Browse content similar to Episode 16. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's the nation's favourite antiques experts, | 0:00:02 | 0:00:04 | |
-with £200 each... -I love that. | 0:00:04 | 0:00:06 | |
..A classic car and a goal - to scour Britain for antiques. | 0:00:06 | 0:00:11 | |
Yippee! | 0:00:11 | 0:00:12 | |
My heart's slightly racing! | 0:00:12 | 0:00:13 | |
The aim? To make the biggest profit at auction, | 0:00:13 | 0:00:16 | |
but it's no mean feat. | 0:00:16 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:22 | |
Evening all. | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory | 0:00:23 | 0:00:25 | |
or the slow road to disaster? | 0:00:25 | 0:00:27 | |
Johnny, will we end up in a dead end? | 0:00:27 | 0:00:30 | |
This is the Antiques Road Trip! | 0:00:30 | 0:00:32 | |
Yeah! | 0:00:32 | 0:00:34 | |
This week we have a brand new pair of experts | 0:00:39 | 0:00:42 | |
packing their suitcases for a Road Trip adventure. | 0:00:42 | 0:00:45 | |
Anita Manning and Jonathan Pratt. | 0:00:45 | 0:00:48 | |
They're kicking off north of the border in Bonnie Scotland. | 0:00:50 | 0:00:53 | |
Och, aye, the noo. | 0:00:53 | 0:00:55 | |
I do like seeing the rolling hills | 0:01:00 | 0:01:03 | |
and I do like the grass and the smell of the cow poo. | 0:01:03 | 0:01:05 | |
SHE LAUGHS | 0:01:05 | 0:01:07 | |
All that sort of stuff. | 0:01:07 | 0:01:09 | |
Sorry, Jonathan, it's not the country we're starting in, | 0:01:09 | 0:01:12 | |
it's the biggest city in Scotland. | 0:01:12 | 0:01:14 | |
# I belong to Glesca | 0:01:14 | 0:01:17 | |
# Dear old Glesca toon | 0:01:17 | 0:01:19 | |
# But there's something the matter with Glesca | 0:01:19 | 0:01:21 | |
# Cos it's going around and round... # | 0:01:21 | 0:01:25 | |
Anita Manning belongs to Glasgow | 0:01:25 | 0:01:27 | |
and was the first female auctioneer in Scotland. | 0:01:27 | 0:01:31 | |
And she knows what she likes. | 0:01:31 | 0:01:33 | |
I love Art Nouveau. | 0:01:33 | 0:01:35 | |
And she knows how to make grown men wince. | 0:01:35 | 0:01:38 | |
Could these be bought for five? | 0:01:38 | 0:01:40 | |
-£5? -Mm-hm. | 0:01:40 | 0:01:41 | |
HE SQUIRMS | 0:01:41 | 0:01:43 | |
This is Jonathan Pratt. | 0:01:45 | 0:01:46 | |
He's also an auctioneer | 0:01:46 | 0:01:49 | |
and also very, very decisive(!) | 0:01:49 | 0:01:52 | |
I don't know what to do! | 0:01:52 | 0:01:54 | |
And he's rather an astute fellow. | 0:01:54 | 0:01:57 | |
I guess stuffed heads is off the menu, though. | 0:01:57 | 0:01:59 | |
Our couple of darling antiques experts | 0:02:01 | 0:02:03 | |
will begin their adventure with £200 each. | 0:02:03 | 0:02:07 | |
And the chariot of choice is the stylish 1964 MG. | 0:02:07 | 0:02:11 | |
-I'm nervous about this. -Why? | 0:02:13 | 0:02:15 | |
Just because | 0:02:15 | 0:02:16 | |
I did so badly in the last two! | 0:02:16 | 0:02:19 | |
Forget about that. We're here just to have a nice time. | 0:02:19 | 0:02:23 | |
Oh, dear. Has Jonathan got a bout of the old nerves? | 0:02:23 | 0:02:27 | |
Wonder why they're stopping in the middle of the road, too. | 0:02:27 | 0:02:33 | |
Anita and Jonathan are travelling over 400 miles, | 0:02:33 | 0:02:36 | |
from the city of Glasgow | 0:02:36 | 0:02:39 | |
all the way to Llangefni, on the island of Anglesey. | 0:02:39 | 0:02:42 | |
The first pin on the map is the bustling city of Glasgow, | 0:02:42 | 0:02:46 | |
and they will auction in the Renfrewshire town of Paisley. | 0:02:46 | 0:02:49 | |
We're coming up to George Square... | 0:02:49 | 0:02:51 | |
with the City Chambers here. | 0:02:51 | 0:02:54 | |
Who's this chap here? | 0:02:54 | 0:02:56 | |
That's Robert Peel, there. | 0:02:56 | 0:02:57 | |
I think that chap's Queen Victoria. | 0:02:57 | 0:03:00 | |
THEY LAUGH | 0:03:00 | 0:03:02 | |
Glasgow is renowned | 0:03:02 | 0:03:04 | |
for its strong shipbuilding history | 0:03:04 | 0:03:06 | |
and wondrous architecture. | 0:03:06 | 0:03:08 | |
During the Victorian and Edwardian times, it was known | 0:03:08 | 0:03:11 | |
as "the second city of the British Empire." | 0:03:11 | 0:03:15 | |
But, oh, dear. | 0:03:15 | 0:03:16 | |
They've arrived and run into a spot of bother. | 0:03:18 | 0:03:21 | |
This is the pride of Glasgow police! | 0:03:21 | 0:03:24 | |
Anita loves a man in uniform. Well, several of them, actually. | 0:03:26 | 0:03:31 | |
With the help of our boys in blue, they've got to safety. | 0:03:33 | 0:03:37 | |
We're not going to get very far with that thing. | 0:03:37 | 0:03:40 | |
We have a long, long way to go. | 0:03:40 | 0:03:43 | |
Road Trip won't be a Road Trip without a good old breakdown, hey? | 0:03:43 | 0:03:47 | |
I think we should have a wee walk in Glasgow. | 0:03:47 | 0:03:50 | |
Our first shops are just there. | 0:03:50 | 0:03:54 | |
You're a local. Yeah, I'll take you round. | 0:03:54 | 0:03:57 | |
Good job Anita knows the city like the back of her hand. | 0:03:57 | 0:04:00 | |
She knows exactly where the antiques shops are. | 0:04:00 | 0:04:03 | |
# There she was just a-walkin' down the street, singin' | 0:04:03 | 0:04:08 | |
# Doo-wah-diddy, diddy-dum, diddy-doo... # | 0:04:08 | 0:04:11 | |
Well, Jonathan, your shop's just down there. | 0:04:11 | 0:04:15 | |
You have 200 quid. | 0:04:15 | 0:04:16 | |
Good luck, Johnny. | 0:04:16 | 0:04:18 | |
Thank you. And you. Take care. | 0:04:18 | 0:04:20 | |
See you later. | 0:04:20 | 0:04:21 | |
Let's follow Anita. Her first shop of the day is Vintage & Retro, | 0:04:21 | 0:04:25 | |
owned by John. | 0:04:25 | 0:04:27 | |
-Anita! -Hello, John. | 0:04:27 | 0:04:29 | |
-Hello. -It's lovely to see you. | 0:04:29 | 0:04:30 | |
And you. | 0:04:30 | 0:04:32 | |
Big kisses at this time of the day? | 0:04:32 | 0:04:34 | |
I suppose she knows everyone round here. | 0:04:34 | 0:04:39 | |
This is a lovely piece. | 0:04:43 | 0:04:45 | |
Absolutely lovely. | 0:04:45 | 0:04:46 | |
It's a little biscuit barrel. | 0:04:46 | 0:04:48 | |
The glass is acid-etched here, | 0:04:49 | 0:04:51 | |
with this Art Nouveau pattern. | 0:04:51 | 0:04:54 | |
It's sitting on this wonderful WMF mount. | 0:04:54 | 0:05:00 | |
I love it to bits. | 0:05:00 | 0:05:02 | |
This biscuit barrel was made by the highly prized, | 0:05:02 | 0:05:06 | |
German WMF factory. | 0:05:06 | 0:05:08 | |
WMF, or Wurttembergische Metallwarenfabrik - | 0:05:08 | 0:05:13 | |
that's easy for me to say(!) - | 0:05:13 | 0:05:15 | |
was a highly prized German factory that became strongly influenced | 0:05:15 | 0:05:19 | |
by Art Nouveau at the turn of the century. | 0:05:19 | 0:05:22 | |
This delightful object has a ticket price | 0:05:22 | 0:05:24 | |
of £105. | 0:05:24 | 0:05:27 | |
I'd like to be buying it | 0:05:27 | 0:05:29 | |
in the region of £50. | 0:05:29 | 0:05:31 | |
Oh, gosh! | 0:05:31 | 0:05:33 | |
Is that possible? | 0:05:34 | 0:05:35 | |
-That's a lot less than I paid for it, Anita. -Is it? | 0:05:37 | 0:05:40 | |
-That's a lot less. -Well, we don't want you to be... | 0:05:40 | 0:05:44 | |
-Losing money? -No, no, no. | 0:05:44 | 0:05:47 | |
-We can't have that. -No, no, no. | 0:05:47 | 0:05:49 | |
We can't have that. | 0:05:49 | 0:05:51 | |
Could you go to 60? | 0:05:51 | 0:05:53 | |
63. | 0:05:54 | 0:05:56 | |
63? Let's do it. It's a deal, John. | 0:05:56 | 0:05:58 | |
Thank you so much. | 0:05:58 | 0:06:00 | |
I hope you do well with it. | 0:06:00 | 0:06:02 | |
What a stylish first buy! | 0:06:02 | 0:06:05 | |
And John's found something else to tantalise Anita. | 0:06:05 | 0:06:08 | |
They're Scandinavian silver coffee spoons. | 0:06:08 | 0:06:11 | |
These are lovely, the design is good. | 0:06:11 | 0:06:13 | |
I like this naturalistic... | 0:06:13 | 0:06:16 | |
handle here. | 0:06:16 | 0:06:18 | |
That's very sweet. | 0:06:18 | 0:06:20 | |
-It's very typical of Scandinavian Art Nouveau, isn't it? -Yeah. | 0:06:20 | 0:06:22 | |
Are they expensive, John? | 0:06:22 | 0:06:26 | |
25. | 0:06:26 | 0:06:27 | |
25? | 0:06:27 | 0:06:30 | |
And that would include a damn-good clean. | 0:06:30 | 0:06:33 | |
SHE LAUGHS | 0:06:33 | 0:06:35 | |
D'you do a cleaning service? | 0:06:35 | 0:06:37 | |
Have you got a pair of Marigolds? | 0:06:37 | 0:06:39 | |
A polish. | 0:06:39 | 0:06:40 | |
Could you do them for 20? | 0:06:40 | 0:06:43 | |
Go on. | 0:06:43 | 0:06:44 | |
-That's a double deal! -Another deal. | 0:06:44 | 0:06:47 | |
That's wonderful. | 0:06:47 | 0:06:49 | |
While Anita's been splashing the cash, | 0:06:49 | 0:06:51 | |
Jonathan's having a stroll to his first shop | 0:06:51 | 0:06:53 | |
in Glasgow town. | 0:06:53 | 0:06:56 | |
-Morning. -Hello, good morning. How are you. -Very good. You? | 0:06:56 | 0:07:00 | |
Jonathan's usually a bit nervy, | 0:07:00 | 0:07:03 | |
but perhaps even more so, | 0:07:03 | 0:07:04 | |
now that we're on Anita's home turf. | 0:07:04 | 0:07:08 | |
It's hardly fair, is it? | 0:07:08 | 0:07:09 | |
On past Road trips, young Jonathan has gained a reputation | 0:07:09 | 0:07:12 | |
as a ditherer. | 0:07:12 | 0:07:14 | |
Thankfully, owner, Marco, | 0:07:14 | 0:07:16 | |
points him in the right direction. | 0:07:16 | 0:07:18 | |
-You say £55 each? -Yep. | 0:07:18 | 0:07:20 | |
Each pair? | 0:07:20 | 0:07:22 | |
They're 55 each, | 0:07:22 | 0:07:24 | |
but I can come and go with you, no problem. | 0:07:24 | 0:07:26 | |
I walked straight past these two because | 0:07:26 | 0:07:28 | |
this shape just doesn't look like... | 0:07:28 | 0:07:32 | |
a typical Georgian chair. | 0:07:32 | 0:07:34 | |
They're terribly unfashionable, these chairs, nowadays. | 0:07:38 | 0:07:41 | |
You have a nice pair of bedroom chairs. | 0:07:41 | 0:07:44 | |
I'd give you £30, the pair. | 0:07:44 | 0:07:47 | |
That's the best you can do? | 0:07:47 | 0:07:49 | |
Have a think or what would you say? | 0:07:49 | 0:07:51 | |
-I can sell that to you. -Can you?! -That's no problem. | 0:07:51 | 0:07:54 | |
Ha-ha-ha! I am now the proud owner of a pair of chairs! | 0:07:54 | 0:07:57 | |
You're happy about that? | 0:07:57 | 0:07:59 | |
Blimey! Has Jonathan turned over a new leaf? | 0:07:59 | 0:08:02 | |
-There you go. -Look at this! | 0:08:02 | 0:08:04 | |
That's one down. | 0:08:04 | 0:08:05 | |
I'm on fire! | 0:08:05 | 0:08:06 | |
Don't get too big for your boots, though, JP. | 0:08:06 | 0:08:10 | |
Anyway, | 0:08:10 | 0:08:11 | |
Marco has another shop a-hop-and-a skip-and-a-jump away. | 0:08:11 | 0:08:14 | |
And he selects a little silver something for Jonathan. | 0:08:14 | 0:08:18 | |
It's quite an interesting piece. | 0:08:18 | 0:08:20 | |
Look. | 0:08:20 | 0:08:22 | |
That's a bit of a weight, isn't it? | 0:08:22 | 0:08:24 | |
So it was a cigar lighter. | 0:08:24 | 0:08:27 | |
That doesn't sit right. | 0:08:27 | 0:08:30 | |
I don't think that's actually belonging to this one. | 0:08:30 | 0:08:33 | |
It's more like somebody put that one on top. | 0:08:33 | 0:08:35 | |
It's circa 1900. | 0:08:35 | 0:08:38 | |
This piece is actually original. | 0:08:38 | 0:08:40 | |
That...goes... | 0:08:40 | 0:08:43 | |
That isn't. | 0:08:43 | 0:08:45 | |
That starts with that. | 0:08:45 | 0:08:47 | |
That's fine for that. | 0:08:47 | 0:08:49 | |
Would something have sat in there? | 0:08:49 | 0:08:52 | |
That, to me, | 0:08:52 | 0:08:53 | |
is a cigar lighter. | 0:08:53 | 0:08:55 | |
It sits there like a little Roman candle, | 0:08:55 | 0:08:58 | |
like a lantern. | 0:08:58 | 0:09:00 | |
You can have it for maybe 85. | 0:09:00 | 0:09:03 | |
£85? | 0:09:05 | 0:09:07 | |
Nothing like plonking it down, Jonathan(!) | 0:09:11 | 0:09:13 | |
How about... | 0:09:13 | 0:09:15 | |
60 for the two? | 0:09:19 | 0:09:21 | |
If you can give me £70 you can have it. | 0:09:23 | 0:09:26 | |
60 and I'll walk away. | 0:09:26 | 0:09:28 | |
OK, I'll do that for you, 60. | 0:09:28 | 0:09:31 | |
Well done. | 0:09:31 | 0:09:32 | |
Hee-hee-hee. | 0:09:32 | 0:09:34 | |
I can knock off now. | 0:09:34 | 0:09:36 | |
Ha-ha-ha-ha. | 0:09:36 | 0:09:38 | |
What a smarty-pants! | 0:09:38 | 0:09:40 | |
But I quite like the new-look tough-talking Jonathan, don't you? | 0:09:40 | 0:09:46 | |
And he's even finished ahead of Anita. | 0:09:46 | 0:09:48 | |
Oh, great. | 0:09:48 | 0:09:50 | |
The motor's back. | 0:09:50 | 0:09:51 | |
Hey, Jonathan! | 0:09:51 | 0:09:53 | |
-Ah! -Did you have a good time? -Here it is, look! | 0:09:53 | 0:09:57 | |
-Did you fix that yourself? -Of course I did(!) | 0:09:57 | 0:09:59 | |
I know a lot about cars. | 0:09:59 | 0:10:00 | |
Did you have a big key to wind it up(?) | 0:10:00 | 0:10:02 | |
Don't joke yet, Anita! | 0:10:02 | 0:10:05 | |
Young Jonathan is kindly dropping Anita off at Glasgow's | 0:10:08 | 0:10:12 | |
much-loved Grand Central Hotel. | 0:10:12 | 0:10:14 | |
-There we go. -I'm looking forward to this. | 0:10:17 | 0:10:19 | |
A bit of luxury. | 0:10:19 | 0:10:21 | |
Since its opening in 1883, | 0:10:24 | 0:10:26 | |
this hotel has been a renowned Glasgow landmark. | 0:10:26 | 0:10:29 | |
In 1879, | 0:10:31 | 0:10:33 | |
the main train hub of Glasgow was opened | 0:10:33 | 0:10:35 | |
by Caledonian Railways | 0:10:35 | 0:10:38 | |
and the neighbouring Central Hotel just four years later. | 0:10:38 | 0:10:42 | |
Designed by Scottish architect Robert Rowand Anderson, | 0:10:42 | 0:10:46 | |
he adapted the Queen Anne style, which incorporates | 0:10:46 | 0:10:49 | |
picturesque details, | 0:10:49 | 0:10:50 | |
intricate gables | 0:10:50 | 0:10:52 | |
and multi-panelled windows. | 0:10:52 | 0:10:54 | |
Sadly, to make way for the building of the hotel and railway, | 0:10:54 | 0:10:58 | |
the village of Grahamston had to be cleared. | 0:10:58 | 0:11:01 | |
600 villagers watched as their homes and businesses | 0:11:01 | 0:11:04 | |
were flattened. | 0:11:04 | 0:11:05 | |
In the halcyon days of railway travel, | 0:11:09 | 0:11:11 | |
the poshest hotel in town | 0:11:11 | 0:11:13 | |
was often attached to the railway station, | 0:11:13 | 0:11:15 | |
where the good and the great would stay. | 0:11:15 | 0:11:18 | |
Anita is meeting with authors of a recently-published book | 0:11:20 | 0:11:24 | |
on the history of this glorious hotel, | 0:11:24 | 0:11:26 | |
Bill Hicks and Jill Scott. | 0:11:26 | 0:11:30 | |
This is quite splendid. | 0:11:30 | 0:11:32 | |
Why did Glasgow need a hotel like this? | 0:11:36 | 0:11:40 | |
I suppose it would be the equivalent of the Ritz or the Dorchester | 0:11:40 | 0:11:44 | |
in London. | 0:11:44 | 0:11:45 | |
Did Glasgow need something like this? | 0:11:45 | 0:11:47 | |
Oh, without doubt. The Caledonian Railway Company knew that. | 0:11:47 | 0:11:51 | |
When they made this building, it had | 0:11:51 | 0:11:53 | |
390 bedrooms, | 0:11:53 | 0:11:56 | |
and room for 250 servants. | 0:11:56 | 0:12:00 | |
This city was just so bustling | 0:12:00 | 0:12:02 | |
and vibrant with industry. | 0:12:02 | 0:12:04 | |
This was the nearest hotel to the Broomielaw. | 0:12:04 | 0:12:07 | |
You could sail from the Broomielaw | 0:12:07 | 0:12:09 | |
to Hong Kong, Singapore. | 0:12:09 | 0:12:11 | |
So this was really the hub of commerce, | 0:12:11 | 0:12:14 | |
and when we look at this ballroom, | 0:12:14 | 0:12:16 | |
we can see that it was a place for | 0:12:16 | 0:12:18 | |
great events. | 0:12:18 | 0:12:20 | |
Dinners and dances | 0:12:20 | 0:12:23 | |
and so on. | 0:12:23 | 0:12:24 | |
Yes. | 0:12:24 | 0:12:26 | |
As the hotel grew in splendour and majesty, | 0:12:26 | 0:12:29 | |
it was the number-one location for many a famous face. | 0:12:29 | 0:12:31 | |
Laurel and Hardy, | 0:12:31 | 0:12:34 | |
Charlton Heston, | 0:12:34 | 0:12:35 | |
Bob Hope. | 0:12:35 | 0:12:36 | |
We're talking about Hollywood royalty? | 0:12:36 | 0:12:39 | |
I heard a story | 0:12:39 | 0:12:40 | |
that Roy Rogers stayed here | 0:12:40 | 0:12:43 | |
and Trigger stayed, and Trigger's suite | 0:12:43 | 0:12:45 | |
was more fancy. | 0:12:45 | 0:12:48 | |
-I don't know if that's true. -That's a myth. | 0:12:48 | 0:12:52 | |
That's the myth. | 0:12:52 | 0:12:55 | |
Trigger didn't actually stay in the hotel. | 0:12:55 | 0:12:57 | |
He was stabled outside, but... | 0:12:57 | 0:13:00 | |
he was photographed walking up the main staircase. | 0:13:00 | 0:13:05 | |
The hotel also took part in a historic first | 0:13:06 | 0:13:10 | |
in 1927. | 0:13:10 | 0:13:12 | |
John Logie Baird | 0:13:12 | 0:13:14 | |
had his first pictures transmitted to the hotel. | 0:13:14 | 0:13:18 | |
The transmission was made from London | 0:13:18 | 0:13:20 | |
to a room in the fourth floor. | 0:13:20 | 0:13:22 | |
And that was the very, very first television pictures? | 0:13:22 | 0:13:26 | |
Over a distance, yes. | 0:13:26 | 0:13:28 | |
Why did he choose this hotel? | 0:13:28 | 0:13:30 | |
It was just because of its situation. | 0:13:30 | 0:13:34 | |
If you can imagine that they had a lot of equipment coming up | 0:13:34 | 0:13:38 | |
from London on the train. | 0:13:38 | 0:13:40 | |
They didn't want to lug it about all over Glasgow. | 0:13:40 | 0:13:43 | |
There's the hotel right on the doorstep, | 0:13:43 | 0:13:46 | |
take it off the train, into the hotel, | 0:13:46 | 0:13:48 | |
up to the fourth floor. | 0:13:48 | 0:13:49 | |
Another memorable feature | 0:13:49 | 0:13:51 | |
was the Grand's Malmaison Restaurant, | 0:13:51 | 0:13:53 | |
which attracted those with a discerning palate | 0:13:53 | 0:13:57 | |
for nearly 60 years. | 0:13:57 | 0:13:59 | |
Feeling peckish? | 0:13:59 | 0:14:00 | |
In 1959, one could start off | 0:14:00 | 0:14:03 | |
with marmite soup for 4/-, | 0:14:03 | 0:14:05 | |
move onto spag bol for 5/6, | 0:14:05 | 0:14:08 | |
and round off with a delectable | 0:14:08 | 0:14:10 | |
creme caramel for 3/-. | 0:14:10 | 0:14:12 | |
A grand total of 12/6. | 0:14:12 | 0:14:15 | |
That's 62½p in today's money. | 0:14:15 | 0:14:18 | |
A glass of vino, of course, would be extra. | 0:14:18 | 0:14:22 | |
Sadly, we must leave the glitz and glamour | 0:14:22 | 0:14:24 | |
of the Grand Central Hotel behind | 0:14:24 | 0:14:26 | |
and catch up with Jonathan | 0:14:26 | 0:14:28 | |
who's on a jaunt for more antiques, | 0:14:28 | 0:14:30 | |
and looking stylish. | 0:14:30 | 0:14:32 | |
He's taking the high road to the bonnie banks | 0:14:34 | 0:14:36 | |
of Loch Lomond. | 0:14:36 | 0:14:38 | |
# By yon bonnie banks and by yon bonnie braes | 0:14:38 | 0:14:43 | |
# Where the sun shines bright on Loch Lomond | 0:14:43 | 0:14:48 | |
# Where me and my true love... # | 0:14:48 | 0:14:51 | |
Isn't it lovely? Loch Lomond has much beauty to offer, | 0:14:51 | 0:14:54 | |
and luckily for Jonathan, | 0:14:54 | 0:14:56 | |
an antiques centre, too. | 0:14:56 | 0:14:58 | |
What do you call this, a tam o'shanter? | 0:15:02 | 0:15:04 | |
It's right up Anita's street, probably her head size as well. | 0:15:07 | 0:15:10 | |
Lordy! | 0:15:10 | 0:15:12 | |
Stop monkeying about and get stuck in! | 0:15:12 | 0:15:15 | |
Och, aye. | 0:15:15 | 0:15:17 | |
Mm. | 0:15:17 | 0:15:19 | |
He has a rather bird-like approach when he's searching for treasures, | 0:15:19 | 0:15:23 | |
but owner, Brian, has uncovered something for Jonathan's inspection. | 0:15:23 | 0:15:27 | |
Gosh, it's heavy. | 0:15:27 | 0:15:29 | |
Is that bronze? | 0:15:32 | 0:15:34 | |
If so, it's been cleaned... | 0:15:36 | 0:15:38 | |
to an inch of its life. | 0:15:38 | 0:15:39 | |
Japanese mark on the bottom, which I can't read. | 0:15:39 | 0:15:44 | |
Can't work it out which way up it's meant to go! | 0:15:44 | 0:15:47 | |
Oh, gosh! | 0:15:47 | 0:15:49 | |
The base is loose in the bottom, it's coming out. | 0:15:49 | 0:15:51 | |
Splitting. | 0:15:51 | 0:15:53 | |
You can see, if you look inside, | 0:15:53 | 0:15:56 | |
you can see daylight. | 0:15:56 | 0:15:58 | |
Can you see through? | 0:15:58 | 0:16:00 | |
Oh, yes, look! | 0:16:00 | 0:16:01 | |
I'll ask the chap anyway. | 0:16:01 | 0:16:03 | |
The price on it is 145. | 0:16:03 | 0:16:05 | |
145. | 0:16:05 | 0:16:07 | |
I only have £110 left. | 0:16:07 | 0:16:08 | |
I don't think I'd want to even put that on it. | 0:16:10 | 0:16:12 | |
We could call it 90. | 0:16:12 | 0:16:15 | |
Oh, dear. I don't really want to blow all my money on the first day. | 0:16:15 | 0:16:18 | |
Not like that. | 0:16:18 | 0:16:21 | |
-Oh, go on, then! -Go on, then! | 0:16:21 | 0:16:23 | |
Well, he's certainly changeable. | 0:16:23 | 0:16:25 | |
Thank you. | 0:16:25 | 0:16:28 | |
That's enough roaming in the gloaming for one day. | 0:16:28 | 0:16:32 | |
# On those swingin' banks of Loch Lomond... # | 0:16:32 | 0:16:35 | |
Watch out for the van! | 0:16:35 | 0:16:37 | |
Our guy and our gal are enjoying the morning sunshine | 0:16:45 | 0:16:48 | |
as they begin a brand-new day. | 0:16:48 | 0:16:50 | |
How are you finding Glasgow? | 0:16:50 | 0:16:53 | |
Have you understood the Glasgow accent? | 0:16:53 | 0:16:55 | |
Huh(?) | 0:16:55 | 0:16:56 | |
SHE LAUGHS | 0:16:56 | 0:16:58 | |
So far, Anita has spent £83 on two lots. | 0:16:58 | 0:17:02 | |
The Art Nouveau biscuit box | 0:17:02 | 0:17:05 | |
and the set of Art Nouveau Danish silver teaspoons, | 0:17:05 | 0:17:08 | |
leaving a sum of £117 for the day ahead. | 0:17:08 | 0:17:11 | |
Jonathan has spent £180 on three lots. | 0:17:15 | 0:17:18 | |
The pair of 18th-century walnut chairs, | 0:17:18 | 0:17:20 | |
the silver lot comprising | 0:17:20 | 0:17:22 | |
the cigar lighter and the silver ewer. | 0:17:22 | 0:17:25 | |
and the Japanese bronze vase. | 0:17:25 | 0:17:27 | |
Yikes! He's only got £20 left. | 0:17:27 | 0:17:32 | |
They're still in the delightful city of Glasgow | 0:17:33 | 0:17:36 | |
and Anita is dropping Jonathan off on the banks | 0:17:36 | 0:17:39 | |
of the Clyde. | 0:17:39 | 0:17:41 | |
Well, not literally. | 0:17:41 | 0:17:42 | |
Have to make sure my sea legs are working today. | 0:17:42 | 0:17:45 | |
Don't get seasick, Jonathan. | 0:17:45 | 0:17:48 | |
-Isn't that wonderful? -That is amazing. | 0:17:48 | 0:17:51 | |
Maybe I could get up to the crow's nest. That would be cool. | 0:17:51 | 0:17:53 | |
Thank you very much for the lift. Have a lovely day, morning at least. | 0:17:57 | 0:18:01 | |
We'll catch up with Jonathan and his nautical adventure later, | 0:18:03 | 0:18:05 | |
but for now, like most girls, Anita's keen to get shopping. | 0:18:05 | 0:18:09 | |
She's starting her buying spree in Ruthven Mews, | 0:18:13 | 0:18:16 | |
in the heart of Glasgow's West End. | 0:18:16 | 0:18:18 | |
Anita finds co-owner Derek to get down to business. | 0:18:21 | 0:18:26 | |
-The old one here? -Uh-huh. | 0:18:26 | 0:18:28 | |
It has a modernist look about it, which I quite like. | 0:18:32 | 0:18:36 | |
It certainly has. | 0:18:36 | 0:18:37 | |
It's probably, I would say, 1950s/1960s. | 0:18:37 | 0:18:41 | |
It's very hard to sell brooches | 0:18:41 | 0:18:44 | |
generally, these days. | 0:18:44 | 0:18:46 | |
Don't tell her that, Derek! | 0:18:46 | 0:18:48 | |
It's two-tone, as well, | 0:18:48 | 0:18:50 | |
which makes it a little bit interesting. | 0:18:50 | 0:18:52 | |
It has this sort of satin finish. | 0:18:52 | 0:18:55 | |
I think it was bought in Wales, if that's any help. | 0:18:55 | 0:18:58 | |
Maybe it's Welsh gold(!) | 0:18:58 | 0:18:59 | |
I just wondered... | 0:18:59 | 0:19:01 | |
I am selling in Paisley, though! | 0:19:01 | 0:19:03 | |
THEY LAUGH | 0:19:03 | 0:19:05 | |
Is there a possibility of buying that in the region of £20? | 0:19:06 | 0:19:11 | |
Well... | 0:19:13 | 0:19:15 | |
Can we make it more sort of 28? | 0:19:15 | 0:19:19 | |
-28? -Mm-hm. | 0:19:19 | 0:19:21 | |
Could you go to 25? | 0:19:21 | 0:19:23 | |
Mm... | 0:19:23 | 0:19:25 | |
Oh, you're a hard lady! | 0:19:25 | 0:19:27 | |
Listen, she hasn't even started yet! | 0:19:27 | 0:19:30 | |
At 25, I think I've got a chance with that. | 0:19:30 | 0:19:33 | |
-OK, we'll do a deal at 25. -Can we do that? -Yes. | 0:19:33 | 0:19:37 | |
That's lovely. Thank you very much. Wish me luck. | 0:19:37 | 0:19:40 | |
Yes, indeed. | 0:19:40 | 0:19:42 | |
Trust Anita. She's got a big penchant for jewellery. | 0:19:42 | 0:19:46 | |
She's spied some Charles Rennie Mackintosh-style | 0:19:46 | 0:19:48 | |
earrings, too. | 0:19:48 | 0:19:50 | |
Mackintosh was born in Glasgow | 0:19:51 | 0:19:53 | |
and was a prolific architect and designer | 0:19:53 | 0:19:56 | |
who was a figurehead of the Arts and Crafts movement. | 0:19:56 | 0:20:00 | |
Could these be bought for five? | 0:20:00 | 0:20:02 | |
-£5?! -Mm-hm. | 0:20:02 | 0:20:03 | |
HE SQUIRMS | 0:20:03 | 0:20:05 | |
I would rather double that. | 0:20:05 | 0:20:08 | |
I think they should be £10. | 0:20:08 | 0:20:10 | |
It's just they are modern. | 0:20:10 | 0:20:12 | |
People can buy them in the shops. | 0:20:12 | 0:20:14 | |
But they won't buy them for £10. | 0:20:14 | 0:20:15 | |
-Yeah. -And £10 is a very good price for them. | 0:20:15 | 0:20:19 | |
Could you go to five on those? | 0:20:19 | 0:20:21 | |
Six, even. | 0:20:24 | 0:20:26 | |
-Six? -That would be the lowest I would go for. | 0:20:26 | 0:20:28 | |
We'll go for six. | 0:20:28 | 0:20:29 | |
-Let's compromise at six. -That's fine. -That's great. | 0:20:29 | 0:20:33 | |
Anita certainly loves her Art Nouveau. | 0:20:33 | 0:20:36 | |
That's a total of four items bagged. | 0:20:36 | 0:20:39 | |
back to young Jonathan. | 0:20:40 | 0:20:42 | |
He's off on a Boy's Own adventure. | 0:20:42 | 0:20:44 | |
Jonathan is stepping aboard the Glenlee, | 0:20:46 | 0:20:49 | |
the only large Clyde-built sailing ship | 0:20:49 | 0:20:52 | |
still afloat in the UK. | 0:20:52 | 0:20:54 | |
She's moored alongside the Riverside Museum, | 0:20:54 | 0:20:57 | |
which was opened in 2011. | 0:20:57 | 0:21:00 | |
Built in 1896, she has a colourful history. | 0:21:00 | 0:21:03 | |
She has sailed completely round the world | 0:21:03 | 0:21:05 | |
four times, | 0:21:05 | 0:21:07 | |
surviving many storms, | 0:21:07 | 0:21:09 | |
and has braved the notorious Cape Horn 15 times. | 0:21:09 | 0:21:12 | |
The ship's mainmast is as tall as ten double-decker buses | 0:21:19 | 0:21:22 | |
placed one on top of the other. | 0:21:22 | 0:21:24 | |
In 1993, the Glenlee returned to the Clyde, | 0:21:24 | 0:21:28 | |
to be restored by the Clyde Maritime Trust, | 0:21:28 | 0:21:30 | |
and was opened to the public as a museum ship | 0:21:30 | 0:21:34 | |
six years later. | 0:21:34 | 0:21:35 | |
Good morning, Jonathan. Welcome aboard the Glenlee. | 0:21:37 | 0:21:40 | |
Jonathan is meeting with Dr Christopher Mason, the president | 0:21:40 | 0:21:44 | |
of the Trust. | 0:21:44 | 0:21:46 | |
She was a bulk cargo ship. | 0:21:46 | 0:21:48 | |
What's a bulk cargo ship? | 0:21:48 | 0:21:49 | |
She carried things like coal, rice, wool. | 0:21:49 | 0:21:53 | |
Crude oil, timber. | 0:21:53 | 0:21:56 | |
Where would she be heading to, to get all that? | 0:21:56 | 0:22:00 | |
She's be bringing that back to Europe. | 0:22:00 | 0:22:02 | |
She's take a general cargo out. | 0:22:02 | 0:22:04 | |
Then in Australia, say, she'd pick up a cargo of coal. | 0:22:04 | 0:22:08 | |
Take it to the west coast of South America, | 0:22:08 | 0:22:11 | |
and there she's pick up a cargo of nitrate, | 0:22:11 | 0:22:13 | |
and take them back to the chemical industry | 0:22:13 | 0:22:17 | |
on the Rhine. | 0:22:17 | 0:22:18 | |
Then she'd go to London and do it all over again. | 0:22:18 | 0:22:22 | |
Whereabouts on the river would she have been built? | 0:22:22 | 0:22:24 | |
She was built about ten miles down river from here | 0:22:24 | 0:22:27 | |
at the Bay Yard, | 0:22:27 | 0:22:28 | |
in Port Glasgow. | 0:22:28 | 0:22:30 | |
She took six months to build | 0:22:30 | 0:22:32 | |
and she was launched fully rigged | 0:22:32 | 0:22:34 | |
on the 3rd of December, | 0:22:34 | 0:22:36 | |
and ten days later, she sailed away to Liverpool, | 0:22:36 | 0:22:39 | |
and she never came back to the Clyde | 0:22:39 | 0:22:41 | |
-until she was towed up here in June, 1993. -Wonderful. | 0:22:41 | 0:22:45 | |
-Can have a look around? -Yes. | 0:22:45 | 0:22:47 | |
Do you want to go down below? | 0:22:47 | 0:22:48 | |
No, you want to look at this first, maybe. | 0:22:48 | 0:22:51 | |
Is this a jump down there by the looks of it? | 0:22:51 | 0:22:53 | |
You're absolutely not supposed to jump down here. | 0:22:53 | 0:22:56 | |
No horsing around, Jonathan. Dr Mason doesn't stand any nonsense. | 0:22:56 | 0:23:00 | |
-This is the main cargo hatch. -Yes. | 0:23:00 | 0:23:02 | |
So all the cargo coming on board or coming off | 0:23:02 | 0:23:05 | |
-would go down here, lowered down by cranes. -Yes. | 0:23:05 | 0:23:10 | |
The stowing of the cargo was the principal job of the mate. | 0:23:10 | 0:23:15 | |
It was very much a science-based task. | 0:23:15 | 0:23:18 | |
Every cargo had to be treated differently. | 0:23:18 | 0:23:21 | |
For example, if you pack wet coal tight together, | 0:23:21 | 0:23:25 | |
in too much mass, | 0:23:25 | 0:23:27 | |
it ignites spontaneously. | 0:23:27 | 0:23:29 | |
-Oh, really?! -Many ships have been lost. | 0:23:29 | 0:23:33 | |
-It's the toilets? -At the front end! | 0:23:33 | 0:23:35 | |
Jonathan's itching to go below, | 0:23:35 | 0:23:38 | |
where working conditions would have been tough. | 0:23:38 | 0:23:41 | |
When they were loading guano, | 0:23:41 | 0:23:43 | |
which is bird droppings, | 0:23:43 | 0:23:45 | |
which was used for fertiliser | 0:23:45 | 0:23:47 | |
and also for making chemicals, | 0:23:47 | 0:23:49 | |
it would just be tipped down from the top | 0:23:49 | 0:23:51 | |
and gather here in heaps. | 0:23:51 | 0:23:53 | |
Men had to come down to rake it out. | 0:23:53 | 0:23:57 | |
The amount of ammonia and other nasties coming off that | 0:23:57 | 0:24:00 | |
was so strong, | 0:24:00 | 0:24:02 | |
they would wrap wet cloths round their faces. | 0:24:02 | 0:24:05 | |
But they would also have a rope | 0:24:05 | 0:24:08 | |
passed round their chests, under their arms, | 0:24:08 | 0:24:10 | |
so that if they passed out, they could be hauled out. | 0:24:10 | 0:24:13 | |
It was a terrible, terrible job. | 0:24:13 | 0:24:15 | |
I've smelt chicken poo. That's smelly enough. | 0:24:15 | 0:24:19 | |
At the end of the 19th century, when steam-powered ships | 0:24:19 | 0:24:22 | |
were in their ascendance, | 0:24:22 | 0:24:24 | |
there had to be a good reason to build a sailing ship. | 0:24:24 | 0:24:27 | |
They built a sailing ship for two reasons, mainly. | 0:24:27 | 0:24:31 | |
One was that the sailing ship had range, | 0:24:31 | 0:24:33 | |
she didn't run out of coal. | 0:24:33 | 0:24:35 | |
So she could sail on for a hundred days. | 0:24:35 | 0:24:38 | |
If you're sailing from the west coast of South America | 0:24:38 | 0:24:41 | |
to Europe, | 0:24:41 | 0:24:42 | |
a sailing ship can do it without stopping. | 0:24:42 | 0:24:45 | |
A steamer in those days will definitely need to stop | 0:24:45 | 0:24:47 | |
and refuel, which is expensive. | 0:24:47 | 0:24:50 | |
The second reason why they built sailing ships | 0:24:50 | 0:24:53 | |
is this business of the engines being the masts. | 0:24:53 | 0:24:56 | |
So everything down here earns money. | 0:24:56 | 0:25:00 | |
And that increased the earning capacity of giving space of hull by about 30 percent. | 0:25:00 | 0:25:07 | |
It wasn't a piece of sentimentality, | 0:25:07 | 0:25:09 | |
these ships were built to make profits and they did make profits. | 0:25:09 | 0:25:13 | |
And Jonathan can't leave the ship without a bit of derring-do. | 0:25:15 | 0:25:20 | |
I hope he has a head for heights. | 0:25:22 | 0:25:24 | |
I wouldn't say I am nervous, but I might end up with a rather dirty pair of chinos. | 0:25:27 | 0:25:32 | |
-Blimey, that is enough to make your eyes water. -I am in safe hands. -Yes. | 0:25:32 | 0:25:37 | |
Pull yourself up. Put your right hook on. | 0:25:38 | 0:25:41 | |
-Is that really the best choice of footwear, Jonathan? -Right, here goes. | 0:25:41 | 0:25:47 | |
What a brave young man! | 0:25:59 | 0:26:01 | |
Every Englishman has a drop of salt in his blood. | 0:26:01 | 0:26:05 | |
I think I can see Anita coming up the road now. | 0:26:08 | 0:26:11 | |
Somehow, I don't think so. | 0:26:11 | 0:26:14 | |
Now, while Jonathan has been finding his sea legs, | 0:26:15 | 0:26:18 | |
where is the delectable Anita? | 0:26:18 | 0:26:21 | |
She is travelling 50 miles away to Kilwinning in North Ayrshire. | 0:26:22 | 0:26:26 | |
From the hustle and bustle of the city to the lush green countryside. | 0:26:26 | 0:26:32 | |
Anita has still got the shopping bug. | 0:26:32 | 0:26:34 | |
Anita finds owner Shane to have a bit of a haggle. | 0:26:48 | 0:26:52 | |
I quite like this wee silver plated gong. | 0:26:52 | 0:26:54 | |
I like the sort of, it is like a rusted bamboo support. | 0:26:56 | 0:27:00 | |
It is, it is very pretty, it is a very pretty piece. | 0:27:00 | 0:27:02 | |
Showing the Chinese or Oriental influence. And... | 0:27:02 | 0:27:07 | |
GONG SOUNDS | 0:27:07 | 0:27:09 | |
-It sounds beautiful. -It is working perfectly. | 0:27:09 | 0:27:12 | |
Is that possible to do in the region of 20-25? | 0:27:14 | 0:27:19 | |
-I would do it for £20, Anita. -£20? -£20. | 0:27:21 | 0:27:25 | |
I think that is nice, I like it. | 0:27:26 | 0:27:28 | |
From a ticket price of £50 down to £20, well done, Anita. | 0:27:28 | 0:27:34 | |
Now, where is our young lad? | 0:27:35 | 0:27:38 | |
Jonathan is travelling just over 20 miles away | 0:27:38 | 0:27:41 | |
to Kilbirnie in North Ayrshire. | 0:27:41 | 0:27:44 | |
Jonathan is visiting the Stirrup Cup, owned by Greta. | 0:27:44 | 0:27:48 | |
Greta Logan. | 0:27:48 | 0:27:50 | |
I had a rather busy day yesterday and I spent quite a lot of money | 0:27:50 | 0:27:54 | |
and I'm going to be totally frank with you now I have arrived. I have left on me... | 0:27:54 | 0:27:58 | |
-£20. -Ouch. | 0:27:58 | 0:28:01 | |
I thought I may take the novel approach of saying, | 0:28:01 | 0:28:04 | |
"What can you sell for £20?" | 0:28:04 | 0:28:06 | |
You have just taken the wind out of my sails, | 0:28:06 | 0:28:08 | |
-because what have I got for £20? -That is kind of it. | 0:28:08 | 0:28:13 | |
You have got to appreciate his honesty. | 0:28:13 | 0:28:16 | |
Greta gives Jonathan the tour. | 0:28:16 | 0:28:18 | |
-Here we are. -This is quite fancy. | 0:28:20 | 0:28:24 | |
-My poster? -Yes. Of the heart and arteries. | 0:28:26 | 0:28:30 | |
It is probably turn-of-the-century, | 0:28:30 | 0:28:33 | |
-made for Edinburgh University. -Printed in Scotland? -I think it has... | 0:28:33 | 0:28:39 | |
Published by W and AK Johnson Ltd of Edinburgh. | 0:28:39 | 0:28:42 | |
-Is there a price on this one? -That one could be round about the 20. | 0:28:42 | 0:28:46 | |
Roundabout is 20 or no sale. | 0:28:47 | 0:28:50 | |
There you go, you're not allowed to give me | 0:28:50 | 0:28:53 | |
-two pounds out of your own pocket. -No, he is not allowed. | 0:28:53 | 0:28:58 | |
Well done, Jonathan, that £20 purchase means you have | 0:28:58 | 0:29:01 | |
blown every single penny of your £200. Good boy. | 0:29:01 | 0:29:06 | |
It is time for Anita and Jonathan to have a nosy at one another's treasures. | 0:29:06 | 0:29:11 | |
Jonathan, did you have a good buy in Scotland? | 0:29:11 | 0:29:14 | |
I had a great time, a really good time. | 0:29:14 | 0:29:17 | |
I thought you might have the advantage but I'm not sure now. | 0:29:17 | 0:29:19 | |
We will soon see. Let me reveal mine first. | 0:29:19 | 0:29:22 | |
-Oh, lots of little small things. -Yes. | 0:29:24 | 0:29:26 | |
One of the things that strikes me first, I do like this, | 0:29:26 | 0:29:29 | |
-I think the style is very good. Is it WMF? -WMF. -WMF? | 0:29:29 | 0:29:34 | |
I am not saying that in German again. | 0:29:34 | 0:29:36 | |
I think it is very bonny, very Art Nouveau, modern looking, | 0:29:36 | 0:29:41 | |
-it would fit in any house. -Expensive? -Functional. | 0:29:41 | 0:29:44 | |
-I'm hoping! -It wasn't cheap, it was £63. | 0:29:44 | 0:29:48 | |
-That's OK. -So it's not too bad. | 0:29:48 | 0:29:52 | |
I like this, too. I am assuming these might be silver at the front. | 0:29:52 | 0:29:56 | |
Jensenesque. | 0:29:56 | 0:29:57 | |
-Danish silver. -They are Danish, OK. | 0:29:57 | 0:30:00 | |
-And my brooch is gold, it is hallmarked. -Nine carats. | 0:30:00 | 0:30:04 | |
Nine carats, so I didn't pay a lot of money for it. | 0:30:04 | 0:30:08 | |
And I am hoping that it will be worth twice its weight in gold. | 0:30:08 | 0:30:12 | |
But listen to this, this is what I love. | 0:30:13 | 0:30:15 | |
GONG SOUNDS | 0:30:15 | 0:30:16 | |
That will get the children running, won't it? Hopefully towards the kitchen. | 0:30:16 | 0:30:20 | |
-I might buy that myself, it would be quite useful. -For your kids? -Yes. | 0:30:20 | 0:30:24 | |
-How different to what I've bought. -Show me what you've got. | 0:30:24 | 0:30:28 | |
OK, I must be careful what I do here. I can't remember what I've bought now. | 0:30:28 | 0:30:34 | |
I got those, very different, and... | 0:30:34 | 0:30:37 | |
Oh, Jonathan, I love that. | 0:30:39 | 0:30:43 | |
-Isn't it cool? -That is absolutely fabulous. That is wonderful. | 0:30:43 | 0:30:47 | |
It is funny, you like that, that was the cheapest thing of the whole lot. | 0:30:47 | 0:30:50 | |
I know, but that is the sort of thing that will capture people's imaginations. | 0:30:50 | 0:30:54 | |
I like him and he has a lovely smile. | 0:30:54 | 0:30:56 | |
He could do with a good feed though! | 0:30:58 | 0:31:00 | |
But these are rather nice, tell me about these. | 0:31:00 | 0:31:02 | |
What you've got here is a little cigar lighter, table lighter, | 0:31:02 | 0:31:06 | |
1901, London by William Comyns. | 0:31:06 | 0:31:10 | |
But this is a Glasgow piece of silver, | 0:31:10 | 0:31:13 | |
I've called it a little miniature ewer | 0:31:13 | 0:31:15 | |
and collectively they cost me £60. | 0:31:15 | 0:31:17 | |
Right, OK, I do like that. | 0:31:17 | 0:31:20 | |
Maybe a bit of a problem because they are not compatible | 0:31:20 | 0:31:23 | |
and they are not complete. What about this? | 0:31:23 | 0:31:27 | |
-It is heavy, isn't it? -It is. | 0:31:28 | 0:31:30 | |
Do you think it is quite good quality? | 0:31:30 | 0:31:32 | |
What I like to see are the character marks on the base. | 0:31:32 | 0:31:35 | |
Of its type that is pretty good, the downside is that you'll | 0:31:35 | 0:31:38 | |
notice, it has been cleaned within an inch of its life. But I paid... | 0:31:38 | 0:31:44 | |
-£90 for it. -Right. -Right. -And what did you pay for these? | 0:31:45 | 0:31:51 | |
These two chairs, I was in a quandary about these. I thought they were such a strange shape | 0:31:51 | 0:31:54 | |
and there are elements I thought were 18th-century. | 0:31:54 | 0:31:57 | |
Johnny, I don't think these screws are 18th-century. | 0:31:57 | 0:32:00 | |
Do you know, standing here I have noticed them on this side as well. | 0:32:00 | 0:32:05 | |
But I paid £30 for the pair. | 0:32:05 | 0:32:07 | |
-When you think of it, £30 for two chairs... -With screws on the side. | 0:32:07 | 0:32:13 | |
It's for nothing. | 0:32:13 | 0:32:14 | |
We will see what happens on the day, but I think | 0:32:14 | 0:32:17 | |
we have had a good first two days and hopefully we will both make a profit. | 0:32:17 | 0:32:21 | |
It is going to be interesting. | 0:32:21 | 0:32:22 | |
Let's hear what they really think. | 0:32:24 | 0:32:26 | |
Jonathan has been very brave on this first leg, | 0:32:27 | 0:32:32 | |
he has spent all of his money and I like to see that. | 0:32:32 | 0:32:35 | |
It means that I have a bigger chance of winning. | 0:32:35 | 0:32:39 | |
I like the WMF the most, I can see the style and I can see it is Anita's taste. | 0:32:39 | 0:32:44 | |
That is the thing I would say I like the most. | 0:32:44 | 0:32:47 | |
On the whole they are all very similar. | 0:32:47 | 0:32:49 | |
Let's hit the road and head to auction. | 0:32:50 | 0:32:52 | |
We have had an exciting first leg, | 0:32:55 | 0:32:57 | |
starting in the city of Glasgow, then journeying via Loch Lomond, | 0:32:57 | 0:33:01 | |
Kilwinning, Kilbirnie and finally to the Renfrewshire town of Paisley. | 0:33:01 | 0:33:08 | |
By the 19th century, | 0:33:10 | 0:33:11 | |
Paisley had established itself as the epicentre of the weaving industry, | 0:33:11 | 0:33:16 | |
giving its name to the Paisley pattern and Paisley shawl | 0:33:16 | 0:33:19 | |
which became very fashionable after a young Victoria took a liking to the design. | 0:33:19 | 0:33:25 | |
Paisley was also very famous for its Coats threadmill. | 0:33:25 | 0:33:31 | |
And talking of threads, Jonathan, you're looking pretty smart today. I am glad to see you have gotten | 0:33:31 | 0:33:36 | |
all dressed up to come out with Mrs Manning. | 0:33:36 | 0:33:38 | |
This jacket, I bought at auction. | 0:33:38 | 0:33:40 | |
And it was worn by Warren Beatty in a film called The Only Game In Town. | 0:33:42 | 0:33:48 | |
-I don't believe that. -Absolutely. -That is fabulous. | 0:33:48 | 0:33:52 | |
Nice blue wool sports jacket. | 0:33:52 | 0:33:53 | |
Our very own road trip stars arrived at the auction house. | 0:33:55 | 0:33:59 | |
Collins and Paterson have been established in the town since 1848. | 0:33:59 | 0:34:04 | |
-I don't suppose you could get any closer, could you? -Oh, brilliant. | 0:34:05 | 0:34:10 | |
-Oh, it is the next jacket. -Well, Jonathan, first auction. | 0:34:11 | 0:34:15 | |
-Are you excited? -I am very excited and a little nervous. | 0:34:15 | 0:34:19 | |
Don't be nervous. Come on. I will hold your hand the whole time. | 0:34:19 | 0:34:23 | |
Thank you. | 0:34:23 | 0:34:24 | |
And taking to the rostrum today is auctioneer Stephen Maxwell. | 0:34:25 | 0:34:28 | |
What does he think about Anita and Jonathan's lots? | 0:34:28 | 0:34:31 | |
No interest at £25? | 0:34:31 | 0:34:33 | |
I think the WMF box, the biscuit box, | 0:34:33 | 0:34:37 | |
there has been a lot of interest in that. | 0:34:37 | 0:34:39 | |
It will fetch a good price. | 0:34:39 | 0:34:40 | |
Also, the silver cigar lighter with a miniature ewer is a nice wee lot. | 0:34:40 | 0:34:44 | |
Again, a fair bit of interest, good age to it, | 0:34:44 | 0:34:47 | |
nicely made pieces that I think will do well. | 0:34:47 | 0:34:50 | |
Anita Manning started today with £200 | 0:34:51 | 0:34:54 | |
and spent £134 or five auction lots. | 0:34:54 | 0:34:57 | |
While Jonathan Pratt blew every single penny of his £200 starter pack on four lots. | 0:34:59 | 0:35:05 | |
Today's auction will also be open to bidders on the internet. | 0:35:07 | 0:35:11 | |
First up, it is Anita's gold brooch. | 0:35:14 | 0:35:18 | |
Conflicting commission bids, I will come straight in here | 0:35:18 | 0:35:21 | |
-and start at £45. -Well done. -£45 I have for the brooch. Do I have £48? | 0:35:21 | 0:35:25 | |
48, thank you. £50. You are out, with me, £50. 55. £60? 65? | 0:35:25 | 0:35:33 | |
The gentleman, it is your bid, sir, | 0:35:33 | 0:35:34 | |
we are selling into the room, fair warning at £65. | 0:35:34 | 0:35:37 | |
-Yes! -Well done, Anita, that is a great start. | 0:35:37 | 0:35:42 | |
Indeed, she is off the starting block. | 0:35:44 | 0:35:47 | |
I still have four to go, right enough. | 0:35:47 | 0:35:49 | |
Right, it is Jonathan next with the silver lot | 0:35:52 | 0:35:56 | |
of the cigar lighter and ewer. | 0:35:56 | 0:35:58 | |
Deep breaths. Pant. | 0:35:58 | 0:36:02 | |
Why pant? | 0:36:03 | 0:36:05 | |
HE PANTS | 0:36:06 | 0:36:07 | |
What is that going to help me with? | 0:36:07 | 0:36:09 | |
Wee bit of interest again in the two items here, | 0:36:09 | 0:36:11 | |
so I will go straight in and start the bidding at £60. | 0:36:11 | 0:36:14 | |
That is what I paid. | 0:36:14 | 0:36:16 | |
65 online. £70. 75. | 0:36:16 | 0:36:20 | |
£80. At 90. 95. | 0:36:20 | 0:36:24 | |
The bid is against you. £100, the bid is on commission. | 0:36:24 | 0:36:29 | |
We are selling, fair warning, at £100. | 0:36:29 | 0:36:32 | |
-Brilliant. -Well done. -That's a relief. -Are you happy? | 0:36:32 | 0:36:38 | |
-I am very, very happy. -Excellent. | 0:36:38 | 0:36:39 | |
I am glad you are happy, too, Jonathan. | 0:36:39 | 0:36:42 | |
Oh, that makes you neck and neck with Anita. | 0:36:42 | 0:36:46 | |
Now it is Anita's turn with the Rennie Mackintosh style earrings. | 0:36:46 | 0:36:52 | |
-Five pounds, surely? Five pounds? -Come on, come on. | 0:36:52 | 0:36:56 | |
That is for the two of them! We will throw in the box, honestly, we will. | 0:36:56 | 0:37:02 | |
Two pounds, come on, two pounds, silver earrings for two pounds. | 0:37:02 | 0:37:06 | |
I can't go much lower, I am bid two pounds by this gentleman - | 0:37:06 | 0:37:08 | |
it is your bid, sir, at two pounds. Going there, one born every minute. | 0:37:08 | 0:37:13 | |
What is your number? 69. | 0:37:13 | 0:37:15 | |
Onwards and upwards, Anita. | 0:37:15 | 0:37:17 | |
Jonathan is in the lead. | 0:37:19 | 0:37:21 | |
Maybe that is all they were worth? | 0:37:21 | 0:37:23 | |
Next it is Anita's Art Nouveau biscuit barrel, | 0:37:25 | 0:37:27 | |
the one she managed to get the big discount on. | 0:37:27 | 0:37:30 | |
The dealer came down quite a bit on the deal. | 0:37:31 | 0:37:34 | |
-You had him in a half-nelson, I take it. -No, a big smile sometimes works. | 0:37:34 | 0:37:40 | |
£85 to get it started, £85. At £85 here, we have 90 online. | 0:37:40 | 0:37:47 | |
95, 95 is against you. £100. | 0:37:47 | 0:37:50 | |
110. 110 against, at 110, 120 nope. 130. | 0:37:50 | 0:37:57 | |
150, now it is £150 online, at £150. Are you bidding, madam? 160. | 0:37:57 | 0:38:04 | |
170 online. The bid is still on at 170. | 0:38:04 | 0:38:09 | |
All in at 170? Fair warning to you, £170. | 0:38:09 | 0:38:12 | |
Very well done, Anita. | 0:38:12 | 0:38:17 | |
That is a good result. | 0:38:17 | 0:38:18 | |
-How am I going to compete against that! -That is a good result. | 0:38:18 | 0:38:22 | |
Big smiles really do work, Anita, excellent results. | 0:38:22 | 0:38:27 | |
That puts you ahead. | 0:38:27 | 0:38:28 | |
What was it you were saying about wanting to win? | 0:38:30 | 0:38:33 | |
Jonathan's turn now, with the big budget buy of the bronze vase. | 0:38:39 | 0:38:43 | |
I need to see it make £150 for me to feel confident. | 0:38:43 | 0:38:47 | |
-Darling, I love you for your courage. -Is it called courage? | 0:38:47 | 0:38:52 | |
We have interest again, we will start straight in at £45. | 0:38:54 | 0:38:58 | |
£45 for the Japanese vase at £45. 48 online. At £50, 55. | 0:38:58 | 0:39:05 | |
At 60, and five, at 70. And 80. And five. | 0:39:05 | 0:39:09 | |
The bid is now online at £85. | 0:39:09 | 0:39:13 | |
85, all done at 85? Selling, fair warning at £85. | 0:39:13 | 0:39:18 | |
OK. Amazing. | 0:39:18 | 0:39:22 | |
Uh-oh, not the figure Jonathan was hoping for. | 0:39:22 | 0:39:27 | |
It is Anita again with the Danish spoons. | 0:39:31 | 0:39:36 | |
£15? At 15, thank you sir. | 0:39:36 | 0:39:40 | |
I am bid £15. It is against the net, | 0:39:40 | 0:39:44 | |
with gentleman at £15, do we have 18? | 0:39:44 | 0:39:47 | |
At £20. And two, 25, 28, £30. | 0:39:47 | 0:39:54 | |
With the gentleman in the room, we are selling them, | 0:39:54 | 0:39:57 | |
fair warning at £30. | 0:39:57 | 0:39:59 | |
-There you go. -I am happy with that. | 0:39:59 | 0:40:02 | |
Still pushing ahead there, Anita. | 0:40:02 | 0:40:05 | |
Right then, Jonathan, | 0:40:05 | 0:40:07 | |
can you plan operation comeback with the anatomy chart? | 0:40:07 | 0:40:10 | |
Remember, you're behind. | 0:40:10 | 0:40:11 | |
Let's get straight to the heart of the matter - can we get £20? | 0:40:11 | 0:40:15 | |
£20 there, anatomy chart at 20. | 0:40:15 | 0:40:20 | |
Don't be shy, start me at ten, surely. | 0:40:20 | 0:40:23 | |
-I am bid 10, 12, 15, 18, 20, two. -Both on the floor. | 0:40:23 | 0:40:30 | |
We are selling them fair warning. At £22. Gone. | 0:40:30 | 0:40:36 | |
Oh dear, a disappointing result. | 0:40:38 | 0:40:41 | |
Next it is Anita, with her silver gong and beater. | 0:40:44 | 0:40:47 | |
Starting at £20? | 0:40:47 | 0:40:49 | |
£20? | 0:40:49 | 0:40:51 | |
20 for the dinner gong, 20 we have online, 22 with the lady, | 0:40:51 | 0:40:55 | |
25, 28, 30. | 0:40:55 | 0:40:57 | |
You are out. 35? Still online at 35. | 0:40:57 | 0:41:03 | |
We are online to 40. | 0:41:03 | 0:41:05 | |
We have £40 there. | 0:41:05 | 0:41:08 | |
It seems to have settled at 40, I think we are all done. | 0:41:08 | 0:41:10 | |
Selling, fair warning at £40. | 0:41:10 | 0:41:14 | |
Very good. | 0:41:14 | 0:41:16 | |
It's doubled its money, just about. | 0:41:16 | 0:41:18 | |
Just about - it didn't drum up huge interest, though. | 0:41:18 | 0:41:21 | |
But it still gives her a slight profit. | 0:41:21 | 0:41:24 | |
Jonathan's worn out dining chairs are the final lot of the day. | 0:41:26 | 0:41:29 | |
What can we say? £50 for the pair? | 0:41:29 | 0:41:33 | |
£50 thank you. 55 online. At 60. | 0:41:33 | 0:41:38 | |
The bid is in the room at 60, 65? And 70. 75, and 80. | 0:41:38 | 0:41:44 | |
Still with the gentleman in the room. £80. | 0:41:44 | 0:41:47 | |
Selling, fair warning, at £80. | 0:41:47 | 0:41:50 | |
-And the number is 24. -What a result. Fantastic. | 0:41:50 | 0:41:54 | |
-Are you happy now, darling? -Yes I am. Saved by the wood. | 0:41:54 | 0:41:58 | |
That is more like it! Well done. | 0:41:59 | 0:42:02 | |
-Let's go. -OK. -Let's get some lunch. | 0:42:02 | 0:42:05 | |
But who is today's jubilant winner? | 0:42:05 | 0:42:08 | |
Jonathan started today with £200, and after paying auction costs made | 0:42:09 | 0:42:14 | |
a small profit of £35.34, giving him a modest £235.34 to carry forward. | 0:42:14 | 0:42:21 | |
Anita also began with £200 and made a respectable profit of £117.74, | 0:42:23 | 0:42:31 | |
so that makes Anita today's winner and gives her £317.74 to start the next leg. | 0:42:31 | 0:42:37 | |
-Wasn't that good? -That was exciting. Very exciting. | 0:42:39 | 0:42:43 | |
-I loved your chairs! -I knew I knew something about them. | 0:42:43 | 0:42:46 | |
I couldn't put my finger on it, but there we go. | 0:42:46 | 0:42:49 | |
Well done on that, but I think we're both happy. | 0:42:49 | 0:42:52 | |
We should be, we are both in the money. | 0:42:52 | 0:42:54 | |
We are going in the right direction, we're going in the right direction. | 0:42:54 | 0:42:59 | |
Let's hope that direction leads you to lots and lots | 0:43:01 | 0:43:04 | |
and lots of lovely profits. | 0:43:04 | 0:43:06 | |
Next time on the Antiques Road Trip... | 0:43:06 | 0:43:10 | |
Have you been thrown out of many antique shops? | 0:43:10 | 0:43:12 | |
Anita makes friends. And Jonathan makes up his mind. | 0:43:12 | 0:43:17 | |
Eventually. | 0:43:20 | 0:43:21 | |
-Well done. -My heart is slightly racing. | 0:43:23 | 0:43:26 | |
Subtitles by Red Bee Media Ltd | 0:43:32 | 0:43:37 |