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It's the nation's favourite antiques experts with £200 each... | 0:00:02 | 0:00:05 | |
I love that! | 0:00:05 | 0:00:06 | |
..a classic car, | 0:00:06 | 0:00:08 | |
and a goal to scour Britain for antiques. | 0:00:08 | 0:00:11 | |
Yippee! | 0:00:11 | 0:00:12 | |
Have I just done a terrible thing? | 0:00:12 | 0:00:14 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:19 | |
There'll be worthy winners | 0:00:19 | 0:00:20 | |
and valiant losers. | 0:00:20 | 0:00:22 | |
Am I going to flip a coin? | 0:00:22 | 0:00:24 | |
So, will it be the high road to glory | 0:00:24 | 0:00:26 | |
or the slow road to disaster? | 0:00:26 | 0:00:28 | |
I can't believe it - we're rubbish! | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:35 | |
# Let's go trippin'! # | 0:00:36 | 0:00:38 | |
On this road trip, we're with Catherine Southern, David Harper and their 1983 Mini. | 0:00:41 | 0:00:46 | |
For most of their journey, they've been heading south, | 0:00:49 | 0:00:52 | |
a bit like their money. | 0:00:52 | 0:00:54 | |
We are not going to make hundreds or thousands of pounds. | 0:00:54 | 0:00:58 | |
-I think you might be right. -It's not going to happen. | 0:00:58 | 0:01:01 | |
Because, whatever they bought... | 0:01:01 | 0:01:03 | |
That is impossible! | 0:01:03 | 0:01:05 | |
..big or small... | 0:01:05 | 0:01:06 | |
profits have been very hard to come by. | 0:01:06 | 0:01:09 | |
That's it. I am absolutely wiped out. | 0:01:09 | 0:01:11 | |
This is our final leg, and we're heading for a Somerset showdown. | 0:01:11 | 0:01:16 | |
-This is it - last-chance saloon. -I know. I know. | 0:01:16 | 0:01:20 | |
-And we're in Bath! -We've got no chance! | 0:01:20 | 0:01:24 | |
David started out with £200 | 0:01:26 | 0:01:28 | |
and he somehow managed to reduce it | 0:01:28 | 0:01:30 | |
to an embarrassing £149.24p. | 0:01:30 | 0:01:34 | |
Catherine also began with £200 and she has the lead, | 0:01:36 | 0:01:39 | |
with a nothing-to-be-proud-of £185.94p. | 0:01:39 | 0:01:43 | |
But will she spend it all? | 0:01:43 | 0:01:45 | |
Our trip began in Eccleston in Lancashire and headed south | 0:01:46 | 0:01:50 | |
for about 350 miles, through Wales and the West Country, | 0:01:50 | 0:01:53 | |
heading for Seaton in Devon. | 0:01:53 | 0:01:55 | |
We're starting out in the city of Bath, | 0:01:58 | 0:02:00 | |
and then making for a thrilling finale | 0:02:00 | 0:02:03 | |
at an auction by the sea, in Seaton. | 0:02:03 | 0:02:06 | |
Although the city's been famous for a very long time, | 0:02:08 | 0:02:11 | |
thanks to its healing waters, it was the Georgians who turned Bath | 0:02:11 | 0:02:15 | |
into one of the country's most fashionable resorts. | 0:02:15 | 0:02:19 | |
-This is VERY familiar. -Is it? -I've been here before. | 0:02:19 | 0:02:22 | |
You've got no chance! I know them! They're mine! | 0:02:22 | 0:02:26 | |
-Come on, you. -You are a devil! | 0:02:27 | 0:02:29 | |
-Now, then. Now, then. -This is so familiar to me. | 0:02:29 | 0:02:32 | |
-It's like I was here yesterday. -It's like being at home. -It is. | 0:02:32 | 0:02:36 | |
Catherine's first to schmooze Alex, the owner. | 0:02:36 | 0:02:41 | |
Hello! I was here not so long ago. Very nice to see you again, Alex. | 0:02:41 | 0:02:46 | |
I like that. | 0:02:49 | 0:02:50 | |
And that's the sort of thing that would stand out at auction. | 0:02:50 | 0:02:53 | |
People will be drawn towards it. | 0:02:53 | 0:02:55 | |
It's wooden. | 0:02:56 | 0:02:59 | |
My little boy would love that! Isn't that gorgeous? | 0:02:59 | 0:03:02 | |
How much is on that? | 0:03:02 | 0:03:04 | |
Oh, 170! | 0:03:04 | 0:03:06 | |
Probably '40s. Isn't that lovely? It's got a lovely look about it. | 0:03:06 | 0:03:10 | |
Got all its original paintwork. | 0:03:10 | 0:03:12 | |
Nice little vintage toy. You can't go wrong with that. | 0:03:12 | 0:03:16 | |
Although you can, at 170. | 0:03:16 | 0:03:18 | |
I think she'll certainly have a word about that. | 0:03:18 | 0:03:21 | |
Meanwhile, David it seems has decided to give up on fancy stuff | 0:03:21 | 0:03:25 | |
and buy with the auction in mind. Not a bad idea, Dave. | 0:03:25 | 0:03:28 | |
See if you can churn it. | 0:03:28 | 0:03:29 | |
We are going to a country sale and that's a provincial country item. | 0:03:29 | 0:03:33 | |
And it could be the right thing to go to the right sale. | 0:03:33 | 0:03:36 | |
This is an oak butter churn, 19th century, | 0:03:36 | 0:03:38 | |
although the functional design barely changed over the years. | 0:03:38 | 0:03:42 | |
It could go down a storm in Devon. | 0:03:42 | 0:03:44 | |
And let's see - if it's 50 quid, it's cheap. | 0:03:44 | 0:03:47 | |
Yes, but the ticket price of £140 would wipe you out. | 0:03:47 | 0:03:51 | |
-Can I make you an offer on it? -You can. -OK. | 0:03:51 | 0:03:54 | |
-50 quid, Alex. -You'll get more than that in Devon. | 0:03:54 | 0:03:58 | |
Not the way my journey's going! | 0:03:58 | 0:04:00 | |
He's a bit desperate! | 0:04:00 | 0:04:02 | |
65. | 0:04:02 | 0:04:04 | |
I have to be really hard. Under normal circumstances, I'd say yes. | 0:04:04 | 0:04:07 | |
Oh, yeah(?) | 0:04:07 | 0:04:09 | |
Short of getting down on hands and knees... | 0:04:09 | 0:04:11 | |
Please take my 50 quid. | 0:04:11 | 0:04:12 | |
Go on, then. | 0:04:12 | 0:04:14 | |
50? Magnificent. Thank you very much. | 0:04:14 | 0:04:16 | |
-That's very, very, very good of you. -I know it is! | 0:04:16 | 0:04:20 | |
What a start, eh? | 0:04:20 | 0:04:22 | |
That certainly was a good churn. | 0:04:22 | 0:04:24 | |
What's Catherine got there? | 0:04:24 | 0:04:25 | |
That's a nice little set. | 0:04:25 | 0:04:27 | |
Are they all silver on the top? | 0:04:27 | 0:04:29 | |
-Yes. -Lovely leather case. | 0:04:29 | 0:04:32 | |
What's nice is, it's in lovely condition. | 0:04:32 | 0:04:35 | |
Still got the little tag. | 0:04:35 | 0:04:36 | |
I'd say probably '30s. | 0:04:36 | 0:04:38 | |
-OK. Nice original cap to that. Has that got the same one? -Yes. | 0:04:38 | 0:04:44 | |
All the hallmarks match perfectly. | 0:04:44 | 0:04:46 | |
That would have to be very cheap. | 0:04:46 | 0:04:48 | |
Ah. I thought it said "48". | 0:04:48 | 0:04:50 | |
It was 148. | 0:04:50 | 0:04:52 | |
We can talk about it a little bit. How about 80? | 0:04:52 | 0:04:54 | |
Still a lot. | 0:04:54 | 0:04:56 | |
It's as far as I can go down. | 0:04:56 | 0:04:58 | |
I do really like the train. | 0:04:58 | 0:05:00 | |
What about if we have the two? | 0:05:00 | 0:05:02 | |
We can do that at 60. | 0:05:02 | 0:05:04 | |
And the train at 90, how about that? | 0:05:04 | 0:05:08 | |
That train's too expensive, at 90. | 0:05:08 | 0:05:10 | |
I'm thinking more 50, to be honest. | 0:05:10 | 0:05:12 | |
-No, can't do it. -Could you do 60, and I'll have the two, 120? | 0:05:12 | 0:05:16 | |
-Go on, then. -OK. | 0:05:16 | 0:05:18 | |
Just before I shake your hand, I'm going to think. | 0:05:19 | 0:05:22 | |
That's blowing quite a lot of my money. | 0:05:22 | 0:05:25 | |
I'll shake your hand | 0:05:25 | 0:05:26 | |
-on the train, definitely, at 60. -And the bottles? | 0:05:26 | 0:05:29 | |
Hold fire on the bottles. I'm definitely going for the train, at 60. | 0:05:31 | 0:05:35 | |
Tut-tut, Catherine, that's really naughty. | 0:05:35 | 0:05:37 | |
Thanks very much. See you! | 0:05:37 | 0:05:39 | |
So, Catherine gets the train for just £60, | 0:05:39 | 0:05:41 | |
but that was a very foxy deal, young lady. | 0:05:41 | 0:05:45 | |
Now, this looks like an interesting shop. | 0:05:45 | 0:05:47 | |
Whoa! This place must once have been a grocer's. | 0:05:47 | 0:05:52 | |
Oh, my gosh! | 0:05:52 | 0:05:54 | |
I think David prefers it this way, though. | 0:05:54 | 0:05:56 | |
What a shop! | 0:05:56 | 0:05:58 | |
There aren't many shops like this left in the country. | 0:05:58 | 0:06:02 | |
Treasure troves. | 0:06:02 | 0:06:04 | |
That's quite nice. Spinach jade, that. | 0:06:04 | 0:06:07 | |
Really? You're kidding me?! | 0:06:07 | 0:06:10 | |
Jade is amazingly hard, as you can imagine. | 0:06:10 | 0:06:13 | |
The way to test it is to take a coin or penknife and you go... | 0:06:13 | 0:06:17 | |
the base of something. | 0:06:17 | 0:06:18 | |
You just scratch it, | 0:06:18 | 0:06:20 | |
and if it's soapstone, you will, literally, dig into it. | 0:06:20 | 0:06:23 | |
-That is hard... -HE TAPS THE BASE | 0:06:23 | 0:06:24 | |
..So it's either a jade or a jadeite, but would be described | 0:06:24 | 0:06:28 | |
as a hard stone. | 0:06:28 | 0:06:30 | |
For the Chinese, jade has the same sort of cache | 0:06:30 | 0:06:33 | |
as gold or diamonds in the West. | 0:06:33 | 0:06:35 | |
The Imperial Family | 0:06:35 | 0:06:37 | |
used it to furnish their graves. | 0:06:37 | 0:06:39 | |
The price is on the up now, | 0:06:39 | 0:06:40 | |
thanks to China's great economic might. | 0:06:40 | 0:06:43 | |
It has a little fracture here. | 0:06:43 | 0:06:46 | |
Is she listening? It would have to be really cheap. | 0:06:46 | 0:06:49 | |
-Caroline, were you listening to that? -I wasn't, I'm sorry. | 0:06:49 | 0:06:52 | |
I thought you were having a private conversation. | 0:06:52 | 0:06:55 | |
Well, I do talk to myself! | 0:06:55 | 0:06:57 | |
The ticket price is £35, but what can Caroline, the dealer, do? | 0:06:59 | 0:07:03 | |
I don't think so. | 0:07:03 | 0:07:05 | |
No, I can't. | 0:07:05 | 0:07:07 | |
-Almost? -Oh, dear. | 0:07:07 | 0:07:10 | |
If you made it 20... | 0:07:10 | 0:07:12 | |
-Go on, then. -..we've got a deal. | 0:07:12 | 0:07:14 | |
-Woh! -Hallelujah! Hallelujah! We've done some business! | 0:07:14 | 0:07:19 | |
Smelling salts, please! | 0:07:19 | 0:07:21 | |
Congratulations. Now, let's have a toast. | 0:07:21 | 0:07:23 | |
Ah, just the thing. | 0:07:23 | 0:07:26 | |
These are quite nice. | 0:07:26 | 0:07:27 | |
They have an early 19th-century look to them. | 0:07:27 | 0:07:30 | |
They have the right look. | 0:07:30 | 0:07:32 | |
I'd say they're late-Edwardian. | 0:07:32 | 0:07:35 | |
HE PINGS GLASS | 0:07:35 | 0:07:37 | |
Give them another ping. | 0:07:37 | 0:07:38 | |
SHE PINGS GLASS | 0:07:38 | 0:07:40 | |
"The ring of confidence!" | 0:07:40 | 0:07:41 | |
THEY LAUGH | 0:07:41 | 0:07:43 | |
-They're all right. Nice bit of old grinding there. -Good wear. | 0:07:43 | 0:07:46 | |
-Good wear on that. -That's always a big sign. | 0:07:46 | 0:07:48 | |
The ticket price on these is £46. | 0:07:48 | 0:07:51 | |
What could they be to me? | 0:07:53 | 0:07:54 | |
I think it's time you left, so I'll give you a decent price. | 0:07:56 | 0:07:59 | |
35, for the pair. | 0:07:59 | 0:08:00 | |
Could they be possibly 20, for the pair? | 0:08:00 | 0:08:03 | |
Tell you what, £30 and that's it. | 0:08:03 | 0:08:06 | |
Caroline, I can't. | 0:08:06 | 0:08:09 | |
-20. -26! -Go on, then. You're an angel. | 0:08:09 | 0:08:12 | |
And now, are you going? | 0:08:12 | 0:08:13 | |
Don't worry, Caroline, he's almost spent his very-limited funds anyway, | 0:08:13 | 0:08:17 | |
with just £53.24p left. | 0:08:17 | 0:08:20 | |
Now, what's Catherine up to? | 0:08:22 | 0:08:24 | |
Motoring from Bath up to Gloucestershire, | 0:08:28 | 0:08:31 | |
and the village of Berkeley. | 0:08:31 | 0:08:34 | |
She's here to visit a museum dedicated to Edward Jenner, | 0:08:34 | 0:08:38 | |
the physician and scientist, who, | 0:08:38 | 0:08:41 | |
as the pioneer of the smallpox vaccine, | 0:08:41 | 0:08:44 | |
is said to have saved more lives than any other man. | 0:08:44 | 0:08:46 | |
Hi, very nice to meet you. | 0:08:46 | 0:08:49 | |
-Welcome to Dr Jenner's house. -Wonderful. | 0:08:49 | 0:08:51 | |
Edward Jenner was born in Berkeley in 1749 | 0:08:51 | 0:08:54 | |
and later became the local doctor, | 0:08:54 | 0:08:57 | |
whereupon he set about trying to eradicate smallpox, | 0:08:57 | 0:09:01 | |
a disease which was then as deadly as cancer today. | 0:09:01 | 0:09:05 | |
Now we've all heard of smallpox, | 0:09:07 | 0:09:09 | |
but we don't really know very much more about it. | 0:09:09 | 0:09:11 | |
It starts off with flu-like symptoms and, as the disease progresses, | 0:09:11 | 0:09:17 | |
you come out in bumps and pustules all over your body. | 0:09:17 | 0:09:20 | |
Not only were they on your skin, but they were | 0:09:20 | 0:09:23 | |
-also on your internal organs, your retinas and in your ear canals. -Oh! | 0:09:23 | 0:09:26 | |
Even if you survived smallpox, | 0:09:26 | 0:09:28 | |
you were either left with horrific scarring on your skin, | 0:09:28 | 0:09:31 | |
but also deafness and blindness were absolutely rife. | 0:09:31 | 0:09:33 | |
-Would you literally be covered from head to toe? -Absolutely. | 0:09:33 | 0:09:37 | |
In the 18th-century, the disease was untreatable | 0:09:39 | 0:09:42 | |
and inoculation with the virus that causes smallpox | 0:09:42 | 0:09:45 | |
was extremely dangerous. | 0:09:45 | 0:09:47 | |
So Jenner started experimenting with a much milder cowpox | 0:09:47 | 0:09:51 | |
as a possible vaccine. | 0:09:51 | 0:09:53 | |
Folklore stipulated that dairy maids didn't catch smallpox | 0:09:54 | 0:09:58 | |
and they had beautiful skin, so, | 0:09:58 | 0:10:01 | |
"Fair dairy maids, why do you have such beautiful skin?" | 0:10:01 | 0:10:04 | |
Jenner did actually ask a young lady that. | 0:10:04 | 0:10:06 | |
She said, "You should know, you're an apprentice doctor, | 0:10:06 | 0:10:09 | |
"you should know, I've had cowpox." | 0:10:09 | 0:10:11 | |
In 1796, Jenner tested his theory by inoculating his gardener's son | 0:10:11 | 0:10:16 | |
with pus from the cowpox blisters of a local milkmaid. | 0:10:16 | 0:10:21 | |
The rest became history. | 0:10:21 | 0:10:24 | |
In 1979, the World Health Organisation announced | 0:10:24 | 0:10:27 | |
smallpox had been eradicated from the human population. | 0:10:27 | 0:10:31 | |
No wonder they call Edward Jenner, "the father of immunity". | 0:10:31 | 0:10:35 | |
And we continue with a miracle of engineering. | 0:10:39 | 0:10:43 | |
No, it's not the Mini... | 0:10:43 | 0:10:45 | |
This is a lovely moment, going across Clifton Suspension Bridge. | 0:10:45 | 0:10:49 | |
Yep, if you haven't already guessed it, our antiques-buying duo are in the city of Bristol. | 0:10:52 | 0:10:58 | |
Brunel's Great Britain, my God! | 0:10:58 | 0:11:01 | |
Great Britain, that is very exciting. Can't we go and see that? | 0:11:01 | 0:11:03 | |
-We haven't got time, we have got to go antique buying. -Arr! | 0:11:03 | 0:11:06 | |
To the south of the city, there are a couple of very unusual shops. | 0:11:08 | 0:11:12 | |
Side-by-side, owned by a father, Michael, and his daughter, Rachel. | 0:11:12 | 0:11:18 | |
-So, you go see Michael and I'll go and see Rachel. -Good luck. | 0:11:18 | 0:11:21 | |
-Hello. -Hello. -Might you be Michael, by any chance? | 0:11:23 | 0:11:27 | |
-Catherine. -Hello. | 0:11:27 | 0:11:29 | |
Oh, you're a charmer, I don't even need to charm you. | 0:11:29 | 0:11:32 | |
Oh, Lord! | 0:11:32 | 0:11:33 | |
The red dress is always charming. | 0:11:33 | 0:11:35 | |
You and I are going to get on famously. | 0:11:35 | 0:11:37 | |
Steady on, you two, it's more or less daytime. | 0:11:37 | 0:11:40 | |
Hello, Rachel, I'm David. | 0:11:40 | 0:11:42 | |
-Pleased to meet you, David. -Nice to meet you. | 0:11:42 | 0:11:44 | |
Fresh. Now, what are Michael and Catherine getting up to? | 0:11:44 | 0:11:48 | |
-They're nice, the weights. -They make nice little doorstops, don't they? | 0:11:48 | 0:11:51 | |
-Have you got a good strong wrist. Got it? -Yeah. | 0:11:51 | 0:11:53 | |
SHE LAUGHS | 0:11:53 | 0:11:55 | |
-Called bell weights, because of the shape of a bell. -Yeah. | 0:11:55 | 0:11:59 | |
Weights like these were once used in all grocers' shops. | 0:11:59 | 0:12:02 | |
People collect these now. | 0:12:02 | 0:12:04 | |
They look lovely on a dresser. | 0:12:04 | 0:12:06 | |
How much are these, then, to me? | 0:12:06 | 0:12:09 | |
As we are getting on famously! | 0:12:09 | 0:12:10 | |
Those would normally be about £100. | 0:12:10 | 0:12:13 | |
-Yeah. -I'll do them for £60. That is reasonable. | 0:12:13 | 0:12:17 | |
While she weighs these up, | 0:12:17 | 0:12:19 | |
there's plenty more in this shop to grab her attention. | 0:12:19 | 0:12:22 | |
I do like your green bus. | 0:12:22 | 0:12:25 | |
Uh-oh, typical, you wait ages for a child sit-on transport-type toy | 0:12:25 | 0:12:29 | |
and then two arrive in two days. | 0:12:29 | 0:12:31 | |
-It all tin plate, isn't it? -The kids used to ride on them, sit on them | 0:12:31 | 0:12:34 | |
and go along the floor on them. A proper toy to play with. | 0:12:34 | 0:12:36 | |
Yeah, yeah, it's pretty sturdy. | 0:12:36 | 0:12:38 | |
-You can feel the weight of it. -It's nicely made. -It's pretty strong. | 0:12:38 | 0:12:41 | |
-It's robust, isn't it? -It was made to be used, not to be looked at. | 0:12:41 | 0:12:44 | |
No, no, no. It would be lovely if there was a name of a maker. | 0:12:44 | 0:12:46 | |
It's tin plate, that's for sure, and it would be nice to know... | 0:12:46 | 0:12:49 | |
What does this say on the wheels? | 0:12:49 | 0:12:51 | |
Oh, that's interesting. MUSIC PLAYS | 0:12:51 | 0:12:54 | |
It's made by Tri-ang, a very good brand in British toys. | 0:12:54 | 0:12:58 | |
The name comes from the founding Lines family. | 0:12:58 | 0:13:02 | |
There were three brothers, or three Lines, as in a triangle, | 0:13:02 | 0:13:05 | |
hence Tri-ang. | 0:13:05 | 0:13:07 | |
So we're talking '40s here? | 0:13:07 | 0:13:10 | |
-I'd say between 1939 and 1950. -Mm. | 0:13:10 | 0:13:14 | |
It may cost a little more now than it did then, though. | 0:13:14 | 0:13:18 | |
-It'll be 65. -SHE GASPS | 0:13:18 | 0:13:20 | |
-To you... -20? -Oh, no, no, no, no. | 0:13:20 | 0:13:22 | |
£30. | 0:13:22 | 0:13:23 | |
The thing is with this, it's been repainted. | 0:13:23 | 0:13:28 | |
-Can we do 25? -Go on, then. | 0:13:28 | 0:13:31 | |
-25? -Yeah. -Yeah. -And that is a bargain. | 0:13:31 | 0:13:34 | |
-Are you sure you don't want to have a ride on it. -Huh? | 0:13:34 | 0:13:36 | |
Are you sure you don't want to sit on it? | 0:13:36 | 0:13:38 | |
No, I do NOT want to sit on it! No! | 0:13:38 | 0:13:40 | |
They are awful, aren't they? | 0:13:40 | 0:13:41 | |
While she hitches a lift, let's take a peek next door. | 0:13:41 | 0:13:45 | |
I'm not looking for furniture, but I'm always drawn | 0:13:45 | 0:13:47 | |
to anything with a Chinese feel. | 0:13:47 | 0:13:49 | |
A little Chinese hardwood - probably rosewood - carved, urn stand. | 0:13:49 | 0:13:53 | |
It's really pretty and it's quite small | 0:13:53 | 0:13:55 | |
and I do find that quirky, small items sell very well. | 0:13:55 | 0:13:58 | |
Yeah, could be a little wine table, with an inset piece of pink marble. | 0:13:58 | 0:14:03 | |
Late 19th, early 20th century. | 0:14:03 | 0:14:04 | |
I mean, I've got 85 on that one, | 0:14:04 | 0:14:06 | |
-because I do rate it as a nice piece. -Yeah. | 0:14:06 | 0:14:09 | |
I'm open to negotiations to a nice, young-looking men. | 0:14:09 | 0:14:13 | |
Oh, really, is there one in here? | 0:14:13 | 0:14:15 | |
THEY LAUGH | 0:14:15 | 0:14:17 | |
You are horrible, you are absolutely horrible. | 0:14:17 | 0:14:20 | |
They're getting on very well! | 0:14:20 | 0:14:22 | |
Now, David only has £53.24p left to spend. | 0:14:22 | 0:14:26 | |
I can do something on that, but it would be the majority | 0:14:26 | 0:14:30 | |
of what you have, so you wouldn't be left with a lot. | 0:14:30 | 0:14:33 | |
We might be able to come up with some negotiation. | 0:14:33 | 0:14:36 | |
OK, that sounds interesting. | 0:14:36 | 0:14:38 | |
Now, what about Catherine? | 0:14:38 | 0:14:40 | |
She's got the bus and she quite likes the weights. | 0:14:40 | 0:14:43 | |
I'll tell you what I'll do, if you fancy the two of them, | 0:14:43 | 0:14:46 | |
I'll do the two for 75. | 0:14:46 | 0:14:48 | |
And there's more. | 0:14:48 | 0:14:50 | |
-What's the carved little coconut thing? -Ah. | 0:14:50 | 0:14:54 | |
So it is nicely hand carved, | 0:14:54 | 0:14:59 | |
with leaves, decoration, lots of foliage, flowers. | 0:14:59 | 0:15:03 | |
But interestingly, | 0:15:05 | 0:15:07 | |
there's a little carved scene here, of two figures. | 0:15:07 | 0:15:14 | |
They look like they've got some sort of spear or something there. | 0:15:14 | 0:15:17 | |
He could have been the chief. | 0:15:17 | 0:15:19 | |
Coconuts have been carved for centuries, | 0:15:19 | 0:15:21 | |
but then, just about every part of the coconut palm can be used. | 0:15:21 | 0:15:24 | |
In the Philippines, they call it "the tree of life". | 0:15:24 | 0:15:27 | |
Michael's ticket price is £25, but I think | 0:15:27 | 0:15:30 | |
she may get it for quite a bit less. | 0:15:30 | 0:15:32 | |
Next door, David still wants that table, | 0:15:34 | 0:15:35 | |
but Rachel may have a piece of jewellery to complete the deal. | 0:15:35 | 0:15:39 | |
I would probably put £35 on that one piece, because that's Art Deco | 0:15:39 | 0:15:43 | |
but obviously, I know you've only got a certain amount of money... | 0:15:43 | 0:15:46 | |
Stop laughing! | 0:15:46 | 0:15:48 | |
-Is that definitely all you have? -Yes, I promise you. | 0:15:48 | 0:15:50 | |
-You have nothing else? -Look, I'll even show you. That and that. | 0:15:50 | 0:15:53 | |
I want you to have all of that money. | 0:15:53 | 0:15:56 | |
-Are you thinking of giving me all of that... -No, no, no. | 0:15:56 | 0:15:59 | |
All of that and the Chinese table? | 0:15:59 | 0:16:00 | |
-No, I'm thinking one item and the table. -No! | 0:16:00 | 0:16:03 | |
I thought you were going to say, "I'll give you the Chinese table | 0:16:03 | 0:16:06 | |
"and that little collection for all that money." | 0:16:06 | 0:16:09 | |
I just thought that's what you were going to say. | 0:16:09 | 0:16:12 | |
He's just trying his luck, but will Rachel give in? | 0:16:12 | 0:16:17 | |
You drive such a hard... | 0:16:17 | 0:16:19 | |
You're so lovely, it's really hard to say "no" to you. | 0:16:19 | 0:16:22 | |
I would be very happy to give you £54.24p for the Chinese table | 0:16:22 | 0:16:27 | |
and that little collection. | 0:16:27 | 0:16:29 | |
Shameless stuff. | 0:16:32 | 0:16:34 | |
-OK. OK. You've had SUCH a good deal! -You are gorgeous. | 0:16:34 | 0:16:39 | |
Thank you, so much. | 0:16:39 | 0:16:41 | |
So Rachel's agreed to sell the table for £33.24p - ridiculous! - | 0:16:41 | 0:16:45 | |
and all that jewellery for just £20. | 0:16:45 | 0:16:48 | |
Take your money, £54.24. | 0:16:48 | 0:16:50 | |
53... | 0:16:50 | 0:16:52 | |
24. | 0:16:52 | 0:16:54 | |
£53.24? | 0:16:54 | 0:16:56 | |
Oh, Rachel, I feel awful. | 0:16:56 | 0:16:58 | |
I've just fleeced you for another quid. | 0:16:58 | 0:17:00 | |
All of that extra and now another pound, to add insult to injury. | 0:17:00 | 0:17:04 | |
Seems there's a lot of that going on. Now, has Catherine got a deal? | 0:17:04 | 0:17:08 | |
No. Still looking. | 0:17:08 | 0:17:10 | |
Oh, that's nice, isn't it? | 0:17:10 | 0:17:12 | |
It's the correct lid, which is very unusual. They're always missing. | 0:17:12 | 0:17:15 | |
People replace them with corks. | 0:17:15 | 0:17:16 | |
-It's etched. -Meredith... -And Drew. | 0:17:16 | 0:17:20 | |
Meredith were biscuits. | 0:17:20 | 0:17:22 | |
Meredith and Drew, of Shadwell, East London, | 0:17:22 | 0:17:25 | |
were founded in 1830 and made ginger nuts, Rob Roy's | 0:17:25 | 0:17:28 | |
and forget-me-nots, as well as several other varieties. | 0:17:28 | 0:17:32 | |
-That is £45. -That is? -Yeah. | 0:17:32 | 0:17:34 | |
And you've only got a fiver left. | 0:17:34 | 0:17:36 | |
No, I haven't got a fiver left, I've got a bit more than that. | 0:17:36 | 0:17:38 | |
-But I'll put it there. -That's a possibility. | 0:17:38 | 0:17:40 | |
I've got the jars, the bus and the weights. | 0:17:40 | 0:17:43 | |
That's three items for £95. | 0:17:43 | 0:17:45 | |
-How does that sound? -I've gone all giddy now. -But I like... | 0:17:45 | 0:17:48 | |
£100 is a very nice, round number. | 0:17:48 | 0:17:51 | |
-I'll tell you what I'll do for that £100. -£100. | 0:17:51 | 0:17:54 | |
-For the £100 cash, I shall put the coconut in for you. -Oh... | 0:17:54 | 0:17:58 | |
I should think that would make you a very good deal. | 0:17:58 | 0:18:00 | |
-That sounds very, very kind. -You are very nice. | 0:18:00 | 0:18:03 | |
Thank you very much, I've had a lovely time in here. | 0:18:03 | 0:18:06 | |
Now I'd better pay you some cash, for your goods. | 0:18:06 | 0:18:09 | |
Cor, talk about going for a song. | 0:18:09 | 0:18:11 | |
-Bye-bye. -Bye-bye. | 0:18:11 | 0:18:12 | |
Bye-bye! Let's stick with Catherine | 0:18:12 | 0:18:14 | |
as she motors along the coast to the Victorian resort of Clevedon. | 0:18:14 | 0:18:18 | |
Last shop, last few pounds left. | 0:18:18 | 0:18:21 | |
This is my last chance. | 0:18:21 | 0:18:25 | |
-Hello! -Hello! | 0:18:29 | 0:18:30 | |
-Might you be Julia? -Yes, that's right. | 0:18:30 | 0:18:33 | |
Hello, Julia, across the pottery and glass. | 0:18:33 | 0:18:36 | |
-Nice to meet you. -Nice to meet you, too. | 0:18:36 | 0:18:38 | |
Wow, what a shop! | 0:18:38 | 0:18:39 | |
Well, there's a couple of pieces that I'm drawn towards. | 0:18:44 | 0:18:48 | |
Firstly, this. Now, this is very sweet. | 0:18:50 | 0:18:55 | |
An ashtray, a little pin tray, | 0:18:55 | 0:18:57 | |
1900-1910. | 0:18:57 | 0:18:59 | |
This is made from copper | 0:18:59 | 0:19:01 | |
and it's been hammered, to create this little pattern around here, | 0:19:01 | 0:19:05 | |
almost like bubbles. | 0:19:05 | 0:19:06 | |
What I would like to see, when I turn this over, | 0:19:06 | 0:19:10 | |
is "Newlyn" stamped on it, | 0:19:10 | 0:19:12 | |
but it's not. But I think... | 0:19:13 | 0:19:16 | |
I would almost put money on it, | 0:19:16 | 0:19:19 | |
that this is Newlyn. | 0:19:19 | 0:19:21 | |
In the late 19th century, | 0:19:21 | 0:19:23 | |
many Cornish fishermen, seeking a more reliable form of employment, | 0:19:23 | 0:19:26 | |
retrained to work in copper. | 0:19:26 | 0:19:28 | |
This chimed with the ideas of the Arts and Crafts movement | 0:19:28 | 0:19:32 | |
and produced many desirable items. | 0:19:32 | 0:19:35 | |
(It's got £69 on it.) | 0:19:35 | 0:19:36 | |
(I don't have £69.) | 0:19:36 | 0:19:39 | |
Would that be anywhere near...? | 0:19:39 | 0:19:41 | |
Let me have a look. | 0:19:41 | 0:19:43 | |
(I like that.) | 0:19:44 | 0:19:45 | |
I would need 40 on that. | 0:19:45 | 0:19:46 | |
CATHERINE WHIMPERS | 0:19:46 | 0:19:48 | |
Oh, dear. | 0:19:48 | 0:19:49 | |
That's a bit of a gap. | 0:19:49 | 0:19:51 | |
It's pretty, it's very pretty. | 0:19:51 | 0:19:53 | |
And I think the problem is, when you come into a shop | 0:19:53 | 0:19:56 | |
and you see something you really like, | 0:19:56 | 0:19:59 | |
everything else doesn't come up to that level. | 0:19:59 | 0:20:02 | |
Do you know what I mean? | 0:20:02 | 0:20:04 | |
Well, I think that can probably be £25.94. | 0:20:04 | 0:20:08 | |
-94 pence. -Could it? -Yes. -That would be jolly kind. | 0:20:08 | 0:20:12 | |
-You're welcome. -It's been absolutely lovely. -Phew! | 0:20:12 | 0:20:15 | |
Well done, Julia, for relieving Catherine of those last few pounds. | 0:20:15 | 0:20:19 | |
OK, let's remind ourselves of what David and Catherine have bought. | 0:20:19 | 0:20:24 | |
David started out with just £149.24p | 0:20:27 | 0:20:30 | |
and he spent it all on five auction lots. | 0:20:30 | 0:20:33 | |
-You've had such a good deal! -You are gorgeous! | 0:20:33 | 0:20:35 | |
Ha-ha! | 0:20:35 | 0:20:37 | |
Catherine began with £185.94p | 0:20:37 | 0:20:39 | |
and she's done the same, but on six auction lots. | 0:20:39 | 0:20:42 | |
# Before the night was through... # Go steady, my love! | 0:20:42 | 0:20:45 | |
Ohh! Now, what do our delightful duo think of one another's wares? | 0:20:45 | 0:20:50 | |
Oh, look out. | 0:20:50 | 0:20:51 | |
I love the tin bus, | 0:20:51 | 0:20:54 | |
but the coconut is potentially a flier. | 0:20:54 | 0:20:59 | |
He's done himself proud. | 0:20:59 | 0:21:02 | |
He has bought...brilliantly. | 0:21:02 | 0:21:05 | |
Let's go! | 0:21:05 | 0:21:07 | |
After beginning in Bath, today's leg, and indeed the whole trip, | 0:21:07 | 0:21:11 | |
will finally be settled in Seaton, Devon. | 0:21:11 | 0:21:14 | |
And the sun is shining as they head along the south Devon coast | 0:21:14 | 0:21:18 | |
and into the resort town of Seaton. | 0:21:18 | 0:21:20 | |
Beautiful! | 0:21:20 | 0:21:22 | |
It's a collectors' sale at Lyme Bay Auctions today, | 0:21:25 | 0:21:29 | |
which should suit the things that Catherine and David have bought. | 0:21:29 | 0:21:34 | |
Auctioneer, Kevin Frost, is head of proceedings today. | 0:21:34 | 0:21:38 | |
All right, Seaton? | 0:21:38 | 0:21:39 | |
The two of them are desperate. | 0:21:39 | 0:21:42 | |
Here we are, come on. Come on, everybody, | 0:21:42 | 0:21:44 | |
get fired up, get excited. | 0:21:44 | 0:21:46 | |
Lordy, not a chance here! | 0:21:46 | 0:21:49 | |
Kicking off with Catherine's biscuit jars, look. | 0:21:49 | 0:21:52 | |
£10, there. | 0:21:53 | 0:21:54 | |
-Come on. -12. | 0:21:54 | 0:21:56 | |
£12. | 0:21:56 | 0:21:57 | |
14? | 0:21:57 | 0:21:58 | |
16? | 0:21:58 | 0:22:00 | |
£16... | 0:22:00 | 0:22:01 | |
Ouch! | 0:22:01 | 0:22:02 | |
Crumbs! | 0:22:02 | 0:22:04 | |
Just a small loss, really. | 0:22:04 | 0:22:07 | |
-For us, that's brilliant. -We're good. | 0:22:07 | 0:22:10 | |
How about James the Engine? | 0:22:10 | 0:22:11 | |
Could he make Catherine a really useful profit? | 0:22:11 | 0:22:14 | |
Ten, 12, 14? | 0:22:14 | 0:22:17 | |
16. 18. 20. | 0:22:17 | 0:22:19 | |
20. | 0:22:19 | 0:22:20 | |
22. 25. | 0:22:20 | 0:22:22 | |
28. | 0:22:22 | 0:22:23 | |
£25... | 0:22:23 | 0:22:26 | |
Oh, I'm sorry, I'm sorry. | 0:22:28 | 0:22:30 | |
I think it's love. | 0:22:30 | 0:22:31 | |
Oh, dear, that's forced Catherine off the rails. | 0:22:31 | 0:22:35 | |
That was such a lovely thing. | 0:22:35 | 0:22:37 | |
Perhaps buses really can replace trains. | 0:22:37 | 0:22:42 | |
70? 60? | 0:22:42 | 0:22:44 | |
£40, anywhere? | 0:22:44 | 0:22:45 | |
Got to be worth £40, surely? | 0:22:45 | 0:22:48 | |
40? | 0:22:48 | 0:22:49 | |
It's got to be worth £40. | 0:22:49 | 0:22:51 | |
On the phone. | 0:22:51 | 0:22:52 | |
Someone's on the phone! | 0:22:52 | 0:22:55 | |
£40. In the room, at 40. | 0:22:55 | 0:22:57 | |
45... | 0:22:57 | 0:22:59 | |
45. | 0:23:00 | 0:23:01 | |
50. | 0:23:01 | 0:23:02 | |
55. | 0:23:02 | 0:23:03 | |
55. 60. | 0:23:04 | 0:23:06 | |
65. | 0:23:06 | 0:23:08 | |
70. | 0:23:08 | 0:23:09 | |
80. | 0:23:09 | 0:23:10 | |
85. | 0:23:10 | 0:23:11 | |
90? £85. | 0:23:11 | 0:23:13 | |
90 anywhere? | 0:23:13 | 0:23:15 | |
£85... | 0:23:15 | 0:23:16 | |
It looks like Catherine's back on the road! | 0:23:16 | 0:23:19 | |
Well done, well done! | 0:23:19 | 0:23:21 | |
You made some money! | 0:23:21 | 0:23:23 | |
That's brilliant. Well done. | 0:23:23 | 0:23:25 | |
Now for David's bargain pile of jewellery. | 0:23:25 | 0:23:27 | |
£30 for it, then. | 0:23:27 | 0:23:28 | |
All over the place. 30. 32. | 0:23:28 | 0:23:31 | |
35. 38. | 0:23:31 | 0:23:32 | |
40. | 0:23:32 | 0:23:34 | |
45. | 0:23:34 | 0:23:35 | |
50. | 0:23:35 | 0:23:36 | |
55. 60. | 0:23:36 | 0:23:37 | |
65. | 0:23:37 | 0:23:38 | |
70. | 0:23:38 | 0:23:39 | |
Oh, my word! | 0:23:39 | 0:23:41 | |
£65... | 0:23:41 | 0:23:43 | |
Brilliant! | 0:23:43 | 0:23:45 | |
That was very good. | 0:23:45 | 0:23:46 | |
A sparkling start. | 0:23:46 | 0:23:48 | |
Finally, we have profit. How long has that taken? | 0:23:48 | 0:23:51 | |
-About 700 miles? -Ohhh! | 0:23:51 | 0:23:54 | |
Apparently this tray isn't really Newlyn, but it's nice. | 0:23:54 | 0:23:58 | |
20? Thank you, madam. £20, we have. | 0:23:58 | 0:24:00 | |
22? | 0:24:00 | 0:24:02 | |
Thank you, madam. 22. | 0:24:02 | 0:24:03 | |
25. | 0:24:03 | 0:24:05 | |
28. | 0:24:05 | 0:24:06 | |
Should fetch a lot more. 30. | 0:24:06 | 0:24:07 | |
32. | 0:24:07 | 0:24:09 | |
35? | 0:24:09 | 0:24:10 | |
35, anywhere? 35, anywhere? | 0:24:10 | 0:24:12 | |
-And we sell it, at £32... -Come on, Catherine! | 0:24:12 | 0:24:15 | |
It's still a profit... Just. | 0:24:15 | 0:24:18 | |
-I'm glad people are getting bargains out of my lots. -Are you? | 0:24:18 | 0:24:21 | |
-I'm very happy. -Really? | 0:24:21 | 0:24:23 | |
Now, what will they make of her weights? | 0:24:23 | 0:24:26 | |
35. | 0:24:26 | 0:24:27 | |
In the room now, at £35. | 0:24:27 | 0:24:28 | |
38, anywhere? | 0:24:28 | 0:24:30 | |
38, anywhere? 38. | 0:24:30 | 0:24:31 | |
40. | 0:24:31 | 0:24:32 | |
45. 50. | 0:24:32 | 0:24:34 | |
55. | 0:24:34 | 0:24:35 | |
-Oh! -60. -Catherine! | 0:24:35 | 0:24:36 | |
70. £65, in the room. At 65. | 0:24:36 | 0:24:40 | |
At £65... | 0:24:40 | 0:24:42 | |
Well done, you! | 0:24:42 | 0:24:44 | |
They were magnificent. | 0:24:44 | 0:24:46 | |
Yes, the whiff of profit changes everything. | 0:24:46 | 0:24:48 | |
They were very good objects. | 0:24:48 | 0:24:50 | |
They must have been much better... Oh, shut up! | 0:24:50 | 0:24:52 | |
They were good things, Catherine, honestly! | 0:24:52 | 0:24:55 | |
Now for David's rummers. | 0:24:55 | 0:24:57 | |
20, on the book. 22, anywhere? | 0:24:57 | 0:24:59 | |
22. | 0:24:59 | 0:25:00 | |
25. 28. | 0:25:00 | 0:25:02 | |
28. 30. | 0:25:02 | 0:25:04 | |
32. | 0:25:04 | 0:25:05 | |
35. 38. | 0:25:05 | 0:25:07 | |
£35, on the book. At £35. 38, anywhere? | 0:25:08 | 0:25:11 | |
I'll take a pound. 36, anywhere? | 0:25:11 | 0:25:13 | |
36. At £36... | 0:25:13 | 0:25:15 | |
-These profits keep flowing. -Profits, all the way. | 0:25:17 | 0:25:19 | |
-You are in this, aren't you? -I'm in it. | 0:25:19 | 0:25:22 | |
OK, now David's butter churn, for the Devonians. | 0:25:22 | 0:25:26 | |
£50 bid. | 0:25:26 | 0:25:27 | |
£50, on commission, at 50. | 0:25:27 | 0:25:29 | |
55, anywhere? | 0:25:29 | 0:25:31 | |
55, anywhere? £50. We need 55. | 0:25:31 | 0:25:33 | |
Nobody? And we sell it, then, to the opening bid... | 0:25:33 | 0:25:36 | |
-of £50... -Catherine, no! | 0:25:36 | 0:25:38 | |
-Ohhh! -Perhaps they've all gone. | 0:25:38 | 0:25:41 | |
-And I genuinely thought that would make double its money. -Hmm. | 0:25:41 | 0:25:45 | |
Cheer up! Let's hope China's listening in. | 0:25:45 | 0:25:48 | |
£40, then. | 0:25:48 | 0:25:49 | |
20? | 0:25:49 | 0:25:50 | |
Tenner? | 0:25:50 | 0:25:51 | |
They all want it, at ten! | 0:25:51 | 0:25:53 | |
12. | 0:25:53 | 0:25:54 | |
14. | 0:25:54 | 0:25:55 | |
16. | 0:25:55 | 0:25:56 | |
18. 20. | 0:25:56 | 0:25:57 | |
22. 25. | 0:25:57 | 0:25:59 | |
28. 30. | 0:25:59 | 0:26:01 | |
32. | 0:26:01 | 0:26:02 | |
35. | 0:26:02 | 0:26:03 | |
38. | 0:26:03 | 0:26:05 | |
£35. | 0:26:05 | 0:26:06 | |
At £35... | 0:26:06 | 0:26:08 | |
It's profit. | 0:26:09 | 0:26:10 | |
Yeah, but it's not what he hoped for, and is it really jade? | 0:26:10 | 0:26:13 | |
-I thought it would make £200-£300. -Now, people, don't be shy. Ha! | 0:26:13 | 0:26:17 | |
Tenner? | 0:26:17 | 0:26:18 | |
10. 12. | 0:26:18 | 0:26:19 | |
14. 16. | 0:26:19 | 0:26:20 | |
18. 20. | 0:26:20 | 0:26:22 | |
£18, I have. | 0:26:22 | 0:26:23 | |
18. 20, anyone? | 0:26:23 | 0:26:25 | |
20. | 0:26:25 | 0:26:26 | |
22. | 0:26:26 | 0:26:27 | |
25. 28. | 0:26:27 | 0:26:29 | |
Sell at £28... | 0:26:29 | 0:26:32 | |
Well done. | 0:26:32 | 0:26:33 | |
-Really nice profit. -Would've been nice to do a bit more. | 0:26:33 | 0:26:36 | |
Not bad for a fiver, though, was it? | 0:26:36 | 0:26:39 | |
I'm finished. | 0:26:39 | 0:26:40 | |
-I hope you go out on a high. -It'd be good. | 0:26:40 | 0:26:43 | |
Catherine has a narrow lead, | 0:26:43 | 0:26:44 | |
so now, it's all down to David's table. | 0:26:44 | 0:26:47 | |
I've got bids on the book on this one, starting at £30. | 0:26:47 | 0:26:50 | |
£30, commission bids. | 0:26:50 | 0:26:52 | |
30. 35. 40. | 0:26:52 | 0:26:54 | |
45 and 50. | 0:26:54 | 0:26:55 | |
55 and 60. | 0:26:55 | 0:26:57 | |
65. | 0:26:57 | 0:26:58 | |
In the room, at 65. | 0:26:58 | 0:26:59 | |
70. 75. 80. | 0:26:59 | 0:27:01 | |
85 and 90. | 0:27:01 | 0:27:03 | |
95. 100. | 0:27:03 | 0:27:04 | |
£95. In the room, at £95. | 0:27:04 | 0:27:06 | |
100, anywhere? | 0:27:06 | 0:27:08 | |
100. 110. | 0:27:08 | 0:27:09 | |
120. I'm getting all excited. 120? | 0:27:09 | 0:27:11 | |
Not yet! | 0:27:11 | 0:27:12 | |
130? 140? | 0:27:12 | 0:27:14 | |
He wants that! | 0:27:14 | 0:27:15 | |
160? | 0:27:15 | 0:27:16 | |
£150, I have. At 150. 160, anywhere? | 0:27:16 | 0:27:19 | |
160, anywhere? | 0:27:19 | 0:27:20 | |
We'll sell, at £150... | 0:27:20 | 0:27:23 | |
Whoo! | 0:27:23 | 0:27:24 | |
SHE LAUGHS | 0:27:24 | 0:27:25 | |
That was exciting. | 0:27:27 | 0:27:30 | |
-Well done. -Come on, let's go and get a cup of tea. | 0:27:30 | 0:27:33 | |
You can get your heels off now. | 0:27:33 | 0:27:35 | |
Well done to you both, | 0:27:35 | 0:27:36 | |
for finally having a very good auction. | 0:27:36 | 0:27:39 | |
Catherine began with £185.94 | 0:27:39 | 0:27:42 | |
and, after paying auction costs, she made a profit of £19.88, | 0:27:42 | 0:27:45 | |
leaving her with a grand total of £205.82p. | 0:27:45 | 0:27:49 | |
David started out with £149.24p | 0:27:51 | 0:27:55 | |
and, after costs, made £126.28p, | 0:27:55 | 0:27:58 | |
giving him a grand total of £275.52p, | 0:27:58 | 0:28:02 | |
so making him this week's winner. | 0:28:02 | 0:28:04 | |
All profits our experts make will go to Children in Need. | 0:28:04 | 0:28:09 | |
Well, it's goodbye to David and Catherine... | 0:28:09 | 0:28:12 | |
and it's hello to a right couple of Charlies. | 0:28:12 | 0:28:17 | |
It's a royal showdown as the antique trade's answer to Prince Charles | 0:28:18 | 0:28:22 | |
does battle with our very own Bonnie Prince Charlie! | 0:28:22 | 0:28:25 | |
Charlie Ross is a veteran freelance auctioneer | 0:28:26 | 0:28:30 | |
whose twinkle-eyed charm makes him one of the most formidable Road Trippers ever. | 0:28:30 | 0:28:35 | |
Shop! I need a lady, please! | 0:28:35 | 0:28:37 | |
Whilst whipper-snapper Charles Hanson, a Derbyshire auctioneer, | 0:28:37 | 0:28:42 | |
is determined to show what young blood can do. | 0:28:42 | 0:28:45 | |
I'm off and running. I'm off and running, Charlie! | 0:28:45 | 0:28:48 | |
Go! Go! Go! | 0:28:48 | 0:28:50 | |
-You and me. -I can't believe it. -Experience and youth. | 0:28:50 | 0:28:54 | |
Both of them begin this week with a bumper budget of £200. | 0:28:54 | 0:28:58 | |
They'll be aiming to trade that up on each leg of the Road Trip, | 0:28:58 | 0:29:01 | |
buying antiques to sell at auction. | 0:29:01 | 0:29:04 | |
Charles and Charlie are paired with a very stylish set of vintage wheels. | 0:29:05 | 0:29:09 | |
The 1971 Triumph TR6. | 0:29:09 | 0:29:12 | |
Do you know, Charlie, this car is a dream, isn't it? | 0:29:13 | 0:29:17 | |
It's fantastic, as long as you're not driving it! | 0:29:17 | 0:29:19 | |
Cheeky! | 0:29:19 | 0:29:21 | |
Charles and Charlie will travel around 500 miles | 0:29:23 | 0:29:27 | |
through the glorious heartlands of England, | 0:29:27 | 0:29:29 | |
from Tarporley in Cheshire | 0:29:29 | 0:29:30 | |
to Itchen Stoke near Winchester in Hampshire. | 0:29:30 | 0:29:33 | |
In this leg, they begin in Tarporley, | 0:29:36 | 0:29:39 | |
heading for their first auction in Manchester. | 0:29:39 | 0:29:41 | |
Luckily, our pair are the best of chums. | 0:29:43 | 0:29:45 | |
# Consider yourself my mate... # | 0:29:45 | 0:29:48 | |
Just tell me where we are! | 0:29:48 | 0:29:50 | |
Fine. You're just outside Tarporley, a terribly pretty village | 0:29:50 | 0:29:54 | |
that seems to be the ideal place to begin. | 0:29:54 | 0:29:58 | |
They're heading for their first shop where a bevy of beauties await. | 0:29:58 | 0:30:02 | |
It's so exciting, Charlie. | 0:30:04 | 0:30:06 | |
Are you ready? | 0:30:06 | 0:30:07 | |
Going, going, gone! | 0:30:07 | 0:30:10 | |
And they're off! | 0:30:10 | 0:30:12 | |
Girls! | 0:30:12 | 0:30:13 | |
Hello! | 0:30:13 | 0:30:14 | |
-I'm Charlie. -Hello. -Charlie, nice to meet you. Jane. | 0:30:14 | 0:30:18 | |
-Jane. -Louise. -Louise. | 0:30:18 | 0:30:20 | |
-Hi, Louise, Charles. Hi, Jane. Good to see you. -Hello. | 0:30:20 | 0:30:24 | |
-Ladies, can we just browse? -You can browse, yes. | 0:30:24 | 0:30:27 | |
Can we maybe take a personal shopper with us? Are you available to escort us? | 0:30:27 | 0:30:30 | |
-Whichever you prefer, sir. -Any preferences? | 0:30:30 | 0:30:33 | |
-How can I possibly have a preference with two such beautiful women! -Absolutely! | 0:30:33 | 0:30:36 | |
Don't be too long. I'm going to count! | 0:30:36 | 0:30:38 | |
OK. | 0:30:38 | 0:30:40 | |
Hmm. Does young Charles have a strategy planned out? | 0:30:40 | 0:30:43 | |
Jane, my Road Trip with Charlie is all about buying things which are quirky. | 0:30:44 | 0:30:48 | |
I'm not too keen on knobbly nick-nacks. | 0:30:48 | 0:30:50 | |
Looking around, you only seem to deal in nice high-brow objects which I love. | 0:30:50 | 0:30:55 | |
Hmm. Knobbly nick-nacks notwithstanding, | 0:30:55 | 0:30:58 | |
is there anything to catch Carlos's eye? | 0:30:58 | 0:31:01 | |
Jane, round the corner, what I did see, | 0:31:01 | 0:31:04 | |
are these pair of figures. | 0:31:04 | 0:31:06 | |
It's a pair of plaster lamps in the shape of cherubs. | 0:31:06 | 0:31:09 | |
Ticket price, a substantial £145. | 0:31:09 | 0:31:14 | |
-They have a look, don't they, about them? -They do. | 0:31:14 | 0:31:17 | |
They certainly make a statement. | 0:31:17 | 0:31:19 | |
-Are they yours? -No, they belong to another dealer. | 0:31:19 | 0:31:22 | |
-I think there's age to them, but I think they've had work done on them. -Yes. | 0:31:22 | 0:31:27 | |
They're big and they're bold. They're quite frightening | 0:31:27 | 0:31:30 | |
but they've got a great look. | 0:31:30 | 0:31:32 | |
Jane will phone the dealer, Francesca, who's selling them. | 0:31:32 | 0:31:36 | |
But what can Charles offer? | 0:31:36 | 0:31:37 | |
They could, on a bad day, make 30. | 0:31:37 | 0:31:39 | |
On a good day, they could make £100. | 0:31:39 | 0:31:41 | |
So 50 is a fair offer. | 0:31:41 | 0:31:43 | |
Jane's spoken to the dealer. Will she accept Charles's cheeky offer? | 0:31:44 | 0:31:48 | |
OK. Bye. | 0:31:48 | 0:31:49 | |
Have I been too rude? | 0:31:50 | 0:31:52 | |
She said, essentially, that 50 is more or less what she paid for them. | 0:31:52 | 0:31:58 | |
To give a profit, would Francesca viably take £60 for them? | 0:31:58 | 0:32:02 | |
I'll tell you what. Go down to the 70. | 0:32:02 | 0:32:05 | |
65. | 0:32:05 | 0:32:07 | |
Take a chance. Heard that song? | 0:32:08 | 0:32:10 | |
# Take a chance | 0:32:10 | 0:32:12 | |
# If you change your mind... # | 0:32:12 | 0:32:13 | |
# Honey, I'm still free | 0:32:13 | 0:32:15 | |
# Take a chance on me... # | 0:32:15 | 0:32:18 | |
-Take a chance together? -65. Go on. I'll shake on that. | 0:32:18 | 0:32:21 | |
-Thank you, Jane. -It's done. -That's my Road Trip up and running again, Charlie Ross! | 0:32:21 | 0:32:26 | |
I'm up and running! | 0:32:26 | 0:32:28 | |
Charlie, I'm off and running! | 0:32:28 | 0:32:29 | |
Something caught my eye in here. | 0:32:29 | 0:32:33 | |
Charlie's spotted a rosewood box. | 0:32:33 | 0:32:36 | |
The price on the ticket is £68. | 0:32:36 | 0:32:38 | |
It's still got the original interior to it, which is unusual. | 0:32:39 | 0:32:44 | |
The thing to look for with these boxes is damage. | 0:32:45 | 0:32:49 | |
If there's mother-of-pearl missing, it's a nightmare. | 0:32:49 | 0:32:53 | |
Jane can do a deal on the box. | 0:32:53 | 0:32:56 | |
What can Charlie offer? | 0:32:56 | 0:32:57 | |
About 30 quid. At 30 quid I would certainly buy it. | 0:32:57 | 0:33:00 | |
Jane doesn't look quite convinced. | 0:33:00 | 0:33:03 | |
Can Charlie sweeten the deal? | 0:33:03 | 0:33:05 | |
What can I get you? Is there a sweetie shop in the village? | 0:33:05 | 0:33:08 | |
-I'm very partial to chocolate. -Are you? Tell you what. | 0:33:08 | 0:33:11 | |
I will go to the shop and buy you something. | 0:33:11 | 0:33:13 | |
So Charlie offers to buy Jane some chocs if she'll let him have the box | 0:33:13 | 0:33:18 | |
for £30 rather than the £34 she wants. | 0:33:18 | 0:33:20 | |
See you in a minute. | 0:33:22 | 0:33:23 | |
He's heading for The Old Fire Station chocolate shop. | 0:33:26 | 0:33:29 | |
Charlie might be in the chocolate shop, | 0:33:31 | 0:33:33 | |
but his tactics aren't changing. | 0:33:33 | 0:33:35 | |
Are you negotiable on your price at all? | 0:33:35 | 0:33:38 | |
I'm very tight on buying my Victorian rosewood box. | 0:33:38 | 0:33:41 | |
I'd say these are fresher and newer than your rosewood box! | 0:33:41 | 0:33:45 | |
-I suspect we might be able to do something. -Certainly fresher! | 0:33:45 | 0:33:50 | |
He'll take a box of the hand-made truffles for Jane. | 0:33:50 | 0:33:53 | |
-Is that all right? -Gosh! | 0:33:53 | 0:33:55 | |
She won't be able to resist...those. | 0:33:55 | 0:33:57 | |
How much do I owe you, sir? | 0:33:57 | 0:33:59 | |
Well, £5.99 normally. To you, £5.50. | 0:33:59 | 0:34:03 | |
Ooh, how splendid! | 0:34:03 | 0:34:05 | |
Big Cheshire smile. | 0:34:05 | 0:34:06 | |
Hmm. I think there's a flaw in your maths here, Charlie. | 0:34:06 | 0:34:09 | |
-Very kind of you. Thank you. -Thank you. -All the best. | 0:34:09 | 0:34:12 | |
But Charlie's about to have a terrible realisation. | 0:34:12 | 0:34:15 | |
I think I've got this slightly wrong. | 0:34:18 | 0:34:20 | |
I've now paid £5.50 for the chocolates | 0:34:20 | 0:34:23 | |
and hopefully I'll get the box for 30. | 0:34:23 | 0:34:26 | |
But it could have been 34. | 0:34:26 | 0:34:28 | |
Oh, Lordy. I'm not sure maths is your strong suit, old boy! | 0:34:28 | 0:34:33 | |
-Jane. -Charlie. -Today is your lucky day. | 0:34:34 | 0:34:41 | |
Oh, Charlie, thank you! | 0:34:41 | 0:34:43 | |
It's yours. | 0:34:43 | 0:34:45 | |
-Thank you very much indeed. -That's so sweet of you. | 0:34:47 | 0:34:49 | |
Chocolates included, the box cost £35.50p, | 0:34:49 | 0:34:53 | |
so his charm actually costs him money! | 0:34:53 | 0:34:56 | |
But at least he's got his first buy. | 0:34:56 | 0:34:58 | |
Now he's heading straight upstairs where he immediately spots a hand mirror. | 0:34:59 | 0:35:04 | |
-That's quite nice. -Blimey, that's cheap. Sorrento. | 0:35:04 | 0:35:08 | |
But Charlie seems to have taken a shine to it, too. | 0:35:08 | 0:35:11 | |
Do you want to leave me up here and I'll see you downstairs? | 0:35:11 | 0:35:14 | |
No, you can go downstairs now. I like a bit of Sorrento. | 0:35:14 | 0:35:16 | |
I was just browsing that, Charlie. | 0:35:16 | 0:35:18 | |
I was just about to pick it up. | 0:35:18 | 0:35:21 | |
Yeah, course you were, Charles! | 0:35:22 | 0:35:24 | |
-I've never heard so much rubbish... -Can I help you? -..in all my life. | 0:35:24 | 0:35:28 | |
-You have been up here for an hour and you've missed that. -Yes. | 0:35:28 | 0:35:30 | |
The southern-Italian town of Sorrento | 0:35:30 | 0:35:33 | |
has a long history of producing items in marquetry. | 0:35:33 | 0:35:37 | |
This mirror dates from the late 19th century. | 0:35:37 | 0:35:40 | |
I'm not going to have an argument with you. | 0:35:40 | 0:35:43 | |
OK. OK, go on, take it downstairs. | 0:35:43 | 0:35:45 | |
-Go on. -Jolly reasonable. | 0:35:45 | 0:35:47 | |
-Do you really want to buy this, Charles? -No, I don't. | 0:35:48 | 0:35:50 | |
-Go on, get out of here. -# If you change your mind... # | 0:35:50 | 0:35:53 | |
Exactly. Go on. Get downstairs. | 0:35:53 | 0:35:55 | |
A little jealous, Charles? | 0:35:55 | 0:35:57 | |
I went straight up and saw something I liked. | 0:35:57 | 0:36:00 | |
-You didn't. -It's not difficult in this shop. | 0:36:00 | 0:36:03 | |
It's a pretty little thing, I must admit. I did look at it for my dressing table. | 0:36:03 | 0:36:07 | |
-Did you? -Yes. -You come up with all the lines, don't you, Jane? | 0:36:07 | 0:36:11 | |
-Yeah, yeah. -All the lines. | 0:36:11 | 0:36:13 | |
Half price. £7.50. | 0:36:13 | 0:36:16 | |
Can you really not do a fiver on that? | 0:36:18 | 0:36:21 | |
£6.50. | 0:36:21 | 0:36:23 | |
How can I turn that down? | 0:36:24 | 0:36:26 | |
How can I possibly turn you down? | 0:36:26 | 0:36:29 | |
-That's a good deal. -It is. I'll have it. | 0:36:29 | 0:36:31 | |
-You'll have it. -Yep. Put it with my purchases. | 0:36:31 | 0:36:34 | |
I'm going back upstairs. | 0:36:34 | 0:36:36 | |
Because I like this sh... Ooh, God, I just bumped my head! | 0:36:36 | 0:36:40 | |
-Ouch! -Have you got a first aid kit? | 0:36:40 | 0:36:43 | |
Oh, do be careful, Charlie. | 0:36:43 | 0:36:45 | |
Meanwhile, Charles Hanson is in another part of the antiques centre | 0:36:46 | 0:36:50 | |
with another dealer, John. | 0:36:50 | 0:36:51 | |
And Charles is upping the pressure. | 0:36:51 | 0:36:53 | |
One thing, John, I did see, that I really, really like | 0:36:56 | 0:37:00 | |
is this wonderful maritime time-piece | 0:37:00 | 0:37:03 | |
which also includes the barometer dial, also the compass | 0:37:03 | 0:37:08 | |
-and also the thermometer. -Yes. -On the anchor. | 0:37:08 | 0:37:10 | |
-That really is... -That's a really high quality piece. -Yes, it is. | 0:37:10 | 0:37:14 | |
John, what age is that? | 0:37:14 | 0:37:17 | |
-1910, would you say? -Hmm. | 0:37:17 | 0:37:19 | |
Aye, aye, Captain! I quite like this. | 0:37:19 | 0:37:22 | |
1910, it's a real Edwardian novelty. | 0:37:22 | 0:37:25 | |
On the ticket is a whopping £250, well out of Charles's league. | 0:37:26 | 0:37:31 | |
He only has £135 left, but can he persuade John to cut him a deal? | 0:37:31 | 0:37:37 | |
I've got 135. Would you possibly come down to that level? | 0:37:38 | 0:37:41 | |
-Yes. -Would you really? | 0:37:41 | 0:37:43 | |
-135. -Yeah. Um... | 0:37:43 | 0:37:45 | |
Here we go! | 0:37:45 | 0:37:46 | |
Would you... I'm not being funny. | 0:37:46 | 0:37:49 | |
I want to take to auction three items. | 0:37:49 | 0:37:51 | |
Would you possibly give me a bit of change from 135? | 0:37:51 | 0:37:54 | |
Just something, John? | 0:37:54 | 0:37:56 | |
Maybe a tenner? John, would you make it 125? | 0:37:56 | 0:37:59 | |
That's a big discount. | 0:37:59 | 0:38:01 | |
-One for the road. -125. -Are you sure? -OK. | 0:38:01 | 0:38:03 | |
125. That leaves me £10. | 0:38:03 | 0:38:06 | |
Thanks, John. | 0:38:06 | 0:38:07 | |
Let's hope my maritime time-piece will tick the right way, eh, John? | 0:38:07 | 0:38:13 | |
Well, let's hope it does. | 0:38:13 | 0:38:15 | |
Meanwhile, Charlie the charmer is still upstairs. | 0:38:17 | 0:38:20 | |
And yet another item has taken his fancy. | 0:38:21 | 0:38:24 | |
Arts & Crafts Movement, wall pocket in brass. | 0:38:24 | 0:38:29 | |
Typical Arts & Crafts decoration here. | 0:38:29 | 0:38:33 | |
The Arts & Crafts Movement of the late Victorian period | 0:38:33 | 0:38:37 | |
celebrated design drawn from natural form and traditional craftsmanship. | 0:38:37 | 0:38:43 | |
This wall pocket is priced at £32. | 0:38:43 | 0:38:45 | |
I really do think it's a good thing. | 0:38:46 | 0:38:48 | |
Oh, I can't resist having a go at this! | 0:38:51 | 0:38:53 | |
Shop! I need a lady, please! | 0:38:53 | 0:38:56 | |
LAUGHTER | 0:38:56 | 0:38:58 | |
-Louise! -A young, attractive lady. Any one of the two will do! | 0:38:58 | 0:39:02 | |
How many Abba songs would I have to sing to get the price down on that? | 0:39:02 | 0:39:06 | |
I've got a much better voice than Charles Hanson! | 0:39:06 | 0:39:08 | |
Shall we say three? | 0:39:08 | 0:39:09 | |
# Waterloo... # | 0:39:09 | 0:39:11 | |
-Ooh! -Ooh, dear! Ooh, crumbs! | 0:39:11 | 0:39:13 | |
Tut-tut! | 0:39:13 | 0:39:15 | |
I think... I think we're probably looking at a best price there of 25. | 0:39:15 | 0:39:19 | |
25?! I thought you were going to say 20. | 0:39:19 | 0:39:21 | |
-I'd pay £20 for it, I really would. -20? -Yeah. | 0:39:21 | 0:39:27 | |
-Go on, then, £20. -Happy with that? -Yep. | 0:39:27 | 0:39:30 | |
Lovely ladies, lovely buys. | 0:39:33 | 0:39:34 | |
Expensive chocolates. | 0:39:34 | 0:39:36 | |
With only £10 left in his budget, | 0:39:38 | 0:39:40 | |
Charles Hanson is in no pressing rush to shop this afternoon. | 0:39:40 | 0:39:44 | |
So he's already in the car, driving the 33 miles | 0:39:44 | 0:39:48 | |
over the Welsh border to Llangollen, Denbighshire. | 0:39:48 | 0:39:51 | |
He's going to take a look around the fascinating house, Plas Newydd. | 0:39:53 | 0:39:58 | |
-Afternoon! -Hello! -How are you? -Good, thank you. | 0:40:00 | 0:40:03 | |
-I'm Charles Hanson. -Hello, Charles. -Nice to meet you. | 0:40:03 | 0:40:05 | |
He's meeting heritage assistant Gail. | 0:40:05 | 0:40:08 | |
The house is a museum dedicated to the lives of two extraordinary former inhabitants. | 0:40:08 | 0:40:14 | |
"The ladies of Llangollen", as they were known, | 0:40:14 | 0:40:17 | |
living here together in the late 18th and early 19th century. | 0:40:17 | 0:40:21 | |
Lady Eleanor Butler and Miss Sarah Ponsonby. | 0:40:21 | 0:40:24 | |
They came here in 1780. | 0:40:24 | 0:40:26 | |
They were here for 49 years. | 0:40:26 | 0:40:28 | |
-May we go in? -Please do. Come in. | 0:40:28 | 0:40:30 | |
The pair lived here, sharing a bed and a loving companionship | 0:40:32 | 0:40:36 | |
which scandalised some members of their Georgian and Regency society, | 0:40:36 | 0:40:40 | |
but also drew many famous friends to visit them, | 0:40:40 | 0:40:43 | |
including poets Byron, Shelley and Wordsworth. | 0:40:43 | 0:40:48 | |
The ladies were high born, but rejected their aristocratic backgrounds | 0:40:48 | 0:40:52 | |
to live a life dedicated to learning, art and nature. | 0:40:52 | 0:40:56 | |
This incredible house is their enduring legacy. | 0:40:56 | 0:41:00 | |
So really, the story of this house, dwelling, | 0:41:00 | 0:41:03 | |
-it revolves around two ladies. -Yes. | 0:41:03 | 0:41:06 | |
Well done, Charles(!) | 0:41:06 | 0:41:07 | |
The ladies put their artistic stamp on the house, | 0:41:07 | 0:41:10 | |
most strikingly in these wooden embellishments. | 0:41:10 | 0:41:14 | |
Both ladies came from aristocratic Anglo-Irish families. | 0:41:14 | 0:41:18 | |
They got together. They came here, they left their homes? | 0:41:18 | 0:41:22 | |
Yes, it was termed as an elopement. They "eloped" from Ireland | 0:41:22 | 0:41:26 | |
and the two met through their love of literature. | 0:41:26 | 0:41:28 | |
Tell me about them, as ladies. | 0:41:28 | 0:41:29 | |
As ladies, very courageous, very brave for their times. | 0:41:29 | 0:41:33 | |
They knew what they wished to achieve out of life. | 0:41:33 | 0:41:37 | |
What they wished to do with their lives was better themselves, | 0:41:37 | 0:41:41 | |
educate themselves and beautify their surroundings | 0:41:41 | 0:41:44 | |
and live closer to nature. | 0:41:44 | 0:41:45 | |
The couple were also interested in art and design. | 0:41:45 | 0:41:49 | |
They remodelled this property from a traditional farmhouse | 0:41:49 | 0:41:52 | |
into this extraordinary Gothic style. | 0:41:52 | 0:41:56 | |
Their vision leaves us a unique home. | 0:41:56 | 0:41:59 | |
What a wonderful place to elope to. | 0:41:59 | 0:42:02 | |
I look in this hallway, Gail, and all this oak panelling | 0:42:02 | 0:42:06 | |
really reflects a romance for the past. | 0:42:06 | 0:42:10 | |
It's a collage of carvings, a mosaic, really, it's become, | 0:42:10 | 0:42:13 | |
but of old furniture and ecclesiastical carvings. | 0:42:13 | 0:42:17 | |
This is the roof of a four-poster bed, | 0:42:17 | 0:42:19 | |
which is quite incredible. | 0:42:19 | 0:42:21 | |
We've got coffers, blanket chests and so on, | 0:42:21 | 0:42:25 | |
that have been cut up and assembled here with the help of a local joiner. | 0:42:25 | 0:42:29 | |
The ladies had the idea and the eye for the design. | 0:42:29 | 0:42:32 | |
Gail's taking Charles upstairs into the bedroom. | 0:42:32 | 0:42:36 | |
The ladies shared this until Eleanor's death in 1829. | 0:42:36 | 0:42:41 | |
Here we have the ladies' bedroom. | 0:42:41 | 0:42:42 | |
-Isn't it a gorgeous room? -It is. -Did they ever come out and say, "We're courting?" | 0:42:42 | 0:42:48 | |
-Oh, no. -Were they very private? -Very private about it. | 0:42:48 | 0:42:52 | |
The way we get an insight into the ladies' lives | 0:42:52 | 0:42:56 | |
is that Eleanor Butler kept a journal for many years. | 0:42:56 | 0:43:00 | |
In this, she calls Sarah her sweet, "my beloved", and so on, | 0:43:00 | 0:43:06 | |
and their terminology certainly shows that they had a great love for one another. | 0:43:06 | 0:43:11 | |
And that love and companionship is what life is all about. | 0:43:11 | 0:43:15 | |
And with that happy thought, it's time for Charles to hit the road. | 0:43:15 | 0:43:19 | |
Thank you ever so much for a wonderful visit. | 0:43:19 | 0:43:22 | |
Meanwhile, Charlie Ross has travelled to Tilston in Cheshire, | 0:43:27 | 0:43:31 | |
where he's keen to hunt for more buys. | 0:43:31 | 0:43:33 | |
-Hello. -Hello! Sally, is it? | 0:43:38 | 0:43:40 | |
-Yes, it is. -Charlie. -Hello, Charlie. | 0:43:40 | 0:43:42 | |
Sally's got something that might just capture Charlie's heart. | 0:43:44 | 0:43:48 | |
This little piece is unusual. Did you notice that? | 0:43:48 | 0:43:51 | |
No! | 0:43:53 | 0:43:55 | |
You'll have to educate me here. | 0:43:56 | 0:43:57 | |
Sally wasn't quite sure what the object was, | 0:43:57 | 0:44:01 | |
until she found a newspaper cutting | 0:44:01 | 0:44:03 | |
relating to the theft of a similar piece. | 0:44:03 | 0:44:05 | |
I didn't know what it was for, then I found this little thing | 0:44:05 | 0:44:11 | |
which says... | 0:44:11 | 0:44:12 | |
-"Artichoke cup stolen." -Yes. | 0:44:12 | 0:44:15 | |
-Sally! Really! -Not this one! I didn't! I promise! | 0:44:15 | 0:44:18 | |
It's an unusual little object, isn't it? | 0:44:21 | 0:44:24 | |
-A Chinese artichoke cup. -Yes. | 0:44:24 | 0:44:26 | |
-Would you get a whole artichoke in there? -I think you'd just put the heart. -Just the heart. | 0:44:26 | 0:44:31 | |
-Just the heart. -What a glorious object! | 0:44:31 | 0:44:34 | |
-It's like a little Chinese hat, isn't it? -It looks like it, yes. | 0:44:34 | 0:44:39 | |
Yes, you look charming, darling! | 0:44:39 | 0:44:40 | |
Suits you! | 0:44:40 | 0:44:42 | |
What a lovely thing. That's just so gorgeous. | 0:44:42 | 0:44:45 | |
And it hasn't even got a price on it. | 0:44:45 | 0:44:47 | |
Well, it's rather special, isn't it? £45 because it's a damaged top. | 0:44:47 | 0:44:52 | |
-Is that all it is? -Yes. -I could fool Charles Hanson, my opponent, with that. | 0:44:52 | 0:44:58 | |
My worry was him, how he jumps up and down. | 0:44:58 | 0:45:00 | |
He'd have broken the whole lot. You're lucky he's not here, to be honest. | 0:45:00 | 0:45:04 | |
Oh, Sally! | 0:45:05 | 0:45:07 | |
What was that you were saying, Charlie? | 0:45:07 | 0:45:08 | |
I did a Hanson! | 0:45:08 | 0:45:10 | |
It landed on the rug! | 0:45:10 | 0:45:12 | |
Thank God for that! | 0:45:12 | 0:45:14 | |
Anyway, it's been damaged before. | 0:45:14 | 0:45:16 | |
I don't care! My heart! | 0:45:16 | 0:45:18 | |
Charlie didn't break it, but he is going to buy it. | 0:45:20 | 0:45:23 | |
I'm not going to ask you what your best is, because it was £45 and I think that's reasonable. | 0:45:23 | 0:45:30 | |
-We have a deal. -We have a deal. -And I love it. | 0:45:30 | 0:45:33 | |
-Hanson will like it. -Hanson will be jealous, I reckon! | 0:45:33 | 0:45:36 | |
He will be jealous! How delightful! | 0:45:36 | 0:45:38 | |
Delightful indeed. | 0:45:38 | 0:45:40 | |
Buying fever is upon Charlie today, | 0:45:41 | 0:45:45 | |
so he's off to Chester. | 0:45:45 | 0:45:47 | |
The city's historic buildings sing of the past. | 0:45:47 | 0:45:50 | |
Let's hope he can find something shiny | 0:45:50 | 0:45:53 | |
to buy in this frankly-named antique shop. | 0:45:53 | 0:45:56 | |
-Peter? -Yes. -Charlie. -Nice to meet you. -Nice to see you. -OK. | 0:45:57 | 0:46:01 | |
Over to you. Pull me something out that you think you can sell me that I'll make a profit. | 0:46:02 | 0:46:07 | |
And Peter, if it makes a profit, | 0:46:07 | 0:46:09 | |
I will sing your name... | 0:46:09 | 0:46:11 | |
-from the rooftops. -Listen. | 0:46:11 | 0:46:14 | |
Peter's got an early 20th century American coffee percolator. | 0:46:14 | 0:46:19 | |
Complete. Nothing missing on it. | 0:46:20 | 0:46:22 | |
Dated on the bottom with the patent numbers to 1906. | 0:46:22 | 0:46:26 | |
Something you can make money on, especially in Manchester. | 0:46:26 | 0:46:28 | |
Well, but now - how much is it? | 0:46:28 | 0:46:31 | |
-If you didn't turn a profit on that at £20. -What?! | 0:46:33 | 0:46:35 | |
-You're not selling me that for 20 quid? -I'll do it for 20. | 0:46:35 | 0:46:38 | |
Huh! That's woken you up, Charlie. What a bargain! | 0:46:38 | 0:46:41 | |
That's really fantastic. | 0:46:41 | 0:46:43 | |
What a zinger of a deal! | 0:46:43 | 0:46:46 | |
Young Charles has met up with Charlie to continue their antiques adventure around Chester. | 0:46:46 | 0:46:53 | |
Look at him. Always running! | 0:46:54 | 0:46:56 | |
Charles has hared away from Charlie the tortoise | 0:46:56 | 0:46:59 | |
and off towards KD Antiques. | 0:46:59 | 0:47:02 | |
He's meeting old chum Kelvin. | 0:47:02 | 0:47:05 | |
What I'm looking for is something that might just cost me | 0:47:05 | 0:47:08 | |
-£10 or thereabouts. -OK. | 0:47:08 | 0:47:11 | |
And what I intend to do today, to be completely blunt with you, | 0:47:11 | 0:47:14 | |
is I'm going to take your object | 0:47:14 | 0:47:17 | |
and then try and build on it. | 0:47:17 | 0:47:18 | |
-And swap it... -With other dealers? -Exactly. With your blessing. | 0:47:18 | 0:47:23 | |
OK. | 0:47:23 | 0:47:25 | |
Further to this master plan, | 0:47:25 | 0:47:27 | |
Charles thinks he's found something he can trade up. | 0:47:27 | 0:47:30 | |
It's an auctioneer's gavel. Isn't that wonderful? | 0:47:31 | 0:47:34 | |
-A pocket gavel. -Isn't that neat? | 0:47:34 | 0:47:36 | |
Ticket price is £14. What can Kelvin let it go for? | 0:47:36 | 0:47:41 | |
-Five pounds. -Five pounds. | 0:47:42 | 0:47:44 | |
Going once, going twice, going, gone. | 0:47:44 | 0:47:47 | |
-That's it, Kelvin. -Well done. -Thanks, Kelvin. That's great. | 0:47:47 | 0:47:50 | |
The cunning Charles has another buy, and he's off to see if he can trade it up. | 0:47:50 | 0:47:55 | |
Meanwhile, Charlie is nearby in another shop | 0:47:56 | 0:47:59 | |
where the delightful young Rachel is helping him. | 0:47:59 | 0:48:02 | |
That's taken my eye. Gosh, that's fabulous, that bread fork. | 0:48:02 | 0:48:07 | |
-Yeah, it's lovely. It's an unusual item, really nice... -Glorious! | 0:48:07 | 0:48:12 | |
The quality of that! | 0:48:13 | 0:48:14 | |
Yeah, it's beautiful. | 0:48:14 | 0:48:17 | |
That's a fabulous item. | 0:48:17 | 0:48:19 | |
It's a Victorian silver-plated bread fork | 0:48:20 | 0:48:23 | |
used for serving bread or rolls at a formal dinner. | 0:48:23 | 0:48:26 | |
There's £27 on the ticket. | 0:48:26 | 0:48:28 | |
There's probably a little bit of trade in that, isn't there? | 0:48:28 | 0:48:32 | |
-I could probably tweak you a bit. -You could tweak me a bit. | 0:48:32 | 0:48:36 | |
I could probably do that for you for about £23. | 0:48:36 | 0:48:39 | |
Fantastic quality. | 0:48:39 | 0:48:41 | |
If I made those, I'd want to put my name on them. | 0:48:41 | 0:48:43 | |
Terrific. Charlie pays £23 for the bread fork | 0:48:43 | 0:48:47 | |
and he's got his last lot for auction. | 0:48:47 | 0:48:49 | |
Charles is about to try his luck in the shop where Charlie Ross bought his percolator. | 0:48:55 | 0:49:01 | |
His plan is still to swap the gavel he bought earlier, | 0:49:02 | 0:49:05 | |
along with the lonely fiver still in his pocket, | 0:49:05 | 0:49:08 | |
for an item that might make more at auction. | 0:49:08 | 0:49:11 | |
Will canny Peter take the bait? | 0:49:11 | 0:49:13 | |
Peter, the first question is, do you like it? | 0:49:13 | 0:49:16 | |
-I love that. It's fantastic. -Do you really? | 0:49:16 | 0:49:19 | |
Peter has some genuine archaeological finds | 0:49:19 | 0:49:22 | |
that might fit the bill - a number of medieval rings. | 0:49:22 | 0:49:26 | |
In the main, these are British finds - metal detectorists, archaeologists. | 0:49:26 | 0:49:30 | |
-This one here was found in the Thames. -Really? | 0:49:30 | 0:49:33 | |
Fairly recently. | 0:49:33 | 0:49:35 | |
It's a fertility ring dating from way back in the 1100s. | 0:49:35 | 0:49:39 | |
That's a medieval bronze ring, almost a love token, in the shape. | 0:49:39 | 0:49:43 | |
-I think so, yes. -With that heart. -With that heart shape, yes. -What a wonderful ring. | 0:49:43 | 0:49:47 | |
So that is a beautiful little medieval ring, 12th century. | 0:49:47 | 0:49:52 | |
Now that, Peter, is priced at £45. | 0:49:52 | 0:49:56 | |
But would that ring | 0:49:56 | 0:49:58 | |
be a viable swap for my gavel? | 0:49:58 | 0:50:01 | |
-With the fiver. -With the fiver. -That you've got in your pocket. | 0:50:01 | 0:50:04 | |
-I've got five pounds left over. -Five pounds as well. | 0:50:04 | 0:50:07 | |
-It's a good deal for you. -It's a good deal for me, absolutely. | 0:50:07 | 0:50:10 | |
Thanks again. Look after the gavel, OK? | 0:50:10 | 0:50:12 | |
See you, Peter. Bye! | 0:50:12 | 0:50:13 | |
And with that fertile buy, let's have a quick reminder | 0:50:13 | 0:50:17 | |
of how the boys have been spending their dosh. | 0:50:17 | 0:50:20 | |
Charles Hanson has spent the full £200 on just three lots. | 0:50:20 | 0:50:24 | |
Charlie Ross meanwhile has assembled six lots at a cost of £150. | 0:50:24 | 0:50:29 | |
So, what do our antiques chums think of one another's shopping sprees? | 0:50:29 | 0:50:36 | |
Charles's dreadful lamps. | 0:50:36 | 0:50:39 | |
But his fantastic clock and barometer, | 0:50:39 | 0:50:42 | |
which I think is shop of the week, frankly. | 0:50:42 | 0:50:45 | |
If I had the choice now of swapping any of his for mine, | 0:50:45 | 0:50:48 | |
I would swap...none of them. | 0:50:48 | 0:50:51 | |
Batten down the hatches! Profit, here we come! | 0:50:51 | 0:50:55 | |
And it's full steam ahead in the rather chic Triumph. | 0:50:55 | 0:51:00 | |
On this first leg of their road trip, | 0:51:00 | 0:51:02 | |
our happy Charlies have travelled from Tarporley, Cheshire, | 0:51:02 | 0:51:06 | |
to arrive at their auction in Manchester. | 0:51:06 | 0:51:08 | |
Manchester's a vibrant UK city that needs little introduction. | 0:51:08 | 0:51:14 | |
What was the industry in Manchester? | 0:51:14 | 0:51:17 | |
-Oh... -Textiles? -Ohhh! | 0:51:17 | 0:51:21 | |
Apart from to Charlie, it would seem! | 0:51:21 | 0:51:24 | |
Venerable auction house Capes Dunn | 0:51:24 | 0:51:29 | |
has been serving the city for 180 years. | 0:51:29 | 0:51:31 | |
Today, auctioneer Caroline Lane will be wielding the gavel. | 0:51:31 | 0:51:36 | |
Battle is about to commence. | 0:51:36 | 0:51:39 | |
First up is Charlie's Sorrento inlaid mirror. | 0:51:40 | 0:51:43 | |
How will it reflect on his buying acumen? | 0:51:43 | 0:51:46 | |
Who will bid me £10 for this lot? | 0:51:46 | 0:51:48 | |
Surely £10? It's here to sell. | 0:51:48 | 0:51:51 | |
Thank you. £10 seated here on the front. | 0:51:51 | 0:51:53 | |
Thank you very much. Here at £10. Any more? | 0:51:53 | 0:51:56 | |
Surely? Thank you. £15. | 0:51:56 | 0:52:00 | |
15 there. Any advance with the gentleman on my right at £15. | 0:52:00 | 0:52:04 | |
-Well done. -Are we all sure at just 15? | 0:52:04 | 0:52:07 | |
Charlie's off to a solid start. | 0:52:07 | 0:52:10 | |
Next up, another for Charlie | 0:52:12 | 0:52:13 | |
as his rosewood box faces the crowd. | 0:52:13 | 0:52:16 | |
He had to woo the dealer with choccies to get it, | 0:52:16 | 0:52:19 | |
but will it seduce the sale room? | 0:52:19 | 0:52:21 | |
Start the bidding with me at £15. | 0:52:21 | 0:52:23 | |
Looking for 20. 20 at the back of the room. | 0:52:23 | 0:52:25 | |
25. Thank you. 30. | 0:52:25 | 0:52:27 | |
35 on my right. If we're all sure at £35. | 0:52:27 | 0:52:30 | |
Oh, dear. The cost of the chocolates tips the scales. | 0:52:33 | 0:52:38 | |
Bad luck, Romeo! | 0:52:38 | 0:52:40 | |
Without the chocolates, a profit. With the chocolates, a loss. | 0:52:40 | 0:52:43 | |
Now, the first for Charles Hanson. | 0:52:45 | 0:52:47 | |
His 12th-century fertility ring. | 0:52:47 | 0:52:49 | |
Will it bear fruit? | 0:52:49 | 0:52:51 | |
A rare 12th-century fertility ladies' bronze ring. | 0:52:51 | 0:52:53 | |
-Ooh, I say. -Circa 1180. | 0:52:53 | 0:52:56 | |
-Bit of fertility. -It's history, Charlie. -Yes. | 0:52:56 | 0:53:00 | |
I'm going red! | 0:53:00 | 0:53:02 | |
I think my parents would like me to get one of these! | 0:53:02 | 0:53:05 | |
Lot 33, with me at £10. | 0:53:05 | 0:53:07 | |
-Come on. -It's already in at ten. -Thank you. 15. 20. | 0:53:07 | 0:53:10 | |
25. 30. | 0:53:10 | 0:53:13 | |
35. | 0:53:13 | 0:53:15 | |
40. With the lady seated here at £40. | 0:53:16 | 0:53:19 | |
Any more? 45. Back in, sir. Thank you. | 0:53:19 | 0:53:21 | |
We're at 45 now. One more? | 0:53:21 | 0:53:24 | |
One more? No? | 0:53:24 | 0:53:26 | |
I can't tempt you. 45 with the gentleman seated. | 0:53:26 | 0:53:28 | |
If we're all sure at £45. | 0:53:28 | 0:53:30 | |
The sale room gets a giggle, and it's a profit for Charles. | 0:53:32 | 0:53:36 | |
One for Charlie, now. | 0:53:37 | 0:53:39 | |
Here's his American percolator. Can it build up a head of steam? | 0:53:39 | 0:53:43 | |
I will start the bidding with me at £15. With me at just 15. | 0:53:43 | 0:53:46 | |
20. 25 now. 30. 35. | 0:53:46 | 0:53:49 | |
40 now. With the gentleman at £40. | 0:53:49 | 0:53:51 | |
-Brilliant. -Up a bit. -Brilliant. -Are we sure? | 0:53:51 | 0:53:54 | |
Just £40. If we're all sure at 40. | 0:53:54 | 0:53:57 | |
-45 just in time. -Oh, yes! | 0:53:57 | 0:53:59 | |
45 with the gentleman standing. 50. Thank you. | 0:53:59 | 0:54:01 | |
At £50, if we're all sure at 50. | 0:54:01 | 0:54:05 | |
Splendid. I love that auctioneer! | 0:54:05 | 0:54:08 | |
She's doing you proud, Charlie. | 0:54:08 | 0:54:10 | |
-Coffee? -Don't. -Coffee? Coffee? | 0:54:10 | 0:54:14 | |
I think you might have had too much of the stuff, Charlie. | 0:54:14 | 0:54:17 | |
Now Charles's gamble. | 0:54:18 | 0:54:20 | |
The, er, decorative cherub lamps. | 0:54:20 | 0:54:23 | |
Tell me now, you don't actually like them, do you? | 0:54:23 | 0:54:26 | |
No. No. | 0:54:26 | 0:54:28 | |
-With me at £20. -Oh, no. -Far too much. | 0:54:28 | 0:54:31 | |
25. 30. 35 now. In the room at 35. | 0:54:31 | 0:54:34 | |
-40 on my right. -What?! -45 here. -Keep going. | 0:54:34 | 0:54:37 | |
50. 55. | 0:54:37 | 0:54:39 | |
-Good grief, sir! -Keep going! | 0:54:39 | 0:54:41 | |
-How dare you? -One for the road! | 0:54:41 | 0:54:43 | |
65. 70. | 0:54:43 | 0:54:45 | |
70 on my right. 75. | 0:54:45 | 0:54:47 | |
-Oh! -75 with the gentleman on my left. -Good man, sir. | 0:54:47 | 0:54:51 | |
£75. Any more? If we're all sure at 75? | 0:54:51 | 0:54:54 | |
-80 just in time. -Yes! -Oh! | 0:54:55 | 0:54:57 | |
-80 just in time. -One more. | 0:54:57 | 0:55:00 | |
85. Thank you. | 0:55:00 | 0:55:01 | |
85 now. | 0:55:01 | 0:55:03 | |
It's a wack business. | 0:55:03 | 0:55:05 | |
Any more? 85. | 0:55:05 | 0:55:08 | |
Good man, sir. Thank you very much. | 0:55:08 | 0:55:10 | |
Manna from heaven for the young pretender, | 0:55:10 | 0:55:13 | |
as he steals the lead. | 0:55:13 | 0:55:14 | |
Well done, old bean! | 0:55:14 | 0:55:16 | |
And now Charlie's silver-plated bread fork. | 0:55:16 | 0:55:20 | |
Who'll start me for this lot? £15? | 0:55:20 | 0:55:22 | |
-Who'll start me 15? Thank you. -Oh, madam! | 0:55:22 | 0:55:26 | |
20 I have. The gentleman seated. 25. Thank you. 25 I have. | 0:55:26 | 0:55:31 | |
With the lady seated on my right at 25. | 0:55:31 | 0:55:33 | |
If you're all sure, I will sell at 25. | 0:55:33 | 0:55:36 | |
-Well done. -Lovely taste, madam. | 0:55:37 | 0:55:39 | |
Marvellous taste. | 0:55:39 | 0:55:42 | |
It just about holds. | 0:55:42 | 0:55:43 | |
But that's a small loss for Charlie after auction costs. | 0:55:43 | 0:55:47 | |
Charles is still in the lead. | 0:55:47 | 0:55:48 | |
Next is Charlie's Arts & Crafts wall pocket. | 0:55:50 | 0:55:54 | |
I have interest with me and it starts at £30. | 0:55:54 | 0:55:58 | |
The bid is with me at 30. 35 and I'm out now. | 0:55:58 | 0:56:02 | |
35 on my right. 40 if you'd like. Thank you, sir. | 0:56:02 | 0:56:04 | |
No? £40 with the gentleman standing. | 0:56:04 | 0:56:06 | |
Not bad, but I still think it could do a bit more. | 0:56:06 | 0:56:09 | |
Any advance? All sure? Nice example. | 0:56:09 | 0:56:12 | |
All sure at just £40? | 0:56:12 | 0:56:14 | |
Very respectable. | 0:56:15 | 0:56:17 | |
And Charlie sneaks ahead of the young buck. | 0:56:17 | 0:56:19 | |
You know your stuff, Charlie. | 0:56:19 | 0:56:22 | |
The artichoke cup Charlie nearly broke is next. | 0:56:22 | 0:56:26 | |
Does a smashing profit await? | 0:56:26 | 0:56:28 | |
I have interest. It's with me at £50. | 0:56:28 | 0:56:30 | |
With me at 50. I'm moving into the room. | 0:56:30 | 0:56:32 | |
-# Do-dee-dee! # -Well done, Charlie. | 0:56:32 | 0:56:34 | |
Any more? | 0:56:34 | 0:56:35 | |
-Come on! -Well done. -My bid at just £50. | 0:56:35 | 0:56:38 | |
-Seems cheap. -It does. | 0:56:38 | 0:56:40 | |
-I will sell at £50. -Well done, Charlie. -Could we do one more? | 0:56:40 | 0:56:44 | |
Hmm. The auctioneer clearly had faith in it, | 0:56:46 | 0:56:48 | |
but it fair choked with the crowd. | 0:56:48 | 0:56:51 | |
Yo-ho-ho. | 0:56:51 | 0:56:53 | |
So, everything rests on Charlie's | 0:56:53 | 0:56:55 | |
much-admired maritime time-piece. Will it take sail? | 0:56:55 | 0:56:58 | |
-A novel Edwardian gilt-metal... -Wonderful thing. This is it. | 0:56:58 | 0:57:01 | |
-I have interest. -Ooh. | 0:57:01 | 0:57:03 | |
I can start the bid with me at £80. With me at £80. | 0:57:03 | 0:57:06 | |
-That's a good bid. -With me at £80. | 0:57:06 | 0:57:09 | |
-Phenomenal bid. -Keep going. -The bid is with me at 80. | 0:57:09 | 0:57:11 | |
Ohhh. | 0:57:11 | 0:57:12 | |
Any more on this lot? Seems cheap. It's a nice thing. | 0:57:12 | 0:57:15 | |
-With me at just £80. -Unbelievable. | 0:57:15 | 0:57:18 | |
We're all sure? I will sell at just 80. | 0:57:18 | 0:57:20 | |
Oh, dear! Despite those high hopes, | 0:57:21 | 0:57:24 | |
it fails to float. | 0:57:24 | 0:57:26 | |
?Hard game, isn't it? | 0:57:26 | 0:57:28 | |
It's a hard game, bean. | 0:57:28 | 0:57:30 | |
I've had so much luck on my Road Trip. | 0:57:32 | 0:57:35 | |
I need some bad luck. And that's bad luck. | 0:57:35 | 0:57:37 | |
Graceful in victory, | 0:57:37 | 0:57:39 | |
but noble in defeat. | 0:57:39 | 0:57:41 | |
Was there ever a pair like 'em? | 0:57:41 | 0:57:44 | |
So the distinguished Charlie Ross takes the day | 0:57:44 | 0:57:47 | |
with a steady accumulation of profit. | 0:57:47 | 0:57:50 | |
Charles Hanson started this leg with £200. | 0:57:50 | 0:57:52 | |
After paying auction costs, he made a stinging loss of £27.80. | 0:57:52 | 0:57:57 | |
He begins the next leg with £172.20. | 0:57:57 | 0:58:01 | |
Charlie Ross also started with £200. | 0:58:03 | 0:58:07 | |
He made a reasonable profit of £26.30p | 0:58:07 | 0:58:10 | |
and starts next time with £226.30p. | 0:58:10 | 0:58:16 | |
-I've just been talking to the man that bought your fertility ring. -Yes? | 0:58:17 | 0:58:22 | |
"I like this," he said, "but it's a bit late for me." | 0:58:22 | 0:58:25 | |
It's never too late on the Road Trip. | 0:58:25 | 0:58:29 | |
On to the next leg, boys. | 0:58:29 | 0:58:32 |