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It's the nation's favourite antiques experts, with ?200 each... | 0:00:02 | 0:00:06 | |
I love that. ..a classic car and a goal - | 0:00:06 | 0:00:09 | |
to scour Britain for antiques. | 0:00:09 | 0:00:11 | |
Yippee! I can see better with those. | 0:00:11 | 0:00:14 | |
The aim - to make the biggest profit at auction. | 0:00:14 | 0:00:17 | |
But it's no mean feat. There'll be worthy winners and valiant losers. | 0:00:17 | 0:00:21 | |
I think I'm going to have a row! | 0:00:21 | 0:00:23 | |
So, will it be the high road to glory | 0:00:23 | 0:00:25 | |
or the slow road to disaster? | 0:00:25 | 0:00:27 | |
He's just about killed that, hasn't he? | 0:00:27 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:33 | |
Yes! | 0:00:33 | 0:00:35 | |
It's the third leg of our road trip, and experts James Braxton and James Lewis | 0:00:35 | 0:00:39 | |
are in their sunshine-yellow 1980s Beetle convertible | 0:00:39 | 0:00:42 | |
and on the road to Bournemouth. | 0:00:42 | 0:00:44 | |
How are you feeling? Chipper? Yes. Yes, I like the sea. | 0:00:44 | 0:00:50 | |
Only when you're on the land, though. | 0:00:50 | 0:00:52 | |
James Braxton has been in the antiques business for 25 years, | 0:00:52 | 0:00:56 | |
to-ing and fro-ing and largely forging ahead. | 0:00:56 | 0:00:59 | |
Blood to the brain! Blood to the brain! Right, I'm ready. | 0:00:59 | 0:01:03 | |
His rival on this trip is James Lewis, | 0:01:03 | 0:01:05 | |
a seasoned auctioneer with 20 years of experience under his belt. | 0:01:05 | 0:01:08 | |
You haven't seen this, right? | 0:01:08 | 0:01:11 | |
Don't let that smile fool you. He's ruthless and he's out to win. | 0:01:11 | 0:01:15 | |
James Braxton started this trip with ?200, | 0:01:16 | 0:01:19 | |
but he's not having the best time of it. | 0:01:19 | 0:01:22 | |
With two auction losses so far, | 0:01:22 | 0:01:23 | |
he begins this leg with a rather parlous ?123.34 | 0:01:23 | 0:01:28 | |
with which to turn his fortunes round. | 0:01:28 | 0:01:31 | |
However, James Lewis has been far more prosperous. | 0:01:33 | 0:01:36 | |
Two auction wins have increased his initial ?200 to ?421.94. | 0:01:36 | 0:01:43 | |
The route for the week takes our intrepid road-trippers from Ampthill in Bedfordshire, | 0:01:45 | 0:01:50 | |
across the Channel to Jersey, and back again | 0:01:50 | 0:01:53 | |
to the final showdown in Leamington Spa, | 0:01:53 | 0:01:56 | |
covering almost 1,000 miles of land and sea. | 0:01:56 | 0:02:00 | |
But this road trip begins in Bournemouth, Dorset, | 0:02:00 | 0:02:02 | |
and will end at the all-important auction in Wokingham, Berkshire. | 0:02:02 | 0:02:07 | |
Bournemouth's location on the south coast of England | 0:02:10 | 0:02:13 | |
has made it a popular tourist destination since Victorian times. | 0:02:13 | 0:02:16 | |
A recent survey found it to be the happiest place in Britain! | 0:02:16 | 0:02:19 | |
It's certainly put a smile on James Lewis's face. | 0:02:19 | 0:02:22 | |
Well done. Brilliant! | 0:02:22 | 0:02:25 | |
Now, do you want me to let you into a secret? Fire away. | 0:02:25 | 0:02:29 | |
I've been to that shop before. | 0:02:29 | 0:02:32 | |
I last came to this shop 20 years ago. | 0:02:32 | 0:02:35 | |
Really? Yes! | 0:02:35 | 0:02:37 | |
Well, let's hope, James, the stock has changed! | 0:02:37 | 0:02:40 | |
Let's hope so! BOTH: Good luck! | 0:02:40 | 0:02:43 | |
If its prices are 20 years old, you're bound to bag a bargain. | 0:02:43 | 0:02:47 | |
Morning. Nice to see you. I'm Bonnie. Hello, Bonnie. | 0:02:47 | 0:02:50 | |
Is it OK if I have a wander round? Yes, do! Have a wander. Thank you. | 0:02:50 | 0:02:54 | |
How much is that little thing? Erm, that is... | 0:03:00 | 0:03:04 | |
..twenty...pounds. Is it? | 0:03:04 | 0:03:07 | |
You don't sound so sure, Bonnie. | 0:03:07 | 0:03:09 | |
This is on, erm... | 0:03:09 | 0:03:11 | |
Is that whale's tooth? Mammoth tooth, I think. Oh, OK. | 0:03:11 | 0:03:16 | |
The paperweight appears to be made of a section of cut-and-polished tooth, | 0:03:16 | 0:03:21 | |
on which sits a carving of an elephant in ivory | 0:03:21 | 0:03:25 | |
which predates the 1947 ban on trading worked ivory. | 0:03:25 | 0:03:30 | |
All right, Nellie? | 0:03:30 | 0:03:32 | |
Anything else in there? | 0:03:32 | 0:03:34 | |
What could that be? Er, let me have a look. | 0:03:37 | 0:03:40 | |
I've got 30 on it. It can be... | 0:03:40 | 0:03:42 | |
..25. | 0:03:42 | 0:03:45 | |
HE SIGHS | 0:03:45 | 0:03:47 | |
It's a nice quality. | 0:03:47 | 0:03:49 | |
It's lost its cover, that's the thing! | 0:03:49 | 0:03:52 | |
It can be 20, in that case. | 0:03:52 | 0:03:55 | |
I'll give you 15 for it, if that's any good. | 0:03:55 | 0:03:58 | |
All right. As it's you! | 0:03:58 | 0:04:01 | |
OK. OK. That's one. | 0:04:01 | 0:04:04 | |
I thought that might... ..might go with it. Yes. | 0:04:04 | 0:04:08 | |
It's very similar enamelling, isn't it? | 0:04:08 | 0:04:11 | |
Is it French? French Champleve. | 0:04:11 | 0:04:14 | |
Champleve is French for "level field", | 0:04:14 | 0:04:17 | |
"field", in this sense, meaning the overall surface | 0:04:17 | 0:04:20 | |
which, when enamelled, is polished completely smoothly. | 0:04:20 | 0:04:24 | |
How much is that? Erm... | 0:04:26 | 0:04:29 | |
That can be 15. | 0:04:30 | 0:04:32 | |
15. Yes. OK. | 0:04:32 | 0:04:34 | |
25 for the two? | 0:04:34 | 0:04:37 | |
Yes. Yes? Deal. Yes. | 0:04:37 | 0:04:40 | |
So that's the Champleve bagged. | 0:04:40 | 0:04:42 | |
What's that at the back of the case, then? | 0:04:42 | 0:04:45 | |
I don't know much about those. | 0:04:48 | 0:04:50 | |
No. Is it Chinese or Japanese. | 0:04:50 | 0:04:52 | |
Japanese... Yes, I thought so. ..unfortunately! Yes. | 0:04:52 | 0:04:55 | |
Kutani is a style of Japanese porcelain | 0:04:55 | 0:04:59 | |
known for it's vibrant orange colours and bold designs. | 0:04:59 | 0:05:03 | |
How much are they? | 0:05:03 | 0:05:05 | |
They're 50 for the pair. | 0:05:05 | 0:05:07 | |
They've got those chips in the side. Oh, yes. That's a shame. | 0:05:07 | 0:05:11 | |
Point out the flaws, eh? Knock down the price, eh? | 0:05:11 | 0:05:14 | |
Would you consider a cheeky bid of 25 for them? | 0:05:14 | 0:05:17 | |
I hadn't noticed the chips, so I will do them for 25. | 0:05:17 | 0:05:20 | |
I was expecting you to say 30. I know! I thought you might be! | 0:05:20 | 0:05:24 | |
Can I give you 30 for them? That's very nice! Thank you. | 0:05:24 | 0:05:28 | |
I was just expecting you to come back with 30! That's very nice. Is that all right? | 0:05:28 | 0:05:34 | |
Very generous, James. Do you know something we don't? | 0:05:34 | 0:05:37 | |
If they don't make 30, then it's not your fault. It's mine and the auction's. | 0:05:37 | 0:05:42 | |
I'll try a cheeky ten. | 0:05:42 | 0:05:44 | |
I think that would have to be 15. That's fine. OK! | 0:05:45 | 0:05:48 | |
The fact that it's a mammoth tooth is interesting. It is. | 0:05:48 | 0:05:51 | |
That transverse section... It's lovely, isn't it? | 0:05:51 | 0:05:55 | |
Meanwhile, just down the road, James Braxton tries his hand at Robin's Antiques. | 0:05:55 | 0:06:00 | |
Morning. Hello! James. Robin. Hello, Robin. | 0:06:00 | 0:06:03 | |
This looks the sort of shop that I might like. I'm sure you'll find a bargain. | 0:06:03 | 0:06:08 | |
Well, he needs to on his budget, believe me! | 0:06:08 | 0:06:12 | |
I've actually got something that might be of interest to you. Oh! | 0:06:12 | 0:06:16 | |
Come on, Robin, fulfil my dreams. There's a box of goodies. A box of goodies. | 0:06:16 | 0:06:21 | |
Nice miniature. That's a nice miniature, isn't it? | 0:06:21 | 0:06:24 | |
I think that tells you who it is. | 0:06:24 | 0:06:26 | |
Yes. He looks a wily old bird, doesn't he? Doesn't he? | 0:06:26 | 0:06:29 | |
He's a man of the law, I would say. Or a well-to-do fellow. | 0:06:29 | 0:06:34 | |
That's rather nice. Morocco case. Nice little silk-lined interior. | 0:06:34 | 0:06:39 | |
Moisture is its enemy because it's watercolour. | 0:06:39 | 0:06:42 | |
Georgian, perhaps? I don't think as early as Georgian. | 0:06:42 | 0:06:46 | |
Early Victorian? Dear old William IV. Yes. | 0:06:46 | 0:06:49 | |
How much have you got on this fellow? Is that 50? | 0:06:49 | 0:06:53 | |
You haven't come for a deal! You've come to have a row! | 0:06:53 | 0:06:57 | |
Erm, no, I don't think I could do it for that, James. Erm... | 0:06:57 | 0:07:01 | |
Look, I'll do it for 90 quid and I think I'm giving you a birthday. | 0:07:01 | 0:07:05 | |
Could you do it for 80, Robin? | 0:07:05 | 0:07:08 | |
Reluctantly, yes. | 0:07:09 | 0:07:11 | |
Many happy returns, James. | 0:07:11 | 0:07:13 | |
I would love to buy it at 80. Thank you. That's kind. | 0:07:13 | 0:07:16 | |
You're welcome. | 0:07:16 | 0:07:18 | |
So after making quite a hole in his dwindling budget, | 0:07:18 | 0:07:21 | |
James Braxton is taking time out | 0:07:21 | 0:07:23 | |
to drive 11 miles north to Wimborne Minster. | 0:07:23 | 0:07:27 | |
Wimborne Minster is a market town | 0:07:27 | 0:07:30 | |
situated at the confluence of the rivers Stour and Allen, | 0:07:30 | 0:07:33 | |
and is also the name of its magnificent church. | 0:07:33 | 0:07:36 | |
Well known for its chained library, it boasts a 1st edition of the History of the World | 0:07:38 | 0:07:44 | |
written by Sir Walter Raleigh whilst imprisoned in the Tower of London, | 0:07:44 | 0:07:48 | |
and damaged when a clumsy reader dropped a candle on it. | 0:07:48 | 0:07:52 | |
But James is here to learn about its rare astronomical clock | 0:07:53 | 0:07:56 | |
and to find out more about a rather bizarre burial. | 0:07:56 | 0:08:00 | |
Head guide Christine Oliver is on-hand to show him around. | 0:08:00 | 0:08:04 | |
How old is this building, Christine? The building you're standing in is around about 1120 | 0:08:04 | 0:08:08 | |
and been added to every century since. Oh, really? | 0:08:08 | 0:08:11 | |
Originally established as a nunnery in 705 AD, | 0:08:11 | 0:08:15 | |
it shows Saxon, Norman and Gothic development | 0:08:15 | 0:08:18 | |
as the structure was added to over the centuries. | 0:08:18 | 0:08:21 | |
In prime position is an astronomical clock, | 0:08:21 | 0:08:24 | |
which tells the time using the position of the sun relative to the earth. | 0:08:24 | 0:08:28 | |
So, this is your... This is the astronomical clock. | 0:08:28 | 0:08:31 | |
It's very pictorial, isn't it? How old is this? | 0:08:31 | 0:08:34 | |
Around about 1320-ish. | 0:08:34 | 0:08:37 | |
1320?! Mm-hm. And still going. | 0:08:37 | 0:08:41 | |
How was this powered? There's a set of cogs behind the face. | 0:08:41 | 0:08:44 | |
The mechanics are up 72 stairs, | 0:08:44 | 0:08:48 | |
so you have to climb 72 stairs to make the workings work. | 0:08:48 | 0:08:52 | |
So, the mechanism is all up there in the tower? In the bell tower. | 0:08:52 | 0:08:55 | |
And this is merely the indicator down here, the dial? | 0:08:55 | 0:08:58 | |
That tells you the hour, only the hour. | 0:08:58 | 0:09:01 | |
The sun is the hourly hand. | 0:09:01 | 0:09:03 | |
In the summertime, it's an hour out | 0:09:03 | 0:09:06 | |
because it didn't know about summertime when it was made. Ah! | 0:09:06 | 0:09:09 | |
What do we have in the middle? The middle is the earth, because it's pre-Copernicus. | 0:09:09 | 0:09:13 | |
They thought the earth stood still and everything revolved around it. Yes. | 0:09:13 | 0:09:18 | |
Why so many hours? That's interesting. | 0:09:18 | 0:09:21 | |
It's one of the first 24-hour clocks. The cross at the top is 12 midday. | 0:09:21 | 0:09:24 | |
The cross at the bottom is 12 midnight. Very good. | 0:09:24 | 0:09:26 | |
The next circle in is the night sky, | 0:09:26 | 0:09:30 | |
with a fully black ball with a ridge of gold around it. | 0:09:30 | 0:09:34 | |
That will tell you what phase the moon will be tonight. | 0:09:34 | 0:09:37 | |
The moon was very important for planting seeds and harvesting | 0:09:37 | 0:09:42 | |
and the odd bit of smuggling! | 0:09:42 | 0:09:44 | |
We had some very good smugglers in Dorset, but they wouldn't do it on a full moon! | 0:09:44 | 0:09:49 | |
I heard a whisper about a man in a wall or something? | 0:09:49 | 0:09:52 | |
Yes, there is. Would you like to see him? I'd love to. | 0:09:52 | 0:09:55 | |
The minster is full of amazing sights | 0:09:55 | 0:09:58 | |
and there's always another wonder lurking just around the corner. | 0:09:58 | 0:10:01 | |
The Man in the Wall was an eminent local barrister and magistrate, | 0:10:04 | 0:10:07 | |
well known for his cantankerous and argumentative nature, | 0:10:07 | 0:10:11 | |
who had a falling out with the church. | 0:10:11 | 0:10:14 | |
This is the Man in the Wall. The Man in the Wall. | 0:10:16 | 0:10:18 | |
Anthony Etricke fell out with everybody in the town | 0:10:18 | 0:10:22 | |
and he declared that when he died, no way was he ever going to be buried in nor out of the minster | 0:10:22 | 0:10:27 | |
and certainly not in the ground or above the ground. | 0:10:27 | 0:10:31 | |
So, Mr Awkward? Absolutely! I like him for that. | 0:10:31 | 0:10:34 | |
In later life, he changed his mind. But in order to save face and keep his promise, | 0:10:39 | 0:10:43 | |
he relented and got permission to be buried in the wall. | 0:10:43 | 0:10:47 | |
So he's buried half inside the church and half outside, | 0:10:47 | 0:10:50 | |
half above ground and half below. | 0:10:50 | 0:10:53 | |
How weird! | 0:10:53 | 0:10:55 | |
What is the material? Apparently, it's slate. Right. | 0:10:55 | 0:10:59 | |
He had this made, and he had the date he was going to die | 0:10:59 | 0:11:03 | |
because the Bible told him he would live three score years and ten. | 0:11:03 | 0:11:07 | |
But he lived another ten years, so when he did die it all had to be altered. | 0:11:07 | 0:11:11 | |
Interestingly, I think stubborn people live slightly longer, don't they? He did, obviously! | 0:11:11 | 0:11:16 | |
Well, it's a theory. | 0:11:16 | 0:11:19 | |
James Lewis has left Bournemouth and made his way to Branksome Antiques, | 0:11:21 | 0:11:25 | |
a couple of miles further west. | 0:11:25 | 0:11:27 | |
He's no sooner through the door before he makes an interesting discovery. | 0:11:27 | 0:11:32 | |
It looks as if it could almost be a tomb guardian | 0:11:36 | 0:11:40 | |
from a crypt or something like that, | 0:11:40 | 0:11:42 | |
and the hands may well have been resting on a sword. | 0:11:42 | 0:11:45 | |
Interesting. | 0:11:45 | 0:11:48 | |
I think that's quite early. | 0:11:48 | 0:11:50 | |
Go and ask Brian for his best price. | 0:11:50 | 0:11:52 | |
Hello. James. Hi. | 0:11:52 | 0:11:54 | |
You've got a stone figure in the window. | 0:11:54 | 0:11:57 | |
Very best - 50 quid. 50 quid?! Yes. | 0:11:57 | 0:12:01 | |
Wow, 50 pounds. Obviously charging by weight. | 0:12:01 | 0:12:05 | |
Best have a closer look. | 0:12:05 | 0:12:07 | |
It's a weird sort of thing. It is weird. | 0:12:07 | 0:12:10 | |
It's the way it's been hewn out, | 0:12:10 | 0:12:13 | |
I think it's a tomb figure. Do you? Yes. | 0:12:13 | 0:12:16 | |
Look, it's got a flattened side | 0:12:16 | 0:12:19 | |
that would've been at the base of a tomb. | 0:12:19 | 0:12:22 | |
If you get ten grand for it, you'll get a phone call from me! | 0:12:22 | 0:12:26 | |
Ten grand?! He'll get a call from all of us! | 0:12:26 | 0:12:29 | |
That's a funny shaft, isn't it? Yes. | 0:12:39 | 0:12:42 | |
Palmwood. Do you reckon that's what it is? | 0:12:42 | 0:12:45 | |
It could be, yes. | 0:12:45 | 0:12:48 | |
Something exotic, isn't it, that? Yes! | 0:12:48 | 0:12:51 | |
What could that be? | 0:12:52 | 0:12:54 | |
?70. 70... | 0:12:55 | 0:12:58 | |
I think it would have an estimate of 50 to 70 at auction. Yes. | 0:12:58 | 0:13:03 | |
I'll give you the 50 for it. | 0:13:03 | 0:13:04 | |
You can have it for 60 and that's it. | 0:13:04 | 0:13:07 | |
100 quid the two. Come on. | 0:13:07 | 0:13:10 | |
Oh, what the...! Go on, then. You've got a deal. OK. | 0:13:10 | 0:13:13 | |
100 quid the two. Yes. There you go. | 0:13:13 | 0:13:15 | |
Splendid work, James. Now he's met up with the other James | 0:13:16 | 0:13:20 | |
to set off on an adventure across the Channel. | 0:13:20 | 0:13:22 | |
I hope you've got your sea legs, boys, as it's "all aboard!" | 0:13:22 | 0:13:25 | |
and off to Jersey. | 0:13:25 | 0:13:27 | |
There we go. HUMUROUS GROANING | 0:13:29 | 0:13:32 | |
Taking in the refreshing sea air from the deck, | 0:13:32 | 0:13:36 | |
this is not so much a road trip as a relaxing boat trip, | 0:13:36 | 0:13:40 | |
as it takes the boys five hours to cross the Channel | 0:13:40 | 0:13:43 | |
and dock in much warmer climes. | 0:13:43 | 0:13:47 | |
This is fabulous! I spied some mighty... | 0:13:47 | 0:13:50 | |
..Bond-like pads on the cliff tops. Really? | 0:13:50 | 0:13:53 | |
The sun is really warm. | 0:13:53 | 0:13:56 | |
I can feel it now. Feel the difference. | 0:13:56 | 0:13:59 | |
Basking in the sunshine, the island of Jersey has everything, | 0:13:59 | 0:14:02 | |
from glorious beaches and scenery, to its own currency. | 0:14:02 | 0:14:06 | |
Abroad, but British... | 0:14:06 | 0:14:09 | |
The boys are definitely going to enjoy this trip. | 0:14:09 | 0:14:12 | |
After alighting in Jersey's capital, St Helier, | 0:14:13 | 0:14:17 | |
they set off northwest to the parish of St Mary, | 0:14:17 | 0:14:20 | |
where James Braxton hopes an antique fair will provide rich pickings | 0:14:20 | 0:14:24 | |
to match his meagre budget of ?43.34. | 0:14:24 | 0:14:28 | |
Can I look at the bracelet at the back? Certainly. | 0:14:28 | 0:14:31 | |
There we go. Help yourself. Thank you. That's very kind. | 0:14:31 | 0:14:35 | |
Ah, that looks rather more in keeping with his budget. | 0:14:36 | 0:14:39 | |
We've got a big old maker there. | 0:14:39 | 0:14:42 | |
"David Andersen. Norway. Sterling." | 0:14:42 | 0:14:45 | |
It has a sort of '50s, '60s look about it. | 0:14:45 | 0:14:48 | |
It's by a Norwegian silversmith. | 0:14:48 | 0:14:50 | |
Yes, it's sort of two stylised leaves, really. | 0:14:50 | 0:14:54 | |
And it's quite attractively done. | 0:14:54 | 0:14:56 | |
Are you open to offers on this? Good start. You've made him laugh. | 0:14:56 | 0:15:01 | |
We're waiting, sir. Come on. You're waiting for the killer blow, are you? | 0:15:01 | 0:15:05 | |
Don't hold your breath. | 0:15:05 | 0:15:06 | |
Now, you've got 35 on this. | 0:15:06 | 0:15:09 | |
Would 25 buy it? No. No. | 0:15:09 | 0:15:12 | |
That was a quick response! You've been practising! | 0:15:12 | 0:15:15 | |
I've seen you. You've seen these programmes! I've had a chance to rehearse. | 0:15:15 | 0:15:20 | |
I'll take 30. I'll give you 30 for that. | 0:15:20 | 0:15:23 | |
That's really kind. Thank you, sir. Thank you. | 0:15:23 | 0:15:25 | |
Hello. James. Pleased to meet you. I'm Julie. Hello, Julie. | 0:15:25 | 0:15:29 | |
I like your chess set. Yes, it's unusual, isn't it? | 0:15:29 | 0:15:33 | |
Can't see a price on it. She might be open to persuasion. | 0:15:33 | 0:15:37 | |
Very, very strong, erm, crucifix there. Mm. | 0:15:37 | 0:15:41 | |
Do you know the materials? No, I don't. | 0:15:41 | 0:15:44 | |
I don't know whether it might be ebony or... | 0:15:44 | 0:15:46 | |
..it could be just a resin, I suppose. | 0:15:46 | 0:15:49 | |
I don't think it's resin because I've got a grain here, and resin is very easy to turn. | 0:15:49 | 0:15:55 | |
Quite nice turning there. It isn't ivory. | 0:15:55 | 0:15:58 | |
It's bone, with the open grain down there. | 0:15:58 | 0:16:01 | |
In that case, I think these will be ebony, won't they? Definitely. | 0:16:01 | 0:16:05 | |
Definitely. Yes. | 0:16:05 | 0:16:07 | |
Julie, I ain't got a lot of money! That's an understatement. | 0:16:07 | 0:16:11 | |
Can I show you what I have... Go on, then. | 0:16:11 | 0:16:13 | |
..and see if we've got a deal? Let's see if we've got a deal. | 0:16:13 | 0:16:17 | |
I've got a ten. Yes. I've got... | 0:16:17 | 0:16:20 | |
I've got ?13.34 left. | 0:16:20 | 0:16:24 | |
If I have this and you have that, would that be a deal? | 0:16:24 | 0:16:27 | |
That would be very kind. Thank you. You're welcome. Thank you. | 0:16:27 | 0:16:31 | |
Result! One chess set, and he's still got 34p left! | 0:16:31 | 0:16:36 | |
Leaving James Braxton at the antiques fair in St Mary, | 0:16:42 | 0:16:45 | |
James Lewis has driven ten miles back across the island to St Martins. | 0:16:45 | 0:16:49 | |
His final destination is Brown's Antiques, | 0:16:51 | 0:16:54 | |
where its proprietor Mick awaits. | 0:16:54 | 0:16:57 | |
Ahh! Hello. Hello! Welcome. I'm James. Nice to see you. Mick. | 0:16:57 | 0:17:01 | |
Dear me, you've got everything! | 0:17:01 | 0:17:03 | |
I'm looking for something | 0:17:03 | 0:17:05 | |
that might be more common here but rarer in the UK. | 0:17:05 | 0:17:10 | |
Something like a little bit of Jersey silver? OK. | 0:17:10 | 0:17:13 | |
I've got some in the shed. Brilliant. | 0:17:13 | 0:17:15 | |
The Channel Islands have a long history of silver manufacture, | 0:17:15 | 0:17:19 | |
with more than 150 makers having either worked on | 0:17:19 | 0:17:22 | |
or been associated with the islands. | 0:17:22 | 0:17:25 | |
James is going to enjoy a rummage through Mick's drawers... in the shed. | 0:17:25 | 0:17:30 | |
They're 1825, 1830, but mint. | 0:17:30 | 0:17:34 | |
That's the kind of thing that in a UK sale | 0:17:34 | 0:17:36 | |
would make a few more quid than it would here. | 0:17:36 | 0:17:40 | |
So, how much are they? 100 quid. | 0:17:40 | 0:17:43 | |
You've got a good chance of making a profit on that. | 0:17:43 | 0:17:46 | |
100 quid... | 0:17:47 | 0:17:48 | |
I mean, if we were to put a little package together, | 0:17:48 | 0:17:53 | |
erm... | 0:17:53 | 0:17:55 | |
Little silver box... Not any great age, but pretty. | 0:17:59 | 0:18:04 | |
Sweet, though, isn't it? Mm-hm. | 0:18:04 | 0:18:06 | |
And a lady's rouge pot with enamel... | 0:18:08 | 0:18:12 | |
That's pretty, too. Mm-hm. | 0:18:12 | 0:18:14 | |
I think they're quite interesting, those silver spoons. Right. | 0:18:14 | 0:18:18 | |
And I think they're quite nice. | 0:18:18 | 0:18:21 | |
They're a standard pair, but they're a nice size, | 0:18:21 | 0:18:24 | |
aren't they? Yes. Usable. | 0:18:24 | 0:18:27 | |
Er, so 130 and 100... | 0:18:27 | 0:18:28 | |
What about the little pair of bon-bons? | 0:18:28 | 0:18:32 | |
Let's go into the shop, have a look in there | 0:18:32 | 0:18:35 | |
and see what we can find. OK. No problem. | 0:18:35 | 0:18:39 | |
What about a bundle price, a group price? | 0:18:39 | 0:18:42 | |
The whole lot? Yes. | 0:18:42 | 0:18:44 | |
Phew... Geez! | 0:18:44 | 0:18:45 | |
What about 250 on the lot? JAMES SIGHS | 0:18:45 | 0:18:49 | |
I couldn't. I'd be nearer 150. | 0:18:49 | 0:18:51 | |
No. We can't do any business at 150. | 0:18:51 | 0:18:54 | |
220? | 0:18:54 | 0:18:55 | |
Go on, James, don't give up. | 0:18:55 | 0:18:57 | |
180 any good? 200 quid. That's it. Dead. | 0:18:57 | 0:19:02 | |
If that's your best, I'll take it. | 0:19:04 | 0:19:05 | |
Thank you, sir. Thank you. Thanks very much. | 0:19:05 | 0:19:08 | |
Gosh, Jimmy, you're giving it away today. | 0:19:08 | 0:19:11 | |
200. There we go. Thank you. Thank you very much. Thank you. | 0:19:11 | 0:19:16 | |
With nearly all his money spent | 0:19:16 | 0:19:18 | |
but clutching his newly acquired silver, | 0:19:18 | 0:19:20 | |
it looks like James Lewis has finished his shopping for the day. | 0:19:20 | 0:19:24 | |
James Braxton will definitely be pushing his luck at his next shop, | 0:19:24 | 0:19:27 | |
Cohu Antiques in St Lawrence. | 0:19:27 | 0:19:30 | |
Ahh! | 0:19:30 | 0:19:32 | |
This looks a fabulous antique shop. | 0:19:32 | 0:19:35 | |
But I've only got 34p to spend. | 0:19:35 | 0:19:38 | |
I wonder what 34p buys you in a very splendid antiques shop. | 0:19:38 | 0:19:43 | |
Yes, it is rather splendid, isn't it? | 0:19:43 | 0:19:45 | |
And far more splendid than you can afford, I suspect. | 0:19:45 | 0:19:48 | |
Best to come clean with the owner from the start, James. | 0:19:48 | 0:19:51 | |
Hello. James. Hi. Steve Cohu. Very nice to meet you, Steve. | 0:19:51 | 0:19:56 | |
This is a very splendid antique shop. Thank you. | 0:19:56 | 0:19:59 | |
Come on. There's no point fiddling around. | 0:19:59 | 0:20:01 | |
We could browse and browse and everything will be too expensive. | 0:20:01 | 0:20:05 | |
Do you have something you want to get rid of for the principal sum of 34p? | 0:20:05 | 0:20:10 | |
34 pence? 34 pence. Right. Erm... | 0:20:10 | 0:20:12 | |
This could be the winner for me! I'm sure we could find something for you for 34 pence. | 0:20:12 | 0:20:17 | |
So honesty is the best policy. | 0:20:17 | 0:20:20 | |
But what's he going to offer? | 0:20:20 | 0:20:22 | |
A job-lot of Chinese porcelain bits and pieces, mostly damaged. | 0:20:22 | 0:20:27 | |
I bought a big lot from one place, | 0:20:27 | 0:20:29 | |
stripped out all the perfect pieces and jobbed all this lot together. | 0:20:29 | 0:20:34 | |
It's Chinese, is it? It's all Chinese, yes. | 0:20:34 | 0:20:36 | |
There's two bits of New Hall. Oh, New Hall? OK. | 0:20:36 | 0:20:39 | |
Didn't they use bone or something? | 0:20:39 | 0:20:42 | |
New Hall actually invented the bone china. | 0:20:42 | 0:20:46 | |
They sort of... I think Bristol did the first hard-paste in England | 0:20:46 | 0:20:51 | |
and then New Hall prospered with it | 0:20:51 | 0:20:54 | |
and were the first successful producer. | 0:20:54 | 0:20:56 | |
And just such a similar design, as well, isn't it? | 0:20:56 | 0:21:00 | |
How much have you got on that? 20 for the lot. | 0:21:00 | 0:21:03 | |
?20? I thought you told him you'd only got 34p! | 0:21:03 | 0:21:06 | |
Think fast here, James. | 0:21:06 | 0:21:08 | |
You stay there, Steve. I think I've got something that might help you. | 0:21:08 | 0:21:13 | |
Funnily enough, I bought this earlier. | 0:21:13 | 0:21:16 | |
Right. Now, I've got this and some money. | 0:21:16 | 0:21:20 | |
Here it is. It's not an ivory fellow, but it's a bone one. | 0:21:20 | 0:21:24 | |
But what I liked about it is, | 0:21:24 | 0:21:27 | |
it comes from Mayfair, West 1, | 0:21:27 | 0:21:29 | |
and anything that generally retailed in Mayfair can't be all that bad. | 0:21:29 | 0:21:33 | |
I bought it for ?13, that. | 0:21:33 | 0:21:35 | |
I don't think Steve quite believes this. | 0:21:35 | 0:21:39 | |
Barter is obviously the way forward. | 0:21:39 | 0:21:41 | |
Now, would you do a trade? | 0:21:41 | 0:21:44 | |
The chess set plus 34p? | 0:21:44 | 0:21:46 | |
OK. That's slightly more than my usual discount, but... | 0:21:46 | 0:21:51 | |
..I suppose. | 0:21:51 | 0:21:52 | |
Does this owe you a lot of money, then? It doesn't. | 0:21:52 | 0:21:55 | |
So, it's sort of free. Yes. | 0:21:55 | 0:21:57 | |
Am I yielding you too much? You're probably getting a deal! | 0:21:57 | 0:22:01 | |
I actually probably could do without your 34p! | 0:22:01 | 0:22:04 | |
But it's been offered now, so... | 0:22:04 | 0:22:06 | |
You take it! ..I'll take it. | 0:22:06 | 0:22:08 | |
34p... Thank you very much. I'm not even going to ask for a box! | 0:22:08 | 0:22:13 | |
You want me to bubble-wrap each piece individually! I'm not! | 0:22:13 | 0:22:17 | |
Well done, James. Going for broke, but still grinning. | 0:22:17 | 0:22:20 | |
Fingers crossed for the auction. | 0:22:20 | 0:22:23 | |
Here's a quick reminder of how the boys have been spending their money. | 0:22:24 | 0:22:28 | |
James Braxton started out with ?123.34 and has spent the lot, | 0:22:28 | 0:22:33 | |
giving him three auction lots on which his fortunes are now pinned. | 0:22:33 | 0:22:39 | |
James Lewis started this leg with ?421.94 | 0:22:40 | 0:22:44 | |
and bought various items for ?370, now organised into six lots. | 0:22:44 | 0:22:49 | |
And were they impressed by one another's selections? | 0:22:51 | 0:22:54 | |
Without question, James is on the comeback. | 0:22:54 | 0:22:57 | |
He has picked up some wonderful little bits there. | 0:22:57 | 0:23:01 | |
I think he's done really well. | 0:23:01 | 0:23:03 | |
James has bought six good lots, I think. | 0:23:03 | 0:23:06 | |
I like his sculptural lot, the sandstone lot. | 0:23:06 | 0:23:09 | |
Well, we'll see. | 0:23:09 | 0:23:11 | |
Sadly, the time has come to leave the idyllic shores of Jersey, | 0:23:11 | 0:23:16 | |
make the return voyage back to the mainland, and journey up-country | 0:23:16 | 0:23:19 | |
to the auction showdown in Wokingham, Berkshire. | 0:23:19 | 0:23:22 | |
Wokingham has been a market town for over 700 years, | 0:23:23 | 0:23:26 | |
but was a settlement long before that. | 0:23:26 | 0:23:29 | |
The boys will now settle their score today at the auction house of Martin and Pole. | 0:23:30 | 0:23:35 | |
The man with the hammer is Garth Lewis. | 0:23:35 | 0:23:39 | |
First up for James Lewis, | 0:23:39 | 0:23:40 | |
it's the 19th-century French Champleve items. | 0:23:40 | 0:23:45 | |
?30 to start, please. | 0:23:45 | 0:23:46 | |
?30 if you like. | 0:23:46 | 0:23:48 | |
20? 20 bid. Thank you. Is there any further? | 0:23:48 | 0:23:52 | |
At ?20? | 0:23:52 | 0:23:53 | |
Are you all done at ?20? No! For two? | 0:23:53 | 0:23:56 | |
22. Thank you. 25. | 0:23:56 | 0:23:59 | |
28? 30 now. 32. | 0:23:59 | 0:24:02 | |
35. 38. | 0:24:02 | 0:24:04 | |
38. It's on my left here at 38. Are you all done? | 0:24:04 | 0:24:09 | |
What? Small profit of about a fiver, maybe. | 0:24:09 | 0:24:12 | |
A small profit, but still a profit. First blood to James Lewis. | 0:24:12 | 0:24:17 | |
Next is this walking stick. | 0:24:17 | 0:24:19 | |
James Lewis again, with the Edwardian novelty walking cane. | 0:24:19 | 0:24:23 | |
The old palmwood shaft! Yes! A good bit of palmwood shaft. | 0:24:23 | 0:24:27 | |
May I say ?100 for it, please? 100? | 0:24:27 | 0:24:30 | |
80 if you will? Not looking good, palmwood shaft or not. | 0:24:30 | 0:24:35 | |
Nobody wants it. Try 60, perhaps. No interest at all? | 0:24:35 | 0:24:39 | |
At 50 we'll go. Start me somewhere. Nobody wants it. | 0:24:39 | 0:24:43 | |
What? 40 bid. "20, sir!" | 0:24:43 | 0:24:45 | |
On my extreme left here at 40. Is there any further? | 0:24:45 | 0:24:49 | |
I can sell it at 40. All done? No way! | 0:24:49 | 0:24:53 | |
That is insane! 40 pounds... | 0:24:53 | 0:24:56 | |
Wake up, everyone! LAUGHTER | 0:24:56 | 0:25:00 | |
Did you feel you'd spotted a right old rip-roaring bargain? I really did. | 0:25:00 | 0:25:03 | |
Apparently not. | 0:25:03 | 0:25:05 | |
But it's still a novelty to see James Lewis making a loss. | 0:25:05 | 0:25:09 | |
Third leg, first item about to come up to the rostrum. | 0:25:09 | 0:25:13 | |
Your turn next, Brackers, | 0:25:13 | 0:25:15 | |
with your collection of damaged Chinese porcelain | 0:25:15 | 0:25:18 | |
and the New Hall bowl. | 0:25:18 | 0:25:20 | |
Any little profit and I'm there. | 0:25:20 | 0:25:23 | |
Condition a bit of an issue. They are as viewed. Yep. | 0:25:23 | 0:25:27 | |
Can I say ?20 for them, please? | 0:25:27 | 0:25:29 | |
Go on, say ?20. 20 anywhere? | 0:25:29 | 0:25:31 | |
15 if you like, I don't mind. Come on. | 0:25:31 | 0:25:34 | |
No interest? | 0:25:34 | 0:25:36 | |
Ten will do. Start me off at ten, then. Cheeky. | 0:25:36 | 0:25:40 | |
I have ten. Is there any further? 12 now. Yes, 15. | 0:25:40 | 0:25:44 | |
In profit. ?15 only, then. On my left at 15, if you're done. | 0:25:44 | 0:25:48 | |
I'll have to sell at 15, then. | 0:25:48 | 0:25:50 | |
HE BANGS GAVEL Story of my life. A break even. | 0:25:50 | 0:25:54 | |
A story with an unhappy ending. | 0:25:54 | 0:25:56 | |
After auction costs, that's actually a loss. | 0:25:56 | 0:25:59 | |
Happy with that? | 0:25:59 | 0:26:01 | |
Am I happy with that? No, I'm not! | 0:26:01 | 0:26:04 | |
Now, will the tooth fairy shift the desk weight into profit | 0:26:04 | 0:26:08 | |
for James Lewis? | 0:26:08 | 0:26:10 | |
Here we go. Elephant desk stand on a colourful canted base. | 0:26:10 | 0:26:15 | |
Sweet little thing. | 0:26:15 | 0:26:17 | |
What can I say to start? ?30 for it, please? 30? | 0:26:17 | 0:26:21 | |
Surely? Oh, dear. I've seen more excitement at the dentist. | 0:26:21 | 0:26:26 | |
20 if you like, I don't mind. | 0:26:26 | 0:26:27 | |
Yes, in the front row. 22 now. 22. | 0:26:27 | 0:26:31 | |
25. 28. 30. | 0:26:31 | 0:26:35 | |
32. New place. | 0:26:35 | 0:26:37 | |
35. 38. 40. 42? | 0:26:37 | 0:26:40 | |
42. Standing on the aisle at 42. Are we all done? | 0:26:40 | 0:26:45 | |
That's more like it! | 0:26:45 | 0:26:47 | |
That's all right. Pleased with that. | 0:26:48 | 0:26:50 | |
So you should be. A clean extraction of a tidy profit! | 0:26:50 | 0:26:54 | |
Will James Lewis stay on a roll | 0:26:54 | 0:26:57 | |
as his Japanese Kutani vases go under the hammer? | 0:26:57 | 0:27:01 | |
Any damage? Yes. Really? Damage, as well. Yes. | 0:27:01 | 0:27:05 | |
20, if you like. There's 20 on the aisle. | 0:27:05 | 0:27:08 | |
Any further? Just ?20? | 0:27:08 | 0:27:11 | |
22. 25. 28. 30. | 0:27:11 | 0:27:14 | |
?30. Still on the aisle. | 0:27:14 | 0:27:16 | |
Selling at 30, if you're done... | 0:27:16 | 0:27:19 | |
Very poor. Very poor. | 0:27:19 | 0:27:22 | |
Crash and burn. Don't worry, you've banked some big money. | 0:27:22 | 0:27:26 | |
Don't sound too cocky. | 0:27:26 | 0:27:28 | |
Next, it's the 1960s Norwegian silver bracelet for James Braxton. | 0:27:29 | 0:27:34 | |
I can start the bidding here at ?30. | 0:27:34 | 0:27:37 | |
Is there any further? 32 in the doorway. | 0:27:37 | 0:27:39 | |
35 here. 38. | 0:27:39 | 0:27:41 | |
Takes me out. 38. Keep going. 40, halfway down. 42. | 0:27:41 | 0:27:45 | |
45. 48. 50. | 0:27:45 | 0:27:47 | |
Lady's bid at ?50, halfway down, if you're done... | 0:27:47 | 0:27:52 | |
Yes! Well done! | 0:27:54 | 0:27:57 | |
That is a result for me. | 0:27:57 | 0:27:59 | |
50 pounds. Well done. Profit. Profit! | 0:27:59 | 0:28:03 | |
A profit, indeed. Just what James needs to boost his flagging morale. | 0:28:03 | 0:28:08 | |
Next for James Lewis | 0:28:08 | 0:28:10 | |
is his assorted collection of silver. | 0:28:10 | 0:28:12 | |
I can start here at ?160 against you. | 0:28:12 | 0:28:16 | |
170, 180, 190. | 0:28:16 | 0:28:19 | |
Takes me out at 190. 200 in the doorway. | 0:28:19 | 0:28:22 | |
200. 220. 240. | 0:28:22 | 0:28:26 | |
250 I'll take. Ten more. 260. 260. | 0:28:26 | 0:28:30 | |
280. 300. 320. 340. | 0:28:30 | 0:28:34 | |
360. Halfway down at 360. Are we all done at 360? | 0:28:34 | 0:28:39 | |
It's in the room here at 360... | 0:28:39 | 0:28:42 | |
Well done. OK. | 0:28:42 | 0:28:44 | |
360... That's good. ?100 profit. | 0:28:44 | 0:28:47 | |
Slightly more than ?100, actually, Mr B, but who's counting? | 0:28:47 | 0:28:52 | |
And now the sandstone carving, bought by James Lewis. | 0:28:52 | 0:28:56 | |
Problematic because it's dated between 200 and 700 years old, | 0:28:56 | 0:29:00 | |
which makes it mighty difficult to value. | 0:29:00 | 0:29:02 | |
Let's see. | 0:29:02 | 0:29:04 | |
I can start at ?150 against you. That's good. | 0:29:04 | 0:29:08 | |
Is there any further at 150? 160. Thank you. 170. 180. | 0:29:08 | 0:29:12 | |
190. 200. 220. 220. | 0:29:12 | 0:29:16 | |
240. 260. | 0:29:16 | 0:29:19 | |
260. 280. 300. | 0:29:19 | 0:29:22 | |
At ?300, then. It's with me, against you. | 0:29:22 | 0:29:24 | |
320. That's not a 19th-century price, is it? | 0:29:24 | 0:29:27 | |
340. 360. 380. | 0:29:27 | 0:29:30 | |
At 380, then. Are you all done? I'm selling at 380. | 0:29:30 | 0:29:34 | |
Well done, well done, well done. That's good. Not a bad profit. | 0:29:34 | 0:29:38 | |
I'm pleased with that. I bet you are. ?330 profit. | 0:29:38 | 0:29:42 | |
Thanks, James. Well done. | 0:29:42 | 0:29:44 | |
A fantastic result, that! | 0:29:44 | 0:29:46 | |
Well done, James! That puts you well in the lead. | 0:29:46 | 0:29:49 | |
However, next up is James Braxton's portrait miniature, | 0:29:49 | 0:29:52 | |
with a lot of interest in it, according to our auctioneer. | 0:29:52 | 0:29:55 | |
The miniature. It's going to happen. I think it will. | 0:29:55 | 0:29:58 | |
I can start the bidding here at ?95. Straight into profit. | 0:29:58 | 0:30:02 | |
Is there any further? | 0:30:02 | 0:30:04 | |
100. Thank you. 120. Telephone, as well! | 0:30:04 | 0:30:07 | |
130. 140. | 0:30:07 | 0:30:09 | |
Takes me out at ?140. Any further? | 0:30:09 | 0:30:13 | |
150. It's on the telephone now at 150. Keep going! | 0:30:13 | 0:30:18 | |
Go on! | 0:30:18 | 0:30:21 | |
150. I'm happy with that. Brilliant. | 0:30:21 | 0:30:24 | |
Doubled your money, James. Double your money! Well done! Great! | 0:30:24 | 0:30:29 | |
An excellent profit. | 0:30:29 | 0:30:30 | |
But will it be enough to snatch victory from James Lewis? | 0:30:30 | 0:30:33 | |
Let's do the maths. | 0:30:33 | 0:30:36 | |
James Braxton started this leg with ?123.34. | 0:30:36 | 0:30:40 | |
After auction costs, he's made a profit of ?52.96, | 0:30:40 | 0:30:44 | |
sending him through to the next leg with ?176.30. | 0:30:44 | 0:30:50 | |
James Lewis started with ?421.94. | 0:30:52 | 0:30:56 | |
After costs, he's made a profit of ?359.80, | 0:30:56 | 0:31:00 | |
taking his total to a whopping ?781.74 | 0:31:00 | 0:31:05 | |
and giving him his third victory in a row. | 0:31:05 | 0:31:08 | |
Well done, James. Well done, you! | 0:31:11 | 0:31:13 | |
Good results all round, isn't it? Yes. | 0:31:13 | 0:31:17 | |
And they're off again. | 0:31:19 | 0:31:21 | |
It's the fourth leg of our road trip | 0:31:21 | 0:31:23 | |
and experts James Lewis and James Braxton | 0:31:23 | 0:31:26 | |
are once again hitting the highways in their 1983 Beetle convertible | 0:31:26 | 0:31:30 | |
as they discuss their fortunes so far. | 0:31:30 | 0:31:33 | |
I think there is a small ocean between us. | 0:31:33 | 0:31:36 | |
You're on the up, though. You're on the up. Comeback. Hot on your heels. | 0:31:36 | 0:31:41 | |
This road trip takes our happy campers from Ampthill in Bedfordshire | 0:31:41 | 0:31:45 | |
over the channel to Jersey and back, | 0:31:45 | 0:31:47 | |
to the final destination in Leamington Spa, | 0:31:47 | 0:31:49 | |
covering almost 1,000 miles. Wow. | 0:31:49 | 0:31:54 | |
We begin in Barham in Kent | 0:31:56 | 0:31:58 | |
and ends up in auction at Tring, Hertfordshire. | 0:31:58 | 0:32:01 | |
The two Jameses are en route to their first shop of the day, | 0:32:05 | 0:32:09 | |
Stablegate Antiques, but the old Beetle isn't meeting Lord Braxton's very high standards. | 0:32:09 | 0:32:14 | |
Why can't we have a bloody Bentley like normal people? | 0:32:14 | 0:32:18 | |
Normal people, James? | 0:32:18 | 0:32:20 | |
Champagne tastes on a bare income. I'll say no more. | 0:32:20 | 0:32:25 | |
Antiques. Come on, then. Stablegate Antiques is a family affair based on a farm | 0:32:25 | 0:32:29 | |
and run by Michael Giuntini and his son, Christian. | 0:32:29 | 0:32:33 | |
Right, let's have a look in here. The Aladdin's cave. | 0:32:33 | 0:32:36 | |
He'd better rub an old lamp and hope for a genie, then. Go for it, James. | 0:32:36 | 0:32:39 | |
James is positively weighed down by his winnings | 0:32:41 | 0:32:44 | |
with ?781.74! | 0:32:44 | 0:32:47 | |
What could that be? ?70. | 0:32:50 | 0:32:54 | |
How about a cheeky 50? | 0:32:54 | 0:32:56 | |
Oh, I might have to consult the management about that. | 0:32:57 | 0:33:00 | |
By management, he means his dad. | 0:33:00 | 0:33:03 | |
Whilst he does that, why don't you enlighten us on your find, James? | 0:33:03 | 0:33:06 | |
It's a clock that is in the French style. | 0:33:06 | 0:33:09 | |
This brass and tortoiseshell | 0:33:09 | 0:33:13 | |
is known as Boulle work, | 0:33:13 | 0:33:15 | |
that was invented by a chap called Andre Charles Boulle, | 0:33:15 | 0:33:18 | |
who was cabinetmaker for Louis XIV. | 0:33:18 | 0:33:21 | |
This one has the brass laid into the tortoiseshell. | 0:33:21 | 0:33:24 | |
I've said it before and I'll say it again, | 0:33:24 | 0:33:26 | |
it's been illegal to work with tortoiseshell since new laws were introduced in 1947, | 0:33:26 | 0:33:31 | |
but anything produced before that time can still be traded. There we go. | 0:33:31 | 0:33:35 | |
Just in case the first clock is too expensive, | 0:33:35 | 0:33:37 | |
he's found a second one, and this one in lacquered walnut. | 0:33:37 | 0:33:40 | |
All right. What news? | 0:33:42 | 0:33:46 | |
It'll be 60, ?60 possibly. 60. How about that one? | 0:33:46 | 0:33:51 | |
About the same sort of figure, around the ?60 mark. ?60. | 0:33:51 | 0:33:54 | |
What's happened here at the front? Is it just... Is that doable, do you think, that lacquer? | 0:33:54 | 0:33:59 | |
It's a bit of water damage. | 0:33:59 | 0:34:01 | |
Maybe a little bit of polish on there, maybe. Let's just... | 0:34:01 | 0:34:06 | |
A good bit of spit normally... HE LAUGHS Spit's always good! | 0:34:06 | 0:34:09 | |
If in doubt, spit on it! HE LAUGHS | 0:34:09 | 0:34:12 | |
Disgusting! Stop spitting and start buying. He's thinking, though. | 0:34:12 | 0:34:16 | |
Something's ticking. He's thinking. Yes. | 0:34:17 | 0:34:20 | |
No! He's sunk. Don't drop it. I think I'm going to leave that one. | 0:34:20 | 0:34:25 | |
Well, that was worth the wait, wasn't it? | 0:34:25 | 0:34:27 | |
That's worth about ?40 to me, but I can understand if you don't want to take that. | 0:34:27 | 0:34:32 | |
I'll give you 50 for that, though, if that's any good to you. | 0:34:32 | 0:34:35 | |
OK, we'll do it for 50. 50, you've got yourself a deal. | 0:34:35 | 0:34:39 | |
Thank you very much. Brilliant. Thank you. There you go. | 0:34:39 | 0:34:42 | |
Thank you very much, sir. Thank you. | 0:34:42 | 0:34:44 | |
I've got 40 in hand. Is 40 any good for you on the other? | 0:34:44 | 0:34:48 | |
I think we can do that for 40. Could you? With the water damage, yeah. | 0:34:48 | 0:34:51 | |
In that case, hang on, I won't put that back in my pocket. | 0:34:51 | 0:34:55 | |
There's some more. Thank you very much! All right. | 0:34:55 | 0:34:57 | |
Elsewhere James Braxton is slumming it in a barn | 0:34:57 | 0:35:01 | |
with Christian's dad, Michael, and he's got a rather paltry | 0:35:01 | 0:35:04 | |
?176.30 to spend. | 0:35:04 | 0:35:07 | |
What about this fella? | 0:35:07 | 0:35:08 | |
Well, I wrap myself at night in that just to keep warm. JAMES SNEEZES | 0:35:08 | 0:35:11 | |
Bless you. Well, it would keep you warm. Yes. | 0:35:11 | 0:35:14 | |
Yes, it's a... Is that the moth or the dust playing with me? | 0:35:14 | 0:35:18 | |
I should say it's the dust probably. But nice colours. | 0:35:18 | 0:35:21 | |
Kilims are produced by nomads for use as carpets, bags and tent curtains, | 0:35:21 | 0:35:27 | |
with different tribes doing different designs. | 0:35:27 | 0:35:30 | |
Nice but dusty. | 0:35:30 | 0:35:32 | |
It's just raw wool, isn't it, totally unbleached. | 0:35:32 | 0:35:35 | |
You've got a bit of damage there. Yeah. | 0:35:35 | 0:35:37 | |
Terrible old damage. But I did notice... Here we are. | 0:35:37 | 0:35:41 | |
Magic carpet beater. Oh, yeah. See, look. | 0:35:41 | 0:35:44 | |
You keep a well-stocked garden shed, I must say. | 0:35:44 | 0:35:47 | |
I used to get hit with that one. MICHAEL LAUGHS | 0:35:47 | 0:35:50 | |
No, we don't want to know about your hobbies, Michael. | 0:35:50 | 0:35:54 | |
Cheeky! How much is a blanket these days? | 0:35:54 | 0:35:57 | |
I don't know, something like that, 10... Fiver? Yeah, ?5, ?10, I suppose. | 0:35:57 | 0:36:02 | |
Yeah. I think I'd be happy to give you a fiver for this. | 0:36:02 | 0:36:04 | |
Good. I am known for my generosity. | 0:36:04 | 0:36:08 | |
Yeah, well, I'm sure you are. JAMES LAUGHS | 0:36:08 | 0:36:10 | |
From Barham, our boys travel 16 miles across country | 0:36:11 | 0:36:14 | |
to Faversham in the Swale district of Kent. | 0:36:14 | 0:36:18 | |
First, James Braxton has some shopping to do | 0:36:20 | 0:36:22 | |
at Squires Antiques, run by Anne and her son, Connor. | 0:36:22 | 0:36:26 | |
Little Mouseman. | 0:36:26 | 0:36:29 | |
God, that's a well-used breadboard, that, isn't it? | 0:36:29 | 0:36:31 | |
And it's still fabulous. There's the little mouse. | 0:36:31 | 0:36:35 | |
Thompson of Kilburn was a very famous maker in Yorkshire | 0:36:35 | 0:36:39 | |
and he created furniture | 0:36:39 | 0:36:43 | |
and these were more his novelty things, breadboards, | 0:36:43 | 0:36:46 | |
but his signature was putting a mouse on an item | 0:36:46 | 0:36:49 | |
and that's how the name was coined, Mouseman. | 0:36:49 | 0:36:53 | |
And is there some dramatic movement on the price, Connor? | 0:36:53 | 0:36:56 | |
Oh, I'm sure there can be, yes. Really? What would you... | 0:36:56 | 0:36:59 | |
You can have that for 45. There's a good chance you'll... | 0:36:59 | 0:37:03 | |
Yeah, it's nice, isn't it? Yeah. It's a lovely piece, that. | 0:37:03 | 0:37:06 | |
Have you got anything market-fresh? Something you've bought recently | 0:37:06 | 0:37:10 | |
snuggled away? I'm going to let you look at... It's very small. | 0:37:10 | 0:37:14 | |
Very small. A little locket, | 0:37:14 | 0:37:18 | |
believed to be gold, but it's not marked, | 0:37:18 | 0:37:21 | |
but it's a pretty little thing. | 0:37:21 | 0:37:23 | |
It's very pretty, isn't it? How much do you want for that, Anne? | 0:37:23 | 0:37:28 | |
I think if you had it for ?35, there might be a profit. | 0:37:28 | 0:37:32 | |
It's sweet and tiny | 0:37:32 | 0:37:34 | |
and its size is a novelty, isn't it? Mm. | 0:37:34 | 0:37:37 | |
Very pretty. Anything else market-fresh? | 0:37:37 | 0:37:41 | |
Erm, well, we've just put this out this morning. This is collectable because it's LNER. | 0:37:41 | 0:37:46 | |
Oh, yeah, that's the London North Eastern Railway to you and me. | 0:37:46 | 0:37:50 | |
It's a railwayman's lamp. | 0:37:50 | 0:37:52 | |
We have Cheshunt. | 0:37:52 | 0:37:54 | |
Do you think that might be the man who owned this? | 0:37:54 | 0:37:57 | |
I suggest it's probably the name of the station. | 0:37:57 | 0:38:01 | |
Ah. Is there a station there? | 0:38:01 | 0:38:03 | |
Could be, couldn't it? It's on a plate that's been put on after the event. | 0:38:03 | 0:38:06 | |
It has, hasn't it? | 0:38:06 | 0:38:09 | |
I might just see if there's a train station. Don't you just love smartphones? | 0:38:09 | 0:38:13 | |
New technology to research the old - good move, James. | 0:38:13 | 0:38:17 | |
He's our modern man, you know? Cheshunt. | 0:38:17 | 0:38:20 | |
Cheshunt Station, Hertfordshire. | 0:38:20 | 0:38:23 | |
Which is where the auction is. | 0:38:23 | 0:38:25 | |
Spooky! | 0:38:25 | 0:38:27 | |
It's funny how the stars align occasionally, isn't it? | 0:38:27 | 0:38:30 | |
Stars align. | 0:38:30 | 0:38:33 | |
And what did you think on that? It could be a similar price to the locket. | 0:38:33 | 0:38:37 | |
It could be 35, as well. Do you a good discount on that. Yeah. | 0:38:37 | 0:38:40 | |
Yeah. Right, could I do the whole lot for ?110? | 0:38:40 | 0:38:44 | |
Give me 115, then. 115, I'm very happy to do that. Yes. | 0:38:44 | 0:38:48 | |
That's really kind. Thank you very much indeed, Anne. | 0:38:48 | 0:38:51 | |
So, that's the rail lantern at ?40, the Mouseman cheeseboard at ?40 | 0:38:51 | 0:38:55 | |
and the gold locket for ?35. Nice work! | 0:38:55 | 0:38:59 | |
Back on the road, though, James Lewis has Beetled into Herne Bay | 0:38:59 | 0:39:03 | |
for some bracing sea air and hopefully some more antiques. | 0:39:03 | 0:39:06 | |
James is having a nosy in Interior Interiors, | 0:39:06 | 0:39:10 | |
run by Roger and Lynne Hampshire. | 0:39:10 | 0:39:13 | |
So what's James got his eye on now? | 0:39:15 | 0:39:17 | |
This is what you need for piles, a good suppository mould. I'll have to take your word for it. | 0:39:18 | 0:39:24 | |
Uh-huh. Apparently, the guy that had those in the war was making lipsticks. | 0:39:24 | 0:39:29 | |
Was he really? Suppository-shaped lipstick, eh? | 0:39:29 | 0:39:33 | |
You wouldn't need a handbag to carry them around, would you? | 0:39:33 | 0:39:36 | |
Instead, what about a vintage sewing machine by makers Wheeler and Wilson? | 0:39:36 | 0:39:40 | |
It's got those bits | 0:39:40 | 0:39:44 | |
and it's got a belt drive on it, | 0:39:44 | 0:39:47 | |
which is very unusual. | 0:39:47 | 0:39:49 | |
Right. And it's very rare. | 0:39:49 | 0:39:52 | |
I'd let you have that for 150 quid. | 0:39:52 | 0:39:54 | |
Cor. That is rare. Yeah. | 0:39:54 | 0:39:58 | |
Well, make me a bid. Make me a sporting bid. | 0:39:58 | 0:40:00 | |
I could see that making 50 quid at auction. | 0:40:00 | 0:40:02 | |
Someone's playing the long game. | 0:40:02 | 0:40:06 | |
Keep looking. Yep. Keep looking. | 0:40:06 | 0:40:09 | |
So, he does. | 0:40:09 | 0:40:10 | |
But he ends up right back where he started for another look at the suppository mould. | 0:40:17 | 0:40:23 | |
20 quid. | 0:40:23 | 0:40:25 | |
I can do you 30 quid for these folders. | 0:40:27 | 0:40:30 | |
Roger's thrown some other pharmaceutical items into the mix. | 0:40:30 | 0:40:34 | |
The cork crusher would've been used to mould corks into the right size for medicine bottles | 0:40:34 | 0:40:39 | |
and the paper folders were for, well, folding medical papers. | 0:40:39 | 0:40:44 | |
And what about the sewing machine? | 0:40:44 | 0:40:46 | |
All right, I'll offer you ?100 for the sewing machine and these. | 0:40:46 | 0:40:49 | |
120 it's got to be. I'll give you 105. Hm. | 0:40:49 | 0:40:53 | |
This is where you say, "Split the difference," I think. OK, all right, how about 110? | 0:40:53 | 0:40:58 | |
Go on, then, you've worn me down. | 0:40:58 | 0:41:01 | |
So, that's the three pharmaceutical items for ?30, | 0:41:01 | 0:41:04 | |
but has he got himself stitched up with that sewing machine at ?80? | 0:41:04 | 0:41:07 | |
Travelling on from Herne Bay, James Lewis is heading for Rochester | 0:41:10 | 0:41:14 | |
on the River Medway to continue his shopping. | 0:41:14 | 0:41:17 | |
Rochester is best known for its cathedral and castle and an epic siege in 1215. | 0:41:17 | 0:41:21 | |
But the only person likely to be under siege today | 0:41:21 | 0:41:25 | |
is Bill Mcskimming of Cottage Style Antiques once James starts bargaining with him. | 0:41:25 | 0:41:30 | |
Ah, hello! Hello. I'm James. Nice to see you. I'm Bill. Nice to meet you. | 0:41:30 | 0:41:34 | |
Gosh, what a place! | 0:41:34 | 0:41:36 | |
Eventually, James is caught in a pile of tribal art. | 0:41:41 | 0:41:44 | |
Can you guess what it is yet? | 0:41:44 | 0:41:46 | |
You look at the shape and you think immediately Aboriginal, Australian. | 0:41:46 | 0:41:50 | |
It's called a throwing stick, | 0:41:50 | 0:41:53 | |
and they were like a boomerang but not quite the same. | 0:41:53 | 0:41:55 | |
Not all of them were designed to come back. | 0:41:55 | 0:41:59 | |
This has a much nicer feel to it. It's much heavier. | 0:41:59 | 0:42:03 | |
Sort of a lignum vitae feel, which is the only wood that doesn't float. | 0:42:05 | 0:42:10 | |
But the little bits of decoration there | 0:42:10 | 0:42:13 | |
still feel fairly sharp. | 0:42:13 | 0:42:16 | |
That might just be pre-war, but those two are certainly later. | 0:42:16 | 0:42:21 | |
You don't think that's a shield, do you? Or do you? | 0:42:21 | 0:42:24 | |
No. Cos if you held it, they'd hit your hand and you'd drop it. | 0:42:24 | 0:42:26 | |
Yeah, there's no way of... Or something to knead the dough? | 0:42:26 | 0:42:31 | |
Yeah, it could be, couldn't it? Something like that. | 0:42:31 | 0:42:34 | |
I do like my tribal stuff. How much are they? | 0:42:36 | 0:42:39 | |
They could be 50. | 0:42:39 | 0:42:42 | |
Mid-haggle James spies a tiny tortoiseshell snuff box. | 0:42:42 | 0:42:46 | |
And you know what we say about tortoiseshell. | 0:42:46 | 0:42:49 | |
It's classic George II, sort of 1720, 1740. | 0:42:49 | 0:42:54 | |
That lovely flattened hinge. And the shape is typical. | 0:42:54 | 0:42:59 | |
You often see these with silver piquet decoration in the top, which make a fortune. | 0:42:59 | 0:43:05 | |
But a moulded edge. And, again, the way it just shuts so perfectly. | 0:43:05 | 0:43:13 | |
300 years of shutting and it still works. | 0:43:13 | 0:43:17 | |
That's a lovely little box. | 0:43:17 | 0:43:20 | |
How much would that be? 20. 20. | 0:43:21 | 0:43:24 | |
You say 15 and I'll say OK. | 0:43:26 | 0:43:29 | |
In that case, 15. HE LAUGHS | 0:43:29 | 0:43:32 | |
Yes? You've got a deal. | 0:43:32 | 0:43:34 | |
And then he goes back to the boomerang. | 0:43:34 | 0:43:36 | |
Funny - shouldn't it come back to him? | 0:43:36 | 0:43:39 | |
Would 20 quid be all right for those bits of tribal art? | 0:43:39 | 0:43:41 | |
Yeah. Yeah? In that case, you've got a deal on those. | 0:43:41 | 0:43:45 | |
Well done. Brilliant. Thank you. It's... | 0:43:45 | 0:43:49 | |
I don't think they're greatly old, but you never know. | 0:43:49 | 0:43:52 | |
Having completed all his shopping, James Lewis is travelling on to Yalding near Maidstone | 0:43:55 | 0:43:59 | |
to take a well-earned tea break. As you do. | 0:43:59 | 0:44:03 | |
He's here to meet Sue Blazye | 0:44:03 | 0:44:06 | |
who's just warmed up one of her many teapots. | 0:44:06 | 0:44:08 | |
Hi, how are you? Hi! Welcome to Teapot Island. | 0:44:08 | 0:44:11 | |
Hi. Thank you very much. | 0:44:11 | 0:44:12 | |
Sue is absolutely teapotty. | 0:44:12 | 0:44:15 | |
She bought the tea room in 2002 and has since transformed it | 0:44:15 | 0:44:19 | |
into a treasure trove of novelty teapots, over 6,000 of them! | 0:44:19 | 0:44:24 | |
JAMES LAUGHS My goodness! | 0:44:24 | 0:44:26 | |
Oh, and you sell them, too! Oh, yes. | 0:44:26 | 0:44:29 | |
The first one of everything belongs to me and then we sell them. | 0:44:29 | 0:44:32 | |
They're completely mad, aren't they? | 0:44:32 | 0:44:35 | |
HE LAUGHS I think they're lovely. In the nicest sort of way! | 0:44:35 | 0:44:39 | |
Britain is a nation of tea-brewing eccentrics, | 0:44:39 | 0:44:42 | |
drinking an estimated 165 million cups of tea every day, | 0:44:42 | 0:44:47 | |
a heck of a lot of tea, calling for a heck of a lot of teapots. | 0:44:47 | 0:44:49 | |
When did it all start? It started in 1983 | 0:44:49 | 0:44:52 | |
when my grandmother gave me a teapot. | 0:44:52 | 0:44:55 | |
And that's how it started. | 0:44:55 | 0:44:57 | |
So all these are just in 30 years? Yes. But this is not part of the collection. | 0:44:57 | 0:45:00 | |
The collection is through that door. Come on, then. Go through the door. | 0:45:00 | 0:45:05 | |
Originally, teapots were tiny | 0:45:06 | 0:45:09 | |
and it's said that tea was drunk directly from the spout. | 0:45:09 | 0:45:12 | |
In the mid-18th century, makers such as Wedgwood and Whieldon | 0:45:12 | 0:45:16 | |
produced pots shaped like pineapples, cabbages and cauliflowers. | 0:45:16 | 0:45:20 | |
So the novelty teapot was born. | 0:45:20 | 0:45:23 | |
Wow. | 0:45:23 | 0:45:25 | |
They are crazy. Crazy designs. | 0:45:26 | 0:45:28 | |
Fairly modern or... Yes. 1950s. | 0:45:28 | 0:45:32 | |
Oh, OK. Not very old ones, just different shapes. We just wanted to collect the different shapes. | 0:45:32 | 0:45:37 | |
Just ones that you liked. Yes. I love them, but now it's become our life. | 0:45:37 | 0:45:43 | |
Really? How many have you got altogether? | 0:45:43 | 0:45:46 | |
Over 6,800 now. | 0:45:46 | 0:45:48 | |
So this is only the first little bit of it. | 0:45:48 | 0:45:50 | |
That is a life. These three are really rare. | 0:45:52 | 0:45:55 | |
By somebody called James Erin. | 0:45:55 | 0:45:57 | |
So we've got the walrus, rhino... | 0:45:57 | 0:46:00 | |
And the rain bird. The rain bird's the most expensive. | 0:46:00 | 0:46:04 | |
She's the rarest. And cost Sue ?1,000. | 0:46:04 | 0:46:08 | |
So when was James Erin? In the 80s. In the 80s, was he? | 0:46:08 | 0:46:12 | |
Most of the novelty ones started, I think, 70s, 80s, 90s. | 0:46:12 | 0:46:16 | |
That was the heyday. And that's what I know more about, the novelty. | 0:46:16 | 0:46:21 | |
They're more fun than the 18th century ones. They are. They're really exciting. | 0:46:21 | 0:46:24 | |
I wouldn't be surprised that if one day | 0:46:24 | 0:46:27 | |
this is in one of the big museums of our country | 0:46:27 | 0:46:30 | |
as an important catalogued collection of teapots of this generation. | 0:46:30 | 0:46:37 | |
And with that, it's time for James to wave goodbye to Teapot Island. | 0:46:37 | 0:46:42 | |
James Braxton has made his way to Charing, 20 miles away. | 0:46:44 | 0:46:48 | |
His final shop of the day is SV Antiques, | 0:46:48 | 0:46:51 | |
managed by Nigel Mullarkey. Hello. | 0:46:51 | 0:46:54 | |
Nigel. Good to see you. Good to see you again. | 0:46:54 | 0:46:57 | |
You find me at the end of my buying phase. | 0:46:57 | 0:47:00 | |
I've been to Faversham, bought some quite nice things. | 0:47:00 | 0:47:03 | |
Have you got any odds and things? | 0:47:03 | 0:47:06 | |
Yeah, I think if you look out the side there, we might find something. There? I think so. OK, brilliant. | 0:47:06 | 0:47:10 | |
That's where your cheaper items are. They'll need to be cheap. He's only got ?56.30 to spend. | 0:47:10 | 0:47:16 | |
Jungle. | 0:47:20 | 0:47:22 | |
Oh, that looks cheap. Onyx from the Atlas Mountains. | 0:47:23 | 0:47:27 | |
There's something really comforting about the shape. | 0:47:27 | 0:47:31 | |
Yeah, if you happen to be a chicken. | 0:47:31 | 0:47:33 | |
Hasn't quite got enough in there. But if we just pepper them up a bit. | 0:47:33 | 0:47:39 | |
He's padding out the odd little lot with some old glass bottle stoppers. | 0:47:39 | 0:47:43 | |
Now, Nigel, how much for that lot? Make it cheap. | 0:47:44 | 0:47:48 | |
20 quid the lot. 20 quid the lot. Is anybody going to buy that? | 0:47:48 | 0:47:53 | |
Or am I the stupidest man in antiques? | 0:47:53 | 0:47:57 | |
'Er, no comment.' | 0:47:57 | 0:47:59 | |
Could you do 15, Nigel? I thought I was a bad buyer. | 0:47:59 | 0:48:02 | |
THEY LAUGH | 0:48:02 | 0:48:05 | |
Go on, let's have a deal. 15, go on. Let's put it there. | 0:48:05 | 0:48:08 | |
I think the joke could be on me. Or me. | 0:48:08 | 0:48:11 | |
THEY LAUGH | 0:48:11 | 0:48:13 | |
With shopping completed, here's a quick reminder of how much they've spent. | 0:48:13 | 0:48:18 | |
James Braxton started this leg of the road trip with ?176.30 | 0:48:18 | 0:48:23 | |
and has spent ?135 on five lots, | 0:48:23 | 0:48:26 | |
leaving him with a cash reserve of ?41.30. Tight! | 0:48:26 | 0:48:31 | |
James Lewis started with ?781.74 and bought six lots | 0:48:32 | 0:48:36 | |
costing ?235, | 0:48:36 | 0:48:39 | |
leaving him with a seriously healthy balance of ?546.74. | 0:48:39 | 0:48:44 | |
So come on, let's hear what they really thing of one another's antique booty. | 0:48:44 | 0:48:50 | |
I love that little book locket. | 0:48:50 | 0:48:52 | |
It's one of those things that appeals to more than one collecting angle. | 0:48:52 | 0:48:57 | |
I think that is probably the star lot for him. | 0:48:57 | 0:49:00 | |
I don't think James has much to fear with a boxed sewing machine, | 0:49:00 | 0:49:03 | |
belt-driven, which is very unusual. | 0:49:03 | 0:49:05 | |
There's only one way to find out who will be victorious in today's competition. | 0:49:07 | 0:49:11 | |
From Charing, our experts embark on the final 100 miles of today's trip | 0:49:13 | 0:49:18 | |
to the auction in Tring in Hertfordshire. | 0:49:18 | 0:49:20 | |
This is it. Righty-ho! | 0:49:21 | 0:49:24 | |
Whoa! How about that? | 0:49:25 | 0:49:28 | |
Perfect! Perfick! Well done. | 0:49:28 | 0:49:30 | |
See, I haven't lost my technique of stopping this damn car. I'm hoping for better luck in there. | 0:49:30 | 0:49:36 | |
Today our experts are going head-to-head at Tring Market Auctions. | 0:49:36 | 0:49:40 | |
Established in 1832, it's one of the best-known salerooms in the home counties. | 0:49:40 | 0:49:45 | |
Auctioneer Stephen Hearn is in charge. | 0:49:45 | 0:49:50 | |
What's your first lot? Aboriginal club. G'day! G'day! | 0:49:52 | 0:49:56 | |
First up for James Lewis, it's the selection of tribal objects, | 0:49:56 | 0:50:00 | |
boomerang, club and carved bowl. | 0:50:00 | 0:50:03 | |
I'd like to see 100 for it. 50 or 40? | 0:50:03 | 0:50:06 | |
Yes, 40 we've got for that one, surely. Yes. And 5. | 0:50:06 | 0:50:10 | |
50. 5. 60. 5. 70. | 0:50:10 | 0:50:12 | |
5. 80. 5. 90. | 0:50:12 | 0:50:15 | |
At ?90 on my left, then. At ?90. Thank you. | 0:50:15 | 0:50:18 | |
GAVEL BANGS Good job! | 0:50:18 | 0:50:21 | |
That was quick and easy, wasn't it? Tribal art - it's the future. | 0:50:21 | 0:50:24 | |
Strewth! A bonza start for James Lewis. | 0:50:24 | 0:50:28 | |
It's the first lot now for James Braxton, | 0:50:29 | 0:50:31 | |
the gold and enamel book pendant. | 0:50:31 | 0:50:33 | |
A nice lot. It's worth ?70. | 0:50:33 | 0:50:36 | |
Or 50. Or 40. | 0:50:36 | 0:50:38 | |
30. 5. 40. 5. | 0:50:38 | 0:50:40 | |
50. And 5. 60. And 5 now. | 0:50:40 | 0:50:43 | |
Sitting down. ?60 if there's no further bids, then. | 0:50:43 | 0:50:47 | |
It's yours, sir, at ?60. Thank you. GAVEL BANGS | 0:50:47 | 0:50:50 | |
Not quite what I was hoping for. | 0:50:50 | 0:50:53 | |
But, but still a profit. Well done, Brackers! | 0:50:53 | 0:50:59 | |
Time for the first of James Lewis's clocks to go under the hammer. | 0:50:59 | 0:51:03 | |
The red Boulle work jobbie. | 0:51:03 | 0:51:06 | |
What about 100 for it? Or 50 for it? Yes, 50 I've got for that one. | 0:51:06 | 0:51:10 | |
Thank you. 5. 60. 5. | 0:51:10 | 0:51:13 | |
70. 5. 80. | 0:51:13 | 0:51:15 | |
Shall we go 90. Yes. And 100? | 0:51:15 | 0:51:19 | |
No more? ?90. 5. Just a fiver. It all helps, you know? | 0:51:19 | 0:51:23 | |
95, then, I'm selling it. It's going to sell for ?95, then. | 0:51:23 | 0:51:29 | |
GAVEL BANGS Thank you. It's a working profit. | 0:51:29 | 0:51:32 | |
Double your money, isn't it? Yeah. | 0:51:32 | 0:51:35 | |
Yeah. I thought that might have made a bit more. | 0:51:35 | 0:51:37 | |
Don't get too excited, will you, James? | 0:51:37 | 0:51:39 | |
There's nothing wrong with a ?45 profit. | 0:51:39 | 0:51:42 | |
James Lewis's other timepiece now, the walnut jobbie. | 0:51:44 | 0:51:48 | |
5. 60. 5. | 0:51:48 | 0:51:51 | |
70. Well done. 5 now. At 70, and 5 it is. | 0:51:51 | 0:51:55 | |
At ?70, then, you're out at ?70. And 5. | 0:51:55 | 0:51:58 | |
75. 80. 5. | 0:51:58 | 0:52:01 | |
See? At ?80. It's doing well. And I shall sell. | 0:52:01 | 0:52:04 | |
For ?80 then, thank you. GAVEL BANGS | 0:52:04 | 0:52:06 | |
?80. Yeah. Another profit, which is good. | 0:52:06 | 0:52:09 | |
That's good! That's good! | 0:52:09 | 0:52:12 | |
No time to celebrate, though. | 0:52:12 | 0:52:14 | |
Victory for James Lewis isn't a foregone conclusion. | 0:52:14 | 0:52:17 | |
Next it's James Braxton's pine bowl | 0:52:17 | 0:52:20 | |
with the green onyx eggs and the glass stoppers. Groovy. | 0:52:20 | 0:52:25 | |
There you are. Useful lot to somebody. | 0:52:25 | 0:52:28 | |
Where will we start? ?20 for them? Tenner for them? | 0:52:28 | 0:52:31 | |
8 for them. 9 for them. 10 for them. | 0:52:31 | 0:52:34 | |
Madam, you're missing that... 12! | 0:52:34 | 0:52:36 | |
15 anywhere? 15 I'm bid for those. | 0:52:36 | 0:52:39 | |
18 I've got for them! | 0:52:39 | 0:52:41 | |
Oh, go on! Go on! 20? | 0:52:41 | 0:52:45 | |
No, 18's got them, then. I'll sell them for ?18, then. | 0:52:45 | 0:52:49 | |
A tiny profit, but at least it's not a loss. | 0:52:49 | 0:52:52 | |
HE LAUGHS | 0:52:52 | 0:52:54 | |
No wonder he's still smiling. | 0:52:54 | 0:52:56 | |
James Lewis's Georgian tortoiseshell snuff box is up next. | 0:52:57 | 0:53:01 | |
It's smaller than I remember it. It is. | 0:53:01 | 0:53:06 | |
Have I got ?70 for it? Or 50? I'd give you 70. Oh, no! | 0:53:06 | 0:53:10 | |
Come on! 40, yes. | 0:53:10 | 0:53:12 | |
40 we're bid, then. 5 now. At ?40. No! | 0:53:12 | 0:53:15 | |
45. 50. 5. 60. And 5. | 0:53:15 | 0:53:19 | |
And 70. And 5. And 80. | 0:53:19 | 0:53:23 | |
And 5. 90? | 0:53:23 | 0:53:25 | |
At ?85. I want it! 5, is it? Too much. | 0:53:25 | 0:53:30 | |
No more, then, at ?95. Are you out, madam? | 0:53:30 | 0:53:33 | |
Sir's got it for ?95. Thank you. GAVEL BANGS | 0:53:33 | 0:53:37 | |
A good profit, but... ?80 profit. That's a great profit. Yeah. Yeah. | 0:53:37 | 0:53:43 | |
A great profit on the snuff box. ?80 is not to be sneezed at. | 0:53:43 | 0:53:46 | |
Next for James Braxton, it's the railwayman's lantern | 0:53:47 | 0:53:50 | |
from Cheshunt Station, just over 30 miles away from the auction. | 0:53:50 | 0:53:55 | |
There you are, local object there. ?80 for it. 80. | 0:53:55 | 0:53:59 | |
Railway piece. Yes, 80 or 50? | 0:53:59 | 0:54:01 | |
40. 5. 50. | 0:54:01 | 0:54:03 | |
5. 60. | 0:54:03 | 0:54:06 | |
5. 70. Well done. 5. No more? | 0:54:06 | 0:54:09 | |
OK, then, ?75. That's all right, isn't it? | 0:54:09 | 0:54:13 | |
At ?75. Thank you! Well done. | 0:54:13 | 0:54:17 | |
Pleased with that. Yeah, that's a find. | 0:54:17 | 0:54:20 | |
James Braxton's fortunes have really taken a turn for the better. | 0:54:20 | 0:54:24 | |
He'll struggle to win the war, but at this rate, he could still take the battle. | 0:54:24 | 0:54:28 | |
Next up for James Lewis is the collection of pharmaceutical items, | 0:54:29 | 0:54:32 | |
including paper folders and suppository mould. | 0:54:32 | 0:54:35 | |
Now, no jokes about this being a bum deal. | 0:54:35 | 0:54:37 | |
There you are. You can take that one home and do as you please. | 0:54:37 | 0:54:40 | |
What about ?60 for them? ?40? | 0:54:40 | 0:54:44 | |
5. ?50. 5. ?60. | 0:54:44 | 0:54:47 | |
5. ?70. 5. ?80. Really? | 0:54:47 | 0:54:50 | |
Madam, one more. | 0:54:50 | 0:54:53 | |
No? At ?80, then, they're going to be sold. | 0:54:53 | 0:54:55 | |
That's good, isn't it? | 0:54:55 | 0:54:57 | |
For ?80, then. Very good. GAVEL BANGS | 0:54:57 | 0:54:59 | |
Thank you very much. It's really good, really good. Well done him. | 0:54:59 | 0:55:02 | |
And how much did you buy those for? 30. | 0:55:02 | 0:55:05 | |
Piles of profit from the suppository mould. | 0:55:06 | 0:55:09 | |
If that doesn't leave James Lewis smiling, nothing will. | 0:55:09 | 0:55:13 | |
It's time for James Braxton's next item, the Mouseman breadboard. | 0:55:13 | 0:55:17 | |
There you are, what about ?80 for it? 80? Or 50? Or 40? | 0:55:17 | 0:55:21 | |
40 I'm bid for it. Not a lot of money, you know? | 0:55:21 | 0:55:24 | |
5. 50. 5. 60. | 0:55:24 | 0:55:27 | |
5. 70. 5. 80. 5. 90 now. | 0:55:27 | 0:55:31 | |
85. 90 is it? | 0:55:31 | 0:55:33 | |
90 I'm bid for it! Are you five? | 0:55:33 | 0:55:36 | |
Sorry, no. No? 90 has it, then. THEY SNIGGER | 0:55:36 | 0:55:40 | |
I shall sell it. Down it goes. We sell at ?90, then. | 0:55:40 | 0:55:43 | |
?32. More than double your money. | 0:55:43 | 0:55:46 | |
Double your money, gosh. Braxton's back! | 0:55:46 | 0:55:49 | |
Brackers is indeed back with a vengeance. | 0:55:49 | 0:55:51 | |
This is his best auction so far. | 0:55:51 | 0:55:55 | |
Next it's James Lewis's Victorian sewing machine. | 0:55:56 | 0:56:00 | |
We ought to be talking ?100 for it, surely. | 0:56:00 | 0:56:04 | |
100 or 50? I thought so. At 50. Yes, 50 I'm bid. | 0:56:04 | 0:56:08 | |
60 I'm bid. 70. 80. Hey? One more. 90. | 0:56:08 | 0:56:12 | |
It's got to be ?100. 100 I've got, there you go. | 0:56:12 | 0:56:16 | |
100 we're bid. 10 is it? Yes. | 0:56:16 | 0:56:19 | |
And 20. Are you 30? 130. | 0:56:19 | 0:56:22 | |
Consultation. Yes? 140! | 0:56:22 | 0:56:26 | |
There you go, then, at ?140. | 0:56:26 | 0:56:28 | |
And 50. You've lost it, then. At ?140, then. | 0:56:28 | 0:56:33 | |
Thank you. Well done! | 0:56:33 | 0:56:35 | |
I'm stunned at that. | 0:56:35 | 0:56:38 | |
I was absolutely convinced that was going to make 30 quid. Get away! | 0:56:38 | 0:56:42 | |
He seems to have surprised himself with that one, then, | 0:56:42 | 0:56:45 | |
but he doesn't have the competition stitched up yet. | 0:56:45 | 0:56:47 | |
Last for James Braxton is his kilim rug. | 0:56:48 | 0:56:52 | |
It needs to sell for more than ?232 | 0:56:52 | 0:56:54 | |
if he stands a chance of winning this leg. | 0:56:54 | 0:56:57 | |
Nice rug, that one. Lovely. | 0:56:57 | 0:57:00 | |
What about ?100 for it? 50 for it? | 0:57:00 | 0:57:03 | |
40, surely, then! Yes, it's 40. | 0:57:03 | 0:57:06 | |
Oh, well done! Well done! | 0:57:06 | 0:57:09 | |
We're not there yet, surely. 50 I'm bid. 60. And 5. 70. | 0:57:09 | 0:57:12 | |
5. And 80 from madam. | 0:57:12 | 0:57:14 | |
?80. Never mind the hole. | 0:57:14 | 0:57:17 | |
Shh! Shh! 5, anyone? | 0:57:17 | 0:57:19 | |
At ?80 then, madam. | 0:57:19 | 0:57:22 | |
I shall sell it, then, for ?80. GAVEL BANGS | 0:57:22 | 0:57:25 | |
Well done. Very pleased with that. Well done, James. Brilliant! | 0:57:25 | 0:57:29 | |
That really is a magic carpet, | 0:57:29 | 0:57:31 | |
giving Brackers a ridiculous 1,500% profit! | 0:57:31 | 0:57:36 | |
Not enough to win today's auction, though, but it's a victory of sorts. | 0:57:36 | 0:57:40 | |
It's the first time on this road trip that he hasn't made a loss! | 0:57:40 | 0:57:43 | |
James Braxton started the show with ?176.30, | 0:57:45 | 0:57:49 | |
and after auction costs, he's made a profit of ?129.86, | 0:57:49 | 0:57:53 | |
Sending him through to the next round with ?306.16. | 0:57:53 | 0:57:58 | |
However, James Lewis started with ?781.74, | 0:57:59 | 0:58:04 | |
and after auction costs, he's made a profit of ?240.60, | 0:58:04 | 0:58:08 | |
taking his total to an almighty ?1022.34 | 0:58:08 | 0:58:13 | |
and his fourth victory in a row. | 0:58:13 | 0:58:16 | |
Ah, pleased with that. Well done, you. | 0:58:18 | 0:58:21 | |
Very pleased with that. Yeah, that's good. | 0:58:21 | 0:58:23 | |
You take the leg, but I am definitely showing better performance. | 0:58:23 | 0:58:28 | |
Healthy profits. Healthy profits. Come on. Good. | 0:58:28 | 0:58:31 | |
So, it's onwards and upwards! | 0:58:31 | 0:58:35 |