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It's the nation's favourite antiques experts with £200 each, a classic car | 0:00:02 | 0:00:06 | |
-and a goal to scour Britain for antiques. -That hurts. | 0:00:06 | 0:00:10 | |
-My sap is rising. -The aim - to make the biggest profit at auction, but it's no mean feat. | 0:00:11 | 0:00:18 | |
-There will be worthy winners and valiant losers. -50 quid? | 0:00:18 | 0:00:22 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:22 | 0:00:27 | |
Your steering is a bit lamentable! | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:32 | |
Yeah! | 0:00:33 | 0:00:34 | |
Today we're on the road for the final adventure | 0:00:35 | 0:00:39 | |
with antiques experts James Braxton and Charles Hanson. | 0:00:39 | 0:00:43 | |
And you have been, on this trip, the luckiest man. | 0:00:43 | 0:00:48 | |
-You have had the Midas touch. -I have. If only I could be so lucky in life, James! | 0:00:48 | 0:00:54 | |
James Braxton just can't help being charming. | 0:00:54 | 0:00:58 | |
That's very kind. Thank you very much, Treasure. Er, Trevor! | 0:00:58 | 0:01:03 | |
And he's terribly good at getting out of tricky situations. | 0:01:05 | 0:01:08 | |
My most pressing problem now is to lever my frame out of this fella! | 0:01:08 | 0:01:13 | |
Oh, blimey! | 0:01:14 | 0:01:16 | |
This is Charles Hanson. | 0:01:16 | 0:01:19 | |
He's got a meticulous eye. | 0:01:19 | 0:01:22 | |
You look at the body. It's got two good top drawers. | 0:01:22 | 0:01:26 | |
And he's really rather passionate when it comes to antiques. | 0:01:26 | 0:01:30 | |
Quality is improving and my sap is rising. | 0:01:30 | 0:01:34 | |
James is having a rotten old time at auction. | 0:01:35 | 0:01:39 | |
Even though his tea caddy made some money, the losses are outnumbering the profits. | 0:01:39 | 0:01:46 | |
Charles, on the other hand, has made lots of cash. | 0:01:46 | 0:01:50 | |
In particular, the Liberty stool and the Majolica jug. | 0:01:51 | 0:01:56 | |
James hasn't set the world on fire when it comes to making an abundance of profit. | 0:01:58 | 0:02:03 | |
From his original £200, | 0:02:03 | 0:02:05 | |
he has a relatively piffling £296.92 jingling about in his back pocket. | 0:02:05 | 0:02:11 | |
But the triumphant fourth-time winner, Charles Hanson, is seemingly unbeatable. | 0:02:15 | 0:02:21 | |
From his original £200, he has a colossal £1,556.31. | 0:02:21 | 0:02:27 | |
And the boys will be making their final road trip in James's adored 1952 MG. | 0:02:31 | 0:02:37 | |
Only thing is, she doesn't have a roof. Not the best when the heavens descend. | 0:02:37 | 0:02:43 | |
Well, James, I've never ever known weather like this. | 0:02:43 | 0:02:47 | |
-Oh, lovely(!) -Aww! -That's lovely(!) | 0:02:47 | 0:02:52 | |
James and Charles are travelling 400 miles from Dulverton, West Somerset, | 0:02:54 | 0:02:58 | |
via the Isle of Wight to the county town of Truro in Cornwall. | 0:02:58 | 0:03:02 | |
On today's show, first stop is the town of Liskeard and they will auction just outside of Truro. | 0:03:05 | 0:03:12 | |
I'm looking forward to this, despite this inclement weather. | 0:03:12 | 0:03:16 | |
I must say, if you wrap up, you don't feel it, do you? | 0:03:16 | 0:03:21 | |
The boys certainly haven't brought the sun with them as they arrive on a stormy day in Liskeard. | 0:03:21 | 0:03:28 | |
# Stormy weather... # | 0:03:28 | 0:03:31 | |
Interesting umbrella, Charles. | 0:03:33 | 0:03:36 | |
The boys share their first shop of the day, Bay Tree Trading Company, | 0:03:36 | 0:03:41 | |
and with all that rain it looks like they're going to need a good old rub down. | 0:03:41 | 0:03:47 | |
-What weather, eh? One last time... Nice to see you. How are you? -Fine, thank you. | 0:03:47 | 0:03:53 | |
-Fifth and final. -James. -Michelle. | 0:03:53 | 0:03:55 | |
Owner Andy and his partner Michelle have a shop crammed with interesting wares. | 0:03:55 | 0:04:01 | |
-Best of luck. -Thanks. The last one. Make it a big one. -I'm scouring. | 0:04:01 | 0:04:07 | |
James has got a lot of catching up to do and really needs to find some money-making goodies. | 0:04:07 | 0:04:13 | |
Cor, that's a weight, isn't it? | 0:04:17 | 0:04:20 | |
So a very nice old winged nut. | 0:04:20 | 0:04:24 | |
This piece of Great British design would be unscrewed | 0:04:24 | 0:04:28 | |
when changing the tyre of a Jaguar XK150. | 0:04:28 | 0:04:32 | |
It doesn't look terribly old inside, but it has been bashed, | 0:04:32 | 0:04:37 | |
so they have used a copper hammer to loosen this off. You see where it disturbed the chrome. | 0:04:37 | 0:04:42 | |
I like this fellow. It's got a fabulous weight. I like the wings. | 0:04:42 | 0:04:46 | |
-Sort of ears, aren't they? -Yeah. -A great Jaguar item. I like this. | 0:04:46 | 0:04:51 | |
Now, Michelle...what could it be? | 0:04:51 | 0:04:54 | |
-Em, I think £10. -£10? That's very fair. | 0:04:54 | 0:04:57 | |
-I'm very happy with that. -Good. -There you are. A tenner. | 0:04:57 | 0:05:02 | |
Faster than the speed of light, James is not hanging about today. | 0:05:02 | 0:05:07 | |
Meanwhile, Charles has been searching high and low, | 0:05:07 | 0:05:12 | |
but he just can't seem to find anything to buy. Stop faffing about! | 0:05:12 | 0:05:17 | |
Now, down the road, James is sniffing out a bargain at the local church. Lordy! | 0:05:17 | 0:05:24 | |
-Hello. I'm James. -Hello, James. | 0:05:24 | 0:05:27 | |
I've heard on a little whisper around Liskeard that you've got a pulpit you might be selling. | 0:05:27 | 0:05:34 | |
-Am I right? -You are, yes! -Oh, good. -Graham is a church warden at Liskeard Methodist Church | 0:05:34 | 0:05:40 | |
and might just be able to help James with his second buy. | 0:05:40 | 0:05:44 | |
What a glorious place. | 0:05:44 | 0:05:47 | |
-So this is the fellow? -This is it. -Can I have a good old squint? | 0:05:47 | 0:05:52 | |
So this is where your man or lady stands, firing out fire and brimstone, | 0:05:52 | 0:05:57 | |
making better, more worthy people. | 0:05:57 | 0:06:00 | |
So you've got quite ordinary bits for the stars and the rails. | 0:06:00 | 0:06:04 | |
-But what a fabulous figuring on pine. -Yes, yes. | 0:06:04 | 0:06:08 | |
Now it's that old knotty thing, price, isn't it? | 0:06:08 | 0:06:12 | |
Would £30... | 0:06:12 | 0:06:15 | |
..be helpful? Did you have a figure in mind? | 0:06:15 | 0:06:20 | |
-Graham? -The figure I had in mind was £50. -£50? | 0:06:20 | 0:06:24 | |
Could we meet in the middle? | 0:06:24 | 0:06:27 | |
-I'm sure we could. -£40? I'm very happy to give you £40. -Thank you very much. -Thank you. | 0:06:28 | 0:06:34 | |
I like your enterprise, James, but will your divine inspiration prove to be fruitful? | 0:06:34 | 0:06:41 | |
Charles, on the other hand, has travelled 13 miles to the Cornish town of Bodmin. | 0:06:41 | 0:06:47 | |
Charles is meeting with Chris Wilkes to find out about the grisly Bodmin jail. | 0:06:47 | 0:06:53 | |
-Hello, sir. -Good afternoon, sir. -Bodmin jail. -Yes, it is. | 0:06:57 | 0:07:01 | |
-Can I come in? -You may. You're not leaving in a hurry. | 0:07:01 | 0:07:04 | |
Oh, dear. This might be a bit scary for Charles. | 0:07:05 | 0:07:09 | |
The prison was built in the late 18th-century and was in use until 1927. | 0:07:09 | 0:07:16 | |
During WWI, some of Britain's priceless national treasures were given safe haven here, | 0:07:16 | 0:07:22 | |
including the Crown Jewels and the Domesday Book. | 0:07:22 | 0:07:25 | |
Bodmin jail was a milestone in prison design and was the first in Britain | 0:07:28 | 0:07:33 | |
to hold inmates in separate cells, rather than communal areas. | 0:07:33 | 0:07:37 | |
Isolation areas would hold the more dangerous and threatening prisoners, like Charles. | 0:07:37 | 0:07:43 | |
Charles takes a wander round this dark, forbidding institution. | 0:07:43 | 0:07:47 | |
As we walk through here, I can see on the left-hand side for a big man there are very big doorways. | 0:07:47 | 0:07:53 | |
On the right-hand side they're slim. Is there a reason? | 0:07:53 | 0:07:57 | |
Yes. This was the reception landing and the first cells down this side were the punishment cells. | 0:07:57 | 0:08:04 | |
Hence a big doorway. If you were a non-compliant prisoner, who needed escorted in or dragged out, | 0:08:04 | 0:08:10 | |
-there was sufficient room for two burly warders. -OK, got you. | 0:08:10 | 0:08:15 | |
They'd get underneath to wheel you in or out. If you were compliant, | 0:08:15 | 0:08:20 | |
a standard size cell door. And you behaved yourself. | 0:08:20 | 0:08:23 | |
After a period on this floor, you'd go up to a daylight landing | 0:08:23 | 0:08:28 | |
where you were afforded a few extra privileges. | 0:08:28 | 0:08:32 | |
-OK... -Yeah. -Chris, it wasn't me! It wasn't me, Chris! | 0:08:32 | 0:08:37 | |
GATE SLAMS Oh, yes, it was! | 0:08:37 | 0:08:40 | |
So we're now in a Bodmin prison cell. | 0:08:40 | 0:08:44 | |
I don't feel very comfortable. Tell me what kind of crime must I have committed | 0:08:44 | 0:08:50 | |
to justify coming in to Bodmin prison in the late 18th century? | 0:08:50 | 0:08:54 | |
-Well, you could have done anything. -Really? -If you had stolen your neighbour's sheep, | 0:08:54 | 0:09:00 | |
if you'd set fire to a mow of corn, you'd probably end up hanged. | 0:09:00 | 0:09:05 | |
Petty theft. Fairly minor crime. | 0:09:05 | 0:09:09 | |
-But this is a very clever prison. -It's got a window. | 0:09:09 | 0:09:12 | |
-It's got central heating and air conditioning to every cell. -I can't see a radiator anywhere. | 0:09:12 | 0:09:19 | |
You've got hot air. Hot air vents up here. | 0:09:19 | 0:09:22 | |
So warm air would come in, as it cools, it drops and comes down to the floor. | 0:09:22 | 0:09:27 | |
-You can see a vent down there. -Yes. -It was sucked out through tubes. | 0:09:27 | 0:09:32 | |
But if you look here, pins on either side where you slung your hammock. | 0:09:32 | 0:09:37 | |
-Really? -Yeah. -So these are the original... -Hammock-hanging pins. | 0:09:37 | 0:09:42 | |
Cast-iron hammock-hanging pins. | 0:09:42 | 0:09:45 | |
-Where's my wash basin? -I'll break the news to you. You might have got one bath every three months. | 0:09:45 | 0:09:51 | |
-Really? -Yes. -No. | 0:09:51 | 0:09:53 | |
-Now you had a jug of water and a small tin bowl. -Yeah. | 0:09:53 | 0:09:57 | |
That's your lot. | 0:09:57 | 0:10:00 | |
Between 1735 and 1909 there were 60 executions in Bodmin. | 0:10:00 | 0:10:07 | |
Steal a sheep or some grain in Cornwall and the hangman's noose could indeed seal your fate. | 0:10:07 | 0:10:13 | |
Bleurgh! And the last to be hanged was a 24-year-old, William Hampton, | 0:10:13 | 0:10:18 | |
found guilty of strangling his girlfriend. | 0:10:18 | 0:10:22 | |
Thankfully, Charles has been released. I should run while you can, boy! | 0:10:24 | 0:10:30 | |
Meanwhile, James is still hunting for a bargain and is travelling to the town of St Columb Major. | 0:10:30 | 0:10:36 | |
The town features several times in the 1961 novel Castle Dor by Daphne du Maurier. | 0:10:36 | 0:10:44 | |
It's still tipping it down, but nothing will stop James in his quest for finding antiques. | 0:10:46 | 0:10:51 | |
He's visiting Stiltskin and Walrus. Great name! Owned by Janet. | 0:10:51 | 0:10:56 | |
-Oh, hello! -Hello. | 0:10:58 | 0:11:00 | |
-Hello. James. -Janet. -Nice to meet you, Janet. | 0:11:00 | 0:11:04 | |
What are these things saying, "On war service"? | 0:11:12 | 0:11:16 | |
-They're lovely. -I haven't come across those. -They're WWI and they were given to people | 0:11:16 | 0:11:22 | |
who hadn't volunteered and weren't at the front. | 0:11:22 | 0:11:25 | |
So somebody couldn't accost them in the street and call them cowards. | 0:11:25 | 0:11:29 | |
-Oh, I see. To stop the white feather business. -Exactly, yeah. | 0:11:29 | 0:11:34 | |
During WWI, white feathers were given to men who were thought to be cowardly | 0:11:34 | 0:11:39 | |
and shirking their war duties. The badges served to protect those exempt from military service | 0:11:39 | 0:11:45 | |
-and soldiers wearing civilian clothes. -So this is 1915. | 0:11:45 | 0:11:51 | |
And I understood that after a while there weren't so many available | 0:11:51 | 0:11:55 | |
because people were conscripted after a certain date into WWI. | 0:11:55 | 0:12:00 | |
I see. Interestingly, it was very much everybody was volunteering, bands of brothers, | 0:12:00 | 0:12:06 | |
going to volunteer, weren't they? | 0:12:06 | 0:12:09 | |
-You can't decide which one you like best, can you? -I wouldn't mind those two. -And leave me that one. | 0:12:09 | 0:12:15 | |
Together the badges are priced at £30. | 0:12:15 | 0:12:18 | |
-Could you do them for 24? -I could do them for 25. | 0:12:18 | 0:12:23 | |
25. | 0:12:23 | 0:12:24 | |
-Janet, I'll have them for 25. -OK, deal. | 0:12:24 | 0:12:28 | |
And after a busy day of shopping, James, it's time to turn in. | 0:12:28 | 0:12:33 | |
Looks like the weather may be changing for the better, thank goodness. Night night. | 0:12:33 | 0:12:39 | |
It's the beginning of a new day and thank goodness it's not raining. | 0:12:44 | 0:12:48 | |
The boys are looking forward to finding some lovely antique baubles. | 0:12:48 | 0:12:54 | |
-So final day, four, five items? How many? -Oh, James. I want to buy five items. | 0:12:54 | 0:13:00 | |
If ever there's a day for a man of distinction to pull it out the bag, today is that day. | 0:13:00 | 0:13:06 | |
So far, James has spent £75 on three lots. | 0:13:08 | 0:13:12 | |
The Jaguar wheel nut, the pulpit and the World War One badges, | 0:13:12 | 0:13:15 | |
leaving a sum of £221.92 for the day ahead. | 0:13:15 | 0:13:20 | |
And Charles once again hasn't spent a single penny! | 0:13:22 | 0:13:27 | |
He's swimming in riches, though, | 0:13:27 | 0:13:30 | |
with a huge £1,556.31 to spend. | 0:13:30 | 0:13:36 | |
The boys have travelled to the port town of Falmouth on the south coast of Cornwall. | 0:13:39 | 0:13:45 | |
Falmouth is famous for its harbour and is well-known for being the start or finish point | 0:13:47 | 0:13:53 | |
of round the world voyages. | 0:13:53 | 0:13:55 | |
-Whereabouts are we now? -We're still in Falmouth. | 0:13:55 | 0:13:59 | |
And we will still be in Falmouth because you're in second gear. | 0:13:59 | 0:14:04 | |
And James looks as though he's regretting handing over the car keys to Charles. | 0:14:06 | 0:14:11 | |
-Nice...nice. -Sorry! Hold on! | 0:14:11 | 0:14:15 | |
Sorry, James! Sorry about that. | 0:14:15 | 0:14:18 | |
Charles! He certainly needs to get cracking. He hasn't bought a thing. | 0:14:18 | 0:14:22 | |
Let's hope Roadshow Antiques can help him in his pursuit. | 0:14:22 | 0:14:27 | |
-Good morning, sir. How are you? -I'm very well. -Good to see you. | 0:14:27 | 0:14:31 | |
-Hi. Chris. -My name's Charles. | 0:14:31 | 0:14:33 | |
-Could you guide me in a direction? -Have a look over in the window. | 0:14:33 | 0:14:38 | |
-You've got a fire screen there which I'm pretty sure is Newlyn. -Isn't that wonderful? | 0:14:38 | 0:14:43 | |
This, I suppose, almost captures the essence of Newlyn, doesn't it? | 0:14:43 | 0:14:48 | |
Newlyn copper was a type of Arts and Crafts copperware originating in Newlyn, Cornwall. | 0:14:48 | 0:14:54 | |
It was produced in the late 19th century by unemployed fishermen. | 0:14:54 | 0:14:58 | |
-Look around, make your decision. -OK, thanks. -I can do a little bit. | 0:14:58 | 0:15:03 | |
I'll think about it. Thanks, Chris. | 0:15:03 | 0:15:06 | |
I'm feeling a warm glow. | 0:15:11 | 0:15:13 | |
-Chris... -Yep? | 0:15:14 | 0:15:16 | |
This...this stick in here. Is that local, the swagger stick? | 0:15:16 | 0:15:21 | |
Yeah, Devon and Cornwall Light Infantry. Not in great condition, but would sell well. | 0:15:21 | 0:15:26 | |
It is quite beaten | 0:15:26 | 0:15:28 | |
and this binding on the swagger stick, is that to reinforce it? | 0:15:28 | 0:15:34 | |
-Has it been split? -Broken in half at some point, I would think. | 0:15:34 | 0:15:38 | |
If I bought that, Chris, in its condition, | 0:15:38 | 0:15:41 | |
what would be the best price? | 0:15:41 | 0:15:44 | |
-I've got £35 on it. What about 25? -£25. | 0:15:44 | 0:15:48 | |
Yeah, that's food for thought, Chris. That could be an object. | 0:15:48 | 0:15:52 | |
Mental note. | 0:15:52 | 0:15:54 | |
This pill box in here. | 0:15:54 | 0:15:57 | |
Oh, that's sweet. Look at that. | 0:15:57 | 0:16:00 | |
This is a young lady waving her sailor goodbye. | 0:16:00 | 0:16:04 | |
And it's titled Hope. | 0:16:04 | 0:16:07 | |
It's circa 1790. | 0:16:07 | 0:16:09 | |
And it's £90. | 0:16:09 | 0:16:11 | |
That's quite good. | 0:16:11 | 0:16:13 | |
And the Delft bowl I like as well. | 0:16:16 | 0:16:19 | |
-Completely knackered. -Yeah. -It's going to fall apart. -Is it? | 0:16:19 | 0:16:22 | |
-Although it was been stitched. -Can I have a quick look? | 0:16:22 | 0:16:27 | |
This is Delft ware with a tin glaze over an earthenware body. Made in Liverpool around 1750. | 0:16:27 | 0:16:35 | |
At the birth, the evolution of our porcelain industry. How much, Chris? | 0:16:35 | 0:16:39 | |
It's so tired, it's so worn out, Chris. What's the best price? | 0:16:39 | 0:16:44 | |
-You know... -What have I got on there? 85 quid. | 0:16:44 | 0:16:48 | |
-Seems like nothing. Does that say 85? -It says 55. | 0:16:48 | 0:16:52 | |
Oh, it says 55! Good try. | 0:16:52 | 0:16:54 | |
-If you're putting together a package... -It could be expensive. | 0:16:55 | 0:17:00 | |
-..perhaps we'll kind of think about it then. -I like your style. | 0:17:00 | 0:17:05 | |
-I like the swagger stick and the bowl. I also like very much the pill box over here. -Mm-hm. | 0:17:05 | 0:17:12 | |
Is there any other...metalware, in terms of Newlyn School? | 0:17:12 | 0:17:17 | |
-Copper? -There's a piece of Hale copper in there... -That one? -..which was a contemporary. | 0:17:17 | 0:17:23 | |
-And what's that? -Hale copper. -Yes. -It's really a pipe rack, but people do put large spoons in them. | 0:17:23 | 0:17:30 | |
That's quite sweet. We're going back to 1905, 1910. | 0:17:30 | 0:17:35 | |
More importantly, it's in the Arts and Crafts style. | 0:17:35 | 0:17:39 | |
Chris, it's priced at £55. | 0:17:39 | 0:17:41 | |
-I think 40 would be the best. -OK. | 0:17:41 | 0:17:43 | |
OK. OK, Chris. What I'll do is I'd like to take a mental note of this | 0:17:43 | 0:17:48 | |
and, if I may, put it on my table of desire. | 0:17:48 | 0:17:52 | |
He's going to have a good go and get a combined deal with the pill box, spoon rack | 0:17:52 | 0:17:58 | |
and the swagger stick. | 0:17:58 | 0:18:00 | |
-So all three together, Chris, would be how much? -110. -110. | 0:18:00 | 0:18:04 | |
-Would you do 60... -Mm-hm. | 0:18:04 | 0:18:08 | |
..25 and 15? | 0:18:08 | 0:18:11 | |
Making it up to £100, which is £10 off? | 0:18:12 | 0:18:18 | |
£10 off my final price, you mean? | 0:18:19 | 0:18:21 | |
-Yeah. -No. -No? -No. | 0:18:21 | 0:18:24 | |
OK. See, £100 sounds very nice. | 0:18:24 | 0:18:27 | |
-Shall I roll my sleeves up? We could wrestle on the pavement for the tenner. -Arm wrestle? | 0:18:27 | 0:18:33 | |
-Yeah. You're a young man. -Are you being serious? -Yes. Why not? | 0:18:33 | 0:18:37 | |
Do your best, Charles. This is for the Road Trip. | 0:18:37 | 0:18:41 | |
-OK, Chris. -Away you go. -Go! | 0:18:41 | 0:18:44 | |
Are you trying? | 0:18:44 | 0:18:46 | |
I am actually trying, yes. I have weakened over the years. | 0:18:46 | 0:18:51 | |
He's a big man, Charles. | 0:18:53 | 0:18:55 | |
Ungh! | 0:18:55 | 0:18:57 | |
Steady. | 0:18:57 | 0:18:58 | |
Yes! | 0:18:59 | 0:19:00 | |
-There we are. -Are you sure? -Yes. -It's a deal! Fantastic, Chris! | 0:19:00 | 0:19:05 | |
Well done, Charles! Interesting haggling technique. Just when you think he's all shopped out... | 0:19:05 | 0:19:11 | |
If I said to you as a final attempt, what would be the absolute best price | 0:19:11 | 0:19:16 | |
-on the copper...screen, which we believe is Newlyn... -Mm-hm. | 0:19:16 | 0:19:23 | |
-..and the Delft bowl? -Together - 120 quid. Now that's... -That's the death. | 0:19:23 | 0:19:28 | |
-The absolute death. -Yeah. OK. | 0:19:28 | 0:19:31 | |
110? | 0:19:31 | 0:19:33 | |
What don't you understand about, "this is the death"? | 0:19:35 | 0:19:39 | |
-120 is the death? -You're a lovely chap, but 120 is the death. I'm being really generous. -£120. | 0:19:39 | 0:19:45 | |
Well, I've got to hand it to you. That was an epic tour de force of buying power. | 0:19:45 | 0:19:51 | |
James is next to have a shot in Roadshow Antiques. | 0:19:51 | 0:19:56 | |
After the marathon buy from Charles, will there be anything left? | 0:19:56 | 0:20:01 | |
Now the reason I like mirrors, Chris, is because my wife likes them | 0:20:01 | 0:20:07 | |
and I just spotted this fellow. You would immediately call that Regency | 0:20:07 | 0:20:12 | |
or, at a push, William IV, who only reigned for a nano-second of time, | 0:20:12 | 0:20:16 | |
but in antique terms he could have reigned for 60 years! | 0:20:16 | 0:20:20 | |
-Indeed. Mahogany. -Mahogany. -Split turnings. | 0:20:20 | 0:20:25 | |
-And do you think that was once gilded? -Gilded, I think. | 0:20:25 | 0:20:29 | |
-Somebody's rubbed it away. -What price have I got on it? -You've got 58 on it, Chris. | 0:20:29 | 0:20:35 | |
-40 would be the death. -40. That's very kind of you. I'll definitely buy that, but... | 0:20:35 | 0:20:41 | |
-I only want that to be the start. -OK. -Look at that. | 0:20:41 | 0:20:45 | |
Isn't that funny? | 0:20:45 | 0:20:48 | |
A monthly medal competition | 0:20:48 | 0:20:50 | |
so they were producing and engraving pewter tankards to give monthly. | 0:20:50 | 0:20:57 | |
And it's made by Liberty's. | 0:20:57 | 0:21:00 | |
Isn't that amazing? | 0:21:00 | 0:21:02 | |
-And the nice thing about this is it's got a lovely shape. It's well-designed. -It is. | 0:21:02 | 0:21:08 | |
-And you've got another one. -The original price on the tankards is £28 each. | 0:21:08 | 0:21:14 | |
Em, now what could you do the two for me, Chris? | 0:21:14 | 0:21:18 | |
-40 the pair. -40 the pair? -That's what I would have said if you hadn't told me they're Liberty's. | 0:21:18 | 0:21:24 | |
Probably 140 the pair now! | 0:21:24 | 0:21:26 | |
-I'll be good. 40 quid. -That's really kind. I'll take them. | 0:21:26 | 0:21:31 | |
£40 for the pair of tankards and £40 for the mirror. Good going, James. | 0:21:31 | 0:21:37 | |
Shopping now over, James is motoring 35 miles south to Porthcurno in Penzance. | 0:21:41 | 0:21:46 | |
James is paying a visit to Porthcurno Telegraph Museum | 0:21:48 | 0:21:53 | |
which formerly housed a very important hub of international communication. | 0:21:53 | 0:21:58 | |
In the 19th century, the telegraph took the world by storm. | 0:22:00 | 0:22:04 | |
For the first time, a message could be sent instantly, rather than being delivered by letter, | 0:22:04 | 0:22:10 | |
which revolutionised the speed of world communications. | 0:22:10 | 0:22:14 | |
And this is where it all started. | 0:22:15 | 0:22:18 | |
James is meeting with John Packer, a former employee of the station. | 0:22:19 | 0:22:23 | |
This looks like a military establishment from the outside. | 0:22:23 | 0:22:27 | |
It's pseudo-military. It was in Worl War Two that the tunnels were dug | 0:22:27 | 0:22:31 | |
to protect a very important communications centre. | 0:22:31 | 0:22:34 | |
This is all about early communications, telegraph? | 0:22:34 | 0:22:38 | |
Well, the first communications here was in 1870 | 0:22:38 | 0:22:42 | |
when a cable under the sea was laid from here to Bombay. | 0:22:42 | 0:22:46 | |
It was India's first direct electrical communication with the mother country. | 0:22:46 | 0:22:50 | |
Well, show me the way. | 0:22:50 | 0:22:53 | |
With the advent of World War Two, the station had become so important, it had to be protected. | 0:22:53 | 0:22:59 | |
Secret tunnels were dug by Cornish miners to house an underground building | 0:22:59 | 0:23:04 | |
and the entire telegraph operations. | 0:23:04 | 0:23:06 | |
These bomb and gas-proof tunnels protected 14 secure cables out of the UK to its allies. | 0:23:07 | 0:23:14 | |
The museum has some of the equipment used in the Victorian era | 0:23:15 | 0:23:20 | |
which displays the technology from which today's computer age grew. | 0:23:20 | 0:23:24 | |
So this is where it all starts, is it? | 0:23:24 | 0:23:27 | |
This is the digital age, Victorian-style. | 0:23:27 | 0:23:31 | |
This is sending in binary code, left and right, left and right, by hand. | 0:23:31 | 0:23:37 | |
-Yeah. -Left, left, right, left, left, right, left, left, right... | 0:23:37 | 0:23:41 | |
Noughts and ones, positives and negatives, binary code, computer code. This is where it all started. | 0:23:41 | 0:23:47 | |
-It all started. -The Victorian internet. -So the alphabet is simplified into this binary code? | 0:23:47 | 0:23:54 | |
-Precisely. -This is what you were sending through those mighty cables? | 0:23:54 | 0:23:58 | |
This is the earliest form of sending by hand | 0:23:58 | 0:24:01 | |
and at the receiving end, the signals were received on paper tape as a squiggly line. | 0:24:01 | 0:24:06 | |
Above and below, above and below a central line, | 0:24:06 | 0:24:09 | |
-dot and dash, mark and space, noughts and ones. -Right. | 0:24:09 | 0:24:14 | |
Basically, a telegraph transmits and receives messages over long distances. | 0:24:14 | 0:24:20 | |
The message would be sent by Morse code and the end message was called a telegram. | 0:24:20 | 0:24:26 | |
So this is the next stage, is it? | 0:24:28 | 0:24:30 | |
We've moved on now until the late 1920s and now, instead of sending by hand, | 0:24:30 | 0:24:36 | |
-we tap away on a keyboard... -Right. | 0:24:36 | 0:24:39 | |
..and produce holes in paper tape. | 0:24:39 | 0:24:42 | |
-This is our binary code. -That's a binary code. -Above and below the centre line. | 0:24:42 | 0:24:47 | |
We can place that in an auto-transmitter. | 0:24:47 | 0:24:50 | |
Lovely mechanical object, isn't it? So that's reading it. Isn't that great? | 0:24:50 | 0:24:55 | |
-This is now reading the tape and sending it at a speed faster than I could do it by hand. -Yeah. | 0:24:55 | 0:25:01 | |
The ever-improving advances in communication technology | 0:25:01 | 0:25:06 | |
put Porthcurno at the centre of the war effort. | 0:25:06 | 0:25:09 | |
So you're taking me back to World War Two here, John? | 0:25:09 | 0:25:13 | |
World War Two equipment and we're in the workshop where it was maintained | 0:25:13 | 0:25:17 | |
And this building and communication centre was very important in the Second World War, wasn't it? | 0:25:17 | 0:25:23 | |
-It was of vital importance. -Vital importance. | 0:25:23 | 0:25:27 | |
We've said it was the gateway to the world. It was the gateway to the world in World War Two. | 0:25:27 | 0:25:32 | |
-For secure communication. -With our allies, America, at the other side of the pond? | 0:25:32 | 0:25:38 | |
And as we had more cables than the enemy, we had a better network. | 0:25:38 | 0:25:43 | |
We had a more elaborate system of communicating around the world | 0:25:43 | 0:25:47 | |
-in a manner that could not be intercepted. -Right. | 0:25:47 | 0:25:49 | |
Once so vital to the world, the telegraph became a museum piece, | 0:25:49 | 0:25:54 | |
but it's the ancestor of modern communications. | 0:25:54 | 0:25:58 | |
John, it's been really fascinating. Thank you. | 0:25:58 | 0:26:02 | |
Tour over, James needs to rendez-vous with young Charles | 0:26:02 | 0:26:05 | |
and have a gander at one another's treasures. | 0:26:05 | 0:26:09 | |
What on earth have you bought? | 0:26:09 | 0:26:11 | |
-I don't know whether I'm overwhelmed or underwhelmed. -Really? | 0:26:11 | 0:26:15 | |
And tell me, what is the... What is the stick here? | 0:26:15 | 0:26:20 | |
-James... -What is that? Is that one of those canes? | 0:26:20 | 0:26:23 | |
James, all week I've walked with a swagger. | 0:26:23 | 0:26:26 | |
-OK? Exactly, a swagger stick. -I like your swagger stick. -Thanks, buddy. | 0:26:26 | 0:26:31 | |
What's local to maybe this neck of the woods, apart from St Ives and the art centre there, | 0:26:31 | 0:26:37 | |
-you've also got Newlyn, so I've gone for a cracker over there, but, James... -Bit of copper. | 0:26:37 | 0:26:43 | |
-How much? -I think you paid...£50 for it. | 0:26:43 | 0:26:46 | |
I paid £100. | 0:26:48 | 0:26:50 | |
What is the bowl? Show me the bowl. | 0:26:51 | 0:26:54 | |
James, the bowl is tired, it's worn out, but it goes back to around 1750. | 0:26:54 | 0:27:01 | |
It's a Liverpool Delft bowl. | 0:27:01 | 0:27:04 | |
How much? | 0:27:04 | 0:27:06 | |
-I think you bought it cheaply. I'd say £30. -£20. -Well done. | 0:27:06 | 0:27:11 | |
It's your turn now, James. Show Charles what you've got. | 0:27:11 | 0:27:15 | |
-Here are my items. -Very good. -All of them. One was just too big and heavy and everything. | 0:27:15 | 0:27:21 | |
And by the wonders of modern technology, James has brought a photo of the pulpit. | 0:27:21 | 0:27:27 | |
-I like it. -You like it? | 0:27:27 | 0:27:29 | |
It looks to be in that neo-Gothic, High Victorian manner. | 0:27:29 | 0:27:33 | |
-It's got very attractive little carpet panels. -So you found it purely by chance? | 0:27:33 | 0:27:38 | |
I heard a whisper that this chap was keen to get rid of it, so I thought it was worth a visit. | 0:27:38 | 0:27:44 | |
I bought a rostrum not too dissimilar and it cost me about £300. | 0:27:44 | 0:27:50 | |
-£40. -It wasn't? -£40. | 0:27:50 | 0:27:53 | |
-£40? -£40. | 0:27:53 | 0:27:56 | |
Well, maybe our luck's turning. | 0:27:56 | 0:27:59 | |
-I saw these on the shelf in Falmouth and I just liked the design of it. -Yes. | 0:27:59 | 0:28:04 | |
-Liberty's. -Iconic name. They're great to handle. They feel great. | 0:28:04 | 0:28:09 | |
-Cheers, cheers. -Cheers. -How much? | 0:28:09 | 0:28:11 | |
-£40 for the two. -That's very cheap. That's very good. | 0:28:11 | 0:28:15 | |
I think they're probably worth at auction between 50 and 80. | 0:28:15 | 0:28:18 | |
But what about the mirror? | 0:28:18 | 0:28:21 | |
-It is a very nice mirror. -It's a nice mirror, the sort of mirror you can put anywhere. | 0:28:21 | 0:28:26 | |
It'll add tone to your loo, won't it? | 0:28:26 | 0:28:28 | |
I think you've gone bold and big. I reckon you paid £55. | 0:28:28 | 0:28:33 | |
-40. -Good. Good buy. Yeah. | 0:28:33 | 0:28:36 | |
-Anyway, Charles, it's been great. -I'm very excited. -Come on. -Good man. -Well done. -Well done. | 0:28:36 | 0:28:41 | |
But what do they really think? | 0:28:41 | 0:28:44 | |
He is unquantifiable, that man. | 0:28:44 | 0:28:47 | |
Those little items will make a fortune at auction. I don't like them. | 0:28:47 | 0:28:52 | |
He suggests to me that James will walk the plank. Yeah, I agree. | 0:28:52 | 0:28:57 | |
It's been an ambitious finale with the boys battling it out | 0:28:57 | 0:29:02 | |
from Liskeard via Bodmin, | 0:29:02 | 0:29:04 | |
St Columb Major, Falmouth, | 0:29:04 | 0:29:06 | |
Porthcurno and finally to Truro in Cornwall. | 0:29:06 | 0:29:09 | |
As our boys arrive in the village of Ladock in Truro, | 0:29:10 | 0:29:15 | |
it's time to find out who will be this week's Road Trip winner. | 0:29:15 | 0:29:19 | |
Will Charles make it five in a row and be crowned reigning champion? | 0:29:19 | 0:29:23 | |
Philip Buddell Auctions has been established in Cornwall for the last 30 years. | 0:29:24 | 0:29:30 | |
Auctioneer and proprietor Philip offers up some thoughts. | 0:29:32 | 0:29:36 | |
If I'd been in their shoes, I don't think I would have purchased a church pulpit. | 0:29:36 | 0:29:41 | |
I think that's really stretching my ability just a little far today. | 0:29:41 | 0:29:45 | |
James Braxton started today with £296.92 | 0:29:46 | 0:29:51 | |
and spent £155 on five auction lots. | 0:29:51 | 0:29:54 | |
Charles Hanson began with £1,556.31 | 0:29:57 | 0:30:03 | |
and spent £220 on five lots. | 0:30:03 | 0:30:06 | |
Quiet, please. The auction is about to begin. | 0:30:08 | 0:30:12 | |
-This is it. -The final one. | 0:30:12 | 0:30:15 | |
First up, it's James's William IV mahogany mirror. | 0:30:16 | 0:30:20 | |
£10? 10, I'm bid. At 10. 12 at the back. At 12. | 0:30:20 | 0:30:23 | |
If they turned it round the right way, it might make more. | 0:30:23 | 0:30:27 | |
18. £20. £20, I'm bid. At 20. And 2. And 4. | 0:30:27 | 0:30:31 | |
And 6. At 26, I have. £28 in front. At 28. 30 at the back. | 0:30:31 | 0:30:35 | |
At £30. At 30, I'm bid. And 2. £32. Bidding in front at 32. | 0:30:35 | 0:30:39 | |
-Well done. -It's moving, it's moving. | 0:30:39 | 0:30:42 | |
-The bidding's at 36. 38 now... -Go on son. -Oh, wow! -At 40, I'm bid. At 40. | 0:30:42 | 0:30:47 | |
At £40. 42 or not? At £40. | 0:30:47 | 0:30:49 | |
All done at 40? 2 or not? He's going to lose money if we're not careful. | 0:30:49 | 0:30:54 | |
At 40 and selling... | 0:30:54 | 0:30:56 | |
-Well done. Profit? -No. -Profit, is it...? | 0:30:56 | 0:30:59 | |
The atmosphere here is electric. | 0:30:59 | 0:31:02 | |
Pity it didn't fetch a profit though. | 0:31:02 | 0:31:05 | |
It's James again with the stylish pair of Liberty tankards. | 0:31:05 | 0:31:10 | |
What are you going to say on those? £10 on the pair of tankards? | 0:31:10 | 0:31:14 | |
-It must be worth a tenner. -10? -5? 5, I'm bid. | 0:31:14 | 0:31:17 | |
£5 on the two. 6. | 0:31:17 | 0:31:19 | |
At 6, I'm bid... 7. At 7. And £8. | 0:31:19 | 0:31:22 | |
Not quite the units I was hoping for! | 0:31:22 | 0:31:25 | |
At 10, I'm bid. 12. At 12. 14. | 0:31:25 | 0:31:27 | |
At £14. £14. 16? | 0:31:27 | 0:31:29 | |
At £14. £16. On the right at 16. 18. At 18, I have. At 18. | 0:31:29 | 0:31:34 | |
20, I'm bid. At 20. At £20, I have. At 20. | 0:31:34 | 0:31:37 | |
-22. -That pays for one! -They're worth an awful lot more than that. | 0:31:37 | 0:31:41 | |
At £22. | 0:31:41 | 0:31:43 | |
The hammer's up. All done for 22 and I sell... | 0:31:43 | 0:31:46 | |
£22. | 0:31:46 | 0:31:48 | |
Unexpected result there, James. | 0:31:48 | 0:31:51 | |
The only way is up... Surely! | 0:31:51 | 0:31:54 | |
We were both slightly out on that one. | 0:31:54 | 0:31:56 | |
It's now Charles's turn with the swagger stick next. | 0:31:56 | 0:32:00 | |
-What are you going to say on that? Start me at £20? -2. | 0:32:00 | 0:32:05 | |
22? | 0:32:05 | 0:32:07 | |
Two quid! | 0:32:07 | 0:32:09 | |
At 2, I'm bid. At £2. 2, I have. 4. | 0:32:09 | 0:32:12 | |
6. 8. At 8. 10. | 0:32:12 | 0:32:15 | |
12. At 12, I'm bid. At 12. 14. | 0:32:15 | 0:32:17 | |
16. 18... | 0:32:17 | 0:32:20 | |
History. Absolutely. | 0:32:20 | 0:32:22 | |
22. 24. At 24. | 0:32:22 | 0:32:24 | |
Well done. The Midas touch. | 0:32:24 | 0:32:27 | |
28. At 28, I have. At £28. £28. Bidding to my right. | 0:32:27 | 0:32:31 | |
-Charles is getting excited. -I'll sit down. Sorry. | 0:32:31 | 0:32:34 | |
At £30. 32. 34. 34, I have. At £34. 36. | 0:32:34 | 0:32:38 | |
36. Bidding on the far right. 38 bidding here. | 0:32:38 | 0:32:41 | |
CLOCK CHIMES £38. £38. At 38, I'm bid. | 0:32:41 | 0:32:44 | |
Bidding here at 38. 40. At 40, I'm bid. | 0:32:44 | 0:32:47 | |
And 2. 42. At £42. | 0:32:47 | 0:32:49 | |
44 or not? At 42. Are you all done? You'll regret it later. | 0:32:49 | 0:32:52 | |
CLOCK STILL CHIMING Oh, shut up, clock! | 0:32:52 | 0:32:55 | |
-At £42. 44 or not? -Well done. | 0:32:55 | 0:32:58 | |
-At 42. -History. Well done, sir. | 0:32:58 | 0:33:01 | |
Thank God for a bit of quiet! At £42 | 0:33:01 | 0:33:04 | |
All done? I sell at 42... | 0:33:04 | 0:33:08 | |
Bingo, bingo! That's great. | 0:33:08 | 0:33:10 | |
Charles turns the tide of fortune with a good profit. | 0:33:10 | 0:33:15 | |
And it's Charles's turn again with the cracked Delft bowl. | 0:33:15 | 0:33:20 | |
20? 10? | 0:33:20 | 0:33:23 | |
It must be worth 10. 10, I'm bid. At 10. 12. 14. | 0:33:23 | 0:33:26 | |
16. At 16. 18. 20. | 0:33:26 | 0:33:29 | |
22. 24. | 0:33:29 | 0:33:31 | |
At £24, I'm bid. At 24. 26. | 0:33:31 | 0:33:33 | |
-28. 30. -I'm in profit. | 0:33:33 | 0:33:36 | |
-£32. -Keep going, keep going. -34 at the back. | 0:33:36 | 0:33:39 | |
At £34. £36. 36. 38. 38, I'm bid. At £38. | 0:33:39 | 0:33:43 | |
40 on the right. At £40, I'm bid. 42 | 0:33:43 | 0:33:46 | |
At 42. 44. At 44. 44, I have. This is cheap. | 0:33:46 | 0:33:49 | |
-46. At 46... -It isn't cheap! | 0:33:49 | 0:33:53 | |
At £48. 50. At £50. 55. | 0:33:53 | 0:33:56 | |
At £55. £55. 55... 60. | 0:33:56 | 0:33:59 | |
-At £60, I'm bid. And 5. At 65, bidding here at 65. -Still cheap! | 0:33:59 | 0:34:03 | |
I sell at £65... | 0:34:03 | 0:34:07 | |
Well done. | 0:34:07 | 0:34:09 | |
Profit number two for Charles, a good speculative buy there. | 0:34:09 | 0:34:13 | |
Can you make it three in a row, Charles? | 0:34:14 | 0:34:17 | |
It's the copper spoon rack next. | 0:34:17 | 0:34:19 | |
A former pipe rack, but probably now a spoon rack. | 0:34:19 | 0:34:22 | |
Or it might even take one of these. Can you try one of these out? | 0:34:22 | 0:34:28 | |
-Oh, here we are, a bit of theatre. -Egg rack. Oh, good idea! | 0:34:28 | 0:34:31 | |
Yes, it does. | 0:34:31 | 0:34:33 | |
-Perfect. -It's an egg rack. | 0:34:33 | 0:34:35 | |
It's gone from a pipe to spoon and now an egg rack. | 0:34:35 | 0:34:39 | |
There's an egg rack, ladies and gentlemen. | 0:34:39 | 0:34:42 | |
Egg, spoon, we can have egg and spoon rack. | 0:34:42 | 0:34:44 | |
Who's going to start me at £30? 30, thank you. £30, I'm bid. At £30. | 0:34:44 | 0:34:49 | |
-He's at the back. -Keep going. -And 5. At 35. 40. At 40, I'm bid. At 40. | 0:34:49 | 0:34:54 | |
5, will you say now? At 40. And 5. | 0:34:54 | 0:34:57 | |
I have 50 in the corner. At £50, I'm bid. At 50. And 5. | 0:34:57 | 0:35:00 | |
55, I have. At 55. At £55. 55. 60. | 0:35:00 | 0:35:04 | |
-At 65. 65, fresh bidder. -Fresh bidder. -Yes! -70. | 0:35:04 | 0:35:08 | |
-5. At 75. -Brilliant, brilliant. -80. -Brilliant. -£80 in the corner. | 0:35:08 | 0:35:12 | |
85? At 85. | 0:35:12 | 0:35:15 | |
-90. -90. -90! Thank you, thank you. -At £90, at £90. | 0:35:15 | 0:35:20 | |
-And 5. At 95. -Oh, wonderful. Well done, well done. | 0:35:20 | 0:35:23 | |
Let's round it up now to the ton. | 0:35:23 | 0:35:25 | |
Selling on my right at 95... | 0:35:25 | 0:35:28 | |
£95. | 0:35:28 | 0:35:30 | |
Ha-ha, the winner of the egg and spoon race! | 0:35:30 | 0:35:33 | |
Yet another wonderful profit for the Hanson kitty. | 0:35:33 | 0:35:37 | |
I've just had a God looking down at me, looking after my objects. | 0:35:37 | 0:35:41 | |
-It's just been unbelievable. -I know, it has been unbelievable. | 0:35:41 | 0:35:46 | |
It's Charles yet again, this time with the Newlyn-style fire screen. | 0:35:46 | 0:35:51 | |
£30? 30? It must be worth 30. 30, I'm bid. At 30. And 5. | 0:35:51 | 0:35:56 | |
At 35. 35, I have. 40, I'll take. | 0:35:56 | 0:35:58 | |
At £35. £35. 40 down here. | 0:35:58 | 0:36:01 | |
At 40, I have. Fresh bidder at 40. At 45. 45 in the middle. | 0:36:01 | 0:36:05 | |
-I'm enjoying this. -That's cheap. -I'm watching you struggle. -That's cheap. | 0:36:05 | 0:36:10 | |
-No, it isn't. It's very expensive. -At 55. 55. I saw the twitch! | 0:36:10 | 0:36:15 | |
60. At £60, I'm bid. At 60. 65. | 0:36:15 | 0:36:18 | |
Put the hammer down! | 0:36:18 | 0:36:21 | |
The chaps won't be able to afford to go home unless you bid a bit more | 0:36:22 | 0:36:26 | |
At £70. £70. 75, do you say? At 70. | 0:36:26 | 0:36:28 | |
-75. -That's enough, that's enough. | 0:36:28 | 0:36:31 | |
At £80, I have. At 80. At £80. Bidding here at 80. | 0:36:31 | 0:36:34 | |
-85. -85! Keep going, please! | 0:36:34 | 0:36:36 | |
At 85. 85. 90! | 0:36:36 | 0:36:39 | |
At £90. Bidding on the front row at 90. | 0:36:39 | 0:36:42 | |
Any advance on £90? The gavel is up at 90. I sell... | 0:36:42 | 0:36:47 | |
-£90. -I've lost £10! | 0:36:47 | 0:36:50 | |
I've lost £10. What a shame! | 0:36:51 | 0:36:54 | |
Ah, what a shame! Unusual to see you with a loss there, Charles. | 0:36:55 | 0:36:59 | |
I never thought I'd see this moment on this road trip. | 0:36:59 | 0:37:03 | |
-Is this your first loss? -For a long time. | 0:37:03 | 0:37:07 | |
Back to you, James. It's the Jaguar wheel nut next. | 0:37:07 | 0:37:11 | |
Can you finally score a profit? | 0:37:11 | 0:37:14 | |
Your opportunity to build a car from scratch. | 0:37:14 | 0:37:18 | |
LAUGHTER | 0:37:18 | 0:37:20 | |
-Start me at £10? 10, I'm bid. At 10. -Well done, well done. | 0:37:20 | 0:37:24 | |
At 10, I'm bid. At 10. 12. 14. | 0:37:24 | 0:37:27 | |
16 at the back. At £16. 18 in front. | 0:37:27 | 0:37:30 | |
-At £18... -I'm going to make history! -22 at the back. | 0:37:30 | 0:37:34 | |
£22. 24. 26. At 26 on my right. The bidding's at 26. | 0:37:34 | 0:37:38 | |
-28 at the back. At £28. -Racing away, accelerating! | 0:37:38 | 0:37:42 | |
30, I have. 32 in the middle. At £32. £32. 34 or not? | 0:37:42 | 0:37:46 | |
I sell at £32... | 0:37:46 | 0:37:48 | |
4. At 34. | 0:37:48 | 0:37:50 | |
-Well done, that man. -Well done. | 0:37:50 | 0:37:53 | |
-Good timing. -At £34. Brinkmanship. 36. | 0:37:53 | 0:37:55 | |
At £36. Must be worth more than that | 0:37:55 | 0:37:58 | |
The hammer's up. I sell at £36... | 0:37:58 | 0:38:02 | |
-£36. -Now... -That was good. | 0:38:03 | 0:38:05 | |
Finally, a sizeable profit, James. | 0:38:05 | 0:38:08 | |
Now it's his unusual World War One badges. | 0:38:11 | 0:38:14 | |
I've got to start the bidding with me at £8. 9. At 9, I have. | 0:38:14 | 0:38:19 | |
10 with me. 12. I'm out. 14. | 0:38:19 | 0:38:22 | |
At £14. 16. 18 at the back. | 0:38:22 | 0:38:25 | |
At £18. At 18, I'm bid. | 0:38:25 | 0:38:27 | |
-20, I'll take. At £18. -Keep going. | 0:38:27 | 0:38:30 | |
-Come on. -18. 20. 22. -Well done. | 0:38:30 | 0:38:33 | |
At 22. 24. 24. 26 at the back. | 0:38:33 | 0:38:36 | |
28 on the right. £30. Bidding at the back at 30. | 0:38:36 | 0:38:39 | |
At £30. 32. At £32. Bidding to my right. | 0:38:39 | 0:38:43 | |
Selling, all done for £32... | 0:38:43 | 0:38:46 | |
-32. -Well done. -It just shows... | 0:38:46 | 0:38:48 | |
Blimey, two profits in a row, James! Congratulations. | 0:38:49 | 0:38:53 | |
Back to Charles. The sweet little pill box is his final item. | 0:38:53 | 0:38:58 | |
-Where are you going to start me on this one? £20? -Oh, no. -10? 10? | 0:38:59 | 0:39:03 | |
Must be worth 20. Thank you. 20, I'm bid. At 20. | 0:39:03 | 0:39:07 | |
At £20. 25. | 0:39:07 | 0:39:09 | |
25, I have. 30. 35. | 0:39:09 | 0:39:11 | |
35, I have. At 35. 40, I'm bid. | 0:39:11 | 0:39:14 | |
Keep going. It's worth all of that. | 0:39:14 | 0:39:16 | |
It must be worth a lot more. 45 at the back. At £45. | 0:39:16 | 0:39:20 | |
-Come on. -Back of the room at 45. 50, I've got. At 50. | 0:39:20 | 0:39:24 | |
At £50, bidding on the right. 55 at the back of the room. 60 on my right | 0:39:24 | 0:39:29 | |
At £60, I'm bid. And 5 I'll take from you. At £60. | 0:39:29 | 0:39:32 | |
-5. -Yes! -65, I have. £70, I'm bid. At 70. | 0:39:32 | 0:39:37 | |
Any advance on £70? | 0:39:37 | 0:39:39 | |
The hammer's up, selling at £70... | 0:39:39 | 0:39:42 | |
-Well done. -Great trip. -Well done. -I got there in the end, James. | 0:39:44 | 0:39:48 | |
Indeed you did, Charles. Another profit to add to your hoard. | 0:39:48 | 0:39:53 | |
Finally, it's our last lot of the day. | 0:39:54 | 0:39:57 | |
It's James's Gothic pulpit. | 0:39:57 | 0:40:00 | |
It only needs to make over £1,600 to take James into the lead(!) | 0:40:00 | 0:40:04 | |
Ha! Snowflake's chance! | 0:40:04 | 0:40:07 | |
-What shall we say? £50? -£50. -50. | 0:40:07 | 0:40:11 | |
-A unique piece of furniture. -Come on, James. This is your finale. | 0:40:11 | 0:40:15 | |
Start me at 20 then? £20? | 0:40:15 | 0:40:18 | |
£20 on the pulpit? I'm not asking the earth. Surely? | 0:40:18 | 0:40:22 | |
10 then? I know how you love your pulpits. | 0:40:22 | 0:40:25 | |
£10, thank you. At 10, I'm bid. From number one. | 0:40:25 | 0:40:29 | |
£10, I have on the pulpit. At 10. | 0:40:29 | 0:40:31 | |
At 10. 12. At 12, I have. At 12. 14, will you say? | 0:40:31 | 0:40:35 | |
Bidding at the back at 12. At £12. You're being very disappointing here | 0:40:35 | 0:40:39 | |
At 12, I'm bid. 14 or not? At £12 on the pulpit. | 0:40:39 | 0:40:42 | |
Any advance on 12 on the pulpit? Against you, number one. | 0:40:42 | 0:40:47 | |
Selling at the back of the room at £12... 14. | 0:40:47 | 0:40:50 | |
-Well done. -At 14. 16. | 0:40:50 | 0:40:52 | |
-At £16. At 16. -Saved! -18 or not? At 16, I'm bid. | 0:40:52 | 0:40:57 | |
-You're causing me a lot of hard work 18, I'll take. -18! | 0:40:57 | 0:41:01 | |
At £16. All done at 16... | 0:41:01 | 0:41:03 | |
Selling at 16 to 269... | 0:41:03 | 0:41:07 | |
Come here, mate. Come here. Come here, mate. Listen... | 0:41:07 | 0:41:11 | |
Come on, mate. | 0:41:11 | 0:41:13 | |
Oh, poor old James! A little cuddle from Charles will make everything better. | 0:41:13 | 0:41:18 | |
Unlucky. Sad day. | 0:41:18 | 0:41:21 | |
So, for the fifth time this week, the Young Pretender is the reigning supremo at auction. | 0:41:21 | 0:41:27 | |
-Well done. It's been a great pleasure. -It's been wonderful. | 0:41:27 | 0:41:30 | |
Let's go and uncover that car. | 0:41:30 | 0:41:33 | |
James started today's show with £296.92 | 0:41:36 | 0:41:40 | |
and, after paying auction costs, | 0:41:40 | 0:41:42 | |
made a small loss of £35.28, | 0:41:42 | 0:41:45 | |
leaving him with a final balance of £261.64. | 0:41:45 | 0:41:50 | |
Charles, meanwhile, started with a mighty £1,556.31 | 0:41:54 | 0:42:00 | |
and made a profit of £76.84 today, | 0:42:00 | 0:42:04 | |
bringing his final earnings to £1,633.15 | 0:42:04 | 0:42:09 | |
and making him this week's jubilant winner. | 0:42:09 | 0:42:12 | |
Well done, boy. | 0:42:12 | 0:42:15 | |
-Watch out, watch out. Go. -OK. -Go, go. -Well done, James. | 0:42:15 | 0:42:20 | |
All the money our experts make will go to Children In Need. | 0:42:21 | 0:42:25 | |
James and Charles's road trip adventure has all too soon come to an end. | 0:42:26 | 0:42:32 | |
Over the past week we've had changeable weather... | 0:42:32 | 0:42:36 | |
I feel like dancing in the rain. | 0:42:36 | 0:42:38 | |
# It's raining men Hallelujah, it's raining men... # | 0:42:38 | 0:42:44 | |
James regretted giving Charles a whizz in his MG. | 0:42:44 | 0:42:47 | |
-Don't say sorry. Just do it. -Sorry. | 0:42:49 | 0:42:52 | |
-Don't say sorry! -Sorry! -Don't say sorry! -OK, OK. | 0:42:52 | 0:42:56 | |
Charles got rather excitable. | 0:42:56 | 0:42:58 | |
I'm so nervous, I need the toilet. | 0:42:58 | 0:43:00 | |
They both went off on a magnificent island adventure. | 0:43:00 | 0:43:05 | |
-Pirates are like this. -Exactly. -With berets. -Let's make our fortune, mate. | 0:43:05 | 0:43:09 | |
Thanks, boys. This has been a blast! | 0:43:09 | 0:43:12 | |
HORN BLOWS | 0:43:12 | 0:43:14 | |
Next week on the Antiques Road Trip, we have a new couple - rivals Philip Serrell and Anita Manning. | 0:43:14 | 0:43:20 | |
Auctioneers both, but with little else in common. | 0:43:20 | 0:43:24 | |
-I love it because it goes with my boots. -Is that the way the week is going to go? | 0:43:24 | 0:43:29 | |
Subtitles by Red Bee Media Ltd | 0:43:48 | 0:43:51 |