Browse content similar to Episode 17. Check below for episodes and series from the same categories and more!
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It's the nation's favourite antiques experts with £200 each... | 0:00:02 | 0:00:05 | |
I love that! | 0:00:05 | 0:00:06 | |
..a classic car and a goal to scour Britain for antiques. | 0:00:06 | 0:00:11 | |
-Yipee! -My heart's slightly racing. | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:21 | |
So will it be the high road to glory, or the slow road to disaster? | 0:00:23 | 0:00:27 | |
Johnny, are we going to end up in a dead end? | 0:00:27 | 0:00:30 | |
This is the Antiques Road Trip! | 0:00:30 | 0:00:32 | |
Yeah! | 0:00:33 | 0:00:35 | |
It's the second leg of our trip in a little 1964 MG | 0:00:39 | 0:00:43 | |
with Jonathan Pratt and Anita Manning. | 0:00:43 | 0:00:47 | |
-I think we're both going to the same shop. -Are we? | 0:00:47 | 0:00:51 | |
-What, shopping at the same time in the same shop? -I think so. | 0:00:51 | 0:00:54 | |
Jonathan is an auctioneer and a former porter. | 0:00:54 | 0:00:57 | |
He grew up watching Lovejoy and likes to live dangerously. | 0:00:57 | 0:01:01 | |
If he could just make his mind up. | 0:01:01 | 0:01:05 | |
Anita turned her childhood love of art and antiques into a career as an auctioneer. | 0:01:05 | 0:01:10 | |
She also has a fondness for puppetry. | 0:01:10 | 0:01:13 | |
Isn't that great fun? | 0:01:13 | 0:01:16 | |
Anita had Jonathan in the palm of her hand at the auction in Glasgow. | 0:01:16 | 0:01:20 | |
Yes! | 0:01:20 | 0:01:21 | |
But today, in the beautiful Scottish Borders, her rival's finding his feet. | 0:01:21 | 0:01:27 | |
-Ecclefechan? -Ecclefechan. | 0:01:27 | 0:01:29 | |
-SCOTS ACCENT: Ecclefechan. -Oh, that's a great accent! | 0:01:29 | 0:01:33 | |
Eh! We've just come past Ecclefechan. | 0:01:33 | 0:01:37 | |
Jonathan started out with £200. | 0:01:37 | 0:01:39 | |
And he's, so far, managed to turn that into £235.34. Well done, boy! | 0:01:39 | 0:01:45 | |
Anita, who also began with £200, | 0:01:47 | 0:01:49 | |
now has £317.74. | 0:01:49 | 0:01:52 | |
Great! | 0:01:52 | 0:01:54 | |
Oh! | 0:01:55 | 0:01:56 | |
Whoa! Oh, hope that's not a sign of things to come. | 0:01:56 | 0:02:00 | |
Oh! | 0:02:00 | 0:02:01 | |
LAUGHTER | 0:02:01 | 0:02:02 | |
Anita and Jonathan are travelling over 400 miles, | 0:02:02 | 0:02:05 | |
through Scotland, England and Wales, | 0:02:05 | 0:02:07 | |
from Glasgow, all the way to Llangefni on the island of Anglesey. | 0:02:07 | 0:02:12 | |
Today, we're starting out in the south-west of Scotland at Lockerbie, | 0:02:12 | 0:02:16 | |
and heading over the border to an auction in Darlington, County Durham. | 0:02:16 | 0:02:20 | |
Lockerbie is a Norse name, apparently, and the town has a long and venerable history, | 0:02:22 | 0:02:28 | |
especially since Thomas Telford supplied the Carlisle-Glasgow road | 0:02:28 | 0:02:32 | |
in the early 19th century. | 0:02:32 | 0:02:34 | |
Ah, just outside there. Wonderful! | 0:02:34 | 0:02:37 | |
-Jonathan, look at that! -What...? JONATHAN LAUGHS | 0:02:38 | 0:02:42 | |
-Hello. -Hello. | 0:02:42 | 0:02:45 | |
So as to avoid unnecessary toe treading, | 0:02:45 | 0:02:48 | |
Jonathan does the decent thing and allows Anita first peek into the cabinets. | 0:02:48 | 0:02:52 | |
Whilst he and Irene take a brief tour of the furniture. | 0:02:52 | 0:02:56 | |
Well, how about that? | 0:02:57 | 0:03:00 | |
Anita already has something. | 0:03:00 | 0:03:03 | |
-Is it all right if I take it outside into the light? -Oh yes, that's fine. | 0:03:03 | 0:03:07 | |
-That's fine. -Thank you. | 0:03:07 | 0:03:09 | |
I wonder what she's spotted? | 0:03:09 | 0:03:12 | |
What I'm looking for now are hallmarks. | 0:03:12 | 0:03:15 | |
They can be quite tiny, so often it's better to come out into the daylight. | 0:03:15 | 0:03:19 | |
Now let's look at the bracelet. | 0:03:19 | 0:03:22 | |
It's gold-plated. The bracelet is not solid gold, but I didn't expect that. | 0:03:22 | 0:03:27 | |
But I could see this yellowy metal. | 0:03:27 | 0:03:31 | |
But let me look at the backplate. | 0:03:31 | 0:03:33 | |
Er, treasure! | 0:03:33 | 0:03:35 | |
That's what I'm looking for. | 0:03:35 | 0:03:38 | |
So this little watch case is 18-carat gold. | 0:03:38 | 0:03:42 | |
It's got £20 on it. | 0:03:43 | 0:03:46 | |
That's cheap. | 0:03:46 | 0:03:47 | |
Looks like you've got there a bit too late, Jonathan. | 0:03:47 | 0:03:51 | |
I was looking at this wee vintage watch. | 0:03:51 | 0:03:54 | |
I think it's probably from the 1950s, '60s. | 0:03:54 | 0:03:57 | |
-I would say it's the '50s. -1950s. | 0:03:57 | 0:04:00 | |
Now, there's only one problem with this negotiation. | 0:04:00 | 0:04:04 | |
There are three people in it. | 0:04:04 | 0:04:06 | |
I'm looking to buy it for less. | 0:04:06 | 0:04:09 | |
-I hope you're not listening to this, Jonathan. -No, not in the slightest. | 0:04:09 | 0:04:12 | |
OK, close your eyes. Close your eyes. | 0:04:12 | 0:04:16 | |
The poor lad's blushing. No wonder he was a little nervous about sharing. | 0:04:16 | 0:04:20 | |
He's a lovely boy. | 0:04:20 | 0:04:22 | |
Now, where were we? | 0:04:22 | 0:04:24 | |
It's at £20. I'm looking to buy it for less, if I can. | 0:04:24 | 0:04:29 | |
What's the very, very, very best that you can do on that? | 0:04:29 | 0:04:33 | |
-Erm, what about 12? -12? | 0:04:33 | 0:04:37 | |
Well, she said that 20 was cheap. | 0:04:37 | 0:04:39 | |
Let's go for 12. That's lovely. | 0:04:39 | 0:04:41 | |
-Thank you. -Thank you very much. That is smashing. I'm pleased with that. | 0:04:41 | 0:04:45 | |
-It looks a lot better than mine. -It does. | 0:04:45 | 0:04:49 | |
On that note, let's see what Jonathan's been up to with his eyes open! | 0:04:50 | 0:04:54 | |
DING! | 0:04:54 | 0:04:55 | |
Quite like that. Chinese porcelain bowl. | 0:04:55 | 0:04:58 | |
You've got a firing crack in the star crack in the bottom. | 0:04:58 | 0:05:01 | |
It's not a break. It's the body drying out and cracking in the kiln. | 0:05:01 | 0:05:05 | |
This enamel decoration painted over the glaze is a little worn in places. | 0:05:05 | 0:05:10 | |
It's in remarkably good condition when you consider it's between 150 and 180 years old. | 0:05:10 | 0:05:16 | |
You have £60 on it. | 0:05:16 | 0:05:19 | |
And you might take an offer of...? | 0:05:19 | 0:05:21 | |
-35. -Oh, OK. | 0:05:21 | 0:05:23 | |
OK, we're moving in the right direction. That's a very busy bowl! | 0:05:23 | 0:05:28 | |
Crikey! | 0:05:28 | 0:05:30 | |
That's rather a smart thing. | 0:05:30 | 0:05:33 | |
There's a dragon, picked out in gilt, with four toes. | 0:05:33 | 0:05:37 | |
The four-clawed dragon on porcelain | 0:05:37 | 0:05:40 | |
was usually for imperial nobility and high-ranking officials. | 0:05:40 | 0:05:44 | |
Those items with five-clawed dragons were reserved for the Emperor himself. | 0:05:44 | 0:05:49 | |
Improper use of claw numbers was punishable by execution, once upon a time. | 0:05:49 | 0:05:55 | |
Very nice decoration though, but what about the damage? | 0:05:55 | 0:05:59 | |
What a shame! What a shame! | 0:05:59 | 0:06:02 | |
Touch of the Frankensteins about it, isn't there? | 0:06:02 | 0:06:06 | |
This is a 19th-century repair. Basically, they had to drill holes in | 0:06:06 | 0:06:10 | |
and then put these staples in and glue them in. | 0:06:10 | 0:06:12 | |
Though sometimes you can move the two pieces independently. It's like a brace. | 0:06:12 | 0:06:18 | |
It's still a very nice piece though. | 0:06:18 | 0:06:20 | |
-How much is he? -£15. -£15? -Yes. | 0:06:20 | 0:06:24 | |
Go on, Jonathan, get your wallet out! | 0:06:24 | 0:06:26 | |
Er... | 0:06:26 | 0:06:28 | |
-And the other one would be 35? -Yes. | 0:06:28 | 0:06:30 | |
You can do it. | 0:06:30 | 0:06:33 | |
£35... You wouldn't do the two for £40? | 0:06:38 | 0:06:40 | |
Erm... Yes, go on. I will. | 0:06:40 | 0:06:43 | |
-The two bowls for £40? -Yes. -I'll have those. | 0:06:43 | 0:06:46 | |
Thank you very much. Lovely. | 0:06:46 | 0:06:48 | |
At last, JP! Well done. | 0:06:48 | 0:06:51 | |
Now, I think Anita might have designs on the tableware. | 0:06:51 | 0:06:54 | |
These are highly collectable. | 0:06:54 | 0:06:57 | |
They're Homemaker plates. 20th-century design. | 0:06:57 | 0:07:01 | |
And I love 20th-century design. | 0:07:01 | 0:07:04 | |
Homemaker was created by Enid Seeney | 0:07:05 | 0:07:08 | |
and includes such quintessential 1950s motifs as a Robin Day chair | 0:07:08 | 0:07:14 | |
and a Sigvard Bernadotte sofa. | 0:07:14 | 0:07:17 | |
It was once very popular in Woolworth's. | 0:07:17 | 0:07:20 | |
People were getting away from pre-war styles. They wanted something modern. | 0:07:20 | 0:07:25 | |
They wanted something new. 20, 30, 40. | 0:07:25 | 0:07:29 | |
£70. In an auction in London, that's not dear, | 0:07:29 | 0:07:35 | |
but they're going to an auction in Darlington. | 0:07:35 | 0:07:38 | |
I'm going to have a think about those. Definitely have a think. | 0:07:38 | 0:07:42 | |
Well, these two experts do seem to have uncannily similar tastes today. | 0:07:42 | 0:07:46 | |
Gent's Longines automatic. | 0:07:46 | 0:07:48 | |
Now he's after a watch! | 0:07:48 | 0:07:50 | |
From about the '60s. I quite like that. | 0:07:50 | 0:07:53 | |
-It's a nice watch. -It's quite wearable today still. | 0:07:53 | 0:07:56 | |
And the market for... Sorry, I hear footsteps coming this way. | 0:07:56 | 0:08:00 | |
It's all gone quiet, while Anita has got a bit too close. | 0:08:00 | 0:08:05 | |
The market for gentlemen's automatics, and certainly mechanical watches, | 0:08:05 | 0:08:09 | |
is reasonably buoyant, you know? | 0:08:09 | 0:08:13 | |
-It's gold-plated... -Yes, it's gold-plated. | 0:08:13 | 0:08:16 | |
I think that one would have 60 on it, so I would take 35. | 0:08:16 | 0:08:21 | |
-ANITA IN THE DISTANCE: -It's a nice thing, a nice thing. | 0:08:21 | 0:08:23 | |
-I was looking at the Homemaker plates here. -Oh, yes. | 0:08:23 | 0:08:27 | |
I'm interested in those. | 0:08:27 | 0:08:30 | |
Give you 30. | 0:08:31 | 0:08:33 | |
Hello. Hello. | 0:08:33 | 0:08:35 | |
Yes, watch out! Or should that be, watch in? Ha! | 0:08:35 | 0:08:39 | |
-What's she looking at now? -Let's have a look. | 0:08:39 | 0:08:42 | |
Well, she's grabbed Jean actually. I wonder what she can come up with? | 0:08:42 | 0:08:46 | |
-60, 64. That's 68. -Yeah. | 0:08:46 | 0:08:49 | |
I'm kind of looking for a price around about £25. | 0:08:49 | 0:08:53 | |
-30 would be fine. -30? | 0:08:53 | 0:08:56 | |
I think I'll go for that and just take the chance on it. | 0:08:56 | 0:08:59 | |
So Anita's splashed a very reasonable £42 on those, plus the gold watch. | 0:08:59 | 0:09:05 | |
BEEP-BEEP! | 0:09:05 | 0:09:06 | |
And Jonathan's certainly sounding pleased with himself. | 0:09:06 | 0:09:10 | |
BEEP-BEEP! | 0:09:10 | 0:09:11 | |
Oh, do calm down! | 0:09:11 | 0:09:13 | |
Patience! Patience, Jonathan. Patience. | 0:09:13 | 0:09:16 | |
-Do you like what you bought? -Well, I... Who knows, who knows? | 0:09:16 | 0:09:19 | |
You don't want to tell me anything! Drive on, Macduff! | 0:09:19 | 0:09:23 | |
It's "Jonathan" actually! | 0:09:23 | 0:09:25 | |
Time to edge a wee bit closer to that border, | 0:09:25 | 0:09:29 | |
travelling south from Lockerbie to the village of Ruthwell. | 0:09:29 | 0:09:32 | |
Deep in the heart of the countryside, | 0:09:34 | 0:09:36 | |
where, apparently, Jonathan's off to...the bank. | 0:09:36 | 0:09:39 | |
This is Ruthwell Kirk, where they keep the famous Anglo-Saxon cross. | 0:09:41 | 0:09:46 | |
This elaborate sculpture was destroyed and lay in pieces for about 150 years, | 0:09:48 | 0:09:53 | |
until it was put back together by the minister in the early 19th century. | 0:09:53 | 0:09:57 | |
But restoring the cross was only one of Dr Henry Duncan's many achievements. | 0:09:57 | 0:10:02 | |
Because as well as being a journalist, a publisher and a geologist, | 0:10:02 | 0:10:06 | |
he opened, in this tiny village, the world's first savings bank. | 0:10:06 | 0:10:12 | |
-Hello. -Hi. Nice to meet you. Jonathan Pratt. -I'm Mhairi Hastings. | 0:10:14 | 0:10:17 | |
-This actually was a bank? -Yes, it was a bank aimed at the poor. | 0:10:17 | 0:10:21 | |
That was the big difference about this bank. | 0:10:21 | 0:10:24 | |
-Shall we find out a bit more? -Come on in. | 0:10:24 | 0:10:26 | |
200 years ago, workers could do little more than scrape by on meagre wages, | 0:10:26 | 0:10:31 | |
while banks were only for the rich, but Dr Duncan realised | 0:10:31 | 0:10:35 | |
to help escape the poverty trap, a new kind of bank was needed. | 0:10:35 | 0:10:39 | |
So this is where the clerk would have sat himself? | 0:10:39 | 0:10:42 | |
Yes, Henry Duncan would have sat in this original chair, behind his desk here. | 0:10:42 | 0:10:47 | |
And he would have taken the money off the poor people. | 0:10:47 | 0:10:50 | |
Henry Duncan's big idea was an account which required a deposit of only sixpence, | 0:10:50 | 0:10:56 | |
while other banks demanded £10, the equivalent of over £650 today. | 0:10:56 | 0:11:01 | |
It meant that working people could now save, and earn interest, too. | 0:11:01 | 0:11:05 | |
He took the money and he put it into a commercial bank up in Dumfries. | 0:11:05 | 0:11:10 | |
It was a new concept in Scotland for the industrious poor to be asked to hand over their life savings. | 0:11:10 | 0:11:16 | |
So they needed slightly more faith that the system could work. | 0:11:16 | 0:11:20 | |
So Henry Duncan commissioned this box and it had three padlocks on it. | 0:11:20 | 0:11:24 | |
If you were a saver here at Ruthwell, you voted for your trustees | 0:11:24 | 0:11:28 | |
and three of your trustees would be given a separate key. | 0:11:28 | 0:11:32 | |
So it meant no ONE person could run off with this little box | 0:11:32 | 0:11:34 | |
and open it without the other two being present. | 0:11:34 | 0:11:37 | |
Duncan's bank became the Trustees Savings Bank | 0:11:37 | 0:11:41 | |
and, although the Ruthwell branch closed in 1875, the savings bank lived on. | 0:11:41 | 0:11:47 | |
The museum's collection shows just how far the idea spread. | 0:11:47 | 0:11:52 | |
It's estimated that by 2002, | 0:11:52 | 0:11:55 | |
there were 109 savings banks organisations in 92 countries. | 0:11:55 | 0:12:00 | |
He wrote a set of rules on how to run a savings bank. | 0:12:02 | 0:12:05 | |
He would send out copies of that rule book to anybody that asked | 0:12:05 | 0:12:09 | |
and help them to set up their own savings bank. | 0:12:09 | 0:12:11 | |
Crikey, the man should have been knighted. | 0:12:11 | 0:12:14 | |
-Absolutely. -That's quite phenomenal, actually! | 0:12:14 | 0:12:17 | |
Unfortunately, that wasn't the case. | 0:12:18 | 0:12:21 | |
The good doctor, for all his achievements, died a poor man | 0:12:21 | 0:12:25 | |
and is buried here in an unmarked grave. | 0:12:25 | 0:12:28 | |
But while Jonathan's been learning all about thrift, | 0:12:30 | 0:12:33 | |
Anita's intent on doing just a little more spending, | 0:12:33 | 0:12:37 | |
making her way north from Ruthwell to the outskirts of Dumfries. | 0:12:37 | 0:12:41 | |
This is the Dumfries and Galloway Air Museum. | 0:12:45 | 0:12:49 | |
The restored control tower of the old World War II airfield | 0:12:49 | 0:12:53 | |
is now a listed building and below there's an ever-expanding aircraft collection. | 0:12:53 | 0:12:59 | |
No, she's not going to fly one of these, silly! | 0:12:59 | 0:13:03 | |
Even the streets around here have famous names! | 0:13:03 | 0:13:06 | |
And on the site of the old barracks, there are a few bargains worth scrambling for. | 0:13:06 | 0:13:11 | |
-Hello! Hi. I'm Anita. -I'm Douglas. Pleased to meet you. | 0:13:11 | 0:13:15 | |
-It's lovely to be here. Is it "Dougie"? -I was just being polite though! | 0:13:15 | 0:13:21 | |
OK! | 0:13:21 | 0:13:22 | |
Well, those two seem to have hit it off straight away. | 0:13:22 | 0:13:25 | |
There's plenty to admire here, too, not least the pictures. | 0:13:25 | 0:13:28 | |
Not too bad a hand. | 0:13:28 | 0:13:30 | |
Paintings can be a bit tricky at a general auction though. | 0:13:30 | 0:13:34 | |
I was looking at this little stool here. | 0:13:34 | 0:13:36 | |
Now that would be perfect for lolling about on and admiring one's art collection. | 0:13:36 | 0:13:42 | |
It's not old. It's all dressed up and pretending to be | 0:13:42 | 0:13:46 | |
something older and something more luxurious than it actually is. | 0:13:46 | 0:13:52 | |
There is a French look about that. | 0:13:52 | 0:13:54 | |
A sort of hint of luxury there, which I do like. | 0:13:54 | 0:13:57 | |
-£65. It's got the look. -Yeah. | 0:13:57 | 0:14:01 | |
And I don't mind the fact that it's metal. | 0:14:01 | 0:14:04 | |
-Yeah. -I would like to buy that round about 20. | 0:14:04 | 0:14:08 | |
-If you could make it 30. -If I could make it 30? | 0:14:08 | 0:14:11 | |
-Make it 30 and I'd let it go at 30. -I'm not sure I could make a profit on that. | 0:14:11 | 0:14:15 | |
Can I make you an offer of £24? | 0:14:15 | 0:14:18 | |
-You know, I might get away with it at 24. -Make it 25. -25? | 0:14:18 | 0:14:22 | |
I've got to take it. OK, thanks. Great. | 0:14:22 | 0:14:26 | |
But Anita's not putting her feet up just yet. Oh, no! | 0:14:26 | 0:14:29 | |
Time to step out into the garden. | 0:14:29 | 0:14:32 | |
An old cast-iron fire place. | 0:14:44 | 0:14:47 | |
Edwardian. | 0:14:48 | 0:14:50 | |
This one's new, brand new, made of plaster. | 0:14:55 | 0:14:58 | |
But look at that one! | 0:14:58 | 0:15:01 | |
That is absolutely beautiful! | 0:15:01 | 0:15:05 | |
That is absolutely beautiful. | 0:15:05 | 0:15:08 | |
And that's the type of cast-iron fireplace | 0:15:08 | 0:15:11 | |
that you would find in a Glasgow tenement building. Glasgow loved Art Nouveau. | 0:15:11 | 0:15:16 | |
Mmm. But is it the right thing for a general sale in Darlington? | 0:15:16 | 0:15:20 | |
Look at these sinuous tendrils which are coming up to this heart-shaped affair here. | 0:15:20 | 0:15:26 | |
This is just absolutely lovely. | 0:15:26 | 0:15:30 | |
If I got it really, really cheaply, I would go for it. | 0:15:30 | 0:15:35 | |
-Is that quite heavy? -Erm... | 0:15:35 | 0:15:38 | |
It's not too bad. | 0:15:38 | 0:15:40 | |
Er, it's made in Falkirk. | 0:15:40 | 0:15:43 | |
-Probably the Carron ironworks. -Probably. | 0:15:43 | 0:15:46 | |
It's odd to think that in the days before central heating, | 0:15:46 | 0:15:50 | |
fireplaces were functional items, | 0:15:50 | 0:15:53 | |
rather than a decorative focal point. | 0:15:53 | 0:15:55 | |
This one's priced at just £30. | 0:15:55 | 0:15:57 | |
Now, who's going to make the first offer this time? | 0:15:57 | 0:16:01 | |
I like it. Erm, it needs stripping down. It needs work on it. | 0:16:01 | 0:16:07 | |
Can it be bought cheaply to get it out your road? | 0:16:08 | 0:16:12 | |
-To get it out your road? -Make me an offer. | 0:16:12 | 0:16:15 | |
-OK. Can I make you an offer? -Yes. | 0:16:15 | 0:16:18 | |
£20 for that. I'd like to be paying £20. | 0:16:20 | 0:16:24 | |
-Give me 25 and it's yours. -25? -25. | 0:16:24 | 0:16:27 | |
-Are you dying to get rid of that? -No. | 0:16:27 | 0:16:30 | |
Just a sense of... No, I'll give you it for 25. | 0:16:30 | 0:16:34 | |
You'll give me it for 25. Dougie, it's a deal. | 0:16:34 | 0:16:38 | |
That is a popular figure. I wonder if these two would always, somehow, | 0:16:38 | 0:16:43 | |
arrive at £25? | 0:16:43 | 0:16:45 | |
A thrifty end to another thrifty day for Anita, but what about Jonathan? | 0:16:45 | 0:16:49 | |
Has your visit to the bank made you a new man? | 0:16:49 | 0:16:53 | |
Let's not go too far. | 0:16:53 | 0:16:55 | |
Well, we'll see. Night, night! | 0:16:55 | 0:16:58 | |
Next morning, they're hard at work, trying to find England. | 0:17:04 | 0:17:08 | |
-This is someone's driveway, I think, we're going down. -Someone's drive... | 0:17:08 | 0:17:12 | |
-Yeah, it is. Yeah! Yes! -Johnny, are we going to end up in a dead end? | 0:17:12 | 0:17:16 | |
I think you might have taken the wrong turning, Anita. | 0:17:16 | 0:17:20 | |
Yesterday, Jonathan bought an automatic Swiss watch | 0:17:20 | 0:17:23 | |
and two Chinese porcelain bowls for £70. | 0:17:23 | 0:17:26 | |
That's rather a smart thing. | 0:17:26 | 0:17:28 | |
Leaving him with just over £165 to spend today. | 0:17:28 | 0:17:31 | |
While Anita plumped for a gold watch, | 0:17:33 | 0:17:36 | |
some '50s dinnerware, a foot stool and a cast-iron fireplace, all for £92... | 0:17:36 | 0:17:42 | |
..To get it out your road! | 0:17:42 | 0:17:44 | |
Leaving her with over £225 at her disposal. | 0:17:44 | 0:17:48 | |
It's time now to leave Dumfries behind | 0:17:50 | 0:17:52 | |
and head south across the Scottish border to Carlisle in Cumbria. | 0:17:52 | 0:17:57 | |
Now, do they know where they are? | 0:17:59 | 0:18:01 | |
Eden Bridge. Was it Eden Bridge it says? I thought that was in Kent! | 0:18:01 | 0:18:06 | |
No, definitely Carlisle. | 0:18:06 | 0:18:08 | |
There's the Antiques Centre for a start. | 0:18:08 | 0:18:10 | |
-Now that looks interesting. -Can smell the bargains already! -Oh, excellent! That's my boy! | 0:18:10 | 0:18:15 | |
-Have a great morning. -OK, bye-bye. | 0:18:15 | 0:18:18 | |
-Hello! -Crikey! What a place this is! -Hello, Jonathan. | 0:18:21 | 0:18:24 | |
-Nice to see you. -And welcome to Carlisle. -Thank you! | 0:18:24 | 0:18:27 | |
-Do I need a map? I could get lost quite easily in here. -Maybe start in the first one. | 0:18:27 | 0:18:32 | |
I know what you mean, Jonathan. This place does seem like a whole street full of antique shops, | 0:18:32 | 0:18:38 | |
tastefully rearranged. | 0:18:38 | 0:18:40 | |
We could be here some time. | 0:18:40 | 0:18:42 | |
HE WHISTLES | 0:18:42 | 0:18:45 | |
Do we call this a whistle-stop tour then, Jonathan? | 0:18:48 | 0:18:51 | |
# We are... # | 0:18:51 | 0:18:53 | |
-Oh, hello! -Hello. | 0:18:53 | 0:18:55 | |
HE LAUGHS Didn't expect an open hatch there! | 0:18:55 | 0:19:00 | |
HE WHISTLES | 0:19:00 | 0:19:02 | |
This is kind of fun, little transfer-printed plate from the middle part of the 19th century. | 0:19:02 | 0:19:07 | |
"Yorkshire Relish" on there, which is quite cool. | 0:19:07 | 0:19:09 | |
I think the auction's in Yorkshire. Darlington's in Yorkshire, isn't it? | 0:19:09 | 0:19:12 | |
Well, County Durham, actually. | 0:19:12 | 0:19:14 | |
Anyway, I think that's rather fun, actually. | 0:19:14 | 0:19:17 | |
It's not chipped. It's not cracked. They're only asking £7! | 0:19:17 | 0:19:21 | |
HE LAUGHS | 0:19:21 | 0:19:23 | |
If I'm going to be frugal... £7 is frugal, isn't it? | 0:19:23 | 0:19:27 | |
I think Anita would approve of that, too, but where's she got to? | 0:19:27 | 0:19:30 | |
One of the oldest parts of Carlisle, apparently, and, surely, one of the town's smallest shops. | 0:19:31 | 0:19:37 | |
-Hi, folks. Hello. I'm Anita. -Pleased to meet you. | 0:19:37 | 0:19:41 | |
-I'm John. -This is Julie. -Ah, John and Julie! | 0:19:41 | 0:19:43 | |
-It's very small here, you know. -Well, I'm only small as well. | 0:19:43 | 0:19:48 | |
ANITA LAUGHS | 0:19:48 | 0:19:50 | |
Just about everything in this shop is on the trim side, too, especially their coins. | 0:19:50 | 0:19:55 | |
Highly collectable, but hardly Anita's thing - | 0:19:55 | 0:19:58 | |
a bit like the rocks and fossils. | 0:19:58 | 0:20:01 | |
I wonder if you can show me that piece there, please? | 0:20:01 | 0:20:06 | |
And there's a piece of amethyst at the top. | 0:20:06 | 0:20:10 | |
There you are. | 0:20:10 | 0:20:11 | |
I suppose they are antiques, in a way, | 0:20:11 | 0:20:14 | |
but she seems determined to break new ground here. Huh! | 0:20:14 | 0:20:17 | |
I know what that is, but I don't know what that is. Tell me about that. | 0:20:17 | 0:20:22 | |
This is a fossil and it's an early form of squid. | 0:20:22 | 0:20:28 | |
-Squid? -Yes. And it's called an orthoceras. | 0:20:28 | 0:20:32 | |
And... And it swam along through the water. | 0:20:32 | 0:20:36 | |
Are you following this, Anita? | 0:20:36 | 0:20:38 | |
Eventually, they curled up and we ended up with a fully curled ammonite. | 0:20:38 | 0:20:44 | |
-Has that come out of the sea then? -Well, millions of years ago. | 0:20:44 | 0:20:48 | |
-It's been fossilised, become part of the rock. -Right. | 0:20:48 | 0:20:51 | |
And all that's happened, it's been cut in half and polished. | 0:20:51 | 0:20:54 | |
I was just thinking... | 0:20:54 | 0:20:56 | |
These would make a great pair of earrings! | 0:20:56 | 0:20:59 | |
LAUGHTER | 0:20:59 | 0:21:00 | |
So while Anita grapples with the coming together of jewellery and natural selection, | 0:21:00 | 0:21:05 | |
what's Jonathan unearthed? Not Whistler's are they? | 0:21:05 | 0:21:09 | |
Oh, they're nice as well. | 0:21:11 | 0:21:13 | |
You've got sort of a flower seller and this lady here who has a... | 0:21:13 | 0:21:16 | |
I suppose she's the same really. Almost Romanian, or that sort of area. | 0:21:16 | 0:21:22 | |
Pretty girls always sell, that's the thing. | 0:21:22 | 0:21:24 | |
Ideally, with as little clothing on as possible, but you know... | 0:21:24 | 0:21:27 | |
Beggars can't be choosers. | 0:21:27 | 0:21:30 | |
1881. It's a German name. | 0:21:30 | 0:21:33 | |
"A H Weigall". W-E-I-G-A-L-L. | 0:21:33 | 0:21:37 | |
Arthur Howe Weigall, 1836-1894, was an English painter, | 0:21:37 | 0:21:42 | |
about whom very little is known. | 0:21:42 | 0:21:44 | |
But the somewhat tatty condition of these two only adds to their authenticity in a way. | 0:21:44 | 0:21:49 | |
You can see if you look closely... You don't need to look closely, to be honest! | 0:21:49 | 0:21:52 | |
You've got a hole here and a hole here. | 0:21:52 | 0:21:55 | |
Almost like sticky plasters on the back. | 0:21:55 | 0:21:58 | |
So it's not without problems and it does need work. | 0:21:58 | 0:22:01 | |
A picture dealer won't complain about that too much. They know they can get it restored. | 0:22:01 | 0:22:04 | |
I've sold pictures where they've made silly money with holes in, | 0:22:04 | 0:22:07 | |
because it makes it feel like it's fresh to the market. | 0:22:07 | 0:22:11 | |
There's no price on these, but they almost certainly won't be cheap. | 0:22:11 | 0:22:15 | |
I don't really want to go blowing over £100 on one item. | 0:22:15 | 0:22:18 | |
And if those pictures come in at that, then I'll... | 0:22:18 | 0:22:22 | |
then I'll stand around staring at them for 20 minutes, thinking about it! | 0:22:22 | 0:22:27 | |
Time for some decisive action. | 0:22:27 | 0:22:30 | |
-Are you open to offers? -I am, yes. | 0:22:30 | 0:22:32 | |
-Er... -Just steady myself. | 0:22:32 | 0:22:35 | |
TICK-TOCK, TICK-TOCK | 0:22:35 | 0:22:39 | |
Lordy! | 0:22:39 | 0:22:40 | |
Instead making me an offer, I'll tell you want I want. I'm getting frightened watching your face! | 0:22:40 | 0:22:45 | |
-Yeah, go on then. -Go on then. Right. I will... | 0:22:45 | 0:22:47 | |
The pair - and it might be a nice surprise for you - 125. | 0:22:47 | 0:22:51 | |
The figure in my mind was... Crikey! ..even at the most was £100. | 0:22:54 | 0:22:58 | |
So how about 110? | 0:22:58 | 0:23:00 | |
-Er, come back to that in a second. -Yes. -This is not a big, big buy. This little chap here. -Oh, yes. | 0:23:00 | 0:23:05 | |
You've got £7 on it. Actually, it's not great leverage on a pair of pictures like that, is it? | 0:23:05 | 0:23:11 | |
Not quite, but it all helps. | 0:23:11 | 0:23:14 | |
So we'll knock a few pounds off, how about that? For good measure. | 0:23:14 | 0:23:17 | |
Get on with it, boy! | 0:23:17 | 0:23:20 | |
I'll go £7 on that and pay the full asking price, | 0:23:20 | 0:23:23 | |
-and you give me those for 100. -Oh, it's just a bit tight that. | 0:23:23 | 0:23:28 | |
HE LAUGHS | 0:23:28 | 0:23:29 | |
I'll do that at six and I'll do those at 105, how about that? | 0:23:29 | 0:23:33 | |
105? That's 111. Er... | 0:23:33 | 0:23:36 | |
TICK-TOCK, TICK-TOCK | 0:23:36 | 0:23:38 | |
-I'm not a fan of odd numbers. -Shall we knock the one off then? | 0:23:38 | 0:23:41 | |
-So we're looking at 110 for the two. -110. -Fiver for this, 105 for those two. -Yes. | 0:23:41 | 0:23:45 | |
-And I hope you do well with them. -It's real gamble. | 0:23:45 | 0:23:48 | |
Hand on brow. Could we be close? | 0:23:48 | 0:23:50 | |
No. | 0:23:50 | 0:23:52 | |
TICK-TOCK, TICK... | 0:23:52 | 0:23:55 | |
-OK. -OK? | 0:23:55 | 0:23:57 | |
-Well done. -Thank you. I'll go for those two. | 0:23:57 | 0:23:59 | |
At last! | 0:23:59 | 0:24:00 | |
My heart's slightly racing. | 0:24:00 | 0:24:02 | |
More of a heart ache for us! | 0:24:02 | 0:24:05 | |
..Four, five... | 0:24:05 | 0:24:06 | |
Well, he did end up spending over £100, but those things could fly. | 0:24:06 | 0:24:12 | |
He's still whistling, anyway. | 0:24:12 | 0:24:14 | |
Now, what about Anita? She has been busy. | 0:24:14 | 0:24:17 | |
So the citrine, the amethyst and the agate, | 0:24:17 | 0:24:22 | |
-and this little chap here... -A geode. -Geode. | 0:24:22 | 0:24:25 | |
These are all natural minerals and I have my ammonite. | 0:24:25 | 0:24:30 | |
-And my... -Orthoceras. -Orthoceras. | 0:24:30 | 0:24:33 | |
-And if I put these together... -They come to 53.50. | 0:24:33 | 0:24:38 | |
I would like to be paying something in the region of £20, £25. | 0:24:38 | 0:24:43 | |
That was her favourite offer yesterday as well! | 0:24:43 | 0:24:46 | |
Have you been thrown out of many antique shops? | 0:24:46 | 0:24:49 | |
ANITA LAUGHS | 0:24:49 | 0:24:52 | |
-It would have to be in the 30s. -But is it possible...at 30? | 0:24:52 | 0:24:57 | |
-I know that's a long way down. -What do you think? | 0:24:57 | 0:25:02 | |
The most important thing in this negotiation... | 0:25:02 | 0:25:06 | |
-Yeah. -..Is for you to be happy. -I would be happy at 30. | 0:25:06 | 0:25:09 | |
-Yeah, I think, as you've shown so much appreciation of them. -Thank you very much, Julie. | 0:25:09 | 0:25:15 | |
I just hope Anita can remember what they're all called for the auction. Hm! | 0:25:15 | 0:25:19 | |
So citrine, agate, amethyst and a little geode. | 0:25:19 | 0:25:23 | |
-And we have... -Orthoceras. ANITA LAUGHS | 0:25:23 | 0:25:28 | |
Ah, well! Time for our two to get motoring, | 0:25:30 | 0:25:33 | |
leaving Carlisle and heading east to the nearby market town of Brampton. | 0:25:34 | 0:25:39 | |
-I'll drop you off here, Jonathan. -Ah, lovely. | 0:25:41 | 0:25:44 | |
-So last shop, darling. -Yes! | 0:25:44 | 0:25:47 | |
Might find that thing which will change your life. | 0:25:47 | 0:25:50 | |
Or I might just stay in my frugal mind. | 0:25:50 | 0:25:54 | |
OK. Good luck, Johnny! | 0:25:54 | 0:25:57 | |
Well, he's got just £55.34 to play with here, | 0:25:58 | 0:26:02 | |
so he'll certainly have to choose wisely. | 0:26:02 | 0:26:06 | |
-Hiya. -Hi. Steve. -Hi. Jonathan. -Hi, Jonathan. -It's like a Tardis, isn't it? | 0:26:06 | 0:26:11 | |
Yes! But it's a bit more comfy, actually, and stuffed with nice | 0:26:11 | 0:26:15 | |
and, very possibly, expensive things. | 0:26:15 | 0:26:18 | |
Let's hope he's not distracted. | 0:26:18 | 0:26:20 | |
# You don't know what | 0:26:20 | 0:26:22 | |
# We can find! | 0:26:22 | 0:26:24 | |
# Why don't you come with me, little girl | 0:26:24 | 0:26:27 | |
# On a magic carpet ride? # | 0:26:27 | 0:26:28 | |
It's quite a lot more than I can afford. I quite like it though. | 0:26:28 | 0:26:31 | |
# ..We can find | 0:26:31 | 0:26:33 | |
# Why don't you come with me, little girl | 0:26:33 | 0:26:35 | |
# On a magic carpet ride? # | 0:26:35 | 0:26:37 | |
It might be simpler if I just asked you what you can sell me for what I've got! | 0:26:37 | 0:26:43 | |
Not a bad plan, Jonathan. | 0:26:43 | 0:26:45 | |
-That can be £65. -Yeah? I've only got 55, so... | 0:26:45 | 0:26:50 | |
Plus he's already bought some pictures. | 0:26:50 | 0:26:53 | |
Best to spread the risk a little, eh? | 0:26:53 | 0:26:55 | |
Ah, a letter seal. | 0:26:57 | 0:26:59 | |
What do you think? It's a fabulous piece of amber. | 0:26:59 | 0:27:03 | |
-It's a big lump of amber. -It's lovely, isn't it? | 0:27:03 | 0:27:06 | |
It's continental, so it's probably... 800, possibly German or something. | 0:27:08 | 0:27:11 | |
Jonathan and Anita seem to be thinking alike. | 0:27:11 | 0:27:15 | |
Yesterday watches. Today fossils and natural products. | 0:27:15 | 0:27:19 | |
Because amber is a resin, often from the Baltic, | 0:27:19 | 0:27:22 | |
thanks to the many forests that grow there. | 0:27:22 | 0:27:25 | |
The price though is a bit beyond his budget. | 0:27:25 | 0:27:28 | |
-I've got 55 quid. That's all I have. -That's fine. -That is all I, isn't it? | 0:27:28 | 0:27:32 | |
Yeah, that's all you've got, mate. | 0:27:32 | 0:27:34 | |
-We'll turn you upside-down and shake you! -So that for 55? -That'll be fine. -Fair enough. -Deal. | 0:27:34 | 0:27:39 | |
That little deal nicely wraps up Jonathan's purchases and empties his pockets of all but 34p. | 0:27:39 | 0:27:45 | |
-We're done! -Cheers! All the best. | 0:27:45 | 0:27:48 | |
So much for saving money then, eh? | 0:27:48 | 0:27:51 | |
Unlike Anita, who's still sitting on almost £200. | 0:27:51 | 0:27:55 | |
She's finished shopping, too, and is heading back north | 0:27:56 | 0:27:59 | |
from Brampton across the Scottish border to the village of Gretna Green. | 0:27:59 | 0:28:03 | |
Is she going to marry? | 0:28:03 | 0:28:06 | |
# I'm on my way to Gretna Green | 0:28:06 | 0:28:10 | |
# Where the prettiest gal you've ever seen... # | 0:28:11 | 0:28:14 | |
Gretna's been firmly on the runway marriage map since the middle of the 18th century - | 0:28:14 | 0:28:20 | |
the very word spelling "ruin" from Jane Austen right up to EastEnders. | 0:28:20 | 0:28:25 | |
But Anita's here to find out exactly why. | 0:28:25 | 0:28:28 | |
Hello, Anita. Welcome to Gretna Green and the famous blacksmith's shop. | 0:28:28 | 0:28:32 | |
Oh, Gretna Green! One of the most romantic destinations in the world! | 0:28:32 | 0:28:38 | |
-Would you like to come through and see a little more of it? -I'd love to. Lead on, Jim! | 0:28:38 | 0:28:42 | |
# I've got to get to Gretna Green | 0:28:42 | 0:28:46 | |
# Cos the Pa is mad and the Ma is mean... # | 0:28:46 | 0:28:48 | |
It was a change in English law, plus Gretna's location, | 0:28:50 | 0:28:54 | |
slap bang on the border, that transformed the village into a sort of Scottish Las Vegas, | 0:28:54 | 0:29:00 | |
at the centre of which has always been the unlikely figure of the blacksmith. | 0:29:00 | 0:29:04 | |
-So this is the actual blacksmith's shop. This is where it all took place? -Yes. | 0:29:04 | 0:29:09 | |
This building would have been the first building those young couples | 0:29:09 | 0:29:13 | |
running away from angry parents down in England would have found. | 0:29:13 | 0:29:17 | |
-Why did they come to Scotland? -Young ladies, like yourself and others, | 0:29:17 | 0:29:21 | |
were marrying the wrong sort of people. They might have been marrying beneath themselves, | 0:29:21 | 0:29:25 | |
or someone the family didn't approve of. | 0:29:25 | 0:29:27 | |
The English passed a law saying no longer will you be allowed to marry in England | 0:29:27 | 0:29:32 | |
if you were under 21, unless your parents agree with your choice of husband or wife. | 0:29:32 | 0:29:37 | |
The Scots, when asked by the English to pass the same law, declined. | 0:29:37 | 0:29:41 | |
They said, "We don't need a law like that. We have our own customs and conventions, | 0:29:41 | 0:29:45 | |
"and one of those conventions is that you may marry at 15. | 0:29:45 | 0:29:49 | |
"You need no-one's permission. On your own head be it if you get it wrong." That was your business. | 0:29:49 | 0:29:54 | |
I love that! | 0:29:54 | 0:29:57 | |
Because the blacksmith on the border was a highly respectable craftsman, | 0:29:57 | 0:30:01 | |
he landed the part-time job of conducting irregular marriages. | 0:30:01 | 0:30:06 | |
Gretna became synonymous with anvil priests and angry parents. | 0:30:06 | 0:30:12 | |
-ANITA LAUGHS -Complete... -I love this, here. | 0:30:12 | 0:30:14 | |
"Filial affection or a trip to Gretna Green". | 0:30:14 | 0:30:18 | |
And this was an effect of the new Marriage Act. | 0:30:18 | 0:30:22 | |
Filial affection doesn't usually extend to whips and guns, but... | 0:30:22 | 0:30:25 | |
ANITA LAUGHS | 0:30:25 | 0:30:28 | |
Long before the Scottish and English laws harmonised, | 0:30:30 | 0:30:33 | |
the village was one of the marriage capitals of the world. | 0:30:33 | 0:30:37 | |
Nowadays, they come for the romance alone | 0:30:37 | 0:30:40 | |
and there are over 5,000 weddings in the area every year. | 0:30:40 | 0:30:44 | |
Anvils are usually involved. | 0:30:44 | 0:30:46 | |
-Anita, you and your hus... -LAUGHTER | 0:30:46 | 0:30:48 | |
I strike the anvil, symbolic of joining two hearts, | 0:30:48 | 0:30:52 | |
just as I join two pieces of iron and steel with the heat of the fire in the anvil | 0:30:52 | 0:30:57 | |
never to be separated. So now, you two, are joined. | 0:30:57 | 0:31:00 | |
I'm feeling quite emotional now! Does that mean that we're married? | 0:31:00 | 0:31:05 | |
-Whatever you want to think, dear. -Come on! | 0:31:05 | 0:31:07 | |
It will never last, you know. | 0:31:07 | 0:31:11 | |
Now, keen-eyed viewers will no doubt recognise the River Eden once again. | 0:31:11 | 0:31:16 | |
So it's a good spot to see what our experts have bought. | 0:31:16 | 0:31:19 | |
-Ready? -Yes. | 0:31:19 | 0:31:21 | |
-Right! -Ah, Jonathan! | 0:31:22 | 0:31:24 | |
-I love these. -Late 19th century. Both are signed. One or two holes. | 0:31:24 | 0:31:29 | |
-But my biggest investment yet. -A-ha. These are smashing. | 0:31:29 | 0:31:34 | |
How about his smallest? | 0:31:34 | 0:31:36 | |
This little object here, which is a 19th-century, transfer-decorated dish, cost me a fiver! | 0:31:36 | 0:31:41 | |
So I was really working hard for the frugal. | 0:31:41 | 0:31:44 | |
-It came hand in hand with £105's worth of painting. -Ah! Great buys. | 0:31:44 | 0:31:49 | |
I think he's rather chuffed with his porcelain, too. | 0:31:49 | 0:31:52 | |
This, I like the decoration of it enormously, | 0:31:52 | 0:31:55 | |
but it's been split in half and stapled. | 0:31:55 | 0:31:57 | |
-But I got the two together at £40. -Oh, that's good buy. | 0:31:57 | 0:32:00 | |
Jonathan, I'm very, very happy with you, darling. | 0:32:00 | 0:32:04 | |
-Very happy with you. -I'm pretty pleased, but I haven't seen your lot. | 0:32:04 | 0:32:09 | |
Mine's a bit of a mixed bag here, Jonathan. | 0:32:09 | 0:32:13 | |
Oh, my word! | 0:32:14 | 0:32:16 | |
What about her design classic then? | 0:32:16 | 0:32:18 | |
1950s, designed by Enid Seeney. | 0:32:18 | 0:32:21 | |
-Sold in Woolworth's for sixpence, really, but they're collectable now. -Very fashionable. | 0:32:21 | 0:32:25 | |
-Ladies wristwatch, but 18-carat case. -Is it?! | 0:32:25 | 0:32:30 | |
-Yes. -So how much was it? -£12. -What?! | 0:32:30 | 0:32:33 | |
Are you kidding me? | 0:32:33 | 0:32:36 | |
HE LAUGHS | 0:32:36 | 0:32:37 | |
-That's not a bad buy at all. -But this is my favourite piece. | 0:32:37 | 0:32:41 | |
Yeah, absolutely. Brilliant. This could serve you rather well. | 0:32:41 | 0:32:44 | |
-I think this is a good example of its type. -Yeah. | 0:32:44 | 0:32:47 | |
-And then you've got some fossils in there as well. -Yeah. It looks nice. I don't know what it will get. | 0:32:47 | 0:32:53 | |
He seems a little lost for words over Anita's natural collection. | 0:32:53 | 0:32:58 | |
-So you've bought five lots for little over 100 quid? -Yeah. -Crikey! That's good! | 0:32:58 | 0:33:03 | |
-That's very good. -A-ha. If I... -So, again, it's a different tactic! | 0:33:03 | 0:33:07 | |
No, cos I blew the lot, every single penny, down to the last thing, again. | 0:33:07 | 0:33:12 | |
Yeah, but what do they really think? | 0:33:12 | 0:33:14 | |
The little amber seal. | 0:33:14 | 0:33:17 | |
I'm not sure how old it is and I'm not sure it is amber. | 0:33:17 | 0:33:21 | |
I think he might have slipped up on that, but you never know. | 0:33:21 | 0:33:23 | |
Very clever lot of purchases. Guaranteed profit with the watch. | 0:33:23 | 0:33:27 | |
Guaranteed profit with the Homemaker, but I've bought a great pair of paintings, | 0:33:27 | 0:33:31 | |
and I honestly think I could make losses on the rest and still thrash her at this auction. | 0:33:31 | 0:33:36 | |
Well, after starting out in the Scottish Borders at Lockerbie, this leg of our trip | 0:33:36 | 0:33:41 | |
will conclude at an auction in Darlington. | 0:33:41 | 0:33:44 | |
Although it's very far north, should we call it your stomping ground, Jonathan? | 0:33:44 | 0:33:49 | |
Yes, I suppose the North and the Midlands is very much where the Pratts came from. | 0:33:49 | 0:33:52 | |
-Really? -Yes. Here. Only there are Pratts everywhere, I know that! | 0:33:52 | 0:33:58 | |
Quite, but it's the Pease family who are better known in Darlington. | 0:33:58 | 0:34:02 | |
Quakers and industrialists, as well as anti-slavery campaigners, | 0:34:02 | 0:34:06 | |
the Peases were also railway pioneers. | 0:34:06 | 0:34:10 | |
The 1825 Stockton to Darlington Railway was largely thanks to them. | 0:34:10 | 0:34:15 | |
-Looking forward to this, dear boy. -Me, too! Me, too! | 0:34:18 | 0:34:21 | |
Thomas Watson's have been holding auctions at this very saleroom since 1840. | 0:34:21 | 0:34:27 | |
So I'm sure they can shift whatever Anita and Jonathan have bought. | 0:34:27 | 0:34:31 | |
Well, we hope so! Let's hear what auctioneer Peter Robinson thinks of their lots. | 0:34:31 | 0:34:36 | |
The pair of paintings are quite attractive, so I think they'll be interest in those. | 0:34:36 | 0:34:41 | |
We've got a basket of fossils, which are great for educating your kids, | 0:34:41 | 0:34:47 | |
but I think all the kids are away on holiday at the moment, so I'm a little bit worried about those. | 0:34:47 | 0:34:52 | |
Not the most encouraging opinion! | 0:34:52 | 0:34:55 | |
Anita started out with £317.74 | 0:34:55 | 0:34:58 | |
and she spent just £122 of it on five auction lots. | 0:34:58 | 0:35:02 | |
Jonathan began with £235.34 | 0:35:04 | 0:35:07 | |
and he spent everything, apart from the pennies, on his five auction lots. | 0:35:07 | 0:35:12 | |
Now, normally, at this point, I'd try to whip things up a little, | 0:35:12 | 0:35:16 | |
but Jonathan, it seems, is already a bag of nerves. | 0:35:16 | 0:35:19 | |
-Are you nervous? Are you worried? -I am nervous. I am always nervous before the sale. | 0:35:19 | 0:35:24 | |
-And I start to feel jittery. -That's the coffee. -Yeah! | 0:35:24 | 0:35:29 | |
Oh, dear! Relax. It's Anita's tableware first. | 0:35:29 | 0:35:33 | |
Here we are. | 0:35:33 | 0:35:34 | |
£30 bid. To start at £30. I have 5. 40. 5. | 0:35:34 | 0:35:38 | |
-50. 5. £55 on my right. -I'm happy. | 0:35:38 | 0:35:42 | |
-£55. Selling... I have 60! 5. -Up in the Gods. | 0:35:42 | 0:35:45 | |
70, sir? Seven pieces? £65 downstairs on my right. | 0:35:45 | 0:35:50 | |
£65! Being sold now at £65 for the lot. | 0:35:50 | 0:35:55 | |
-Yes! -Very good! -Yes! I'm happy with that. | 0:35:55 | 0:35:58 | |
-So is that £35 profit? -Yeah! | 0:35:58 | 0:36:00 | |
Yes, it's a good start, Anita! | 0:36:00 | 0:36:02 | |
-Oh, game on! Game on! -Game on! | 0:36:02 | 0:36:05 | |
This could be interesting. | 0:36:05 | 0:36:08 | |
The auctioneer wasn't at all keen. | 0:36:08 | 0:36:10 | |
I've got some of this at home. I can't stand it! | 0:36:10 | 0:36:14 | |
Clare's grandmother had it. | 0:36:14 | 0:36:16 | |
£15. At £15. 20 for the collection. 20 I'm bid. | 0:36:16 | 0:36:19 | |
25 can I have? 25. 30. 5. | 0:36:19 | 0:36:23 | |
-40. -Yes! -5. 50. | 0:36:23 | 0:36:25 | |
-5. 60. -What?! -Yes! -Yes, sir. | 0:36:25 | 0:36:28 | |
60, gentleman to my right. At £60. | 0:36:28 | 0:36:30 | |
Selling now to my right at £60. All finished? £60 for the lot? All done? | 0:36:30 | 0:36:35 | |
-Yes! Ah! -That's amazing! -I know, it is. | 0:36:35 | 0:36:40 | |
-You've doubled your money already. -I know. | 0:36:40 | 0:36:42 | |
Bodes well for the day. Next, the Chinese porcelain, with crack. | 0:36:42 | 0:36:48 | |
Can we start at £20? For the two pieces together. 20 I'd bid. | 0:36:48 | 0:36:52 | |
Thank you. 5. 30. 5. 40. £35. | 0:36:52 | 0:36:56 | |
-Lady's bid. 40. 5. -Internet's going. -60. 5. | 0:36:56 | 0:37:00 | |
70. £65. 70. | 0:37:00 | 0:37:02 | |
5. £70 to my... 5. 80. | 0:37:02 | 0:37:05 | |
85 I'm bid on the net now. 85. 100. | 0:37:07 | 0:37:10 | |
-At £95. The bid's up with the net. -Keep going! Round it up! | 0:37:10 | 0:37:14 | |
You're all out in the room. At £95. Being sold now at £95. All done. | 0:37:14 | 0:37:18 | |
-Get in there. -Well done, darling. That's a good start. -A great start. | 0:37:18 | 0:37:23 | |
-Are you ecstatic? -Yes! Relieved. | 0:37:23 | 0:37:26 | |
I think it could be one of those days. | 0:37:26 | 0:37:29 | |
Now, is Jonathan's amber a gamble? | 0:37:29 | 0:37:32 | |
Can I have £25 bid? £25 for it, little seal. At £25. | 0:37:32 | 0:37:37 | |
30 on the net. 35. 40. | 0:37:37 | 0:37:40 | |
At £35. It's in the book at £35. | 0:37:40 | 0:37:44 | |
40 in the room, on my right. £40. 45. 50. | 0:37:44 | 0:37:48 | |
-55. -Here we go! -60. 65. | 0:37:48 | 0:37:52 | |
-70. 75. 80. -I think you've being lucky here, Johnny boy! -90. | 0:37:52 | 0:37:56 | |
95. £90 and shaking the head on the left. | 0:37:56 | 0:38:00 | |
At £90. On my right then at £90. 95 anywhere else? | 0:38:00 | 0:38:04 | |
At £90. The bid's to my right at £90 for the lot. | 0:38:04 | 0:38:07 | |
-Aw, I think you were a bit lucky there. -A BIT lucky? | 0:38:07 | 0:38:12 | |
But that was good. | 0:38:12 | 0:38:13 | |
Yes, it almost got a bit stuck. | 0:38:13 | 0:38:16 | |
Now it's time for Anita's foot stool. | 0:38:16 | 0:38:18 | |
-Louis quinze... -Style! -Style. -THEY LAUGH | 0:38:18 | 0:38:22 | |
At £50 bid. At £50. 55 I have. | 0:38:22 | 0:38:26 | |
60. 65. 70. | 0:38:26 | 0:38:28 | |
£70 that I'm bid. £70. Are we all finished? At £70. | 0:38:28 | 0:38:32 | |
All done? Bid's in the book. £70 for this lot. | 0:38:32 | 0:38:35 | |
-75. -75! -In the balcony. £75 now. In the balcony. | 0:38:35 | 0:38:40 | |
At £75. All finished at £75? All done? | 0:38:40 | 0:38:43 | |
GAVEL BANGS DOWN | 0:38:43 | 0:38:46 | |
-Yes! -Anita, you are amazing! | 0:38:46 | 0:38:49 | |
Well, it's worth its weight in...cast iron. | 0:38:49 | 0:38:52 | |
More of Anita's metal and Art Nouveau this time. | 0:38:53 | 0:38:57 | |
Isn't that beautiful? | 0:38:57 | 0:38:59 | |
£20, can I say to start me off? 20 I have. | 0:38:59 | 0:39:03 | |
-£20. -Nearly there. -25. -There you go. | 0:39:03 | 0:39:06 | |
-At £20. 25. -Here we go! -30. 35. | 0:39:06 | 0:39:09 | |
-35. 40. -Profit. -£40 for the lot. | 0:39:09 | 0:39:12 | |
GAVEL BANGS DOWN | 0:39:12 | 0:39:14 | |
I would have liked it to get more. | 0:39:14 | 0:39:16 | |
Someone's got a bit of a bargain. | 0:39:16 | 0:39:18 | |
-So far, no losses. -All right. Fingers crossed, Johnny. | 0:39:18 | 0:39:21 | |
Next up, Jonathan's cheapest purchase yet. | 0:39:21 | 0:39:25 | |
-This is my favourite object. -Is it? | 0:39:25 | 0:39:27 | |
£20 bid. At £20. | 0:39:27 | 0:39:29 | |
-Really? -At £20. 25 can I say? -Yeah! | 0:39:29 | 0:39:32 | |
-At £20. -Get in there! -5 can I say? | 0:39:32 | 0:39:34 | |
25, front row. 30. 35, madam? | 0:39:34 | 0:39:37 | |
35. 40. 45, madam? | 0:39:37 | 0:39:40 | |
At £40. The bid's with me at £40. Sure? | 0:39:40 | 0:39:44 | |
-45. £40 then. The bid's with me at £40. -One more! | 0:39:44 | 0:39:48 | |
It's being sold at £40. All done? | 0:39:48 | 0:39:51 | |
Very good. I'm very pleased. | 0:39:51 | 0:39:53 | |
-I'm happier about that than anything else so far. -Ah! | 0:39:53 | 0:39:55 | |
Ha! And we're not even in Yorkshire. | 0:39:55 | 0:39:58 | |
-It's the battle of the watches. -That's right! | 0:39:58 | 0:40:01 | |
What can Anita's little gold bargain job do? | 0:40:01 | 0:40:05 | |
-30 bid. -35 on the internet. | 0:40:05 | 0:40:08 | |
40. At £35. | 0:40:08 | 0:40:10 | |
At £35 on the net. 40. | 0:40:10 | 0:40:13 | |
5. | 0:40:13 | 0:40:14 | |
45 in the room. 18-carat gold. 18-carat gold. | 0:40:15 | 0:40:19 | |
£40. The room bid I have at £40. 45. | 0:40:19 | 0:40:22 | |
50, sir? Yep. 50. 55. 60? | 0:40:22 | 0:40:26 | |
Yep? 60. | 0:40:26 | 0:40:29 | |
-65. -Gosh! -On my left at £60. | 0:40:29 | 0:40:32 | |
Gentleman on my left under the balcony. 65! 70, sir? | 0:40:32 | 0:40:36 | |
No. At £65. | 0:40:36 | 0:40:38 | |
A great find, Anita and a solid golden profit! | 0:40:38 | 0:40:42 | |
JONATHAN SIGHS | 0:40:42 | 0:40:44 | |
A hard act for Jonathan's watch to follow. Watch out! | 0:40:44 | 0:40:47 | |
£35 to start. 40. At £40. 45. | 0:40:47 | 0:40:51 | |
45 in the balcony. 50. | 0:40:51 | 0:40:53 | |
The bidding's coming in quickly. | 0:40:53 | 0:40:56 | |
60 now. At £55. | 0:40:56 | 0:40:58 | |
-The bid's in the balcony at £55. -Don't stop! -60 anywhere. Being sold. | 0:40:58 | 0:41:02 | |
At £55. Top left-hand side of the balcony. £55. | 0:41:02 | 0:41:06 | |
There we go! | 0:41:06 | 0:41:08 | |
A bit disappointing that. Anita's won the watch fight. | 0:41:08 | 0:41:11 | |
But this frantic adding up shows that Jonathan's still in with a chance. | 0:41:11 | 0:41:16 | |
Now for his paintings. If they live up to Jonathan's expectations, | 0:41:16 | 0:41:20 | |
he might just pip Anita today. | 0:41:20 | 0:41:23 | |
This is your important lot. This is your important lot! | 0:41:23 | 0:41:27 | |
We have £50 bid for the pair of paintings. | 0:41:27 | 0:41:30 | |
At £50. At £50. 5. | 0:41:30 | 0:41:32 | |
60. 5. 70. 5. 80. 5. 90. | 0:41:32 | 0:41:36 | |
5. £95 bid. 100. And 10. | 0:41:36 | 0:41:40 | |
-20. 130. -You've got a phone bid. -..150. 160. | 0:41:40 | 0:41:43 | |
-Phone bid. -150 I'm bid. At 160. | 0:41:43 | 0:41:45 | |
-170. 180. -There's a lot of interest in the room. -200. | 0:41:45 | 0:41:49 | |
220. 240. No? | 0:41:49 | 0:41:51 | |
-220 in the doorway. -Keep going! It's got to be worth more. | 0:41:51 | 0:41:55 | |
At £220. No? Shaking our heads here. We have 240. | 0:41:55 | 0:41:58 | |
260. No? 240 then. | 0:41:58 | 0:42:01 | |
Another bidder. You'll have it now at £240. | 0:42:01 | 0:42:04 | |
Lady seated to my right at £240. Are we all finished at 240? | 0:42:04 | 0:42:09 | |
You've doubled your money, so well spotted. | 0:42:09 | 0:42:13 | |
-And well done, my darling. -Thank you very much. -Good! | 0:42:13 | 0:42:16 | |
So with that mighty profit, Jonathan is crowned | 0:42:16 | 0:42:19 | |
today's winner! | 0:42:19 | 0:42:21 | |
He began with £235.34. | 0:42:21 | 0:42:24 | |
And after paying auction costs, made a profit of £191.40, | 0:42:24 | 0:42:30 | |
leaving him with a respectable £426.74 to spend tomorrow. | 0:42:30 | 0:42:35 | |
However, Anita started out with £317.74 | 0:42:37 | 0:42:41 | |
and, although she made a smaller profit of £128.10 after costs, | 0:42:41 | 0:42:46 | |
her overall booty of £445.84 | 0:42:46 | 0:42:50 | |
gives her a narrow lead on her rival overall. | 0:42:50 | 0:42:52 | |
Well done, Jonathan. | 0:42:52 | 0:42:54 | |
Since you've had to work so very, very hard to catch me up, I'll drive this time. | 0:42:54 | 0:43:00 | |
What?! | 0:43:00 | 0:43:01 | |
-Well, Johnny, one auction each. -Mm! | 0:43:03 | 0:43:06 | |
-So it's really all to play for, darling. -It is all to play for. | 0:43:06 | 0:43:09 | |
-Well, what's going to happen next? -We'll see. | 0:43:09 | 0:43:13 | |
Well, let me tell you! Next time on the Antiques Road Trip... | 0:43:13 | 0:43:17 | |
-Well, I'm going up there, I hope. -Right up to the top? | 0:43:17 | 0:43:20 | |
Anita and Jonathan are heading to Middleham in Yorkshire, | 0:43:20 | 0:43:25 | |
where Anita exercises some authority. | 0:43:25 | 0:43:29 | |
Evening, all! | 0:43:29 | 0:43:30 | |
And Jonathan gets his priorities right. | 0:43:30 | 0:43:33 | |
-Well, I've got nice dry feet now. -Yeah. | 0:43:33 | 0:43:36 | |
Subtitles by Red Bee Media Ltd | 0:43:59 | 0:44:01 |