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It's the nation's favourite antique experts with £200 each... | 0:00:01 | 0:00:05 | |
I love that! | 0:00:05 | 0:00:07 | |
..a classic car and a goal to scour Britain for antiques. | 0:00:07 | 0:00:10 | |
Yippee! | 0:00:10 | 0:00:12 | |
I want pieces that could fly. | 0:00:12 | 0:00:14 | |
The aim? | 0:00:14 | 0:00:15 | |
To make the biggest profit at auction, but it's no mean feat. | 0:00:15 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
Hello, ladies. | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
But there is nobody bidding! | 0:00:27 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:33 | |
Yeah! | 0:00:34 | 0:00:35 | |
Today, it's the final chapter in our road trip adventure with | 0:00:37 | 0:00:41 | |
boisterous antiques experts Mark Stacey and Paul Laidlaw. | 0:00:41 | 0:00:45 | |
Muahaha! | 0:00:45 | 0:00:48 | |
You really ought to go into pantomime. | 0:00:48 | 0:00:50 | |
I'll see you there. | 0:00:50 | 0:00:51 | |
Touche! | 0:00:54 | 0:00:55 | |
Mark Stacey is an antique dealer who demonstrates | 0:00:55 | 0:00:58 | |
he is a man of many talents. | 0:00:58 | 0:01:00 | |
I mean, this is going to look like I'm pole dancing or something. | 0:01:01 | 0:01:05 | |
And on this road trip adventure, he really knows his priorities. | 0:01:05 | 0:01:09 | |
Mine is normally quite strong tea. | 0:01:09 | 0:01:11 | |
OK, any sugar? | 0:01:11 | 0:01:12 | |
-One sugar, darling, please. -One sugar, right. | 0:01:12 | 0:01:15 | |
This is auctioneer Paul Laidlaw and he's just a big boy at heart. | 0:01:15 | 0:01:21 | |
I've got to wave. | 0:01:21 | 0:01:22 | |
TRAIN WHISTLES | 0:01:23 | 0:01:26 | |
And he gets very excited when he finds that special something. | 0:01:26 | 0:01:30 | |
Mark has made some steady profits at auction. | 0:01:33 | 0:01:36 | |
But Paul is flying high with profit... | 0:01:38 | 0:01:41 | |
after profit... | 0:01:41 | 0:01:43 | |
after profit. | 0:01:43 | 0:01:44 | |
After four auctions, Mark has made progress, | 0:01:48 | 0:01:50 | |
but it's more pennies than pounds. | 0:01:50 | 0:01:53 | |
From his original £200, | 0:01:53 | 0:01:56 | |
he has a piffling £366.26 to splurge. | 0:01:56 | 0:02:00 | |
But the jubilant fourth-time winner, Paul Laidlaw, | 0:02:02 | 0:02:06 | |
is leaping ahead with a plentiful supply of riches. | 0:02:06 | 0:02:09 | |
From his original £200, he has a delicious £782.04. | 0:02:09 | 0:02:16 | |
It's true! | 0:02:16 | 0:02:18 | |
And the boys will be making their final road trip | 0:02:18 | 0:02:21 | |
in the Sunbeam Alpine GT. | 0:02:21 | 0:02:23 | |
Is there life after this week, Mark? How will I cope without you? | 0:02:25 | 0:02:28 | |
I'm not sure. I think I will try a go without you, Paul. | 0:02:28 | 0:02:32 | |
-You'll get morose, I'm telling you. -I will. | 0:02:32 | 0:02:35 | |
-You'll be like a Greyfriars Bobby. -I will. | 0:02:35 | 0:02:38 | |
Do you know? I'll waste away. | 0:02:38 | 0:02:41 | |
PAUL LAUGHS | 0:02:41 | 0:02:43 | |
Mark and Paul are journeying over 300 miles from Sabden, | 0:02:43 | 0:02:46 | |
in Lancashire, all the way south | 0:02:46 | 0:02:49 | |
to Bridgwater, in Somerset. | 0:02:49 | 0:02:50 | |
On today's show, first stop is the former seafaring city | 0:02:50 | 0:02:54 | |
of Bristol and they'll auction, in the Somerset town of Bridgwater. | 0:02:54 | 0:02:59 | |
Bristol is the birthplace of Archie Leach, | 0:03:01 | 0:03:03 | |
otherwise known as Hollywood darling Cary Grant. | 0:03:03 | 0:03:07 | |
-Paul, Paul Laidlaw. -Deary me, what have I done now? | 0:03:10 | 0:03:13 | |
-Well, it's what you're about to do. -What? -Shopping, isn't it? -Oh, yes. | 0:03:13 | 0:03:18 | |
I had you worried there for a minute. Yeah! | 0:03:18 | 0:03:21 | |
Paul is dropping Mark off in this fair city for a date with | 0:03:22 | 0:03:25 | |
an exceptional maritime landmark. | 0:03:25 | 0:03:28 | |
We'll catch up with Mark later. | 0:03:28 | 0:03:30 | |
-See you later! -Go away from my ship! | 0:03:30 | 0:03:33 | |
PAUL LAUGHS | 0:03:33 | 0:03:35 | |
But first, Paul is motoring 24 miles south | 0:03:35 | 0:03:39 | |
to Pylle, near Shepton Mallet, | 0:03:39 | 0:03:41 | |
to begin his shopping mission. | 0:03:41 | 0:03:43 | |
And Pylle Emporium And Gallery is Paul's first shop of the day. | 0:03:44 | 0:03:49 | |
-Hello. -Good morning. | 0:03:49 | 0:03:51 | |
-Are you Tony? -I am Tony. -I'm Paul, good to see you. | 0:03:51 | 0:03:54 | |
Paul has the stealth of a puma when hunting antiques. | 0:03:58 | 0:04:01 | |
Looks like he's found some possible prey. | 0:04:01 | 0:04:05 | |
Wristwatch. | 0:04:05 | 0:04:06 | |
Enamelled face, silver case. Why am I looking at it? | 0:04:06 | 0:04:10 | |
It's all pretty dull, isn't it? | 0:04:10 | 0:04:12 | |
Well... The label tells me that it is 1917. | 0:04:12 | 0:04:17 | |
These were favoured by and sold to... | 0:04:17 | 0:04:22 | |
..Army personnel serving in the trenches during the First World War. | 0:04:23 | 0:04:26 | |
And these have attracted over the last few years the term trench watch. | 0:04:26 | 0:04:33 | |
Asking price, £40. | 0:04:33 | 0:04:36 | |
But it's a good buy given that it's in running order. | 0:04:36 | 0:04:39 | |
And to be quite honest with you, on occasion, I wear such watches. | 0:04:39 | 0:04:42 | |
I think they are really super cool. | 0:04:42 | 0:04:45 | |
Never mind your big, blingy sports watches. | 0:04:45 | 0:04:48 | |
That is a gentleman's wristwatch. | 0:04:48 | 0:04:51 | |
What do you think? I love it! | 0:04:51 | 0:04:55 | |
And something else comes under the Laidlaw radar. | 0:04:56 | 0:04:59 | |
I'm looking at something that is way above average. | 0:05:04 | 0:05:08 | |
You have got a mahogany turned and carved column | 0:05:08 | 0:05:14 | |
of no mean quality | 0:05:14 | 0:05:18 | |
on four little cabriole legs, we'll call them. | 0:05:18 | 0:05:22 | |
But I am loving the fact that it purports to be a late | 0:05:22 | 0:05:28 | |
Victorian standard oil lamp converted to electricity who knows when, | 0:05:28 | 0:05:31 | |
whether it was done in 1910, 1920 or whether it was done recently, | 0:05:31 | 0:05:34 | |
I have no idea. I don't think it is a made-up piece. | 0:05:34 | 0:05:37 | |
The price tag is not offensive. | 0:05:37 | 0:05:39 | |
To be quite honest with you, if I were looking for it, at £95, | 0:05:39 | 0:05:42 | |
I wouldn't be quibbling. | 0:05:42 | 0:05:44 | |
So firstly, Paul asks Tony, the owner, for a price on the watch. | 0:05:45 | 0:05:50 | |
The best I could do would be 35. | 0:05:50 | 0:05:52 | |
And then a price for the lamp. | 0:05:52 | 0:05:54 | |
-Tony, that's it there, in the corner. -We could do it for 70. | 0:05:54 | 0:05:58 | |
-70, is it? -70 it is. -Nothing in the middle, no more? | 0:05:58 | 0:06:03 | |
You can squeeze me for five pounds more, that's all. | 0:06:03 | 0:06:06 | |
Well, if 65 is the best you can do on that, | 0:06:06 | 0:06:10 | |
-is 35 the best you can do on the watch? -Yes. | 0:06:10 | 0:06:13 | |
Not another fiver I can squeeze off that and sweeten the whole thing | 0:06:13 | 0:06:16 | |
and I'll buy two things? | 0:06:16 | 0:06:17 | |
I don't know. | 0:06:19 | 0:06:21 | |
Uh... Well, I'd like a sale, I suppose. | 0:06:21 | 0:06:24 | |
-Do you want to do it? -Yep. -Thank you very much. Good man, Tony. -OK. | 0:06:24 | 0:06:28 | |
Phew! That was a big tricky, Paul. But your perseverance paid off. | 0:06:28 | 0:06:33 | |
Excellent start to the day. | 0:06:33 | 0:06:35 | |
While Paul has been getting his sleeves rolled up shopping, Mark | 0:06:39 | 0:06:42 | |
is stepping aboard Bristol's nautical jewel, | 0:06:42 | 0:06:44 | |
the SS Great Britain. | 0:06:44 | 0:06:46 | |
This revolutionary ship was the brainchild of 19th century | 0:06:46 | 0:06:49 | |
engineering giant Isambard Kingdom Brunel. | 0:06:49 | 0:06:53 | |
At the time of her launch in 1843, | 0:06:55 | 0:06:58 | |
the SS Great Britain was the largest ship in the world. | 0:06:58 | 0:07:02 | |
She was the first screw-propelled, | 0:07:02 | 0:07:04 | |
ocean-going, iron-hulled, steam vessel. | 0:07:04 | 0:07:08 | |
She became the model of modern ocean liners. | 0:07:08 | 0:07:12 | |
With a capacity of 252 passengers and 130 crew, | 0:07:12 | 0:07:16 | |
she was full of innovation and marked the dawning | 0:07:16 | 0:07:19 | |
of international passenger travel and world communications. | 0:07:19 | 0:07:23 | |
Now a museum open to the public, | 0:07:23 | 0:07:27 | |
Mark is meeting with Matthew Tanner, | 0:07:27 | 0:07:29 | |
the director of the SS Great Britain. | 0:07:29 | 0:07:32 | |
Yes, the Great Britain is Brunel's masterpiece. | 0:07:32 | 0:07:35 | |
It is really the world's first great ocean steamship. | 0:07:35 | 0:07:38 | |
She's been called the great-great-great-grandmother | 0:07:38 | 0:07:40 | |
of virtually every ship afloat today. | 0:07:40 | 0:07:42 | |
This is the first big one. | 0:07:42 | 0:07:43 | |
She was by far the biggest thing ever built in 1843, | 0:07:43 | 0:07:46 | |
-and she was built in this very dock in Bristol. -Oh, wow! | 0:07:46 | 0:07:49 | |
-So, a really strong connection to Bristol? -Absolutely. | 0:07:49 | 0:07:51 | |
The dock was made to build the ship. | 0:07:51 | 0:07:54 | |
In 1852, the SS Great Britain set sail to Australia | 0:07:54 | 0:07:58 | |
for the first time, | 0:07:58 | 0:08:00 | |
carrying hundreds of immigrants and gold seekers. | 0:08:00 | 0:08:03 | |
With this great ship on the route to Melbourne from Liverpool, | 0:08:03 | 0:08:06 | |
you could get there in about 60 days. | 0:08:06 | 0:08:08 | |
-Which is very fast. -Very fast. | 0:08:08 | 0:08:10 | |
Sailing ships could take about 100 days. | 0:08:10 | 0:08:12 | |
And you were probably going to be alive when you got there, | 0:08:12 | 0:08:15 | |
-which is something we completely take for granted today. -Yes. | 0:08:15 | 0:08:19 | |
Accommodation was split into first, second and third class. | 0:08:19 | 0:08:23 | |
Matthew gives Mark a tour. | 0:08:23 | 0:08:25 | |
-This is the first class promenade deck from the 1840s. -Wow. | 0:08:27 | 0:08:31 | |
So, they would have socialized here? | 0:08:31 | 0:08:33 | |
Would they have played games, talked to each other? | 0:08:33 | 0:08:36 | |
It's one big central room with cabins off each side. | 0:08:36 | 0:08:39 | |
It is illuminated by these great skylights. | 0:08:39 | 0:08:41 | |
And the luggage would have been stacked here? | 0:08:41 | 0:08:43 | |
-Yes, a lot of luggage will be in the hold. -Right. | 0:08:43 | 0:08:46 | |
But you need some luggage on a day-to-day basis. | 0:08:46 | 0:08:48 | |
-Of course you do. -And cabins off each side. Come and have a look. | 0:08:48 | 0:08:54 | |
So, these are the first class cabins. | 0:08:54 | 0:08:57 | |
-Each cabin has two bunks in it. -They are very tight, Matthew. | 0:08:57 | 0:09:00 | |
That's partly so you don't fall out of them. You are wedged in tightly. | 0:09:00 | 0:09:04 | |
And often they would sleep on deck if it was hot. | 0:09:04 | 0:09:07 | |
This is a double cabin. | 0:09:07 | 0:09:09 | |
-Oh, so this is for a family. -That's right. | 0:09:09 | 0:09:11 | |
But that's actually quite nice, you have little seats you can sit | 0:09:11 | 0:09:15 | |
on and play with the children. | 0:09:15 | 0:09:16 | |
If you can manage the mal de mer, seasickness, of course. | 0:09:16 | 0:09:19 | |
Oh, yes, a major issue. | 0:09:19 | 0:09:21 | |
-Here's the bathroom. -Oh, wow. | 0:09:22 | 0:09:25 | |
-This is for the crew, is it? -This is for passengers. | 0:09:27 | 0:09:30 | |
Oh, this is for passengers?! | 0:09:30 | 0:09:31 | |
So, everyone from first class would use this one bath? | 0:09:31 | 0:09:35 | |
-That's right, but this is luxury. -It is luxury, I suppose, | 0:09:35 | 0:09:38 | |
at that time, wasn't it? | 0:09:38 | 0:09:39 | |
From the Spartan luxury of first-class, | 0:09:40 | 0:09:44 | |
what about the poor folks in third class? | 0:09:44 | 0:09:46 | |
-So, all life was here really? -That's right. | 0:09:48 | 0:09:51 | |
The diaries and letters of the passengers that sailed out | 0:09:51 | 0:09:54 | |
to Australia in this space are full | 0:09:54 | 0:09:56 | |
of the wonders of all the people around them, | 0:09:56 | 0:09:58 | |
but also the fighting and the flirting and the gambling. | 0:09:58 | 0:10:01 | |
And families would be packed in here, too. | 0:10:01 | 0:10:04 | |
We have some great diaries which actually sketch all of this area. | 0:10:04 | 0:10:07 | |
-Oh, really? -Who was in which bunk. | 0:10:07 | 0:10:08 | |
So a really good insight on how it was laid out. | 0:10:08 | 0:10:10 | |
We re-created this space precisely according to that. | 0:10:10 | 0:10:13 | |
Fantastic, isn't it? | 0:10:13 | 0:10:15 | |
Sadly, we must leave Mark and the world of ocean liners. | 0:10:16 | 0:10:20 | |
And now, what's that Paul Laidlaw up to? | 0:10:20 | 0:10:23 | |
Well, he is travelling from Pylle | 0:10:24 | 0:10:27 | |
to Somerton, for his next shopping expedition. | 0:10:27 | 0:10:31 | |
Man, what an adventure! So, yeah, look, all positive. | 0:10:31 | 0:10:35 | |
We'll see what we can pull out of the hat this time, yeah? | 0:10:35 | 0:10:38 | |
And it is a glorious day of sunshine as Paul arrives. | 0:10:38 | 0:10:43 | |
After a scat about, he's found something he rather fancies. | 0:10:45 | 0:10:49 | |
As far as I'm concerned, that is an early 19th century, | 0:10:49 | 0:10:55 | |
I hope silver, that remains to be seen, | 0:10:55 | 0:10:58 | |
cream jug. The form is termed a helmet form. | 0:10:58 | 0:11:03 | |
And you're thinking to yourself, it doesn't look like a tin hat. | 0:11:03 | 0:11:06 | |
But if you picture it like that, it bears a resemblance to | 0:11:06 | 0:11:10 | |
certainly cavalry helmets that were worn | 0:11:10 | 0:11:14 | |
in the early 19th century. This is 1820, 1830. | 0:11:14 | 0:11:18 | |
-Andrew, do we know who owns this? -Yeah, I can deal with that. -Can you? | 0:11:18 | 0:11:23 | |
-Yeah. -Well, | 0:11:23 | 0:11:24 | |
-it's priced at £36. -Mm-hm. -Um... | 0:11:24 | 0:11:29 | |
-Does it have to be £36? -No. | 0:11:29 | 0:11:32 | |
I can do you a good bit of trade on that. How does 25 sound? | 0:11:32 | 0:11:36 | |
No point in beating around the bush with a price like that. | 0:11:36 | 0:11:38 | |
-It's a deal, man. -You've got a deal. Thank you. | 0:11:38 | 0:11:41 | |
And again, he is never content with finding one thing. | 0:11:41 | 0:11:44 | |
The search for the next goodie continues. | 0:11:45 | 0:11:48 | |
That is a handsome piece of wood. | 0:11:48 | 0:11:51 | |
It is a press. | 0:11:53 | 0:11:54 | |
Books, certainly an option, but I daresay | 0:11:54 | 0:11:58 | |
it could also have been used in a domestic setting | 0:11:58 | 0:12:01 | |
for pressing textiles. | 0:12:01 | 0:12:02 | |
That's George III. That is 200 year old if it is a day. | 0:12:02 | 0:12:07 | |
The density of the timber, the richness of that colour | 0:12:08 | 0:12:11 | |
and the workmanship, | 0:12:11 | 0:12:12 | |
and then this hand-cut thread here. | 0:12:12 | 0:12:15 | |
Andrew comes over for Paul's second stab at negotiation. | 0:12:15 | 0:12:19 | |
-Go on then, what are you trying? -I'm trying to get that slaughtered. | 0:12:19 | 0:12:22 | |
-I want that for ten or 20 quid. -Ten or 20 quid? | 0:12:22 | 0:12:25 | |
Crikey, he doesn't mince his words, does he? | 0:12:25 | 0:12:28 | |
I can do that for 30 quid. | 0:12:28 | 0:12:30 | |
£30, sweet as a nut. Thanks, Andrew. Excellent. | 0:12:30 | 0:12:33 | |
Paul's on top form today. That is four for the swag bag. | 0:12:34 | 0:12:39 | |
Meanwhile, Mark is still in sunny Bristol | 0:12:40 | 0:12:43 | |
and he has found an antique shop to have a forage in. | 0:12:43 | 0:12:46 | |
Well, well, well. | 0:12:46 | 0:12:48 | |
This shop is so crammed with antiques there is barely enough room | 0:12:51 | 0:12:53 | |
to swing a cat. Meow. | 0:12:53 | 0:12:56 | |
Michael, what are those in the cabinet over there? | 0:12:57 | 0:12:59 | |
-Are they polar bears? -They are polar bears. | 0:12:59 | 0:13:02 | |
And they are from the days of the showgrounds from the 40s, 50s. | 0:13:02 | 0:13:06 | |
They were given as prizes. | 0:13:06 | 0:13:08 | |
But you had to win a lot of prizes to get one of those. | 0:13:08 | 0:13:11 | |
I don't ever remember, and I worked on the shows, ever one being given. | 0:13:11 | 0:13:15 | |
Gosh, it is rather tricky to see those polar bears. | 0:13:15 | 0:13:19 | |
I'd love you to get them out and show me. | 0:13:19 | 0:13:22 | |
Oh, well done, Mark. | 0:13:22 | 0:13:23 | |
But I'm going to go outside because I can't look. | 0:13:23 | 0:13:26 | |
-All right? -If you hear a crash... | 0:13:26 | 0:13:29 | |
Can I say, it's been nice knowing you. | 0:13:29 | 0:13:31 | |
Couldn't you have picked something that was easy to get to, Mark? | 0:13:41 | 0:13:45 | |
BREAKING GLASS | 0:13:45 | 0:13:47 | |
Oops! | 0:13:47 | 0:13:48 | |
HE LAUGHS | 0:13:48 | 0:13:50 | |
I'm going to have to go in and have a look, see how he is getting on. | 0:13:55 | 0:13:58 | |
-The price has gone up now. -Oh, no! Don't say that. | 0:14:00 | 0:14:03 | |
Where is it? Oh, what a weird thing. | 0:14:03 | 0:14:06 | |
If you lift the glass out, you slide the glass out, | 0:14:06 | 0:14:09 | |
you fill it with... It's the correct one. | 0:14:09 | 0:14:11 | |
-Oh, yes, that's always been in there, hasn't it? -Yes. | 0:14:11 | 0:14:15 | |
God, what an amazing item. | 0:14:15 | 0:14:17 | |
Well, you can imagine it with the fish in that, floating. | 0:14:17 | 0:14:19 | |
Little goldfish in there. | 0:14:19 | 0:14:21 | |
That's right. And this little... | 0:14:21 | 0:14:24 | |
I mean, you've got a family group. | 0:14:24 | 0:14:26 | |
She's sitting rather aloof, the mother, upstairs. | 0:14:26 | 0:14:28 | |
It is always a mother with the cubs. | 0:14:28 | 0:14:30 | |
And then he is climbing up to see her | 0:14:30 | 0:14:32 | |
and this one is looking down at the goldfish swimming in it. | 0:14:32 | 0:14:37 | |
Oh, Michael, I think that's amazing, you know? | 0:14:38 | 0:14:41 | |
What a cracker! What else does Michael have to offer? | 0:14:41 | 0:14:45 | |
So, what have we got here? | 0:14:45 | 0:14:48 | |
I'm not going to open it cos it's unlucky to open an umbrella inside. | 0:14:49 | 0:14:52 | |
Or a parasol. | 0:14:52 | 0:14:54 | |
Cos this must be a lady's version. | 0:14:54 | 0:14:56 | |
The Edwardian lady loved a decorative parasol and it was | 0:14:56 | 0:15:01 | |
the ultimate accessory when taking a stroll along the promenade. | 0:15:01 | 0:15:05 | |
I am convinced it is a swan. | 0:15:05 | 0:15:07 | |
And you've got the little bill there, as well, | 0:15:07 | 0:15:09 | |
which is has got the little marks on it. | 0:15:09 | 0:15:12 | |
Nicely chased. | 0:15:12 | 0:15:13 | |
I love the way the little eyebrow's in there, as well. | 0:15:13 | 0:15:16 | |
And then when we come to the side, we see a nice clear mark for London. | 0:15:16 | 0:15:20 | |
I'm guessing, Mike, I don't know the dates off the top of my head, | 0:15:20 | 0:15:23 | |
1905, 1908. | 0:15:23 | 0:15:25 | |
Now, what about a deal for the two items? | 0:15:25 | 0:15:28 | |
The starting price for the polar bears was £165 | 0:15:28 | 0:15:33 | |
and for the parasol £160. | 0:15:33 | 0:15:35 | |
Seeing as you have had such a hard day or week, | 0:15:35 | 0:15:39 | |
we are going to make it a little bit easier for you. | 0:15:39 | 0:15:41 | |
-Do I need to sit down? -I don't want to see you crying on the television. | 0:15:41 | 0:15:44 | |
You are a handsome man, | 0:15:44 | 0:15:45 | |
you don't want to be crying all over the place. | 0:15:45 | 0:15:47 | |
What I will do then, I'm going to sell you that for 85 | 0:15:47 | 0:15:50 | |
and I am going to sell you this for 80. | 0:15:50 | 0:15:53 | |
It's 150 for the two. | 0:15:53 | 0:15:55 | |
-150 for the two? -I should think that would... You knew that I knew that. | 0:15:55 | 0:16:01 | |
Cor! No hesitation there! | 0:16:01 | 0:16:03 | |
Mark sure knows a good deal when he sees one. | 0:16:03 | 0:16:06 | |
As the end of the day approaches, | 0:16:08 | 0:16:10 | |
it's time for the boys to have a much deserved rest. | 0:16:10 | 0:16:13 | |
Nighty-night. | 0:16:13 | 0:16:16 | |
A fresh new day and the boys are sad that their road trip | 0:16:18 | 0:16:21 | |
adventure is nearly over. | 0:16:21 | 0:16:24 | |
It might be many a moon till I'm next in a classic car | 0:16:24 | 0:16:27 | |
-having as much fun as this... -Oh! -..with a buddy like you. -Oh! | 0:16:27 | 0:16:32 | |
Oh, please, where is the bucket? | 0:16:32 | 0:16:34 | |
PAUL LAUGHS | 0:16:34 | 0:16:37 | |
I think that is what I wrote down. | 0:16:37 | 0:16:39 | |
So far, Mark has spent £150 on two lots - | 0:16:39 | 0:16:44 | |
the polar bear fishbowl and the swan-headed parasol, | 0:16:44 | 0:16:48 | |
leaving a sum of £216.26 for the day ahead. | 0:16:48 | 0:16:53 | |
And Paul has spent £150 on four lots - the trench watch, | 0:16:54 | 0:16:59 | |
the standard lamp, the hopefully silver jug | 0:16:59 | 0:17:03 | |
and the mahogany press. | 0:17:03 | 0:17:04 | |
He's still got lots to spend though, with £632.04 to play with. | 0:17:04 | 0:17:10 | |
The boys are making their way to glorious Glastonbury. | 0:17:13 | 0:17:16 | |
Did you know that the renowned Glastonbury Festival actually | 0:17:18 | 0:17:22 | |
takes place in the village of Pilton, over six miles away? | 0:17:22 | 0:17:26 | |
Paul is dropping Mark off at their first shop of the day. | 0:17:29 | 0:17:32 | |
The beauty of searching for antiques is that you never know | 0:17:35 | 0:17:38 | |
what you might come across. | 0:17:38 | 0:17:40 | |
And Mark has certainly found something very unusual. | 0:17:40 | 0:17:43 | |
I think what we've got here is part of a Victorian carriage. | 0:17:43 | 0:17:46 | |
Because these wheels are obviously joined by this axle. | 0:17:46 | 0:17:49 | |
And I...you don't often see them joined like this. | 0:17:51 | 0:17:54 | |
Um... But I think, in the hands of the right person, | 0:17:54 | 0:17:58 | |
these would make a fantastic garden seat. | 0:17:58 | 0:18:01 | |
The ticket price on the carriage wheels is £175. | 0:18:01 | 0:18:05 | |
Mark finds owner James for a bout of negotiation. | 0:18:05 | 0:18:10 | |
I need to get them lower than that. Now, what about 70? | 0:18:10 | 0:18:14 | |
We can't do 70. | 0:18:14 | 0:18:16 | |
We can toss a coin between 80 and 85. | 0:18:19 | 0:18:21 | |
-OK then. Do I call or do you? -No, you call in the air. -OK. | 0:18:23 | 0:18:27 | |
-Tails. Ah! -It is tails. | 0:18:27 | 0:18:31 | |
-Are you sure? Are you happy with that? -That's fine, absolutely. | 0:18:31 | 0:18:34 | |
£80, thank you. | 0:18:34 | 0:18:36 | |
Great gamble, Mark, but will they be lucky for you at auction? | 0:18:36 | 0:18:40 | |
Paul has travelled 18 miles away to Blackford, near Wedmore. | 0:18:42 | 0:18:47 | |
With an already bulging collection of antiques, | 0:18:47 | 0:18:51 | |
he is happy to try and add some more. | 0:18:51 | 0:18:54 | |
Lemon Tree Antiques is owned by the quick-witted Les. | 0:18:54 | 0:19:00 | |
There's no messing about with hawk-eye Laidlaw, though, | 0:19:00 | 0:19:03 | |
he's straight in there. | 0:19:03 | 0:19:05 | |
I adore Georgian wine glasses. | 0:19:05 | 0:19:08 | |
There's great interest in such. | 0:19:08 | 0:19:09 | |
But interest falls off rapidly when we get into the 19th century. | 0:19:09 | 0:19:14 | |
Check this out. | 0:19:14 | 0:19:16 | |
What a colour! | 0:19:22 | 0:19:25 | |
Price tag, £55. | 0:19:27 | 0:19:30 | |
That is a lot of money for one wine glass, yeah? | 0:19:32 | 0:19:35 | |
But it's a gift for eight! | 0:19:35 | 0:19:38 | |
I think he likes them! | 0:19:38 | 0:19:40 | |
Check this out. If these are all good condition-wise, | 0:19:40 | 0:19:43 | |
I'm loving this. | 0:19:43 | 0:19:45 | |
Paul finds Les to talk money. | 0:19:45 | 0:19:48 | |
So, you said I can retire, sir, after this deal. | 0:19:49 | 0:19:52 | |
PAUL LAUGHS | 0:19:52 | 0:19:55 | |
They were in there. Eight wine glasses. | 0:19:55 | 0:19:58 | |
-One has got a chip and one has had a chip that has been ground out. -Yeah. | 0:19:58 | 0:20:03 | |
There are up at 55, which I don't think is expensive. | 0:20:03 | 0:20:05 | |
Oh, she forgot the one in the front! | 0:20:05 | 0:20:07 | |
Oh! You can't get the staff, can you? | 0:20:07 | 0:20:10 | |
-Oh, dear. 48 quid. -It's a deal. -Done. | 0:20:10 | 0:20:14 | |
You're not a difficult man to do business with. | 0:20:14 | 0:20:16 | |
Well, Paul is certainly delighted with that buy. | 0:20:17 | 0:20:20 | |
Meanwhile, Mark has travelled from Glastonbury to Somerton. | 0:20:21 | 0:20:26 | |
Ah, Paul visited this shop yesterday, | 0:20:27 | 0:20:30 | |
but has he left anything for Mark? | 0:20:30 | 0:20:32 | |
Oh, now that's quite interesting. | 0:20:32 | 0:20:35 | |
Copper, of course. | 0:20:41 | 0:20:42 | |
A little tray, I suppose it is, for the hallway or something like that. | 0:20:42 | 0:20:46 | |
Maybe for handing out... | 0:20:46 | 0:20:48 | |
Your maid would come in with a calling card on a tray. | 0:20:48 | 0:20:52 | |
But you can see instantly by this hand-beaten designed | 0:20:52 | 0:20:55 | |
and this sort of hand-scalloped edge that it is going to be | 0:20:55 | 0:20:58 | |
from the Arts And Crafts period. | 0:20:58 | 0:21:01 | |
So maybe 1880 to 1900, 1905. | 0:21:01 | 0:21:05 | |
And Mark finds Andrew to start negotiation. | 0:21:05 | 0:21:09 | |
-Make me an offer. -I need to get it for about 20 quid. | 0:21:09 | 0:21:12 | |
-Yeah, I can do that for you. -20 quid? -Yeah, go on then. | 0:21:12 | 0:21:16 | |
Thank you. | 0:21:16 | 0:21:18 | |
Not bad for £20, Mark. | 0:21:18 | 0:21:20 | |
Let's catch up with Paul now. | 0:21:20 | 0:21:22 | |
He has travelled 15 miles to Weston-super-Mare | 0:21:22 | 0:21:27 | |
for an action-packed adventure. | 0:21:27 | 0:21:29 | |
Paul's in for a great treat today. | 0:21:30 | 0:21:32 | |
He is visiting the world's largest helicopter museum. | 0:21:32 | 0:21:36 | |
From the mid-1930s, helicopters were recognised as an important | 0:21:38 | 0:21:42 | |
addition to the world of aviation | 0:21:42 | 0:21:44 | |
because of their unique takeoff and landing. | 0:21:44 | 0:21:47 | |
The Helicopter Museum has over 80 helicopters from a small | 0:21:49 | 0:21:52 | |
collection started by Elfan ap Rees in 1958. | 0:21:52 | 0:21:56 | |
The museum has grown and grown and grown. | 0:21:58 | 0:22:01 | |
An excited Paul is meeting with Elfan to find out more. | 0:22:04 | 0:22:07 | |
A lot of the aircraft here you won't see anywhere else | 0:22:07 | 0:22:11 | |
anywhere in the world. | 0:22:11 | 0:22:12 | |
And you certainly won't see them anywhere else in the UK. | 0:22:12 | 0:22:16 | |
My word! Well then, what are you going to show me? | 0:22:16 | 0:22:19 | |
Well, we'll start off with the very first helicopter I flew in, | 0:22:19 | 0:22:22 | |
-which was the beginning of the collection. -And it's here? | 0:22:22 | 0:22:24 | |
It's here. | 0:22:24 | 0:22:26 | |
This is a 1951 Bristol Sycamore helicopter, | 0:22:26 | 0:22:30 | |
which actually took part in the Dutch floods disaster in 1953 | 0:22:30 | 0:22:35 | |
and was the first helicopter I flew in the early 1960s. | 0:22:35 | 0:22:39 | |
-Wooden rotor blades in those days. -Right. | 0:22:39 | 0:22:42 | |
Good old-fashioned piston engine. | 0:22:42 | 0:22:44 | |
And this one has quite a nice leather interior | 0:22:44 | 0:22:47 | |
because Bristol Airplane Company also owned Bristol Cars, of course. | 0:22:47 | 0:22:50 | |
Yeah, very smart. | 0:22:50 | 0:22:52 | |
Amongst the collection is a real world record breaker. | 0:22:55 | 0:22:59 | |
This is the world's fastest helicopter - | 0:22:59 | 0:23:01 | |
1986, still holds the world's speed record today. | 0:23:01 | 0:23:06 | |
And it was done not far from here, near Glastonbury, | 0:23:06 | 0:23:10 | |
on the Somerset Levels. | 0:23:10 | 0:23:12 | |
Nobody else has been able to do it since. | 0:23:12 | 0:23:15 | |
What an achievement, huh? An impressive achievement. | 0:23:15 | 0:23:18 | |
-Yes, absolutely. -Wow! So, how fast is the record? | 0:23:18 | 0:23:22 | |
249.09 miles per hour. | 0:23:22 | 0:23:25 | |
And to complete the tour, | 0:23:26 | 0:23:29 | |
Elfan has acquired a pair of rather unique and very rare helicopters. | 0:23:29 | 0:23:33 | |
-This is it? -Yeah. | 0:23:33 | 0:23:35 | |
That looks like a big workhorse, a big beast of a thing. | 0:23:35 | 0:23:40 | |
Yes, it is quite a big machine. | 0:23:40 | 0:23:41 | |
It is one of the Queen's flight helicopters what we have here. | 0:23:41 | 0:23:45 | |
This is the older one of the two. | 0:23:45 | 0:23:48 | |
Interestingly, the Queen was never allowed to fly in this one | 0:23:48 | 0:23:51 | |
because it only had one engine. | 0:23:51 | 0:23:53 | |
So she could only fly in an aircraft that had two engines. | 0:23:53 | 0:23:56 | |
This is the Wessex helicopter. | 0:23:56 | 0:24:00 | |
And when she visited this museum in 2007, | 0:24:00 | 0:24:03 | |
she called it her old washing machine. | 0:24:03 | 0:24:05 | |
THEY LAUGH | 0:24:05 | 0:24:07 | |
-That's crazy stuff. -So, she obviously had an affection for it. | 0:24:07 | 0:24:11 | |
-Elfan, you've been magic. Thanks very much. -A pleasure. | 0:24:11 | 0:24:16 | |
While Paul's been getting all boys and their toys, | 0:24:19 | 0:24:24 | |
it's Mark's turn to visit Lemon Tree Antiques and Blackford. | 0:24:24 | 0:24:28 | |
Mark is under pressure and needs a little help from Les. | 0:24:28 | 0:24:32 | |
I would hate to go home empty-handed. | 0:24:32 | 0:24:34 | |
You're not going home empty-handed. You'll buy something, | 0:24:34 | 0:24:36 | |
-I'll make sure of that. -You are terrible. -Yeah, I know. | 0:24:36 | 0:24:39 | |
-Don't look at them. -No, don't look at those. OK, fine. | 0:24:39 | 0:24:42 | |
Magpie Mark finds a sparkly little gem. | 0:24:42 | 0:24:46 | |
It is a pretty little Victorian brooch, | 0:24:46 | 0:24:48 | |
and they've got a safety chain on it. | 0:24:48 | 0:24:49 | |
Yeah, it's no money, a tenner say. | 0:24:49 | 0:24:52 | |
Pretty enough thing, but... | 0:24:52 | 0:24:53 | |
-It looks gold to me, but we can't find a mark. -Mm. | 0:24:55 | 0:24:59 | |
Looks like Les is keen to sell. | 0:24:59 | 0:25:02 | |
Keep the door locked, Mo, keep the door locked! | 0:25:02 | 0:25:04 | |
Quite right. He really does want Mark to buy, it's a lock-in. | 0:25:04 | 0:25:09 | |
Just to sweeten the deal, I will give you that, as well. | 0:25:09 | 0:25:14 | |
I told everybody in creation, "You'll get no freebies here," | 0:25:14 | 0:25:19 | |
and here I am doling it out to you. | 0:25:19 | 0:25:22 | |
Ha, ha! | 0:25:22 | 0:25:23 | |
This snooker marker board would have been used to keep | 0:25:23 | 0:25:26 | |
score during the game. | 0:25:26 | 0:25:28 | |
And he has found something else. | 0:25:28 | 0:25:31 | |
That was an etui or something originally. | 0:25:31 | 0:25:33 | |
-I would think so. -An etui case. | 0:25:33 | 0:25:36 | |
Victorian ladies would carry an etui, | 0:25:36 | 0:25:39 | |
which would hold small items like scissors and tweezers. | 0:25:39 | 0:25:42 | |
-I would say it is a period one. -1850s, '60s? -Yeah. | 0:25:42 | 0:25:47 | |
-It is a nice shape. -Yeah. -The shagreen is in good condition. | 0:25:47 | 0:25:51 | |
-It is. -Nice greeny colour. -You can have that. | 0:25:51 | 0:25:54 | |
-Now, you picked that up in a job lot. -I did not. | 0:25:54 | 0:25:58 | |
-Tell me you picked that up... -How much have I got on it? -40 quid. | 0:25:58 | 0:26:01 | |
My memory ain't bad, is it? | 0:26:01 | 0:26:03 | |
-You said you had 116 quid? -That's all I've got. | 0:26:03 | 0:26:05 | |
Give us your money and you got the two pieces. | 0:26:05 | 0:26:07 | |
And the snooker board and the brooch. | 0:26:07 | 0:26:09 | |
-Now, don't take the mickey, man. -Come on, shake my hand. | 0:26:09 | 0:26:12 | |
Shake my hand. Yes! Done. | 0:26:12 | 0:26:15 | |
What just happened there? I don't know. | 0:26:18 | 0:26:22 | |
But I am quite excited, I think. | 0:26:22 | 0:26:24 | |
I think. | 0:26:24 | 0:26:26 | |
It's time for the boys to show one another their goodies. Standby. | 0:26:26 | 0:26:31 | |
-It's a real mixed bag, Paul. -God, it is! | 0:26:31 | 0:26:34 | |
Wow! I love that! | 0:26:34 | 0:26:36 | |
I thought you would hate it! | 0:26:36 | 0:26:39 | |
I mean, imagine, this is chalk. How many of them will survive? | 0:26:39 | 0:26:42 | |
That is one of the best things I've seen in years. | 0:26:42 | 0:26:44 | |
I'm never seen anything like it in my life. | 0:26:44 | 0:26:46 | |
And I was just torn to this little bear here. | 0:26:46 | 0:26:49 | |
He is looking at the goldfish as they are swimming around here. | 0:26:49 | 0:26:53 | |
-You know? -I've got to ask the question, | 0:26:53 | 0:26:55 | |
what did you pay for that? | 0:26:55 | 0:26:56 | |
-Quite a lot of money. -You didn't, did you? -I did. | 0:26:56 | 0:26:58 | |
-What did you pay for that? -£75. -I think that's fantastic. -I love it. | 0:26:58 | 0:27:03 | |
I'd love that. I'd love that! | 0:27:03 | 0:27:05 | |
And I think I might like more of what you've bought. | 0:27:05 | 0:27:08 | |
Uh...OK. | 0:27:12 | 0:27:16 | |
You could be lucky with that. | 0:27:16 | 0:27:17 | |
Some farmer could give you good money for that. | 0:27:17 | 0:27:19 | |
Do you know what I would do with it? I'd make it into a garden seat. | 0:27:19 | 0:27:22 | |
-Yeah, I hear you. -And I just thought it was a really wacky item. -It is! | 0:27:22 | 0:27:27 | |
Do you want to know what I paid for it? | 0:27:27 | 0:27:29 | |
-All right, what did you pay for it? Tenner? -No, 80 quid. | 0:27:29 | 0:27:33 | |
-Are you weighing me up? -No, 80 quid. | 0:27:35 | 0:27:38 | |
Moving swiftly on. | 0:27:38 | 0:27:40 | |
-I've got to have a look at this. -I love it, Paul. I absolutely love it. | 0:27:40 | 0:27:44 | |
Partridge wood and assayed... palm wood and assayed silver. | 0:27:44 | 0:27:50 | |
-That's delicious! -The quality, I thought, was there. | 0:27:50 | 0:27:54 | |
I know they are not as popular as waking canes. | 0:27:54 | 0:27:56 | |
75 quid I paid for that. | 0:27:56 | 0:27:58 | |
What's that worth, 120, 160? | 0:27:58 | 0:28:01 | |
I hope so. I hope so. | 0:28:01 | 0:28:03 | |
-What did you pay for this? -My entire budget, £367.26. | 0:28:03 | 0:28:08 | |
-I would take it all. -Every penny. | 0:28:08 | 0:28:10 | |
-Show me yours. -Be nice to me. -I will. | 0:28:10 | 0:28:13 | |
That'll be the day. | 0:28:13 | 0:28:14 | |
-Wow. -OK. | 0:28:14 | 0:28:17 | |
-Well, I never. -What do you think of my wines? | 0:28:17 | 0:28:21 | |
-I love the colour. -Try a glass, though. Look at work. | 0:28:21 | 0:28:24 | |
I absolutely love the colour. | 0:28:24 | 0:28:26 | |
-All the stems.. -They're wonderful. -And to get that number... | 0:28:26 | 0:28:30 | |
Such a sexy blue. | 0:28:30 | 0:28:33 | |
-Cheap? -48 quid. | 0:28:33 | 0:28:36 | |
-They've got to be worth that. -Good. | 0:28:36 | 0:28:38 | |
Now, I want to see what this is. | 0:28:38 | 0:28:40 | |
You might think this is dreary, to be honest with you. | 0:28:40 | 0:28:43 | |
Wow. | 0:28:44 | 0:28:46 | |
-I like it. -Yeah, I know. It's very stylish. | 0:28:47 | 0:28:50 | |
Good to go, interior decorator's piece, | 0:28:50 | 0:28:53 | |
but good for the end user as well - | 0:28:53 | 0:28:55 | |
just pick your shade. Good thing. | 0:28:55 | 0:28:57 | |
-Very, very attractive. -I hope. -So, how much did you spend? -188 quid. | 0:28:57 | 0:29:02 | |
OK. Right. | 0:29:04 | 0:29:06 | |
So I spent my entire budget and you spent a quarter of yours. | 0:29:06 | 0:29:10 | |
Yeah. | 0:29:10 | 0:29:12 | |
Well, I think we can shake hands on the winner now, Paul. | 0:29:12 | 0:29:15 | |
You know, I've got a slight tear. You know. | 0:29:17 | 0:29:21 | |
But come on, boys, what do you really think? | 0:29:21 | 0:29:25 | |
All in all... | 0:29:25 | 0:29:26 | |
..I'm a little disappointed, really, | 0:29:27 | 0:29:29 | |
that Paul couldn't spend a bit more money. | 0:29:29 | 0:29:31 | |
The bears, I think that's a magic lot. I think it is a magical lot. | 0:29:31 | 0:29:35 | |
It's lovely. | 0:29:35 | 0:29:37 | |
And I think a decent price was paid. Good work. | 0:29:37 | 0:29:40 | |
Let's hit the road and head to auction for the last time. | 0:29:40 | 0:29:43 | |
It has been an exhilarating finale | 0:29:43 | 0:29:46 | |
with the boys battling it out from Bristol, Pylle, | 0:29:46 | 0:29:49 | |
Somerton, Glastonbury, Blackford, Western-super-Mare, | 0:29:49 | 0:29:53 | |
and finally the Somerset town of Bridgwater. | 0:29:53 | 0:29:56 | |
Now, Bridgwater is a splendid, ancient town. It's mentioned in | 0:29:58 | 0:30:03 | |
the Anglo-Saxon Chronicle, dating from around 800 AD | 0:30:03 | 0:30:07 | |
Look at us, an old married couple, 20 years later. | 0:30:08 | 0:30:12 | |
"You know, I can't stand the way you drink your soup." | 0:30:12 | 0:30:15 | |
Come here. | 0:30:15 | 0:30:17 | |
He-he. Tamlyns at Bridgwater have been established | 0:30:19 | 0:30:22 | |
from the late 19th century. | 0:30:22 | 0:30:24 | |
Taking to the rostrum today is auctioneer Claire Rawle. | 0:30:24 | 0:30:27 | |
What does she think about the boy's lots? | 0:30:27 | 0:30:31 | |
The carriage wheel is great. | 0:30:31 | 0:30:34 | |
Difficult to say how they are going to go. | 0:30:34 | 0:30:36 | |
The book press also could be a bit tricky, | 0:30:36 | 0:30:38 | |
mainly because it's big and people don't know what to do with them. | 0:30:38 | 0:30:41 | |
Mark Stacey started today with £366.26 | 0:30:41 | 0:30:46 | |
and spent every penny on six auction lots. | 0:30:46 | 0:30:50 | |
Great. | 0:30:50 | 0:30:52 | |
Paul Laidlaw began with £782.04 | 0:30:53 | 0:30:57 | |
and spent £198 on five lots. | 0:30:57 | 0:31:01 | |
For this week's final auction, | 0:31:01 | 0:31:03 | |
we will also be accompanied by an audience on the World Wide Web. | 0:31:03 | 0:31:08 | |
At 28... | 0:31:08 | 0:31:09 | |
First up, it's Paul's little cream jug. | 0:31:09 | 0:31:12 | |
Although it doesn't have a hallmark, it's tested positive for silver. | 0:31:12 | 0:31:16 | |
£20 anywhere for it? 20 straight in. It weighs four ounces. £20? | 0:31:16 | 0:31:20 | |
Thank you, 20 on the net. | 0:31:20 | 0:31:21 | |
Only the internet's bidding. | 0:31:21 | 0:31:23 | |
Do I see two anywhere? Bid's at 20. At 20. | 0:31:23 | 0:31:25 | |
-22. 25. 28. -It's going up online, Paul. | 0:31:25 | 0:31:28 | |
But there is no-one in the room that would buy | 0:31:28 | 0:31:31 | |
a little Georgian silver cream jug? | 0:31:31 | 0:31:32 | |
At £35, it's a net bid, you're all done in the room. | 0:31:32 | 0:31:35 | |
-You are joking! -At £35 then. All done... At 38. | 0:31:35 | 0:31:38 | |
At 38. Now 40. At £38 on the net. Want to come back again? | 0:31:38 | 0:31:42 | |
My other bidder. At 38 it is then. | 0:31:42 | 0:31:45 | |
You all done? Selling to the net then at £38. | 0:31:45 | 0:31:49 | |
It's a wee profit. | 0:31:49 | 0:31:50 | |
It's a profit, but I think you wanted more than that, didn't you? | 0:31:50 | 0:31:53 | |
Of course he did, Mark! He's not usually a stranger to profits. | 0:31:53 | 0:31:58 | |
Next, it is Mark's combined lot of the swan-headed parasol | 0:32:00 | 0:32:03 | |
and the brooch. | 0:32:03 | 0:32:05 | |
55 on the internet. | 0:32:05 | 0:32:06 | |
That's a good start. At 55. At 55. | 0:32:06 | 0:32:08 | |
Now 60 anywhere? At 60. 60 in the room. | 0:32:08 | 0:32:11 | |
At £60. Now five? At £60. 70 on the internet. | 0:32:11 | 0:32:16 | |
75 in the room. At 75. | 0:32:16 | 0:32:18 | |
Internet is waking up now. 75 I've got in the room. | 0:32:18 | 0:32:20 | |
At 75. 80. | 0:32:20 | 0:32:22 | |
85. At 85. | 0:32:22 | 0:32:23 | |
Now 90 if you want it out there. | 0:32:23 | 0:32:25 | |
At 85. 90. 95 in the room. At 95. | 0:32:25 | 0:32:28 | |
Now 100. 95 I've got in the room. | 0:32:28 | 0:32:30 | |
At 95. 100, thank you. | 0:32:30 | 0:32:32 | |
-110. -Good. -It's creeping up. -Yeah. Could be good one, this. | 0:32:32 | 0:32:36 | |
One of you is going to have to be patient. 120. 130 in the room. | 0:32:36 | 0:32:38 | |
140 on the net. At 140. 150. | 0:32:38 | 0:32:41 | |
At 150. Now 160. | 0:32:41 | 0:32:43 | |
150. 160. 170 in the room. | 0:32:43 | 0:32:45 | |
At 170. Now 180. 180. | 0:32:45 | 0:32:48 | |
-190. -This is it. -200. | 0:32:48 | 0:32:51 | |
Your swan is in flight. | 0:32:51 | 0:32:54 | |
At 220 in the room. 250. | 0:32:54 | 0:32:56 | |
-Oh, 250! -280. At 280. | 0:32:56 | 0:32:59 | |
-280! -Jesu...! | 0:32:59 | 0:33:01 | |
At 280. Fill it up to 300 out there. | 0:33:01 | 0:33:04 | |
Yes, go on, fill it up. | 0:33:04 | 0:33:05 | |
Fill it up to 300. | 0:33:05 | 0:33:07 | |
Now 300! Don't drop out now, fill it up to 300. | 0:33:07 | 0:33:10 | |
Yeah, fill it up to 300! I like that expression. | 0:33:10 | 0:33:12 | |
At £280 then, you all done out there at 280... | 0:33:12 | 0:33:15 | |
Congratulations, Mark! | 0:33:17 | 0:33:19 | |
That is your highest profit this week. Well done. | 0:33:19 | 0:33:23 | |
I am very pleased with that, actually. | 0:33:23 | 0:33:26 | |
I'm coming back, Paul. I'm coming back. | 0:33:26 | 0:33:30 | |
Heaven help us! | 0:33:30 | 0:33:31 | |
Can Mark keep the profits high with his dainty etui case? | 0:33:31 | 0:33:37 | |
£50 to get it going, please, anywhere. 50? | 0:33:37 | 0:33:39 | |
50? Well, start me away. | 0:33:39 | 0:33:41 | |
-£20 then. -It's for nothing. 20. Two. Five. | 0:33:42 | 0:33:46 | |
Eight. 30. | 0:33:46 | 0:33:48 | |
Two. Five. Eight. 40. | 0:33:48 | 0:33:51 | |
Two. Five. Eight. 50. | 0:33:51 | 0:33:54 | |
Five. 60. Five. | 0:33:54 | 0:33:56 | |
65. Lady's bid at 65. | 0:33:56 | 0:33:58 | |
-It's going to sell in the room at £65. -Oh, no! | 0:33:58 | 0:34:02 | |
-Oh. That's a shame. -Bargain. | 0:34:02 | 0:34:04 | |
Oh, dear. Just when we thought your luck was changing, Mark. | 0:34:04 | 0:34:08 | |
Back to Paul and his World War I trench watch next. | 0:34:08 | 0:34:13 | |
£20 anywhere for it, please? £20. | 0:34:13 | 0:34:16 | |
Thank you, at the back I've got £20. At £20. At 20. | 0:34:16 | 0:34:19 | |
I've got 22 on the net. At 22. | 0:34:19 | 0:34:21 | |
25 in the room. At 25. 28. | 0:34:21 | 0:34:24 | |
At 28. 30 I've got here. Do you want to go two? 32. | 0:34:24 | 0:34:27 | |
35. Now eight. 38. | 0:34:27 | 0:34:29 | |
In the room at 38. | 0:34:29 | 0:34:30 | |
At 38. 40. 42 in the room. | 0:34:30 | 0:34:33 | |
45. 48 in the room. Now 50. 50 I have. | 0:34:33 | 0:34:36 | |
50 on the net. You sure? | 0:34:36 | 0:34:39 | |
At £50. Don't lose it for five. | 0:34:39 | 0:34:41 | |
At £50. Net bid at 50. | 0:34:41 | 0:34:43 | |
At £50. Five. I knew he was hatching another. At 55. | 0:34:43 | 0:34:46 | |
Back of the room at 55. | 0:34:46 | 0:34:47 | |
At 55. 60 says the net. | 0:34:47 | 0:34:49 | |
-She is good. -Yeah, she squeezed it. | 0:34:49 | 0:34:51 | |
-And she's not quick on the hammer. -No. | 0:34:51 | 0:34:54 | |
All done out there then? At £60, absolutely sure? | 0:34:54 | 0:34:57 | |
Last chance. 60 it is then. At £60. | 0:34:57 | 0:35:01 | |
-Did a good job. -It was a good result for the watch. Yeah, yeah, sweet. | 0:35:01 | 0:35:05 | |
Sweet indeed, Paul, | 0:35:05 | 0:35:07 | |
but it's not the usual highflying profits, though. | 0:35:07 | 0:35:11 | |
What about Paul's George III mahogany press? | 0:35:12 | 0:35:15 | |
It is next to tempt the bidders at Bridgwater. | 0:35:15 | 0:35:19 | |
20? Thank you, 20 I have. At £20. At 20. Back of the room at 20. | 0:35:19 | 0:35:23 | |
At 22 on the net. At 22. Oh, gosh, getting excited on the net, 28. | 0:35:23 | 0:35:28 | |
At 28. Do you want to come back? 30 I have. | 0:35:28 | 0:35:30 | |
In the room at 30. At £30. 32. | 0:35:30 | 0:35:33 | |
35. 38. At 38. Now 40. 40 I have. | 0:35:33 | 0:35:37 | |
At 40. At 40. 45 on the net. 48 in the room. | 0:35:37 | 0:35:40 | |
At £48. 50 here. | 0:35:40 | 0:35:42 | |
At 55 in the room. | 0:35:42 | 0:35:43 | |
At 55. Now 60. 60 I have. 65 in the room. | 0:35:43 | 0:35:47 | |
At 65. Now 70. At 65 is a room bid. | 0:35:47 | 0:35:51 | |
Gone a bit quiet out here now. At 65. 70, back again. | 0:35:51 | 0:35:55 | |
At 70. 75 in the room. 75. It's a room bid. 80 I have. | 0:35:55 | 0:35:59 | |
At 85. 85. | 0:35:59 | 0:36:01 | |
Somebody sees potential in it. | 0:36:01 | 0:36:02 | |
90 I have. 95 in the room. | 0:36:02 | 0:36:05 | |
At 95. Now 100. | 0:36:05 | 0:36:06 | |
100 I have. 110 in the room. | 0:36:06 | 0:36:09 | |
At 110. Room bid at 110. At £110. It's a room bid then. | 0:36:09 | 0:36:13 | |
You all done? | 0:36:13 | 0:36:15 | |
Well, Mark is flabbergasted at Paul's mighty result. | 0:36:16 | 0:36:21 | |
-I just can't believe it. -You take it so badly! Bottle it up! | 0:36:21 | 0:36:26 | |
Show some grace! | 0:36:27 | 0:36:28 | |
It is another combined lot from Mark. | 0:36:30 | 0:36:34 | |
The copper tray and the, um, miniature watering can next. | 0:36:34 | 0:36:38 | |
And this one I have to start straight in at £30. At 30. | 0:36:38 | 0:36:41 | |
At 30. Do I see two anywhere? 32 on the net. | 0:36:41 | 0:36:44 | |
At 32. Clears me now. At 35 at the back. | 0:36:44 | 0:36:47 | |
At £35. Now eight. | 0:36:47 | 0:36:49 | |
At 35. It's in the room now at 38. Do want to go 40? | 0:36:49 | 0:36:52 | |
£40 I have in the room. At £40. At 40. 42. Now five? | 0:36:52 | 0:36:58 | |
45 at the back of the room. | 0:36:58 | 0:37:00 | |
At 45. Now eight here. | 0:37:00 | 0:37:01 | |
45, back of the room at 45. You are out, internet. | 0:37:01 | 0:37:04 | |
At £45 then. If you are all done... | 0:37:04 | 0:37:08 | |
Well done, Mark. That result should perk you up a bit. | 0:37:08 | 0:37:11 | |
It is Mark again with his snooker marker board. | 0:37:13 | 0:37:16 | |
I have got £20 on it. | 0:37:16 | 0:37:19 | |
At 22. 25 with me. 28 at the back of the room. | 0:37:19 | 0:37:23 | |
Clears me now. 28. 30. 32 on the net. 35. | 0:37:23 | 0:37:26 | |
Fresh bidder in the room. At £35. At 35. Now eight. | 0:37:26 | 0:37:30 | |
38 he says. | 0:37:30 | 0:37:31 | |
40 in the room. 42. No? You sure? At £42, all done? | 0:37:31 | 0:37:36 | |
Selling to the net then at £42. | 0:37:36 | 0:37:39 | |
You scored a whopper on that one, Mark. | 0:37:40 | 0:37:43 | |
That's what I call potting the black. | 0:37:45 | 0:37:48 | |
PAUL LAUGHS | 0:37:48 | 0:37:50 | |
Perhaps the usual polar bear fishbowl will help you inch nearer | 0:37:50 | 0:37:55 | |
to first place. | 0:37:55 | 0:37:56 | |
£20 anywhere for him? £20? | 0:37:56 | 0:37:59 | |
20? Nobody? Internet? | 0:37:59 | 0:38:02 | |
£10 then. Ah, everyone wants it now, you see. | 0:38:02 | 0:38:05 | |
10. 12. 15. 18. 20. | 0:38:05 | 0:38:08 | |
22. 25. | 0:38:08 | 0:38:10 | |
No. At 25. We got a little way. At 25. | 0:38:10 | 0:38:13 | |
At 25. Now eight anywhere? At £25. | 0:38:13 | 0:38:16 | |
Right at the back of the room at £25. You are sure? | 0:38:16 | 0:38:19 | |
It is going to sell then at £25. | 0:38:19 | 0:38:23 | |
No! | 0:38:23 | 0:38:25 | |
Peeved for you, mate. | 0:38:25 | 0:38:27 | |
What a jaw dropper of a result for Mark. An unexpected, sore loss. | 0:38:27 | 0:38:33 | |
-That's auctions. -That's auctions. | 0:38:33 | 0:38:35 | |
My chances of catching up are slipping away, Paul. | 0:38:35 | 0:38:38 | |
It's Paul's turn with the carved mahogany and brass standing lamp. | 0:38:39 | 0:38:43 | |
Start me away, £30 anywhere for it. Thank you. 30 I have. | 0:38:43 | 0:38:47 | |
35 at the back. At 35. Now eight out here. | 0:38:47 | 0:38:50 | |
-At 35 in the room. -No! -At 38. £40. | 0:38:50 | 0:38:54 | |
42. 45. At 45. | 0:38:54 | 0:38:58 | |
Back of the room at 45. | 0:38:58 | 0:38:59 | |
At 45 then. The bid is in the room. | 0:38:59 | 0:39:02 | |
-You all sure? It's going to sell then at £45. -Sure is. | 0:39:02 | 0:39:06 | |
-Well. -Ouch! | 0:39:06 | 0:39:09 | |
Ouch indeed. | 0:39:09 | 0:39:11 | |
Another disappointing result for the boys. | 0:39:11 | 0:39:14 | |
I'm becoming quite unhinged. | 0:39:14 | 0:39:15 | |
You are just becoming or it's just dawning on you now? | 0:39:15 | 0:39:19 | |
Cheeky Paul. | 0:39:20 | 0:39:22 | |
Right, it's Mark's final lot of the day - the pair of carriage wheels. | 0:39:22 | 0:39:26 | |
£20 anywhere? Thank you, 20 I have. | 0:39:26 | 0:39:29 | |
At £20. At 20. | 0:39:29 | 0:39:30 | |
Must be somebody else here who fancies a pair of carriage wheels. | 0:39:30 | 0:39:34 | |
At £20. Going to go for a maiden bid of £20. | 0:39:34 | 0:39:37 | |
You all sure? All done. | 0:39:37 | 0:39:39 | |
There is someone hovering on the internet, this is exciting. | 0:39:39 | 0:39:42 | |
Build up. Come on. 22, I knew there was someone out there. 25. At 25. | 0:39:42 | 0:39:46 | |
Do you want to go to 28? Yeah, 28. 30 at the back. Come back with two. | 0:39:46 | 0:39:51 | |
At 32. We'll help you carry them onto your lorry. At £30. | 0:39:51 | 0:39:55 | |
There you are, did the trick. 32. At 32. | 0:39:55 | 0:39:57 | |
35 it is. At £35. don't go quiet on me now. | 0:39:57 | 0:40:01 | |
At £35, it is a room bid. You sure out there? 38. | 0:40:01 | 0:40:06 | |
At 38. 40. Yeah, I knew he'd go again. At £40. Now two. | 0:40:06 | 0:40:11 | |
At 42. At 42. You sure this time? | 0:40:11 | 0:40:14 | |
All done, selling to the net buyer at £42. | 0:40:14 | 0:40:18 | |
Certainly an exciting play between bidders, | 0:40:19 | 0:40:22 | |
but just not enough to help Mark. | 0:40:22 | 0:40:25 | |
I can relax now, it's down to your last lot. | 0:40:25 | 0:40:28 | |
It's the final lot of the day, Paul's stunning set of wine glasses. | 0:40:30 | 0:40:36 | |
£20? 20? All those glasses, 20? | 0:40:36 | 0:40:39 | |
£10 then. You see? Everyone wants it now. | 0:40:39 | 0:40:42 | |
Ten. 12. 15. Go on. 18. | 0:40:42 | 0:40:47 | |
18. 22 I've got on the internet now. | 0:40:47 | 0:40:49 | |
They're galloping off now, 28, 30. | 0:40:49 | 0:40:51 | |
At 32. 35. 38. 40. That's better. | 0:40:51 | 0:40:54 | |
42. 45. 48. 50. Five. At 55. 60. 70. | 0:40:54 | 0:40:59 | |
80. 90. 100. Excellent, £100. | 0:40:59 | 0:41:03 | |
At £100. On the internet at 100. Oh, he's back again at 110. | 0:41:03 | 0:41:07 | |
120. 120 it's going to be. | 0:41:07 | 0:41:10 | |
-We'll take that. -Well done. | 0:41:11 | 0:41:13 | |
Another stonker of a profit from Paul. | 0:41:13 | 0:41:16 | |
So, for the fifth time this week, | 0:41:16 | 0:41:19 | |
he is the reigning supremo at auction. | 0:41:19 | 0:41:22 | |
You fancy a wee cruise in a classic car, maybe a pint at the end? | 0:41:22 | 0:41:26 | |
-Oh, go on then, if we have to. -Can I tempt you? -If we have to. | 0:41:26 | 0:41:29 | |
-Shall we? -Come on. | 0:41:29 | 0:41:32 | |
Mark started today's show with £366.26 and, | 0:41:34 | 0:41:39 | |
after paying auction costs, made a small profit of £42.92, | 0:41:39 | 0:41:44 | |
bringing his final earnings to £409.18. | 0:41:44 | 0:41:48 | |
Paul started with a mighty £782.04 | 0:41:52 | 0:41:56 | |
and after costs, made another whopping profit of £107.86, | 0:41:56 | 0:42:01 | |
giving him a wondrous £889.90 to finish on. | 0:42:01 | 0:42:06 | |
And that means he is crowned this week's jubilant winner. | 0:42:06 | 0:42:09 | |
All profits our experts make will go to Children In Need. | 0:42:09 | 0:42:12 | |
That's it, over for another year. | 0:42:12 | 0:42:14 | |
-Man alive! Belter, though. -Oh, it was fabulous. | 0:42:14 | 0:42:18 | |
All you've got to do now, Paul, is drive me into the sunset. | 0:42:18 | 0:42:21 | |
-Come on then, amigo, let's do it. -This way. | 0:42:21 | 0:42:25 | |
# Kisses for me Save all your kisses for me... # | 0:42:28 | 0:42:32 | |
Mark and Paul's road trip adventure has all too soon ended. | 0:42:32 | 0:42:36 | |
They made new friends. | 0:42:38 | 0:42:40 | |
Mark dished out the cuddles. | 0:42:41 | 0:42:44 | |
-Do a Reggie Perrin? -After you. | 0:42:44 | 0:42:45 | |
And Paul was one tough talker. | 0:42:45 | 0:42:48 | |
-Show me those antiques! -Yes, sir. -Stacey! -Yes, sir. | 0:42:48 | 0:42:51 | |
That's not an antique, boy! | 0:42:51 | 0:42:53 | |
But Mark didn't get upset. | 0:42:53 | 0:42:56 | |
What? I'm not upset, Paul. | 0:42:56 | 0:42:58 | |
I'm nowhere near upset. | 0:42:58 | 0:43:01 | |
We'll miss you, boys. Safe journey home. | 0:43:01 | 0:43:04 | |
# Bye-bye, baby, bye-bye. # | 0:43:04 | 0:43:07 | |
Next week on the Antiques Road Trip, | 0:43:09 | 0:43:11 | |
James Lewis gets his hands all dirty. | 0:43:11 | 0:43:14 | |
That is turtle poo. | 0:43:14 | 0:43:17 | |
While James Braxton is on cleaning duties. | 0:43:17 | 0:43:20 | |
-Would you clean all that up? -Yeah, well, I was hoping you might. -No. | 0:43:20 | 0:43:24 | |
You've got to be joking. | 0:43:24 | 0:43:26 | |
Subtitles by Red Bee Media Ltd | 0:43:28 | 0:43:31 |