Browse content similar to Episode 10. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's the nation's favourite antiques experts with £200 each... | 0:00:02 | 0:00:05 | |
-I love that! -..a classic car and a goal, to scour Britain for antiques. | 0:00:05 | 0:00:11 | |
-Yipee! -My heart's slightly racing. | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:21 | |
Evening all! | 0:00:21 | 0:00:23 | |
So will it be the high road to glory, or the slow road to disaster? | 0:00:23 | 0:00:27 | |
Jonny, are we going to end up in a dead end? | 0:00:27 | 0:00:30 | |
This is the Antiques Road Trip! | 0:00:30 | 0:00:32 | |
Yeah! | 0:00:33 | 0:00:35 | |
SKA VERSION OF BOND THEME PLAYS | 0:00:35 | 0:00:39 | |
It's the penultimate leg of our jaunt in a little 1964 MG | 0:00:39 | 0:00:44 | |
with Jonathan Pratt and Anita Manning. | 0:00:44 | 0:00:47 | |
It's been quite a thriller! | 0:00:50 | 0:00:52 | |
Jonathan, going to be very careful here. We're very near the edge. | 0:00:52 | 0:00:57 | |
-And it's a long way down! -This is not Monte Carlo. | 0:00:57 | 0:01:01 | |
I'm getting vertigo. | 0:01:01 | 0:01:03 | |
En garde! | 0:01:04 | 0:01:06 | |
Auctioneer Anita, let's just call her Miss Moneypenny... | 0:01:06 | 0:01:10 | |
Broom! Broom! Broom-broom! | 0:01:10 | 0:01:11 | |
Has been setting the pace all week with her "auction man" rival, | 0:01:11 | 0:01:16 | |
the slightly clumsy Johnny English, | 0:01:16 | 0:01:19 | |
who's shaken but rarely stirred. | 0:01:19 | 0:01:22 | |
Yes, you look lovely! | 0:01:22 | 0:01:24 | |
But although diamonds are forever, | 0:01:24 | 0:01:26 | |
in this business, you're only as good as your last assignment. | 0:01:26 | 0:01:30 | |
You bought the boring old brown furniture and I bought a lot of rubbish. | 0:01:30 | 0:01:35 | |
-THEY BOTH LAUGH Yeah, that's true! -And we both lost! | 0:01:35 | 0:01:38 | |
OK, things could be better. | 0:01:38 | 0:01:41 | |
But they're heading in the right direction. | 0:01:41 | 0:01:43 | |
Jonathan began with £200 | 0:01:43 | 0:01:46 | |
and he's so far managed to turn that into £370.39. That's not bad! | 0:01:46 | 0:01:51 | |
Anita, who also started out with £200, | 0:01:51 | 0:01:55 | |
now has an even more respectable £420.41. | 0:01:55 | 0:02:00 | |
Oh, no! It's raining again! | 0:02:00 | 0:02:02 | |
-You've got your hood up now, Jonny! -Oh, yeah! | 0:02:02 | 0:02:05 | |
The thing about hats is, it causes your hair to fall in a certain pattern for the rest of the day. | 0:02:05 | 0:02:10 | |
-You're a big sissy! -Yeah, I know. | 0:02:10 | 0:02:14 | |
Anita and Jonathan are travelling over 400 miles, | 0:02:16 | 0:02:18 | |
through Scotland, England and Wales, | 0:02:18 | 0:02:21 | |
From Glasgow all the way to Llangefni on the Isle of Anglesey. | 0:02:21 | 0:02:25 | |
We're starting out at Hebden Bridge in Yorkshire, | 0:02:27 | 0:02:30 | |
heading for an auction at Mold in Flintshire, North Wales. | 0:02:30 | 0:02:35 | |
Hebden Bridge is a lovely old town in the valley | 0:02:36 | 0:02:39 | |
and was once full of mills, weaving the wool from the hills around and about. | 0:02:39 | 0:02:44 | |
It was known as Trouser Town. | 0:02:44 | 0:02:46 | |
Jonny, we're both in the same place this morning. | 0:02:46 | 0:02:49 | |
-Mm. -I don't want you following me around. -Oh! | 0:02:49 | 0:02:52 | |
You'll be following me around. | 0:02:52 | 0:02:54 | |
Jonathan's first to get stuck into the cabinets. | 0:02:59 | 0:03:03 | |
After the bad result I had last time, | 0:03:06 | 0:03:09 | |
I'm going to try and go for jewellery and silver and little objects. | 0:03:09 | 0:03:12 | |
Mm! Interesting. Upstairs, Anita seems to have an entirely different tactic. | 0:03:12 | 0:03:18 | |
I quite like this. | 0:03:18 | 0:03:20 | |
It's from the 1930s. Magazine rack. | 0:03:23 | 0:03:26 | |
And it's got this lovely carved handle here | 0:03:26 | 0:03:31 | |
and the carved sections. | 0:03:31 | 0:03:34 | |
Now, that's so reminiscent of the Art Deco period, | 0:03:34 | 0:03:37 | |
where you have these circular, sympathetic shapes. | 0:03:37 | 0:03:41 | |
It's functional. People will like that. | 0:03:41 | 0:03:44 | |
And it's got a dog there and I know that people do like dogs. | 0:03:44 | 0:03:49 | |
So I've got three sort of good elements there. | 0:03:49 | 0:03:52 | |
I doubt she'll be so enthusiastic about it in front of the dealer, Steve, though! | 0:03:52 | 0:03:56 | |
The ticket price is £22. Stand by. | 0:03:56 | 0:03:59 | |
-It's not the greatest of quality. I think this is just plywood. -I think it is, yes. | 0:03:59 | 0:04:05 | |
-But quite a nice, clean, wee, functional item. -Yes. | 0:04:05 | 0:04:08 | |
It would appeal to dog owners. Do you think that is a Welsh wolfhound? | 0:04:08 | 0:04:13 | |
I'm not too up on dogs, but, er, probably. | 0:04:13 | 0:04:16 | |
-ANITA LAUGHS -You're a great salesman! | 0:04:16 | 0:04:19 | |
Yeah, looks more like an unusually vicious labrador to me. | 0:04:19 | 0:04:23 | |
I'd be looking to pay in the region of £10, £12. | 0:04:23 | 0:04:27 | |
Well, we could do it for £12. | 0:04:27 | 0:04:30 | |
-£12? -Yes. -I think that's a good buy for 12. | 0:04:30 | 0:04:34 | |
-It's a deal. Lovely! Do you think I'll make a profit? -I'm sure there will be. | 0:04:34 | 0:04:38 | |
-Definitely. -Come on, Fido. | 0:04:38 | 0:04:40 | |
Now how's our jewellery hound? Is he on the scent yet? | 0:04:41 | 0:04:46 | |
This is a gold and zircon ring. | 0:04:46 | 0:04:49 | |
This is the problem with jewellery - | 0:04:51 | 0:04:53 | |
it takes absolutely forever to be sure what you're looking at. | 0:04:53 | 0:04:58 | |
Zircon's a natural stone. | 0:04:58 | 0:05:01 | |
But it's very, very obvious what it is on a big stone. | 0:05:01 | 0:05:05 | |
But on a small stone, it's much harder to tell. | 0:05:05 | 0:05:07 | |
Zircon can occur in a variety of shades | 0:05:07 | 0:05:10 | |
and the colourless stones can be good, cheaper substitutes for diamonds. | 0:05:10 | 0:05:15 | |
And you've got a 9-carat gold ring with a cluster of zircons. | 0:05:15 | 0:05:18 | |
It's worth a punt because it's quite a pretty little cluster ring. | 0:05:18 | 0:05:21 | |
The price on the box is... | 0:05:21 | 0:05:24 | |
£32. | 0:05:24 | 0:05:26 | |
Anything else? | 0:05:26 | 0:05:27 | |
This is a gold stick pin. | 0:05:27 | 0:05:31 | |
It could be rolled gold. It's quite pretty. | 0:05:31 | 0:05:34 | |
A little squirrel. | 0:05:34 | 0:05:36 | |
He's got a little nut in his hand which is a little seed pearl. | 0:05:36 | 0:05:41 | |
On with the squirrel! What-ho, old bean! | 0:05:42 | 0:05:46 | |
It's rather cute, isn't it? Don't you think? | 0:05:46 | 0:05:48 | |
-If you say so, JP. -Maybe not. | 0:05:48 | 0:05:50 | |
I wonder if dealer Trish will be impressed. | 0:05:50 | 0:05:52 | |
So I was wondering if you'd do the two together, perhaps for £20? | 0:05:52 | 0:05:56 | |
-So it's a total of 40. -Mm. -32 and 8. | 0:05:56 | 0:06:00 | |
The two of them for 32 would be all right. | 0:06:00 | 0:06:03 | |
-Nice and easy! I'll take that. Thank you very much. -You're welcome. | 0:06:03 | 0:06:08 | |
Very happy with that. | 0:06:08 | 0:06:09 | |
And he's sticking with jewellery, as he finds something else. | 0:06:09 | 0:06:14 | |
I rather like this little chap here. | 0:06:14 | 0:06:17 | |
It's just a nice little Victorian wheelbarrow. | 0:06:17 | 0:06:20 | |
It's a late 19th-century, silver-plated, | 0:06:20 | 0:06:25 | |
novelty. | 0:06:25 | 0:06:27 | |
It probably is a salt cellar. | 0:06:27 | 0:06:29 | |
It probably started off life with a glass liner perhaps | 0:06:29 | 0:06:33 | |
and the quality of the details - I think the little screw heads are a nice little touch. | 0:06:33 | 0:06:38 | |
You can see the lines are nice and dark, which is where the silver coating has tarnished, | 0:06:38 | 0:06:44 | |
and it's been left buried in the corners. | 0:06:44 | 0:06:47 | |
You can't fake that. It can't be done just like that. It certainly gives it the age. | 0:06:47 | 0:06:52 | |
I like that a lot. | 0:06:52 | 0:06:53 | |
Ha! At £55, it's over to you, Trish. | 0:06:53 | 0:06:55 | |
-It's got style about it. If it was silver, it would be hundreds of pounds anyway. -It's a one-off. | 0:06:55 | 0:07:00 | |
So what's the best on that? Would you do 40? | 0:07:00 | 0:07:03 | |
-Erm... I think 40's a little bit low for me. -42? | 0:07:03 | 0:07:07 | |
-Yeah, let's stick with the twos and say 42. -42. | 0:07:08 | 0:07:12 | |
OK. Och, I'm on fire this morning! £42! | 0:07:12 | 0:07:15 | |
-Oh, Lordy! Are you really? -Thank you very much. | 0:07:15 | 0:07:17 | |
Well, he's certainly come over all decisive today. | 0:07:17 | 0:07:21 | |
Tactical, too, it seems! | 0:07:21 | 0:07:24 | |
I'm going to stick to small things and quite simply buy five objects that I could fit into my pockets. | 0:07:24 | 0:07:29 | |
Really?! Oh, it looks like Anita's finally got her hands on some smalls! Ha! | 0:07:29 | 0:07:34 | |
-Is this your cabinet? -It is, yes. | 0:07:34 | 0:07:36 | |
Look at this little pencil here. | 0:07:36 | 0:07:39 | |
This little propelling pencil and the lid is still there. | 0:07:39 | 0:07:42 | |
Now, that would fit in a pocket. | 0:07:42 | 0:07:45 | |
9-carat. | 0:07:45 | 0:07:47 | |
It's quite plain and it's quite straight forward. | 0:07:47 | 0:07:50 | |
I also like the fact that it's made by Sampson Mordan & Company. | 0:07:50 | 0:07:56 | |
Sampson Mordan filed the first patent for a mechanical pencil in 1822. | 0:07:56 | 0:08:02 | |
And the family company continued to manufacture highly collectable items | 0:08:02 | 0:08:06 | |
until 1941, when their London factory was destroyed in the Blitz. | 0:08:06 | 0:08:10 | |
-56. Can you come down a bit from there? -What were you thinking of? | 0:08:11 | 0:08:17 | |
In the region of 30. | 0:08:17 | 0:08:19 | |
-I could go to 40. -Could you go to 40? | 0:08:19 | 0:08:21 | |
-Are happy with that? -40 would be the best, yes. -OK, thank you. | 0:08:21 | 0:08:24 | |
Right. Time for our pair to hit the road. | 0:08:25 | 0:08:28 | |
They're travelling from Hebden Bridge across the border to Burnley, | 0:08:30 | 0:08:34 | |
in Lancashire. | 0:08:34 | 0:08:36 | |
The two mill towns, just 15 miles apart, have quite a lot in common. | 0:08:38 | 0:08:43 | |
In fact, they were once both linked by a pack-horse route, | 0:08:43 | 0:08:47 | |
although, nowadays, most people prefer the A646. | 0:08:47 | 0:08:50 | |
Time for Jonathan to go solo. | 0:08:52 | 0:08:55 | |
-Have a nice time! -Have fun, too. -Spend lots. -Thank you. | 0:08:55 | 0:08:59 | |
Well, with some 9,000 square feet of space, they certainly think big round here. | 0:09:00 | 0:09:07 | |
Who on Earth would buy that? My word! | 0:09:07 | 0:09:10 | |
How about Phil Serrell? | 0:09:10 | 0:09:12 | |
This is the Perfect Fit, Form-O-Matic Dress Form. | 0:09:14 | 0:09:18 | |
Eh! | 0:09:18 | 0:09:19 | |
I should watch where I put my hands, actually. Erm... | 0:09:19 | 0:09:21 | |
Steady! | 0:09:21 | 0:09:22 | |
-This is quite fun, actually. I quite like this. -Do you like it? | 0:09:22 | 0:09:25 | |
-I suppose this is for dresses and things? -Yeah, you're right! | 0:09:25 | 0:09:28 | |
You just pull these pins out and then twist from behind. | 0:09:28 | 0:09:32 | |
Like so. | 0:09:33 | 0:09:35 | |
And then you can adjust it accordingly. | 0:09:35 | 0:09:38 | |
It's unusual. I can't say I've come across one before. It's quirky. | 0:09:38 | 0:09:42 | |
It sort of conjures up the nostalgia of the 1950s. | 0:09:42 | 0:09:45 | |
Hang on! You'll never get THAT in your pocket, lad. | 0:09:45 | 0:09:48 | |
It was not really what I was looking to put my money into. £65. | 0:09:48 | 0:09:52 | |
It does seem a little steep for me. What would you sell this for? | 0:09:52 | 0:09:56 | |
-Mm, for you, special customer, £40. -£40. -That's a real bargain, trust me. | 0:09:56 | 0:10:01 | |
-I'll have to take her waist in a bit. -Oh, yeah! Depends how you like your ladies! | 0:10:01 | 0:10:07 | |
I think he's smitten. Who wouldn't be? | 0:10:07 | 0:10:11 | |
-How about £30? -32. How's that for you? -Oooh... | 0:10:11 | 0:10:16 | |
Do we have a deal, Jonathan? Come on. You know you want to. | 0:10:16 | 0:10:19 | |
-£32. Do you know what? Why not? OK. -OK. -Thank you very much. | 0:10:19 | 0:10:23 | |
-It's yours. -Thank you. | 0:10:23 | 0:10:25 | |
Ha! Don't they make a lovely couple? | 0:10:25 | 0:10:27 | |
Jonathan and Anita are back together again. | 0:10:29 | 0:10:33 | |
They're on their way to Darwen in Lancashire. | 0:10:33 | 0:10:37 | |
Er, Jonny, just in here to the right. | 0:10:39 | 0:10:42 | |
-Aladdin's Cave. -Aladdin's Cave. Is he a lad in a cave? | 0:10:42 | 0:10:45 | |
-Is that what he is? -Well, he's a bit of a lad! | 0:10:45 | 0:10:48 | |
-Is he a genie? -Aye, he's a genie! -THEY LAUGH | 0:10:48 | 0:10:51 | |
Interesting, yes? | 0:10:51 | 0:10:54 | |
-It's interesting, yes. -Ah, hello! | 0:10:54 | 0:10:57 | |
-Hi, Steven. I had such a good time the last time that I brought Jonny along. -Great. Nice to meet you. | 0:10:57 | 0:11:02 | |
Ah, old chums, eh? This could be interesting. | 0:11:02 | 0:11:06 | |
Well, the name of this place certainly fits, | 0:11:06 | 0:11:08 | |
although I have seen caves arranged with a little more care and attention. | 0:11:08 | 0:11:13 | |
Our Anita is first to grab dealer Steven. | 0:11:13 | 0:11:17 | |
Come on. You help me to get a bargain. | 0:11:17 | 0:11:20 | |
..and is hoping to make familiarity count. | 0:11:20 | 0:11:24 | |
I think that's so sweet. | 0:11:24 | 0:11:26 | |
It's a little country...cot. | 0:11:26 | 0:11:30 | |
-A little rocker. -Nice old paint inside. | 0:11:30 | 0:11:34 | |
-Yeah! That's the original stuff, isn't it? -I think it is, yeah. -Yeah. | 0:11:34 | 0:11:38 | |
-Nice colour as well. -How old do we think this is? | 0:11:38 | 0:11:42 | |
-I think about 1870, 1880. I don't know. What do you think? -A-ha. | 0:11:42 | 0:11:46 | |
-Probably made by the...? -The father. I think the father would have made it | 0:11:46 | 0:11:50 | |
when the mother gave birth, for the baby. | 0:11:50 | 0:11:53 | |
-A big baby. -Tall baby. Plenty of room to grow! -Plenty of room to grow, yeah! | 0:11:53 | 0:11:58 | |
I like this. I like this, Steven. | 0:11:58 | 0:12:01 | |
I would hope it would be the type of thing that would appeal within a rural community. | 0:12:01 | 0:12:06 | |
Not that you'd put a baby in it these days, but you could put plants | 0:12:06 | 0:12:10 | |
or teddies or whatever. | 0:12:10 | 0:12:13 | |
-How much is this, Steven? -I'd like about 110. -Right. | 0:12:13 | 0:12:17 | |
What's the very best that you can do on that? | 0:12:17 | 0:12:20 | |
Erm... | 0:12:20 | 0:12:22 | |
-Oh, I'd better sit down, hadn't I? -HE LAUGHS | 0:12:23 | 0:12:26 | |
-90! -I'll hold your hand. -90! 90! | 0:12:26 | 0:12:30 | |
What's the very, very, very, very def on it? | 0:12:30 | 0:12:33 | |
75. | 0:12:33 | 0:12:35 | |
-75? -75. -It's a deal on that. | 0:12:35 | 0:12:38 | |
So Anita's the proud owner of some brown furniture and Jonathan found himself a cabinet. | 0:12:38 | 0:12:44 | |
L-E-T-T-E-R. | 0:12:44 | 0:12:47 | |
You'd really want it to say "toast". That's the thing! | 0:12:47 | 0:12:50 | |
Cos people don't really have letter racks any more. | 0:12:50 | 0:12:52 | |
How old is it? Not very, probably. | 0:12:52 | 0:12:56 | |
You'd like to think it was early 20th century. The quality's there. | 0:12:56 | 0:12:59 | |
But is it silver? | 0:12:59 | 0:13:02 | |
It's almost like it's... It is silver. Can't be. | 0:13:03 | 0:13:07 | |
It's too stiff. | 0:13:07 | 0:13:09 | |
The ticket price is £59. | 0:13:09 | 0:13:11 | |
It almost has a homemade feel about it. | 0:13:11 | 0:13:14 | |
-Yeah, I thought that. It's an interesting piece. -A bit of fun. | 0:13:14 | 0:13:17 | |
-"Letter" for a letter rack. -Yeah. It might be 60 years old. | 0:13:17 | 0:13:20 | |
-40? -I was thinking more like 20. STEVEN LAUGHS | 0:13:20 | 0:13:24 | |
-I'll split the difference with you. 30. -OK, right. | 0:13:24 | 0:13:27 | |
30 quid, that's your very best? | 0:13:27 | 0:13:29 | |
Er... We'll come to some agreement. | 0:13:29 | 0:13:32 | |
And Jonathan asks Steven about something rather interesting. | 0:13:32 | 0:13:36 | |
-You could have probably sold this a million times, cos it's there in front of you. -Yeah. | 0:13:36 | 0:13:40 | |
-It's a fabulous piece, I think. It's hand painted. -It's on wood. | 0:13:40 | 0:13:45 | |
Yeah, a lot of people wanted that over the years. I've had it a few years now. | 0:13:45 | 0:13:49 | |
-It's a smart thing. -200 for that. | 0:13:49 | 0:13:51 | |
-Don't step backwards, by the way. -Yeah! Yeah! | 0:13:51 | 0:13:55 | |
That would be TV gold, wouldn't it? | 0:13:55 | 0:13:58 | |
Phew! That was close, Jonathan. | 0:13:58 | 0:14:00 | |
You wouldn't take 150 for it, would you? | 0:14:00 | 0:14:03 | |
Go on! Right, OK. | 0:14:03 | 0:14:05 | |
-Grieves me much, but... -I'm going to shake your hand on that one. | 0:14:05 | 0:14:09 | |
-I think it's fantastic. Thanks. You'll do well with that. -Brilliant! | 0:14:09 | 0:14:13 | |
What about a little chaser? | 0:14:13 | 0:14:15 | |
-The letter rack, you'd do for what? -30. -OK. | 0:14:15 | 0:14:18 | |
I'll go for that. And then I'm absolutely finished shopping. | 0:14:18 | 0:14:21 | |
-I may as well pay you now. -Yeah. please! And clear off! | 0:14:21 | 0:14:24 | |
Well, he's certainly got a lotta bottle. | 0:14:24 | 0:14:27 | |
You're free to go and try and fleece Anita now. | 0:14:27 | 0:14:30 | |
See if you can get as much as you can out of her. Thank you very much. | 0:14:30 | 0:14:33 | |
Steven! | 0:14:33 | 0:14:34 | |
Was that a cry for assistance? | 0:14:34 | 0:14:36 | |
-Steven! -Hello, Anita! | 0:14:36 | 0:14:38 | |
Steven! Steven! Wherefore art thou? | 0:14:38 | 0:14:41 | |
-I've found something up here which you might be dying to get rid of. -Oh, I hope so! | 0:14:41 | 0:14:45 | |
I'll come up now. | 0:14:45 | 0:14:48 | |
-I found this big dud of gnarled wood. -It's a root. | 0:14:48 | 0:14:53 | |
-It's a root? -Yeah. -It's a root, a-ha. | 0:14:53 | 0:14:56 | |
It's a wonderful piece of natural art. | 0:14:56 | 0:14:59 | |
-So it's taking an enormous amount of space up... -Yes. -..in your warehouse. | 0:14:59 | 0:15:04 | |
-But I have had it a while. -You've had it for years? | 0:15:04 | 0:15:07 | |
-Er, a couple of years perhaps. -ANITA LAUGHS | 0:15:07 | 0:15:11 | |
-I am willing and happy to take it off your hands... -Oh, that's great. | 0:15:11 | 0:15:16 | |
-..for a tenner! -Oh, oh! Oh, I couldn't. | 0:15:16 | 0:15:19 | |
-I couldn't. -You couldn't do it for a tenner? -I'll sell it, for a huge loss, for 40. | 0:15:19 | 0:15:24 | |
-Every day it's sitting here, it's costing you money. -Yes. | 0:15:24 | 0:15:28 | |
It was a twig when it first got there! | 0:15:28 | 0:15:30 | |
LAUGHTER | 0:15:30 | 0:15:32 | |
-And I'm willing to take it off your hands for a tenner! -Ooh! | 0:15:32 | 0:15:36 | |
It's a bit like chopping away at a tree, this. | 0:15:36 | 0:15:39 | |
-40, that's a good price, really. -40?! -40! | 0:15:39 | 0:15:42 | |
-Steven, it might not even get a bid. -25 then. | 0:15:42 | 0:15:45 | |
Will you let me take it off your hands for £10? | 0:15:45 | 0:15:48 | |
Could this be TIMBER! | 0:15:48 | 0:15:50 | |
-Why not? -Oh! | 0:15:50 | 0:15:52 | |
Thank you very much. Are you happy that I'm taking if off your hands? | 0:15:52 | 0:15:56 | |
I have mixed feelings, really, mixed! | 0:15:56 | 0:15:59 | |
LAUGHTER | 0:15:59 | 0:16:00 | |
Bye-bye Aladdin's Cave! | 0:16:02 | 0:16:04 | |
That was a fruitful bit of shopping. | 0:16:05 | 0:16:08 | |
Now it's time for Jonathan to leave Darwen and get down to St Helens. | 0:16:09 | 0:16:15 | |
The fortunes of this town were built upon coal | 0:16:18 | 0:16:21 | |
and on the heavy industry that needed that fuel. | 0:16:21 | 0:16:24 | |
Nowadays, the talk in St Helens is all about regeneration | 0:16:24 | 0:16:27 | |
and this giant sculpture stands on the site of the last colliery. | 0:16:27 | 0:16:31 | |
But the town still makes glass and has done for almost 300 years. | 0:16:33 | 0:16:37 | |
-HE LAUGHS -This is an amazing building. | 0:16:40 | 0:16:42 | |
Hi, Jonathan. I'm Hannah, the curator. Welcome to the World of Glass. | 0:16:42 | 0:16:47 | |
The entrance of the World of Glass museum is a replica of the huge furnace | 0:16:47 | 0:16:51 | |
located elsewhere on the site. | 0:16:51 | 0:16:54 | |
It was constructed by William Windle Pilkington | 0:16:55 | 0:16:58 | |
for the around-the-clock manufacture of glass. | 0:16:58 | 0:17:01 | |
Pilkington based its HQ here in St Helens back in 1826 | 0:17:01 | 0:17:06 | |
because of the raw materials and skills located here. | 0:17:06 | 0:17:10 | |
But as the exhibits show, the story of glass is much, much older. | 0:17:10 | 0:17:15 | |
This is the Glass Roots gallery with the Pilkington collection. | 0:17:15 | 0:17:19 | |
3,000 years' worth of glass. | 0:17:19 | 0:17:20 | |
I know they discovered glass when lightning hit sand. | 0:17:20 | 0:17:23 | |
-And you get what they call angels' tears, or something. -That's right. | 0:17:23 | 0:17:27 | |
And it's little globules of natural glass and they took it from that. | 0:17:27 | 0:17:32 | |
-This is a Roman piece. -Isn't that fab? | 0:17:32 | 0:17:36 | |
-The Romans invented glass blowing in the 1st Century AD. -Yep. | 0:17:36 | 0:17:41 | |
-That's wonderful. 2,000 years old, or thereabouts. -Yes. | 0:17:41 | 0:17:44 | |
Also in the collection are hugely valuable pieces by some of the great glass designers, | 0:17:44 | 0:17:50 | |
like Rene Lalique and this cameo glass by the British manufacturer Thomas Webb and Sons. | 0:17:50 | 0:17:55 | |
I mean, I absolutely adore that. I think that is such an amazing piece. Absolute skilled work. | 0:17:57 | 0:18:03 | |
Although designers like George Woodall took etching and carving | 0:18:03 | 0:18:08 | |
through fused layers of glass to new heights, | 0:18:08 | 0:18:10 | |
it was, essentially, a Roman technique. | 0:18:10 | 0:18:14 | |
Pilkington pioneered the industrialisation of glass manufacture, | 0:18:17 | 0:18:21 | |
but the basic method remains roughly the same. | 0:18:21 | 0:18:24 | |
In the hot-glass studio, you can see the ancient craft in action. | 0:18:24 | 0:18:28 | |
-That's so clever. I've never seen it done before. -Oh, right! | 0:18:29 | 0:18:32 | |
OK, and it happened instantly. | 0:18:33 | 0:18:35 | |
-So centrifugal force is pulling it down. -Wow! That's amazing. | 0:18:35 | 0:18:39 | |
You quite simply just bring it out, spin it and let gravity do its work. | 0:18:39 | 0:18:43 | |
Magnificent. | 0:18:45 | 0:18:46 | |
Very clever. | 0:18:47 | 0:18:49 | |
-That's lovely. Isn't that lovely? -Would you like to have a go? | 0:18:49 | 0:18:52 | |
-What me?! -Yes! | 0:18:52 | 0:18:53 | |
-Oh, no! Er... I can try. -Yes. -All right. | 0:18:53 | 0:18:57 | |
Oh, I see. Right. | 0:18:59 | 0:19:01 | |
Just very gently breathe down the end there. | 0:19:01 | 0:19:03 | |
Don't suck whatever you do, Jonathan! | 0:19:05 | 0:19:08 | |
-Wooh! -Wow! | 0:19:08 | 0:19:10 | |
Oh, it's a light bulb. I've invented the light bulb. | 0:19:10 | 0:19:13 | |
Ha! Not bad, but I don't think they'll be displaying your work | 0:19:13 | 0:19:17 | |
alongside the greats just yet. | 0:19:17 | 0:19:20 | |
But while Jonathan's been getting all creative, | 0:19:20 | 0:19:23 | |
Anita's anxious to finish off her shopping | 0:19:23 | 0:19:26 | |
and is making her way from Darwen over to Ormskirk. | 0:19:26 | 0:19:31 | |
-Hello, Alan. -Hello. -I'm Anita. It's lovely to be here. | 0:19:33 | 0:19:37 | |
Typically, Anita has her eye on something very buyable, although hardly a classic. | 0:19:37 | 0:19:43 | |
-It's rather a strange, wee box. -Yes. It's been made in the Far East within the last five or six years. | 0:19:43 | 0:19:49 | |
We have these little geometric squares here. | 0:19:49 | 0:19:52 | |
-I like the fact that it's been hand done. -Yes, it has, with a chisel. | 0:19:52 | 0:19:55 | |
-You can use it as a little stationery box or a sewing box. -Yes. | 0:19:55 | 0:19:59 | |
Put a little lock on that, you could use it for your love letters. | 0:19:59 | 0:20:04 | |
Yes! Good! | 0:20:04 | 0:20:06 | |
You've got £15 on it. It's not a lot of money. | 0:20:06 | 0:20:09 | |
I would like to be buying it for in the region of ten. | 0:20:09 | 0:20:13 | |
-Is that at all possible? -Let's do a deal at ten. -OK. | 0:20:13 | 0:20:15 | |
-That's lovely. Thank you very much, Alan. -You're welcome. | 0:20:15 | 0:20:18 | |
It was a pleasure doing business. | 0:20:18 | 0:20:20 | |
Good work, young lady! | 0:20:20 | 0:20:21 | |
And here's a reminder of this leg's shopping. | 0:20:21 | 0:20:25 | |
Anita started out with £420.41 | 0:20:25 | 0:20:28 | |
and she spent £147 of it on five auction lots. | 0:20:28 | 0:20:32 | |
Jonathan began with £370.39 | 0:20:33 | 0:20:37 | |
and he spent £286, also on five auction lots. | 0:20:37 | 0:20:42 | |
Come on, you two. Spill it. | 0:20:42 | 0:20:44 | |
Tell us what you really think of one another's stuff. | 0:20:44 | 0:20:48 | |
The Sampson Mordan gold pen is an absolute steal. | 0:20:48 | 0:20:51 | |
She'll double her money that, for sure. | 0:20:51 | 0:20:53 | |
But she's bought a tree. Totally out of character! | 0:20:53 | 0:20:56 | |
She might get £15, but how many people will be willing to pay it? | 0:20:56 | 0:20:59 | |
I love Jonathan's items. | 0:20:59 | 0:21:02 | |
I think he's let his feminine side lead him this time. Apart from the big bottle of whisky, of course. | 0:21:02 | 0:21:08 | |
I think he might beat me this time! | 0:21:08 | 0:21:10 | |
After starting out in the Pennines at Hebden Bridge, | 0:21:10 | 0:21:14 | |
this leg of our journey concludes in North Wales | 0:21:14 | 0:21:17 | |
at an auction in Mold. | 0:21:17 | 0:21:20 | |
Is this going to be your day, Jonny? Are you going to win today? | 0:21:20 | 0:21:23 | |
Oh, I'd like to think so, but who knows, who knows? | 0:21:23 | 0:21:26 | |
Hello! | 0:21:26 | 0:21:27 | |
We're at Dodds Auctioneers | 0:21:27 | 0:21:29 | |
and Anthony Parry is in charge of proceedings today. | 0:21:29 | 0:21:33 | |
Oooh! | 0:21:34 | 0:21:36 | |
-Right. -Are you nervous, Jonny? -Yes, I am nervous. | 0:21:36 | 0:21:38 | |
Pull yourself together then. You're up first. | 0:21:38 | 0:21:42 | |
Starting off, we have Jonathan's silvery letter rack. | 0:21:42 | 0:21:47 | |
10 I've got. £10. 10. 15. 15. | 0:21:47 | 0:21:50 | |
20. 25. 25's up the room. 25. | 0:21:50 | 0:21:53 | |
-Do we have 30 anywhere else? -26! -26. | 0:21:53 | 0:21:57 | |
28. | 0:21:57 | 0:21:58 | |
32. | 0:21:58 | 0:21:59 | |
-Come on! Come on! -All done at £32? | 0:21:59 | 0:22:02 | |
-It washed its face, as they say. -It washed its face. | 0:22:02 | 0:22:05 | |
-Well, -I -say, actually, but a loss after commission. | 0:22:05 | 0:22:08 | |
What will Mold make of his wheelbarrow? | 0:22:08 | 0:22:12 | |
This is a rural area. People love their gardens. | 0:22:12 | 0:22:15 | |
They've got lots of wheelbarrows, these guys, but none that small! | 0:22:15 | 0:22:18 | |
£10. 10. 10. £10. | 0:22:18 | 0:22:21 | |
12. 14. 16. | 0:22:21 | 0:22:23 | |
18. 20. | 0:22:23 | 0:22:26 | |
22. | 0:22:26 | 0:22:27 | |
Well, you heard him say, "One more." So he won't go another! | 0:22:27 | 0:22:31 | |
22. 24. | 0:22:31 | 0:22:33 | |
24... There you are. He said, "No." 24. 25. | 0:22:33 | 0:22:36 | |
-25. -Go on! -25. | 0:22:36 | 0:22:38 | |
Are you having 26? Oh, dear me! 26 over here! | 0:22:38 | 0:22:42 | |
26. 27. | 0:22:42 | 0:22:44 | |
28. | 0:22:44 | 0:22:45 | |
29. | 0:22:45 | 0:22:47 | |
30. | 0:22:47 | 0:22:48 | |
30. | 0:22:48 | 0:22:50 | |
No more for the wheelbarrow then! | 0:22:50 | 0:22:52 | |
Oh, dear! Jonathan's quality plan's not off to a go start. | 0:22:52 | 0:22:56 | |
You mean bunch! | 0:22:56 | 0:22:58 | |
But I did think that was one that might struggle. | 0:22:58 | 0:23:02 | |
Anita's gold pencil. Everyone seems to agree it's a belter. | 0:23:02 | 0:23:07 | |
This is rather a nice lot. 30 I've got, £30. £35. | 0:23:07 | 0:23:11 | |
£40. £45. | 0:23:11 | 0:23:13 | |
£45. 45. £50. | 0:23:13 | 0:23:16 | |
£55. £60. 65. | 0:23:16 | 0:23:18 | |
70. 5. | 0:23:18 | 0:23:20 | |
80. | 0:23:20 | 0:23:21 | |
85. | 0:23:21 | 0:23:23 | |
-90. Are you having 92.50, sir? -Go on. | 0:23:23 | 0:23:26 | |
92.50. £100! Thank you. | 0:23:26 | 0:23:29 | |
It's gone then at £100. | 0:23:29 | 0:23:31 | |
-Oh, shut up! -Yes! | 0:23:32 | 0:23:34 | |
Quite a contrast. She's straight out of the blocks. | 0:23:34 | 0:23:38 | |
Good start. | 0:23:38 | 0:23:39 | |
Certainly was. Now for Jonathan's ring and pin. Nice nails! | 0:23:39 | 0:23:43 | |
£20 I've got to start. £30. £40. | 0:23:43 | 0:23:46 | |
-Yes! -£50. -Yes! -£60. | 0:23:46 | 0:23:49 | |
-WOMAN: 65. -65. | 0:23:49 | 0:23:52 | |
-70. -WOMAN: 70! | 0:23:52 | 0:23:54 | |
75. Where's 80? | 0:23:54 | 0:23:56 | |
75. Any more? | 0:23:56 | 0:23:58 | |
Are we all done at £75? | 0:23:58 | 0:24:00 | |
-WOMAN: 77. -Oh, yes! -77. | 0:24:00 | 0:24:03 | |
And done at 77 then! | 0:24:03 | 0:24:06 | |
-Excellent. -Ah, thank you. -Excellent! -Clawing back. -Smashing! | 0:24:06 | 0:24:10 | |
Yes, a bit of recovery from an awful start. | 0:24:10 | 0:24:14 | |
-That's more than we thought. -Thank goodness for that! | 0:24:14 | 0:24:17 | |
OK, who's ready for some sculpture? Don't laugh! | 0:24:17 | 0:24:21 | |
-Nobody knows how much that's worth. -Most people would walk past it. | 0:24:21 | 0:24:26 | |
On a dog walk, their dog would stop, lift his leg and carry on walking! | 0:24:26 | 0:24:32 | |
What shall we say for it? | 0:24:32 | 0:24:34 | |
£5! | 0:24:35 | 0:24:36 | |
-Thank you, sir! -Well, there we are. £10! -Yes! | 0:24:36 | 0:24:40 | |
£20. | 0:24:41 | 0:24:43 | |
-What?! -£30. | 0:24:43 | 0:24:44 | |
£40. | 0:24:44 | 0:24:46 | |
What?! | 0:24:46 | 0:24:47 | |
-WOMAN: 45. -45. | 0:24:47 | 0:24:49 | |
-Who's going to have 50? -46. | 0:24:49 | 0:24:52 | |
46. | 0:24:52 | 0:24:53 | |
-£46! -47. | 0:24:53 | 0:24:55 | |
ANITA LAUGHS | 0:24:55 | 0:24:57 | |
48. | 0:24:57 | 0:24:58 | |
-£50. -Yes! | 0:24:58 | 0:25:00 | |
Are we quite sure we can't get any more money? | 0:25:00 | 0:25:04 | |
-Do you want to ask outside? -Ask outside! Ask around, Jon. | 0:25:04 | 0:25:08 | |
LAUGHTER | 0:25:08 | 0:25:10 | |
£50 and this lady is winning this. All done at 50 then? | 0:25:10 | 0:25:14 | |
-Yes! -Oh, Lordy! | 0:25:14 | 0:25:16 | |
Yeaaah! | 0:25:16 | 0:25:17 | |
You're mad, all of you! You're mad! | 0:25:17 | 0:25:20 | |
Well, she hoped to find people of like mind. | 0:25:20 | 0:25:23 | |
-Oh! -You are amazing, Anita. | 0:25:23 | 0:25:26 | |
What about her doggy magazine rack? Might it have its day? | 0:25:26 | 0:25:31 | |
£10 note. £10. | 0:25:31 | 0:25:32 | |
15. 20. | 0:25:32 | 0:25:34 | |
25. | 0:25:34 | 0:25:35 | |
27. | 0:25:35 | 0:25:37 | |
All done at 27 then? | 0:25:38 | 0:25:41 | |
-27. -Very good. -I'm happy enough with that. | 0:25:41 | 0:25:44 | |
I'm sure she is. | 0:25:44 | 0:25:46 | |
Now for Jonathan's big one. | 0:25:46 | 0:25:49 | |
20. | 0:25:49 | 0:25:50 | |
30. | 0:25:50 | 0:25:52 | |
40. 50. | 0:25:52 | 0:25:53 | |
60. 70. | 0:25:53 | 0:25:56 | |
80. | 0:25:56 | 0:25:58 | |
80's there. 90. | 0:25:58 | 0:26:00 | |
90. It should double this, easily. | 0:26:00 | 0:26:03 | |
£90's here. 90. | 0:26:03 | 0:26:04 | |
100. And 10. 115. | 0:26:04 | 0:26:09 | |
-Go on! -120. 120. | 0:26:09 | 0:26:12 | |
All done at £120 then? | 0:26:12 | 0:26:14 | |
Are you quite sure? | 0:26:14 | 0:26:17 | |
I knew it. Oh, man! | 0:26:17 | 0:26:19 | |
Oh, dear! It's enough to drive you to drink, Jonathan. | 0:26:19 | 0:26:22 | |
Well, I'm bitterly disappointed with that. | 0:26:22 | 0:26:25 | |
Can his shapely friend help out? | 0:26:25 | 0:26:28 | |
£20. 20. £25. | 0:26:28 | 0:26:31 | |
-Yes! -£30. | 0:26:31 | 0:26:33 | |
35. | 0:26:34 | 0:26:36 | |
-£40. £42.50! -42...! | 0:26:36 | 0:26:39 | |
45. | 0:26:39 | 0:26:40 | |
£50. All done at £50 then? | 0:26:42 | 0:26:45 | |
-Jonathan, well done! -Thank you. | 0:26:46 | 0:26:49 | |
-Wasn't that excellent? -18 quid! | 0:26:49 | 0:26:52 | |
Not bad! But probably not enough either. | 0:26:52 | 0:26:55 | |
Now for Anita's brown box. | 0:26:56 | 0:26:58 | |
10 I've got. 12 I've got. 14. | 0:26:58 | 0:27:02 | |
-16. -Oh, God! Here we go! | 0:27:02 | 0:27:05 | |
20. | 0:27:05 | 0:27:07 | |
£20. | 0:27:07 | 0:27:09 | |
22. | 0:27:09 | 0:27:11 | |
24. | 0:27:11 | 0:27:13 | |
26. | 0:27:13 | 0:27:14 | |
28. Thank you. | 0:27:14 | 0:27:16 | |
-A loony bin! -30 coming back. 32 at the back. | 0:27:16 | 0:27:20 | |
34? | 0:27:20 | 0:27:21 | |
No more? All done at £34 then. You're quite sure? | 0:27:21 | 0:27:25 | |
-Goodness me! -They like the brown stuff in this auction. -They do. | 0:27:26 | 0:27:30 | |
Yeah, Anita's in tune again. | 0:27:30 | 0:27:33 | |
My last item is coming up. It's the pine rocking cradle | 0:27:33 | 0:27:37 | |
that really was the item that I was worried about. | 0:27:37 | 0:27:41 | |
If you make a profit on it, then you have to sing | 0:27:41 | 0:27:44 | |
"She Wears Red Feathers And A Hula-Hula Skirt". | 0:27:44 | 0:27:47 | |
ANITA LAUGHS | 0:27:47 | 0:27:48 | |
£10. £15. | 0:27:48 | 0:27:51 | |
£20. £25. | 0:27:51 | 0:27:54 | |
£30. | 0:27:56 | 0:27:58 | |
No? | 0:27:58 | 0:27:59 | |
All done at £30 then? | 0:27:59 | 0:28:02 | |
Thank goodness for that! | 0:28:02 | 0:28:06 | |
Well, at least we won't have to put up with Anita's singing. | 0:28:06 | 0:28:09 | |
Despite that little wrong note, | 0:28:09 | 0:28:12 | |
Anita's easily the winner today. | 0:28:12 | 0:28:14 | |
Jonathan began with £370.39. | 0:28:14 | 0:28:18 | |
And after paying auction costs, | 0:28:18 | 0:28:21 | |
he made a loss of £32.62, | 0:28:21 | 0:28:23 | |
leaving him with £337.77 to spend on the next leg. | 0:28:23 | 0:28:29 | |
Anita, however, started with £420.41. | 0:28:29 | 0:28:34 | |
And after paying costs made a profit of £50.62, | 0:28:34 | 0:28:38 | |
giving her £471.03 and a substantial lead. | 0:28:38 | 0:28:43 | |
Well done, that girl! | 0:28:43 | 0:28:45 | |
Very well done, Anita. I'm a bit disappointed about that cradle actually. | 0:28:45 | 0:28:49 | |
The opportunity to hear your dulcet tones... | 0:28:49 | 0:28:52 | |
# She wears red feathers and a hooley-hooley skirt | 0:28:52 | 0:28:56 | |
# She wears red feathers and a hooley-hooley skirt... # | 0:28:56 | 0:29:00 | |
And onwards we go for the final adventure | 0:29:01 | 0:29:04 | |
with Anita, Jonathan and their little 1964 MG. | 0:29:04 | 0:29:08 | |
# Bread of heaven | 0:29:08 | 0:29:11 | |
# Bread of heaven, feed me now... # | 0:29:11 | 0:29:14 | |
No... | 0:29:14 | 0:29:15 | |
# Feed me till I want no more | 0:29:15 | 0:29:17 | |
# I want no more | 0:29:17 | 0:29:18 | |
# Feed me till I want no more. # | 0:29:18 | 0:29:23 | |
That's right, we're in Wales. | 0:29:23 | 0:29:26 | |
They're travelling over 400 miles from the city of Glasgow | 0:29:29 | 0:29:33 | |
all the way to Llangefni, on the Isle of Anglesey. | 0:29:33 | 0:29:38 | |
But first stop is the town of Colwyn Bay. | 0:29:38 | 0:29:40 | |
And they will auction later in Llangefni. | 0:29:40 | 0:29:43 | |
-Don't you love the sea? -Oh, lovely! | 0:29:45 | 0:29:48 | |
The seaside town of Colwyn Bay is the birthplace of former | 0:29:49 | 0:29:52 | |
007 actor Timothy Dalton, | 0:29:52 | 0:29:55 | |
and is the location for Anita's next shopping assignment. | 0:29:55 | 0:29:59 | |
And she is like a whirling dervish who is licensed to spend | 0:29:59 | 0:30:02 | |
all of her £471.03. | 0:30:02 | 0:30:07 | |
I'm feeling a wee bit dangerous today. | 0:30:07 | 0:30:09 | |
Is this the shop I could spend all my money in? | 0:30:09 | 0:30:13 | |
It seems Anita is on a mission, | 0:30:13 | 0:30:15 | |
and her first task is to cosy up to owner, Frank. | 0:30:15 | 0:30:18 | |
-Hello! -Hi. -Good luck, Frank! | 0:30:18 | 0:30:21 | |
-I'm Anita. -How are you? -Is this your shop? -It is, yes. | 0:30:21 | 0:30:24 | |
-Oh, it's a great shop. -You like it? | 0:30:24 | 0:30:26 | |
It's usually small, sparkly jewellery Anita falls for. | 0:30:26 | 0:30:29 | |
But there's nothing tiny about this chandelier. | 0:30:29 | 0:30:31 | |
Oh, no, just look at it, it's a brute. | 0:30:31 | 0:30:33 | |
When I look at it, it is moulded glass, it's not quite crystal. | 0:30:33 | 0:30:37 | |
Fairly modern. | 0:30:37 | 0:30:40 | |
But there's nice quality to it. It's a lot of weight, you see? | 0:30:40 | 0:30:43 | |
Yeah. Yeah. Hold it up, Frank. | 0:30:43 | 0:30:46 | |
If there were two of them, you could use them as earrings. | 0:30:47 | 0:30:50 | |
It'd be a big lady who could wear a pair of earrings that size! | 0:30:50 | 0:30:54 | |
No need to say it like that, Frank. | 0:30:54 | 0:30:56 | |
Quite a lot of quality there, isn't there? | 0:30:56 | 0:30:59 | |
Well, it's not bad, but it's not the best. | 0:30:59 | 0:31:03 | |
Maybe we can do something with that for you, | 0:31:03 | 0:31:06 | |
if you've got your eye on that. | 0:31:06 | 0:31:08 | |
Well, I'll tell you, there's another couple of items. | 0:31:08 | 0:31:10 | |
-Let's go. -What I want to do, Frank... | 0:31:10 | 0:31:14 | |
-Is marry a few things together. -I want to spend, spend, spend! | 0:31:14 | 0:31:18 | |
Right. | 0:31:18 | 0:31:20 | |
Oh, Lordy, he looks frightened. | 0:31:20 | 0:31:22 | |
I fancy this wee table, | 0:31:22 | 0:31:25 | |
because I like the idea that it is like a miniature. | 0:31:25 | 0:31:28 | |
I like the idea that you can use it as a single table, or you can | 0:31:28 | 0:31:33 | |
-separate it out. -That's right. | 0:31:33 | 0:31:34 | |
-I like these things. -It's functional. | 0:31:34 | 0:31:36 | |
And I like the idea that it's functional. | 0:31:36 | 0:31:38 | |
Another item that I was looking at, | 0:31:38 | 0:31:41 | |
and again, I'm thinking for function... | 0:31:41 | 0:31:44 | |
What's she up to now, then? | 0:31:44 | 0:31:46 | |
Very unusual for Anita to get so excited about furniture, | 0:31:46 | 0:31:49 | |
but she has found yet another decorative table. | 0:31:49 | 0:31:52 | |
I hope she's all right. | 0:31:52 | 0:31:54 | |
-This is... It's a Louis Cannes style. -That's right. | 0:31:54 | 0:31:58 | |
Louis XVI style, I reckon. | 0:31:58 | 0:31:59 | |
It looks a lot more than what you'd be expecting to pay for it. | 0:32:01 | 0:32:05 | |
These plaques, for instance, you see on here, are porcelain. | 0:32:05 | 0:32:09 | |
-And as you say, it's got that Louis look. -Yes. | 0:32:09 | 0:32:12 | |
And the thick marble, so it's not going to just be knocked over, | 0:32:12 | 0:32:16 | |
you know, it's a good all-around piece. | 0:32:16 | 0:32:19 | |
Now, it looks like Anita is going in for a multi-buy. | 0:32:19 | 0:32:23 | |
The original ticket price on the chandelier is £150. | 0:32:23 | 0:32:26 | |
£75 for the twin pedestal table | 0:32:26 | 0:32:29 | |
and £85 for the marble-top table, | 0:32:29 | 0:32:32 | |
giving a combined total of £310. | 0:32:32 | 0:32:35 | |
Wow, this is chancy. | 0:32:35 | 0:32:36 | |
I was thinking... | 0:32:36 | 0:32:38 | |
50, | 0:32:38 | 0:32:40 | |
50, | 0:32:40 | 0:32:42 | |
80. | 0:32:42 | 0:32:43 | |
That's 180. | 0:32:44 | 0:32:47 | |
To help you to sell them, and I can more or less guarantee | 0:32:47 | 0:32:50 | |
-you'll make a good profit on these. -Uh-huh. | 0:32:50 | 0:32:52 | |
Not a pound or so. I'll do 200 for the three for you. | 0:32:52 | 0:32:55 | |
200 for the three? You're a darling! | 0:32:55 | 0:32:59 | |
Oh. You're enjoying that, Frank. | 0:32:59 | 0:33:02 | |
Well, we got there in the end with a masterclass | 0:33:02 | 0:33:04 | |
of smiley negotiations from the alluring Anita. | 0:33:04 | 0:33:08 | |
Jonathan, meanwhile, is in nearby Rhos on Sea. | 0:33:10 | 0:33:13 | |
How's our young gun getting on with the old shopping, eh? | 0:33:16 | 0:33:20 | |
He's got £337.77 to spend. | 0:33:20 | 0:33:23 | |
OK, so a little brooch. It's got a '50s style about it, | 0:33:23 | 0:33:27 | |
doesn't it? It is sort of like a... almost a Scandinavian influence. | 0:33:27 | 0:33:30 | |
Stamped 18K, so it's continental. | 0:33:30 | 0:33:32 | |
A brooch, eh? | 0:33:34 | 0:33:35 | |
Well, the lad's done well on jewellery before | 0:33:35 | 0:33:38 | |
and owner, Shawna, has a cabinet full of the stuff. | 0:33:38 | 0:33:41 | |
Would you mind if I see this gold and diamond circular brooch? | 0:33:41 | 0:33:45 | |
-The Victorian -Mm-hmm. | 0:33:45 | 0:33:47 | |
A few diamonds in. Nicely made, isn't it? | 0:33:50 | 0:33:53 | |
This sort of beadwork, I wonder why it has got a milled edge, though. | 0:33:53 | 0:33:56 | |
Isn't that funny? It's almost like a coin. | 0:33:56 | 0:33:58 | |
It does look a bit like a coin, doesn't it? | 0:33:58 | 0:34:01 | |
Diamond is a nice colour, but it's internally flawed. | 0:34:01 | 0:34:05 | |
-Yes, it's just a dress brooch. -But it's a pretty thing. | 0:34:05 | 0:34:08 | |
Pretty thing. | 0:34:08 | 0:34:10 | |
Seems Jonathan's in brooch heaven today. | 0:34:10 | 0:34:14 | |
And he's not finished shopping yet. | 0:34:14 | 0:34:17 | |
He's on the prowl for more booty. | 0:34:17 | 0:34:19 | |
I'm going to step away from the cabinets for a moment | 0:34:19 | 0:34:22 | |
and have a look around. | 0:34:22 | 0:34:24 | |
The little spill vase with the sort of 1970's style, | 0:34:28 | 0:34:32 | |
with the rustic base. | 0:34:32 | 0:34:33 | |
It's by Deakin and Francis, by the way, is it, D&F? | 0:34:35 | 0:34:37 | |
I mean, you'd call it a spill vase. | 0:34:37 | 0:34:40 | |
It would be for something like putting a little flower in. | 0:34:40 | 0:34:42 | |
I think spill was something else, | 0:34:42 | 0:34:44 | |
I think it was like rushes for lighting fires and things, | 0:34:44 | 0:34:46 | |
but you've got this lovely little rusticated base. | 0:34:46 | 0:34:49 | |
It's weighted all right and it's got a little bit of age. | 0:34:49 | 0:34:52 | |
And he's got his eye on something else. | 0:34:52 | 0:34:55 | |
Crikey, Jonathan! There's no stopping you today. | 0:34:55 | 0:34:59 | |
I quite like that design. It's quite sweet, isn't it? | 0:34:59 | 0:35:02 | |
It has a sort of almost carpet pattern, | 0:35:04 | 0:35:06 | |
sort of Spanish-Mexican or something. | 0:35:06 | 0:35:08 | |
Basically, what we've got here is a vesta case. | 0:35:08 | 0:35:10 | |
Vesta case is a matchbox case. | 0:35:10 | 0:35:12 | |
And you'd carry your matches around with you. | 0:35:12 | 0:35:14 | |
It's a sort of 19th century thing. | 0:35:14 | 0:35:16 | |
So, Jonathan decides to go in for a job lot | 0:35:16 | 0:35:19 | |
on the Victorian gold brooch, | 0:35:19 | 0:35:22 | |
the '50s gold brooch | 0:35:22 | 0:35:24 | |
and the silver vesta case and vase. | 0:35:24 | 0:35:27 | |
The combined ticket price on all four is a whopping £520. | 0:35:27 | 0:35:32 | |
-Make it 290 then. -290. -Mm-hmm. | 0:35:32 | 0:35:36 | |
And that will do me just fine. That's what I was going to ask. | 0:35:36 | 0:35:39 | |
£290 - thank you very much. | 0:35:39 | 0:35:41 | |
Four items, one shop! | 0:35:42 | 0:35:46 | |
£290 blown already. | 0:35:46 | 0:35:48 | |
The boy's certainly going for it. God! | 0:35:48 | 0:35:52 | |
And Jonathan even has Auntie Anita providing a chauffeur service. | 0:35:52 | 0:35:55 | |
She's taking him onwards and upwards to his next shop | 0:35:55 | 0:35:58 | |
in Llandudno Junction. | 0:35:58 | 0:36:01 | |
And it looks like she's taking the scenic route, look at that. | 0:36:01 | 0:36:04 | |
How did we manage to go the wrong way, Jonathan? | 0:36:06 | 0:36:08 | |
It's your blethering. Your blethering has put me off. | 0:36:08 | 0:36:12 | |
Of course it has, Anita. Of course it has(!) | 0:36:12 | 0:36:15 | |
Oh, he's such a chatterbox, isn't he? | 0:36:17 | 0:36:19 | |
Well, Anita, well driven. Even if you did go the wrong way. | 0:36:19 | 0:36:22 | |
Watch it, Johnny! | 0:36:22 | 0:36:24 | |
Drive safely. Do you know where you're going now? Do you want a map? | 0:36:24 | 0:36:28 | |
-You all right? -Shut up. -Yes, you tell him, Anita. | 0:36:28 | 0:36:30 | |
-Have a good time. -And you, see you. | 0:36:30 | 0:36:33 | |
We'll catch up with Jonathan later, but for now, | 0:36:33 | 0:36:35 | |
Anita is travelling to Conwy | 0:36:35 | 0:36:37 | |
to visit a splendid and ancient townhouse. | 0:36:37 | 0:36:40 | |
The town of Conwy is enclosed within a ring of 13th-century walls | 0:36:42 | 0:36:46 | |
and protected by a mighty Norman castle. | 0:36:46 | 0:36:49 | |
In the narrow streets, stands Plas Mawr. | 0:36:52 | 0:36:56 | |
It's a townhouse built for the influential Welsh merchant, | 0:36:56 | 0:36:59 | |
Robert Wynn. | 0:36:59 | 0:37:01 | |
Wynn was a well-travelled courtier and trader | 0:37:02 | 0:37:06 | |
and the house stands as a symbol of a prosperous, buoyant age. | 0:37:06 | 0:37:10 | |
The style and design symbolizes Wynn's wealth and status. | 0:37:10 | 0:37:15 | |
This architectural delight is considered to be the finest | 0:37:16 | 0:37:20 | |
surviving Elizabethan townhouse in Britain. | 0:37:20 | 0:37:23 | |
Anita is meeting with property manager, Rachel Skelly, | 0:37:23 | 0:37:27 | |
-to learn more. -It's lovely to be in Plas...? -Mawr. | 0:37:27 | 0:37:31 | |
Tell me, what does that mean? | 0:37:31 | 0:37:33 | |
Plas Mawr means "big house" or, as we like to say, great hall. | 0:37:33 | 0:37:37 | |
It is the finest example of an Elizabethan merchant's townhouse. | 0:37:37 | 0:37:40 | |
It has been compared to a modern day footballer's house. | 0:37:40 | 0:37:43 | |
It would have been the latest fashion of the period - | 0:37:43 | 0:37:46 | |
modern, up-to-date. | 0:37:46 | 0:37:47 | |
-So, it is a big bit of bling. -It certainly is. | 0:37:47 | 0:37:50 | |
-Can we go up and have a look? -You certainly can. | 0:37:50 | 0:37:52 | |
I'm looking forward to this. | 0:37:54 | 0:37:55 | |
Robert wanted to demonstrate his success and wealth | 0:38:02 | 0:38:06 | |
with the latest in 16th century design. | 0:38:06 | 0:38:08 | |
-Here we have Robert Wynn's bedchamber. -Ah, right. | 0:38:11 | 0:38:14 | |
So he would have his big four-poster here. | 0:38:14 | 0:38:17 | |
He certainly would, in front of the fire. | 0:38:17 | 0:38:19 | |
-And this is his coat of arms here? -This is the Wynn coat of arms. | 0:38:19 | 0:38:23 | |
And that is 1577. | 0:38:23 | 0:38:25 | |
And as we were talking about the footballer's modern-day house, | 0:38:26 | 0:38:30 | |
-here we have a garderobe. -Oh, right. | 0:38:30 | 0:38:33 | |
-Oh, so this is our 16th century en suite. -It certainly is! | 0:38:33 | 0:38:38 | |
-Very modern. -I wouldn't like to smell that, though. | 0:38:38 | 0:38:42 | |
-I can't see Wayne Rooney in there. -No. | 0:38:42 | 0:38:45 | |
Wynn was proud of his Welsh ancestry and commissioned | 0:38:47 | 0:38:50 | |
specialist plasterers to create decorative schemes | 0:38:50 | 0:38:54 | |
that incorporated heraldic emblems of his family. | 0:38:54 | 0:38:58 | |
Again, this symbolized the might of Wynn's wealth. | 0:38:58 | 0:39:02 | |
Ah, now, Rachel, this... | 0:39:05 | 0:39:09 | |
-..this is the room that I can see myself in. -It certainly is. | 0:39:09 | 0:39:12 | |
I think this is wonderful! And the first thing that strikes me | 0:39:12 | 0:39:16 | |
really, is this very colourful plasterwork. | 0:39:16 | 0:39:19 | |
I mean, what are these female figures all about? | 0:39:19 | 0:39:22 | |
These are called caryatids and they are what | 0:39:22 | 0:39:25 | |
we believe to be Robert's interpretation | 0:39:25 | 0:39:27 | |
of the Greek priestesses on the columns. | 0:39:27 | 0:39:29 | |
So, he was a well-educated man who had travelled | 0:39:29 | 0:39:32 | |
and what he wanted to do was show the world and his guests... | 0:39:32 | 0:39:37 | |
-that he was a travelled man. -He was showing off again. | 0:39:37 | 0:39:40 | |
He was showing off again. | 0:39:40 | 0:39:41 | |
I mean, look at the ceiling, it's like a Christmas cake! | 0:39:41 | 0:39:45 | |
It is absolutely wo... It's very cheerful. | 0:39:45 | 0:39:49 | |
But, again, it's a bit over the top. There is no subtlety here. | 0:39:49 | 0:39:53 | |
-No. -It's bling all the way. | 0:39:53 | 0:39:56 | |
And what I love, as well, is the light, the windows. | 0:39:56 | 0:40:00 | |
These windows are marvellous. | 0:40:00 | 0:40:02 | |
They certainly are and they, again, show his wealth. | 0:40:02 | 0:40:05 | |
And did you know, back in that day, | 0:40:05 | 0:40:08 | |
if you moved house, you took your windows with you? | 0:40:08 | 0:40:10 | |
-Because glass was very expensive. -So expensive. | 0:40:10 | 0:40:13 | |
While Anita enjoys the grandeur of this splendid Elizabethan | 0:40:15 | 0:40:18 | |
townhouse, let's find out how Jonathan's getting on | 0:40:18 | 0:40:22 | |
in Llandudno Junction. | 0:40:22 | 0:40:24 | |
Well, he doesn't have much money left in his purse, | 0:40:26 | 0:40:29 | |
but owner, Nicky, tries to points Jonathan in the right direction. | 0:40:29 | 0:40:32 | |
That's not bad. What about something like that? | 0:40:32 | 0:40:34 | |
I know it's a bit... Gaudy Welsh-looking. | 0:40:34 | 0:40:37 | |
Oh, I see what you are talking... Yes, yes. | 0:40:37 | 0:40:40 | |
I know it's not... But, in your budget. | 0:40:40 | 0:40:43 | |
This Staffordshire tea service is in this style of | 0:40:43 | 0:40:46 | |
Gaudy Welsh pottery, which was made in England and Wales | 0:40:46 | 0:40:49 | |
between about 1820 and 1860. | 0:40:49 | 0:40:52 | |
There's four pieces and a teapot and stand. | 0:40:52 | 0:40:56 | |
Would you take £20 for it? | 0:40:56 | 0:40:58 | |
-I'd take £30 for it. -There you go. -But it's not mad, is it? | 0:40:58 | 0:41:01 | |
Eh... Well, you know, the condition... It is a good look. | 0:41:01 | 0:41:05 | |
-You know, it's showy. -Four pieces. | 0:41:05 | 0:41:07 | |
It looks like the sort of Crown Derby, that sort of thing. | 0:41:07 | 0:41:10 | |
-It's got a chance, hasn't it? -Maybe it has got a chance. | 0:41:10 | 0:41:13 | |
OK, that's one item rooted out, what's next? | 0:41:13 | 0:41:16 | |
Right. | 0:41:16 | 0:41:17 | |
That's a big one. I haven't seen one that large before. | 0:41:20 | 0:41:23 | |
You probably know more about that sort of thing than I do. | 0:41:23 | 0:41:25 | |
Embossed metal badge for the Royal Welsh Fusiliers. | 0:41:25 | 0:41:31 | |
It's one hell of a cap badge, isn't it? | 0:41:33 | 0:41:34 | |
I've never seen one that big, have you? | 0:41:34 | 0:41:37 | |
Um, normally they're a quarter of the size. I rather like that. | 0:41:37 | 0:41:41 | |
-It has got the military touch, but it also was a Welsh Regiment then. -Yeah. | 0:41:41 | 0:41:44 | |
Actually, Jonathan, this is a pioneer's apron clasp. | 0:41:44 | 0:41:48 | |
The pioneer would lead the Fusiliers when on ceremonial duties. | 0:41:48 | 0:41:54 | |
Nicky must be taking pity on Jonathan - | 0:41:56 | 0:41:58 | |
he's dropped the price of the tea set by a tenner. | 0:41:58 | 0:42:01 | |
So, 20 quid...there. | 0:42:01 | 0:42:03 | |
And then how much is this chap here? | 0:42:03 | 0:42:06 | |
I'd do that for 20 quid, as well. | 0:42:06 | 0:42:07 | |
Uh... If I bought both, would you give me a better... | 0:42:07 | 0:42:10 | |
..would you give me a little more off? Would you say... | 0:42:10 | 0:42:14 | |
20... | 0:42:14 | 0:42:15 | |
and 10? | 0:42:15 | 0:42:16 | |
HE LAUGHS | 0:42:16 | 0:42:18 | |
No. | 0:42:18 | 0:42:20 | |
No, 20 and 20. | 0:42:20 | 0:42:22 | |
20 and 20, I'd do for you, wouldn't I? | 0:42:22 | 0:42:25 | |
-20 and 15. -Oh, go on. -£35 on. -OK, brilliant. | 0:42:25 | 0:42:28 | |
Splendid work, Jonathan! | 0:42:28 | 0:42:30 | |
Oh, dear! Anita and Jonathan are having to brave | 0:42:33 | 0:42:36 | |
the rainy weather of Blighty once again. | 0:42:36 | 0:42:38 | |
Our daring duo have travelled to the town of Penmaenmawr, | 0:42:43 | 0:42:47 | |
on the North Wales coast. | 0:42:47 | 0:42:49 | |
The town is famous for its spectacular mountain | 0:42:49 | 0:42:52 | |
and coastal walks and lies within Snowdonia National Park. | 0:42:52 | 0:42:56 | |
Anita and Jonathan are sharing their first shop of the day. | 0:42:57 | 0:43:01 | |
Mick, the owner, meets them as they arrive. | 0:43:01 | 0:43:04 | |
Let's join young Jonathan. | 0:43:05 | 0:43:07 | |
He already has five lots, so there isn't any pressure to buy. | 0:43:07 | 0:43:11 | |
But surprisingly, Jonathan has found something straight away. | 0:43:15 | 0:43:19 | |
I learnt to ski on skis this long, actually. | 0:43:19 | 0:43:21 | |
They would have seemed this long | 0:43:21 | 0:43:22 | |
cos I was probably only about that high when I learnt. | 0:43:22 | 0:43:25 | |
But now everyone skis on skis about this long. | 0:43:25 | 0:43:28 | |
They're not made of wood. These are made of oak. | 0:43:28 | 0:43:31 | |
£32. £32.50? | 0:43:33 | 0:43:36 | |
That's in the realms of possibility, I'd say. | 0:43:36 | 0:43:38 | |
I can be persuasive if I want to be. | 0:43:38 | 0:43:41 | |
Oh! Fighting talk from JP. | 0:43:43 | 0:43:45 | |
-Would you take a tenner for them? -Um... | 0:43:45 | 0:43:47 | |
Oh, dear, I don't know if I could do that, you know. | 0:43:47 | 0:43:50 | |
OK, will you take the whole lot? If I give you £12.77... | 0:43:50 | 0:43:53 | |
I can't do any more than that. Just will you take the lot? | 0:43:53 | 0:43:56 | |
-Go on then. -OK, thank you very much. 12.77, thank you very much. | 0:43:57 | 0:44:00 | |
-Good. -Brilliant. | 0:44:00 | 0:44:01 | |
Well done, Jonathan. | 0:44:01 | 0:44:03 | |
Every last penny blown - I love your bravado. | 0:44:03 | 0:44:06 | |
Whoops-a-daisy! | 0:44:08 | 0:44:09 | |
Meanwhile, where is our lovely Anita? | 0:44:09 | 0:44:12 | |
Mick, these are just so beautiful. | 0:44:14 | 0:44:18 | |
And you've got a wee notice saying that they are Welsh tapestries. | 0:44:18 | 0:44:21 | |
-Yes. -I mean, tell me a bit about them. | 0:44:21 | 0:44:23 | |
I didn't know they made this type of thing in Wales. | 0:44:23 | 0:44:26 | |
Well, they're double woven, so they're actually negative | 0:44:26 | 0:44:29 | |
and positive. If you look on the blankets, | 0:44:29 | 0:44:32 | |
-can you see it goes that way? -Uh-huh. | 0:44:32 | 0:44:35 | |
And turn to the opposite side and it's the negative. | 0:44:35 | 0:44:37 | |
I've got to buy one of these. | 0:44:37 | 0:44:39 | |
Welsh blankets have been produced in North Wales for centuries. | 0:44:39 | 0:44:43 | |
This one is named after the mill it was made in - Tregwynt. | 0:44:43 | 0:44:48 | |
The original ticket price on this blanket is £125. | 0:44:48 | 0:44:51 | |
-Is this one that you would let go? -I would let go of this one, yes. | 0:44:51 | 0:44:55 | |
Would you let it go for 50 quid? | 0:44:55 | 0:44:57 | |
I tell you what I'll do, give me another tenner | 0:44:57 | 0:44:59 | |
-and you can have it, there we are. -Another tenner? 60 quid? | 0:44:59 | 0:45:02 | |
60 quid and you've had a bargain. There we are. | 0:45:02 | 0:45:04 | |
I think that for 60 quid... | 0:45:04 | 0:45:07 | |
..we are buying something of beauty and craftsmanship. | 0:45:08 | 0:45:13 | |
Absolutely. | 0:45:13 | 0:45:15 | |
-Very Welsh. -Absolutely. | 0:45:15 | 0:45:17 | |
Mick, it's a deal. | 0:45:17 | 0:45:18 | |
-Thank you very much. -Thank you very much. Thank you. | 0:45:18 | 0:45:21 | |
Aw, Mick obviously loves Scottish women and Welsh blankets. | 0:45:21 | 0:45:25 | |
Thank goodness Anita managed to prise one out of his collection. | 0:45:25 | 0:45:29 | |
There is a labyrinth of rooms through there. | 0:45:29 | 0:45:31 | |
They're all packed full of stuff, it's wonderful. | 0:45:31 | 0:45:35 | |
But this thing caught my eye and I really like it. | 0:45:35 | 0:45:38 | |
It's colourful and it's fun. | 0:45:38 | 0:45:40 | |
It's the front part of a gaming machine, | 0:45:40 | 0:45:43 | |
which has maybe been broken up but they've kept this bit here. | 0:45:43 | 0:45:47 | |
Viva Las Vegas. And it tells you there is a new six-pound jackpot. | 0:45:47 | 0:45:53 | |
That must have been a lot of money, | 0:45:53 | 0:45:55 | |
so we're maybe talking about 1960's, 1970's. | 0:45:55 | 0:45:58 | |
It's totally useless, but I like it. | 0:45:58 | 0:46:02 | |
It's got £17 on it. That's not a lot of money. | 0:46:02 | 0:46:07 | |
Anita collars Mick to go in for a deal. | 0:46:07 | 0:46:10 | |
-You've had it for years? -Years and years. | 0:46:10 | 0:46:13 | |
-Could you make it cheaper than that? -A little bit, yeah. | 0:46:13 | 0:46:16 | |
-What were you thinking of? -I was thinking of...the jackpot. | 0:46:16 | 0:46:19 | |
Do you know, I'm feeling very generous, | 0:46:19 | 0:46:21 | |
so I think you should take it for £6, there we are, | 0:46:21 | 0:46:24 | |
-cos you've hit the jackpot. -You are about to be embraced | 0:46:24 | 0:46:27 | |
-by a grateful customer. -Oh, dear, again? | 0:46:27 | 0:46:30 | |
Oh, thank you so much. | 0:46:30 | 0:46:32 | |
Thanks. | 0:46:32 | 0:46:34 | |
Cor, she likes the fellas, doesn't she? | 0:46:34 | 0:46:36 | |
So, that's the Welsh blanket and the gaming machine fascia | 0:46:36 | 0:46:40 | |
for £66, but... | 0:46:40 | 0:46:42 | |
I don't like 66. It has either got to be 65 or 67. | 0:46:42 | 0:46:47 | |
Oh. | 0:46:47 | 0:46:48 | |
-So what do you think we should do? -I think we should go for 67. | 0:46:48 | 0:46:51 | |
-Are you sure? -Yeah. | 0:46:51 | 0:46:53 | |
That will do me then. It pays for the lighting. | 0:46:53 | 0:46:56 | |
-The extra pound... -Another quid. Every quid counts. | 0:46:56 | 0:46:59 | |
He's a one, that Mick. | 0:47:00 | 0:47:02 | |
But Anita's now bought all her items. | 0:47:02 | 0:47:05 | |
And let's remind ourselves how they've been spending their booty. | 0:47:05 | 0:47:09 | |
Jonathan Pratt started with £337.77 | 0:47:11 | 0:47:15 | |
and spent every penny on six auction lots. | 0:47:15 | 0:47:19 | |
Anita began with £471.03 | 0:47:21 | 0:47:24 | |
and spent £267 on five lots. | 0:47:24 | 0:47:28 | |
I love this bit. | 0:47:30 | 0:47:31 | |
Let's hear what they think of their latest offerings. | 0:47:31 | 0:47:34 | |
The skis? Well, he is a skier, so he had to buy them, | 0:47:35 | 0:47:38 | |
but they're full of woodworm. | 0:47:38 | 0:47:39 | |
She's paid too much for the chandelier | 0:47:39 | 0:47:42 | |
and she won't be able to sell the modern '50s | 0:47:42 | 0:47:45 | |
awful Louis XV-XVI style table. | 0:47:45 | 0:47:48 | |
Mmm. The handbags well and truly out, then. | 0:47:48 | 0:47:51 | |
Let's get back on the road and head to auction. | 0:47:51 | 0:47:54 | |
Long old go, this, isn't it? | 0:47:56 | 0:47:57 | |
Cor, it has been an ambitious finale with Anita and Jonathan | 0:48:03 | 0:48:07 | |
battling it out, from Colwyn Bay along the North Wales coast, | 0:48:07 | 0:48:12 | |
to Llangefni on the Isle of Anglesey. | 0:48:12 | 0:48:14 | |
This is the famous Menai Bridge that connects mainland Wales to Anglesey. | 0:48:17 | 0:48:22 | |
I wonder if Anita knows when it was built. | 0:48:22 | 0:48:25 | |
This was opened in 1826, John. | 0:48:25 | 0:48:28 | |
-Was it really? -Yep. It said it up there. | 0:48:28 | 0:48:32 | |
Cheeky! | 0:48:32 | 0:48:35 | |
Our pair of road trippers are travelling through | 0:48:35 | 0:48:37 | |
the Anglesey countryside, heading for today's auction, but, Lordy, | 0:48:37 | 0:48:40 | |
who will be the overall champ? | 0:48:40 | 0:48:42 | |
-This is your last chance to catch me up, Johnny. -I know! | 0:48:46 | 0:48:51 | |
Founded in 1964, Morgan Evans and Co | 0:48:51 | 0:48:55 | |
has a long-established reputation. | 0:48:55 | 0:48:57 | |
Simon Bower is our auctioneer in command. | 0:48:59 | 0:49:01 | |
Right then, quiet please! The option is about to begin. | 0:49:02 | 0:49:06 | |
Oh, oh! Here we go. | 0:49:06 | 0:49:08 | |
First up it's Jonathan's antique wooden skis. | 0:49:10 | 0:49:13 | |
£50, 50? | 0:49:14 | 0:49:15 | |
30? | 0:49:15 | 0:49:17 | |
£15 I've got. 15 bid. | 0:49:17 | 0:49:19 | |
You're in profit, you're in profit! | 0:49:19 | 0:49:21 | |
20? £20 bid? £20 bid. | 0:49:22 | 0:49:24 | |
22? 22 bid. 22 bid. 22 bid. | 0:49:24 | 0:49:26 | |
25? 25 bid. 25 bid. | 0:49:26 | 0:49:29 | |
£25 I have. | 0:49:29 | 0:49:31 | |
For a pair of skis, not dear, are they at 25? | 0:49:31 | 0:49:33 | |
Out the gate quickly. | 0:49:33 | 0:49:35 | |
At 25 and sold... | 0:49:35 | 0:49:36 | |
-That's a good start! That's a good start. -Double the money. | 0:49:36 | 0:49:40 | |
Good-oh, Jonathan, splendid start. | 0:49:40 | 0:49:42 | |
I'm pleased, pleased that people like a bit of skiing style, you know, | 0:49:44 | 0:49:48 | |
a bit of vintage. | 0:49:48 | 0:49:49 | |
Moving on then, next it's Anita's big, sparkly chandelier. | 0:49:52 | 0:49:56 | |
Am I going to make 100 quid on this chandelier? | 0:49:57 | 0:50:00 | |
I'm starting to get a wee bit worried now. | 0:50:00 | 0:50:03 | |
£40 then. 40? | 0:50:03 | 0:50:05 | |
30 on the chandelier. | 0:50:05 | 0:50:07 | |
-The lovely sound of clinking glass. -Hold it up! | 0:50:07 | 0:50:10 | |
15. Can't go any lower. Lovely chandelier, 15. | 0:50:10 | 0:50:13 | |
Ten, I'm bid, at ten. £10 bid. Ten, I'm bid. | 0:50:13 | 0:50:16 | |
12. 15. | 0:50:16 | 0:50:17 | |
20. £20, I'm bid. | 0:50:17 | 0:50:20 | |
Worth another? 25. | 0:50:20 | 0:50:22 | |
-25. -30. At £30 bid. | 0:50:22 | 0:50:25 | |
30, I'm bid. Cheap enough at 30. In the back at £30. | 0:50:25 | 0:50:28 | |
32 did you say, sir? 35. | 0:50:28 | 0:50:31 | |
-When someone went 30, he went like that with his fingers. -Oh, right. | 0:50:31 | 0:50:35 | |
£40, I'm bid. Not dear, is it? | 0:50:35 | 0:50:37 | |
Fair play, ladies' bid, all gents out then. | 0:50:37 | 0:50:40 | |
Hammer's up at £40...and sold. | 0:50:40 | 0:50:42 | |
106. | 0:50:42 | 0:50:43 | |
-40 quid. -Bad luck. -That's me down 60. | 0:50:43 | 0:50:46 | |
It's only your first lot, Anita. Chin up, girl. | 0:50:46 | 0:50:50 | |
-But that for me... -Is wonderful. | 0:50:50 | 0:50:52 | |
..is a perfect start! | 0:50:52 | 0:50:54 | |
You naughty, naughty boy. | 0:50:56 | 0:50:58 | |
He IS a naughty boy. | 0:50:59 | 0:51:02 | |
Now, it's Jonathan's tea service next, the one he can't stand. | 0:51:02 | 0:51:06 | |
£10 I'm bid on the blue gilt Staffordshire pottery tea service. | 0:51:07 | 0:51:10 | |
At 15. Bid at 15. 18. 20. 22. | 0:51:10 | 0:51:13 | |
-There you go, profit. -Good boy! | 0:51:13 | 0:51:15 | |
28. 30. 32. 35. | 0:51:15 | 0:51:18 | |
Just the thing for this sale room! | 0:51:18 | 0:51:21 | |
£35. 38. New bidder. | 0:51:21 | 0:51:23 | |
Puts you all out? | 0:51:23 | 0:51:25 | |
At £38. Hammer's up at 38. And away then... | 0:51:25 | 0:51:28 | |
Just goes to show you, Jonathan, buy for the auction | 0:51:30 | 0:51:34 | |
and not for your own tastes. | 0:51:34 | 0:51:36 | |
Oh, you're catching me up! | 0:51:36 | 0:51:38 | |
It's Anita's beautiful Welsh blanket next. | 0:51:39 | 0:51:43 | |
£40, I'm bid. | 0:51:43 | 0:51:44 | |
40 bid. Five. 45 bid. 45, 50. | 0:51:44 | 0:51:47 | |
-55. 60. -Good. -65. | 0:51:47 | 0:51:50 | |
-Profit. -75. | 0:51:50 | 0:51:52 | |
80. 85. 90. | 0:51:52 | 0:51:55 | |
£90, I'm bid. | 0:51:55 | 0:51:57 | |
Standing bid then. Still cheap, under 100. At 90 bid. | 0:51:57 | 0:52:00 | |
Lovely bedspread at £90. | 0:52:00 | 0:52:02 | |
Hammer's up, and sold at 90 then. | 0:52:02 | 0:52:05 | |
-Very good. -Excellent. -See? Ye of little faith. | 0:52:05 | 0:52:08 | |
I know. | 0:52:08 | 0:52:09 | |
This is a first, Anita receiving counsel from Jonathan? | 0:52:09 | 0:52:14 | |
Anyway, a good local buy from Anita. | 0:52:14 | 0:52:15 | |
Next, it's Jonathan's silver lot. | 0:52:18 | 0:52:21 | |
-Will it push him further into the lead? -80? 60? | 0:52:21 | 0:52:25 | |
30, I'm bid for the two. £30 bid. | 0:52:25 | 0:52:27 | |
30, I'm bid. Two nice, clean bits of silver. | 0:52:27 | 0:52:30 | |
35. 35 bid. 40. | 0:52:30 | 0:52:32 | |
45. 50. | 0:52:32 | 0:52:34 | |
55. | 0:52:34 | 0:52:35 | |
-You're in profit again. -Not quite yet, though. | 0:52:35 | 0:52:38 | |
-Yes, we are now. -70. -There we go. | 0:52:38 | 0:52:40 | |
-75. -Now it's going. 75 quid. | 0:52:40 | 0:52:43 | |
Standing bid then, at £75 for the two. | 0:52:43 | 0:52:45 | |
-Not dear, but away they go at £75. -That's fine. | 0:52:45 | 0:52:48 | |
Hammer's up, then... | 0:52:48 | 0:52:49 | |
-Well done, Jonathan. -75 quid. -You are on a roll. | 0:52:49 | 0:52:52 | |
Jonathan is trying hard to hide his excitement. Yet another profit. | 0:52:54 | 0:52:59 | |
Can Anita win the jackpot with this unusual glass fascia | 0:53:00 | 0:53:04 | |
from a...gaming machine? Oh, Lordy, here we go. | 0:53:04 | 0:53:08 | |
£15. Ten. | 0:53:08 | 0:53:10 | |
Come on! | 0:53:10 | 0:53:12 | |
Five. Five, I'm bid. £5 bid. | 0:53:13 | 0:53:16 | |
£5 bid. £5 bid. | 0:53:16 | 0:53:18 | |
A nice little fun item. Six, if you like. | 0:53:18 | 0:53:21 | |
At £5 bid. £5 bid. £5 bid. I'll take six. | 0:53:21 | 0:53:24 | |
Maiden bid, the one and only bid, at £5. | 0:53:24 | 0:53:27 | |
On the market, it's at £5. Hammer's up, five and away then... | 0:53:27 | 0:53:32 | |
-They didn't like it. -That's a shame. | 0:53:33 | 0:53:35 | |
Well, at least somebody bought it. | 0:53:36 | 0:53:38 | |
Next, it is the pioneer apron clasp from the Royal Welsh Fusiliers. | 0:53:40 | 0:53:46 | |
Can Jonathan continue his profit-making streak? | 0:53:46 | 0:53:49 | |
Bid from me, interest to start at £15. | 0:53:49 | 0:53:52 | |
15 bid. 15 bid. 15 bid. | 0:53:52 | 0:53:55 | |
18. 20. 22. | 0:53:55 | 0:53:57 | |
25. 28. 30. | 0:53:57 | 0:54:00 | |
At 30 bid for a lovely badge. | 0:54:00 | 0:54:03 | |
Fair play. At £30. Any more quickly? | 0:54:03 | 0:54:05 | |
Hammer is up then at £30 and away. | 0:54:05 | 0:54:07 | |
This young man is definitely on a roll. | 0:54:09 | 0:54:12 | |
It's usually Anita that's flying high. | 0:54:12 | 0:54:15 | |
Come on, girl, let's see if the miniature table | 0:54:16 | 0:54:19 | |
can help you up the profit stakes. | 0:54:19 | 0:54:21 | |
£10, I'm bid. £10 bid. £10 bid. | 0:54:21 | 0:54:23 | |
12, £12 bid. 15. | 0:54:23 | 0:54:26 | |
-18... -There we go, now we're seeing it. | 0:54:26 | 0:54:28 | |
20. 22. 25. | 0:54:28 | 0:54:31 | |
28. 30. | 0:54:31 | 0:54:33 | |
32. 35. 38. | 0:54:33 | 0:54:36 | |
At £38, I'm bid, nice, clean, little table at £38. | 0:54:36 | 0:54:39 | |
On the market at 38 and away then. | 0:54:39 | 0:54:42 | |
£38. | 0:54:42 | 0:54:43 | |
-Ooh! -Oooh... | 0:54:43 | 0:54:46 | |
Oooh... Seems they have adopted a new language, eh? | 0:54:46 | 0:54:50 | |
Oh, dear! Yet another loss to add to Anita's collection. | 0:54:51 | 0:54:56 | |
God, I've lost... That's another 12 quid I've lost. | 0:54:56 | 0:54:59 | |
Ah! | 0:54:59 | 0:55:00 | |
Right, it is Jonathan's 1950's gold brooch next. | 0:55:01 | 0:55:05 | |
40 bid. At £40 bid. Lovely gold brooch at 40 bid. | 0:55:05 | 0:55:08 | |
£40. 40 bid. | 0:55:08 | 0:55:10 | |
40, I'm bid. 40 bid. Five. 50. | 0:55:10 | 0:55:13 | |
55. 60. | 0:55:13 | 0:55:15 | |
65. | 0:55:15 | 0:55:17 | |
At £65, I'm bid. 70 now, then. | 0:55:17 | 0:55:19 | |
70. 75. | 0:55:19 | 0:55:21 | |
Sounds cheap, but away it goes on the market, then. At £75 and away. | 0:55:21 | 0:55:25 | |
Oh, dear. Jonathan's run of profit has just come to an end. | 0:55:26 | 0:55:30 | |
It's Anita's marble-top Louis XVI-style table next. | 0:55:33 | 0:55:37 | |
Can she claw back a big chunk of profit? | 0:55:37 | 0:55:40 | |
It's got to make 100 quid. | 0:55:40 | 0:55:42 | |
Lovely quality little table, isn't it? Starting at £50 on it. | 0:55:42 | 0:55:45 | |
50? 40 on that little marble-top table. | 0:55:45 | 0:55:48 | |
20, I'm bid. £20 bid. | 0:55:48 | 0:55:50 | |
£20 bid. 25. 30. | 0:55:50 | 0:55:53 | |
-At £30, I'm bid. -Come on, come on. | 0:55:53 | 0:55:56 | |
30 bid. It'll be sold, should be more. At £30. | 0:55:56 | 0:55:59 | |
Hammer's up then, at 30 and away. | 0:55:59 | 0:56:01 | |
Oh, God, another loss! | 0:56:01 | 0:56:04 | |
That is Anita's last item, too. | 0:56:04 | 0:56:06 | |
So, can Jonathan push through to the finishing line? | 0:56:06 | 0:56:10 | |
It's exciting, isn't this? | 0:56:10 | 0:56:14 | |
It all depends on the very last lot. | 0:56:14 | 0:56:18 | |
That's right, Anita. | 0:56:18 | 0:56:20 | |
How will Jonathan fare with his Victorian gold brooch - | 0:56:20 | 0:56:24 | |
the one that is studded with diamonds? | 0:56:24 | 0:56:28 | |
Breathe in... | 0:56:28 | 0:56:29 | |
And relax. | 0:56:31 | 0:56:32 | |
-Are you all right? -Yeah. | 0:56:34 | 0:56:35 | |
100 bid. Down at the very bottom. £100 on bid. Lovely gold brooch. | 0:56:37 | 0:56:40 | |
Come on, come on, please! | 0:56:40 | 0:56:42 | |
110. 120. 130. | 0:56:42 | 0:56:46 | |
140. 150. 160. | 0:56:46 | 0:56:49 | |
170. 180. 190. | 0:56:49 | 0:56:52 | |
-At 190 bid. -Come, don't stop now, don't stop now. | 0:56:52 | 0:56:55 | |
At 190. 200. | 0:56:55 | 0:56:57 | |
-200 bid. 210. -There we are. -You've done it. | 0:56:57 | 0:57:00 | |
230. At 230 bid. | 0:57:00 | 0:57:02 | |
Still room to go on him. At 230. On the market at 230. | 0:57:02 | 0:57:06 | |
The last lot! | 0:57:07 | 0:57:09 | |
Yippee! | 0:57:11 | 0:57:12 | |
Jonathan's won today's auction, but who will be the overall winner? | 0:57:12 | 0:57:17 | |
Let's do the maths. | 0:57:17 | 0:57:19 | |
-Shall we go and get some fresh air? -Yeah. -Come on. | 0:57:19 | 0:57:22 | |
Anita started this leg with £471.03, | 0:57:26 | 0:57:30 | |
and, after paying auction costs, made a loss of £100.54, | 0:57:30 | 0:57:36 | |
bringing her final earnings to £370.49. | 0:57:36 | 0:57:39 | |
Jonathan, meanwhile, started with £337.77 | 0:57:44 | 0:57:49 | |
and made a profit of £50.09, netting him £387.86. | 0:57:49 | 0:57:55 | |
Hey, Jonathan, settle down, that's almost scary. | 0:57:55 | 0:57:59 | |
So, the winner for this Road Trip by less than £20 is... | 0:58:02 | 0:58:07 | |
..Jonathan! | 0:58:07 | 0:58:09 | |
Oh, that is unbelievable, isn't it? | 0:58:13 | 0:58:17 | |
-I honestly thought I was going to be... -I know! | 0:58:17 | 0:58:20 | |
-Oh, I'm sorry. -No, that's great. -That's brilliant. -Well done, Johnny. | 0:58:20 | 0:58:25 | |
All profits our experts make go to Children In Need. | 0:58:25 | 0:58:29 |