Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's the nation's favourite antiques experts, with ?200 each... | 0:00:02 | 0:00:06 | |
I love that. ..a classic car, | 0:00:06 | 0:00:08 | |
and a goal to scour Britain for antiques. | 0:00:08 | 0:00:11 | |
Yippie! | 0:00:11 | 0:00:12 | |
I can see better with those. | 0:00:12 | 0:00:14 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:21 | |
LAUGHTER They'll probably have a row! | 0:00:21 | 0:00:23 | |
So will it be the high road to glory, or the slow road to disaster? | 0:00:23 | 0:00:27 | |
Thanks! He's just about killed that, hasn't he? | 0:00:27 | 0:00:30 | |
This is the Antiques Road Trip! | 0:00:30 | 0:00:33 | |
Yeah! | 0:00:33 | 0:00:35 | |
On this road trip we've got double trouble, with the two Jameses. | 0:00:39 | 0:00:42 | |
You have been a past winner of this road trip. | 0:00:42 | 0:00:46 | |
I think I'm going to raise my game | 0:00:46 | 0:00:48 | |
if I'm going to give you anything remotely like a challenge. | 0:00:48 | 0:00:51 | |
James Braxton has 20 years' experience in antique auctioneering, | 0:00:51 | 0:00:55 | |
and alongside being dandy and dapper, | 0:00:55 | 0:00:58 | |
he's not afraid of a cheeky offer. | 0:00:58 | 0:01:00 | |
I thought I was being fair! LAUGHTER | 0:01:00 | 0:01:02 | |
En garde! | 0:01:02 | 0:01:05 | |
His competitive companion, James Lewis, | 0:01:05 | 0:01:07 | |
is a seasoned auctioneer, with his own business in Derbyshire. He loves | 0:01:07 | 0:01:10 | |
a bargain, and would risk life and limb to get the best buy. | 0:01:10 | 0:01:15 | |
Ouch! I've just stabbed myself. | 0:01:15 | 0:01:16 | |
James and James are travelling in their sunshine yellow 1983 VW beetle, | 0:01:18 | 0:01:24 | |
and it's about the only sunshine they're experiencing right now. | 0:01:24 | 0:01:29 | |
It's trying to widdle on us, but not very successfully. I have my hat. | 0:01:29 | 0:01:34 | |
Well done, well done. In case of danger. | 0:01:34 | 0:01:37 | |
The route for this road trip takes our intrepid road trippers | 0:01:38 | 0:01:42 | |
from Ampthill, in Bedfordshire, | 0:01:42 | 0:01:44 | |
across the Channel to Jersey | 0:01:44 | 0:01:46 | |
and back again to the final | 0:01:46 | 0:01:48 | |
destination of Leamington Spa, | 0:01:48 | 0:01:50 | |
covering almost 1,000 miles. Epic, eh?! | 0:01:50 | 0:01:53 | |
But for now we begin in Ampthill, and will auction | 0:01:53 | 0:01:56 | |
in Market Harborough. | 0:01:56 | 0:01:59 | |
Ampthill is a name of Anglo-Saxon origin, the first settlement | 0:02:01 | 0:02:05 | |
here was called Aemethyll, which literally means ant-infested hill. | 0:02:05 | 0:02:11 | |
It doesn't look THAT bad, does it? | 0:02:11 | 0:02:13 | |
That was good. Made it. | 0:02:18 | 0:02:21 | |
How do I get out of this? Stretch my legs! Oh! | 0:02:21 | 0:02:25 | |
I'm not built for these classic cars, you know! | 0:02:25 | 0:02:28 | |
Maybe they weren't built for you, James! | 0:02:28 | 0:02:30 | |
James Lewis is off to his first shop, | 0:02:32 | 0:02:34 | |
Lawson and Lee's, to meet owner Claire. | 0:02:34 | 0:02:36 | |
Hello. I'm James. Nice to see you. | 0:02:36 | 0:02:38 | |
James has spotted a walnut music box, inlaid with | 0:02:38 | 0:02:42 | |
geometrical micromosaic panels, if you want to get technical about it. | 0:02:42 | 0:02:46 | |
GENTLE MUSIC Listen to that. | 0:02:46 | 0:02:48 | |
Probably Swiss, 1940, the Swiss musical box. | 0:02:49 | 0:02:53 | |
But it's that little marquetry inlay that the whole box is covered in | 0:02:53 | 0:02:57 | |
that makes it desirable. | 0:02:57 | 0:02:59 | |
For some strange reason, | 0:02:59 | 0:03:01 | |
he wants to pair the ?55 box with some wooden napkin rings at ?20. | 0:03:01 | 0:03:06 | |
For me to stand a chance, I need to pay about ?15 for them. | 0:03:06 | 0:03:10 | |
Erm... Yes, OK. That's fine. | 0:03:10 | 0:03:15 | |
Blimey, an odd combination, but that was easy. | 0:03:15 | 0:03:17 | |
Well, that was easy! | 0:03:17 | 0:03:19 | |
I just said that! Beginner's luck? No. | 0:03:19 | 0:03:23 | |
Meanwhile, just around the corner, | 0:03:23 | 0:03:25 | |
James Braxton is forging ahead at the Ampthill Antiques Emporium. | 0:03:25 | 0:03:30 | |
He's got his beady eye on a copper hearth surround | 0:03:30 | 0:03:33 | |
in the Arts and Crafts style. | 0:03:33 | 0:03:35 | |
The chancers are asking ?45 for it! Dear, oh, dear, oh, dear! | 0:03:35 | 0:03:39 | |
Cheeky devil! But that's not going to stop him | 0:03:39 | 0:03:42 | |
doing a deal on it, oh, no. | 0:03:42 | 0:03:44 | |
Libby, is there some discount on that? | 0:03:44 | 0:03:47 | |
Do you really like that, then? I do like it. | 0:03:47 | 0:03:49 | |
Well, the best would be ?40. | 0:03:52 | 0:03:54 | |
?40, OK... Well, you've definitely got a deal with that, Libby. | 0:03:54 | 0:03:58 | |
Thank you very much. Yes, I'll have that. | 0:03:58 | 0:04:01 | |
Would you clean all that up? I was hoping you might! No, you've got to be joking! | 0:04:01 | 0:04:05 | |
Ah, James has got his eye on something else - | 0:04:07 | 0:04:09 | |
a gold-plated wax seal, priced at ?44. | 0:04:09 | 0:04:12 | |
So we've got a sort of citrine here, | 0:04:14 | 0:04:17 | |
beautifully intaglio engraved with a crest. | 0:04:17 | 0:04:22 | |
How much could that be, Libby? | 0:04:22 | 0:04:24 | |
38. | 0:04:24 | 0:04:25 | |
38. Well, that's better than normal, isn't it? | 0:04:25 | 0:04:28 | |
That's a good price. | 0:04:28 | 0:04:29 | |
Do you think they might be pushed to 35? | 0:04:29 | 0:04:32 | |
I'd have to do a phone call. | 0:04:32 | 0:04:34 | |
Would you? Yes. That might take me a moment. | 0:04:34 | 0:04:37 | |
Could you do a phone call? I wouldn't mind a... | 0:04:37 | 0:04:39 | |
Well, if you're phoning, why don't you say 30, then? | 0:04:39 | 0:04:42 | |
Well, a wasted opportunity, isn't it? | 0:04:43 | 0:04:46 | |
I'll see what I can do. | 0:04:46 | 0:04:47 | |
Now who's the chancer, James? | 0:04:47 | 0:04:49 | |
This seal would have been used to validate a document. | 0:04:49 | 0:04:53 | |
Handsome, and it dates back to about 1830. | 0:04:53 | 0:04:57 | |
How did we do? He's accepted your offer of 32. | 0:04:57 | 0:05:00 | |
Why, he's a very kind man. That was very good. | 0:05:00 | 0:05:02 | |
He is a very kind man. I'll have that. | 0:05:02 | 0:05:04 | |
OK, that's lovely. Thank you very much. | 0:05:04 | 0:05:06 | |
I thought the offer was ?30 on the seal. Ah, well. | 0:05:06 | 0:05:08 | |
What's ?2 between friends? | 0:05:08 | 0:05:10 | |
Meanwhile, the other James has spotted an odd-looking brooch. | 0:05:12 | 0:05:16 | |
It's a bit of 19th-century jewellery, but the unusual thing is, | 0:05:16 | 0:05:20 | |
it's made totally out of hair. | 0:05:20 | 0:05:22 | |
Human hair? Yuck! | 0:05:22 | 0:05:24 | |
The only thing rarer than this is the collectors for them. | 0:05:24 | 0:05:27 | |
They're even rarer! LAUGHTER | 0:05:27 | 0:05:29 | |
You're either going to rate this really highly, or not at all. | 0:05:29 | 0:05:33 | |
LAUGHTER | 0:05:33 | 0:05:35 | |
He'll need to trim something off the ?100 price tag. | 0:05:35 | 0:05:38 | |
20. 25. | 0:05:38 | 0:05:42 | |
A snip on the hair brooch, | 0:05:42 | 0:05:44 | |
but it looks like he's going for a job lot ` again. | 0:05:44 | 0:05:47 | |
That is a mid-19th-century brooch, How much could that be? | 0:05:49 | 0:05:54 | |
40. | 0:05:54 | 0:05:56 | |
I like that, and I like that. I think they work quite well together. | 0:05:56 | 0:06:00 | |
If I gave 45 for the two... | 0:06:00 | 0:06:02 | |
It's a cheeky offer! | 0:06:02 | 0:06:04 | |
Erm... OK. | 0:06:04 | 0:06:08 | |
OK, how much do I owe you? The marquetry - 15. | 0:06:08 | 0:06:13 | |
And the two brooches for 45, so ?60, yes? | 0:06:13 | 0:06:16 | |
Bye! Thank you. | 0:06:16 | 0:06:19 | |
So, that's a bonanza of buys for James Lewis. | 0:06:19 | 0:06:21 | |
He's now on his way to Olney for a spot of shopping | 0:06:23 | 0:06:25 | |
at the Antiques Centre, and he's looking for something special. | 0:06:25 | 0:06:29 | |
What have you got there, James? | 0:06:32 | 0:06:34 | |
It's a box from the 19th century. | 0:06:34 | 0:06:36 | |
It's got marquetry around the edges, and the corners are missing. | 0:06:36 | 0:06:42 | |
But there are various ways of sorting that. | 0:06:42 | 0:06:45 | |
It looks like the casket is ebony, with ivory inlay. | 0:06:45 | 0:06:48 | |
Now, items containing ivory made after 1947 are illegal to sell, | 0:06:48 | 0:06:52 | |
but as this piece dates from around 1880, it can still be traded, but | 0:06:52 | 0:06:56 | |
will owners Sheila and Nick let it go for less than | 0:06:56 | 0:07:00 | |
the price tag of ?25? | 0:07:00 | 0:07:01 | |
?15, offer. | 0:07:01 | 0:07:03 | |
That's it. Last chance. Last throw of the dice. | 0:07:04 | 0:07:08 | |
That sounds fine. | 0:07:08 | 0:07:10 | |
Brilliant, thank you. | 0:07:10 | 0:07:11 | |
After all that... ?15. It's just unbelievable! | 0:07:11 | 0:07:17 | |
There we are. Thank you very much. Thank you. OK. | 0:07:17 | 0:07:21 | |
And just as he's about to leave, James spies one final buy. | 0:07:21 | 0:07:25 | |
I didn't see those when I walked in. They're quite sweet. | 0:07:25 | 0:07:29 | |
Little pair of lunettes. | 0:07:29 | 0:07:31 | |
You can imagine an Edwardian lady taking those out, can't you? | 0:07:32 | 0:07:35 | |
Very much so. They actually work. I can see better with those! ?22. | 0:07:35 | 0:07:42 | |
As we are on a roll, how about 15 again? | 0:07:42 | 0:07:45 | |
Yes, I'm sure she'll do that. | 0:07:45 | 0:07:46 | |
Yeah? It's not a big discount, is it? It's not a big discount. | 0:07:46 | 0:07:49 | |
I can't believe that! A flourish at the end! | 0:07:49 | 0:07:53 | |
So, I owe you 15 again. There we go. Thank you. | 0:07:53 | 0:07:57 | |
With four lots in the bag, it's been a good day for James Lewis. | 0:07:59 | 0:08:04 | |
Onwards, as our boys keep those road trip wheels a-moving. | 0:08:04 | 0:08:08 | |
But before James embarks on | 0:08:09 | 0:08:11 | |
more shopping, James Braxton is | 0:08:11 | 0:08:13 | |
dropping James Lewis off at | 0:08:13 | 0:08:15 | |
a car-boot sale in Northampton. | 0:08:15 | 0:08:17 | |
I love car-boots. I used to go, | 0:08:17 | 0:08:19 | |
but now, of course, they say, "Oh, it's him off the telly! | 0:08:19 | 0:08:22 | |
"I'm not selling anything to him!" LAUGHTER | 0:08:22 | 0:08:25 | |
And can you blame them? | 0:08:25 | 0:08:26 | |
The thing about car-boot sales is that one man's trash is | 0:08:26 | 0:08:29 | |
another man's treasure, so good luck, James. | 0:08:29 | 0:08:32 | |
How much is the pestle and mortar? | 0:08:33 | 0:08:35 | |
That can be ?15. It's quite early. | 0:08:35 | 0:08:38 | |
It's 18th century. | 0:08:38 | 0:08:40 | |
When qualifying, every pharmacist was given one of these | 0:08:40 | 0:08:44 | |
as a classic graduation present. And because they're made out of bronze, | 0:08:44 | 0:08:49 | |
they last in quite large numbers. | 0:08:49 | 0:08:51 | |
But 15 quid is not expensive. | 0:08:51 | 0:08:54 | |
I like that. Yes? | 0:08:54 | 0:08:56 | |
What about if I throw an old book in? And we'll call it ?25. | 0:08:56 | 0:09:03 | |
The Badminton Library. Fishing - Pike And Coarse Fish. | 0:09:03 | 0:09:08 | |
Sounds like a bit of a catch to me! | 0:09:08 | 0:09:10 | |
That could almost go with that. | 0:09:10 | 0:09:13 | |
Really?! | 0:09:13 | 0:09:14 | |
I'll give you a tenner for that. | 0:09:14 | 0:09:16 | |
I'm going to have to hold out for 15. | 0:09:16 | 0:09:19 | |
Because of what it is and because I think it's got some age. | 0:09:19 | 0:09:22 | |
In that case, I'll give you 15 quid the two. Throw your ?2 quid book in. | 0:09:22 | 0:09:26 | |
OK, yeah. Yeah? Yeah. You've got a deal. | 0:09:26 | 0:09:30 | |
Hook, line, and sinker. | 0:09:30 | 0:09:31 | |
But James's buys are turning into a bit of pick and mix. | 0:09:31 | 0:09:35 | |
Thank you. Goodbye, thank you. | 0:09:35 | 0:09:36 | |
Whatever next, a medieval bronze bell to complete the lot, eh? | 0:09:36 | 0:09:41 | |
I ploughed that up in the parish of Yelvertoft a few years ago... | 0:09:41 | 0:09:43 | |
Oh, yeah? You ploughed it up? | 0:09:43 | 0:09:46 | |
Yes. It's goat or a sheep, is it? Yeah. | 0:09:46 | 0:09:48 | |
Looks like a bell to me! | 0:09:48 | 0:09:50 | |
Car-boot sale... | 0:09:50 | 0:09:51 | |
A load of brand-new bits and bobs. Bit of medieval bronze. | 0:09:51 | 0:09:56 | |
How much is that? | 0:09:56 | 0:09:58 | |
50p. Sold. | 0:09:58 | 0:10:00 | |
Me and my big mouth, eh? Ding-dong! | 0:10:00 | 0:10:03 | |
Thank you very much. Have a good day. And you, thank you. | 0:10:03 | 0:10:08 | |
Back on the road, James Braxton | 0:10:08 | 0:10:10 | |
has driven on to Finedon, | 0:10:10 | 0:10:13 | |
in Northamptonshire, for his next stop. | 0:10:13 | 0:10:16 | |
Hello. Good morning. Hello. | 0:10:16 | 0:10:19 | |
James is off to Affleck Bridge Antiques. | 0:10:19 | 0:10:22 | |
Owner Edward is a very helpful chap, and has something that might be of interest. | 0:10:22 | 0:10:27 | |
Nice chamber stick. Nice chamber stick, isn't it? | 0:10:27 | 0:10:29 | |
It's sort of perpetual movement, almost, isn't it? It's rather fun. | 0:10:33 | 0:10:39 | |
One for the back burner, eh, James? | 0:10:39 | 0:10:41 | |
What's this? "Umbrella Covers North." | 0:10:44 | 0:10:47 | |
What attracts me about this item is, you've got a very novelty... | 0:10:49 | 0:10:55 | |
sort of stylised, looks like a kookaburra, forming a handle. | 0:10:55 | 0:11:02 | |
It's a lady's umbrella, that all works... Parasol. | 0:11:02 | 0:11:08 | |
It's just got a little bit of loss there. | 0:11:08 | 0:11:11 | |
But if you look at the detail of this, this is a luxury good, | 0:11:11 | 0:11:16 | |
a luxury accessory, and it's ?28! | 0:11:16 | 0:11:20 | |
So with the umbrella at ?28, what about that chamber stick at ?24? | 0:11:20 | 0:11:26 | |
Could you do 40 for the two, Edward? | 0:11:26 | 0:11:29 | |
That's pushing us. I thought I was being fair! | 0:11:29 | 0:11:33 | |
Well, to give you a chance at the auction, we could do that. | 0:11:36 | 0:11:39 | |
OK, that's very kind. Thank you very much indeed, thank you. | 0:11:39 | 0:11:42 | |
That's really kind. | 0:11:42 | 0:11:43 | |
So, two more items for the swag bag, and without a moment's delay, | 0:11:43 | 0:11:47 | |
James is on to his next location, Brackley, | 0:11:47 | 0:11:50 | |
and the final shop before auction. | 0:11:50 | 0:11:53 | |
Historically, Brackley is a market town built on the wool and lace trade, | 0:11:56 | 0:12:00 | |
HE HUMS And just one look at this place, | 0:12:02 | 0:12:05 | |
it really is an Aladdin's cave. | 0:12:05 | 0:12:08 | |
James finds owner Jim to ask about something he rather likes. | 0:12:12 | 0:12:16 | |
It's a very nice design, that, | 0:12:16 | 0:12:18 | |
but quite sort of weird for a lady to wear, | 0:12:18 | 0:12:22 | |
a big brooch like that. | 0:12:22 | 0:12:24 | |
Well, he's not weighing anchor yet, | 0:12:24 | 0:12:26 | |
although he is sailing towards more silverware. | 0:12:26 | 0:12:29 | |
What is it? I think it's German. | 0:12:29 | 0:12:32 | |
"Emil Langer. Hamburg." | 0:12:32 | 0:12:36 | |
And it's a teapot. | 0:12:36 | 0:12:38 | |
It's that terribly tough silver plate. | 0:12:38 | 0:12:41 | |
It's very well fitting. | 0:12:41 | 0:12:43 | |
It's got a certain robust charm about it, isn't it? | 0:12:43 | 0:12:46 | |
Vorsprung durch teapot, some might say! | 0:12:46 | 0:12:49 | |
Not me, though. | 0:12:49 | 0:12:51 | |
How much do you want for that one, then? | 0:12:51 | 0:12:54 | |
Five pounds? Five pounds. | 0:12:54 | 0:12:57 | |
Let's see if we can get something else to go with it, shall we? | 0:12:57 | 0:13:00 | |
I think I'll go in this side. | 0:13:00 | 0:13:03 | |
I've always loved these nests of beakers. | 0:13:03 | 0:13:06 | |
1945. These are German as well. | 0:13:06 | 0:13:10 | |
It's a lovely Second World War font, isn't it? | 0:13:10 | 0:13:13 | |
Yes, it is. Very German. | 0:13:13 | 0:13:16 | |
Do you think you could do a decent price on those? | 0:13:16 | 0:13:18 | |
Yes, I would think so. What have we got on at the minute? | 0:13:18 | 0:13:20 | |
It's got ?25. Yeah. | 0:13:20 | 0:13:22 | |
I could certainly give him a ring and find the best he'll do on it. | 0:13:22 | 0:13:26 | |
After a quick phone call to the owner, | 0:13:26 | 0:13:28 | |
James secures the beakers for ?15 | 0:13:28 | 0:13:30 | |
but something else is weighing on his mind... | 0:13:30 | 0:13:32 | |
I like the anchor as well. | 0:13:34 | 0:13:36 | |
So Jim's partner, Deborah, | 0:13:36 | 0:13:37 | |
gets on the phone to the owner of the ?28 anchor brooch. | 0:13:37 | 0:13:41 | |
Go, Debs! Hold on. | 0:13:41 | 0:13:42 | |
?15. ?15, ?15, definitely, I'll take it. | 0:13:42 | 0:13:46 | |
That's very kind of her. | 0:13:46 | 0:13:48 | |
Thank you. Thanks, Shirley, bye. Thank you, bye. | 0:13:48 | 0:13:51 | |
That teapot, do you think it would make a happy bedfellow | 0:13:51 | 0:13:54 | |
with the beakers? I think it would, being German. | 0:13:54 | 0:13:56 | |
Being German. And well-made. | 0:13:56 | 0:13:59 | |
What have I got on me? What have I got on me? Here you are. | 0:13:59 | 0:14:03 | |
That's a bit insulting! | 0:14:03 | 0:14:07 | |
There you are. | 0:14:07 | 0:14:11 | |
Would a big two buy it? The teapot? Yeah. | 0:14:11 | 0:14:14 | |
Two pounds?! Oh, would it? | 0:14:14 | 0:14:19 | |
How about double or quits, then, James? Definitely, definitely. | 0:14:19 | 0:14:23 | |
Double or quits. Double or quits. Are you going to spin? | 0:14:23 | 0:14:26 | |
I'll spin, you call. OK. | 0:14:26 | 0:14:28 | |
Heads, because it's the Queen's time. | 0:14:30 | 0:14:33 | |
Tails! | 0:14:33 | 0:14:35 | |
HE LAUGHS | 0:14:35 | 0:14:37 | |
Jolly lucky I had the other one. | 0:14:37 | 0:14:38 | |
THEY LAUGH | 0:14:38 | 0:14:40 | |
Thank you, James. Thank you very much indeed, Jim. Thank you. | 0:14:40 | 0:14:43 | |
So, after gambling and losing, the teapot has cost James dear. | 0:14:43 | 0:14:48 | |
Four pounds, instead of two. On top of that, | 0:14:48 | 0:14:51 | |
he's bought the beakers and the anchor brooch for ?15 each. | 0:14:51 | 0:14:55 | |
Having finished his shopping earlier, | 0:14:59 | 0:15:01 | |
the other James has driven to Kettering | 0:15:01 | 0:15:04 | |
to visit England's answer | 0:15:04 | 0:15:06 | |
to the Palace of Versailles. | 0:15:06 | 0:15:08 | |
Boughton House has been home to the Montagus since 1528 | 0:15:13 | 0:15:17 | |
and you'd be forgiven for thinking | 0:15:17 | 0:15:19 | |
it's a little bit of France | 0:15:19 | 0:15:20 | |
right here in England. | 0:15:20 | 0:15:21 | |
Its design and contents have been heavily influenced | 0:15:21 | 0:15:24 | |
by the tastes of the famous French Sun King, Louis XIV. | 0:15:24 | 0:15:28 | |
James is here to meet Charles Lister, to find out more. | 0:15:28 | 0:15:32 | |
Charles. James, welcome to Boughton House. | 0:15:34 | 0:15:36 | |
The English Versailles. Thank you very much. What a place! | 0:15:36 | 0:15:39 | |
I was not expecting to find a French palace | 0:15:39 | 0:15:41 | |
in the middle of Northamptonshire! What's it doing here? | 0:15:41 | 0:15:44 | |
Well, it's very much the creation of Ralph Montagu, | 0:15:44 | 0:15:47 | |
English Ambassador to Louis XIV, | 0:15:47 | 0:15:49 | |
who transformed his Tudor house here into a very French-style building. | 0:15:49 | 0:15:53 | |
If you'd like to come through, I can tell you all about him and his life. | 0:15:53 | 0:15:56 | |
Gosh! | 0:15:59 | 0:16:00 | |
This is the Great Hall, the centrepiece of the house, | 0:16:00 | 0:16:03 | |
where all the entertaining would take place. | 0:16:03 | 0:16:05 | |
William III would have been invited by Ralph Montagu, | 0:16:05 | 0:16:07 | |
the first Duke of Montagu, who's portrayed just over here. | 0:16:07 | 0:16:11 | |
This is Ralph, himself. So, he built this house? | 0:16:11 | 0:16:14 | |
He turned a small Tudor mansion | 0:16:14 | 0:16:17 | |
into a grand vision of what he'd seen | 0:16:17 | 0:16:19 | |
as ambassador to Louis XIV over in France. | 0:16:19 | 0:16:22 | |
What inspired him to do this, from an original Tudor style? | 0:16:22 | 0:16:27 | |
It was very much, he's advancing in society. | 0:16:27 | 0:16:30 | |
He starts as the second son of Lord Montagu | 0:16:30 | 0:16:32 | |
and he increasingly becomes more important, more prominent, | 0:16:32 | 0:16:35 | |
so he wants to have a house that reflects that, | 0:16:35 | 0:16:37 | |
and partly the way you do that, you invite the King here, | 0:16:37 | 0:16:39 | |
he enjoys it, hopefully, he'll give you a dukedom. | 0:16:39 | 0:16:42 | |
So, it's a bit of one-upmanship and a bit of social climbing, as well! | 0:16:42 | 0:16:46 | |
Some things never change, do they? | 0:16:46 | 0:16:49 | |
It seems not. | 0:16:49 | 0:16:50 | |
Montagu drew on his time in France | 0:16:50 | 0:16:52 | |
to recreate his own version of Versailles here. | 0:16:52 | 0:16:57 | |
Boughton House is now owned by the Duke of Buccleuch, | 0:16:57 | 0:17:00 | |
but with such opulence and grandeur, | 0:17:00 | 0:17:02 | |
this place really was fit for a king. | 0:17:02 | 0:17:05 | |
My goodness! That is incredible! | 0:17:05 | 0:17:09 | |
The colours! Not the original upholstery, surely? | 0:17:09 | 0:17:11 | |
Yes, indeed. This was purchased by Ralph Montagu in 1660 from France. | 0:17:11 | 0:17:16 | |
It formed the centrepiece of his state apartment, | 0:17:16 | 0:17:19 | |
created to show King William III by this point. | 0:17:19 | 0:17:22 | |
He was going to come here, enjoy the state apartment he created for him. | 0:17:22 | 0:17:26 | |
I suppose he purchased them with the intention | 0:17:26 | 0:17:28 | |
of making the state apartment for Charles II? That's right. | 0:17:28 | 0:17:31 | |
Eventually, William took over by the time he'd finished. Exactly. Gosh. | 0:17:31 | 0:17:36 | |
There's some money spent in here, isn't there? Vast sums of money. | 0:17:36 | 0:17:39 | |
Furnishing the bed itself, the furniture here, | 0:17:39 | 0:17:42 | |
even the parquet floor here cost ?5,000 | 0:17:42 | 0:17:45 | |
in the 1680s to actually complete it, | 0:17:45 | 0:17:48 | |
which was a vast sum of money. Goodness me! | 0:17:48 | 0:17:50 | |
That's approximately ?631,000 in today's money. | 0:17:50 | 0:17:54 | |
And all really for the King to come and be here for one day, really. | 0:17:54 | 0:17:58 | |
Incredible! | 0:17:58 | 0:18:00 | |
It might have been an expensive case of social climbing, | 0:18:00 | 0:18:04 | |
but almost 400 years later, Boughton House is one of the jewels | 0:18:04 | 0:18:08 | |
in Britain's crown, essentially English-French in flavour. | 0:18:08 | 0:18:12 | |
That was fascinating, but now here's a quick reminder | 0:18:18 | 0:18:21 | |
of how our boys have been spending their dosh. | 0:18:21 | 0:18:25 | |
James Lewis began this leg with ?200 and spent ?105.50 | 0:18:25 | 0:18:30 | |
on the Victorian lorgnette, | 0:18:30 | 0:18:32 | |
the 19th century casket, | 0:18:32 | 0:18:36 | |
the George III hair brooch and accompanying brooch set. | 0:18:36 | 0:18:40 | |
Also, there's the unusual duo of the walnut musical box | 0:18:40 | 0:18:43 | |
and five napkin rings, | 0:18:43 | 0:18:45 | |
and the combo lot of the bronze pestle and mortar, the bronze bell | 0:18:45 | 0:18:48 | |
and the 19th century book on fishing. Hmm. | 0:18:48 | 0:18:52 | |
From his ?200, James Braxton | 0:18:54 | 0:18:57 | |
spent ?146 on the gold-plated seal, | 0:18:57 | 0:19:01 | |
the Arts and Crafts copper hearth surround, | 0:19:01 | 0:19:05 | |
the 1930s lady's umbrella, | 0:19:05 | 0:19:07 | |
the chamber stick, the set of four German plated beakers | 0:19:07 | 0:19:11 | |
along with plated German teapot, | 0:19:11 | 0:19:13 | |
and finally, the white metal anchor brooch. Phew! | 0:19:13 | 0:19:16 | |
So, let's see what the boys think of one another's goodies. | 0:19:19 | 0:19:24 | |
My items look quite good beside his. | 0:19:24 | 0:19:28 | |
I think I've actually got a better lot of stuff than he has. | 0:19:28 | 0:19:31 | |
But he probably thinks exactly the same! | 0:19:31 | 0:19:34 | |
It sounds like the gloves are well and truly off. | 0:19:36 | 0:19:39 | |
With both our experts feeling confident, there's only one way | 0:19:39 | 0:19:42 | |
to find out who's bought best. | 0:19:42 | 0:19:44 | |
From Kettering, our boys are back | 0:19:44 | 0:19:45 | |
on the road, as they head to | 0:19:45 | 0:19:47 | |
auction in Market Harborough. | 0:19:47 | 0:19:49 | |
Here we are. | 0:19:51 | 0:19:54 | |
Our experts are going head-to-head at Gildings, | 0:19:54 | 0:19:56 | |
which has established itself as an auction house of distinction | 0:19:56 | 0:20:00 | |
over the last 30 years. | 0:20:00 | 0:20:03 | |
Here we go. | 0:20:03 | 0:20:04 | |
First up for James Braxton, it's the Arts and Crafts copper hearth | 0:20:04 | 0:20:08 | |
surround, and it's over to auctioneer Mark Gilding. | 0:20:08 | 0:20:11 | |
Nice, this one. | 0:20:11 | 0:20:12 | |
?50, do I see? It's going for 50. | 0:20:12 | 0:20:15 | |
10. ?10 only. I'm bid at 10. | 0:20:15 | 0:20:18 | |
At ?10, I'm bid at ?10. | 0:20:18 | 0:20:21 | |
?12, do I see? | 0:20:21 | 0:20:23 | |
Come on. I'll even polish it for you. | 0:20:23 | 0:20:25 | |
At ?12, I'm bid. | 0:20:25 | 0:20:26 | |
At 15, 18... We're getting there. | 0:20:26 | 0:20:29 | |
At ?18. You're not bidding at 18. | 0:20:29 | 0:20:32 | |
The bid's 18. | 0:20:32 | 0:20:33 | |
?18 and selling away. At 18. | 0:20:33 | 0:20:36 | |
Ouch! Well, that failed to set the auction room ablaze. | 0:20:36 | 0:20:39 | |
You were dead right. Obviously the wrong size. | 0:20:39 | 0:20:43 | |
First up for James Lewis, the pair of brooches - | 0:20:43 | 0:20:45 | |
the creepy hair one and the evil-eye one. | 0:20:45 | 0:20:49 | |
Is it undamaged? Yes, it's perfect. | 0:20:49 | 0:20:52 | |
It's six loops of different hair. What will we say for these? | 0:20:52 | 0:20:55 | |
The two of them, ?100, do I see? | 0:20:55 | 0:20:58 | |
Don't all bid at once(!) | 0:20:58 | 0:21:01 | |
OK, then, ?20, I'm bid. | 0:21:01 | 0:21:03 | |
?20, I'm bid. Have it your way. 5, 30. 35. | 0:21:03 | 0:21:08 | |
?35, 40. 40, I'm bid. | 0:21:08 | 0:21:14 | |
No way! It's creeping. | 0:21:14 | 0:21:18 | |
45, I'm bid. At 45. Still a loss. | 0:21:18 | 0:21:21 | |
48, 50. ?50, I'm bid. At ?50. | 0:21:21 | 0:21:25 | |
5, at ?55. 60, do I see? It's 55. | 0:21:25 | 0:21:30 | |
You're all quiet in the room. | 0:21:30 | 0:21:32 | |
?55 and I'm instructed to sell. | 0:21:32 | 0:21:34 | |
At ?55. | 0:21:34 | 0:21:37 | |
A pin-prick of a profit for James Lewis. | 0:21:37 | 0:21:40 | |
It's washed its face. | 0:21:40 | 0:21:42 | |
A little profit there. | 0:21:42 | 0:21:44 | |
That's my expression. Next up for James Lewis, | 0:21:44 | 0:21:47 | |
it's that dainty gold lorgnette. | 0:21:47 | 0:21:49 | |
Good luck. | 0:21:49 | 0:21:51 | |
We'll see. At 22, 25, 28. 28, | 0:21:51 | 0:21:56 | |
I'm bid now at 28. | 0:21:56 | 0:21:57 | |
At ?28, I'm bid now. | 0:21:57 | 0:21:59 | |
At 32, 35. At 35. | 0:21:59 | 0:22:02 | |
All my bids are out. | 0:22:02 | 0:22:06 | |
38, do I see it? No way! Are you bidding, internet? | 0:22:06 | 0:22:10 | |
Just flashing, then, at ?35... | 0:22:10 | 0:22:12 | |
A man of vision, is our James Lewis. | 0:22:12 | 0:22:15 | |
But he didn't see that one coming, did he? | 0:22:15 | 0:22:18 | |
They could have had a one in front of them, couldn't they? | 0:22:18 | 0:22:21 | |
That is disastrous. | 0:22:21 | 0:22:22 | |
Now it's James Braxton's gold-plated seal. | 0:22:22 | 0:22:26 | |
Will it make an impression on the bidders? | 0:22:26 | 0:22:28 | |
Do you think people still collect those seals? | 0:22:28 | 0:22:31 | |
That was lovely. It was beautifully... It was. | 0:22:31 | 0:22:35 | |
?20, 5, 30, 5, 40. | 0:22:35 | 0:22:40 | |
45. Into profit. | 0:22:40 | 0:22:42 | |
That's ?45 bid. 45 and selling away. | 0:22:42 | 0:22:47 | |
His first profit. Good. And it's not that bad. | 0:22:47 | 0:22:51 | |
A nice little profit, there. I'm all right. | 0:22:51 | 0:22:54 | |
Now it's James Lewis' 19th-century Indian sadeli casket. | 0:22:54 | 0:22:59 | |
Bidding starts at 25, 35, ?40. I'm bid at 40. | 0:22:59 | 0:23:04 | |
At ?40, 45, 50, 55, seated. At 55. | 0:23:04 | 0:23:09 | |
At ?55 I'm bid. Do I see 60? | 0:23:09 | 0:23:11 | |
It should be worth more than this, | 0:23:11 | 0:23:13 | |
but ?55, I'm bid. | 0:23:13 | 0:23:14 | |
All out in the room and the net is out. 55 seated, 60. New bidder, 65. | 0:23:14 | 0:23:20 | |
You were right. At 70... | 0:23:20 | 0:23:23 | |
And I'm selling at ?70. | 0:23:23 | 0:23:26 | |
That's not bad. | 0:23:26 | 0:23:28 | |
I'm pleased with that. | 0:23:28 | 0:23:30 | |
Yes, it's turned out to be a right little treasure chest | 0:23:30 | 0:23:34 | |
and puts James Lewis into an early lead. | 0:23:34 | 0:23:36 | |
Come on, Brackers! | 0:23:36 | 0:23:37 | |
You've got some catching up to do with the 1930s lady's umbrella. | 0:23:37 | 0:23:41 | |
?10, I'm bid only. | 0:23:41 | 0:23:44 | |
I thought this would make a lot more. 12, 15, 18, 20. | 0:23:44 | 0:23:47 | |
22. 22 bid now. In the room at 22. | 0:23:47 | 0:23:51 | |
At ?22, the net's out as well. | 0:23:51 | 0:23:53 | |
Oh, go on! 22... A new bidder here. | 0:23:53 | 0:23:59 | |
30. 30 I'm bid. At ?30. | 0:23:59 | 0:24:02 | |
At 30, and selling at ?30. | 0:24:02 | 0:24:05 | |
A luxury item at 30. | 0:24:05 | 0:24:07 | |
Oh, dear. | 0:24:07 | 0:24:09 | |
At least he's covered himself. | 0:24:09 | 0:24:11 | |
Next up for James Braxton is the | 0:24:11 | 0:24:14 | |
pottery chamber stick. There we are. | 0:24:14 | 0:24:16 | |
?10, I'm bid. The Linthorpe style. | 0:24:16 | 0:24:20 | |
?10, I'm bid. At ?10, I'm bid. | 0:24:20 | 0:24:23 | |
?12, do I see? It's ?10 only. | 0:24:23 | 0:24:25 | |
?12, I'm bid now. | 0:24:27 | 0:24:29 | |
?12 bidder in the room. | 0:24:29 | 0:24:31 | |
Bit of a charity bid, there. Yes. | 0:24:31 | 0:24:33 | |
At ?12, and selling away. | 0:24:33 | 0:24:36 | |
The chamber stick fails to light up the room. | 0:24:37 | 0:24:40 | |
Another loss for James Braxton. Next! | 0:24:40 | 0:24:43 | |
This is my box that you really hate. | 0:24:43 | 0:24:46 | |
Slightly strange bedfellows now. | 0:24:46 | 0:24:49 | |
The walnut music box and the wooden napkin rings. | 0:24:49 | 0:24:52 | |
Lovely quality marquetry here. | 0:24:52 | 0:24:54 | |
Lovely quality marquetry, James. | 0:24:54 | 0:24:56 | |
Actually, only, ?5 I'm bid. God! | 0:24:56 | 0:24:59 | |
That's about right. | 0:24:59 | 0:25:01 | |
?12, 15, 18, 20, 22, | 0:25:01 | 0:25:03 | |
out this side, it's 22. Are you | 0:25:03 | 0:25:06 | |
bidding at 22? 22 on my left. | 0:25:06 | 0:25:08 | |
At 22. 5 to bid. I'm selling quick, | 0:25:08 | 0:25:10 | |
then, at 22, and away. Oh... | 0:25:10 | 0:25:12 | |
Oh, bottom! | 0:25:12 | 0:25:15 | |
That's about the right price for that. | 0:25:15 | 0:25:17 | |
The odd collection clearly appealed to someone and gave James Lewis | 0:25:17 | 0:25:22 | |
another creeping profit, but can James Braxton accelerate with | 0:25:22 | 0:25:26 | |
this set of German beakers and a teapot? | 0:25:26 | 0:25:28 | |
I like these beakers. | 0:25:28 | 0:25:30 | |
The beakers are nice. | 0:25:30 | 0:25:32 | |
You could take them on a picnic. | 0:25:32 | 0:25:34 | |
?50, are we? ?10, I'm bid. | 0:25:34 | 0:25:38 | |
I'm bid 12, 15, 18, 20, 22... | 0:25:38 | 0:25:41 | |
You're out now. It's down here, | 0:25:43 | 0:25:46 | |
at ?22. 5, I'll take. At 22... | 0:25:46 | 0:25:51 | |
A good pairing, but not the match of the day. | 0:25:51 | 0:25:54 | |
My last chance | 0:25:54 | 0:25:56 | |
at profit is the anchor. It's got to make... | 0:25:56 | 0:26:00 | |
It's got a big responsibility. It's got to make about 60 quid. | 0:26:00 | 0:26:03 | |
No pressure, then(!) It's the anchor brooch. | 0:26:03 | 0:26:07 | |
It should be ?40-50, shouldn't it? | 0:26:07 | 0:26:08 | |
Yeah, it should. | 0:26:08 | 0:26:11 | |
Bidding starts at ?15. 18, 20, 22, | 0:26:11 | 0:26:16 | |
25, 28 and I'm out. | 0:26:16 | 0:26:17 | |
28, it's in the room, and selling at ?28. | 0:26:17 | 0:26:20 | |
30. Go on. Go on. | 0:26:20 | 0:26:23 | |
Go on. 32, 35. This side. | 0:26:23 | 0:26:27 | |
You're out on my left. At 35. | 0:26:27 | 0:26:29 | |
Well done. Well done. | 0:26:31 | 0:26:32 | |
Anchors aweigh, with a tidy profit. | 0:26:32 | 0:26:34 | |
The final lot for James Lewis | 0:26:36 | 0:26:37 | |
is the pestle and mortar, | 0:26:37 | 0:26:39 | |
the medieval bronze bell, | 0:26:39 | 0:26:40 | |
and the book on fishing. | 0:26:40 | 0:26:42 | |
He does love a good pick 'n' mix. | 0:26:42 | 0:26:44 | |
Bidding starts at 10, 12, 15, ?18. | 0:26:44 | 0:26:48 | |
Oh! 18, I'm bid. 20, 22, 25, 28, 30. | 0:26:48 | 0:26:53 | |
30, I'm bid in the room. | 0:26:53 | 0:26:55 | |
All my bids are lost at ?30. | 0:26:55 | 0:26:57 | |
?30 in the room. At 30. | 0:26:57 | 0:27:00 | |
Oh, that's all right. | 0:27:00 | 0:27:02 | |
There we go. An odd lot, though, hooks him one last profit. | 0:27:02 | 0:27:06 | |
Is it enough to land the first victory? | 0:27:06 | 0:27:09 | |
James Braxton started the show with ?200, and after auction costs, | 0:27:11 | 0:27:14 | |
he's made a loss of ?13.16, sending him | 0:27:14 | 0:27:17 | |
through to the next round with ?186.84. | 0:27:17 | 0:27:21 | |
Don't look so serious. | 0:27:21 | 0:27:24 | |
James Lewis also started with ?200 after costs. | 0:27:25 | 0:27:29 | |
He's made a profit of ?68.34, taking his total to ?268.34 | 0:27:29 | 0:27:34 | |
and claiming the first victory of this road trip. | 0:27:34 | 0:27:39 | |
He's looking serious too. Tight-lipped. | 0:27:39 | 0:27:41 | |
Well... Winner decides? Do you want me to drive? Go on, you drive. | 0:27:41 | 0:27:47 | |
I should sit in the back. You should do. Only ?60-odd. | 0:27:47 | 0:27:53 | |
You don't get the full chauffeuring service. | 0:27:53 | 0:27:58 | |
It's better than a loss, James. | 0:27:58 | 0:28:00 | |
It certainly is. Oh, dear. | 0:28:00 | 0:28:01 | |
Our competitive pair of Jameses | 0:28:01 | 0:28:03 | |
are still pootling along in the 1983 VW Beetle | 0:28:03 | 0:28:07 | |
to tackle the next leg of their journey. | 0:28:07 | 0:28:11 | |
As a quick reminder of the road trip for our pair of adventurers, | 0:28:11 | 0:28:16 | |
takes them from Ampthill in Bedfordshire | 0:28:16 | 0:28:19 | |
across the Channel to Jersey and back again to the final destination of Leamington Spa, | 0:28:19 | 0:28:23 | |
covering almost a thousand miles. | 0:28:23 | 0:28:26 | |
Gosh! | 0:28:26 | 0:28:28 | |
But on this leg, we begin in Woodstock in Oxfordshire | 0:28:29 | 0:28:32 | |
and end up at auction in Swindon. | 0:28:32 | 0:28:35 | |
I think Oxfordshire is glorious, isn't it? It is lovely. | 0:28:35 | 0:28:41 | |
No, it's not that Woodstock. No hippy-dippy, flower power festivals here. | 0:28:41 | 0:28:46 | |
This Woodstock is the home of the UNESCO World Heritage Site, | 0:28:46 | 0:28:51 | |
Blenheim Palace, birthplace of Sir Winston Churchill. | 0:28:51 | 0:28:54 | |
James Lewis is dropping James Braxton at his first shop of the day | 0:28:54 | 0:28:58 | |
and the bells are ringing out for their arrival. | 0:28:58 | 0:29:01 | |
There we go. Good. Thanks a lot. | 0:29:01 | 0:29:04 | |
All righty... | 0:29:04 | 0:29:05 | |
James Braxton has a disappointing ?186.84 in his wallet. | 0:29:05 | 0:29:09 | |
Bye. Bye. | 0:29:09 | 0:29:12 | |
Woodstock Arts and Antiques is run by a Mr Michael Jackson. Sham on! | 0:29:14 | 0:29:20 | |
Hello, James. How are you? Hello. Nice to meet you. Good to see you. | 0:29:20 | 0:29:24 | |
I never knew that Michael was alive and well and dealing in antiques in Woodstock. | 0:29:24 | 0:29:29 | |
Great look to it, isn't it? Hmm. | 0:29:33 | 0:29:36 | |
I really like that poodle. It's very well done. | 0:29:39 | 0:29:42 | |
It has a sense of humour. It has a certain naive charm about that. | 0:29:42 | 0:29:46 | |
It certainly does. Mid-19th century Staffordshire at ?28, in case you were wondering. | 0:29:46 | 0:29:52 | |
But this, this rather sweet owl, isn't it...? | 0:29:52 | 0:29:56 | |
That's a candle snuffer. That is just fabulous. | 0:29:56 | 0:30:00 | |
Humorous and naive, the owl is Royal Worcester and has a ticket price of ?55. | 0:30:00 | 0:30:06 | |
Worth a punt, James? | 0:30:06 | 0:30:09 | |
At the other extreme, what a lovely little '50s, mint and boxed tea set! | 0:30:09 | 0:30:13 | |
Never been used. Some poor little kiddie had it as a present and it stayed there. | 0:30:13 | 0:30:18 | |
I mean, that's not a bad little thing. | 0:30:18 | 0:30:21 | |
That's great, isn't it? | 0:30:21 | 0:30:23 | |
I do like that. What could that be? | 0:30:23 | 0:30:26 | |
A tenner? A tenner. | 0:30:26 | 0:30:29 | |
These two little bits... | 0:30:29 | 0:30:32 | |
It's really got to be another 40 for those. | 0:30:34 | 0:30:36 | |
Would ?35 buy them? 35 would do it. | 0:30:36 | 0:30:39 | |
35 and 10 - 45. That's really good. Thank you. | 0:30:39 | 0:30:43 | |
Super, sir. Thanks a lot. Thank you. I appreciate that. | 0:30:43 | 0:30:47 | |
Yes, now beat it! | 0:30:47 | 0:30:49 | |
A joke. I'm sure dealer Michael Jackson always finds that amusing. | 0:30:49 | 0:30:53 | |
After dropping off James Braxton, James Lewis has driven on eight miles to Oxford. | 0:30:57 | 0:31:02 | |
Oxford is home to the oldest university in the English-speaking world. | 0:31:04 | 0:31:08 | |
James' first port of call is Antiques On High | 0:31:08 | 0:31:12 | |
and he has a rather jolly ?268.34 to spend. | 0:31:12 | 0:31:17 | |
Hi there. Hello. | 0:31:17 | 0:31:20 | |
It isn't long before James spots something that looks like a silver sugar basket. | 0:31:22 | 0:31:27 | |
Unmarked with a family crest. | 0:31:29 | 0:31:32 | |
I think it's early. I think it's 18th century. | 0:31:34 | 0:31:37 | |
I'm hoping... | 0:31:38 | 0:31:40 | |
I'm hoping it might be Irish, the fact that it's not marked. OK. | 0:31:40 | 0:31:44 | |
What could that be? 35 on there... I can get 30. | 0:31:44 | 0:31:48 | |
Is 20 any good? He wouldn't do 20. He might do 25 if he's in the right mood. | 0:31:48 | 0:31:53 | |
I could ring him and see if it's got a chance. | 0:31:53 | 0:31:56 | |
25, save your phone bill. Take a gamble. | 0:31:56 | 0:31:59 | |
Let's do it, James. LAUGHTER | 0:31:59 | 0:32:02 | |
Quick and easy! Not much wrong with that. Let's hope it's silver and not silver plate. | 0:32:02 | 0:32:07 | |
James Braxton is now "Beetling" away to Bicester. | 0:32:09 | 0:32:13 | |
Hello. Hello. | 0:32:13 | 0:32:15 | |
The Old Flight House is James' next shopping emporium. | 0:32:15 | 0:32:19 | |
Before long, our Jack Nicholson lookalike has spied a silver charm bracelet for ?33. | 0:32:20 | 0:32:26 | |
Maybe it reminds him of The Shining! | 0:32:26 | 0:32:29 | |
Now, could that be a silly price of, say, ?20? | 0:32:31 | 0:32:35 | |
A silly price? No, not a... That would be a good price, wouldn't it? | 0:32:35 | 0:32:39 | |
How about 21? ?21, you have a deal, Karen. I just like the number. | 0:32:39 | 0:32:43 | |
Thank you. Thank you. | 0:32:43 | 0:32:45 | |
I'm very pleased with that, Karen. That's very kind. Good. There's the 20. Perfect. And the one. Thank you. | 0:32:45 | 0:32:51 | |
Thank you very much indeed, Karen. Bye. Bye-bye. | 0:32:51 | 0:32:55 | |
Cor, he doesn't hang about, that James Braxton, does he?! | 0:32:55 | 0:32:58 | |
The boys are reunited once more and keeping those road trip wheels a-moving. | 0:33:02 | 0:33:07 | |
Before he starts his shopping though, James Braxton is giving James Lewis a much-needed head start | 0:33:08 | 0:33:13 | |
by dropping him off in Chipping Norton. | 0:33:13 | 0:33:16 | |
Cheers. Bye. | 0:33:16 | 0:33:18 | |
James is having a mooch in the very modern sounding CoCa, | 0:33:18 | 0:33:22 | |
run by John Cooper. | 0:33:22 | 0:33:25 | |
That's a completely weird object, isn't it? | 0:33:25 | 0:33:28 | |
Can you imagine James Braxton's face if I bought that? Go on, I dare you! | 0:33:28 | 0:33:33 | |
What do you think it is then? | 0:33:33 | 0:33:35 | |
I think... I think it's Japanese. | 0:33:35 | 0:33:38 | |
And this section is carved out of a nut. | 0:33:39 | 0:33:43 | |
The parasol, the face and the cane, I think, are bone. Yeah. | 0:33:43 | 0:33:47 | |
Or the tongue might be stained ivory, but more than likely, probably bone. Right. | 0:33:47 | 0:33:52 | |
And I think it's probably a figure from a Japanese comedy, about 1900, 1910. What can that be? | 0:33:52 | 0:33:59 | |
15? | 0:34:01 | 0:34:03 | |
I'll have to make you a cheeky offer of a fiver. A tenner and it's yours. | 0:34:03 | 0:34:07 | |
Eight and you've got a deal. | 0:34:08 | 0:34:11 | |
Only because it's totally stupid. Go on then. | 0:34:11 | 0:34:15 | |
?8, you've got a deal. Thank you. | 0:34:15 | 0:34:17 | |
Back in the Beetle, James Braxton has driven to Gaydon in Warwickshire to take a much-needed pit stop. | 0:34:22 | 0:34:28 | |
With a bit of time to spare, James has come to the Heritage Motor Centre near Banbury, | 0:34:32 | 0:34:37 | |
home to the world's largest collection of historic British cars. | 0:34:37 | 0:34:41 | |
And he's driving a VW Beetle! Has the man no shame? | 0:34:44 | 0:34:49 | |
Hopefully, curator Tim Bryan will forgive him. | 0:34:49 | 0:34:53 | |
Hello. Hello, James. Welcome to the Heritage Motor Centre. What an amazing place! | 0:34:54 | 0:34:59 | |
All British cars here? Yes, everything in the museum is built in this country, | 0:34:59 | 0:35:05 | |
right from the 1890s up to the present. | 0:35:05 | 0:35:08 | |
I'm rather ashamed to tell you I've come up in the VW, our German cousins. | 0:35:08 | 0:35:12 | |
The Germans have had quite a lot to do with our industry over the last few years, | 0:35:12 | 0:35:17 | |
so I'm sure that's a good connection. | 0:35:17 | 0:35:20 | |
In the 1970s, the newly formed British Leyland company sorted out | 0:35:20 | 0:35:25 | |
all the old motors it had in storage, turning up vintage vehicles of all shapes and sizes | 0:35:25 | 0:35:31 | |
from the Mini to the Land Rover, Rolls-Royce to the Aston Martin. | 0:35:31 | 0:35:35 | |
Although the collection focuses on iconic British brands, | 0:35:35 | 0:35:39 | |
the motor industry first began in the home of James's VW. | 0:35:39 | 0:35:44 | |
This is where the story starts. You mentioned German cars. | 0:35:44 | 0:35:48 | |
This is a replica of a German car. | 0:35:48 | 0:35:50 | |
This is a replica of the first Benz car, built back in 1886. | 0:35:50 | 0:35:55 | |
It looks like a trap, like a horse and trap, doesn't it? It is. | 0:35:55 | 0:35:59 | |
In 1886, Otto Benz, when he built this car, it was based, I guess, on the technology of the time, | 0:35:59 | 0:36:05 | |
so a bit of horse-drawn technology and also a bit of bike technology. | 0:36:05 | 0:36:10 | |
The wheels look very much like a bicycle tyre. They do, don't they? | 0:36:10 | 0:36:14 | |
What is this? These are solid rubber tyres. | 0:36:14 | 0:36:17 | |
But it's got hardly any features you'd recognise. | 0:36:17 | 0:36:20 | |
The steering, of course, is a tiller, so if you want to move it, you can do that. | 0:36:20 | 0:36:26 | |
And of course, there's no boot, there's no windscreen. | 0:36:26 | 0:36:30 | |
But it can only do about nine miles an hour, so it was very primitive. | 0:36:30 | 0:36:34 | |
The story I love to tell is it's said that Mrs Benz actually drove it first, rather than Mr Benz. | 0:36:34 | 0:36:40 | |
Mr Benz had to run along behind with his toolbox to make sure it didn't break down. | 0:36:40 | 0:36:45 | |
A bit like some of our classic cars on the Road Trip then! | 0:36:45 | 0:36:50 | |
Ah, Mr Bond, I've been expecting you. | 0:36:52 | 0:36:56 | |
The James Bond fans will, of course, recognise the V12 Vanquish from Die Another Day. | 0:36:56 | 0:37:02 | |
Die Another Day. Yes. | 0:37:02 | 0:37:04 | |
Was that on the ice with the Jaguar? That's right, yes. | 0:37:04 | 0:37:09 | |
Again, a fantastic bit of technology. You have to have deep pockets | 0:37:09 | 0:37:13 | |
to own and run one, but really the flagship of the Aston Martin fleet. | 0:37:13 | 0:37:18 | |
As far as many people are concerned, this is one of the iconic British cars, so it's great to have it here. | 0:37:18 | 0:37:24 | |
No longer in production, the V12 Vanquish would have set you back around ?160,000 | 0:37:24 | 0:37:30 | |
and that's without an ejector seat! | 0:37:30 | 0:37:33 | |
One of the things I think that this place is really successful at | 0:37:33 | 0:37:37 | |
is getting people to think about and look at their memories of cars, | 0:37:37 | 0:37:41 | |
so people think, "My dad had one of those cars," | 0:37:41 | 0:37:44 | |
or, "We went on holiday in that sort of car," or, "That was my first car." | 0:37:44 | 0:37:48 | |
A real trip down memory lane and the best of British all under one roof. | 0:37:48 | 0:37:51 | |
And with that, it's time for our special agent James Braxton | 0:37:51 | 0:37:55 | |
to get back in his classic car and on the road. | 0:37:55 | 0:37:59 | |
Oh, less 007, more... | 0:37:59 | 0:38:01 | |
Herbie Goes Bananas? | 0:38:01 | 0:38:03 | |
Time now for James to head down to Deddington to continue his shopping. | 0:38:05 | 0:38:11 | |
His final shop of the day is the Deddington Antiques Centre, run by dealer Brenda Haller. | 0:38:11 | 0:38:17 | |
It's got a bit of weight to it. | 0:38:17 | 0:38:19 | |
Good. Brenda's shop is famous for the Deddington Duck. | 0:38:19 | 0:38:23 | |
Not an ornament, but a move. | 0:38:23 | 0:38:25 | |
Duck! | 0:38:25 | 0:38:27 | |
Too late! | 0:38:27 | 0:38:29 | |
Slightly concussed, James spots a rather curious curio. | 0:38:29 | 0:38:33 | |
A bombilla. Is that what it is? Yeah. It's for tea. | 0:38:33 | 0:38:37 | |
Ah! So it's a South American thing. | 0:38:37 | 0:38:41 | |
And this is a gourd. Yeah. | 0:38:41 | 0:38:43 | |
You put your leaves or whatever and the water in there. | 0:38:43 | 0:38:46 | |
Because it was all pretty messy stuff, you drink through the straw. How amazing! | 0:38:46 | 0:38:51 | |
That might be a possibility, Brenda. Let's hold it out. Let's keep it out. | 0:38:51 | 0:38:56 | |
Next up, James has his eye on a white metal bowl which Brenda thinks is an ashtray. | 0:38:56 | 0:39:01 | |
Yeah, that's one that slots on, you know, when they had a table at the side? | 0:39:01 | 0:39:06 | |
Oh, I see. You'd slot that one on to a piece of wood. | 0:39:06 | 0:39:10 | |
It's got dragons on it, has it? Dragons, yeah. | 0:39:10 | 0:39:14 | |
If you saw that, you would think Chinese, | 0:39:14 | 0:39:17 | |
then you turn it over and you've got the Arabic script. Isn't that interesting? | 0:39:17 | 0:39:23 | |
Leave it out. You held it more than 2 seconds, so you're interested. You're reading me, you see! | 0:39:23 | 0:39:28 | |
You crafty dealers. | 0:39:28 | 0:39:30 | |
He seems to be starting a collection of possible maybes. | 0:39:30 | 0:39:35 | |
There's a piece of Japanese silver there. Could have been a tea bowl, trinket bowl, sake bowl. | 0:39:35 | 0:39:41 | |
Who knows? Yeah. Nice price at ?22, but they don't seem to know what it is. | 0:39:41 | 0:39:46 | |
I reckon it could be a rice bowl lid. Well, it is if you hold it the right way up, James. | 0:39:46 | 0:39:52 | |
But he's not done yet. He's turning into a bit of a magpie today. | 0:39:52 | 0:39:57 | |
Oh, that's a good weight. It's not silver. Silver plate. Any other redeeming features? | 0:39:57 | 0:40:03 | |
It's nice and heavy. Walker and Hall. Can't get better than that. | 0:40:03 | 0:40:07 | |
And actually it's a perfect thing for you to put your goodies on. It is, isn't it? | 0:40:07 | 0:40:13 | |
Let's have a look what it looks like. Put it on there. Very good. | 0:40:13 | 0:40:18 | |
Fantastic. Sets them off, doesn't it? | 0:40:18 | 0:40:21 | |
James has selected the gourd jobby at ?68, the white metal bowl at ?78, | 0:40:21 | 0:40:27 | |
the silver lid at ?22 and the tray at ?38. | 0:40:27 | 0:40:31 | |
A grand total of ?206. How's he going to manage that when he's only got ?120.84 left to spend. | 0:40:31 | 0:40:38 | |
I see the package at ?100. You do? | 0:40:38 | 0:40:42 | |
Is that...? This is a one-off deal. One-off. | 0:40:42 | 0:40:46 | |
I don't do this for anybody else, but because you're so lovely... You're too kind. | 0:40:46 | 0:40:52 | |
..I will do it. I want you to win. Good. Thank you. | 0:40:52 | 0:40:55 | |
Obviously the Jack Nicholson approach goes down rather well. | 0:40:55 | 0:41:00 | |
Good on you, James. Thank you very much. In the till! | 0:41:00 | 0:41:04 | |
A selection of items at half price. That's as good as it gets. Well done, Jack. I mean, James. | 0:41:06 | 0:41:12 | |
James Lewis has travelled on to complete his shopping in Yarnton. | 0:41:15 | 0:41:19 | |
James is casting his eagle eye around Yarnton Antiques Centre, | 0:41:23 | 0:41:26 | |
and looks like he's found something. | 0:41:26 | 0:41:28 | |
The great thing about these little tins was that there were Jacobs Biscuits | 0:41:30 | 0:41:36 | |
and other makers who were designing these novelty tins just to help try to sell their biscuits. | 0:41:36 | 0:41:43 | |
I suppose from about 1900 to the 1930s. | 0:41:43 | 0:41:46 | |
And they're now really sought after. | 0:41:46 | 0:41:50 | |
But one thing that is so important is condition. | 0:41:50 | 0:41:54 | |
And there's a hole there for some reason. Could that be a tenner? | 0:41:54 | 0:41:58 | |
It might be worth a go. | 0:41:58 | 0:42:01 | |
The price tag of the biscuit tin is ?18. | 0:42:01 | 0:42:04 | |
The shop owner calls the dealer with a cheeky offer from James. | 0:42:04 | 0:42:09 | |
A tenner. Is that any good to you? Please. Yeah? | 0:42:09 | 0:42:13 | |
Star! OK, thank you very much. Bye-bye. | 0:42:13 | 0:42:16 | |
You have a sale. Yay! It was worth a go. Finally. | 0:42:16 | 0:42:21 | |
Brilliant. OK, well, that's one. And once he's started, there's no stopping him. | 0:42:21 | 0:42:27 | |
Next on his shopping list is a 19th-century Regency ormolu pocket watch stand, | 0:42:27 | 0:42:33 | |
circa 1825. | 0:42:33 | 0:42:35 | |
Looks nice. Could you offer 20 for me? I'll try for you. | 0:42:35 | 0:42:40 | |
Shortly followed by a string of ivory beads for ?30. | 0:42:40 | 0:42:45 | |
It's legal to buy and sell items that were made of ivory before 1947. | 0:42:45 | 0:42:50 | |
So, James, what to do? | 0:42:50 | 0:42:52 | |
15? 15. Just give it a go. See what happens. Right, OK. Thank you very much. | 0:42:53 | 0:42:59 | |
What would be your absolute best? Whilst Mia phones the dealer, James gets back into the cabinets | 0:42:59 | 0:43:05 | |
just in case he's missed something. | 0:43:05 | 0:43:08 | |
As it's you, yes, she'll go 20 on the stand and 15 on the ivory. Brilliant. | 0:43:08 | 0:43:13 | |
OK? That's a deal. Thank you. | 0:43:13 | 0:43:16 | |
He really is on a roll now. | 0:43:16 | 0:43:18 | |
The little pig that says, "Scratch me," on it. A bacon roll! | 0:43:18 | 0:43:23 | |
There you go. Thank you. Oh, that's funny. | 0:43:23 | 0:43:27 | |
It would have had a bit of sandpaper or something there, do you think? | 0:43:27 | 0:43:32 | |
Not necessarily if the box slid in. You'd have the striker on the box. | 0:43:33 | 0:43:38 | |
On the side... | 0:43:38 | 0:43:39 | |
At ?9, the Victorian brass match case is a cute novelty item, | 0:43:39 | 0:43:43 | |
but he's not committing just yet, not when he's just spotted a tortoiseshell and bone trousse, | 0:43:43 | 0:43:49 | |
the Chinese equivalent of a Swiss Army penknife, at ?55. | 0:43:49 | 0:43:54 | |
It's a knife, a pair of chopsticks and a little bone implement for digging bits out of places. | 0:43:54 | 0:44:01 | |
Tortoiseshell is now covered by the same laws that protect ivory, | 0:44:01 | 0:44:05 | |
but because the trousse pre-dates 1947, it's legal to trade. | 0:44:05 | 0:44:10 | |
25. Just see. ..You've got 55. He's offering 25. | 0:44:10 | 0:44:15 | |
Another cheeky offer gets a cheeky response. | 0:44:15 | 0:44:18 | |
I won't say what she called you. She says for 30 you can have it. She can't go down to 25. | 0:44:20 | 0:44:26 | |
Go on, James. What's an extra fiver when you've still got ?190 to spend? | 0:44:26 | 0:44:32 | |
Don't be tight. Deal. | 0:44:32 | 0:44:34 | |
Thank you. Thanks very much. OK. | 0:44:34 | 0:44:38 | |
So James has lucked out in his last shop. That's the biscuit tin for ?10, | 0:44:38 | 0:44:43 | |
the pocket watch stand for ?20, the ivory beads for ?15 | 0:44:43 | 0:44:47 | |
and the oriental trousse for ?30. | 0:44:47 | 0:44:50 | |
How much do I owe you? 75, please. | 0:44:50 | 0:44:53 | |
And with one last throw of the dice he takes a ?9 gamble on the pig matchbox holder. | 0:44:53 | 0:44:58 | |
I like buying small things. Good luck with that. Thank you. | 0:44:58 | 0:45:04 | |
Both our chaps are well and truly shopped out, | 0:45:04 | 0:45:07 | |
so let's have a catch-up of what they've spent their money on. | 0:45:07 | 0:45:11 | |
James Lewis started with ?268.34 and dished out | 0:45:13 | 0:45:17 | |
?117 on six auction lots. | 0:45:17 | 0:45:21 | |
The 18th century sugar basket, | 0:45:21 | 0:45:23 | |
the Japanese novelty figure coupled with the 19th century | 0:45:23 | 0:45:27 | |
Oriental trousse. | 0:45:27 | 0:45:29 | |
The novelty biscuit tin, the ivory beads, | 0:45:29 | 0:45:32 | |
the 19th century pocket watch stand, | 0:45:32 | 0:45:34 | |
and who could forget the Victorian pig match case? | 0:45:34 | 0:45:38 | |
James Braxton began with ?186.84 | 0:45:41 | 0:45:45 | |
and splurged a total of ?166, also on six lots. | 0:45:45 | 0:45:48 | |
The Royal Worcester candle snuffer, | 0:45:48 | 0:45:51 | |
the 1950s child's tea set, | 0:45:51 | 0:45:54 | |
the silver bracelet, | 0:45:54 | 0:45:56 | |
the bombilla and white metal bowl as a duo, | 0:45:56 | 0:46:00 | |
the Japanese miniature rice bowl | 0:46:00 | 0:46:02 | |
and the Walker and Hall plated tray. | 0:46:02 | 0:46:05 | |
Come on, spill the beans. | 0:46:05 | 0:46:07 | |
What do they really think of one another's chances? | 0:46:07 | 0:46:10 | |
Without question, my favourite thing is the gourd. Is there a great profit? Probably not. | 0:46:10 | 0:46:16 | |
There might be a few pounds in it. He hasn't seen the thing to lure his hand deep inside his pocket. | 0:46:16 | 0:46:24 | |
It's been very shallow diving in Mr Lewis' pocket thus far. | 0:46:24 | 0:46:28 | |
Miaow! Saucer of milk for James Braxton. | 0:46:28 | 0:46:31 | |
From Yarnton, it's now on to auction in Swindon. | 0:46:31 | 0:46:37 | |
Our boys are battling it out at Kidson Trigg Auction House, a family business, | 0:46:40 | 0:46:45 | |
that not only serves the local buyers, but internet bidders from around the world. | 0:46:45 | 0:46:51 | |
Mark Anderson is the auctioneer taking to the rostrum. | 0:46:51 | 0:46:54 | |
Nice. | 0:46:54 | 0:46:56 | |
First for James Braxton is the Royal Worcester owl candle snuffer and the Staffordshire dog. | 0:46:56 | 0:47:03 | |
Quite a humorous pair. Yeah. | 0:47:03 | 0:47:05 | |
?20 anywhere? ?20 to start me? | 0:47:05 | 0:47:07 | |
10 to get on, surely. 10. | 0:47:07 | 0:47:10 | |
?10 bid. 15 where? At 15. At 15. | 0:47:10 | 0:47:13 | |
You're out in front, madam. ?20. 5 again. 25. 25. | 0:47:13 | 0:47:17 | |
30 would you like? ?30 bid. 35. 35. 35. Would you like 40? | 0:47:17 | 0:47:22 | |
At ?40. ?40. | 0:47:22 | 0:47:24 | |
With the lady at the front at 40. One more? No more. At 40. All done? | 0:47:24 | 0:47:29 | |
Any further calls? Selling then at ?40. | 0:47:29 | 0:47:32 | |
Well done. A small profit, isn't it? | 0:47:32 | 0:47:37 | |
Any smaller and it would be a loss! A lucky escape, James Braxton. | 0:47:37 | 0:47:42 | |
Time to lift the lid on James Lewis' first item, the novelty biscuit tin. | 0:47:42 | 0:47:47 | |
I had confidence in this. And this was bought for ?50? 10. | 0:47:47 | 0:47:51 | |
In good condition these make ?80. | 0:47:51 | 0:47:54 | |
How much for one in bad condition? | 0:47:54 | 0:47:56 | |
Oh, thanks(!) He's killed that. | 0:47:56 | 0:47:59 | |
?20? Surely worth that. ?10 anyone? | 0:47:59 | 0:48:02 | |
Thank you. I'm started at ?10. At 10. 15? | 0:48:02 | 0:48:06 | |
20 would you like? At ?20. ?20 here with the lady. | 0:48:06 | 0:48:10 | |
At ?20. ?20. Have we any further calls? | 0:48:10 | 0:48:14 | |
?20 is all I have for this? He's unlikely to get any more, is he? | 0:48:14 | 0:48:19 | |
Crumbs. I'm sensing a bit of tension here as James only doubles his money. He's going crackers. | 0:48:19 | 0:48:26 | |
It was worn, James. A bit worn. It was worn. | 0:48:26 | 0:48:30 | |
Next, James Braxton's children's tea set. | 0:48:31 | 0:48:36 | |
I paid ?10 for this. Don't tell anyone. | 0:48:36 | 0:48:39 | |
?10 to get on for this. No interest at ?10? | 0:48:39 | 0:48:43 | |
Surely there's somebody out there. Buy it for somebody you don't like. | 0:48:43 | 0:48:48 | |
How about a fiver, then? ?5 at the back of the room. 10. | 0:48:48 | 0:48:52 | |
15. At 15. Shakes his head. At ?15 at the back of the room. | 0:48:52 | 0:48:56 | |
I will sell, make no mistake. If there's no further calls... | 0:48:56 | 0:49:00 | |
At ?15, then. All done? | 0:49:00 | 0:49:03 | |
?30-?40 estimate. It was so exciting, wasn't it? | 0:49:04 | 0:49:09 | |
?15. Tiny. | 0:49:09 | 0:49:11 | |
But it's still a profit. Just. | 0:49:11 | 0:49:14 | |
Next, James Lewis' lot is the string of ivory beads. | 0:49:14 | 0:49:19 | |
They're useful for restoration. | 0:49:19 | 0:49:22 | |
I'm no ivory fan. Who'll start me on those, then? | 0:49:22 | 0:49:26 | |
?20 to start me, surely. ?20? | 0:49:26 | 0:49:30 | |
?20 I'm bid. At 20. 25. | 0:49:30 | 0:49:32 | |
At 30. At 35. | 0:49:32 | 0:49:35 | |
40. At 45. | 0:49:35 | 0:49:38 | |
Shakes his head. At ?45 on the right-hand side. | 0:49:38 | 0:49:42 | |
At ?45 in the room. All out at home? | 0:49:42 | 0:49:45 | |
I'm selling at 45 if there's no advance. At 45. | 0:49:45 | 0:49:49 | |
45. Well done. That's 30 quid. | 0:49:49 | 0:49:53 | |
James is slowly, but surely creeping ahead with another healthy profit. | 0:49:53 | 0:49:57 | |
James Braxton's next lot is the modern silver bracelet. | 0:49:57 | 0:50:01 | |
Let's hope it gives him the profit he so desperately needs. | 0:50:01 | 0:50:05 | |
It's pretty, isn't it? It is. Who's got ?20 for the chain? ?20? | 0:50:05 | 0:50:10 | |
Come on. | 0:50:10 | 0:50:12 | |
?20? 10, then, to get on, surely. ?10 at the back. | 0:50:12 | 0:50:16 | |
We've started. ?10 the bid. Who's got 15? | 0:50:16 | 0:50:19 | |
?15 for the hand over there. Good. 15. | 0:50:19 | 0:50:23 | |
He shakes his head. He's out. At 15 on the left. | 0:50:23 | 0:50:26 | |
Are there any further calls? Done and finished? Fair warming at home. | 0:50:26 | 0:50:31 | |
Sold for 15. Not a lot of internet action on my lots. A loss. | 0:50:31 | 0:50:36 | |
A loss. | 0:50:36 | 0:50:38 | |
It's just not James Braxton's day, is it? | 0:50:38 | 0:50:42 | |
Next, it's the 19th-century ormolu pocket watch stand for James Lewis. Oh, here we are. | 0:50:42 | 0:50:48 | |
Who's going to start me off at ?30? Surely got to be worth that. 30? | 0:50:48 | 0:50:53 | |
20 to get on? 20? ?20 I'm bid, thank you. 5. 25. | 0:50:53 | 0:50:57 | |
25. ?30. 5, surely. | 0:50:57 | 0:51:00 | |
At ?30. That's all I have for this. | 0:51:00 | 0:51:03 | |
At 30. In the room at ?30. 35? | 0:51:03 | 0:51:07 | |
Are you bidding against each other? No! You want to watch doing that. | 0:51:07 | 0:51:11 | |
Go on! Do bid against each other! | 0:51:11 | 0:51:13 | |
Go on! Bid against! | 0:51:13 | 0:51:16 | |
At 30. For the last time. If there's no advance, I will sell at ?30. Back of the room! 35. | 0:51:16 | 0:51:22 | |
Your turn to go again, sir. 40. | 0:51:22 | 0:51:25 | |
45, thank you. 45. | 0:51:25 | 0:51:27 | |
Are you sure? At 45. 45. | 0:51:27 | 0:51:30 | |
One more? Maybe? At 45 at the back of the room. I've tried for you. | 0:51:30 | 0:51:34 | |
What can I do? ?45. I'm selling. | 0:51:34 | 0:51:37 | |
A timely profit. Maybe the other James could do with the husband and wife bidding on his items! | 0:51:37 | 0:51:43 | |
I was more amused by the husband and wife bidding against each other. | 0:51:43 | 0:51:49 | |
That's all right. Double money. | 0:51:49 | 0:51:51 | |
Next for James Braxton is the oriental silver lid he bought as part of a job lot. | 0:51:51 | 0:51:57 | |
Your little silver bowl. Who's got ?20? | 0:51:57 | 0:52:01 | |
?20, surely. Who's got ?20? ?10? | 0:52:01 | 0:52:04 | |
?10 for the hand at the back. Who'd like 15 here? 15. | 0:52:04 | 0:52:09 | |
Would you go again? ?15 on the left-hand side. | 0:52:09 | 0:52:13 | |
At 15. At 15. For the last time. 20 to the 'net. | 0:52:13 | 0:52:17 | |
At ?20. Do you want to go again. Shakes his head. ?20 to the internet. | 0:52:17 | 0:52:22 | |
?20. Selling then at 20. | 0:52:22 | 0:52:26 | |
20. That's not good, is it? No. | 0:52:26 | 0:52:30 | |
If you want to go home now, James, it's fine. We'll hold the fort. | 0:52:30 | 0:52:36 | |
Strike a light! It's the Victorian match case, but will it spark any interest? | 0:52:36 | 0:52:41 | |
?10 note to get on? ?10 to start this one? Thank you. The lady's there at 10. | 0:52:41 | 0:52:47 | |
?10. You're away. ?15. 20 again? | 0:52:47 | 0:52:50 | |
Yes, ?20 I'm bid. At 20. | 0:52:50 | 0:52:52 | |
5 again to the internet bidder. | 0:52:52 | 0:52:55 | |
At 25. Want to go again, madam? | 0:52:55 | 0:52:58 | |
Out at the front, then. At home at ?25. | 0:52:58 | 0:53:02 | |
All done and finished? 30. | 0:53:02 | 0:53:04 | |
?30. ?30. | 0:53:04 | 0:53:07 | |
Fair warning at home. Selling to the internet at ?30. | 0:53:07 | 0:53:11 | |
Done. At ?30. That's not bad. 30. Brilliant. Pleased with that. | 0:53:11 | 0:53:16 | |
So you should be. A great mark-up. James is as happy as a pig in... | 0:53:16 | 0:53:22 | |
profit. | 0:53:22 | 0:53:24 | |
Goodness, gracious! Time for James Braxton's next item. | 0:53:24 | 0:53:29 | |
A gourd, elevated to artistic status. It's a gourd lot! It is. | 0:53:29 | 0:53:33 | |
Look, I do the gags. And it comes with a Chinese bowl. | 0:53:33 | 0:53:38 | |
Yeah, OK. | 0:53:38 | 0:53:39 | |
Start me off. Who's got 40? ?40? | 0:53:39 | 0:53:42 | |
40. Who's got 20, then, to get on? | 0:53:42 | 0:53:45 | |
?20? It's got to be worth that. ?20 anywhere? | 0:53:45 | 0:53:49 | |
Interesting lot. ?20 at the back. ?20 bid. Who's got 5? | 0:53:49 | 0:53:52 | |
At 20. At 20. Come on! It's worth more! | 0:53:52 | 0:53:56 | |
Should be worth more than that. I rated it more like 60 or 70. | 0:53:56 | 0:54:00 | |
Definitely! Come on. At ?20. At 20. At 20. | 0:54:00 | 0:54:05 | |
5 anywhere else? It's the young gentleman at the back. | 0:54:05 | 0:54:09 | |
If there's no further calls, I have instructions to sell. Oh, no! | 0:54:09 | 0:54:13 | |
You're all out except for the young gentleman? Selling at ?20. | 0:54:13 | 0:54:18 | |
Ouch! That was rather disappointing. I'll say! A loss of ?35 would wipe the smile from anyone's face. | 0:54:18 | 0:54:25 | |
Bad luck, Brackers, old boy. | 0:54:25 | 0:54:28 | |
The next lot has caused a little controversy. | 0:54:29 | 0:54:33 | |
It's the Irish silver sugar basket. Or is it? | 0:54:33 | 0:54:38 | |
Here's the basket. Irish silver. Or I'm hoping is Irish silver. | 0:54:38 | 0:54:42 | |
We have a difference of opinion, myself and James, on this one. | 0:54:42 | 0:54:48 | |
I believe it's silver-plated, James believes it's silver. We are selling it as white metal. | 0:54:48 | 0:54:55 | |
He thinks it's silver plate because it's not marked. Who's going to start me off? | 0:54:55 | 0:55:01 | |
?50 to get on? ?50 for it? ?50? | 0:55:01 | 0:55:05 | |
Surely it's got to be worth that. They've written "silver metal". | 0:55:05 | 0:55:09 | |
55 anywhere else? 55. 60. 60 in the room. | 0:55:09 | 0:55:13 | |
Out at home at ?60. At ?60. | 0:55:13 | 0:55:16 | |
It wouldn't make that if it was silver plate. They have written silver, though. | 0:55:16 | 0:55:22 | |
Against you at home. At ?70. ?70. | 0:55:22 | 0:55:25 | |
Is there 5 anywhere else? I'd like a bit more, please. At ?70. | 0:55:25 | 0:55:30 | |
Finished at home. Anyone else? At ?70. 5 in the corner. 75. 80. 85. | 0:55:30 | 0:55:37 | |
90. Starting to roll now. 95. ?100. Would you like 10, madam? | 0:55:37 | 0:55:42 | |
110. Shakes his head. | 0:55:42 | 0:55:44 | |
That's because it's silver! | 0:55:44 | 0:55:47 | |
Want to go again? You sure? 110. | 0:55:47 | 0:55:50 | |
Go on. All out at home. At 110. I'm selling if there's no advance to the lady at ?110. | 0:55:50 | 0:55:56 | |
Good. Well done. | 0:55:57 | 0:55:59 | |
That's double your money. Well, whatever its silver pedigree, the bidders love the sugar basket. | 0:55:59 | 0:56:06 | |
Sweet. Next, it's James Braxton's final lot, the Walker and Hall tray. | 0:56:06 | 0:56:11 | |
Quite a lot of wear on it. | 0:56:11 | 0:56:14 | |
Is there ?10 to get on for this? ?10, surely. | 0:56:14 | 0:56:17 | |
Who's got a fiver for it? ?5 to get started. In the middle. | 0:56:17 | 0:56:23 | |
At 5. At 8. Go on! At 8. | 0:56:23 | 0:56:27 | |
We've 10 on the net. Going crazy! | 0:56:27 | 0:56:30 | |
At ?15, the lady on the left. At ?15 then, all done? If there's no advances, I will sell. At 15. | 0:56:30 | 0:56:36 | |
That's yours, madam. 318. Thank you very much. | 0:56:38 | 0:56:41 | |
Oh, James. Oh, James, indeed! It's been a bad day for James Braxton. | 0:56:41 | 0:56:46 | |
So much so, they've gone all mute. Both of them. | 0:56:46 | 0:56:50 | |
James Lewis' last lot is the Kobe Japanese novelty and the oriental trousse. | 0:56:51 | 0:56:57 | |
Who's going to start me off? 40? | 0:56:57 | 0:57:00 | |
?40, thank you. At ?40. 45. 50. | 0:57:00 | 0:57:04 | |
55? 55 on the left-hand side. At 55. | 0:57:04 | 0:57:07 | |
55. 55. 60. 65. | 0:57:07 | 0:57:10 | |
It's all around us. 75. 80. | 0:57:10 | 0:57:13 | |
?80 there. 80. At 80. | 0:57:13 | 0:57:17 | |
At 80. At 80. At 80. Are we done? | 0:57:17 | 0:57:19 | |
Are we finished? All out at home? | 0:57:19 | 0:57:21 | |
The hammer's up at 80. | 0:57:21 | 0:57:23 | |
Well done. Good. | 0:57:25 | 0:57:27 | |
A final flourish for James Lewis and another tidy profit to end with. | 0:57:27 | 0:57:32 | |
You should be smothering that auctioneer in kisses. | 0:57:32 | 0:57:38 | |
James Braxton started this leg with ?186.84 | 0:57:41 | 0:57:44 | |
and after auction costs he's made a loss of ?63.50, | 0:57:44 | 0:57:48 | |
sending him through to the next round with ?123.34. | 0:57:48 | 0:57:52 | |
James Lewis started with ?268.34 | 0:57:56 | 0:58:01 | |
and after auction costs he's made a profit of ?153.60, | 0:58:01 | 0:58:05 | |
taking his total to ?421.94 | 0:58:05 | 0:58:08 | |
and claiming his second victory in a row. | 0:58:08 | 0:58:12 | |
I think I'll drive, James. | 0:58:16 | 0:58:19 | |
It will keep my mind off the obvious disappointment. | 0:58:19 | 0:58:24 | |
Oh, this seat's wet! | 0:58:25 | 0:58:28 | |
Oh, dear. Now come on, boys, cheer up. It's still all to play for. | 0:58:28 | 0:58:33 | |
On to the next. On to the next. | 0:58:33 | 0:58:36 |