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It's the nation's favourite antiques experts, with £200 each, | 0:00:02 | 0:00:03 | |
a classic car and a goal - | 0:00:03 | 0:00:06 | |
to scour Britain for antiques. | 0:00:06 | 0:00:09 | |
That hurts! | 0:00:09 | 0:00:11 | |
My sap is rising. | 0:00:11 | 0:00:13 | |
The aim? To make the biggest profit at auction, | 0:00:13 | 0:00:17 | |
but it's no mean feat. | 0:00:17 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:21 | |
Could you do 50 quid on that? | 0:00:21 | 0:00:22 | |
So, will it be the high road to glory, | 0:00:22 | 0:00:25 | |
or the slow road to disaster? | 0:00:25 | 0:00:27 | |
Your steering is a bit lamentable. | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
Today, we're out and about with a right pair of mischief makers. | 0:00:35 | 0:00:39 | |
Auctioneers James Braxton and Charles Hanson. | 0:00:39 | 0:00:42 | |
Stop mucking about, Charles. | 0:00:42 | 0:00:44 | |
Now, James Braxton simply loves all the towns he visits. | 0:00:44 | 0:00:48 | |
God bless you, Combe Martin. | 0:00:48 | 0:00:52 | |
And he's VERY charming with the ladies... | 0:00:52 | 0:00:55 | |
-Can I show it to you? -Yes, fine. | 0:00:55 | 0:00:57 | |
This is Charles Hanson. | 0:00:57 | 0:00:58 | |
He's a real risk taker. | 0:00:58 | 0:01:01 | |
-And nervy. -That's my entire money gone! | 0:01:01 | 0:01:03 | |
What have I done? | 0:01:03 | 0:01:05 | |
And buying antiques really makes him very happy. | 0:01:05 | 0:01:08 | |
I feel like dancing in the rain. | 0:01:08 | 0:01:10 | |
James isn't faring too well at auction. | 0:01:12 | 0:01:15 | |
Unfortunately, he's had more losses than profits. | 0:01:15 | 0:01:18 | |
Gone. | 0:01:18 | 0:01:19 | |
Not my day, is it? | 0:01:19 | 0:01:22 | |
Charles, on the other hand, | 0:01:22 | 0:01:24 | |
is proving to be one very smart cookie. | 0:01:24 | 0:01:27 | |
Everything he buys turns into a profit, | 0:01:27 | 0:01:29 | |
especially that liberty stool. | 0:01:29 | 0:01:32 | |
-Yes! -Well done, well done! -Thank you very much. | 0:01:32 | 0:01:34 | |
APPLAUSE | 0:01:34 | 0:01:37 | |
Well, from his £200, | 0:01:37 | 0:01:40 | |
James has only been able to shuffle towards the finishing line... | 0:01:40 | 0:01:44 | |
Huh! And currently has a paltry £248.24 | 0:01:44 | 0:01:48 | |
rattling round in his back pocket. | 0:01:48 | 0:01:51 | |
Oh, dear! | 0:01:51 | 0:01:52 | |
But third-time winner, Charles Hanson... | 0:01:52 | 0:01:55 | |
Wow, has he sprinted ahead! | 0:01:55 | 0:01:57 | |
From his original £200, | 0:01:57 | 0:01:59 | |
he has an impressive £943, and a penny, to spend. | 0:01:59 | 0:02:04 | |
And the car of choice | 0:02:06 | 0:02:08 | |
is James's beloved 1952 MG. | 0:02:08 | 0:02:12 | |
You're just under 1,000. | 0:02:12 | 0:02:15 | |
I'm trailing with just under 250. | 0:02:15 | 0:02:18 | |
But I feel quite emotionally unstable. | 0:02:18 | 0:02:20 | |
To have so much money - do I bank it? Do I play it? | 0:02:20 | 0:02:23 | |
Do I gamble? Do I...? | 0:02:23 | 0:02:26 | |
I think, on your roll, | 0:02:26 | 0:02:28 | |
anything you touch may turn to gold. | 0:02:28 | 0:02:31 | |
James and Charles are travelling 400 miles, | 0:02:31 | 0:02:33 | |
from Dulverton, West Somerset, | 0:02:33 | 0:02:36 | |
via the Isle of Wight, | 0:02:36 | 0:02:37 | |
to the county town of Truro, in Cornwall. What a trek! | 0:02:37 | 0:02:41 | |
On today's show, first stop is the Devon town of Crediton. | 0:02:41 | 0:02:45 | |
And they'll auction in the Cornish town of Lostwithiel. | 0:02:45 | 0:02:48 | |
I've got to bounce back. | 0:02:48 | 0:02:50 | |
-Come on, Braxton! -Bounce back. | 0:02:50 | 0:02:52 | |
Bounce back, Braxton! | 0:02:52 | 0:02:54 | |
Bounce back, Braxton. | 0:02:54 | 0:02:55 | |
Bounce back, Braxton! Ha-ha! | 0:02:55 | 0:02:57 | |
-"Bounce back, Braxton," indeed. -It's coming in! | 0:02:57 | 0:03:00 | |
The missionary St Boniface | 0:03:00 | 0:03:03 | |
was born in Crediton in the seventh century, | 0:03:03 | 0:03:05 | |
and the town's parish church is over 1,100 years old. | 0:03:05 | 0:03:09 | |
Let's get going with our road trip. | 0:03:09 | 0:03:12 | |
First to have a go is the excitable Charles Hanson. Stand by. | 0:03:12 | 0:03:15 | |
-That's my first shop. Fantastic! -Spooky - it's called "James". | 0:03:17 | 0:03:20 | |
I know. "James Antiques". | 0:03:20 | 0:03:21 | |
Well, good luck. Not too much luck. | 0:03:21 | 0:03:24 | |
-My namesake can't hang around(?) -Go on, get out, get out. -I'll see you later. | 0:03:24 | 0:03:28 | |
-See you later. -Wish me luck. | 0:03:28 | 0:03:29 | |
-Good luck. -I don't need it. | 0:03:29 | 0:03:31 | |
Good luck, birthday boy. | 0:03:31 | 0:03:32 | |
-Bye! -Bye. | 0:03:32 | 0:03:35 | |
Oops! Steady there, James. | 0:03:35 | 0:03:37 | |
Now, don't be too cocky, Carlos. This is traffic, | 0:03:37 | 0:03:41 | |
and you're an adult. | 0:03:41 | 0:03:43 | |
Now, get your shopping done before you do yourself a mischief. | 0:03:43 | 0:03:46 | |
Good morning, sir. | 0:03:46 | 0:03:47 | |
-Good morning. -How are you? | 0:03:47 | 0:03:49 | |
Welcome to James Antiques. | 0:03:49 | 0:03:51 | |
-You're the Mr James, are you? -I am indeed. | 0:03:51 | 0:03:53 | |
-Or are you a James? -I'm Jim. | 0:03:53 | 0:03:54 | |
-Good to see you, Jim. -Call me Jim. -Hello, Jim. | 0:03:54 | 0:03:56 | |
This is nice stick, Jim, isn't it? A wonderful Hawthorn cane. | 0:04:05 | 0:04:09 | |
If you were a gent, | 0:04:09 | 0:04:11 | |
as you are, Jim, a Devonian gent, | 0:04:11 | 0:04:13 | |
back in the year, 1909... | 0:04:13 | 0:04:16 | |
-Yes. -London hallmark. -It's one of the nicest sticks | 0:04:16 | 0:04:18 | |
I think we've had. | 0:04:18 | 0:04:19 | |
Wonderful stick. | 0:04:19 | 0:04:20 | |
Of a superior quality. | 0:04:20 | 0:04:23 | |
A wonderful handle, as well. | 0:04:23 | 0:04:25 | |
I like it, Jim. That's a good thing, isn't it? | 0:04:25 | 0:04:27 | |
So, Jim, what would be the best price on your fine cane? | 0:04:27 | 0:04:30 | |
-We're asking 168, as you'll probably see. -Yes. | 0:04:30 | 0:04:34 | |
Er, 150, straight 150. | 0:04:34 | 0:04:36 | |
Jim, it's not a bad price. | 0:04:36 | 0:04:38 | |
I think, again, going back to auction, | 0:04:38 | 0:04:42 | |
I'll want it a bit cheaper than that. | 0:04:42 | 0:04:44 | |
What's the best price? | 0:04:44 | 0:04:46 | |
-125. -125, you see. | 0:04:46 | 0:04:47 | |
That's a really good offer, | 0:04:47 | 0:04:50 | |
and I just feel that, at 125, | 0:04:50 | 0:04:53 | |
I'm going to say, "Thank you, but I'll leave it." | 0:04:53 | 0:04:55 | |
Thank you very much. All the best! | 0:04:55 | 0:04:57 | |
Well, I take it that's a no, then? | 0:04:57 | 0:04:59 | |
Yeah, you, too. Bye. | 0:04:59 | 0:05:01 | |
Charles-style. Good. | 0:05:01 | 0:05:04 | |
Meanwhile, James has travelled south to the historic city of Exeter. | 0:05:04 | 0:05:09 | |
Exeter's long and fascinating history | 0:05:09 | 0:05:12 | |
dates back as far as 250 BC, and it's home to this | 0:05:12 | 0:05:16 | |
breathtaking 12th-century cathedral. | 0:05:16 | 0:05:19 | |
Just in case you didn't know, | 0:05:19 | 0:05:21 | |
JK Rowling was a student at Exeter University, | 0:05:21 | 0:05:23 | |
and my parents got married in the cathedral. | 0:05:23 | 0:05:25 | |
Now, James hasn't had much luck so far, | 0:05:27 | 0:05:29 | |
but the sun is shining, he's got the shades on. | 0:05:29 | 0:05:32 | |
He's wearing a rather natty outfit, which should excite the ladies... | 0:05:32 | 0:05:35 | |
if only he can get out of the car. | 0:05:35 | 0:05:37 | |
MUSIC: "The Ipcress File" by John Barry | 0:05:37 | 0:05:39 | |
What a glorious place! | 0:05:39 | 0:05:42 | |
Watch out, Exeter Antiques Centre. | 0:05:43 | 0:05:46 | |
James is a man on a mission, | 0:05:46 | 0:05:48 | |
and it's not long before James finds dealer Mike to talk business. | 0:05:48 | 0:05:53 | |
-Anything I should be looking...? -This rolling pin here... | 0:05:53 | 0:05:55 | |
Oh, right. OK. | 0:05:55 | 0:05:57 | |
They might have put scraps in it. Victorian scraps. | 0:05:57 | 0:05:59 | |
How interesting. That is unlike rolling pins I have seen before. | 0:05:59 | 0:06:04 | |
-It's one of these Victorian salt pins, isn't it? -Yeah. | 0:06:04 | 0:06:08 | |
That were given, full of salt, | 0:06:08 | 0:06:11 | |
and then sometimes, you get them painted, don't you? | 0:06:11 | 0:06:14 | |
-How unusual! -Victorian scraps. -Scraps, aren't they? -Yeah. | 0:06:14 | 0:06:17 | |
Very quirky, isn't it? | 0:06:17 | 0:06:19 | |
What could this fellow be, Mike? | 0:06:19 | 0:06:21 | |
-What have I got on it? -What have you got on it? | 0:06:21 | 0:06:26 | |
95. | 0:06:26 | 0:06:28 | |
-70? -70. | 0:06:28 | 0:06:30 | |
What else have got there? I think that's very interesting, Mike. | 0:06:30 | 0:06:33 | |
Here's something unusual. | 0:06:33 | 0:06:35 | |
Oh, yeah... | 0:06:35 | 0:06:36 | |
Horseshoe filer. | 0:06:36 | 0:06:37 | |
Oh, really, is it? | 0:06:37 | 0:06:39 | |
So, that's a farrier's tool, isn't it? | 0:06:39 | 0:06:41 | |
God, that's well made! | 0:06:41 | 0:06:43 | |
And so you could take that out | 0:06:43 | 0:06:44 | |
and sharpen that, as well? | 0:06:44 | 0:06:47 | |
This file would whittle a horse's hoof. | 0:06:47 | 0:06:51 | |
Much in the same way a nail file is used in manicures. | 0:06:51 | 0:06:54 | |
And the ticket price is £20. | 0:06:54 | 0:06:58 | |
So I could just sort of give it some, couldn't I? | 0:06:58 | 0:07:02 | |
That's rather fun. | 0:07:02 | 0:07:04 | |
Now, Mike, could this be really cheap? | 0:07:04 | 0:07:07 | |
Could you do a tenner on that? | 0:07:07 | 0:07:08 | |
I might buy something else from you, Mike, as well. | 0:07:08 | 0:07:11 | |
-HE SIGHS -Go on, then. -Oh, Mike! | 0:07:11 | 0:07:14 | |
Good man, good man. That's really nice, I like that. | 0:07:14 | 0:07:17 | |
-Can I revisit that rolling pin? -Very quirky. | 0:07:17 | 0:07:20 | |
D'you like rolling pins, or d'you just buy quirky items? | 0:07:20 | 0:07:24 | |
-Just buy quirky items. -Yeah. | 0:07:24 | 0:07:25 | |
Salt pins are handy, aren't they? | 0:07:25 | 0:07:29 | |
They help keep salt nice and dry, | 0:07:29 | 0:07:31 | |
and this one is decorated by scrap pictures, | 0:07:31 | 0:07:33 | |
which is called "decalcomania". | 0:07:33 | 0:07:35 | |
Could you do anything really good on this? | 0:07:35 | 0:07:38 | |
-Like sort of 30 or 35? -Oh! You're robbing me. | 0:07:38 | 0:07:42 | |
HE LAUGHS | 0:07:42 | 0:07:43 | |
-I like old puggy. -45. | 0:07:43 | 0:07:46 | |
45? | 0:07:46 | 0:07:48 | |
It IS very unusual... | 0:07:48 | 0:07:50 | |
-50, the two. There you are. -50, the two? | 0:07:50 | 0:07:53 | |
Oh, that's very kind of you. | 0:07:53 | 0:07:54 | |
-Mike, I'm going to have it. -Right. | 0:07:54 | 0:07:56 | |
That's really kind of you. Thank you very much indeed. So, 50 for the two... | 0:07:56 | 0:07:59 | |
Looks like Braxton is definitely tring to bounce back, | 0:07:59 | 0:08:03 | |
and that's a good start, with two items in the old bag. | 0:08:03 | 0:08:08 | |
Charles, meanwhile, | 0:08:08 | 0:08:09 | |
is still empty-handed and stuck in Crediton. | 0:08:09 | 0:08:12 | |
He's got an appointment to get to, | 0:08:12 | 0:08:14 | |
but James and the MG are nowhere in sight. | 0:08:14 | 0:08:18 | |
I'll see you later! | 0:08:18 | 0:08:20 | |
I'll see you later. Bye! | 0:08:20 | 0:08:22 | |
He's saying to me he's too busy shopping. | 0:08:22 | 0:08:24 | |
I either get the number 51 or 50 bus in a lay-by | 0:08:24 | 0:08:27 | |
over there somewhere, | 0:08:27 | 0:08:28 | |
or I get a push-bike. I'll tell you... | 0:08:28 | 0:08:30 | |
I'll do something. | 0:08:31 | 0:08:33 | |
Mr postie, | 0:08:33 | 0:08:34 | |
is there a bike shop around here at all, or anything on those lines? | 0:08:34 | 0:08:37 | |
Yeah, just back there n the right hand side. | 0:08:37 | 0:08:39 | |
-Right hand side? -Yeah. -A Bike shop? -Yeah. -Fantastic, thanks! | 0:08:39 | 0:08:43 | |
Now what's he up to? | 0:08:43 | 0:08:45 | |
-Fantastic. Look, The Bike Shed. -Ah. | 0:08:45 | 0:08:47 | |
Brilliant! Thanks, Andy. | 0:08:47 | 0:08:49 | |
-Right, Charles. -Helmet on. -Gird up your loins. -See you, Andy. | 0:08:49 | 0:08:52 | |
Off you go. | 0:08:52 | 0:08:53 | |
MUSIC: "The Pushbike Song" by The Mixtures | 0:08:53 | 0:08:55 | |
The enigmatic Charles is using the magic of pedal power | 0:08:55 | 0:08:58 | |
to travel. | 0:08:58 | 0:09:00 | |
OK, well, not quite all the way we hoped, | 0:09:00 | 0:09:03 | |
to West Putford, near Holsworthy. | 0:09:03 | 0:09:05 | |
As if by magic, Charles is heading to the enchanting world | 0:09:08 | 0:09:11 | |
of Britain's only gnome reserve. Huh! | 0:09:11 | 0:09:15 | |
Artist and founder Ann Atkins created the reserve | 0:09:15 | 0:09:18 | |
in 1979, | 0:09:18 | 0:09:20 | |
and holds the world record for owning over 2,000 gnomes. | 0:09:20 | 0:09:24 | |
Gosh. | 0:09:24 | 0:09:26 | |
Siegfried was the very first gnome | 0:09:30 | 0:09:33 | |
who gave Ann the idea of sharing her woodland retreat with the public. | 0:09:33 | 0:09:37 | |
The sun is shining, and Ann... | 0:09:37 | 0:09:40 | |
I begin to believe. | 0:09:40 | 0:09:43 | |
Of course! | 0:09:43 | 0:09:44 | |
-I begin to believe in gnomes. -The real world, isn't it, here? | 0:09:44 | 0:09:47 | |
-No blaring music and slot machines... -No! | 0:09:47 | 0:09:49 | |
-..It's just nature and the gnomes and the fairies. -It is. | 0:09:49 | 0:09:52 | |
Nature and the gnomes, and I can't wait to get started. | 0:09:52 | 0:09:55 | |
You're going to wear a gnome hat. | 0:09:55 | 0:09:57 | |
Erm... | 0:09:57 | 0:09:58 | |
-You've got to wear a gnome hat... -OK. | 0:09:58 | 0:10:01 | |
..cos you embarrass them, otherwise. | 0:10:01 | 0:10:03 | |
-Come on. -Uh-oh. | 0:10:03 | 0:10:05 | |
This is the real world, hey? | 0:10:05 | 0:10:06 | |
Will that one fit you all right? | 0:10:06 | 0:10:08 | |
-I'm going to go for an orange one, Ann. -Oh, yeah(!) | 0:10:08 | 0:10:10 | |
The gnomes recognise me. | 0:10:10 | 0:10:12 | |
That looks splendid. That looks good, actually. | 0:10:12 | 0:10:14 | |
Thanks, Ann. Are you going to wear one as well? | 0:10:14 | 0:10:16 | |
I don't usually, because they know me well enough. | 0:10:16 | 0:10:19 | |
Charles needs no encouragement. | 0:10:19 | 0:10:22 | |
The little people have existed in different cultures | 0:10:22 | 0:10:24 | |
throughout the world for many centuries. | 0:10:24 | 0:10:27 | |
Gnomes originated in Germany in the 19th century, | 0:10:27 | 0:10:29 | |
with a company called Heissner | 0:10:29 | 0:10:31 | |
producing some of the first figures. | 0:10:31 | 0:10:33 | |
But it's Sir Charles Isham who's credited with starting the tradition | 0:10:33 | 0:10:37 | |
of garden gnomes in Britain. | 0:10:37 | 0:10:40 | |
In 1847, he featured a number of terracotta gnomes | 0:10:40 | 0:10:42 | |
in a large rockery alongside his home, | 0:10:42 | 0:10:44 | |
Lamport Hall, in Northamptonshire. | 0:10:44 | 0:10:48 | |
So, where are we going now? | 0:10:50 | 0:10:52 | |
We're going into the wood. | 0:10:52 | 0:10:53 | |
You lead the way and then you'll get the good view. | 0:10:53 | 0:10:55 | |
Oh, wow! | 0:10:55 | 0:10:57 | |
Wah-ah-ah-ah! | 0:10:57 | 0:10:58 | |
-Oh, Ann, isn't it wonderful? -It's nice, isn't it? | 0:10:59 | 0:11:03 | |
I feel almost... I don't know... | 0:11:03 | 0:11:04 | |
-Like you did when you were three, maybe? -Exactly. -Yes. | 0:11:04 | 0:11:10 | |
There's something about them - they look so happy. | 0:11:10 | 0:11:13 | |
-They make a landscape really come alive. -They do. | 0:11:13 | 0:11:16 | |
-You can just imagine magic, can't you? -Yeah! Yeah! | 0:11:16 | 0:11:19 | |
How would I tell the difference between | 0:11:19 | 0:11:21 | |
an elf, or a pixie or a gnome? | 0:11:21 | 0:11:24 | |
A gnome is ancient as the hills, | 0:11:24 | 0:11:27 | |
-and young as a child - all in one go. -Yes. | 0:11:27 | 0:11:29 | |
-Pixies are entirely young. -Are they really? -Yes. | 0:11:29 | 0:11:32 | |
-Never grow old? -No. | 0:11:32 | 0:11:35 | |
In the winter, do all these gnomes stay out and shiver, | 0:11:41 | 0:11:43 | |
or will they be brought inside? | 0:11:43 | 0:11:45 | |
They have their yearly bath... | 0:11:45 | 0:11:47 | |
Do they complain? | 0:11:47 | 0:11:49 | |
No, once a year they put up with it. | 0:11:49 | 0:11:51 | |
Well done. | 0:11:51 | 0:11:53 | |
Those that need it get new clothes. | 0:11:53 | 0:11:55 | |
Tell me, if I was a gnome, | 0:12:07 | 0:12:08 | |
which I am now, | 0:12:08 | 0:12:10 | |
and you're going to sort of keep me in the woods, | 0:12:10 | 0:12:13 | |
would I be fishing or perhaps just relaxing? | 0:12:13 | 0:12:15 | |
-Oh, let me think. -What would you do with me Ann? | 0:12:15 | 0:12:17 | |
I think I'd have you on the beach. | 0:12:17 | 0:12:19 | |
-Would you really? -yeah, I think so. | 0:12:19 | 0:12:21 | |
Would you like to be on the beach? | 0:12:21 | 0:12:22 | |
-I could happily pop into Putford-on-Sea. -Yeah! | 0:12:22 | 0:12:24 | |
Exactly. | 0:12:24 | 0:12:26 | |
Let's leave Charles in quiet contemplation. | 0:12:27 | 0:12:31 | |
Sorry? | 0:12:31 | 0:12:33 | |
James, meanwhile, is having a splendid day. | 0:12:36 | 0:12:39 | |
He has two items already in the bag. | 0:12:39 | 0:12:42 | |
And he's looking for more in the town of Torrington, | 0:12:42 | 0:12:46 | |
in North Devon. | 0:12:46 | 0:12:48 | |
James arrives in town on a baking-hot day... | 0:12:51 | 0:12:54 | |
which is a rarity. | 0:12:54 | 0:12:56 | |
-Hello! -Hello. | 0:12:56 | 0:12:58 | |
-James. -How do you do? | 0:12:58 | 0:13:00 | |
-Joanna. -Very nice to meet you, Joanna. | 0:13:00 | 0:13:03 | |
It is boiling out there! | 0:13:03 | 0:13:06 | |
Funny fellow, isn't it? | 0:13:06 | 0:13:09 | |
I like the shape. It's an unusual shape. | 0:13:09 | 0:13:12 | |
Most tea caddies are square, round, and everything. | 0:13:12 | 0:13:15 | |
And this is rather fun. | 0:13:15 | 0:13:17 | |
It's hexagonal, so five-sided. | 0:13:17 | 0:13:19 | |
I want to see what it's like when I give it a good old clean. | 0:13:19 | 0:13:22 | |
And see whether it'll shine a bit. | 0:13:22 | 0:13:26 | |
-I think it will. -I think it will. | 0:13:26 | 0:13:28 | |
How much do you want for this fellow, Joanna? | 0:13:28 | 0:13:31 | |
Erm, I put 22 on that. | 0:13:31 | 0:13:34 | |
Would you give a little discount, or not, for this? | 0:13:34 | 0:13:37 | |
-Erm... -You don't have to. | 0:13:37 | 0:13:39 | |
THEY LAUGH | 0:13:39 | 0:13:41 | |
-But it does all help. How much? -Erm... | 0:13:41 | 0:13:43 | |
-£20? -£20? | 0:13:43 | 0:13:45 | |
£20? | 0:13:45 | 0:13:47 | |
It's a round note, isn't it? | 0:13:47 | 0:13:48 | |
-I'll buy it for 20. -Oh! Thank you. -Thank you very much indeed! | 0:13:48 | 0:13:51 | |
Well, after all that shopping, James, | 0:13:51 | 0:13:53 | |
it's time to turn in. | 0:13:53 | 0:13:55 | |
Another busy day awaits tomorrow. | 0:13:55 | 0:13:59 | |
Night-night! | 0:13:59 | 0:14:01 | |
MUSIC: "There's A Brand New Day On The Horizon" by Elvis Presley | 0:14:01 | 0:14:04 | |
# There's a brand-new day on the horizon... # | 0:14:04 | 0:14:06 | |
The boys are up and at 'em! | 0:14:06 | 0:14:09 | |
There's no stopping Charles now as he races the MG! | 0:14:09 | 0:14:15 | |
So far, James has spent £70 on three lots. | 0:14:15 | 0:14:19 | |
The farrier file, the unusual salt pin | 0:14:19 | 0:14:22 | |
and the tea caddy, | 0:14:22 | 0:14:24 | |
leaving a sum of £178.24 | 0:14:24 | 0:14:26 | |
for the day ahead. | 0:14:26 | 0:14:28 | |
And Charles, meanwhile, | 0:14:30 | 0:14:32 | |
may be the richest, | 0:14:32 | 0:14:34 | |
but he hasn't spent, so far, a single penny. | 0:14:34 | 0:14:36 | |
That gives him a bulging purse of £943 and a penny to spend. | 0:14:36 | 0:14:42 | |
Our road-trippers have travelled to the port town of Bideford | 0:14:42 | 0:14:46 | |
in North Devon. | 0:14:46 | 0:14:48 | |
HORN BEEPS | 0:14:48 | 0:14:50 | |
And Charles leads the way | 0:14:50 | 0:14:52 | |
as they charge to the shops. | 0:14:52 | 0:14:55 | |
Hah! The boys are in luck this morning. | 0:14:57 | 0:15:00 | |
A bustling antiques fair is in full swing at Bideford's Pannier Market. | 0:15:00 | 0:15:04 | |
Jim, I'll see you later. | 0:15:04 | 0:15:05 | |
OK, see you later. | 0:15:05 | 0:15:08 | |
So, with his swag bag empty, young Carlos needs to get a wiggle on. | 0:15:08 | 0:15:11 | |
Now I'm after...antiques. | 0:15:11 | 0:15:14 | |
Your little dog here, he's quite sweet, isn't he? | 0:15:14 | 0:15:17 | |
That's a beautiful Airedale, a proper Beswick. | 0:15:17 | 0:15:20 | |
-Beswick? -Yeah. | 0:15:20 | 0:15:21 | |
-What's your name? -Tony. -Tony, mate... | 0:15:21 | 0:15:23 | |
Condition's so important. | 0:15:23 | 0:15:25 | |
What is it - 1970s, '60s? | 0:15:25 | 0:15:27 | |
It could be '60s, that. | 0:15:27 | 0:15:29 | |
A '60s dog of a great collectability. | 0:15:29 | 0:15:33 | |
You're going to sell that to someone who is an Airedale owner, | 0:15:33 | 0:15:36 | |
or Airedale breeder, | 0:15:36 | 0:15:37 | |
who will say, "It's Beswick," so it's Rolls-Royce, | 0:15:37 | 0:15:40 | |
it's the proper quality. | 0:15:40 | 0:15:41 | |
-Yeah. -And there's money in it for you. -Very tempting. | 0:15:41 | 0:15:45 | |
What's he worth? | 0:15:45 | 0:15:46 | |
That's on at 37.50. | 0:15:46 | 0:15:48 | |
I would do you that for £20. | 0:15:48 | 0:15:50 | |
I was honestly hoping | 0:15:50 | 0:15:52 | |
to pay a tenner. | 0:15:52 | 0:15:54 | |
No, split it with me at 15. | 0:15:54 | 0:15:56 | |
£15. Well, sometimes, | 0:15:56 | 0:15:59 | |
you've got to get your show on the road. | 0:15:59 | 0:16:01 | |
£15, yeah. Take it for £15. We're happy. | 0:16:01 | 0:16:04 | |
And he's not finished yet. | 0:16:04 | 0:16:06 | |
Oh no, he's found another stall with something to tickle his fancy. | 0:16:06 | 0:16:10 | |
-I don't know who the maker is. -Isn't that nice? | 0:16:10 | 0:16:13 | |
This is lead-glaze earthenware. | 0:16:13 | 0:16:16 | |
And it's novel, it's 1880s. | 0:16:16 | 0:16:19 | |
It's a water jug. | 0:16:19 | 0:16:21 | |
It's going to appeal to, perhaps, hunting people, | 0:16:21 | 0:16:23 | |
with this crop here, on the handle. | 0:16:23 | 0:16:27 | |
And it's what we call "majolica". | 0:16:27 | 0:16:29 | |
I do like it. It's in good condition, bar the fact | 0:16:29 | 0:16:33 | |
we have a crack here, just on the lid. | 0:16:33 | 0:16:35 | |
The age, and from the lozenge mark on the bottom, here, | 0:16:35 | 0:16:38 | |
we can date it to around 1881. | 0:16:38 | 0:16:42 | |
Margaret, what's your best price? | 0:16:42 | 0:16:44 | |
-65. -65? OK. | 0:16:44 | 0:16:46 | |
Would you take £50 for it? | 0:16:46 | 0:16:49 | |
55. | 0:16:49 | 0:16:52 | |
55? | 0:16:52 | 0:16:53 | |
Margaret, we're going, going... | 0:16:53 | 0:16:56 | |
-Gone! -We've got it! | 0:16:56 | 0:16:58 | |
Thank you very much, I'm delighted. | 0:16:58 | 0:17:00 | |
A really handsome jug, | 0:17:00 | 0:17:01 | |
which is full of Victorian flavour. Thanks, Margaret. | 0:17:01 | 0:17:05 | |
And Charles has good reason to be pleased as Punch. | 0:17:05 | 0:17:09 | |
I'm so excited, | 0:17:09 | 0:17:10 | |
because my jug I've just bought | 0:17:10 | 0:17:13 | |
is actually made by George Jones. | 0:17:13 | 0:17:16 | |
And George Jones was the most important maker | 0:17:16 | 0:17:19 | |
of majolica pottery. | 0:17:19 | 0:17:21 | |
In his lead-glaze earthenware forms, | 0:17:21 | 0:17:23 | |
he would always use a small, black number | 0:17:23 | 0:17:26 | |
on the bottom of his majolica wares. | 0:17:26 | 0:17:29 | |
It's got the black number. | 0:17:29 | 0:17:30 | |
Without the condition issue, | 0:17:30 | 0:17:32 | |
it could be a jug worth maybe £800. | 0:17:32 | 0:17:35 | |
In its condition, maybe, just maybe, | 0:17:35 | 0:17:38 | |
it might make more than £100. | 0:17:38 | 0:17:40 | |
I'm really excited, a really big find. | 0:17:40 | 0:17:43 | |
Could this be another Road Trip discovery? | 0:17:43 | 0:17:47 | |
James, meanwhile, | 0:17:47 | 0:17:49 | |
has spied something in the window | 0:17:49 | 0:17:50 | |
of Bideford Pottery. | 0:17:50 | 0:17:52 | |
Your window has lured me in. I'm James. | 0:17:52 | 0:17:56 | |
-Hello. -Nice to meet you. | 0:17:56 | 0:17:58 | |
Harry Juniper is a skilled potter, | 0:17:58 | 0:18:00 | |
and has been in the business for the last 60 years. | 0:18:00 | 0:18:04 | |
And there's plenty here to tempt James. | 0:18:04 | 0:18:07 | |
I like this! | 0:18:10 | 0:18:12 | |
What's that? "A frog, he would a woo-ing go. | 0:18:12 | 0:18:17 | |
"Woopsie diddley dandy dee." | 0:18:17 | 0:18:19 | |
BELL RINGS | 0:18:19 | 0:18:21 | |
Beautifully delivered, James(!) | 0:18:21 | 0:18:22 | |
Some things lend themselves very nicely to clay. | 0:18:22 | 0:18:25 | |
Yeah, they do, don't they? | 0:18:25 | 0:18:27 | |
And I love the naturalistic face here. | 0:18:27 | 0:18:30 | |
-And I see, very nicely, you sign everything. -Yes. | 0:18:30 | 0:18:33 | |
Here we are, "Harry Juniper". What a great name! | 0:18:33 | 0:18:35 | |
HE LAUGHS | 0:18:35 | 0:18:37 | |
"Of Bideford. 2011" I rather like that. | 0:18:37 | 0:18:39 | |
Could you give me a special price on that, Harry? | 0:18:39 | 0:18:43 | |
No! | 0:18:43 | 0:18:45 | |
Well, good for you! | 0:18:45 | 0:18:46 | |
It's got 25 on it. | 0:18:46 | 0:18:48 | |
-That's dirt cheap, isn't it? -It IS dirt cheap. | 0:18:48 | 0:18:50 | |
-And I'll pay you 25 for it. -Good! -Why not? | 0:18:50 | 0:18:52 | |
Nice one, Harry! | 0:18:52 | 0:18:54 | |
Bideford is turning out to be very fruitful for the boys. | 0:18:54 | 0:18:59 | |
So far, so good. | 0:18:59 | 0:19:00 | |
Charles is nipping across the road to visit Susannah | 0:19:00 | 0:19:03 | |
in Old Bridge Antiques. | 0:19:03 | 0:19:05 | |
Have a rummage through this one, as well. | 0:19:05 | 0:19:08 | |
In the auction business, people love to rummage. | 0:19:12 | 0:19:15 | |
They love to dig deep. | 0:19:15 | 0:19:17 | |
They love to unearth treasure. | 0:19:17 | 0:19:22 | |
Would you split all this up, Susannah, for auction, | 0:19:22 | 0:19:25 | |
or would you almost sell the whole lot as one job lot? | 0:19:25 | 0:19:29 | |
We could put a collection together in a box. | 0:19:29 | 0:19:31 | |
If I bought an entire box, for example, | 0:19:31 | 0:19:34 | |
what would the price be? | 0:19:34 | 0:19:35 | |
I think the best price would be £80. | 0:19:35 | 0:19:38 | |
-Sue. -Yes. -Love the box. | 0:19:38 | 0:19:41 | |
It's a great box, | 0:19:41 | 0:19:43 | |
but I just love this box as well, | 0:19:43 | 0:19:45 | |
which is leather, and it's clad, | 0:19:45 | 0:19:47 | |
and it's of a higher quality. | 0:19:47 | 0:19:48 | |
Let's say, for example, | 0:19:48 | 0:19:50 | |
I put all this jewellery | 0:19:50 | 0:19:52 | |
-into there, OK? -Yes. | 0:19:52 | 0:19:54 | |
All my treasure... | 0:19:57 | 0:19:59 | |
Blimey, I hope you're going to buy all that now. | 0:19:59 | 0:20:02 | |
..into there... | 0:20:02 | 0:20:05 | |
like that, OK? | 0:20:05 | 0:20:07 | |
My treasure, into a really fine box. | 0:20:07 | 0:20:11 | |
Best price, Sue? Give me the biggest and best price. | 0:20:11 | 0:20:14 | |
OK, £70. | 0:20:14 | 0:20:16 | |
Oh, my goodness me! | 0:20:16 | 0:20:17 | |
-OK. -And that is a very good deal. | 0:20:17 | 0:20:19 | |
Yeah. | 0:20:19 | 0:20:21 | |
How about this? If I give you, | 0:20:21 | 0:20:23 | |
not 400, | 0:20:23 | 0:20:25 | |
but 4,000...pence... | 0:20:25 | 0:20:27 | |
-SHE LAUGHS -..for this? | 0:20:27 | 0:20:29 | |
Which is £40. | 0:20:29 | 0:20:31 | |
So that's your very best offer? | 0:20:31 | 0:20:34 | |
HE SIGHS | 0:20:34 | 0:20:35 | |
I feel really mean, but yes, because... | 0:20:35 | 0:20:37 | |
OK, then I wish you well, | 0:20:37 | 0:20:39 | |
and I hope that you make plenty at auction. | 0:20:39 | 0:20:40 | |
-I will leave it, and that's fine. -That's fine, you can have it for 40. | 0:20:40 | 0:20:43 | |
-You sure? -Absolutely. Shake my hand. | 0:20:43 | 0:20:45 | |
-£40, you sure, Sue? -Shake my hand! | 0:20:45 | 0:20:47 | |
-Are you happy? -I'm happy as long as you shake my hand. | 0:20:47 | 0:20:49 | |
Even though I don't really like it! | 0:20:49 | 0:20:51 | |
SHE LAUGHS | 0:20:51 | 0:20:52 | |
OK, Sue, I'll have it. | 0:20:52 | 0:20:54 | |
-I'll take it away. -Well done. | 0:20:54 | 0:20:56 | |
That's £40. Or, to Sue, 4,000 pence. | 0:20:56 | 0:20:58 | |
SHE LAUGHS | 0:20:58 | 0:21:00 | |
Crikey, Charles! | 0:21:00 | 0:21:01 | |
Your bare-faced cheek has got you another Road Trip bargain. | 0:21:01 | 0:21:04 | |
Look at that! | 0:21:04 | 0:21:06 | |
Meanwhile, James had arrived at the Pannier Market, | 0:21:06 | 0:21:11 | |
and, like Charles, Tony's stall has also caught his eye. | 0:21:11 | 0:21:15 | |
That's a great fun mirror, isn't it? | 0:21:15 | 0:21:19 | |
It's very stylish. | 0:21:19 | 0:21:21 | |
That's typical '20s/'30s. | 0:21:21 | 0:21:23 | |
It's got a lovely outback on it. | 0:21:23 | 0:21:26 | |
-It's great fun, isn't it? -Mm! | 0:21:26 | 0:21:29 | |
That little touch of the bubbles just makes it, doesn't it? | 0:21:29 | 0:21:33 | |
Tony, can you do a "special" special price...? | 0:21:33 | 0:21:35 | |
For £60 is a bargain. | 0:21:35 | 0:21:37 | |
Can you do anything more dramatic on that? | 0:21:37 | 0:21:40 | |
"Dramatic"? | 0:21:40 | 0:21:41 | |
If I knocked you £20 off that, | 0:21:41 | 0:21:44 | |
I think you'd have a superb bargain at £40. | 0:21:44 | 0:21:46 | |
I would be very pleased at that, Tony. | 0:21:46 | 0:21:48 | |
Thank you, that's really kind of you. | 0:21:48 | 0:21:51 | |
Aw, ever the gent! | 0:21:51 | 0:21:53 | |
So, James has just bought his fifth item, and they're off. | 0:21:53 | 0:21:56 | |
Looks like Charles has had enough of the bike, though. | 0:21:56 | 0:21:59 | |
Right, Okehampton. | 0:22:01 | 0:22:03 | |
-You don't mind. -That's a long way. -It IS a long way. | 0:22:03 | 0:22:05 | |
You weren't really thinking of cycling, were you? | 0:22:05 | 0:22:08 | |
Yes, I would have done, if you'd told me I had to. | 0:22:08 | 0:22:10 | |
Don't worry, you're safe, I'll take you. | 0:22:10 | 0:22:12 | |
Don't talk push-bikes. | 0:22:12 | 0:22:14 | |
Let's go. That's more like it! | 0:22:14 | 0:22:17 | |
He's hitching a lift with gallant, Buck-up Braxton, | 0:22:17 | 0:22:20 | |
and they're travelling 30 miles south to the West Country town | 0:22:20 | 0:22:24 | |
of Okehampton. | 0:22:24 | 0:22:25 | |
Okehampton is located on the northern edge of Dartmoor. | 0:22:25 | 0:22:29 | |
With three items bagged, Charles is hoping to splash more of his cash. | 0:22:29 | 0:22:33 | |
He's got over £800 left, | 0:22:33 | 0:22:35 | |
and he's on the run. | 0:22:35 | 0:22:38 | |
-Hello, madam. -Hello! -How are you? | 0:22:38 | 0:22:40 | |
I'm very well. Nice to see you. | 0:22:40 | 0:22:41 | |
Thank you for letting me come to your shop and peruse. | 0:22:41 | 0:22:44 | |
-I believe you are Charles? -I am Charles, yes. | 0:22:44 | 0:22:47 | |
This is fun, isn't it? | 0:22:51 | 0:22:52 | |
I know! | 0:22:52 | 0:22:54 | |
Tell me about these musket balls. | 0:22:54 | 0:22:55 | |
The area, Great Torrington, | 0:22:55 | 0:22:57 | |
which is North Devon, | 0:22:57 | 0:22:59 | |
going back towards Bideford, | 0:22:59 | 0:23:00 | |
was the last stronghold of the Cavaliers | 0:23:00 | 0:23:05 | |
during the Civil War. | 0:23:05 | 0:23:06 | |
This is something I picked up locally. | 0:23:06 | 0:23:09 | |
I'm almost certain these musket balls, | 0:23:09 | 0:23:11 | |
which are mounted in this oak display case, | 0:23:11 | 0:23:15 | |
are certainly mid-17th century. | 0:23:15 | 0:23:19 | |
I would think so, but it could be quite gory. | 0:23:19 | 0:23:21 | |
-They could have killed somebody. -Exactly. | 0:23:21 | 0:23:23 | |
-I also quite like that scent bottle here. -Yeah. | 0:23:23 | 0:23:28 | |
This is a cut-glass perfume bottle - | 0:23:28 | 0:23:31 | |
Birmingham, 1942. | 0:23:31 | 0:23:34 | |
If you were a lady in the Second World War, you may have had this | 0:23:34 | 0:23:37 | |
to maybe mesmerise your husband | 0:23:37 | 0:23:40 | |
coming back from the Forces, or whatever. | 0:23:40 | 0:23:43 | |
What's the best price on that, Sue? | 0:23:43 | 0:23:45 | |
-Goodness me! -Best price, Sue? | 0:23:45 | 0:23:46 | |
-Right. -I don't negotiate now. | 0:23:46 | 0:23:48 | |
"Best price, Sue?" or, "Best price, Jo?" | 0:23:48 | 0:23:50 | |
"Best price, Jo." Sorry, Jo. | 0:23:50 | 0:23:52 | |
-It's gone up. -Silly boy! | 0:23:52 | 0:23:53 | |
SHE LAUGHS | 0:23:53 | 0:23:54 | |
I would do that for £60. | 0:23:54 | 0:23:56 | |
OK. That's food for thought. Thanks, Sue. | 0:23:56 | 0:23:58 | |
Thanks, Jo. | 0:23:58 | 0:24:00 | |
And this caster? | 0:24:00 | 0:24:02 | |
A lovely, quality... | 0:24:02 | 0:24:04 | |
-Which it is. -..heavy... | 0:24:04 | 0:24:06 | |
Which it is. | 0:24:06 | 0:24:08 | |
..silver caster and cover. | 0:24:08 | 0:24:11 | |
This is London, from the year, 1937. | 0:24:11 | 0:24:14 | |
And it's Georgian-style, but yes, 20th-century. | 0:24:14 | 0:24:17 | |
It is. Lighthouse caster form. | 0:24:17 | 0:24:19 | |
Faceted. Good size. | 0:24:19 | 0:24:22 | |
We likey-likey, OK? | 0:24:22 | 0:24:24 | |
What have we got on that? | 0:24:24 | 0:24:26 | |
Right, 160. | 0:24:28 | 0:24:29 | |
What will we do with that? | 0:24:29 | 0:24:31 | |
Let's try and be good to you. | 0:24:31 | 0:24:33 | |
120. | 0:24:33 | 0:24:34 | |
Yeah. | 0:24:34 | 0:24:36 | |
Oh, I sense another Cheeky Charlie bargain on the cards. | 0:24:36 | 0:24:38 | |
I've seen those two, and I do like the musket balls, as well, up here. | 0:24:38 | 0:24:42 | |
Would you take... | 0:24:42 | 0:24:44 | |
60 for him, 60 for him, | 0:24:44 | 0:24:46 | |
and 30 for him? | 0:24:46 | 0:24:48 | |
Which makes...? | 0:24:48 | 0:24:49 | |
£150. | 0:24:49 | 0:24:51 | |
For three items... | 0:24:53 | 0:24:55 | |
There you go. Lovely. | 0:24:55 | 0:24:56 | |
On eggshells. We've got there. | 0:24:56 | 0:24:58 | |
We've sold, so that's wonderful. | 0:24:58 | 0:25:00 | |
Hats off to you, Charles. | 0:25:00 | 0:25:02 | |
Yet another good deal done. | 0:25:02 | 0:25:04 | |
While Charles has been | 0:25:04 | 0:25:06 | |
on a buying bonanza, | 0:25:06 | 0:25:08 | |
James is travelling half an hour away to the village | 0:25:08 | 0:25:10 | |
of Lifton, in Devon. | 0:25:10 | 0:25:13 | |
James is visiting the Fairground Heritage Trust. | 0:25:16 | 0:25:22 | |
It was created to preserve the vibrant history | 0:25:22 | 0:25:24 | |
of the funfair. | 0:25:24 | 0:25:26 | |
Housed in a massive barn, | 0:25:26 | 0:25:28 | |
the collection is open to the public | 0:25:28 | 0:25:30 | |
and illustrates the splendour of a bygone era. | 0:25:30 | 0:25:32 | |
It is testament to the travelling showmen | 0:25:32 | 0:25:35 | |
who would construct and operate | 0:25:35 | 0:25:37 | |
the large, colourful rides and stalls | 0:25:37 | 0:25:39 | |
along beaches and open spaces, up and down the country. | 0:25:39 | 0:25:42 | |
James is meeting with trustee Guy Belshaw to find out more. | 0:25:42 | 0:25:47 | |
-Hello. -James, welcome to the Fairground Heritage Centre. | 0:25:47 | 0:25:50 | |
Hello. It's Guy, isn't it? | 0:25:50 | 0:25:52 | |
That's right. I'm a trustee here. | 0:25:52 | 0:25:54 | |
What an amazing place. | 0:25:54 | 0:25:55 | |
Who operated these funfairs? | 0:25:55 | 0:25:57 | |
They were operated by | 0:25:57 | 0:25:59 | |
extended families... | 0:25:59 | 0:26:01 | |
two or three generations... | 0:26:01 | 0:26:02 | |
and they would operate over a specific geographical area. | 0:26:02 | 0:26:06 | |
So, "manors"? | 0:26:06 | 0:26:07 | |
That's it. There would be families in the West Country, | 0:26:07 | 0:26:10 | |
the Midlands, South Wales. | 0:26:10 | 0:26:11 | |
They'd come together for big charter fairs in the autumn, | 0:26:11 | 0:26:14 | |
but generally, they'd travel as a cohesive family unit... | 0:26:14 | 0:26:17 | |
with the riding masters owning the big stream rides | 0:26:17 | 0:26:21 | |
and the side tenants with coconut shies | 0:26:21 | 0:26:23 | |
and the fat lady show, | 0:26:23 | 0:26:25 | |
that sort of thing. | 0:26:25 | 0:26:27 | |
What sort of time? Queen Victoria's time? | 0:26:27 | 0:26:29 | |
From earlier than that, really. | 0:26:29 | 0:26:31 | |
From Queen Victoria, 1837, | 0:26:31 | 0:26:33 | |
there were already roundabouts by then. | 0:26:33 | 0:26:35 | |
But the great heyday of the English steam fair | 0:26:35 | 0:26:38 | |
-was around the late 1880s... -Right. | 0:26:38 | 0:26:40 | |
..to the outbreak of the Great War, really. | 0:26:40 | 0:26:42 | |
Guy, that is a particularly splendid carousel. | 0:26:42 | 0:26:47 | |
This one was carved by Arthur Anderson of Bristol. | 0:26:47 | 0:26:50 | |
A galloper, not a carousel - | 0:26:50 | 0:26:52 | |
there's leatherwork there, real horse hair for the tail. | 0:26:52 | 0:26:56 | |
This one, Silver Song, | 0:26:56 | 0:26:58 | |
is one of the best examples of Anderson's work. | 0:26:58 | 0:27:00 | |
The ones on the outside, that the public saw first, | 0:27:00 | 0:27:03 | |
were the more elaborately-carved ones... | 0:27:03 | 0:27:06 | |
with the lesser detail were the ones within, really. | 0:27:06 | 0:27:09 | |
But the biggest thrill is yet to come. | 0:27:09 | 0:27:13 | |
God, these are the living fellows, aren't they? | 0:27:13 | 0:27:15 | |
This is it. | 0:27:15 | 0:27:16 | |
This is our pride and joy in here, the fairground building. | 0:27:16 | 0:27:19 | |
So, the real dodgems here. | 0:27:19 | 0:27:21 | |
How old is this fella? | 0:27:23 | 0:27:24 | |
Well, James, this is oldest working fairground ride in the country. | 0:27:24 | 0:27:28 | |
This was built in 1906 | 0:27:28 | 0:27:30 | |
by Savages of King's Lynn, | 0:27:30 | 0:27:33 | |
who were very famous agricultural engineers, | 0:27:33 | 0:27:35 | |
as well as fairground ride builders. | 0:27:35 | 0:27:38 | |
It really is the centrepiece of our collection here... | 0:27:38 | 0:27:41 | |
Is this fellow unique? | 0:27:41 | 0:27:43 | |
It is unique. | 0:27:43 | 0:27:45 | |
It is the only spinning-top, switchback ride in the world. | 0:27:45 | 0:27:48 | |
There isn't another like it. | 0:27:48 | 0:27:49 | |
It takes a lot of upkeep, but it certainly works. | 0:27:49 | 0:27:52 | |
-How'd you like to have a go? -Yeah I'd love to. | 0:27:52 | 0:27:55 | |
-Why don't you jump in the third car? -Third car? OK. | 0:27:55 | 0:27:58 | |
The anticipation! | 0:28:01 | 0:28:02 | |
Am I going to be jettisoned? | 0:28:02 | 0:28:04 | |
I'm ready for speed. Here we go. | 0:28:04 | 0:28:06 | |
The rodeo switchback travelled around the country till the 1940s, | 0:28:14 | 0:28:17 | |
thereafter spending most of its time | 0:28:17 | 0:28:20 | |
at Clarence Pier Amusement Park in Southsea. | 0:28:20 | 0:28:23 | |
However, in 1974, | 0:28:23 | 0:28:25 | |
it was sold to the Six Flags theme park in New Jersey, | 0:28:25 | 0:28:29 | |
in America. | 0:28:29 | 0:28:30 | |
A successful consortium, though, | 0:28:30 | 0:28:33 | |
rescued this historic ride and returned it to the UK | 0:28:33 | 0:28:35 | |
in the mid-'80s. | 0:28:35 | 0:28:37 | |
Marvellous. | 0:28:37 | 0:28:39 | |
Sadly, all good things, though, must come to an end. | 0:28:39 | 0:28:44 | |
That was fun, really good fun. | 0:28:44 | 0:28:46 | |
Oh! I'm on quite a slope here! | 0:28:46 | 0:28:48 | |
HE LAUGHS | 0:28:48 | 0:28:50 | |
It's time for James to meet up with Charles | 0:28:50 | 0:28:53 | |
and have a look at one another's treasures. | 0:28:53 | 0:28:56 | |
Right, James - show us what you've got. | 0:28:56 | 0:28:58 | |
-BOTH: Woh! -Hello! | 0:28:58 | 0:29:01 | |
It's a real old motley crew. | 0:29:01 | 0:29:02 | |
Five items, | 0:29:02 | 0:29:03 | |
but I think my bargain, | 0:29:03 | 0:29:05 | |
which I'm rather pleased with, is this fellow. | 0:29:05 | 0:29:08 | |
-Yeah. -Now, have a look at that, | 0:29:08 | 0:29:11 | |
What do you think of it? | 0:29:11 | 0:29:13 | |
That's really good. | 0:29:13 | 0:29:15 | |
-A tea caddy...? -With lid. | 0:29:15 | 0:29:16 | |
-Oh, no! -Keep going - how much? | 0:29:16 | 0:29:19 | |
It IS solid silver, as well. | 0:29:19 | 0:29:20 | |
Oh... You've done it! | 0:29:20 | 0:29:23 | |
That is a crossroads. | 0:29:23 | 0:29:25 | |
You've found a real bargain there. | 0:29:25 | 0:29:27 | |
How much? | 0:29:27 | 0:29:28 | |
It ought to have cost you... Silver tea caddy, Dutch, 1880s... | 0:29:28 | 0:29:32 | |
It ought to have cost you, probably, between £150 and £200. | 0:29:32 | 0:29:36 | |
You'll tell me you bought it for about 50? | 0:29:36 | 0:29:38 | |
-20. -You didn't?! | 0:29:38 | 0:29:40 | |
Oh! He's back! | 0:29:40 | 0:29:42 | |
-Bingo's back! -yeah, Bingo's back! | 0:29:42 | 0:29:44 | |
And this is a mad bit. | 0:29:44 | 0:29:46 | |
That's awesome. Victorian. | 0:29:46 | 0:29:47 | |
-Have you ever seen a scrap-work salt pin? -Never! | 0:29:47 | 0:29:52 | |
That's gorgeous. | 0:29:52 | 0:29:53 | |
Again, so Victorian, so whacky. | 0:29:53 | 0:29:56 | |
Don't tell me it cost you £30. | 0:29:56 | 0:29:58 | |
-40. -That's a great thing. | 0:29:58 | 0:30:01 | |
This is my last purchase... | 0:30:01 | 0:30:02 | |
in Bideford... | 0:30:02 | 0:30:04 | |
-and I thought, "Cornwall. Seaside home." -That's lovely. | 0:30:04 | 0:30:08 | |
-How much? -40. -No! | 0:30:08 | 0:30:10 | |
Right, Charles, your turn. | 0:30:10 | 0:30:13 | |
There you are. That's my collection. | 0:30:13 | 0:30:15 | |
Hey, a nice collection! | 0:30:15 | 0:30:17 | |
My favourite lot, James, is this. | 0:30:17 | 0:30:18 | |
I'm happy it's George Jones. | 0:30:18 | 0:30:21 | |
It's circa 1881. | 0:30:21 | 0:30:23 | |
It's got that hunting Cornish interest. | 0:30:23 | 0:30:26 | |
I would say, with the damage, | 0:30:26 | 0:30:28 | |
it's quite easy to restore, this stuff. | 0:30:28 | 0:30:30 | |
You might be pushing the two, maybe more. | 0:30:30 | 0:30:33 | |
-You're being serious?! -I think, 100, 200... | 0:30:33 | 0:30:35 | |
It cost me £55. | 0:30:35 | 0:30:37 | |
-That's very good. -I hope so. | 0:30:37 | 0:30:39 | |
What are all your balls? | 0:30:39 | 0:30:42 | |
They are, reputedly, | 0:30:42 | 0:30:44 | |
from the Civil War. | 0:30:44 | 0:30:46 | |
-Oh, sort of musket balls? -Exactly. | 0:30:46 | 0:30:49 | |
I think you would have paid 25 for those. | 0:30:49 | 0:30:51 | |
Yeah, they cost me £30. | 0:30:51 | 0:30:54 | |
What about this fella? | 0:30:54 | 0:30:56 | |
I thought, "I'm digging all the time..." | 0:30:56 | 0:30:58 | |
A lady came in, over the counter, | 0:30:58 | 0:31:01 | |
she said, "Charles, this has just come in." | 0:31:01 | 0:31:03 | |
I said, "Oh, yeah." So, like Fagin, | 0:31:03 | 0:31:05 | |
I looked in. | 0:31:05 | 0:31:08 | |
-Hey! -"Hey!" | 0:31:08 | 0:31:10 | |
-Aw! -Came in over the counter! | 0:31:10 | 0:31:11 | |
These people pay fortunes... | 0:31:11 | 0:31:13 | |
Oh, no! | 0:31:13 | 0:31:15 | |
Like Fagin does, look at this, James. | 0:31:15 | 0:31:18 | |
-We've got some coral here. -That will make 150 to 200 quid. | 0:31:18 | 0:31:21 | |
Get out of here! | 0:31:21 | 0:31:22 | |
Easy! | 0:31:22 | 0:31:23 | |
The box is quite nice. | 0:31:23 | 0:31:25 | |
It's a lovely box - a really heavy, functional Regency box. | 0:31:25 | 0:31:29 | |
I bet you paid 80 to 100. | 0:31:29 | 0:31:32 | |
Yeah, £40. | 0:31:32 | 0:31:33 | |
HE LAUGHS | 0:31:33 | 0:31:35 | |
Then I rounded off, and I thought, "You know..." | 0:31:35 | 0:31:39 | |
No, I'm not interested. | 0:31:39 | 0:31:40 | |
Is that Beswick? | 0:31:40 | 0:31:42 | |
You're peddling hard... | 0:31:42 | 0:31:44 | |
Is it BESWICK?! | 0:31:44 | 0:31:46 | |
Yes, it is. | 0:31:46 | 0:31:47 | |
That's nice, isn't it? | 0:31:47 | 0:31:49 | |
I know you like dogs. You have two at home and your wife likes dogs, | 0:31:49 | 0:31:51 | |
-so I paid £15. -That's good. | 0:31:51 | 0:31:53 | |
But what do they REALLY think? | 0:31:53 | 0:31:56 | |
His last purchase | 0:31:56 | 0:31:58 | |
is his danger purchase, for me. | 0:31:58 | 0:32:00 | |
That Regency box stuffed full of goodies, | 0:32:00 | 0:32:02 | |
that in the auction room is just a magnet. | 0:32:02 | 0:32:04 | |
If it's in the cabinet, lots of goodies in it, | 0:32:04 | 0:32:07 | |
I predict that will make between £150 and £250. | 0:32:07 | 0:32:12 | |
I'm really impressed with James's items. | 0:32:12 | 0:32:14 | |
I love his silver caddy and I think he struck gold. | 0:32:14 | 0:32:18 | |
It's been an ambitious fourth leg | 0:32:21 | 0:32:23 | |
with the boys battling it out from Crediton via Exeter, West Putford, | 0:32:23 | 0:32:27 | |
Torrington, Bideford, Okehampton, Lifton | 0:32:27 | 0:32:30 | |
and finally heading for the Cornish town of Lostwithiel. | 0:32:30 | 0:32:34 | |
Lostwithiel sits at the head of the estuary of the River Fowey, | 0:32:36 | 0:32:39 | |
and the name comes from old Cornish, meaning Tail End of the Woodland. | 0:32:39 | 0:32:43 | |
And as our experts arrive in town, | 0:32:47 | 0:32:50 | |
it's time to find out who will be crowned champion | 0:32:50 | 0:32:53 | |
at today's auction. Can Charles make it four in a row? | 0:32:53 | 0:32:56 | |
Jeffrys Auctions was established in 1865. | 0:32:59 | 0:33:03 | |
Auctioneer Ian Morris kindly lends his thoughts | 0:33:03 | 0:33:07 | |
on the chaps' offerings. | 0:33:07 | 0:33:09 | |
I very much like the black case with the jewellery in | 0:33:09 | 0:33:13 | |
and I think that will do rather well. | 0:33:13 | 0:33:16 | |
I would like to see it make £150, £200. | 0:33:16 | 0:33:20 | |
Wow! James Braxton started today with £248.24, | 0:33:20 | 0:33:25 | |
and spent £135 on five auction lots. | 0:33:25 | 0:33:28 | |
Charles Hanson began with £943.01, | 0:33:30 | 0:33:34 | |
and spent £260 on six lots. | 0:33:34 | 0:33:37 | |
Quiet, please! The auction is about to begin. | 0:33:41 | 0:33:44 | |
There's an atmosphere. | 0:33:44 | 0:33:46 | |
-There is. I like it. -Can you feel the hum? -I can. | 0:33:46 | 0:33:51 | |
First up it's Charles's Victorian leather jewellery box, | 0:33:51 | 0:33:54 | |
stuffed full of loot! | 0:33:54 | 0:33:57 | |
-Come on, James, here we go. -Here we go. | 0:33:57 | 0:33:59 | |
Got some interest already and I'm starting at £110. | 0:33:59 | 0:34:03 | |
NO way! | 0:34:03 | 0:34:04 | |
110, 120, 130... | 0:34:04 | 0:34:05 | |
I told you! | 0:34:05 | 0:34:07 | |
160, 170... | 0:34:07 | 0:34:09 | |
I can't believe it! | 0:34:09 | 0:34:10 | |
180, 190, 200... 210 | 0:34:10 | 0:34:13 | |
220, 230, | 0:34:13 | 0:34:15 | |
-240... -I can't believe it. | 0:34:15 | 0:34:17 | |
-At 240 are we all done? -At £240... | 0:34:17 | 0:34:19 | |
HE BANGS GAVEL | 0:34:19 | 0:34:20 | |
Put it there! I can't believe it! | 0:34:20 | 0:34:23 | |
By gosh, Charles has done it again and is off to a rip-roaring start. | 0:34:23 | 0:34:29 | |
Just look at James's face! | 0:34:29 | 0:34:31 | |
Steady there, Charles. | 0:34:35 | 0:34:37 | |
Let's see if James can make his mark with the farrier's file. | 0:34:37 | 0:34:40 | |
Very good, did my nails this morning, lovely. | 0:34:40 | 0:34:42 | |
£10, we'll say no more. | 0:34:42 | 0:34:45 | |
£10? five, six, at eight, at eight, ten, | 0:34:45 | 0:34:49 | |
12, 14, | 0:34:49 | 0:34:51 | |
16, 18, | 0:34:51 | 0:34:53 | |
at 18, 20, | 0:34:53 | 0:34:55 | |
22, 24, | 0:34:55 | 0:34:57 | |
26, 28, | 0:34:57 | 0:34:58 | |
£30, 32... | 0:34:58 | 0:35:00 | |
32, front row. | 0:35:00 | 0:35:02 | |
-At 32, are we done? -32... -HE BANGS GAVEL | 0:35:02 | 0:35:05 | |
Come on, give it! | 0:35:05 | 0:35:06 | |
-It's all right, isn't it? -Trebled your money. | 0:35:06 | 0:35:10 | |
Not bad, James, but you'll need better luck to beat Charles. | 0:35:10 | 0:35:14 | |
And it's James's tea caddy now and he's got high hopes. | 0:35:14 | 0:35:19 | |
£70 I'm bid. | 0:35:19 | 0:35:20 | |
£70, £70... | 0:35:20 | 0:35:22 | |
75, £80, 85... | 0:35:22 | 0:35:26 | |
95... | 0:35:26 | 0:35:28 | |
At £100... | 0:35:28 | 0:35:30 | |
-At the £100... -HE BANGS GAVEL | 0:35:30 | 0:35:33 | |
Congratulations! That is five times what you paid for it. | 0:35:33 | 0:35:37 | |
-That's good. -I'm pleased with that. | 0:35:37 | 0:35:39 | |
That's more like it. | 0:35:39 | 0:35:41 | |
Let's hope you're on the up. | 0:35:41 | 0:35:43 | |
It's that 1950s mirror | 0:35:43 | 0:35:46 | |
with the little fish next. | 0:35:46 | 0:35:48 | |
£30 away, £20 away... | 0:35:48 | 0:35:50 | |
-Ten, I'm bid. At £10, 12, 14... -Here we go. | 0:35:50 | 0:35:53 | |
15, 18, 20, | 0:35:53 | 0:35:55 | |
22, 25... | 0:35:55 | 0:35:57 | |
28, £30, | 0:35:57 | 0:35:59 | |
32... At 32... | 0:35:59 | 0:36:01 | |
At 32... All done? | 0:36:01 | 0:36:04 | |
-At 32... -BANGS GAVEL | 0:36:04 | 0:36:06 | |
Only 32. | 0:36:06 | 0:36:07 | |
Oh, dear. Just when you thought your luck was changing. | 0:36:07 | 0:36:10 | |
But never fear, James, | 0:36:10 | 0:36:12 | |
there's still that unusual Victorian salt pin to go. | 0:36:12 | 0:36:16 | |
Quite interesting. | 0:36:17 | 0:36:18 | |
Can I say £30? £20? | 0:36:18 | 0:36:20 | |
£15? £18, £20, | 0:36:20 | 0:36:22 | |
22, | 0:36:22 | 0:36:24 | |
25, | 0:36:24 | 0:36:25 | |
28, | 0:36:25 | 0:36:26 | |
£30... Is it? | 0:36:26 | 0:36:28 | |
£30, 32, | 0:36:28 | 0:36:30 | |
35, 38, | 0:36:30 | 0:36:32 | |
£40... | 0:36:32 | 0:36:33 | |
38, still seated. At 38... | 0:36:33 | 0:36:36 | |
Are we done at £38? | 0:36:36 | 0:36:38 | |
HE BANGS GAVEL | 0:36:38 | 0:36:39 | |
-Yes! -(LAUGHS) | 0:36:39 | 0:36:41 | |
Is that laughter or tears? | 0:36:42 | 0:36:45 | |
It's just not your day today, James. | 0:36:45 | 0:36:49 | |
We're back to Charles and his majolica jug next. | 0:36:49 | 0:36:53 | |
It's the one he thinks might go for a mint. | 0:36:53 | 0:36:57 | |
-We've still got three bids on the books. -Oh, hell! | 0:36:57 | 0:36:59 | |
I'm going to start at £80. | 0:36:59 | 0:37:02 | |
£90, £100, | 0:37:02 | 0:37:04 | |
110, 120, 130, | 0:37:04 | 0:37:05 | |
140, 150, 160, | 0:37:05 | 0:37:07 | |
170, 180, 190... | 0:37:07 | 0:37:09 | |
-Delighted. -What did I say? | 0:37:09 | 0:37:11 | |
200. Oh, my God. | 0:37:11 | 0:37:14 | |
-220, 230, 240? -240. | 0:37:15 | 0:37:19 | |
250, 260... | 0:37:19 | 0:37:20 | |
Well, well! | 0:37:20 | 0:37:22 | |
-270, 280... -I don't believe it. | 0:37:22 | 0:37:25 | |
280. That's good. | 0:37:25 | 0:37:27 | |
Yeah, it is good. | 0:37:27 | 0:37:29 | |
-320, 340... -Keep going. | 0:37:29 | 0:37:31 | |
-340. -I can't believe it. | 0:37:31 | 0:37:33 | |
At 340 on the phone... 360, 380... | 0:37:33 | 0:37:36 | |
Gosh! | 0:37:36 | 0:37:38 | |
380, | 0:37:38 | 0:37:39 | |
-400... -I don't believe this. Keep going. This is wonderful! | 0:37:39 | 0:37:43 | |
Wonderful! | 0:37:43 | 0:37:44 | |
-420, 440? -Oh, goodness me! -440. 460? | 0:37:44 | 0:37:47 | |
-460... -Oh, magic! | 0:37:49 | 0:37:50 | |
-480, 500... -This is heaven. | 0:37:50 | 0:37:53 | |
500. 520? 520. 540? | 0:37:53 | 0:37:57 | |
-540? -'Telephone bid.' -No. | 0:37:57 | 0:38:00 | |
-520 in the room. -Thank you very much. -At 520 in the room... | 0:38:00 | 0:38:03 | |
£520... | 0:38:03 | 0:38:04 | |
-HE BANGS GAVEL -Yes! | 0:38:04 | 0:38:05 | |
Wonderful, wonderful! | 0:38:05 | 0:38:06 | |
Thank you very much! Wonderful! | 0:38:06 | 0:38:09 | |
Thank you, auctioneer! | 0:38:09 | 0:38:10 | |
-Drinks are on you! -Oh, absolutely! And the rest. | 0:38:10 | 0:38:14 | |
Oh, goodness me! | 0:38:14 | 0:38:15 | |
Put it there! | 0:38:18 | 0:38:19 | |
Well done. | 0:38:19 | 0:38:21 | |
Put it there indeed! A magnificent lump sum for young Charles. | 0:38:21 | 0:38:26 | |
Can I...? | 0:38:27 | 0:38:28 | |
HE KISSES THE JUG | 0:38:31 | 0:38:32 | |
That Charles is in a kissing mood! | 0:38:36 | 0:38:38 | |
Still, next it's the collection of musket balls. | 0:38:38 | 0:38:41 | |
£30 to start me. £20 I'm bid. | 0:38:41 | 0:38:43 | |
Come on. | 0:38:43 | 0:38:45 | |
£30, 35, £40, | 0:38:45 | 0:38:47 | |
-45, £50... -Keep going. | 0:38:47 | 0:38:49 | |
55, £60... | 0:38:49 | 0:38:50 | |
Wonderful. | 0:38:50 | 0:38:51 | |
-How much did you pay for it? -£30 it cost me. | 0:38:51 | 0:38:55 | |
Approximately £30. | 0:38:55 | 0:38:56 | |
-65... -HE BANGS GAVEL | 0:38:56 | 0:38:58 | |
-Well done. -Congratulations. | 0:38:58 | 0:39:00 | |
-Well done. -Congratulations. | 0:39:00 | 0:39:01 | |
Well done. | 0:39:01 | 0:39:03 | |
Profits aplenty yet again for young Charles. Keep up the good work, boy! | 0:39:05 | 0:39:10 | |
Great balls of fire! Goodness gracious... | 0:39:10 | 0:39:13 | |
You say "Great balls of fire." | 0:39:13 | 0:39:16 | |
-Goodness gracious... -Great balls of fire. | 0:39:16 | 0:39:19 | |
HE MIMICS GUN FIRING | 0:39:19 | 0:39:22 | |
Stupid boy! | 0:39:22 | 0:39:23 | |
Anyway, it's Charles again with the lighthouse sugar caster. | 0:39:23 | 0:39:27 | |
How about £80? £80 away. | 0:39:27 | 0:39:30 | |
-Come on! -£30 I'm bid. | 0:39:30 | 0:39:33 | |
55, 60, 65, 70, 75, | 0:39:33 | 0:39:36 | |
80, 85, 90... | 0:39:36 | 0:39:38 | |
That's great! | 0:39:38 | 0:39:40 | |
£90, take 95... At £90... | 0:39:40 | 0:39:43 | |
95, thank you. 100, 110... | 0:39:43 | 0:39:45 | |
-Well done! -110, 120, 130? | 0:39:45 | 0:39:48 | |
At 120. You sure? | 0:39:48 | 0:39:50 | |
At 120... | 0:39:50 | 0:39:53 | |
-£120. -HE BANGS GAVEL | 0:39:53 | 0:39:54 | |
Brilliant! Double money. You were right. | 0:39:54 | 0:39:57 | |
Is there no stopping the young pretender? | 0:39:57 | 0:40:00 | |
The bidders of Lostwithiel just can't resist his items. | 0:40:00 | 0:40:05 | |
So how about Charles's scent bottle? | 0:40:07 | 0:40:09 | |
Are we in for another sweet-smelling profit? | 0:40:09 | 0:40:11 | |
-£20 to start me. -No. Too much. Too much. | 0:40:13 | 0:40:16 | |
35, £40, 45, | 0:40:16 | 0:40:18 | |
50, 55, | 0:40:18 | 0:40:20 | |
£55, 60, | 0:40:20 | 0:40:23 | |
65, £70... | 0:40:23 | 0:40:25 | |
At £70, take 75... | 0:40:25 | 0:40:27 | |
-One more! -Too much. | 0:40:27 | 0:40:29 | |
-At £70, are we done? Going at £70... -HE BANGS GAVEL | 0:40:29 | 0:40:32 | |
Yes, profit! Put it there! | 0:40:32 | 0:40:35 | |
No. | 0:40:35 | 0:40:36 | |
Come on, James, be a sport! We all have bad days. | 0:40:36 | 0:40:40 | |
So now, show Charles what you're made of. | 0:40:41 | 0:40:44 | |
It's your last lot of the day, the froggy hand bell. | 0:40:44 | 0:40:47 | |
Handsome, isn't it? | 0:40:49 | 0:40:51 | |
LAUGHTER | 0:40:51 | 0:40:52 | |
£10 away. | 0:40:52 | 0:40:53 | |
£10? £5? | 0:40:53 | 0:40:55 | |
Five I'm bid. Rings your bell? | 0:40:55 | 0:40:57 | |
At seven, at eight, | 0:41:00 | 0:41:01 | |
at nine? At nine, at ten. At 12? At 12. | 0:41:01 | 0:41:04 | |
At 14, at 16, at 18, | 0:41:04 | 0:41:06 | |
at 20, 22... At 22... | 0:41:06 | 0:41:09 | |
Dropped a clanger there! At 22... | 0:41:09 | 0:41:12 | |
-At 22... -HE BANGS GAVEL | 0:41:12 | 0:41:14 | |
And that little froggy didn't come home with the money, James. | 0:41:14 | 0:41:17 | |
It just croaked. | 0:41:17 | 0:41:19 | |
From froggy to doggy. | 0:41:19 | 0:41:21 | |
It's the final lot of the day with Charles's terrier. | 0:41:21 | 0:41:26 | |
£30 away? £20 I'm bid. | 0:41:26 | 0:41:28 | |
Yes! Profit. | 0:41:28 | 0:41:31 | |
25, £30, 35, | 0:41:31 | 0:41:32 | |
£40, 45. | 0:41:32 | 0:41:35 | |
I can go to 48. 50? 50. | 0:41:35 | 0:41:37 | |
Wowzer! Well done. | 0:41:37 | 0:41:39 | |
At £50 I'm bid. Done? | 0:41:39 | 0:41:41 | |
-Going at £50. -HE BANGS GAVEL | 0:41:41 | 0:41:43 | |
You are unassailable. | 0:41:43 | 0:41:45 | |
-It gets better and better and better. -Can I drive?/ | 0:41:45 | 0:41:47 | |
No. | 0:41:47 | 0:41:49 | |
Yet another profit with the little dog | 0:41:50 | 0:41:53 | |
makes Charles the jubilant fourth- time-in-a-row winner at auction. | 0:41:53 | 0:41:57 | |
I'm just absolutely blown over. I'm blown away. I'm blown away. | 0:41:57 | 0:42:03 | |
Oh, dear, oh, dear. | 0:42:03 | 0:42:05 | |
Well done. | 0:42:05 | 0:42:06 | |
So James started today's show with £248.24. | 0:42:08 | 0:42:12 | |
And after paying auction costs, made a small profit of £48.68, | 0:42:12 | 0:42:17 | |
leaving him with just £296.92 to carry forward. | 0:42:17 | 0:42:22 | |
Oh, dear, oh, dear. | 0:42:22 | 0:42:24 | |
Charles, meanwhile, started with a massive £943.01, | 0:42:25 | 0:42:30 | |
and made a magnificent £613.30 profit today. | 0:42:30 | 0:42:35 | |
Giving him a staggering £1,566.31 to take forward. | 0:42:35 | 0:42:40 | |
Good lord. | 0:42:40 | 0:42:42 | |
Well done. | 0:42:42 | 0:42:44 | |
James, sometimes you get lucky, OK? | 0:42:44 | 0:42:47 | |
HE CHUCKLES | 0:42:47 | 0:42:48 | |
Hold on. There is no "sometimes". With you it's "always". | 0:42:48 | 0:42:52 | |
-Anyway, well done. -Thank you, mate! | 0:42:54 | 0:42:56 | |
Next time on the Antiques Road Trip, | 0:43:00 | 0:43:03 | |
James and Charles head for a stormy Liskeard, in Cornwall. | 0:43:03 | 0:43:08 | |
Ohhh! | 0:43:08 | 0:43:09 | |
No! | 0:43:09 | 0:43:11 | |
James turns to the church. | 0:43:11 | 0:43:14 | |
I heard you've got a pulpit that you might be interested in selling. | 0:43:14 | 0:43:17 | |
-Am I right? -You are right, yes! | 0:43:17 | 0:43:19 | |
And Charles tries a spot of arm-wrestling. | 0:43:19 | 0:43:22 | |
Come on, Andy! | 0:43:22 | 0:43:24 | |
He's too good. I'm off! | 0:43:24 | 0:43:27 | |
Subtitles by Red Bee Media Ltd | 0:43:30 | 0:43:32 |