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-TIM WONNACOTT: -It's the nation's favourite antiques experts | 0:00:01 | 0:00:03 | |
with £200 each, | 0:00:03 | 0:00:05 | |
a classic car, | 0:00:05 | 0:00:06 | |
and a goal to scour Britain for antiques. | 0:00:06 | 0:00:09 | |
That hurts. | 0:00:09 | 0:00:11 | |
What d'you think? | 0:00:11 | 0:00:13 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:21 | |
What have I done? | 0:00:21 | 0:00:22 | |
So, will it be the high road to glory or slow road to disaster? | 0:00:22 | 0:00:27 | |
-Put your back into it. -Shut up! | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:31 | |
Yeah. | 0:00:33 | 0:00:35 | |
On this Road Trip two auctioneers battle | 0:00:36 | 0:00:38 | |
to be crowned King of Scotland. | 0:00:38 | 0:00:41 | |
James Lewis is an auctioneer from Derbyshire, | 0:00:41 | 0:00:44 | |
who's proved he has a magic touch | 0:00:44 | 0:00:46 | |
when it comes to turning a profit. | 0:00:46 | 0:00:48 | |
You don't often see something like that. | 0:00:48 | 0:00:50 | |
While Thomas Plant runs a Berkshire saleroom | 0:00:52 | 0:00:54 | |
and has proved that his acumen is matched only by his affability. | 0:00:54 | 0:00:58 | |
Can I have a go on something else now? | 0:00:59 | 0:01:02 | |
These two have been locked in a dynamic duel | 0:01:02 | 0:01:05 | |
for the last four legs of the Road Trip | 0:01:05 | 0:01:08 | |
and this final battle will decide which of them emerges victorious. | 0:01:08 | 0:01:11 | |
Ah! That's my head! | 0:01:12 | 0:01:14 | |
Whoops. | 0:01:14 | 0:01:16 | |
Both our boys started this Road Trip with a cool £200. | 0:01:16 | 0:01:20 | |
Over the last four legs, | 0:01:20 | 0:01:21 | |
Thomas has managed to trade up his total to £298.18. | 0:01:21 | 0:01:27 | |
Well done. | 0:01:27 | 0:01:29 | |
While James has astonished all and sundry | 0:01:29 | 0:01:32 | |
by turning his original 200 smackers into | 0:01:32 | 0:01:35 | |
not £500, not £600, not even £900, | 0:01:35 | 0:01:38 | |
but a whopping £1143.72. | 0:01:38 | 0:01:44 | |
Crikey! | 0:01:44 | 0:01:46 | |
Our pair are hitting the highways in a true Brit, | 0:01:50 | 0:01:52 | |
the classic 1953 Morris Minor. | 0:01:52 | 0:01:55 | |
She's a doughty old girl, but prone to the occasional tantrum. | 0:01:55 | 0:01:59 | |
With my extensive knowledge of cars, I think the solenoid's gone. | 0:02:03 | 0:02:06 | |
What the heck is a solenoid? | 0:02:06 | 0:02:09 | |
Oh, no! | 0:02:09 | 0:02:12 | |
Oh, Lordy! | 0:02:12 | 0:02:13 | |
Surprisingly, they've managed to cruise the Morris Minor | 0:02:15 | 0:02:19 | |
over the hills and glens of Caledonia, | 0:02:19 | 0:02:22 | |
from the wind-blown west coast, through the stunning highlands | 0:02:22 | 0:02:25 | |
and then back to the low country and Edinburgh. | 0:02:25 | 0:02:28 | |
On today's show, they begin the final leg of their trip | 0:02:29 | 0:02:32 | |
in Ayrshire's county town, Ayr, | 0:02:32 | 0:02:35 | |
before touring round beautiful southwest Scotland | 0:02:35 | 0:02:38 | |
and ending up at their auction | 0:02:38 | 0:02:39 | |
in Scotland's craggy capital, Edinburgh. | 0:02:39 | 0:02:42 | |
They're just outside Ayr but it seems that | 0:02:46 | 0:02:49 | |
the Morris Minor is up to her old tricks. | 0:02:49 | 0:02:52 | |
Think we might have a flat. | 0:02:54 | 0:02:56 | |
-You think we've got a flat? -Maybe. | 0:02:56 | 0:02:58 | |
-I think you should pull over. -Indeed. | 0:02:58 | 0:03:01 | |
# Get your motor running... # | 0:03:01 | 0:03:04 | |
-That's definitely not right. -You'd better change it then, | 0:03:06 | 0:03:09 | |
because you need to get back on the road, in search of antiques. | 0:03:09 | 0:03:12 | |
But aren't you two handy? | 0:03:13 | 0:03:15 | |
You're getting to be regular motor-heads. | 0:03:15 | 0:03:18 | |
Looks all right. | 0:03:19 | 0:03:21 | |
All part of a morning on the Road Trip, eh, chaps? | 0:03:21 | 0:03:23 | |
Anyway, Ayr is justly celebrated by the poet Robert Burns | 0:03:23 | 0:03:27 | |
for its honest men and bonnie lasses. | 0:03:27 | 0:03:30 | |
That sounds very promising | 0:03:30 | 0:03:33 | |
as Thomas drops James off at his first shop. | 0:03:33 | 0:03:36 | |
Right. Well done. | 0:03:38 | 0:03:41 | |
-Have fun. -James is heading into his first shop, | 0:03:43 | 0:03:46 | |
where dealer John will assist. | 0:03:46 | 0:03:48 | |
Anything special you're after today? | 0:03:50 | 0:03:52 | |
Trying to find something that might make a profit at auction. | 0:03:52 | 0:03:55 | |
You can come right through to the gallery. | 0:03:55 | 0:03:57 | |
With over £1,000 burning a hole in his pocket, | 0:03:57 | 0:04:00 | |
James can afford to think big on this leg. | 0:04:00 | 0:04:04 | |
But he's also determined to work out his strategy. | 0:04:04 | 0:04:07 | |
At the moment, I'm trying to think about what will go with what, | 0:04:08 | 0:04:11 | |
to build up a more expensive lot. | 0:04:11 | 0:04:13 | |
That looks about as reliable as the car we're driving. | 0:04:17 | 0:04:21 | |
It's got all four wheels, which is more than we almost did this morning. | 0:04:23 | 0:04:27 | |
This tin-plate toy dates from around 1910 | 0:04:28 | 0:04:31 | |
and is marked up at £35 and there's another toy that takes his fancy. | 0:04:31 | 0:04:36 | |
How about the bear? | 0:04:38 | 0:04:39 | |
On the ticket is £65. | 0:04:39 | 0:04:42 | |
And he...hah...seems to have pilfered your hat, James. | 0:04:42 | 0:04:45 | |
Bear? Yes, we can give you a good price on the bear. | 0:04:46 | 0:04:49 | |
£40. Do that for you. | 0:04:49 | 0:04:51 | |
Looks better in my hat than I do. | 0:04:53 | 0:04:55 | |
Suits your hat. | 0:04:56 | 0:04:58 | |
He's big, isn't he? | 0:04:58 | 0:05:00 | |
Yeah. Everybody loves a teddy bear. | 0:05:00 | 0:05:03 | |
This might fit in with James's strategy | 0:05:04 | 0:05:07 | |
to build up themed job lots. | 0:05:07 | 0:05:10 | |
He's spotted another toy car, as well. The ticket says £20. | 0:05:10 | 0:05:14 | |
What could the Chad Valley car be? | 0:05:15 | 0:05:18 | |
-This little chap here with no key. -This one? -Yeah. | 0:05:18 | 0:05:20 | |
Erm, do that for 15. | 0:05:20 | 0:05:23 | |
15. And the other car? | 0:05:23 | 0:05:26 | |
I'll do that one for 20. | 0:05:26 | 0:05:29 | |
What deal could John do on all three items? | 0:05:29 | 0:05:32 | |
The combined original ticket price was £120 | 0:05:32 | 0:05:35 | |
but James has got John down to £75 for the lot, so far. | 0:05:35 | 0:05:40 | |
Would you take 50 the three? | 0:05:42 | 0:05:45 | |
-Instead of 75? -No. I couldn't do that. | 0:05:45 | 0:05:48 | |
What could you do? | 0:05:48 | 0:05:50 | |
I could let them go for 70. | 0:05:50 | 0:05:53 | |
There's one more childhood-themed item | 0:05:53 | 0:05:56 | |
that might make it into the job lot yet. | 0:05:56 | 0:05:59 | |
Would you throw that christening gown in with them? | 0:05:59 | 0:06:01 | |
Er...no. | 0:06:02 | 0:06:05 | |
I wouldn't throw it in, but I'll give you a really good price on it. | 0:06:05 | 0:06:08 | |
-Go on, then. -£10. There you go. | 0:06:08 | 0:06:11 | |
75 the lot, then. | 0:06:15 | 0:06:17 | |
Make it 80. | 0:06:17 | 0:06:18 | |
-Go on, 75. -Make it 80. -Oh, go on, then. Make it 80. | 0:06:18 | 0:06:22 | |
THEY LAUGH | 0:06:22 | 0:06:24 | |
I'm not hard enough. | 0:06:24 | 0:06:26 | |
All right. £80. | 0:06:26 | 0:06:28 | |
Deal done! That was child's play. | 0:06:28 | 0:06:31 | |
Now he's spotted a military object, | 0:06:31 | 0:06:33 | |
which has been pressed into use as an umbrella stand. | 0:06:33 | 0:06:37 | |
It's a charge carrier that would have been used | 0:06:39 | 0:06:41 | |
to contain a cordite charge for an artillery weapon. | 0:06:41 | 0:06:45 | |
These were made from the 1700s | 0:06:47 | 0:06:49 | |
through to the early 20th century, though this is quite a late example. | 0:06:49 | 0:06:52 | |
It's priced up at £125. | 0:06:52 | 0:06:55 | |
It's a fun thing. Is there much movement in it? | 0:06:57 | 0:07:01 | |
Well, OK. £65. | 0:07:01 | 0:07:03 | |
-Give you 50 for the stick stand. -Can you go 55? | 0:07:05 | 0:07:09 | |
-Go on then. -Just so I've a bit of profit. -Go on. | 0:07:10 | 0:07:13 | |
-You got a profit out of that? -Yeah. -Good. | 0:07:13 | 0:07:15 | |
A direct hit, and another lot in the bag. | 0:07:15 | 0:07:18 | |
But, on his way out, he spots yet another item that takes his fancy. | 0:07:18 | 0:07:22 | |
It's an early 20th century picnic hamper. | 0:07:26 | 0:07:30 | |
How much is this? | 0:07:30 | 0:07:32 | |
That? £50 would do for that. | 0:07:32 | 0:07:35 | |
How flexible are you on price? | 0:07:35 | 0:07:37 | |
Well, I can come and go, but not much. | 0:07:37 | 0:07:40 | |
I'd be looking about 25. | 0:07:42 | 0:07:44 | |
I could let you have it for 40, but no less. | 0:07:44 | 0:07:48 | |
James is wondering if he can sweeten the deal | 0:07:49 | 0:07:51 | |
by assembling another job lot. | 0:07:51 | 0:07:54 | |
He's found a small boxwood device | 0:07:54 | 0:07:55 | |
for finishing self-assembled paper cartridges, | 0:07:55 | 0:07:59 | |
which would be fired from a shotgun. | 0:07:59 | 0:08:02 | |
The cartridge would have been inserted into the device | 0:08:03 | 0:08:06 | |
and the metal handle rolled over to close the end. | 0:08:06 | 0:08:08 | |
Now he's picked up a set of miniature dominoes | 0:08:11 | 0:08:14 | |
that date from around 1905. | 0:08:14 | 0:08:17 | |
Combined ticket price for all three items is £90. | 0:08:17 | 0:08:20 | |
What can James haggle John down to? | 0:08:20 | 0:08:22 | |
65. Call it 60. There you go. | 0:08:23 | 0:08:26 | |
55 and you've got a deal. | 0:08:26 | 0:08:29 | |
-No, 60, come on. -No. | 0:08:29 | 0:08:32 | |
59. | 0:08:33 | 0:08:35 | |
HE LAUGHS | 0:08:35 | 0:08:36 | |
You are... Oh dear! | 0:08:36 | 0:08:39 | |
-Come on, 59. -I'm going to stand my ground. | 0:08:41 | 0:08:43 | |
Oh well. | 0:08:43 | 0:08:44 | |
-Go for the 59. -55. | 0:08:44 | 0:08:47 | |
-Can't do it. I just can't do it. -57. | 0:08:48 | 0:08:51 | |
57, Done. | 0:08:51 | 0:08:53 | |
Oh, dear me! | 0:08:53 | 0:08:54 | |
You have to be the hardest negotiator I have ever come across. | 0:08:54 | 0:08:59 | |
Well, it's been fun. I've enjoyed it. Well done, you. | 0:08:59 | 0:09:02 | |
Wow. With that masterly display of negotiating grit, | 0:09:02 | 0:09:07 | |
James rounds up an absolutely bumper morning's shopping. | 0:09:07 | 0:09:10 | |
Meanwhile Thomas has driven a couple of miles down the road | 0:09:18 | 0:09:20 | |
to the neighbouring town of Prestwick. | 0:09:20 | 0:09:23 | |
Prestwick is thought to be the only place in the UK | 0:09:23 | 0:09:26 | |
that was ever visited by rock and roll legend Elvis Presley, | 0:09:26 | 0:09:31 | |
who made a whirlwind pit-stop here, during his military service in 1960. | 0:09:31 | 0:09:36 | |
Let's hope Thomas's first shop | 0:09:36 | 0:09:38 | |
is more Hunk O' Love than Heartbreak Hotel. | 0:09:38 | 0:09:42 | |
Either way, he's meeting dealer Gary. | 0:09:44 | 0:09:47 | |
-Hello. -Good morning. -I'm Thomas. | 0:09:47 | 0:09:49 | |
-Gary. Pleased to meet you. -Gary? -Yeah. | 0:09:49 | 0:09:51 | |
Enough chatting - it's time to find some buys, Thomas. | 0:09:54 | 0:09:59 | |
HONK | 0:10:00 | 0:10:02 | |
There's Ayr. | 0:10:04 | 0:10:06 | |
Is that Largs, there? | 0:10:08 | 0:10:09 | |
L-A-R-G-S? | 0:10:10 | 0:10:13 | |
What do you think, Thomas? | 0:10:13 | 0:10:15 | |
My strategy has been | 0:10:15 | 0:10:18 | |
buy at the low end and then sell, hopefully, better. | 0:10:18 | 0:10:21 | |
And I think I might carry on with that strategy, cos it's worked. | 0:10:21 | 0:10:25 | |
There's no point changing it if it's working. | 0:10:27 | 0:10:29 | |
Spoken like a true traditionalist. | 0:10:29 | 0:10:31 | |
He's spotted a collection that might bring in a sweet profit. | 0:10:33 | 0:10:37 | |
Lovely tin. Look at that. "Home of Milady's Toffee." | 0:10:38 | 0:10:42 | |
Love that one. Really nice. | 0:10:45 | 0:10:48 | |
So decorative, aren't they? They're just lovely. | 0:10:48 | 0:10:51 | |
Never bought tins before. | 0:10:51 | 0:10:53 | |
Am I being really stupid? | 0:10:54 | 0:10:56 | |
We'll soon find out. | 0:10:56 | 0:10:58 | |
They date from the early 20th century. | 0:10:59 | 0:11:01 | |
The combined ticket price for all the tins is around the £80 mark. | 0:11:01 | 0:11:05 | |
What would you do as a really enticing deal? | 0:11:07 | 0:11:12 | |
Charge you for the two really nice ones, | 0:11:12 | 0:11:14 | |
which are in good condition, | 0:11:14 | 0:11:16 | |
and I'll throw the rest in. That's 45 for the lot. | 0:11:16 | 0:11:19 | |
Now, I, obviously, am selling at auction, | 0:11:19 | 0:11:22 | |
so if I can give you... 45's a lovely price. | 0:11:22 | 0:11:25 | |
It's a really fair price. | 0:11:25 | 0:11:27 | |
-But I'd like to give you £30 for the lot. -30? | 0:11:27 | 0:11:30 | |
-OK. 30. -30? -Yeah. | 0:11:30 | 0:11:32 | |
Brilliant. Thank you very much. | 0:11:32 | 0:11:34 | |
-Can I give you some spondoolies? -Pleasure. | 0:11:34 | 0:11:37 | |
Before he leaves, he spots one more thing that takes his fancy. | 0:11:39 | 0:11:43 | |
It's an octagonal Chinese plate, dating from the 18th century. | 0:11:43 | 0:11:47 | |
Ticket price is a bargain £8. | 0:11:47 | 0:11:50 | |
Can he get Gary down any further? | 0:11:50 | 0:11:52 | |
Got... | 0:11:53 | 0:11:55 | |
5. | 0:11:57 | 0:11:59 | |
Deal. | 0:11:59 | 0:12:01 | |
-Thank you very much. -Pleasure. | 0:12:01 | 0:12:03 | |
Done and dusted. | 0:12:03 | 0:12:05 | |
Two lots in the bag from a very efficient morning's buying. | 0:12:05 | 0:12:08 | |
Thomas is heading back to Ayr to meet James and hand over the car. | 0:12:13 | 0:12:16 | |
-Aha! -Hello. -How are you? | 0:12:20 | 0:12:23 | |
Very good. Buy much? | 0:12:23 | 0:12:24 | |
-Seven things, actually. -Oh, really? -Yeah, three lots. | 0:12:24 | 0:12:28 | |
I bought two lots. Maybe more things. | 0:12:28 | 0:12:31 | |
-More than seven. -No! | 0:12:31 | 0:12:34 | |
-I've left it in the same place. -Brilliant. | 0:12:34 | 0:12:36 | |
-Thank you. Have fun. -I will. | 0:12:36 | 0:12:39 | |
James is happy with his morning's bumper buys, | 0:12:39 | 0:12:42 | |
so he's taking the motor and heading over to Alloway, | 0:12:42 | 0:12:45 | |
a suburb of Ayr. | 0:12:45 | 0:12:46 | |
As a man of culture, he's keen to pay a visit to the local attraction, | 0:12:49 | 0:12:53 | |
that tells the story of Ayrshire's most celebrated son | 0:12:53 | 0:12:57 | |
and Scotland's national poet, The Robert Burns Birthplace Museum... | 0:12:57 | 0:13:01 | |
...where he's meeting curator Amy. | 0:13:02 | 0:13:05 | |
-Hi. How you doing? -Hello. | 0:13:07 | 0:13:09 | |
-I'm James. Nice to see you. -Hi, nice to meet you. -And you. | 0:13:09 | 0:13:13 | |
-Wow. So this is the place? -Yes, it is. | 0:13:13 | 0:13:16 | |
This is the birthplace of Robert Burns. | 0:13:16 | 0:13:19 | |
He was born in a room within that cottage. | 0:13:19 | 0:13:22 | |
-Shall we go in and have a look? -Sure, follow me. -After you. | 0:13:22 | 0:13:25 | |
Born in 1759 into a modest farming family here in Alloway, | 0:13:25 | 0:13:30 | |
Burns went on to become both Scotland's bard | 0:13:30 | 0:13:34 | |
and a writer loved around the world. | 0:13:34 | 0:13:36 | |
His poems and songs, like Tam o' Shanter | 0:13:36 | 0:13:38 | |
and Auld Lang Syne and My Love Is Like A Red, Red Rose, | 0:13:38 | 0:13:44 | |
are still regularly performed and read today. | 0:13:44 | 0:13:47 | |
Right, so this is the kitchen of Burns' cottage | 0:13:49 | 0:13:53 | |
and this room is significant, not because it was a kitchen, | 0:13:53 | 0:13:56 | |
but because it was also the bedroom and the place | 0:13:56 | 0:13:58 | |
where Robert Burns was born. He was actually born in that bed. | 0:13:58 | 0:14:03 | |
My goodness! | 0:14:03 | 0:14:04 | |
Robert Burns only lived here until he was about six years old. | 0:14:04 | 0:14:07 | |
-OK. -And then they moved to another farm nearby. | 0:14:07 | 0:14:09 | |
So what's the story? How did he go from | 0:14:09 | 0:14:13 | |
being a boy here to Scotland's greatest writer? | 0:14:13 | 0:14:16 | |
It is quite amazing that he did achieve so much. | 0:14:16 | 0:14:20 | |
I think a lot of that came from the fact that his father, William, | 0:14:20 | 0:14:23 | |
very strongly believed in educating his children, | 0:14:23 | 0:14:26 | |
They weren't rich, by any means, but what little they did have, | 0:14:26 | 0:14:28 | |
I think they spent wisely, towards the education of their children. | 0:14:28 | 0:14:31 | |
Robert was educated until he was in his teens | 0:14:31 | 0:14:34 | |
and, at that time, he went to work on the farm. | 0:14:34 | 0:14:37 | |
He actually worked for other farmers at harvest time. | 0:14:37 | 0:14:40 | |
During that time, he was inspired by a young lass | 0:14:40 | 0:14:44 | |
that he worked with in the fields | 0:14:44 | 0:14:45 | |
and that's when he wrote his first poem, | 0:14:45 | 0:14:47 | |
Once I Lov'd A Bonnie Lass, to Handsome Nell. | 0:14:47 | 0:14:49 | |
So the theme of love inspiring someone to write something great | 0:14:49 | 0:14:53 | |
is a theme that carries throughout much of Robert's life. | 0:14:53 | 0:14:56 | |
Burns continued writing throughout his young life | 0:14:56 | 0:14:59 | |
and built up an impressive body of work. | 0:14:59 | 0:15:02 | |
Amy's taking James across the road to the modern museum building, | 0:15:02 | 0:15:05 | |
where she's going to show him some of the vast collection | 0:15:05 | 0:15:08 | |
of Burns manuscripts that the Centre holds. | 0:15:08 | 0:15:11 | |
-So. -Blue paper? -It may not look like much, | 0:15:16 | 0:15:18 | |
lying there, but it is a Kilmarnock edition, | 0:15:18 | 0:15:22 | |
which is the first published edition of Burns' work. | 0:15:22 | 0:15:26 | |
There were 610 of them published in 1786 | 0:15:26 | 0:15:30 | |
and today less than 100 survive, | 0:15:30 | 0:15:33 | |
and this one, as you can see, is still in its original blue wrapper | 0:15:33 | 0:15:38 | |
and that's how it would have come from the publisher, | 0:15:38 | 0:15:40 | |
from John Wilson, the publisher in Kilmarnock, yes. | 0:15:40 | 0:15:42 | |
-Can I pick it up? -Sure. Go ahead. | 0:15:42 | 0:15:45 | |
This first edition of Burns' work brought him fame in Scotland | 0:15:45 | 0:15:49 | |
and set him on the road to immortality. | 0:15:49 | 0:15:52 | |
One of these Kilmarnock editions recently sold at auction | 0:15:52 | 0:15:56 | |
for £40,000. | 0:15:56 | 0:15:58 | |
And we have probably one of the most well-known works here. | 0:16:00 | 0:16:04 | |
Oh! To A Mouse! | 0:16:04 | 0:16:08 | |
-Wee fleeket... -That's an S. -Sleeket. | 0:16:08 | 0:16:12 | |
Let e help you there, James. | 0:16:12 | 0:16:14 | |
This poem, addressed to a field mouse, | 0:16:14 | 0:16:17 | |
whose nest Burns has turned up with his plough, | 0:16:17 | 0:16:20 | |
contains some of his most famous lines. | 0:16:20 | 0:16:23 | |
Words worth remembering on the Road Trip, eh? | 0:16:34 | 0:16:37 | |
-So this was the book that made him famous? -That's right. | 0:16:37 | 0:16:41 | |
So why so famous? | 0:16:41 | 0:16:43 | |
I think the work struck a chord with people, really. | 0:16:44 | 0:16:47 | |
He wrote about things everyone saw, | 0:16:47 | 0:16:49 | |
so it appealed to people locally here, that were farmers, | 0:16:49 | 0:16:53 | |
and also the gentry of Edinburgh, so it appealed to everyone. | 0:16:53 | 0:16:56 | |
This universality and theme of brotherhood | 0:16:56 | 0:16:59 | |
is central to what is, perhaps, Burns' best-known work. | 0:16:59 | 0:17:03 | |
Next Amy has a very special treat in store for James. | 0:17:03 | 0:17:07 | |
The next thing we have here is a fragment of Auld Lang Syne. | 0:17:08 | 0:17:11 | |
-No way! -Yes. | 0:17:11 | 0:17:14 | |
It's written in Burns' own handwriting. | 0:17:15 | 0:17:19 | |
-This is the original script? -Yes. | 0:17:19 | 0:17:21 | |
So Auld Lang Syne has got to be... | 0:17:25 | 0:17:27 | |
got to be in the top ten most famous songs in the world. | 0:17:27 | 0:17:32 | |
Yeah, it's popular the world over. | 0:17:32 | 0:17:34 | |
In Japan it's played at the end of the working day. | 0:17:34 | 0:17:38 | |
It makes me feel slightly strange, looking at that, you know. | 0:17:38 | 0:17:42 | |
-It's just an incredible piece of history. -I know, yeah. | 0:17:42 | 0:17:46 | |
And it's just wonderful how it appeals to people across the world, | 0:17:46 | 0:17:49 | |
because of the sentiments in it. | 0:17:49 | 0:17:50 | |
You don't often see something like that. | 0:17:50 | 0:17:53 | |
"We'll take a cup of kindness yet for auld lang syne." | 0:17:54 | 0:17:58 | |
Oh, how amazing. | 0:17:58 | 0:18:00 | |
This has been absolutely incredible. Thank you very much. | 0:18:01 | 0:18:05 | |
-It was my pleasure. Thank you for coming. -Wow. | 0:18:05 | 0:18:07 | |
Meanwhile, James's auld acquaintance, | 0:18:14 | 0:18:18 | |
Thomas, is still back in Ayr, | 0:18:18 | 0:18:21 | |
at the same shop James visited this morning. | 0:18:21 | 0:18:24 | |
Can he work the same magic with dealer John? | 0:18:24 | 0:18:26 | |
-Hello. -Hello there. Come right in. | 0:18:29 | 0:18:31 | |
Thank you. I'm Thomas, | 0:18:31 | 0:18:34 | |
and you've had my compadre James. | 0:18:34 | 0:18:37 | |
Yes. Very nice it was, too. | 0:18:37 | 0:18:39 | |
You see, I need something... | 0:18:41 | 0:18:43 | |
..to beat him with, thrash him with. | 0:18:46 | 0:18:49 | |
Not literally. | 0:18:52 | 0:18:54 | |
Well, let's hope not. But a pretty object has caught Thomas's eye. | 0:18:56 | 0:19:00 | |
I have a real passion for Scandinavian things | 0:19:01 | 0:19:05 | |
and here we have a piece of Royal Copenhagen | 0:19:05 | 0:19:08 | |
and it's simply marvellous. | 0:19:08 | 0:19:10 | |
Simply a very interesting piece | 0:19:10 | 0:19:13 | |
just because of the design, the style. | 0:19:13 | 0:19:15 | |
Royal Copenhagen porcelain | 0:19:16 | 0:19:18 | |
had been a manufacturer of Danish porcelain since 1775. | 0:19:18 | 0:19:23 | |
This 1950s vase is priced at £40, | 0:19:23 | 0:19:26 | |
and that's not the only Scandinavian beauty Thomas has spotted. Oh, no. | 0:19:26 | 0:19:30 | |
Oh. Didn't see this. Mm. | 0:19:33 | 0:19:36 | |
As a bit of a freak, when it comes to these things, | 0:19:37 | 0:19:41 | |
it says Holmegaard, Per Lutken. | 0:19:41 | 0:19:45 | |
It's quite an early biomorphic bowl. | 0:19:45 | 0:19:49 | |
Per Lutken was a glassmaker | 0:19:50 | 0:19:52 | |
at the Danish glass factory Holmegaard. | 0:19:52 | 0:19:56 | |
Many of his designs are considered 20th century classics. | 0:19:56 | 0:19:59 | |
This dates from around 1955. Ticket price is £40. | 0:19:59 | 0:20:03 | |
We could put that with the Copenhagen, the vase, | 0:20:06 | 0:20:10 | |
and make a lot. | 0:20:10 | 0:20:12 | |
You know, Danish stuff. | 0:20:13 | 0:20:15 | |
There could be another job lot here on the way, | 0:20:15 | 0:20:19 | |
but he's spotted yet another shiny item. | 0:20:19 | 0:20:21 | |
I quite like that hall mirror. It's quite a nice thing. | 0:20:21 | 0:20:26 | |
It's good. It's not that old, though. | 0:20:26 | 0:20:28 | |
-Can I lift it down? -Course you can. | 0:20:28 | 0:20:30 | |
This 1950s mirror might appeal to a fan of retro style. | 0:20:31 | 0:20:35 | |
It's priced up at £45. | 0:20:35 | 0:20:37 | |
Cool, daddy-O! | 0:20:37 | 0:20:39 | |
Good bit of styling. | 0:20:41 | 0:20:43 | |
Well, it's for throwing light around the room. | 0:20:43 | 0:20:45 | |
Yeah, looks lovely. | 0:20:45 | 0:20:47 | |
It's not a bad look, though. I think it's a good, general sale. | 0:20:47 | 0:20:51 | |
Tick tock. Time's running out. | 0:20:53 | 0:20:55 | |
Thomas has found a lot of things he likes | 0:20:55 | 0:20:58 | |
but has yet to strike a deal on any of them. | 0:20:58 | 0:21:00 | |
And it looks like he's spotted something else - | 0:21:00 | 0:21:03 | |
an Art Deco travelling clock. | 0:21:03 | 0:21:05 | |
-There's no price on this. -No. | 0:21:14 | 0:21:16 | |
Well, I was going to say, like the mirror... | 0:21:16 | 0:21:19 | |
..like the vase, like the bowl, quite like this, | 0:21:20 | 0:21:24 | |
but could we do all of that for 80 with this thrown in? | 0:21:24 | 0:21:29 | |
No. I need... | 0:21:29 | 0:21:31 | |
It would need to be 90. | 0:21:34 | 0:21:36 | |
85? | 0:21:39 | 0:21:41 | |
Yeah, I'll go for 85. | 0:21:41 | 0:21:43 | |
-Good man. -Good man. | 0:21:43 | 0:21:45 | |
TIM WHISTLES | 0:21:45 | 0:21:46 | |
Well haggled, Thomas. | 0:21:46 | 0:21:48 | |
He gets a £45 reduction on the ticket price | 0:21:48 | 0:21:51 | |
of the mirror, vase and bowl, | 0:21:51 | 0:21:54 | |
and the travelling clock thrown in for a fiver. | 0:21:54 | 0:21:58 | |
And with that, our boys are all spent up for the day. | 0:21:58 | 0:22:00 | |
So night-night, chaps. | 0:22:00 | 0:22:03 | |
The Scottish morn finds the sun shining | 0:22:06 | 0:22:09 | |
and the chaps back in the car and raring to go. | 0:22:09 | 0:22:13 | |
This is the very last buying day of their epic Caledonian Road Trip. | 0:22:14 | 0:22:18 | |
How are they feeling? | 0:22:18 | 0:22:20 | |
This is it. This is the final day before the auction. | 0:22:22 | 0:22:26 | |
Are you going to shed a tear? | 0:22:27 | 0:22:29 | |
-I've enjoyed your accompany. -I've enjoyed your accompany, James. | 0:22:29 | 0:22:33 | |
It's been remarkably fun. | 0:22:33 | 0:22:35 | |
Weren't you expecting it to be fun?! | 0:22:35 | 0:22:37 | |
Charming! | 0:22:37 | 0:22:40 | |
So far, Thomas has spent £120 on five lots. | 0:22:40 | 0:22:43 | |
The collection of early 20th century tins, | 0:22:44 | 0:22:47 | |
the 1950s Danish vase and bowl... | 0:22:47 | 0:22:49 | |
..the '50s mirror... | 0:22:51 | 0:22:53 | |
the Art Deco travelling timepiece... | 0:22:53 | 0:22:55 | |
..and the Chinese plate. | 0:22:57 | 0:22:59 | |
He still has £178.18. | 0:22:59 | 0:23:02 | |
Meanwhile, James has splurged £192 on three lots. | 0:23:02 | 0:23:07 | |
The job lot of toys... | 0:23:07 | 0:23:09 | |
..the charge carrier-cum-stick stand... | 0:23:10 | 0:23:13 | |
..and the job lot of cartridge maker, dominoes and picnic hamper. | 0:23:14 | 0:23:18 | |
He still has £951.72 in his wallet. | 0:23:18 | 0:23:22 | |
They've driven south, to the rolling green of Dumfriesshire, | 0:23:25 | 0:23:28 | |
where James is going to drop Thomas off. | 0:23:28 | 0:23:31 | |
-Here we go. -Drum..rang...Drum... | 0:23:34 | 0:23:36 | |
-lanrig... -Lanrig. -Drumlanrig Castle. | 0:23:38 | 0:23:40 | |
You'd better get the name right! | 0:23:40 | 0:23:42 | |
It's Drumlanrig Castle, near the town of Thornhill. | 0:23:42 | 0:23:46 | |
And, since Thomas has such a bountiful haul of lots already, | 0:23:47 | 0:23:51 | |
he's going to spend the morning | 0:23:51 | 0:23:52 | |
having a spin around The Scottish Cycle Museum, | 0:23:52 | 0:23:55 | |
which is in the castle grounds. | 0:23:55 | 0:23:58 | |
The 17th century pink palace of Drumlanrig | 0:23:58 | 0:24:00 | |
is home to the Duke and Duchess of Buccleuch and Queensberry. | 0:24:00 | 0:24:04 | |
Pretty Scottish style, isn't it? It's amazing! | 0:24:07 | 0:24:10 | |
-Have fun. -Spend some money. | 0:24:12 | 0:24:15 | |
That doesn't look anything like a bicycle museum, I'm quite jealous. | 0:24:15 | 0:24:18 | |
As well you might be. Thomas is meeting head ranger Richard. | 0:24:18 | 0:24:23 | |
-Hello. -Hello, Thomas. How are you? | 0:24:24 | 0:24:27 | |
-What's your name? -I'm Richard Riley. Pleased to meet you. | 0:24:27 | 0:24:30 | |
The museum charts the whole history of the noble bicycle, | 0:24:30 | 0:24:34 | |
from the very earliest machines, through the iron-framed boneshakers | 0:24:34 | 0:24:38 | |
and towering penny-farthing designs, and on to the present day. | 0:24:38 | 0:24:43 | |
But how on earth did the Bicycle Museum | 0:24:43 | 0:24:47 | |
come to be in the stable block of this magnificent castle? | 0:24:47 | 0:24:50 | |
It's here because of the connection to this bicycle. | 0:24:52 | 0:24:55 | |
Kirkpatrick Macmillan was a blacksmith | 0:24:55 | 0:24:57 | |
who served his time on the estate. | 0:24:57 | 0:24:59 | |
He learned his trade here on the estate. | 0:24:59 | 0:25:01 | |
Shortly after that, he set up his own forge. | 0:25:01 | 0:25:04 | |
In that forge in 1839, | 0:25:04 | 0:25:05 | |
Macmillan invented this fantastic machine here, | 0:25:05 | 0:25:08 | |
which is the first ever pedal bicycle that we know of. | 0:25:08 | 0:25:12 | |
The history of early bicycle invention | 0:25:12 | 0:25:15 | |
is an area hotly contested by historians to this day, | 0:25:15 | 0:25:19 | |
but Richard and the fans of Kirkpatrick Macmillan | 0:25:19 | 0:25:21 | |
are sure this Dumfriesshire man made a huge contribution | 0:25:21 | 0:25:25 | |
to the development of two-wheeled travel. | 0:25:25 | 0:25:28 | |
Being a blacksmith, why did he want to invent a bicycle? | 0:25:30 | 0:25:34 | |
I think he was just inquisitive. | 0:25:34 | 0:25:36 | |
I think he had seen a machine that predated this, | 0:25:36 | 0:25:40 | |
the Laufmaschine that was invented by Baron von Drais | 0:25:40 | 0:25:43 | |
in 1817, thereabouts. | 0:25:43 | 0:25:45 | |
The German Laufmaschine was shaped like a bicycle | 0:25:45 | 0:25:48 | |
but was propelled only by the rider | 0:25:48 | 0:25:50 | |
pushing off the ground with his feet. | 0:25:50 | 0:25:52 | |
I think what happened was Macmillan's seen the Laufmaschine | 0:25:52 | 0:25:56 | |
and he's thought, "I could make that mechanically propelled." | 0:25:56 | 0:26:00 | |
Like the Laufmaschine, Macmillan's cycle | 0:26:00 | 0:26:03 | |
was mainly made of wood but with metal treadles.. | 0:26:03 | 0:26:06 | |
If you look at the technology that's on Macmillan's bike here, | 0:26:06 | 0:26:09 | |
it was pre-existing within his blacksmith's forge. | 0:26:09 | 0:26:13 | |
A lot of the grinding stones that he would use | 0:26:13 | 0:26:15 | |
used the same treadle system, | 0:26:15 | 0:26:17 | |
similar to an old Singer sewing machine. | 0:26:17 | 0:26:20 | |
Macmillan was used to using this machine on a day-to-day basis. | 0:26:20 | 0:26:24 | |
He was known to cycle down to Dumfries on a regular basis. | 0:26:24 | 0:26:27 | |
This 14 mile journey must have been bracing on Victorian roads. | 0:26:27 | 0:26:32 | |
Thomas is about to find out for himself | 0:26:32 | 0:26:33 | |
as Richard and bicycle collector Alex | 0:26:33 | 0:26:36 | |
give him a shot on this replica Macmillan cycle. | 0:26:36 | 0:26:40 | |
First thing you do is put your leg over. This is the saddle here. | 0:26:42 | 0:26:46 | |
-That's the one. -OK. | 0:26:46 | 0:26:47 | |
Now put your feet onto the treadles | 0:26:48 | 0:26:51 | |
to give you an idea of where you're at. OK? | 0:26:51 | 0:26:53 | |
What we'll do is, we'll head off and if you just get the motion... | 0:26:53 | 0:26:57 | |
OK? Alex has got you behind. | 0:26:57 | 0:27:00 | |
Whoa, whoa, whoa. | 0:27:00 | 0:27:02 | |
How do I turn? | 0:27:03 | 0:27:05 | |
By gosh, I think he's got it. | 0:27:08 | 0:27:10 | |
I'm attempting a turn. | 0:27:10 | 0:27:12 | |
I don't know if I should. | 0:27:13 | 0:27:15 | |
Oh! Nearly! | 0:27:16 | 0:27:18 | |
# Bicycle, bicycle, bicycle I want to ride my... # | 0:27:18 | 0:27:21 | |
RICHARD APPLAUDS | 0:27:21 | 0:27:23 | |
It's quite hard work, isn't it? | 0:27:23 | 0:27:25 | |
You've achieved one of the things that you must do before you die, | 0:27:25 | 0:27:28 | |
and that's ride a Macmillan bicycle. | 0:27:28 | 0:27:30 | |
Well, that has been a wonderful experience - can I have a go on something else now? | 0:27:30 | 0:27:33 | |
You're keen. | 0:27:33 | 0:27:35 | |
Bicycle collector Derek is going to let our lad | 0:27:35 | 0:27:37 | |
have a shot at the boneshaker, a design form the 1870s. | 0:27:37 | 0:27:42 | |
Its name refers to the sort of comfort a rider might expect. | 0:27:42 | 0:27:46 | |
It's amazing that it's still got this spring in it. | 0:27:46 | 0:27:50 | |
Oh, no. Whoops. | 0:27:51 | 0:27:53 | |
Right. Thank you. | 0:27:56 | 0:27:58 | |
# I want to ride my bicycle... # | 0:27:58 | 0:28:00 | |
I like the little bell! | 0:28:00 | 0:28:02 | |
What an elegant machine. | 0:28:07 | 0:28:08 | |
Gosh! He's the Road Trip's answer to Bradley Wiggins. | 0:28:08 | 0:28:12 | |
A cycling all-rounder. | 0:28:12 | 0:28:14 | |
-Very well done. -Thank you very much. It's been a real pleasure. | 0:28:15 | 0:28:18 | |
And I must go and buy some antiques now to try and beat James. | 0:28:18 | 0:28:21 | |
Indeed you must, so get on your bike! | 0:28:21 | 0:28:24 | |
I'm not going to dismount... Oh, my...! | 0:28:25 | 0:28:27 | |
Meanwhile, James has driven on to the nearest town, Thornhill, | 0:28:30 | 0:28:34 | |
and he seems to have acquired some interesting eyewear. | 0:28:34 | 0:28:37 | |
I feel like Toad of Toad Hall. Bah! | 0:28:38 | 0:28:42 | |
I'm saying nothing. | 0:28:42 | 0:28:44 | |
This monument in the pretty country town of Thornhill | 0:28:45 | 0:28:49 | |
commemorates the 19th century Scottish explorer | 0:28:49 | 0:28:52 | |
Joseph Thomson, a local boy famed for his African expeditions. | 0:28:52 | 0:28:56 | |
Let's hope James can embrace that spirit of adventure | 0:29:01 | 0:29:04 | |
as he heads into Rosebank Antiques, | 0:29:04 | 0:29:07 | |
where he's meeting the lovely Pauline. | 0:29:07 | 0:29:10 | |
-Hello there. -Hello. -Hi, I'm James. | 0:29:12 | 0:29:14 | |
-I'm Pauline. -Nice to see you. | 0:29:14 | 0:29:16 | |
He's only just arrived but James has spied something. | 0:29:16 | 0:29:18 | |
-Fun, isn't he? -Yes, he's lovely. | 0:29:24 | 0:29:27 | |
Love the expression. | 0:29:27 | 0:29:29 | |
Unusual, being a lion. | 0:29:29 | 0:29:31 | |
It's a Staffordshire pottery figure of a lion sitting with a lamb, | 0:29:33 | 0:29:36 | |
dating from the 19th century. | 0:29:36 | 0:29:39 | |
Staffordshire figures can be highly collectible | 0:29:39 | 0:29:42 | |
and rare figures fetch huge sums. | 0:29:42 | 0:29:45 | |
But any damage can decrease their value considerably. | 0:29:45 | 0:29:49 | |
On the ticket is £155. | 0:29:49 | 0:29:51 | |
What could he be? | 0:29:54 | 0:29:56 | |
-100? -Good. | 0:29:57 | 0:29:59 | |
It's the hole in the back that's the killer. | 0:30:05 | 0:30:08 | |
I didn't know whether that was in the mould. | 0:30:08 | 0:30:10 | |
No, I think it's been dropped at some point. | 0:30:10 | 0:30:14 | |
He must have been dropped on something sharp, mustn't he? | 0:30:14 | 0:30:17 | |
It's a strange place to be damaged. | 0:30:17 | 0:30:18 | |
He's lovely at the front. Lovely face. | 0:30:20 | 0:30:22 | |
Staffordshire's really gone off the boil, | 0:30:22 | 0:30:25 | |
but they either want it and pay really good money for it, | 0:30:25 | 0:30:29 | |
or very, very difficult to get any money. | 0:30:29 | 0:30:31 | |
As the morning ticks on, one more thing catches his eye. | 0:30:31 | 0:30:35 | |
It's a 19th century clock movement, which has become separated | 0:30:35 | 0:30:38 | |
from the clock case it belonged to. | 0:30:38 | 0:30:40 | |
The ticket price is £40. | 0:30:40 | 0:30:43 | |
What would be the best on the movement? | 0:30:45 | 0:30:48 | |
Erm...30. | 0:30:50 | 0:30:52 | |
He's interested, but he can't get his mind off the Staffordshire lion. | 0:30:52 | 0:30:57 | |
Did you buy him well? Is there much movement in there? | 0:30:58 | 0:31:02 | |
-There's a little bit. -Yeah? | 0:31:02 | 0:31:04 | |
-Could I make you a cheeky offer? -You can. | 0:31:04 | 0:31:06 | |
You can always say no! 50. | 0:31:06 | 0:31:09 | |
A little bit more. | 0:31:10 | 0:31:13 | |
Will Pauline cut him a deal | 0:31:13 | 0:31:14 | |
for both the clock movement and the lion? | 0:31:14 | 0:31:17 | |
Will you take 20 for that and 60 for that? | 0:31:18 | 0:31:21 | |
-Yeah. -Yeah? Would you? -I would, yeah. | 0:31:21 | 0:31:24 | |
-Leaves you a profit? -Yeah. -Brilliant. | 0:31:24 | 0:31:26 | |
-In that case, you've got a deal. -Thank you. | 0:31:26 | 0:31:28 | |
Thank you very much. Thank you. | 0:31:28 | 0:31:30 | |
I have no idea about this. | 0:31:30 | 0:31:33 | |
I think he's really interesting, I think he's an interesting thing. | 0:31:33 | 0:31:38 | |
Deal done, but James is going to take one more little item, as well - | 0:31:38 | 0:31:42 | |
a miniature gaming table, priced at only £4. | 0:31:42 | 0:31:44 | |
He's still game for a haggle, though. | 0:31:44 | 0:31:47 | |
Guess I could add that in with that little lot, couldn't I? | 0:31:50 | 0:31:53 | |
Couple of quid. | 0:31:54 | 0:31:56 | |
-Will you take a couple for that one? -Yeah. -Brilliant, thanks. | 0:31:57 | 0:32:00 | |
The miniature gaming table is a snip at £2. | 0:32:00 | 0:32:03 | |
He'll add it to the job lot of hamper, | 0:32:03 | 0:32:06 | |
cartridge tool and dominoes he bought yesterday. | 0:32:06 | 0:32:08 | |
And he's off! | 0:32:08 | 0:32:09 | |
Thomas and James both have five lots assembled for auction, | 0:32:14 | 0:32:18 | |
so they've repaired nearby to the stunning Solway coast | 0:32:18 | 0:32:22 | |
to unveil their purchases. | 0:32:22 | 0:32:24 | |
First to clock in is James. | 0:32:25 | 0:32:27 | |
There we go. | 0:32:27 | 0:32:29 | |
Look at that. | 0:32:31 | 0:32:32 | |
-So, eight day longcase clock movement? -Yes. -Nice thing. | 0:32:32 | 0:32:36 | |
Lovely. Good painted dial. | 0:32:36 | 0:32:39 | |
And how does he think the job lot | 0:32:40 | 0:32:42 | |
of toys and Christening gown will play out? | 0:32:42 | 0:32:44 | |
Lehmann tin-plate toy, early 1900s. | 0:32:44 | 0:32:48 | |
-Nice looking thing, been painted. -Yeah. | 0:32:48 | 0:32:50 | |
Nice bear. Mary Thorpe English bear, lovely. | 0:32:50 | 0:32:53 | |
Now the damaged but intriguing Staffordshire lion. | 0:32:53 | 0:32:56 | |
-He's a handsome chap, isn't he? -Isn't he? | 0:32:56 | 0:32:59 | |
It's a lovely Staffordshire figure. | 0:32:59 | 0:33:00 | |
There are lion collectors out there. | 0:33:00 | 0:33:03 | |
I know of one who would fall in love with this immediately. | 0:33:03 | 0:33:07 | |
I love it. It's very nice. | 0:33:07 | 0:33:09 | |
Kind words from Thomas. | 0:33:09 | 0:33:12 | |
Now, what will James think of his haul? | 0:33:12 | 0:33:14 | |
First, the bargain piece of porcelain. | 0:33:14 | 0:33:16 | |
Lovely! | 0:33:16 | 0:33:18 | |
-It's all there. -18th century one. | 0:33:18 | 0:33:20 | |
Chinese blue and white is what everyone's after. | 0:33:20 | 0:33:23 | |
Fiver paid. | 0:33:23 | 0:33:25 | |
-Fiver?! A fiver?! -A fiver. | 0:33:25 | 0:33:27 | |
HE LAUGHS | 0:33:27 | 0:33:28 | |
Well, that's a pretty damn good start. | 0:33:28 | 0:33:31 | |
Hmm, he might be getting worried, Thomas. | 0:33:31 | 0:33:33 | |
-I recognise the mirror. -The mirror, yeah. | 0:33:34 | 0:33:36 | |
It's lovely, the mirror. | 0:33:36 | 0:33:38 | |
1950s, so decorative. | 0:33:38 | 0:33:41 | |
These are fun. You sell a lot of tins, don't you? | 0:33:41 | 0:33:43 | |
We well tins, as well. Oh, yeah. Fun. Fun. | 0:33:43 | 0:33:46 | |
-OK., how much were they? -35 quid. | 0:33:46 | 0:33:48 | |
Well, that's 40, isn't it? | 0:33:50 | 0:33:52 | |
Now that they've seen all their rival's buys, | 0:33:53 | 0:33:55 | |
what do they really think, huh? | 0:33:55 | 0:33:57 | |
Thomas, as usual, has bought a really mixed bag. | 0:33:59 | 0:34:02 | |
The tins are a little bit specialist, | 0:34:02 | 0:34:04 | |
but the Chinese plate, that's a great one, | 0:34:04 | 0:34:06 | |
that should show a great profit. | 0:34:06 | 0:34:08 | |
But there's nothing there that I think will win in the competition. | 0:34:08 | 0:34:12 | |
It is all about the lion. | 0:34:12 | 0:34:15 | |
What a good thing. Well done, James. | 0:34:15 | 0:34:18 | |
The only criticism, I would say - | 0:34:18 | 0:34:20 | |
the bear, the Lehmann car and the other car. | 0:34:20 | 0:34:25 | |
Those three together appeal to three different people, | 0:34:25 | 0:34:28 | |
so that could be an Achilles heel. | 0:34:28 | 0:34:30 | |
Thomas and James have wandered the rolling Scottish lowlands | 0:34:32 | 0:34:35 | |
and are heading for their final auction | 0:34:35 | 0:34:37 | |
in the majestic capital of Edinburgh. | 0:34:37 | 0:34:39 | |
Edinburgh's picture-postcard streets and volcanic vistas | 0:34:43 | 0:34:47 | |
reflect its rich and varied history. | 0:34:47 | 0:34:49 | |
In the 18th century, this city, | 0:34:49 | 0:34:51 | |
which cradled the Enlightenment thinkers, | 0:34:51 | 0:34:54 | |
was also known as the Athens of the North. | 0:34:54 | 0:34:56 | |
Let's hope that some of those smarts have rubbed off on Thomas and James | 0:34:58 | 0:35:02 | |
as they head for their auction. | 0:35:02 | 0:35:04 | |
Ramsay Cornish Auctions, in the Leith area of the city, | 0:35:04 | 0:35:07 | |
holds both specialists and general sales. | 0:35:07 | 0:35:10 | |
50 to start it quickly. | 0:35:10 | 0:35:12 | |
Auctioneer Martin Cornish will be presiding, but before he | 0:35:12 | 0:35:15 | |
takes the gavel in hand, what does he make of our lads' buys? | 0:35:15 | 0:35:19 | |
The lion, I think, is lovely. It's incredible. | 0:35:19 | 0:35:22 | |
Lovely condition, the enamelling on it is fantastic, | 0:35:22 | 0:35:25 | |
so I think there'll be quite a lot of interest in that. | 0:35:25 | 0:35:28 | |
I think what we might struggle to sell, | 0:35:28 | 0:35:30 | |
the Copenhagen vase and, also, the Danish dish, | 0:35:30 | 0:35:35 | |
so I think that might be the lot | 0:35:35 | 0:35:36 | |
that's going to do less well than the others. | 0:35:36 | 0:35:39 | |
Thomas Plant started this leg with £298.18. | 0:35:40 | 0:35:43 | |
He spent £120 exactly and has assembled five lots. | 0:35:43 | 0:35:47 | |
James Lewis began rich as Rockefeller | 0:35:50 | 0:35:53 | |
with £1,143.72. | 0:35:53 | 0:35:56 | |
He's spent £274 and also has five lots to show for it. | 0:35:56 | 0:36:02 | |
The auction is about to begin. | 0:36:05 | 0:36:08 | |
First up is Thomas' Chinese blue and white plate. | 0:36:09 | 0:36:12 | |
30 to start it? 20? | 0:36:12 | 0:36:14 | |
20 I'm bid. | 0:36:14 | 0:36:15 | |
25, 30, 35... | 0:36:15 | 0:36:17 | |
40 here. | 0:36:17 | 0:36:19 | |
At £40, 45... | 0:36:19 | 0:36:21 | |
50, 55, 60... | 0:36:21 | 0:36:23 | |
65, 70, 75, 80... | 0:36:23 | 0:36:27 | |
85, 90, 95, 100. | 0:36:27 | 0:36:29 | |
£100. | 0:36:29 | 0:36:31 | |
On commission at £100. | 0:36:31 | 0:36:32 | |
Last call at 100. | 0:36:32 | 0:36:34 | |
WHISPERING | 0:36:36 | 0:36:38 | |
What an astonishing profit for the outlay of a fiver. | 0:36:39 | 0:36:42 | |
Good show. | 0:36:42 | 0:36:44 | |
One for James now, as his job lot of toys | 0:36:45 | 0:36:47 | |
and Christening gown comes under the hammer. | 0:36:47 | 0:36:49 | |
Will it charm the saleroom? | 0:36:49 | 0:36:50 | |
50 for the lot to start it quickly. | 0:36:52 | 0:36:54 | |
-Oh, God! -Oh, early bath for you. | 0:36:54 | 0:36:56 | |
£50 I'm bid for the lot. | 0:36:56 | 0:36:57 | |
55, 60, 65... | 0:36:57 | 0:36:59 | |
70, 75... | 0:36:59 | 0:37:00 | |
-At 75 for the lot. -No. No! | 0:37:00 | 0:37:03 | |
75, 80, 85... | 0:37:03 | 0:37:05 | |
90. | 0:37:05 | 0:37:06 | |
Gentleman at the back, at £90. | 0:37:06 | 0:37:09 | |
At £90, for the lot at 90. | 0:37:09 | 0:37:13 | |
Hardly a disaster | 0:37:13 | 0:37:15 | |
but might Thomas finally be breaking James' winning streak? | 0:37:15 | 0:37:18 | |
Next it's Thomas' Danish vase and bowl. | 0:37:22 | 0:37:24 | |
30 to start? 20 to get them going? | 0:37:24 | 0:37:27 | |
20 I'm bid. At £20, 25, 30... | 0:37:27 | 0:37:30 | |
355. Lady's bid at 35. | 0:37:30 | 0:37:32 | |
-Bit more. -On the right now at £35. | 0:37:32 | 0:37:36 | |
At 35, at 35. | 0:37:36 | 0:37:38 | |
What a pity. The room doesn't seem as keen | 0:37:38 | 0:37:40 | |
on Scandinavian design as Thomas is. | 0:37:40 | 0:37:43 | |
Up now, it's another lot for James - | 0:37:45 | 0:37:47 | |
His hamper, shotgun cartridge tool, mini gaming table and dominoes. | 0:37:47 | 0:37:52 | |
50 to start it quickly. | 0:37:54 | 0:37:56 | |
50 I'm bid. | 0:37:56 | 0:37:58 | |
55, 60, 65, 70, 75... | 0:37:58 | 0:38:01 | |
80, 85. 85, new bidder. | 0:38:01 | 0:38:05 | |
90, 95, 100. | 0:38:05 | 0:38:07 | |
At £100, 110, 120... | 0:38:07 | 0:38:10 | |
Well done. | 0:38:10 | 0:38:11 | |
At 120. Last call at 120, at 120... | 0:38:11 | 0:38:15 | |
That was touch and go, though, wasn't it? | 0:38:15 | 0:38:16 | |
But, in the end, a picnic of a lot for James. | 0:38:16 | 0:38:20 | |
But still not quite enough to catch up with Thomas. | 0:38:20 | 0:38:22 | |
But it's Thomas's sweet collection | 0:38:24 | 0:38:27 | |
of 1900s biscuit and confectionery tins up next. | 0:38:27 | 0:38:31 | |
Will the punters bite? | 0:38:31 | 0:38:33 | |
30 to start them. 20? | 0:38:33 | 0:38:35 | |
20 I'm bid for all the tins. At £20 I'm bid. £25, 30... | 0:38:35 | 0:38:39 | |
35, 40. At £40. | 0:38:39 | 0:38:42 | |
On the right at £40. Gentleman's bid. | 0:38:42 | 0:38:45 | |
At £40 for all the tins, at 40, at 40... | 0:38:45 | 0:38:49 | |
A modest profit, but a win nevertheless, | 0:38:49 | 0:38:51 | |
and Thomas is still in the lead today. | 0:38:51 | 0:38:53 | |
Now James's charge carrier. | 0:38:53 | 0:38:56 | |
Can it stage am assault on the saleroom? Boom boom. | 0:38:56 | 0:38:59 | |
50 to start it. 30. | 0:39:01 | 0:39:03 | |
30?! | 0:39:03 | 0:39:05 | |
40, 45, 50, 55, 60... | 0:39:05 | 0:39:07 | |
65, 70... | 0:39:07 | 0:39:08 | |
It's got long legs. It's got loads of legs. | 0:39:08 | 0:39:12 | |
100, 110, 120. | 0:39:12 | 0:39:14 | |
120. | 0:39:14 | 0:39:15 | |
-Well done! -Go on, go on. | 0:39:15 | 0:39:17 | |
At 120, standing at the back, in the room, at 120 | 0:39:17 | 0:39:21 | |
and I'm selling, last call. | 0:39:21 | 0:39:22 | |
-Super. -Well done. -Super. -Good. | 0:39:22 | 0:39:25 | |
A shaky start but it recovers to victory | 0:39:25 | 0:39:29 | |
and that puts James in the lead. | 0:39:29 | 0:39:30 | |
Now it's Thomas' Art Deco travelling timepiece. | 0:39:31 | 0:39:34 | |
10 to start it. 10 I'm bid. | 0:39:36 | 0:39:39 | |
10 I'm bid for this. At £10 I am bid. | 0:39:39 | 0:39:41 | |
12, 14, 16. 16 in front. | 0:39:41 | 0:39:44 | |
At £16, for the travelling timepiece, at £16. | 0:39:44 | 0:39:48 | |
-Oh, that's cheap. -Still. | 0:39:48 | 0:39:50 | |
At 16... | 0:39:50 | 0:39:51 | |
-Profit. -It's profit. | 0:39:51 | 0:39:52 | |
Once again, a lot bought for £5 does the business for Thomas, | 0:39:52 | 0:39:57 | |
but it's not enough to retake the lead. | 0:39:57 | 0:39:59 | |
Another timely lot now, as James' clock movement is up. | 0:40:00 | 0:40:04 | |
80 to start it. 80 I'm bid. | 0:40:05 | 0:40:08 | |
£80 I'm bid. At £80, 85, 90... | 0:40:08 | 0:40:11 | |
95, 100. | 0:40:11 | 0:40:13 | |
At £100. | 0:40:13 | 0:40:15 | |
-Brilliant. -110... | 0:40:15 | 0:40:17 | |
110. Nobody else now? Going on at 110, at 110... | 0:40:17 | 0:40:23 | |
-Brilliant. -Good result. | 0:40:23 | 0:40:24 | |
Time simply runs away with James as he widens his lead yet again. | 0:40:24 | 0:40:30 | |
The last two lots in this whole shebang now - | 0:40:31 | 0:40:34 | |
first, the retro 1950s mirror for Thomas. | 0:40:34 | 0:40:37 | |
30 to start it. 20. | 0:40:37 | 0:40:39 | |
20 I'm bid. 25, 30, 35... | 0:40:39 | 0:40:41 | |
40, 45, 50. 50 on my left. | 0:40:41 | 0:40:45 | |
At £50. 55. | 0:40:45 | 0:40:47 | |
At 55 down beside me, at 55. | 0:40:47 | 0:40:50 | |
-Last call and I'm selling at 55. -Oh that's brilliant. | 0:40:50 | 0:40:54 | |
It's a nice little earner, but it's not the flyer he needs. | 0:40:54 | 0:40:58 | |
Last of all, the Staffordshire lion. | 0:41:00 | 0:41:02 | |
Will it roar? | 0:41:02 | 0:41:03 | |
-200 to start it. -Crikey! | 0:41:04 | 0:41:07 | |
200 I'm bid. | 0:41:07 | 0:41:08 | |
210, 220... | 0:41:08 | 0:41:11 | |
230, 240... | 0:41:11 | 0:41:13 | |
250, 260, 270... | 0:41:13 | 0:41:15 | |
280, 290, 300... | 0:41:15 | 0:41:18 | |
320. I'm selling it at 320. Nobody else... | 0:41:18 | 0:41:23 | |
340, 360. At 360 now. | 0:41:23 | 0:41:26 | |
On the phone, last call at 360, and I'm selling it... | 0:41:26 | 0:41:30 | |
It's a great profit to end on. | 0:41:31 | 0:41:32 | |
Indeed it is. The star lot at the last gasp, | 0:41:32 | 0:41:36 | |
and James Lewis has done it again. | 0:41:36 | 0:41:40 | |
Well done, James. Well, it's been a pleasure. | 0:41:40 | 0:41:42 | |
Thomas, you are such a gent. | 0:41:42 | 0:41:44 | |
-It has been a pleasure. -You thoroughly thrashed me. | 0:41:44 | 0:41:47 | |
Thomas Plant started this leg with £298.18 | 0:41:49 | 0:41:54 | |
After paying auction costs, | 0:41:54 | 0:41:56 | |
he made a respectable profit of £81.72, | 0:41:56 | 0:41:59 | |
meaning that he ends this Road Trip with £379.90. | 0:41:59 | 0:42:04 | |
Well, Thomas, at least you're smiling, boy. | 0:42:04 | 0:42:08 | |
James Lewis, meanwhile, somehow began with £1,143.72 | 0:42:09 | 0:42:15 | |
and made a startling profit of £382 | 0:42:15 | 0:42:20 | |
in this auction and finishes victorious with £1,525.72 | 0:42:20 | 0:42:26 | |
Wow. | 0:42:26 | 0:42:28 | |
Thomas and James have had an extraordinary Road Trip, | 0:42:32 | 0:42:36 | |
full of camaraderie and competition. | 0:42:36 | 0:42:39 | |
Don't worry, that fighting's only for fun...I think. | 0:42:39 | 0:42:43 | |
But, at the end of the day, this journey's really | 0:42:43 | 0:42:45 | |
all been about one temperamental old girl... | 0:42:45 | 0:42:48 | |
the beloved Morris Minor. | 0:42:48 | 0:42:51 | |
-Get out and push, Thomas. -Put your back into it! | 0:42:51 | 0:42:53 | |
# You're once... | 0:42:53 | 0:42:55 | |
Bye! | 0:42:55 | 0:42:56 | |
# Twice... | 0:42:56 | 0:42:58 | |
Can I just suggest we get a taxi? | 0:42:58 | 0:42:59 | |
# Three times a lady... | 0:42:59 | 0:43:01 | |
Oh, no! | 0:43:01 | 0:43:03 | |
# And I love you... # | 0:43:06 | 0:43:11 | |
-I hate this car! -Don't be nasty. | 0:43:11 | 0:43:14 | |
# I love you. # | 0:43:16 | 0:43:19 | |
Next week on the Antiques Road Trip, | 0:43:19 | 0:43:22 | |
we're with a right couple of charmers | 0:43:22 | 0:43:24 | |
where Catherine Southon has no shame... | 0:43:24 | 0:43:27 | |
-Hello. -What a pleasure to meet you. | 0:43:27 | 0:43:28 | |
Move out of the way, Charlie. I'm moving in. | 0:43:28 | 0:43:30 | |
..and Charlie Ross gets all hot under the collar. | 0:43:30 | 0:43:33 | |
Blimey, you're making an old man's glasses steam up here! | 0:43:33 | 0:43:36 | |
Subtitles by Red Bee Media Ltd | 0:43:38 | 0:43:43 |