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It's the nation's favourite antiques experts, with £200 each... | 0:00:02 | 0:00:05 | |
I love that! | 0:00:05 | 0:00:07 | |
..a classic car and a goal to scour Britain for antiques. | 0:00:07 | 0:00:10 | |
Yippee! | 0:00:11 | 0:00:12 | |
Sometimes a man is in need. | 0:00:12 | 0:00:14 | |
The aim? To make the biggest profit at auction. | 0:00:14 | 0:00:16 | |
But it's no mean feat. | 0:00:16 | 0:00:17 | |
There'll be worthy winners and valiant losers! | 0:00:17 | 0:00:20 | |
Knobbly knick-knacks! | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
It landed on the rug! | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:34 | |
Yeah! | 0:00:34 | 0:00:35 | |
Jostling for pole position on this road trip | 0:00:37 | 0:00:40 | |
are intrepid master antiquarians Charles Hanson and Charlie Ross. | 0:00:40 | 0:00:44 | |
Worldly-wise Charlie Ross is a record-breaking auctioneer, | 0:00:46 | 0:00:50 | |
with over 25 years' experience. | 0:00:50 | 0:00:52 | |
He knows what he wants when he sees it. | 0:00:52 | 0:00:55 | |
I want that! I want that! I want that! | 0:00:55 | 0:00:57 | |
While the hungry young pretender Charles Hanson is an auctioneer | 0:00:57 | 0:01:00 | |
and valuer that will do almost anything to seal a deal. | 0:01:00 | 0:01:03 | |
The car! The car needs washing. I'll wash the car, anything else? | 0:01:03 | 0:01:06 | |
Both Charles and Charlie started on £200, and after the first leg, | 0:01:06 | 0:01:10 | |
Charlie has £226.30 to splash on more goodies. | 0:01:10 | 0:01:14 | |
Charles, however, is sliding backwards, | 0:01:16 | 0:01:19 | |
and starts this leg on only £172.20. | 0:01:19 | 0:01:22 | |
So, he'll be hoping for success today to get him back in the game. | 0:01:22 | 0:01:26 | |
Charles and Charlie are cruising in a 1971 Triumph TR6. | 0:01:26 | 0:01:31 | |
But it hasn't always been plain sailing. | 0:01:31 | 0:01:35 | |
I can't get it into gear. | 0:01:37 | 0:01:39 | |
Let's hope it's more reliable on this leg of the trip, eh? | 0:01:39 | 0:01:43 | |
Charles and Charlie are travelling around 500 miles | 0:01:43 | 0:01:46 | |
through the glorious heartlands of England - | 0:01:46 | 0:01:48 | |
from Tarporley in Cheshire | 0:01:48 | 0:01:50 | |
to Itchen Stoke, near Winchester, in Hampshire. | 0:01:50 | 0:01:53 | |
On this leg of the trip, they begin in Chesterfield, | 0:01:53 | 0:01:56 | |
and end up 50 miles away at an auction in Grantham. | 0:01:56 | 0:01:59 | |
-This is your county! -Absolutely! | 0:02:01 | 0:02:03 | |
-Derbyshire is a great cricketing county. -Yeah! | 0:02:03 | 0:02:05 | |
We're also heading to a wonderful, wonderful town with a wonky spire. | 0:02:05 | 0:02:11 | |
The wonky spire is an iconic landmark | 0:02:11 | 0:02:14 | |
in the town of Chesterfield, which is the chaps' first stop. | 0:02:14 | 0:02:19 | |
It's time for Charlie's bargain-buying blitz to begin. | 0:02:19 | 0:02:23 | |
And Charles wants him to look for real antiques today, | 0:02:23 | 0:02:26 | |
and steer away from his usual knobbly knick-knacks. | 0:02:26 | 0:02:29 | |
-Stop it! Give me my hat! -Get inside! | 0:02:29 | 0:02:31 | |
Give me my hat! Give me my hat! | 0:02:31 | 0:02:33 | |
Dear, oh, dear! What on earth is Charlie wearing?! | 0:02:33 | 0:02:36 | |
-See you later! Be big and be bold. -Natty(!) -I'll be big and bold. | 0:02:36 | 0:02:39 | |
Marlene and I - we're going to hit it off. | 0:02:39 | 0:02:41 | |
Best foot forward! | 0:02:41 | 0:02:43 | |
CHARLIE HUMS | 0:02:43 | 0:02:44 | |
-You must be Marlene. -I am that. And you must be Charlie. | 0:02:47 | 0:02:49 | |
-I am indeed. -Pleased to meet you. -Lovely to meet you. | 0:02:49 | 0:02:52 | |
-You can have a browse, do what you want. -I'll have a good look. | 0:02:52 | 0:02:56 | |
Charlie's spotted a miniature portrait in a fake ivory frame, | 0:02:59 | 0:03:03 | |
with a ticket price of £38. | 0:03:03 | 0:03:05 | |
I'm just looking at a little thing here which is of no great age - | 0:03:05 | 0:03:09 | |
-although it might be Edwardian. -Yeah. | 0:03:09 | 0:03:11 | |
It's probably as late as 1950s. | 0:03:11 | 0:03:14 | |
But, so what, because it's a charming object, | 0:03:14 | 0:03:18 | |
and I think we can safely say this is ivorine, or something. | 0:03:18 | 0:03:22 | |
Yes, I'd have thought so. | 0:03:22 | 0:03:24 | |
If I bought that, Charles would get frightfully cross with me | 0:03:24 | 0:03:27 | |
for buying something that isn't antique, | 0:03:27 | 0:03:29 | |
but, you know, who's winning the competition, Charles? | 0:03:29 | 0:03:33 | |
Yes, indeed. Good point, Charlie. Well made. | 0:03:33 | 0:03:35 | |
But what kind of deal can Marlene come up with? | 0:03:35 | 0:03:39 | |
How hard can you try on that? | 0:03:39 | 0:03:41 | |
-25. -Can you...?! | 0:03:41 | 0:03:43 | |
That's trying quite hard, isn't it? So, I'm going to have that, if I may. | 0:03:43 | 0:03:48 | |
Right. I'm going into the deep depths behind. | 0:03:48 | 0:03:53 | |
Mind the step there, old boy. | 0:03:53 | 0:03:55 | |
Rummage, rummage! | 0:03:57 | 0:03:58 | |
Oh, what have you got here?! | 0:03:58 | 0:03:59 | |
-Hey! -I know. | 0:03:59 | 0:04:00 | |
What do I like? | 0:04:00 | 0:04:02 | |
Knobbly knick-knack alert! | 0:04:02 | 0:04:04 | |
Charlie is fanatical about cricket, | 0:04:04 | 0:04:06 | |
and he's just spotted a Victorian cricket print. | 0:04:06 | 0:04:09 | |
Without a ticket price. | 0:04:09 | 0:04:11 | |
What do I love in life? Cricket! | 0:04:11 | 0:04:14 | |
Well, that explains the outfit. | 0:04:14 | 0:04:16 | |
"Whinger-worth Cricket Club Team..." | 0:04:16 | 0:04:18 | |
-"Winger-worth". -Oh, I beg your pardon. Oh, what a fab thing! | 0:04:18 | 0:04:21 | |
I LOVE the image of it all! | 0:04:23 | 0:04:26 | |
-Is it ever so cheap? -I can't price everything... -This is priceless! | 0:04:26 | 0:04:31 | |
-You can imagine! You tell me how cheap. -A fiver. | 0:04:31 | 0:04:33 | |
I'll pay a fiver for it. | 0:04:33 | 0:04:35 | |
If you want that for a fiver, you can have it for a fiver. | 0:04:35 | 0:04:39 | |
Are you sure? It's not everybody's cup of tea, is it, frankly? | 0:04:39 | 0:04:42 | |
But...it's wonderful! | 0:04:42 | 0:04:45 | |
I want that! I want that! I want that! | 0:04:45 | 0:04:47 | |
-Well, you have it, Charles. -I want that. Fab. | 0:04:47 | 0:04:50 | |
Among the many items in Marlene's shop | 0:04:50 | 0:04:53 | |
is this Edwardian nursing chair with marquetry inlay. | 0:04:53 | 0:04:56 | |
That's caught Charlie's attention. | 0:04:56 | 0:04:58 | |
That would have been, originally, part of a nine-piece salon suite, | 0:04:58 | 0:05:02 | |
-I think, don't you? -Yes. | 0:05:02 | 0:05:03 | |
-Look at all that workmanship. -Yeah. | 0:05:03 | 0:05:06 | |
The ticket price on the chair is £30, | 0:05:06 | 0:05:08 | |
and Marlene is offering it for 15. | 0:05:08 | 0:05:10 | |
No, 15 quid. I'm not mincing around any more - 15 quid. | 0:05:10 | 0:05:15 | |
Deal done. | 0:05:15 | 0:05:16 | |
-I've got three bits, they'll all make a profit. -Have a nice day! | 0:05:16 | 0:05:20 | |
Thank you so much for looking after me. | 0:05:20 | 0:05:22 | |
One shop down, and he's bought three items already, | 0:05:22 | 0:05:25 | |
which only cost him £45. | 0:05:25 | 0:05:27 | |
Meanwhile, it's Charles's turn to get shopping, | 0:05:29 | 0:05:31 | |
and his first shop is Bolsover Antique Centre, | 0:05:31 | 0:05:34 | |
where he's meeting Carol. | 0:05:34 | 0:05:36 | |
-I'm Charles. -Pleased to meet you. My name's Carol. -Hi. Great centre! | 0:05:36 | 0:05:40 | |
OK, time to unearth some real gems and get back in the game, Charles. | 0:05:40 | 0:05:43 | |
Peculiar coin. | 0:05:43 | 0:05:45 | |
"Walking stick penny, dated 1912." | 0:05:47 | 0:05:51 | |
-And stamped "RMS Titanic". Carol? -Yes? | 0:05:51 | 0:05:54 | |
This little walking stick penny here... | 0:05:54 | 0:05:57 | |
Do you know who the owner is, at all? | 0:05:57 | 0:05:59 | |
Just ask him, was it stamped recently | 0:05:59 | 0:06:01 | |
or has it got some possible pedigree? | 0:06:01 | 0:06:04 | |
-I'll check on that. -Thanks, Carol. | 0:06:04 | 0:06:06 | |
The Titanic coin has a ticket price of only £8. | 0:06:06 | 0:06:09 | |
But if it's genuine, it could be worth a lot more. | 0:06:09 | 0:06:12 | |
If that penny had been on board Titanic, | 0:06:12 | 0:06:17 | |
it's worth £1,000. | 0:06:17 | 0:06:18 | |
And the interesting thing is, | 0:06:18 | 0:06:20 | |
it's sitting in a cabinet that's full of real history. | 0:06:20 | 0:06:25 | |
So, who knows? | 0:06:25 | 0:06:27 | |
Carol has rung the dealer, who believes the coin to be genuine, | 0:06:27 | 0:06:30 | |
but Charles just isn't sure. | 0:06:30 | 0:06:32 | |
-I'll give it some thought. -OK, that's fine. -Thanks ever so much. | 0:06:33 | 0:06:36 | |
Thanks, Carol. Thanks. | 0:06:36 | 0:06:38 | |
Maybe I ought to go for a really rare carving, | 0:06:39 | 0:06:42 | |
or something that I have a passion for. | 0:06:42 | 0:06:44 | |
And with that in mind, young Charles has spotted not one, | 0:06:44 | 0:06:48 | |
but two rare Far Eastern carvings. | 0:06:48 | 0:06:51 | |
-I mean, this here has the old label that's come from a museum. -Yeah. | 0:06:51 | 0:06:55 | |
An antiquities department. | 0:06:55 | 0:06:57 | |
The ticket price on this Indian goddess figure is a big 150. | 0:06:57 | 0:07:01 | |
I'm really tempted to go all Oriental, and speculate a bit. | 0:07:01 | 0:07:07 | |
Because life's too short. | 0:07:07 | 0:07:09 | |
This Chinese seated immortal figure is also £150. | 0:07:09 | 0:07:13 | |
And as both the carvings and the Titanic penny | 0:07:13 | 0:07:16 | |
are owned by the same dealer, | 0:07:16 | 0:07:18 | |
Charles wants to speak to him direct. | 0:07:18 | 0:07:20 | |
Hi, Ray. | 0:07:20 | 0:07:21 | |
Ray, if I bought all three items, being a Derbyshire man, | 0:07:22 | 0:07:25 | |
you'd want to meet me somewhere between 150 and 120, would you? | 0:07:25 | 0:07:28 | |
Ray, call it 140 and you've got a deal. | 0:07:31 | 0:07:33 | |
Are you sure, Ray? Go for it, he says. | 0:07:34 | 0:07:36 | |
Derbyshire man says go for it, I'll go for it. | 0:07:36 | 0:07:39 | |
Thanks, Ray. Going, going, gone. Sold. Thanks, Ray. | 0:07:39 | 0:07:42 | |
I'll take them all. | 0:07:42 | 0:07:43 | |
So, with that bumper deal done, | 0:07:43 | 0:07:45 | |
Charles has spent a huge £140 of his £172.20 | 0:07:45 | 0:07:50 | |
on two tatty-looking Far Eastern carvings and the dubious penny. | 0:07:50 | 0:07:54 | |
Let's hope the gamble pays off, eh? | 0:07:54 | 0:07:58 | |
Meanwhile, Charlie Ross has travelled on | 0:07:58 | 0:08:00 | |
to the old spa town of Matlock, | 0:08:00 | 0:08:02 | |
where his search for knobbly knick-knacks | 0:08:02 | 0:08:04 | |
continues in Matlock Antiques. | 0:08:04 | 0:08:06 | |
-Hello, how are you doing? -Hello, my dear. Are you the boss? | 0:08:06 | 0:08:09 | |
-Yeah, well, stand-in boss today. -Lots of bosses. Are you all bosses? | 0:08:09 | 0:08:12 | |
-Boss, boss and boss, yeah. -I'm Charlie, and you are? -Lynne. | 0:08:12 | 0:08:15 | |
-Lynne. -And Judy. -And I'm Judy. -Judy. -And Margaret. -LJM! | 0:08:15 | 0:08:19 | |
If you stay in that order, I'll remember. | 0:08:19 | 0:08:21 | |
Oh, lordy, Charlie, stop chatting up the ladies | 0:08:21 | 0:08:24 | |
and get down to the business of buying! | 0:08:24 | 0:08:26 | |
That really is unusually large, isn't it? | 0:08:28 | 0:08:30 | |
There's an amber cigarette holder down here with cheroot holder, | 0:08:31 | 0:08:36 | |
which appears to have a gold rim round it. | 0:08:36 | 0:08:41 | |
Ticket price on the cheroot holder is £8.50. | 0:08:41 | 0:08:45 | |
In its original box as well? | 0:08:46 | 0:08:48 | |
-Probably be a fiver, couldn't it? -Probably could. -Probably could. | 0:08:49 | 0:08:53 | |
Could you put that on one side, my dear? | 0:08:53 | 0:08:56 | |
That'll be another knobbly knick-knack, Charles, I'm afraid. | 0:08:56 | 0:08:59 | |
It's time, old boy, to start buying some real antiques. | 0:08:59 | 0:09:02 | |
Maybe Steve, who's a dealer here, can help. | 0:09:02 | 0:09:06 | |
Yeah, that might interest you, that one at the bottom. | 0:09:06 | 0:09:08 | |
Creamware jug. | 0:09:08 | 0:09:10 | |
Isn't that so primitive and delightful? | 0:09:10 | 0:09:13 | |
That ribbon, paintwork round the top, it's so crude, isn't it? | 0:09:13 | 0:09:17 | |
I mean, it's a real naive charm. | 0:09:17 | 0:09:18 | |
"When this you see, remember me | 0:09:18 | 0:09:20 | |
"And keep me in your mind | 0:09:20 | 0:09:22 | |
"Let all the world say what they will | 0:09:22 | 0:09:25 | |
"Speak of me as you find." | 0:09:25 | 0:09:26 | |
I think that's glorious. | 0:09:26 | 0:09:29 | |
Is that delightfully cheap in its horrible bashed state, or is it...? | 0:09:29 | 0:09:32 | |
20 quid, sir. | 0:09:32 | 0:09:34 | |
Do you know, at last today, I'm going to buy something that Charles Hanson, | 0:09:34 | 0:09:38 | |
my oppo, will REALLY like. | 0:09:38 | 0:09:40 | |
And if he doesn't like that, I'm going to pick it up and smack it over his head. | 0:09:40 | 0:09:44 | |
That's not exactly cricket, old bean. | 0:09:44 | 0:09:46 | |
Finally, Charles has found something he is really happy with. | 0:09:46 | 0:09:49 | |
He's off downstairs to retrieve the item Lynne has put aside for him. | 0:09:49 | 0:09:54 | |
I really would like that. | 0:09:54 | 0:09:56 | |
Well, the gold. You can have the other bit(!) | 0:09:56 | 0:09:58 | |
-HE LAUGHS -Right, thank you! -Right. | 0:09:58 | 0:10:00 | |
-I have only got a tenner. Would you give me a fiver? -Fiver? | 0:10:00 | 0:10:04 | |
-Yeah, £5 is fine. -That seems a very reasonable deal. | 0:10:04 | 0:10:06 | |
-Been lovely to meet you, ladies. -Lovely to meet you, yes. Come and see us again. -Bye-bye. | 0:10:06 | 0:10:10 | |
It's the end of Charlie's Matlock bargain-buying bonanza. Oh, lordy! | 0:10:10 | 0:10:15 | |
The chaps are heading from Derbyshire | 0:10:15 | 0:10:17 | |
across the border into Nottinghamshire. | 0:10:17 | 0:10:20 | |
They're on their way to the bustling old market town of Mansfield. | 0:10:20 | 0:10:24 | |
Robin Hood's legendary Sherwood Forest lies just to the east. | 0:10:25 | 0:10:31 | |
-So, this is my stop, Charlie. -It is. -This is where we depart. | 0:10:31 | 0:10:34 | |
-Good luck, keep in touch. -Good luck. | 0:10:34 | 0:10:37 | |
Charlie's first stop is a little shop owned by Jonathan Selby. | 0:10:37 | 0:10:40 | |
That's quite stylish. | 0:10:42 | 0:10:43 | |
This is interesting. What are these two cupboards down here all about? | 0:10:47 | 0:10:51 | |
Charles has spotted the set of watch restorer's cabinets, | 0:10:51 | 0:10:55 | |
in pine and mahogany, that came from a house clearance. | 0:10:55 | 0:10:58 | |
We've got drawers full of... | 0:10:58 | 0:10:59 | |
Goodness me, look at that! | 0:10:59 | 0:11:01 | |
Old straps in here. | 0:11:01 | 0:11:02 | |
Look. Any old strap. | 0:11:02 | 0:11:04 | |
You've got a really good mix of all sorts of clock parts | 0:11:04 | 0:11:10 | |
in the two cabinets. | 0:11:10 | 0:11:12 | |
There's a ticket price of £40 on each cabinet but, oh, dear, | 0:11:12 | 0:11:16 | |
Charles has only got £32.20 left in his back pocket. | 0:11:16 | 0:11:20 | |
What's the best price on the two together, mate? | 0:11:20 | 0:11:22 | |
JONATHAN SIGHS | 0:11:22 | 0:11:23 | |
-70. -Really? | 0:11:23 | 0:11:25 | |
They could be quite good for auction, because they tell a story. | 0:11:25 | 0:11:29 | |
-What's the absolutely best price? -To you, 65. -Oh, no! | 0:11:29 | 0:11:33 | |
That's the very best? | 0:11:33 | 0:11:35 | |
He's not giving up, is he? | 0:11:35 | 0:11:38 | |
-£60. -Oh, don't say that! I've got to walk away. | 0:11:38 | 0:11:41 | |
£30 each. | 0:11:41 | 0:11:42 | |
-I could buy one, but it would be nice to keep the two together. -OK. | 0:11:42 | 0:11:46 | |
Because they come from one home. | 0:11:46 | 0:11:49 | |
But my entire money is £32.20. | 0:11:49 | 0:11:53 | |
Would you do me a deal? | 0:11:53 | 0:11:54 | |
-For one? -For two. -For two? No, I can't do two. -Aww! | 0:11:54 | 0:11:58 | |
I couldn't do a job for you? | 0:11:58 | 0:12:01 | |
-No, I think I've got everything covered. -Oh, come on! | 0:12:01 | 0:12:04 | |
Oh, come on, Jonathan. Just look at his little face! | 0:12:04 | 0:12:07 | |
Not wishing to give up yet, | 0:12:07 | 0:12:09 | |
Charles has even asked the rest of Jonathan's family for suggestions. | 0:12:09 | 0:12:13 | |
The car, the car needs washing! I'll wash the car. Anything else? | 0:12:13 | 0:12:16 | |
Got a falconry aviary, you can clean it. | 0:12:16 | 0:12:18 | |
You can clean the falconry aviary out! | 0:12:18 | 0:12:20 | |
Clean the aviary out? Are you serious? Where do you keep a falcon? | 0:12:20 | 0:12:23 | |
Jonathan's son keeps a falcon in the back garden. | 0:12:23 | 0:12:27 | |
Oh, Charles, what are you letting yourself into - guano? | 0:12:27 | 0:12:30 | |
Put it there. That's a job done. I've got to worry about this falcon. | 0:12:30 | 0:12:34 | |
There's no going back now, Charles. | 0:12:34 | 0:12:36 | |
Let's hope the bird's not in a bad mood, hey? | 0:12:36 | 0:12:40 | |
Wow. He looks like a gladiator. | 0:12:40 | 0:12:42 | |
-What's his name? -Maximus. | 0:12:43 | 0:12:45 | |
-He is a gladiator. -Yeah. -And the cages... | 0:12:45 | 0:12:47 | |
-Oh, man! -Yuck! | 0:12:49 | 0:12:51 | |
Oh, there's flies in here as well. | 0:12:51 | 0:12:53 | |
I told you - guano. | 0:12:53 | 0:12:55 | |
-Smells as well. -Oh, dear. | 0:12:55 | 0:12:57 | |
-Oh, dear! OK. -Charles... | 0:12:57 | 0:12:59 | |
-And this is just one night's mess? -That's just one night's mess. | 0:13:04 | 0:13:08 | |
-It really smells, doesn't it? -Oh, lordy! | 0:13:08 | 0:13:11 | |
Thanks, Jonathan. I really hope now that my lot makes a small profit. | 0:13:11 | 0:13:15 | |
Now go and wash your hands, Charles. | 0:13:15 | 0:13:16 | |
He's certainly game, isn't he, our boy? | 0:13:16 | 0:13:18 | |
So, with the deal done, he's walked away with two | 0:13:18 | 0:13:21 | |
watch restorer's cabinets for £32.20 and a clean birdcage. | 0:13:21 | 0:13:26 | |
Meanwhile, Charlie, or is that Billy Bunter, | 0:13:26 | 0:13:28 | |
has travelled southeast to Southwell, | 0:13:28 | 0:13:31 | |
a beautiful conservation town where Lord Byron once lived. | 0:13:31 | 0:13:35 | |
And with £156.30 still burning a hole in his pocket, | 0:13:38 | 0:13:41 | |
he is heading for a part of town called the Bull Yard, | 0:13:41 | 0:13:44 | |
to meet up with shopkeeper Julia. | 0:13:44 | 0:13:46 | |
-Knock, knock. Hello. -Hello. -I'm Charlie. -Hello, nice to meet you. | 0:13:46 | 0:13:49 | |
Nice to see you. Thank you for letting me into your lovely shop. | 0:13:49 | 0:13:52 | |
-What a lovely town! -It's fantastic, yeah. -May I have a look around? | 0:13:52 | 0:13:56 | |
Yes, of course. Feel free. | 0:13:56 | 0:13:58 | |
He's rather... | 0:14:01 | 0:14:02 | |
I was going to say he's jolly. He is anything but jolly, isn't he? | 0:14:02 | 0:14:05 | |
A Spanish peasant from Valencia. | 0:14:05 | 0:14:08 | |
Now, that's a name on there, isn't there? | 0:14:08 | 0:14:11 | |
-I mean, this is what, 1880? 1860, 1880 date? -I think so, yes. -Yeah. | 0:14:11 | 0:14:16 | |
A watercolour, on paper. But it's got a good image. | 0:14:16 | 0:14:20 | |
I just wish he was smiling a bit more. | 0:14:20 | 0:14:22 | |
The 19th-century framed watercolour, by an artist called Luke Price, | 0:14:22 | 0:14:26 | |
has sparked Charlie's interest, but it has no ticket price attached. | 0:14:26 | 0:14:30 | |
I notice that he is priceless. | 0:14:31 | 0:14:33 | |
I was thinking something in the region of 65. | 0:14:33 | 0:14:36 | |
-Quite a teaser, that one, quite a teaser, that one! -I'm open to offers. | 0:14:36 | 0:14:40 | |
Quite a teaser. | 0:14:40 | 0:14:42 | |
Canny Charlie is mulling that one over, | 0:14:42 | 0:14:45 | |
while he sees what else is on offer. | 0:14:45 | 0:14:48 | |
That's rather splendid. | 0:14:48 | 0:14:50 | |
Oh, that's wonderful! | 0:14:50 | 0:14:51 | |
What a great idea to go by my bed. | 0:14:51 | 0:14:55 | |
Clock and lamp. Or on my desk. | 0:14:55 | 0:14:58 | |
How brilliant! God, that's a great bit of Deco, isn't it? | 0:14:58 | 0:15:02 | |
The Art Deco brass-cased desk timepiece and lamp | 0:15:02 | 0:15:06 | |
have lit Charlie up, but at £245, it's way out of his budget. | 0:15:06 | 0:15:11 | |
What if I halve it - 120? | 0:15:11 | 0:15:13 | |
HE SIGHS | 0:15:15 | 0:15:16 | |
Am I tempting you? | 0:15:17 | 0:15:18 | |
I'd rather do a deal and you buy something | 0:15:19 | 0:15:22 | |
than you walk out with nothing. | 0:15:22 | 0:15:23 | |
If I gave you £100 cash, is that too mean? | 0:15:23 | 0:15:27 | |
The cheeky devil is still trying for a bigger discount! | 0:15:27 | 0:15:30 | |
120 on that, and I will throw in that picture as well. | 0:15:30 | 0:15:33 | |
-120, and you'll throw in the picture? -Yes. -Mwah! | 0:15:33 | 0:15:36 | |
-120 for that and that? -Yes. | 0:15:36 | 0:15:38 | |
-Yeah? -Yippee! -Deal. | 0:15:38 | 0:15:40 | |
-Oh, you've made an old man very happy. -Good. -I love that. | 0:15:40 | 0:15:44 | |
What a terrific deal! Two items for less than half the original price. | 0:15:44 | 0:15:50 | |
-That is just fab! -You're very welcome. | 0:15:50 | 0:15:53 | |
-Yum. -Good luck. -Thank you. | 0:15:53 | 0:15:55 | |
And, Hanson, if you call these knobbly knick-knacks, | 0:15:55 | 0:15:58 | |
I'll have your guts for garters. | 0:15:58 | 0:16:00 | |
So, with those final purchases in the bag, | 0:16:00 | 0:16:02 | |
the old boy is done with shopping. | 0:16:02 | 0:16:04 | |
Time for Charlie to hop back in the Triumph TR6 | 0:16:10 | 0:16:13 | |
and motor east to Newark, to the home of an intriguing collector. | 0:16:13 | 0:16:18 | |
-How are you? -I'm very well, thank you. -How lovely to see you. | 0:16:18 | 0:16:21 | |
John Mollins, also known as the Iron Man, | 0:16:21 | 0:16:23 | |
has made it his life's work to preserve one of Britain's | 0:16:23 | 0:16:26 | |
most enduring domestic appliances - the iron. | 0:16:26 | 0:16:29 | |
He has a collection of around 800. | 0:16:29 | 0:16:31 | |
Good grief! | 0:16:31 | 0:16:33 | |
# Oh, any old iron Any old iron | 0:16:33 | 0:16:35 | |
# Any, any, any old iron... # | 0:16:35 | 0:16:36 | |
And 240 of these make up the world's largest collection | 0:16:36 | 0:16:40 | |
of British gas irons. | 0:16:40 | 0:16:43 | |
What made you buy your first iron? | 0:16:44 | 0:16:47 | |
In my house, we had a stone fireplace, and I thought, | 0:16:47 | 0:16:49 | |
"What's missing is a few oil lamps or heating to go by the bed." | 0:16:49 | 0:16:54 | |
And when I saw an iron, I thought, "That'll look nice on the hearth." | 0:16:54 | 0:16:58 | |
In the near 40 years that John has been collecting, | 0:16:58 | 0:17:01 | |
he's gathered examples of all types of irons from throughout history. | 0:17:01 | 0:17:05 | |
When was the first traditional what I would call an iron? | 0:17:05 | 0:17:09 | |
And they all seem to be more or less the same shape. | 0:17:09 | 0:17:12 | |
It was called a sad iron. | 0:17:12 | 0:17:14 | |
-S-A-D? -Yeah, S-A-D, or flat iron. -Why sad? | 0:17:14 | 0:17:18 | |
Because it looks like a lump of...nothing. | 0:17:18 | 0:17:22 | |
The sad, or flat, iron was heated on an open fire or stove. | 0:17:22 | 0:17:27 | |
After that came the charcoal iron... | 0:17:27 | 0:17:30 | |
-Blimey, that looks an extraordinary piece of kit. -Yeah. | 0:17:30 | 0:17:33 | |
..which was heated by filling it with embers from the fire. | 0:17:33 | 0:17:37 | |
That looks extraordinary. It looks like a dreadnought. | 0:17:37 | 0:17:40 | |
These look quite interesting contraptions. | 0:17:40 | 0:17:42 | |
-The ones with the holes in the side. -Spirit irons. | 0:17:42 | 0:17:44 | |
The spirit iron works by burning paraffin or methylated spirits to heat the sole. | 0:17:44 | 0:17:50 | |
And if ironing with a container full of highly-flammable liquid | 0:17:50 | 0:17:52 | |
wasn't dangerous enough, then how about the gas iron, | 0:17:52 | 0:17:56 | |
-invented around 1859? -And they all work on the same principle - | 0:17:56 | 0:17:59 | |
a flexible hose from the mains gas, connected to the iron. | 0:17:59 | 0:18:04 | |
The gas is lit as it comes in? | 0:18:04 | 0:18:05 | |
Yeah, it would have been a box-of-matches job, and a big bang. | 0:18:05 | 0:18:08 | |
-Quite a dangerous thing, isn't it? -Very dangerous. -Must have blown up! | 0:18:08 | 0:18:11 | |
By the 1930s, housewives not only wanted the iron to function well, | 0:18:11 | 0:18:15 | |
but also to look pretty. | 0:18:15 | 0:18:17 | |
And multicoloured gas irons came on the market for those who could afford them. | 0:18:17 | 0:18:21 | |
-The standard was mottled grey. -Yes. | 0:18:21 | 0:18:23 | |
-You paid a little bit more for a bit... -For a flash colour. | 0:18:23 | 0:18:26 | |
-For a flash colour. -What's the most you've ever paid for an iron? | 0:18:26 | 0:18:29 | |
Come on, I'm asking you the question! | 0:18:29 | 0:18:31 | |
£1,000. | 0:18:31 | 0:18:33 | |
Crikey! | 0:18:33 | 0:18:34 | |
This one. Very rare iron. | 0:18:34 | 0:18:37 | |
-That's one of the gems. -Well done. | 0:18:37 | 0:18:39 | |
So, why do you collect irons? | 0:18:39 | 0:18:41 | |
I just like the way they are manufactured, | 0:18:41 | 0:18:43 | |
and the beautiful casting. | 0:18:43 | 0:18:45 | |
I just like to maintain something in history. | 0:18:45 | 0:18:48 | |
Well, it's an amazing collection. And presumably, you aren't finished? | 0:18:48 | 0:18:51 | |
-There are still one or two gems out there. -Yeah. | 0:18:51 | 0:18:53 | |
Now, I take it that you are an expert ironer yourself? | 0:18:53 | 0:18:57 | |
Not very good at all. | 0:18:57 | 0:18:59 | |
I seem to end with more creases than I started with. | 0:18:59 | 0:19:02 | |
HE LAUGHS | 0:19:02 | 0:19:04 | |
I mean, you are interested in the manufacture of them, | 0:19:04 | 0:19:07 | |
where they come from and how rare they are. | 0:19:07 | 0:19:09 | |
You're not interested in how well they iron? | 0:19:09 | 0:19:11 | |
-Couldn't care less if they iron or not. -CHARLIE LAUGHS | 0:19:11 | 0:19:14 | |
On that note, I think I will go home and do some ironing. | 0:19:14 | 0:19:17 | |
-Thank you very much. -Thank you for coming. -Absolutely wonderful. | 0:19:17 | 0:19:21 | |
With all the shopping completed, | 0:19:21 | 0:19:23 | |
it's time for a quick reminder of how our experts splashed their cash. | 0:19:23 | 0:19:27 | |
Charlie Ross started this leg with £226.30, | 0:19:27 | 0:19:32 | |
and has spent £190 to make up six lots. | 0:19:32 | 0:19:35 | |
He invested in a Victorian cricket print, an Edwardian nursing chair, | 0:19:35 | 0:19:39 | |
a gold cheroot holder paired with a framed portrait, | 0:19:39 | 0:19:43 | |
an Art Deco lamp and a desk clock, | 0:19:43 | 0:19:46 | |
a Valencian peasant watercolour | 0:19:46 | 0:19:48 | |
and, finally, a 300-year-old creamware jug. | 0:19:48 | 0:19:51 | |
Meanwhile, Charles Hanson started with a mere £172.20. | 0:19:51 | 0:19:56 | |
He spent the lot and cleaned out a birdcage to buy his four lots - | 0:19:56 | 0:20:00 | |
a Titanic coin, a pair of watch cabinets, | 0:20:00 | 0:20:03 | |
a Chinese lacquered Immortal and a carving of a mythical goddess. | 0:20:03 | 0:20:08 | |
But what do they really think, eh? | 0:20:08 | 0:20:11 | |
He's bought a wonderful lamp, the more I looked at it, | 0:20:11 | 0:20:14 | |
the more it shined a spark of a profit, | 0:20:14 | 0:20:16 | |
and nearly everything he's bought | 0:20:16 | 0:20:18 | |
I'm unnerved by. | 0:20:18 | 0:20:21 | |
I can't believe he bought a bit of Titanic frippery. | 0:20:21 | 0:20:24 | |
And for Charles to say, "Do you think they gave them to everybody | 0:20:24 | 0:20:27 | |
"as they were going on board?," | 0:20:27 | 0:20:29 | |
yes, Charles, I think they did, just in case it sank(!) | 0:20:29 | 0:20:31 | |
I love the Indian figure. | 0:20:31 | 0:20:34 | |
Do I know what it's worth? I haven't got a clue, | 0:20:34 | 0:20:37 | |
and full marks to him for having a go. | 0:20:37 | 0:20:39 | |
And Charles is all about having a go. | 0:20:39 | 0:20:42 | |
And now, it's onwards to the auction. | 0:20:42 | 0:20:44 | |
On their road trip, these two proper Charlies have travelled from | 0:20:44 | 0:20:48 | |
Chesterfield in Derbyshire to Grantham in Lincolnshire. | 0:20:48 | 0:20:51 | |
Golding Young of Grantham have over a century's worth of auctioneering | 0:20:51 | 0:20:56 | |
experience, but they move with the times, | 0:20:56 | 0:20:58 | |
and today's lots will also be bid for online. | 0:20:58 | 0:21:01 | |
Colin Young is today's auctioneer, with his hand firmly on the gavel. | 0:21:01 | 0:21:05 | |
First up, it's Charlie's Victorian cricket print. | 0:21:05 | 0:21:08 | |
But will it bowl the auction crowd over? | 0:21:08 | 0:21:11 | |
Start me at six. Six, six bid. At six bid, let's get on, then. | 0:21:11 | 0:21:14 | |
-Well done! -At six bid. Eight anywhere else? Surely. -Get it sold! | 0:21:14 | 0:21:18 | |
-Eight bid, ten bid, 12 bid. -Oh, it's flying! -15. 18 now. 18 bid? | 0:21:18 | 0:21:22 | |
-At £15 bid... -Well done, Charlie. -15 at the back of the room. | 0:21:22 | 0:21:25 | |
At 15, we're done, we're finished, and we'll sell this time at £15. | 0:21:25 | 0:21:30 | |
-Marvellous! -Well done, Charlie. Well done. -Congratulations. | 0:21:30 | 0:21:33 | |
Well, that knocked them for six. Good start, Charlie. | 0:21:33 | 0:21:36 | |
And he is up again, | 0:21:36 | 0:21:38 | |
with the Edwardian nursing chair with marquetry inlay. | 0:21:38 | 0:21:40 | |
So, if everyone is sitting comfortably, | 0:21:40 | 0:21:42 | |
let the bidding commence. | 0:21:42 | 0:21:44 | |
20 to go, then, surely. £20, anybody? 20? | 0:21:44 | 0:21:47 | |
Ten if we must. £10 to go, surely? | 0:21:47 | 0:21:49 | |
£10, it's only £2.50 a leg. | 0:21:49 | 0:21:51 | |
Ten, 12, 15, 15, 18, 18, 20, £20 a bid. | 0:21:51 | 0:21:54 | |
-Two bid, five, no? -Ooh, madam! -22 bid. | 0:21:54 | 0:21:57 | |
Well done, bean. | 0:21:57 | 0:21:59 | |
At 22, the last call now. 25, 28, now 28 bid. | 0:21:59 | 0:22:02 | |
-30 do I see now? -Well done, Charlie. -Last call at £28... | 0:22:02 | 0:22:06 | |
Another small profit, increasing Charlie's lead. | 0:22:06 | 0:22:09 | |
You're flying. And I commend you. | 0:22:09 | 0:22:11 | |
And now it's Charles's turn, with his coin stamped "RMS Titanic". | 0:22:11 | 0:22:17 | |
Will his treasure sink or swim? | 0:22:17 | 0:22:19 | |
Who's going to start me at £100? | 0:22:19 | 0:22:21 | |
-Rare thing. -100, 100? -Rare thing. | 0:22:21 | 0:22:23 | |
-50 to go, then. 50. -Come on. | 0:22:23 | 0:22:25 | |
30, then. | 0:22:25 | 0:22:27 | |
30. £10 bid, ten. 12 anywhere else now? | 0:22:27 | 0:22:29 | |
£10 a bid, 12 do I see now? £12 a bid. 12 do I see now? | 0:22:29 | 0:22:32 | |
12 bid, 15 bid, 15 bid, 18 bid, 20 bid. Two now. 22. | 0:22:32 | 0:22:35 | |
25 bid. 28, 28, bid 30. | 0:22:35 | 0:22:39 | |
-30 bid, 32, 35, 38... -Come on! | 0:22:39 | 0:22:41 | |
£35 a bid. 38 now, surely? At £35 a bid. 36, 38. | 0:22:41 | 0:22:44 | |
At 38 bid. At 38 bid, do I see 40? 40 bid. | 0:22:44 | 0:22:48 | |
-Oh! -42 now. Any more? No? | 0:22:48 | 0:22:51 | |
At £40, we're done and finished, and selling this time at £40. | 0:22:51 | 0:22:55 | |
-Great! -I think my road trip has hit an iceberg. -Thank you very much. | 0:22:55 | 0:22:59 | |
Your ship's come in with that tidy profit, Charles. | 0:22:59 | 0:23:02 | |
You're back in the game. | 0:23:02 | 0:23:04 | |
Charlie's turn now, with his amber and gold cheroot holder, | 0:23:04 | 0:23:08 | |
and a portrait framed in fake ivory. | 0:23:08 | 0:23:10 | |
30 to go then, surely. £30, anyone? 30. Come on. 30 on the net. | 0:23:10 | 0:23:14 | |
At 30 bid. 32 anywhere else now, surely? | 0:23:14 | 0:23:16 | |
At 32, 35... 35 in the room. Any more now? | 0:23:16 | 0:23:20 | |
At 35, last call, selling at £35. | 0:23:20 | 0:23:23 | |
A small profit, but a profit nonetheless. | 0:23:24 | 0:23:27 | |
But Charles is still in the lead. | 0:23:27 | 0:23:29 | |
-Look at me. -I have looked at you quite enough today. | 0:23:29 | 0:23:32 | |
It's Charlie again, with the Art Deco lamp and desk timepiece. | 0:23:34 | 0:23:37 | |
Start me at 100 for it. 100, 100? 80 to go then, surely. £80, anybody? | 0:23:37 | 0:23:42 | |
I'll take 50 if we have to, but that really will be giving it away. | 0:23:42 | 0:23:45 | |
50, 50 bid. Five anywhere else now? £50 a bid. Five, surely? | 0:23:45 | 0:23:48 | |
-Well done. -Now do I see 55? I've got five, 55. | 0:23:48 | 0:23:51 | |
Bid 60. 60, 65. | 0:23:51 | 0:23:54 | |
70, 70 bid. | 0:23:54 | 0:23:55 | |
-I've got 75. -Well done, Charlie. -80 in the room. -That's better. | 0:23:55 | 0:23:58 | |
80, no more here. £80 bid. Five anywhere else now? £80 in the room. | 0:23:58 | 0:24:01 | |
Five is the last call, then. Are we all done? | 0:24:01 | 0:24:03 | |
Selling this time at the back of the room at £80. | 0:24:03 | 0:24:07 | |
A stinging blow for Charlie there. He'd hoped for more than that. | 0:24:07 | 0:24:12 | |
Up next are Charles's watch cabinets that cost him | 0:24:12 | 0:24:15 | |
an afternoon cleaning a falcon's cage. | 0:24:15 | 0:24:18 | |
Will they fly for him today? | 0:24:18 | 0:24:20 | |
-Who's going to start me on this lot? £40, 40. -Come on. -£40, anybody? 40. | 0:24:20 | 0:24:24 | |
£40 bid straight in. | 0:24:24 | 0:24:26 | |
-Ooh! -£40 a bid, at £40 bid, anyone else now? | 0:24:26 | 0:24:28 | |
Is anybody else going to join in? 42. 45, 48. Bid 50. And five? | 0:24:28 | 0:24:31 | |
-I'll ask you for two, if you like. -One more! | 0:24:32 | 0:24:34 | |
52? No, £50 bid, anywhere else? | 0:24:34 | 0:24:36 | |
Last call, done and finished, selling down here at £50. | 0:24:36 | 0:24:39 | |
-Well done! -Good man. I'm happy. | 0:24:39 | 0:24:41 | |
Charles is happy, and so was the falcon. | 0:24:41 | 0:24:45 | |
Next is Charlie's Valencian peasant watercolour, by Luke Price. | 0:24:45 | 0:24:49 | |
Could the price be right today? | 0:24:49 | 0:24:51 | |
50 to go, then, surely. £50, anyone? 50? | 0:24:51 | 0:24:54 | |
Let's get everybody excited. Start me at £20. | 0:24:54 | 0:24:56 | |
£10? | 0:24:58 | 0:24:59 | |
£10? I thought you were going to bid on your own item for a minute! | 0:25:01 | 0:25:05 | |
At 10... 12 bid. 15 do I see now? At 12 bid. | 0:25:05 | 0:25:07 | |
15 bid. 15. At 18 bid. | 0:25:08 | 0:25:10 | |
-At 18, it's on the internet. -On the internet? | 0:25:10 | 0:25:13 | |
-It is. -It's going to the National Gallery! | 0:25:13 | 0:25:16 | |
Yes. Or the National Asylum. | 0:25:16 | 0:25:18 | |
-LAUGHTER -18 bid. 20 or up now, then. | 0:25:18 | 0:25:20 | |
Selling at £18. | 0:25:20 | 0:25:23 | |
I can do no more for you, gentlemen. | 0:25:23 | 0:25:24 | |
The auctioneer did his best there, | 0:25:24 | 0:25:27 | |
but that's another disappointment for Charlie. | 0:25:27 | 0:25:29 | |
£18. Look at me. | 0:25:29 | 0:25:31 | |
How will Charles's gamble on his carvings go? | 0:25:33 | 0:25:36 | |
First under the hammer is the Chinese lacquered Immortal. | 0:25:36 | 0:25:39 | |
£50, anybody? 50? | 0:25:39 | 0:25:40 | |
-30 to go, then, surely. -I don't believe it. | 0:25:41 | 0:25:44 | |
20 to go, then, surely. £20. | 0:25:44 | 0:25:46 | |
-I'm going down. -Faith! | 0:25:46 | 0:25:48 | |
At 22 bid. 25, 28. | 0:25:48 | 0:25:51 | |
28, bid 30. | 0:25:51 | 0:25:53 | |
32, 35, 38. | 0:25:53 | 0:25:55 | |
It's worth a gamble. It's worth a gamble. | 0:25:55 | 0:25:58 | |
42, 45, 48. Bid 50. | 0:25:58 | 0:26:01 | |
50, do I see? 50. 55? | 0:26:01 | 0:26:03 | |
At 50, last call in the room, selling at £50. | 0:26:03 | 0:26:07 | |
Shame. | 0:26:07 | 0:26:08 | |
Oh, dear, the gamble failed, and that's knocked his profit. | 0:26:08 | 0:26:13 | |
There's not much between the two now. | 0:26:13 | 0:26:15 | |
It's the turn of Charlie's oldest antique - | 0:26:15 | 0:26:18 | |
the 300-year-old creamware jug. | 0:26:18 | 0:26:20 | |
Who's going to start me at, what, £50 for it? £50, anybody? 50? | 0:26:20 | 0:26:23 | |
-50? -It's a real bargain. -30? 20 to go, then, surely. | 0:26:23 | 0:26:27 | |
£20, we'll give it away at 20. £20, who's going to join in? 20 bid. | 0:26:27 | 0:26:30 | |
At 20... 25. | 0:26:30 | 0:26:32 | |
25. 28 now. At 25 bid. | 0:26:32 | 0:26:34 | |
28 on the internet. 30 on the net. | 0:26:34 | 0:26:37 | |
32 in the room. 32 in the room. | 0:26:37 | 0:26:38 | |
35. 38 now. 38 bid. | 0:26:38 | 0:26:41 | |
Going this time at 38 in the front row. | 0:26:41 | 0:26:43 | |
-Well done, sir. -Well done, sir. | 0:26:43 | 0:26:44 | |
Not what he had hoped for, but these two are neck-and-neck. | 0:26:44 | 0:26:48 | |
It all rides on Charles's final lot, his mythological goddess. | 0:26:48 | 0:26:53 | |
Let's start at £100 for it, 100. Bit of an unknown quantity. | 0:26:53 | 0:26:57 | |
-It is, absolutely. -Certainly is. | 0:26:57 | 0:26:59 | |
-Let's gamble. -100? 80 to go. | 0:26:59 | 0:27:02 | |
-Rare thing. -50 to go, then, surely. | 0:27:02 | 0:27:05 | |
OK, start at £20 for something that's, what, 350 years old? | 0:27:05 | 0:27:08 | |
-Absolutely. -Thank you. | 0:27:08 | 0:27:10 | |
£20 a bid. At £20, two do I see now? 22, 25, five bid? | 0:27:10 | 0:27:13 | |
28, 28, 30, 32, 35, five bid, 38. | 0:27:13 | 0:27:16 | |
40, at £40 a bid. 45, 45, 48, 48, 50. | 0:27:16 | 0:27:20 | |
£50 a bid. 50, 55, 60... | 0:27:20 | 0:27:22 | |
Come on, sir, one more! | 0:27:22 | 0:27:24 | |
-Look, it's his money, not yours! -One for the road. | 0:27:24 | 0:27:26 | |
He might buy you a cup of coffee, you never know your luck! | 0:27:26 | 0:27:29 | |
60 on the net. At 60. 65, no? 60, it's on the net, then. | 0:27:29 | 0:27:32 | |
Two if it's going to help you out. | 0:27:32 | 0:27:34 | |
Last bid is on the internet, selling at £60. | 0:27:34 | 0:27:37 | |
-You never know how far that online bidder may have gone. -Probably 62. | 0:27:37 | 0:27:42 | |
Charles's speculation on the mythological goddess | 0:27:42 | 0:27:45 | |
didn't win out on this occasion, but has it put him off trying? | 0:27:45 | 0:27:49 | |
After all that verbiage, you're back where you started. | 0:27:49 | 0:27:53 | |
Charlie, my plan won't change. I will continue my art of speculation. | 0:27:53 | 0:27:57 | |
-Or just wishy-washy along in the middle. -No. | 0:27:57 | 0:28:00 | |
-One day, I will get it right, and I will make our fortune. -OUR fortune? | 0:28:00 | 0:28:05 | |
-Our fortune. -Well done, old bean. | 0:28:05 | 0:28:06 | |
Charles Hanson started this leg with £172.20, and after auction costs | 0:28:06 | 0:28:12 | |
has lost £8.20, leaving him with £164 for the next leg. | 0:28:12 | 0:28:18 | |
Charlie Ross, meanwhile, began this leg with £226.30. | 0:28:18 | 0:28:23 | |
After costs, he's lost £14.52, | 0:28:23 | 0:28:27 | |
giving him £211.78 going forward. | 0:28:27 | 0:28:31 | |
Funny old game, isn't it? | 0:28:31 | 0:28:32 | |
-All that work, and we're back where we started. -I know. | 0:28:32 | 0:28:37 | |
-But, Charlie, you've got to keep speculating. -I will! | 0:28:37 | 0:28:40 | |
You know, I am determined to either be the victor at over £1,000, | 0:28:40 | 0:28:45 | |
or take myself back to zero. | 0:28:45 | 0:28:48 | |
Cometh the man, cometh the hour, cometh to Walsall. | 0:28:48 | 0:28:51 | |
Walsall... HORN TOOTS | 0:28:51 | 0:28:54 | |
-..here we come. -Exactly. | 0:28:54 | 0:28:56 | |
And on to the next leg, boys. | 0:28:56 | 0:28:58 | |
-You know what they say, don't you? -What? | 0:28:58 | 0:29:00 | |
The sun shines on the righteous. | 0:29:00 | 0:29:03 | |
Why it's shining on you, I don't know. | 0:29:03 | 0:29:05 | |
Oh, do behave! | 0:29:05 | 0:29:06 | |
Oh this road trip, Charles | 0:29:08 | 0:29:09 | |
and Charlie will travel around 500 miles | 0:29:09 | 0:29:12 | |
through England's green and pleasant lands, | 0:29:12 | 0:29:14 | |
from Tarporley in Cheshire | 0:29:14 | 0:29:16 | |
to Itchen Stoke, | 0:29:16 | 0:29:18 | |
near Winchester, in Hampshire. | 0:29:18 | 0:29:19 | |
Today, they are beginning their shopping in Cannock, | 0:29:21 | 0:29:24 | |
in Staffordshire, | 0:29:24 | 0:29:25 | |
aiming for their auction in Stroud, Gloucestershire. | 0:29:25 | 0:29:28 | |
They are just approaching Cannock, | 0:29:30 | 0:29:32 | |
where Charlie is dropping Charles off at his first shop, | 0:29:32 | 0:29:35 | |
with £164 burning a hole in his pocket. | 0:29:35 | 0:29:38 | |
Near here in 2009, a magnificent hoard of Anglo-Saxon gold | 0:29:40 | 0:29:44 | |
and silver was unearthed. | 0:29:44 | 0:29:46 | |
Let's hope Charles discovers similar treasures at Peppermill Antiques. | 0:29:46 | 0:29:50 | |
Lovely name! | 0:29:50 | 0:29:52 | |
-Enjoy Lichfield, OK? See you later. -Bye. | 0:29:53 | 0:29:56 | |
Wow. This really is antiques on an industrial scale. | 0:29:58 | 0:30:02 | |
He's meeting owner Scott. | 0:30:02 | 0:30:05 | |
-Mr Scott Humphries. -Charles Hanson. | 0:30:05 | 0:30:07 | |
Now, I am on the hunt, you know, maybe for the Hanson hoard. | 0:30:07 | 0:30:11 | |
I think you are going to have to have a look round. | 0:30:11 | 0:30:14 | |
Look at that interior. Beautiful. | 0:30:16 | 0:30:18 | |
Feel like I'm in a bedroom here. | 0:30:19 | 0:30:21 | |
Something hidden in the corner has caught Charles's eagle eye. | 0:30:21 | 0:30:27 | |
Not very well displayed is what we call a decoupage screen. | 0:30:27 | 0:30:33 | |
Decoupage is the craft of decorating objects with scraps of glued | 0:30:33 | 0:30:39 | |
and varnished paper. | 0:30:39 | 0:30:42 | |
This screen, dating from the late 1800s, | 0:30:42 | 0:30:45 | |
is a nice example of a style then popular, | 0:30:45 | 0:30:47 | |
but it bears some serious damage. | 0:30:47 | 0:30:49 | |
Charles is off to ask Scott about it. | 0:30:49 | 0:30:51 | |
Ticket price is a whopping £595. | 0:30:51 | 0:30:54 | |
Four-fold screen, what is the best price on that? | 0:30:56 | 0:30:59 | |
I can do that for 100. | 0:30:59 | 0:31:00 | |
Crikey, Moses! | 0:31:00 | 0:31:02 | |
I know it has got a bit of damage, that's why | 0:31:02 | 0:31:04 | |
it's priced quite reasonable. | 0:31:04 | 0:31:05 | |
It's... I mean, £100 is very reasonable, | 0:31:05 | 0:31:08 | |
but having lost this money so far, | 0:31:08 | 0:31:10 | |
I just think maybe the condition almost outweighs its potential. | 0:31:10 | 0:31:15 | |
Is 100 your best price? | 0:31:15 | 0:31:17 | |
I could do it at 85. | 0:31:19 | 0:31:21 | |
-That is your very best? -£80. -£80. | 0:31:22 | 0:31:25 | |
I might leave here and regret it | 0:31:25 | 0:31:27 | |
if I don't find anything else really to come up to that quality. | 0:31:27 | 0:31:31 | |
I might call you later. | 0:31:31 | 0:31:33 | |
Your best price, Scott, is? | 0:31:33 | 0:31:36 | |
70 to take it away today. | 0:31:36 | 0:31:38 | |
-Can I hold it? -You can. -Lovely. | 0:31:38 | 0:31:40 | |
Charles is at his most indecisive today. | 0:31:40 | 0:31:43 | |
He is not buying it now, but the scrap screen is held in reserve, | 0:31:43 | 0:31:47 | |
and Charles is off to his next shop. | 0:31:47 | 0:31:48 | |
Charlie Ross, meanwhile, | 0:31:50 | 0:31:52 | |
has headed for the cathedral city of Lichfield, Staffordshire | 0:31:52 | 0:31:58 | |
with £211.78 to play with. | 0:31:58 | 0:32:00 | |
Lichfield's heyday was in the 18th century, | 0:32:00 | 0:32:03 | |
when it was home to many great thinkers, including Samuel Johnson, | 0:32:03 | 0:32:07 | |
the learned author of the first authoritative English dictionary. | 0:32:07 | 0:32:12 | |
Let's hope Charlie can summon up some of that nous | 0:32:14 | 0:32:16 | |
as he heads into James A Jordan Antiques, | 0:32:16 | 0:32:19 | |
where he is meeting up with the eponymous James, | 0:32:19 | 0:32:22 | |
who, it turns out, is a friend of a friend...of a friend. | 0:32:22 | 0:32:26 | |
-Charlie Ross. -Lovely to meet you, Charlie. | 0:32:26 | 0:32:28 | |
-I've heard a lot about you. -Thank you very much. | 0:32:28 | 0:32:30 | |
From my opposition. | 0:32:30 | 0:32:32 | |
That Mr Charles Hanson. | 0:32:32 | 0:32:33 | |
-Charles passed on a little tip to me. -Yeah. | 0:32:33 | 0:32:36 | |
He said, "When you go to see my good friend," | 0:32:36 | 0:32:39 | |
he said, "Just ask him if he has got anything in the back." | 0:32:39 | 0:32:42 | |
Mmm. | 0:32:42 | 0:32:44 | |
Mmm. Are you sure Charles said that, Charlie? | 0:32:44 | 0:32:48 | |
Have you got anything in the back? | 0:32:48 | 0:32:49 | |
I'll have a look, see if there is anything there. | 0:32:49 | 0:32:52 | |
-What have you got there? -Victorian silver pocket watch. -Lovely. -Swiss. | 0:32:55 | 0:33:00 | |
Swiss movement, English case. | 0:33:00 | 0:33:02 | |
-Continental silver? -It is. -We haven't met, hello. -Hello, Yvette. | 0:33:02 | 0:33:07 | |
-Lovely to meet you. -And you. | 0:33:07 | 0:33:09 | |
Key wind. Is it in working order or is that pushing it? | 0:33:09 | 0:33:12 | |
It is working, actually, yes. | 0:33:12 | 0:33:14 | |
Oh, look, it is ticking away beautifully. | 0:33:14 | 0:33:17 | |
-So, the date of that would be? -That is about 1890 to 1900. -Yeah. | 0:33:17 | 0:33:22 | |
-Lovely. How much is that, sir? -I can do that for £30. | 0:33:22 | 0:33:26 | |
Can you really? | 0:33:26 | 0:33:28 | |
Because I was going to make you a pathetic offer of 15. | 0:33:28 | 0:33:30 | |
SHE SQUEALS | 0:33:30 | 0:33:33 | |
Did you hear that squeal? Would you like a seat, madam? | 0:33:33 | 0:33:37 | |
Hang on. Oh, dear. | 0:33:37 | 0:33:39 | |
Tell me what your best is and I'll see if I can match it. | 0:33:39 | 0:33:43 | |
20. | 0:33:43 | 0:33:44 | |
Marvellous. | 0:33:45 | 0:33:47 | |
Despite Yvette's shock at his cheeky offer, | 0:33:47 | 0:33:50 | |
Charles gets a great deal on the watch. | 0:33:50 | 0:33:53 | |
But it is not long before something else attracts his attention. | 0:33:53 | 0:33:57 | |
Here we have a taste of the Orient. | 0:33:57 | 0:34:00 | |
And how! A very large Imari charger. | 0:34:00 | 0:34:05 | |
Imari porcelain hails from the Japanese town of Arita. | 0:34:05 | 0:34:10 | |
A charger is a large decorative plate that can be used for display | 0:34:10 | 0:34:14 | |
or just to brighten up table settings. | 0:34:14 | 0:34:16 | |
-James, I am quite liking your enormous Imari charger. -Yes. | 0:34:16 | 0:34:21 | |
I really like the colours. | 0:34:21 | 0:34:23 | |
Did it come right, as they say, | 0:34:23 | 0:34:25 | |
or did you have to get into a war to buy it? | 0:34:25 | 0:34:28 | |
-It came reasonable. -Reasonable? | 0:34:28 | 0:34:30 | |
HE LAUGHS | 0:34:30 | 0:34:32 | |
-Hedging your bets there, are you? -Yes. | 0:34:32 | 0:34:34 | |
The very best on that I could do is 50. | 0:34:34 | 0:34:37 | |
Oh, that is pretty competitive. | 0:34:37 | 0:34:39 | |
-Mmm-hmm. -Oh, crumbs! | 0:34:39 | 0:34:41 | |
It would be insulting to offer 40, would it? | 0:34:41 | 0:34:44 | |
-Would you show me the door? -Would you meet me halfway, 45? | 0:34:44 | 0:34:48 | |
Shake me by the hand, sir. That is really, really kind of you. | 0:34:48 | 0:34:53 | |
His first two buys, served up on a plate. | 0:34:53 | 0:34:56 | |
-Thank you very much indeed. -A pleasure. | 0:34:57 | 0:34:59 | |
With any luck, we'll sink that old Hanson. | 0:34:59 | 0:35:02 | |
Charlie is still in a buying mood, | 0:35:07 | 0:35:09 | |
so he's heading just down the road to the Lichfield Antiques Centre. | 0:35:09 | 0:35:13 | |
It looks like he has uncovered an interesting | 0:35:16 | 0:35:19 | |
if controversial item - a smoking gun, if you will. | 0:35:19 | 0:35:23 | |
A-ha! | 0:35:23 | 0:35:25 | |
Richard Nixon advertising cigarettes. | 0:35:25 | 0:35:29 | |
So, these were done to promote | 0:35:29 | 0:35:33 | |
Richard Nixon's presidential campaign in 1972. | 0:35:33 | 0:35:37 | |
Richard Nixon was a two-term president of the USA. | 0:35:37 | 0:35:41 | |
The Watergate political scandal of the early 1970s resulted | 0:35:41 | 0:35:45 | |
in his resignation from the White House. | 0:35:45 | 0:35:48 | |
And to think that they actually produced king-sized filter | 0:35:48 | 0:35:51 | |
cigarettes to advertise his campaign. | 0:35:51 | 0:35:54 | |
Can you imagine anything worse today? | 0:35:54 | 0:35:56 | |
And they are... | 0:35:56 | 0:35:57 | |
£10. I think that is a great statement of history! | 0:35:57 | 0:36:01 | |
We don't like smoking, but we love historical statements. | 0:36:01 | 0:36:06 | |
Charlie is going to ask dealer Madeleine about them. | 0:36:06 | 0:36:10 | |
Ah, Madeleine! Madeleine, I'm here! | 0:36:10 | 0:36:12 | |
-I'm here. -There you are. -Could you show me something? -Mmm-hmm. | 0:36:13 | 0:36:16 | |
Horrible habit, but a great, great statement of history. | 0:36:16 | 0:36:20 | |
They are priced up at £10. | 0:36:20 | 0:36:23 | |
I wouldn't be able to tell you whether they were expensive or cheap. | 0:36:23 | 0:36:27 | |
I think they are a bargain price, myself. | 0:36:27 | 0:36:29 | |
HE LAUGHS | 0:36:29 | 0:36:31 | |
Do you think whoever owns those would take a fiver for them or not? | 0:36:31 | 0:36:34 | |
What do you think? | 0:36:34 | 0:36:37 | |
-Cash! -Go on. | 0:36:37 | 0:36:39 | |
I have never bought a second-hand pair of cigarettes before. | 0:36:39 | 0:36:44 | |
Well, I should think not. | 0:36:44 | 0:36:46 | |
Meanwhile, the clock is ticking for Charles. | 0:36:50 | 0:36:53 | |
He has just arrived at the same shop | 0:36:53 | 0:36:55 | |
and seems he is meeting another old friend. | 0:36:55 | 0:36:57 | |
He has got so many friends, that boy. | 0:36:57 | 0:37:00 | |
Good morning. How are you? Nice seeing you again. | 0:37:00 | 0:37:03 | |
Hello, Madeleine. I know this lady. | 0:37:03 | 0:37:05 | |
You seem to know everyone, Charles. | 0:37:05 | 0:37:08 | |
Look sharp, though, Carlos, | 0:37:08 | 0:37:09 | |
there is one more of your old acquaintances around. | 0:37:09 | 0:37:12 | |
-What are you doing here? -How are you? Get on with it. And good luck. | 0:37:15 | 0:37:18 | |
Good luck to you, too. Go on, get out of here. | 0:37:18 | 0:37:20 | |
Get out of here. | 0:37:20 | 0:37:22 | |
This shop seems to have put Charles in an oddly esoteric mood. | 0:37:22 | 0:37:26 | |
I want to go mystical. I have a desire to go magical. | 0:37:26 | 0:37:30 | |
As luck would have it, Madeleine might have found just the thing. | 0:37:30 | 0:37:35 | |
What about the dwarf? | 0:37:35 | 0:37:37 | |
OK. Oh, I never saw him behind there. | 0:37:37 | 0:37:40 | |
That is quite novel. That is quite sweet. | 0:37:40 | 0:37:42 | |
It's a small novelty inkwell, including a gnome at a forge. | 0:37:42 | 0:37:48 | |
Ticket price, £68. | 0:37:48 | 0:37:50 | |
That is quite good. He hasn't been repainted. Can you see on his nose? | 0:37:50 | 0:37:55 | |
-He's... You can see the real wear, can't you? -Yeah. | 0:37:55 | 0:37:58 | |
I'd have thought the material... Is it a pewter? | 0:37:58 | 0:38:01 | |
Some sort of base metal pewter? What is the best on that? | 0:38:01 | 0:38:05 | |
For you, Charles, if I said 20, would that help? | 0:38:05 | 0:38:08 | |
Maddie, you know what? Cometh the man, cometh the hour. | 0:38:08 | 0:38:11 | |
Sometimes, a man is in need, OK? | 0:38:11 | 0:38:13 | |
And when the man is in need, you meet a Madeleine. | 0:38:13 | 0:38:17 | |
Thanks, Madeleine. Thank you very, very much. | 0:38:18 | 0:38:20 | |
A magical first buy for Charles. | 0:38:20 | 0:38:23 | |
Time's running out, and he's getting himself into a bit of tizz. | 0:38:24 | 0:38:28 | |
Running, as usual. | 0:38:28 | 0:38:29 | |
I'm not sure where. Hello. | 0:38:29 | 0:38:31 | |
As he can't find any open antique shops, | 0:38:31 | 0:38:34 | |
Charles is concocting a rather unlikely plan. | 0:38:34 | 0:38:38 | |
There's actually a firm of lawyers I know down here. | 0:38:38 | 0:38:41 | |
They may have something in their offices for sale. | 0:38:41 | 0:38:44 | |
You never know. | 0:38:44 | 0:38:46 | |
Mmm. | 0:38:46 | 0:38:47 | |
You really have gone off book today, haven't you? | 0:38:47 | 0:38:51 | |
Luckily, Associate Solicitor Shelly | 0:38:51 | 0:38:53 | |
agrees to humour this crackpot enquiry. | 0:38:53 | 0:38:56 | |
-We've got something in here. -Not the bookcase? | 0:38:56 | 0:38:59 | |
Not the bookcase, no, don't get excited. | 0:38:59 | 0:39:02 | |
-This box here? -Yeah. -May I take it out? -Yeah. It is a bit heavy. | 0:39:02 | 0:39:06 | |
Oh, my goodness me! | 0:39:06 | 0:39:08 | |
What is it? | 0:39:09 | 0:39:11 | |
It is a company seal. | 0:39:11 | 0:39:13 | |
A company seal was used to mark official documents. | 0:39:13 | 0:39:17 | |
Crikey me! | 0:39:17 | 0:39:18 | |
Oh, that is wonderful, Shelly, that is really nice. | 0:39:18 | 0:39:20 | |
That is really nice. Wow! | 0:39:20 | 0:39:23 | |
It is a Cannock Colliery business seal. | 0:39:23 | 0:39:26 | |
-Wow, OK. -But I don't know much more about it than that. | 0:39:26 | 0:39:30 | |
-I suppose date to 1890, 1900? -Right. | 0:39:30 | 0:39:34 | |
-So it would work almost by placing a piece of paper into here? -Yeah. | 0:39:34 | 0:39:38 | |
-Can we try it? -That's fine, yeah. | 0:39:38 | 0:39:40 | |
OK, so you would obviously spin... | 0:39:42 | 0:39:45 | |
Oh, wonderful. | 0:39:46 | 0:39:48 | |
And there you've got the seal... | 0:39:48 | 0:39:51 | |
inscribed, "Cannock Colliery Company Limited." | 0:39:51 | 0:39:55 | |
It's a nice item and it is in good condition, as well. | 0:39:55 | 0:39:58 | |
Shelly, if I said to you I'd probably like to... | 0:39:58 | 0:40:03 | |
make an offer of £30? | 0:40:03 | 0:40:06 | |
-40. -Look at me, I'm a man in need! | 0:40:07 | 0:40:11 | |
-I'm a man in need. -OK, I will meet you in the middle, then. | 0:40:11 | 0:40:14 | |
-I am going to say yes. -35? -£35, you've got a deal. | 0:40:14 | 0:40:17 | |
-Deal. -Thanks, Shelly. | 0:40:17 | 0:40:18 | |
Well, with a strikingly strange strategy, | 0:40:18 | 0:40:22 | |
Charles has managed to secure himself another buy. | 0:40:22 | 0:40:25 | |
Do you need a hand there, Carlos? That looks a bit lumpy. | 0:40:25 | 0:40:28 | |
The boys are heading to Walsall in the West Midlands. | 0:40:31 | 0:40:35 | |
Charles still needs more buys. | 0:40:36 | 0:40:37 | |
After wandering the streets for some time, | 0:40:37 | 0:40:40 | |
he spots a sign that looks promising. | 0:40:40 | 0:40:42 | |
Hello, sir. How are you? | 0:40:43 | 0:40:46 | |
I'm on a hunt, OK? I'm on a hunt. | 0:40:46 | 0:40:48 | |
Purely by chance, I've come down this street | 0:40:48 | 0:40:50 | |
and I can see on the wall there it says LP Antiques. | 0:40:50 | 0:40:52 | |
-Tell me, have you got antiques? -We have got antiques, yeah. | 0:40:52 | 0:40:55 | |
Have you really? Can I come and have a look? | 0:40:55 | 0:40:58 | |
-Yes. -Is that all right? Can I have a quick peek upstairs now? | 0:40:58 | 0:41:02 | |
This unit sells mainly reproduction furniture, | 0:41:02 | 0:41:05 | |
but Charles seems determined to gamble on this road trip, | 0:41:05 | 0:41:08 | |
so he has talked his way in for a look anyway. | 0:41:08 | 0:41:11 | |
Something might jump out at me. | 0:41:11 | 0:41:13 | |
Young upholsterer Rob has been dragooned into showing him around. | 0:41:13 | 0:41:17 | |
There is very little antique stock in the building, | 0:41:17 | 0:41:20 | |
as they no longer trade in it, | 0:41:20 | 0:41:22 | |
but Charles is determined to spy something. | 0:41:22 | 0:41:25 | |
They are quite nice, aren't they? | 0:41:26 | 0:41:28 | |
A pair of Parisian field glasses, which are quite neat. | 0:41:28 | 0:41:33 | |
They are quite good. They're probably First World War. | 0:41:33 | 0:41:36 | |
Maybe 1910, 1920. | 0:41:36 | 0:41:38 | |
These... Look, these belonged to a man from Lincolnshire. | 0:41:38 | 0:41:42 | |
Rob will need to ask his boss what they can be sold for. | 0:41:42 | 0:41:45 | |
Find out how much they are for the two together. | 0:41:45 | 0:41:47 | |
Yeah, for the two together. | 0:41:47 | 0:41:49 | |
And Charles has spotted a pair of wooden bowls, as you do. | 0:41:50 | 0:41:53 | |
£15 each. Or two for 25. | 0:41:55 | 0:41:59 | |
Two for 25? | 0:41:59 | 0:42:00 | |
I wonder, do you reckon she might throw me a couple of bowls in? | 0:42:00 | 0:42:04 | |
Just say, "For poor old Hans..." | 0:42:04 | 0:42:06 | |
Just tell her poor Hanson wonders, | 0:42:06 | 0:42:08 | |
could you throw in two wooden bowls as well? | 0:42:08 | 0:42:10 | |
Give her a call. Thanks, mate. | 0:42:10 | 0:42:12 | |
Young Rob might come back and I might get lucky. | 0:42:12 | 0:42:14 | |
But then again, if you don't ask, you don't get. Hold on, hold on. | 0:42:14 | 0:42:19 | |
-Yeah. -Rob, this is a biggie. | 0:42:19 | 0:42:22 | |
-Hit me. -Yep, the two. -Yes! She said yes? -Yeah. | 0:42:22 | 0:42:26 | |
-Really? -Yeah. -That's awesome. All the best. | 0:42:26 | 0:42:29 | |
Thanks, Rob. Thanks again, I really appreciate it. | 0:42:29 | 0:42:32 | |
Awesome, he gets the lot for £25. | 0:42:32 | 0:42:35 | |
Once again, in the most unlikely of fashions, | 0:42:35 | 0:42:37 | |
Charles has managed to secure a bargain. | 0:42:37 | 0:42:39 | |
Well done, that man. | 0:42:39 | 0:42:41 | |
Charles now has three lots, but he wants one more. | 0:42:43 | 0:42:47 | |
He has decided to take the interesting | 0:42:47 | 0:42:49 | |
but damaged decoupage screen he saw back in Cannock. | 0:42:49 | 0:42:53 | |
Time for a call to dealer Scott. | 0:42:56 | 0:42:58 | |
What's the best price? | 0:42:58 | 0:42:59 | |
£70? Thanks ever so much. And I'll take it. | 0:43:00 | 0:43:04 | |
Deal done and Charles has got his lots for auction...just. | 0:43:04 | 0:43:10 | |
Charlie Ross, meanwhile, | 0:43:10 | 0:43:12 | |
has driven on to the West Midlands town of Halesowen. | 0:43:12 | 0:43:16 | |
He is strolling off into the shop Yesterday's World, | 0:43:16 | 0:43:20 | |
where dealers Jean and Ivan are in control. | 0:43:20 | 0:43:23 | |
-Hello. -Good morning. -You must be Jean. -I am. -I'm Charlie. | 0:43:25 | 0:43:28 | |
-Nice to meet you. -Lovely to meet you, too. | 0:43:28 | 0:43:31 | |
Charlie has spotted a group of items that hint at the brave | 0:43:34 | 0:43:38 | |
and eventful life of their owner. | 0:43:38 | 0:43:40 | |
May I look at your First World War medals? | 0:43:40 | 0:43:42 | |
-Thanks, Jean, lovely. -Thank you. | 0:43:42 | 0:43:44 | |
-And that is named to T Warner. -That is the one. | 0:43:44 | 0:43:48 | |
The Royal Artillery. Gunner T Warner. | 0:43:48 | 0:43:52 | |
Now, that is interesting. | 0:43:52 | 0:43:54 | |
We have got a First World War to T Warner. | 0:43:54 | 0:43:57 | |
-And a Second. -And two Second World Wars to T Warner. | 0:43:57 | 0:44:00 | |
-Yes. -Crikey! | 0:44:00 | 0:44:03 | |
-Royal Artillery, it has got to be the same man. -Same man. -Blimey! | 0:44:03 | 0:44:06 | |
-You wouldn't think he'd have to go through it all again, would you? -No. | 0:44:06 | 0:44:10 | |
The World War II medals are for service and defence. | 0:44:10 | 0:44:14 | |
Ivan is the military man, what could he let them go for? | 0:44:14 | 0:44:17 | |
50 for the three. Best deal. | 0:44:17 | 0:44:19 | |
If I bought them, for example, for £40... | 0:44:19 | 0:44:23 | |
I think if I could buy the three for £40, | 0:44:23 | 0:44:26 | |
I think I might make a tenner or something. | 0:44:26 | 0:44:29 | |
-I couldn't do better than 40. -No. Could you do 40? -Yeah. | 0:44:29 | 0:44:32 | |
I'm happy with that. | 0:44:32 | 0:44:33 | |
-Are you? -Are you sure? -Yes, we will go with that. | 0:44:33 | 0:44:35 | |
-I suspect that the lady takes the money. -I do indeed. | 0:44:35 | 0:44:37 | |
You do the negotiating and you take the money. | 0:44:37 | 0:44:40 | |
-How's that? -That's lovely. | 0:44:40 | 0:44:42 | |
And a gold star to Charlie, who has got another buy. | 0:44:42 | 0:44:45 | |
Charles Hanson, meanwhile, has travelled into central Birmingham. | 0:44:49 | 0:44:52 | |
He has finished his shopping, | 0:44:52 | 0:44:54 | |
so he is headed for the Museum of the Jewellery Quarter, | 0:44:54 | 0:44:57 | |
where he is going to learn about the history | 0:44:57 | 0:44:59 | |
of one of Birmingham's most important traditional industries. | 0:44:59 | 0:45:03 | |
He's meeting the head of the community museum, Christopher. | 0:45:03 | 0:45:07 | |
-Hello. -Hi, Charles. -I'm Charles Hanson. | 0:45:07 | 0:45:09 | |
Welcome to the Museum of the Jewellery Quarter. | 0:45:09 | 0:45:12 | |
Birmingham has a centuries-long history of producing jewellery, | 0:45:12 | 0:45:16 | |
and this area was the powerhouse of the bauble business. | 0:45:16 | 0:45:20 | |
This museum tells the story of the industry | 0:45:20 | 0:45:23 | |
and preserves the factory of one manufacturer, | 0:45:23 | 0:45:26 | |
Smith and Pepper, as it then was, | 0:45:26 | 0:45:28 | |
for most of the 20th century. | 0:45:28 | 0:45:31 | |
The Smith and Pepper factory opened in 1899 and closed in 1981. | 0:45:33 | 0:45:38 | |
It was a family business run by only two generations of the Smith family, | 0:45:38 | 0:45:43 | |
and manufactured gold and silver jewellery. | 0:45:43 | 0:45:45 | |
When the factory closed, | 0:45:47 | 0:45:49 | |
it was left entirely as it had been on the last day of operation. | 0:45:49 | 0:45:54 | |
The museum was built around it. | 0:45:54 | 0:45:57 | |
First, Christopher is taking Charles into the office space. | 0:45:57 | 0:46:01 | |
-Come on in. -It's amazing, isn't it? | 0:46:01 | 0:46:04 | |
Well, I mean, you know, if you look at this space, | 0:46:04 | 0:46:06 | |
-it could be a 1930s office. -Absolutely. -That's what it was. | 0:46:06 | 0:46:09 | |
This was the sort of nerve centre of the firm. | 0:46:09 | 0:46:12 | |
It was Miss Olive's territory | 0:46:12 | 0:46:14 | |
because the partners were Olive, Tom and Eric. | 0:46:14 | 0:46:17 | |
-Yes. -A family business. And she ran the office. -Yes. | 0:46:17 | 0:46:21 | |
And you can see the boxes on the wall there | 0:46:21 | 0:46:23 | |
where the stuff would be sent around the world, | 0:46:23 | 0:46:25 | |
the various things made at Smith and Pepper. | 0:46:25 | 0:46:27 | |
-Yes. -And then as you look around the office, | 0:46:27 | 0:46:30 | |
you can see the dumbwaiter over there, | 0:46:30 | 0:46:32 | |
where orders were sent down to the factory floor | 0:46:32 | 0:46:35 | |
and the finished goods came back up. | 0:46:35 | 0:46:37 | |
Miss Olive also ran a tight ship. | 0:46:37 | 0:46:39 | |
There were various standards that had to be kept to. | 0:46:39 | 0:46:42 | |
And one of the key ones was that the workers stayed downstairs | 0:46:42 | 0:46:45 | |
and office staff stayed upstairs. | 0:46:45 | 0:46:47 | |
And there's a great story that when it first opened as a museum, | 0:46:47 | 0:46:50 | |
in 1992, | 0:46:50 | 0:46:51 | |
there was a grand opening and the men from the workshop | 0:46:51 | 0:46:54 | |
came up to the office and it was the first time | 0:46:54 | 0:46:56 | |
they'd ever been upstairs in the factory. | 0:46:56 | 0:46:59 | |
Christopher is going to take Charles downstairs | 0:46:59 | 0:47:01 | |
to the manufacturing floor, | 0:47:01 | 0:47:03 | |
which has also been preserved in working order. | 0:47:03 | 0:47:06 | |
We are now stepping into the 1899 factory. | 0:47:08 | 0:47:12 | |
It is just incredible. | 0:47:12 | 0:47:14 | |
It almost looks as though nothing has happened. | 0:47:14 | 0:47:17 | |
The various different machines created the components of jewellery | 0:47:20 | 0:47:23 | |
from gold or silver bullion, which were then soldered together. | 0:47:23 | 0:47:27 | |
Clive there is working at the jeweller's bench. | 0:47:27 | 0:47:29 | |
And the job of the jeweller in this particular factory | 0:47:29 | 0:47:32 | |
was mainly soldering. | 0:47:32 | 0:47:33 | |
It was literally connecting the various components | 0:47:33 | 0:47:35 | |
that had been produced through the other machinery. | 0:47:35 | 0:47:38 | |
It is skilled work. You would have been a man to do this. | 0:47:38 | 0:47:40 | |
And you would have had lots of training. | 0:47:40 | 0:47:42 | |
So, at the moment, it's Clive. | 0:47:42 | 0:47:44 | |
Clive looks as though he is smoking a pipe. | 0:47:44 | 0:47:46 | |
Yeah. He is using a blow pipe. | 0:47:46 | 0:47:48 | |
This is the traditional method | 0:47:48 | 0:47:50 | |
of controlling the temperature of the flame. | 0:47:50 | 0:47:53 | |
Don't burn yourself, Clive. That's a big flame. | 0:47:53 | 0:47:55 | |
It wouldn't be the first time. | 0:47:55 | 0:47:57 | |
THEY LAUGH | 0:47:57 | 0:47:58 | |
Careful! | 0:47:58 | 0:48:00 | |
I'll take you over now | 0:48:00 | 0:48:01 | |
-to look at another piece of technological wonderment. -Yes. | 0:48:01 | 0:48:04 | |
-Which is our drop stamp pit. -Wonderful. | 0:48:04 | 0:48:06 | |
It sounds very interesting. | 0:48:06 | 0:48:07 | |
The drop stamp literally stamps a decorative design | 0:48:07 | 0:48:11 | |
into a piece of metal. | 0:48:11 | 0:48:12 | |
-Can we see it in action? -Yeah, we'll ask Clive to demonstrate. | 0:48:12 | 0:48:17 | |
-A basic piece of metal. -Yes. | 0:48:17 | 0:48:19 | |
And the stamp will actually create the design on it | 0:48:19 | 0:48:22 | |
through sheer force. | 0:48:22 | 0:48:24 | |
-Is it going to just drop? -Yep. | 0:48:24 | 0:48:25 | |
Crikey! | 0:48:29 | 0:48:30 | |
Oh, I say! Then, obviously, by that stamp, | 0:48:32 | 0:48:34 | |
you create this wonderful, what I was suppose you would call | 0:48:34 | 0:48:37 | |
-repousse work or embossed relief. -Yeah, yeah. | 0:48:37 | 0:48:40 | |
Well, that certainly made an impression on Charles. | 0:48:40 | 0:48:42 | |
With that, it is time for him to hit the road. | 0:48:42 | 0:48:46 | |
It has been invigorating, so thanks, Chris, really good. | 0:48:46 | 0:48:50 | |
-Is it this way out? -Yes. -Thank you. | 0:48:50 | 0:48:52 | |
Elsewhere, Charlie Ross has travelled on to Ironbridge | 0:48:58 | 0:49:00 | |
in Shropshire. | 0:49:00 | 0:49:03 | |
Completed in 1779, the bridge which gives the town its name | 0:49:03 | 0:49:06 | |
was the first arched bridge in the world to be made from cast iron. | 0:49:06 | 0:49:12 | |
Today, it is part of a UNESCO World Heritage Site. | 0:49:12 | 0:49:16 | |
Charlie is heading into the Curio Centre. | 0:49:16 | 0:49:20 | |
-Hello. -Mr Ross. -How very formal. | 0:49:22 | 0:49:25 | |
-Charlie. -How are you? -Hello. | 0:49:25 | 0:49:27 | |
What a super thing! | 0:49:30 | 0:49:32 | |
Oh, now, there is something that takes my eye. | 0:49:34 | 0:49:37 | |
See that little whisky noggin? | 0:49:37 | 0:49:39 | |
It's a small jug for an individual measure of whisky. | 0:49:39 | 0:49:43 | |
In a smart Scottish country house, if you had a dinner party, | 0:49:43 | 0:49:46 | |
20 people round, every single person would have one of those. | 0:49:46 | 0:49:49 | |
That's right, yeah. | 0:49:49 | 0:49:51 | |
Charlie does seem smitten with the noggin, but the ticket price | 0:49:51 | 0:49:55 | |
is £175, well over his current budget | 0:49:55 | 0:49:58 | |
of £101.78. | 0:49:58 | 0:50:01 | |
What can Simon do for trade? | 0:50:01 | 0:50:04 | |
You're probably looking at around 140. | 0:50:04 | 0:50:06 | |
-Oh! I'm getting closer. -I know you are. | 0:50:06 | 0:50:08 | |
These aren't mine, unfortunately, these are somebody else's. | 0:50:08 | 0:50:11 | |
-Bother! I love that... -It's a shame. -...with a passion. | 0:50:11 | 0:50:14 | |
-It comes with the little silver label, as well. -Yes, it does. | 0:50:14 | 0:50:18 | |
Now look at that. That is for putting your whisky in. | 0:50:18 | 0:50:22 | |
Charlie loves the whisky noggin so much | 0:50:22 | 0:50:24 | |
that he might be willing to sell one of his other items to Simon | 0:50:24 | 0:50:28 | |
to make the cash he needs to buy it. | 0:50:28 | 0:50:30 | |
He is thinking of sacrificing the pocket watch he bought earlier. | 0:50:30 | 0:50:33 | |
Well, I never did! | 0:50:33 | 0:50:35 | |
I am willing to trade with you. | 0:50:35 | 0:50:38 | |
If the price is right. | 0:50:38 | 0:50:40 | |
I'm loving this! I'm loving the way this is going. | 0:50:40 | 0:50:43 | |
-I can show it to you. -I'd like to see it, yeah, definitely. | 0:50:43 | 0:50:46 | |
-Look at this exceptional object, sir. -OK, blow me away. | 0:50:46 | 0:50:51 | |
It is all nicely hallmarked around the top. | 0:50:51 | 0:50:54 | |
I mean, obviously, it is a bit of a basic sort of model. | 0:50:54 | 0:50:58 | |
That's £39.22 you need? | 0:50:58 | 0:51:00 | |
-£38.22 to you, sir. -OK, yes, we'll buy this off you for that. | 0:51:00 | 0:51:03 | |
That's fine. I'm happy with that. | 0:51:03 | 0:51:05 | |
Charlie's clever trading means he has only paid £121.78 | 0:51:05 | 0:51:11 | |
for the whisky noggin. | 0:51:11 | 0:51:13 | |
That is £101.78 in cash and the £20 he got the watch for. | 0:51:13 | 0:51:18 | |
Job done. | 0:51:18 | 0:51:19 | |
Time for a quick recap to see who bought what, and for how much. | 0:51:19 | 0:51:24 | |
Charlie Ross started this leg with £211.78. | 0:51:24 | 0:51:27 | |
He has spent everything on four lots. | 0:51:27 | 0:51:30 | |
A whiskey noggin, a selection of war medals, an Imari charger | 0:51:30 | 0:51:35 | |
and some Nixon campaign cigarettes. | 0:51:35 | 0:51:38 | |
Charles Hanson, meanwhile, started out with £164. | 0:51:38 | 0:51:41 | |
He spent £150 and has four lots to show for it. | 0:51:41 | 0:51:45 | |
He bought a novelty gnome inkwell, a colliery company stamp, | 0:51:45 | 0:51:49 | |
binoculars paired with a couple of bowls, and a decoupage screen. | 0:51:49 | 0:51:54 | |
As you do. | 0:51:54 | 0:51:55 | |
But what do they really think about each other's buys? | 0:51:55 | 0:51:59 | |
Charles, I can tell from the table, had a very hard time of it, | 0:51:59 | 0:52:03 | |
but he saved himself with this. | 0:52:03 | 0:52:06 | |
Charlie, goodness me, you bought a big slap-up plate for £45? | 0:52:06 | 0:52:10 | |
Overly priced. You bought an amusing noggin with a label. | 0:52:10 | 0:52:15 | |
Being a gambling man, I would go for Hanson. Who is he? That's me. | 0:52:15 | 0:52:19 | |
Well, well, the gloves are off. | 0:52:20 | 0:52:22 | |
This promises to be a heavyweight showdown. | 0:52:22 | 0:52:25 | |
Today, our princely pair have wandered over 200 miles | 0:52:26 | 0:52:28 | |
through the dreaming byways of England | 0:52:28 | 0:52:31 | |
from Cannock in Staffordshire | 0:52:31 | 0:52:33 | |
to end up at their auction in Stroud, Gloucestershire. | 0:52:33 | 0:52:36 | |
Stroud is a terribly well appointed Cotswolds town | 0:52:38 | 0:52:41 | |
with a proud tradition | 0:52:41 | 0:52:42 | |
of textile manufacture stretching back through the centuries. | 0:52:42 | 0:52:46 | |
Let's hope Charles and Charlie | 0:52:46 | 0:52:49 | |
have cut their cloth to fit today's saleroom. | 0:52:49 | 0:52:51 | |
They are heading for Stroud Auction Rooms, | 0:52:53 | 0:52:55 | |
which holds monthly antiques and specialists sales. | 0:52:55 | 0:52:58 | |
You know, they are hungry for antiques, Charlie, hungry. | 0:53:01 | 0:53:04 | |
Shame we didn't buy any. | 0:53:04 | 0:53:06 | |
Cheeky. | 0:53:06 | 0:53:08 | |
No manners. | 0:53:08 | 0:53:10 | |
With his gavel poised is today's auctioneer, James Taylor. | 0:53:10 | 0:53:13 | |
First up, we have Charlie's lovely little glass whisky noggin. | 0:53:15 | 0:53:19 | |
Will the punters be tempted to take a nip? | 0:53:19 | 0:53:22 | |
Lot of commission interest means I'm straight in at £130, | 0:53:22 | 0:53:26 | |
looking for 140. | 0:53:26 | 0:53:27 | |
At £130 with me now. Looking for 140. | 0:53:27 | 0:53:30 | |
140. 150. Still with me. Is there 160? | 0:53:30 | 0:53:32 | |
-At £150 on commission now. -Thank you, Stroud! -At £150. | 0:53:32 | 0:53:36 | |
I am selling to the book now at 150... | 0:53:36 | 0:53:39 | |
I'm thrilled! | 0:53:39 | 0:53:41 | |
What a start! Chin-chin, old chap. | 0:53:41 | 0:53:45 | |
Another for Charlie Ross now. | 0:53:45 | 0:53:47 | |
It's his war medals going under the hammer. | 0:53:47 | 0:53:50 | |
Bids straight in with me at £38. | 0:53:50 | 0:53:52 | |
-Brilliant. -They are geniuses here! | 0:53:52 | 0:53:55 | |
With me, 50. I'm out at 50. Now, is there five? | 0:53:55 | 0:53:57 | |
At £50, they are off the book, in the room, looking for five. | 0:53:57 | 0:54:00 | |
-These auctioneers are geniuses. -In the room now at 50... | 0:54:00 | 0:54:04 | |
Well, Charlie has won that battle, but will he win the war? | 0:54:04 | 0:54:08 | |
Well battled. | 0:54:09 | 0:54:12 | |
Now, Charles Hanson's colliery company stamp, | 0:54:12 | 0:54:15 | |
acquired from some local legal eagles. | 0:54:15 | 0:54:17 | |
A fair amount of commission interest means I'm straight in at £50. | 0:54:18 | 0:54:21 | |
At £50, the bid is with me, now looking for five. | 0:54:21 | 0:54:24 | |
-55. 60, still with me. Is there five? -Slowed down. | 0:54:24 | 0:54:26 | |
-At £60, it is still with me now. -It could still go higher. Oh, God. | 0:54:26 | 0:54:29 | |
At £70, still on commission now, | 0:54:29 | 0:54:31 | |
looking for five. At £70, it is on the book now, looking for five. | 0:54:31 | 0:54:34 | |
-75. -Oh, stop, no higher, please. | 0:54:34 | 0:54:37 | |
At £75, it's off the book, in the room. Looking for 80. | 0:54:37 | 0:54:39 | |
At £75, I'm selling to the room now at 75... | 0:54:39 | 0:54:41 | |
I have to say, if I was the lawyer, I'd be hot on your heels. | 0:54:41 | 0:54:47 | |
But he bought it fair and square, Charlie. | 0:54:47 | 0:54:50 | |
That ruling is in Charles's favour. | 0:54:50 | 0:54:53 | |
And with that, the young pretender steals the lead. | 0:54:53 | 0:54:56 | |
Next up is Charlie's Imari charger. | 0:54:56 | 0:55:01 | |
Might it find favour with the crowd? | 0:55:01 | 0:55:04 | |
And the bid's straight in with me at £50 now. Is there five? | 0:55:04 | 0:55:07 | |
-Well done! -At £50. The bid's on commission now. Looking for five. | 0:55:07 | 0:55:10 | |
At £50, selling now, maiden bid on the book. | 0:55:10 | 0:55:12 | |
55. 60 is with me. And five, sir? | 0:55:12 | 0:55:13 | |
65 takes me out. In the room now, it's at 70. | 0:55:13 | 0:55:15 | |
At £65, it is off the book and in the room, looking for 70. | 0:55:15 | 0:55:18 | |
At £65, I'm selling to the room now at 65... | 0:55:18 | 0:55:23 | |
-Well done. -It doesn't quite charge away, but a success nevertheless. | 0:55:23 | 0:55:28 | |
But not quite enough to catch up with Charles. | 0:55:28 | 0:55:31 | |
The gnomish inkwell is up next. Can it magic up a profit? | 0:55:31 | 0:55:36 | |
-And the bid is straight in with me at £55. -Got it! | 0:55:36 | 0:55:40 | |
At £55 it's on commission now, looking for 60. At 55. 60. | 0:55:40 | 0:55:43 | |
Five, still with me. Is there 70? | 0:55:43 | 0:55:45 | |
At £65, it is still with me now, looking for 70. | 0:55:45 | 0:55:47 | |
70 and five. Still with me. Is there 80? At £75. | 0:55:47 | 0:55:50 | |
That's good, Charlie. | 0:55:50 | 0:55:52 | |
At £75, selling on the book at 75... | 0:55:52 | 0:55:55 | |
-80 takes me out on the internet. -£80! Oh, yes! Good man. | 0:55:55 | 0:55:59 | |
There, there, Charlie. | 0:55:59 | 0:56:01 | |
At £80, I'm selling it away to the net now at 80. | 0:56:01 | 0:56:03 | |
-Premier place to come for a sale. -Marvellous result. | 0:56:04 | 0:56:07 | |
Oh, you are a good sport, Charlie. | 0:56:07 | 0:56:09 | |
And an almost supernatural result on the inkwell. | 0:56:09 | 0:56:12 | |
The young buck solidifies his lead. | 0:56:12 | 0:56:16 | |
Bids from everywhere. | 0:56:16 | 0:56:18 | |
Next, Charlie's naughty Nixon campaign cigarettes. | 0:56:18 | 0:56:22 | |
There it is, bid straight in with me at £30. | 0:56:22 | 0:56:25 | |
At £30 on commission now, looking for two. | 0:56:25 | 0:56:27 | |
At £30. It's on the book now, looking for two. 32. 35 is me. | 0:56:27 | 0:56:31 | |
38, sir? At £35, it is still on commission, now looking for eight. | 0:56:31 | 0:56:34 | |
At £35. I'm selling on the book now for 35... | 0:56:34 | 0:56:38 | |
A fabulous profit. No whitewash needed here. | 0:56:38 | 0:56:42 | |
But Charles still has the upper hand with two lots to go. | 0:56:42 | 0:56:46 | |
The job lot of field glasses and bowls next. | 0:56:46 | 0:56:50 | |
-And I have commission straight in at £40. -Get out of here! | 0:56:50 | 0:56:54 | |
-It's on commission now, looking for two. -Come on! | 0:56:54 | 0:56:58 | |
-At £40, I'm selling it away. On the book at 40... -Sensational! | 0:56:58 | 0:57:02 | |
-That's good. -That is a sensational result. I take my hat off to you. | 0:57:02 | 0:57:05 | |
Charles was all of a flap when he bought them, but the lot has flown. | 0:57:05 | 0:57:10 | |
And lastly, Charles's great hope, the decoupage screen. | 0:57:10 | 0:57:15 | |
There it is. | 0:57:15 | 0:57:16 | |
And I have commission interest straight in at £65. | 0:57:16 | 0:57:20 | |
-Come on! -At £65, the bid is with me now, looking for 70. | 0:57:20 | 0:57:23 | |
-70. 75 with me. 80. I'm out at 80. In the room now. -Come on, one more. | 0:57:23 | 0:57:27 | |
At £80, it's in the room now, looking for five. | 0:57:27 | 0:57:29 | |
-At £80, off the book and in the room now, looking for five. -Told you. | 0:57:29 | 0:57:32 | |
At £80, I'm selling to the room now at 80... | 0:57:32 | 0:57:35 | |
It is a topsy-turvy day. | 0:57:35 | 0:57:38 | |
The screen they both rated highly barely scrapes by, | 0:57:38 | 0:57:41 | |
but Charles is in such fine fettle that it scarcely matters. | 0:57:41 | 0:57:45 | |
I'm happy, Charlie. | 0:57:45 | 0:57:47 | |
-Come on, old man, let's go. -Bye. | 0:57:47 | 0:57:49 | |
-Are you coming? -No. -Put your hand up, then. Give me your hand. | 0:57:49 | 0:57:54 | |
Ready? Three, two, one. | 0:57:54 | 0:57:56 | |
Charlie Ross started this leg with £211.78. | 0:57:56 | 0:58:01 | |
After auction costs, he made a profit of £34.22, | 0:58:01 | 0:58:04 | |
giving him £246 to carry forward. | 0:58:04 | 0:58:08 | |
Well done, old bean. | 0:58:08 | 0:58:10 | |
But Charles Hanson, meanwhile, | 0:58:10 | 0:58:12 | |
started with a diminished £164. | 0:58:12 | 0:58:15 | |
He won this leg, though, with a handsome profit of £75.50, | 0:58:15 | 0:58:19 | |
meaning that he is now nipping at Charlie's heels with £239.50 | 0:58:19 | 0:58:25 | |
to carry forwards. | 0:58:25 | 0:58:26 | |
Oh, dear! Sounds like we've got a shotgun on board. | 0:58:26 | 0:58:30 | |
MOTOR REVS | 0:58:30 | 0:58:33 | |
-Goodbye, Stroud. -Goodbye, Stroud. | 0:58:33 | 0:58:35 |