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It's the nation's favourite antiques experts, with ?200 each... I love that. | 0:00:03 | 0:00:08 | |
..a classic car, and a goal to scour Britain for antiques. Yippee. | 0:00:08 | 0:00:13 | |
It's a good job I like you. The aim? | 0:00:13 | 0:00:16 | |
To make the biggest profit at auction, but it's no mean feat. | 0:00:16 | 0:00:20 | |
There'll be worthy winners and valiant losers. I'm getting wet! | 0:00:20 | 0:00:25 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:25 | 0:00:29 | |
How much did you make? About a couple of quid. | 0:00:29 | 0:00:31 | |
This is the Antiques Road Trip. | 0:00:31 | 0:00:33 | |
It's the start of a brand-new road trip with a couple of | 0:00:37 | 0:00:41 | |
cheeky chappies and firm favourites of the antiques circuit. | 0:00:41 | 0:00:44 | |
Thomas Plant and Philip Serrell. | 0:00:44 | 0:00:46 | |
We're in the Northwest right now. | 0:00:46 | 0:00:48 | |
Not somewhere I've spent a great deal of time. We're in Lancashire. | 0:00:48 | 0:00:53 | |
Don't be fooled by baby-faced Thomas Plant. | 0:00:53 | 0:00:56 | |
He's got years of experience as both dealer and auctioneer, | 0:00:56 | 0:00:59 | |
although he's not afraid to call on his boyish charm when required. | 0:00:59 | 0:01:04 | |
Why the one?! Come on. Nice and easy for me. | 0:01:04 | 0:01:09 | |
Philip Serrell's warm charm matches his wise old owl-like wisdom. | 0:01:09 | 0:01:14 | |
Over 30 years in antiques have taught him never to take a challenge | 0:01:14 | 0:01:17 | |
lying down, especially from a young whippersnapper like Thomas. | 0:01:17 | 0:01:21 | |
The daftest, dangerous, most stupidest lot ever. | 0:01:21 | 0:01:26 | |
I'll give him a run for his money. | 0:01:26 | 0:01:29 | |
The route takes our intrepid road trippers | 0:01:29 | 0:01:32 | |
across land and sea, from Samlesbury in Lancashire | 0:01:32 | 0:01:35 | |
to the Isle of Man and back, down to the final destination in Greenwich, | 0:01:35 | 0:01:39 | |
almost 700 miles away. | 0:01:39 | 0:01:42 | |
But today's trip begins in Samlesbury | 0:01:42 | 0:01:44 | |
and ends up at auction in Douglas, the capital of the Isle of Man. | 0:01:44 | 0:01:48 | |
Samlesbury lies in Lower Ribblesdale in Lancashire, | 0:01:51 | 0:01:54 | |
just six miles from Preston. | 0:01:54 | 0:01:56 | |
GROANS | 0:01:56 | 0:01:58 | |
Moo! Famous for its witch trials in 1612, today, it's a peaceful village. | 0:01:58 | 0:02:02 | |
Our experts are heading to Samlesbury Hall, the historic home | 0:02:02 | 0:02:07 | |
of the Southworth family, which, rather conveniently, also sells antiques. | 0:02:07 | 0:02:12 | |
Here we are. History, antiques, galleries. Oh, look at this. | 0:02:12 | 0:02:16 | |
That looks stunning. That's Tudor, isn't it? | 0:02:16 | 0:02:19 | |
Is that sort of 1480? 1480. | 0:02:19 | 0:02:22 | |
As Philip shops, Thomas will get the guided tour. | 0:02:22 | 0:02:25 | |
So you're going to keep all the bargains. | 0:02:25 | 0:02:28 | |
I'm going to trawl it through, pick it over. You can pick it over. | 0:02:28 | 0:02:31 | |
Just make sure there's nothing left for you at all. | 0:02:31 | 0:02:34 | |
Whilst Thomas goes for a nosy around the country pile, | 0:02:34 | 0:02:38 | |
Philip gets his shopping under way with a little help from manager Genevieve Donlon. | 0:02:38 | 0:02:43 | |
Oh, wow. This is a stunning building, isn't it? | 0:02:43 | 0:02:47 | |
It is, it's beautiful. This is the long gallery. | 0:02:47 | 0:02:49 | |
Because the hall lost all its furnishings, part of the reason | 0:02:49 | 0:02:53 | |
we sell antiques for people is this also furnishes the hall. | 0:02:53 | 0:02:58 | |
It is a good way of furnishing the place, isn't it? It is, yes. | 0:02:58 | 0:03:02 | |
That's a nice chair. | 0:03:02 | 0:03:04 | |
Leather tub chair by Garnett and Sons. | 0:03:05 | 0:03:10 | |
Garnett and Sons were cabinet and furniture makers of distinction, | 0:03:10 | 0:03:14 | |
based in Warrington at the turn of the 19th century, | 0:03:14 | 0:03:16 | |
producing some very desirable pieces. That's nice. | 0:03:16 | 0:03:20 | |
Isn't that a nice thing? And it's clearly been reupholstered. | 0:03:20 | 0:03:24 | |
You can see just there, look, that's where the original tacks would have been. | 0:03:24 | 0:03:29 | |
Let's just have a seat. | 0:03:32 | 0:03:36 | |
That's really nice. It's comfortable, isn't it? Yeah. | 0:03:36 | 0:03:40 | |
How much movement is there on your price? Not a lot of movement. | 0:03:40 | 0:03:43 | |
It is priced to sell. What were you thinking of? | 0:03:43 | 0:03:47 | |
I'd like to try and buy it for between 50 and 60 quid. No. | 0:03:47 | 0:03:52 | |
No. As I say, it is priced to sell. | 0:03:52 | 0:03:54 | |
If I went to 75, that's really pushing it. Is it? | 0:03:54 | 0:03:58 | |
OK. I'm going to buy that because I love that. It is a lovely piece. | 0:03:58 | 0:04:01 | |
I think it's a really, really nice chair. Thank you very much indeed. | 0:04:01 | 0:04:05 | |
You're welcome. Thank you. | 0:04:05 | 0:04:06 | |
As Philip seals the deal upstairs, | 0:04:06 | 0:04:09 | |
downstairs, Thomas has gone to visit the curator, Sharon Jones. | 0:04:09 | 0:04:12 | |
We were driving up and we were trying to date it. Can I have a go? Yes. | 0:04:12 | 0:04:18 | |
So we thought it was Tudor. | 0:04:18 | 0:04:20 | |
We thought it may be between 1480 and 1520. How wrong are we? | 0:04:20 | 0:04:25 | |
Well, you're quite right to a certain part of it. | 0:04:25 | 0:04:27 | |
This part was actually built in 1325. | 0:04:27 | 0:04:31 | |
Oh, right. OK. So that's the oldest bit. | 0:04:31 | 0:04:33 | |
That bit was the hall standing on its own. | 0:04:33 | 0:04:36 | |
Then we pan back over to this part of the hall, which was about 1490. | 0:04:36 | 0:04:42 | |
So you're absolutely spot on with that. | 0:04:42 | 0:04:45 | |
Then we built this bit in-between in 1535, so from there to there is 1535. | 0:04:45 | 0:04:52 | |
So are we going to go inside, and are you going to give me a grand tour? | 0:04:52 | 0:04:56 | |
Yeah, I'll walk you through the rooms and tell you what happened with the families here. | 0:04:56 | 0:05:00 | |
The hall has had many incarnations in its 700-year history. | 0:05:00 | 0:05:04 | |
It's been a pub, school, factory, | 0:05:04 | 0:05:07 | |
but it started out as the ancestral home of the Southworth family. | 0:05:07 | 0:05:12 | |
So, here we are in the parlour, which was built in 1535. | 0:05:12 | 0:05:16 | |
If you can read Latin, that's what it's going to tell you above the fireplace there. | 0:05:16 | 0:05:20 | |
Thomas South... Southworth, yes. Southworth. | 0:05:20 | 0:05:23 | |
That's the Southworth family. | 0:05:23 | 0:05:26 | |
This crest in the middle, that's the Southworth shield. | 0:05:26 | 0:05:29 | |
The family were staunch Catholics | 0:05:29 | 0:05:31 | |
during the time of the Reformation under Henry VIII, | 0:05:31 | 0:05:34 | |
when the Church of England broke away from the Catholic Church in Rome. | 0:05:34 | 0:05:38 | |
But the Southworths refused to change their religious beliefs, | 0:05:38 | 0:05:42 | |
which was just the start of their troubles. | 0:05:42 | 0:05:44 | |
There is a story of one of the ladies from our family, | 0:05:44 | 0:05:47 | |
a lady called Lady Dorothy Southworth, | 0:05:47 | 0:05:50 | |
fell in love with a local from Hoghton Tower, one of the de Hoghtons. | 0:05:50 | 0:05:54 | |
They were strong Protestant. We were very strong Roman Catholic. | 0:05:54 | 0:05:58 | |
They agreed to meet, they met here in the grounds, | 0:05:58 | 0:06:03 | |
Lady Dorothy's brothers found out about the meet | 0:06:03 | 0:06:06 | |
and they killed him and his two soldiers, | 0:06:06 | 0:06:09 | |
and they found skeletal remains in the grounds actually out here, | 0:06:09 | 0:06:12 | |
and they reburied them, they are still there, but they then sent | 0:06:12 | 0:06:17 | |
Lady Dorothy off to a nunnery in France, where she died of a broken heart. | 0:06:17 | 0:06:21 | |
Now, the tale is that we still see Lady Dorothy crossing the road. | 0:06:21 | 0:06:24 | |
Really? | 0:06:24 | 0:06:26 | |
So, the priest holes? | 0:06:26 | 0:06:29 | |
Yes. In the entrance hall | 0:06:29 | 0:06:31 | |
we've just walked through, there's a definite priest hole. Lead me on. Through here. | 0:06:31 | 0:06:36 | |
Priest holes were secret hiding places built in to many Catholic | 0:06:36 | 0:06:39 | |
houses during the time of the Reformation. | 0:06:39 | 0:06:42 | |
There's a priest hole actually in the fireplace over here. | 0:06:42 | 0:06:45 | |
They hid by the fires. Yes, they did. And you can sort of... | 0:06:45 | 0:06:50 | |
It's better if you sort of see it through there. | 0:06:50 | 0:06:53 | |
They've gone in and stood right at the back there. | 0:06:53 | 0:06:56 | |
I think I'm going to have to go. Do you mind? | 0:06:56 | 0:06:58 | |
Not at all, no. Right. | 0:06:58 | 0:07:00 | |
They were a bit smaller then, weren't they? Yes. | 0:07:00 | 0:07:03 | |
I don't think I'd be a very good priest. They were slightly smaller! | 0:07:03 | 0:07:07 | |
You think I'm a bit too big to be a priest? | 0:07:07 | 0:07:09 | |
Maybe not if you were imitating Friar Tuck. Oh, look who's coming. | 0:07:09 | 0:07:14 | |
Thomas, what are you doing? I'm pretending to be a Catholic priest. | 0:07:14 | 0:07:18 | |
If I could find some bricks, I'd brick you in there now. | 0:07:18 | 0:07:22 | |
I'm going to get out. Have you got the keys to the car? You're filthy now. | 0:07:22 | 0:07:26 | |
I've lost the keys. You've lost the keys. I've got them. | 0:07:26 | 0:07:29 | |
I put them in the priest hole. Have a good day. See you later. | 0:07:29 | 0:07:33 | |
I'm a bit out of breath! In and out of that priest hole. | 0:07:33 | 0:07:36 | |
Pleasure to meet you. And you too. Thank you very much. Thank you. | 0:07:36 | 0:07:40 | |
Having satisfied his ecclesiastical curiosity, | 0:07:40 | 0:07:44 | |
it's time for Thomas to defrock and get down to business. | 0:07:44 | 0:07:47 | |
It's shopping time. | 0:07:47 | 0:07:49 | |
What's that, then, Thomas? This is a silver pocket watch. | 0:07:55 | 0:07:58 | |
It's an open-faced example with Roman numerals. It is silver. | 0:07:58 | 0:08:03 | |
This chamber is not. This is plated. | 0:08:03 | 0:08:06 | |
Check to see if it's working... | 0:08:06 | 0:08:08 | |
Give it a quick shake, and it is ticking. | 0:08:08 | 0:08:12 | |
And you can see the second hand moving round. | 0:08:12 | 0:08:16 | |
Will he get any movement on the ?40 price tag? Tick-tock, Thomas. | 0:08:16 | 0:08:21 | |
Um...I could probably go to 35 on that. | 0:08:21 | 0:08:25 | |
Not as low as 28? Sorry, no. | 0:08:25 | 0:08:28 | |
So you couldn't go as low as 29? I couldn't, I'm afraid, no. | 0:08:28 | 0:08:33 | |
What could you do? 32? | 0:08:33 | 0:08:36 | |
Halfway. 30. | 0:08:40 | 0:08:42 | |
31. Why the one? | 0:08:42 | 0:08:45 | |
It just helps the client. Why the one? Why the one? Come on. | 0:08:45 | 0:08:51 | |
Nice and easy for me. Round figures. Round figures. | 0:08:51 | 0:08:55 | |
I'm only a simple man. Now, now, don't put yourself down, Tom. | 0:08:55 | 0:08:59 | |
That's my job. Would you do it for me? I will do it for you. | 0:08:59 | 0:09:03 | |
That's very sweet of you. You won't get into much trouble? Hopefully not. | 0:09:03 | 0:09:07 | |
?30. Thank you very much. | 0:09:07 | 0:09:12 | |
Having left Thomas to wheedle his way to a purchase, Philip | 0:09:12 | 0:09:14 | |
has driven on to his next location in Bretherton, 14 miles away. | 0:09:14 | 0:09:20 | |
Now, Bretherton is a small village in the borough of Chorley, | 0:09:20 | 0:09:23 | |
and Philip's next shop is a barn of a place called Old Corn Mill Antiques. | 0:09:23 | 0:09:29 | |
Run by Aiden Finn. | 0:09:29 | 0:09:31 | |
How are you doing, all right? I'm not so bad. | 0:09:31 | 0:09:34 | |
Big old place, this, isn't it? You've got stuff everywhere. | 0:09:34 | 0:09:37 | |
I want something that's not on show, I want some little hidden gem. | 0:09:37 | 0:09:41 | |
Hidden gems, right this way. | 0:09:41 | 0:09:45 | |
Something for all tastes, if you're prepared to roll your sleeves up and get your hands dirty. | 0:09:45 | 0:09:51 | |
Cast your eyes in this. Lordy, Lordy, what is all this stuff? History. | 0:09:51 | 0:09:57 | |
History. This is the past. Got the bells and whistles, this. | 0:09:57 | 0:10:03 | |
These fit on the back of a horse, I would think. | 0:10:03 | 0:10:06 | |
See, that's just falling apart. Age. I know just how it feels. | 0:10:06 | 0:10:10 | |
How much do you want for this lot? Probably a couple of hundred. | 0:10:10 | 0:10:18 | |
Old grumpy pants here has spotted an ancient-looking coach lamp. | 0:10:18 | 0:10:21 | |
What's that one there? That's a better one. | 0:10:21 | 0:10:24 | |
All I want to see is whether it's broken or not. | 0:10:24 | 0:10:26 | |
It's more perfect than the other one. | 0:10:26 | 0:10:29 | |
It's either perfect or it ain't - it ain't MORE perfect! But you're right, it is more perfect, isn't it? | 0:10:29 | 0:10:35 | |
We're not going to be talking... Well, I'M not. | 0:10:35 | 0:10:38 | |
..big sums of money here, cos you've got half a lot. Triple figures. | 0:10:40 | 0:10:44 | |
Yeah, ?1.57. Oh, cheer up, Philip. | 0:10:44 | 0:10:48 | |
Come on, let's go and have a look downstairs. Just like I told you. | 0:10:48 | 0:10:51 | |
There's something here for everyone, | 0:10:51 | 0:10:52 | |
not that I'm one to blow my own trumpet. | 0:10:52 | 0:10:56 | |
I would think it's probably a French horn, | 0:11:00 | 0:11:03 | |
and you would hold it like that, wouldn't you, and play like that. | 0:11:03 | 0:11:06 | |
The thing I like about it is it's got this London maker here, look. | 0:11:06 | 0:11:11 | |
And he's not done yet. | 0:11:11 | 0:11:12 | |
Aiden has something else he wants to show Philip. | 0:11:12 | 0:11:15 | |
You'd like see my tooling. Cheeky! Look at the work in that. | 0:11:15 | 0:11:19 | |
That's quite nice, isn't it? Beautiful. | 0:11:19 | 0:11:21 | |
You get a leather desk and you put gold leaf around the outside. Yep. | 0:11:23 | 0:11:27 | |
Old books, as well. And then this would have to be heated. | 0:11:27 | 0:11:30 | |
Then, you'd run that round there and this repeating... | 0:11:30 | 0:11:34 | |
It's almost like an acanthus border | 0:11:34 | 0:11:36 | |
would be put on, either on the book or the desk. Through the gold leaf. | 0:11:36 | 0:11:40 | |
Gold leaf embossing thing, isn't it? | 0:11:40 | 0:11:42 | |
There's only 95 quid on it. | 0:11:42 | 0:11:44 | |
You live in a dream world. Yeah, but it's a lovely dream. | 0:11:44 | 0:11:48 | |
How do you see it? | 0:11:48 | 0:11:49 | |
No, I've got to try and buy 'em for 40 quid. But you can say no. | 0:11:49 | 0:11:54 | |
50 quid. And I reckon you'll get more than that for that. | 0:11:54 | 0:11:57 | |
I'm going to give you 45 quid. And that's me finished. | 0:11:57 | 0:12:00 | |
Oh, you're a hard man. You're a gent. | 0:12:00 | 0:12:04 | |
It's a good job I like ya! Thank you very much! | 0:12:04 | 0:12:07 | |
But I wouldn't buy ya. | 0:12:07 | 0:12:09 | |
So, a big job lot of metalware, an antique tool and a carry-on, | 0:12:09 | 0:12:12 | |
all for ?45. | 0:12:12 | 0:12:14 | |
Philip really needs to develop a sense of humour - or lighten up. | 0:12:14 | 0:12:17 | |
Reunited, Philip and Thomas head off towards Liverpool, | 0:12:19 | 0:12:22 | |
but there's no stopping for shopping. | 0:12:22 | 0:12:24 | |
They're driving to the ferry terminal for their next journey leg. | 0:12:24 | 0:12:27 | |
Sea legs at the ready? | 0:12:33 | 0:12:35 | |
Our boys are off to the Isle of Man. | 0:12:35 | 0:12:37 | |
This beautiful island | 0:12:40 | 0:12:42 | |
is a self-governing British Crown dependency, | 0:12:42 | 0:12:46 | |
located in the Irish Sea, 32 miles long and 14 miles wide, | 0:12:46 | 0:12:50 | |
famous for kippers, Manx cats and the Isle of Man TT Races. | 0:12:50 | 0:12:54 | |
It's plenty big enough | 0:12:54 | 0:12:56 | |
for our boys to put their foot down and get back on the antiques trail. | 0:12:56 | 0:12:59 | |
After disembarking in the island's capital, Douglas, | 0:12:59 | 0:13:02 | |
our boys are heading to Peel. | 0:13:02 | 0:13:06 | |
Situated on the west coast, Peel has its very own castle, | 0:13:08 | 0:13:11 | |
built in 1392, and is believed to be the first place Christianity | 0:13:11 | 0:13:16 | |
was brought to the island by St Patrick, in 1226. | 0:13:16 | 0:13:20 | |
But enough of the history, Thomas and Philip are here to shop in the Arts Antiques Centre, | 0:13:20 | 0:13:26 | |
managed by Zoe Brindley. Hi, Zoe! | 0:13:26 | 0:13:29 | |
Hello! Morning! All right to have a look around? Certainly. | 0:13:29 | 0:13:32 | |
You go upstairs, I'll go down. Righty-ho, good luck, Thommo. | 0:13:32 | 0:13:36 | |
And you. | 0:13:36 | 0:13:37 | |
Got a nice little Chester pot here, 1906. I could do that for 20. | 0:13:42 | 0:13:47 | |
Is that the very...? It is the very best. OK. | 0:13:47 | 0:13:50 | |
Yeah. It's pretty. It's nice. Ladies like things like that, don't they? | 0:13:50 | 0:13:55 | |
Thomas is struggling to find anything at all. | 0:13:55 | 0:13:58 | |
I think that I'm definitely going to have that. If I could pay you. | 0:13:58 | 0:14:01 | |
Ooh, he's coming up the stairs. I'll put it in my pocket. Hold on. | 0:14:01 | 0:14:05 | |
We've got ten...20, there we are. | 0:14:05 | 0:14:07 | |
Spondulies changing hands. Thank you. | 0:14:07 | 0:14:10 | |
I'm going to walk round the harbour. You've been buying already. See if I can get you some kippers. | 0:14:10 | 0:14:16 | |
See you soon. Take care. Bye. What's he bought? I'm not telling you! | 0:14:16 | 0:14:20 | |
Can I look up here, please? Please do, yes. Thank you. | 0:14:21 | 0:14:23 | |
I'll leave you in peace. Just shout me, if I can help. Thank you very much. | 0:14:23 | 0:14:27 | |
Philip heads off to Moore's Kippers, | 0:14:27 | 0:14:29 | |
in search of a man who sells seafood on the seashore. | 0:14:29 | 0:14:33 | |
BELL CLANGS | 0:14:33 | 0:14:34 | |
Do you do kipper baps? We do kipper baps, yeah. | 0:14:34 | 0:14:37 | |
Two hot kipper baps would be lovely. No problem. Thank you very much. | 0:14:37 | 0:14:42 | |
Never one to miss an opportunity, | 0:14:42 | 0:14:44 | |
Philip's attention is momentarily diverted. | 0:14:44 | 0:14:47 | |
Are those scallop shells? They're scallop shells. | 0:14:47 | 0:14:50 | |
So that lot there and a lobster pot? How much would that lot be? | 0:14:50 | 0:14:55 | |
45 quid? Ouch! | 0:14:55 | 0:14:57 | |
Those shells and the lobster pot might make 20 quid... Yeah. | 0:14:57 | 0:15:00 | |
..so I've got to try and buy them for ten or 15 quid. Yeah. | 0:15:00 | 0:15:03 | |
Well, 15 quid, seeing it's you. Are you sure? You're a gentleman. I'll take 'em, thank you very much. | 0:15:03 | 0:15:08 | |
As Philip shells out - ha! - | 0:15:08 | 0:15:10 | |
it's Thomas that's left feeling that | 0:15:10 | 0:15:13 | |
he's been stitched up like the proverbial kipper. | 0:15:13 | 0:15:15 | |
Sorry I couldn't purchase anything. That's all right. Never mind. But Philip's bought off you, I saw him. | 0:15:15 | 0:15:20 | |
Thank you very much. Thanks for coming in. Pleasure. | 0:15:20 | 0:15:23 | |
Bye-bye. Having failed to buy anything, Thomas now has a small wind problem. | 0:15:23 | 0:15:28 | |
GUSTING | 0:15:28 | 0:15:29 | |
Just as well he's outside(!) Thomas, I got you lunch. What? Huh? | 0:15:29 | 0:15:32 | |
Lunch? Lunch! What have you got me? Nice baps. | 0:15:32 | 0:15:35 | |
No, I like a good pair of baps. What are these? | 0:15:35 | 0:15:37 | |
Behave! Kipper baps, that's what you asked for! Kipper baps? Nice! | 0:15:37 | 0:15:40 | |
Go on, then. What do they taste like? I'm not sure I'm ready for this. Really? Yeah. | 0:15:40 | 0:15:44 | |
GARBLED: They're very nice. Are they? Mmm. | 0:15:44 | 0:15:47 | |
Didn't your mother never tell you not to speak with your mouth full? | 0:15:47 | 0:15:50 | |
With time running out, | 0:15:50 | 0:15:51 | |
Thomas has hurried on to Jurby, on the north-west coast. | 0:15:51 | 0:15:56 | |
So far, Thomas has only bought one item, and he's still got ?170 to spend. | 0:15:56 | 0:16:00 | |
His last shop is a huge warehouse, Jurby Junk, run by Stella Pixton. | 0:16:00 | 0:16:07 | |
Hello, Stella. | 0:16:07 | 0:16:08 | |
Hello. Hello. | 0:16:08 | 0:16:10 | |
I'm Thomas. Oh, hello, Thomas. | 0:16:10 | 0:16:12 | |
What's your name? Stella. | 0:16:12 | 0:16:13 | |
And you've got lots of pussy cats. | 0:16:13 | 0:16:16 | |
Probably not a good time to mention Thomas's allergy to cats, | 0:16:16 | 0:16:19 | |
or attempt to get a bargain. | 0:16:19 | 0:16:22 | |
I have a little notice there, look. | 0:16:22 | 0:16:24 | |
Puss! "Do not ask to pay less. No reductions." | 0:16:24 | 0:16:28 | |
So, pussies aplenty and no haggling. | 0:16:28 | 0:16:31 | |
You can't comprehend it until you look at it. | 0:16:31 | 0:16:34 | |
Good luck, Thomas, I reckon you're going to need it, mate! | 0:16:34 | 0:16:39 | |
Oh, there's a bit of silver-wilver there. | 0:16:39 | 0:16:42 | |
Bits and bobs. | 0:16:42 | 0:16:44 | |
The cup, this one? Yes. | 0:16:47 | 0:16:48 | |
HE SNEEZES | 0:16:48 | 0:16:51 | |
Ah, cats one, Thomas zero. | 0:16:51 | 0:16:52 | |
Thomas has his eye on a silver George V presentation goblet. | 0:16:52 | 0:16:57 | |
We've got a cup here for Fairhaven Sailing Club Regatta, 1926, | 0:16:57 | 0:17:05 | |
won by John Kenniworthy, priced at 30. | 0:17:05 | 0:17:10 | |
Can I have a look at the religious plaque there? | 0:17:10 | 0:17:13 | |
Oh, yes, a nice little one. I love religious things. | 0:17:13 | 0:17:16 | |
The icon is brass and silver plate, | 0:17:16 | 0:17:20 | |
and features the Madonna and child, keenly priced at ?15. | 0:17:20 | 0:17:23 | |
I love that. It is rather nice. | 0:17:23 | 0:17:26 | |
Oh, I like that, it's a really sweet thing. | 0:17:26 | 0:17:29 | |
OK. | 0:17:29 | 0:17:31 | |
Oh, cup, there at the bottom. The twin handled one. | 0:17:31 | 0:17:33 | |
This is a race, for Concours d'Excellence, Bexhill, 1934. | 0:17:33 | 0:17:38 | |
It's another George V silver trophy, with motor racing interest, | 0:17:38 | 0:17:42 | |
priced at ?20. | 0:17:42 | 0:17:44 | |
One last thing, | 0:17:44 | 0:17:46 | |
there's a little pounce pot, or pepper pot on there. Thanks. | 0:17:46 | 0:17:49 | |
I see a theme developing. | 0:17:49 | 0:17:52 | |
This time Thomas has gone for George IV. | 0:17:52 | 0:17:56 | |
The silver pepper pot is dated 1824 and is marked up at ?15. | 0:17:56 | 0:18:00 | |
So, let's cut to the chase. | 0:18:00 | 0:18:02 | |
I know I read your notice, which is fine, | 0:18:02 | 0:18:06 | |
so that's ?30 for those two. | 0:18:06 | 0:18:09 | |
That's ?30. 60. | 0:18:09 | 0:18:12 | |
And that's 20. 80. | 0:18:12 | 0:18:15 | |
Yes. I'll take that off your hands. | 0:18:15 | 0:18:17 | |
That didn't take long at all, and not a haggle in sight. | 0:18:17 | 0:18:22 | |
He's even managed to avoid the cats. Well, almost. | 0:18:22 | 0:18:25 | |
Hello, there's a pussy cat here. Oh, dearie me. Hello. | 0:18:25 | 0:18:28 | |
Right. | 0:18:28 | 0:18:31 | |
And for your respecting my no haggling. Yes. | 0:18:31 | 0:18:37 | |
I can give you a few things you could sell in auction. | 0:18:37 | 0:18:42 | |
Not solid stuff, but connected with my father, | 0:18:42 | 0:18:44 | |
who was a pioneer aviator. | 0:18:44 | 0:18:47 | |
I've got information sheets here, | 0:18:47 | 0:18:50 | |
which will give quite a lot of history about Father. | 0:18:50 | 0:18:54 | |
Looks like a series of first-day covers, | 0:18:54 | 0:18:56 | |
postage stamps on cards or envelopes, | 0:18:56 | 0:18:58 | |
franked with the first date of issue. | 0:18:58 | 0:19:00 | |
"The man who put Britain in the lead for the first time | 0:19:00 | 0:19:04 | |
"in aviation history by winning the Schneider Trophy, 1914." | 0:19:04 | 0:19:07 | |
Very collectable. If they're going for nothing, | 0:19:07 | 0:19:10 | |
then Thomas has nothing to lose. | 0:19:10 | 0:19:13 | |
So if it's all right, I'll take an example of them. | 0:19:13 | 0:19:17 | |
Take more if you wish. | 0:19:17 | 0:19:19 | |
I think six is enough. | 0:19:19 | 0:19:22 | |
Thank you very much. OK. | 0:19:22 | 0:19:25 | |
It is an honour to meet you, and know your father was so important. Yes. | 0:19:25 | 0:19:31 | |
Can I give you that? Yes, please. Is that all right? ?80. | 0:19:31 | 0:19:34 | |
Nice to meet you and your cats and everything here. | 0:19:34 | 0:19:36 | |
It's wonderful. Thank you. Bless you. Bye-bye. | 0:19:36 | 0:19:39 | |
Goodbye! God bless. Thank you. | 0:19:39 | 0:19:41 | |
With all the shopping and sneezing complete... | 0:19:41 | 0:19:43 | |
HE SNEEZES ..time to recap on what our boys have bought. | 0:19:43 | 0:19:46 | |
Thomas began this first leg of the road trip with ?200 and spent ?110 on five lots. | 0:19:46 | 0:19:51 | |
His prized buys are a silver plate religious icon paired with a George IV silver pepper pot, | 0:19:51 | 0:19:58 | |
a George V presentation trophy, | 0:19:58 | 0:20:01 | |
a set of Howard Pixton covers, a silver watch and chain and a George V silver goblet. | 0:20:01 | 0:20:07 | |
Philip also started with ?200 and also bought five lots, | 0:20:09 | 0:20:13 | |
costing ?155. He bought a book binder's tool, a job lot of metalware, | 0:20:13 | 0:20:20 | |
a 19th-century chair, a dressing table box | 0:20:20 | 0:20:24 | |
and a basket full of scallop shells. | 0:20:24 | 0:20:27 | |
And a lobster pot, as you do. | 0:20:27 | 0:20:28 | |
Having seen each other's items, what do they really think? | 0:20:28 | 0:20:32 | |
Fantastic. Eclectic. Wonderful. | 0:20:32 | 0:20:36 | |
I really like the book binding tool, good profit in that, and shells | 0:20:36 | 0:20:41 | |
and lobsters, I wouldn't expect anything else. | 0:20:41 | 0:20:45 | |
He has put all his eggs in one basket. | 0:20:45 | 0:20:49 | |
I like that. That will do quite well. | 0:20:49 | 0:20:52 | |
And the other will do OK just on melt value alone. | 0:20:52 | 0:20:55 | |
So it's game on. | 0:20:55 | 0:20:58 | |
Fighting talk. | 0:20:58 | 0:21:01 | |
Just a few short miles to the auction in the capital. | 0:21:01 | 0:21:05 | |
Our experts are going head-to-head at Murray's Auction House. | 0:21:07 | 0:21:12 | |
It's 7.00. Any self-respecting antiquarian would be in the pub. | 0:21:13 | 0:21:19 | |
Where are we? In an auction. What is going on? | 0:21:19 | 0:21:22 | |
Auction first, boys, | 0:21:22 | 0:21:23 | |
and we kick off with Philip's gold leaf embossing tool. | 0:21:23 | 0:21:25 | |
But will it leave him with a good mark-up? | 0:21:25 | 0:21:29 | |
I feel a bit anxious. ?80. No. Profit. | 0:21:29 | 0:21:32 | |
No, no, no, no. | 0:21:32 | 0:21:34 | |
?50 for it. ?50. Interesting walnut handle on it. ?50. | 0:21:34 | 0:21:39 | |
?50. Ten for a start. | 0:21:39 | 0:21:41 | |
Ten I'm bid. 15, 20, 5, | 0:21:41 | 0:21:43 | |
30, 5, 40, | 0:21:43 | 0:21:45 | |
5, 50? | 0:21:45 | 0:21:47 | |
There you are, ?50. | 0:21:47 | 0:21:49 | |
?45. Good for the leather on the tops of desks as well. | 0:21:49 | 0:21:54 | |
Not just books. | 0:21:54 | 0:21:55 | |
45. 50? Want to try one more? | 0:21:55 | 0:21:58 | |
45. Are you sure? | 0:21:58 | 0:22:00 | |
Last look, at 45, a lucky gentleman over there. | 0:22:00 | 0:22:05 | |
A great start for Philip, and a healthy profit. | 0:22:05 | 0:22:07 | |
That's very good. | 0:22:07 | 0:22:09 | |
Let me tell you, that's not VERY good - | 0:22:09 | 0:22:11 | |
that's like world-record result today, mate. | 0:22:11 | 0:22:13 | |
First up for Thomas, it's the silver-plated religious icon | 0:22:13 | 0:22:17 | |
and the George IV silver pepperpot. | 0:22:17 | 0:22:19 | |
30 for a start for the silver pepperpot and the icon. | 0:22:19 | 0:22:22 | |
?30. 30. 35, I'll take. | 0:22:22 | 0:22:26 | |
For nothing. 35. 40. 5. 50. | 0:22:26 | 0:22:31 | |
45 behind me. | 0:22:31 | 0:22:33 | |
45 behind me and I'm going to sell it at 45. ?45. | 0:22:33 | 0:22:39 | |
You're not taking this seriously, are you? | 0:22:39 | 0:22:41 | |
No, but the thing is, whatever way I look at it, it is a profit. | 0:22:41 | 0:22:44 | |
Oh, that'll do, then. | 0:22:44 | 0:22:46 | |
Another profit, which means they're both off to a good start. | 0:22:46 | 0:22:50 | |
128! | 0:22:50 | 0:22:51 | |
Here we go, here we go. | 0:22:51 | 0:22:53 | |
Philip's job lot of metalware is up next - | 0:22:53 | 0:22:57 | |
a selection of horse passes, bells, coach lamp and a French horn. | 0:22:57 | 0:23:00 | |
Let's see if it was worth getting his hands dirty for. | 0:23:00 | 0:23:03 | |
At ?50 for the horse tack, ?50. 60 I'd like. | 0:23:03 | 0:23:06 | |
At ?50. 60. | 0:23:06 | 0:23:10 | |
70. ?80. Dead ahead at ?80. | 0:23:10 | 0:23:13 | |
?80. 325. | 0:23:13 | 0:23:18 | |
Brilliant. It's good, isn't it? Actually, that's all right. | 0:23:18 | 0:23:21 | |
Which just goes to show... | 0:23:21 | 0:23:22 | |
NORTHERN ENGLISH ACCENT: Where there's muck, there's brass. | 0:23:22 | 0:23:25 | |
And puts Philip in a clear lead. | 0:23:25 | 0:23:28 | |
Thomas is continuing his silver streak with the George V | 0:23:28 | 0:23:31 | |
presentation trophy. | 0:23:31 | 0:23:32 | |
Let's see if it can win him any prizes. ?100 for it. 50 for a start. | 0:23:32 | 0:23:37 | |
?50 for it. 50 at the back. 60 I'd like. | 0:23:37 | 0:23:43 | |
Five if it'll help you. | 0:23:43 | 0:23:45 | |
At ?50, at the back. At 50. ?50. | 0:23:45 | 0:23:49 | |
Thomas's trophy rewards him with yet another tasty profit. | 0:23:50 | 0:23:55 | |
Let's see if he can keep it up. | 0:23:55 | 0:23:57 | |
Surely he can't go wrong with the Howard Pixton first day covers, | 0:23:57 | 0:23:59 | |
which didn't cost him a penny. | 0:23:59 | 0:24:01 | |
?50. Interesting little lot. | 0:24:01 | 0:24:03 | |
?50. Ten for a start. | 0:24:03 | 0:24:05 | |
I've got ?10 bid. | 0:24:05 | 0:24:07 | |
Ten, yes? 15 I want. | 0:24:07 | 0:24:10 | |
A rare little lot. 15, 20. | 0:24:10 | 0:24:12 | |
5, 30? | 0:24:12 | 0:24:15 | |
25 on the left at ?25. ?25. 30 if you want. | 0:24:15 | 0:24:18 | |
35? | 0:24:18 | 0:24:20 | |
?30 here. At 30, on the phone now at ?30. Any more? | 0:24:21 | 0:24:26 | |
?30 they go, last look. | 0:24:26 | 0:24:29 | |
If something costs you nothing, you are on a 100% winner. | 0:24:30 | 0:24:34 | |
Well, that remains to be seen. | 0:24:34 | 0:24:36 | |
But it certainly closes the gap between them. | 0:24:36 | 0:24:40 | |
Only a fiver in it now. Philip's not sitting pretty yet, | 0:24:40 | 0:24:45 | |
but he might well be after the sale of his 19th-century tub chair. | 0:24:45 | 0:24:48 | |
?100 for it. | 0:24:48 | 0:24:50 | |
?100. 50 for a start. Good, solid chair. ?50. | 0:24:50 | 0:24:54 | |
30 I'm bid, thank you. ?30. At 30. 40 I want. | 0:24:54 | 0:24:59 | |
At 30. Creeping up slowly. | 0:24:59 | 0:25:02 | |
40. 50. 60. 70? 80. There you are. | 0:25:02 | 0:25:08 | |
90? | 0:25:08 | 0:25:11 | |
?80. On the phone at ?80. 5? | 0:25:11 | 0:25:14 | |
90. | 0:25:14 | 0:25:16 | |
?85. By the coffer, at 85. Any more at 85? | 0:25:16 | 0:25:21 | |
85. Last look at ?85. | 0:25:21 | 0:25:25 | |
Not exactly a tub-thumping success, but a ?10 profit | 0:25:25 | 0:25:28 | |
means he strengthens his lead. | 0:25:28 | 0:25:31 | |
What's next? | 0:25:31 | 0:25:32 | |
It's your watch. My pocket watch. | 0:25:32 | 0:25:34 | |
Oh, dear - that's a bit of trouble. | 0:25:34 | 0:25:36 | |
BOTH: # There may be trouble ahead... # | 0:25:36 | 0:25:38 | |
Time to see if Thomas can catch up | 0:25:38 | 0:25:41 | |
with the silver pocket fob watch and chain. | 0:25:41 | 0:25:43 | |
Who'll bid me ?50 for the silver pocket watch? | 0:25:43 | 0:25:46 | |
20 for a start, then. | 0:25:46 | 0:25:48 | |
Go on. 20. 20 I'm bid. | 0:25:48 | 0:25:50 | |
30. | 0:25:50 | 0:25:53 | |
?20 here. ?20. Last time I buy a watch, then. | 0:25:53 | 0:25:57 | |
Just when every second counts, he makes a loss. | 0:25:57 | 0:26:01 | |
Bad luck, Thomas, old fruit. | 0:26:01 | 0:26:03 | |
More silver now. No, not for Thomas, for a change. | 0:26:03 | 0:26:06 | |
It's Philip's pretty little dressing table box. | 0:26:06 | 0:26:09 | |
?30. Make a nice little present. Make a lovely pressie. | 0:26:09 | 0:26:12 | |
If he's asking for 30, I'll get ten. | 0:26:12 | 0:26:15 | |
Silver top. Ten for a start. | 0:26:15 | 0:26:17 | |
Ten. 15, a present for the lady. | 0:26:17 | 0:26:21 | |
Sea of hands? | 0:26:21 | 0:26:22 | |
Sea of hands everywhere, always. | 0:26:22 | 0:26:24 | |
30. There you are. 30. 5? | 0:26:24 | 0:26:28 | |
?30 behind you, now. Are you sure? | 0:26:28 | 0:26:32 | |
35? ?30... Any more? | 0:26:32 | 0:26:36 | |
Do you know, that's not too bad, is it? Oh, come on. | 0:26:37 | 0:26:41 | |
It is 33%, isn't it? It's a good margin. | 0:26:41 | 0:26:44 | |
Perhaps not the great profit he was expecting there, but ?10 is ?10. | 0:26:44 | 0:26:49 | |
A little ?10 here and a little ?10 there. | 0:26:49 | 0:26:51 | |
It's all still to play for, with Thomas's final item, | 0:26:51 | 0:26:54 | |
the George V silver goblet. | 0:26:54 | 0:26:56 | |
I've got 50 bid on it, the presentation goblet. | 0:26:56 | 0:26:58 | |
?50. 60. | 0:26:58 | 0:27:01 | |
60, 70. 60 at the back. 70 I want. | 0:27:01 | 0:27:06 | |
At ?60. Ooh, God. | 0:27:06 | 0:27:08 | |
At 60. ?60. Pen, please. | 0:27:08 | 0:27:12 | |
1668. | 0:27:12 | 0:27:13 | |
A toast to Thomas, then, as he doubles his money on the goblet. | 0:27:13 | 0:27:18 | |
Philip's final item is the basket of scallop shells, and lobster pot. | 0:27:21 | 0:27:24 | |
You never know, stranger things have happened at sea. There we are. | 0:27:24 | 0:27:29 | |
?10 for it. Interior designer stuff. Here we are. 10. 15 I'd like. 15. | 0:27:29 | 0:27:35 | |
20. 5. 30. 25. | 0:27:35 | 0:27:39 | |
You'll be sorry to miss this. 20. | 0:27:39 | 0:27:42 | |
You'll be kicking yourself if you don't bid 30. ?25. | 0:27:42 | 0:27:47 | |
30. 5. | 0:27:47 | 0:27:49 | |
?35. Any more at 35? Last look, 35. | 0:27:49 | 0:27:55 | |
So Philip makes a mint on the molluscs, | 0:27:55 | 0:27:58 | |
but is it enough to take the first victory? | 0:27:58 | 0:28:01 | |
Very, very, very... | 0:28:01 | 0:28:03 | |
Work that out, Tombo, because I've got no idea where we are. | 0:28:03 | 0:28:07 | |
Allow me. | 0:28:07 | 0:28:08 | |
Thomas started the show with ?200, and after auction costs | 0:28:08 | 0:28:11 | |
has increased his spending power to ?258.10, | 0:28:11 | 0:28:15 | |
going through to the next round. | 0:28:15 | 0:28:18 | |
Philip also started with ?200, and after auction costs | 0:28:18 | 0:28:21 | |
he just pips Thomas to the winning post with ?270.50. | 0:28:21 | 0:28:26 | |
Close enough. | 0:28:26 | 0:28:28 | |
That was all right, wasn't it? That was very good. Little skip. | 0:28:28 | 0:28:31 | |
It's still daylight, as well, look. | 0:28:31 | 0:28:33 | |
I know, but we're not used to this, really. | 0:28:33 | 0:28:35 | |
I know. We're so far up north, we're almost in Scotland. | 0:28:35 | 0:28:37 | |
"Oop" north. Oop north. | 0:28:37 | 0:28:40 | |
Right. Where to now, then? Well, I need a drink, actually. Mainland. | 0:28:40 | 0:28:45 | |
Now, Phil, do you mind me driving? No, no, no. But if we could stop... | 0:28:45 | 0:28:49 | |
There's a peaked cap shop down here. I would like to get you one. | 0:28:49 | 0:28:52 | |
Drive on. | 0:28:52 | 0:28:53 | |
Meow! | 0:28:53 | 0:28:54 | |
With just ?12.40 in it, it's neck-and-neck | 0:28:54 | 0:28:57 | |
as they get back onto the open road. | 0:28:57 | 0:28:59 | |
Bye! Bye! | 0:28:59 | 0:29:02 | |
This whole road trip takes our boys from Samlesbury in Lancashire | 0:29:04 | 0:29:08 | |
over the Irish Sea to the Isle of Man, then south to | 0:29:08 | 0:29:10 | |
nautical Greenwich, an epic journey of almost 700 miles. | 0:29:10 | 0:29:15 | |
On this leg, they'll begin in the ancient city of York, | 0:29:17 | 0:29:20 | |
ending up at auction in Rotherham, South Yorkshire. | 0:29:20 | 0:29:22 | |
Ooh, aye. | 0:29:22 | 0:29:23 | |
Founded by the Romans in 71 AD, the walled city of York | 0:29:25 | 0:29:28 | |
has seen more than a little triumph and tragedy in its two millennia. | 0:29:28 | 0:29:33 | |
Oh, there's the Minster. | 0:29:33 | 0:29:34 | |
They're parking up next to York landmark Clifford's Tower, | 0:29:34 | 0:29:38 | |
and heading their separate ways. | 0:29:38 | 0:29:41 | |
You have a great one. | 0:29:41 | 0:29:42 | |
Philip's on his way to his first shop, with ?270.50 to play with. | 0:29:42 | 0:29:46 | |
I've never, ever been to York before. | 0:29:46 | 0:29:48 | |
I've got no idea what to expect, so I think the best plan is no plan. | 0:29:48 | 0:29:52 | |
Fair enough, Phil. | 0:29:52 | 0:29:54 | |
But it's beginning to look as if you're just ambling about aimlessly. | 0:29:54 | 0:29:57 | |
Finally, Philip has managed to wander to his first shop, | 0:29:59 | 0:30:03 | |
the Red House Antiques Centre, | 0:30:03 | 0:30:05 | |
where he's meeting assistant manager Andy. | 0:30:05 | 0:30:08 | |
Good to see you. Is it all right to have a look round? | 0:30:08 | 0:30:10 | |
Yes, help yourself. | 0:30:10 | 0:30:12 | |
Planned or not, Philip has seen something that might just | 0:30:17 | 0:30:21 | |
strike the right note. | 0:30:21 | 0:30:22 | |
Can I have a look at that? You certainly can. | 0:30:22 | 0:30:25 | |
That beastie there, please. | 0:30:25 | 0:30:27 | |
It's a portable music stand, dating from the Victorian era. | 0:30:27 | 0:30:30 | |
Ticket price is ?38. | 0:30:30 | 0:30:32 | |
Oh, here we go. So that goes...there. | 0:30:34 | 0:30:37 | |
Are you having trouble with that, Phil? | 0:30:37 | 0:30:39 | |
That goes there, like that. | 0:30:39 | 0:30:41 | |
Shall we take that as a possible? Can we put that on the counter? | 0:30:41 | 0:30:44 | |
The stand belongs to a dealer who rents cabinet space in the shop. | 0:30:44 | 0:30:48 | |
Andy's going to give him a ring | 0:30:48 | 0:30:50 | |
to see what his rock bottom price might be. | 0:30:50 | 0:30:52 | |
In your cabinet, you've got a nice little folding music stand. | 0:30:52 | 0:30:57 | |
Thanks a lot, sorry to bother you. Cheers now, bye-bye. | 0:30:57 | 0:30:59 | |
You know when things don't go very well? We do, Andy. | 0:31:01 | 0:31:06 | |
The dealer isn't keen to budge much on the ticket price, | 0:31:06 | 0:31:09 | |
but the tireless Philip has decided to try negotiating | 0:31:09 | 0:31:12 | |
with the shop instead, who might be able to tweak | 0:31:12 | 0:31:14 | |
the price down a little by waiving their commission on the sale. | 0:31:14 | 0:31:18 | |
Stuart, also an assistant manager, might be able to help. | 0:31:18 | 0:31:22 | |
Let's make an executive decision. I'll give you 30 quid for it. | 0:31:23 | 0:31:26 | |
Is that done? Good man. Thank you very much, thank you. | 0:31:26 | 0:31:30 | |
Very reasonable. | 0:31:30 | 0:31:32 | |
First buy in the bag and Philip's off to his next shop, Banana Warehouse. | 0:31:32 | 0:31:36 | |
With the help of dealers David and young Warren, | 0:31:40 | 0:31:43 | |
let's see if he can "exterminate" the competition. | 0:31:43 | 0:31:47 | |
How much is that? That, unfortunately, is not for sale. | 0:31:48 | 0:31:52 | |
It was made by primary school children and we hire it out. | 0:31:52 | 0:31:54 | |
What a shame. I would have loved to see you try to get it into the car. | 0:31:54 | 0:31:58 | |
Could I have a look at the cricket bat, please? | 0:32:03 | 0:32:05 | |
Philip's eyeballed a sporting item, which might give him a good innings. | 0:32:05 | 0:32:09 | |
It's a miniature cricket bat, bearing the facsimile signatures | 0:32:10 | 0:32:14 | |
of legendary cricketers of the mid-20th century. | 0:32:14 | 0:32:17 | |
It's got some great names on here, look. Rhodes, Tom Goddard, | 0:32:17 | 0:32:20 | |
Compton. | 0:32:20 | 0:32:22 | |
Ticket price is ?30. Warren's going to phone the dealer who owns it. | 0:32:22 | 0:32:27 | |
If you could, that would be fantastic. | 0:32:27 | 0:32:29 | |
And I'll continue to have a look round. | 0:32:29 | 0:32:31 | |
He says you can have that for 15. That's an absolute deal. OK. | 0:32:37 | 0:32:39 | |
That's on. Hang onto that, then. What should I be looking at? | 0:32:39 | 0:32:43 | |
It depends what your taste is, what you want. | 0:32:43 | 0:32:45 | |
Taste? Have you seen this programme? I haven't got any taste. | 0:32:45 | 0:32:48 | |
Well, you do always buy something different. | 0:32:48 | 0:32:50 | |
You're very tactful, Warren. | 0:32:50 | 0:32:51 | |
What about that little mangle? Want me to get it down? | 0:32:54 | 0:32:57 | |
It's a child's toy mangle. On the ticket, ?25. | 0:32:57 | 0:33:01 | |
How much does he say on this one? | 0:33:01 | 0:33:03 | |
He says he'll do you a favour and go for a tenner. | 0:33:03 | 0:33:06 | |
It's worth a hell of a lot more. I like that, yeah. OK, put that with | 0:33:06 | 0:33:10 | |
the cricket bat and we're getting a bit of a parcel here, aren't we? | 0:33:10 | 0:33:13 | |
Philip's decided to combine the toy mangle | 0:33:13 | 0:33:15 | |
and the miniature cricket bat into a job lot. | 0:33:15 | 0:33:18 | |
But he's still browsing on. | 0:33:18 | 0:33:19 | |
He's found a basket of antique legal documents. | 0:33:22 | 0:33:26 | |
These are just indentures that date back, but they're not that old. | 0:33:27 | 0:33:30 | |
That one's 1900. | 0:33:30 | 0:33:32 | |
Basically, they're like mortgage deeds for parcels of land. | 0:33:32 | 0:33:36 | |
One of them mentions the Duke of Westminster. | 0:33:36 | 0:33:38 | |
Ticket price for the two documents that Philip has | 0:33:38 | 0:33:41 | |
selected from the pile is ?10. | 0:33:41 | 0:33:43 | |
Warren, could I put these with my little parcel? | 0:33:44 | 0:33:47 | |
So far, we've got a mangle, we've got those two, | 0:33:47 | 0:33:50 | |
and we've got a cricket bat, haven't we? Yes. | 0:33:50 | 0:33:53 | |
We're getting there, we're getting there. | 0:33:53 | 0:33:55 | |
And there's yet another thing he's spotted. | 0:33:55 | 0:33:57 | |
Better fetch the stepladder, young Warren. | 0:33:57 | 0:33:59 | |
There's a whisky barrel up there, I wouldn't mind having a look at that. | 0:33:59 | 0:34:02 | |
I don't know how old it is. | 0:34:02 | 0:34:03 | |
He's adding the 19th-century ceramic barrel to the reserve pile. | 0:34:03 | 0:34:08 | |
It says ?30 on the ticket. | 0:34:08 | 0:34:10 | |
Right, I need to see about some prices, don't I? | 0:34:10 | 0:34:13 | |
With a veritable bundle of potential buys on the table, | 0:34:13 | 0:34:16 | |
it's time for Philip to get haggling. | 0:34:16 | 0:34:18 | |
Combined ticket price of all the items is ?95. Let's see. | 0:34:18 | 0:34:21 | |
15 for that, and ten for that, so that's 25. | 0:34:21 | 0:34:24 | |
Fiver for those two and a tenner for that, is how I'm valuing them. | 0:34:25 | 0:34:28 | |
Yeah. | 0:34:30 | 0:34:31 | |
He gets a lot for a bargain ?40. | 0:34:31 | 0:34:34 | |
Thank you very much, Warren. You're welcome. | 0:34:34 | 0:34:37 | |
And with that, he's off to wander the winding streets | 0:34:37 | 0:34:39 | |
of York once more. | 0:34:39 | 0:34:41 | |
Thomas, meanwhile, is hanging out | 0:34:42 | 0:34:45 | |
with some jolly, colourful characters. | 0:34:45 | 0:34:47 | |
# She is handsome, she is pretty She is the belle of Belfast city | 0:34:47 | 0:34:50 | |
Come on, man. Enough busking, you've still got ?258.10 to spend. | 0:34:50 | 0:34:55 | |
Whoops. | 0:34:55 | 0:34:56 | |
Hello, I'm Thomas. Hello, Thomas - Phil. | 0:34:56 | 0:34:59 | |
Phil, nice to meet you. CJ. CJ. So, how does it all work? | 0:34:59 | 0:35:03 | |
If you don't know how a shop works, Thomas, | 0:35:04 | 0:35:06 | |
this is going to be a very long day. | 0:35:06 | 0:35:08 | |
You find something, you pay us lots of money. | 0:35:08 | 0:35:11 | |
Thank you, Phil. | 0:35:11 | 0:35:12 | |
If I'm not careful, I'm just going to be buying shiny things. | 0:35:16 | 0:35:19 | |
And, as if by magic... | 0:35:19 | 0:35:21 | |
They look all right. | 0:35:23 | 0:35:25 | |
God, look at that colour in there. | 0:35:25 | 0:35:28 | |
George II candlesticks. | 0:35:28 | 0:35:31 | |
15 quid. Nothing for something, you know, 1720. | 0:35:31 | 0:35:36 | |
And there's something else in the cabinet. | 0:35:38 | 0:35:40 | |
And the Archimedes drill? | 0:35:42 | 0:35:44 | |
That Archimedes drill is named, oddly enough, | 0:35:44 | 0:35:46 | |
after the ancient Greek genius Archimedes, | 0:35:46 | 0:35:50 | |
who had a screw. | 0:35:50 | 0:35:51 | |
They're a very useful tool, you can use them nowadays. | 0:35:51 | 0:35:54 | |
The drill bit goes in there. | 0:35:54 | 0:35:56 | |
It's supposed to spin. | 0:35:56 | 0:36:00 | |
I really like it. OK. | 0:36:00 | 0:36:02 | |
What can that be? | 0:36:02 | 0:36:05 | |
Ah... Really, you know? | 0:36:05 | 0:36:07 | |
?18. ?18. Well, that's not bad, is it? | 0:36:07 | 0:36:09 | |
I've seen something else I quite like of yours, as well. | 0:36:09 | 0:36:12 | |
Ah, pair of candlesticks. | 0:36:13 | 0:36:15 | |
Yeah, I like them. | 0:36:16 | 0:36:17 | |
Been polished within an inch of their lives, though. Of course. | 0:36:17 | 0:36:21 | |
What deal could Thomas strike on the candlesticks? | 0:36:21 | 0:36:24 | |
Ten, ten, how does ten sound? Ten? And then the Archimedes drill? | 0:36:24 | 0:36:29 | |
We say we agreed on 18. | 0:36:29 | 0:36:31 | |
18. | 0:36:31 | 0:36:32 | |
Can I make you an offer? You can make us an offer. | 0:36:32 | 0:36:35 | |
Can I buy this for 25? | 0:36:35 | 0:36:37 | |
Yeah, I think we can do that. Is that all right? | 0:36:39 | 0:36:41 | |
That's fine by me. | 0:36:41 | 0:36:43 | |
Thomas is having a final browse around | 0:36:44 | 0:36:46 | |
but look who's arrived. | 0:36:46 | 0:36:48 | |
What are you doing down here? | 0:36:48 | 0:36:50 | |
Well, I have actually bought some incredible items. Have you? | 0:36:50 | 0:36:53 | |
Incredibly bad items. | 0:36:53 | 0:36:56 | |
Ah. Yeah, I think we're doomed. | 0:36:56 | 0:36:58 | |
No, you're not doomed. Absolutely doomed. | 0:36:58 | 0:37:01 | |
That's the spirit, Philip. | 0:37:01 | 0:37:04 | |
He's going to have a browse. | 0:37:06 | 0:37:08 | |
I'm going to see how much a box of hats is. | 0:37:08 | 0:37:11 | |
Jolly good. Ticket price is ?50. | 0:37:11 | 0:37:15 | |
Martin, these your hats? | 0:37:15 | 0:37:17 | |
I don't know how many's in there, I haven't counted them. | 0:37:17 | 0:37:19 | |
20 quid and that's you. Done. There you are. | 0:37:19 | 0:37:22 | |
A buy from camera-shy dealer Martin's disembodied hand. | 0:37:22 | 0:37:26 | |
And look, there's his hand. | 0:37:26 | 0:37:28 | |
I just bought 20 quid's worth of ridiculous hats. | 0:37:28 | 0:37:32 | |
Why? I don't know. | 0:37:32 | 0:37:34 | |
Ha-ha. It's time our hapless duo were getting back on the road. | 0:37:34 | 0:37:39 | |
I haven't got a clue where we are. | 0:37:39 | 0:37:41 | |
As usual. They're driving, actually, towards Cawthorne, South Yorkshire. | 0:37:41 | 0:37:46 | |
Just west of Barnsley, | 0:37:48 | 0:37:49 | |
Cawthorne is a friendly place. Mornin'. | 0:37:49 | 0:37:53 | |
That's a lovely horse. | 0:37:53 | 0:37:54 | |
Thomas has dropped Philip off in the village. | 0:37:54 | 0:37:57 | |
Have a good time, matey. | 0:37:57 | 0:37:58 | |
And he's heading into his next shop of the day, | 0:37:58 | 0:38:01 | |
where he's meeting dealer Karen. | 0:38:01 | 0:38:03 | |
And not for the first time, apparently. | 0:38:03 | 0:38:07 | |
Hello. Morning, Morning, again. Lovely to meet you again. | 0:38:07 | 0:38:11 | |
Thank you very much for having me back. My pleasure. | 0:38:11 | 0:38:13 | |
Thomas visited this shop on a previous road trip. | 0:38:13 | 0:38:16 | |
How's he feeling about his prospects? | 0:38:16 | 0:38:19 | |
Open mind, have a look, get on with it. | 0:38:19 | 0:38:23 | |
Well, it's a plan of sorts, I suppose. | 0:38:23 | 0:38:25 | |
(And don't panic.) | 0:38:25 | 0:38:26 | |
Now he's dug up something that might just turn a profit, look. | 0:38:32 | 0:38:35 | |
I think that's for cutting silage. | 0:38:35 | 0:38:37 | |
Hay, yeah, fermented hay. | 0:38:39 | 0:38:41 | |
Or peat. | 0:38:42 | 0:38:44 | |
It's priced up at ?29. | 0:38:44 | 0:38:47 | |
He's taking it downstairs, where he's spied something else. | 0:38:47 | 0:38:50 | |
I like that little car. | 0:38:50 | 0:38:53 | |
The Jetex! The Jetex car. | 0:38:53 | 0:38:56 | |
That's great fun. | 0:38:56 | 0:38:58 | |
Jetex was a mid-20th-century manufacturer of model vehicles, | 0:38:58 | 0:39:01 | |
which were powered by a miniature rocket motor. Ticket price is ?25. | 0:39:01 | 0:39:07 | |
I like old toys. They bring back a real nostalgia to people. | 0:39:07 | 0:39:12 | |
Karen will open the cabinet for him. It's the toy. | 0:39:12 | 0:39:16 | |
I have to say... HE LAUGHS | 0:39:16 | 0:39:18 | |
..the box is in pretty poor state. | 0:39:18 | 0:39:21 | |
But it's a great fun thing. | 0:39:21 | 0:39:23 | |
And while the cabinet's open, something else has taken his fancy. | 0:39:23 | 0:39:27 | |
That is quite cool. | 0:39:27 | 0:39:28 | |
It's a piece of trench art - | 0:39:30 | 0:39:31 | |
a brass serviceman's cap made from an artillery shell. | 0:39:31 | 0:39:35 | |
It may have been crafted by a soldier serving during World War I. | 0:39:35 | 0:39:39 | |
On the ticket - ?20. | 0:39:39 | 0:39:41 | |
That's more unusual. I haven't seen one like that before. I've never seen that before. | 0:39:41 | 0:39:46 | |
We'll ask about that, as well. Yeah. | 0:39:46 | 0:39:48 | |
Karen will phone the dealer who owns the toy car | 0:39:48 | 0:39:50 | |
and brass cap to see what sort of deal might be struck. | 0:39:50 | 0:39:54 | |
You've got 25 on the car and 20 on the cap. | 0:39:54 | 0:39:57 | |
Thomas is asking, can you do 30? 30, 30. | 0:39:57 | 0:40:01 | |
That's lovely, Richard. Thank you very much, love. | 0:40:01 | 0:40:04 | |
What does he say? Yes, he'll do 30. Oh, great. | 0:40:04 | 0:40:07 | |
Oh, and then the hay cutter? Yeah? | 0:40:07 | 0:40:11 | |
What can that be? He wouldn't do it for 20, would he? It's got 29 on it. | 0:40:11 | 0:40:15 | |
I think he probably would, yeah. | 0:40:15 | 0:40:16 | |
I think I'm going to go for all three. Lovely. | 0:40:16 | 0:40:19 | |
Lovely! Deal done. | 0:40:19 | 0:40:20 | |
I give you ?50. That will be lovely. | 0:40:20 | 0:40:23 | |
Thanks very much. Thank you very much. Bye-bye. Bye-bye. | 0:40:23 | 0:40:26 | |
Having already accumulated an array of items, | 0:40:29 | 0:40:32 | |
Philip is keen to learn a little more about the local area | 0:40:32 | 0:40:35 | |
and has wandered off to the Cawthorne Victoria Jubilee Museum. | 0:40:35 | 0:40:39 | |
He's meeting museum president Barry. | 0:40:39 | 0:40:42 | |
Hi, I'm Philip. Hello, I'm Barry Jackson. Barry, how are you? | 0:40:42 | 0:40:46 | |
The museum was founded in the late 1800s by the village's vicar, | 0:40:46 | 0:40:50 | |
who rejoiced in the name of Charles Tiplady Pratt | 0:40:50 | 0:40:54 | |
and whose private store of fascinating objects | 0:40:54 | 0:40:57 | |
formed the beginnings of the collection we see today. | 0:40:57 | 0:41:00 | |
You've got an eclectic mix of, like, | 0:41:00 | 0:41:03 | |
everything from everywhere, haven't you? Yes. | 0:41:03 | 0:41:05 | |
We've been called the Victorian hodgepodge before now. PHILIP LAUGHS | 0:41:05 | 0:41:09 | |
Ha-ha! The museum building was built by Pre-Raphaelite painter | 0:41:09 | 0:41:13 | |
John Roddam Spencer Stanhope and his brother, Sir Walter. | 0:41:13 | 0:41:17 | |
They supported the reverend in his mission | 0:41:17 | 0:41:20 | |
to allow the Cawthorne people access to the collection | 0:41:20 | 0:41:23 | |
in the noble name of self-education. | 0:41:23 | 0:41:26 | |
Barry's taking Philip to see a particularly hair-raising item. | 0:41:26 | 0:41:30 | |
And what's that? Is that a telephone exchange or something? | 0:41:30 | 0:41:33 | |
No, it's a hair perming machine. You what? | 0:41:33 | 0:41:37 | |
For perming hair. | 0:41:37 | 0:41:39 | |
The hair was rolled up and then put into these, | 0:41:39 | 0:41:43 | |
which were electrically heated. | 0:41:43 | 0:41:45 | |
Where would this have dated from? | 0:41:45 | 0:41:48 | |
Oh, 1930? | 0:41:48 | 0:41:50 | |
And this is an English device? | 0:41:50 | 0:41:52 | |
Yes, there's somebody using it there. | 0:41:52 | 0:41:55 | |
Let's have a look, then. | 0:41:57 | 0:41:59 | |
So this...? Oh, my word! | 0:41:59 | 0:42:02 | |
Well, that's a chap! | 0:42:02 | 0:42:04 | |
I tell you what, that to me looks like an absolutely evil device. | 0:42:04 | 0:42:07 | |
Round the corner, | 0:42:09 | 0:42:10 | |
there's something that's much more to Philip's taste. | 0:42:10 | 0:42:14 | |
Barry, this is incredible, because this is such a barmy place. | 0:42:14 | 0:42:17 | |
You go from hair-perming machines to William De Morgan, | 0:42:17 | 0:42:22 | |
who was one of the most iconic potters, | 0:42:22 | 0:42:25 | |
designers of the 19th century. | 0:42:25 | 0:42:28 | |
Donations given to the museum | 0:42:28 | 0:42:30 | |
through Spencer Stanhope's glamorous connections | 0:42:30 | 0:42:33 | |
included items from the writer and critic John Ruskin | 0:42:33 | 0:42:36 | |
and these wonderful late Victorian ceramics by De Morgan. | 0:42:36 | 0:42:40 | |
William De Morgan was a real exponent of | 0:42:42 | 0:42:45 | |
the Pre-Raphaelite movement, wasn't he, in terms of design? Yes, yes. | 0:42:45 | 0:42:48 | |
And his pots are so sought after. Yeah. | 0:42:48 | 0:42:51 | |
This is just the most amazing place, isn't it? | 0:42:51 | 0:42:53 | |
In this room, there's something a bit more playful. | 0:42:53 | 0:42:56 | |
Now, that's knurr and spell, isn't it? Yes. | 0:42:56 | 0:42:59 | |
I know what that is, because I read a book once. | 0:42:59 | 0:43:02 | |
Just the one, Philip? | 0:43:02 | 0:43:03 | |
It struck me as being quite the most bizarre game. Can I touch it? Yes. | 0:43:03 | 0:43:07 | |
Hmm. This traditional game was popular in the North of England | 0:43:07 | 0:43:10 | |
in the 18th and 19th centuries. | 0:43:10 | 0:43:12 | |
Fires the ball up in the air. And then you hit it. | 0:43:12 | 0:43:15 | |
And then you stand there and whack it, don't you? Yeah. | 0:43:15 | 0:43:18 | |
I've got a real favour to ask. Yes, we... Can I have a go? You can. | 0:43:18 | 0:43:22 | |
So Barry's game! Let's take it outside. | 0:43:22 | 0:43:25 | |
Well, I'm not going until I hit one. | 0:43:25 | 0:43:27 | |
Well, we might be here for a while, then! | 0:43:27 | 0:43:29 | |
You ready for this? | 0:43:29 | 0:43:31 | |
Oh, BLEEP! | 0:43:33 | 0:43:34 | |
You ready? | 0:43:34 | 0:43:36 | |
Oh, BLEEP! I've lost me... Is it me knurr or me spell? | 0:43:37 | 0:43:40 | |
Which is which? I've forgotten. | 0:43:40 | 0:43:43 | |
I'm going to hit one of these. Stand back. | 0:43:43 | 0:43:45 | |
Ready? | 0:43:47 | 0:43:49 | |
# Hit me with your rhythm stick... # Did you see that? Very good. | 0:43:49 | 0:43:52 | |
Success! But now Philip's getting cocky. | 0:43:52 | 0:43:56 | |
Watch out for that car. | 0:43:58 | 0:44:00 | |
HE LAUGHS BLEEP! | 0:44:00 | 0:44:03 | |
Sorry. | 0:44:03 | 0:44:04 | |
I think I better hand you this back, Barry, | 0:44:04 | 0:44:06 | |
before I do some damage somewhere or other. | 0:44:06 | 0:44:09 | |
You all right? Yeah. If you're quite finished causing mayhem, | 0:44:09 | 0:44:12 | |
it's time to get back on the road. | 0:44:12 | 0:44:13 | |
They're driving about 30 miles south to Harworth, Nottinghamshire. | 0:44:15 | 0:44:20 | |
Once a busy colliery town, Harworth is also home to one of Britain's | 0:44:20 | 0:44:25 | |
sporting greats - the post-war road racing cyclist Tom Simpson. | 0:44:25 | 0:44:29 | |
They're aiming for Harrison Antiques, | 0:44:31 | 0:44:33 | |
where they're meeting the charming Christine. | 0:44:33 | 0:44:35 | |
I'm Thomas. Pleased to meet you. Philip. This is Philip. | 0:44:35 | 0:44:38 | |
The boys are splitting up | 0:44:38 | 0:44:40 | |
and heading into two different retail units that Christine owns. | 0:44:40 | 0:44:44 | |
Obviously, this is where all the furniture and ceramics are. | 0:44:44 | 0:44:49 | |
Oh, brilliant. | 0:44:49 | 0:44:50 | |
And before long Thomas has something in his sights. | 0:44:58 | 0:45:01 | |
Ooh, ooh, can I have a look at something in this cabinet? | 0:45:01 | 0:45:05 | |
Thomas has a strategy. He's going to try to find militaria | 0:45:07 | 0:45:10 | |
and automotive items to combine into two job lots with the toy car | 0:45:10 | 0:45:14 | |
and a piece of trench art he's already bought. | 0:45:14 | 0:45:17 | |
Do you have any more sort of militaria things? | 0:45:17 | 0:45:21 | |
He's spotted some medals and a World War II range finder | 0:45:21 | 0:45:24 | |
that fit in with his military theme, and a vintage pendant | 0:45:24 | 0:45:28 | |
from the Le Mans sports car race that suits his motoring one. | 0:45:28 | 0:45:32 | |
What's that got to be? And that as well? | 0:45:33 | 0:45:35 | |
And there was no price on this. | 0:45:35 | 0:45:38 | |
Er, right. The Le Mans sort of... The Le Mans, yeah. | 0:45:38 | 0:45:42 | |
We'll get a price and come back to you on that. Thank you. | 0:45:42 | 0:45:45 | |
Right, I can do all three for 35. Oh, brilliant! That's definitely... | 0:45:45 | 0:45:49 | |
Can we put that aside while I look upstairs? Certainly. | 0:45:49 | 0:45:52 | |
With those items reserved, | 0:45:52 | 0:45:54 | |
he's unearthed something completely different. | 0:45:54 | 0:45:58 | |
You know what this is? I don't, no. | 0:45:58 | 0:46:00 | |
You put a cartridge in there... and this goes in the ground. | 0:46:00 | 0:46:06 | |
I think it goes in the field. Moles? But is it for moles? | 0:46:06 | 0:46:10 | |
It's a 19th-century device for frightening moles away. | 0:46:10 | 0:46:14 | |
Scary, if you're a mole. | 0:46:14 | 0:46:15 | |
He's interested, but before he can make an offer... That's my car! | 0:46:17 | 0:46:20 | |
..the heavens have opened outside and there's no cover on the car. | 0:46:20 | 0:46:25 | |
Uh-oh! Oh, I'm getting wet! | 0:46:25 | 0:46:28 | |
This is a bit of a case of bolting the stable door... | 0:46:28 | 0:46:32 | |
..once the horse has bolted. | 0:46:33 | 0:46:35 | |
It never rains, but it pours. | 0:46:35 | 0:46:37 | |
Ee-up, old chap. | 0:46:37 | 0:46:39 | |
Where's Philip in all of this? Huh? | 0:46:39 | 0:46:42 | |
"Oh, TP will do it! Don't worry!" | 0:46:42 | 0:46:45 | |
I give up. HE LAUGHS | 0:46:47 | 0:46:50 | |
Oh, dear. | 0:46:50 | 0:46:52 | |
I'm going to go upstairs. | 0:46:52 | 0:46:54 | |
You do that, then, Thomas. | 0:46:54 | 0:46:56 | |
Meanwhile, Philip is next door with dealer Roger | 0:46:56 | 0:46:59 | |
and he's dry, for the moment, | 0:46:59 | 0:47:01 | |
though he's spotted something that might just change all that. | 0:47:01 | 0:47:04 | |
How much is that? The canoe? Yeah. It's ?180. | 0:47:04 | 0:47:08 | |
What's the death on that, then? | 0:47:08 | 0:47:11 | |
The death on the canoe? Yeah. It could be 150. | 0:47:11 | 0:47:15 | |
I've got to try and buy it, if I can, somewhere just below the 100 mark. | 0:47:15 | 0:47:19 | |
Is that possible, do you think? I can't do it that well. All right. | 0:47:19 | 0:47:23 | |
We don't mind an offer, we don't like insults. | 0:47:23 | 0:47:25 | |
I like that, can I use that? You can use that, yeah. | 0:47:25 | 0:47:28 | |
Haven't got copyright, have you? LAUGHTER | 0:47:28 | 0:47:30 | |
Can I have a look at it? Can we get it down? | 0:47:30 | 0:47:33 | |
We can lift it down, yeah. So it's got these two paddles? Yeah. | 0:47:33 | 0:47:37 | |
You lift your bit down, then. | 0:47:37 | 0:47:39 | |
Are you ready? I'm ready. | 0:47:39 | 0:47:41 | |
And while Roger's in his compromised position... | 0:47:41 | 0:47:44 | |
I'll tell you what, don't go any further. | 0:47:44 | 0:47:46 | |
Bloody hell, I'm coming off here! | 0:47:46 | 0:47:48 | |
I'll give you 120 quid for it, seen like this now. | 0:47:48 | 0:47:51 | |
Done deal? Done deal. You're on. | 0:47:51 | 0:47:52 | |
Let's put it back before we break something. Fantastic! | 0:47:52 | 0:47:55 | |
Hey, and you, Philip, are shameless. | 0:47:55 | 0:47:57 | |
Haggling with a man while he's got a boat above his head? | 0:47:57 | 0:48:00 | |
Come on, let me shake you by the hand. I'd better pay you, haven't I? | 0:48:00 | 0:48:03 | |
Yeah, money, money. There we are, ?120. | 0:48:03 | 0:48:06 | |
Next door, it seems that | 0:48:06 | 0:48:08 | |
even a good soaking can't dampen Thomas's spirits. | 0:48:08 | 0:48:12 | |
He's like a whirlwind and seems to be pursuing | 0:48:12 | 0:48:14 | |
the opposite strategy to the one-item Philip. | 0:48:14 | 0:48:17 | |
Oh, they've got loads of stuff up here. Toys! | 0:48:17 | 0:48:21 | |
He's bouncing along with his plan to assemble | 0:48:21 | 0:48:24 | |
two job lots themed around militaria and cars. | 0:48:24 | 0:48:27 | |
He's dug out an Egyptian military arm-wrestling trophy. Ha! | 0:48:27 | 0:48:31 | |
And a 1950s Royal Engineers plaque. Eclectic, eh? | 0:48:31 | 0:48:35 | |
There is method to my madness, I promise. | 0:48:36 | 0:48:39 | |
And he's found another piece of trench art, | 0:48:39 | 0:48:41 | |
modelled from wartime detritus. A paper knife. | 0:48:41 | 0:48:45 | |
And... Oh, no, something else! I saw the Schuco car. | 0:48:45 | 0:48:48 | |
Similar sort of age, 1950s, I think. | 0:48:48 | 0:48:51 | |
Made in US Germany, yeah, so the Schuco toy | 0:48:51 | 0:48:55 | |
to go with that Le Mans thing. And another one. | 0:48:55 | 0:48:58 | |
I'm starting to think you're a shopaholic, Thomas. | 0:48:58 | 0:49:00 | |
Oh, I've got to have that. Racing cars. | 0:49:00 | 0:49:03 | |
And finally, a bag of buttons. Phew! | 0:49:03 | 0:49:06 | |
Now, none of the pile of items Thomas has found | 0:49:08 | 0:49:11 | |
has been priced up yet, so he's going to have | 0:49:11 | 0:49:13 | |
to keep his wits about him when he speaks to Christine. | 0:49:13 | 0:49:17 | |
He's already been offered a deal of ?35 for the Le Mans pendant, | 0:49:17 | 0:49:21 | |
medals and rangefinder, but what can she offer for the rest? | 0:49:21 | 0:49:26 | |
So, if we say...25? | 0:49:26 | 0:49:30 | |
Can I offer you 50 for the lot? | 0:49:30 | 0:49:32 | |
Go on, then. | 0:49:34 | 0:49:35 | |
Yeah. Yeah? Yeah, I'll do that. | 0:49:36 | 0:49:39 | |
?50? Yeah. 50 nicker for the lot. Lovely. Thank you very much. | 0:49:39 | 0:49:44 | |
Terrific! He gets a deal of ?50 for the - gasp! - | 0:49:44 | 0:49:49 | |
medals, pendant, rangefinder, toy car, trophy and plaque, | 0:49:49 | 0:49:52 | |
paper knife, tin and buttons. Phew! | 0:49:52 | 0:49:55 | |
But he's just remembered something. | 0:49:55 | 0:49:58 | |
There was one thing I saw and I forgot to buy. | 0:49:58 | 0:50:01 | |
The mole scarer! | 0:50:04 | 0:50:06 | |
Now, I was, I forgot... | 0:50:06 | 0:50:08 | |
That thing over there, how much is that? | 0:50:09 | 0:50:12 | |
That one? Let's have a look. Can we just sort of throw that in? | 0:50:12 | 0:50:17 | |
?10. Is it? It's a tenner, is it? | 0:50:19 | 0:50:22 | |
Could that be...a fiver? | 0:50:24 | 0:50:27 | |
Well, seeing as it's you, and seeing as you've had to | 0:50:27 | 0:50:31 | |
stand in that rain putting that hood up, I'll do it for a fiver. | 0:50:31 | 0:50:34 | |
A fiver, right, OK, let's see if I've got a fiver kicking about. | 0:50:34 | 0:50:38 | |
Done! I'm exhausted just watching you. | 0:50:38 | 0:50:41 | |
A fiver. Cheers, thank you very much. Thank you very much. | 0:50:42 | 0:50:45 | |
And, with that, all the shopping is done for the second leg | 0:50:45 | 0:50:49 | |
and it's time to refresh our memories | 0:50:49 | 0:50:51 | |
on how our boys spent their dosh. | 0:50:51 | 0:50:53 | |
Thomas Plant started this leg with ?258.10. | 0:50:53 | 0:50:57 | |
He spent ?127 exactly on five lots. | 0:50:57 | 0:51:00 | |
He bought an Archimedes drill, | 0:51:00 | 0:51:02 | |
a job lot of automobilia, | 0:51:02 | 0:51:04 | |
a pair of Georgian candlesticks, | 0:51:04 | 0:51:06 | |
a job lot of militaria | 0:51:06 | 0:51:07 | |
and, finally, the mole scarer, | 0:51:07 | 0:51:09 | |
paired with a rustic spade. As you do(!) Dear, oh, dear. | 0:51:09 | 0:51:13 | |
Philip Serrell began this leg with ?270.50. | 0:51:13 | 0:51:16 | |
He spent ?210 and also has five lots to show for it. | 0:51:16 | 0:51:21 | |
He bought a porcelain whiskey barrel, | 0:51:21 | 0:51:23 | |
a Victorian music stand and indentures, | 0:51:23 | 0:51:26 | |
a toy bat and mangle, | 0:51:26 | 0:51:28 | |
a selection of hats | 0:51:28 | 0:51:29 | |
and, for the big finish, a canoe! | 0:51:29 | 0:51:31 | |
Oh, Lordy! No paddle! | 0:51:31 | 0:51:34 | |
Having spied the buys, | 0:51:34 | 0:51:35 | |
what do Thomas and Philip think of each other's purchases? | 0:51:35 | 0:51:38 | |
I think Thomas has done really well with his lots, | 0:51:38 | 0:51:40 | |
I love that bit of auto memorabilia he's put together. | 0:51:40 | 0:51:43 | |
That Schuco car and the Le Man pennant - they should do really well. | 0:51:43 | 0:51:46 | |
So, you know, he could be up there with me. | 0:51:46 | 0:51:48 | |
It's all about Philip's boat, it's all about the canoe. | 0:51:48 | 0:51:53 | |
?120 paid, that's a lot of money | 0:51:53 | 0:51:55 | |
for old Phil to spend on one single object. | 0:51:55 | 0:51:58 | |
The other great thing is the folding music stand, | 0:51:58 | 0:52:00 | |
that's really very nice. | 0:52:00 | 0:52:02 | |
But, at the end of the day, it's all about Philip's boat. | 0:52:02 | 0:52:05 | |
Our intrepid pair began in York | 0:52:05 | 0:52:08 | |
and have wandered through the land of the White Rose | 0:52:08 | 0:52:11 | |
to end up at their auction in Rotherham | 0:52:11 | 0:52:13 | |
as they head for Paul Beighton Auctioneers... | 0:52:13 | 0:52:16 | |
Here we are. | 0:52:16 | 0:52:17 | |
..where Jody Beighton will be wielding the gavel. | 0:52:17 | 0:52:21 | |
First up is Thomas' Archimedes drill - | 0:52:24 | 0:52:27 | |
what can it SCREW out of the punters? | 0:52:27 | 0:52:30 | |
We start at the bottom estimate - ?10. | 0:52:30 | 0:52:32 | |
Ten! No. | 0:52:32 | 0:52:34 | |
Interesting item. Five, if you like. ?5. Five I'm bid. | 0:52:34 | 0:52:38 | |
Take six, any advance? | 0:52:38 | 0:52:40 | |
Maiden bid, then, is at five. No further interest. | 0:52:40 | 0:52:43 | |
At ?5, then. All done and sure? | 0:52:43 | 0:52:46 | |
HE BANGS THE GAVEL | 0:52:46 | 0:52:47 | |
Hm, a disappointing first lot. | 0:52:47 | 0:52:50 | |
Let's hope this isn't a sign of things to come. | 0:52:50 | 0:52:52 | |
He's like a pickpocket just taking a tenner out of your pocket. | 0:52:52 | 0:52:55 | |
Now one for Philip. | 0:52:55 | 0:52:57 | |
His whisky barrel. Hic! | 0:52:57 | 0:52:59 | |
Any interest at five? | 0:52:59 | 0:53:01 | |
We're away at ?5, six at the back, eight, ten, | 0:53:01 | 0:53:04 | |
12. 14. | 0:53:04 | 0:53:06 | |
It's against you. 16, 18, at 16 down the front, 18 we're looking for. | 0:53:06 | 0:53:11 | |
Any advance? ?16 then, here to sell. | 0:53:11 | 0:53:14 | |
HE BANGS THE GAVEL | 0:53:14 | 0:53:15 | |
They're unsaleable, aren't they. He's just swum the Channel with that. | 0:53:15 | 0:53:19 | |
Philip seemed puzzled at his own success. | 0:53:19 | 0:53:22 | |
But it reaps a modest reward. | 0:53:22 | 0:53:24 | |
You have made a profit. Yeah. | 0:53:24 | 0:53:25 | |
Next, Thomas' job lot of automobilia. | 0:53:25 | 0:53:28 | |
Will it race away? | 0:53:28 | 0:53:30 | |
Start us at ?20, I'll take 25. | 0:53:30 | 0:53:33 | |
25. 30, 5, 40, I'm out, 5. | 0:53:33 | 0:53:36 | |
50, 5. | 0:53:36 | 0:53:37 | |
I said I'd give you 50 quid for it. You did. | 0:53:37 | 0:53:40 | |
That's all right. Yeah. | 0:53:42 | 0:53:44 | |
It's better than all right, Thomas! You've doubled your money! | 0:53:44 | 0:53:47 | |
Now, Philip's combined lot of Victorian music stand | 0:53:47 | 0:53:51 | |
and indentures. | 0:53:51 | 0:53:52 | |
Ten to start. Two indentures there. | 0:53:52 | 0:53:54 | |
10, 12, 14, 16, 18, 20, two. | 0:53:54 | 0:53:57 | |
You're fine. Speedy bidding. Speedy bidding. | 0:53:57 | 0:54:01 | |
Any advance now? 22, 24? At 22 now. | 0:54:01 | 0:54:03 | |
22. That's just been given away. | 0:54:03 | 0:54:05 | |
?22. All done and selling at 22. | 0:54:05 | 0:54:08 | |
HE BANGS THE GAVEL | 0:54:08 | 0:54:10 | |
Oh, crumbs. Another loss for Philip. | 0:54:10 | 0:54:13 | |
I don't think there are many travelling musicians around Rotherham. | 0:54:13 | 0:54:16 | |
Still, chin up - Thomas has another chance to light up the room | 0:54:17 | 0:54:21 | |
with his pair of Georgian candlesticks. | 0:54:21 | 0:54:23 | |
Ten, then, if you like. 12, 14, 16. | 0:54:23 | 0:54:26 | |
18, 20. One more, sir? Go on! | 0:54:26 | 0:54:30 | |
At ?18. 20 in the doorway. 20, 22, 24, | 0:54:30 | 0:54:34 | |
26, 28. At 26 and away. | 0:54:34 | 0:54:37 | |
Another win for Thomas, great. | 0:54:39 | 0:54:41 | |
The candlesticks perform as predicted | 0:54:41 | 0:54:43 | |
and it's a respectable profit. | 0:54:43 | 0:54:45 | |
So far, Philip's on a bit of a sticky wicket. | 0:54:47 | 0:54:50 | |
Can the toy bat and mangle squeeze a needed profit from the crowd? | 0:54:50 | 0:54:54 | |
16 straight in. 18, 20, two, 24. | 0:54:54 | 0:54:57 | |
26 now elsewhere. | 0:54:57 | 0:54:59 | |
Bid's at ?24 in the seats. | 0:54:59 | 0:55:01 | |
Take 26, any advance? At ?24 and selling... | 0:55:01 | 0:55:05 | |
HE BANGS THE GAVEL | 0:55:05 | 0:55:06 | |
Another small loss. He's down at but not out. | 0:55:06 | 0:55:10 | |
Oh, dear. Would you mind not saying that with such a smile on your face?! | 0:55:10 | 0:55:15 | |
I do like your evil side, Thomas! | 0:55:15 | 0:55:17 | |
Thomas has a chance to widen his lead with this rustic spade | 0:55:17 | 0:55:20 | |
and mole scarer, as you do. | 0:55:20 | 0:55:22 | |
?30, 20. | 0:55:22 | 0:55:24 | |
Ten, if you wish. Let's crack on. Ten I'm bid, take 12. | 0:55:24 | 0:55:27 | |
Two items there. I'm bid at ?10, looking for 12. No. | 0:55:27 | 0:55:30 | |
14, 16, 18, 20. 22, 24. | 0:55:30 | 0:55:35 | |
26. | 0:55:35 | 0:55:36 | |
28, it's got a second wind. | 0:55:36 | 0:55:38 | |
At 26. 26 - go on! 26 and done. | 0:55:38 | 0:55:41 | |
HE BANGS THE GAVEL | 0:55:41 | 0:55:42 | |
Looks like the only thing it scared away was bidders. | 0:55:42 | 0:55:46 | |
There are occasions on a Sunday morning when you get up and think, | 0:55:46 | 0:55:48 | |
"I should have stopped in bed." "Should've stayed in bed." | 0:55:48 | 0:55:51 | |
I think this is one of them. | 0:55:51 | 0:55:52 | |
Philip badly needs a winner. | 0:55:52 | 0:55:54 | |
Will his hats prove he has a head for this game? | 0:55:54 | 0:55:58 | |
16 we're looking for. 16, 18, 20, 25? | 0:55:58 | 0:56:00 | |
There we are, 30. Profit. | 0:56:00 | 0:56:04 | |
50, 55. | 0:56:04 | 0:56:06 | |
Brilliant, you see? | 0:56:06 | 0:56:08 | |
55 we're looking for. Any advance? At ?50, all done and sure? | 0:56:08 | 0:56:11 | |
HE BANGS THE GAVEL | 0:56:11 | 0:56:13 | |
You must be pleased. I am, but I'm so anxious about this boat. | 0:56:13 | 0:56:18 | |
But hats off, Philip, that was an astute buy. | 0:56:18 | 0:56:20 | |
I'm really anxious about it. I have never seen you so anxious. | 0:56:20 | 0:56:23 | |
I am, I could go and do 70 quid. Don't be ridiculous. You'll be fine. | 0:56:23 | 0:56:28 | |
Now, the second of Thomas's big job lots. | 0:56:29 | 0:56:32 | |
Will his militaria charge to victory? | 0:56:32 | 0:56:35 | |
40, 30? | 0:56:35 | 0:56:36 | |
20, let's get on. | 0:56:37 | 0:56:39 | |
Thank you, take 25. | 0:56:39 | 0:56:41 | |
Oh, dear, all that work. | 0:56:41 | 0:56:43 | |
22, 24, 26, 28, 30. | 0:56:43 | 0:56:47 | |
No. It's not got the legs. | 0:56:47 | 0:56:49 | |
?35. 40 with you. We're under estimate there at ?35. | 0:56:49 | 0:56:53 | |
Disappointing. 40, will you? At 35 and away. | 0:56:53 | 0:56:57 | |
HE BANGS THE GAVEL | 0:56:57 | 0:56:58 | |
That's bad news. | 0:56:58 | 0:57:00 | |
Sadly, it's a big loss for a big lot. | 0:57:00 | 0:57:03 | |
He's in trouble if Philip's canoe doesn't sink. | 0:57:03 | 0:57:06 | |
That's a hideous loss. | 0:57:06 | 0:57:09 | |
Philip's canoe is up last. Can he paddle to victory? | 0:57:10 | 0:57:14 | |
50, somebody start me. Start where you like - it's here to sell. | 0:57:14 | 0:57:17 | |
50, we're in. 60 we're looking for. Any advance? | 0:57:17 | 0:57:20 | |
I'm bid ?50, back of the room. Told you 50. | 0:57:20 | 0:57:23 | |
Any advance at all? | 0:57:23 | 0:57:24 | |
Looking for 60. It's at ?50. Seems cheap. | 0:57:24 | 0:57:27 | |
Yeah. I did tell you 50 quid, didn't I? | 0:57:27 | 0:57:30 | |
HE BANGS THE GAVEL | 0:57:30 | 0:57:32 | |
And he's up the creek without the proverbial. Bad luck. | 0:57:34 | 0:57:38 | |
What are we going to do now? | 0:57:39 | 0:57:40 | |
I tell you what I'm not going to do - | 0:57:40 | 0:57:42 | |
I'm not going to buy any more canoes. | 0:57:42 | 0:57:44 | |
That's sensible. | 0:57:44 | 0:57:45 | |
Philip started this leg with ?270.50. | 0:57:47 | 0:57:51 | |
After paying auction costs, he made a stinging loss of ?77.16, | 0:57:51 | 0:57:57 | |
giving him a disappointing ?193.34 to carry forward. | 0:57:57 | 0:58:01 | |
While Thomas started with ?258.10, | 0:58:06 | 0:58:10 | |
he lost a comparatively modest ?10.52, | 0:58:10 | 0:58:13 | |
giving him ?247.54 to carry forward, | 0:58:13 | 0:58:17 | |
and making him the de facto winner of this ill-starred auction. | 0:58:17 | 0:58:21 | |
Why are you looking so forlorn? That wasn't good, that. | 0:58:24 | 0:58:26 | |
You were doing all right until that canoe happened. | 0:58:26 | 0:58:29 | |
I think the people of Rotherham aren't quite ready for canoes. No. | 0:58:29 | 0:58:33 | |
Cheer up, chaps. | 0:58:33 | 0:58:34 |