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It's the nation's favourite antiques experts with £200 each, | 0:00:02 | 0:00:05 | |
a classic car and a goal to scour Britain for antiques. | 0:00:05 | 0:00:09 | |
That hurts. | 0:00:09 | 0:00:10 | |
What do you think? | 0:00:11 | 0:00:13 | |
The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:18 | |
-There will be worthy winners and valiant losers. -What have I done?! | 0:00:18 | 0:00:22 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:22 | 0:00:27 | |
-Put your back into it! -Shut up, James! | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
It's a brand-new week, and we're hitting the road | 0:00:38 | 0:00:40 | |
with a pair of thoroughly dashing gents and antiques experts, | 0:00:40 | 0:00:44 | |
Thomas Plant and James Lewis. | 0:00:44 | 0:00:47 | |
If anyone wasn't sure that I was a country bumpkin and a bit slow before... | 0:00:47 | 0:00:51 | |
James, I don't think you're slow at all. I think you're quite sharp. | 0:00:51 | 0:00:55 | |
Thomas Plant is an auctioneer with a passion for all things shiny - | 0:00:55 | 0:01:00 | |
jewellery, watches and silver. | 0:01:00 | 0:01:02 | |
I am like a pig in the proverbial when it comes to things like that. | 0:01:02 | 0:01:05 | |
James Lewis is also an auctioneer who began his antiques career | 0:01:05 | 0:01:10 | |
at the age of six by bidding on a birdcage for his budgie. | 0:01:10 | 0:01:13 | |
Now, however, he's more fond of ducks. | 0:01:13 | 0:01:16 | |
GABBLES LIKE DONALD DUCK | 0:01:16 | 0:01:18 | |
Yes... | 0:01:18 | 0:01:19 | |
Our affable duo begin their adventure with £200 each | 0:01:19 | 0:01:23 | |
and are travelling in this gorgeous little 1953 Morris Minor. | 0:01:23 | 0:01:27 | |
It's fresh, James! We have the mustiness of the Morris Minor. | 0:01:29 | 0:01:32 | |
It was the Morris Minor? I thought it was you! I thought it was the suit. | 0:01:32 | 0:01:36 | |
Really? Oh! Oh! Oh, James, that's so uncalled for! | 0:01:36 | 0:01:41 | |
Thomas and James will be travelling over 800 miles, | 0:01:41 | 0:01:45 | |
looping their way from Largs on the Scottish West Coast | 0:01:45 | 0:01:49 | |
up to the Highlands, down to the Lowlands and back again, | 0:01:49 | 0:01:53 | |
eventually finishing in the country's capital city of Edinburgh. | 0:01:53 | 0:01:56 | |
Today, we're starting off our mammoth journey in Largs, | 0:01:56 | 0:01:59 | |
crossing over the East Coast, | 0:01:59 | 0:02:02 | |
before heading back to the auction showdown in Glasgow. | 0:02:02 | 0:02:05 | |
With such a distance to travel, | 0:02:06 | 0:02:08 | |
it's reassuring to know our chaps know exactly where they are. | 0:02:08 | 0:02:12 | |
James, here we are, foothills of the Highlands. | 0:02:12 | 0:02:15 | |
-Or are we actually in the Highlands? -Not yet, no. | 0:02:15 | 0:02:17 | |
-The foothills, aren't we? -The Lowlands. -The Lowlands, absolutely. | 0:02:17 | 0:02:21 | |
Oh, dear. I hope they've got a map. | 0:02:21 | 0:02:24 | |
Our first stop of the day is Largs, Ayrshire, | 0:02:26 | 0:02:30 | |
a seaside town famous for invasions, | 0:02:30 | 0:02:32 | |
firstly by the Vikings, who brought war and pillage, | 0:02:32 | 0:02:36 | |
and then by the Italians, who brought ice cream and antique dealers. | 0:02:36 | 0:02:39 | |
-Can you see it? -That's it! -Blue sign. -Brilliant. | 0:02:41 | 0:02:44 | |
This is where battle commences. | 0:02:44 | 0:02:47 | |
Narducci's is a huge family-run emporium stacked with fabulous furniture | 0:02:48 | 0:02:52 | |
and all manner of collectables. | 0:02:52 | 0:02:54 | |
So there's plenty here for our boys to feast their eyes on, | 0:02:54 | 0:02:59 | |
although not everything's for sale. | 0:02:59 | 0:03:01 | |
Luckily, owner Franco is on hand to help, | 0:03:01 | 0:03:04 | |
and Thomas has a watertight strategy. | 0:03:04 | 0:03:06 | |
I have no idea what I'm going to be doing | 0:03:06 | 0:03:09 | |
when it comes to today's buying experience. | 0:03:09 | 0:03:12 | |
Just concentrate, think, but don't be too cautious. | 0:03:12 | 0:03:17 | |
Yes, be bold, be brave. | 0:03:17 | 0:03:19 | |
James, meanwhile, is drawn immediately to something familiar. | 0:03:19 | 0:03:24 | |
Any resemblance to me is merely coincidental. | 0:03:24 | 0:03:27 | |
I just have a little bit of catching up to do on the hair. Twins! | 0:03:27 | 0:03:31 | |
You said it, James. | 0:03:32 | 0:03:34 | |
Now, what's this Thomas has spotted with a ticket price of £65? | 0:03:34 | 0:03:38 | |
James sounds like he's well ensconced, | 0:03:39 | 0:03:42 | |
getting things in and out of the cabinet. | 0:03:42 | 0:03:44 | |
I'm just going to take my time. I might ask about that. | 0:03:44 | 0:03:48 | |
Don't leave it, Thomas. | 0:03:48 | 0:03:50 | |
Too late! James has spotted it too. | 0:03:50 | 0:03:54 | |
It's quite interesting. | 0:03:54 | 0:03:55 | |
The market in Chinese things is booming at the moment. | 0:03:55 | 0:03:59 | |
Under Chairman Mao, people in China | 0:03:59 | 0:04:01 | |
were not allowed to retain anything from their imperial past, | 0:04:01 | 0:04:05 | |
so things were destroyed, things were buried in gardens. | 0:04:05 | 0:04:08 | |
Now China's opened up to the West | 0:04:08 | 0:04:10 | |
and at the head of every successful Chinese business | 0:04:10 | 0:04:13 | |
is a very wealthy Chinese businessmen | 0:04:13 | 0:04:16 | |
who's wanting to buy back his own heritage, so this sort of thing, | 0:04:16 | 0:04:20 | |
although it's not great quality, it's very fashionable. | 0:04:20 | 0:04:23 | |
It all depends on price. He'll know all that, anyway. Franco! | 0:04:25 | 0:04:29 | |
Can't believe it. Not quick enough. | 0:04:29 | 0:04:32 | |
Yep, you have to be decisive in this game, Thomas, if you recall. | 0:04:32 | 0:04:35 | |
-I like this. Do you mind if I offer you a cheeky one? -Be cheeky. | 0:04:35 | 0:04:41 | |
-I was thinking around 45, £50. -That's very cheeky. -I know. | 0:04:41 | 0:04:44 | |
-That's very cheeky. -I know. I know. | 0:04:44 | 0:04:46 | |
-And you'll be totally justified in saying no. -Try me again. | 0:04:46 | 0:04:51 | |
I was thinking that it could easily make 70 or 80 at the auction. | 0:04:51 | 0:04:54 | |
Then less commission. 55? | 0:04:56 | 0:04:59 | |
£60, there you are. | 0:04:59 | 0:05:01 | |
I think the 60 is very fair, but I think it will still show me a loss. | 0:05:06 | 0:05:09 | |
-The very best I could do is 55. -OK. | 0:05:09 | 0:05:14 | |
-Does that help you? -Yeah. OK, we'll take that. Thank you. | 0:05:14 | 0:05:19 | |
So, with one purchase already snatched from his grasp, | 0:05:19 | 0:05:23 | |
Thomas's only option is to get his act together. | 0:05:23 | 0:05:26 | |
CLATTERING | 0:05:26 | 0:05:28 | |
Oops! Not sure Franco approves. | 0:05:28 | 0:05:32 | |
Oh dear, Thomas. This is only day one! | 0:05:34 | 0:05:38 | |
I could listen to James droning on and just drift off to sleep. | 0:05:38 | 0:05:42 | |
Has he finished yet? | 0:05:42 | 0:05:44 | |
No, he hasn't, and whilst you're snoozing, | 0:05:44 | 0:05:47 | |
James has sniffed out a couple of perfume bottles. | 0:05:47 | 0:05:51 | |
-How much are they? -£60 a pair. | 0:05:51 | 0:05:53 | |
-£60 for the two. They're not a pair. -Yeah. | 0:05:53 | 0:05:57 | |
-That's unusual, isn't it? -It's a pretty one, isn't it? | 0:05:57 | 0:06:00 | |
-Do that one for 35. -What would be your best on these two? | 0:06:00 | 0:06:05 | |
How do you see them? | 0:06:05 | 0:06:07 | |
I see that at 25. | 0:06:09 | 0:06:11 | |
And I think that would make 20 at auction. | 0:06:11 | 0:06:14 | |
So I think they'd make 45, so 30? | 0:06:14 | 0:06:17 | |
-I can't really do them for 30. £35, how's that? -32? | 0:06:19 | 0:06:24 | |
-33? -Oh, go on! | 0:06:27 | 0:06:29 | |
It was painful enough saying 32, | 0:06:29 | 0:06:31 | |
because I knew you were being fair anyway. | 0:06:31 | 0:06:33 | |
No pressure, Thomas, but James has already bought three items. | 0:06:33 | 0:06:37 | |
Time for a light bulb moment. | 0:06:37 | 0:06:40 | |
It's a good piece of Deco - an original lamp, a hoop dancer. | 0:06:40 | 0:06:45 | |
It just needs a clean, really. | 0:06:45 | 0:06:48 | |
The really good ones would have been in bronze, and this is in spelter, | 0:06:48 | 0:06:54 | |
and the chroming is slightly damaged, | 0:06:54 | 0:06:58 | |
but, look, it's definitely 1920s. | 0:06:58 | 0:07:01 | |
Lovely sort of nubile young thing, dancing between a hoop. | 0:07:01 | 0:07:05 | |
It's rather good. | 0:07:05 | 0:07:08 | |
But, obviously, cos it's not a great quality one, | 0:07:08 | 0:07:11 | |
the definition isn't there in the face, | 0:07:11 | 0:07:14 | |
and I expect that to be reflected, really, in the price. | 0:07:14 | 0:07:17 | |
Let's see if Franco agrees. | 0:07:17 | 0:07:20 | |
-That's a bit of fun. How much is that? -£65. -65. | 0:07:20 | 0:07:25 | |
-What would you do if I was really interested in it? -55. | 0:07:25 | 0:07:31 | |
-I was at round about 30. -Couldn't, honestly. You're halving it. | 0:07:31 | 0:07:36 | |
No, I was thinking before you said 60, | 0:07:36 | 0:07:38 | |
I was thinking I'd be happy to pay about £30. | 0:07:38 | 0:07:42 | |
-Can't do it for £30. -What can you do? | 0:07:42 | 0:07:45 | |
-To you, 40. -40. | 0:07:45 | 0:07:48 | |
-And that's a cheap wee lamp. -It's quite fun. I quite like it. | 0:07:48 | 0:07:53 | |
-35? -Can't, honestly. -You can't? -I've come from 65. | 0:07:53 | 0:07:57 | |
I know you have, I know you have. | 0:07:57 | 0:07:59 | |
You need to come up a wee bit to meet me. | 0:07:59 | 0:08:02 | |
There's profit left in that. | 0:08:02 | 0:08:03 | |
The thing is, I was thinking, because Glasgow's quite a cool city, | 0:08:03 | 0:08:07 | |
and it's full of cosmopolitan people, that is a lovely object. | 0:08:07 | 0:08:13 | |
-Go on. -Thank you. | 0:08:14 | 0:08:17 | |
Phew! Thank goodness that. Something's in the bag at last. | 0:08:17 | 0:08:20 | |
He may be three purchases up, but James is clearly not done yet, | 0:08:22 | 0:08:25 | |
and now he's found something else to tickle his fancy. | 0:08:25 | 0:08:29 | |
These are probably made in India, turn of the century, | 0:08:29 | 0:08:33 | |
almost certainly for the Western market. | 0:08:33 | 0:08:36 | |
There was a great fashion, actually, in Glasgow, for copying this style | 0:08:36 | 0:08:42 | |
at the turn of the century, around 1870 to 1910. How much are they? | 0:08:42 | 0:08:47 | |
£15. | 0:08:48 | 0:08:49 | |
Would you take a tenner for them? | 0:08:51 | 0:08:54 | |
I'll take 12. | 0:08:54 | 0:08:56 | |
Go on, then. | 0:08:56 | 0:08:57 | |
I'm not going to haggle you any more than that. | 0:08:57 | 0:09:00 | |
No flies on our James today. So, just to recap, | 0:09:00 | 0:09:04 | |
he's hoovered up two perfume bottles, | 0:09:04 | 0:09:05 | |
a carved wooden Chinese figure | 0:09:05 | 0:09:07 | |
and the little silver-coloured jug and bowl, all for £100. | 0:09:07 | 0:09:11 | |
Nice work, James. | 0:09:11 | 0:09:13 | |
-100. Thank you very much. -Thank you for your business. | 0:09:13 | 0:09:16 | |
Thomas is not going to be outdone. | 0:09:16 | 0:09:19 | |
He's on the hunt for something else. Something Chinese. | 0:09:19 | 0:09:23 | |
POT RINGS | 0:09:23 | 0:09:24 | |
Looks like a bronze pot. Could be brass. It's Chinese. | 0:09:24 | 0:09:28 | |
It's the myth of two dragons, | 0:09:28 | 0:09:30 | |
here, fighting over this flaming pearl, the eternal pearl, | 0:09:30 | 0:09:35 | |
but it's Chinese and it's very nice quality. | 0:09:35 | 0:09:38 | |
It's a good thing, that. | 0:09:38 | 0:09:39 | |
-I quite like it. Franco? -Aha. | 0:09:40 | 0:09:44 | |
-£28, if it's any good? -28. -28. | 0:09:44 | 0:09:47 | |
-Can we do a deal at 20? -25? | 0:09:47 | 0:09:50 | |
22? | 0:09:50 | 0:09:52 | |
On you go. £22. I'll go for that. | 0:09:52 | 0:09:55 | |
Good deal. Thank you. And I've just noticed these here. | 0:09:55 | 0:09:59 | |
-Have these sold? -They're just in as well! -Just in as well? | 0:09:59 | 0:10:03 | |
They're bamboo. They're decorative, they're big. | 0:10:04 | 0:10:08 | |
I'd say they are 1900s, wouldn't you? | 0:10:08 | 0:10:13 | |
I wouldn't say they're ancient. What have those got to be? | 0:10:13 | 0:10:16 | |
-£40 a pair. -They are the flavour, aren't they? | 0:10:16 | 0:10:20 | |
They're very decorative. You've not had these long? | 0:10:20 | 0:10:24 | |
Just in. I got them in yesterday. | 0:10:24 | 0:10:26 | |
They smell like they've just come in, don't they? | 0:10:26 | 0:10:29 | |
-Foosty. -Musty, yeah. "Foosty"? -Foosty. | 0:10:29 | 0:10:32 | |
"Foosty"! That's what my in-laws say, cos they're from Scotland. | 0:10:32 | 0:10:39 | |
Would you do those, if I gave you 50 for the lot? | 0:10:39 | 0:10:42 | |
No. No. 60. I can do £60. Wee package for you. | 0:10:42 | 0:10:45 | |
-So, bought that for 22, quite happy. 35. -Go on. | 0:10:45 | 0:10:51 | |
-Is that all right? -That's OK. | 0:10:51 | 0:10:52 | |
Excellent work. So, Thomas has bought a Chinese bronze bowl, | 0:10:52 | 0:10:57 | |
a pair of Oriental bamboo vases and an Art Deco lamp, all for £97. | 0:10:57 | 0:11:02 | |
-I shall get your change before you leave. -Thank you very much. | 0:11:02 | 0:11:06 | |
Our boys are all shopped out in Largs, | 0:11:06 | 0:11:08 | |
and I'm now back in the old Minor | 0:11:08 | 0:11:11 | |
heading for the next destination, Kilbirnie. | 0:11:11 | 0:11:13 | |
-That is stunning! -I've never actually seen a loch, | 0:11:13 | 0:11:17 | |
so I'm really looking forward to it. | 0:11:17 | 0:11:19 | |
-No! -No, I haven't seen one! I'm very excited! | 0:11:19 | 0:11:21 | |
And you still haven't seen one, Thomas. | 0:11:21 | 0:11:25 | |
THAT'S the sea. | 0:11:25 | 0:11:26 | |
They're off to Kilbirnie, | 0:11:26 | 0:11:28 | |
where James is stopping off for a bit of shopping. | 0:11:28 | 0:11:31 | |
-Here's your next destination, James. -Thank you very much. Thank you! | 0:11:33 | 0:11:38 | |
-Have great fun. -Don't forget to pick me up! -No, I won't. | 0:11:38 | 0:11:42 | |
While Thomas is heading 90 miles east | 0:11:45 | 0:11:48 | |
to Bridge of Weir in Renfrewshire and a rather unusual village. | 0:11:48 | 0:11:52 | |
I'm getting a vibe of church - Faith Avenue. | 0:11:54 | 0:11:59 | |
Here we are. | 0:11:59 | 0:12:01 | |
Quarrier's Village was built in the late 19th century | 0:12:03 | 0:12:05 | |
and was made up of 43 houses, a fire station, | 0:12:05 | 0:12:08 | |
a hospital and church, amongst other facilities. | 0:12:08 | 0:12:12 | |
But this was no ordinary village. | 0:12:12 | 0:12:14 | |
It was built entirely for orphaned children | 0:12:14 | 0:12:16 | |
and was the brainchild of one man, William Quarrier. | 0:12:16 | 0:12:19 | |
-Hello. -Welcome to Quarrier's Village. | 0:12:21 | 0:12:23 | |
Showing Thomas round is Josie Bell, | 0:12:23 | 0:12:26 | |
who works for the charity that still exists today. | 0:12:26 | 0:12:29 | |
William Quarrier and his family recognised the need to look after | 0:12:29 | 0:12:33 | |
the destitute children in Glasgow, principally, | 0:12:33 | 0:12:35 | |
although we got children from all over Britain. | 0:12:35 | 0:12:38 | |
The village was designed to be a self-contained community, | 0:12:38 | 0:12:42 | |
with up to 30 orphans a time living in each house, | 0:12:42 | 0:12:45 | |
many having lost their parents from common illnesses, | 0:12:45 | 0:12:47 | |
like TB, or accidents at Glasgow's shipyards. | 0:12:47 | 0:12:52 | |
William Quarrier, and other wealthy industrialists, | 0:12:52 | 0:12:55 | |
financed the whole project. | 0:12:55 | 0:12:58 | |
Did he come from a very rich family, or did he make all his own money? | 0:12:58 | 0:13:01 | |
He made all his own money. | 0:13:01 | 0:13:03 | |
His father had died when William was three, | 0:13:03 | 0:13:05 | |
and when William was six, he went out to work. | 0:13:05 | 0:13:09 | |
-Six?! -Six. And he earned a shilling a week. | 0:13:09 | 0:13:11 | |
William was a fully-fledged shoemaker by the age of 12 | 0:13:11 | 0:13:16 | |
and went on to make a fortune in his trade, | 0:13:16 | 0:13:18 | |
but he never forgot his humble roots | 0:13:18 | 0:13:21 | |
and swore never to walk past a hungry child. | 0:13:21 | 0:13:24 | |
Would you like to come in? This is the drapery. | 0:13:24 | 0:13:28 | |
And the children would come in here at least once a year | 0:13:30 | 0:13:33 | |
to be fully outfitted. | 0:13:33 | 0:13:34 | |
Wonderful quality boot, isn't it? | 0:13:35 | 0:13:38 | |
Having that made to fit me would cost a small fortune. | 0:13:38 | 0:13:42 | |
You don't get shoes like that on your high street. | 0:13:42 | 0:13:44 | |
It's such an amazing thing that he gave so much energy, time, | 0:13:44 | 0:13:50 | |
to all these poor people, | 0:13:50 | 0:13:52 | |
and to make them all individuals as well. | 0:13:52 | 0:13:55 | |
At its height, the village was home to 1,500 orphans, | 0:13:55 | 0:13:59 | |
from infants through to 12-year-olds. | 0:13:59 | 0:14:02 | |
Children were taken off the streets and came to live in the houses within a family structure. | 0:14:02 | 0:14:07 | |
They were clothed, shoed, educated and taught a trade, | 0:14:07 | 0:14:11 | |
but a sixth of all Quarrier's children also became migrants. | 0:14:11 | 0:14:15 | |
-He sent nearly 8,000 children to Canada. -Because there were too many? | 0:14:15 | 0:14:19 | |
Quarrier said you couldn't have a front door to bring children in | 0:14:19 | 0:14:24 | |
if you didn't have a back door for children to leave. | 0:14:24 | 0:14:27 | |
So there would be roughly 200 children leaving the village | 0:14:27 | 0:14:30 | |
every year to go to Canada as child migrants. | 0:14:30 | 0:14:33 | |
In the 130 years since William Quarrier set at the institution, | 0:14:33 | 0:14:38 | |
society's attitudes towards child welfare have changed considerably. | 0:14:38 | 0:14:43 | |
The relatively harsh treatment of some children in the early days, | 0:14:43 | 0:14:46 | |
and more recently the emergence of serious welfare issues with some individuals | 0:14:46 | 0:14:51 | |
have meant Quarrier's has radically changed the way | 0:14:51 | 0:14:54 | |
it currently looks after children, adults and families. | 0:14:54 | 0:14:59 | |
You think, "God, you know, what would happen if both my wife and I | 0:14:59 | 0:15:02 | |
"were not on this earthly planet?" | 0:15:02 | 0:15:06 | |
And it's a sobering thought that there's a man, | 0:15:06 | 0:15:10 | |
many years ago, who did the right thing. | 0:15:10 | 0:15:15 | |
What a moving visit for Thomas. But now it's time for him to head off. | 0:15:15 | 0:15:19 | |
Back in Kilbirnie, James is having a good nose about The Stirrup Cup. | 0:15:20 | 0:15:26 | |
It's full of antiques, curios and vintage goods, | 0:15:27 | 0:15:30 | |
but is there anything here to attract our James? | 0:15:30 | 0:15:33 | |
It's a very pretty shop with lots of nice things, | 0:15:34 | 0:15:37 | |
but it's very much aimed at the tourist market, | 0:15:37 | 0:15:40 | |
so it's not easy to find something and then buy it to put in auction. | 0:15:40 | 0:15:46 | |
I'm struggling somewhat. | 0:15:46 | 0:15:48 | |
Now, the Road Trip has visited this shop before, | 0:15:49 | 0:15:52 | |
and owner Greta is determined that James doesn't leave empty-handed, | 0:15:52 | 0:15:57 | |
so she's nipped next door to her house | 0:15:57 | 0:15:59 | |
to fetch something rather unusual. | 0:15:59 | 0:16:02 | |
Now, I always think these look very pornographic, | 0:16:02 | 0:16:05 | |
as you can probably imagine. | 0:16:05 | 0:16:08 | |
Funnily enough, this curious object is actually a Coco de Mer, | 0:16:08 | 0:16:14 | |
the largest seed in the entire plant kingdom. | 0:16:14 | 0:16:16 | |
This could be the deal of a lifetime for James, | 0:16:18 | 0:16:21 | |
as the polished ones are the rarest, | 0:16:21 | 0:16:22 | |
some fetching several thousand pounds. | 0:16:22 | 0:16:24 | |
-The Coco de Mer, how much could that be? -30. | 0:16:24 | 0:16:28 | |
-30?! -£30. | 0:16:28 | 0:16:30 | |
Will they appreciate it at auction? £30. | 0:16:30 | 0:16:35 | |
-It depends how much the Glasgow people know. -Yeah, that's it. | 0:16:35 | 0:16:38 | |
Because they are highly collectable now. | 0:16:38 | 0:16:40 | |
The Seychelles island they're from, | 0:16:40 | 0:16:42 | |
there's only one Seychelles island that they're from now. | 0:16:42 | 0:16:45 | |
The trees are extinct on the other... | 0:16:45 | 0:16:48 | |
Not allowed to export them, either. | 0:16:48 | 0:16:50 | |
No. They're not allowed to export them, that's right. | 0:16:50 | 0:16:53 | |
So it's got to be an old one, hasn't it? | 0:16:53 | 0:16:55 | |
There are sanctions on them. | 0:16:55 | 0:16:57 | |
I like it, but it's just whether or not it's the right sale forum. | 0:16:57 | 0:17:02 | |
As this is a giant nut, and I am a giant nut... | 0:17:02 | 0:17:06 | |
..I think I should have it. If the price is right. | 0:17:07 | 0:17:10 | |
Will you take 20 for it? | 0:17:10 | 0:17:12 | |
-25. -Oh! | 0:17:12 | 0:17:15 | |
-22, and you've got a deal. -Och, 25! -Go on, then. | 0:17:17 | 0:17:20 | |
-I hate haggling. Go on. 25. -Thank you very much. | 0:17:20 | 0:17:24 | |
James, how could you haggle her down? | 0:17:24 | 0:17:26 | |
Now, is there anything else while you're here, | 0:17:26 | 0:17:30 | |
like the painting perhaps? | 0:17:30 | 0:17:32 | |
That picture's not bad. | 0:17:32 | 0:17:34 | |
But it could just be a talented amateur. | 0:17:34 | 0:17:39 | |
It's an oil on board, painted turn of the century. | 0:17:39 | 0:17:42 | |
It's quite nicely done with cottages and figures in there. | 0:17:42 | 0:17:46 | |
It might be worth a punt at 25. | 0:17:46 | 0:17:48 | |
James phones his auction house for a bit of background information. | 0:17:48 | 0:17:52 | |
It's J, it could be Gilmuir. | 0:17:52 | 0:17:56 | |
Yeah, that's the right period. | 0:17:58 | 0:17:59 | |
15 by 12, exactly the same size. | 0:17:59 | 0:18:02 | |
OK. Thank you very much. | 0:18:02 | 0:18:04 | |
A friend of mine has looked it up on Art Sales. | 0:18:04 | 0:18:07 | |
There are Gilmours, James Gilmour listed | 0:18:07 | 0:18:10 | |
as a marine artist painting little rocky coves, | 0:18:10 | 0:18:13 | |
that's what he is best known for. It's... | 0:18:13 | 0:18:17 | |
I should buy it, really. | 0:18:17 | 0:18:19 | |
£25. | 0:18:19 | 0:18:20 | |
I'm not going to haggle. I'm not going to knock you down. | 0:18:23 | 0:18:26 | |
£25, you've got a deal. Thank you. | 0:18:26 | 0:18:28 | |
So, James now has a Coco de Mer and a painting all for £50. What a deal! | 0:18:28 | 0:18:34 | |
-Thank you. Thank you very much. -Thank you. | 0:18:35 | 0:18:37 | |
And it looks like the painting might be a bargain, too. | 0:18:37 | 0:18:40 | |
We're seeing James Gilmour oils and watercolours of this size | 0:18:40 | 0:18:44 | |
making 150, 170, 140, 190. | 0:18:44 | 0:18:48 | |
So, yeah, great, pleased with that. | 0:18:48 | 0:18:51 | |
James has high hopes for his purchases - I bet he does - | 0:18:51 | 0:18:55 | |
but right now, it's feet-up time for our experts. Night-night. | 0:18:55 | 0:19:00 | |
Day two in bonnie Scotland, and James is behind the steering wheel. | 0:19:02 | 0:19:06 | |
My feet are too big for the pedals. | 0:19:06 | 0:19:07 | |
Your feet are too big for the pedals? | 0:19:07 | 0:19:09 | |
My everything is too big for everything in this car! | 0:19:09 | 0:19:12 | |
So far, Thomas has spent £97 on three items - | 0:19:13 | 0:19:16 | |
an Art Deco lamp, | 0:19:16 | 0:19:18 | |
a pair of Oriental bamboo sleeve vases, | 0:19:18 | 0:19:21 | |
and a Chinese bronze bowl, | 0:19:21 | 0:19:22 | |
leaving him with a chunky £103 still to spend. | 0:19:22 | 0:19:26 | |
-Go on. -Thank you. | 0:19:27 | 0:19:29 | |
James, meanwhile, has spent £150 on five items - | 0:19:29 | 0:19:32 | |
a large Coco de Mer, | 0:19:32 | 0:19:35 | |
an oil painting, | 0:19:35 | 0:19:37 | |
a milk jug with basin, | 0:19:37 | 0:19:38 | |
a pair of glass perfume bottles | 0:19:38 | 0:19:40 | |
and a large Chinese carving. | 0:19:40 | 0:19:42 | |
That leaves him with £50 to play with. | 0:19:42 | 0:19:44 | |
That looks a lot better, doesn't it? | 0:19:44 | 0:19:46 | |
Thomas and James have left the West Coast behind | 0:19:46 | 0:19:50 | |
and are heading for the Scottish capital city of Edinburgh. | 0:19:50 | 0:19:54 | |
With over £100 burning a hole in his pocket, | 0:19:55 | 0:19:57 | |
Thomas heads straight for the shops. | 0:19:57 | 0:19:59 | |
-I'm Thomas. -I'm Terri. | 0:19:59 | 0:20:01 | |
-Terri, nice to meet you. -Nice to meet you too. | 0:20:01 | 0:20:04 | |
Cabaret Antiques is brimming with all kind of curios and collectables. | 0:20:04 | 0:20:09 | |
But, most of all, it's stacked to the rafters | 0:20:09 | 0:20:12 | |
with what Thomas loves more than anything. | 0:20:12 | 0:20:15 | |
I absolutely adore jewellery. That is my most favourite thing. | 0:20:15 | 0:20:21 | |
I'm like a pig in the proverbial when it comes to things like that. | 0:20:21 | 0:20:24 | |
Is there anything here to fall in love with? | 0:20:24 | 0:20:27 | |
This is something I got yesterday, which I think you'll like. | 0:20:27 | 0:20:33 | |
Ooh! | 0:20:33 | 0:20:34 | |
That's amethyst and silver. | 0:20:34 | 0:20:37 | |
-It is marked 800. -800. -It's going to be German, absolutely. | 0:20:38 | 0:20:43 | |
That's not £800, but the Continental Silver Mark | 0:20:44 | 0:20:48 | |
and shows that it was made in Germany. | 0:20:48 | 0:20:51 | |
It's in the Art Nouveau style, | 0:20:51 | 0:20:53 | |
which in Germany was called Jugendstil, | 0:20:53 | 0:20:56 | |
meaning "young style". | 0:20:56 | 0:20:57 | |
120 to you. | 0:20:57 | 0:20:59 | |
Ooh! I don't have enough money to spend on that. | 0:20:59 | 0:21:02 | |
That's a pity. | 0:21:02 | 0:21:04 | |
But it is lovely. | 0:21:04 | 0:21:06 | |
It is that sort of gorgeous Art Nouveau design - | 0:21:06 | 0:21:09 | |
beautiful little stones | 0:21:09 | 0:21:11 | |
and then this lovely little drop coming down here. | 0:21:11 | 0:21:14 | |
But at 120, that's your final, is it? | 0:21:14 | 0:21:17 | |
I've spent a lot on it. 100. | 0:21:17 | 0:21:22 | |
That's it. That's it. | 0:21:22 | 0:21:25 | |
-It is lovely. -It is, it is. | 0:21:25 | 0:21:27 | |
-It's a huge risk. -No, it's not! -What do you mean, "No, it's not?" | 0:21:27 | 0:21:32 | |
No, it's not. It's quality! Quality! | 0:21:32 | 0:21:35 | |
-It is super. -Yeah. | 0:21:35 | 0:21:37 | |
Leave it there and it'll sort of glint at me and shine. | 0:21:37 | 0:21:42 | |
Well... Oh, God. | 0:21:42 | 0:21:46 | |
It is good. | 0:21:46 | 0:21:47 | |
Yes, it's good, but at that price? | 0:21:50 | 0:21:52 | |
Best to focus on something else, | 0:21:52 | 0:21:55 | |
like a pair of binoculars, for instance. | 0:21:55 | 0:21:57 | |
They're rather fun, aren't they? They're field glasses. | 0:21:57 | 0:22:01 | |
-With the compass on. -With the compass, yeah. | 0:22:01 | 0:22:04 | |
I've got, "Bakery, fresh fruit and veg, fresh meat and fish, | 0:22:04 | 0:22:11 | |
"beer and wine". The supermarket over the road. | 0:22:11 | 0:22:14 | |
-30 quid to you. -If I buy that brooch... | 0:22:14 | 0:22:17 | |
If you buy the brooch at 100, you get those for 20, so that's 120... | 0:22:17 | 0:22:20 | |
I can't afford those at 20. | 0:22:20 | 0:22:23 | |
Oh, well. Forget it then. | 0:22:23 | 0:22:26 | |
Let's not fall out yet. There's no need. Please. | 0:22:26 | 0:22:32 | |
You can have that and as I can't remember what I paid for this, | 0:22:33 | 0:22:38 | |
you can have that as your lucky penny. And that's it. | 0:22:38 | 0:22:42 | |
100 for the two. | 0:22:42 | 0:22:44 | |
Is that it? 100? Is that it? | 0:22:44 | 0:22:46 | |
-You couldn't do two figures? -No. -You sure? -Yes. -You promise? | 0:22:46 | 0:22:50 | |
-Absolutely. Shake. -Please. -No. Come on, I've been very good to you. | 0:22:50 | 0:22:54 | |
-You have been really good. You have been. -Yes. | 0:22:54 | 0:22:57 | |
-This is such a high-risk game. -Oh, no. Come on. That's how you win. | 0:22:57 | 0:23:02 | |
That's how you win - you take risks. | 0:23:02 | 0:23:05 | |
I know, but that's also how you lose. | 0:23:05 | 0:23:08 | |
-Are you sure you can't do any more? -No. -Really? -Yes. Come on. | 0:23:08 | 0:23:11 | |
Would you take a fiver off? | 0:23:11 | 0:23:14 | |
-No. -Go on. -No. -Go on. | 0:23:14 | 0:23:16 | |
No, no, no, no, no, no. | 0:23:16 | 0:23:18 | |
No, come on, come on. No, no, no. I don't care. No, no. | 0:23:19 | 0:23:23 | |
Come on. Fair's fair. | 0:23:23 | 0:23:26 | |
I've been sucked in by you, Terri. | 0:23:26 | 0:23:28 | |
-Thank you very much. -OK. -That's very kind. | 0:23:28 | 0:23:31 | |
Thomas has decided to spend £100 on the amethyst brooch | 0:23:31 | 0:23:34 | |
and gets the pair of field glasses for free. | 0:23:34 | 0:23:38 | |
It's painful. Is it painful? | 0:23:38 | 0:23:40 | |
HE SIGHS | 0:23:40 | 0:23:42 | |
Thank you. | 0:23:42 | 0:23:44 | |
What have I done?! I've spent all my money. | 0:23:44 | 0:23:48 | |
Now, now, you've still got £3 left. | 0:23:48 | 0:23:51 | |
We've done the deal now. It's too late! | 0:23:51 | 0:23:55 | |
Nice work, Terri. | 0:23:55 | 0:23:58 | |
While Thomas heads off to his next shop with his remaining pennies, | 0:23:58 | 0:24:04 | |
James is up the road, | 0:24:04 | 0:24:05 | |
bracing himself for a rather uncomfortable appointment. | 0:24:05 | 0:24:08 | |
Hello, I'm James. Good to see you. | 0:24:08 | 0:24:10 | |
Hello, I'm Chris Henry. I'm the Director Of Heritage | 0:24:10 | 0:24:13 | |
here at Royal College of Surgeons of Edinburgh. | 0:24:13 | 0:24:15 | |
The Surgeons' Hall was developed as a teaching museum | 0:24:15 | 0:24:18 | |
for medical students and was initially set up in 1505, | 0:24:18 | 0:24:23 | |
after the Pope decided to permit the human body to be dissected. | 0:24:23 | 0:24:27 | |
Oh, my goodness. You've got some strange bits and pieces in here! | 0:24:27 | 0:24:32 | |
Many of the exhibits have been donated | 0:24:32 | 0:24:35 | |
and Chris is taking James to see one man's particular obsession. | 0:24:35 | 0:24:39 | |
If anyone out there is a bit squeamish about the dentist's | 0:24:39 | 0:24:42 | |
I suggest you go and make a cup of tea. | 0:24:42 | 0:24:45 | |
Here we are. This is the dental collection. | 0:24:45 | 0:24:50 | |
All things dental. | 0:24:50 | 0:24:51 | |
I'm sure you're cringing already. | 0:24:51 | 0:24:53 | |
THEY LAUGH | 0:24:53 | 0:24:55 | |
Nervously going to start feeling my mouth. | 0:24:55 | 0:24:57 | |
50 years ago, Menzies Campbell - not the MP, but a dental historian - | 0:24:57 | 0:25:04 | |
donated his unique collection of teeth | 0:25:04 | 0:25:06 | |
and dental instruments to the museum. | 0:25:06 | 0:25:08 | |
And it's got to be one of the most comprehensive dental collections in the UK, | 0:25:08 | 0:25:13 | |
if not the world. | 0:25:13 | 0:25:15 | |
Not a cheap thing to be doing in the 20th century. | 0:25:15 | 0:25:18 | |
Dentists' equipment, surgeons' equipment | 0:25:18 | 0:25:21 | |
has always been sought after. | 0:25:21 | 0:25:23 | |
Campbell's collection includes examples | 0:25:23 | 0:25:25 | |
of some of the earliest dental work, | 0:25:25 | 0:25:28 | |
including a replica of some ancient dentures. | 0:25:28 | 0:25:31 | |
Oh, gosh, look at those! | 0:25:31 | 0:25:33 | |
What you can see is the two extra teeth | 0:25:33 | 0:25:36 | |
have been wired together at the base, | 0:25:36 | 0:25:38 | |
along with the teeth that still remain within the jaw. | 0:25:38 | 0:25:42 | |
-So that would be 600...? -Yes, 700 BC. Something like that. -700 BC. -Yeah. | 0:25:42 | 0:25:47 | |
Dentists had to rely on natural materials to make dentures. | 0:25:47 | 0:25:50 | |
Elephant ivory was used, but gave people very bad breath. | 0:25:50 | 0:25:55 | |
Then hippopotamus ivory. | 0:25:55 | 0:25:58 | |
It was more resilient and did not yellow quite as badly. | 0:25:58 | 0:26:00 | |
Later, dentures took an ever more macabre twist. | 0:26:00 | 0:26:04 | |
The more shocking thing, in a way, | 0:26:04 | 0:26:07 | |
is the fact that human teeth were also used for dentures. | 0:26:07 | 0:26:11 | |
We've got an example here, in which has the front set is human teeth. | 0:26:11 | 0:26:17 | |
There's a concept in the 19th century, known as Waterloo Teeth. | 0:26:17 | 0:26:22 | |
The teeth were taken from casualties at the Battle of Waterloo. | 0:26:22 | 0:26:28 | |
-I have to say, I don't really fancy it. -No, I can't say I would. | 0:26:28 | 0:26:31 | |
I think I'd prefer mine to be hippo teeth. I think. | 0:26:31 | 0:26:35 | |
The development of dental instruments was equally innovative. | 0:26:35 | 0:26:40 | |
Most dental drills were pretty poor because they were hand-driven, | 0:26:40 | 0:26:45 | |
so you couldn't get enough speed up. | 0:26:45 | 0:26:48 | |
But the great breakthrough came in 1864, | 0:26:48 | 0:26:52 | |
when Harrington invented the clockwork drill, | 0:26:52 | 0:26:55 | |
which is this item here. | 0:26:55 | 0:26:57 | |
It was a wind-up drill effectively. | 0:26:57 | 0:27:00 | |
You had a key, you stuck it in here, wound it up. | 0:27:00 | 0:27:02 | |
You could get two minutes of drilling. | 0:27:02 | 0:27:07 | |
That's quite a weight. | 0:27:09 | 0:27:10 | |
Yeah. But it was a huge improvement on what had gone before. | 0:27:10 | 0:27:13 | |
This is an amazing collection, | 0:27:13 | 0:27:15 | |
but, I have to say, one that's slightly...uneasy. | 0:27:15 | 0:27:19 | |
-But thank you very much. Thank you. -You're welcome. -Really enjoyed it. | 0:27:19 | 0:27:22 | |
Ouch! | 0:27:22 | 0:27:23 | |
While James recovers from a fascinating - | 0:27:23 | 0:27:28 | |
albeit unsettling - museum, Thomas is determined to spend his last £3. | 0:27:28 | 0:27:32 | |
Hello. | 0:27:32 | 0:27:33 | |
Perhaps husband-and-wife team Robert and Valerie can help. | 0:27:33 | 0:27:38 | |
How little do you have? | 0:27:38 | 0:27:40 | |
Literally, I've got pounds. | 0:27:40 | 0:27:43 | |
-Under five pounds. -My goodness me! | 0:27:43 | 0:27:46 | |
I'm looking for a deal beyond all deals. | 0:27:46 | 0:27:49 | |
Luckily, Thomas does have a plan. | 0:27:49 | 0:27:52 | |
-I have just bought some field glasses. -Right. | 0:27:52 | 0:27:55 | |
But I was thinking it would be nice to slip a hip flask in there. | 0:27:55 | 0:28:00 | |
This pair are very accommodating | 0:28:00 | 0:28:02 | |
and happen to have rather a nice hip flask to show Thomas. | 0:28:02 | 0:28:06 | |
You'd have to be good at haggling. | 0:28:06 | 0:28:08 | |
That shouldn't be a problem. | 0:28:08 | 0:28:11 | |
Lovely. | 0:28:11 | 0:28:13 | |
It's got the pewter cup with it, | 0:28:13 | 0:28:15 | |
which you just pull off and then you unscrew this. | 0:28:15 | 0:28:17 | |
So you fill it with your whisky. In it goes. Then down it. | 0:28:17 | 0:28:22 | |
You said I've got to be good at negotiating. | 0:28:22 | 0:28:25 | |
-Mm-hm. -If I put down what I have left, and it's very menial... | 0:28:25 | 0:28:29 | |
Right, go on. | 0:28:29 | 0:28:31 | |
That's all I've got. | 0:28:31 | 0:28:33 | |
-Three British pounds. -Are you sure? -I promise you. | 0:28:33 | 0:28:36 | |
-We don't want to turn you upside down. -You can turn me upside down. | 0:28:36 | 0:28:39 | |
Would you do me a favour? | 0:28:39 | 0:28:41 | |
-Do you promise never to come back? -I promise to come back loads. | 0:28:41 | 0:28:45 | |
-With money. -With proper money. -OK, you've got a deal, Thomas. | 0:28:45 | 0:28:49 | |
That's very kind of you. | 0:28:51 | 0:28:52 | |
Thomas, I think you are the luckiest man I know. | 0:28:52 | 0:28:56 | |
Spent up! | 0:28:56 | 0:28:58 | |
With every penny dispatched with, | 0:28:58 | 0:29:00 | |
it's time to meet up with James and leave Edinburgh behind. | 0:29:00 | 0:29:04 | |
-Are you ready for some shopping? -Definitely. | 0:29:04 | 0:29:06 | |
-MECHANICAL WHEEZING -Have you killed the car?! | 0:29:06 | 0:29:10 | |
-Get out and push, Thomas. -I can't believe it. Come on. -Go on, then. | 0:29:10 | 0:29:15 | |
THOMAS GROANS | 0:29:15 | 0:29:16 | |
-Put your back into it! -Shut up, James! | 0:29:16 | 0:29:19 | |
-Harder! -What do you mean, "harder"? | 0:29:19 | 0:29:21 | |
-Have you turned it all the way round? -Yes. | 0:29:21 | 0:29:23 | |
-We're going to go down the hill. -Are we? I see. | 0:29:23 | 0:29:25 | |
I'm not going to push UP the hill, am I? | 0:29:25 | 0:29:28 | |
-Why is it always me? -What do you mean, "always you"? | 0:29:28 | 0:29:30 | |
It's the first time! | 0:29:30 | 0:29:32 | |
-Car in gear? -Yep. -Clutch in? -Yep. | 0:29:32 | 0:29:35 | |
-OK. -Ready? | 0:29:35 | 0:29:38 | |
Yep. | 0:29:38 | 0:29:39 | |
ENGINE STARTS | 0:29:39 | 0:29:42 | |
-Come back. -Bye! | 0:29:42 | 0:29:44 | |
JAMES SNIGGERS | 0:29:44 | 0:29:46 | |
I don't believe he's done that. | 0:29:46 | 0:29:49 | |
James has decided to pick Thomas up after all. | 0:29:50 | 0:29:54 | |
They're heading 20 miles towards the East Lothian coast | 0:29:54 | 0:29:57 | |
and the settlement of Fenton Barns. | 0:29:57 | 0:29:59 | |
Here we are, look, Scottish Antique Centre. No, sorry, "Archery." | 0:30:00 | 0:30:05 | |
God, I really do need glasses, don't I? | 0:30:05 | 0:30:06 | |
Thomas is all spent up. | 0:30:06 | 0:30:09 | |
But James still has £50 to splash about, | 0:30:09 | 0:30:12 | |
so perhaps this small emporium might have something tasty on offer. | 0:30:12 | 0:30:16 | |
-I'm James. Hi. -Nice to meet you. | 0:30:16 | 0:30:20 | |
It looks promising. | 0:30:20 | 0:30:22 | |
There are plenty of small collectables here. | 0:30:22 | 0:30:24 | |
It's just about finding the right one. | 0:30:24 | 0:30:26 | |
This is a little Victorian...locket. | 0:30:26 | 0:30:31 | |
On one side, we've got a hinged compartment that we open up, | 0:30:31 | 0:30:35 | |
and there it's got a glazed compartment in the centre there, | 0:30:35 | 0:30:38 | |
which was probably for a lock of hair. | 0:30:38 | 0:30:41 | |
I don't think it's gold. Um... | 0:30:41 | 0:30:45 | |
It's probably gold plate or it could, at a push, be Pinchbeck, | 0:30:45 | 0:30:49 | |
which was invented by a Doctor Pinchbeck. | 0:30:49 | 0:30:52 | |
It's a metal that looks like gold, feels like gold, | 0:30:52 | 0:30:54 | |
but just isn't gold. | 0:30:54 | 0:30:56 | |
Owner Helen has priced the locket at £35, but James won't pay that. | 0:30:56 | 0:31:02 | |
Look, what about 30? | 0:31:02 | 0:31:03 | |
How about that for an absolute knockdown giveaway price? | 0:31:03 | 0:31:06 | |
It's sweet but just unfashionable. | 0:31:06 | 0:31:09 | |
Would you take 25 for it, then? | 0:31:09 | 0:31:11 | |
-SHE GASPS -28. | 0:31:11 | 0:31:13 | |
-I'm not going to knock you down. -Thank you. -Thank you. | 0:31:13 | 0:31:16 | |
That's both experts shopped out. | 0:31:16 | 0:31:19 | |
Thanks very much. Thank you. Bye-bye. | 0:31:19 | 0:31:22 | |
So now it's time for them to reveal all to one another. | 0:31:22 | 0:31:26 | |
-Let's have a look. I can't wait. -Here we go, here we go. | 0:31:26 | 0:31:29 | |
Don't knock anything over. | 0:31:30 | 0:31:32 | |
The first thing I want to pick up... is-is this. | 0:31:32 | 0:31:37 | |
-It's fab, isn't it? -Oh! | 0:31:37 | 0:31:39 | |
I haven't sold one for YEARS. | 0:31:39 | 0:31:42 | |
-This is a really nice one. -Yeah. -What did you pay for this? | 0:31:42 | 0:31:45 | |
-£25. -You didn't pay £25(?) -I did. -For a Coco de Mer, £25? -Yeah. | 0:31:45 | 0:31:51 | |
-I'm a little bit jealous. -What do you think it's worth? | 0:31:51 | 0:31:54 | |
-£200-£300. -Do you? -They are. They're so valuable. -Oh, OK. | 0:31:54 | 0:31:58 | |
You've done very well there. | 0:31:58 | 0:32:00 | |
Don't play coy, James, you know it's a good 'un. | 0:32:00 | 0:32:03 | |
Does Thomas think his oil painting is another winner? | 0:32:03 | 0:32:07 | |
Good colours, nice and strong there. A bit of nicotine staining, | 0:32:07 | 0:32:10 | |
so, cleaned up, it would look rather good, wouldn't it? | 0:32:10 | 0:32:14 | |
-25 quid. -That is brilliant. -I was pleased with that. -I bet you are. | 0:32:14 | 0:32:17 | |
Here's something Thomas recognises. | 0:32:17 | 0:32:19 | |
Did you pick it up? | 0:32:21 | 0:32:22 | |
-I picked it up and then thought I'd ask about that later on. -OK. | 0:32:22 | 0:32:25 | |
By the time I came back, you'd bought it. | 0:32:25 | 0:32:28 | |
-Sorry. -It's all right. -£55. | 0:32:28 | 0:32:30 | |
-I have learnt a lesson. If I pick something up... -Buy it. -..buy it. | 0:32:30 | 0:32:33 | |
Too late now, Thomas. You've made your bed. | 0:32:33 | 0:32:36 | |
So, now, what will James think of Thomas's offerings? | 0:32:36 | 0:32:40 | |
-There we are. It doesn't look very decorative compared to yours. -OK. | 0:32:40 | 0:32:43 | |
Yes, I saw those from a distance. They're lovely big ones aren't they? | 0:32:43 | 0:32:46 | |
-Good size, aren't they? -Yes, great size. | 0:32:46 | 0:32:49 | |
Naturally carved. Lovely. | 0:32:49 | 0:32:51 | |
-How much were they? -£35. -Oh! | 0:32:51 | 0:32:54 | |
There is a definite profit in those. | 0:32:54 | 0:32:56 | |
Very charitable, James. What about Thomas's lamp? | 0:32:56 | 0:33:00 | |
-Little Art Deco lamp. Sweet. -She's lovely. She's lovely. | 0:33:00 | 0:33:03 | |
-She would polish up nicely. -She would. I am going to leave her. | 0:33:03 | 0:33:06 | |
I'm not going to touch her. I'll leave it and let someone else have the excitement. | 0:33:06 | 0:33:10 | |
-How much was that? -Hoop dancer, £40. | 0:33:10 | 0:33:12 | |
That's cheap. That's really stylish for £40, isn't it? | 0:33:12 | 0:33:15 | |
Tell me about this. | 0:33:15 | 0:33:17 | |
-So what you've got here is... -Is it amethyst? | 0:33:17 | 0:33:21 | |
Yes, an amethyst here. Marked 800. | 0:33:21 | 0:33:22 | |
It's continental. Marked on the clasp. | 0:33:22 | 0:33:25 | |
It's just dead right. | 0:33:25 | 0:33:26 | |
-Yeah. -It is stylish. It's a stylish object. -I love them. | 0:33:26 | 0:33:29 | |
I think you've done really well. And it's been fun. | 0:33:29 | 0:33:33 | |
Far too cordial for my liking. | 0:33:33 | 0:33:35 | |
Go on, then, what did they really think? | 0:33:35 | 0:33:38 | |
I don't think he has got anything that is going to storm through | 0:33:38 | 0:33:41 | |
and make huge profits. | 0:33:41 | 0:33:42 | |
The brooch, I don't know, I'm not a massive costume jewellery person. | 0:33:42 | 0:33:46 | |
I know it's amethyst, but it doesn't do anything for me. | 0:33:46 | 0:33:49 | |
But he knows his jewellery, | 0:33:49 | 0:33:50 | |
so fingers crossed that'll do well for him. | 0:33:50 | 0:33:53 | |
That Coco de Mer is so nice. | 0:33:53 | 0:33:56 | |
I have always wanted one. | 0:33:56 | 0:33:58 | |
I think they're amazing things. | 0:33:58 | 0:33:59 | |
So 25 quid - how does he do it?! | 0:33:59 | 0:34:03 | |
It's been a fruitful first leg, | 0:34:03 | 0:34:05 | |
beginning on the West Coast, in Largs, | 0:34:05 | 0:34:09 | |
travelling all the way to the East Coast via Edinburgh, | 0:34:09 | 0:34:12 | |
and now back again to our auction venue for today, Glasgow. | 0:34:12 | 0:34:15 | |
-Nervous? -The pressure is on. | 0:34:15 | 0:34:17 | |
-Come on. -Today's theatre of dreams is McTear's. | 0:34:17 | 0:34:22 | |
There is plenty here to attract the Glaswegian buyers. | 0:34:22 | 0:34:26 | |
Well, maybe not everything. | 0:34:26 | 0:34:28 | |
What does auctioneer Hamish Wilson make of our experts' choices? | 0:34:28 | 0:34:34 | |
I've been quite impressed by what they've brought along today. | 0:34:34 | 0:34:37 | |
The most unusual thing is the binoculars with the compass on top. | 0:34:37 | 0:34:41 | |
A lot of militaria interest through in the general sale, | 0:34:41 | 0:34:44 | |
lots of people, and I think that will do well. | 0:34:44 | 0:34:47 | |
The Coco de Mer is intriguing. | 0:34:47 | 0:34:49 | |
In Glasgow, we call them the "bum nut". | 0:34:49 | 0:34:52 | |
And they can make up to £200. | 0:34:52 | 0:34:55 | |
So, potentially, there's money to made in the Coco de Mer nut. | 0:34:55 | 0:34:59 | |
Our experts began this journey with £200 each. | 0:35:00 | 0:35:04 | |
Thomas has spent every single penny on a total of five auction lots. | 0:35:04 | 0:35:08 | |
You've done the deal now and it's too late! | 0:35:08 | 0:35:12 | |
James has spent a little less - | 0:35:12 | 0:35:14 | |
a total of £178, also on five auction lots. | 0:35:14 | 0:35:19 | |
-25. -Go on then. I hate haggling. | 0:35:19 | 0:35:21 | |
Hold tight, chaps. We're off. | 0:35:21 | 0:35:23 | |
-How are you feeling? -Jittery. -Me too. | 0:35:23 | 0:35:28 | |
First up is James's Chinese figure, the one Thomas missed out on. | 0:35:28 | 0:35:33 | |
At £30 here. £30, do I see five? | 0:35:33 | 0:35:35 | |
40, 45, at 45, any advance on 45? | 0:35:35 | 0:35:39 | |
50 is bid there. At £50, any advance on 50? | 0:35:39 | 0:35:43 | |
At £50, five is now bid. At 55, £60. | 0:35:43 | 0:35:46 | |
£60 is bid. Do you want to bid five, sir? | 0:35:46 | 0:35:49 | |
65, 70 is bid now. | 0:35:49 | 0:35:51 | |
At £70, any advance on 70? | 0:35:51 | 0:35:53 | |
Well done. Making money. | 0:35:53 | 0:35:55 | |
£70, last call on 70. | 0:35:55 | 0:35:58 | |
70. | 0:35:58 | 0:36:00 | |
-You would have earned a little bit, wouldn't you? -Two quid. | 0:36:00 | 0:36:02 | |
-£2? -Yes. | 0:36:02 | 0:36:04 | |
Not quite the stoking profit James was hoping for, | 0:36:04 | 0:36:07 | |
but a profit nevertheless. | 0:36:07 | 0:36:09 | |
There we go. It' better than a loss, isn't it? | 0:36:09 | 0:36:12 | |
Continuing the Chinese theme, it's Thomas's bronze bowl. | 0:36:12 | 0:36:17 | |
I'll start it low at 30, do I see five? | 0:36:17 | 0:36:20 | |
-At £30, five is bid there. -Straight through. | 0:36:20 | 0:36:23 | |
40, 45, sir? | 0:36:23 | 0:36:24 | |
50, at 55, 60, 65. | 0:36:24 | 0:36:28 | |
Any further bids at 65? 70, new bidder. | 0:36:28 | 0:36:31 | |
75 now. At £75 are we all done? | 0:36:31 | 0:36:34 | |
80, new bidder. | 0:36:34 | 0:36:35 | |
-Coo! -Fresh! | 0:36:35 | 0:36:37 | |
80, are we all done? At £80... | 0:36:37 | 0:36:40 | |
Well done. Well done. Well done. | 0:36:40 | 0:36:44 | |
That did well. A good start for Thomas. | 0:36:44 | 0:36:46 | |
-Pat myself on the back. -Well done. Lean forward. | 0:36:48 | 0:36:51 | |
Thank you, James. Thank you. | 0:36:53 | 0:36:56 | |
Can James make up some ground with his gold-coloured pendant? | 0:36:56 | 0:37:00 | |
At £18, do I see 20? 20 is bid there and five with me. | 0:37:00 | 0:37:03 | |
At 25, do I see 30? | 0:37:03 | 0:37:05 | |
At 25, do I see 30? £30 is bid now. | 0:37:05 | 0:37:08 | |
At 35 against you now. And 40 is bid. | 0:37:08 | 0:37:10 | |
At £40, do I see five? | 0:37:10 | 0:37:13 | |
I thought I was... I'm dead on. | 0:37:13 | 0:37:16 | |
Are we all done then? £40. | 0:37:16 | 0:37:18 | |
-I'm pleased with that. -I bet you are. | 0:37:18 | 0:37:22 | |
Yes, a solid profit, even after the auction house | 0:37:22 | 0:37:25 | |
takes its well-earned commission. | 0:37:25 | 0:37:27 | |
You'll be walking out of there buoyed. | 0:37:27 | 0:37:30 | |
I am buoyed with my, so far, eight quid. | 0:37:30 | 0:37:32 | |
Thomas's bamboo sleeve vases are up next. | 0:37:33 | 0:37:37 | |
-£10 only. -Don't start at £10. | 0:37:37 | 0:37:39 | |
At £10, do I see 12 now? At £10, 12, 15. | 0:37:39 | 0:37:43 | |
18, 20 and five. | 0:37:43 | 0:37:46 | |
At 25. Did someone else want to come in? | 0:37:46 | 0:37:49 | |
-Come on! Go on, they're worth that. -At £25, are we all done? | 0:37:49 | 0:37:52 | |
At £25. Selling, then, on £25. | 0:37:52 | 0:37:56 | |
I kept thinking I was going to get told off by the auctioneer. | 0:37:56 | 0:37:58 | |
That's, I think, very cheap. | 0:37:58 | 0:38:00 | |
Oh, dear. Yeah, that's a loss for Thomas. | 0:38:01 | 0:38:04 | |
Moving swiftly on, James's painting by Gilmour. | 0:38:05 | 0:38:09 | |
He has high hopes for this one. | 0:38:09 | 0:38:11 | |
-This time, I'm bid £30. -Straight in. | 0:38:11 | 0:38:14 | |
Five is bid. 40 with me, sir. | 0:38:14 | 0:38:16 | |
It'll be fine. It's creeping up slowly. | 0:38:16 | 0:38:20 | |
45, 50 now. 55? | 0:38:20 | 0:38:22 | |
£50 is bid. At 55, new bidder. | 0:38:22 | 0:38:24 | |
-The hammer's not fallen. -£55! | 0:38:24 | 0:38:27 | |
Finished at £55. | 0:38:27 | 0:38:29 | |
No! | 0:38:29 | 0:38:30 | |
God, that's dreadful! | 0:38:30 | 0:38:32 | |
It's James's turn to be disappointed, | 0:38:32 | 0:38:36 | |
although he has made a profit. | 0:38:36 | 0:38:37 | |
-Sweet smell of profit all the way. -I suppose so. | 0:38:37 | 0:38:41 | |
That was worth 100 quid more. But there we are. | 0:38:41 | 0:38:44 | |
It's still anyone's game and Thomas's Art Deco lamp is next. | 0:38:44 | 0:38:50 | |
-At 35, 35. -It's going to go. Go on. -£40, at £40. | 0:38:50 | 0:38:54 | |
Five now, 50, at 50, 55. | 0:38:54 | 0:38:58 | |
Do I see 60? 60 is bid now. | 0:38:58 | 0:39:01 | |
65, new bidder. 65, 70, 75. | 0:39:01 | 0:39:05 | |
£75, are we all done then on £75? | 0:39:05 | 0:39:08 | |
-80, new bidder. -Go on, go on. | 0:39:08 | 0:39:11 | |
On the telephone then at 80. Are we all sure now? | 0:39:11 | 0:39:14 | |
£80 is bid. Last call on £80. | 0:39:14 | 0:39:17 | |
-Brilliant. -That makes it up a bit. -Happier now! | 0:39:17 | 0:39:23 | |
An excellent profit for Thomas. He's back in the lead. | 0:39:23 | 0:39:27 | |
-Brilliant! Brilliant! -Oh! | 0:39:27 | 0:39:30 | |
Up next is a job lot for James. | 0:39:30 | 0:39:33 | |
He's combined his silver metalware with two perfume bottles. | 0:39:33 | 0:39:37 | |
-I'm bid 40 here, at £40. -Straight in. | 0:39:37 | 0:39:39 | |
£40, five now. At 45 and 50 against you. | 0:39:39 | 0:39:43 | |
55 and 60 against you. | 0:39:43 | 0:39:45 | |
65 and 70 against you. | 0:39:45 | 0:39:47 | |
It's going to reach more than I thought. | 0:39:47 | 0:39:50 | |
75, 80 against you. | 0:39:50 | 0:39:51 | |
85, at £85. There is the bid at 85. | 0:39:51 | 0:39:54 | |
Any advance on £85? | 0:39:54 | 0:39:56 | |
Yes, sitting there. | 0:39:56 | 0:39:58 | |
At £85, 90 now. | 0:39:58 | 0:39:59 | |
95, 100 is bid. | 0:39:59 | 0:40:02 | |
-110... -Don't cry out. | 0:40:02 | 0:40:05 | |
Any advance on 110? At £110, are we all done? | 0:40:05 | 0:40:08 | |
-At £110. -It did well. Yes! | 0:40:08 | 0:40:13 | |
-How much? -110. -I missed that because of the bear hug. | 0:40:13 | 0:40:18 | |
The bear has done well. James has moved ahead. | 0:40:18 | 0:40:22 | |
I'm pleased with that. That's a good result. | 0:40:22 | 0:40:24 | |
Thomas has also combined lots. | 0:40:24 | 0:40:27 | |
He's put his freebie binoculars together with the hip flask. | 0:40:27 | 0:40:30 | |
I'm bid £20, at 20 only. | 0:40:30 | 0:40:33 | |
-We're in straight profit. -25, do I see 30? | 0:40:33 | 0:40:35 | |
30, 35, and 40. | 0:40:35 | 0:40:39 | |
Five, sir? Go on. | 0:40:40 | 0:40:41 | |
-Go on! -Go on! | 0:40:41 | 0:40:43 | |
At 45, do I see 50? Thank you. At 50, any advance on 50? | 0:40:43 | 0:40:46 | |
One more, sir? At £50, does anyone else want to come in? | 0:40:46 | 0:40:50 | |
-It's the hip flask. -Profit. -It's the hip flask which did it. -Yes. | 0:40:50 | 0:40:55 | |
An excellent profit there. Thomas is edging his way back. | 0:40:55 | 0:41:01 | |
Well done, well done. | 0:41:01 | 0:41:03 | |
-Yes, I'm pleased about that. REALLY pleased. -240. | 0:41:03 | 0:41:06 | |
James's last lot of the day, his Coco de Mer, | 0:41:06 | 0:41:08 | |
or as they say in Glasgow, "bum nut". | 0:41:08 | 0:41:12 | |
This time, interest here, I'm going to start the bidding here at £85. | 0:41:12 | 0:41:15 | |
90 is bid. | 0:41:15 | 0:41:16 | |
100, 110, 120, 130, new bidder. I'm out. | 0:41:16 | 0:41:21 | |
-140... -He paid £25 for this. -Told you. | 0:41:21 | 0:41:25 | |
-170, 180. -Told you. | 0:41:25 | 0:41:27 | |
190, £200 is bid. | 0:41:27 | 0:41:28 | |
220 now, 240, 260. Any further bids? | 0:41:28 | 0:41:32 | |
-Go on, go on. -At 260, 280. | 0:41:32 | 0:41:35 | |
-Can you believe this? -300. | 0:41:35 | 0:41:37 | |
-Told you. -At £300, £300. -Well done. | 0:41:37 | 0:41:41 | |
In the corner there at 300. Are we all done then? | 0:41:41 | 0:41:43 | |
£300, last call on 300. | 0:41:43 | 0:41:46 | |
Good Lord. | 0:41:46 | 0:41:47 | |
-Yes! -Well done. Well done. | 0:41:47 | 0:41:50 | |
What about that? A stonking profit of £275 for James. | 0:41:50 | 0:41:55 | |
For a seed. | 0:41:55 | 0:41:56 | |
Fantastico! Brilliant! | 0:41:58 | 0:42:00 | |
It all hangs on Thomas's amethyst brooch now. | 0:42:00 | 0:42:04 | |
Bought for £100. | 0:42:04 | 0:42:06 | |
At £15, do I see 18? | 0:42:06 | 0:42:09 | |
At £15, do I see 18? 18 is bid there, 20 with me, sir. | 0:42:09 | 0:42:13 | |
-Uh-oh. -25. | 0:42:13 | 0:42:14 | |
-Oh, my God. -Not looking good. | 0:42:14 | 0:42:16 | |
At 25, do I see 30? | 0:42:16 | 0:42:19 | |
Come on. Over there. | 0:42:19 | 0:42:21 | |
30, thank you. At 30, any advance on 30? | 0:42:21 | 0:42:24 | |
Oh, my God. | 0:42:24 | 0:42:25 | |
You're not stopping me pointing them out when it's your thing! Oh, no! | 0:42:25 | 0:42:29 | |
£30, are we all done? | 0:42:29 | 0:42:31 | |
Ouch! | 0:42:31 | 0:42:33 | |
Big hole. Big hole. | 0:42:33 | 0:42:36 | |
Yep, disaster for Thomas. | 0:42:36 | 0:42:39 | |
I've learnt my lesson there. I've learnt my little lesson. | 0:42:39 | 0:42:43 | |
Both our experts started this leg with £200. | 0:42:44 | 0:42:48 | |
After paying auction costs, Thomas has made a small profit of £17.30. | 0:42:48 | 0:42:53 | |
That leaves him with a respectable £217.30 to carry forwards. | 0:42:53 | 0:42:57 | |
But James is today's super trouper. | 0:42:59 | 0:43:02 | |
His Coco de Mer shot his profit up to £293.50. | 0:43:02 | 0:43:07 | |
Which means he takes forward a delectable £493.50 | 0:43:07 | 0:43:12 | |
to spend next time. | 0:43:12 | 0:43:14 | |
-Well done, James. -Thank you. -You must be feeling cock-a-hoop? | 0:43:14 | 0:43:18 | |
-It's all luck. Come on, let's go. -Are you excited? -Yes. | 0:43:18 | 0:43:23 | |
Next time on the Antiques Road Trip, Thomas falls in love... | 0:43:25 | 0:43:29 | |
Thank you. Brilliant. That's fine. It's fine. | 0:43:29 | 0:43:34 | |
..and James decides to dress up. | 0:43:34 | 0:43:37 | |
HE ROARS | 0:43:37 | 0:43:39 | |
Scary. | 0:43:39 | 0:43:40 | |
Subtitles by Red Bee Media Ltd | 0:43:56 | 0:43:59 |