21 | 0:10:26 | |
Have you got anything I could buy off you? | 0:10:26 | 0:10:29 | |
No little knick-knacks in your van? Nothing? OK, thanks, matey. | 0:10:29 | 0:10:34 | |
Appleby Horse Fair is close by. That's a big lure for travellers. | 0:10:34 | 0:10:40 | |
Typical Phil to spot the chance of a deal. | 0:10:40 | 0:10:42 | |
-So this is a Peterborough whip? -Yeah. -What's a Peterborough whip? | 0:10:42 | 0:10:46 | |
-It's a driving whip. -But it's got no... | 0:10:46 | 0:10:50 | |
-Lash. -Is this just for trapping him? | 0:10:50 | 0:10:52 | |
-To drive him on, yeah. -So you sit here and just give him a gentle tap? | 0:10:52 | 0:10:56 | |
We sit on these things there. | 0:10:56 | 0:10:58 | |
Sit on there, you put one foot there, one foot there, look. | 0:10:58 | 0:11:00 | |
Oh hold on, here we go, this is going to go horribly wrong, this is. | 0:11:00 | 0:11:03 | |
-So I sit on there like that? -Just tap the horse. | 0:11:03 | 0:11:06 | |
-One foot there, one foot there, that's why you have a short whip. -You just tap him? | 0:11:06 | 0:11:09 | |
-You just him on, yeah. -And how much would one of these be? | 0:11:09 | 0:11:12 | |
It's an old one, that one. | 0:11:12 | 0:11:14 | |
It could be owt from £20 to £100 in a sale. | 0:11:14 | 0:11:18 | |
He said that without even smiling or flinching! | 0:11:18 | 0:11:21 | |
-What else have you got. -What else have we got? -Collar. | 0:11:21 | 0:11:23 | |
Collar, let's have a look at the collar. | 0:11:23 | 0:11:26 | |
Now... | 0:11:26 | 0:11:29 | |
-Do you use that? -That's what you put on him to pull his bow tops with. | 0:11:29 | 0:11:33 | |
We'll do you the whip and the collar for 30 quid. That's fairer. | 0:11:33 | 0:11:37 | |
-OK. Can I have a picture thrown in? -Are you chucking a picture in, Danny? | 0:11:37 | 0:11:40 | |
-Chuck a picture in, not a problem. -OK, done deal. Thanks, chaps. Let me shake you by the hand. | 0:11:40 | 0:11:44 | |
-I really enjoyed that. -No problems, thank you very much. -Thanks a lot. -Thank you, Sam. -All right. -Now. | 0:11:44 | 0:11:49 | |
Have I got to ride anything before I get out of here? | 0:11:49 | 0:11:52 | |
Oh, dear! | 0:11:52 | 0:11:55 | |
Time for Anita and Phil to head west from Kirby Lonsdale to Carnforth. | 0:11:56 | 0:12:02 | |
Recognise it? It's the railway town where they filmed much of Brief Encounter. | 0:12:02 | 0:12:07 | |
Sadly, though, the place where our romantic couple must part. | 0:12:07 | 0:12:11 | |
There's your shop there. I'll drop you off here, in Oxford Street. | 0:12:11 | 0:12:15 | |
That's fantastic. And I'll see you in Regent Street later on! | 0:12:15 | 0:12:19 | |
Now, sweet sorrow or sweet bargains for Philip? | 0:12:19 | 0:12:22 | |
I favour the latter. | 0:12:22 | 0:12:25 | |
-Hi, I'm Philip. How are you? -Fine, thank you very much. | 0:12:25 | 0:12:30 | |
Good to see you. This is a proper shop, isn't it? | 0:12:30 | 0:12:33 | |
It certainly is. Proper full, too. | 0:12:33 | 0:12:36 | |
Michael's not one for the hard sell though. | 0:12:36 | 0:12:39 | |
-You have got some brilliant things. -It's bric-a-brac, Phillip. | 0:12:39 | 0:12:43 | |
-I'm terrified of breaking something. -Don't worry about it. It's one less thing to worry about. | 0:12:43 | 0:12:48 | |
Keeps them keen, I suppose. | 0:12:48 | 0:12:50 | |
Ah, now this is where he keeps the stuff he is really proud of. | 0:12:50 | 0:12:54 | |
I've got a hankering for a painting. | 0:12:54 | 0:12:56 | |
Well, you've come to the right place here, I would say. | 0:12:56 | 0:12:59 | |
I'd like to spend somewhere between £50 and £80 on a painting. | 0:12:59 | 0:13:02 | |
-I like that. -Owen Bowen. | 0:13:02 | 0:13:05 | |
Quite a late one, not a good one. | 0:13:05 | 0:13:07 | |
-It's not a good one? -No. -So much would that be? | 0:13:07 | 0:13:10 | |
That one would be 120. | 0:13:10 | 0:13:12 | |
What does he turn up on Art Price at, do you know? | 0:13:12 | 0:13:15 | |
Thousands. You surely know Owen Bowen? | 0:13:15 | 0:13:17 | |
Owen Bowen was born in Leeds in 1873 and is best known | 0:13:17 | 0:13:21 | |
for his impressionistic landscapes of Yorkshire. | 0:13:21 | 0:13:24 | |
They can fetch decent prices, too. | 0:13:24 | 0:13:27 | |
His early things are sort of £5,000-£10,000. | 0:13:27 | 0:13:30 | |
Is there any way you can give me that for a hundred quid? | 0:13:30 | 0:13:33 | |
-You can't? -Sorry. -No, I understand that. | 0:13:33 | 0:13:36 | |
-Look at that little card up there. -A nice little picture. Very nice. | 0:13:36 | 0:13:39 | |
It comes free with any Owen Bowen. It's by Donald Woods. | 0:13:39 | 0:13:44 | |
OK, I'll have those two. | 0:13:44 | 0:13:45 | |
-Now I will have this, cos I like it. -OK. | 0:13:45 | 0:13:48 | |
-So if I buy the two off you for £120. -Yeah. -10, 12. | 0:13:48 | 0:13:52 | |
-Thank you very much indeed. -Thank you very much indeed. | 0:13:52 | 0:13:55 | |
While Philip's been acquiring a view of Yorkshire, | 0:13:58 | 0:14:01 | |
Anita's motored to the heart of Red Rose country | 0:14:01 | 0:14:04 | |
where they used to have wars about such things in the 15th century. | 0:14:04 | 0:14:08 | |
Driving south from Carnforth to Lancaster. | 0:14:12 | 0:14:15 | |
This historic county town of Lancashire | 0:14:19 | 0:14:23 | |
is infamous as the site of the Pendle witch trials in 1612. | 0:14:23 | 0:14:27 | |
The huge numbers who received the death sentence, | 0:14:27 | 0:14:31 | |
earning Lancaster the dubious nickname of the hanging town. | 0:14:31 | 0:14:34 | |
But hey, that was 400 years ago, chaps! | 0:14:36 | 0:14:40 | |
This has once belonged to one, Thomas Covell, | 0:14:40 | 0:14:43 | |
the Justice of the Peace during those trials. | 0:14:43 | 0:14:47 | |
And it's reckoned to be the oldest in Lancaster. | 0:14:47 | 0:14:49 | |
-Hi. -Hello, I'm Anita. -I'm Anthea. Welcome to the Judges Lodges Museum. | 0:14:49 | 0:14:53 | |
I'm really looking forward to this. | 0:14:53 | 0:14:55 | |
Later on, the old hall became lodgings for visiting judges | 0:14:55 | 0:14:59 | |
and nowadays it's a museum housing fine Lancashire Gilles furniture. | 0:14:59 | 0:15:04 | |
But Anita's here to visit the house's other great collection, | 0:15:07 | 0:15:10 | |
the Museum of Childhood. | 0:15:10 | 0:15:13 | |
Anthea, I've never seen such a big collection of dolls. | 0:15:16 | 0:15:20 | |
Where have they all come from? | 0:15:20 | 0:15:22 | |
The majority of the dolls we have came from a collection built up by a man called Barry Elder. | 0:15:22 | 0:15:26 | |
Elder was a doll repair man, or surgeon, who began his collection in London during the '50s | 0:15:27 | 0:15:33 | |
and later moved to Lancashire. | 0:15:33 | 0:15:36 | |
When I was a wee girl in Glasgow, | 0:15:36 | 0:15:38 | |
I remember my doll having to go to the dolls' hospital to have its arm fixed. | 0:15:38 | 0:15:43 | |
I think there were two or three dolls' hospitals in the city at that time. | 0:15:43 | 0:15:47 | |
Only a fraction of the collection's 2,500 dolls are on display here, | 0:15:50 | 0:15:55 | |
some dating from the 1700s. | 0:15:55 | 0:15:57 | |
Many of them once crowded into Barry's home | 0:15:58 | 0:16:00 | |
and this painting shows his family, with some of his many dolls. | 0:16:00 | 0:16:05 | |
Actually you can't tell the difference | 0:16:06 | 0:16:09 | |
-between the real people and the dolls. -You can't. | 0:16:09 | 0:16:13 | |
I wonder if Barry could tell the difference between them? | 0:16:13 | 0:16:18 | |
I think he wanted people to walk in and feel that the dolls | 0:16:18 | 0:16:22 | |
could come to life at any minute. | 0:16:22 | 0:16:24 | |
That's a scary thought. That is a scary thought. | 0:16:24 | 0:16:27 | |
Well sometimes dolls are a bit scary. | 0:16:30 | 0:16:32 | |
Isn't that him out of the Omen? | 0:16:32 | 0:16:34 | |
Are you scared of them? | 0:16:36 | 0:16:38 | |
I do walk quickly through while I'm locking up the building. | 0:16:38 | 0:16:40 | |
-I try to keep the lights on if we're here late. -Do you? | 0:16:40 | 0:16:43 | |
-And you don't glance... -No, I don't look back. | 0:16:43 | 0:16:46 | |
You better be careful how you describe your visit to Philip, Anita. | 0:16:50 | 0:16:55 | |
Whatever you do, because he might have problems sleeping. | 0:16:55 | 0:16:58 | |
Night, night. | 0:16:58 | 0:17:00 | |
Next morning, our two glimpse the downside of open top travel. | 0:17:02 | 0:17:07 | |
This car's soaking, did you leave that hood down? | 0:17:07 | 0:17:11 | |
No, but I'm all right. | 0:17:11 | 0:17:12 | |
-Ah, no! -My side's fine, now. -No! | 0:17:12 | 0:17:16 | |
-You should have made sure that the hood was all right, Philip. -It's going to be one of those days. | 0:17:16 | 0:17:21 | |
Yesterday, Anita plumped for a pair of Whimsies | 0:17:21 | 0:17:24 | |
and a Canton Famille plate. | 0:17:24 | 0:17:26 | |
Spending just £33 and leaving £362.10 for today. | 0:17:26 | 0:17:32 | |
These little creatures are smiling at me. | 0:17:32 | 0:17:34 | |
While Phil spent £175 on paintings, horse tackle, figurines | 0:17:34 | 0:17:40 | |
and an eye chart, leaving him with £264.36 in his back pocket. | 0:17:40 | 0:17:46 | |
Speaking of which... | 0:17:46 | 0:17:47 | |
My behind is soaking wet. It's not very pleasant. | 0:17:47 | 0:17:50 | |
I think it's coming from without and not within. | 0:17:50 | 0:17:52 | |
ANITA LAUGHS | 0:17:52 | 0:17:54 | |
They are heading for an auction in Cleveleys, but today's shopping | 0:17:54 | 0:17:57 | |
starts on the outskirts of Lancaster. | 0:17:57 | 0:17:58 | |
-Phil, what about that, is that not your type of thing? -That's a lot of old bull that, isn't it? | 0:17:58 | 0:18:03 | |
Look at the size of this place, over 40,000 square feet | 0:18:07 | 0:18:10 | |
and at least 80 dealers all presided over by a father and son. | 0:18:10 | 0:18:15 | |
Just where do you start? | 0:18:15 | 0:18:16 | |
The scale of the shop is just astonishing. It huge. | 0:18:25 | 0:18:29 | |
Sometimes it's more difficult when you've got more stuff. | 0:18:29 | 0:18:32 | |
I don't know what to buy. | 0:18:32 | 0:18:33 | |
Phil, though, seems to have hit the ground running | 0:18:33 | 0:18:36 | |
with something quite familiar. | 0:18:36 | 0:18:38 | |
This is a Canton vase, Chinese. | 0:18:38 | 0:18:40 | |
It's made around about 1880, 1890 and it's made for our market. | 0:18:40 | 0:18:44 | |
It originally would have been one of a pair. This is a nice vase. | 0:18:44 | 0:18:48 | |
It's just a pity it's got a chip there and it's a very recent chip, I would think. | 0:18:48 | 0:18:52 | |
-Alan, how are you? -I'm all right, Phil. | 0:18:52 | 0:18:54 | |
-Have you seen that dink just there? -I hadn't, to tell you the truth. | 0:18:54 | 0:18:58 | |
Pity that, isn't it? | 0:18:58 | 0:18:59 | |
-Because that's only just coming very recently. -Really? -Yeah. | 0:18:59 | 0:19:02 | |
They're a nice piece, nice decorating piece. | 0:19:02 | 0:19:06 | |
-They add colour to a house, don't they? -You've got £90 on it. | 0:19:06 | 0:19:09 | |
Yeah, it could be better than that, | 0:19:09 | 0:19:11 | |
especially when you've shown that there is a slight flaw in it. | 0:19:11 | 0:19:16 | |
How about on that one, 60? | 0:19:16 | 0:19:18 | |
Can I get it under the £50 mark, can we do that? | 0:19:18 | 0:19:21 | |
You're pushing me on that, Phil. Can we not call it 50? | 0:19:21 | 0:19:24 | |
-OK, I'll have that off you for £50. -OK. | 0:19:26 | 0:19:28 | |
I think you're being fair with me. | 0:19:28 | 0:19:31 | |
-20... -Would you like it wrapped, Phil? | 0:19:31 | 0:19:34 | |
Gift wrapped? No, no. | 0:19:34 | 0:19:37 | |
Ah, this is what we like to see, the methodical approach. | 0:19:37 | 0:19:41 | |
There is a game of Glidoball | 0:19:41 | 0:19:43 | |
and I don't really know what Glidoball is | 0:19:43 | 0:19:45 | |
but it looks interesting and I quite like that. | 0:19:45 | 0:19:51 | |
It's an old football rattle. | 0:19:51 | 0:19:54 | |
Let me see that. | 0:19:54 | 0:19:55 | |
Steady on, I can see why those fell out of fashion. | 0:20:00 | 0:20:03 | |
I don't know this game but... | 0:20:03 | 0:20:06 | |
what we've got is hooks... | 0:20:06 | 0:20:09 | |
I think Glidoball may have been a doomed attempt to supplant croquet from the '20s. | 0:20:09 | 0:20:16 | |
-You have to get the balls onto this circular thing here. -That's right. | 0:20:16 | 0:20:22 | |
-Ten shillings. Do you think I'd get it for 50p? -Probably not, no. | 0:20:22 | 0:20:27 | |
Cheeky, Anita! the actual price is £45.50. | 0:20:27 | 0:20:32 | |
I wondered what sort of price I could get that for? | 0:20:32 | 0:20:37 | |
Yeah, I'm sure I could speak to him and see what the best price is. | 0:20:37 | 0:20:40 | |
-Ask him if you'll take 20 quid for it. -Right, OK. | 0:20:40 | 0:20:42 | |
Yeah, but in a place of this size, that could take some time. | 0:20:42 | 0:20:46 | |
Oh, he's gone to see his dad. | 0:20:54 | 0:20:56 | |
She saw the ten shillings and wanted to buy it at that. | 0:20:56 | 0:20:59 | |
If she has a ten shilling note, she can have it, honour. | 0:20:59 | 0:21:03 | |
If she has one, if not she'd have to pay £30. | 0:21:04 | 0:21:07 | |
How are we doing, Jimmy? | 0:21:07 | 0:21:09 | |
-OK, they're hard work, some of these dealers. -Are they hard work? | 0:21:09 | 0:21:12 | |
They are. I've spoken to him and he said that his best would be £30. | 0:21:12 | 0:21:17 | |
Now, if that's not good enough, | 0:21:17 | 0:21:19 | |
then I'm willing to get my hand smacked for another five. | 0:21:19 | 0:21:23 | |
-25 would be the best. -Smack your hand there. It's a deal. Thank you so much. | 0:21:23 | 0:21:28 | |
Bravo! Or whatever they say in Glidoball language. | 0:21:28 | 0:21:31 | |
Now, she's grabbed Alan about something else. | 0:21:31 | 0:21:35 | |
I rather like this chair. | 0:21:35 | 0:21:37 | |
-I'm not surprised, it's come out of Scotland. -Has it, really?? | 0:21:37 | 0:21:40 | |
-This is our only Scottish dealer, this one. -Isn't that interesting? | 0:21:40 | 0:21:44 | |
I like this one, it does have an Arts & Crafts, Art Nouveau look about it. | 0:21:44 | 0:21:49 | |
-It has been reupholstered. -Definitely. -And it's not... | 0:21:49 | 0:21:54 | |
I think it was done by an electrician. | 0:21:54 | 0:21:57 | |
I like the fact that it's an elbow chair. | 0:21:58 | 0:22:01 | |
-I think that gives it an extra dimension? -I think it's nice. | 0:22:01 | 0:22:05 | |
-You like it? -Mm, I do. | 0:22:05 | 0:22:06 | |
Priced up at 35 which is not dear. I know that's not dear. | 0:22:06 | 0:22:10 | |
I would like to be buying it somewhere in the region, | 0:22:10 | 0:22:15 | |
below about 20. | 0:22:15 | 0:22:16 | |
-I think you're asking a lot there. I think, 25, we could do. -25. | 0:22:18 | 0:22:24 | |
And I think even at 25 there's profit in it. | 0:22:24 | 0:22:27 | |
Is it possible to go to 20 on it? At 20 I could make a little on it. | 0:22:27 | 0:22:32 | |
-Go on, we'll do that. -Oh, you're a darling, thank you so much. | 0:22:32 | 0:22:37 | |
With Anita sitting pretty, where's Phil got to? | 0:22:37 | 0:22:40 | |
-Have you got any spectacles? -Jimmy, have we got some old...? | 0:22:40 | 0:22:46 | |
You mean, you don't know! every cabinet that's here. | 0:22:46 | 0:22:49 | |
-We've only 500,000 items. -I know, I know. | 0:22:49 | 0:22:51 | |
-Are there any in that one? -I bought an eyesight chart | 0:22:51 | 0:22:55 | |
and it'd be quite fun to put some spectacles with it. | 0:22:55 | 0:22:58 | |
Point me in the right direction. | 0:22:58 | 0:23:01 | |
-We going to have a look. -Right. | 0:23:01 | 0:23:04 | |
Do you know which direction were heading into? | 0:23:04 | 0:23:06 | |
This is like looking for a pair of spectacles in an antique warehouse. | 0:23:06 | 0:23:10 | |
It is, yeah. | 0:23:10 | 0:23:12 | |
# I can see for miles and miles | 0:23:12 | 0:23:14 | |
# I can see for miles and miles... # | 0:23:14 | 0:23:17 | |
Are these me, Alan? | 0:23:17 | 0:23:19 | |
These are the old Eric Morecambe ones, aren't they? | 0:23:19 | 0:23:22 | |
What about the John Lennon look? | 0:23:22 | 0:23:24 | |
What's that's snooker player, Dennis Taylor? | 0:23:24 | 0:23:26 | |
I'm not really sure they're me, actually. | 0:23:26 | 0:23:28 | |
-Right, I'm going to have a look around, Alan. You keep on the case. -Yeah. | 0:23:28 | 0:23:32 | |
The search goes on. | 0:23:32 | 0:23:34 | |
I think Phil craves something a little more sophisticated. | 0:23:34 | 0:23:38 | |
Pince-nez. | 0:23:38 | 0:23:40 | |
How does that look? | 0:23:43 | 0:23:45 | |
Now, those are very much more you, sir. | 0:23:45 | 0:23:46 | |
How much are they? | 0:23:46 | 0:23:48 | |
They are all of £10 on the ticket, including the case. | 0:23:48 | 0:23:53 | |
What's the best you can do those for? | 0:23:53 | 0:23:55 | |
Well, if you're not going to haggle with me, I'll do them at five. | 0:23:55 | 0:23:59 | |
-No, I'm going to have those off you. -Are you? -Yeah. | 0:23:59 | 0:24:02 | |
-There you are. -Right. -That's very kind. -There you go. | 0:24:02 | 0:24:04 | |
-And a bit of change would be lovely. -And a bit of change as well. You're a hard man. | 0:24:04 | 0:24:09 | |
Thanks very much indeed. | 0:24:10 | 0:24:12 | |
So a fiver for the specs and £50 for the Canton vase. | 0:24:12 | 0:24:16 | |
With more items bagged, it's time to hit the road again. | 0:24:16 | 0:24:20 | |
And, motor South from Lancaster to Lytham St Anne's, | 0:24:20 | 0:24:24 | |
where it's damp. | 0:24:24 | 0:24:27 | |
I spy with my little eye, something beginning with R. | 0:24:27 | 0:24:31 | |
Anita? | 0:24:31 | 0:24:32 | |
That does not begin with R. | 0:24:32 | 0:24:33 | |
This is Lytham, where they like a round of golf. | 0:24:36 | 0:24:39 | |
Also notable because the great Les Dawson once lived around here. | 0:24:39 | 0:24:44 | |
There you are, all the best. | 0:24:44 | 0:24:47 | |
Oh, thank you very much. I think the weather is brightening up a wee bit. | 0:24:47 | 0:24:51 | |
Hopefully we might have a donkey ride. | 0:24:51 | 0:24:53 | |
PHIL LAUGHS | 0:24:53 | 0:24:55 | |
-Hello. Hi, I'm Anita. -Hi, Anita. -Lovely to see you. | 0:24:55 | 0:25:00 | |
John's shop has quite a few quality antiques | 0:25:00 | 0:25:04 | |
but I think Anita has her eye on something of more recent vintage. | 0:25:04 | 0:25:09 | |
It's a good 20th century design. | 0:25:09 | 0:25:10 | |
I like the fact that it's quite useful. | 0:25:10 | 0:25:12 | |
I would use it as a bedside cabinet. | 0:25:12 | 0:25:14 | |
1960s, 1970s. | 0:25:14 | 0:25:17 | |
I don't know the designer, I think the dealer might know. | 0:25:17 | 0:25:20 | |
I'll be interesting to know. I do like that. | 0:25:20 | 0:25:23 | |
It's called a Boby trolley. | 0:25:23 | 0:25:25 | |
What kind of trolley? | 0:25:25 | 0:25:27 | |
Actually, I think it might be a Componibili storage unit | 0:25:27 | 0:25:31 | |
designed by Anna Ferrieri in 1969. | 0:25:31 | 0:25:34 | |
You just don't know the market in the same room that you're going to. | 0:25:34 | 0:25:38 | |
I would've said it's probably more of a city thing. | 0:25:38 | 0:25:41 | |
Very nice, but a bit of a risk. | 0:25:41 | 0:25:44 | |
Something more classical for Cleveleys perhaps? | 0:25:44 | 0:25:48 | |
It's a little pepperette and you'd use it for powder | 0:25:48 | 0:25:52 | |
after you had written a letter with your fountain pen, or whatever. | 0:25:52 | 0:25:57 | |
You would have powder in that so that it would absorb the ink. | 0:25:57 | 0:26:00 | |
It is hallmarked silver. | 0:26:00 | 0:26:04 | |
Made in Birmingham. | 0:26:04 | 0:26:06 | |
Probably in the late 19th century. | 0:26:06 | 0:26:09 | |
But it's not just as crisp as I would like to have it. | 0:26:10 | 0:26:15 | |
The ticket price is £80, though. | 0:26:15 | 0:26:18 | |
Should that be taken with a pinch of salt(?) | 0:26:18 | 0:26:20 | |
What's the best on that? | 0:26:20 | 0:26:22 | |
I could do 40 on that. | 0:26:25 | 0:26:27 | |
Mm, half price then. | 0:26:27 | 0:26:28 | |
Could you take another tenner off of that? | 0:26:28 | 0:26:31 | |
There's a little profit in that for me and I think there'd be quite a decent one for you. | 0:26:31 | 0:26:35 | |
35... | 0:26:37 | 0:26:38 | |
-I'm going for the silver. -A quality piece. | 0:26:38 | 0:26:41 | |
Thank you very much. That's sweet. | 0:26:41 | 0:26:44 | |
It wee and charming. | 0:26:44 | 0:26:46 | |
A bit like me...sometimes. | 0:26:46 | 0:26:48 | |
£35, not to be sneezed at. | 0:26:48 | 0:26:52 | |
Now Phil, as we know, loves a bit of glitz and glamour. | 0:26:53 | 0:26:57 | |
Which explains why he's sun beamed up from Lytham to Blackpool. | 0:26:57 | 0:27:01 | |
This town's been one of Britain's greatest resorts | 0:27:05 | 0:27:08 | |
since the railways first arrived in the mid-19th century | 0:27:08 | 0:27:12 | |
but what really put Blackpool on the map was power, electrical power. | 0:27:12 | 0:27:15 | |
In 1879, they became the first municipality to install | 0:27:15 | 0:27:20 | |
electric street lighting. | 0:27:20 | 0:27:22 | |
Ah, that's better! | 0:27:22 | 0:27:24 | |
And, a short while after, came the famous Illuminations. | 0:27:24 | 0:27:28 | |
Blackpool hasn't really switched off since. | 0:27:28 | 0:27:32 | |
2012 is a celebration of 100 years | 0:27:32 | 0:27:35 | |
and Philip's come to the HQ to meet the man in charge. | 0:27:35 | 0:27:38 | |
-Hi, Phil. -Hello, Richard, good to see you. | 0:27:38 | 0:27:41 | |
Do you know, I can remember coming to Blackpool. | 0:27:41 | 0:27:44 | |
I must have been about eight or nine. | 0:27:44 | 0:27:47 | |
I'm sure it was a Walt Disney, | 0:27:47 | 0:27:49 | |
either Snow White or Cinderella I saw. | 0:27:49 | 0:27:52 | |
We've done both. | 0:27:52 | 0:27:53 | |
This year's display will be over six miles long | 0:27:53 | 0:27:56 | |
and use over a million lamps. | 0:27:56 | 0:27:58 | |
This one is an old tableau that we're doing up. | 0:27:58 | 0:28:01 | |
In the style of those American houses, it will sing a song. | 0:28:01 | 0:28:05 | |
This one does Thriller, Ghost In My House, | 0:28:05 | 0:28:08 | |
Monster Mash and plays it through speakers. | 0:28:08 | 0:28:11 | |
Basically all the windows dance and sing. | 0:28:11 | 0:28:13 | |
It will also cost around 2.1 million compared | 0:28:15 | 0:28:19 | |
to just £5,000 for the visit of Princess Louise in 1912. | 0:28:19 | 0:28:24 | |
When the Royal visit was, was it in summer, winter, autumn, spring? | 0:28:24 | 0:28:27 | |
-It was actually in May. -May. | 0:28:27 | 0:28:29 | |
-Basically it was so successful we did it again later in the year. -Really? | 0:28:29 | 0:28:33 | |
Then realised what a fantastic thing, it extends the season. | 0:28:33 | 0:28:36 | |
Now that was a light bulb moment, one that's earned Blackpool | 0:28:38 | 0:28:41 | |
a fortune and funded a succession of evermore ambitious displays. | 0:28:41 | 0:28:47 | |
This one, look at that. It's basically a theatrical theme. | 0:28:47 | 0:28:51 | |
-That's 70-odd years old? -Yeah. -That's incredible. | 0:28:51 | 0:28:57 | |
Which is the golden years of Blackpool? | 0:28:57 | 0:29:00 | |
-For me, some of these on the wall are some of the best ones. -Really? | 0:29:00 | 0:29:04 | |
Late 1960s, into the early '70s, | 0:29:04 | 0:29:08 | |
it was a time when there was a lot of resources put towards the Illuminations. | 0:29:08 | 0:29:14 | |
There's an example of one here, the dancing years. | 0:29:14 | 0:29:16 | |
This is a close-up of it. | 0:29:16 | 0:29:18 | |
I mean the actual painting of it is beautiful. | 0:29:18 | 0:29:21 | |
We found the designer, a gentleman called Emilios Hatjoullis | 0:29:21 | 0:29:24 | |
and he painted all of these. | 0:29:24 | 0:29:26 | |
We reunited him with them, recently and he came in this room | 0:29:26 | 0:29:30 | |
and it was quite emotional for him because he'd not seen these things. | 0:29:30 | 0:29:33 | |
So well-known are the Illuminations that even the identity | 0:29:33 | 0:29:36 | |
of the celebrity who switches the lights on | 0:29:36 | 0:29:39 | |
has become a barometer of our cultural history. | 0:29:39 | 0:29:42 | |
-Red Rum switched the lights on. -Clever horse, he was. | 0:29:42 | 0:29:47 | |
-Very good, very well-behaved as well. -Absolutely. -Canon and Ball. | 0:29:47 | 0:29:52 | |
I remember them. | 0:29:52 | 0:29:53 | |
What else is Blackpool noted for? | 0:29:53 | 0:29:55 | |
The Pleasure Beach, of course! | 0:29:55 | 0:29:57 | |
It's been a bit of a rollercoaster since 1896. | 0:29:57 | 0:30:01 | |
Can I have a balloon? | 0:30:04 | 0:30:05 | |
Don't be so silly. This way. | 0:30:05 | 0:30:07 | |
Watch it! | 0:30:07 | 0:30:09 | |
I'm catching you up, Phil! | 0:30:09 | 0:30:10 | |
You'll never catch me! | 0:30:10 | 0:30:11 | |
They're not going on one of those, are they? Surely not. | 0:30:13 | 0:30:17 | |
Brace yourself! | 0:30:17 | 0:30:18 | |
Hold my hand, hold my hand, hold my hand! | 0:30:18 | 0:30:21 | |
Oh, Phil, I've just remembered I don't like heights. Agh! | 0:30:21 | 0:30:25 | |
# Rollercoaster of love | 0:30:25 | 0:30:28 | |
# Rollercoaster. # | 0:30:28 | 0:30:30 | |
That's the quietest she's been ever! | 0:30:32 | 0:30:35 | |
Can we go again? | 0:30:35 | 0:30:37 | |
Sorry, Phil. It's time to see what you've both bought. | 0:30:37 | 0:30:41 | |
Philip! This is where I want to be. It's wonderful! | 0:30:42 | 0:30:47 | |
Good evening, ladies and gentlemen! Welcome to the Tower Circus! | 0:30:47 | 0:30:53 | |
Start here first. You've got an art nouveau chair. | 0:30:55 | 0:30:58 | |
Art nouveau chair. | 0:30:58 | 0:31:00 | |
-Very Glasgow style. -Yeah. | 0:31:00 | 0:31:02 | |
-And how much was that? -20 quid. | 0:31:02 | 0:31:04 | |
-For nothing. -That's all right, isn't it. | 0:31:04 | 0:31:07 | |
Have I done good? | 0:31:07 | 0:31:08 | |
You've done a proper job there, proper job. | 0:31:08 | 0:31:10 | |
What's that called? Glidoball? | 0:31:10 | 0:31:13 | |
I've never seen one before. Probably from the 1940s. | 0:31:13 | 0:31:16 | |
So do these things just slide up and down? | 0:31:16 | 0:31:20 | |
They glide, and you try to drop them into these supports here. | 0:31:20 | 0:31:25 | |
-Is it all there? -It's all there. | 0:31:25 | 0:31:27 | |
Original string and all. | 0:31:27 | 0:31:29 | |
Original string and all. | 0:31:29 | 0:31:31 | |
So, are we ignoring the Whimsies? | 0:31:31 | 0:31:33 | |
I reckon that's Scamp anyway. | 0:31:33 | 0:31:36 | |
-I like that. Canton plate. -Yep. | 0:31:36 | 0:31:38 | |
Canton. Late 19th century. | 0:31:38 | 0:31:41 | |
How much was that? | 0:31:41 | 0:31:42 | |
15 quid. | 0:31:42 | 0:31:43 | |
-That's cheap. That is cheap. -I know. | 0:31:43 | 0:31:45 | |
I was attracted to this lovely, lovely wee pepperette, | 0:31:45 | 0:31:51 | |
and I love that wee turned handle. | 0:31:51 | 0:31:54 | |
How much was it? | 0:31:54 | 0:31:55 | |
35. | 0:31:55 | 0:31:56 | |
You can melt that for probably 40 quid, couldn't you. | 0:31:56 | 0:31:59 | |
Really? | 0:31:59 | 0:32:00 | |
-Show me yours. -Are you ready for this? | 0:32:00 | 0:32:03 | |
I had a really good time actually. | 0:32:03 | 0:32:05 | |
Is this when you ran away with the travelling folk? | 0:32:05 | 0:32:08 | |
You ran away with the circus and I ran away with the travellers! | 0:32:08 | 0:32:11 | |
We're a wild pair, Phil! | 0:32:11 | 0:32:13 | |
These guys here were coming back from Appleby, | 0:32:13 | 0:32:16 | |
and just the loveliest family, and I bought this off them. | 0:32:16 | 0:32:20 | |
That's great. That would suit you, Phil. | 0:32:20 | 0:32:22 | |
Actually I might have to need it. | 0:32:22 | 0:32:24 | |
As long as you don't tell me this suits you... Mrs Whiplash. | 0:32:24 | 0:32:28 | |
And I gave them 30 quid for the lot. | 0:32:28 | 0:32:30 | |
I think that must be worth 30 quid itself, don't you? | 0:32:30 | 0:32:33 | |
-I haven't got a clue. -Don't know? | 0:32:33 | 0:32:35 | |
And then these. | 0:32:35 | 0:32:37 | |
Two Scotties, yeah! | 0:32:37 | 0:32:38 | |
1950s advertising. 20 quid. | 0:32:38 | 0:32:42 | |
That's all right, that's all right. | 0:32:42 | 0:32:45 | |
-This... -Yeah. A bigger version of mine. | 0:32:45 | 0:32:48 | |
A bigger version. That was £50. | 0:32:48 | 0:32:50 | |
That's good. That's a big one. | 0:32:50 | 0:32:52 | |
I thought that was cheap. | 0:32:52 | 0:32:53 | |
Those were a tenner. | 0:32:53 | 0:32:56 | |
No comment on those. | 0:32:56 | 0:32:58 | |
This, I'm really moithered about this. | 0:32:58 | 0:33:02 | |
This is Owen Bowen, who's a Staithes School artist. | 0:33:02 | 0:33:04 | |
I bought it for £120, and the guy gave me that as well, | 0:33:04 | 0:33:07 | |
and I just think it's a really lovely painting. | 0:33:07 | 0:33:11 | |
It's wonderful. It's a glowering sky, isn't it? | 0:33:11 | 0:33:14 | |
I'm hoping it's going to make 200 to 300. That would be lovely. | 0:33:14 | 0:33:20 | |
It could quite well do that. | 0:33:20 | 0:33:22 | |
I think she likes it. | 0:33:22 | 0:33:24 | |
Are you ready? | 0:33:24 | 0:33:27 | |
Watch it, pal! Watch it! | 0:33:27 | 0:33:30 | |
Off you go. Off you go. | 0:33:30 | 0:33:32 | |
But what do they really think? | 0:33:32 | 0:33:34 | |
If they give her things away, she can only lose £113 or whatever it is | 0:33:34 | 0:33:40 | |
whereas I spent double that, I piled my money in to that Chinese vase | 0:33:40 | 0:33:45 | |
and those paintings, and how will they do? | 0:33:45 | 0:33:47 | |
It's in the lap of the Gods. | 0:33:47 | 0:33:49 | |
I really, really love that picture! | 0:33:49 | 0:33:51 | |
I would've paid double that amount! | 0:33:51 | 0:33:54 | |
I think he's going to do well on that. | 0:33:54 | 0:33:55 | |
After starting out in Kirkby Lonsdale, this part of our trip | 0:33:55 | 0:34:00 | |
will conclude at an auction just outside Blackpool, in Cleveleys. | 0:34:00 | 0:34:05 | |
# Da-da-da-da...# | 0:34:05 | 0:34:06 | |
# To be beside the seaside | 0:34:06 | 0:34:09 | |
# Beside the seaside Beside the sea! # | 0:34:09 | 0:34:12 | |
You're looking a wee bit anxious there. | 0:34:12 | 0:34:15 | |
"Wee bit" undersells it a bit. | 0:34:15 | 0:34:17 | |
Come on, we'll have a good time. | 0:34:17 | 0:34:21 | |
This is Smythes. It can be a bit of a squeeze. | 0:34:21 | 0:34:25 | |
While the seasiders take a close look at the lots, | 0:34:25 | 0:34:28 | |
let's hear what auctioneer Patrick Smythe thinks of what | 0:34:28 | 0:34:32 | |
Phil and Anita have bought. | 0:34:32 | 0:34:33 | |
I think the collar may present a bit of a challenge. | 0:34:33 | 0:34:38 | |
But having said that, it's got the bonus of Philip Serrell's | 0:34:38 | 0:34:42 | |
photo on it, so that might create a bit of excitement. | 0:34:42 | 0:34:45 | |
The painting is the interesting one. | 0:34:45 | 0:34:47 | |
Owen Bowen is a known Yorkshire artist. It should do all right. | 0:34:47 | 0:34:51 | |
Anita began with £395.10, | 0:34:51 | 0:34:55 | |
and she's spent just £113 on five auction lots. | 0:34:55 | 0:35:00 | |
-Do you think you'd get it for 50p? -Probably not. | 0:35:00 | 0:35:02 | |
Philip started out with £439.36, | 0:35:02 | 0:35:07 | |
and he's splashed £230, also on five lots. | 0:35:07 | 0:35:12 | |
Are these me, Alan? | 0:35:12 | 0:35:15 | |
Let's get ready to auction. | 0:35:15 | 0:35:17 | |
-The tension's unbearable. -I know. | 0:35:17 | 0:35:19 | |
First up, Phil's gamble. | 0:35:19 | 0:35:22 | |
The Yorkshire landscape and the little picture that sealed the deal. | 0:35:22 | 0:35:25 | |
-This is yours! -Is it? | 0:35:25 | 0:35:27 | |
What can I say to start it? Not worth 100? | 0:35:28 | 0:35:31 | |
£50 for it? £50 bid. | 0:35:31 | 0:35:34 | |
Five. At 55 bid. 60 can I say?. | 0:35:34 | 0:35:37 | |
At £60 bid. 70 can I make it? | 0:35:37 | 0:35:40 | |
70. 80. £80 bid. | 0:35:40 | 0:35:43 | |
Now make it 90. 90. | 0:35:43 | 0:35:46 | |
Are you all done at 90, for the last time at 90? All done at 90. | 0:35:46 | 0:35:50 | |
That painting's worth more than it's just been sold for | 0:35:50 | 0:35:53 | |
but at the end of the day... | 0:35:53 | 0:35:55 | |
I'm going to cry! | 0:35:55 | 0:35:56 | |
An even bigger loss after commission but it could've been much worse. | 0:35:56 | 0:36:00 | |
My stuff coming up next, | 0:36:00 | 0:36:03 | |
and I might be laughing on the other side of my face now! | 0:36:03 | 0:36:06 | |
Cry "profit"! And let loose the dogs of Whimsy! | 0:36:06 | 0:36:10 | |
Can I hear £20? Not worth £20? | 0:36:10 | 0:36:12 | |
Well, I've ten bid. | 0:36:12 | 0:36:15 | |
I've ten bid. At 12? 12. | 0:36:15 | 0:36:17 | |
14. At 14 bid. At 14. | 0:36:17 | 0:36:21 | |
For the last time at 14. | 0:36:21 | 0:36:23 | |
That's on commission at 14. | 0:36:23 | 0:36:24 | |
I think you've done very, very well. | 0:36:24 | 0:36:26 | |
I think I've got away with that. | 0:36:26 | 0:36:28 | |
Anita's not started any better, despite that appealing look. | 0:36:28 | 0:36:32 | |
The porter's got your eye-testing chart. | 0:36:32 | 0:36:35 | |
It must be next. It must be next. | 0:36:35 | 0:36:37 | |
Well-spotted. 20/20, I'd say. | 0:36:37 | 0:36:41 | |
There you are. Your own eye-testing kit. | 0:36:41 | 0:36:44 | |
What can I say for that? Can I say ten? | 0:36:44 | 0:36:46 | |
Five? At five pounds? | 0:36:46 | 0:36:47 | |
I think I'm heading for a full house of losses here. | 0:36:47 | 0:36:50 | |
Six pounds. At six pounds. | 0:36:50 | 0:36:52 | |
We're climbing. We're climbing. | 0:36:52 | 0:36:54 | |
All done? Sure? | 0:36:54 | 0:36:57 | |
You lucky man. | 0:36:57 | 0:36:59 | |
I hope they're not having fun at my expense here. | 0:36:59 | 0:37:04 | |
It looks like no-one could see its worth, Phil. | 0:37:04 | 0:37:08 | |
I'm beginning to wish I'd bought a Goblin teasmade or, you know... | 0:37:08 | 0:37:12 | |
A strimmer? | 0:37:12 | 0:37:13 | |
Yeah. | 0:37:13 | 0:37:14 | |
Now this is quality. Apart from the chip, that is. | 0:37:14 | 0:37:17 | |
Can I say £100 for it? Well, give me a bid for it? Can I have 30? | 0:37:17 | 0:37:21 | |
40. At 40? 50? 60? | 0:37:21 | 0:37:24 | |
70? 80? | 0:37:24 | 0:37:26 | |
At £80? It's still cheap. 90. £90 bid. | 0:37:26 | 0:37:30 | |
At 90. Another bidder. 100. | 0:37:30 | 0:37:33 | |
There you are, darling. | 0:37:33 | 0:37:35 | |
115. 120. 125. | 0:37:35 | 0:37:38 | |
130. | 0:37:38 | 0:37:39 | |
135. | 0:37:39 | 0:37:41 | |
140. | 0:37:41 | 0:37:43 | |
145. 150. | 0:37:43 | 0:37:45 | |
155. 160. | 0:37:45 | 0:37:48 | |
165. You're out? | 0:37:48 | 0:37:51 | |
-At 165 then, only bid. All done? -Could've swum the Channel with it. | 0:37:51 | 0:37:54 | |
I'm really happy with that. | 0:37:55 | 0:37:56 | |
You're up, Philip. You haven't made any losses now. That's excellent. | 0:37:56 | 0:38:00 | |
That sort of makes up for the paintings. | 0:38:00 | 0:38:03 | |
Actually it's a bit of a result to have sold that | 0:38:03 | 0:38:06 | |
-in the middle of the Hoovers and the vacuums! -Well done, Philip! | 0:38:06 | 0:38:09 | |
Now, Cleveleys does like Canton, | 0:38:09 | 0:38:12 | |
and Anita bought it cheap. Fingers crossed. | 0:38:12 | 0:38:15 | |
May I say £50 to start it? | 0:38:15 | 0:38:17 | |
Not worth 50? 40. | 0:38:17 | 0:38:20 | |
I've 40 on the book. At 40. 42. | 0:38:20 | 0:38:23 | |
44. 46. | 0:38:23 | 0:38:25 | |
48. At 48 bid. | 0:38:25 | 0:38:27 | |
50. | 0:38:27 | 0:38:29 | |
Are we all done at £50? For the last time at 50? | 0:38:29 | 0:38:32 | |
Yes! | 0:38:32 | 0:38:33 | |
That's a real good profit, that is. | 0:38:33 | 0:38:35 | |
If only they had bought more Canton. | 0:38:35 | 0:38:39 | |
-Maybe we're getting into the swing of it, Philip. -Do you think so? | 0:38:39 | 0:38:43 | |
Anita's chair, questionable reupholstering, but nice and dry. | 0:38:43 | 0:38:48 | |
50 for it? Not worth 50? | 0:38:48 | 0:38:50 | |
Well I've £20 bid for it. | 0:38:50 | 0:38:53 | |
May I say 22? 22 bid. | 0:38:53 | 0:38:56 | |
At 22 bid. 24 bid. At 24. | 0:38:56 | 0:38:58 | |
26 can I say? At 24, it is then. Have you all done at 24 now? | 0:38:58 | 0:39:03 | |
All done. | 0:39:03 | 0:39:05 | |
That's made a pound. | 0:39:05 | 0:39:07 | |
Or has it not lost a pound? | 0:39:07 | 0:39:09 | |
Anything that doesn't lose today is a little triumph. | 0:39:09 | 0:39:13 | |
You haven't got your mother bidding, have you? Are you sure? | 0:39:13 | 0:39:16 | |
Phil's wee doggies, definitely '50s they now think. | 0:39:16 | 0:39:20 | |
Quite unusual item, a collector's item. What can I say for it? | 0:39:20 | 0:39:23 | |
Well I've ten bid. Ten. Ten. | 0:39:23 | 0:39:26 | |
Can I hear 14? 16. £16 bid here. | 0:39:26 | 0:39:30 | |
At £18 only bid. £20 can I make it? | 0:39:30 | 0:39:34 | |
All done at 18. All finished? | 0:39:34 | 0:39:38 | |
-18, could've been worse. -Yeah. | 0:39:38 | 0:39:40 | |
You know, I think they look a bit disappointed. | 0:39:40 | 0:39:43 | |
Him too. Related? | 0:39:43 | 0:39:46 | |
Now, will Anita's silver pep things up? | 0:39:46 | 0:39:50 | |
Can I have 20 bid? At 20. Thank you, madam. | 0:39:50 | 0:39:52 | |
22 bid. 24. 26. | 0:39:52 | 0:39:56 | |
28. 30. | 0:39:56 | 0:39:59 | |
32. | 0:39:59 | 0:40:00 | |
-32 at the back. -I think you've had a result with that. | 0:40:00 | 0:40:04 | |
34. It's a cheap lot is this. | 0:40:04 | 0:40:07 | |
34. For the last time at 34. | 0:40:07 | 0:40:09 | |
-I think you had a result there, madam. -I think so as well. | 0:40:11 | 0:40:15 | |
That is a blow, but then it's not Canton. | 0:40:15 | 0:40:19 | |
The lady on my left keeps laughing. I don't know what's the matter. | 0:40:19 | 0:40:23 | |
-She's enjoying herself. -Is she? | 0:40:23 | 0:40:25 | |
OK, sports time. Anyone for Glidoball? | 0:40:25 | 0:40:29 | |
Quite an unusual lot, that, so what can I say to start? | 0:40:29 | 0:40:33 | |
It is original, it's in its original box, a high-tech game in its time. | 0:40:33 | 0:40:39 | |
Can I say 30 for it? | 0:40:40 | 0:40:41 | |
-Somebody's gone to a lot of trouble buying this. -Yes! | 0:40:41 | 0:40:45 | |
I've £10 bid. £10 bid. | 0:40:45 | 0:40:47 | |
Now, can I hear £12 for it? | 0:40:47 | 0:40:49 | |
12? Thank you, sir. | 0:40:49 | 0:40:50 | |
14. 16. 18. | 0:40:50 | 0:40:54 | |
20. | 0:40:54 | 0:40:56 | |
22. At 22. We've got two gentleman in the audience here. | 0:40:56 | 0:41:01 | |
At 22. Will I hear 24 anyway? The highlight of the sale, this. | 0:41:01 | 0:41:06 | |
-Well done, sir. 26. -(Yes!) | 0:41:06 | 0:41:08 | |
Prayers have been answered. 26. | 0:41:08 | 0:41:12 | |
28. | 0:41:12 | 0:41:13 | |
30? Go on! | 0:41:13 | 0:41:15 | |
30. At 30 it is. | 0:41:15 | 0:41:18 | |
For the last time at 30. All done. | 0:41:18 | 0:41:20 | |
Yes! | 0:41:22 | 0:41:23 | |
Jolly good. You've made Anita's day. | 0:41:23 | 0:41:25 | |
-Lord help us. Honestly. -Yes! | 0:41:25 | 0:41:28 | |
If only the game itself was that much fun. | 0:41:28 | 0:41:31 | |
I'm all that excited, I've made about two quid. | 0:41:31 | 0:41:34 | |
Phil's last attempt to woo Cleveleys. | 0:41:36 | 0:41:40 | |
The photo of Philip Serrell will swing this one. | 0:41:40 | 0:41:43 | |
I don't think so! | 0:41:43 | 0:41:44 | |
He's a pin-up! | 0:41:44 | 0:41:47 | |
What can I say for the lot? £30? | 0:41:47 | 0:41:50 | |
Not worth 30. £20? | 0:41:50 | 0:41:52 | |
Can't go much less than that. | 0:41:52 | 0:41:54 | |
-Oh, you can, trust me. -The photo alone's worth that! | 0:41:54 | 0:41:57 | |
Well, it's a start. £10, the only bid. At £10, only bid. | 0:41:57 | 0:42:01 | |
12. 14. | 0:42:01 | 0:42:03 | |
16. 18. 20. | 0:42:03 | 0:42:06 | |
22. 24. 26. | 0:42:06 | 0:42:10 | |
28. 30. | 0:42:10 | 0:42:12 | |
30 it is. Once in a lifetime chance, this. | 0:42:12 | 0:42:15 | |
32. 34. | 0:42:15 | 0:42:17 | |
36. 38. 40. | 0:42:17 | 0:42:20 | |
42. 44. 46. | 0:42:20 | 0:42:24 | |
At 46, only bid. | 0:42:24 | 0:42:26 | |
I think it's your handsome face. | 0:42:26 | 0:42:28 | |
Last time at 46? All done? | 0:42:28 | 0:42:31 | |
So that means I've made a profit today, does it? | 0:42:31 | 0:42:34 | |
I think so, Philip. | 0:42:34 | 0:42:35 | |
Yes, and the leaderboard remains unchanged | 0:42:35 | 0:42:37 | |
on a lean day by the seaside. | 0:42:37 | 0:42:41 | |
Anita began with £395.10, and after auction costs, she made £11.64, | 0:42:41 | 0:42:47 | |
giving her £406.74 to spend tomorrow. | 0:42:47 | 0:42:51 | |
Philip started out with £439.36 and after auction costs, | 0:42:51 | 0:42:57 | |
he picked up £36.50, so now he has £475.86 to spend tomorrow. | 0:42:57 | 0:43:04 | |
Numbers have confused me today but I think I've gone a bit further ahead. | 0:43:04 | 0:43:08 | |
I think you have but don't worry, the party isn't over yet, | 0:43:08 | 0:43:11 | |
we've still got one more leg to go. | 0:43:11 | 0:43:13 | |
Ha ha! | 0:43:13 | 0:43:14 | |
Forward, Macduff! | 0:43:16 | 0:43:18 | |
Next time on the Antiques Road Trip there's a car failure. | 0:43:21 | 0:43:25 | |
I need a mechanic. | 0:43:25 | 0:43:26 | |
Expert failure. | 0:43:26 | 0:43:28 | |
I haven't got a clue what that is. | 0:43:28 | 0:43:30 | |
And severe failure of esprit de corps. | 0:43:30 | 0:43:33 | |
-Stop moaning. -Shut up! | 0:43:33 | 0:43:35 | |
Subtitling by Red Bee Media Ltd | 0:43:52 | 0:43:55 |