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It's the nation's favourite antiques experts with £200 each... | 0:00:02 | 0:00:05 | |
I love that! | 0:00:05 | 0:00:06 | |
..a classic car and a goal, to scour Britain for antiques. | 0:00:06 | 0:00:11 | |
-Yippee! -Sometimes a man is in need. | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:21 | |
Knobbly knick-knacks. | 0:00:21 | 0:00:23 | |
So will it be the high road to glory, or the slow road to disaster? | 0:00:23 | 0:00:27 | |
It landed on the rug! | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:32 | |
Yeah! | 0:00:33 | 0:00:34 | |
On this Road Trip, | 0:00:37 | 0:00:38 | |
two princely Charlies are vying to take the throne. | 0:00:38 | 0:00:41 | |
Charlie Ross is a silver-tongued auctioneer whose decades in the biz | 0:00:41 | 0:00:45 | |
have sharpened his cunning and gilded his charm. | 0:00:45 | 0:00:47 | |
-Ooh! -Sealed with a kiss! | 0:00:48 | 0:00:51 | |
His rival, Charles Hanson, may look barely out of shorts, | 0:00:51 | 0:00:55 | |
but he's a serious auctioneering nut | 0:00:55 | 0:00:59 | |
with a wit that's bang on. | 0:00:59 | 0:01:01 | |
-I'm feeling quite explosive now. -LAUGHTER | 0:01:01 | 0:01:04 | |
Both our proper Charlies started with £200. | 0:01:04 | 0:01:09 | |
The venerable Charlie Ross has now managed to swell his coffers | 0:01:09 | 0:01:12 | |
to a respectable £246 exactly. | 0:01:12 | 0:01:15 | |
Cheer up, old boy. | 0:01:15 | 0:01:16 | |
While the young pretender, Charles Hanson, | 0:01:18 | 0:01:20 | |
is nipping at his opponent's heels with riches totalling £239.50. | 0:01:20 | 0:01:25 | |
They're cruising today in a sleek Winnings Wagon, | 0:01:27 | 0:01:31 | |
the 1971 Triumph TR6. | 0:01:31 | 0:01:34 | |
Carlos and Charlie will cover about 500 miles, | 0:01:34 | 0:01:37 | |
sailing through the heartlands of England from Tarporley in Cheshire | 0:01:37 | 0:01:40 | |
to Itchen Stoke near Winchester in Hampshire. | 0:01:40 | 0:01:43 | |
Today, they begin in Bridgnorth, Shropshire, | 0:01:45 | 0:01:48 | |
with noses pointed firmly towards their auction | 0:01:48 | 0:01:51 | |
in Ledbury, Herefordshire.' | 0:01:51 | 0:01:53 | |
The town of Bridgnorth stretches attractively along the River Severn. | 0:01:56 | 0:01:59 | |
It's here that Carlos is dropping Charlie off | 0:01:59 | 0:02:02 | |
at his first shop of the day, the Bridgnorth Antique Centre. | 0:02:02 | 0:02:06 | |
-I'm Charlie. -Hello, Charlie. I'm Lynn. -Lovely to meet you. | 0:02:06 | 0:02:10 | |
Look out Lynn! This morning, he's got a strategy. | 0:02:10 | 0:02:13 | |
I'm looking for something quirky, something...different. | 0:02:13 | 0:02:18 | |
Go for it, then! | 0:02:18 | 0:02:20 | |
-You can have a look at the vicar's chastity belt. -I beg your pardon! | 0:02:20 | 0:02:24 | |
-The vicar's got a chastity belt somewhere. -The vicar has a chastity belt? -Yes. | 0:02:24 | 0:02:28 | |
He owns this little section here, the vicar. | 0:02:28 | 0:02:30 | |
Sounds like the beginning of a limerick! | 0:02:30 | 0:02:33 | |
"Victorian copy of a medieval chastity belt." | 0:02:33 | 0:02:35 | |
-He's going to demonstrate it. -I do hope not! | 0:02:36 | 0:02:38 | |
-Does the vicar get in that? -He can. He's skinny. | 0:02:40 | 0:02:44 | |
Oh, yeah. Well, the less said about that, the better. | 0:02:44 | 0:02:47 | |
Plenty of things in here have caught Charlie's eye, | 0:02:47 | 0:02:50 | |
but none of them quite right for the auction, so he's heading off to his next shop. | 0:02:50 | 0:02:54 | |
Meanwhile, Carlos has driven 14 miles onwards | 0:02:56 | 0:02:58 | |
to Kidderminster, Worcestershire. | 0:02:59 | 0:03:01 | |
This statue outside Kidderminster's fine Town Hall | 0:03:02 | 0:03:05 | |
pays tribute to one of her most celebrated sons, Rowland Hill, | 0:03:05 | 0:03:10 | |
postal reformer and inventor of the first postage stamp. Mm. | 0:03:10 | 0:03:13 | |
Carlos is ambling off into the spookily named shop Marley's Ghost, | 0:03:15 | 0:03:19 | |
where he's meeting Bill. | 0:03:19 | 0:03:21 | |
-Good morning, sir. -Oh, good morning. | 0:03:21 | 0:03:24 | |
-Interesting box here, Bill, isn't it? -Yeah. | 0:03:27 | 0:03:30 | |
Sharp, aren't they? It is a box! | 0:03:30 | 0:03:32 | |
Oak, leather and canvas for ammunition, probably dating from World War I. | 0:03:32 | 0:03:37 | |
-How much is that, Bill? -About eight quid. | 0:03:37 | 0:03:40 | |
I love how we've got the canvas still lining... | 0:03:40 | 0:03:44 | |
What's the very best, Bill, on this? | 0:03:44 | 0:03:46 | |
About six pound? | 0:03:47 | 0:03:49 | |
£6's your best price? | 0:03:49 | 0:03:50 | |
-Yeah. -I think, Bill... | 0:03:52 | 0:03:54 | |
-..I'll take it. -OK. -£6 and that's wonderful! History! | 0:03:54 | 0:03:57 | |
History, indeed. Carlos has his first buy and is charging onwards. | 0:03:58 | 0:04:02 | |
His old mucker, Charlie, meanwhile, | 0:04:06 | 0:04:09 | |
has trucked on to Stourbridge in the West Midlands, | 0:04:09 | 0:04:12 | |
where he's heading into Charles Langford Antiques | 0:04:12 | 0:04:15 | |
and meeting dealer Steve - at least he's not called Charles, too! | 0:04:15 | 0:04:18 | |
-Steve Wilder, nice to see you. -Lovely to see you, too. | 0:04:18 | 0:04:22 | |
Pleasantries accomplished, | 0:04:22 | 0:04:24 | |
Charlie's going to have a good rummage through Steve's stock. | 0:04:24 | 0:04:27 | |
I wonder if any of this is for sale. | 0:04:27 | 0:04:29 | |
Charlie's snuck into the storeroom, where the crafty old dog | 0:04:29 | 0:04:34 | |
spies items that haven't been put on display. Stand by for a truffle! | 0:04:34 | 0:04:38 | |
Do you think I'm allowed to be doing this? | 0:04:38 | 0:04:41 | |
No. I'm pretty sure not. So, look sharp! | 0:04:41 | 0:04:43 | |
-Ah! Ho ho! -Steve's rumbled you! | 0:04:43 | 0:04:47 | |
-What are you looking at? You're welcome to look at something. -Am I allowed? -Oh, yeah. | 0:04:47 | 0:04:52 | |
There's a bit of rosewood there. | 0:04:54 | 0:04:56 | |
It's a rosewood sewing table! | 0:04:56 | 0:04:58 | |
-Might it be for sale? -140 would buy it. | 0:04:58 | 0:05:01 | |
May I look at it? | 0:05:01 | 0:05:03 | |
Careful! | 0:05:03 | 0:05:04 | |
That's about 1830, 1840, | 0:05:05 | 0:05:08 | |
-English rosewood sewing table. -Needs a bit of work. | 0:05:08 | 0:05:11 | |
-Pretty little thing! -Isn't it? -I love the top. | 0:05:11 | 0:05:14 | |
If I waved 100 crisp notes in your direction, could you be tempted? | 0:05:14 | 0:05:19 | |
If you were to wave 120, you'd have bought it. | 0:05:19 | 0:05:22 | |
-I'll go 110, if you can possibly do it. -Yeah, 110 will do. | 0:05:22 | 0:05:27 | |
An item in the bag and Charlie's browsing on. | 0:05:27 | 0:05:31 | |
Back in the shop proper, | 0:05:34 | 0:05:36 | |
Charlie's been drawn to a little item in the silver cabinet. | 0:05:36 | 0:05:40 | |
-I like the shape of that. -Yeah. | 0:05:41 | 0:05:43 | |
It's a silver sugar bowl dating from 1906. | 0:05:43 | 0:05:47 | |
Ticket price is £85. | 0:05:47 | 0:05:48 | |
It's a nice looking thing. I'd give you 50 quid for it, guv'nor! | 0:05:50 | 0:05:54 | |
-50 quid's not a lot for that. -Perhaps you'd like to think about it. | 0:05:54 | 0:05:59 | |
-Perhaps you'd like to give me £60. -CHARLIE LAUGHS | 0:05:59 | 0:06:02 | |
And then, you've bought it. | 0:06:02 | 0:06:04 | |
Charlie's not sure about the bowl yet, so he's going to browse on. | 0:06:04 | 0:06:08 | |
That's a sweet little thing, isn't it? | 0:06:11 | 0:06:14 | |
A joy to perceive! | 0:06:14 | 0:06:16 | |
A 19th-century oil painting of an English market town. Anonymous. | 0:06:16 | 0:06:19 | |
A little man with a top hat. Very primitive. | 0:06:19 | 0:06:24 | |
"Primitive", in this sense, means that the artist was probably an amateur or self-taught. | 0:06:24 | 0:06:29 | |
Probably comes free with every sewing table! | 0:06:29 | 0:06:32 | |
-BOTH LAUGH -Not free. -No! | 0:06:32 | 0:06:35 | |
-It's nearly free! It's only £40. -A tenner? | 0:06:35 | 0:06:37 | |
Steve's already knocked the sugar bowl down to £60. | 0:06:38 | 0:06:41 | |
With the painting added to the deal, they would cost together £100. | 0:06:41 | 0:06:46 | |
But he's angling for a further reduction. What could Steve do? | 0:06:46 | 0:06:50 | |
Maybe if we did 70 on the pair of those. | 0:06:50 | 0:06:53 | |
-I think that's quite good, actually. -Well, you would! -Mm. | 0:06:53 | 0:06:57 | |
CHARLIE LAUGHS 65 quid. | 0:06:57 | 0:06:59 | |
-You've talked me into it. -Are you sure? -Yes, I'm sure. | 0:06:59 | 0:07:03 | |
So, Charlie's got a bargain deal in this shop, paying £175 total | 0:07:04 | 0:07:09 | |
for the sewing table, silver sugar bowl and the painting. | 0:07:09 | 0:07:13 | |
Carlos has driven on to the town of Bromsgrove, Worcestershire. | 0:07:13 | 0:07:17 | |
Feeling terribly relaxed about his buying, | 0:07:17 | 0:07:20 | |
he's going to visit Avoncroft Museum of Historic Buildings, | 0:07:20 | 0:07:23 | |
where he's meeting museum director Simon Carter. | 0:07:23 | 0:07:27 | |
Nice to see you. I'm Charles Hanson. | 0:07:27 | 0:07:29 | |
Avoncroft is home to a rich and quirky array of historic structures, | 0:07:29 | 0:07:34 | |
which have been taken apart in their original locations | 0:07:34 | 0:07:37 | |
and reassembled here for preservation. | 0:07:37 | 0:07:40 | |
It's a varied collection, reflecting the built heritage of Britain, | 0:07:40 | 0:07:44 | |
and in particular of the West Midlands. | 0:07:44 | 0:07:46 | |
Looking around, there's a wonderful array of different periods, | 0:07:46 | 0:07:49 | |
different styles. | 0:07:49 | 0:07:51 | |
What's behind this eclectic mix of architecture and buildings? | 0:07:51 | 0:07:56 | |
The building behind you was the first of nearly 30 buildings | 0:07:56 | 0:08:00 | |
to be rescued and brought to this site. | 0:08:00 | 0:08:03 | |
All the buildings here were in danger of demolition or collapse | 0:08:03 | 0:08:06 | |
when they were moved. | 0:08:06 | 0:08:08 | |
The collection includes residential buildings, | 0:08:08 | 0:08:11 | |
like this 15th-century middle-class home, | 0:08:11 | 0:08:14 | |
as well as industrial and agricultural structures. | 0:08:14 | 0:08:17 | |
Taking a fragile historic building to bits | 0:08:20 | 0:08:23 | |
and reassembling it miles from home is no mean feat, | 0:08:23 | 0:08:27 | |
as this 1960s footage of a building now at the museum shows. | 0:08:27 | 0:08:32 | |
Charles and Simon are going to look at it. | 0:08:33 | 0:08:36 | |
It's a windmill dating from the late 18th or early 19th century. | 0:08:36 | 0:08:41 | |
It was moved here cos it was in a dilapidated state in the late 1960s. | 0:08:41 | 0:08:47 | |
It was when Avoncroft Museum was in its infancy. | 0:08:47 | 0:08:51 | |
Some volunteers went and rescued it one weekend from Tanworth-in-Arden. | 0:08:51 | 0:08:56 | |
You tell me this was moved over a weekend? That's incredible! | 0:08:56 | 0:09:00 | |
I think it was, perhaps, five days in total. | 0:09:00 | 0:09:02 | |
The longest part of the job was dismantling the brick roundhouse. | 0:09:02 | 0:09:06 | |
Here, the plucky volunteers | 0:09:06 | 0:09:08 | |
are painstakingly taking the windmill apart, bit by bit. | 0:09:08 | 0:09:12 | |
It was moved onto lorries and driven back to the museum. | 0:09:12 | 0:09:16 | |
Here, it was restored to its former glory and stands as a testament | 0:09:16 | 0:09:20 | |
to the ingenuity of the people who saved it, | 0:09:20 | 0:09:23 | |
as well as the original builders. | 0:09:23 | 0:09:26 | |
Simon's taking Carlos to see another structure, | 0:09:26 | 0:09:29 | |
also saved by the museum. | 0:09:29 | 0:09:31 | |
It's a blacksmith's forge in which chains were made | 0:09:31 | 0:09:35 | |
from the mid 19th century right up to 1969. | 0:09:35 | 0:09:38 | |
It's got 14 forges and there'd have been a man, or woman sometimes, | 0:09:38 | 0:09:42 | |
at each of the forges making chains for hours and hours a day. | 0:09:42 | 0:09:47 | |
Blacksmith Alex is demonstrating how chains would have been handmade.' | 0:09:47 | 0:09:52 | |
Wow! Unbelievable! | 0:09:52 | 0:09:54 | |
This must be a ferocious heat. | 0:09:54 | 0:09:57 | |
It's about 1,300 degrees. | 0:09:57 | 0:10:00 | |
What I can't believe is a building like this | 0:10:00 | 0:10:04 | |
could be broken down and transported | 0:10:04 | 0:10:07 | |
and put back together again and look so authentic in a new location. | 0:10:07 | 0:10:11 | |
Indeed! And the museum's collection is nothing if not diverse. | 0:10:11 | 0:10:16 | |
This site is also home to the national telephone kiosk collection, | 0:10:16 | 0:10:20 | |
which includes no less than 32 historic telephone boxes. | 0:10:20 | 0:10:24 | |
-PHONE RINGING -My phone isn't on. | 0:10:24 | 0:10:27 | |
Where's that ringing coming from, then, Charles?' | 0:10:27 | 0:10:31 | |
Better investigate! | 0:10:31 | 0:10:33 | |
MUSIC: Theme to "Dr Who" | 0:10:33 | 0:10:35 | |
-PHONE RINGING -It looks like Charles will be making his own way... | 0:10:35 | 0:10:41 | |
Hello? | 0:10:41 | 0:10:43 | |
..somewhere. | 0:10:43 | 0:10:45 | |
TARDIS FIRES UP | 0:10:45 | 0:10:47 | |
-They hung up on me. -Oh, crikey | 0:10:47 | 0:10:50 | |
Charlie, meanwhile, is still back in Stourbridge, | 0:10:50 | 0:10:52 | |
and is strolling off to his next shop, Antiques & More. | 0:10:52 | 0:10:56 | |
And Charlie the charmer's up to his usual tricks. | 0:10:58 | 0:11:01 | |
-Hello, ladies! -Look out, girls! | 0:11:01 | 0:11:03 | |
-Hello! -Two for the price of one! -Ooh! Thank you! | 0:11:03 | 0:11:07 | |
-I'm Charlie. -I'm Marion. -Marion. | 0:11:07 | 0:11:09 | |
-Charlie, hello. -Hello. Ooh! | 0:11:09 | 0:11:11 | |
Hang on! I feel love coming on! | 0:11:11 | 0:11:13 | |
-And your name is? -My name's Judith. | 0:11:13 | 0:11:16 | |
There's some jolly pretty bits here! | 0:11:18 | 0:11:21 | |
Oh! That is sweet! | 0:11:21 | 0:11:25 | |
Charlie's found a tortoiseshell case for sewing needles. | 0:11:25 | 0:11:28 | |
-Now, that IS old. -Yeah. -Indeed, it is. | 0:11:28 | 0:11:32 | |
Dates from the 19th century, meaning it's legal. | 0:11:32 | 0:11:35 | |
Dealing in modern tortoiseshell is against the law, | 0:11:35 | 0:11:38 | |
but antique items made before 1947 can be legally traded. | 0:11:38 | 0:11:43 | |
-Needles would have gone in there? -Packets of needles. | 0:11:44 | 0:11:48 | |
Those little paper cardboard packets of needles would have gone in there. | 0:11:48 | 0:11:51 | |
It's got a name! That's very nice. | 0:11:51 | 0:11:54 | |
"W. Lund, 24 Fleet", that'll be Fleet Street. | 0:11:54 | 0:11:57 | |
It's the mark of box-maker William Lund, | 0:11:57 | 0:12:00 | |
who operated on London's Fleet Street from around 1835. | 0:12:00 | 0:12:06 | |
I can't quite work out the price. Is that £12.50? | 0:12:06 | 0:12:08 | |
-MARION LAUGHS -No! | 0:12:08 | 0:12:10 | |
You're not telling me it's 125 quid? | 0:12:10 | 0:12:14 | |
It is. | 0:12:14 | 0:12:15 | |
There's an old-fashioned expression. What would be your death? | 0:12:15 | 0:12:19 | |
-I can do... -What can you do? -75. | 0:12:19 | 0:12:22 | |
Don't recoil from me, my lovely. SHE LAUGHS | 0:12:22 | 0:12:26 | |
Can you do 60 quid? | 0:12:27 | 0:12:30 | |
Um... I can do 65. | 0:12:30 | 0:12:32 | |
You are incorrigible, Charlie. | 0:12:34 | 0:12:37 | |
-Cos I love you! -Here we go again! | 0:12:37 | 0:12:39 | |
Sealed with a kiss! | 0:12:39 | 0:12:42 | |
# Sealed with a kiss... # | 0:12:42 | 0:12:44 | |
He's got that deal all sewn up. | 0:12:44 | 0:12:46 | |
Look at that! For a bargain £65. | 0:12:46 | 0:12:49 | |
And with that, it's upwards and onwards - quite literally. | 0:12:49 | 0:12:53 | |
All together now! | 0:12:53 | 0:12:54 | |
# Onward, Christian soldiers... # | 0:12:54 | 0:12:58 | |
The boys are coming into the city of Gloucester. | 0:13:00 | 0:13:03 | |
-That's Gloucester Cathedral! -Doesn't that make you proud of our country? | 0:13:03 | 0:13:07 | |
To see ancient monuments standing so proudly. | 0:13:07 | 0:13:10 | |
Quite! | 0:13:10 | 0:13:12 | |
In fact, the remains of Plantagenet King Edward II are buried here. | 0:13:12 | 0:13:17 | |
Hm! They're heading for Upstairs Downstairs Antiques... | 0:13:17 | 0:13:21 | |
Come on! | 0:13:21 | 0:13:22 | |
..where they're meeting head honcho Vic. | 0:13:22 | 0:13:24 | |
-Greetings! -Greetings! -How are you? | 0:13:24 | 0:13:27 | |
-Who's the boss? -I'm the boss. -You're the man I need, are you? -Yes. | 0:13:27 | 0:13:31 | |
Hello, there. I'm Charles. Good to see you. | 0:13:31 | 0:13:34 | |
Carlos and Charlie are going to split up to case the joint. | 0:13:34 | 0:13:37 | |
And with £233.50 left to spend, | 0:13:39 | 0:13:43 | |
Charles, it would seem, has a definite strategy. | 0:13:43 | 0:13:46 | |
Ask for objects that really are antique. Go for the medieval. Go for the Roman rings. | 0:13:46 | 0:13:51 | |
Go for objects which, in historical terms, talk history, | 0:13:52 | 0:13:55 | |
rather than just being edgy with a knobbly knick-knack. | 0:13:55 | 0:13:59 | |
Charlie. | 0:13:59 | 0:14:00 | |
Hey, you're cocky for a man who's only spent £6, Carlos, | 0:14:00 | 0:14:04 | |
but true to his word, the clever young buck seems to have unearthed | 0:14:04 | 0:14:08 | |
something with a bit of age to it. | 0:14:08 | 0:14:10 | |
I think it's quite novel. Not sure what it's used for. | 0:14:10 | 0:14:12 | |
Charles THINKS it might be an 18th-century piece of Korean pottery. | 0:14:12 | 0:14:16 | |
Very crude. Fairly mass-produced, I suspect. | 0:14:16 | 0:14:20 | |
-Yeah. -For a fairly coarse middle-rate market. | 0:14:20 | 0:14:24 | |
Probably for export from Korea to China | 0:14:24 | 0:14:28 | |
and probably used as ballast on the bottom of a boat. | 0:14:28 | 0:14:32 | |
What's your absolute best price on that? | 0:14:32 | 0:14:35 | |
I'll do it for 15 for you. | 0:14:35 | 0:14:37 | |
-A tenner? I'll take it. -Lovely jubbly. | 0:14:37 | 0:14:40 | |
Deal done! Now, on the other side of the shop, | 0:14:40 | 0:14:43 | |
with just £6 to his name, | 0:14:43 | 0:14:45 | |
Charlie appears to be up to something suspicious. | 0:14:45 | 0:14:48 | |
I have a cunning plan. | 0:14:48 | 0:14:50 | |
Charlie has spotted a copy of the Auctions (Bidding Agreements) Act, 1927. | 0:14:52 | 0:14:56 | |
It's legislation which governs auction houses | 0:14:57 | 0:15:00 | |
and a copy of it must be displayed in salerooms. | 0:15:00 | 0:15:03 | |
-Was there an auction here once? -There was, yes. | 0:15:04 | 0:15:07 | |
But japes are afoot. | 0:15:07 | 0:15:08 | |
Charlie has concocted a scheme to trick Carlos into autographing the document, | 0:15:11 | 0:15:16 | |
thus, he reasons, raising its value. | 0:15:16 | 0:15:19 | |
I want you, if you would, before Charles leaves the premises, | 0:15:19 | 0:15:23 | |
-to say to him, "Charles, would you mind signing this for me?" -Yeah. | 0:15:23 | 0:15:27 | |
I've only got £6 left. I don't suppose they're worth a lot. | 0:15:27 | 0:15:30 | |
-We can do that. -It's not the biggest deal you've ever done. | 0:15:30 | 0:15:34 | |
But it'll make an old man very happy. | 0:15:34 | 0:15:37 | |
So, Charlie buys the agreement for his very last £6. | 0:15:37 | 0:15:41 | |
Five, six. | 0:15:41 | 0:15:43 | |
-OK. It's a deal. -Shall I leave that with you? | 0:15:43 | 0:15:47 | |
But will the cunning ruse to get young Carlos's autograph work? | 0:15:47 | 0:15:51 | |
-I wonder if you'd be so kind to sign it? -Is that for sale? | 0:15:51 | 0:15:56 | |
Ha! Too late, Carlos! | 0:15:56 | 0:15:57 | |
-Sorry? -It's not for sale, is it? -No. -What a shame. I could do with one. | 0:15:59 | 0:16:03 | |
I'll sign it. It'll be a pleasure. | 0:16:03 | 0:16:05 | |
Ah! What a gent! | 0:16:05 | 0:16:06 | |
But he'll get a surprise when he sees Charlie's items. | 0:16:06 | 0:16:10 | |
Still, Charlie seems very pleased. | 0:16:10 | 0:16:13 | |
(WHISPERS) I think somebody would pay millions for that! | 0:16:13 | 0:16:17 | |
Well, more than six quid, anyway. | 0:16:17 | 0:16:19 | |
Charles Hanson, meanwhile, | 0:16:22 | 0:16:24 | |
has driven on to Tewkesbury in Gloucestershire. | 0:16:24 | 0:16:26 | |
Tewkesbury's fine Tudor buildings and winding streets | 0:16:26 | 0:16:30 | |
make it a suitably atmospheric place for Charles to finish his shopping. | 0:16:30 | 0:16:35 | |
But with only two buys and a tiddly £16 spent, | 0:16:35 | 0:16:39 | |
Charles is fast running out of time. | 0:16:39 | 0:16:42 | |
He's supposed to be visiting antique shops, | 0:16:44 | 0:16:47 | |
but has now, shockingly, decided to pursue an alternative plan. | 0:16:47 | 0:16:52 | |
He's spotted an auction house, Church Street Auctions, | 0:16:52 | 0:16:55 | |
and wants to see if they have anything he might purchase. | 0:16:55 | 0:16:58 | |
I wondered whether you might have any unsolds or re-offers | 0:16:58 | 0:17:01 | |
that viably, on behalf of your client, you could sell to me? | 0:17:01 | 0:17:05 | |
Charles is looking for any items that remained unsold after auction. | 0:17:05 | 0:17:09 | |
But if they didn't sell at the previous auction, will they sell at yours, Carlos? | 0:17:09 | 0:17:14 | |
-Have a look and if you see anything... -Have you got some things I could look at? | 0:17:14 | 0:17:18 | |
-I've got a couple that might interest you. -Your name, sir, is? | 0:17:18 | 0:17:21 | |
-Bo. -I'm Charles Hanson. I'm an auctioneer in Derbyshire. -I know you are. | 0:17:21 | 0:17:26 | |
Your reputation precedes you, Charles. | 0:17:26 | 0:17:28 | |
Oh, a pretty little something's caught his eye. | 0:17:36 | 0:17:39 | |
She's quite nice. Here you've got a Victorian lady. | 0:17:39 | 0:17:42 | |
She really captures the age of, I think, the 1870s, 1880s. | 0:17:42 | 0:17:46 | |
This head's a fabric head with what appear to be later eyes. | 0:17:46 | 0:17:51 | |
But she's quite good. What's the best price on her? | 0:17:51 | 0:17:53 | |
35. | 0:17:53 | 0:17:55 | |
OK. A mental note. | 0:17:55 | 0:17:58 | |
He's putting her aside as a possibility. | 0:17:58 | 0:18:01 | |
Don't toy with the girl, Charles! | 0:18:01 | 0:18:03 | |
-You like that? -That's quite sweet. What is it? | 0:18:11 | 0:18:14 | |
Haven't a clue. I was hoping you'd tell me! | 0:18:14 | 0:18:17 | |
Let me, then. It's a cup, probably mid-Victorian, | 0:18:17 | 0:18:20 | |
made from a lacquered coconut shell with wooden and ivory mounts. | 0:18:20 | 0:18:25 | |
Ivory items, like tortoiseshell, are illegal to trade | 0:18:25 | 0:18:28 | |
unless they're made before 1947, which this comfortably is. | 0:18:28 | 0:18:32 | |
Phew. This, too, goes into the "maybe" pile. | 0:18:32 | 0:18:35 | |
And now he's got something else in his sights. | 0:18:38 | 0:18:42 | |
Is it World War I, these various buttons? | 0:18:42 | 0:18:45 | |
It's a quantity of early 20th-century military and regimental buttons, | 0:18:45 | 0:18:49 | |
mounted for display on a leather belt.' | 0:18:49 | 0:18:52 | |
What could they be, Bo, as a lot on their own like that? | 0:18:52 | 0:18:56 | |
Uh... I'll do them for 20. | 0:18:56 | 0:18:59 | |
Carlos is definitely interested in the coconut cup, | 0:18:59 | 0:19:02 | |
doll and military buttons. | 0:19:02 | 0:19:04 | |
The combined price Bo's quoting is £75.' | 0:19:04 | 0:19:08 | |
-What's the very best, Bo? -50. | 0:19:08 | 0:19:10 | |
-For the whole lot? -Yeah. -Wow! | 0:19:10 | 0:19:12 | |
I'll take it. Thanks, Bo. I'll take them all for £50. Yeah. | 0:19:12 | 0:19:16 | |
Three lots bagged, but now he's wandered off and found... | 0:19:16 | 0:19:20 | |
something else! | 0:19:20 | 0:19:22 | |
What has caught my eye over here | 0:19:23 | 0:19:26 | |
are one, two, three, four, five... | 0:19:26 | 0:19:28 | |
-Let's round it up to 17, shall we? -17 figures. | 0:19:28 | 0:19:32 | |
And they've caught my eye | 0:19:32 | 0:19:34 | |
-because they decorate an area, don't they? -Yeah. | 0:19:34 | 0:19:37 | |
In a real riot of colour. | 0:19:37 | 0:19:39 | |
They certainly are a riot. | 0:19:39 | 0:19:42 | |
-They're Capodimonte. -They are. They're Capodimonte. | 0:19:42 | 0:19:45 | |
The original Capodimonte porcelain | 0:19:45 | 0:19:47 | |
came from the Royal factory in Naples, Italy, | 0:19:47 | 0:19:51 | |
where it was founded in the 18th century, and closed long ago. | 0:19:51 | 0:19:55 | |
These items are not from that historic factory, | 0:19:55 | 0:19:58 | |
you'll be pleased to hear. | 0:19:58 | 0:20:00 | |
-These really are, I suppose, the lower end, aren't they? -Yeah. | 0:20:00 | 0:20:03 | |
These are more the collectable end. | 0:20:03 | 0:20:07 | |
-I don't know, Bo, would it be viable for me to buy the whole lot? -Yeah. | 0:20:07 | 0:20:11 | |
Would it really? £20. | 0:20:11 | 0:20:13 | |
-The whole lot. -25? | 0:20:15 | 0:20:17 | |
I'll tell you what I'll do. You take them all, £23. | 0:20:17 | 0:20:21 | |
-They're awful, aren't they? -Yeah, but at £23...! | 0:20:21 | 0:20:25 | |
I'll take them. Thanks, Bo. That's very, very kind. | 0:20:25 | 0:20:29 | |
What have I done? I've got carried away! | 0:20:29 | 0:20:32 | |
So what? | 0:20:32 | 0:20:33 | |
So what, indeed! And with that triumphant swipe, | 0:20:33 | 0:20:37 | |
the young pretender has all his lots for auction. | 0:20:37 | 0:20:40 | |
Charles the younger started with £239.50 | 0:20:40 | 0:20:44 | |
and has spent a thrifty £89 on six lots - | 0:20:44 | 0:20:47 | |
a World War I ammunition box, | 0:20:47 | 0:20:49 | |
a Korean pottery cup, a Victorian doll, | 0:20:49 | 0:20:52 | |
an unusual coconut shell cup, a set of military buttons | 0:20:52 | 0:20:56 | |
and a large collection of Capodimonte figures. | 0:20:56 | 0:20:58 | |
Yuck. | 0:20:58 | 0:21:00 | |
Charlie Ross began this leg with £246 exactly. | 0:21:01 | 0:21:05 | |
He spent the whole amount on five lots - a rosewood sewing table, | 0:21:05 | 0:21:09 | |
a silver sugar bowl, a 19th century oil painting, | 0:21:09 | 0:21:12 | |
a tortoiseshell sewing needle case, | 0:21:12 | 0:21:14 | |
and a copy of the Auction (Bidding Agreements) Act | 0:21:14 | 0:21:17 | |
unwittingly signed by his rival. Ha! | 0:21:17 | 0:21:19 | |
But what will our boys make of each other's buys? | 0:21:19 | 0:21:22 | |
-I'm actually lost for words. -Yeah. | 0:21:22 | 0:21:24 | |
Not for long, though. | 0:21:24 | 0:21:26 | |
All his items, for the first time, | 0:21:26 | 0:21:27 | |
all of Charlie's items are really quite invigorating. | 0:21:27 | 0:21:30 | |
He's bought that ridiculous linen Auctions Agreements Act | 0:21:30 | 0:21:35 | |
that I signed, and how he unbelievably got that round me, | 0:21:35 | 0:21:38 | |
I'll never know. As always, may the best man win. | 0:21:38 | 0:21:41 | |
He never ceases to amaze me! I mean... | 0:21:41 | 0:21:45 | |
could you ever bracket a man with such wonderful depth of knowledge | 0:21:45 | 0:21:51 | |
and love of antiques with Capodimonte? | 0:21:51 | 0:21:54 | |
I mean...dreadful. | 0:21:54 | 0:21:56 | |
Which items would I rather have? | 0:21:56 | 0:21:58 | |
Mine, Charles. Mine! | 0:21:58 | 0:22:00 | |
Ha-ha. On this leg, Charles and Charlie have travelled | 0:22:00 | 0:22:04 | |
from Bridgnorth in Shropshire | 0:22:03 | 0:22:05 | |
to end up in auction here in Ledbury, Herefordshire. | 0:22:05 | 0:22:08 | |
They're heading to HJ Pugh & Co auctioneers | 0:22:10 | 0:22:14 | |
and Carlos has certainly dressed for the occasion. | 0:22:14 | 0:22:17 | |
-Do you think they'll have ever seen a jacket like yours? -Probably not. | 0:22:17 | 0:22:22 | |
Well, I'm sure this will be an education for all concerned. | 0:22:22 | 0:22:26 | |
-However, disaster has struck. -We could be in trouble. | 0:22:26 | 0:22:30 | |
Oh, no! One of his lots has gone missing! | 0:22:30 | 0:22:33 | |
The military ammo box was lost in transit. | 0:22:33 | 0:22:36 | |
Perhaps it blew up. | 0:22:36 | 0:22:37 | |
But fear not, the Road Trip rules provide for such an eventuality. | 0:22:37 | 0:22:42 | |
An insurance valuation of the item will be recorded as the sale price. | 0:22:42 | 0:22:46 | |
An independent assessment tells us that it's valued at £30. | 0:22:46 | 0:22:50 | |
So, before a gavel's even fallen, Charles has scored a £24 profit. | 0:22:50 | 0:22:55 | |
Nice - and generous. | 0:22:55 | 0:22:58 | |
This evening's auction is about to begin, presided over by auctioneer James Pugh. | 0:22:58 | 0:23:02 | |
And first up is Charlie's cheekily customised | 0:23:02 | 0:23:06 | |
Auctions (Bidding Agreements) slip. | 0:23:06 | 0:23:09 | |
Will his rival's scribbling attract the punters? | 0:23:09 | 0:23:13 | |
Fiver straight in we go at £5. | 0:23:13 | 0:23:14 | |
£5. £8. £10. Bid at ten.... | 0:23:15 | 0:23:16 | |
Stop there! That's far too much. | 0:23:18 | 0:23:20 | |
At £10 here. 12. £12 I'm bid. 12. Internet's out at £12. | 0:23:20 | 0:23:27 | |
-Internet bid! -Internet bidding! -15... | 0:23:27 | 0:23:30 | |
Must be your mother! | 0:23:30 | 0:23:32 | |
15... | 0:23:32 | 0:23:33 | |
It's my wife for you! | 0:23:33 | 0:23:36 | |
-That's the way, sir! -Get it sold. | 0:23:36 | 0:23:38 | |
I won't tell you he just signed another one for you. At £20... | 0:23:38 | 0:23:42 | |
Back in the Hanson name! | 0:23:42 | 0:23:44 | |
Internet's in at £22. Go on. One more. | 0:23:44 | 0:23:47 | |
At £22 here. Five. 25. | 0:23:47 | 0:23:50 | |
Stop it! Stop it, sir! | 0:23:50 | 0:23:52 | |
In the room I go now. At £25 and the internet's out. | 0:23:52 | 0:23:57 | |
Selling at £25. | 0:23:57 | 0:23:59 | |
Well done, sir. Well done. | 0:23:59 | 0:24:01 | |
It seems the crowd is keen for a little bit of Hanson. | 0:24:01 | 0:24:05 | |
Canny and cunning, Charlie. A nice profit for you. | 0:24:05 | 0:24:09 | |
I might start signing a few papers and put them to sale, Charlie! | 0:24:09 | 0:24:13 | |
-And take it all with me. -That's sorted out your retirement. -It has. | 0:24:14 | 0:24:18 | |
Next, Charles's collection of military buttons on a leather belt. | 0:24:18 | 0:24:23 | |
Might his remaining lot of militaria score a direct hit? | 0:24:23 | 0:24:27 | |
Tenner only. At £10 here. 15. £15 here. 15. | 0:24:27 | 0:24:29 | |
At £15 for that belt. 20 at the back. £20 bid. At 20... | 0:24:31 | 0:24:36 | |
Come on. Keep going. | 0:24:36 | 0:24:37 | |
Five. 25. 30. | 0:24:37 | 0:24:40 | |
£30 bid. Five. | 0:24:40 | 0:24:42 | |
35 on my right. | 0:24:42 | 0:24:44 | |
New bidder at £40. | 0:24:44 | 0:24:46 | |
I should be looking this way. At £40 here. Five more, surely? | 0:24:46 | 0:24:50 | |
At £40 here, 40. You're out left, and internet. | 0:24:50 | 0:24:53 | |
Selling, then, at £40. | 0:24:53 | 0:24:55 | |
That's OK. Happy, Charlie. £30 and off and running. | 0:24:55 | 0:24:58 | |
A stormer! What a start for Carlos! | 0:24:58 | 0:25:02 | |
Next, Charlie's pretty but primitive oil of a market town. | 0:25:02 | 0:25:06 | |
Straight in at a tenner. 15. 20. Five. | 0:25:06 | 0:25:10 | |
30. Five. 40. Five. 50. Five. | 0:25:10 | 0:25:14 | |
60. 70. 80. | 0:25:14 | 0:25:16 | |
-80 with me. -I don't believe it. | 0:25:16 | 0:25:18 | |
90. 100. At £100. Take a five if you like. | 0:25:18 | 0:25:23 | |
Five. 105 over here. £105. 105. In the room... | 0:25:23 | 0:25:27 | |
Brilliant, Charlie. Ha ha! | 0:25:27 | 0:25:29 | |
Sold at 105. | 0:25:29 | 0:25:31 | |
Put it there. Well played. That is a wonderful result, Charlie. | 0:25:31 | 0:25:35 | |
And that puts Charlie firmly in the lead. | 0:25:35 | 0:25:38 | |
Next, Carlos's little cup. | 0:25:38 | 0:25:40 | |
Here we go. £5 here. Five. £10. | 0:25:40 | 0:25:42 | |
-Oh, dear. -£10 in front, I have. | 0:25:43 | 0:25:45 | |
At £10 here. At £10. | 0:25:46 | 0:25:47 | |
-I'm disappointed with this. -Absolutely! | 0:25:48 | 0:25:50 | |
20. £20 I've got. Internet's got it at £20 here. 20. | 0:25:50 | 0:25:55 | |
Five. 25. £25 bid. At 25. | 0:25:55 | 0:25:59 | |
£25. Internet again. I think they want you to bid once more. | 0:25:59 | 0:26:03 | |
£30 I'm bid. At £30. Thank you. | 0:26:03 | 0:26:06 | |
And the other one would be kind. At £30 bid. | 0:26:06 | 0:26:09 | |
£30 here. At 30. Internet's still got it. The room is out. | 0:26:09 | 0:26:13 | |
At £30. The hammer's up there. I'm going, then, at £30. | 0:26:13 | 0:26:18 | |
Thanks to some good work from James the auctioneer, | 0:26:18 | 0:26:21 | |
a tidy little profit for Carlos. | 0:26:21 | 0:26:23 | |
Now, the rosewood table. Will Charlie have a profit all sewn up? | 0:26:23 | 0:26:27 | |
£100 to go, surely? 100. 100. | 0:26:27 | 0:26:30 | |
Come on. 80, I'm bid. At £80 here. At 80. | 0:26:30 | 0:26:34 | |
That's brilliant. | 0:26:34 | 0:26:35 | |
I wonder whose it could be(!) At 90. £90 bid. At 100. £100 bid. | 0:26:35 | 0:26:40 | |
110. 110. 120. 130. | 0:26:40 | 0:26:44 | |
130. 140. 150. | 0:26:44 | 0:26:47 | |
150. | 0:26:47 | 0:26:49 | |
160. 170. | 0:26:49 | 0:26:51 | |
170 with me. At £170, I'm bid. At 170. | 0:26:51 | 0:26:54 | |
I like this man! | 0:26:54 | 0:26:56 | |
Had its time, and selling, then, at 170. | 0:26:56 | 0:26:59 | |
Oh! | 0:26:59 | 0:27:01 | |
-Well done. That was a result. -It was. | 0:27:02 | 0:27:06 | |
Everything's looking rosy for Charlie! That solidifies his lead. | 0:27:06 | 0:27:10 | |
Now, Carlos is up with his odd little coconut cup. | 0:27:11 | 0:27:15 | |
-£20, I've got... -Oh, dear. -Don't worry, Charles. | 0:27:15 | 0:27:18 | |
£20 here for the coconut. 30. At £30 here. At 30. | 0:27:18 | 0:27:22 | |
At £30 here. At £30. Five. | 0:27:22 | 0:27:24 | |
£35 bid. At 35. Why ever not? | 0:27:24 | 0:27:28 | |
At £35 here. 40 if you like. | 0:27:28 | 0:27:31 | |
At £35 bid. At 35. At the back we go. | 0:27:31 | 0:27:34 | |
40. New bidder. 40. | 0:27:34 | 0:27:36 | |
£40 bid. Five. 45. | 0:27:36 | 0:27:39 | |
45, left. At £45 here. 45. | 0:27:39 | 0:27:42 | |
Had its time and selling at 45. | 0:27:42 | 0:27:45 | |
In the end, it's a nice little earner. | 0:27:45 | 0:27:48 | |
Now for the sweet little silver sugar bowl for Charlie. | 0:27:48 | 0:27:52 | |
50, I'm bid. At £50 here. At 50. 60. 70. | 0:27:52 | 0:27:55 | |
80. £80 bid. | 0:27:55 | 0:27:57 | |
At £80, then. At 80. 90 with me. At 90. | 0:27:57 | 0:28:00 | |
At £90. Commission, I've got one, at £90 bid. | 0:28:00 | 0:28:04 | |
Disappointed, though, but sold at £90. | 0:28:04 | 0:28:07 | |
It's all right. We don't mind £90. Cost 50. | 0:28:07 | 0:28:10 | |
-That's a profit of how much? -£40. -That's fantastic! | 0:28:10 | 0:28:13 | |
Another toothsome profit for Charlie. | 0:28:13 | 0:28:16 | |
Now, Carlos's Victorian doll. | 0:28:17 | 0:28:19 | |
Let's hope a pretty little profit awaits here. | 0:28:19 | 0:28:22 | |
£20 here. At 20. A bit of damage but away you go. | 0:28:22 | 0:28:26 | |
At 20. 30... | 0:28:26 | 0:28:28 | |
Come on, hands. Up you go. | 0:28:28 | 0:28:30 | |
£30. I'm disappointed with this. | 0:28:30 | 0:28:31 | |
Five anywhere now? Had its time. | 0:28:31 | 0:28:33 | |
Going now at £30. | 0:28:33 | 0:28:36 | |
A small win for Carlos. Not enough to take the lead from Charlie. | 0:28:36 | 0:28:40 | |
Charlie, I'm nibbling at profits. Nibbling. | 0:28:40 | 0:28:43 | |
Charlie, but I can't nibble your gigantic buys. | 0:28:43 | 0:28:46 | |
Charlie's tortoiseshell needle box is next. Can it pin up a profit? | 0:28:46 | 0:28:51 | |
£50 here. £50. 60. 70. 80. | 0:28:51 | 0:28:55 | |
In the room I go. £80 here. 80. 90. | 0:28:55 | 0:28:58 | |
100. £100 bid. Ten. | 0:28:59 | 0:29:02 | |
110. 110. Why ever not? | 0:29:02 | 0:29:04 | |
£110. You can't buy it off me tomorrow. £110 bid. | 0:29:04 | 0:29:07 | |
At 110. 20 anywhere now? | 0:29:07 | 0:29:10 | |
Had its time and selling, then, at 110. | 0:29:10 | 0:29:12 | |
-Well done, Charlie. Great result. -It's a profit. | 0:29:12 | 0:29:15 | |
A tiny item scores a big profit for Charlie. | 0:29:15 | 0:29:18 | |
-Good night. -Where are you going? -Relaxing. | 0:29:18 | 0:29:22 | |
It ain't over till the fat lady sings, Charlie. | 0:29:22 | 0:29:26 | |
Carlos's "much loved" collection of Capodimonte figures - not - | 0:29:26 | 0:29:31 | |
are still to go under the hammer. | 0:29:31 | 0:29:33 | |
-40 to go? -Come on! | 0:29:33 | 0:29:36 | |
-£5 here. Five... -They ought to be on a shy. | 0:29:36 | 0:29:38 | |
-So you throw things at them. -Here at £10. | 0:29:39 | 0:29:42 | |
For the lot of them! That's not each. At £10. At £10. | 0:29:42 | 0:29:45 | |
Here in the sale room at £10. 15 anywhere now? Sold, then, at £10. | 0:29:46 | 0:29:50 | |
I loved all your other lots but, Charles, I have to say, | 0:29:51 | 0:29:56 | |
-I put my hand on my heart and say, they were awful! -Yeah. | 0:29:56 | 0:29:59 | |
And the saleroom seems to be in agreement, but chin up, Carlos. | 0:29:59 | 0:30:03 | |
You've done well from this sale - just not quite as well as Charlie. | 0:30:03 | 0:30:08 | |
Carlos began this leg with £239.50. | 0:30:10 | 0:30:14 | |
He made a tidy profit of £62.70 and now has... | 0:30:14 | 0:30:18 | |
Charlie, however, started with a narrow lead and £246 to his name. | 0:30:23 | 0:30:28 | |
He made a storming profit of £164 exactly, | 0:30:28 | 0:30:31 | |
and trips off now with... | 0:30:31 | 0:30:33 | |
-It's dark. -How long were we out filming for? -Heck of a long time. | 0:30:36 | 0:30:40 | |
-Long enough for you to make a whacking great loss! -Exactly. | 0:30:40 | 0:30:44 | |
Er? | 0:30:44 | 0:30:45 | |
Except you didn't. You made a profit! | 0:30:45 | 0:30:47 | |
Quite. Do pay attention, Charlie. | 0:30:47 | 0:30:49 | |
Another day, another dollar. | 0:30:51 | 0:30:52 | |
And after Charlie the Elder cleaned up at the last auction, | 0:30:52 | 0:30:55 | |
the whole shebang hangs on this final leg of their road trip. | 0:30:55 | 0:30:59 | |
Charles and Charlie have cruised over 500 miles | 0:30:59 | 0:31:03 | |
through the English green and pleasant land | 0:31:03 | 0:31:06 | |
from Tarporley in Cheshire | 0:31:06 | 0:31:08 | |
to Itchen Stoke near Winchester in Hampshire. | 0:31:08 | 0:31:11 | |
On this final leg of their travels, they begin in Hereford, | 0:31:11 | 0:31:14 | |
oddly enough located in the county of Herefordshire, | 0:31:14 | 0:31:17 | |
heading for Hampshire's Itchen Stoke | 0:31:17 | 0:31:21 | |
for their final reckoning. | 0:31:21 | 0:31:23 | |
They've made it to Hereford. | 0:31:23 | 0:31:24 | |
First stop is Hereford Antiques Centre. | 0:31:24 | 0:31:27 | |
-Shall we go in together? -Yep. -Shopping together. I can't wait! | 0:31:27 | 0:31:31 | |
Charles, when you're in there, | 0:31:32 | 0:31:34 | |
-don't make too much noise. -Please, likewise. | 0:31:34 | 0:31:37 | |
-Me? -Yeah, you. | 0:31:37 | 0:31:39 | |
Yeah. A clean fight now, boys, please. | 0:31:39 | 0:31:42 | |
Nice shop. | 0:31:42 | 0:31:44 | |
-Shall I go through here? -Anywhere you like. -See you shortly. | 0:31:45 | 0:31:47 | |
Don't call me "Shortly". | 0:31:47 | 0:31:49 | |
Boom-boom. | 0:31:49 | 0:31:51 | |
-Richard. Hello. -Hello. | 0:31:51 | 0:31:54 | |
Hello! Dealer Richard will assist with their search. | 0:31:54 | 0:31:58 | |
With £302.20, Carlos is trailing behind his competitor | 0:31:58 | 0:32:03 | |
as their last leg of the road trip kicks off. | 0:32:03 | 0:32:06 | |
Doe he have a strategy with which to better his rival? | 0:32:06 | 0:32:10 | |
My tactics are to really go for it. | 0:32:10 | 0:32:14 | |
This is my last auction. | 0:32:14 | 0:32:15 | |
It's my last stand against Charlie, and here he comes. | 0:32:15 | 0:32:18 | |
OK, Charlie? Fine, are you going past me? | 0:32:18 | 0:32:21 | |
-I need the loo. -Going to the loo? Fine. | 0:32:21 | 0:32:23 | |
-It's obviously pre-match nerves, Charlie! -Ha! | 0:32:23 | 0:32:26 | |
He doesn't seem very nervous, Charles. | 0:32:26 | 0:32:28 | |
I've got a lot of money. Well, a lot more than Charles has! | 0:32:28 | 0:32:33 | |
Don't brag. £410, to be precise. | 0:32:33 | 0:32:36 | |
Before long, Charlie's taken a shine to a collection of items in a silver cabinet. | 0:32:36 | 0:32:42 | |
There's quite a lot of watches in here, of varying sorts. | 0:32:42 | 0:32:46 | |
These are all damaged. They would need work to make them go. | 0:32:46 | 0:32:50 | |
But again, wonderful direction of decoration on that. | 0:32:50 | 0:32:55 | |
There might be a little job lot here which might be quite exciting. | 0:32:55 | 0:32:59 | |
Combined ticket price for all seven silver watches is £160. | 0:32:59 | 0:33:04 | |
I suppose I'd like to buy the whole lot for about 80 quid. | 0:33:05 | 0:33:09 | |
Charlie's going to speak to Richard. | 0:33:09 | 0:33:11 | |
-What's the best you could do? -90 would be. -90 would be. | 0:33:11 | 0:33:15 | |
Gosh, I'm being rather pathetic and pernickety here. | 0:33:15 | 0:33:19 | |
You can't do them for 80, can you? | 0:33:19 | 0:33:21 | |
85 I'll do. | 0:33:21 | 0:33:22 | |
Put it there. I think that's great. Really thrilled. | 0:33:22 | 0:33:25 | |
-Thank you very much. -Thank you. | 0:33:25 | 0:33:26 | |
So, Charlie has his job lot of silver watches at a bargain price. | 0:33:26 | 0:33:30 | |
And now Charles has also found something he likes. | 0:33:30 | 0:33:34 | |
This I love. Isn't that wonderful? | 0:33:36 | 0:33:39 | |
It's a mahogany knife box dating from way back in the late 1700s. | 0:33:39 | 0:33:44 | |
Back in its heyday, you would have had some fabric lining, | 0:33:45 | 0:33:49 | |
but over the years, it's just been completely lost. | 0:33:49 | 0:33:52 | |
The price on the ticket is a hefty £110. | 0:33:54 | 0:33:57 | |
But Charles is hoping that the damage on the box | 0:33:57 | 0:34:00 | |
might give him a significant leeway to negotiate. | 0:34:00 | 0:34:03 | |
-I quite like this knife box. -Uh-huh. | 0:34:03 | 0:34:05 | |
What's the best price on that, Richard? | 0:34:05 | 0:34:08 | |
-This is £30. -Really? -Mm-hm. | 0:34:08 | 0:34:11 | |
-You said 30. -Mm-hm. | 0:34:11 | 0:34:13 | |
It is tired. It is worn out. | 0:34:13 | 0:34:16 | |
-But it's history. -Yeah. | 0:34:16 | 0:34:19 | |
I would like to offer £20 for it. | 0:34:19 | 0:34:21 | |
-Done with your approval? -Go on, then. Done. | 0:34:21 | 0:34:24 | |
That's one buy. £20. Thank you, Richard. | 0:34:24 | 0:34:26 | |
Thank you! Charles gets the 18th-century knife box | 0:34:26 | 0:34:30 | |
and both our boys are storming onwards. | 0:34:30 | 0:34:32 | |
They're driving the 15 miles to the environs of Ledbury, Herefordshire, | 0:34:33 | 0:34:37 | |
where Charlie's next shop is Posterity, on the outskirts of town. | 0:34:37 | 0:34:43 | |
# La la la... # Hello, doggie! | 0:34:43 | 0:34:44 | |
No need to talk to Mackintosh like that, Charlie. | 0:34:44 | 0:34:47 | |
He's the yard foreman. | 0:34:47 | 0:34:49 | |
Owner David is on hand to help. | 0:34:49 | 0:34:52 | |
Posterity specialise in architectural and garden antiques. | 0:34:52 | 0:34:56 | |
And on site is a giant collection of absolute monsters | 0:34:56 | 0:35:01 | |
which have caught Charlie's eye. | 0:35:01 | 0:35:03 | |
I love your olive jars! | 0:35:03 | 0:35:05 | |
They're absolutely magnificent! | 0:35:05 | 0:35:08 | |
-Where do they come from? -They're Spanish. | 0:35:08 | 0:35:10 | |
Northern Spanish, just south of the Pyrenees, some from up the Pyrenees. | 0:35:10 | 0:35:13 | |
They're known out there as tinaja, | 0:35:13 | 0:35:17 | |
and they're all dated between about 1850 and 1920. | 0:35:17 | 0:35:22 | |
They were used for storing anything. Water, wine, if you were lucky. | 0:35:22 | 0:35:26 | |
That's the biggest one I've ever seen in my life. | 0:35:26 | 0:35:29 | |
The big ones might even make a good sort of eco home! | 0:35:29 | 0:35:33 | |
Charlie's quite smitten with them, and he's flashing his cash. | 0:35:33 | 0:35:36 | |
Have you got such a thing as a 300-pounder? | 0:35:36 | 0:35:38 | |
I love them! | 0:35:40 | 0:35:41 | |
This little chap here I'd be prepared to let you have at £300. | 0:35:41 | 0:35:45 | |
-Would you really? -Well, seeing as it's you! | 0:35:45 | 0:35:48 | |
Huh. This example dates from around 1910. | 0:35:48 | 0:35:52 | |
It's losing a bit of its exterior. | 0:35:52 | 0:35:55 | |
I think that's absolutely fabulous. Marvellous! | 0:35:55 | 0:35:58 | |
I can't resist it! | 0:35:58 | 0:36:00 | |
300 quid, sir. | 0:36:00 | 0:36:02 | |
Good golly! Charlie lays £300 out on a single lot | 0:36:02 | 0:36:07 | |
and now only has £25 left of his previously generous budget. | 0:36:07 | 0:36:11 | |
That's a bold move, Charlie. | 0:36:11 | 0:36:15 | |
And how do you think you're going to get the beast to auction, eh? | 0:36:15 | 0:36:18 | |
Charlie has driven on the eight miles to Malvern in Worcestershire. | 0:36:20 | 0:36:24 | |
This former spa town originally grew up around a medieval Benedictine monastery, | 0:36:25 | 0:36:31 | |
the remains of which make up the earliest parts of this, | 0:36:31 | 0:36:34 | |
the Grade I listed Great Malvern priory. | 0:36:34 | 0:36:37 | |
Charlie's aiming for his next shop, Foley House Antiques. | 0:36:37 | 0:36:40 | |
Careful there, old boy! | 0:36:42 | 0:36:44 | |
Mind the truss! | 0:36:44 | 0:36:45 | |
Here, dealers Tracey and Brigitte hold court. | 0:36:48 | 0:36:50 | |
Look out, girls! | 0:36:50 | 0:36:52 | |
He's only got £25 left in his wallet, | 0:36:56 | 0:36:58 | |
but before long, he's spied something. | 0:36:58 | 0:37:01 | |
-Brigitte? -Yes? -Can you help me? | 0:37:02 | 0:37:05 | |
What is that? | 0:37:05 | 0:37:07 | |
There, with what looks like a Russian flag and a Union Jack on it. | 0:37:07 | 0:37:11 | |
I'll get the key. | 0:37:11 | 0:37:13 | |
It looks absolutely fascinating. It's got Russian writing round it. | 0:37:13 | 0:37:17 | |
I'd be intrigued to know what it's to do with. | 0:37:17 | 0:37:20 | |
Glad to oblige! | 0:37:20 | 0:37:22 | |
It's a plaque commemorating the 1962 joint British/Soviet mountaineering expedition | 0:37:22 | 0:37:28 | |
to the Pamir Mountains in what is now Tajikistan | 0:37:28 | 0:37:33 | |
and was then part of the Soviet Union. | 0:37:33 | 0:37:35 | |
It's a real piece of history, and Charlie's quite smitten by it. | 0:37:35 | 0:37:38 | |
He's a bit of a climber himself, you know. Socially. | 0:37:38 | 0:37:40 | |
How much can your Russian plaque be? | 0:37:42 | 0:37:43 | |
I can't resist your Russian plaque. | 0:37:43 | 0:37:45 | |
Well, I shouldn't say that. Could it be a tenner? | 0:37:45 | 0:37:47 | |
No! | 0:37:47 | 0:37:49 | |
-It couldn't, no? -15? | 0:37:49 | 0:37:51 | |
I think 15 would be a good price. | 0:37:51 | 0:37:55 | |
Does 12 sound any exciting? No? | 0:37:55 | 0:37:58 | |
-No, it would have to be 15. -Have to be 15. -Have to be. | 0:37:58 | 0:38:00 | |
Girls... | 0:38:00 | 0:38:02 | |
-A deal. -Sold to the man in the corner! | 0:38:02 | 0:38:05 | |
Mwa! Thank you! | 0:38:05 | 0:38:06 | |
Da! All is glasnost in the shop | 0:38:06 | 0:38:10 | |
and Charlie has his coveted plaque. | 0:38:10 | 0:38:12 | |
And with that, our boys are back in the car, | 0:38:15 | 0:38:18 | |
and with the last auction fast approaching, | 0:38:18 | 0:38:20 | |
they're comparing their form in the competition so far. | 0:38:20 | 0:38:24 | |
I've only ever lost one series. | 0:38:24 | 0:38:26 | |
-Oh, no! -Yep! -Oh, no! -Yep. | 0:38:26 | 0:38:29 | |
I've only ever won one series! | 0:38:29 | 0:38:32 | |
But this game isn't won until the last fall of the gavel. | 0:38:33 | 0:38:36 | |
They're on their way to Lechlade- on-Thames, Gloucestershire. | 0:38:36 | 0:38:40 | |
-There we are. -In Cirencester. | 0:38:41 | 0:38:43 | |
No, you're not. You're in Lechlade-on-Thames, | 0:38:43 | 0:38:45 | |
which, as the name suggests, sits on the banks of old Father Thames. | 0:38:45 | 0:38:50 | |
CLOCK CHIMES | 0:38:50 | 0:38:52 | |
Cometh the hour, Charlie, cometh the man. | 0:38:52 | 0:38:55 | |
Come on, then! | 0:38:55 | 0:38:57 | |
-I'll race you, OK? -This way, Charlie. | 0:38:57 | 0:38:59 | |
They're sprinting for Lechlade Antiques Arcade. | 0:38:59 | 0:39:02 | |
And who's winning? | 0:39:02 | 0:39:04 | |
I'll go right. You go straight on. | 0:39:06 | 0:39:09 | |
With £222.80 still to spend, Carlos is heading upstairs. | 0:39:09 | 0:39:14 | |
His dithering rival, however, is down to his last tenner. | 0:39:14 | 0:39:17 | |
-Hello. -How are you? I'm Charlie. | 0:39:17 | 0:39:19 | |
-Hi, Charlie. -And you are? -Tim. | 0:39:19 | 0:39:21 | |
-Tim. -I'm Tim. This is Dom. -Dominic. | 0:39:21 | 0:39:23 | |
-Tim and Dom. -Yes. -A double act! | 0:39:23 | 0:39:25 | |
Ooh, I might find a book. | 0:39:30 | 0:39:32 | |
It's the sort of thing that's likely to be within my grasp. | 0:39:32 | 0:39:36 | |
Music lover Charlie has spotted something that might hit the right note. | 0:39:38 | 0:39:42 | |
History of Music. | 0:39:43 | 0:39:44 | |
Look at the wonderful gilding on that volume. | 0:39:44 | 0:39:48 | |
It's a five-volume history of music | 0:39:48 | 0:39:51 | |
first published by Cassell & Co | 0:39:51 | 0:39:53 | |
in the late 19th century. | 0:39:53 | 0:39:55 | |
Ticket price is £22.50. | 0:39:55 | 0:39:57 | |
Is that all? | 0:39:57 | 0:39:59 | |
That's splendid. Books are so cheap. | 0:39:59 | 0:40:03 | |
Good books. | 0:40:04 | 0:40:06 | |
Something like this doesn't really go out of fashion. | 0:40:06 | 0:40:10 | |
It becomes no less relevant with age. | 0:40:10 | 0:40:14 | |
Aren't they beautiful? | 0:40:14 | 0:40:17 | |
The books belong to a dealer, Veen, | 0:40:17 | 0:40:20 | |
who isn't in the shop today. | 0:40:20 | 0:40:22 | |
Charlie wants to offer his last £10 for them. | 0:40:22 | 0:40:25 | |
-Is it worth a try? What do you think? -I can ring her. -Could you? | 0:40:25 | 0:40:31 | |
Could you tell her it's Charlie and he's ever such a nice chap? | 0:40:31 | 0:40:34 | |
Tim - great name - will call Veen. | 0:40:34 | 0:40:37 | |
But with so little to spend, will she tell Charlie to go whistle? | 0:40:37 | 0:40:41 | |
While Tim, great name, makes the call, Charlie browses on, | 0:40:41 | 0:40:44 | |
just in case his telephonic charms don't swing the deal. | 0:40:44 | 0:40:47 | |
Ooh. Ordnance Survey maps. | 0:40:47 | 0:40:49 | |
People like old Ordnance Survey maps. They collect them. | 0:40:50 | 0:40:54 | |
Since their auction is near Winchester, | 0:40:54 | 0:40:56 | |
he's wondering if he can find a map of local interest. | 0:40:56 | 0:40:59 | |
And he might be just in luck. | 0:40:59 | 0:41:01 | |
No. | 0:41:01 | 0:41:03 | |
"A one-inch map of Great Britain. Winchester"! | 0:41:05 | 0:41:10 | |
£2.50. | 0:41:10 | 0:41:11 | |
And how interesting to look at one which was published in 1959. | 0:41:11 | 0:41:16 | |
A-ha. Tim, great name, is back. | 0:41:16 | 0:41:18 | |
Was Veen seduced by Charlie's offer? | 0:41:18 | 0:41:20 | |
She will take a tenner. | 0:41:20 | 0:41:22 | |
-But could the £2.50 map be included? -Sounds good to me. | 0:41:22 | 0:41:27 | |
So Charlie's charm got him the books and the map thrown in for a bargain £10. | 0:41:27 | 0:41:31 | |
That's cheeky. | 0:41:31 | 0:41:33 | |
Charles, meanwhile, is another part of the shop. | 0:41:35 | 0:41:39 | |
Young Carlos is feeling the pressure this morning. | 0:41:39 | 0:41:42 | |
We have no time today, OK? Time today is of the essence. | 0:41:42 | 0:41:45 | |
I'm £100 behind. £100 behind that great man Charlie Ross. | 0:41:45 | 0:41:48 | |
But Charles has spotted something which might just save him. | 0:41:52 | 0:41:56 | |
This is quite nice. | 0:41:56 | 0:41:58 | |
What we've got here, | 0:41:58 | 0:42:00 | |
surprisingly out on the side, | 0:42:00 | 0:42:03 | |
is a pretty tray. | 0:42:03 | 0:42:05 | |
It's an interesting table tray | 0:42:05 | 0:42:06 | |
beautifully embossed in the Rococo style. | 0:42:06 | 0:42:09 | |
It's solid silver and dates from the Edwardian period. | 0:42:09 | 0:42:12 | |
It's quite good. | 0:42:12 | 0:42:14 | |
And two more silvery beauties have caught his eye. | 0:42:14 | 0:42:17 | |
You've got these two very delicious silver dishes. | 0:42:17 | 0:42:20 | |
Just very indistinctly hallmarked just on the edge here of this one | 0:42:20 | 0:42:25 | |
there is a hallmark for Chester. | 0:42:25 | 0:42:27 | |
And this one as well is a companion. | 0:42:27 | 0:42:31 | |
It's a pair. They're quite quirky. | 0:42:31 | 0:42:34 | |
The tickets aren't marked with prices, | 0:42:34 | 0:42:36 | |
so Carlos is going to ask dealer Dominic | 0:42:36 | 0:42:38 | |
what the tray and pair of dishes might cost. | 0:42:38 | 0:42:41 | |
What can you do them for? | 0:42:42 | 0:42:44 | |
I think £70 would be perfect. | 0:42:44 | 0:42:46 | |
-Golly. -There's a good profit in there for you. | 0:42:46 | 0:42:48 | |
-Very tempting. -To finish tempting you, 65. | 0:42:48 | 0:42:51 | |
For Queen and country, your very best price is... | 0:42:51 | 0:42:55 | |
It has to be 65, I'm afraid. | 0:42:55 | 0:42:57 | |
Hard man, but good man. | 0:42:59 | 0:43:01 | |
-Yeah, I'll take them. Thank you. -Thank you very much. -I'll take them. | 0:43:01 | 0:43:05 | |
Sold. Done. | 0:43:05 | 0:43:07 | |
Charles has now found another of Dom's items that he rather likes. | 0:43:07 | 0:43:11 | |
Tell me about that. Give me its pedigree. | 0:43:11 | 0:43:14 | |
Right. It's a little Edwardian candle set. | 0:43:14 | 0:43:17 | |
It's a piece of toleware, | 0:43:17 | 0:43:19 | |
or painted varnished tin | 0:43:19 | 0:43:22 | |
with gilt decoration, | 0:43:22 | 0:43:24 | |
comprising two candle snuffers and a pair of wick nips. | 0:43:24 | 0:43:28 | |
That would cut the wick, I think. Is that damaged there, Dom? | 0:43:28 | 0:43:31 | |
There's a small amount of damage on the handle. | 0:43:31 | 0:43:33 | |
What's the best price on that? | 0:43:33 | 0:43:35 | |
The very best on that, for you, would be £10. | 0:43:35 | 0:43:38 | |
And for Charles's next trick... | 0:43:38 | 0:43:40 | |
You gave me £5 back. | 0:43:40 | 0:43:42 | |
Dom, put that £5 in your hand. | 0:43:42 | 0:43:45 | |
I'll close my eyes | 0:43:45 | 0:43:46 | |
and put back in my hand which one you'd rather I take away. | 0:43:46 | 0:43:50 | |
I'm going to be kind today. | 0:43:52 | 0:43:53 | |
Abracadabra! | 0:43:53 | 0:43:55 | |
-Very kind. -Are you sure? -Yes. | 0:43:55 | 0:43:57 | |
With that cunning sleight of hand, | 0:43:57 | 0:43:59 | |
Charles has accumulated another three lots | 0:43:59 | 0:44:02 | |
and both our lads are hitting the road. | 0:44:02 | 0:44:04 | |
-Thanks again. Bye! -The sun's out! | 0:44:04 | 0:44:07 | |
That's a sign of things to come. | 0:44:07 | 0:44:09 | |
Let's hope so! | 0:44:10 | 0:44:11 | |
They're driving the 32 miles to Wheatley, Oxfordshire, | 0:44:11 | 0:44:14 | |
where, since he's now spent every last penny in his pocket, | 0:44:14 | 0:44:18 | |
Charlie has decided to take the blooming afternoon off... | 0:44:18 | 0:44:22 | |
..and pay a visit to Waterperry Gardens | 0:44:24 | 0:44:27 | |
and meet their museum curator, Gordon. | 0:44:27 | 0:44:29 | |
A-ha. You must be the boss, sir. | 0:44:29 | 0:44:32 | |
-Mr Ross. -Gordon, is it? -It is indeed. | 0:44:33 | 0:44:35 | |
This is absolutely remarkable. | 0:44:35 | 0:44:38 | |
Waterperry House is an elegant 17th-century mansion | 0:44:38 | 0:44:42 | |
which remains a private residence. | 0:44:42 | 0:44:44 | |
But the lovely historic gardens which surround it | 0:44:44 | 0:44:47 | |
and were once its estate, are now open to the public | 0:44:47 | 0:44:50 | |
and house a garden centre and Gordon's museum of rural objects. | 0:44:50 | 0:44:55 | |
The well-tended gardens here have their modern roots in the 1930s, | 0:44:56 | 0:45:00 | |
when horticulturalist Beatrix Havergal established a ladies' agricultural school on the site. | 0:45:00 | 0:45:08 | |
-Beatrix... -Havergal. -What a splendid name! | 0:45:08 | 0:45:10 | |
As this footage from the mid-20th century shows, | 0:45:10 | 0:45:14 | |
the delightful young ladies of the school had a jolly time | 0:45:14 | 0:45:18 | |
learning all about aspects of horticulture. | 0:45:18 | 0:45:20 | |
It was a horticulture training college for young ladies only. | 0:45:20 | 0:45:23 | |
And they went away with some sort of diploma? | 0:45:23 | 0:45:26 | |
-They had the Waterperry diploma. -Which was presumably very highly thought of. | 0:45:26 | 0:45:30 | |
Yes, they were well trained. | 0:45:30 | 0:45:32 | |
Now, Gordon's going to show Charlie some of his favourite items from the museum | 0:45:32 | 0:45:37 | |
which houses a vast collection of objects relating to horticulture and country life. | 0:45:37 | 0:45:42 | |
Hundreds and hundreds of objects, a lot of which I think I know something about, | 0:45:43 | 0:45:49 | |
but there are one or two, as I came through the door, | 0:45:49 | 0:45:51 | |
I saw a wonderful gun, | 0:45:51 | 0:45:54 | |
-but it didn't look like a normal sort of gun, to me. -It's far from being normal! | 0:45:54 | 0:45:59 | |
It's a 19th-century gun which has been adapted to be triggered by trip wires, | 0:45:59 | 0:46:03 | |
designed to shoot poachers on country estates. Painful! | 0:46:03 | 0:46:07 | |
It's been adapted. It's the mechanism from a musket. | 0:46:07 | 0:46:10 | |
My goodness me. How fearsome! | 0:46:10 | 0:46:13 | |
It's been so arranged that this would be hidden, camouflaged, in the bushes. | 0:46:13 | 0:46:19 | |
-Yes. -This rod has on the end of it, three rings. -Yes. | 0:46:19 | 0:46:23 | |
-So you could have three trip-wires across one path. -Why three? | 0:46:23 | 0:46:27 | |
You've got more chance of catching them than if you had two. | 0:46:27 | 0:46:31 | |
Good point, Gordon. In the mid-19th century, | 0:46:31 | 0:46:33 | |
such brutal devices were outlawed | 0:46:33 | 0:46:36 | |
and, of course, this one has now been rendered safely inoperative. | 0:46:36 | 0:46:40 | |
Gordon's taking Charlie on to see more of the museum's unusual objects. | 0:46:41 | 0:46:45 | |
These shoes, here. Are they shoes? | 0:46:45 | 0:46:48 | |
-Hmm. -They look like shoes. -Booties. -Booties. | 0:46:48 | 0:46:51 | |
-What for? -These two chaps, these were for sheep. -Sheep?! | 0:46:51 | 0:46:58 | |
Sheep's wellies. Little sheep's wellies. | 0:46:58 | 0:47:00 | |
-Was that to stop them getting rot of some sort? -Yes, if they'd got foot rot. | 0:47:00 | 0:47:04 | |
A medicated paste to treat foot rot | 0:47:04 | 0:47:07 | |
was put into the boots before the sheep were fitted with them. | 0:47:07 | 0:47:10 | |
-What about these? -These are very classy. | 0:47:10 | 0:47:13 | |
-They look beautifully hand-stitched. -They are. | 0:47:13 | 0:47:16 | |
Size four. They're for goats. Regimental goats. | 0:47:18 | 0:47:21 | |
These spiffy little boots would have been worn by a goat | 0:47:21 | 0:47:24 | |
that was the mascot to a military regiment. | 0:47:24 | 0:47:27 | |
What an eclectic mix you have here! | 0:47:27 | 0:47:29 | |
Now, Gordon's got one last thing to show you. | 0:47:29 | 0:47:32 | |
One orange tree. | 0:47:33 | 0:47:35 | |
The legend runs | 0:47:35 | 0:47:36 | |
that doughty Miss Havergal was unsure about her decision to start the horticultural school | 0:47:36 | 0:47:41 | |
until she caught the inspiring whiff of a freshly picked orange | 0:47:41 | 0:47:45 | |
and resolved to found Waterperry Gardens as a result. | 0:47:45 | 0:47:50 | |
Waterperry keeps this orange tree to remember Miss Havergal's good work to this day. | 0:47:50 | 0:47:56 | |
Looks like Charlie fancies one. | 0:47:56 | 0:47:57 | |
Careful, Charlie. Judging by that poacher gun, | 0:47:57 | 0:48:00 | |
they take a dim view of that sort of thing round here. | 0:48:00 | 0:48:03 | |
GUNSHOT | 0:48:03 | 0:48:04 | |
Only joking! | 0:48:04 | 0:48:07 | |
Charles, meanwhile, has driven on to Chilton, Oxfordshire. | 0:48:07 | 0:48:10 | |
This is Country Markets Antiques & Collectables | 0:48:12 | 0:48:15 | |
-and this is dealer, Julie. -Hello, madam. | 0:48:15 | 0:48:17 | |
-Hi, there. -How are you? -I'm fine, thank you. -You look a very stylish lady. | 0:48:17 | 0:48:21 | |
-That lovely necklace. -Yes. My favourite. -Beautiful. | 0:48:21 | 0:48:26 | |
Have you been taking lessons at the Charlie Ross Charm School, Charles? | 0:48:26 | 0:48:30 | |
It's like Charlie and myself. | 0:48:34 | 0:48:36 | |
But he doesn't want any Mickey Mouse buys today. | 0:48:36 | 0:48:40 | |
He's seen something with real age. | 0:48:40 | 0:48:42 | |
I can spy four Roman and medieval rings. | 0:48:42 | 0:48:45 | |
That you can. And they're priced up at a bargain £10 each. | 0:48:45 | 0:48:49 | |
-That ring is like a gent's signet ring, almost. -I'd say so. | 0:48:49 | 0:48:53 | |
Some sort of fleur-de-lys design. | 0:48:53 | 0:48:55 | |
But they all have been lived in, haven't they? | 0:48:55 | 0:48:58 | |
Ticket price for all four is £40. | 0:48:58 | 0:49:01 | |
Charles so loves the items in this cabinet | 0:49:01 | 0:49:03 | |
that he's asked to call Frank, the dealer who owns them, | 0:49:03 | 0:49:07 | |
in the hope of acquiring an affordable job lot. | 0:49:07 | 0:49:11 | |
Frank, it turns out, is only 19 years old. | 0:49:11 | 0:49:14 | |
Even younger than Charles! | 0:49:14 | 0:49:16 | |
Frank, you've got these Roman coins | 0:49:16 | 0:49:19 | |
which are three pounds each. | 0:49:19 | 0:49:21 | |
Frankly, Frank, they're bronze Roman coins | 0:49:21 | 0:49:24 | |
mainly from the second to the fourth century AD. | 0:49:24 | 0:49:26 | |
Ticket price for all the coins and the rings combined is £82. | 0:49:26 | 0:49:31 | |
There's 14 Roman coins, Frank. | 0:49:31 | 0:49:33 | |
What would be your best price? | 0:49:35 | 0:49:37 | |
Hand on heart, you've got to make some money | 0:49:38 | 0:49:41 | |
because you're a young man building this hobby into a career. | 0:49:41 | 0:49:45 | |
But I would probably want to pay about £40. | 0:49:45 | 0:49:48 | |
Exactly. Shall we meet in the middle, | 0:49:48 | 0:49:50 | |
at £42.50? | 0:49:50 | 0:49:52 | |
Are you sure? | 0:49:55 | 0:49:57 | |
Charles has his last lot | 0:49:57 | 0:49:59 | |
and it satisfies his love for all things ancient. | 0:49:59 | 0:50:02 | |
Sometimes in this great Antiques Road Trip, you need to buy with your heart. | 0:50:02 | 0:50:05 | |
How many times has he said that before? | 0:50:05 | 0:50:08 | |
Now our duelling duo have all their lots for auction. | 0:50:09 | 0:50:13 | |
Charles Hanson began this leg with £302.20, | 0:50:13 | 0:50:17 | |
and he's spent £132.50 on five lots - | 0:50:17 | 0:50:21 | |
a mahogany knife box, a silver dressing table tray, | 0:50:21 | 0:50:25 | |
a pair of silver dishes, an Edwardian candle set | 0:50:25 | 0:50:29 | |
and a large collection of Roman and medieval rings and coins. | 0:50:29 | 0:50:33 | |
Charlie Ross started this leg with £410 on the button. | 0:50:33 | 0:50:38 | |
He spent every last coin he had, also on five lots - | 0:50:38 | 0:50:42 | |
a job lot of pocket watches, a Russian plaque, | 0:50:42 | 0:50:45 | |
a massive olive jar, | 0:50:45 | 0:50:47 | |
a five-volume set of books on music and a map of Winchester. | 0:50:47 | 0:50:51 | |
But what do they really think? | 0:50:51 | 0:50:53 | |
He's bought very well. He's speculated hugely with that pot. | 0:50:53 | 0:50:58 | |
The pot will either race away and be a saviour, | 0:50:58 | 0:51:01 | |
or it will be his nemesis and he'll lose his money. | 0:51:01 | 0:51:04 | |
Charles's things? Sheraton knife box. Nice thing, but it's completely and utterly had it. | 0:51:04 | 0:51:10 | |
His Roman coins? He always buys Roman coins and he does well with them. | 0:51:10 | 0:51:14 | |
They could make £100. The snuffers are, quite frankly, useless. They're broken. | 0:51:14 | 0:51:19 | |
Watch this space! | 0:51:19 | 0:51:21 | |
On this leg of their chummy Road Trip, | 0:51:21 | 0:51:24 | |
Charles and Charlie have travelled from Hereford | 0:51:24 | 0:51:27 | |
to their auction here in the village of Itchen Stoke, | 0:51:27 | 0:51:30 | |
near Winchester in Hampshire. | 0:51:30 | 0:51:32 | |
The pretty little village has a quintessentially English style, | 0:51:32 | 0:51:36 | |
just the place for our pair of dapper gents | 0:51:36 | 0:51:39 | |
to face their final showdown. | 0:51:39 | 0:51:41 | |
Where's my pot? | 0:51:41 | 0:51:42 | |
Charlie's managed to have the pot delivered | 0:51:42 | 0:51:44 | |
to the auction house in one piece! | 0:51:44 | 0:51:46 | |
Ooh! Off to the sale room. | 0:51:46 | 0:51:48 | |
Here at Andrew Smith & Son Auctions, | 0:51:48 | 0:51:51 | |
auctioneer Andrew Smith presides. | 0:51:51 | 0:51:53 | |
First up is Charlie Ross with his locally relevant map of 1950s Winchester. | 0:51:53 | 0:51:59 | |
-I'll start the bidding at a fiver. -Yes! | 0:51:59 | 0:52:01 | |
At five pounds. Seven. | 0:52:03 | 0:52:06 | |
-No! -Ten. 12. -No! | 0:52:06 | 0:52:08 | |
At £10 commission bid. | 0:52:08 | 0:52:11 | |
12. 15. 17. | 0:52:11 | 0:52:14 | |
20. 22. 25. 27? | 0:52:14 | 0:52:18 | |
£27. Commission bid there at 27 in the room. Is there 30? | 0:52:18 | 0:52:22 | |
At £27. | 0:52:22 | 0:52:24 | |
I've got mud on my face. | 0:52:24 | 0:52:26 | |
Amazing. Well done, Charlie. Well done. | 0:52:26 | 0:52:29 | |
A local lot for local people. | 0:52:29 | 0:52:31 | |
A stormer of a start for Charlie. | 0:52:31 | 0:52:34 | |
Charles now, with his 18th-century knife box. | 0:52:34 | 0:52:37 | |
Might it carve out a decent profit? | 0:52:37 | 0:52:39 | |
Start me at £40, now. £40? £40? | 0:52:39 | 0:52:42 | |
-30, then. -Oh, no. -£30. | 0:52:42 | 0:52:44 | |
Got to start somewhere. £10? Ten I have. | 0:52:44 | 0:52:46 | |
Well done. Is there 12? | 0:52:46 | 0:52:47 | |
At £10 on my left. We will sell. Make no mistake. At £10. | 0:52:47 | 0:52:51 | |
12. 15. 17? | 0:52:51 | 0:52:53 | |
-£15 I have. I'm selling. -Oh, dear. | 0:52:53 | 0:52:56 | |
At £15. | 0:52:56 | 0:52:59 | |
Made me very happy! | 0:52:59 | 0:53:01 | |
So it should. That cuts into Charles's chances! | 0:53:01 | 0:53:04 | |
-Chin up, old bean. -Long way to go, bean. -Long way to go. Absolutely. | 0:53:04 | 0:53:07 | |
Now Charlie's plaque commemorating a chilly expedition during the Cold War. | 0:53:07 | 0:53:12 | |
Five pounds, surely? Five pounds at the back. We're away. | 0:53:12 | 0:53:15 | |
Is there a seven? At £5 and selling. | 0:53:15 | 0:53:17 | |
Seven? At £5. Are you sure? | 0:53:17 | 0:53:20 | |
At five... Seven in the middle here. Ten. 12. | 0:53:20 | 0:53:23 | |
At £10 and selling, at the back. Is there 12? | 0:53:23 | 0:53:26 | |
At £10. Are you done? Any more? At £10. Last time. | 0:53:26 | 0:53:30 | |
-Profit? -No. -I thought it cost you a fiver? -No, it cost me 15. | 0:53:32 | 0:53:36 | |
Now, might the bonny but broken set of candle accessories | 0:53:36 | 0:53:40 | |
be enough to let Charles snuff out the competition? | 0:53:40 | 0:53:43 | |
£10. Five. £10. Five. | 0:53:43 | 0:53:45 | |
-Five? -Oh, no! -Too much. | 0:53:45 | 0:53:47 | |
Five I have. Is there seven? | 0:53:47 | 0:53:49 | |
At £5. | 0:53:49 | 0:53:50 | |
Seven. 10. 12. | 0:53:50 | 0:53:52 | |
15? | 0:53:52 | 0:53:54 | |
-At £12 in the middle here. -Too much money. -£12. | 0:53:54 | 0:53:57 | |
Still a good buy at £12. Any more? | 0:53:57 | 0:53:59 | |
-Far too much money. -If we're all done, for the last time. | 0:53:59 | 0:54:02 | |
Despite Charlie's scorn, | 0:54:02 | 0:54:05 | |
they scored Charles a nice little profit. | 0:54:05 | 0:54:07 | |
Now another for Charlie, | 0:54:09 | 0:54:11 | |
as his lot of five books on music play out. | 0:54:11 | 0:54:13 | |
Start me at £20. £20? | 0:54:13 | 0:54:15 | |
-£20? -Is this it? -Yes. | 0:54:15 | 0:54:18 | |
£5? Five we have. Is there seven? | 0:54:18 | 0:54:21 | |
At five... Seven. Ten. | 0:54:21 | 0:54:23 | |
12. 15. | 0:54:23 | 0:54:25 | |
17? | 0:54:25 | 0:54:26 | |
£15 standing. Is there 17? | 0:54:26 | 0:54:28 | |
At £15 we are selling. | 0:54:28 | 0:54:30 | |
Are you all done at £15? | 0:54:30 | 0:54:32 | |
-Profit. -You are on top form. | 0:54:33 | 0:54:36 | |
Indeed he is. Charlie's still comfortably in the lead. | 0:54:36 | 0:54:40 | |
Can Charles change his fortunes with his lot of medieval coins and rings? | 0:54:40 | 0:54:45 | |
-Start me at £50. -Come on, sir. Come on. | 0:54:45 | 0:54:48 | |
£50? 40? | 0:54:48 | 0:54:50 | |
-£40? -It's painful. | 0:54:50 | 0:54:51 | |
30 to get it going. £30. | 0:54:51 | 0:54:53 | |
£30. 20? | 0:54:53 | 0:54:55 | |
£20? Surely at £20? | 0:54:55 | 0:54:57 | |
-A tenner to start me. -Oh, no! £10? | 0:54:57 | 0:55:00 | |
-Ten we have. 12? -Come on! -15? | 0:55:00 | 0:55:02 | |
Keep going! | 0:55:02 | 0:55:05 | |
17. 20. | 0:55:05 | 0:55:08 | |
At £17 seated. 20. 22? | 0:55:08 | 0:55:11 | |
-Keep going. -£20 standing. | 0:55:11 | 0:55:13 | |
-Oh, no! -At £20. Can we do any more? At £20, then. | 0:55:13 | 0:55:17 | |
-You make your own luck. -Last time at £20. | 0:55:17 | 0:55:19 | |
Ancient they may be, but profit-making they ain't. | 0:55:20 | 0:55:24 | |
Another for the young pretender now | 0:55:24 | 0:55:26 | |
as his embossed tray is up. | 0:55:26 | 0:55:28 | |
Might this prove every cloud has a silver lining? | 0:55:28 | 0:55:31 | |
I'm going to go straight in at £100. | 0:55:31 | 0:55:33 | |
Is there ten in the room? At £100. | 0:55:33 | 0:55:36 | |
All done at £100. Commission bid, then. Very last time. | 0:55:36 | 0:55:41 | |
-Well done. -That's the business. | 0:55:41 | 0:55:43 | |
We're rolling now to victory. | 0:55:43 | 0:55:47 | |
Rolling the victory V! | 0:55:47 | 0:55:48 | |
His fortunes have turned. | 0:55:48 | 0:55:50 | |
Carlos steals the lead. | 0:55:50 | 0:55:52 | |
If silver's high today, | 0:55:52 | 0:55:54 | |
might Charlie repeat the trick with his watches? | 0:55:54 | 0:55:57 | |
£60. Is there a five in the room? | 0:55:57 | 0:55:59 | |
At £60, commission bid. | 0:55:59 | 0:56:01 | |
65. Commission bid's out. 65 in the room. | 0:56:01 | 0:56:03 | |
Is there a 70? At 65... | 0:56:03 | 0:56:04 | |
70. And five? At £70. Is there a five? | 0:56:04 | 0:56:09 | |
£70, right at the back. | 0:56:09 | 0:56:11 | |
At £70. | 0:56:11 | 0:56:12 | |
Last time at £70. | 0:56:12 | 0:56:14 | |
This really is now game on. | 0:56:16 | 0:56:17 | |
Time ticks on, and Charlie badly needs a profit | 0:56:17 | 0:56:21 | |
if he's going to re-take the advantage. | 0:56:21 | 0:56:23 | |
Charles's matching pair of silver dishes now. | 0:56:23 | 0:56:26 | |
Might lightning strike twice? | 0:56:26 | 0:56:28 | |
£40 commission bid. Is there a two? | 0:56:28 | 0:56:30 | |
-Come on. -42. 45. 47. 50. | 0:56:30 | 0:56:33 | |
And five. 60. And five. | 0:56:33 | 0:56:35 | |
-70? -Come on! One more! | 0:56:35 | 0:56:38 | |
One more! | 0:56:38 | 0:56:40 | |
£65. At £65. Are you all done? | 0:56:40 | 0:56:43 | |
For the last time. | 0:56:43 | 0:56:45 | |
And how! | 0:56:45 | 0:56:47 | |
-Well done, Charles. -Come and catch me! Come and catch me! | 0:56:47 | 0:56:51 | |
If Charlie is going to catch Charles, | 0:56:51 | 0:56:53 | |
it all rests on this. | 0:56:53 | 0:56:55 | |
The very last lot of their entire Road Trip. | 0:56:55 | 0:56:58 | |
The enormous olive pot. | 0:56:58 | 0:57:02 | |
He could still do it. Oh, the tension! | 0:57:02 | 0:57:05 | |
£150. 160. | 0:57:05 | 0:57:07 | |
Commission bid's out. 160 in the room. Is there 170? | 0:57:07 | 0:57:10 | |
He's desperate! | 0:57:10 | 0:57:12 | |
Desperate! | 0:57:12 | 0:57:15 | |
180? 180? | 0:57:15 | 0:57:17 | |
It's against you at 170. 180. Well done. 190. | 0:57:18 | 0:57:21 | |
200? | 0:57:21 | 0:57:23 | |
At £190 then in the door, there. | 0:57:23 | 0:57:25 | |
Oh, madam, I'll lend you a tenner! | 0:57:25 | 0:57:27 | |
You're making some people very happy in the corner here! | 0:57:29 | 0:57:32 | |
-At £190. -I need more! -200? | 0:57:32 | 0:57:34 | |
At £190, then. Are you all done? | 0:57:34 | 0:57:38 | |
-Last time. -He's holding it, Charlie. | 0:57:38 | 0:57:40 | |
-Oh, no! -Put it there, sir. | 0:57:40 | 0:57:44 | |
Oh, Charlie, a massive loss on a massive lot. | 0:57:44 | 0:57:48 | |
It's all gone to pot, eh? | 0:57:48 | 0:57:50 | |
That was a rollercoaster! But you've done me. | 0:57:50 | 0:57:53 | |
Charlie Ross began this leg with £410 exactly. | 0:57:54 | 0:57:58 | |
After auction costs, he made a disastrous loss | 0:57:58 | 0:58:01 | |
of £154.16, | 0:58:01 | 0:58:03 | |
meaning he's left with a total of £255.84. | 0:58:03 | 0:58:08 | |
Poor old fruit! Don't cry! | 0:58:08 | 0:58:10 | |
Charles Hanson, meanwhile, began with £302.20. | 0:58:11 | 0:58:15 | |
He managed to bag a profit of £41.34 | 0:58:15 | 0:58:18 | |
and ends victorious | 0:58:18 | 0:58:20 | |
with £343.54. | 0:58:20 | 0:58:24 | |
with all profits going to Children In Need. | 0:58:24 | 0:58:26 | |
I've really enjoyed our Road Trip. I really have. | 0:58:27 | 0:58:30 | |
Au revoir, then. Till next time, chaps! | 0:58:30 | 0:58:33 |