Episode 11 Antiques Road Trip


Episode 11

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Transcript


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It's the nation's favourite antiques experts, with £200 each...

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-I love that.

-..a classic car,

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and a goal to scour Britain for antiques.

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Yippie!

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I can see better with those.

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The aim? To make the biggest profit at auction, but it's no mean feat.

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There'll be worthy winners and valiant losers.

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-LAUGHTER

-They'll probably have a row!

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So will it be the high road to glory, or the slow road to disaster?

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Thanks! He's just about killed that, hasn't he?

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This is the Antiques Road Trip!

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Yeah!

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It's a brand-new week and a brand-new road trip,

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and this time, we've got double trouble, with two Jameses.

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You have been a past winner of this road trip.

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I think I'm going to raise my game

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if I'm going to give you anything remotely like a challenge.

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James Braxton has 20 years' experience in antique auctioneering,

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and alongside being dandy and dapper,

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he's not afraid of a cheeky offer.

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-I thought I was being fair!

-LAUGHTER

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On guard!

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His competitive companion, James Lewis,

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is a seasoned auctioneer, with his own business in Derbyshire. He loves

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a bargain, and would risk life and limb to get the best buy.

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Ouch! I've just stabbed myself.

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It's day one for James and James,

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as they set off in their sunshine yellow 1983 VW beetle,

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and it's about the only sunshine they're experiencing right now.

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-It's trying to widdle on us, but not very successfully.

-I have my hat.

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-Well done, well done.

-In case of danger.

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In case of deluge. I'm not feeling anything on my head.

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That's the funny thing about these convertible cars,

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it's a bit like the jet stream, isn't it?

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We've got our own little jet stream,

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and it carries everything over, so we'll be uninterrupted.

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The route for the week ahead

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takes our intrepid road trippers

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from Ampthill, in Bedfordshire,

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across the Channel to Jersey

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and back again to the final

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destination of Leamington Spa,

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covering almost 1,000 miles. Gosh!

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But today's trip begins in Ampthill,

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and ends up at auction

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in Market Harborough.

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Ampthill is a name of Anglo-Saxon origin, the first settlement

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here was called Aemethyll, which literally means ant-infested hell.

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It doesn't look that bad, does it?

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-That was good.

-Made it.

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-How do I get out of this?

-Stretch my legs! Oh!

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I'm not built for these classic cars, you know!

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Maybe they weren't built for you, James!

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So, two shops. Which one do you fancy?

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I'll take the one within striking distance, I think.

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-OK.

-Where's yours?

-It'll be around somewhere.

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-The walk will do you good, James.

-What are you saying?

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-Go on, get on with you!

-I've noticed you've put on

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a few pounds over the years. LAUGHTER

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Get running!

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Yes, run along, boys. You haven't got all day.

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James Lewis is off to his first shop,

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Lawson and Lee's, to meet owner Claire.

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-Hello.

-I'm James. Nice to see you.

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Claire has a bit of a penchant for '50s and '60s retro.

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It might be in vogue, but it's not exactly what James is looking for.

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Until he spots something that looks a little bit familiar.

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An Edwardian bridge box.

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I bought one of these last year on Road Trip.

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-And do you know how I know that?

-Is this the one?

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-It's the same one.

-It isn't the same one?!

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-It is the one.

-It isn't!

-It is, you know!

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At 120. All done at 120...

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-Thank you.

-I thought she looked familiar.

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What would be your best on it this time?

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Oh, gosh, I don't know. I'm not sure.

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Surely he's not thinking of buying it again?!

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-Have a think. Just have a think.

-I'll have a think, then.

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-That would be a Road Trip first.

-First, exactly!

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And where's the fun in that, hey?

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Find something new, James. Come on!

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Meanwhile, just around the corner,

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James Braxton is forging ahead at the Ampthill Antiques Emporium.

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He's got his beady eye on a copper hearth surround

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in the Arts and Crafts style.

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The chancers are asking £45 for it! Dear, oh, dear, oh, dear!

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Cheeky devil! But that's not going to stop him

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doing a deal on it, oh, no.

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Libby, is there some discount on that?

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-Do you really like that, then?

-I do like it.

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Well, the best would be £40.

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-£40?

-Yes, that's just over the 10%.

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£40, OK... Well, you've definitely got a deal with that, Libby.

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-Thank you very much.

-Yes, I'll have that.

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Would you clean all that up?

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I was hoping you might!

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No, you've got to be joking!

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LAUGHTER

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Back in the other shop,

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James Lewis has spotted a walnut music box, inlaid with

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geometrical micromosaic panels, if you want to get technical about it.

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GENTLE MUSIC

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Listen to that.

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Probably Swiss, 1940, the Swiss musical box.

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But it's that little inlay that the whole box is covered in

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that makes it desirable.

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For some strange reason,

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he wants to pair the £55 box with some wooden napkin rings at £20.

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For me to stand a chance, I need to pay about £15 for them.

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Erm... Yes, OK. That's fine.

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Blimey, an odd combination, but that was easy.

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Well, that was easy!

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I just said that! Beginner's luck?

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No. Elsewhere, James Braxton has got his eye on

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a gold-plated wax seal, keenly priced at £44.

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But will it make an impression?

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So we've got a sort of citrine here,

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beautifully intaglio engraved with a crest.

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How much could that be, Libby?

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38.

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38. Well, that's better than normal, isn't it?

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That's a good price.

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Do you think they might be pushed to 35?

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I'd have to do a phone call.

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-Would you?

-Yes. That might take me a moment.

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Could you do a phone call? I wouldn't mind a...

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Well, if you're phoning, why don't you say 30, then?

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Well, a wasted opportunity, isn't it?

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I'll see what I can do.

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Now who's the chancer, James?

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This seal would have been used to validate a document.

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Handsome, and it dates back to about 1830.

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-How did we do?

-He's accepted your offer of 32.

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-Why, he's a very kind man.

-That was very good.

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He is a very kind man. I'll have that.

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OK, that's lovely. Thank you very much.

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I thought the offer was £30 on the seal. Ah, well.

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What's £2 between friends?

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So that's £32 for the gold seal and £40 for the copper hearth surround.

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£72. Not bad. A good day's shop.

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-That's right.

-I'll take that away.

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-One receipt.

-OK.

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Thank you very much indeed. Bye.

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Meanwhile, the other James has spotted an odd looking brooch.

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It's a bit of 19th-century jewellery, but the unusual thing is,

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it's made totally out of hair.

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Human hair? Yuck!

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The only thing rarer than this is the collectors for them.

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-They're even rarer!

-LAUGHTER

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You're either going to rate this really highly, or not at all.

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LAUGHTER

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He'll need to trim something off the £100 pricetag.

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-20.

-25.

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A snip on the hair brooch,

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but it looks like he's going for a joblot again.

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That is a mid-19th-century brooch,

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probably made from pinchbeck,

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and pinchbeck was invented by a Dr Pinchbeck,

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who tried to make a metal to look like gold.

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And he did it. And that was the result. How much could that be?

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40.

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I like that, and I like that. I think they work quite well together.

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If I gave 45 for the two...

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It's a cheeky offer!

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Erm... OK.

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Ouch! I've just stabbed myself with it, with excitement!

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-Put it in a box quickly!

-Blood! Blood!

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Oh, for goodness' sake, James! Stop being such a drama queen.

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Dear me. OK, how much do I owe you? The marquetry - 15.

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And the two brooches for 45, so £60, yes?

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-Yes, 60.

-I'm going to leave that.

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It would have been fun to buy it back.

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Get on with it, you silly boy!

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There we are. Thank you very much. Thank you.

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-And let's see how we go!

-Yes.

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Haven't you forgotten something, James?

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Hat!

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Thank you. I know I'm going to lose this by the end of this trip!

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Bye! Thank you.

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Whilst James Lewis has been giving blood,

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James Braxton has been making

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a pilgrimage to Olney,

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in Buckinghamshire,

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with a certain tune in mind.

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# Amazing grace

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# How sweet the sound

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# That saved a wretch

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# Like me... #

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Amazing Grace is one of the best-known hymns of the last

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250 years, but its origins are rooted right year in Olney.

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James has come along to meet Elizabeth Knight

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at the Cowper & Newton Museum to find out the history of the hymn.

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-What rain!

-Again!

-Hello, James.

-Elizabeth.

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Hello, very nice to meet you. Well, this will be fascinating.

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I'm looking forward to hearing

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more about this amazing song that I've sung.

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-This hymn!

-Oh, yes. That's only part of the story, though.

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Amazing Grace was written by Reverend John Newton

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and William Cowper, who was England's most respected poet

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at the end of the 18th Century.

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This is my favourite portrait of him.

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It was painted when he lived at Weston Underwood in 1792,

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by Abbott, and it is said when his servant first saw it,

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-he bowed to it. Because it's such a good likeness, apparently.

-Really?

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Throughout his life, Cowper was plagued by depression.

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Curiously, though, his melancholia was eased by three pet hares.

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They were given to the poet as young leverets,

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to distract him as he was coming out of one of his periodic depressions.

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Because of his depression,

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Cowper had moved to Olney in 1767 to be under

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the ministry of Reverend John Newton,

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but Newton's career path to the Church

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hadn't been a conventional one.

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I'm seeing lots of things pertinent to slavery,

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so what's the association between Newton and slavery?

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Because he was a slave captain at one time.

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I see. From slave ship captain to vicar, to curate here,

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was there a Damascus moment? What happened?

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Yes, there was. Let me show you.

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The slavery business was known as the triangular trade.

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That could take three years.

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-Really?

-Yes.

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And it was on one of these return voyages in the Atlantic, where there

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was a tremendous storm, and they thought they were going to drown.

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And though Newton had an early Christian upbringing from his mother,

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obviously, in his seafaring days, he'd forgotten all about that,

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and he actually called on the Lord's voice for the first time

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in many years, and the storm didn't immediately abate, but

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it gradually lessened and they were able to limp home to Ireland,

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and he dates his conversion from that day.

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Having seen the error of his ways,

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Newton eventually became Curate of Olney.

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With the help of Cowper,

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the Olney Hymns were written with

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the under-educated parishioners in mind.

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In the case in the corner, we have the first edition of

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the Olney Hymns, published in 1779,

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and its most famous hymn Amazing Grace.

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# Amazing grace

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# How sweet the sound... #

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And this was making the, sort of, Bible more accessible to

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the people who he was serving, presumably?

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Yes, he could teach them the Bible through these hymns.

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# ..Was blind, but now can see... #

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Amazing Grace was just one of the 348 hymns that Newton

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and Cowper wrote together.

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Since recorded over 7,000 times,

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it has come to mean many things to many people,

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and it all began right here in this quiet corner of Buckinghamshire.

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Meanwhile, James Lewis has also made his way to Olney for his last

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shop of the day the Antiques Centre,

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and he's looking for something special.

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That's what we like.

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Something that will get people talking.

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A £2 coin for £3.50.

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No, something that will cause a stink, maybe.

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Well, what do you reckon to that?

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I'm not sure, James.

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Any ideas?

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No, help me out.

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Smell it.

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SNIFFING

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What does that smell of?

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Kind of musty. Fishy. Chocolatey.

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That is turtle poo.

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You've got to be joking?!

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Fossilised, millions of years old. It could be yours for £22.

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A bargain! I'll take two, please. Ta. Do they come in pairs?

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You don't often see real poo for sale.

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I can't think why, James(!)

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Now, go and wash your hands and carry on shopping. Really!

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What have you got there, James?

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It's a box from the 19th Century.

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It's got marquetry around the edges, and the corners are missing.

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But there are various ways of sorting that.

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It looks like the casket is ebony, with ivory inlay.

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Now, items containing ivory made after 1947 are illegal to sell,

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but as this piece dates from around 1880, it can still be traded, but

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will owners Sheila and Nick let it go for less than

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the pricetag of £25?

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£15, offer.

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That's it. Last chance. Last throw of the dice.

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That sounds fine.

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Brilliant, thank you.

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-After all that... £15.

-It's just unbelievable!

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-There we are. Thank you very much. Thank you.

-OK.

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And just as he's about to leave, James spies one final buy.

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I didn't see those when I walked in. They're quite sweet.

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Little pair of lorgnettes.

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You can imagine an Edwardian lady taking those out, can't you?

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-Very much so.

-They actually work.

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I can see better with those! £22.

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As we are on a roll, how about 15 again?

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Yes, I'm sure she'll do that.

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-Yeah? It's not a big discount, is it?

-It's not a big discount.

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I can't believe that! A flourish at the end!

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A little flourish at the end?

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He's not going back for that turtle poo, is he?

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So, I owe you 15 again. There we go. Thank you.

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And with that, day one's shopping is dung... Ha-ha!

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I mean, done!

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With four lots in the bag, it's been a good day for James Lewis.

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Night-night, chaps!

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# Morning has broken! #

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Our experts are up with the lark, and other such cliches,

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and they're heading off to carry on more shopping.

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Let's cut to the chase. How many items have you bought?

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Items one, two, three, four... LAUGHTER

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-I think six.

-I want to buy three lots, at least three or four lots.

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-All with a good profit. I'm going to take you on, James!

-Ha!

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So far, James Lewis has spent £90 on four lots.

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The Victorian lorgnette,

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the Indian sadeli box,

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a pair of brooches, and the music box and napkin rings,

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leaving him with £110 for the day ahead.

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James Braxton, meanwhile,

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has spent £72 on two lots

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the citrine and gold-plated seal,

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and the copper hearth surround,

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giving him £128 to splash.

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But before James embarks on

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more shopping, James Braxton is

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dropping James Lewis off at

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a car-boot sale in Northampton.

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I love car-boots. I used to go,

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but now, of course, they say, "Oh, it's him off the telly!

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"I'm not selling anything to him!"

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LAUGHTER

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And can you blame them?

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The thing about car-boot sales is that one man's trash is

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another man's treasure, so good luck, James.

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How much is the pestle and mortar?

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-That can be £15.

-It's quite early.

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Its 18th Century. 1780.

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It could actually be early 19th, 1820. But in that period,

0:17:430:17:47

if you were ill and had an ailment,

0:17:470:17:50

you visited your pharmacist, your pharmacist would have used this

0:17:500:17:53

pestle and mortar to make your powders, to make your medicines.

0:17:530:17:57

And when qualifying, every pharmacist was given one of these

0:17:570:18:02

as a classic graduation present. And because they're made out of bronze,

0:18:020:18:06

they've lasted in quite large numbers.

0:18:060:18:08

But 15 quid is not expensive.

0:18:080:18:11

-I like that.

-Yes?

0:18:110:18:13

What about if I throw an old book in? And we'll call it £25.

0:18:130:18:20

The Badminton Library. Fishing, Pike and Coarse Fish.

0:18:200:18:26

Sounds like a bit of a catch to me!

0:18:260:18:28

That could almost go with that.

0:18:280:18:30

Really?!

0:18:300:18:32

I'll give you a tenner for that.

0:18:320:18:34

I'm going to have to hold out for 15.

0:18:340:18:37

Because of what it is, and because I think it's got some age.

0:18:370:18:40

In that case, I'll give you 15 quid the two. Throw your £2 quid book in.

0:18:400:18:44

OK, yeah.

0:18:440:18:45

-Yeah?

-Yeah.

-You've got a deal.

0:18:450:18:47

Hook, line, and sinker.

0:18:470:18:49

But James's buys are turning into a bit of pick and mix.

0:18:490:18:53

-Thank you.

-Goodbye, thank you.

0:18:530:18:54

Whatever next, a mediaeval bronze bell to complete the lot, eh?

0:18:540:18:58

I ploughed that up in the Parish of Yelvertoft a few years ago...

0:18:580:19:01

-Oh, yeah?

-You ploughed it up?

0:19:010:19:04

-Yes. It's goat or a sheep, is it?

-Yeah.

0:19:040:19:06

Looks like a bell to me!

0:19:060:19:08

Car-boot sale...

0:19:080:19:09

A load of brand new bits and bobs, made of mediaeval bronze.

0:19:090:19:14

How much is that?

0:19:140:19:16

-50p.

-Sold.

0:19:160:19:18

Me and my big mouth, eh? Ding-dong!

0:19:180:19:21

-Thank you very much. Have a good day.

-And you, thank you.

0:19:210:19:26

Back on the road, James Braxton

0:19:280:19:30

has driven on to Finedon,

0:19:300:19:31

in Northamptonshire, for his next stop.

0:19:310:19:35

Finedon is a small town in the district of Wellingborough.

0:19:350:19:38

Since 2011, their parish priest has been Reverend Richard Coles,

0:19:380:19:43

formerly of '80s pop group The Communards.

0:19:430:19:46

But there will be no dancing in the aisles for James.

0:19:500:19:53

He's off to Affleck Bridge Antiques.

0:19:530:19:56

-Hello.

-Good morning.

-Hello. James.

0:19:560:19:59

Hello, James. I'm Edward.

0:19:590:20:00

Hello. Very nice to meet you, Edward. What a glorious day, isn't it?

0:20:000:20:05

Now, Edward, I quite like the personal shopping approach.

0:20:050:20:08

Can you tell me, have you got some sort of market-fresh,

0:20:080:20:12

nice new items that have recently come in?

0:20:120:20:14

There's quite a few.

0:20:140:20:16

We could step through to the back room.

0:20:160:20:18

Oh, lovely.

0:20:180:20:20

It's a sort of artsy-craftsy piece, I think.

0:20:200:20:23

I don't know the make, but it should be labelled.

0:20:230:20:26

-Nice chamber stick.

-Nice chamber stick, isn't it?

0:20:260:20:29

It's sort of perpetual movement, almost, isn't it? It's rather fun.

0:20:320:20:37

One for the backburner, eh, James?

0:20:370:20:41

What's this? Umbrella Covers North.

0:20:560:20:59

What attracts me about this item is, you've got a very novelty...

0:21:000:21:07

sort of stylised, looks like a kookaburra, forming a handle.

0:21:070:21:13

It's a lady's umbrella, that all works... Parasol.

0:21:130:21:20

It's just got a little bit of loss there.

0:21:200:21:22

But if you look at the detail of this, this is a luxury good,

0:21:220:21:28

a luxury accessory, and it's £28!

0:21:280:21:32

So with the umbrella at £28, what about that chamber stick at £24?

0:21:320:21:38

Could you do 40 for the two, Edward?

0:21:380:21:41

-That's pushing us.

-I thought I was being fair!

0:21:410:21:45

LAUGHTER

0:21:450:21:48

Well, to give you a chance at the auction, we could do that.

0:21:480:21:51

OK, that's very kind. Thank you very much indeed, thank you.

0:21:510:21:54

That's really kind. That's 40.

0:21:540:21:56

Thank you very much, James. I'm glad you found something.

0:21:560:21:59

-Good luck.

-I'm really pleased with those. Thank you very much indeed.

0:21:590:22:02

-You're welcome.

-Bye.

-Bye-bye.

-Bye-bye! Bye-bye!

0:22:020:22:05

So two more items for the swag bag, and without a moment's delay,

0:22:050:22:09

James is on to his next location, Brackley,

0:22:090:22:12

and the final shop of the day.

0:22:120:22:14

Historically, a market town based on the wool and lace trade,

0:22:160:22:19

Brackley was built on intersecting routes between London,

0:22:190:22:23

Birmingham and the Midlands called a crossroads.

0:22:230:22:26

-HE HUMS

-And just one look at this place,

0:22:280:22:31

it really is an Aladdin's cave.

0:22:310:22:34

-Hello, James.

-Hello, Jim Broomfield, pleased to meet you.

0:22:360:22:39

Hello. Jim, what's your part in this?

0:22:390:22:42

-I own it. I do, yes.

-What an amazing place.

0:22:420:22:45

I'm going to need a guide, are you going to guide me around?

0:22:450:22:48

-I'll show you around.

-Lead on, lead on.

0:22:480:22:50

If you'll come this way.

0:22:500:22:52

The cellar has 160 dealers and covers 3,000 square feet

0:22:520:22:56

and it's all looking shipshape and Bristol fashion.

0:22:560:22:58

Ow, goodness.

0:23:000:23:02

It's well made. That really nipped me.

0:23:020:23:06

Careful, James, we've already had one brooch injury.

0:23:060:23:09

It's a very nice design, that,

0:23:090:23:11

but quite sort of weird for a lady to wear

0:23:110:23:15

a big brooch like that.

0:23:150:23:17

Well, he's not weighing anchor yet,

0:23:170:23:19

although he is sailing towards more silverware.

0:23:190:23:22

-What is it?

-I think it's German.

0:23:220:23:25

Emil Langer. Hamburg.

0:23:250:23:29

And it's a teapot.

0:23:290:23:30

It's that terribly tough silver plate.

0:23:300:23:33

It's very well fitting.

0:23:330:23:35

It's got a certain robust charm about it, isn't it?

0:23:350:23:38

Vorsprung durch teapot, some might say!

0:23:380:23:42

Not me, though.

0:23:420:23:43

How much do you want for that one, then?

0:23:430:23:46

-Five pounds?

-Five pounds.

0:23:460:23:50

-Well, let's see, let's see if we can...

-Get something to go with it.

0:23:500:23:55

Let's see if we can get something else to go with it, shall we?

0:23:550:23:59

Mmm. It seems James still isn't ready to commit, or is he?

0:23:590:24:02

Um, yeah. I think I'm going to take the teapot,

0:24:020:24:05

but I'll only pay him a pound for it.

0:24:050:24:08

Five pounds is a bit much.

0:24:090:24:12

Ah, he's playing hard to get, the old devil!

0:24:120:24:14

So what's he going to team it up with, then?

0:24:140:24:17

I think I'll go in this side.

0:24:170:24:19

I've always loved these nests of beakers.

0:24:190:24:23

1945. These are German as well.

0:24:230:24:27

It's a lovely Second World War font, isn't it?

0:24:270:24:30

-Yes, it is.

-Very German.

0:24:300:24:33

Do you think you could do a decent price on those?

0:24:330:24:35

Yes, I would think so. What have we got on at the minute?

0:24:350:24:38

-It's got £25.

-Yeah.

0:24:380:24:39

I could certainly give him a ring and find the best he'll do on it.

0:24:390:24:43

After a quick phone call to the owner,

0:24:430:24:45

James secures the beakers for £15

0:24:450:24:47

but something else is weighing on his mind...

0:24:470:24:50

I like the anchor as well.

0:24:510:24:53

So Jim's partner, Deborah,

0:24:530:24:54

gets on the phone to the owner of the £28 anchor brooch.

0:24:540:24:58

-Go, Debs!

-Hold on.

0:24:580:24:59

-£15.

-£15, £15, definitely, I'll take it.

0:24:590:25:03

That's very kind of her.

0:25:030:25:05

-Thank you.

-Thanks, Shirley, bye.

-Thank you, bye.

0:25:050:25:08

That teapot, do you think it would make a happy bedfellow

0:25:080:25:11

-with the beakers?

-I think it would, being German.

0:25:110:25:13

-Being German.

-And well-made.

0:25:130:25:16

What have I got on me? What have I got on me? Here you are.

0:25:160:25:20

That's a bit insulting!

0:25:200:25:24

There you are.

0:25:240:25:28

-Would a big two buy it?

-The teapot?

-Yeah.

0:25:280:25:31

-Two pounds?!

-Oh, would it?

0:25:310:25:36

-How about double or quits, then, James?

-Definitely, definitely.

0:25:360:25:40

Double or quits. Double or quits. Are you going to spin?

0:25:400:25:43

-I'll spin, you call.

-OK.

0:25:430:25:45

Heads, because it's the Queen's time.

0:25:470:25:50

Tails!

0:25:500:25:52

HE LAUGHS

0:25:520:25:54

Jolly lucky I had the other one.

0:25:540:25:55

THEY LAUGH

0:25:550:25:57

-Thank you, James.

-Thank you very much indeed, Jim. Thank you.

0:25:570:26:00

So, after gambling and losing, the teapot has cost James dear.

0:26:000:26:05

Four pounds, instead of two. On top of that,

0:26:050:26:08

he's bought the beakers and the anchor brooch for £15 each.

0:26:080:26:12

Having finished his shopping earlier,

0:26:160:26:18

the other James has driven to Kettering

0:26:180:26:21

to visit England's answer

0:26:210:26:23

to the Palace of Versailles.

0:26:230:26:25

Boughton House has been home to the Montagus since 1528

0:26:300:26:34

and you'd be forgiven for thinking

0:26:340:26:36

it's a little bit of France

0:26:360:26:37

right here in England.

0:26:370:26:39

Its design and contents have been heavily influenced

0:26:390:26:41

by the tastes of the famous French Sun King, Louis XIV.

0:26:410:26:45

James is here to meet Charles Lister, to find out more.

0:26:450:26:49

-Charles.

-James, welcome to Boughton House.

0:26:510:26:53

-The English Versailles.

-Thank you very much. What a place!

0:26:530:26:56

I was not expecting to find a French palace

0:26:560:26:58

in the middle of Northamptonshire! What's it doing here?

0:26:580:27:01

Well, it's very much the creation of Ralph Montagu,

0:27:010:27:04

English Ambassador to Louis XIV,

0:27:040:27:06

who transformed his Tudor house here into a very French-style building.

0:27:060:27:10

If you'd like to come through, I can tell you all about him and his life.

0:27:100:27:13

Gosh!

0:27:160:27:18

This is the Great Hall, the centrepiece of the house,

0:27:180:27:20

where all the entertaining would take place.

0:27:200:27:22

William III would have been invited by Ralph Montagu,

0:27:220:27:25

the first Duke of Montagu, who's portrayed just over here.

0:27:250:27:28

-This is Ralph, himself.

-So, he built this house?

0:27:280:27:31

He turned a small Tudor mansion

0:27:310:27:34

into a grand vision of what he'd seen

0:27:340:27:36

as Ambassador to Louis XIV over in France.

0:27:360:27:39

What inspired him to do this, from an original Tudor style?

0:27:390:27:44

It was very much, he's advancing in society.

0:27:440:27:47

He starts as the second son of Lord Montagu

0:27:470:27:49

and he increasingly becomes more important, more prominent,

0:27:490:27:52

so he wants to have a house that reflects that,

0:27:520:27:54

and partly the way you do that, you invite the King here,

0:27:540:27:56

he enjoys it, hopefully, he'll give you a Dukedom.

0:27:560:27:59

So, it's a bit of one-upmanship and a bit of social climbing, as well!

0:27:590:28:03

Some things never change, do they?

0:28:030:28:06

It seems not.

0:28:060:28:07

Montagu drew on his time in France

0:28:070:28:10

to recreate his own version of Versailles here

0:28:100:28:13

and the opulent court of Louis XIV.

0:28:130:28:16

-The true Sun King.

-Oh, my goodness!

0:28:160:28:21

Andre-Charles Boulle at his best.

0:28:210:28:23

Boulle was cabinetmaker to Louis XIV, wasn't he?

0:28:230:28:26

That's right, yes, indeed.

0:28:260:28:27

Has Ralph gone over and seen...?

0:28:270:28:31

Not only has he seen, but he's obtained pieces,

0:28:310:28:34

perhaps even presented pieces by Louis XIV.

0:28:340:28:37

It was not so much of a problem then to be given ambassadorial gifts.

0:28:370:28:41

-Ah, OK.

-So, I think this particular piece, perhaps not,

0:28:410:28:44

but many of the sort of fine French furniture in the house

0:28:440:28:47

may have either been bought or been given to him as Ambassador.

0:28:470:28:51

Oh, look at that!

0:28:510:28:53

Oh, my goodness! What a lovely piece of furniture.

0:28:540:28:59

And to still see it in private ownership is lovely.

0:29:000:29:03

Absolutely priceless.

0:29:040:29:06

Boughton House is now owned by the Duke of Buccleuch,

0:29:060:29:09

but with such opulence and grandeur,

0:29:090:29:12

this place really was fit for a king.

0:29:120:29:14

My goodness! That is incredible!

0:29:140:29:18

The colours! Not the original upholstery, surely?

0:29:180:29:21

Yes, indeed. This was purchased by Ralph Montagu in 1660 from France.

0:29:210:29:26

It formed the centrepiece of his state apartment,

0:29:260:29:29

created to show King William III by this point.

0:29:290:29:32

He was going to come here, enjoy the state apartment he created for him.

0:29:320:29:36

I suppose he purchased them with the intention

0:29:360:29:38

-of making the state apartment for Charles II?

-That's right.

0:29:380:29:41

-Eventually, William took over by the time he'd finished.

-Exactly.

-Gosh.

0:29:410:29:45

-There's some money spent in here, isn't there?

-Vast sums of money.

0:29:450:29:48

Furnishing the bed itself, the furniture here,

0:29:480:29:51

even the parquet floor here cost £5,000

0:29:510:29:55

in the 1680s to actually complete it,

0:29:550:29:57

-which was a vast sum of money.

-Goodness me!

0:29:570:30:00

That's approximately £631,000 in today's money.

0:30:000:30:04

And all really for the King to come and be here for one day, really.

0:30:040:30:08

Incredible!

0:30:080:30:10

It might have been an expensive case of social climbing,

0:30:100:30:13

but almost 400 years later, Boughton House is one of the jewels

0:30:130:30:18

in Britain's crown, essentially English-French in flavour.

0:30:180:30:22

In the old servants' hall at Boughton House,

0:30:260:30:29

it's time for our experts to get the first glance at each other's buys.

0:30:290:30:33

Look at this!

0:30:340:30:37

Now, pince-nez.

0:30:370:30:39

-Or lorgnettes, maybe, even.

-Lorgnettes, yeah.

0:30:390:30:41

-They look very smart.

-Have a look.

0:30:410:30:44

-There we go. Because you know they often don't spring, do they?

-Yeah.

0:30:440:30:48

-They've got everything, these.

-Yeah.

0:30:480:30:50

Aren't they fabulous? So much clearer.

0:30:500:30:54

Now, what are you majoring in, then?

0:30:540:30:56

Yes, it is hard to tell!

0:30:560:30:58

-The bell, early bronze bell, mediaeval one.

-Right.

0:30:580:31:02

-The fishing book. All from the car-boot sale.

-Really?

0:31:020:31:05

From the car booty. Badminton Library.

0:31:050:31:08

The box and the napkin rings from my first shop,

0:31:080:31:12

along with the plaited hair brooch,

0:31:120:31:16

-and the Etruscan eye.

-Right.

0:31:160:31:19

-They were from the first shop.

-Yeah.

0:31:190:31:21

The second shop was the box,

0:31:210:31:23

that took me ages to find,

0:31:230:31:25

-and the lorgnettes.

-Lovely, lovely.

0:31:250:31:27

-I like the lorgnettes.

-Fifteen quid.

0:31:270:31:29

That's all right. You'll do well.

0:31:290:31:32

Not bad. But with so much bundling up of items,

0:31:320:31:35

I'd say James Lewis is hedging his bets just a little bit too much.

0:31:350:31:39

-Here we go, this is my first purchase.

-OK.

0:31:390:31:42

My hearth surround, sort of arts and craftsy, coppery fellow.

0:31:420:31:46

Then in the same place, I bought this little fellow

0:31:460:31:51

as a sort of seal. A very nice, sort of, citrine

0:31:510:31:55

-intaglio-engraved fellow.

-That's lovely.

0:31:550:31:58

-1820, 1830, isn't it?

-Yeah. Circa 1830.

0:31:580:32:02

"Without the Lord, everything is in vain," it says.

0:32:020:32:06

-That's the little motto, there.

-And the anchor. Is it silver?

0:32:060:32:10

Yeah, unmarked, though. It reminds me of Exeter.

0:32:100:32:14

-The old Irish were quite lawless.

-Yes, they were.

0:32:140:32:19

Exeter silver's generally marked,

0:32:190:32:22

but it could have come from somewhere like Cork.

0:32:220:32:25

It would be nice if it was Cork.

0:32:250:32:27

-Cork silver.

-Then I bought this nice kookaburra. Isn't that amazing?

0:32:270:32:32

-Oh, it's brilliant!

-A luxury good.

0:32:320:32:37

I don't know what it is, 1930s, something like that.

0:32:370:32:40

-Yeah.

-A lady's umbrella.

-I like that.

-£20! Look at the quality.

0:32:400:32:46

We've all bought a clutch of items that have merit.

0:32:460:32:48

Yes, I think so.

0:32:480:32:50

Best of buddies now, but how long will it last?

0:32:500:32:53

What do they really think of each other's items?

0:32:530:32:57

James, the great winner of this programme on many series before,

0:32:570:33:01

and then he took away his cover and...slightly aghast, really.

0:33:010:33:06

Gold lorgnettes, lovely.

0:33:060:33:08

£15, an absolute gift, but I question a man who buys Sorrento ware.

0:33:080:33:15

Sorrento-ware napkins and a music box.

0:33:150:33:18

However cheap, would you really want to buy them?

0:33:180:33:21

Get off the fence, then, James(!)

0:33:210:33:23

My items look quite good, beside his.

0:33:230:33:28

James is a guy with such a good eye and real quality, normally.

0:33:280:33:33

The little fob seal is lovely,

0:33:330:33:37

but the rest left me cold, really.

0:33:370:33:40

I couldn't see any great profits in there at all.

0:33:400:33:45

They are just so unfashionable, fenders.

0:33:450:33:48

I don't know. I predict a loss there, I think.

0:33:480:33:51

I think I've got a better lot of stuff than he has.

0:33:510:33:54

But then he probably thinks exactly the same!

0:33:540:33:57

It sounds like the gloves are well and truly off! With both our experts

0:33:590:34:03

feeling confident, there's only one way to find out who's bought best.

0:34:030:34:07

From Kettering, our boys are back

0:34:070:34:09

on the road, as they head to

0:34:090:34:10

auction in Market Harborough.

0:34:100:34:11

Here we are.

0:34:130:34:15

This is my least favourite part of the trip - coming to the auction.

0:34:150:34:22

With no power. All in the hands of the auctioneer.

0:34:220:34:26

-I have a phrase - sit and die.

-Let's sit and die together.

0:34:260:34:31

Ooh!

0:34:310:34:34

Today, our experts are going head-to-head at Gildings,

0:34:370:34:40

which has established itself as an auction house of distinction

0:34:400:34:43

over the last 30 years.

0:34:430:34:45

Have our boys spent their money wisely?

0:34:450:34:48

James Lewis started out with £200 and spent £105.50 on five lots,

0:34:480:34:53

leaving him with £94.50.

0:34:530:34:55

James Braxton also started with £200 and bought six lots,

0:34:580:35:01

spending £146, leaving him with £54 in hand.

0:35:010:35:06

Here we go.

0:35:110:35:12

First up for James Braxton, it's the Arts and Crafts copper hearth

0:35:120:35:16

surround, and it's over to auctioneer Mark Gilding.

0:35:160:35:18

Nice, this one.

0:35:180:35:20

-£50, do I see?

-It's going for 50.

0:35:200:35:23

-Ten.

-£10 only. I'm bid at ten.

0:35:230:35:26

At £10, I'm bid at £10.

0:35:260:35:29

£12, do I see?

0:35:290:35:30

-Come on.

-I'll even polish it for you.

0:35:300:35:33

At £12, I'm bid.

0:35:330:35:34

-At 15, 18...

-We're getting there.

0:35:340:35:37

At £18. You're not bidding at 18.

0:35:370:35:39

The bid's 18.

0:35:390:35:41

£18 and selling away. At 18.

0:35:410:35:43

Ouch! Well, that failed to set the auction room ablaze.

0:35:430:35:47

You were dead right. Obviously the wrong size.

0:35:470:35:50

First up for James Lewis, the pair of brooches -

0:35:500:35:53

the creepy hair one and the evil-eye one.

0:35:530:35:56

-Is it undamaged?

-Yes, it's perfect.

0:35:560:35:58

-It's six loops of different hair.

-What will we say for these?

0:35:590:36:03

The two of them, £100, do I see?

0:36:030:36:06

Don't all bid at once(!)

0:36:060:36:09

OK, then, £20, I'm bid.

0:36:090:36:10

£20, I'm bid. Have it your way. 5, 30. 35.

0:36:100:36:16

£35, 40. 40, I'm bid.

0:36:160:36:21

-No way!

-It's creeping.

0:36:210:36:25

-45, I'm bid. At 45.

-Still a loss.

0:36:250:36:27

48, 50. £50, I'm bid. At £50.

0:36:270:36:32

5, at £55. 60, do I see? It's 55.

0:36:320:36:37

You're all quiet in the room.

0:36:370:36:39

£55 and I'm instructed to sell.

0:36:390:36:41

At £55.

0:36:410:36:44

A pin-prick of a profit for James Lewis.

0:36:440:36:46

It's washed its face.

0:36:460:36:49

A little profit there.

0:36:490:36:51

That's my expression. Next up for James Lewis,

0:36:510:36:54

it's that dainty gold lorgnette.

0:36:540:36:56

Good luck.

0:36:560:36:58

-We'll see.

-At 22, 25, 28. 28,

0:36:580:37:03

I'm bid now at 28.

0:37:030:37:04

At £28, I'm bid now.

0:37:040:37:06

At 32, 35. At 35.

0:37:060:37:09

All my bids are out.

0:37:090:37:13

-38, do I see it?

-No way!

-Are you bidding, internet?

0:37:130:37:17

Just flashing, then, at £35...

0:37:170:37:19

A man of vision, is our James Lewis.

0:37:190:37:22

But he didn't see that one coming, did he?

0:37:220:37:25

They could have had a one in front of them, couldn't they?

0:37:250:37:28

That is disastrous.

0:37:280:37:29

Now it's James Braxton's gold-plated seal.

0:37:290:37:33

Will it make an impression on the bidders?

0:37:330:37:35

Do you think people still collect those seals?

0:37:350:37:38

-That was lovely. It was beautifully...

-It was.

0:37:380:37:42

£20, 5, 30, 5, 40.

0:37:420:37:47

45. Into profit.

0:37:470:37:49

That's £45 bid. 45 and selling away.

0:37:490:37:53

His first profit. Good. And it's not that bad.

0:37:530:37:58

A nice little profit, there. I'm all right.

0:37:580:38:01

Now it's James Lewis' 19th-century Indian sadeli casket.

0:38:010:38:06

Bidding starts at 25, 35, £40. I'm bid at 40.

0:38:060:38:11

At £40, 45, 50, 55, seated. At 55.

0:38:110:38:16

At £55 I'm bid. Do I see 60?

0:38:160:38:17

It should be worth more than this,

0:38:170:38:20

but £55, I'm bid.

0:38:200:38:21

All out in the room and the net is out. 55 seated, 60. New bidder, 65.

0:38:210:38:27

-You were right.

-At 70...

0:38:270:38:30

And I'm selling at £70.

0:38:300:38:33

That's not bad.

0:38:330:38:35

I'm pleased with that.

0:38:350:38:37

Yes, it's turned out to be a right little treasure chest

0:38:370:38:40

and puts James Lewis into an early lead.

0:38:400:38:43

Come on, Brackers!

0:38:430:38:44

You've got some catching up to do with the 1930s lady's umbrella.

0:38:440:38:48

£10, I'm bid only.

0:38:480:38:51

I thought this would make a lot more. 12, 15, 18, 20.

0:38:510:38:54

22. 22 bid now. In the room at 22.

0:38:540:38:57

At £22, the net's out as well.

0:38:570:39:00

-Oh, go on!

-22... A new bidder here.

0:39:000:39:06

30. 30 I'm bid. At £30.

0:39:060:39:09

At 30, and selling at £30.

0:39:090:39:12

A luxury item at 30.

0:39:120:39:14

Oh, dear.

0:39:140:39:15

At least he's covered himself.

0:39:150:39:18

Next up for James Braxton is the

0:39:180:39:21

-pottery chamber stick.

-There we are.

0:39:210:39:23

£10, I'm bid. The Linthorpe style.

0:39:230:39:27

£10, I'm bid. At £10, I'm bid.

0:39:270:39:30

£12, do I see? It's £10 only.

0:39:300:39:32

£12, I'm bid now.

0:39:340:39:36

£12 bidder in the room.

0:39:360:39:38

-Bit of a charity bid, there.

-Yes.

0:39:380:39:40

At £12, and selling away.

0:39:400:39:43

The chamber stick fails to light up the room.

0:39:440:39:47

Another loss for James Braxton. Next!

0:39:470:39:50

This is my box that you really hate.

0:39:500:39:53

Slightly strange bedfellows now.

0:39:530:39:56

The walnut music box and the wooden napkin rings.

0:39:560:39:58

Lovely quality marquetry here.

0:39:580:40:01

Lovely quality marquetry, James.

0:40:010:40:03

-Actually, only, £5 I'm bid.

-God!

0:40:030:40:06

That's about right.

0:40:060:40:08

£12, 15, 18, 20, 22,

0:40:080:40:10

out this side, it's 22. Are you

0:40:100:40:12

bidding at 22? 22 on my left.

0:40:120:40:15

At 22. 5 to bid. I'm selling quick,

0:40:150:40:17

-then, at 22, and away.

-Oh...

0:40:170:40:19

Oh, bottom!

0:40:190:40:22

That's about the right price for that.

0:40:220:40:24

The odd collection clearly appealed to someone and gave James Lewis

0:40:240:40:29

another creeping profit, but can James Braxton accelerate with

0:40:290:40:33

his set of German beakers and a teapot?

0:40:330:40:35

I like these beakers.

0:40:350:40:37

The beakers are nice.

0:40:370:40:39

You could take them on a picnic.

0:40:390:40:41

£50, are we? £10, I'm bid.

0:40:410:40:45

I'm bid 12, 15, 18, 20, 22...

0:40:450:40:48

You're out now. It's down here,

0:40:500:40:52

at £22. 5, I'll take. At 22...

0:40:520:40:58

A good pairing, but not the match of the day.

0:40:580:41:01

My last chance

0:41:010:41:03

at profit is the anchor. It's got to make...

0:41:030:41:06

It's got a big responsibility. It's got to make about 60 quid.

0:41:060:41:10

No pressure, then(!) It's the anchor brooch.

0:41:100:41:14

It should be £40-50, shouldn't it?

0:41:140:41:15

Yeah, it should.

0:41:150:41:17

Bidding starts at £15. 18, 20, 22,

0:41:170:41:23

25, 28 and I'm out.

0:41:230:41:24

28, it's in the room, and selling at £28.

0:41:240:41:27

-30.

-Go on. Go on.

0:41:270:41:30

-Go on.

-32, 35. This side.

0:41:300:41:34

You're out on my left. At 35.

0:41:340:41:36

-Well done.

-Well done.

0:41:370:41:39

Anchors away, with a tidy profit.

0:41:390:41:41

The final lot for James Lewis

0:41:430:41:44

is the pestle and mortar,

0:41:440:41:46

the medieval bronze bell,

0:41:460:41:47

and the book on fishing.

0:41:470:41:49

He does love a good pick 'n' mix.

0:41:490:41:51

Bidding starts at 10, 12, 15, £18.

0:41:510:41:54

-Oh!

-18, I'm bid. 20, 22, 25, 28, 30.

0:41:540:42:00

30, I'm bid in the room.

0:42:000:42:02

All my bids are lost at £30.

0:42:020:42:04

£30 in the room. At 30.

0:42:040:42:06

Oh, that's all right.

0:42:060:42:09

-There we go.

-An odd lot, though, puts in one last profit.

0:42:090:42:13

Is it enough to land the first victory?

0:42:130:42:16

James Braxton started the show with £200, and after auction costs,

0:42:170:42:21

he's made a loss of £13.16, sending him

0:42:210:42:24

through to the next round with £186.84.

0:42:240:42:28

Don't look so serious.

0:42:280:42:31

James Lewis also started with £200 after costs.

0:42:320:42:36

He's made a profit of £68.34, taking his total to £268.34

0:42:360:42:41

and claiming the first victory of this road trip.

0:42:410:42:45

He's looking serious too. Tight-lipped.

0:42:450:42:48

-Well...

-Winner decides? Do you want me to drive?

-Go on, you drive.

0:42:480:42:54

-I should sit in the back.

-You should do. Only £60-odd.

0:42:540:43:00

You don't get the full chauffeuring service.

0:43:000:43:05

It's better than a loss, James.

0:43:050:43:06

-It certainly is.

-Oh, dear.

0:43:060:43:08

-It was hard today.

-It was.

-I think we struggled.

-Certainly did.

0:43:090:43:15

But a good start to the trip, and there's everything left to play for.

0:43:150:43:19

Next time, on the Antiques Road Trip,

0:43:190:43:21

James Braxton is read like a book.

0:43:210:43:23

You've held it more than two seconds so that means you're interested.

0:43:230:43:27

You crafty dealers!

0:43:270:43:28

-Come on, give me the horn.

-And James Lewis is just red in the face.

0:43:280:43:32

HE BLOWS HORN TUNELESSLY

0:43:320:43:35

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0:43:520:43:56

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