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It's the nation's favourite antiques experts with ?200 each... | 0:00:03 | 0:00:07 | |
I love that! ..a classic car and a goal to scour Britain for antiques. | 0:00:07 | 0:00:12 | |
Yipee! My heart's slightly racing. | 0:00:12 | 0:00:15 | |
The aim - to make the biggest profit at auction, but it's no mean feat. | 0:00:15 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
So will it be the high road to glory, or the slow road to disaster? | 0:00:24 | 0:00:29 | |
Johnny, are we going to end up in a dead end? | 0:00:29 | 0:00:31 | |
This is the Antiques Road Trip! | 0:00:31 | 0:00:34 | |
Yeah! | 0:00:35 | 0:00:36 | |
It's the second leg of our trip in a little 1964 MG | 0:00:40 | 0:00:45 | |
with Jonathan Pratt and Anita Manning. | 0:00:45 | 0:00:49 | |
I think we're both going to the same shop. Are we? | 0:00:49 | 0:00:52 | |
What, shopping at the same time in the same shop? I think so. | 0:00:52 | 0:00:55 | |
Jonathan is an auctioneer and a former porter. | 0:00:55 | 0:00:58 | |
He grew up watching Lovejoy and likes to live dangerously. | 0:00:58 | 0:01:03 | |
If he could just make his mind up. | 0:01:03 | 0:01:07 | |
Anita turned her childhood love of art and antiques into a career as an auctioneer. | 0:01:07 | 0:01:12 | |
She also has a fondness for puppetry. | 0:01:12 | 0:01:15 | |
Isn't that great fun? | 0:01:15 | 0:01:17 | |
Anita had Jonathan in the palm of her hand at the auction in Glasgow. | 0:01:17 | 0:01:21 | |
Yes! | 0:01:21 | 0:01:23 | |
But today, in the beautiful Scottish Borders, her rival's finding his feet. | 0:01:23 | 0:01:28 | |
Ecclefechan? Ecclefechan. | 0:01:28 | 0:01:31 | |
SCOTS ACCENT: Ecclefechan. Oh, that's a great accent! | 0:01:31 | 0:01:34 | |
Eh! We've just come past Ecclefechan. | 0:01:34 | 0:01:38 | |
Jonathan started out with ?200. | 0:01:38 | 0:01:41 | |
And he's, so far, managed to turn that into ?235.34. Well done, boy! | 0:01:41 | 0:01:46 | |
Anita, who also began with ?200, | 0:01:48 | 0:01:51 | |
now has ?317.74. | 0:01:51 | 0:01:53 | |
Great! | 0:01:53 | 0:01:55 | |
Oh! | 0:01:56 | 0:01:57 | |
Whoa! Oh, hope that's not a sign of things to come. | 0:01:57 | 0:02:01 | |
Oh! LAUGHTER | 0:02:01 | 0:02:04 | |
Anita and Jonathan are travelling over 400 miles, | 0:02:04 | 0:02:06 | |
through Scotland, England and Wales, | 0:02:06 | 0:02:09 | |
from Glasgow, all the way to Llangefni on the island of Anglesey. | 0:02:09 | 0:02:13 | |
Today, we're starting out in the south-west of Scotland at Lockerbie, | 0:02:13 | 0:02:17 | |
and heading over the border to an auction in Darlington, County Durham. | 0:02:17 | 0:02:21 | |
Lockerbie is a Norse name, apparently, and the town has a long and venerable history, | 0:02:24 | 0:02:29 | |
especially since Thomas Telford supplied the Carlisle-Glasgow road | 0:02:29 | 0:02:33 | |
in the early 19th century. | 0:02:33 | 0:02:36 | |
Ah, just outside there. Wonderful! | 0:02:36 | 0:02:39 | |
Jonathan, look at that! What...? JONATHAN LAUGHS | 0:02:40 | 0:02:44 | |
Well, how about that? | 0:02:46 | 0:02:48 | |
Anita already has something. | 0:02:48 | 0:02:50 | |
Looks like you've got there a bit too late, Jonathan. | 0:02:50 | 0:02:53 | |
I was looking at this wee vintage watch. | 0:02:53 | 0:02:56 | |
I think it's probably from the 1950s, '60s. | 0:02:56 | 0:02:59 | |
Anita's found Irene to strike a deal with. | 0:02:59 | 0:03:02 | |
It's at ?20. I'm looking to buy it for less, if I can. | 0:03:02 | 0:03:08 | |
What's the very, very, very best that you can do on that? | 0:03:08 | 0:03:12 | |
Erm, what about 12? 12? | 0:03:12 | 0:03:16 | |
Well, she said that 20 was cheap. | 0:03:16 | 0:03:18 | |
Let's go for 12. That's lovely. | 0:03:18 | 0:03:20 | |
Thank you. Thank you very much. That is smashing. I'm pleased with that. | 0:03:20 | 0:03:24 | |
It looks a lot better than mine. It does. | 0:03:24 | 0:03:28 | |
On that note, let's see what Jonathan's been up to. | 0:03:29 | 0:03:33 | |
DING! | 0:03:33 | 0:03:34 | |
Quite like that. Chinese porcelain bowl. | 0:03:34 | 0:03:37 | |
You've got a firing crack in the star crack in the bottom. | 0:03:37 | 0:03:40 | |
It's not a break. It's the body drying out and cracking in the kiln. | 0:03:40 | 0:03:44 | |
This enamel decoration painted over the glaze is a little worn in places. | 0:03:44 | 0:03:49 | |
It's in remarkably good condition when you consider it's between 150 and 180 years old. | 0:03:49 | 0:03:55 | |
You have ?60 on it. | 0:03:55 | 0:03:58 | |
And you might take an offer of...? | 0:03:58 | 0:04:00 | |
35. Oh, OK. | 0:04:00 | 0:04:02 | |
OK, we're moving in the right direction. That's a very busy bowl! | 0:04:02 | 0:04:07 | |
Crikey! | 0:04:07 | 0:04:09 | |
That's rather a smart thing. | 0:04:09 | 0:04:12 | |
There's a dragon, picked out in gilt, with four toes. | 0:04:12 | 0:04:16 | |
The four-clawed dragon on porcelain | 0:04:16 | 0:04:19 | |
was usually for imperial nobility and high-ranking officials. | 0:04:19 | 0:04:23 | |
Those items with five-clawed dragons were reserved for the Emperor himself. | 0:04:23 | 0:04:28 | |
Improper use of claw numbers was punishable by execution, once upon a time. | 0:04:28 | 0:04:34 | |
Very nice decoration though, but what about the damage? | 0:04:34 | 0:04:38 | |
What a shame! What a shame! | 0:04:38 | 0:04:41 | |
It's still a very nice piece though. | 0:04:41 | 0:04:43 | |
How much is he? ?15. ?15? Yes. | 0:04:43 | 0:04:47 | |
Go on, Jonathan, get your wallet out! | 0:04:47 | 0:04:50 | |
Er... | 0:04:50 | 0:04:52 | |
And the other one would be 35? Yes. | 0:04:52 | 0:04:54 | |
You can do it. | 0:04:54 | 0:04:56 | |
?35... You wouldn't do the two for ?40? | 0:04:56 | 0:04:58 | |
Erm... Yes, go on. I will. | 0:04:58 | 0:04:59 | |
The two bowls for ?40? Yes. I'll have those. | 0:04:59 | 0:05:02 | |
Thank you very much. Lovely. | 0:05:02 | 0:05:04 | |
At last, JP! Well done. | 0:05:04 | 0:05:07 | |
Now, I think Anita might have designs on the tableware. | 0:05:07 | 0:05:11 | |
These are highly collectable. | 0:05:11 | 0:05:14 | |
They're Homemaker plates. 20th-century design. | 0:05:14 | 0:05:18 | |
And I love 20th-century design. | 0:05:18 | 0:05:20 | |
Homemaker was created by Enid Seeney. | 0:05:21 | 0:05:24 | |
It was once very popular in Woolworth's. | 0:05:24 | 0:05:27 | |
People were getting away from pre-war styles. They wanted something modern. | 0:05:27 | 0:05:32 | |
They wanted something new. 20, 30, 40. | 0:05:32 | 0:05:36 | |
?70. In an auction in London, that's not dear, | 0:05:36 | 0:05:42 | |
but they're going to an auction in Darlington. | 0:05:42 | 0:05:45 | |
I'm going to have a think about those. Definitely have a think. | 0:05:45 | 0:05:49 | |
Well, these two experts do seem to have uncannily similar tastes today. | 0:05:49 | 0:05:53 | |
Gent's Longines automatic. | 0:05:53 | 0:05:55 | |
Now he's after a watch! | 0:05:55 | 0:05:57 | |
From about the '60s. I quite like that. | 0:05:57 | 0:06:00 | |
It's a nice watch. It's quite wearable today still. | 0:06:00 | 0:06:04 | |
The market for gentlemen's automatics, and certainly mechanical watches, | 0:06:04 | 0:06:08 | |
is reasonably buoyant, you know? | 0:06:08 | 0:06:11 | |
It's gold-plated... Yes, it's gold-plated. | 0:06:11 | 0:06:15 | |
I think that one would have 60 on it, so I would take 35. | 0:06:15 | 0:06:19 | |
ANITA IN THE DISTANCE: It's a nice thing, a nice thing. | 0:06:19 | 0:06:21 | |
I was looking at the Homemaker plates here. Oh, yes. | 0:06:21 | 0:06:25 | |
I'm interested in those. | 0:06:25 | 0:06:28 | |
Give you 30. | 0:06:29 | 0:06:32 | |
Hello. Hello. | 0:06:32 | 0:06:34 | |
I'm kind of looking for a price around about ?25. | 0:06:34 | 0:06:38 | |
30 would be fine. 30? | 0:06:38 | 0:06:40 | |
I think I'll go for that and just take the chance on it. | 0:06:40 | 0:06:44 | |
BEEP-BEEP! | 0:06:45 | 0:06:46 | |
And Jonathan's certainly sounding pleased with himself. | 0:06:46 | 0:06:50 | |
BEEP-BEEP! | 0:06:50 | 0:06:52 | |
Oh, do calm down! | 0:06:52 | 0:06:53 | |
Patience! Patience, Jonathan. Patience. | 0:06:53 | 0:06:56 | |
Do you like what you bought? Well, I... Who knows, who knows? | 0:06:56 | 0:07:00 | |
You don't want to tell me anything! Drive on, Macduff! | 0:07:00 | 0:07:03 | |
It's "Jonathan" actually! | 0:07:03 | 0:07:06 | |
They are travelling to the outskirts of Dumfries. | 0:07:06 | 0:07:09 | |
Anita wants to shop by herself | 0:07:09 | 0:07:11 | |
so she's commandeered the car to get there as soon as possible. | 0:07:11 | 0:07:15 | |
Hello! Hi. I'm Anita. I'm Douglas. Pleased to meet you. | 0:07:17 | 0:07:21 | |
It's lovely to be here. Is it "Dougie"? I was just being polite though! | 0:07:21 | 0:07:27 | |
OK! | 0:07:27 | 0:07:28 | |
Well, those two seem to have hit it off straight away. | 0:07:28 | 0:07:31 | |
I was looking at this little stool here. | 0:07:33 | 0:07:35 | |
It's not old. It's all dressed up and pretending to be | 0:07:37 | 0:07:41 | |
something older and something more luxurious than it actually is. | 0:07:41 | 0:07:46 | |
There is a French look about that. | 0:07:46 | 0:07:49 | |
A sort of hint of luxury there, which I do like. | 0:07:49 | 0:07:52 | |
?65. It's got the look. Yeah. | 0:07:52 | 0:07:55 | |
And I don't mind the fact that it's metal. | 0:07:55 | 0:07:58 | |
Can I make you an offer of ?24? | 0:07:58 | 0:08:01 | |
You know, I might get away with it at 24. Make it 25. 25? | 0:08:01 | 0:08:06 | |
I've got to take it. OK, thanks. Great. | 0:08:06 | 0:08:09 | |
But Anita's not putting her feet up just yet. Oh, no! | 0:08:09 | 0:08:12 | |
Time to step out into the garden. | 0:08:12 | 0:08:14 | |
Look at that one. | 0:08:14 | 0:08:17 | |
That is absolutely beautiful. | 0:08:17 | 0:08:23 | |
And that's the type of cast-iron fire place | 0:08:23 | 0:08:26 | |
that you would find in a Glasgow tenement building. | 0:08:26 | 0:08:29 | |
Glasgow loved Art Nouveau. | 0:08:29 | 0:08:32 | |
Mmm. But is it the right thing for a general sale in Darlington? | 0:08:32 | 0:08:35 | |
Look at these sinuous tendrils | 0:08:35 | 0:08:38 | |
which are coming up to this heart-shaped affair here. | 0:08:38 | 0:08:42 | |
This is just absolutely lovely. | 0:08:42 | 0:08:45 | |
It's odd to think that in the days before central heating, | 0:08:45 | 0:08:49 | |
fireplaces were functional items, | 0:08:49 | 0:08:52 | |
rather than a decorative focal point. | 0:08:52 | 0:08:54 | |
This one's priced at just ?30. | 0:08:54 | 0:08:57 | |
Now, who's going to make the first offer this time? | 0:08:57 | 0:09:00 | |
I'd like to be paying ?20. | 0:09:00 | 0:09:02 | |
Give me 25 and it's yours. 25? 25. | 0:09:02 | 0:09:05 | |
Are you dying to get rid of that? No. | 0:09:05 | 0:09:08 | |
Just a sense of... No, I'll give you it for 25. | 0:09:08 | 0:09:12 | |
You'll give me it for 25. Dougie, it's a deal. | 0:09:12 | 0:09:15 | |
That is a popular figure. I wonder if these two would always, somehow, | 0:09:15 | 0:09:20 | |
arrive at ?25? | 0:09:20 | 0:09:22 | |
Back in the car, our pair are trying to find England. | 0:09:25 | 0:09:28 | |
This is someone's driveway we're going down. Someone's driveway. | 0:09:31 | 0:09:34 | |
Somehow they've found the border | 0:09:36 | 0:09:38 | |
and they're heading to Carlisle in Cumbria. | 0:09:38 | 0:09:40 | |
Do they know where they are? | 0:09:43 | 0:09:45 | |
Eden Bridge. Was it Eden Bridge it says? I thought that was in Kent! | 0:09:45 | 0:09:50 | |
No, definitely Carlisle. | 0:09:50 | 0:09:52 | |
There's the Antiques Centre for a start. | 0:09:52 | 0:09:55 | |
Now that looks interesting. Can smell the bargains already! Oh, excellent! That's my boy! | 0:09:55 | 0:09:59 | |
Have a great morning. OK, bye-bye. | 0:09:59 | 0:10:02 | |
Hello! Crikey! What a place this is! Hello, Jonathan. | 0:10:06 | 0:10:09 | |
Nice to see you. And welcome to Carlisle. Thank you! | 0:10:09 | 0:10:11 | |
Do I need a map? I could get lost quite easily in here. Maybe start in the first one. | 0:10:11 | 0:10:17 | |
I know what you mean, Jonathan. This place does seem like a whole street full of antique shops, | 0:10:17 | 0:10:22 | |
tastefully rearranged. | 0:10:22 | 0:10:24 | |
We could be here some time. | 0:10:24 | 0:10:27 | |
HE WHISTLES | 0:10:27 | 0:10:28 | |
This is kind of fun, little transfer-printed plate from the middle part of the 19th century. | 0:10:28 | 0:10:33 | |
"Yorkshire Relish" on there, which is quite cool. | 0:10:33 | 0:10:36 | |
I think the auction's in Yorkshire. Darlington's in Yorkshire, isn't it? | 0:10:36 | 0:10:39 | |
Well, County Durham, actually. | 0:10:39 | 0:10:41 | |
Anyway, I think that's rather fun, actually. | 0:10:41 | 0:10:43 | |
It's not chipped. It's not cracked. They're only asking ?7! | 0:10:43 | 0:10:48 | |
HE LAUGHS | 0:10:48 | 0:10:49 | |
If I'm going to be frugal... ?7 is frugal, isn't it? | 0:10:49 | 0:10:53 | |
I think Anita would approve of that, too, but where's she got to? | 0:10:53 | 0:10:57 | |
One of the oldest parts of Carlisle, apparently, and, surely, one of the town's smallest shops. | 0:10:58 | 0:11:03 | |
Hi, folks. Hello. I'm Anita. Pleased to meet you. | 0:11:03 | 0:11:07 | |
I'm John. This is Julie. Ah, John and Julie! | 0:11:07 | 0:11:10 | |
It's very small here, you know. Well, I'm only small as well. | 0:11:10 | 0:11:14 | |
ANITA LAUGHS | 0:11:14 | 0:11:16 | |
Just about everything in this shop is on the trim side, too, especially their coins. | 0:11:16 | 0:11:22 | |
I wonder if you can show me that piece there, please? | 0:11:22 | 0:11:27 | |
And there's a piece of amethyst at the top. | 0:11:27 | 0:11:31 | |
There you are. | 0:11:31 | 0:11:32 | |
I suppose they are antiques, in a way, | 0:11:32 | 0:11:35 | |
but she seems determined to break new ground here. Huh! | 0:11:35 | 0:11:38 | |
I know what that is, but I don't know what that is. Tell me about that. | 0:11:38 | 0:11:43 | |
This is a fossil and it's an early form of squid. | 0:11:43 | 0:11:48 | |
Squid? Yes. And it's called an orthoceras. | 0:11:48 | 0:11:52 | |
And... And it swam along through the water. | 0:11:52 | 0:11:56 | |
Are you following this, Anita? | 0:11:56 | 0:11:58 | |
Eventually, they curled up and we ended up with a fully curled ammonite. | 0:11:58 | 0:12:05 | |
Has that come out of the sea then? Well, millions of years ago. | 0:12:05 | 0:12:08 | |
It's been fossilised, become part of the rock. Right. | 0:12:08 | 0:12:11 | |
And all that's happened, it's been cut in half and polished. | 0:12:11 | 0:12:15 | |
I was just thinking... | 0:12:15 | 0:12:16 | |
These would make a great pair of earrings! | 0:12:16 | 0:12:19 | |
LAUGHTER | 0:12:19 | 0:12:21 | |
So while Anita grapples with the coming together of jewellery and natural selection, | 0:12:21 | 0:12:25 | |
what's Jonathan unearthed? Not Whistler's are they? | 0:12:25 | 0:12:29 | |
Oh, they're nice as well. | 0:12:31 | 0:12:33 | |
You've got sort of a flower seller and this lady here who has a... | 0:12:33 | 0:12:37 | |
I suppose she's the same really. Almost Romanian, or that sort of area. | 0:12:37 | 0:12:42 | |
Pretty girls always sell, that's the thing. | 0:12:42 | 0:12:45 | |
Ideally, with as little clothing on as possible, but you know... | 0:12:45 | 0:12:48 | |
Beggars can't be choosers. | 0:12:48 | 0:12:51 | |
1881. It's a German name. | 0:12:51 | 0:12:53 | |
"A H Weigall". W-E-I-G-A-L-L. | 0:12:53 | 0:12:57 | |
Arthur Howe Weigall, 1836-1894, was an English painter, | 0:12:57 | 0:13:02 | |
about whom very little is known. | 0:13:02 | 0:13:05 | |
But the somewhat tatty condition of these two only adds to their authenticity in a way. | 0:13:05 | 0:13:10 | |
A picture dealer won't complain about that too much. They know they can get it restored. | 0:13:10 | 0:13:13 | |
I've sold pictures where they've made silly money with holes in, | 0:13:13 | 0:13:16 | |
because it makes it feel like it's fresh to the market. | 0:13:16 | 0:13:20 | |
There's no price on these, but they almost certainly won't be cheap. | 0:13:20 | 0:13:24 | |
I don't really want to go blowing over ?100 on one item. | 0:13:24 | 0:13:28 | |
And if those pictures come in at that, then I'll... | 0:13:28 | 0:13:31 | |
then I'll stand around staring at them for 20 minutes, thinking about it! | 0:13:31 | 0:13:37 | |
Time for some decisive action. | 0:13:37 | 0:13:39 | |
Are you open to offers? | 0:13:39 | 0:13:40 | |
The pair - and it might be a nice surprise for you - 125. | 0:13:40 | 0:13:43 | |
The figure in my mind was... Crikey! ..even at the most was ?100. | 0:13:46 | 0:13:50 | |
So how about 110? | 0:13:50 | 0:13:53 | |
Er, come back to that in a second. Yes. This is not a big, big buy. This little chap here. Oh, yes. | 0:13:53 | 0:13:58 | |
You've got ?7 on it. Actually, it's not great leverage on a pair of pictures like that, is it? | 0:13:58 | 0:14:04 | |
Not quite, but it all helps. | 0:14:04 | 0:14:07 | |
So we'll knock a pound off, how about that? For good measure. | 0:14:07 | 0:14:09 | |
Get on with it, boy! | 0:14:09 | 0:14:12 | |
I'll go ?7 on that and pay the full asking price, | 0:14:12 | 0:14:16 | |
and you give me those for 100. Oh, it's just a bit tight that. | 0:14:16 | 0:14:20 | |
HE LAUGHS | 0:14:20 | 0:14:22 | |
I'll do that at six and I'll do those at 105, how about that? | 0:14:22 | 0:14:26 | |
105? That's 111. Er... | 0:14:26 | 0:14:29 | |
TICK-TOCK, TICK-TOCK | 0:14:29 | 0:14:31 | |
I'm not a fan of odd numbers. Shall we knock the one off then? | 0:14:31 | 0:14:34 | |
So we're looking at 110 for the two. 110. Fiver for this, 105 for those two. Yes. | 0:14:34 | 0:14:37 | |
And I hope you do well with them. It's real gamble. | 0:14:37 | 0:14:40 | |
Hand on brow. Could we be close? | 0:14:40 | 0:14:43 | |
No. | 0:14:43 | 0:14:44 | |
TICK-TOCK, TICK... | 0:14:44 | 0:14:47 | |
OK. OK? | 0:14:47 | 0:14:49 | |
Well done. Thank you. I'll go for those two. | 0:14:49 | 0:14:51 | |
At last! | 0:14:51 | 0:14:53 | |
My heart's slightly racing. | 0:14:53 | 0:14:55 | |
More of a heart ache for us! | 0:14:55 | 0:14:57 | |
..Four, five... | 0:14:57 | 0:14:59 | |
Well, he did end up spending over ?100, but those things could fly. | 0:14:59 | 0:15:03 | |
Now, what about Anita? She has been busy. | 0:15:03 | 0:15:06 | |
So the citrine, the amethyst and the agate, | 0:15:06 | 0:15:11 | |
and this little chap here... A geode. Geode. | 0:15:11 | 0:15:14 | |
These are all natural minerals and I have my ammonite. | 0:15:14 | 0:15:19 | |
And my... Orthoceras. Orthoceras. | 0:15:19 | 0:15:22 | |
And if I put these together... They come to 53.50. | 0:15:22 | 0:15:27 | |
I would like to be paying something in the region of ?20, ?25. | 0:15:27 | 0:15:32 | |
Have you been thrown out of many antique shops? | 0:15:32 | 0:15:35 | |
ANITA LAUGHS | 0:15:35 | 0:15:37 | |
I would be happy at 30. | 0:15:37 | 0:15:39 | |
Yeah, I think, as you've shown so much appreciation of them. Thank you very much, Julie. | 0:15:39 | 0:15:44 | |
Ah, well! Time for our two to get motoring. | 0:15:44 | 0:15:47 | |
Leaving Carlisle and heading east to the nearby market town of Brampton. | 0:15:50 | 0:15:55 | |
I'll drop you off here, Jonathan. Ah, lovely. | 0:15:57 | 0:15:59 | |
So last shop, darling. | 0:15:59 | 0:16:02 | |
Well, he's got just ?55.34 to play with here, | 0:16:03 | 0:16:07 | |
so he'll certainly have to choose wisely. | 0:16:07 | 0:16:10 | |
Hiya. Hi. Steve. Hi. Jonathan. Hi, Jonathan. It's like a Tardis, isn't it? | 0:16:10 | 0:16:15 | |
Yes! But it's a bit more comfy, actually, and stuffed with nice | 0:16:15 | 0:16:19 | |
and, very possibly, expensive things. | 0:16:19 | 0:16:22 | |
It might be simpler if I just asked you what you can sell me for what I've got! | 0:16:24 | 0:16:28 | |
Not a bad plan, Jonathan. | 0:16:28 | 0:16:31 | |
Ah, a letter seal. | 0:16:31 | 0:16:33 | |
What do you think? It's a fabulous piece of amber. | 0:16:35 | 0:16:37 | |
It's a big lump of amber. It's lovely, isn't it? | 0:16:37 | 0:16:40 | |
It's continental, so it's probably... 800, possibly German or something. | 0:16:40 | 0:16:44 | |
Amber is a type of sappy tree resin often from the Baltic | 0:16:44 | 0:16:47 | |
thanks to the many forests that surround that region. | 0:16:47 | 0:16:50 | |
The price though is a bit beyond his budget. | 0:16:50 | 0:16:54 | |
I've got 55 quid. That's all I have. That's fine. That is all I, isn't it? | 0:16:54 | 0:16:59 | |
Yeah, that's all you've got, mate. | 0:16:59 | 0:17:01 | |
We'll turn you upside-down and shake you! So that for 55? That'll be fine. Fair enough. Deal. | 0:17:01 | 0:17:06 | |
That little deal nicely wraps up Jonathan's purchases and empties his pockets of all but 34p. | 0:17:06 | 0:17:12 | |
We're done! Cheers! All the best. | 0:17:12 | 0:17:14 | |
So much for saving money then, eh? | 0:17:14 | 0:17:17 | |
Unlike Anita, who's still sitting on almost ?200. | 0:17:17 | 0:17:21 | |
She's finished shopping, too, and is heading back north | 0:17:23 | 0:17:26 | |
from Brampton across the Scottish border to the village of Gretna Green. | 0:17:26 | 0:17:30 | |
Is she going to marry? | 0:17:30 | 0:17:33 | |
# I'm on my way to Gretna Green | 0:17:33 | 0:17:36 | |
# Where the prettiest gal you've ever seen... # | 0:17:38 | 0:17:41 | |
Gretna's been firmly on the runway marriage map since the middle of the 18th century - | 0:17:41 | 0:17:46 | |
the very word spelling "ruin" from Jane Austen right up to EastEnders. | 0:17:46 | 0:17:52 | |
But Anita's here to find out exactly why. | 0:17:52 | 0:17:55 | |
Hello, Anita. Welcome to Gretna Green and the famous blacksmith's shop. | 0:17:55 | 0:17:58 | |
Oh, Gretna Green! One of the most romantic destinations in the world! | 0:17:58 | 0:18:05 | |
Would you like to come through and see a little more of it? I'd love to. Lead on, Jim! | 0:18:05 | 0:18:09 | |
# I've got to get to Gretna Green | 0:18:09 | 0:18:13 | |
# Cos the Pa is mad and the Ma is mean... # | 0:18:13 | 0:18:15 | |
It was a change in English law, plus Gretna's location, | 0:18:17 | 0:18:21 | |
slap bang on the border, that transformed the village into a sort of Scottish Las Vegas, | 0:18:21 | 0:18:26 | |
at the centre of which has always been the unlikely figure of the blacksmith. | 0:18:26 | 0:18:31 | |
So this is the actual blacksmith's shop. This is where it all took place? Yes. | 0:18:31 | 0:18:36 | |
This building would have been the first building those young couples | 0:18:36 | 0:18:40 | |
running away from angry parents down in England would have found. | 0:18:40 | 0:18:43 | |
Why did they come to Scotland? Young ladies, like yourself and others, | 0:18:43 | 0:18:48 | |
were marrying the wrong sort of people. They might have been marrying beneath themselves, | 0:18:48 | 0:18:52 | |
or someone the family didn't approve of. | 0:18:52 | 0:18:54 | |
The English passed a law saying no longer will you be allowed to marry in England | 0:18:54 | 0:18:59 | |
if you were under 21, unless your parents agree with your choice of husband or wife. | 0:18:59 | 0:19:03 | |
The Scots, when asked by the English to pass the same law, declined. | 0:19:03 | 0:19:07 | |
They said, "We don't need a law like that. We have our own customs and conventions, | 0:19:07 | 0:19:12 | |
"and one of those conventions is that you may marry at 15. | 0:19:12 | 0:19:15 | |
"You need no-one's permission. On your own head be it if you get it wrong." That was your business. | 0:19:15 | 0:19:21 | |
I love that! | 0:19:21 | 0:19:23 | |
Because the blacksmith on the border was a highly respectable craftsman, | 0:19:23 | 0:19:28 | |
he landed the part-time job of conducting irregular marriages. | 0:19:28 | 0:19:32 | |
Gretna became synonymous with anvil priests and angry parents. | 0:19:32 | 0:19:38 | |
ANITA LAUGHS Complete... I love this, here. | 0:19:38 | 0:19:41 | |
"Filial affection or a trip to Gretna Green". | 0:19:41 | 0:19:45 | |
And this was an effect of the new Marriage Act. | 0:19:45 | 0:19:48 | |
Filial affection doesn't usually extend to whips and guns, but... | 0:19:48 | 0:19:52 | |
ANITA LAUGHS | 0:19:52 | 0:19:54 | |
Long before the Scottish and English laws harmonised, | 0:19:57 | 0:20:00 | |
the village was one of the marriage capitals of the world. | 0:20:00 | 0:20:04 | |
Nowadays, they come for the romance alone | 0:20:04 | 0:20:06 | |
and there are over 5,000 weddings in the area every year. | 0:20:06 | 0:20:10 | |
Anvils are usually involved. | 0:20:10 | 0:20:12 | |
Anita, you and your hus... LAUGHTER | 0:20:12 | 0:20:15 | |
I strike the anvil, symbolic of joining two hearts, | 0:20:15 | 0:20:19 | |
just as I join two pieces of iron and steel with the heat of the fire in the anvil | 0:20:19 | 0:20:23 | |
never to be separated. So now, you two, are joined. | 0:20:23 | 0:20:27 | |
I'm feeling quite emotional now! Does that mean that we're married? | 0:20:27 | 0:20:31 | |
Whatever you want to think, dear. Come on! | 0:20:31 | 0:20:34 | |
It will never last, you know. | 0:20:34 | 0:20:38 | |
Here's a quick catch-up of just how many pennies they spent. | 0:20:40 | 0:20:44 | |
Anita started out with ?317.74 and she spent | 0:20:44 | 0:20:48 | |
just ?122 of it on five auction lots. | 0:20:48 | 0:20:52 | |
Jonathan began with ?235.34 and he spent everything, | 0:20:54 | 0:20:58 | |
apart from the pennies, on his five auction lots. | 0:20:58 | 0:21:02 | |
What are their thoughts on their bags of antiques? | 0:21:02 | 0:21:06 | |
The little amber seal. | 0:21:06 | 0:21:09 | |
I'm not sure how old it is and I'm not sure it is amber. | 0:21:09 | 0:21:13 | |
I think he might have slipped up on that, but you never know. | 0:21:13 | 0:21:15 | |
Very clever lot of purchases. Guaranteed profit with the watch. | 0:21:15 | 0:21:19 | |
Guaranteed profit with the Homemaker, but I've bought a great pair of paintings, | 0:21:19 | 0:21:23 | |
and I honestly think I could make losses on the rest and still thrash her at this auction. | 0:21:23 | 0:21:28 | |
Well, after starting out in the Scottish Borders at Lockerbie, this leg of our trip | 0:21:28 | 0:21:33 | |
will conclude at an auction in Darlington. | 0:21:33 | 0:21:36 | |
Although it's very far north, should we call it your stomping ground, Jonathan? | 0:21:36 | 0:21:41 | |
Yes, I suppose the North and the Midlands is very much where the Pratts came from. | 0:21:41 | 0:21:44 | |
Really? Yes. Here. Only there are Pratts everywhere, I know that! | 0:21:44 | 0:21:50 | |
Looking forward to this, dear boy. Me, too! Me, too! | 0:21:51 | 0:21:54 | |
Thomas Watson's have been holding auctions at this very saleroom since 1840. | 0:21:54 | 0:22:00 | |
So I'm sure they can shift whatever Anita and Jonathan have bought. | 0:22:00 | 0:22:04 | |
Well, we hope so! Peter Robinson is our auctioneer commanding today's sale. | 0:22:04 | 0:22:09 | |
Are you nervous? Are you worried? I am nervous. I am always nervous before the sale. | 0:22:09 | 0:22:14 | |
And I start to feel jittery. That's the coffee. Yeah! | 0:22:14 | 0:22:19 | |
Oh, dear! Relax. It's Anita's tableware first. | 0:22:19 | 0:22:23 | |
Here we are. | 0:22:23 | 0:22:25 | |
?30 bid. To start at ?30. I have 5. 40. 5. | 0:22:25 | 0:22:29 | |
50. 5. ?55 on my right. I'm happy. | 0:22:29 | 0:22:32 | |
?55. Selling... I have 60! 5. Up in the Gods. | 0:22:32 | 0:22:36 | |
70, sir? Seven pieces? ?65 downstairs on my right. | 0:22:36 | 0:22:41 | |
?65! Being sold now at ?65 for the lot. | 0:22:41 | 0:22:45 | |
Yes! Very good! Yes! I'm happy with that. | 0:22:45 | 0:22:48 | |
So is that ?35 profit? Yeah! | 0:22:48 | 0:22:50 | |
Yes, it's a good start, Anita! | 0:22:50 | 0:22:52 | |
Oh, game on! Game on! Game on! | 0:22:52 | 0:22:55 | |
This could be interesting. | 0:22:55 | 0:22:58 | |
I've got some of this at home. I can't stand it! | 0:22:58 | 0:23:01 | |
Clare's grandmother had it. | 0:23:01 | 0:23:03 | |
?15. At ?15. 20 for the collection. 20 I'm bid. | 0:23:03 | 0:23:07 | |
25 can I have? 25. 30. 5. | 0:23:07 | 0:23:10 | |
40. Yes! 5. 50. | 0:23:10 | 0:23:13 | |
5. 60. What?! Yes! Yes, sir. | 0:23:13 | 0:23:15 | |
60, gentleman to my right. At ?60. | 0:23:15 | 0:23:18 | |
Selling now to my right at ?60. All finished? ?60 for the lot? All done? | 0:23:18 | 0:23:23 | |
Yes! Ah! That's amazing! I know, it is. | 0:23:23 | 0:23:27 | |
You've doubled your money already. I know. | 0:23:27 | 0:23:30 | |
Bodes well for the day. Next, the Chinese porcelain, with crack. | 0:23:30 | 0:23:36 | |
Can we start at ?20? For the two pieces together. 20 I'd bid. | 0:23:36 | 0:23:39 | |
Thank you. 5. 30. 5. 40. ?35. | 0:23:39 | 0:23:43 | |
Lady's bid. 40. 5. Internet's going. 60. 5. | 0:23:43 | 0:23:48 | |
70. ?65. 70. | 0:23:48 | 0:23:50 | |
5. ?70 to my... 5. 80. | 0:23:50 | 0:23:53 | |
85 I'm bid on the net now. 85. 100. | 0:23:55 | 0:23:58 | |
At ?95. The bid's up with the net. Keep going! Round it up! | 0:23:58 | 0:24:01 | |
You're all out in the room. At ?95. Being sold now at ?95. All done. | 0:24:01 | 0:24:06 | |
Get in there. Well done, darling. That's a good start. A great start. | 0:24:06 | 0:24:11 | |
Are you ecstatic? Yes! Relieved. | 0:24:11 | 0:24:14 | |
I think it could be one of those days. | 0:24:14 | 0:24:17 | |
Now, is Jonathan's amber a gamble? | 0:24:17 | 0:24:20 | |
Can I have ?25 bid? ?25 for it, little seal. At ?25. | 0:24:20 | 0:24:25 | |
30 on the net. 35. 40. | 0:24:25 | 0:24:28 | |
At ?35. It's in the book at ?35. | 0:24:28 | 0:24:32 | |
40 in the room, on my right. ?40. 45. 50. | 0:24:32 | 0:24:36 | |
55. Here we go! 60. 65. | 0:24:36 | 0:24:39 | |
70. 75. 80. I think you've being lucky here, Johnny boy! 90. | 0:24:39 | 0:24:44 | |
95. ?90 and shaking the head on the left. | 0:24:44 | 0:24:48 | |
At ?90. On my right then at ?90. 95 anywhere else? | 0:24:48 | 0:24:51 | |
At ?90. The bid's to my right at ?90 for the lot. | 0:24:51 | 0:24:55 | |
Aw, I think you were a bit lucky there. A BIT lucky? | 0:24:55 | 0:25:00 | |
But that was good. | 0:25:00 | 0:25:01 | |
Yes, it almost got a bit stuck. | 0:25:01 | 0:25:03 | |
Now it's time for Anita's foot stool. | 0:25:03 | 0:25:06 | |
Louis quinze... Style! Style. THEY LAUGH | 0:25:06 | 0:25:10 | |
At ?50 bid. At ?50. 55 I have. | 0:25:10 | 0:25:14 | |
60. 65. 70. | 0:25:14 | 0:25:16 | |
?70 that I'm bid. ?70. Are we all finished? At ?70. | 0:25:16 | 0:25:19 | |
All done? Bid's in the book. ?70 for this lot. | 0:25:19 | 0:25:23 | |
75. 75! In the balcony. ?75 now. In the balcony. | 0:25:23 | 0:25:27 | |
At ?75. All finished at ?75? All done? | 0:25:27 | 0:25:31 | |
GAVEL BANGS DOWN | 0:25:31 | 0:25:34 | |
Yes! Anita, you are amazing! | 0:25:34 | 0:25:37 | |
Well, it's worth its weight in...cast iron. | 0:25:37 | 0:25:40 | |
More of Anita's metal and Art Nouveau this time. | 0:25:41 | 0:25:45 | |
Isn't that beautiful? | 0:25:45 | 0:25:47 | |
?20, can I say to start me off? 20 I have. | 0:25:47 | 0:25:50 | |
?20. Nearly there. 25. There you go. | 0:25:50 | 0:25:53 | |
At ?20. 25. Here we go! 30. 35. | 0:25:53 | 0:25:57 | |
35. 40. Profit. ?40 for the lot. | 0:25:57 | 0:26:00 | |
GAVEL BANGS DOWN | 0:26:00 | 0:26:01 | |
I would have liked it to get more. | 0:26:01 | 0:26:03 | |
Someone's got a bit of a bargain. | 0:26:03 | 0:26:06 | |
So far, no losses. All right. Fingers crossed, Johnny. | 0:26:06 | 0:26:09 | |
Next up, Jonathan's cheapest purchase yet. | 0:26:09 | 0:26:13 | |
This is my favourite object. Is it? | 0:26:13 | 0:26:15 | |
?20 bid. At ?20. | 0:26:15 | 0:26:17 | |
Really? At ?20. 25 can I say? Yeah! | 0:26:17 | 0:26:20 | |
At ?20. Get in there! 5 can I say? | 0:26:20 | 0:26:22 | |
25, front row. 30. 35, madam? | 0:26:22 | 0:26:25 | |
35. 40. 45, madam? | 0:26:25 | 0:26:28 | |
At ?40. The bid's with me at ?40. Sure? | 0:26:28 | 0:26:32 | |
45. ?40 then. The bid's with me at ?40. One more! | 0:26:32 | 0:26:36 | |
It's being sold at ?40. All done? | 0:26:36 | 0:26:39 | |
Very good. I'm very pleased. | 0:26:39 | 0:26:41 | |
I'm happier about that than anything else so far. Ah! | 0:26:41 | 0:26:43 | |
Ha! And we're not even in Yorkshire. | 0:26:43 | 0:26:45 | |
It's the battle of the watches. That's right! | 0:26:45 | 0:26:49 | |
What can Anita's little gold bargain job do? | 0:26:49 | 0:26:53 | |
30 bid. 35 on the internet. | 0:26:53 | 0:26:56 | |
40. At ?35. | 0:26:56 | 0:26:58 | |
At ?35 on the net. 40. | 0:26:58 | 0:27:01 | |
5. | 0:27:01 | 0:27:02 | |
45 in the room. 18-carat gold. 18-carat gold. | 0:27:03 | 0:27:07 | |
?40. The room bid I have at ?40. 45. | 0:27:07 | 0:27:10 | |
50, sir? Yep. 50. 55. 60? | 0:27:10 | 0:27:14 | |
Yep? 60. | 0:27:14 | 0:27:17 | |
65. Gosh! On my left at ?60. | 0:27:17 | 0:27:19 | |
Gentleman on my left under the balcony. 65! 70, sir? | 0:27:19 | 0:27:24 | |
No. At ?65. | 0:27:24 | 0:27:25 | |
A great find, Anita and a solid golden profit! | 0:27:25 | 0:27:30 | |
JONATHAN SIGHS | 0:27:30 | 0:27:32 | |
A hard act for Jonathan's watch to follow. Watch out! | 0:27:32 | 0:27:35 | |
?35 to start. 40. At ?40. 45. | 0:27:35 | 0:27:39 | |
45 in the balcony. 50. | 0:27:39 | 0:27:41 | |
The bidding's coming in quickly. | 0:27:41 | 0:27:44 | |
60 now. At ?55. | 0:27:44 | 0:27:46 | |
The bid's in the balcony at ?55. Don't stop! 60 anywhere. Being sold. | 0:27:46 | 0:27:50 | |
At ?55. Top left-hand side of the balcony. ?55. | 0:27:50 | 0:27:54 | |
There we go! | 0:27:54 | 0:27:55 | |
A bit disappointing that. Anita's won the watch fight. | 0:27:55 | 0:27:59 | |
But this frantic adding up shows that Jonathan's still in with a chance. | 0:27:59 | 0:28:03 | |
Now for his paintings. If they live up to Jonathan's expectations, | 0:28:03 | 0:28:08 | |
he might just pip Anita today. | 0:28:08 | 0:28:10 | |
This is your important lot. This is your important lot! | 0:28:10 | 0:28:15 | |
We have ?50 bid for the pair of paintings. | 0:28:15 | 0:28:18 | |
At ?50. At ?50. 5. | 0:28:18 | 0:28:20 | |
60. 5. 70. 5. 80. 5. 90. | 0:28:20 | 0:28:24 | |
5. ?95 bid. 100. And 10. | 0:28:24 | 0:28:27 | |
20. 130. You've got a phone bid. ..150. 160. | 0:28:27 | 0:28:30 | |
Phone bid. 150 I'm bid. At 160. | 0:28:30 | 0:28:33 | |
170. 180. There's a lot of interest in the room. 200. | 0:28:33 | 0:28:37 | |
220. 240. No? | 0:28:37 | 0:28:39 | |
220 in the doorway. Keep going! It's got to be worth more. | 0:28:39 | 0:28:43 | |
At ?220. No? Shaking our heads here. We have 240. | 0:28:43 | 0:28:46 | |
260. No? 240 then. | 0:28:46 | 0:28:49 | |
Another bidder. You'll have it now at ?240. | 0:28:49 | 0:28:51 | |
Lady seated to my right at ?240. Are we all finished at 240? | 0:28:51 | 0:28:57 | |
You've doubled your money, so well spotted. | 0:28:57 | 0:29:00 | |
And well done, my darling. Thank you very much. Good! | 0:29:00 | 0:29:04 | |
So with that mighty profit, Jonathan is crowned | 0:29:04 | 0:29:07 | |
this leg's winner! | 0:29:07 | 0:29:09 | |
He began with ?235.34. | 0:29:09 | 0:29:12 | |
And after paying auction costs, made a profit of ?191.40, | 0:29:12 | 0:29:18 | |
leaving him with a respectable ?426.74. | 0:29:18 | 0:29:23 | |
However, Anita started out with ?317.74 | 0:29:24 | 0:29:29 | |
and, although she made a smaller profit of ?128.10 after costs, | 0:29:29 | 0:29:33 | |
her overall booty of ?445.84 | 0:29:33 | 0:29:37 | |
gives her a narrow lead on her rival overall. | 0:29:37 | 0:29:40 | |
Well, Johnny, one auction each. Mm! | 0:29:40 | 0:29:43 | |
So it's really all to play for, darling. It is all to play for. | 0:29:43 | 0:29:47 | |
So, what's going to happen next? We'll see. | 0:29:47 | 0:29:51 | |
And off we go again on the next leg, | 0:29:56 | 0:29:58 | |
with Anita, Jonathan and their 1964 MG. | 0:29:58 | 0:30:01 | |
It's chucking it down now! Yes! | 0:30:05 | 0:30:07 | |
You stupid boy! You should put on your coat! | 0:30:07 | 0:30:10 | |
You tell him, Anita! | 0:30:10 | 0:30:12 | |
Our experts are travelling over 400 miles | 0:30:13 | 0:30:15 | |
from the city of Glasgow all the way to Llangefni, | 0:30:15 | 0:30:19 | |
on the island of Anglesey. | 0:30:19 | 0:30:20 | |
They're beginning in the Yorkshire town of Middleham | 0:30:22 | 0:30:25 | |
and will auction in Luddenden Foot, in Halifax. | 0:30:25 | 0:30:28 | |
We continue our shopping expedition with the scurrying Anita. | 0:30:31 | 0:30:35 | |
She has a whopping ?445.84. | 0:30:35 | 0:30:40 | |
As a veteran Road Tripper, | 0:30:40 | 0:30:42 | |
Anita has met many antiques dealers. | 0:30:42 | 0:30:44 | |
Angela? Yes? | 0:30:46 | 0:30:48 | |
Owner Angela is one of them. | 0:30:48 | 0:30:49 | |
Hello? | 0:30:49 | 0:30:51 | |
Hello, it's lovely to see you again. | 0:30:52 | 0:30:55 | |
It's lovely to see you. And you. | 0:30:55 | 0:30:57 | |
I've been before, but you've got tons of new stock. | 0:30:57 | 0:31:00 | |
Absolutely lovely. | 0:31:00 | 0:31:02 | |
Now, I love these prints. | 0:31:02 | 0:31:04 | |
They're beautiful and decorative. | 0:31:04 | 0:31:07 | |
The images are so appealing. | 0:31:07 | 0:31:09 | |
The frames are new, so they've been recently done. | 0:31:09 | 0:31:13 | |
I'm hoping the prints are old, but they're not of high quality. | 0:31:13 | 0:31:19 | |
But they're just so lovely to look at. | 0:31:19 | 0:31:21 | |
I think these will be really appealing to the buyers. | 0:31:21 | 0:31:25 | |
They're lovely. | 0:31:25 | 0:31:26 | |
Anita wants them for ?40. | 0:31:29 | 0:31:31 | |
Angela calls the owner of the prints to see if a deal can be done. | 0:31:31 | 0:31:35 | |
Angela, how are we doing? | 0:31:35 | 0:31:37 | |
She will let them go. Oh, she'll let them go! | 0:31:37 | 0:31:40 | |
She's reluctant because now I've got to find another pair! | 0:31:40 | 0:31:43 | |
Oh! | 0:31:43 | 0:31:44 | |
I'll see what I can find. | 0:31:44 | 0:31:46 | |
So 40 quid? Yes. | 0:31:46 | 0:31:48 | |
And onwards we go. | 0:31:50 | 0:31:52 | |
Anita's still in the mood for buying. | 0:31:52 | 0:31:54 | |
I love this wee room, Angela. | 0:31:54 | 0:31:57 | |
There's always wee treasures in here. | 0:31:57 | 0:31:59 | |
Work in progress! Work in progress! | 0:31:59 | 0:32:01 | |
I was looking at these fans here. | 0:32:01 | 0:32:03 | |
It pulls out. Let's look at that one first of all. | 0:32:03 | 0:32:06 | |
It's got little roses on it. | 0:32:06 | 0:32:09 | |
That's very frou-frou. It is very, isn't it? | 0:32:09 | 0:32:12 | |
Do I suit it? | 0:32:12 | 0:32:14 | |
In a certain setting, perhaps. In a certain setting! | 0:32:14 | 0:32:17 | |
Oh, look. One of its legs is a bit loose. | 0:32:17 | 0:32:20 | |
These lovely fluffy feathers on this fan, in a rather shi-shi style, | 0:32:20 | 0:32:24 | |
were commonly used by Burlesque dancers and showgirls to cover up their bits. | 0:32:24 | 0:32:28 | |
Now you're talking! | 0:32:28 | 0:32:30 | |
What sort of age is that? | 0:32:31 | 0:32:32 | |
It's a bit difficult to define, really. | 0:32:32 | 0:32:36 | |
I could say 1920s, I would think. Something like that. Or maybe a bit earlier. | 0:32:36 | 0:32:40 | |
And these are more modern. | 0:32:40 | 0:32:42 | |
I don't know. | 0:32:42 | 0:32:44 | |
They do make a nice collection. | 0:32:44 | 0:32:47 | |
And, of course, it looks so nice with your kid gloves. | 0:32:47 | 0:32:52 | |
Yes, they are French kid gloves. | 0:32:52 | 0:32:55 | |
They feel like the height of elegance. | 0:32:55 | 0:32:58 | |
Make you feel good, don't they? Uh-huh. | 0:32:58 | 0:33:01 | |
Anita decides she wants to go for a combo buy, | 0:33:02 | 0:33:05 | |
consisting of the kid gloves, some glove stretchers | 0:33:05 | 0:33:08 | |
and the selection of four fans. | 0:33:08 | 0:33:10 | |
The original ticket price for the lot is ?70. | 0:33:10 | 0:33:14 | |
What I would like to pay on that is probably ?30. | 0:33:14 | 0:33:18 | |
Oh, no, no. No. | 0:33:18 | 0:33:20 | |
45. | 0:33:20 | 0:33:22 | |
Could you possibly come to 35? No. | 0:33:23 | 0:33:25 | |
No? No. 45, and that's it. | 0:33:25 | 0:33:27 | |
45? | 0:33:30 | 0:33:32 | |
Could you go 40? | 0:33:32 | 0:33:34 | |
Two. | 0:33:34 | 0:33:35 | |
It's a deal! | 0:33:35 | 0:33:37 | |
Oh, you're a great woman! | 0:33:37 | 0:33:39 | |
You bargain like hell! | 0:33:40 | 0:33:42 | |
So canny Scotswoman meets canny Yorkshire woman! Great deal, Anita! | 0:33:43 | 0:33:49 | |
She's definitely on a shopping spree and she's found something else | 0:33:49 | 0:33:52 | |
that's, well, unusual, I think you'll agree! | 0:33:52 | 0:33:55 | |
Angela, this is one mad bird here | 0:33:55 | 0:34:01 | |
talking to another mad bird about an absolutely mad bird! Absolutely! | 0:34:01 | 0:34:08 | |
Er, I'm not saying a word! | 0:34:08 | 0:34:11 | |
Will you sell that to me for a fiver? | 0:34:11 | 0:34:13 | |
Will you sell it to me? I can't do it at a fiver. Sorry, I can't. | 0:34:13 | 0:34:17 | |
I paid more for it. You did? Are you mad paying more than a fiver for that? | 0:34:17 | 0:34:21 | |
No, cos I love it! | 0:34:21 | 0:34:23 | |
It's a coconut. No, it would have to be a tenner. | 0:34:23 | 0:34:26 | |
Hmm. I don't think this is what you'd call an antique, Anita. | 0:34:26 | 0:34:29 | |
Springy, though! | 0:34:29 | 0:34:31 | |
Give me a better price on it. Give me it for a fiver! | 0:34:31 | 0:34:33 | |
No, it would have to be eight, so I can wipe my face. | 0:34:33 | 0:34:37 | |
Let's go for eight quid. Thank you very much. | 0:34:37 | 0:34:39 | |
We're probably mad! | 0:34:39 | 0:34:41 | |
Yes... That's a packed bag of antiques for Anita's first shop. | 0:34:41 | 0:34:45 | |
Now, where's that young whipper-snapper, Jonathan? | 0:34:45 | 0:34:47 | |
He's got ?426.74 to splurge. | 0:34:47 | 0:34:50 | |
He's braved the lashing rain to travel to the beautiful village of West Burton | 0:34:53 | 0:34:59 | |
within the Yorkshire Dales. | 0:34:59 | 0:35:02 | |
Right in the middle of the village lies the old smithy, | 0:35:04 | 0:35:07 | |
an antique shop owned by the delectable Elaine. | 0:35:07 | 0:35:10 | |
It's just stopped raining. Hello, there. This is the old smithy? Yes. | 0:35:10 | 0:35:15 | |
This is quite cute. | 0:35:22 | 0:35:24 | |
This is rather unusual. It's a decorative version of a child's potty! | 0:35:24 | 0:35:28 | |
What I find alarming is you'd put a child on a pot, and it rocks! It had a seat on there as well. | 0:35:30 | 0:35:36 | |
There we go! | 0:35:36 | 0:35:38 | |
There was a seat on there at some time as well. | 0:35:38 | 0:35:41 | |
It would have had a restraining bar as well. | 0:35:41 | 0:35:44 | |
So you could sit them on it. It's a copy of Daddy's lambing chair. | 0:35:44 | 0:35:47 | |
So Dad would have one. Often they had a drawer at the front as well. | 0:35:47 | 0:35:53 | |
Would you take ?40 for it? | 0:35:53 | 0:35:54 | |
Ooh, you're a hard man! | 0:35:54 | 0:35:57 | |
I'm just going in on... Dearie me! I know, I know. | 0:35:57 | 0:36:00 | |
It probably is 19th century. | 0:36:00 | 0:36:03 | |
But elements are slightly more modern. | 0:36:03 | 0:36:06 | |
Could I squeeze another tenner out of you? | 0:36:06 | 0:36:09 | |
Come on, Jonathan. It's not that difficult! | 0:36:09 | 0:36:12 | |
Make a decision. A number one or a number two? | 0:36:12 | 0:36:15 | |
How about ?50? | 0:36:15 | 0:36:17 | |
45? | 0:36:17 | 0:36:19 | |
OK! | 0:36:22 | 0:36:24 | |
Yeah, OK! | 0:36:25 | 0:36:27 | |
I think Elaine wants you out of the shop, mate! | 0:36:27 | 0:36:29 | |
But from a ticket price of ?75 to ?45, | 0:36:29 | 0:36:33 | |
well done, Jonathan! | 0:36:33 | 0:36:36 | |
And I'll tell you something. | 0:36:37 | 0:36:39 | |
Jonathan is a thoroughly polite chap. | 0:36:39 | 0:36:41 | |
He's picked Anita up to keep the wheels moving on our Road Trip adventure. | 0:36:41 | 0:36:45 | |
# You are my sunshine | 0:36:50 | 0:36:52 | |
# My little sunshine | 0:36:52 | 0:36:54 | |
# You make me happy | 0:36:54 | 0:36:58 | |
# When skies are grey... # | 0:36:58 | 0:37:00 | |
Turn the volume down, Anita! | 0:37:00 | 0:37:02 | |
Ooh! | 0:37:02 | 0:37:03 | |
Oh, Jonny! | 0:37:03 | 0:37:04 | |
What a scamp! | 0:37:04 | 0:37:06 | |
Jonathan's travelled to Masham, North Yorkshire. | 0:37:06 | 0:37:10 | |
He's continuing his shopping quest in Aura Antiques. | 0:37:14 | 0:37:19 | |
It's always worth looking on the floor in a place like this, | 0:37:19 | 0:37:21 | |
because sometimes the carpets are used as furnishing. | 0:37:21 | 0:37:24 | |
They can sometimes have carpets which might be more valuable, one would hope. | 0:37:24 | 0:37:28 | |
This is an Afghan. It's an Osari pattern. | 0:37:28 | 0:37:32 | |
Oh, yeah? Maybe we should club together to get Jonathan a new pair of shoes, eh? | 0:37:32 | 0:37:36 | |
Because it's this golden colour, | 0:37:36 | 0:37:39 | |
they call it a golden Afghan. | 0:37:39 | 0:37:41 | |
It's a nice colour. | 0:37:41 | 0:37:42 | |
You've got a hint of red in there, which is washed-out slightly. But that would be quite fun. | 0:37:42 | 0:37:47 | |
I don't know. I'll ask about it. | 0:37:47 | 0:37:49 | |
The Afghan rug comes in many shapes and sizes, | 0:37:52 | 0:37:54 | |
but the most typical is that with the octagonal elephant's footprint, | 0:37:54 | 0:37:58 | |
which is what we see here in the design in the centre. | 0:37:58 | 0:38:01 | |
I quite like these, because they're different, | 0:38:06 | 0:38:08 | |
and there's loads of decanters, clear decanters and cut-glass ones, | 0:38:08 | 0:38:13 | |
but it's just got that sort of hint of lime in it, | 0:38:13 | 0:38:17 | |
which I suppose you could say is quite fashionable. | 0:38:17 | 0:38:21 | |
And they are late 19th century. | 0:38:21 | 0:38:23 | |
Bit of fun. | 0:38:25 | 0:38:27 | |
OK. | 0:38:28 | 0:38:30 | |
Well, he's certainly got his eye on a few things. | 0:38:30 | 0:38:32 | |
And now he's found an 18th-century plate rack. | 0:38:32 | 0:38:35 | |
As you do! | 0:38:35 | 0:38:36 | |
There's no price on this, which is always a good start. | 0:38:37 | 0:38:40 | |
He's obviously waiting for a dresser to go with it. | 0:38:40 | 0:38:42 | |
Or maybe the dresser's being restored. | 0:38:42 | 0:38:45 | |
But these are sort of popular. Useful in the kitchen. | 0:38:46 | 0:38:50 | |
Hmm. | 0:38:52 | 0:38:54 | |
Oh, no! I was doing so well! | 0:38:58 | 0:39:01 | |
Jonathan, get a grip, and go and strike a deal with owner Robert. | 0:39:04 | 0:39:07 | |
The total asking price for the rug, the decanters and the plate rack | 0:39:07 | 0:39:11 | |
is ?135. | 0:39:11 | 0:39:13 | |
Go, boy, go! | 0:39:13 | 0:39:14 | |
Would you take 100 quid? | 0:39:14 | 0:39:16 | |
115. | 0:39:17 | 0:39:19 | |
105? | 0:39:20 | 0:39:22 | |
110! | 0:39:23 | 0:39:25 | |
Was that where I was aiming? | 0:39:25 | 0:39:27 | |
110 quid. That would be... | 0:39:27 | 0:39:29 | |
In your own time, Jonathan, eh? | 0:39:29 | 0:39:33 | |
Go on, then. | 0:39:33 | 0:39:34 | |
That's three items bought. I can go home now. | 0:39:34 | 0:39:36 | |
Thank you very much. | 0:39:36 | 0:39:39 | |
I can stop now! | 0:39:39 | 0:39:40 | |
Finally, we make a decision | 0:39:40 | 0:39:42 | |
and managed to shave a little off the ticket prices. | 0:39:42 | 0:39:47 | |
Back together again, Anita and Jonathan | 0:39:47 | 0:39:49 | |
are ready for more shopping. | 0:39:49 | 0:39:51 | |
Anita and Jonathan have travelled to the ancient walled city of York. | 0:39:54 | 0:39:58 | |
And even though it's raining, our antiques duo are in high spirits. | 0:40:01 | 0:40:06 | |
BOTH: # I'm just singing in the rain | 0:40:06 | 0:40:09 | |
# What a glorious feeling | 0:40:09 | 0:40:13 | |
# I'm ha-ha-happy again. # | 0:40:13 | 0:40:17 | |
Oh, look, York Minster! Oh, is it really? | 0:40:17 | 0:40:20 | |
Founded by the Romans in 71 AD, the city has a rich heritage, | 0:40:20 | 0:40:26 | |
and also Dame Judi Dench was born here, dontcha know. | 0:40:26 | 0:40:30 | |
Blimey, Anita's got her hands full with young Jonathan, look. | 0:40:30 | 0:40:33 | |
Ah... | 0:40:33 | 0:40:34 | |
Oh, Lordy! | 0:40:34 | 0:40:36 | |
You were trying to shove me in the puddle. You're a bad boy! | 0:40:36 | 0:40:41 | |
Thankfully, Anita has escaped the clutches of Jonathan and she's found her next shop. | 0:40:42 | 0:40:48 | |
# She's a lady | 0:40:48 | 0:40:51 | |
# Wo-oh-oh, she's a lady | 0:40:51 | 0:40:54 | |
# Talkin' about a little lady | 0:40:55 | 0:40:58 | |
# And the lady is mine. # | 0:40:59 | 0:41:04 | |
Anita simply lovely jewellery, you know, and has asked owner Clare about a sparkly brooch. | 0:41:04 | 0:41:10 | |
It's not gold. I was hoping that it was gold! | 0:41:10 | 0:41:13 | |
Right. Yes. But I knew it wouldn't be at ?12. Yes. | 0:41:13 | 0:41:16 | |
But it is gold-plated. | 0:41:16 | 0:41:18 | |
But I can see a wee bit of quality at the back. It's not a cheap piece. | 0:41:18 | 0:41:23 | |
Purple's always a popular colour, isn't it? | 0:41:26 | 0:41:28 | |
Yeah. For amethyst glass. | 0:41:28 | 0:41:31 | |
What I'd like to be paying for that is about ?8. | 0:41:33 | 0:41:37 | |
Can that be done? | 0:41:37 | 0:41:38 | |
What was it, 12 on the ticket? | 0:41:38 | 0:41:40 | |
If I could meet you somewhere in between. Maybe 9, would that be OK? | 0:41:40 | 0:41:45 | |
We'll go for that. Yeah. Let's go for it. That's smashing. | 0:41:45 | 0:41:49 | |
Splendid work, Anita. It's enough to make you sing, girl. | 0:41:49 | 0:41:52 | |
# Gloria! # | 0:41:53 | 0:41:55 | |
Jonathan is visiting one of the most spectacular buildings in Britain. | 0:41:55 | 0:41:59 | |
# Gloria! | 0:41:59 | 0:42:00 | |
# Gloria! Gloria! | 0:42:05 | 0:42:07 | |
# Gloria! # | 0:42:07 | 0:42:09 | |
The iconic York Minster | 0:42:09 | 0:42:11 | |
is the second-largest Gothic cathedral in northern Europe. | 0:42:11 | 0:42:15 | |
Approximately two million individual pieces of glass | 0:42:17 | 0:42:21 | |
make up the cathedral's 128 stained glass windows. | 0:42:21 | 0:42:26 | |
Due to the age and sheer magnitude of York Minster, | 0:42:27 | 0:42:31 | |
there are over 50 people working on restoration projects connected with this wonderful building. | 0:42:31 | 0:42:37 | |
Jonathan is meeting with Rebecca Thompson, the lady in charge of them. | 0:42:39 | 0:42:44 | |
26 stonemasons are employed to carry out careful restoration work. | 0:42:46 | 0:42:51 | |
They train for four years to hone this exquisite craft. | 0:42:51 | 0:42:57 | |
The restoration work on the Minster's Great East Window | 0:42:57 | 0:43:00 | |
is the largest project and began in 2008. | 0:43:00 | 0:43:05 | |
The masonry is painstakingly cleaned | 0:43:05 | 0:43:07 | |
and, where needed, restored or replaced. | 0:43:07 | 0:43:10 | |
I hope Jonathan has a head for heights! | 0:43:10 | 0:43:12 | |
Well, Jonathan, this is the tracery of the Great East Window. | 0:43:15 | 0:43:19 | |
We've cleaned the stone and identified where we need new stone putting in. | 0:43:19 | 0:43:24 | |
That will all start to be fixed in the next week or two. | 0:43:24 | 0:43:28 | |
And then we are conserving and consolidating these original carvings | 0:43:28 | 0:43:33 | |
around the window, the stones round the window, | 0:43:33 | 0:43:37 | |
and we've had to put new stones in, | 0:43:37 | 0:43:39 | |
the weathering stones that you can see to the side, | 0:43:39 | 0:43:42 | |
and they actually keep the water, weather, moisture, off the stones | 0:43:42 | 0:43:45 | |
but give it a fine balance. | 0:43:45 | 0:43:48 | |
It's quite amazing that where we are, 30 metres in the air, | 0:43:48 | 0:43:52 | |
that they were doing the same thing, | 0:43:52 | 0:43:56 | |
600, 700 years ago, | 0:43:56 | 0:43:59 | |
and they'd have a wooden scaffold | 0:43:59 | 0:44:01 | |
and they'd have to hand-lift everything up here. | 0:44:01 | 0:44:03 | |
Well, no, they didn't. They did actually have lifting mechanisms. | 0:44:03 | 0:44:08 | |
They had like a hamster wheel mechanism, medieval masons. | 0:44:08 | 0:44:11 | |
With people running inside it? Yes, people running inside it! | 0:44:11 | 0:44:14 | |
They must have been very intelligent to build a building like this. | 0:44:14 | 0:44:17 | |
It's incredible, the engineering. | 0:44:17 | 0:44:19 | |
So this is where our stonemasons work, in the stonemasons' lodge. | 0:44:24 | 0:44:28 | |
You can see Nolan and Jamie masoning some tracery stones | 0:44:28 | 0:44:34 | |
at the moment. OK. | 0:44:34 | 0:44:35 | |
And this is a reproduction of a sort of medieval... Yes. | 0:44:35 | 0:44:40 | |
They would have worked in places like this | 0:44:40 | 0:44:42 | |
very close to the site of the restoration they were doing | 0:44:42 | 0:44:46 | |
or the new-build works they were doing at the time. | 0:44:46 | 0:44:49 | |
These are old tracery stones they're working on. | 0:44:49 | 0:44:51 | |
We'll start fixing the tracery stones next week. | 0:44:51 | 0:44:54 | |
You can see here a stone that's nearly finished, this piece. | 0:44:54 | 0:44:58 | |
And next to it, we've got a piece of shaft stone from the north quire restoration works. | 0:44:58 | 0:45:05 | |
Part of these big pillars? Yes. That's right. | 0:45:05 | 0:45:08 | |
You can see the moulding. That's a slice through from the outside of the windows. | 0:45:08 | 0:45:12 | |
And what we'd like to do is give this to you | 0:45:12 | 0:45:17 | |
to auction it off. | 0:45:17 | 0:45:19 | |
We have got a certificate of authenticity to show it comes from the Minster. | 0:45:19 | 0:45:22 | |
Oh, right! Wonderful. | 0:45:22 | 0:45:24 | |
It's a tempting thought, | 0:45:24 | 0:45:26 | |
but the good lad wants to make an offer. | 0:45:26 | 0:45:29 | |
If I give you a tenner, that'll be OK, will it? | 0:45:29 | 0:45:30 | |
Absolutely fine. Brilliant. Thank you. Thank you. Thanks. | 0:45:30 | 0:45:33 | |
A tenner well spent, young man. | 0:45:33 | 0:45:35 | |
Interesting to see how it fares at auction. | 0:45:35 | 0:45:38 | |
Now, where's Anita? | 0:45:40 | 0:45:42 | |
She's made her way to the village of Huntingdon, | 0:45:44 | 0:45:47 | |
just a few miles from the city of York. | 0:45:47 | 0:45:50 | |
She's a chip off the old block. | 0:45:50 | 0:45:52 | |
She's on a mission to find some more antiques | 0:45:52 | 0:45:54 | |
in the French House. | 0:45:54 | 0:45:56 | |
As you can guess, the wares have a distinct Gallic flavour. | 0:45:56 | 0:45:59 | |
C'est magnifique! | 0:45:59 | 0:46:01 | |
Stephen points Anita in the right direction. | 0:46:03 | 0:46:06 | |
That would fit in the corner of any room or hallway | 0:46:06 | 0:46:10 | |
to take a vase, a lamp or whatever, if you like them. | 0:46:10 | 0:46:15 | |
I do like them. This sort of leaf shape here and a little bead. | 0:46:15 | 0:46:19 | |
They're all carved. Uh-huh. | 0:46:19 | 0:46:22 | |
And the marble's in good condition as well. | 0:46:22 | 0:46:25 | |
All depends on the price, though, Stephen. | 0:46:25 | 0:46:28 | |
Absolute best would be ?40 for the two. | 0:46:28 | 0:46:30 | |
I like those, Stephen. I think those are great. | 0:46:30 | 0:46:32 | |
I think that at ?40, you've got a deal. Good. | 0:46:32 | 0:46:38 | |
Thank you so much. Pleasure. | 0:46:38 | 0:46:39 | |
That's the shopping over. | 0:46:39 | 0:46:40 | |
Let's have a quick reminder of how they've been spending their cash. | 0:46:40 | 0:46:44 | |
Jonathan Pratt started this leg with ?426.74 | 0:46:46 | 0:46:51 | |
and spent ?165 on five auction lots. | 0:46:51 | 0:46:54 | |
Anita Manning began with ?445.84 | 0:46:57 | 0:47:01 | |
and spent ?139 also on five lots. | 0:47:01 | 0:47:04 | |
Go on, tell us what you're thinking about one another's buys, then. | 0:47:06 | 0:47:09 | |
My favourite piece is that big lump of York Minster. | 0:47:11 | 0:47:16 | |
And I think the certificate is worth even more than ?10. | 0:47:16 | 0:47:21 | |
Anita's lots are barking mad, aren't they? | 0:47:21 | 0:47:23 | |
She came up with a coconut with a spring for a head! | 0:47:23 | 0:47:26 | |
But cheap. | 0:47:26 | 0:47:28 | |
Let's get back on the road and head to auction. | 0:47:32 | 0:47:35 | |
It's been a competitive third leg, | 0:47:35 | 0:47:38 | |
starting in Middleham via West Burton, Masham, Ripon, | 0:47:38 | 0:47:42 | |
York, Huntingdon, with the final destination in Luddenden Foot | 0:47:42 | 0:47:46 | |
in Halifax on the horizon. | 0:47:46 | 0:47:48 | |
Calder Valley auctioneers has been established here since 1996. | 0:47:51 | 0:47:56 | |
Ian Peace is our auctioneer for today. | 0:47:56 | 0:47:59 | |
Not only do we have a packed saleroom, | 0:47:59 | 0:48:02 | |
but we also have an audience live on the web. | 0:48:02 | 0:48:05 | |
All eyes to the front now. | 0:48:05 | 0:48:07 | |
First up, it's Anita's matching pair of prints. | 0:48:08 | 0:48:12 | |
You've got to make some money today, cos I'm snapping at your heels! | 0:48:12 | 0:48:16 | |
?10. 10? | 0:48:18 | 0:48:19 | |
The pair. 10. | 0:48:19 | 0:48:21 | |
10 I'm bid. 12.50 anywhere? | 0:48:22 | 0:48:24 | |
12.50. 15. | 0:48:25 | 0:48:27 | |
17.50. ?20. | 0:48:27 | 0:48:30 | |
22.50. | 0:48:30 | 0:48:32 | |
?22.50. Oh, come on, come on! Come on! | 0:48:32 | 0:48:35 | |
25, you're back in. 25. 7.50. | 0:48:35 | 0:48:38 | |
?30. | 0:48:38 | 0:48:39 | |
At 30. We're selling at ?30. | 0:48:39 | 0:48:43 | |
All finished? And at 2.50 there. | 0:48:43 | 0:48:44 | |
Yes! Yes! | 0:48:44 | 0:48:47 | |
32.50, then. Back of the room. | 0:48:47 | 0:48:49 | |
Are we all finished at 32.50? | 0:48:49 | 0:48:51 | |
SHE GROANS | 0:48:52 | 0:48:54 | |
Oh, dear. | 0:48:54 | 0:48:55 | |
I think Anita finds that result more than a little painful! | 0:48:55 | 0:48:58 | |
Very disappointing. That was my star lot. | 0:49:00 | 0:49:02 | |
Next up it's Jonathan's hulking big plate rack. | 0:49:04 | 0:49:08 | |
?20. | 0:49:09 | 0:49:10 | |
?20? | 0:49:11 | 0:49:12 | |
Oh, dear. | 0:49:12 | 0:49:14 | |
It's 18th century. I know it's 18th century! | 0:49:14 | 0:49:16 | |
Don't believe a word he says! | 0:49:16 | 0:49:19 | |
Come on. ?15, that plate rack there. | 0:49:19 | 0:49:22 | |
?15. | 0:49:22 | 0:49:24 | |
Ooh, my word. | 0:49:24 | 0:49:25 | |
?10. This could cause disappointment. 10 I'm bid. | 0:49:25 | 0:49:28 | |
?10. At 10. 12.50 anywhere? | 0:49:28 | 0:49:31 | |
At 10. 12.50. | 0:49:31 | 0:49:33 | |
15, sir. 15. We're going in the right direction. 15. | 0:49:33 | 0:49:36 | |
Slowly! | 0:49:36 | 0:49:37 | |
At ?15. 17.50. | 0:49:37 | 0:49:40 | |
?20. | 0:49:40 | 0:49:42 | |
At 20. | 0:49:42 | 0:49:43 | |
At ?20 I'm bid. 2.50. | 0:49:43 | 0:49:46 | |
Well done. You're helping the cause. | 0:49:46 | 0:49:48 | |
22.50 At 22.50. | 0:49:48 | 0:49:51 | |
Anybody else now? | 0:49:51 | 0:49:52 | |
At ?22.50. | 0:49:52 | 0:49:54 | |
That's even worse than my prints! | 0:49:56 | 0:49:58 | |
Yeah, exactly. | 0:49:58 | 0:50:00 | |
Nothing like rubbing it in, Anita! | 0:50:00 | 0:50:03 | |
Not a good start for either of our experts. | 0:50:03 | 0:50:06 | |
Next it's Anita's intriguing ladies' lot. | 0:50:07 | 0:50:11 | |
Lot 75. | 0:50:11 | 0:50:12 | |
The French kid gloves, gloves stretchers, | 0:50:12 | 0:50:15 | |
ostrich feather, et cetera! | 0:50:15 | 0:50:19 | |
Where are you going to start me? ?20? | 0:50:19 | 0:50:22 | |
15. | 0:50:22 | 0:50:23 | |
15? 10 anywhere? 10 I'm bid. | 0:50:23 | 0:50:26 | |
At 10. Wow! | 0:50:26 | 0:50:28 | |
And 12. 14. 16. | 0:50:28 | 0:50:32 | |
16 in the third row. | 0:50:32 | 0:50:33 | |
At 16. Anybody else, now? | 0:50:33 | 0:50:36 | |
?16. (Come on! Come on!) | 0:50:36 | 0:50:37 | |
We've come to a grinding halt at 16. | 0:50:38 | 0:50:41 | |
Here we go. Chuck 'em over there. | 0:50:42 | 0:50:44 | |
Just goes to show that modelling the fans didn't help. | 0:50:45 | 0:50:49 | |
Another crushing loss, Anita. | 0:50:49 | 0:50:52 | |
We're not doing very well here, are we? | 0:50:52 | 0:50:54 | |
Just a loss on that one. | 0:50:54 | 0:50:56 | |
Never a truer word, Anita. | 0:50:56 | 0:50:58 | |
It's Jonathan's Afghan rug next. | 0:50:58 | 0:51:02 | |
?50? 40? | 0:51:02 | 0:51:04 | |
30? It's a lovely rug. | 0:51:04 | 0:51:06 | |
Good size. 20, anywhere? ?20? | 0:51:06 | 0:51:09 | |
Come on, ladies and gentlemen. ?20. | 0:51:09 | 0:51:11 | |
It'll roll up and go in the car no problem. | 0:51:11 | 0:51:13 | |
20 I'm bid there. 5 do I see? | 0:51:13 | 0:51:15 | |
The Afghan rug at ?20. Put the dog on it. | 0:51:15 | 0:51:19 | |
I'm selling at 20. | 0:51:19 | 0:51:21 | |
Hard luck, darling. | 0:51:21 | 0:51:23 | |
It's a tough crowd, isn't it? | 0:51:23 | 0:51:26 | |
A tough crowd today. | 0:51:26 | 0:51:28 | |
Oh, Lordy. Surely things have got to pick up? | 0:51:29 | 0:51:32 | |
Uh-oh! I don't think I can look! | 0:51:34 | 0:51:37 | |
It's Anita's coconut bird with the springy neck next. | 0:51:37 | 0:51:41 | |
Jonathan, this bird is going to fly! | 0:51:41 | 0:51:45 | |
That's confidence. Yes! | 0:51:45 | 0:51:47 | |
Now, then, the star lot of the sale! | 0:51:47 | 0:51:49 | |
Star lot! It's beautiful! | 0:51:49 | 0:51:52 | |
It's been sculpted out of metal and a coconut. | 0:51:53 | 0:51:56 | |
Right. 20 anywhere? 20? Yes! | 0:51:56 | 0:51:58 | |
10? | 0:51:58 | 0:52:00 | |
?10? Surely not. | 0:52:00 | 0:52:02 | |
5? Surely not. Come on! | 0:52:02 | 0:52:04 | |
Don't be embarrassed! | 0:52:04 | 0:52:06 | |
Thank you! | 0:52:06 | 0:52:08 | |
Find a carrier bag! ?5 I'm bid. | 0:52:08 | 0:52:11 | |
5. 7.50 anywhere? | 0:52:11 | 0:52:12 | |
?5. 7.50. | 0:52:12 | 0:52:14 | |
7.50. A wonderful conversation piece at dinner parties. | 0:52:14 | 0:52:18 | |
7.50. 10 anywhere? | 0:52:18 | 0:52:20 | |
10. Yes! 12.50. | 0:52:20 | 0:52:22 | |
Yes! 12.50. Come on. 12.50. | 0:52:22 | 0:52:24 | |
It's worth more. 15. | 0:52:24 | 0:52:26 | |
?15. | 0:52:26 | 0:52:28 | |
15. Don't lose it. You won't see another one! | 0:52:28 | 0:52:31 | |
You won't want to! | 0:52:31 | 0:52:33 | |
Ever. 16! | 0:52:33 | 0:52:35 | |
No, we're going in 2.50's. All right, 16, then. | 0:52:35 | 0:52:38 | |
16. 16, when I'm desperate. | 0:52:38 | 0:52:40 | |
17. | 0:52:40 | 0:52:41 | |
18. 19. | 0:52:41 | 0:52:43 | |
19. Yes! | 0:52:43 | 0:52:45 | |
Keep it nodding. | 0:52:45 | 0:52:46 | |
?20. 21. | 0:52:46 | 0:52:48 | |
21. 22. Keep it nodding. | 0:52:48 | 0:52:50 | |
Anybody else now? Has it run out of steam? | 0:52:52 | 0:52:54 | |
At ?22. | 0:52:54 | 0:52:55 | |
Yes! | 0:52:57 | 0:52:59 | |
?22, | 0:53:02 | 0:53:05 | |
Jonny-boy! | 0:53:05 | 0:53:07 | |
Well, who would have thought our first profit of the day | 0:53:07 | 0:53:10 | |
would belong to the nodding bird? | 0:53:10 | 0:53:12 | |
Yes, yes. Make it go away now! | 0:53:12 | 0:53:16 | |
Boing! | 0:53:16 | 0:53:18 | |
That bird flew! | 0:53:18 | 0:53:20 | |
And it wasn't cheap! | 0:53:21 | 0:53:22 | |
Excuse me, that's MY joke, Anita. | 0:53:24 | 0:53:26 | |
Now it's Anita's brooch next. | 0:53:27 | 0:53:30 | |
Can she get another splurge of profit? | 0:53:30 | 0:53:34 | |
15 to open. ?15. ?15. | 0:53:34 | 0:53:36 | |
Yes, come on. | 0:53:36 | 0:53:38 | |
12? | 0:53:38 | 0:53:39 | |
12 I'm bid. At 12. | 0:53:39 | 0:53:41 | |
14. Thank you. 16. | 0:53:41 | 0:53:43 | |
18. 20. | 0:53:43 | 0:53:45 | |
22. 24. 26. | 0:53:45 | 0:53:47 | |
28. 30. | 0:53:47 | 0:53:49 | |
Oh, yes! 32. 34. | 0:53:49 | 0:53:51 | |
36. 38. | 0:53:51 | 0:53:53 | |
40. 42. What?! | 0:53:53 | 0:53:56 | |
44. 46. | 0:53:56 | 0:53:58 | |
48. 50. | 0:53:58 | 0:54:00 | |
At ?50 in the front row. | 0:54:00 | 0:54:02 | |
Anybody else now? ?50. We're selling at 50. | 0:54:02 | 0:54:05 | |
First and last time. | 0:54:05 | 0:54:07 | |
Lot 85. | 0:54:07 | 0:54:09 | |
Anita certainly knows her jewellery. | 0:54:09 | 0:54:11 | |
What an excellent profit. | 0:54:11 | 0:54:13 | |
She's well and truly back in the game. | 0:54:13 | 0:54:16 | |
Gee whizz! | 0:54:16 | 0:54:18 | |
You're in overall profit at the moment. | 0:54:18 | 0:54:21 | |
It's Jonathan's turn next, with the pair of decanters. | 0:54:21 | 0:54:24 | |
Show us what you're made of, boy. | 0:54:24 | 0:54:27 | |
Opening at ?15, then. 15 I'm bid. | 0:54:27 | 0:54:30 | |
At 15. 17.50. | 0:54:30 | 0:54:32 | |
20. 2.50. | 0:54:32 | 0:54:34 | |
25? | 0:54:34 | 0:54:36 | |
At ?22.50 in the middle there. | 0:54:36 | 0:54:38 | |
Anybody else now? 25 back in. | 0:54:38 | 0:54:41 | |
27.50? | 0:54:41 | 0:54:43 | |
The pair. At 27.50. | 0:54:43 | 0:54:45 | |
27.50. | 0:54:45 | 0:54:47 | |
At... ?30, madam. | 0:54:47 | 0:54:49 | |
Yes! | 0:54:49 | 0:54:51 | |
30. 32.50. | 0:54:51 | 0:54:53 | |
At ?32.50. | 0:54:53 | 0:54:55 | |
They're flying! At ?32.50 for the pair. | 0:54:55 | 0:54:58 | |
32.50, then. | 0:54:58 | 0:55:00 | |
I can barely contain myself. Well done, Jonathan. Well done. | 0:55:01 | 0:55:05 | |
Ah, bless him. | 0:55:05 | 0:55:07 | |
Jonathan has finally managed some profit. | 0:55:07 | 0:55:10 | |
I'm flying backwards at the moment. | 0:55:10 | 0:55:12 | |
You made a good profit there. | 0:55:12 | 0:55:15 | |
And you've got two other items to go. | 0:55:15 | 0:55:16 | |
Don't be downhearted, darling. | 0:55:16 | 0:55:19 | |
Have you ever thought of taking up counselling? You're very good! | 0:55:19 | 0:55:22 | |
Very good. Just call me Auntie! | 0:55:22 | 0:55:26 | |
Auntie Anita is very supportive. | 0:55:26 | 0:55:29 | |
But will he need more counselling after this little number, | 0:55:29 | 0:55:32 | |
the child's potty chair, sends you potty? | 0:55:32 | 0:55:36 | |
50. 40. 30. Opening at ?20. | 0:55:36 | 0:55:40 | |
?20. Got to be more than 20. | 0:55:40 | 0:55:42 | |
20 I'm bid. Yes. At 20. | 0:55:42 | 0:55:44 | |
Anybody else now? 22.50. | 0:55:44 | 0:55:46 | |
25. 7.50. | 0:55:46 | 0:55:48 | |
?30. | 0:55:48 | 0:55:50 | |
32.50. 35. | 0:55:50 | 0:55:52 | |
Keep going. Keep going. Keep going. | 0:55:52 | 0:55:55 | |
Any further bids? ?35, then. | 0:55:55 | 0:55:58 | |
First and last time. | 0:55:58 | 0:55:59 | |
That's another tenner down the old Swanee. | 0:56:01 | 0:56:04 | |
It's not a good day for Jonathan. | 0:56:04 | 0:56:08 | |
It could have been worse, Jonny. It could have been worse. | 0:56:08 | 0:56:11 | |
Not much! Anyway, now it's Anita, | 0:56:12 | 0:56:15 | |
with her pair of marble corner shelves. | 0:56:15 | 0:56:19 | |
10 for the two. ?10. | 0:56:19 | 0:56:20 | |
10 I'm bid. Thank you. ?10. | 0:56:21 | 0:56:23 | |
12 anywhere? At 10. It's not going to go there. | 0:56:23 | 0:56:26 | |
Any further hands? 12, madam. 12. | 0:56:26 | 0:56:29 | |
14. 16. | 0:56:29 | 0:56:32 | |
18. ?18. | 0:56:32 | 0:56:35 | |
All finished? At ?18, then. | 0:56:35 | 0:56:37 | |
That's a bit disappointing, that. | 0:56:39 | 0:56:42 | |
Disappointing, indeed, Anita. | 0:56:42 | 0:56:45 | |
I thought you were on a roll, there. | 0:56:45 | 0:56:48 | |
Now for the final lot of the day. | 0:56:49 | 0:56:51 | |
Jonathan's lump of stone | 0:56:51 | 0:56:53 | |
from his visit to York Minster. | 0:56:53 | 0:56:55 | |
You're going to have to get about 300 quid | 0:56:55 | 0:56:57 | |
for this big dod of York Minster! | 0:56:57 | 0:56:59 | |
?20. | 0:57:01 | 0:57:02 | |
15. ?15. | 0:57:02 | 0:57:05 | |
Start me at 10. ?10. Thank you. | 0:57:05 | 0:57:07 | |
Yes. I've got ?10 in. | 0:57:07 | 0:57:09 | |
At ?10. | 0:57:09 | 0:57:11 | |
12.50. | 0:57:11 | 0:57:12 | |
12.50. 15. | 0:57:12 | 0:57:15 | |
17.50. | 0:57:15 | 0:57:16 | |
20. 2.50. | 0:57:16 | 0:57:18 | |
Yes! ?22.50. | 0:57:19 | 0:57:20 | |
At 22.50. Any further bids? At 22.50. | 0:57:20 | 0:57:24 | |
Well, I don't think he can believe it. | 0:57:27 | 0:57:29 | |
Lovely York Minster has served up a respectable profit. | 0:57:29 | 0:57:32 | |
Shall we go away and try and work out quite what the losses are? | 0:57:34 | 0:57:37 | |
Jonathan started this leg with ?426.74 | 0:57:41 | 0:57:46 | |
and, after paying auction costs, | 0:57:46 | 0:57:47 | |
made a loss of ?56.35, | 0:57:47 | 0:57:50 | |
giving him ?370.39 to carry forward. | 0:57:50 | 0:57:54 | |
Anita, meanwhile, started with ?445.84 | 0:57:59 | 0:58:03 | |
and, after auction costs, also made a loss, of ?25.43. | 0:58:03 | 0:58:08 | |
Despite this, | 0:58:08 | 0:58:09 | |
Anita is this leg's winner | 0:58:09 | 0:58:11 | |
and has ?420.41 to take forward. | 0:58:11 | 0:58:15 | |
Well done, girl! | 0:58:15 | 0:58:17 | |
Ah, well. Better luck next time, Jonny. | 0:58:18 | 0:58:20 | |
Still two auctions to go. | 0:58:20 | 0:58:22 | |
Yeah, well. Who knows? Who knows? It's a funny old game, this. | 0:58:22 | 0:58:27 | |
There's only ?50 between their totals, | 0:58:27 | 0:58:29 | |
so it's all to play for. | 0:58:29 | 0:58:31 |