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It's the nation's favourite antiques experts with ?200 each... | 0:00:02 | 0:00:06 | |
I love that. | 0:00:06 | 0:00:07 | |
..a classic car and a goal to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
Yippee! | 0:00:11 | 0:00:13 | |
It is a good job that I like you! | 0:00:13 | 0:00:14 | |
The aim - to make the biggest profit at auction but it's no mean feat. | 0:00:14 | 0:00:18 | |
There'll be worthy winners and valiant losers... | 0:00:18 | 0:00:22 | |
Oh, I'm getting wet! | 0:00:22 | 0:00:24 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:28 | |
How much did you make? About a couple of quid. | 0:00:28 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:34 | |
Yeah! | 0:00:34 | 0:00:35 | |
On this road trip, a pair of duelling devils are vying for England's heartlands. | 0:00:35 | 0:00:40 | |
Young Thomas Plant runs a Berkshire sale room with his cheery energy | 0:00:42 | 0:00:46 | |
and a magpie eye... | 0:00:46 | 0:00:48 | |
Shiny, shiny and...oh, more shiny. | 0:00:48 | 0:00:50 | |
..while Philip Serrell, an auctioneer from Worcestershire, | 0:00:50 | 0:00:53 | |
has a quick wit and a very sunny outlook. | 0:00:53 | 0:00:57 | |
I don't know what's happening, really. | 0:00:57 | 0:01:00 | |
My life needs to take a new direction. | 0:01:00 | 0:01:02 | |
They both started this road trip with a cool ?200. | 0:01:04 | 0:01:09 | |
Though he lost a little lolly on the last leg, | 0:01:09 | 0:01:11 | |
Thomas has still managed to accumulate ?247.54 in total. | 0:01:11 | 0:01:16 | |
While the privations of the last time have left Philip | 0:01:19 | 0:01:23 | |
in the poorhouse with only ?193.34 to his name. | 0:01:23 | 0:01:27 | |
It was the rash purchase of a large canoe that did him in. | 0:01:27 | 0:01:31 | |
I'm still emotionally destroyed after the canoe saga. | 0:01:31 | 0:01:35 | |
Don't talk about it! | 0:01:35 | 0:01:37 | |
I think I was scuttled! | 0:01:37 | 0:01:39 | |
Just call me Bismarck from now on! All right, Bizzy! | 0:01:39 | 0:01:43 | |
This whole road trip takes our boys from Samlesbury in Lancashire | 0:01:46 | 0:01:50 | |
over the waves to the Isle of Man | 0:01:50 | 0:01:52 | |
and then south to Greenwich in London, | 0:01:52 | 0:01:55 | |
a heroic journey of almost 700 miles. | 0:01:55 | 0:01:58 | |
Today they begin in the city of Sheffield, South Yorkshire | 0:02:00 | 0:02:03 | |
and cruise through the Peak District | 0:02:03 | 0:02:05 | |
and the East Midlands before ending up at their auction in Leicester. | 0:02:05 | 0:02:09 | |
Sheffield is, of course, Steel City - | 0:02:13 | 0:02:16 | |
famed for its long association with the metal, but it also has one or two surprises in store. | 0:02:16 | 0:02:22 | |
And if there isn't enough to worry about, | 0:02:22 | 0:02:25 | |
it looks like the car's conked out too. | 0:02:25 | 0:02:28 | |
MOTOR STRUGGLES TO START | 0:02:28 | 0:02:29 | |
That is gone, isn't it? It's dead, finished, kaput. | 0:02:29 | 0:02:31 | |
Thomas, what we'll do, we'll call a cab. All right, OK. | 0:02:31 | 0:02:35 | |
Here we are. Here we are. | 0:02:35 | 0:02:38 | |
You are a gentleman, sir. | 0:02:39 | 0:02:41 | |
Thomas. | 0:02:41 | 0:02:42 | |
Oh, this is much better, isn't it? | 0:02:42 | 0:02:44 | |
Don't worry, lads, a local garage will pick up the car. | 0:02:44 | 0:02:48 | |
What's your name? My name is Gill. | 0:02:49 | 0:02:52 | |
What are you doing for the next couple of weeks, Gill?! | 0:02:52 | 0:02:55 | |
I'll pay the man, don't worry. I'll pay him. Thank you. | 0:02:57 | 0:03:02 | |
You have got more money than me. | 0:03:02 | 0:03:04 | |
Finally, they've arrived at their first shop, | 0:03:07 | 0:03:10 | |
Dronfield Antiques where dealer Howard presides. | 0:03:10 | 0:03:14 | |
Howard, I'm Thomas. Thomas, hi. | 0:03:14 | 0:03:16 | |
Hi, Philip. Hi. | 0:03:16 | 0:03:19 | |
I'm sorry we're a bit full in here, but it's always like this. | 0:03:19 | 0:03:22 | |
Howard's shop is, indeed, stuffed to the gunnels with items. | 0:03:22 | 0:03:25 | |
But while mountaineering over the acres of stock, | 0:03:25 | 0:03:28 | |
Thomas has spied something. | 0:03:28 | 0:03:30 | |
Oh, my giddy aunt! | 0:03:30 | 0:03:32 | |
I've seen some scales. They might be a bit big. | 0:03:32 | 0:03:36 | |
They're railway ones, I reckon. Railway scales. | 0:03:36 | 0:03:40 | |
I mean, the whole thing weighs a ton. | 0:03:40 | 0:03:42 | |
These heavy duty scales were made by W T Avery of Birmingham, | 0:03:42 | 0:03:46 | |
a manufacturer of weighing scales founded in the 18th century. | 0:03:46 | 0:03:51 | |
What you know about these? | 0:03:51 | 0:03:53 | |
Um, well, I would have thought they were late Victorian probably. | 0:03:53 | 0:03:56 | |
They've been there a while actually. | 0:03:56 | 0:03:58 | |
What have you got on them? I think they're on at about 65, I think. | 0:03:58 | 0:04:01 | |
50 quid to buy them. OK, OK. | 0:04:01 | 0:04:04 | |
But before long, he's trying to haggle Howard down. | 0:04:04 | 0:04:08 | |
Can we do anything on the price? | 0:04:08 | 0:04:10 | |
How much less? Well... | 0:04:11 | 0:04:13 | |
About a fiver less might do it. | 0:04:13 | 0:04:15 | |
Well, I was thinking maybe a tenner less. | 0:04:15 | 0:04:18 | |
I would like to pay ?40 for them if you are happy with that. | 0:04:18 | 0:04:22 | |
I'll take your ?40, yes. Really? Yes. | 0:04:22 | 0:04:26 | |
Right. You're a very kind man. | 0:04:26 | 0:04:28 | |
My pleasure. Hopefully, they'll be all right. | 0:04:28 | 0:04:32 | |
And I hope they'll be an earner. | 0:04:32 | 0:04:34 | |
So do we, Howard. So do we. | 0:04:34 | 0:04:35 | |
Thank you very much. | 0:04:35 | 0:04:37 | |
Philip hasn't found anything in Howard's shop | 0:04:37 | 0:04:40 | |
so he's wandered off, just down the road, to Swifties, | 0:04:40 | 0:04:43 | |
a yard that deals mainly in roofing and architectural salvage. | 0:04:43 | 0:04:47 | |
This kind of place is right up Philip's street. | 0:04:47 | 0:04:51 | |
Luckily, Tracy's on hand to give him a friendly welcome. | 0:04:51 | 0:04:56 | |
Oh, stop it, Tracy. You'll make the dog blush. | 0:04:56 | 0:04:59 | |
Can Tracy and her doggy assistant, Molly, | 0:04:59 | 0:05:02 | |
help to salvage Philip's chances in this game? | 0:05:02 | 0:05:05 | |
That's nice, isn't it? | 0:05:05 | 0:05:08 | |
You can see cool things here. | 0:05:08 | 0:05:11 | |
I like that, there. | 0:05:11 | 0:05:13 | |
I wonder how much that is. It looks like a pedestal. | 0:05:13 | 0:05:16 | |
I can't really see, that's the trouble. I'll have to find Tracy. | 0:05:16 | 0:05:19 | |
It's a solid marble pedestal or plinth. It's priced up at ?50. | 0:05:19 | 0:05:25 | |
You could put a bird bath on there. | 0:05:25 | 0:05:27 | |
You could put a sundial on there. | 0:05:27 | 0:05:29 | |
You could put a plant on there. That's what I love about you, Trace! | 0:05:29 | 0:05:33 | |
You've got some vision. | 0:05:33 | 0:05:35 | |
What could you do that for me? 50. | 0:05:35 | 0:05:37 | |
Oh, behave, Trace! Go and have another look at it! | 0:05:37 | 0:05:40 | |
Blooming ruined, that is. ?40. | 0:05:40 | 0:05:43 | |
I'm daft enough to want to buy that. | 0:05:43 | 0:05:45 | |
I'll give you 30 quid for it, sold as seen. | 0:05:45 | 0:05:49 | |
Go on, then. You're an angel. | 0:05:49 | 0:05:52 | |
Now, Philip, how on earth are you planning to get that...? | 0:05:52 | 0:05:55 | |
Oh, I see. | 0:05:55 | 0:05:57 | |
Whoops, carefully now. Mind the dog. | 0:05:57 | 0:05:59 | |
Back at the other shop, Thomas is ready to move onwards | 0:05:59 | 0:06:02 | |
and has just found an old friend, Gill, the taxi driver. | 0:06:02 | 0:06:06 | |
Yes, that's brilliant, thank you. | 0:06:06 | 0:06:08 | |
They're heading for Chapel-en-le-Frith, Derbyshire, | 0:06:10 | 0:06:14 | |
about 24 miles away... which is rather a long taxi journey. | 0:06:14 | 0:06:19 | |
I hope you brought your wallet, Thomas. | 0:06:19 | 0:06:22 | |
Now known as the capital of the Peak District, Chapel-en-le-Frith | 0:06:23 | 0:06:28 | |
was founded in the 13th century. | 0:06:28 | 0:06:30 | |
Thomas is heading into antiques | 0:06:30 | 0:06:33 | |
and collectables where Barry's ready to greet him. | 0:06:33 | 0:06:35 | |
I'm Barry. Barry, nice to meet you. Nice to meet you. | 0:06:35 | 0:06:38 | |
So here we are. We're in... I think we're in the Dales. | 0:06:42 | 0:06:46 | |
I'm pretty sure we're in the Dales. | 0:06:46 | 0:06:48 | |
Not even close. You're in the Peak District. | 0:06:48 | 0:06:51 | |
Let's hope your eye for a bargain's sharper than your geography today, Tom. | 0:06:51 | 0:06:56 | |
Sure enough, he's spotted something he might want to snap up. | 0:06:56 | 0:07:00 | |
The thing about postcards and photographs - Victorian, Edwardian, | 0:07:00 | 0:07:06 | |
up to the First and Second World War - look at this lot. | 0:07:06 | 0:07:11 | |
You just wonder where they went to, what they got up to. | 0:07:11 | 0:07:14 | |
People like big job lots of photographs. | 0:07:14 | 0:07:18 | |
Barry, what can be done on these? | 0:07:18 | 0:07:22 | |
Normally, we sell them out as individuals. | 0:07:22 | 0:07:25 | |
I would have thought about 45 quid for the lot. Can I offer you 30? | 0:07:25 | 0:07:31 | |
What about 35? | 0:07:31 | 0:07:32 | |
Go on, 30. | 0:07:34 | 0:07:35 | |
35. | 0:07:37 | 0:07:39 | |
It's a battle of wills. | 0:07:39 | 0:07:42 | |
I'll make a concession. | 0:07:42 | 0:07:43 | |
?32 and that's it. 32? Not 30. 32. | 0:07:43 | 0:07:47 | |
Thank you very much, sir. Thank you. | 0:07:49 | 0:07:52 | |
And I get the basket? | 0:07:52 | 0:07:54 | |
Yeah, I suppose so. What do you mean, "I suppose so"?! | 0:07:54 | 0:07:57 | |
I thought Dick Turpin wore a mask! | 0:07:57 | 0:07:59 | |
(LAUGHS) | 0:07:59 | 0:08:01 | |
There you are. Thank you, sir. I'll get you some change. | 0:08:01 | 0:08:04 | |
But highwayman or not, Thomas's luck is in today. | 0:08:04 | 0:08:08 | |
You're a winner. Why am I a winner? | 0:08:08 | 0:08:10 | |
There's no change. No change?! Thank you very much. ?30. Get in! | 0:08:10 | 0:08:14 | |
Nicely done, Thomas, | 0:08:14 | 0:08:16 | |
and he's about to have a nice surprise. | 0:08:16 | 0:08:19 | |
It looks like the car's been repaired and delivered back to him. | 0:08:19 | 0:08:24 | |
Let's hope she works. Come on, work for me! | 0:08:24 | 0:08:27 | |
ENGINE TURNS OVER | 0:08:27 | 0:08:30 | |
Ha-ha! I can't believe it works, that so brilliant. | 0:08:30 | 0:08:33 | |
Reunited with Philip, it's time to get back on the road, | 0:08:36 | 0:08:40 | |
although Thomas is still as clueless as ever. | 0:08:40 | 0:08:43 | |
Are you shopping in Bakewell? I don't know. | 0:08:43 | 0:08:47 | |
You are. | 0:08:47 | 0:08:48 | |
Philip's dropping Thomas off in Bakewell, Derbyshire. | 0:08:48 | 0:08:52 | |
Ah, lovely. | 0:08:52 | 0:08:54 | |
This pretty market town is home to the celebrated delicacies, | 0:08:54 | 0:08:57 | |
the Bakewell pudding and the Bakewell tart. | 0:08:57 | 0:09:00 | |
Well, Thomas, you have a jolly good shop. OK. | 0:09:01 | 0:09:05 | |
Good luck! Thank you. | 0:09:05 | 0:09:06 | |
Thomas is heading for the regal Tsar Emporium where dapper owner | 0:09:08 | 0:09:14 | |
Mel holds court. | 0:09:14 | 0:09:16 | |
Hi, I'm Mel. Mel, nice to meet you. | 0:09:16 | 0:09:18 | |
It's a bit like an assault course in here. It is a bit. | 0:09:20 | 0:09:22 | |
You might get molested by Maximus. He's floating about. Maximus?! Hello, Maximus. | 0:09:22 | 0:09:28 | |
Are you named after Maximus... | 0:09:28 | 0:09:29 | |
DOG YAPS Sorry! He's feisty. | 0:09:29 | 0:09:32 | |
He's only playing but... | 0:09:32 | 0:09:34 | |
I have the same trouble with Thomas and Philip. | 0:09:34 | 0:09:37 | |
It's quite cute, isn't it? | 0:09:37 | 0:09:39 | |
It's a child's toy tambourine, made of wood and pigskin, | 0:09:40 | 0:09:44 | |
probably dating from the 1950s. | 0:09:44 | 0:09:46 | |
It's a great bit of fun. | 0:09:48 | 0:09:51 | |
And he's spied something else that might just be the answer to all his prayers. | 0:09:51 | 0:09:55 | |
I quite like the little St Christopher. | 0:09:55 | 0:09:58 | |
That's sweet, isn't it? | 0:09:58 | 0:09:59 | |
It's a rosewood St Christopher plaque priced up at ?14. | 0:09:59 | 0:10:04 | |
St Christopher, obviously, the patron saint of all things travel. | 0:10:04 | 0:10:09 | |
Would be good for us on our travels. | 0:10:09 | 0:10:11 | |
I think we need it with the car. | 0:10:11 | 0:10:13 | |
It certainly couldn't hurt. | 0:10:13 | 0:10:15 | |
Now, what deal can he strike with Mel? How much is on the ticket? | 0:10:17 | 0:10:20 | |
You've got ?25 on it. Yeah. Um... You know... | 0:10:20 | 0:10:25 | |
Yeah. To give you a chance, I'll do you that for ten. | 0:10:25 | 0:10:28 | |
And the St Christopher? How much is on that ticket? 14. | 0:10:28 | 0:10:31 | |
Well, I suppose seven. Seven. | 0:10:31 | 0:10:34 | |
Could we do the two for 15? You're a cheeky one, aren't you? | 0:10:34 | 0:10:38 | |
Can but ask. OK then. We'll do that. | 0:10:38 | 0:10:41 | |
Oh, brilliant. We'll do that. We'll have those for 15. | 0:10:41 | 0:10:44 | |
A glittering deal. | 0:10:44 | 0:10:46 | |
Wonderful. Thanks. | 0:10:46 | 0:10:47 | |
Righty ho. | 0:10:47 | 0:10:50 | |
Philip, meanwhile, has driven about ten miles | 0:10:50 | 0:10:53 | |
to the Matlock area in Derbyshire. | 0:10:53 | 0:10:56 | |
The former spa town of Matlock sits at the southern edge of the Peak District. | 0:10:56 | 0:11:01 | |
The shop Philip is aiming for is in the small village of Cromford | 0:11:01 | 0:11:05 | |
just to the south of Matlock. Dealer Pat is on hand to help. | 0:11:05 | 0:11:09 | |
Hi, how are you? Is it all right if I have a look round? It is indeed. Philip. How do you do? | 0:11:09 | 0:11:14 | |
Philip's not doing too well so far. | 0:11:18 | 0:11:21 | |
The thing is, I have got to buy. | 0:11:22 | 0:11:24 | |
I've only bought one lot. That's the issue for me. | 0:11:24 | 0:11:28 | |
Luckily, he's alighted on something which might spark some interest. | 0:11:28 | 0:11:32 | |
That's a fireman's nozzle, if you'll pardon the expression. | 0:11:34 | 0:11:37 | |
So that would go on the end of your hose and put your fire out. | 0:11:37 | 0:11:41 | |
I like that. | 0:11:41 | 0:11:42 | |
But will Pat throw a wet blanket on his enthusiasm? | 0:11:42 | 0:11:46 | |
I think at auction... You've got that priced at 30 quid. | 0:11:46 | 0:11:49 | |
I think at auction, 30 quid's the top end. | 0:11:49 | 0:11:51 | |
I think it would make 15 to 30 quid. | 0:11:51 | 0:11:54 | |
If I offered you a tenner, would you throw me out the door? I might do. | 0:11:54 | 0:11:58 | |
But would you throw me out with this and you with a tenner? Ha! | 0:11:58 | 0:12:01 | |
I could manage 15. How about 12 quid? My maths ain't very good. | 0:12:01 | 0:12:05 | |
That's sort of splitting the difference. All right. | 0:12:05 | 0:12:08 | |
And 13's unlucky, isn't it? We're not going to say 13. | 0:12:08 | 0:12:10 | |
Pat, you're an absolute gentleman. Thank you ever so much. | 0:12:10 | 0:12:13 | |
I'll get some money out. | 0:12:13 | 0:12:15 | |
His second buy seems to have lit a fire under him. | 0:12:15 | 0:12:19 | |
He's back in the car and heading for Matlock town centre. | 0:12:19 | 0:12:22 | |
I'm so far behind the game now. I've got to go and buy something. | 0:12:24 | 0:12:28 | |
And I've got to go and buy something that's not going to make me | 0:12:28 | 0:12:31 | |
just ?10 profit, so it's going to mean taking a risk. | 0:12:31 | 0:12:34 | |
Matthew from Magpie Antiques is an old pal. | 0:12:34 | 0:12:37 | |
Hiya, matey. | 0:12:37 | 0:12:39 | |
Good to see you. You too. | 0:12:39 | 0:12:41 | |
So, let's hope he can help Phil stack up another buy. | 0:12:41 | 0:12:45 | |
And it's not long before something takes his fancy. | 0:12:49 | 0:12:52 | |
# Je t'aime... # | 0:12:55 | 0:12:57 | |
Hellfire. How much is she? | 0:12:57 | 0:12:59 | |
# Oui, je t'aime... # | 0:12:59 | 0:13:01 | |
I'm very, very tempted. | 0:13:01 | 0:13:04 | |
Isn't she hot? | 0:13:04 | 0:13:06 | |
Isn't she just gorgeous? | 0:13:06 | 0:13:08 | |
His interest might not be as crackpot as it seems. | 0:13:08 | 0:13:10 | |
Retro mannequins can be popular | 0:13:10 | 0:13:12 | |
and might attract interest from vintage style enthusiasts. | 0:13:12 | 0:13:16 | |
Right, sir. I've had a word. I can get that young lady for you... | 0:13:16 | 0:13:20 | |
..for 60 quid. You don't get the clothes with her, unfortunately. | 0:13:23 | 0:13:27 | |
So you'd need to wrap her up in a towel... Not the clothes?! | 0:13:27 | 0:13:29 | |
You need to wrap her up in a towel and sit her in that convertible. | 0:13:29 | 0:13:32 | |
No, I can't do that. I can't do that. | 0:13:32 | 0:13:34 | |
No, you can't. | 0:13:34 | 0:13:35 | |
The designer corset the mannequin is wearing is far too expensive for Philip. | 0:13:37 | 0:13:41 | |
It's selling for ?120 second-hand. | 0:13:41 | 0:13:45 | |
So, you can keep your mitts off that lot. | 0:13:45 | 0:13:49 | |
I didn't think this was that sort of show. | 0:13:49 | 0:13:53 | |
Right, Phil. Here's your date for this evening. | 0:13:53 | 0:13:57 | |
She's a picture. | 0:13:57 | 0:13:59 | |
Now, what can Matthew do on the price? | 0:13:59 | 0:14:01 | |
What about if we come down a little bit on the price... | 0:14:01 | 0:14:04 | |
Give you 30 quid for it. That's it. Finished as she is. Handshake. | 0:14:04 | 0:14:07 | |
Got to buy something off you. | 0:14:07 | 0:14:09 | |
And I know I'm being mean, but I've just got to buy something. | 0:14:09 | 0:14:12 | |
Let's say 35 and you take scarf, as well. The whole lot as it stands. | 0:14:12 | 0:14:17 | |
The whole lot, ?35. Go on. She is yours, sir. Cheers, matey. Spot on. | 0:14:17 | 0:14:20 | |
Good Lord. How am I going to explain this to my wife? | 0:14:20 | 0:14:22 | |
That's none of our business, Philip. Anyway, best get going. | 0:14:22 | 0:14:25 | |
They're driving about 20 miles to Ravenshead near Nottingham | 0:14:25 | 0:14:29 | |
where Philip's dropping Thomas off. | 0:14:29 | 0:14:32 | |
Having bought all the lots he wants for auction, | 0:14:33 | 0:14:35 | |
he's decided to visit an intriguing local collection. | 0:14:35 | 0:14:38 | |
All the best. | 0:14:38 | 0:14:40 | |
Thomas is meeting Andy Carter, | 0:14:40 | 0:14:42 | |
a petrolhead with an addiction to a special kind of vehicle. | 0:14:42 | 0:14:46 | |
Bubble cars. | 0:15:00 | 0:15:03 | |
Hello. Hello, Thomas. Pleased to meet you. I'm Andy. | 0:15:03 | 0:15:05 | |
Andy, nice to meet you. Andy, are these all your cars? Yes. | 0:15:05 | 0:15:08 | |
This is my bubble car collection. | 0:15:08 | 0:15:10 | |
Bubble cars, or micro cars, are tiny but road-worthy vehicles | 0:15:12 | 0:15:17 | |
dating from the 1950s and '60s. | 0:15:17 | 0:15:20 | |
Today their retro looks and quirky charm make them | 0:15:20 | 0:15:23 | |
irresistible to their devoted fan base | 0:15:23 | 0:15:25 | |
and most particularly to Andy who has more than 20 of them. | 0:15:25 | 0:15:30 | |
It's my hobby, yes. Your hobby? Right back to when I was a teenager. | 0:15:30 | 0:15:34 | |
So, tell me about the bubble car. Why were they invented? | 0:15:34 | 0:15:36 | |
Well, they appeared after the war in the mid-'50s. | 0:15:36 | 0:15:39 | |
The Suez Crisis meant petrol was rationed. | 0:15:39 | 0:15:42 | |
They do fantastic fuel consumption. | 0:15:42 | 0:15:45 | |
So these cars were much cheaper | 0:15:45 | 0:15:46 | |
so it enabled working people to get around and get to work. | 0:15:46 | 0:15:50 | |
They were one step up from a motorbike. | 0:15:50 | 0:15:53 | |
Covered transport. | 0:15:53 | 0:15:55 | |
Well, that's it. Covered transport. You wouldn't get wet. That's right. | 0:15:55 | 0:15:59 | |
Bring me through your collection here. | 0:15:59 | 0:16:02 | |
This is my first car. A BMW Isetta. | 0:16:02 | 0:16:05 | |
My mum and dad didn't want me to have a motorbike | 0:16:05 | 0:16:07 | |
when I was 16 years of age. | 0:16:07 | 0:16:09 | |
So they went and bought me an old Isetta. | 0:16:09 | 0:16:12 | |
Andy got the car in 1970 after the micro-car craze had waned for most. | 0:16:12 | 0:16:18 | |
They suddenly dropped out of fashion. | 0:16:18 | 0:16:20 | |
When the Mini and the Fiat 500 and the NSU became popular, | 0:16:20 | 0:16:23 | |
all of a sudden, nobody wanted a bubble car any more. | 0:16:23 | 0:16:26 | |
They weren't cool enough to be seen in. | 0:16:26 | 0:16:28 | |
But caring not a jot for popular opinion, | 0:16:28 | 0:16:31 | |
Andy's love for the bubble car was born. | 0:16:31 | 0:16:34 | |
Were you chuffed to bits? Oh, yes. Fantastic. | 0:16:34 | 0:16:36 | |
Yes, I could take a girl to a party. I had my own mobility. | 0:16:36 | 0:16:39 | |
It was fantastic. That was it. Freedom. Yes. You could get out. | 0:16:39 | 0:16:43 | |
How do you get into this one? Well, you'll have to stand back, Thomas. | 0:16:43 | 0:16:46 | |
OK. Yeah, yeah. The whole front of the car opens up. | 0:16:46 | 0:16:48 | |
There we go. Then you just jump in. | 0:16:48 | 0:16:51 | |
And you'll notice the steering wheel even moves out. It does. | 0:16:51 | 0:16:53 | |
To allow you room to get in. Then you just slip in. Just jump in. | 0:16:53 | 0:16:59 | |
Literally, just jump in. | 0:16:59 | 0:17:01 | |
Ooh, it's, um... Right. | 0:17:03 | 0:17:06 | |
Are you OK in there? Yeah, I'm all right. | 0:17:07 | 0:17:10 | |
Luckily, I don't suffer from claustrophobia. | 0:17:10 | 0:17:12 | |
This is wonderful. It's quite sort of compact and sort of bijou in here. | 0:17:14 | 0:17:18 | |
Wonderful. Open-top motoring. | 0:17:18 | 0:17:22 | |
Bubble cars were made both in Britain, like these Peel cars | 0:17:22 | 0:17:26 | |
built in the Isle of Man, | 0:17:26 | 0:17:28 | |
and in Europe, like Andy's BMW. | 0:17:28 | 0:17:30 | |
German cars were obviously much higher quality. | 0:17:30 | 0:17:33 | |
The British cars quite often were made of fibreglass, | 0:17:33 | 0:17:36 | |
they were designed with a motorbike engine. | 0:17:36 | 0:17:38 | |
It looks dreadful. But that's part of its charm, Thomas. | 0:17:38 | 0:17:42 | |
I know it is part of its charm. | 0:17:42 | 0:17:43 | |
That, I think, has got lines, it's got design to it. | 0:17:43 | 0:17:47 | |
Somebody's thought about that. | 0:17:47 | 0:17:50 | |
Some nutter's done that one. | 0:17:50 | 0:17:52 | |
You know? You can imagine someone in a shed... | 0:17:52 | 0:17:56 | |
But that's the great British way, Thomas. Tut tut. | 0:17:56 | 0:17:59 | |
Now a special treat. | 0:17:59 | 0:18:01 | |
Andy's going to let him drive one of the bubble beauties. | 0:18:01 | 0:18:04 | |
I'll take her for a spin round the block. | 0:18:07 | 0:18:10 | |
# Here in my car | 0:18:10 | 0:18:12 | |
# I feel safest of all | 0:18:12 | 0:18:13 | |
# I can lock all my doors | 0:18:13 | 0:18:15 | |
# It's the only way to live | 0:18:15 | 0:18:17 | |
# In cars... # | 0:18:17 | 0:18:19 | |
This is brilliant. | 0:18:20 | 0:18:23 | |
How was that? Wow. Wow. Wow. | 0:18:24 | 0:18:28 | |
What a great, great experience. | 0:18:28 | 0:18:32 | |
I don't think I've ever driven a car like that. | 0:18:32 | 0:18:38 | |
You did very well. | 0:18:38 | 0:18:40 | |
Well, that's very kind. Very kind. | 0:18:40 | 0:18:43 | |
Thank you very much. | 0:18:43 | 0:18:45 | |
I've really enjoyed my day. It's been my pleasure, Thomas. | 0:18:45 | 0:18:48 | |
Meanwhile, that old gear-head Philip has the, er, macro car | 0:18:48 | 0:18:53 | |
and has driven on to West Bridgford where he has one last shop to visit. | 0:18:53 | 0:18:59 | |
Hello. Hi. Philip. Philip. Andy. | 0:18:59 | 0:19:02 | |
Right. I've got to buy something. | 0:19:02 | 0:19:05 | |
With only three items bagged and time rapidly running out, | 0:19:05 | 0:19:08 | |
yes, you jolly well do, Philip. | 0:19:08 | 0:19:10 | |
But something's caught his eye. | 0:19:15 | 0:19:17 | |
Uh-oh. The theme is developing here. | 0:19:17 | 0:19:21 | |
Is that a young lady up there? | 0:19:22 | 0:19:25 | |
It's just a fairly saucy post Second World War calendar. | 0:19:25 | 0:19:30 | |
The price on the ticket is ?38. | 0:19:30 | 0:19:34 | |
What I like on the back is this inscription. | 0:19:34 | 0:19:37 | |
"To Albert, with lots of love, Annette." | 0:19:37 | 0:19:39 | |
So Annette clearly had a good old sense of humour, didn't she? | 0:19:39 | 0:19:41 | |
He's going to weigh up that decision, | 0:19:41 | 0:19:43 | |
but something in a cabinet has caught his eye. | 0:19:43 | 0:19:47 | |
It's a little set of scales for checking the weight of gold sovereign coins. | 0:19:47 | 0:19:51 | |
He's thinking he might combine them in a job lot | 0:19:51 | 0:19:54 | |
with the fire hose nozzle he bought earlier. | 0:19:54 | 0:19:57 | |
That's appropriate. Ticket price is ?10. | 0:19:57 | 0:20:00 | |
The purpose of this was just to make sure that you weren't being | 0:20:00 | 0:20:03 | |
kippered on your gold. That's right. So you'd weigh your sovereign... | 0:20:03 | 0:20:06 | |
Sovereigns or half sovereigns. | 0:20:06 | 0:20:08 | |
..and it should have a specific amount of gold in it. | 0:20:08 | 0:20:10 | |
That's right. I think that's quite a bit of fun. | 0:20:10 | 0:20:13 | |
But we've got a load of weights missing, haven't we? | 0:20:13 | 0:20:16 | |
Well, that's a possibility again, isn't it? | 0:20:16 | 0:20:18 | |
And here's a fab little item. | 0:20:18 | 0:20:20 | |
SONG: THUNDERBIRDS THEME TUNE | 0:20:22 | 0:20:25 | |
Fantastic. Look at that. | 0:20:27 | 0:20:29 | |
Thunderbirds are go. | 0:20:29 | 0:20:31 | |
I think that is possibly one of the worst things I've ever seen in my life. | 0:20:31 | 0:20:34 | |
In fact, I think that's so bad it's verging on genius. | 0:20:34 | 0:20:38 | |
Unfortunately, it isn't an original Thunderbirds item. | 0:20:38 | 0:20:42 | |
It dates from the early 1990s. Ticket price for the toy is ?10. | 0:20:42 | 0:20:47 | |
Philip's amassed a little pile of items and they're certainly diverse. | 0:20:47 | 0:20:52 | |
The combined ticket price for all three pieces is ?58. | 0:20:52 | 0:20:55 | |
Now, what sort of a deal can he strike with Andy? | 0:20:56 | 0:21:01 | |
To me, there's ?25 worth there. | 0:21:01 | 0:21:04 | |
I think 20 for the three. | 0:21:04 | 0:21:07 | |
22.50. | 0:21:07 | 0:21:09 | |
And we can deal. | 0:21:09 | 0:21:11 | |
I tell you what, because I can't do 50ps, | 0:21:11 | 0:21:13 | |
I'll give you 22 quid. Go on, then. ?22. You're on. You're a gentleman. | 0:21:13 | 0:21:16 | |
And with that, Philip has his lots for auction. | 0:21:16 | 0:21:19 | |
And not a moment too soon. | 0:21:19 | 0:21:21 | |
He started this leg with ?193.34 and has spent a total of ?99 | 0:21:21 | 0:21:26 | |
on five lots. | 0:21:26 | 0:21:28 | |
Philip bought a fire hose which he's paired with the sovereign scales, | 0:21:28 | 0:21:31 | |
the post-war calendar, the Thunderbirds toy, | 0:21:31 | 0:21:33 | |
the vintage mannequin and a hulking great lump of marble. Mind the dog! | 0:21:33 | 0:21:39 | |
Thomas, on the other hand, set out with ?247.54 - | 0:21:39 | 0:21:43 | |
he spent ?85 on four lots. | 0:21:43 | 0:21:47 | |
He bought a set of Victorian scales, a St Christopher plaque, | 0:21:47 | 0:21:49 | |
a basket of random postcards and photographs and a tambourine. | 0:21:49 | 0:21:53 | |
But with their eyes on the prize, | 0:21:53 | 0:21:56 | |
what do our boys really think of each other's buys? | 0:21:56 | 0:21:59 | |
I think Thomas has been really clever, cos he's only spent about ?80. | 0:21:59 | 0:22:02 | |
If they GIVE all his stuff away, he can't lose as much as I did | 0:22:02 | 0:22:06 | |
with my canoe or the rest of it at the last auction. | 0:22:06 | 0:22:09 | |
Oh, enough about the canoe! | 0:22:09 | 0:22:11 | |
I think he's been really quite clever. | 0:22:11 | 0:22:14 | |
To buy underwear on the Antiques Road Trip on an armless mannequin | 0:22:14 | 0:22:19 | |
is BRILLIANT! Is it going to make profit? | 0:22:19 | 0:22:22 | |
It's probably going to do all right. It'll probably make something. | 0:22:22 | 0:22:26 | |
I think perhaps arms would have helped, wouldn't they? | 0:22:26 | 0:22:29 | |
Does that mean that I'm going to retain the lead? | 0:22:29 | 0:22:32 | |
Well, I haven't done that well myself, so it's... | 0:22:32 | 0:22:35 | |
all up in the air - we'll have to wait for the auction. | 0:22:35 | 0:22:37 | |
Then you won't have long to wait. | 0:22:37 | 0:22:39 | |
On this leg, Thomas and Philip have travelled from the city | 0:22:39 | 0:22:42 | |
of Sheffield to their auction in Leicester in the East Midlands. | 0:22:42 | 0:22:46 | |
I quite like Leicester. | 0:22:47 | 0:22:49 | |
Do you know, I think it's quite attractive. | 0:22:49 | 0:22:51 | |
I'm glad it meets with your approval, chaps. | 0:22:51 | 0:22:53 | |
They're aiming for Churchgate Auctions. Are you ready for this? | 0:22:53 | 0:22:57 | |
I am ready. Oh, thanks for stopping in a puddle! | 0:22:57 | 0:23:00 | |
Set my day off beautifully! Don't bicker! | 0:23:01 | 0:23:06 | |
Auctioneer Dickon Dearman will be at the helm today. | 0:23:06 | 0:23:09 | |
First up are Thomas's Victorian scales. What will they weigh in at? | 0:23:11 | 0:23:15 | |
Do I see ?30? ?30 for them? 20, then? ?20. | 0:23:15 | 0:23:19 | |
?20 has been bid on those scales. Is there 22, now? | 0:23:19 | 0:23:23 | |
22... That's not great. 24, 26, 28, ?30. | 0:23:23 | 0:23:27 | |
32, 35, 37, | 0:23:27 | 0:23:31 | |
?40. 40, yes. | 0:23:31 | 0:23:33 | |
45, 50... 50! | 0:23:33 | 0:23:35 | |
Do I see... No. Selling then to you, sir, for ?45. | 0:23:35 | 0:23:41 | |
They make just a shade more than Thomas paid - | 0:23:41 | 0:23:44 | |
not an auspicious start, but better than a loss. | 0:23:44 | 0:23:47 | |
This doesn't look good, does it? A lot of work, isn't it? It doesn't look good. | 0:23:47 | 0:23:51 | |
Now, Philip's job lot of fire hose nozzle | 0:23:51 | 0:23:54 | |
and sovereign scales - will they set the sale room alight? | 0:23:54 | 0:23:58 | |
Do I see ?10? ?10 has been bid... 12, from you, sir. | 0:23:58 | 0:24:00 | |
14, 16, 18, ?20. | 0:24:00 | 0:24:03 | |
22. 22, 25, 25 now. 25 do I see anywhere? | 0:24:03 | 0:24:09 | |
25, is there? Selling then, for ?22... | 0:24:09 | 0:24:13 | |
Again, they squeak a profit. | 0:24:13 | 0:24:15 | |
A turn for Thomas, next, as his basket of miscellaneous photos | 0:24:15 | 0:24:20 | |
and postcards are up. Do I see ?20 for these? Oh, dear. | 0:24:20 | 0:24:24 | |
?10, then? ?10 I have down there. This is not good news. | 0:24:24 | 0:24:28 | |
?12, 14, 16, 18, ?20. | 0:24:28 | 0:24:31 | |
You're off. ..24, 26, | 0:24:31 | 0:24:35 | |
28... 28, do I see now? | 0:24:35 | 0:24:38 | |
Selling then for ?26. | 0:24:38 | 0:24:41 | |
Another sale price that's nothing to write home about. | 0:24:43 | 0:24:46 | |
Tough luck, Thomas. | 0:24:46 | 0:24:47 | |
What did you pay for those? Don't... | 0:24:47 | 0:24:49 | |
I'm not telling you, ner-ner, ner-ner ner! ?20. | 0:24:49 | 0:24:52 | |
Now, can Philip's post-war bombshell seduce the punters? | 0:24:52 | 0:24:56 | |
Opening here at ?15. Get in there - profit! 17 now. ?17. | 0:24:56 | 0:25:02 | |
17 from you, sir. Is there 20 now? ?20. | 0:25:02 | 0:25:05 | |
20 do I see now? | 0:25:05 | 0:25:07 | |
No further bids... Selling then, for ?17. | 0:25:07 | 0:25:09 | |
That is a good profit. | 0:25:09 | 0:25:11 | |
I wouldn't say it's a GOOD profit, but it's a profit! | 0:25:11 | 0:25:14 | |
It seems there's one thing that always sells - shrewd, Philip. | 0:25:14 | 0:25:19 | |
It's previous experience with the two of us. | 0:25:19 | 0:25:21 | |
Yeah, that's a massive hit, that, isn't it? | 0:25:21 | 0:25:24 | |
Now, the other woman in Philip's life. Can he repeat the trick? | 0:25:24 | 0:25:29 | |
So, ?20. ?10, then. | 0:25:29 | 0:25:33 | |
Ouch! Do I see 12? ?12, 14? | 0:25:33 | 0:25:36 | |
16, 18, ?20. 22, | 0:25:36 | 0:25:40 | |
25, 27, ?30 has been bid. | 0:25:40 | 0:25:44 | |
35 now, 35 is there, anywhere? | 0:25:44 | 0:25:48 | |
Selling then for... Ooh, 35, fresh bidder, madam. | 0:25:48 | 0:25:51 | |
Fresh bidder. There you are. | 0:25:51 | 0:25:52 | |
?35. Is there 40 now? ?40? 40 is there, anywhere? | 0:25:52 | 0:25:57 | |
Selling then, for ?35. | 0:25:57 | 0:25:59 | |
?35. Which is exactly where we started! | 0:25:59 | 0:26:03 | |
And lot number 64... | 0:26:03 | 0:26:06 | |
Seems like the punters didn't fancy her. | 0:26:06 | 0:26:08 | |
It's all looking good, isn't it? Rosy. | 0:26:08 | 0:26:11 | |
It's Thomas's tambourine next. | 0:26:11 | 0:26:13 | |
Perhaps this will shake things up? | 0:26:13 | 0:26:15 | |
20. Do I see ?20? I'll take ?10, then. | 0:26:15 | 0:26:19 | |
?10 bid, 12, 14... I'm going. | 0:26:19 | 0:26:22 | |
Start the car. | 0:26:22 | 0:26:24 | |
This is just ridiculous. Yes, 22, 24? Shake of the head. | 0:26:24 | 0:26:29 | |
24, do I see now? Anywhere? No further interest... | 0:26:29 | 0:26:32 | |
Selling then for ?22. | 0:26:32 | 0:26:35 | |
An unexpected success - with bells on. Well done! | 0:26:35 | 0:26:39 | |
# Kumbaya, my Lord... # Oh, Ging Gang Goolie, more like. | 0:26:39 | 0:26:44 | |
Now, the Thunderbirds toy that even Philip seems to lack faith in. | 0:26:44 | 0:26:47 | |
?10. That's fantastic! Get in there! Do I see 12 now? | 0:26:47 | 0:26:52 | |
?12, 14, 16, 18, ?20. | 0:26:52 | 0:26:54 | |
?20. 22... | 0:26:57 | 0:26:59 | |
Don't dare to dream... | 0:26:59 | 0:27:00 | |
I'm living the dream(!) | 0:27:02 | 0:27:04 | |
?30, 32 now? 32 is there, anywhere? 32, do I see? | 0:27:04 | 0:27:09 | |
Selling then, for ?30. | 0:27:09 | 0:27:11 | |
And it flies! F-A`B! | 0:27:12 | 0:27:15 | |
You are one of the country's leading toy experts, right? Yes. | 0:27:15 | 0:27:18 | |
That's not in any dispute at all. | 0:27:18 | 0:27:20 | |
You said my toy was worth 50 pence. | 0:27:20 | 0:27:22 | |
This isn't a toy auction. | 0:27:22 | 0:27:26 | |
I wouldn't have entertained it. | 0:27:26 | 0:27:28 | |
Thomas could do with some help here, so let's hope | 0:27:28 | 0:27:30 | |
his St Christopher plaque will protect him from further losses. | 0:27:30 | 0:27:34 | |
?10 for this. Do I see ten? A fiver, then? Oh! | 0:27:34 | 0:27:38 | |
?5 has been bid, and six now. Six pounds. Eight pounds? | 0:27:38 | 0:27:41 | |
10, ?12, 14, no, ?14, do I see? | 0:27:41 | 0:27:46 | |
16. ?16 now, anywhere? 16, 16, do I see? | 0:27:46 | 0:27:50 | |
Selling, for ?14. | 0:27:50 | 0:27:52 | |
Doubled my money. Looks like someone's watching over you, Thomas. | 0:27:53 | 0:27:58 | |
And finally, the great hunk of marble - can it carve out a profit? | 0:27:58 | 0:28:02 | |
What's my marble plinth going to make? ?30? 25 if you like. | 0:28:02 | 0:28:06 | |
25 has been bid. Do I see ?30? ?30. ?30 just there. 35? | 0:28:06 | 0:28:12 | |
What did you pay for it? 30. 40, yes. ?50? 50, thank you, madam. | 0:28:12 | 0:28:18 | |
Do I see 60 now? ?60. 60 is there, anywhere? Selling then, for ?50. | 0:28:18 | 0:28:23 | |
Thank you. | 0:28:23 | 0:28:24 | |
A very respectable sale, | 0:28:24 | 0:28:26 | |
proving even Philip's bad luck isn't set in stone. | 0:28:26 | 0:28:29 | |
Thomas started this leg with ?247.54. | 0:28:33 | 0:28:36 | |
After paying auction costs, he made a rather modest profit | 0:28:36 | 0:28:39 | |
of ?2.74, which gives him ?250.28 to carry forward. | 0:28:39 | 0:28:47 | |
While Philip began with ?193.34, he made a slightly more | 0:28:47 | 0:28:52 | |
substantial profit of ?27.28, giving him ?220.62 in his wallet. | 0:28:52 | 0:28:59 | |
So that means that, despite his grumbling, | 0:28:59 | 0:29:02 | |
he ends this leg victorious. Well done, Phil. | 0:29:02 | 0:29:05 | |
I've had enough. I'm going to... Don't! | 0:29:05 | 0:29:07 | |
Come on, we've all made money this time. | 0:29:07 | 0:29:10 | |
We've got to be happy. How much d'you make? | 0:29:10 | 0:29:12 | |
About a couple of quid! | 0:29:12 | 0:29:15 | |
Onwards and upwards. Come on - two pounds profit... ?25. Let's go! | 0:29:15 | 0:29:19 | |
Wahey! | 0:29:19 | 0:29:20 | |
So, there's everything to play for | 0:29:20 | 0:29:22 | |
as they motor towards the next showdown. | 0:29:22 | 0:29:26 | |
This whole road trip takes our boys from Samlesbury | 0:29:26 | 0:29:29 | |
in Lancashire over to the sea to the Isle of Man, then south | 0:29:29 | 0:29:33 | |
to nautical Greenwich in London, a journey of almost 700 miles. | 0:29:33 | 0:29:37 | |
On this leg, they are in the exotic East, beginning in Stickney, | 0:29:39 | 0:29:43 | |
Lincolnshire, heading for their auction in Ely, Cambridgeshire. | 0:29:43 | 0:29:49 | |
They're journeying through the Fens, a lovely region of flat, | 0:29:49 | 0:29:52 | |
fertile farmland, | 0:29:52 | 0:29:55 | |
heading for the village of Stickney, | 0:29:55 | 0:29:57 | |
with cash in hand - Thomas has ?250.28 to play with, | 0:29:57 | 0:30:02 | |
and rival Philip just 220.62 as they make their way | 0:30:02 | 0:30:07 | |
to Clutterbugs Antiques... | 0:30:07 | 0:30:08 | |
Well, door-to-door service, Thomas, look at that. | 0:30:08 | 0:30:11 | |
..where Alan will greet them. How are you? Nice to see you. | 0:30:11 | 0:30:14 | |
Are we all right to park here? Wherever you like. | 0:30:14 | 0:30:17 | |
I'll go upstairs and you go downstairs. | 0:30:18 | 0:30:20 | |
So far, the lads' performance hasn't been uniformly winning. | 0:30:23 | 0:30:26 | |
On the last leg, Thomas made a paltry profit of ?2.74, | 0:30:32 | 0:30:37 | |
and this less than stellar performance is weighing | 0:30:37 | 0:30:40 | |
on his mind this morning. | 0:30:40 | 0:30:42 | |
I've really got to have my head correct and buy good things | 0:30:42 | 0:30:46 | |
which they're going to want at general sales. | 0:30:46 | 0:30:49 | |
Further to this ambition, | 0:30:49 | 0:30:50 | |
Thomas has spotted something that might just be a winner. | 0:30:50 | 0:30:54 | |
Where did you get these from? Somebody brought them in. | 0:30:54 | 0:30:57 | |
They're not Masonic, they're buffalos or... | 0:30:57 | 0:30:59 | |
They are a set of four medals | 0:30:59 | 0:31:01 | |
issued by the Royal Antediluvian Order of Buffaloes, | 0:31:01 | 0:31:06 | |
a social and philanthropic organisation | 0:31:06 | 0:31:09 | |
structured in fraternal lodges. Ticket price for all four is ?80. | 0:31:09 | 0:31:13 | |
Now, can he get a handshake from Alan on the price? | 0:31:13 | 0:31:18 | |
What would you do for the four? | 0:31:18 | 0:31:21 | |
What are they, ?20 each? ?20 each. 80... | 0:31:21 | 0:31:24 | |
Give us 60. Buy the lot, you get one free. Right, thank you. | 0:31:24 | 0:31:29 | |
That's a good deal. Kind of, but I haven't finished shopping. | 0:31:29 | 0:31:32 | |
Haven't finished shopping. | 0:31:32 | 0:31:34 | |
He's browsing on. | 0:31:35 | 0:31:36 | |
And he seems to have all sorts of buffalo on the brain this morning. | 0:31:42 | 0:31:45 | |
What do you know about that? Not a lot. What age would you say it was? | 0:31:45 | 0:31:49 | |
Early 20th. It's got a bit of wear to it. | 0:31:49 | 0:31:52 | |
Maybe late 19th. | 0:31:52 | 0:31:54 | |
It's quite nice, though, isn't it? | 0:31:55 | 0:31:58 | |
It's a type of buffalo paperweight cast in bronze. | 0:31:58 | 0:32:01 | |
On the ticket is ?35. | 0:32:01 | 0:32:03 | |
Would you do that and the medals for 50? | 0:32:03 | 0:32:07 | |
60. Come on. Shake your hand on 60. No, no, no... | 0:32:12 | 0:32:16 | |
Yes! No. 50. 60. 50 and we've got a deal. | 0:32:16 | 0:32:20 | |
The terms shirt and back spring to mind. Oh, come on, ?50. | 0:32:20 | 0:32:24 | |
You're a star. Just to get rid of you. What do you mean get rid of me? | 0:32:24 | 0:32:27 | |
Thomas' bullish haggling gets him the deal he wants. | 0:32:27 | 0:32:30 | |
?50? And he's off and running. Thank you very much. | 0:32:30 | 0:32:34 | |
Philip, on the other hand, has decided to abandon this shop | 0:32:34 | 0:32:37 | |
and strike out on his own. | 0:32:37 | 0:32:39 | |
It's not like you to go off-piste, old boy. | 0:32:40 | 0:32:43 | |
Where are you going, Philip? | 0:32:43 | 0:32:45 | |
I might go buy a tractor. See you later on. All the best. | 0:32:45 | 0:32:47 | |
(He always does this.) | 0:32:47 | 0:32:49 | |
Philip's decided that, since he is in a rural area, | 0:32:49 | 0:32:52 | |
he'd like to see if any local farmers have items that they might | 0:32:52 | 0:32:55 | |
sell him. It's an unconventional approach. | 0:32:55 | 0:32:59 | |
Do bear with us. I've no idea where he is going. | 0:33:01 | 0:33:05 | |
There's an old farmhouse there that... | 0:33:05 | 0:33:08 | |
Hello? | 0:33:08 | 0:33:09 | |
Hello. I wonder if you can help me. | 0:33:14 | 0:33:18 | |
Agricultural bygones. Hello, doggy. | 0:33:18 | 0:33:20 | |
Where's the best place? | 0:33:20 | 0:33:21 | |
Any old fruit crates, wooden ones, anything like that? | 0:33:23 | 0:33:26 | |
Well, in East Kirkby there's a shop that sells all sorts. | 0:33:26 | 0:33:30 | |
Philip's driving to the village of East Kirkby, Lincolnshire. | 0:33:33 | 0:33:37 | |
Ah, let's go and have a look in here. | 0:33:40 | 0:33:42 | |
And after all that drama, he ends up back in an antique shop. Ha! | 0:33:42 | 0:33:46 | |
Luckily, dealer Richard here at Craven Collectables is already a fan | 0:33:47 | 0:33:52 | |
of the Road Trip. Watch the programme, first day have a dust. | 0:33:52 | 0:33:56 | |
And here you are, you turned up while I'm dusting. | 0:33:56 | 0:33:59 | |
I know, Richard. He's most inconsiderate. | 0:33:59 | 0:34:01 | |
The Goldfinger book, is that a first edition? The who? | 0:34:05 | 0:34:08 | |
Is it a first edition? | 0:34:08 | 0:34:10 | |
I think you'll find it is. | 0:34:10 | 0:34:12 | |
He has two so-called first editions of James Bond novels | 0:34:12 | 0:34:16 | |
but printed by the book club. | 0:34:16 | 0:34:18 | |
Goldfinger and You Only Live Twice. They're priced at ?25 each. | 0:34:18 | 0:34:22 | |
I mean, I would guess these would be worth an awful lot of money | 0:34:23 | 0:34:26 | |
if they both had a dust cover and if this was in better condition. | 0:34:26 | 0:34:29 | |
So they would. First editions of these novels with original dust covers by the first printer | 0:34:29 | 0:34:35 | |
can sell for anything between ?500 and ?3,000. | 0:34:35 | 0:34:39 | |
But sadly, these are Book Society first editions, | 0:34:39 | 0:34:43 | |
and, as such, are worth vastly less. | 0:34:43 | 0:34:46 | |
Philip is still thinking about taking the books. | 0:34:46 | 0:34:50 | |
But he's browsing on with the irrepressible Richard. | 0:34:50 | 0:34:54 | |
How much is the wine rack? 20 quid to you. | 0:34:54 | 0:34:56 | |
This enormous wine rack was made by Wilbins, | 0:34:56 | 0:35:00 | |
a London manufacturer. | 0:35:00 | 0:35:02 | |
These are no good, big ones, because you can't get them in the house. | 0:35:02 | 0:35:04 | |
You cut them in half. Don't be so silly. | 0:35:04 | 0:35:07 | |
Look at that. And you've even got makers of London. | 0:35:07 | 0:35:10 | |
I can feel myself getting kippered by you here. No, no, no, not at all. | 0:35:10 | 0:35:14 | |
Hmm. I think you might've met your match, Phil. I've sold you two books | 0:35:14 | 0:35:17 | |
but we ain't agreed on a price yet, how about a lovely milk crate? | 0:35:17 | 0:35:20 | |
Look at that. Do you ever stop to draw breath? Manners, Philip. | 0:35:20 | 0:35:24 | |
What's that box there? What, this? This is social history. | 0:35:24 | 0:35:28 | |
They're wooden bread trays, stamped with the name | 0:35:28 | 0:35:31 | |
of a local baker, Glenton Myers. | 0:35:31 | 0:35:33 | |
Philip's thinking that he could combine them into a job lot | 0:35:33 | 0:35:36 | |
with the wine rack, if he could get a word in. | 0:35:36 | 0:35:39 | |
Bit of woodworm, shows a bit of quality. How do you work that out? | 0:35:39 | 0:35:42 | |
Age. Gives you the age. | 0:35:42 | 0:35:43 | |
I would like to buy these here, those there, | 0:35:43 | 0:35:47 | |
they can go as one lot, and the two books. | 0:35:47 | 0:35:49 | |
Well, I make it 75 quid. | 0:35:51 | 0:35:54 | |
See you then, Richard, it's been fantastic. Thank you ever so much. | 0:35:54 | 0:35:57 | |
I'll try and call in again sometime. Come on, be sensible, | 0:35:57 | 0:36:01 | |
make the offer then. I'll tell you what. You just sit down | 0:36:01 | 0:36:03 | |
a minute, I'll get the book. Sit down. No, just sit down. | 0:36:03 | 0:36:07 | |
So, Richard's starting price for all of the items was ?75. | 0:36:07 | 0:36:10 | |
What can Philip bargain him down to? JAMES BOND THEME PLAYS | 0:36:10 | 0:36:13 | |
You ought to be paying me to take them away. No, no, I'm in business. | 0:36:13 | 0:36:18 | |
I'll give you 30 quid the lot, that's the end of it. | 0:36:18 | 0:36:20 | |
Done. Ha-ha! What have I done? | 0:36:23 | 0:36:26 | |
So, Philip has his first two lots and plenty of badinage to boot. | 0:36:26 | 0:36:31 | |
Thank you, Richard. | 0:36:31 | 0:36:33 | |
Philip's on a buying spree and has driven | 0:36:33 | 0:36:36 | |
to New Bolingbroke. | 0:36:36 | 0:36:38 | |
He's heading for Junktion Antiques, where he's meeting owner, Jack. | 0:36:40 | 0:36:44 | |
Hello. Morning. | 0:36:44 | 0:36:46 | |
This looks like my sort of place, this does. That's good, then. | 0:36:46 | 0:36:49 | |
I'm Philip. How are you doing? Jack. Good to see you. | 0:36:49 | 0:36:52 | |
Stuffed with motoring memorabilia, old contraptions, | 0:36:52 | 0:36:56 | |
fairground items and all manner of old gubbins, | 0:36:56 | 0:36:59 | |
this shop could scarcely be more to Philip's taste. | 0:36:59 | 0:37:03 | |
Threshing machine. Yeah. And how much is that? | 0:37:03 | 0:37:06 | |
That could be, er, ?50. | 0:37:06 | 0:37:08 | |
Oh, hold on. Hold on. My friend. | 0:37:08 | 0:37:10 | |
I'm not sure that will fit in the car! | 0:37:10 | 0:37:13 | |
He loves Jack's stock, but with just over ?190 in his wallet, | 0:37:13 | 0:37:18 | |
he's finding that much of it is outside his budget. | 0:37:18 | 0:37:21 | |
?300. | 0:37:22 | 0:37:23 | |
?1,500. Oh, no... | 0:37:23 | 0:37:26 | |
Er, 225. | 0:37:26 | 0:37:27 | |
But I do guarantee it. It is working(!) | 0:37:27 | 0:37:30 | |
THEY CHUCKLE | 0:37:30 | 0:37:32 | |
How much is the iron founders' sign? | 0:37:32 | 0:37:35 | |
?200. | 0:37:35 | 0:37:36 | |
PHILIP SIGHS | 0:37:36 | 0:37:39 | |
You don't sell aspirin, do you? | 0:37:39 | 0:37:40 | |
But after a real rummage, he spots something that might help him | 0:37:40 | 0:37:45 | |
get the jump on Thomas - a wooden vaulting horse. Oh, lordy. | 0:37:45 | 0:37:49 | |
How much is that, Jack? That could be... | 0:37:49 | 0:37:52 | |
Come on, Jack, now think hard here. ?90. | 0:37:52 | 0:37:54 | |
No, think harder. 100. | 0:37:54 | 0:37:57 | |
Oh, Jack, no, no, no. Now, can we have a deal on that? | 0:37:57 | 0:38:01 | |
Where do you want to be? | 0:38:01 | 0:38:04 | |
Well, I see it at auction as making 50 to 80 quid. | 0:38:04 | 0:38:08 | |
?70. | 0:38:08 | 0:38:10 | |
This may seem like another of Phil's eccentric enthusiasms, but the horse | 0:38:10 | 0:38:14 | |
could in fact be a canny buy. | 0:38:14 | 0:38:16 | |
They make great coffee tables, don't they? | 0:38:16 | 0:38:18 | |
You take the top two off and you've got a small ottoman | 0:38:18 | 0:38:21 | |
at the end of your bed. And then, out of these other sections, | 0:38:21 | 0:38:23 | |
you put a glass top on them and you've got a really cool coffee table. | 0:38:23 | 0:38:27 | |
We'll talk about that in a minute. | 0:38:27 | 0:38:30 | |
Still, at least he dug up something else that interests him. | 0:38:30 | 0:38:33 | |
Is that a malt shovel? Yeah. | 0:38:33 | 0:38:36 | |
Malt is germinated and dried grain, | 0:38:36 | 0:38:39 | |
used in the production of beer, whisky and foodstuffs. | 0:38:39 | 0:38:43 | |
This probably dates from the early 20th century. | 0:38:43 | 0:38:46 | |
Can I give you... | 0:38:47 | 0:38:49 | |
60 quid for this and the vaulting horse? No. | 0:38:49 | 0:38:52 | |
What can I give you? | 0:38:52 | 0:38:53 | |
?100. Oh, behave, Jack! | 0:38:56 | 0:38:58 | |
I'll shake your hand, Jack, at 80 quid the two. | 0:38:58 | 0:39:01 | |
90 quid and you've got a deal. 85. | 0:39:01 | 0:39:02 | |
No, 90. 85. 90. 85. | 0:39:02 | 0:39:04 | |
90. 85. No, 90. | 0:39:04 | 0:39:07 | |
Because I like you. | 0:39:07 | 0:39:08 | |
Go on, then, Jack. You are a gentleman, thank you. | 0:39:08 | 0:39:11 | |
Jack's one tough cookie when it comes to haggling, | 0:39:13 | 0:39:15 | |
but Philip's got the malt shovel and the vaulting horse, | 0:39:15 | 0:39:18 | |
so everyone's a winner. | 0:39:18 | 0:39:21 | |
And with that, Philip's heading south to meet Thomas. | 0:39:21 | 0:39:26 | |
Spalding. What do you know about Spalding? | 0:39:28 | 0:39:32 | |
Glad you asked. They're driving into the town of Spalding... | 0:39:32 | 0:39:36 | |
..which is an ancient market town known as the Heart of the Fens, | 0:39:39 | 0:39:43 | |
at the centre of an area famous for its rich soil and agriculture. | 0:39:43 | 0:39:48 | |
Well done, Thomas. Got there in the end. | 0:39:48 | 0:39:51 | |
You going to go in here, then? | 0:39:51 | 0:39:53 | |
I'm going to go there, yeah. Go on, matey, have a wander off. | 0:39:53 | 0:39:56 | |
Philip is striking out on his own again while Thomas is heading | 0:39:56 | 0:40:00 | |
into his first shop, where he'll meet owner, John. | 0:40:00 | 0:40:03 | |
Thank you for letting us come here. You're very welcome. | 0:40:03 | 0:40:06 | |
Can I have a look round? You can, with pleasure. How nice. | 0:40:06 | 0:40:09 | |
There's an item in a cabinet that he might like to try his luck on. | 0:40:17 | 0:40:21 | |
What's that Bullion Board? | 0:40:21 | 0:40:24 | |
A game, I think, Thomas. Philips Bullion Board. | 0:40:24 | 0:40:28 | |
"This is a bullion board game, a three-in-one sensational indoor game." | 0:40:28 | 0:40:32 | |
The aluminium board allows the lucky purchaser to play | 0:40:32 | 0:40:36 | |
the rather obscure games bullion and poker bullion, | 0:40:36 | 0:40:40 | |
or good old-fashioned draughts. | 0:40:40 | 0:40:42 | |
I like the graphics on it. They are great, aren't they, | 0:40:42 | 0:40:45 | |
the colours as well? How much is this? | 0:40:45 | 0:40:47 | |
I can't see a price on it, Thomas. | 0:40:47 | 0:40:50 | |
Oh, there's no price on it. It could be ?10 to you, sir. | 0:40:50 | 0:40:54 | |
That seems fair enough, doesn't it? | 0:40:54 | 0:40:55 | |
Thank you very much, I'll have that. You're welcome. | 0:40:55 | 0:40:58 | |
I noticed you've got a chess set round the corner. | 0:40:58 | 0:41:01 | |
These are the ones you were on about, are they? I saw those. | 0:41:01 | 0:41:04 | |
Is it complete? | 0:41:04 | 0:41:06 | |
I think they're all there, yes. I better count them. | 0:41:06 | 0:41:09 | |
Yeah, you count. Do you mind? No, I don't mind. | 0:41:09 | 0:41:12 | |
They're all there, 32 pieces. | 0:41:13 | 0:41:15 | |
The pieces are all present and correct. | 0:41:15 | 0:41:17 | |
But they're selling without a chessboard. | 0:41:17 | 0:41:20 | |
There's no ticket on them either. What should John do? | 0:41:20 | 0:41:22 | |
It could be ?15. 15? Could I have both of them for 20? | 0:41:22 | 0:41:28 | |
I should think you could. Well, I think that makes a nice addition, | 0:41:29 | 0:41:32 | |
doesn't it? Yes. | 0:41:32 | 0:41:34 | |
Yeah. Thomas is planning to parcel the two games | 0:41:34 | 0:41:37 | |
he's bought into one lot, but he's still looking for more bargains. | 0:41:37 | 0:41:41 | |
His magpie eye has alighted on a collection of paste jewellery, | 0:41:41 | 0:41:46 | |
including a 19th-century French buckle, | 0:41:46 | 0:41:49 | |
an Art Deco cuff and three other bracelets. | 0:41:49 | 0:41:52 | |
I quite like this paste. | 0:41:52 | 0:41:55 | |
Do quite like that. | 0:41:55 | 0:41:56 | |
Paste is inexpensive jewellery, | 0:41:56 | 0:41:59 | |
sometimes including polished cut glass instead of precious gemstones. | 0:41:59 | 0:42:03 | |
Oh, suits you, Thomas. | 0:42:05 | 0:42:07 | |
Now, what kind of price can John offer? | 0:42:07 | 0:42:10 | |
60 quid for the lot. ?60? | 0:42:10 | 0:42:14 | |
Really? Yes, really. Really? Yes. | 0:42:14 | 0:42:17 | |
You'll make a good profit on those, Thomas. I don't think I will. | 0:42:17 | 0:42:20 | |
What could you do? | 0:42:20 | 0:42:22 | |
I'll do you the lot for 50 and that would be it. | 0:42:23 | 0:42:25 | |
40 and we've got a deal. No. I can't do that. 45. | 0:42:27 | 0:42:31 | |
48 and we'll have a deal. | 0:42:34 | 0:42:36 | |
Oh, for the love of God. | 0:42:36 | 0:42:38 | |
?48. ?48. | 0:42:39 | 0:42:42 | |
So it's 20 and the 48 makes ?68. There's 70. | 0:42:42 | 0:42:46 | |
But John can only find ?1.20 in change | 0:42:46 | 0:42:50 | |
rather than the two pounds Thomas is owed. | 0:42:50 | 0:42:53 | |
80 pence more. That's the best I can do, Thomas. | 0:42:53 | 0:42:56 | |
I think I can survive. Thank you very much. | 0:42:56 | 0:42:58 | |
Thank you, Thomas. Nice to see you. And you. | 0:42:58 | 0:43:01 | |
So, Thomas has taken the Bullion Board game, | 0:43:01 | 0:43:03 | |
the chess pieces and the collection of paste jewellery. | 0:43:03 | 0:43:07 | |
A couple of minutes away, old Phil has gone for a wander around | 0:43:07 | 0:43:11 | |
Spalding town centre. Once again he's determined to go off-piste. | 0:43:11 | 0:43:16 | |
I think that looks interesting because it is Elderkin's gunmakers. | 0:43:16 | 0:43:19 | |
You never know, they might have some old accessories that might be quite useful. | 0:43:19 | 0:43:23 | |
DOOR BUZZER | 0:43:23 | 0:43:25 | |
This is a gunsmith with a venerable pedigree. Five generations of | 0:43:25 | 0:43:29 | |
the same family have run the business, | 0:43:29 | 0:43:31 | |
dating back nearly 130 years. | 0:43:31 | 0:43:33 | |
Of course, shotguns like the ones sold in this shop require | 0:43:35 | 0:43:39 | |
a shotgun certificate under UK laws. | 0:43:39 | 0:43:41 | |
But shop owner William has generously agreed to let Philip | 0:43:41 | 0:43:45 | |
look around to see if there might be | 0:43:45 | 0:43:47 | |
any antique accessories he could buy. | 0:43:47 | 0:43:49 | |
Eventually, Philip uncovers a small collection of shotgun accessories. | 0:43:49 | 0:43:55 | |
Here we've got an oil bottle which will fit in your motoring case. | 0:43:55 | 0:43:58 | |
And you'd have taken it with you and that would've just oiled your gun. That's quite a nice thing. | 0:43:58 | 0:44:04 | |
This is a little brush and that would have just brushed around | 0:44:04 | 0:44:08 | |
the trigger guards and possibly on the hammer guard to keep it clean. | 0:44:08 | 0:44:12 | |
This is for pulling cartridges out of the gun. If your cartridge got | 0:44:12 | 0:44:15 | |
stuck in your gun, you'd clip that round the outside | 0:44:15 | 0:44:18 | |
and that would pull the cartridge out. | 0:44:18 | 0:44:20 | |
And then finally we've got this great thing here | 0:44:20 | 0:44:22 | |
which is just... You put that in the end of your barrels | 0:44:22 | 0:44:26 | |
and that's just when you're not using the gun. And that's to stop | 0:44:26 | 0:44:30 | |
anything from dropping down there. | 0:44:30 | 0:44:31 | |
What sort of price can Philip agree with William? | 0:44:31 | 0:44:34 | |
At auction they'll make 10 or 20 quid, eh? Something like that. | 0:44:34 | 0:44:38 | |
So if I give you a fiver or something, would that be fair? | 0:44:38 | 0:44:40 | |
That's fine. Bang on! | 0:44:40 | 0:44:42 | |
I'm going to a shooting area, so fingers crossed | 0:44:42 | 0:44:45 | |
that they do OK for me. What a lovely man and what a great shop. | 0:44:45 | 0:44:50 | |
And with that, he's got his lots for auction. | 0:44:50 | 0:44:52 | |
The boys are reunited and back in the car, | 0:44:54 | 0:44:58 | |
driving the 20 miles to Stamford, Lincolnshire. | 0:44:58 | 0:45:02 | |
But it looks like the weather's turned. | 0:45:02 | 0:45:05 | |
Philip, we are driving through a wall of rain. | 0:45:05 | 0:45:08 | |
Hmmm. That looks pleasant. Shame the car doesn't have a roof! | 0:45:08 | 0:45:12 | |
Mind you, I don't know why people go abroad in the summer, do you? | 0:45:12 | 0:45:15 | |
Happily, it's much drier in Stamford. | 0:45:15 | 0:45:18 | |
Largely built from Lincolnshire limestone, Stamford's lovely, | 0:45:18 | 0:45:23 | |
historic buildings give it a unique atmosphere. | 0:45:23 | 0:45:27 | |
Thomas is off to a shop, but since Philip's bought all his lots | 0:45:27 | 0:45:31 | |
for auction, he's decided to visit a particularly ancient local landmark. | 0:45:31 | 0:45:35 | |
You have a lovely visit. You have a good shop, mate. | 0:45:35 | 0:45:38 | |
He's on his way to Browne's Hospital, | 0:45:38 | 0:45:41 | |
which just slightly predates the local NHS Trust... | 0:45:41 | 0:45:45 | |
where he's meeting curator Pam Sharp. | 0:45:45 | 0:45:49 | |
Hello, I'm Philip. How are you? I'm very well, thank you. | 0:45:49 | 0:45:52 | |
This is the most fantastic building. Tell me. This was a hospital? | 0:45:52 | 0:45:57 | |
No, it was never an infirmary. | 0:45:57 | 0:45:59 | |
Hospital was in the mediaeval sense of the word, meaning hospitality. | 0:45:59 | 0:46:03 | |
Built in 1475, this was an almshouse, | 0:46:03 | 0:46:07 | |
a home for the local poor, | 0:46:07 | 0:46:09 | |
many of whom were workers from nearby estates | 0:46:09 | 0:46:12 | |
who lost their tied cottages when they became too old or ill to work. | 0:46:12 | 0:46:16 | |
Who was the benefactor who set all this up? | 0:46:16 | 0:46:18 | |
William and Margaret Browne, who were very rich wool merchants. | 0:46:18 | 0:46:23 | |
The Brownes created a large endowment of land which brought | 0:46:23 | 0:46:26 | |
in an income and funded the hospital's work for many centuries. | 0:46:26 | 0:46:31 | |
This was the common room where the men lived, | 0:46:31 | 0:46:33 | |
and each man had a cubicle. | 0:46:33 | 0:46:36 | |
There were five cubicles down this side | 0:46:36 | 0:46:39 | |
and there were five cubicles down this side. | 0:46:39 | 0:46:41 | |
There were wooden partitions | 0:46:41 | 0:46:44 | |
giving each man his privacy | 0:46:44 | 0:46:47 | |
and here is a little model of how it would have been. | 0:46:47 | 0:46:50 | |
That is a fabulous building through there. What's that? | 0:46:50 | 0:46:53 | |
That's the chantry chapel. | 0:46:53 | 0:46:55 | |
Prayer was central to the lives of the men who lived here. | 0:46:55 | 0:46:58 | |
They had to pray for the souls of Margaret and William Browne | 0:46:58 | 0:47:02 | |
who had, by then, died | 0:47:02 | 0:47:05 | |
and also for King Henry VII and his queen, Elizabeth. | 0:47:05 | 0:47:10 | |
And there would be services in the chapel every day. | 0:47:10 | 0:47:13 | |
This is a glorious building, isn't it? | 0:47:13 | 0:47:16 | |
MONASTIC CHORAL MUSIC | 0:47:16 | 0:47:21 | |
So, what happened when it ceased to become an almshouse? | 0:47:21 | 0:47:23 | |
It's still an almshouse. Even now? Yes, we have 13 residents. | 0:47:23 | 0:47:27 | |
Incredibly, the hospital continues | 0:47:27 | 0:47:30 | |
in almost exactly its original function today, | 0:47:30 | 0:47:33 | |
over 500 years later. | 0:47:33 | 0:47:35 | |
Anyone who doesn't own property can apply to come and live here | 0:47:35 | 0:47:39 | |
at low cost and in a tranquil setting. | 0:47:39 | 0:47:43 | |
All of the residents are of retirement age | 0:47:43 | 0:47:45 | |
and there is a waiting list. | 0:47:45 | 0:47:48 | |
So, why do you think Browne did this? | 0:47:48 | 0:47:49 | |
Why did he, in 1475, why did he set all this up? | 0:47:49 | 0:47:53 | |
He was very concerned about people, and their welfare | 0:47:53 | 0:47:58 | |
and the welfare of people who had worked on his estate, probably. | 0:47:58 | 0:48:01 | |
So I've been thinking, what I'd better do, Pam, | 0:48:01 | 0:48:03 | |
is start behaving myself and actually get my name on that waiting list. | 0:48:03 | 0:48:07 | |
Maybe you should! | 0:48:07 | 0:48:09 | |
Behaving yourself, Philip? I'll believe that when I see it! | 0:48:09 | 0:48:13 | |
So, with thanks to Pam, Philip's leaving the hospital | 0:48:13 | 0:48:17 | |
to continue the good work it has been doing for so many centuries. | 0:48:17 | 0:48:20 | |
Thomas is nearby and is still looking for his last items, | 0:48:20 | 0:48:25 | |
helped by shop owner, Peter. | 0:48:25 | 0:48:27 | |
Hello, Thomas, Peter my name is, nice to meet you. | 0:48:27 | 0:48:30 | |
Couple of Meccanos out there. I like the Meccano. | 0:48:35 | 0:48:39 | |
Thomas is mad about toys and games and he's found yet another | 0:48:39 | 0:48:42 | |
playful item which might help him build up a profit. | 0:48:42 | 0:48:45 | |
I'll have a look in there. What's that? | 0:48:45 | 0:48:49 | |
The box of Meccano is priced up at ?48. | 0:48:49 | 0:48:52 | |
I quite like the look of the Meccano. | 0:48:52 | 0:48:55 | |
If we could work out what we can do on that. We could, yes. | 0:48:55 | 0:48:58 | |
I'm going to go looking. Do you mind? I'll take that up to the desk. | 0:48:58 | 0:49:01 | |
It's got quite a good look, sort of a Modernist table. | 0:49:07 | 0:49:12 | |
It's just quite shabby, isn't it? | 0:49:13 | 0:49:16 | |
It...certainly is! It says ?40 on the ticket. | 0:49:16 | 0:49:21 | |
Bit 1980s, isn't it? | 0:49:21 | 0:49:22 | |
The table belongs to dealer, Tina. | 0:49:22 | 0:49:25 | |
Hello, is this yours? Yes it is, yes. | 0:49:25 | 0:49:28 | |
It's very sort of '70s, '80s, isn't it? | 0:49:28 | 0:49:31 | |
Here I am on my knees. | 0:49:31 | 0:49:33 | |
I know, lovely. Quite! I've got a TV star on his knees, begging! | 0:49:33 | 0:49:39 | |
A TV star?! Where? | 0:49:39 | 0:49:41 | |
What sort of deal might Tina strike on the table? | 0:49:41 | 0:49:45 | |
I'm on my knees. I'm begging. ?20. | 0:49:45 | 0:49:47 | |
?20. I can't say fairer than that. ?20. Thank you very much. | 0:49:47 | 0:49:53 | |
Can I give you a kiss? Ooh! | 0:49:53 | 0:49:56 | |
Mwah! Mwah! Good work. | 0:49:56 | 0:49:57 | |
And Peter has now spoken to the dealer | 0:49:57 | 0:50:00 | |
who's selling the Meccano set, And what price might he offer? | 0:50:00 | 0:50:03 | |
Give it a whirl, and we could do it for 25. 25. | 0:50:03 | 0:50:08 | |
25 quid. | 0:50:08 | 0:50:10 | |
Well, I'll go down, I'll go down to 20. | 0:50:10 | 0:50:13 | |
I'll go for the Meccano. I like the Meccano. There's a lot here. | 0:50:13 | 0:50:16 | |
We'll go for that, and we will go for the table, so, 20 for that, | 0:50:16 | 0:50:19 | |
and 20 for that, ie ?40. | 0:50:19 | 0:50:21 | |
Now, Thomas, too, has all his lots for auction. | 0:50:21 | 0:50:24 | |
And he's off to meet Philip. | 0:50:24 | 0:50:26 | |
With all shopping completed, | 0:50:26 | 0:50:29 | |
let's see how our boys have spent their dosh. | 0:50:29 | 0:50:32 | |
Thomas started our with ?250.28 and spent ?158 on five lots. | 0:50:32 | 0:50:37 | |
He bought a set of medals, a buffalo paperweight, | 0:50:37 | 0:50:40 | |
a job lot of paste jewellery, an '80s mirrored table | 0:50:40 | 0:50:44 | |
and a collection of vintage board games and Meccano. | 0:50:44 | 0:50:47 | |
Philip started out with ?220.62 | 0:50:47 | 0:50:52 | |
and spent a total of ?125, also on five lots. | 0:50:52 | 0:50:55 | |
He bought two James Bond novels, | 0:50:55 | 0:50:59 | |
a wine rack, paired with some wooden bread trays, | 0:50:59 | 0:51:03 | |
a malt shovel, a collection of shooting accessories, | 0:51:03 | 0:51:06 | |
and a vaulting horse. Giddy-up! | 0:51:06 | 0:51:08 | |
So what do they make of each other's items? | 0:51:08 | 0:51:12 | |
It's all about the vaulting horse, isn't it? | 0:51:12 | 0:51:14 | |
Is it going to make a profit? Touch and go, touch and go. | 0:51:14 | 0:51:17 | |
I think that wine rack is his secret weapon. | 0:51:17 | 0:51:20 | |
That bloomin' sweet trolley he's bought, why on earth did he buy that? | 0:51:20 | 0:51:25 | |
The only thing that's missing off it is a Black Forest gateau. | 0:51:25 | 0:51:28 | |
Mmm! That sounds rather delicious. Mmm! Oh! | 0:51:28 | 0:51:32 | |
On this leg, the boys have driven over 150 miles | 0:51:32 | 0:51:35 | |
through the eastern English fenlands | 0:51:35 | 0:51:37 | |
to end up at their auction in Ely, Cambridgeshire. | 0:51:37 | 0:51:41 | |
The ancient city of Ely towers over the rich, | 0:51:41 | 0:51:44 | |
flat fenlands that surround it. | 0:51:44 | 0:51:47 | |
Work began on its magnificent cathedral in the 11th century. | 0:51:47 | 0:51:51 | |
There's Ely cathedral, straight ahead. | 0:51:51 | 0:51:54 | |
They're heading for Rowley Fine Art Auctioneers. | 0:51:54 | 0:51:57 | |
Auctioneer Will holds our lads' fate in his hands today. | 0:51:57 | 0:52:02 | |
First up, it's Thomas's bronze buffalo paperweight. | 0:52:02 | 0:52:06 | |
Will it run wild? | 0:52:06 | 0:52:07 | |
20, surely, to start me at 20. | 0:52:07 | 0:52:09 | |
10, I'm bid, at 10 only, 12, 15, 18, | 0:52:09 | 0:52:13 | |
20, 25, 25 I'm bid. Thank you. | 0:52:13 | 0:52:17 | |
Rounded up now, Mrs M, no? At 28 it is here. | 0:52:17 | 0:52:21 | |
All done, then, are you sure? At ?28 and selling! | 0:52:21 | 0:52:24 | |
That's like 180% profit. No, it's not. | 0:52:24 | 0:52:28 | |
Oh, yes, it is! | 0:52:28 | 0:52:29 | |
Really, really pleased for you(!) | 0:52:31 | 0:52:33 | |
Next, Philip's Bond books, sans dust jackets. | 0:52:34 | 0:52:38 | |
Might these prove a licence to print money? | 0:52:38 | 0:52:41 | |
20, then, start me for the two. At ?20. Grace any bookshelf. | 0:52:41 | 0:52:44 | |
?10, start me then, bid. | 0:52:44 | 0:52:46 | |
At 10, 12, 15, 18, 20, 22, 25, now, | 0:52:46 | 0:52:51 | |
at 25, who else is in? 28? | 0:52:51 | 0:52:55 | |
Right, elsewhere, it's 28. ?28 in the corner. One more might do it. | 0:52:55 | 0:52:58 | |
He works hard, Will. | 0:52:58 | 0:52:59 | |
All done, then, are you sure? Last chance, in the corner at 28. | 0:52:59 | 0:53:04 | |
28 seems to be a recurring theme here, doesn't it? | 0:53:04 | 0:53:07 | |
I just hope that it doesn't continue throughout the sale. | 0:53:07 | 0:53:10 | |
Indeed! But that sale is respectable, if not a killer. | 0:53:10 | 0:53:15 | |
Now, Thomas's medals | 0:53:16 | 0:53:18 | |
awarded by the Royal Antediluvian Order Of Buffaloes. | 0:53:18 | 0:53:21 | |
?50, would you start me for those, surely, 50, | 0:53:21 | 0:53:24 | |
for all the medals, surely. 30, then, start me, give me a wave. | 0:53:24 | 0:53:27 | |
At ?30, will you? Well 20, sir, thank you. | 0:53:27 | 0:53:31 | |
At ?20. ?20 is all I'm bid in the room. | 0:53:31 | 0:53:34 | |
At 20, 2, at 5, 28, 30, 5, 35, shake it the other way. | 0:53:34 | 0:53:38 | |
35 here, I'll take 8 if it helps. At ?35 and selling this time at 35... | 0:53:38 | 0:53:43 | |
Oh! Crushing. | 0:53:45 | 0:53:46 | |
A disappointing loss there for Thomas. | 0:53:46 | 0:53:49 | |
That's turned out quite nicely. | 0:53:49 | 0:53:51 | |
Yes(!) | 0:53:51 | 0:53:53 | |
But let's see if Philip's next lot might be in with a shot. | 0:53:53 | 0:53:56 | |
It's the collection of shooting accessories. | 0:53:56 | 0:53:59 | |
?30 for those, well, 20 to get on, if you must. | 0:53:59 | 0:54:02 | |
?20 for the shooting accessories. A tenner, then. | 0:54:02 | 0:54:06 | |
Have a look at me now, bid, at 10. 12, 15, 18. | 0:54:06 | 0:54:10 | |
You know what? You've doubled your money! And more. | 0:54:10 | 0:54:14 | |
At 15, are you all done? Trying me best here, at ?15. | 0:54:14 | 0:54:19 | |
A tidy profit on a well-hunted lot. | 0:54:19 | 0:54:22 | |
Thomas's paste jewellery is next to go under the hammer. | 0:54:24 | 0:54:27 | |
Will cut glass prove to be a boy's best friend? | 0:54:27 | 0:54:30 | |
I'm bid 30 here, ?30 I have. You bidding? At 35, 40, 45, 50. | 0:54:30 | 0:54:37 | |
Bids are in. One more might do it, five. At 55, it's in the room. | 0:54:37 | 0:54:40 | |
Well, only just. | 0:54:40 | 0:54:41 | |
55, 60, fresh blood. At ?60, left-handed now. | 0:54:41 | 0:54:44 | |
5, at 65, 70. | 0:54:44 | 0:54:47 | |
You know your jewellery, don't you? | 0:54:47 | 0:54:49 | |
At 75, at 80, 5, at 85, 90. | 0:54:49 | 0:54:55 | |
Before you at 90, can't see you, at 95. | 0:54:55 | 0:54:57 | |
Round it up now, 100 bid, at 100, left-handed at 100 now. | 0:54:57 | 0:55:01 | |
10 might do it, at 110. Yes? 110. At 110, I'm bid. | 0:55:01 | 0:55:06 | |
Last chance at 110. | 0:55:06 | 0:55:08 | |
That's done really well. That's put you in profit. It's all right. | 0:55:08 | 0:55:11 | |
I'm really, really, really pleased for... | 0:55:11 | 0:55:14 | |
THEY LAUGH | 0:55:14 | 0:55:15 | |
A gem of a profit there to Thomas. But can he repeat the trick | 0:55:15 | 0:55:18 | |
as his job lot of board games and Meccano enter play? | 0:55:18 | 0:55:22 | |
15 here with me at 15. I told you... | 0:55:22 | 0:55:24 | |
On the Meccano, at ?15, are we all done? 18 bid, the voice said 18 now. | 0:55:24 | 0:55:29 | |
At 18, my bid is out already at 18. Yes or no, I shan't dwell. At ?18... | 0:55:29 | 0:55:34 | |
Oh, no! That's not so bad then, is it? | 0:55:34 | 0:55:36 | |
THOMAS SIGHS | 0:55:36 | 0:55:37 | |
Oh, dear, oh, dear. | 0:55:37 | 0:55:40 | |
Can Philip's malt shovel do any better? | 0:55:41 | 0:55:44 | |
20 bid, at 20... Already there. | 0:55:44 | 0:55:46 | |
At ?20 I'm bid, on a maiden bid of 20. | 0:55:46 | 0:55:49 | |
I shall sell it then on a maiden bid at 20, | 0:55:49 | 0:55:51 | |
it's going to be, last chance... | 0:55:51 | 0:55:54 | |
?20. It's a fiver profit. | 0:55:54 | 0:55:56 | |
It manages to dig up a small profit. | 0:55:56 | 0:56:00 | |
Now the, er, "funky" occasional table? | 0:56:00 | 0:56:04 | |
?30 for it, surely, for you trendy, young things? | 0:56:04 | 0:56:07 | |
?20 then, start me for it. ?10 surely. Start me, ten, at 5. | 0:56:07 | 0:56:12 | |
Bid, at ?5, a bid of ?5. Are you all done, ladies and gentlemen? | 0:56:12 | 0:56:16 | |
It's here to be sold, make no mistake. At ?5, you all done? 129. | 0:56:16 | 0:56:21 | |
That's just sort of wound it back a bit, hasn't it? | 0:56:21 | 0:56:25 | |
It seems the crowd were no keener on it than Philip. | 0:56:25 | 0:56:29 | |
I'm not going to start crowing too soon, | 0:56:29 | 0:56:30 | |
because I could be there with you in a minute. | 0:56:30 | 0:56:33 | |
You're learning, Phil! | 0:56:33 | 0:56:34 | |
The enormous wine rack and bread trays are next. | 0:56:34 | 0:56:37 | |
?10 is all I'm bid, at ?12. | 0:56:37 | 0:56:40 | |
Elsewhere? At 12, 15, 18. | 0:56:40 | 0:56:43 | |
You're in profit, you're in profit! | 0:56:43 | 0:56:45 | |
22, can't see you, 25. At 25, the hammer is up at 25... | 0:56:45 | 0:56:50 | |
30! At 30. | 0:56:50 | 0:56:52 | |
Wow, I think! | 0:56:52 | 0:56:53 | |
Don't lose it for a bid, 40 bid. | 0:56:53 | 0:56:55 | |
At 40 bid, ?40, at ?40... | 0:56:55 | 0:57:00 | |
Philip earns a lip-smacking profit. | 0:57:00 | 0:57:02 | |
And now the very last lot - the vaulting horse. | 0:57:02 | 0:57:06 | |
Philip's great leap of faith. | 0:57:06 | 0:57:08 | |
?100 will it be for the vaulting horse? | 0:57:08 | 0:57:11 | |
?100 to start me? Well, ?50 then, a giggle from the back. | 0:57:11 | 0:57:14 | |
At ?50, start me for it, will you? At ?30, bid me. ?30 I'm bid. Ouch! | 0:57:14 | 0:57:22 | |
Still got a few legs. | 0:57:22 | 0:57:24 | |
At ?30, are you all done? I shan't dwell. At ?30. All done then at ?30. | 0:57:24 | 0:57:31 | |
No, no... Ouch! | 0:57:31 | 0:57:33 | |
And it lands face down on the gymnasium floor. Schplat! | 0:57:33 | 0:57:38 | |
There is a plus side to this. What? | 0:57:38 | 0:57:40 | |
The less it sells for, the less commission you have to give out. | 0:57:40 | 0:57:44 | |
I'm glad you can see the funny side, old boy. Ha-ha! | 0:57:44 | 0:57:47 | |
Philip began this leg with ?220.62 | 0:57:47 | 0:57:51 | |
and thanks to the vaulting horse and auction costs, | 0:57:51 | 0:57:55 | |
he made a stinging loss of ?15.94, | 0:57:55 | 0:57:58 | |
putting him almost back where he started with ?204.68. | 0:57:58 | 0:58:04 | |
Thomas, on the other hand, began today with ?250.28. | 0:58:04 | 0:58:08 | |
After paying costs, he squeaked a less than glorious profit | 0:58:08 | 0:58:12 | |
of ?1.92, finishing this leg with ?252.20. | 0:58:12 | 0:58:20 | |
And making him today's winner! | 0:58:20 | 0:58:23 | |
That was a great day, wasn't it? | 0:58:23 | 0:58:25 | |
Great day. Great day for you. | 0:58:25 | 0:58:27 | |
Great day for you, because you could've lost a lot more! | 0:58:27 | 0:58:30 | |
To the Stag, and away to the next bout. | 0:58:30 | 0:58:33 | |
ENGINE REVS | 0:58:33 | 0:58:35 |