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It's the nation's favourite antiques experts, with ?200 each... | 0:00:03 | 0:00:06 | |
I love that. | 0:00:06 | 0:00:08 | |
..a classic car, and a goal to scour Britain for antiques. | 0:00:08 | 0:00:11 | |
Yippee! I can see better with those. | 0:00:11 | 0:00:15 | |
The aim? To make the biggest profit at auction. But it's no mean feat. | 0:00:15 | 0:00:20 | |
There will be worthy winners and valiant losers. | 0:00:20 | 0:00:22 | |
I've had a row. | 0:00:22 | 0:00:24 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:29 | |
He's just about killed that, hasn't he? | 0:00:29 | 0:00:31 | |
This is the Antiques Road Trip. | 0:00:31 | 0:00:33 | |
It's the final leg of our road trip and experts James Lewis and James Braxton | 0:00:36 | 0:00:40 | |
are hunting high and low for hidden treasures | 0:00:40 | 0:00:43 | |
in their 1983 Beetle convertible in custard yellow. | 0:00:43 | 0:00:47 | |
Chilly today. New day, new dawn. Yes. New dawn, new day. New cold! | 0:00:48 | 0:00:54 | |
It's beginning to rain. We've got no roof. | 0:00:56 | 0:00:59 | |
James Lewis is a seasoned auctioneer and is highly competitive. | 0:00:59 | 0:01:03 | |
He loves a bit of toilet humour, though. That is turtle poo. | 0:01:03 | 0:01:07 | |
And can be a bit of a cheeky monkey. | 0:01:07 | 0:01:09 | |
James Braxton has 20 years of experience in auctioneering | 0:01:11 | 0:01:14 | |
and loves the rough-and-tumble of the competition. | 0:01:14 | 0:01:17 | |
Back off, Lewis. Back off. | 0:01:17 | 0:01:19 | |
And isn't going down without a fight. | 0:01:19 | 0:01:21 | |
Maybe. God bless you. | 0:01:21 | 0:01:24 | |
He's had a difficult run, but managed to turn his fortunes round at the last auction. | 0:01:24 | 0:01:29 | |
From his initial ?200, | 0:01:29 | 0:01:31 | |
old Brackers has now got ?306.16 to spend on today's shopping. | 0:01:31 | 0:01:35 | |
James Lewis has been growing and growing and growing his ?200, | 0:01:35 | 0:01:40 | |
winning every auction so far. | 0:01:40 | 0:01:43 | |
Which means he starts today with a whopping ?1,022.34. Bravo! | 0:01:43 | 0:01:48 | |
Our bold boys will travel from Ampthill in Bedfordshire to Jersey, | 0:01:50 | 0:01:55 | |
and back and on to their final destination in Leamington Spa, | 0:01:55 | 0:01:58 | |
covering almost 1,000 miles. | 0:01:58 | 0:02:00 | |
This trip begins in St Albans before ending up at the auction showdown in Leamington Spa. | 0:02:03 | 0:02:08 | |
22 miles north of central London lies the historic town of St Albans. | 0:02:09 | 0:02:14 | |
Scally Dog's, we're after. | 0:02:14 | 0:02:16 | |
Why would an antique shop name itself Scally Dog? | 0:02:16 | 0:02:20 | |
Unless they're a dog fan. They could be a dog fan, couldn't they? | 0:02:20 | 0:02:24 | |
James Lewis's first shop of the day | 0:02:24 | 0:02:26 | |
is Scally Dog's Emporium, run by Trev Bradbury and his four-legged friend. | 0:02:26 | 0:02:32 | |
Hello. Hello, James, I'm Trev. Nice to see you. And this must be Scally. | 0:02:32 | 0:02:36 | |
This is Scally. It's his shop. Hello, Scully. Aren't you lovely? | 0:02:36 | 0:02:40 | |
Yes, he is. Now, man up, James, and get shopping. | 0:02:40 | 0:02:43 | |
Recognise it? Of course I do. What's the shape like? What do you think? | 0:02:51 | 0:02:54 | |
Brown. Turtle poo, I reckon. | 0:02:54 | 0:02:57 | |
That is a fossilised turtle turd. | 0:02:57 | 0:02:59 | |
There you are, told you so. | 0:02:59 | 0:03:01 | |
Now, put your faecal fixation to one side and get shopping. And wash your hands! | 0:03:01 | 0:03:05 | |
How much is that sovereign case? | 0:03:05 | 0:03:07 | |
It's got to be really cheap with no insides. Really cheap. | 0:03:07 | 0:03:11 | |
Give me a tenner. Let's have a look at it. | 0:03:11 | 0:03:13 | |
From the late 17th century all the way through until about the 1920s and 1930s, | 0:03:19 | 0:03:25 | |
any gentleman of standing would carry a pocket watch. | 0:03:25 | 0:03:30 | |
Sometimes, in the middle of the chain where it sat, | 0:03:30 | 0:03:34 | |
you would have a little case like that for carrying your sovereigns and half sovereigns. | 0:03:34 | 0:03:41 | |
This one is bottom-rung quality. | 0:03:41 | 0:03:44 | |
It's chrome, but the interesting thing about it, it's actually made | 0:03:44 | 0:03:50 | |
as a novelty half-hunter pocketwatch and that's what makes it unusual. | 0:03:50 | 0:03:56 | |
I'll take that with me. | 0:03:56 | 0:03:59 | |
With a price tag of ?10, it's hardly going to break the bank, James! | 0:03:59 | 0:04:02 | |
Come along, you've got the cash, man. Think bigger! | 0:04:02 | 0:04:05 | |
Now I'm starting to get really worried. | 0:04:05 | 0:04:08 | |
This shop is really full of retro things. | 0:04:08 | 0:04:11 | |
There's got to be something, though, somewhere. | 0:04:11 | 0:04:14 | |
He's right, you know. There has to be something in here. | 0:04:14 | 0:04:17 | |
Something extraordinary, something dramatic, | 0:04:17 | 0:04:20 | |
something like a carriage fire extinguisher. | 0:04:20 | 0:04:23 | |
What do you think, James? | 0:04:23 | 0:04:25 | |
I think it's just bonkers. | 0:04:25 | 0:04:26 | |
It's one of the wow pieces in here that people come in to see. | 0:04:26 | 0:04:29 | |
The fire extinguisher would have been a two-man operation | 0:04:29 | 0:04:33 | |
to manoeuvre and control a jet of highly pressurised water. | 0:04:33 | 0:04:36 | |
In spite of its size, James's interest hasn't been dampened. Here we go. | 0:04:36 | 0:04:41 | |
What could you do it for? It would need to be... | 0:04:41 | 0:04:44 | |
What will you offer me for it? | 0:04:44 | 0:04:46 | |
I think that is ?150 at auction. | 0:04:46 | 0:04:48 | |
I was going to say 250. I'll split the difference and let it go for two. | 0:04:49 | 0:04:54 | |
I think that's a ?50 loss. I'm going to make you a cheeky offer. | 0:04:54 | 0:04:58 | |
For the 150, will you throw in the sovereign case and my poo? | 0:04:58 | 0:05:02 | |
I'll throw in the sovereign case. The poo is not mine to sell. | 0:05:02 | 0:05:05 | |
So I'm going to have to stand on... You are going to stand on the poo! | 0:05:05 | 0:05:09 | |
I'll stand on the poo for five pounds. | 0:05:09 | 0:05:13 | |
155. You've got a deal. Thank you very much. | 0:05:13 | 0:05:17 | |
Just down the road, James Braxton has made his way to Fleetville Vintage Emporium. | 0:05:17 | 0:05:22 | |
But the only thing he's picked up so far is a full-blown cold. Poor lamb. | 0:05:22 | 0:05:26 | |
HE SNEEZES | 0:05:26 | 0:05:27 | |
Bless you! | 0:05:27 | 0:05:29 | |
I'll have a really hot curry tonight and that will get rid of my cold. | 0:05:29 | 0:05:34 | |
James asks dealer Dee about a highly collectable headscarf. | 0:05:36 | 0:05:41 | |
It's very nice. The great Paris maker. | 0:05:41 | 0:05:44 | |
Hermes are now very famous for their bags, aren't they? Yes. | 0:05:44 | 0:05:48 | |
And equally famous for their scarves. | 0:05:48 | 0:05:50 | |
Hermes began producing scarves in 1937 by spinning raw silk into yarn before weaving it into fabric. | 0:05:50 | 0:05:57 | |
That way, they produced more durable scarves than anyone else. | 0:05:57 | 0:06:01 | |
It's a lovely scarf. Very smart. What do you want, Dee? Come on. | 0:06:01 | 0:06:06 | |
Make it low. | 0:06:09 | 0:06:10 | |
I think, ?60. ?60. | 0:06:12 | 0:06:14 | |
You wouldn't take 45 for it, would you? I'll take 45. Will you? Yes. | 0:06:15 | 0:06:20 | |
I'll take it. That's really kind of you. Thank you very much indeed. | 0:06:20 | 0:06:25 | |
James Lewis has made his way to the same emporium. | 0:06:25 | 0:06:28 | |
He's found some ratter splendid Moorcroft pottery. | 0:06:28 | 0:06:32 | |
This is the well-known pomegranate pattern | 0:06:32 | 0:06:36 | |
and the thing that characterises Moorcroft is this tube lining. | 0:06:36 | 0:06:42 | |
It's almost decorated in the way you would ice a cake. | 0:06:44 | 0:06:48 | |
You'd fill the icing bag equivalent with slip or pipe clay | 0:06:48 | 0:06:53 | |
and you would outline the decoration first | 0:06:53 | 0:06:56 | |
and then you would almost colour it in. | 0:06:56 | 0:06:59 | |
That is 1930s. It's a good early date. | 0:07:00 | 0:07:02 | |
Another preserve pot. | 0:07:05 | 0:07:06 | |
Silver plated. | 0:07:08 | 0:07:09 | |
And again, very pretty. Walker and Hall mounts. | 0:07:10 | 0:07:13 | |
It's a good seller, but it's not cheap. | 0:07:13 | 0:07:15 | |
There are eight pieces of Moorcroft here with a total value of ?1,200. | 0:07:15 | 0:07:19 | |
I wonder which piece he's going to go for? | 0:07:19 | 0:07:21 | |
Time to negotiate with the dealer, Georgina Konstantinov. | 0:07:21 | 0:07:25 | |
How much do you want for the collection? | 0:07:25 | 0:07:28 | |
What?! The whole lot?! | 0:07:28 | 0:07:30 | |
I would say, for the collection, 1,000. | 0:07:33 | 0:07:36 | |
That's almost his entire budget. | 0:07:36 | 0:07:38 | |
Who's going to go first, James? You or me? | 0:07:38 | 0:07:41 | |
Go on. Seeing as it's you, James, 900? | 0:07:41 | 0:07:46 | |
Seven. | 0:07:50 | 0:07:52 | |
750. | 0:07:53 | 0:07:55 | |
The hand's out. 750. I can't take the pressure! 750, James. | 0:07:55 | 0:08:01 | |
720 and it's shaken. | 0:08:01 | 0:08:03 | |
725. | 0:08:05 | 0:08:06 | |
You've got my hand now! | 0:08:08 | 0:08:09 | |
That is the most money I've ever spent on the Road Trip, ever. | 0:08:09 | 0:08:12 | |
That is a heck of a gamble. | 0:08:14 | 0:08:16 | |
Old Brackers, if he plays a winner, and my Moorcroft dies, | 0:08:17 | 0:08:21 | |
he can win it on the last leg. | 0:08:21 | 0:08:23 | |
Wow! | 0:08:25 | 0:08:26 | |
Wow, indeed. | 0:08:26 | 0:08:28 | |
If it all goes wrong, it could put Brackers back in the game. | 0:08:28 | 0:08:31 | |
From St Albans, our boys are back in the Beetle and driving on to Welwyn, | 0:08:34 | 0:08:38 | |
where James Braxton is quite literally heading for an early bath. | 0:08:38 | 0:08:41 | |
James has come along to meet archaeologist Tony Rook, | 0:08:41 | 0:08:45 | |
the man who uncovered the remains of the Welwyn Roman Baths back in 1960. | 0:08:45 | 0:08:50 | |
Hello. Very nice to meet you. Hello, James. | 0:08:50 | 0:08:53 | |
Tony has dedicated his life to preserving this historic site | 0:08:53 | 0:08:56 | |
at a time when it could all have been lost for ever. | 0:08:56 | 0:08:58 | |
What an amazing space. | 0:08:58 | 0:09:00 | |
Dating back to 240 AD, the baths would have been part | 0:09:00 | 0:09:03 | |
of a much larger complex known as the Dicket Mead Villa. | 0:09:03 | 0:09:07 | |
How on earth did you find this? In earth, really! In earth, yes! | 0:09:07 | 0:09:12 | |
The story started 52 years ago. | 0:09:15 | 0:09:19 | |
We found Roman tiles sticking out of the riverbank. | 0:09:19 | 0:09:22 | |
So that was your clue? Yes. | 0:09:22 | 0:09:24 | |
Then we got permission to dig from the local school. | 0:09:24 | 0:09:29 | |
It was the football field of the school. | 0:09:29 | 0:09:31 | |
We got permission to dig and we were allowed to dig outside the football field | 0:09:31 | 0:09:35 | |
so we dug along the side of the river. | 0:09:35 | 0:09:38 | |
It started like that. | 0:09:38 | 0:09:40 | |
And their excavations unearthed clues on how the Romans bathed. | 0:09:40 | 0:09:44 | |
How would I go about these baths, if I was a Roman? | 0:09:44 | 0:09:48 | |
There was a slave's corridor at that side | 0:09:48 | 0:09:51 | |
and there was a master's corridor here. | 0:09:51 | 0:09:53 | |
So the masters, the bosses, the Romans, would come in here | 0:09:53 | 0:09:56 | |
and there would be a door here. | 0:09:56 | 0:09:58 | |
So imagine this door opening. | 0:09:58 | 0:10:00 | |
In comes the Roman. So this is a warm room and you get acclimatised. | 0:10:00 | 0:10:05 | |
And your slave puts oil on you from a bottle. So you get well oiled. | 0:10:05 | 0:10:10 | |
Then you are slightly sweaty and well-oiled | 0:10:10 | 0:10:12 | |
and then you get scraped clean. | 0:10:12 | 0:10:15 | |
Scraped? Yes. | 0:10:15 | 0:10:16 | |
There is a thing called a strigil, | 0:10:16 | 0:10:19 | |
a bit like a mudguard on a pram or something. It fits very nicely. | 0:10:19 | 0:10:23 | |
It scrapes all the fat off and the oil. | 0:10:23 | 0:10:27 | |
It is a lovely way of getting clean. The Romans didn't have any soap. | 0:10:27 | 0:10:31 | |
Bathing was very much part of their entertainment and life, wasn't it? | 0:10:31 | 0:10:35 | |
Yes. I always say they probably came here every afternoon, all the afternoon. | 0:10:35 | 0:10:40 | |
Really? Yes. | 0:10:40 | 0:10:42 | |
Open to the general public, the baths have been | 0:10:42 | 0:10:44 | |
preserved in a concrete and steel vault - but there's the catch. | 0:10:44 | 0:10:48 | |
They may have been dug up, but they're still 30 feet underground. | 0:10:49 | 0:10:53 | |
Tony spent ten years uncovering the baths | 0:10:53 | 0:10:56 | |
but shortly after the excavation was completed, | 0:10:56 | 0:10:59 | |
the Ministry of Transport announced the route of the new A1M, straight over the top. | 0:10:59 | 0:11:03 | |
The centre line of the motorway goes through here. Approximately. Yes. | 0:11:03 | 0:11:07 | |
And we are about 30 feet underneath the motorway. | 0:11:07 | 0:11:11 | |
Really? Yes. That was pure coincidence, you see. | 0:11:11 | 0:11:14 | |
By that time, I had managed to grab plans and things | 0:11:14 | 0:11:18 | |
from the Ministry or whatever they called themselves in those days | 0:11:18 | 0:11:22 | |
and they realised there was room to put something inside the motorway | 0:11:22 | 0:11:26 | |
and we were right bang in the centre of it. | 0:11:26 | 0:11:29 | |
An emergency plan was put into place to cover the site with a steel vault | 0:11:29 | 0:11:33 | |
which would allow the road to go directly over this Roman treasure. | 0:11:33 | 0:11:37 | |
You talk about somebody having a vision - I had a vision, and this was it. | 0:11:37 | 0:11:41 | |
I had this vision and this is what I've got. | 0:11:41 | 0:11:44 | |
As it was buried, the top went up | 0:11:44 | 0:11:46 | |
and then it came back down again to the design level. | 0:11:46 | 0:11:51 | |
It had to be very carefully loaded, otherwise it would buckle. | 0:11:51 | 0:11:56 | |
It's a great thing you've got preserved here, isn't it? | 0:11:56 | 0:12:00 | |
The villa and baths were deserted at the end of the third century | 0:12:00 | 0:12:03 | |
when the Romans shoved off. | 0:12:03 | 0:12:06 | |
But it wasn't the only thing they left behind. | 0:12:06 | 0:12:08 | |
Are these the items that came from the site or not? | 0:12:08 | 0:12:11 | |
Not all from this site. If you want the whole pot, you go to a cemetery. | 0:12:11 | 0:12:16 | |
Because they buried more or less whole pots with their dead. | 0:12:16 | 0:12:20 | |
Sort of offerings of holy oils and things like that? | 0:12:20 | 0:12:23 | |
We don't really know. | 0:12:23 | 0:12:25 | |
It would be nice if you could say that, wouldn't it? | 0:12:25 | 0:12:28 | |
James is coming up with a rash generalisation! | 0:12:28 | 0:12:30 | |
That is a baby's feeding bottle, we think. Right. | 0:12:32 | 0:12:35 | |
I love the glass with the canes. Millefiori. | 0:12:35 | 0:12:41 | |
That bit of millefiori actually came from this site. Really? | 0:12:41 | 0:12:44 | |
Still very exotic today. | 0:12:44 | 0:12:46 | |
What it must have been like 2,000 years ago is remarkable. | 0:12:46 | 0:12:52 | |
If it wasn't for tenacious Tony's digging and foresight, | 0:12:52 | 0:12:54 | |
this incredible glimpse into our past would now be lost | 0:12:54 | 0:12:58 | |
underneath one of Britain's busiest motorways. | 0:12:58 | 0:13:01 | |
You've really made it come alive. Thank you. It's very kind. | 0:13:01 | 0:13:05 | |
A fabulous life's work, isn't it? Thank you. | 0:13:05 | 0:13:07 | |
And with that, cold-ridden James needs to catch up with James Lewis. | 0:13:07 | 0:13:13 | |
There's no rest here. Those road-trip wheels need to keep moving! | 0:13:13 | 0:13:18 | |
Oh, look! In all this rain, they've managed to make a makeshift roof. | 0:13:18 | 0:13:22 | |
Bless them. | 0:13:22 | 0:13:24 | |
Travelling on from Welwyn, our experts are off | 0:13:24 | 0:13:27 | |
to Hemel Hempstead to continue their shopping. | 0:13:27 | 0:13:31 | |
After World War II, Hemel, as the locals call it, | 0:13:31 | 0:13:34 | |
was developed as a new town designed to house | 0:13:34 | 0:13:37 | |
some of the population displaced by the London Blitz, | 0:13:37 | 0:13:41 | |
although it's been around actually since the eighth century. | 0:13:41 | 0:13:44 | |
James Braxton's first stop of the day is Bushwood Antiques, | 0:13:44 | 0:13:48 | |
where he's not the only one that's a little hoarse! | 0:13:48 | 0:13:50 | |
When it comes to shopping, | 0:13:53 | 0:13:55 | |
especially in such a large space, James uses some very wise logic. | 0:13:55 | 0:13:59 | |
Anything that's got a good layer of dust on | 0:13:59 | 0:14:02 | |
probably hasn't had a lot of public access for a long time. | 0:14:02 | 0:14:05 | |
I'll make a note of the items | 0:14:05 | 0:14:07 | |
that I think might be able to make me a profit. | 0:14:07 | 0:14:10 | |
And I'll buy one or two of them upon price only. | 0:14:11 | 0:14:14 | |
Just down the road, | 0:14:18 | 0:14:19 | |
James Lewis has found Cherry Antiques, run by Scott Cullen. | 0:14:19 | 0:14:24 | |
He's also got a number of items in his sights, | 0:14:24 | 0:14:26 | |
including a pair of Felix the Cat figures at ?10. | 0:14:26 | 0:14:30 | |
Never seen those before. I haven't either. | 0:14:30 | 0:14:34 | |
They came in yesterday, with the little lead figures. | 0:14:35 | 0:14:39 | |
Next on his shopping list is a copper and brass oval snuffbox at seven pounds. | 0:14:39 | 0:14:43 | |
He does love a snuffbox, James. | 0:14:43 | 0:14:46 | |
Will you take a fiver for him? OK, James. OK, I'll take that. | 0:14:46 | 0:14:50 | |
And finally, an Edwardian novelty pin cushion in the shape of an elephant. Five pounds. | 0:14:50 | 0:14:55 | |
Fiver. | 0:14:55 | 0:14:58 | |
Would you do the snuffbox, the elephant and the cats for 15? | 0:14:58 | 0:15:02 | |
OK. You've got a deal. Brilliant. Thank you. | 0:15:03 | 0:15:06 | |
He doesn't hang about, does he? How are you getting on, old Brackers? | 0:15:06 | 0:15:11 | |
I've whittled my options down to these two. | 0:15:11 | 0:15:13 | |
We've got this fabulous bottle vase. It's Cantonese, Chinese. | 0:15:13 | 0:15:17 | |
It has got a slightly shattered | 0:15:17 | 0:15:20 | |
and now repaired with these metal studs neck. | 0:15:20 | 0:15:24 | |
But would make a very nice lamp base for somebody, I would have thought. | 0:15:24 | 0:15:29 | |
And then this. We've got an elongated octagonal plate. | 0:15:29 | 0:15:32 | |
It's a very nice palette. Blue and white. | 0:15:32 | 0:15:34 | |
It is a lovely solid bit of porcelain, this. | 0:15:34 | 0:15:37 | |
A great bit of porcelain. | 0:15:37 | 0:15:39 | |
Time to call in Julie and Tony to see | 0:15:39 | 0:15:42 | |
if there is a deal to be done, especially on that ?220 vase. | 0:15:42 | 0:15:45 | |
Could you do 50 on that? 50? How much did you ask? | 0:15:45 | 0:15:48 | |
Shall we say 100 quid? Can we say a bit lower, Tony? | 0:15:50 | 0:15:54 | |
80. Can we do it for 80? All right, you've got a deal. Thank you, Tony. | 0:15:57 | 0:16:01 | |
I'm not that hard, am I? No. You're really kind. And thank you, Julie. | 0:16:01 | 0:16:05 | |
I don't want to give you a kiss because of my wretched cold. | 0:16:05 | 0:16:08 | |
Excellent. Let's stick with James. He's back in the Beetle, | 0:16:09 | 0:16:12 | |
and has crossed the county border | 0:16:12 | 0:16:14 | |
from Hertfordshire to Aylesbury, in Bucks. | 0:16:14 | 0:16:18 | |
Aylesbury was a major market town in Anglo-Saxon times | 0:16:18 | 0:16:22 | |
and is famous as the burial place for St Osyth | 0:16:22 | 0:16:25 | |
who lost her head in 870. Careless! | 0:16:25 | 0:16:29 | |
Let's hope James doesn't lose his at Antiques at Wendover, | 0:16:29 | 0:16:33 | |
managed by dealer Lizzie Osborne Wyn. | 0:16:33 | 0:16:37 | |
I quite like this. I don't know why. It's not the greatest. | 0:16:37 | 0:16:40 | |
It's just a cheap old box. Paper box. | 0:16:40 | 0:16:43 | |
But it's one of those funny things that at auction people love. | 0:16:43 | 0:16:48 | |
They love scrabbling around. It's quite retro, isn't it? | 0:16:48 | 0:16:52 | |
No gold or silver in there? Have we missed anything? | 0:16:52 | 0:16:55 | |
I very much doubt it. Somebody's gone thoroughly through it. | 0:16:55 | 0:16:58 | |
That's sort of purporting to be a halfpenny, but it's not. | 0:16:58 | 0:17:02 | |
It's just a little lot of costume. | 0:17:04 | 0:17:07 | |
He might have kept his head, but has he lost his mind? | 0:17:07 | 0:17:11 | |
You've got ?35 on that. But would ?20 buy it? | 0:17:11 | 0:17:14 | |
25. 25. How about if we struck in the middle? Can we do 22? | 0:17:16 | 0:17:23 | |
22.50. | 0:17:23 | 0:17:25 | |
22.50. I'm not going to argue with you. | 0:17:25 | 0:17:27 | |
Thank you very much indeed. ?22.50 it is. | 0:17:27 | 0:17:30 | |
On your head be it, James. | 0:17:30 | 0:17:32 | |
Anyway, here's a quick reminder of | 0:17:32 | 0:17:34 | |
how the boys have been dishing out the dosh. | 0:17:34 | 0:17:37 | |
James Braxton started this leg of the road trip | 0:17:37 | 0:17:41 | |
with ?316.16, and has spent ?147.50 on three lots, | 0:17:41 | 0:17:47 | |
leaving him with a balance of ?158.66. | 0:17:47 | 0:17:51 | |
James Lewis started with ?1,022.34, | 0:17:51 | 0:17:58 | |
and bought six lots, costing ?895, | 0:17:58 | 0:18:02 | |
leaving him with a balance of ?127.34. | 0:18:02 | 0:18:06 | |
OK, boys. Dish the dirt. | 0:18:06 | 0:18:09 | |
Are you impressed by one another's antiques? | 0:18:09 | 0:18:11 | |
The vase is lovely. A really nice bit of Chinese porcelain. And so fashionable at the moment. | 0:18:12 | 0:18:17 | |
That could do well, although it's damaged. | 0:18:17 | 0:18:20 | |
The costume jewellery. He's got to do something about that. | 0:18:20 | 0:18:24 | |
I'm not exactly proud of it, but it may be a profit. I'm sure it's a profit. | 0:18:24 | 0:18:30 | |
There is only one way to find out. It's off to auction we go. How exciting! | 0:18:30 | 0:18:35 | |
From Aylesbury, our experts embark on the final 55 miles | 0:18:35 | 0:18:38 | |
to the saleroom in Leamington Spa. | 0:18:38 | 0:18:40 | |
And at last, the sun is shining, | 0:18:40 | 0:18:43 | |
which has helped shift James Braxton's cold. | 0:18:43 | 0:18:45 | |
HE SNEEZES | 0:18:45 | 0:18:47 | |
Shame about his sparring partner though! | 0:18:47 | 0:18:50 | |
I blame you. My gift to you is my flu. | 0:18:50 | 0:18:53 | |
He is such a sharing soul, James. Oh, dear. | 0:18:53 | 0:18:58 | |
Our experts will battle it out for the final time | 0:19:00 | 0:19:03 | |
on this Road Trip at Locke and England's auction house. | 0:19:03 | 0:19:06 | |
This is a Fine Arts Antiques sale. | 0:19:06 | 0:19:08 | |
Emmeline Jarry will be the auctioneer taking to the rostrum. | 0:19:09 | 0:19:13 | |
First up for James Lewis, it's the extinguisher on wheels. | 0:19:13 | 0:19:17 | |
But will it set the auction room on fire? | 0:19:17 | 0:19:20 | |
We'll start the bidding at 110. 120. 130. 140. | 0:19:20 | 0:19:25 | |
At 140 then. Is there 150? | 0:19:25 | 0:19:28 | |
At 140. 150. 160. 170. | 0:19:28 | 0:19:32 | |
170. 180. 190. 200. | 0:19:32 | 0:19:36 | |
It is certainly sparking some internet interest. | 0:19:36 | 0:19:39 | |
240. 260. Yes. 280. 300. 320. | 0:19:39 | 0:19:46 | |
I've got 340. Do you want to go to 350? | 0:19:46 | 0:19:49 | |
340. 350 I'm at. Is there 380? ?350 then. Sold. | 0:19:51 | 0:19:59 | |
Well done. That's a great result. Phenomenal! | 0:20:00 | 0:20:04 | |
There he goes again. | 0:20:04 | 0:20:06 | |
James Lewis blazes into an early lead. | 0:20:06 | 0:20:09 | |
First up for James Braxton, | 0:20:09 | 0:20:11 | |
it's the vintage Hermes scarf in its original box. | 0:20:11 | 0:20:14 | |
Who will start me then at ?15? 15? For ?15? 15. | 0:20:16 | 0:20:19 | |
18 anywhere? 15. | 0:20:19 | 0:20:21 | |
Is there 18? It's not going to make 100, is it? 20. 22. | 0:20:21 | 0:20:27 | |
Who would like to buy a Hermes scarf for ?22? | 0:20:27 | 0:20:30 | |
30. Five. 35 then. | 0:20:30 | 0:20:34 | |
Internet, do you want to come in at 35? 40. Thank you. Five. 50. ?50. | 0:20:34 | 0:20:42 | |
Is there five? Do you want to come in on the internet? | 0:20:42 | 0:20:45 | |
?50. Is there five? ?50. | 0:20:45 | 0:20:47 | |
Wiped its nose, as you would say. | 0:20:52 | 0:20:55 | |
Oh well, five pounds is five pounds. | 0:20:55 | 0:20:57 | |
But it's nowhere near enough to catch James Lewis. | 0:20:57 | 0:21:00 | |
Next up for James Lewis is a queer old lot. | 0:21:02 | 0:21:05 | |
Fossilised turtle poo, a sovereign case, a snuffbox, | 0:21:05 | 0:21:09 | |
an elephant pincushion, two Felix the cat figures | 0:21:09 | 0:21:12 | |
and a partridge in a pear tree. | 0:21:12 | 0:21:15 | |
Well, I've never sold turtle poo before, so this is a first! | 0:21:17 | 0:21:20 | |
Can we try for ?30? Can we try for ?30? Every home should have one. | 0:21:20 | 0:21:25 | |
?30. How about 10? 10. 12. | 0:21:25 | 0:21:29 | |
15. 18. 20. | 0:21:31 | 0:21:33 | |
Is there a two? 22. Five. | 0:21:33 | 0:21:36 | |
Eight. 30. | 0:21:38 | 0:21:39 | |
30. Five. 35 in the room. At 35. 40 anywhere? | 0:21:41 | 0:21:46 | |
40. Five. | 0:21:48 | 0:21:50 | |
50. Five. 55. Go on. | 0:21:51 | 0:21:55 | |
Have we got 60? ?55. Selling at 55. | 0:21:55 | 0:21:59 | |
There we are. It's a small profit but I had a great deal of fun buying it. | 0:22:01 | 0:22:05 | |
It just shows you can sell anything! | 0:22:05 | 0:22:07 | |
It does indeed. | 0:22:07 | 0:22:09 | |
A pile of old doo-doo becomes a ?25 profit for James Lewis. | 0:22:09 | 0:22:12 | |
Brackers will really struggle to catch him now. | 0:22:12 | 0:22:15 | |
I'd be surprised if his box of paste jewellery brings any sparkle | 0:22:15 | 0:22:19 | |
to this saleroom, but don't tell anyone. | 0:22:19 | 0:22:21 | |
What shall we say for that? ?10? 10, thank you. | 0:22:21 | 0:22:26 | |
12 anywhere? 12. At 10. | 0:22:26 | 0:22:28 | |
Is there 12? 12. 15 in the room. 15. | 0:22:28 | 0:22:34 | |
Is there 18? 18. 18. Is there 22? | 0:22:34 | 0:22:39 | |
18 with you. Is there 20? At ?18. Is there 20? At ?18. | 0:22:39 | 0:22:46 | |
There was a bit of bidding there. | 0:22:49 | 0:22:51 | |
Oh, Lordy! | 0:22:51 | 0:22:53 | |
Unless there is a miracle, Brackers' chance of victory has bombed. | 0:22:53 | 0:22:57 | |
Next up for James Lewis, it's the first of his Moorcroft pieces. | 0:22:57 | 0:23:00 | |
The pomegranate baluster vase and circular pin-tray. | 0:23:00 | 0:23:03 | |
?200 for those. ?200. 200. Looking for ?200. | 0:23:03 | 0:23:08 | |
I'll take ?100 to start me then. Is there 100? Looking for ?100. | 0:23:08 | 0:23:13 | |
100, I'm bid. Is there 110? ?100. Is there 110? No way! | 0:23:13 | 0:23:19 | |
110. 120. 120. Is there 130? | 0:23:19 | 0:23:25 | |
I'll have to sell them at ?120. No way! | 0:23:28 | 0:23:31 | |
Selling then. | 0:23:31 | 0:23:33 | |
That is criminal. | 0:23:33 | 0:23:35 | |
That is absolutely criminal. | 0:23:37 | 0:23:39 | |
Oh, dear. His risky gamble has failed. | 0:23:39 | 0:23:42 | |
So could James Braxton actually be in with a winning chance? | 0:23:42 | 0:23:46 | |
That vase is worth 380 quid. Fact. | 0:23:48 | 0:23:50 | |
That's what you thought about your last lot too, James. | 0:23:50 | 0:23:53 | |
I wonder if the Moorcroft leaf and berries vase | 0:23:53 | 0:23:56 | |
and the preserve pot will fare any better? | 0:23:56 | 0:23:59 | |
?200. ?200. | 0:23:59 | 0:24:01 | |
Looking for ?200. I'll take ?100 to start me. 100, thank you. No! | 0:24:01 | 0:24:07 | |
Is there a 110? 110. 120. 130. 140. | 0:24:07 | 0:24:12 | |
150. 160. | 0:24:14 | 0:24:16 | |
170. It's going up. 180. | 0:24:18 | 0:24:22 | |
In the room, 180. 190. 190 then. At 190. Is there 200? 190. | 0:24:22 | 0:24:30 | |
Is there 200? Are we all done in the room at 190? 200. 220? | 0:24:30 | 0:24:34 | |
220, you're all right. 240. ?220. | 0:24:34 | 0:24:40 | |
Oh, Lordy. It's a disaster. | 0:24:42 | 0:24:45 | |
I want to go home. | 0:24:45 | 0:24:47 | |
I don't like this Road Trip any more. | 0:24:49 | 0:24:51 | |
You will sit here and take your medicine. | 0:24:51 | 0:24:54 | |
Cheer up, James. It's more Moorcroft. | 0:24:54 | 0:24:57 | |
Oh, God! | 0:24:57 | 0:24:58 | |
This time, a circular pewter mounted basket and a cylindrical vase. | 0:24:58 | 0:25:02 | |
I'm looking for ?120. I'm looking for 120. I'm looking for 120. | 0:25:02 | 0:25:06 | |
I'm looking for ?120. | 0:25:06 | 0:25:09 | |
I'm looking for 120. What? I'm looking for ?120. | 0:25:09 | 0:25:12 | |
The Liberty basket is worth more than that. It's a matter of opinion. | 0:25:12 | 0:25:17 | |
120, thank you. Is there 130? 130. 140. | 0:25:17 | 0:25:21 | |
140 in the room. Is there 150? 140. 150. 160. | 0:25:21 | 0:25:28 | |
If I didn't know better, | 0:25:28 | 0:25:29 | |
I'd say James Braxton is secretly enjoying this. | 0:25:29 | 0:25:32 | |
And why not?! | 0:25:32 | 0:25:34 | |
190. 200. I don't think you've made too much money on this one. | 0:25:34 | 0:25:39 | |
At 200 in the room. Is there 20? ?200. In the room at 200. | 0:25:39 | 0:25:46 | |
We are all done on the internet then. At ?200. | 0:25:46 | 0:25:50 | |
James, I spy a profit. I know. | 0:25:50 | 0:25:52 | |
Just when poor old Brackers was getting his hopes up, | 0:25:56 | 0:25:59 | |
James Lewis pulls it out of the bag. But will it be enough? | 0:25:59 | 0:26:03 | |
Time now for the last of James Braxton's items, | 0:26:03 | 0:26:06 | |
the cracked Chinese vase. | 0:26:06 | 0:26:08 | |
Here we are. This is it. ?150. 150. Looking for 150. Looking for ?150. | 0:26:08 | 0:26:14 | |
Looking for 150. I'll take ?100 to start me then. Is there 100? | 0:26:15 | 0:26:18 | |
I'm looking for ?100. I'm looking for ?100. 100, I'm bid. | 0:26:18 | 0:26:22 | |
Is there 110? | 0:26:22 | 0:26:24 | |
At 100. Is there 110? Come on, bid. ?100. Is there 110? | 0:26:24 | 0:26:28 | |
I'll sell it at ?100. | 0:26:28 | 0:26:31 | |
At ?100. Are you sure? ?100. Selling at 100. | 0:26:33 | 0:26:37 | |
At ?100. | 0:26:39 | 0:26:41 | |
Oh, dear. It was a shame because it was the last lot. | 0:26:41 | 0:26:46 | |
Oh, well, that's the rough and tumble of auction. | 0:26:46 | 0:26:49 | |
Don't give up hope just yet, Brackers. | 0:26:49 | 0:26:51 | |
It all depends on James Lewis's last item and guess what? | 0:26:51 | 0:26:55 | |
It's more Moorcroft! | 0:26:55 | 0:26:57 | |
It's the leaf and berries match and cigar tray | 0:26:57 | 0:27:00 | |
and the pomegranate pattern pin-dish. | 0:27:00 | 0:27:02 | |
Hold onto your seats! | 0:27:02 | 0:27:04 | |
?100. Looking for ?100. Looking for ?100. ?100. Looking for 100. | 0:27:04 | 0:27:11 | |
Looking for 100. Oh, come on! I'll taken an 80 bid if you like. | 0:27:11 | 0:27:16 | |
Looking for 80. I'll take a 50 then. Looking for 50. 50. Is there a five? | 0:27:16 | 0:27:23 | |
At 50. Is there a five? | 0:27:23 | 0:27:25 | |
At ?50 then. I'll sell it for 50. That is bonkers. 55, thank you. 60. | 0:27:25 | 0:27:31 | |
Five. 70. It's worth so much more than that. At 70. Is there a five? | 0:27:34 | 0:27:39 | |
At ?70. | 0:27:40 | 0:27:41 | |
Well, that's what I call haemorrhaging money. | 0:27:41 | 0:27:46 | |
Oh, dear. The expensive gamble on the job lot of Moorcroft | 0:27:46 | 0:27:50 | |
just didn't pay off, and it might just have cost him the final leg. | 0:27:50 | 0:27:54 | |
It's going to be close, isn't it? | 0:27:56 | 0:27:57 | |
James Braxton started this leg with ?306.16 | 0:27:59 | 0:28:03 | |
and after auction costs, he's made a small loss of ?9.74, | 0:28:03 | 0:28:07 | |
giving him a grand total for the trip of ?296.42. | 0:28:07 | 0:28:12 | |
James Lewis, however, began with ?1022.34, | 0:28:12 | 0:28:18 | |
but after costs, made a stinging loss of ?62.70. | 0:28:18 | 0:28:24 | |
While that gives him a humongous ?959.64 overall, | 0:28:24 | 0:28:28 | |
it's James Braxton who wins this leg because he made a smaller loss. | 0:28:28 | 0:28:33 | |
Yippee! | 0:28:33 | 0:28:35 | |
All the profits our experts make go to Children In Need. | 0:28:35 | 0:28:38 | |
I feel physically drained. How was that for you? Emotional. Oh, no. | 0:28:38 | 0:28:44 | |
Slightly by default, I took this last leg! Well done. | 0:28:44 | 0:28:48 | |
Congratulations. Well done. Brilliant. | 0:28:48 | 0:28:50 | |
As a result... You're driving. I'm going to tee off. Great. | 0:28:50 | 0:28:53 | |
So finally a victory for James Braxton. | 0:28:53 | 0:28:56 | |
But it's James Lewis who wins this Road Trip. | 0:28:56 | 0:29:00 | |
So, out with the old... | 0:29:00 | 0:29:02 | |
..and in with the new. | 0:29:04 | 0:29:05 | |
We have a brand-new pair of experts packing their suitcases | 0:29:05 | 0:29:09 | |
for a Road Trip adventure. Anita Manning and Jonathan Pratt. | 0:29:09 | 0:29:12 | |
They're kicking off north of the border in Bonnie Scotland. | 0:29:15 | 0:29:18 | |
Och, aye, the noo. | 0:29:18 | 0:29:20 | |
I do like seeing the rolling hills | 0:29:25 | 0:29:28 | |
and I do like the grass and the smell of the cow poo. | 0:29:28 | 0:29:31 | |
SHE LAUGHS | 0:29:31 | 0:29:33 | |
All that sort of stuff. | 0:29:33 | 0:29:35 | |
Sorry, Jonathan, it's not the country we're starting in, | 0:29:35 | 0:29:37 | |
it's the biggest city in Scotland. | 0:29:37 | 0:29:40 | |
# I belong to Glesca | 0:29:40 | 0:29:42 | |
# Dear old Glesca toon | 0:29:42 | 0:29:44 | |
# But there's something the matter with Glesca | 0:29:44 | 0:29:47 | |
# Cos it's going around and round... # | 0:29:47 | 0:29:50 | |
Anita Manning belongs to Glasgow, | 0:29:50 | 0:29:53 | |
and was the first female auctioneer in Scotland. | 0:29:53 | 0:29:56 | |
And she knows what she likes. | 0:29:56 | 0:29:58 | |
I love Art Nouveau. | 0:29:58 | 0:30:00 | |
And she knows how to make grown men wince. | 0:30:00 | 0:30:03 | |
Could these be bought for five? | 0:30:03 | 0:30:05 | |
?5? Mm-hm. | 0:30:05 | 0:30:06 | |
HE SQUIRMS | 0:30:06 | 0:30:08 | |
This is Jonathan Pratt. | 0:30:10 | 0:30:11 | |
He's also an auctioneer | 0:30:11 | 0:30:14 | |
and also very, very decisive(!) | 0:30:14 | 0:30:17 | |
I don't know what to do! | 0:30:17 | 0:30:19 | |
And he's rather an astute fellow. | 0:30:19 | 0:30:22 | |
I guess stuffed heads is off the menu, though. | 0:30:22 | 0:30:24 | |
Our couple of darling antiques experts | 0:30:26 | 0:30:29 | |
will begin their adventure with ?200 each. | 0:30:29 | 0:30:32 | |
And the chariot of choice is the stylish 1964 MG. | 0:30:32 | 0:30:36 | |
I'm nervous about this. Why? | 0:30:38 | 0:30:40 | |
Just because | 0:30:40 | 0:30:42 | |
I did so badly in the last two! | 0:30:42 | 0:30:44 | |
Forget about that. We're here just to have a nice time. | 0:30:44 | 0:30:48 | |
Oh, dear. Has Jonathan got a bout of the old nerves? | 0:30:48 | 0:30:52 | |
Wonder why they're stopping in the middle of the road, too. | 0:30:52 | 0:30:55 | |
Anita and Jonathan are travelling over 400 miles, | 0:30:58 | 0:31:01 | |
from the city of Glasgow | 0:31:01 | 0:31:04 | |
all the way to Llangefni, on the island of Anglesey. | 0:31:04 | 0:31:07 | |
The first pin on the map is the bustling city of Glasgow, | 0:31:07 | 0:31:11 | |
and they will auction in the Renfrewshire town of Paisley. | 0:31:11 | 0:31:14 | |
We're coming up to George Square... | 0:31:14 | 0:31:16 | |
with the City Chambers here. | 0:31:16 | 0:31:19 | |
Who's this chap here? | 0:31:19 | 0:31:21 | |
That's Robert Peel, there. | 0:31:21 | 0:31:22 | |
I think that chap's Queen Victoria. | 0:31:22 | 0:31:25 | |
THEY LAUGH | 0:31:25 | 0:31:27 | |
Glasgow is renowned | 0:31:27 | 0:31:29 | |
for its strong shipbuilding history | 0:31:29 | 0:31:31 | |
and wondrous architecture. | 0:31:31 | 0:31:33 | |
During the Victorian and Edwardian times, it was known | 0:31:33 | 0:31:36 | |
as "the second city of the British Empire." | 0:31:36 | 0:31:40 | |
Well, Jonathan, your shop's just down there. | 0:31:40 | 0:31:44 | |
You have 200 quid. | 0:31:44 | 0:31:46 | |
Good luck, Johnny. | 0:31:46 | 0:31:47 | |
Thank you. And you. Take care. | 0:31:47 | 0:31:49 | |
See you later. | 0:31:49 | 0:31:50 | |
Let's follow Anita. Her first shop of the day is Vintage Retro, | 0:31:50 | 0:31:54 | |
owned by John. | 0:31:54 | 0:31:56 | |
Anita! Hello, John. | 0:31:56 | 0:31:58 | |
Hello. It's lovely to see you. | 0:31:58 | 0:31:59 | |
And you. | 0:31:59 | 0:32:01 | |
Big kisses at this time of the day? | 0:32:01 | 0:32:03 | |
I suppose she knows everyone round here. | 0:32:03 | 0:32:07 | |
This is a lovely piece. | 0:32:12 | 0:32:14 | |
Absolutely lovely. | 0:32:14 | 0:32:15 | |
It's a little biscuit barrel. | 0:32:15 | 0:32:17 | |
The glass is acid-etched here, | 0:32:19 | 0:32:20 | |
with this Art Nouveau pattern. | 0:32:20 | 0:32:23 | |
It's sitting on this wonderful WMF mount. | 0:32:23 | 0:32:29 | |
I love it to bits. | 0:32:29 | 0:32:31 | |
This biscuit barrel was made by the highly prized | 0:32:31 | 0:32:35 | |
German WMF factory. | 0:32:35 | 0:32:37 | |
WMF, or Wurttembergische Metallwarenfabrik - | 0:32:37 | 0:32:42 | |
that's easy for me to say(!) - | 0:32:42 | 0:32:44 | |
was a highly prized German factory that became strongly influenced | 0:32:44 | 0:32:48 | |
by Art Nouveau at the turn of the century. | 0:32:48 | 0:32:51 | |
This delightful object has a ticket price | 0:32:51 | 0:32:53 | |
of ?105. | 0:32:53 | 0:32:56 | |
I'd like to be buying it | 0:32:56 | 0:32:58 | |
in the region of ?50. | 0:32:58 | 0:33:00 | |
Oh, gosh! | 0:33:00 | 0:33:02 | |
Is that possible? | 0:33:03 | 0:33:04 | |
That's a lot less than I paid for it, Anita. Is it? | 0:33:06 | 0:33:09 | |
That's a lot less. Well, we don't want you to be... | 0:33:09 | 0:33:13 | |
Losing money? No, no, no. | 0:33:13 | 0:33:16 | |
We can't have that. No, no, no. | 0:33:16 | 0:33:18 | |
We can't have that. | 0:33:18 | 0:33:20 | |
Could you go to 60? | 0:33:20 | 0:33:22 | |
63. | 0:33:23 | 0:33:25 | |
63? Let's do it. It's a deal, John. | 0:33:25 | 0:33:27 | |
Thank you so much. | 0:33:27 | 0:33:29 | |
I hope you do well with it. | 0:33:29 | 0:33:31 | |
What a stylish first buy! | 0:33:31 | 0:33:34 | |
And John's found something else to tantalise Anita. | 0:33:34 | 0:33:37 | |
They're Scandinavian silver coffee spoons. | 0:33:37 | 0:33:40 | |
These are lovely, the design is good. | 0:33:40 | 0:33:42 | |
I like this naturalistic... | 0:33:42 | 0:33:45 | |
handle here. | 0:33:45 | 0:33:47 | |
That's very sweet. | 0:33:47 | 0:33:49 | |
It's very typical of Scandinavian Art Nouveau, isn't it? Yeah. | 0:33:49 | 0:33:51 | |
Are they expensive, John? | 0:33:51 | 0:33:55 | |
25. | 0:33:55 | 0:33:56 | |
25? | 0:33:56 | 0:33:59 | |
And that would include a damn good clean. | 0:33:59 | 0:34:02 | |
SHE LAUGHS | 0:34:02 | 0:34:04 | |
D'you do a cleaning service? | 0:34:04 | 0:34:06 | |
Have you got a pair of Marigolds? A polish. | 0:34:06 | 0:34:10 | |
Could you do them for 20? | 0:34:10 | 0:34:12 | |
Go on. | 0:34:12 | 0:34:13 | |
That's a double deal! Another deal. | 0:34:13 | 0:34:16 | |
That's wonderful. | 0:34:16 | 0:34:18 | |
While Anita's been splashing the cash, | 0:34:18 | 0:34:20 | |
Jonathan's having a stroll to his first shop | 0:34:20 | 0:34:23 | |
in Glasgow town. | 0:34:23 | 0:34:25 | |
Morning. Hello, good morning. How are you. Very good. You? | 0:34:25 | 0:34:29 | |
Jonathan's usually a bit nervy, | 0:34:29 | 0:34:32 | |
but perhaps even more so, | 0:34:32 | 0:34:33 | |
now that we're on Anita's home turf. | 0:34:33 | 0:34:37 | |
It's hardly fair, is it? | 0:34:37 | 0:34:38 | |
On past Road Trips, young Jonathan has gained a reputation | 0:34:38 | 0:34:41 | |
as a ditherer. | 0:34:41 | 0:34:43 | |
Thankfully, owner Marco points him in the right direction. | 0:34:43 | 0:34:47 | |
You say ?55 each? Yep. | 0:34:47 | 0:34:49 | |
Each pair? | 0:34:49 | 0:34:51 | |
They're 55 each, | 0:34:51 | 0:34:53 | |
but I can come and go with you, no problem. | 0:34:53 | 0:34:55 | |
I walked straight past these two because | 0:34:55 | 0:34:57 | |
this shape just doesn't look like... | 0:34:57 | 0:35:01 | |
a typical Georgian chair. | 0:35:01 | 0:35:03 | |
They're terribly unfashionable, these chairs, nowadays. | 0:35:07 | 0:35:10 | |
I'd give you ?30, the pair. | 0:35:10 | 0:35:13 | |
That's the best you can do? | 0:35:13 | 0:35:15 | |
Have a think or what would you say? | 0:35:15 | 0:35:17 | |
I can sell that to you. Can you?! That's no problem. | 0:35:17 | 0:35:20 | |
Ha-ha-ha! I am now the proud owner of a pair of chairs! | 0:35:20 | 0:35:23 | |
You're happy about that? | 0:35:23 | 0:35:25 | |
Blimey! Has Jonathan turned over a new leaf? | 0:35:25 | 0:35:28 | |
There you go. Look at this! | 0:35:28 | 0:35:30 | |
That's one down. | 0:35:30 | 0:35:32 | |
I'm on fire! | 0:35:32 | 0:35:33 | |
Don't get too big for your boots, though, JP. | 0:35:33 | 0:35:36 | |
Anyway, | 0:35:36 | 0:35:37 | |
Marco has another shop a-hop-and-a skip-and-a-jump away. | 0:35:37 | 0:35:41 | |
And he selects a little silver something for Jonathan. | 0:35:41 | 0:35:44 | |
It's quite an interesting piece. | 0:35:44 | 0:35:46 | |
Look. | 0:35:46 | 0:35:49 | |
That's a bit of a weight, isn't it? | 0:35:49 | 0:35:51 | |
So it was a cigar lighter. | 0:35:51 | 0:35:54 | |
That doesn't sit right. | 0:35:54 | 0:35:57 | |
I don't think that's actually belonging to this one. | 0:35:57 | 0:36:00 | |
It's more like somebody put that one on top. | 0:36:00 | 0:36:02 | |
It's circa 1900. | 0:36:02 | 0:36:04 | |
This piece is actually original. | 0:36:04 | 0:36:06 | |
That...goes... | 0:36:06 | 0:36:10 | |
That isn't. | 0:36:10 | 0:36:11 | |
That starts with that. | 0:36:11 | 0:36:14 | |
That's fine for that. | 0:36:14 | 0:36:16 | |
Would something have sat in there? | 0:36:16 | 0:36:18 | |
That, to me, | 0:36:18 | 0:36:20 | |
is a cigar lighter. | 0:36:20 | 0:36:22 | |
It sits there like a little Roman candle, | 0:36:22 | 0:36:24 | |
like a lantern. | 0:36:24 | 0:36:26 | |
You can have it for maybe 85. | 0:36:26 | 0:36:29 | |
?85? | 0:36:31 | 0:36:33 | |
Nothing like plonking it down, Jonathan(!) | 0:36:37 | 0:36:40 | |
How about... | 0:36:40 | 0:36:41 | |
60 for the two? | 0:36:46 | 0:36:47 | |
If you can give me ?70 you can have it. | 0:36:49 | 0:36:53 | |
60 and I'll walk away. | 0:36:53 | 0:36:55 | |
OK, I'll do that for you, 60. | 0:36:55 | 0:36:58 | |
Well done. | 0:36:58 | 0:36:59 | |
Hee-hee-hee. | 0:36:59 | 0:37:00 | |
I can knock off now. | 0:37:00 | 0:37:03 | |
Ha-ha-ha-ha. | 0:37:03 | 0:37:05 | |
What a smarty-pants! | 0:37:05 | 0:37:06 | |
But I quite like the new-look tough-talking Jonathan, don't you? | 0:37:06 | 0:37:10 | |
Young Jonathan is kindly dropping Anita off at Glasgow's | 0:37:14 | 0:37:17 | |
much-loved Grand Central Hotel. | 0:37:17 | 0:37:20 | |
There we go. I'm looking forward to this. | 0:37:22 | 0:37:24 | |
A bit of luxury. | 0:37:24 | 0:37:26 | |
Since its opening in 1883, | 0:37:29 | 0:37:31 | |
this hotel has been a renowned Glasgow landmark. | 0:37:31 | 0:37:34 | |
In 1879, | 0:37:36 | 0:37:38 | |
the main train hub of Glasgow was opened | 0:37:38 | 0:37:40 | |
by Caledonian Railways | 0:37:40 | 0:37:43 | |
and the neighbouring Central Hotel just four years later. | 0:37:43 | 0:37:47 | |
Designed by Scottish architect Robert Rowand Anderson, | 0:37:47 | 0:37:51 | |
he adapted the Queen Anne style, which incorporates | 0:37:51 | 0:37:54 | |
picturesque details, | 0:37:54 | 0:37:55 | |
intricate gables | 0:37:55 | 0:37:57 | |
and multi-panelled windows. | 0:37:57 | 0:38:00 | |
Sadly, to make way for the building of the hotel and railway, | 0:38:00 | 0:38:04 | |
the village of Grahamston had to be cleared. | 0:38:04 | 0:38:06 | |
600 villagers watched as their homes and businesses | 0:38:06 | 0:38:09 | |
were flattened. | 0:38:09 | 0:38:11 | |
In the halcyon days of railway travel, | 0:38:14 | 0:38:16 | |
the poshest hotel in town | 0:38:16 | 0:38:18 | |
was often attached to the railway station, | 0:38:18 | 0:38:21 | |
where the good and the great would stay. | 0:38:21 | 0:38:24 | |
Anita is meeting with authors of a recently-published book | 0:38:25 | 0:38:29 | |
on the history of this glorious hotel, | 0:38:29 | 0:38:31 | |
Bill Hicks and Jill Scott. | 0:38:31 | 0:38:35 | |
This is quite splendid. | 0:38:35 | 0:38:37 | |
Why did Glasgow need a hotel like this? | 0:38:41 | 0:38:45 | |
I suppose it would be the equivalent of the Ritz or the Dorchester | 0:38:45 | 0:38:49 | |
in London. | 0:38:49 | 0:38:50 | |
Did Glasgow need something like this? | 0:38:50 | 0:38:52 | |
Oh, without doubt. The Caledonian Railway Company knew that. | 0:38:52 | 0:38:56 | |
When they made this building, it had | 0:38:56 | 0:38:58 | |
390 bedrooms, | 0:38:58 | 0:39:01 | |
and room for 250 servants. | 0:39:01 | 0:39:05 | |
This city was just so bustling | 0:39:05 | 0:39:07 | |
and vibrant with industry. | 0:39:07 | 0:39:09 | |
This was the nearest hotel to the Broomielaw. | 0:39:09 | 0:39:12 | |
You could sail from the Broomielaw | 0:39:12 | 0:39:14 | |
to Hong Kong, Singapore. | 0:39:14 | 0:39:17 | |
So this was really the hub of commerce, | 0:39:17 | 0:39:19 | |
and when we look at this ballroom, | 0:39:19 | 0:39:21 | |
we can see that it was a place for | 0:39:21 | 0:39:23 | |
great events. | 0:39:23 | 0:39:25 | |
Dinners and dances | 0:39:25 | 0:39:28 | |
and so on. | 0:39:28 | 0:39:29 | |
Yes. | 0:39:29 | 0:39:31 | |
As the hotel grew in splendour and majesty, | 0:39:31 | 0:39:34 | |
it was the number-one location for many a famous face. | 0:39:34 | 0:39:36 | |
Laurel and Hardy, | 0:39:36 | 0:39:39 | |
Charlton Heston, | 0:39:39 | 0:39:40 | |
Bob Hope. | 0:39:40 | 0:39:42 | |
We're talking about Hollywood royalty? | 0:39:42 | 0:39:44 | |
I heard a story | 0:39:44 | 0:39:46 | |
that Roy Rogers stayed here | 0:39:46 | 0:39:48 | |
and Trigger stayed, and Trigger's suite | 0:39:48 | 0:39:51 | |
was more fancy! | 0:39:51 | 0:39:54 | |
I don't know if that's true. That's a myth. | 0:39:54 | 0:39:57 | |
That's the myth. Trigger didn't actually stay in the hotel. | 0:39:57 | 0:40:02 | |
He was stabled outside, but... | 0:40:02 | 0:40:05 | |
he was photographed walking up the main staircase. | 0:40:05 | 0:40:10 | |
The hotel also took part in a historic first | 0:40:11 | 0:40:15 | |
in 1927. | 0:40:15 | 0:40:17 | |
John Logie Baird | 0:40:17 | 0:40:19 | |
had his first pictures transmitted to the hotel. | 0:40:19 | 0:40:23 | |
The transmission was made from London | 0:40:23 | 0:40:25 | |
to a room in the fourth floor. | 0:40:25 | 0:40:27 | |
And that was the very, very first television pictures? | 0:40:27 | 0:40:32 | |
Over a distance, yes. | 0:40:32 | 0:40:33 | |
Why did he choose this hotel? | 0:40:33 | 0:40:35 | |
It was just because of its situation. | 0:40:35 | 0:40:40 | |
If you can imagine that they had a lot of equipment coming up | 0:40:40 | 0:40:43 | |
from London on the train. | 0:40:43 | 0:40:45 | |
They didn't want to lug it about all over Glasgow. | 0:40:45 | 0:40:48 | |
There's the hotel right on the doorstep, | 0:40:48 | 0:40:51 | |
take it off the train, into the hotel, | 0:40:51 | 0:40:53 | |
up to the fourth floor. | 0:40:53 | 0:40:54 | |
Another memorable feature | 0:40:54 | 0:40:56 | |
was the Grand's Malmaison Restaurant, | 0:40:56 | 0:40:58 | |
which attracted those with a discerning palate | 0:40:58 | 0:41:02 | |
for nearly 60 years. | 0:41:02 | 0:41:04 | |
Feeling peckish? | 0:41:04 | 0:41:06 | |
In 1959, one could start off | 0:41:06 | 0:41:08 | |
with marmite soup for 4/-, | 0:41:08 | 0:41:10 | |
move onto spag bol for 5/6, | 0:41:10 | 0:41:13 | |
and round off with a delectable | 0:41:13 | 0:41:16 | |
creme caramel for 3/-. | 0:41:16 | 0:41:17 | |
A grand total of 12/6. | 0:41:17 | 0:41:20 | |
That's 62?p in today's money. | 0:41:20 | 0:41:23 | |
A glass of vino, of course, would be extra. | 0:41:23 | 0:41:27 | |
Sadly, we must leave the glitz and glamour | 0:41:27 | 0:41:30 | |
of the Grand Central Hotel behind | 0:41:30 | 0:41:32 | |
and catch up with Jonathan | 0:41:32 | 0:41:33 | |
who's on a jaunt for more antiques, | 0:41:33 | 0:41:35 | |
and looking stylish. | 0:41:35 | 0:41:37 | |
He's taking the high road to the bonnie banks | 0:41:39 | 0:41:41 | |
of Loch Lomond. | 0:41:41 | 0:41:43 | |
# By yon bonnie banks and by yon bonnie braes | 0:41:43 | 0:41:48 | |
# Where the sun shines bright on Loch Lomond | 0:41:48 | 0:41:53 | |
# Where me and my true love... # | 0:41:53 | 0:41:56 | |
Isn't it lovely? Loch Lomond has much beauty to offer, | 0:41:56 | 0:41:59 | |
and luckily for Jonathan, | 0:41:59 | 0:42:01 | |
an antiques centre, too. | 0:42:01 | 0:42:03 | |
What do you call this, a tam o'shanter? | 0:42:07 | 0:42:09 | |
It's right up Anita's street, probably her head size as well. | 0:42:12 | 0:42:15 | |
Lordy! | 0:42:15 | 0:42:17 | |
Stop monkeying about and get stuck in! | 0:42:17 | 0:42:20 | |
Och, aye. | 0:42:20 | 0:42:22 | |
Mm. | 0:42:22 | 0:42:24 | |
He has a rather bird-like approach when he's searching for treasures, | 0:42:24 | 0:42:28 | |
but owner Brian has uncovered something for Jonathan's inspection. | 0:42:28 | 0:42:32 | |
Gosh, it's heavy. | 0:42:32 | 0:42:34 | |
Is that bronze? | 0:42:37 | 0:42:39 | |
If so, it's been cleaned... | 0:42:41 | 0:42:43 | |
to an inch of its life. | 0:42:43 | 0:42:44 | |
Japanese mark on the bottom, which I can't read. | 0:42:44 | 0:42:49 | |
Can't work it out which way up it's meant to go! | 0:42:49 | 0:42:52 | |
Oh, gosh! | 0:42:52 | 0:42:54 | |
The base is loose in the bottom, it's coming out. | 0:42:54 | 0:42:56 | |
Splitting. | 0:42:56 | 0:42:58 | |
You can see, if you look inside, | 0:42:58 | 0:43:01 | |
you can see daylight. | 0:43:01 | 0:43:03 | |
Can you see through? | 0:43:03 | 0:43:05 | |
Oh, yes, look! | 0:43:05 | 0:43:06 | |
I'll ask the chap anyway. | 0:43:06 | 0:43:08 | |
The price on it is 145. | 0:43:08 | 0:43:10 | |
145. | 0:43:10 | 0:43:12 | |
I only have ?110 left. | 0:43:12 | 0:43:13 | |
I don't think I'd want to even put that on it. | 0:43:15 | 0:43:18 | |
We could call it 90. | 0:43:18 | 0:43:20 | |
Oh, dear. I don't really want to blow all my money on the first day. | 0:43:20 | 0:43:23 | |
Not like that. | 0:43:23 | 0:43:26 | |
Oh, go on, then! Go on, then! | 0:43:26 | 0:43:28 | |
Well, he certainly changes his mind. Good work, Jonathan. | 0:43:28 | 0:43:33 | |
Back together again, our gal and our guy | 0:43:35 | 0:43:38 | |
are continuing their antiques adventure | 0:43:38 | 0:43:41 | |
in Glasgow city. | 0:43:41 | 0:43:43 | |
How are you finding Glasgow? | 0:43:43 | 0:43:45 | |
Have you understood the Glasgow accent? | 0:43:45 | 0:43:48 | |
Huh(?) | 0:43:48 | 0:43:49 | |
SHE LAUGHS | 0:43:49 | 0:43:50 | |
Anita is first to get to her shop. | 0:43:52 | 0:43:54 | |
She's starting her buying spree in Ruthven Mews, | 0:43:54 | 0:43:57 | |
in the heart of Glasgow's West End. | 0:43:57 | 0:43:59 | |
She finds co-owner Derek to get down to business. | 0:44:01 | 0:44:04 | |
The gold one here? Uh-huh. | 0:44:06 | 0:44:08 | |
It has a modernist look about it, which I quite like. | 0:44:12 | 0:44:16 | |
It certainly has. | 0:44:16 | 0:44:17 | |
It's probably, I would say, 1950s/1960s. | 0:44:17 | 0:44:21 | |
It's very hard to sell brooches | 0:44:21 | 0:44:24 | |
generally, these days. | 0:44:24 | 0:44:26 | |
Don't tell her that, Derek! | 0:44:26 | 0:44:29 | |
It's two-tone, as well, | 0:44:29 | 0:44:30 | |
which makes it a little bit interesting. | 0:44:30 | 0:44:32 | |
It has this sort of satin finish. | 0:44:32 | 0:44:34 | |
Is there a possibility of buying that in the region of ?20? | 0:44:34 | 0:44:39 | |
Well... | 0:44:41 | 0:44:44 | |
Can we make it more sort of 28? | 0:44:44 | 0:44:47 | |
28? Mm-hm. | 0:44:47 | 0:44:49 | |
Could you go to 25? | 0:44:49 | 0:44:51 | |
Mm... | 0:44:51 | 0:44:53 | |
Oh, you're a hard lady! | 0:44:53 | 0:44:55 | |
Listen, she hasn't even started yet! | 0:44:55 | 0:44:57 | |
At 25, I think I've got a chance with that. | 0:44:57 | 0:45:00 | |
OK, we'll do a deal at 25. Can we do that? Yes. | 0:45:00 | 0:45:04 | |
That's lovely. Thank you very much. Wish me luck. | 0:45:04 | 0:45:08 | |
Yes, indeed. | 0:45:08 | 0:45:09 | |
Trust Anita. She's got a big penchant for jewellery. | 0:45:09 | 0:45:13 | |
She's spied some Charles Rennie Mackintosh-style earrings, too. | 0:45:13 | 0:45:18 | |
Mackintosh was born in Glasgow | 0:45:19 | 0:45:21 | |
and was a prolific architect and designer | 0:45:21 | 0:45:24 | |
who was a figurehead of the Arts and Crafts movement. | 0:45:24 | 0:45:27 | |
Could these be bought for five? | 0:45:27 | 0:45:29 | |
Six, even. | 0:45:32 | 0:45:33 | |
Six? That would be the lowest I would go for. We'll go for six. | 0:45:33 | 0:45:37 | |
Let's compromise at six. That's fine. That's great. | 0:45:37 | 0:45:40 | |
Anita certainly loves her Art Nouveau. | 0:45:40 | 0:45:44 | |
That's a total of four items bagged. | 0:45:44 | 0:45:46 | |
Let's stick with Anita as she travels 30 miles away | 0:45:47 | 0:45:51 | |
to Kilwinning in North Ayrshire. | 0:45:51 | 0:45:54 | |
From the hustle and bustle of the city to the lush green countryside, | 0:45:54 | 0:45:58 | |
Anita has still got the shopping bug. | 0:45:58 | 0:46:00 | |
Anita finds owner Shane to have a bit of a haggle. | 0:46:14 | 0:46:18 | |
I quite like this wee silver-plated gong. | 0:46:18 | 0:46:21 | |
I like the sort of, it is like a rusted bamboo support. | 0:46:22 | 0:46:26 | |
It is, it is very pretty, it is a very pretty piece. | 0:46:26 | 0:46:29 | |
Showing the Chinese or Oriental influence. And... | 0:46:29 | 0:46:34 | |
GONG SOUNDS | 0:46:34 | 0:46:36 | |
It sounds beautiful. It is working perfectly. | 0:46:36 | 0:46:39 | |
Is that possible to do in the region of 20-25? | 0:46:40 | 0:46:45 | |
I would do it for ?20, Anita. ?20? ?20. | 0:46:48 | 0:46:52 | |
I think that is nice, I like it. | 0:46:53 | 0:46:55 | |
From a ticket price of ?50 down to ?20, well done, Anita. | 0:46:55 | 0:47:00 | |
Now, where is our young lad? | 0:47:02 | 0:47:04 | |
Jonathan is travelling just over 20 miles away | 0:47:04 | 0:47:08 | |
to Kilbirnie in North Ayrshire. | 0:47:08 | 0:47:11 | |
Jonathan is visiting the Stirrup Cup, owned by Greta. | 0:47:11 | 0:47:15 | |
Greta Logan. | 0:47:15 | 0:47:16 | |
He's confessed he's only got ?20 left. | 0:47:16 | 0:47:19 | |
Greta gives him the tour. | 0:47:19 | 0:47:21 | |
Here we are. This is quite fancy. | 0:47:24 | 0:47:28 | |
My poster? Yes. Of the heart and arteries. | 0:47:29 | 0:47:34 | |
It is probably turn-of-the-century, | 0:47:34 | 0:47:36 | |
made for Edinburgh University. | 0:47:36 | 0:47:38 | |
Is there a price on this one? That one could be round about the 20. | 0:47:38 | 0:47:43 | |
Roundabout is 20 or no sale. | 0:47:44 | 0:47:47 | |
There you go, you're not allowed to give me | 0:47:47 | 0:47:49 | |
two pounds out of your own pocket. No, he is not allowed. | 0:47:49 | 0:47:54 | |
Well done, Jonathan, that ?20 purchase means you have | 0:47:54 | 0:47:58 | |
blown every single penny of your ?200. Good boy. | 0:47:58 | 0:48:03 | |
Here's a quick reminder of how much money they've been spending. | 0:48:04 | 0:48:08 | |
Anita Manning started this leg with ?200 | 0:48:10 | 0:48:13 | |
and spent ?134 on five auction lots. | 0:48:13 | 0:48:16 | |
While Jonathan Pratt blew every single penny of his ?200 starter pack on four lots. | 0:48:18 | 0:48:24 | |
Let's hear what they think of each other's buys. | 0:48:25 | 0:48:30 | |
Well, Jonathan has been very brave on this first leg. | 0:48:30 | 0:48:34 | |
He's spent all his money, and I like to see that. | 0:48:34 | 0:48:38 | |
It means that, er, I've got a bigger chance of winning! | 0:48:38 | 0:48:41 | |
I like the WMF the most, I'd say. | 0:48:41 | 0:48:44 | |
I can see the style in that and I can see it's Anita's taste. | 0:48:44 | 0:48:46 | |
That's the thing I would say I like the most. | 0:48:46 | 0:48:50 | |
They're all very similar. | 0:48:50 | 0:48:51 | |
Let's hit the road and head to auction. | 0:48:51 | 0:48:55 | |
We've had an exciting first leg, starting in the city of Glasgow | 0:48:57 | 0:49:01 | |
then journeying via Loch Lomond, | 0:49:01 | 0:49:03 | |
Kilwinning, Kilbirnie and finally to the Renfrewshire town of Paisley. | 0:49:03 | 0:49:10 | |
By the 19th century, Paisley had established itself | 0:49:13 | 0:49:15 | |
as the epicentre of the weaving industry, | 0:49:15 | 0:49:18 | |
giving its name to the Paisley pattern and Paisley shawl, | 0:49:18 | 0:49:22 | |
which became very fashionable after a young Victoria | 0:49:22 | 0:49:25 | |
took a liking to the design. | 0:49:25 | 0:49:28 | |
Paisley was also very famous for its Coates Thread Mill. | 0:49:28 | 0:49:33 | |
And talking of threads, Jonathan, you're looking pretty smart today! | 0:49:33 | 0:49:37 | |
I'm glad to see you're getting dressed up to come out with me. | 0:49:37 | 0:49:41 | |
Well, this jacket I bought at auction, | 0:49:41 | 0:49:43 | |
and it was worn by Warren Beatty | 0:49:43 | 0:49:47 | |
in a film called The Only Game In Town. | 0:49:47 | 0:49:50 | |
I don't believe that! Absolutely. That's fabulous. | 0:49:50 | 0:49:54 | |
Nice blue wool sports jacket. | 0:49:54 | 0:49:56 | |
Our very own Road Trip stars arrive at the auction house. | 0:49:57 | 0:50:01 | |
Collins Paterson have been established in the town since 1848. | 0:50:01 | 0:50:07 | |
Don't suppose you could get any closer, Anita, could you? | 0:50:08 | 0:50:11 | |
Brilliant! | 0:50:11 | 0:50:13 | |
Oh, it is a nice jacket, Jonathan. | 0:50:13 | 0:50:16 | |
Well, Jonathan, first auction! Are you excited? | 0:50:16 | 0:50:19 | |
I'm very excited and a little bit nervous. How about you? | 0:50:19 | 0:50:22 | |
Don't be nervous! Come on, I'll hold your hand the whole time. | 0:50:22 | 0:50:25 | |
Thank you. | 0:50:25 | 0:50:27 | |
And taking to the rostrum today is auctioneer Stephen Maxwell. | 0:50:27 | 0:50:31 | |
Today's auction will also be open to bidders on the internet. | 0:50:31 | 0:50:35 | |
First up, it is Anita's gold brooch. | 0:50:38 | 0:50:41 | |
Conflicting commission bids, I will come straight in here | 0:50:41 | 0:50:44 | |
and start at ?45. Well done. ?45 I have for the brooch. Do I have ?48? | 0:50:44 | 0:50:48 | |
48, thank you. ?50. You are out, with me, ?50. 55. ?60? 65? | 0:50:48 | 0:50:56 | |
The gentleman, it is your bid, sir, | 0:50:56 | 0:50:57 | |
we are selling into the room, fair warning at ?65. | 0:50:57 | 0:51:01 | |
Yes! Well done, Anita, that is a great start. | 0:51:01 | 0:51:05 | |
Indeed, she is off the starting block. | 0:51:07 | 0:51:10 | |
I still have four to go, right enough. | 0:51:10 | 0:51:13 | |
Right, it is Jonathan next with the silver lot | 0:51:15 | 0:51:19 | |
of the cigar lighter and ewer. | 0:51:19 | 0:51:22 | |
Deep breaths. Pant. | 0:51:22 | 0:51:25 | |
Why pant? | 0:51:27 | 0:51:28 | |
HE PANTS | 0:51:29 | 0:51:30 | |
What is that going to help me with? | 0:51:30 | 0:51:32 | |
Wee bit of interest again in the two items here, | 0:51:32 | 0:51:35 | |
so I will go straight in and start the bidding at ?60. | 0:51:35 | 0:51:37 | |
That is what I paid. | 0:51:37 | 0:51:39 | |
65 online. ?70. 75. | 0:51:39 | 0:51:44 | |
?80. At 90. 95. | 0:51:44 | 0:51:47 | |
The bid is against you. ?100, the bid is on commission. | 0:51:47 | 0:51:52 | |
We are selling, fair warning, at ?100. | 0:51:52 | 0:51:56 | |
Brilliant. Well done. That's a relief. Are you happy? | 0:51:56 | 0:52:02 | |
I am very, very happy. Excellent. | 0:52:02 | 0:52:03 | |
I am glad you are happy, too, Jonathan. | 0:52:03 | 0:52:07 | |
Oh, that makes you neck and neck with Anita. | 0:52:07 | 0:52:10 | |
Now it is Anita's turn with the Rennie Mackintosh style earrings. | 0:52:10 | 0:52:16 | |
Five pounds, surely? Five pounds? Come on, come on. | 0:52:16 | 0:52:20 | |
That is for the two of them! We will throw in the box, honestly, we will. | 0:52:20 | 0:52:26 | |
Two pounds, come on, two pounds, silver earrings for two pounds. | 0:52:26 | 0:52:30 | |
I can't go much lower, I am bid two pounds by this gentleman - | 0:52:30 | 0:52:32 | |
it is your bid, sir, at two pounds. Going there, one born every minute. | 0:52:32 | 0:52:37 | |
What is your number? 69. | 0:52:37 | 0:52:40 | |
Onwards and upwards, Anita. | 0:52:40 | 0:52:41 | |
Jonathan is in the lead. | 0:52:43 | 0:52:45 | |
Maybe that is all they were worth? | 0:52:45 | 0:52:47 | |
Next it is Anita's Art Nouveau biscuit barrel, | 0:52:49 | 0:52:51 | |
the one she managed to get the big discount on. | 0:52:51 | 0:52:54 | |
The dealer came down quite a bit on the deal. | 0:52:56 | 0:52:58 | |
You had him in a half-nelson, I take it. No, a big smile sometimes works. | 0:52:58 | 0:53:04 | |
?85 to get it started, ?85. At ?85 here, we have 90 online. | 0:53:04 | 0:53:11 | |
95, 95 is against you. ?100. | 0:53:11 | 0:53:14 | |
110. 110 against, at 110, 120 nope. 130. | 0:53:14 | 0:53:22 | |
150, now it is ?150 online, at ?150. Are you bidding, madam? 160. | 0:53:22 | 0:53:28 | |
170 online. The bid is still on at 170. | 0:53:28 | 0:53:33 | |
All in at 170? Fair warning to you, ?170. | 0:53:33 | 0:53:37 | |
Very well done, Anita. | 0:53:37 | 0:53:41 | |
That is a good result. | 0:53:41 | 0:53:43 | |
How am I going to compete against that! That is a good result. | 0:53:43 | 0:53:46 | |
Big smiles really do work, Anita, excellent results. | 0:53:46 | 0:53:51 | |
That puts you ahead. | 0:53:51 | 0:53:53 | |
What was it you were saying about wanting to win? | 0:53:54 | 0:53:57 | |
Jonathan's turn now, with the big-budget buy of the bronze vase. | 0:54:03 | 0:54:07 | |
I need to see it make ?150 for me to feel confident. | 0:54:07 | 0:54:11 | |
Darling, I love you for your courage. Is it called courage? | 0:54:11 | 0:54:16 | |
We have interest again, we will start straight in at ?45. | 0:54:18 | 0:54:22 | |
?45 for the Japanese vase at ?45. 48 online. At ?50, 55. | 0:54:22 | 0:54:29 | |
At 60, and five, at 70. And 80. And five. | 0:54:29 | 0:54:33 | |
The bid is now online at ?85. | 0:54:33 | 0:54:37 | |
85, all done at 85? Selling, fair warning at ?85. | 0:54:37 | 0:54:42 | |
OK. Amazing. | 0:54:42 | 0:54:47 | |
Uh-oh, not the figure Jonathan was hoping for. | 0:54:47 | 0:54:51 | |
It is Anita again with the Danish spoons. | 0:54:55 | 0:55:01 | |
?15? At 15, thank you sir. | 0:55:01 | 0:55:04 | |
I am bid ?15. It is against the net, | 0:55:04 | 0:55:09 | |
with gentleman at ?15, do we have 18? | 0:55:09 | 0:55:11 | |
At ?20. And two, 25, 28, ?30. | 0:55:11 | 0:55:18 | |
With the gentleman in the room, we are selling them, | 0:55:18 | 0:55:21 | |
fair warning at ?30. | 0:55:21 | 0:55:23 | |
There you go. I am happy with that. | 0:55:23 | 0:55:26 | |
Still pushing ahead there, Anita. | 0:55:26 | 0:55:29 | |
Right then, Jonathan, | 0:55:29 | 0:55:31 | |
can you plan operation comeback with the anatomy chart? | 0:55:31 | 0:55:34 | |
Remember, you're behind. | 0:55:34 | 0:55:35 | |
Let's get straight to the heart of the matter - can we get ?20? | 0:55:35 | 0:55:39 | |
?20 there, anatomy chart at 20. | 0:55:39 | 0:55:45 | |
Don't be shy, start me at ten, surely. | 0:55:45 | 0:55:47 | |
I am bid 10, 12, 15, 18, 20, two. Both on the floor. | 0:55:47 | 0:55:54 | |
We are selling them, fair warning. At ?22. Gone. | 0:55:54 | 0:56:00 | |
Oh dear, a disappointing result. | 0:56:02 | 0:56:05 | |
Next it is Anita, with her silver gong and beater. | 0:56:08 | 0:56:11 | |
Starting at ?20? | 0:56:11 | 0:56:14 | |
?20? | 0:56:14 | 0:56:15 | |
20 for the dinner gong, 20 we have online, 22 with the lady, | 0:56:15 | 0:56:19 | |
25, 28, 30. | 0:56:19 | 0:56:21 | |
You are out. 35? Still online at 35. | 0:56:21 | 0:56:27 | |
We are online to 40. | 0:56:27 | 0:56:29 | |
We have ?40 there. | 0:56:29 | 0:56:33 | |
It seems to have settled at 40, I think we are all done. | 0:56:33 | 0:56:34 | |
Selling, fair warning at ?40. | 0:56:34 | 0:56:38 | |
Very good. | 0:56:38 | 0:56:40 | |
It's doubled its money, just about. | 0:56:40 | 0:56:43 | |
Just about - it didn't drum up huge interest, though. | 0:56:43 | 0:56:45 | |
But it still gives her a slight profit. | 0:56:45 | 0:56:48 | |
Jonathan's worn-out dining chairs are the final lot of the day. | 0:56:50 | 0:56:54 | |
What can we say? ?50 for the pair? | 0:56:54 | 0:56:57 | |
?50, thank you. 55 online. At 60. | 0:56:57 | 0:57:02 | |
The bid is in the room at 60, 65? And 70. 75, and 80. | 0:57:02 | 0:57:08 | |
Still with the gentleman in the room. ?80. | 0:57:08 | 0:57:11 | |
Selling, fair warning, at ?80. | 0:57:11 | 0:57:15 | |
And the number is 24. What a result. Fantastic. | 0:57:15 | 0:57:18 | |
Are you happy now, darling? Yes I am. Saved by the wood. | 0:57:18 | 0:57:22 | |
That is more like it! Well done. | 0:57:23 | 0:57:26 | |
Let's go. OK. Let's get some lunch. | 0:57:26 | 0:57:29 | |
But who is today's jubilant winner? | 0:57:29 | 0:57:32 | |
Jonathan started today with ?200, and after paying auction costs made | 0:57:33 | 0:57:38 | |
a small profit of ?35.34, giving him a modest ?235.34 to carry forward. | 0:57:38 | 0:57:45 | |
Anita also began with ?200 and made a respectable profit of ?117.74, | 0:57:47 | 0:57:55 | |
so that makes Anita this leg's winner with a well-earned cash pot | 0:57:55 | 0:57:59 | |
of ?317.74. Well done, girl. | 0:57:59 | 0:58:04 | |
Wasn't that good? That was exciting. Very exciting. | 0:58:04 | 0:58:07 | |
What about your chairs?! I knew I knew something about them. | 0:58:07 | 0:58:11 | |
I couldn't put my finger on it, but there we go. | 0:58:11 | 0:58:13 | |
Well done on that, but I think we're both happy. | 0:58:13 | 0:58:16 | |
We should be, we are both in the money. | 0:58:16 | 0:58:19 | |
We are going in the right direction, we're going in the right direction. | 0:58:19 | 0:58:23 | |
Let's hope that direction leads you to lots and lots | 0:58:25 | 0:58:28 | |
and lots of lovely profits. | 0:58:28 | 0:58:30 |