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It's the nation's favourite antiques experts | 0:00:01 | 0:00:04 | |
with £200 each, | 0:00:04 | 0:00:05 | |
a classic car | 0:00:05 | 0:00:07 | |
and a goal to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
Yippee! | 0:00:11 | 0:00:12 | |
My heart is racing! | 0:00:12 | 0:00:13 | |
The aim, to make the biggest profit at auction. But it's no mean feat. | 0:00:13 | 0:00:18 | |
There'll be worth winners and valiant losers. | 0:00:18 | 0:00:21 | |
Evening all! | 0:00:21 | 0:00:23 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
Jonny, are we going to end up in a dead end? | 0:00:27 | 0:00:30 | |
This is the Antiques Road Trip! | 0:00:30 | 0:00:32 | |
Yeah! | 0:00:33 | 0:00:35 | |
Today we're on the road with a delightful pair of antiques experts, | 0:00:40 | 0:00:44 | |
Anita Manning and Jonathan Pratt. | 0:00:44 | 0:00:46 | |
Jonny, it's a bit wet today! | 0:00:48 | 0:00:49 | |
Why have you not got a coat on? | 0:00:49 | 0:00:52 | |
I'm sick of wearing... It's that weather where it's about 19 degrees, but we're just a bit wet! | 0:00:52 | 0:00:58 | |
So I don't want to get too hot. | 0:00:58 | 0:01:00 | |
All right. Especially when you're sitting next to me! | 0:01:00 | 0:01:03 | |
Yeah, well, you're too hot already! | 0:01:03 | 0:01:04 | |
Oh, Lordy! | 0:01:04 | 0:01:06 | |
Anita Manning set up her own auction house | 0:01:09 | 0:01:11 | |
in Glasgow 27 years ago. | 0:01:11 | 0:01:14 | |
She is one feisty lady! | 0:01:14 | 0:01:15 | |
Could you go to 25? | 0:01:16 | 0:01:18 | |
Mmmmmmm.... | 0:01:18 | 0:01:19 | |
Oh, you're a hard lady, aren't you? | 0:01:19 | 0:01:21 | |
But deep down, she's a real softie. | 0:01:22 | 0:01:25 | |
-Are you happy? -I'm very, very happy. -Oh, excellent. | 0:01:25 | 0:01:28 | |
This is Jonathan Pratt. He's a respected auctioneer | 0:01:30 | 0:01:33 | |
and he's really trying hard to be a right tough talker. | 0:01:33 | 0:01:37 | |
60 and I'll walk away. | 0:01:38 | 0:01:40 | |
He's a real dare-devil. | 0:01:41 | 0:01:42 | |
I wouldn't say I'm nervous, but I might end up with a dirty pair of Chinos! | 0:01:42 | 0:01:47 | |
Jonathan had a disappointing first auction, | 0:01:47 | 0:01:50 | |
but as the come-back kid, was victorious second time round. | 0:01:50 | 0:01:53 | |
All finished at 240? | 0:01:53 | 0:01:55 | |
-Are you ecstatic? -Yes! | 0:01:55 | 0:01:57 | |
Anita is enjoying steady progress | 0:01:59 | 0:02:01 | |
and her love for jewellery is keeping her profits topped up. | 0:02:01 | 0:02:03 | |
£65. | 0:02:03 | 0:02:05 | |
From his original £200, | 0:02:08 | 0:02:10 | |
Jonathan has made some respectable gains. | 0:02:10 | 0:02:12 | |
He has a princely £426.74 to play with. | 0:02:12 | 0:02:16 | |
Although Anita didn't win the second leg, | 0:02:19 | 0:02:22 | |
she's still ahead by a whisker. | 0:02:22 | 0:02:24 | |
She has £445.84 in her purse. | 0:02:24 | 0:02:27 | |
Anita and Jonathan are travelling in the 1964 MG | 0:02:30 | 0:02:34 | |
and oh dear, it doesn't have a roof! | 0:02:34 | 0:02:37 | |
-It's chucking it down now! -Yes! | 0:02:38 | 0:02:40 | |
You stupid boy! You should put on your coat! | 0:02:40 | 0:02:43 | |
You tell him, Anita! | 0:02:44 | 0:02:45 | |
Our experts are travelling over 400 miles | 0:02:47 | 0:02:49 | |
from the city of Glasgow all the way to Llangefni, on the island of Anglesey. | 0:02:49 | 0:02:54 | |
On today's show, they're beginning in the Yorkshire town of Middleham | 0:02:58 | 0:03:02 | |
and will auction in Luddenden Foot, in Halifax. | 0:03:02 | 0:03:06 | |
Middleham Castle was the childhood home of Richard III, | 0:03:09 | 0:03:13 | |
and it was here that he learned the skills of knighthood | 0:03:13 | 0:03:16 | |
in 1462. | 0:03:16 | 0:03:17 | |
We begin our shopping expedition with the scurrying Anita. | 0:03:21 | 0:03:24 | |
She's like a little caped crusader! | 0:03:24 | 0:03:27 | |
As a veteran Road Tripper, | 0:03:30 | 0:03:31 | |
Anita has met many antiques dealers. | 0:03:31 | 0:03:33 | |
-Angela? -Yes? | 0:03:36 | 0:03:37 | |
Owner Angela is one of them. | 0:03:37 | 0:03:39 | |
Hello? | 0:03:39 | 0:03:40 | |
Hello, it's lovely to see you again. | 0:03:42 | 0:03:45 | |
-It's lovely to see you. -And you. | 0:03:45 | 0:03:47 | |
I've been before, but you've got tons of new stock. | 0:03:47 | 0:03:50 | |
Absolutely lovely. | 0:03:50 | 0:03:51 | |
Now, I love these prints. | 0:03:51 | 0:03:54 | |
They're beautiful and decorative. | 0:03:54 | 0:03:56 | |
The images are so appealing. | 0:03:56 | 0:03:59 | |
The frames are new, so they've been recently done. | 0:03:59 | 0:04:03 | |
I'm hoping the prints are old, but they're not of high quality. | 0:04:03 | 0:04:08 | |
But they're just so lovely to look at. | 0:04:08 | 0:04:11 | |
I think these will be really appealing to the buyers. | 0:04:11 | 0:04:14 | |
They're lovely. | 0:04:14 | 0:04:16 | |
Anita wants them for £40. | 0:04:18 | 0:04:20 | |
Angela calls the owner of the prints to see if a deal can be done. | 0:04:20 | 0:04:24 | |
Angela, how are we doing? | 0:04:24 | 0:04:26 | |
-She will let them go. -Oh, she'll let them go! | 0:04:26 | 0:04:29 | |
She's reluctant because now I've got to find another pair! | 0:04:29 | 0:04:32 | |
Oh! | 0:04:32 | 0:04:34 | |
I'll see what I can find. | 0:04:34 | 0:04:35 | |
-So 40 quid? -Yes. | 0:04:35 | 0:04:38 | |
And onwards we go. | 0:04:39 | 0:04:41 | |
Anita's still in the mood for buying. | 0:04:41 | 0:04:44 | |
I love this wee room, Angela. | 0:04:44 | 0:04:46 | |
There's always wee treasures in here. | 0:04:46 | 0:04:48 | |
-Work in progress! -Work in progress! | 0:04:48 | 0:04:50 | |
I was looking at these fans here. | 0:04:50 | 0:04:53 | |
-It pulls out. -Let's look at that one first of all. | 0:04:53 | 0:04:56 | |
It's got little roses on it. | 0:04:56 | 0:04:59 | |
-That's very frou-frou. -It is very, isn't it? | 0:04:59 | 0:05:02 | |
Do I suit it? | 0:05:02 | 0:05:04 | |
-In a certain setting, perhaps. -In a certain setting! | 0:05:04 | 0:05:06 | |
-Oh, look. -One of its legs is a bit loose. | 0:05:06 | 0:05:09 | |
-And what is this, Malibu? -Marabou or... | 0:05:10 | 0:05:14 | |
-Not Malibu! Malibu's a big... -No, Marabou. | 0:05:14 | 0:05:17 | |
-Marabou. Malibu's a big... -A drink! | 0:05:17 | 0:05:20 | |
That's right, Anita. Just a slip of the tongue, love, I'm sure! | 0:05:23 | 0:05:26 | |
These lovely fluffy feathers on this fan, in a rather shi-shi style, | 0:05:26 | 0:05:30 | |
were commonly used by Burlesque dancers and showgirls to cover up their bits. | 0:05:30 | 0:05:34 | |
Now you're talking! | 0:05:34 | 0:05:36 | |
What sort of age is that? | 0:05:37 | 0:05:39 | |
It's a bit difficult to define, really. | 0:05:39 | 0:05:42 | |
I could say 1920s, I would think. Something like that. Or maybe a bit earlier. | 0:05:42 | 0:05:47 | |
And these are more modern. | 0:05:47 | 0:05:49 | |
I don't know. | 0:05:49 | 0:05:51 | |
They do make a nice collection. | 0:05:51 | 0:05:53 | |
And, of course, it looks so nice with your kid gloves. | 0:05:54 | 0:05:58 | |
Yes, they are French kid gloves. | 0:05:58 | 0:06:01 | |
They feel like the height of elegance. | 0:06:01 | 0:06:03 | |
-Make you feel good, don't they? -Uh-huh. | 0:06:05 | 0:06:07 | |
Anita decides she wants to go for a combo buy, | 0:06:09 | 0:06:11 | |
consisting of the kid gloves, some glove stretchers | 0:06:11 | 0:06:14 | |
and the selection of four fans. | 0:06:14 | 0:06:16 | |
The original ticket price for the lot is £70. | 0:06:16 | 0:06:20 | |
What I would like to pay on that is probably £30. | 0:06:21 | 0:06:25 | |
Oh, no, no. No. No way! | 0:06:25 | 0:06:27 | |
-No. -It's not enough? | 0:06:27 | 0:06:30 | |
No! | 0:06:30 | 0:06:31 | |
45. | 0:06:31 | 0:06:33 | |
-Could you possibly come to 35? -No. | 0:06:35 | 0:06:37 | |
-No? -No. 45, and that's it. | 0:06:37 | 0:06:39 | |
45? | 0:06:42 | 0:06:43 | |
Could you go 40? | 0:06:43 | 0:06:45 | |
Two. | 0:06:45 | 0:06:47 | |
It's a deal! | 0:06:47 | 0:06:48 | |
Oh, you're a great woman! | 0:06:48 | 0:06:50 | |
You bargain like hell! | 0:06:52 | 0:06:54 | |
Canny Scotswoman meets canny Yorkshire woman! Great deal, Anita! | 0:06:55 | 0:07:00 | |
She's definitely on a shopping spree this morning | 0:07:00 | 0:07:02 | |
and she's found something else that's well, unusual, I think you'll agree! | 0:07:02 | 0:07:07 | |
Angela, this is one mad bird here | 0:07:08 | 0:07:12 | |
-talking to another mad bird about an absolutely mad bird! -Absolutely! | 0:07:12 | 0:07:19 | |
Er, I'm not saying a word! | 0:07:19 | 0:07:21 | |
Will you sell that to me for a fiver? | 0:07:21 | 0:07:24 | |
-Will you sell it to me? -I can't do it at a fiver. Sorry, I can't. | 0:07:24 | 0:07:27 | |
-I paid more for it. -You did? Are you mad paying more than a fiver for that? | 0:07:27 | 0:07:32 | |
No, cos I love it! | 0:07:32 | 0:07:33 | |
It's a coconut. No, it would have to be a tenner. | 0:07:33 | 0:07:37 | |
Hmm. I don't think this is what you'd call an antique, Anita. | 0:07:37 | 0:07:41 | |
Springy, though! | 0:07:41 | 0:07:42 | |
Give me a better price on it. Give me it for a fiver! | 0:07:42 | 0:07:45 | |
No, it would have to be eight, so I can wipe my face. | 0:07:45 | 0:07:48 | |
-Let's say eight quid. -Thank you very much. | 0:07:48 | 0:07:50 | |
We're probably mad! | 0:07:50 | 0:07:52 | |
That's a packet of antiques for Anita's first shop. | 0:07:54 | 0:07:57 | |
Now, where's that young whipper-snapper JP? | 0:07:57 | 0:08:00 | |
He's braved the lashing rain | 0:08:04 | 0:08:06 | |
to travel to the beautiful village of West Burton | 0:08:06 | 0:08:09 | |
within the Yorkshire Dales. | 0:08:09 | 0:08:11 | |
Right in the middle of the village lies the old smithy, | 0:08:14 | 0:08:17 | |
an antique shop owned by the delectable Elaine. | 0:08:17 | 0:08:20 | |
-It's just stopped raining. -Hello, there. -This is the old smithy? -Yes. | 0:08:20 | 0:08:25 | |
This is quite cute. | 0:08:32 | 0:08:34 | |
This is rather unusual. It's a decorative version of a child's potty! | 0:08:34 | 0:08:38 | |
-What I find alarming is you'd put a child on a pot and it rocks! -It had a seat on there as well. | 0:08:40 | 0:08:46 | |
There we go! | 0:08:46 | 0:08:48 | |
There was a seat on there at some time as well. | 0:08:48 | 0:08:50 | |
It would have had a restraining bar as well. | 0:08:50 | 0:08:54 | |
So you could sit them on it. It's a copy of Daddy's lambing chair. | 0:08:54 | 0:08:57 | |
So Dad would have one. Often they had a drawer at the front as well. | 0:08:57 | 0:09:02 | |
Would you take £40 for it? | 0:09:02 | 0:09:04 | |
Ooh, you're a hard man! | 0:09:04 | 0:09:06 | |
-I'm just going in on... -Dearie me! -I know, I know. | 0:09:06 | 0:09:10 | |
It probably is 19th century. | 0:09:10 | 0:09:12 | |
But elements are slightly more modern. | 0:09:12 | 0:09:15 | |
Could I squeeze another tenner out of you? | 0:09:15 | 0:09:17 | |
Come on, Jonathan. It's not that difficult! | 0:09:19 | 0:09:22 | |
Make a decision. A number one or a number two? | 0:09:22 | 0:09:25 | |
How about £50? | 0:09:25 | 0:09:27 | |
45? | 0:09:27 | 0:09:28 | |
OK! | 0:09:32 | 0:09:34 | |
Yeah, OK! | 0:09:35 | 0:09:36 | |
I think Elaine wants you out of the shop, mate! | 0:09:36 | 0:09:39 | |
But from a ticket price of £75 to £45, | 0:09:39 | 0:09:43 | |
well done, Jonathan! | 0:09:43 | 0:09:45 | |
And I'll tell you something. | 0:09:46 | 0:09:48 | |
Jonathan is a thoroughly polite chap. | 0:09:48 | 0:09:50 | |
He's picked Anita up to keep the wheels moving on our Road Trip adventure. | 0:09:50 | 0:09:55 | |
# You are my sunshine | 0:09:59 | 0:10:01 | |
# My little sunshine | 0:10:01 | 0:10:04 | |
# You make me happy | 0:10:04 | 0:10:07 | |
# When skies are grey... # | 0:10:07 | 0:10:09 | |
Turn the volume down, Anita! | 0:10:09 | 0:10:11 | |
Ooh! | 0:10:11 | 0:10:12 | |
Oh, Jonny! | 0:10:12 | 0:10:14 | |
What a scamp! | 0:10:14 | 0:10:15 | |
Next stop for Jonathan is Masham in North Yorkshire. | 0:10:18 | 0:10:21 | |
-A-ha! -Good name. That's a good name. -Aura. It's got a good aura. | 0:10:22 | 0:10:26 | |
Good aura. You know what they say in Scotland? | 0:10:26 | 0:10:29 | |
"Aura best"! | 0:10:29 | 0:10:30 | |
Aura best! Nicely put. | 0:10:30 | 0:10:33 | |
Jonathan is going to continue his shopping quest here. | 0:10:33 | 0:10:35 | |
But for now, let's join Anita as she takes over the wheel. Stand by! | 0:10:35 | 0:10:40 | |
-OK, darling. -See you later. -Have a good time. -And you. | 0:10:40 | 0:10:43 | |
And remember, "Aura best"! | 0:10:43 | 0:10:45 | |
Anita is travelling to Ripon in North Yorkshire | 0:10:52 | 0:10:55 | |
for an exquisite treat. | 0:10:55 | 0:10:57 | |
She's visiting the splendid historic mansion house of Newby Hall. | 0:11:00 | 0:11:05 | |
In the late 1600s, Sir Christopher Wren helped design this stunning property. | 0:11:06 | 0:11:12 | |
The present owners, the Compton family, are descended from William Weddell | 0:11:12 | 0:11:15 | |
who, in 1748, bought Newby from a legacy from his uncle. | 0:11:15 | 0:11:20 | |
With the help of architects including Robert Adam, | 0:11:23 | 0:11:26 | |
Weddell enlarged and redesigned the interior. | 0:11:26 | 0:11:29 | |
After recent restoration, the family home and gardens are open to the public. | 0:11:29 | 0:11:34 | |
Anita is meeting with Stewart Gill to find out more. | 0:11:35 | 0:11:39 | |
-Hello. I'm Anita. -Lovely to meet you. Lovely to see you. Welcome to Newby Hall. | 0:11:41 | 0:11:45 | |
It's lovely to be here. What a wonderful entrance hall! Designed by? | 0:11:45 | 0:11:51 | |
-Robert Adam. -Of course. -You can see lots of elements of his design that he's famous for. | 0:11:51 | 0:11:56 | |
From the neo-classical designs to the Chippendale-made chairs | 0:11:56 | 0:12:00 | |
to Robert Adam's designs. | 0:12:00 | 0:12:03 | |
That pattern reflected in the floor. | 0:12:03 | 0:12:05 | |
And then indeed that roundel reflected in the ceiling. | 0:12:05 | 0:12:09 | |
So the whole thing hangs together, as it were. | 0:12:09 | 0:12:11 | |
And all in perfect harmony! | 0:12:11 | 0:12:14 | |
Yes. That symmetry was something that he was very keen on. | 0:12:14 | 0:12:18 | |
And reflected in the whole house? | 0:12:18 | 0:12:20 | |
Absolutely. There are treasures throughout the house, | 0:12:20 | 0:12:23 | |
not only Robert Adam, a lot of his work, | 0:12:23 | 0:12:25 | |
but also treasures collected by William Weddell. | 0:12:25 | 0:12:28 | |
Come through and we'll show you a bit more. | 0:12:28 | 0:12:30 | |
William Weddell embarked on a tour of Europe in 1766, | 0:12:31 | 0:12:36 | |
commonly known as the Grand Tour. | 0:12:36 | 0:12:38 | |
This journey was popular with British nobility and wealthy landed classes | 0:12:38 | 0:12:44 | |
and during this time, Weddell brought back some magnificent treasures | 0:12:44 | 0:12:47 | |
and became a ground-breaking collector of antiquities. | 0:12:47 | 0:12:51 | |
Within the house lies one of the finest private collections | 0:12:51 | 0:12:56 | |
of statuary in Britain. | 0:12:56 | 0:12:58 | |
That's sculpture, to you and me! | 0:12:58 | 0:13:00 | |
Ah! | 0:13:00 | 0:13:01 | |
-Welcome to the statue gallery. -Wow! | 0:13:01 | 0:13:05 | |
-Were these the antiques of the 18th century? -Absolutely. You hit the nail on the head. | 0:13:16 | 0:13:21 | |
These were collected by those that were on the Grand Tour in that 1760, 1770 period. | 0:13:21 | 0:13:27 | |
And they were antiques that were very collectable at that particular time. | 0:13:27 | 0:13:33 | |
So times haven't really changed. People want the... | 0:13:33 | 0:13:35 | |
Did he wander round? How did he find these? Were they sourced? | 0:13:35 | 0:13:39 | |
There were dealers, as these pieces were being dug up, actually. | 0:13:39 | 0:13:43 | |
They were being rescued from the earth, as it were. | 0:13:43 | 0:13:47 | |
They would be taken by a dealer | 0:13:47 | 0:13:48 | |
who would then restore them. | 0:13:48 | 0:13:51 | |
These came from a dealer called Jenkins. | 0:13:51 | 0:13:54 | |
So William Weddell befriended or found Jenkins... | 0:13:54 | 0:13:58 | |
Doesn't sound an Italian name! | 0:13:58 | 0:13:59 | |
No, he was an Englander as well, over there. | 0:13:59 | 0:14:03 | |
He'd obviously seen an opportunity. | 0:14:03 | 0:14:06 | |
It's certainly very impressive. | 0:14:06 | 0:14:08 | |
But Stewart, what is that?! | 0:14:08 | 0:14:11 | |
-What is that? -This is a Roman bath. | 0:14:11 | 0:14:15 | |
The story we've been told by the experts | 0:14:15 | 0:14:18 | |
is that the lid is 18th century, | 0:14:18 | 0:14:21 | |
so this is a relatively modern addition to make it more saleable. | 0:14:21 | 0:14:25 | |
So the antique dealer has sort of made an addition | 0:14:25 | 0:14:30 | |
to make it more saleable? | 0:14:30 | 0:14:31 | |
To make it more saleable. That would never happen nowadays, would it? | 0:14:31 | 0:14:34 | |
Within the collection is an extremely rare marble from Ancient Rome. | 0:14:38 | 0:14:43 | |
This is our oldest piece. This is first century. | 0:14:43 | 0:14:47 | |
-She's 2,000 years old? -Exactly. She looks well on it, doesn't she? | 0:14:47 | 0:14:51 | |
It's a beautiful image with this divine Venus | 0:14:51 | 0:14:55 | |
and the little child holding on to the dolphin's head. | 0:14:55 | 0:15:00 | |
It's really quite beautiful. | 0:15:00 | 0:15:02 | |
I have a big flat in the west end of Glasgow. | 0:15:02 | 0:15:04 | |
My passion is to collect paintings. | 0:15:04 | 0:15:07 | |
-But I could be doing with a couple of nice Roman statues. -Right. | 0:15:07 | 0:15:13 | |
-Any chance? -No! | 0:15:13 | 0:15:14 | |
They're here to stay! | 0:15:16 | 0:15:18 | |
You'd be lucky, Anita! The collection is absolutely priceless. | 0:15:18 | 0:15:21 | |
And with Anita's very own Grand Tour over for the day, | 0:15:21 | 0:15:25 | |
what's her wee darling Jonathan up to? | 0:15:25 | 0:15:27 | |
Earlier, Anita dropped Jonathan in Masham | 0:15:29 | 0:15:32 | |
to have a go at buying some more antiques. | 0:15:32 | 0:15:34 | |
It's always worth looking on the floor in a place like this | 0:15:44 | 0:15:46 | |
because sometimes the carpets are used as furnishing. | 0:15:46 | 0:15:49 | |
The can sometimes have carpets which might be more valuable, one would hope. | 0:15:49 | 0:15:53 | |
This is an Afghan. It's an Osari pattern. | 0:15:53 | 0:15:56 | |
Oh, yeah? Maybe we should club together to get Jonathan a new pair of shoes, eh? | 0:15:57 | 0:16:01 | |
Because it's this golden colour, | 0:16:01 | 0:16:03 | |
they call it a golden Afghan. | 0:16:03 | 0:16:05 | |
It's a nice colour. | 0:16:05 | 0:16:07 | |
You've got a hint of red in there, which is washed out slightly. But that would be quite fun. | 0:16:07 | 0:16:12 | |
I don't know. I'll ask about it. | 0:16:12 | 0:16:14 | |
The Afghan rug comes in many shapes and sizes, | 0:16:16 | 0:16:19 | |
but the most typical is that with the octagonal elephant's footprint, | 0:16:19 | 0:16:22 | |
which is what we see here in the design in the centre. | 0:16:22 | 0:16:26 | |
I quite like these because they're different | 0:16:31 | 0:16:33 | |
and there's loads of decanters, clear decanters and cut glass ones, | 0:16:33 | 0:16:38 | |
but it's just got that sort of hint of lime in it | 0:16:38 | 0:16:42 | |
which I suppose you could say is quite fashionable. | 0:16:42 | 0:16:45 | |
And they are late 19th century. | 0:16:46 | 0:16:48 | |
Bit of fun. | 0:16:50 | 0:16:52 | |
OK. | 0:16:53 | 0:16:54 | |
Well, he's certainly got his eye on a few things. | 0:16:54 | 0:16:57 | |
And now he's found an 18th century plate rack. | 0:16:57 | 0:17:00 | |
As you do! | 0:17:00 | 0:17:01 | |
There's no price on this, which is always a good start. | 0:17:02 | 0:17:05 | |
He's obviously waiting for a dresser to go with it. | 0:17:05 | 0:17:07 | |
Or maybe the dresser's being restored. | 0:17:07 | 0:17:10 | |
But these are sort of popular. Useful in the kitchen. | 0:17:11 | 0:17:15 | |
Hmm. | 0:17:17 | 0:17:19 | |
Oh, no! I was doing so well! | 0:17:23 | 0:17:26 | |
Jonathan, get a grip, and go and strike a deal with owner Robert. | 0:17:28 | 0:17:32 | |
The total asking price for the rug, the decanters and the plate rack | 0:17:32 | 0:17:36 | |
is £135. | 0:17:36 | 0:17:38 | |
Go, boy, go! | 0:17:38 | 0:17:39 | |
How about if I bought the plate rack | 0:17:39 | 0:17:43 | |
and the rug and the decanters... | 0:17:43 | 0:17:46 | |
..would you take 100 quid? | 0:17:47 | 0:17:49 | |
115. | 0:17:50 | 0:17:51 | |
105? | 0:17:52 | 0:17:54 | |
110! | 0:17:56 | 0:17:57 | |
Was that where I was aiming? | 0:17:57 | 0:17:59 | |
110 quid. That would be... | 0:17:59 | 0:18:01 | |
In your own time, Jonathan, eh? | 0:18:01 | 0:18:04 | |
Go on, then. | 0:18:05 | 0:18:07 | |
That's three items bought. I can go home now. | 0:18:07 | 0:18:09 | |
Thank you very much. | 0:18:09 | 0:18:11 | |
I can stop now! | 0:18:11 | 0:18:12 | |
Finally, we make a decision | 0:18:12 | 0:18:14 | |
and managed to shave a little off the ticket prices. | 0:18:14 | 0:18:18 | |
Now, back together again, our intrepid travellers | 0:18:22 | 0:18:24 | |
are ready to turn in for the evening. | 0:18:24 | 0:18:26 | |
Nighty-night! | 0:18:27 | 0:18:29 | |
It's a new day, and even though it's raining, | 0:18:32 | 0:18:34 | |
our antiques duo are in high spirits. | 0:18:34 | 0:18:37 | |
# Just singing in the rain | 0:18:38 | 0:18:41 | |
# What a glorious feeling | 0:18:41 | 0:18:45 | |
# I'm happy again. # | 0:18:45 | 0:18:48 | |
What's the next line? | 0:18:49 | 0:18:51 | |
-Oh, I don't know. -Ooh, look, York Minster! -Oh, is it really? | 0:18:51 | 0:18:54 | |
So far, Jonathan has spent £155 on four lots. | 0:18:58 | 0:19:01 | |
The child's potty chair, the Afghan rug, | 0:19:01 | 0:19:05 | |
the 18th-century oak plate rack and a pair of lime green glass decanters. | 0:19:05 | 0:19:10 | |
Leaving a meaty sum of £271.74 for the day ahead. | 0:19:10 | 0:19:15 | |
Anita, meanwhile, has spent £90 on three items. | 0:19:18 | 0:19:22 | |
The pair of gilt-framed prints, | 0:19:23 | 0:19:26 | |
the ladies' lot with fans, kid gloves and glove stretchers, | 0:19:26 | 0:19:30 | |
-and the... -(SPLUTTERS) -..metal bird thing. | 0:19:30 | 0:19:33 | |
So that gives her a chunky wad of £355.84 to spend. | 0:19:36 | 0:19:41 | |
Today, Anita and Jonathan have travelled to the ancient walled city of York. | 0:19:44 | 0:19:49 | |
Founded by the Romans in 71 AD, | 0:19:50 | 0:19:52 | |
the city has a rich heritage. Also, Dame Judi Dench was born here, | 0:19:52 | 0:19:57 | |
don't you know. | 0:19:57 | 0:19:58 | |
Blimey, Anita's got her hands full with young Jonathan, look! | 0:19:58 | 0:20:02 | |
Oh, Lordy! | 0:20:04 | 0:20:05 | |
You were trying to shove me in the puddle. You're a bad boy! | 0:20:05 | 0:20:09 | |
We've been an hour looking for it. | 0:20:10 | 0:20:11 | |
They're sharing their first shop, bang in the middle of the city. | 0:20:11 | 0:20:15 | |
Let's follow Anita first. | 0:20:16 | 0:20:18 | |
# She's a lady | 0:20:18 | 0:20:20 | |
# Wo-oh-oh, she's a lady | 0:20:20 | 0:20:24 | |
# Talkin' about a little lady | 0:20:25 | 0:20:28 | |
# And the lady is mine. # | 0:20:29 | 0:20:33 | |
Anita finds owner, Clare, to ask about something that's taken her fancy. | 0:20:33 | 0:20:38 | |
Evening, all! | 0:20:42 | 0:20:45 | |
Does it suit me? | 0:20:45 | 0:20:46 | |
Move along, madam! You've got antiques to buy. | 0:20:46 | 0:20:49 | |
And before you know it, guess what she's asked to have a look at? | 0:20:50 | 0:20:55 | |
Anita simply loves jewellery. | 0:20:55 | 0:20:58 | |
It's not gold. I was hoping that it was gold! | 0:20:58 | 0:21:01 | |
-Right. Yes. -But I knew it wouldn't be at £12. -Yes. | 0:21:01 | 0:21:04 | |
But it is gold-plated. | 0:21:04 | 0:21:06 | |
But I can see a wee bit of quality at the back. It's not a cheap piece. | 0:21:06 | 0:21:10 | |
Purple's always a popular colour, isn't it? | 0:21:13 | 0:21:16 | |
-Yeah. -For amethyst glass. | 0:21:16 | 0:21:19 | |
What I'd like to be paying for that is about eight pounds. | 0:21:21 | 0:21:25 | |
Can that be done? | 0:21:25 | 0:21:26 | |
What was it, 12 on the ticket? | 0:21:26 | 0:21:28 | |
If I could meet you somewhere in between, nine - would that be OK? | 0:21:28 | 0:21:33 | |
We'll go for that. Let's go for it. That's smashing. | 0:21:33 | 0:21:36 | |
She just can't help herself. | 0:21:36 | 0:21:38 | |
I can imagine what her jewellery box will be like! | 0:21:38 | 0:21:41 | |
Purchase in hand, Anita's off to fetch her young charge | 0:21:41 | 0:21:46 | |
who is leaving empty-handed. | 0:21:46 | 0:21:48 | |
Come on, Jonny, get your shoes on. Let's go. | 0:21:50 | 0:21:53 | |
I've got nice dry feet. How about you? | 0:21:53 | 0:21:55 | |
Well, my purse is empty, Jonny. | 0:21:55 | 0:21:57 | |
-Empty? -Empty. | 0:21:57 | 0:21:59 | |
I don't believe it. I don't believe it in the slightest! | 0:21:59 | 0:22:02 | |
This pair are inseparable. | 0:22:04 | 0:22:06 | |
Anita's walking Jonathan to his next destination. | 0:22:06 | 0:22:09 | |
They simply can't bear to be apart! | 0:22:09 | 0:22:11 | |
I'm going up there, I hope. | 0:22:11 | 0:22:12 | |
Right up to the top? | 0:22:12 | 0:22:14 | |
-I hope so. -If I see you, I'll wave. | 0:22:14 | 0:22:16 | |
-Have a lovely afternoon. Good luck. -Bye! | 0:22:16 | 0:22:19 | |
# Gloria! | 0:22:19 | 0:22:20 | |
# Gloria! | 0:22:25 | 0:22:26 | |
# Gloria! Gloria! | 0:22:31 | 0:22:33 | |
# Gloria! # | 0:22:33 | 0:22:34 | |
The iconic York Minster | 0:22:34 | 0:22:37 | |
is the second-largest Gothic cathedral in northern Europe. | 0:22:37 | 0:22:40 | |
Work began on the building in 1220 | 0:22:42 | 0:22:45 | |
and took two-and-a-half centuries to complete! | 0:22:45 | 0:22:48 | |
Each of the three towers are 200 feet high. | 0:22:49 | 0:22:53 | |
Approximately two million individual pieces of glass | 0:22:54 | 0:22:57 | |
make up the cathedral's 128 stained glass windows. | 0:22:57 | 0:23:02 | |
Due to the age and sheer magnitude of York Minster, | 0:23:04 | 0:23:07 | |
there are over 50 people working on restoration projects connected with this wonderful building. | 0:23:07 | 0:23:13 | |
Jonathan is meeting with Rebecca Thompson, the lady in charge of them. | 0:23:16 | 0:23:20 | |
26 stonemasons are employed to carry out careful restoration work. | 0:23:23 | 0:23:27 | |
They train for four years to hone this exquisite craft. | 0:23:27 | 0:23:33 | |
The York Minster stonemason is regarded as one of the most skilled in the country. | 0:23:33 | 0:23:38 | |
The restoration work on the Minster's Great East Window | 0:23:39 | 0:23:43 | |
is the largest project and began in 2008. | 0:23:43 | 0:23:47 | |
The masonry is painstakingly cleaned | 0:23:47 | 0:23:49 | |
and, where needed, restored or replaced. | 0:23:49 | 0:23:52 | |
I hope Jonathan has a head for heights! | 0:23:52 | 0:23:54 | |
Well, Jonathan, this is the tracery of the Great East Window. | 0:23:57 | 0:24:01 | |
We've cleaned the stone and identified where we need new stone putting in. | 0:24:01 | 0:24:06 | |
That will all start to be fixed in the next week or two. | 0:24:06 | 0:24:10 | |
And then we are conserving and consolidating these original carvings | 0:24:10 | 0:24:15 | |
around the window, the stones round the window, | 0:24:15 | 0:24:19 | |
and we've had to put new stones in, | 0:24:19 | 0:24:21 | |
the weathering stones that you can see to the side, | 0:24:21 | 0:24:24 | |
and they actually keep the water, weather, moisture, off the stones | 0:24:24 | 0:24:28 | |
but give it a fine balance. | 0:24:28 | 0:24:30 | |
It's quite amazing that where we are, 30 metres in the air, | 0:24:30 | 0:24:34 | |
that they were doing the same thing, 600, 700 years ago, | 0:24:34 | 0:24:41 | |
and they'd have a wooden scaffold | 0:24:41 | 0:24:43 | |
and they'd have to hand-lift everything up here. | 0:24:43 | 0:24:45 | |
Well, no, they didn't. They did actually have lifting mechanisms. | 0:24:45 | 0:24:50 | |
They had like a hamster wheel mechanism, medieval masons. | 0:24:50 | 0:24:53 | |
-With people running inside it? -Yes, people running inside it! | 0:24:53 | 0:24:56 | |
They must have been very intelligent to build a building like this. | 0:24:56 | 0:24:59 | |
It's incredible, the engineering. | 0:24:59 | 0:25:01 | |
On some of these pieces of stonework, | 0:25:03 | 0:25:05 | |
there's very little detail. | 0:25:05 | 0:25:07 | |
I'm assuming that this is... Some of it's made up? | 0:25:07 | 0:25:12 | |
You have no drawings to go from. | 0:25:12 | 0:25:13 | |
We do have drawings. | 0:25:13 | 0:25:15 | |
We have sketches made from quite a number of years ago | 0:25:15 | 0:25:20 | |
by various artists or people recording the building. | 0:25:20 | 0:25:23 | |
We've got a whole record of information in our library. | 0:25:23 | 0:25:28 | |
It is quite precise work | 0:25:28 | 0:25:30 | |
and we do stick to the designs that show the design of the building. | 0:25:30 | 0:25:35 | |
-And all this stonework is produced on site. -It is. | 0:25:36 | 0:25:39 | |
-Presumably... -Down here. -Downstairs. | 0:25:39 | 0:25:43 | |
-Downstairs. -Let's have a look. -OK. | 0:25:43 | 0:25:45 | |
This is where our stonemasons work, in the stonemasons' lodge. | 0:25:48 | 0:25:52 | |
You can see Nolan and Jamie masoning some tracery stones | 0:25:52 | 0:25:58 | |
-at the moment. -OK. | 0:25:58 | 0:25:59 | |
-And this is a reproduction of a sort of medieval... -Yes. | 0:25:59 | 0:26:04 | |
They would have worked in places like this | 0:26:04 | 0:26:06 | |
very close to the site of the restoration they were doing | 0:26:06 | 0:26:10 | |
or the new-build works they were doing at the time. | 0:26:10 | 0:26:13 | |
These are old tracery stones they're working on. | 0:26:13 | 0:26:15 | |
We'll start fixing the tracery stones next week. | 0:26:15 | 0:26:18 | |
You can see here a stone that's nearly finished, this piece. | 0:26:18 | 0:26:22 | |
And next to it, we've got a piece of shaft stone from the north quire restoration works. | 0:26:22 | 0:26:29 | |
-Part of the big pillars? -Yes. Right. | 0:26:29 | 0:26:31 | |
You can see the moulding. That's a slice through from the outside of the windows. | 0:26:31 | 0:26:36 | |
And what we'd like to do is give this to you | 0:26:36 | 0:26:41 | |
to auction it off. | 0:26:41 | 0:26:43 | |
We've got a certificate of authenticity to show it comes from the Minster. | 0:26:43 | 0:26:46 | |
Right! Wonderful. | 0:26:46 | 0:26:48 | |
It's a tempting thought, | 0:26:48 | 0:26:50 | |
but the good lad wants to make an offer. | 0:26:50 | 0:26:53 | |
If I give you a tenner, that'll be OK, will it? | 0:26:53 | 0:26:54 | |
-Absolutely fine. -Brilliant. Thank you. -Thank you. -Thanks. | 0:26:54 | 0:26:57 | |
A tenner well spent, young man. | 0:26:57 | 0:26:59 | |
Interesting to see how it fares at auction. | 0:26:59 | 0:27:02 | |
Now, where's Anita? | 0:27:04 | 0:27:06 | |
She's made her way to the village of Huntingdon, | 0:27:08 | 0:27:11 | |
just a few miles from the city of York. | 0:27:11 | 0:27:14 | |
She's a chip off the old block. | 0:27:14 | 0:27:16 | |
She's on a mission to find some more antiques | 0:27:16 | 0:27:18 | |
in the French House. | 0:27:18 | 0:27:20 | |
As you can guess, the wares have a distinct Gallic flavour. | 0:27:20 | 0:27:23 | |
C'est magnifique! | 0:27:23 | 0:27:25 | |
Ah, hello. I'm Anita. | 0:27:25 | 0:27:27 | |
-My name is Stephen. -Stephen, what a fascinating place! | 0:27:27 | 0:27:32 | |
True to form, she's spotted the hats. | 0:27:34 | 0:27:36 | |
I can't resist hats. I can't resist! | 0:27:36 | 0:27:39 | |
But owner Stephen gets Anita back on track | 0:27:43 | 0:27:46 | |
with her buying mission. | 0:27:46 | 0:27:47 | |
That would fit in the corner of any room or hallway | 0:27:47 | 0:27:52 | |
to take a vase, a lamp or whatever, if you like them. | 0:27:52 | 0:27:56 | |
I do like them. This sort of leaf shape here and a little bead. | 0:27:56 | 0:28:01 | |
-They're all carved. -Uh-huh. | 0:28:01 | 0:28:03 | |
And the marble's in good condition as well. | 0:28:03 | 0:28:06 | |
All depends on the price, though, Stephen. | 0:28:06 | 0:28:08 | |
Absolute best would be £40 for the two. | 0:28:10 | 0:28:11 | |
I like those, Stephen. I think those are great. | 0:28:11 | 0:28:14 | |
-I think that at £40, you've got a deal. -Good. | 0:28:14 | 0:28:19 | |
-Thank you so much. -Pleasure. | 0:28:19 | 0:28:21 | |
With Anita's shopping completed for the day, | 0:28:21 | 0:28:23 | |
it's time to meet up with Jonathan at the magnificent Middlethorpe Hall | 0:28:23 | 0:28:27 | |
to have a nosey at one-another's antiques goodies. | 0:28:27 | 0:28:31 | |
-This is it. Here we go. -Here we go. | 0:28:31 | 0:28:34 | |
Ah! | 0:28:36 | 0:28:38 | |
-Right. -Jonathan, that is the most beautiful little chair. | 0:28:38 | 0:28:43 | |
It's basically a copy of Dad's lambing chair for the child. | 0:28:43 | 0:28:47 | |
It would have been a potty training aid, | 0:28:47 | 0:28:49 | |
but the seat's now gone. | 0:28:49 | 0:28:52 | |
But otherwise, colour, patina, everything, it's all there. | 0:28:52 | 0:28:55 | |
I think it's a charming thing. I love it to bits. | 0:28:55 | 0:28:58 | |
How much did it cost you? | 0:28:58 | 0:29:00 | |
£45. | 0:29:00 | 0:29:02 | |
-I think that's wonderful. -I think it's wonderful, too. | 0:29:02 | 0:29:05 | |
-And I like these. -Yep. -Although they're just late 19th-century decanters, | 0:29:05 | 0:29:10 | |
I just love the colour. They're really cool. | 0:29:10 | 0:29:13 | |
-What's that big thing there? -I've just been up York Minster. | 0:29:13 | 0:29:17 | |
-Is that a bit of York Minster? -Yes! -It's not! | 0:29:17 | 0:29:20 | |
It is. | 0:29:20 | 0:29:21 | |
He didn't nick it, honest! | 0:29:21 | 0:29:23 | |
This is part of the facade of a column on the outside. | 0:29:23 | 0:29:28 | |
They cut it into slices like this and then sell it on. | 0:29:28 | 0:29:31 | |
-It comes with a certificate as well. -Right. | 0:29:31 | 0:29:34 | |
-So a bit of York Minster. -It's mid-19th century. | 0:29:34 | 0:29:36 | |
It's not 12th or 13th century, sadly. | 0:29:36 | 0:29:39 | |
-I think that's what will bring you the biggest profit. -Thanks a lot for that(!) | 0:29:39 | 0:29:43 | |
Show me what tat you've bought, then! Come on! | 0:29:43 | 0:29:46 | |
Mine's a bit of a mixed bag. | 0:29:46 | 0:29:47 | |
I hope it brings a smile to your face, my darling. | 0:29:47 | 0:29:50 | |
How funny! It is a mixed bag, isn't it? | 0:29:56 | 0:29:58 | |
It is a mixed bag. | 0:29:58 | 0:30:00 | |
The first thing I bought, a pair of prints. | 0:30:00 | 0:30:03 | |
Very decorative, very, very bonny. | 0:30:03 | 0:30:07 | |
I thought that they were appealing. | 0:30:07 | 0:30:10 | |
-They're pretty. Nice frames, too. -Pretty. | 0:30:10 | 0:30:12 | |
-I bought them because I liked them. -How much did they cost? | 0:30:12 | 0:30:15 | |
-They cost me £40 for the pair. -That's very good. | 0:30:15 | 0:30:18 | |
I've got a wee sort of girly lot here. I hope it appeals to your feminine side. | 0:30:18 | 0:30:23 | |
-I'm used to pink. -You're used to pink. | 0:30:23 | 0:30:25 | |
-So I've paid £42 on them. -Yes. | 0:30:26 | 0:30:30 | |
-I worried a wee bit afterwards. -The quality's there, really. | 0:30:30 | 0:30:33 | |
Yes, in the French gloves. | 0:30:33 | 0:30:35 | |
And I bought this creature here. | 0:30:35 | 0:30:37 | |
-Is this a coconut? -That's the coco and this is the nut! | 0:30:39 | 0:30:42 | |
I think you're right! | 0:30:42 | 0:30:43 | |
This is one mad bird fancies another mad bird! | 0:30:43 | 0:30:46 | |
I didn't pay a lot of money for it. | 0:30:48 | 0:30:50 | |
-What's not a lot of money? -Eight quid. | 0:30:50 | 0:30:53 | |
Let's hope it doesn't go "cheep"! | 0:30:53 | 0:30:55 | |
So how do you think we'll do in auction? | 0:30:55 | 0:30:58 | |
Stuff that's out of fashion and a lot of rubbish! | 0:30:59 | 0:31:01 | |
Yeah. On that note, let's go! | 0:31:01 | 0:31:04 | |
Having seen each other's purchases, | 0:31:06 | 0:31:08 | |
what do our experts really think? | 0:31:08 | 0:31:10 | |
My favourite piece is that big lump of York Minster. | 0:31:11 | 0:31:16 | |
I think the certificate is worth even more than £10. | 0:31:16 | 0:31:21 | |
Anita's lots are barking mad, aren't they? | 0:31:21 | 0:31:23 | |
She came up with a coconut with a spring for a head! | 0:31:23 | 0:31:26 | |
But cheap. | 0:31:26 | 0:31:27 | |
Let's get back on the road and head to auction. | 0:31:32 | 0:31:35 | |
It's been a competitive third leg, | 0:31:35 | 0:31:38 | |
starting in Middleham via West Burton, Masham, Ripon, | 0:31:38 | 0:31:42 | |
York, Huntingdon, with the final destination in Luddenden Foot | 0:31:42 | 0:31:46 | |
in Halifax on the horizon. | 0:31:46 | 0:31:48 | |
Luddenden Foot is a small village | 0:31:51 | 0:31:53 | |
in the beautiful West Yorkshire countryside. | 0:31:53 | 0:31:55 | |
Calder Valley auctioneers has been established here since 1996. | 0:31:58 | 0:32:03 | |
Ian Peace is our auctioneer for today. | 0:32:03 | 0:32:06 | |
Which items have really caught his eye? | 0:32:06 | 0:32:09 | |
I think the coconut is an absolute scream. | 0:32:10 | 0:32:13 | |
But what it's doing in an antiques sale, I do not know! | 0:32:13 | 0:32:16 | |
The Afghan rug, we can't fall out with that. | 0:32:17 | 0:32:20 | |
Jonathan Pratt started today with £426.74. | 0:32:22 | 0:32:27 | |
He spent £165 on five auction lots. | 0:32:27 | 0:32:30 | |
Anita Manning began with £445.84 | 0:32:32 | 0:32:36 | |
and spent £139 also on five lots. | 0:32:36 | 0:32:39 | |
Not only do we have a packed sale room, | 0:32:39 | 0:32:42 | |
we also have an audience live on the web. | 0:32:42 | 0:32:45 | |
All eyes to the front, now. | 0:32:45 | 0:32:47 | |
The auction is about to begin. | 0:32:47 | 0:32:48 | |
First up, it's Anita's matching pair of prints. | 0:32:48 | 0:32:52 | |
You've got to make some money today cos I'm snapping at your heels! | 0:32:52 | 0:32:55 | |
-£10. -Ten? | 0:32:58 | 0:32:59 | |
The pair. Ten. | 0:32:59 | 0:33:01 | |
Ten I'm bid. 12.50 anywhere? | 0:33:02 | 0:33:04 | |
12.50. 15. | 0:33:05 | 0:33:07 | |
17.50. £20. | 0:33:07 | 0:33:10 | |
22.50. | 0:33:10 | 0:33:12 | |
-£22.50. -Oh, come on, come on! Come on! | 0:33:12 | 0:33:15 | |
25, you're back in. 27. 7.50. | 0:33:15 | 0:33:17 | |
£30. | 0:33:17 | 0:33:19 | |
At 30. We're selling at £30. | 0:33:19 | 0:33:22 | |
All finished? And at 2.50 there. | 0:33:22 | 0:33:24 | |
Yes! Yes! | 0:33:24 | 0:33:27 | |
32.50, then. Back of the room. | 0:33:27 | 0:33:29 | |
Are we all finished at 32.50? | 0:33:29 | 0:33:31 | |
SHE GROANS | 0:33:32 | 0:33:34 | |
Oh, dear. | 0:33:34 | 0:33:35 | |
I think Anita finds that result more than a little painful! | 0:33:35 | 0:33:38 | |
Very disappointing. That was my star lot. | 0:33:40 | 0:33:42 | |
Next up it's Jonathan's hulking big plate rack. | 0:33:44 | 0:33:48 | |
£20. | 0:33:49 | 0:33:50 | |
£20? | 0:33:51 | 0:33:52 | |
Oh, dear. | 0:33:52 | 0:33:54 | |
-It's 18th century. -I know it's 18th century! | 0:33:54 | 0:33:56 | |
Don't believe a word he says! | 0:33:56 | 0:33:59 | |
Come on. £15, that plate rack there. | 0:33:59 | 0:34:02 | |
£15. | 0:34:02 | 0:34:04 | |
Ooh, my word. | 0:34:04 | 0:34:05 | |
£10. This could cause disappointment. Ten I'm bid. | 0:34:05 | 0:34:08 | |
£10. At ten. 12.50 anywhere? | 0:34:08 | 0:34:11 | |
At ten. 12.50. | 0:34:11 | 0:34:13 | |
15, sir. 15. We're going in the right direction. 15. | 0:34:13 | 0:34:15 | |
Slowly! | 0:34:15 | 0:34:17 | |
At £15. 17.50. | 0:34:17 | 0:34:20 | |
£20. | 0:34:20 | 0:34:22 | |
At 20. | 0:34:22 | 0:34:23 | |
At £20 I'm bid. 2.50. | 0:34:23 | 0:34:26 | |
Well done. You're helping the cause. | 0:34:26 | 0:34:28 | |
22.50 At 22.50. | 0:34:28 | 0:34:31 | |
Anybody else now? | 0:34:31 | 0:34:32 | |
At £22.50. | 0:34:32 | 0:34:34 | |
That's even worse than my prints! | 0:34:36 | 0:34:38 | |
Yeah, exactly. | 0:34:38 | 0:34:39 | |
Nothing like rubbing it in, Anita! | 0:34:40 | 0:34:43 | |
Not a good start for either of our experts. | 0:34:43 | 0:34:46 | |
Next it's Anita's intriguing ladies' lot. | 0:34:47 | 0:34:51 | |
Lot 75. | 0:34:51 | 0:34:52 | |
The French kid gloves, gloves stretchers, | 0:34:52 | 0:34:55 | |
ostrich feather, et cetera! | 0:34:55 | 0:34:59 | |
Where are you going to start me? £20? | 0:34:59 | 0:35:01 | |
15. | 0:35:01 | 0:35:03 | |
15? Ten anywhere? Ten I'm bid. | 0:35:03 | 0:35:05 | |
-At ten. -Wow! | 0:35:05 | 0:35:07 | |
And 12. 14. 16. | 0:35:07 | 0:35:10 | |
16 in the third row. | 0:35:11 | 0:35:13 | |
At 16. Anybody else, now? | 0:35:13 | 0:35:15 | |
-£16. -(Come on! Come on!) | 0:35:15 | 0:35:17 | |
We've come to a grinding halt at 16. | 0:35:18 | 0:35:20 | |
Here we go. Chuck 'em over there. | 0:35:21 | 0:35:24 | |
Just goes to show that modelling the fans didn't help. | 0:35:25 | 0:35:29 | |
Another crushing loss, Anita. | 0:35:29 | 0:35:31 | |
We're not doing very well here, are we? | 0:35:32 | 0:35:34 | |
Just a loss on that one. | 0:35:34 | 0:35:36 | |
Never a truer word, Anita. | 0:35:36 | 0:35:38 | |
It's Jonathan's Afghan rug next. | 0:35:38 | 0:35:40 | |
£50? 40? | 0:35:42 | 0:35:44 | |
-30? -It's a lovely rug. | 0:35:44 | 0:35:46 | |
Good size. 20, anywhere? £20? | 0:35:46 | 0:35:49 | |
Come on, ladies and gentlemen. £20. | 0:35:49 | 0:35:51 | |
It'll roll up and go in the car no problem. | 0:35:51 | 0:35:53 | |
20 I'm bid there. Five do I see? | 0:35:53 | 0:35:55 | |
-The Afghan rug at £20. -Put the dog on it. | 0:35:55 | 0:35:59 | |
I'm selling at 20. | 0:35:59 | 0:36:01 | |
Hard luck, darling. | 0:36:01 | 0:36:03 | |
It's a tough crowd, isn't it? | 0:36:03 | 0:36:05 | |
A tough crowd today. | 0:36:05 | 0:36:07 | |
Oh, Lordy. Surely things have got to pick up? | 0:36:09 | 0:36:11 | |
Uh-oh! I don't think I can look! | 0:36:14 | 0:36:17 | |
It's Anita's coconut bird with the springy neck next. | 0:36:17 | 0:36:20 | |
Jonathan, this bird is going to fly! | 0:36:21 | 0:36:25 | |
-That's confidence. -Yes! | 0:36:25 | 0:36:27 | |
Now, then, the star lot of the sale! | 0:36:27 | 0:36:29 | |
Star lot! It's beautiful! | 0:36:29 | 0:36:31 | |
It's been sculpted out of metal and a coconut. | 0:36:32 | 0:36:36 | |
-Right. 20 anywhere? 20? -Yes! | 0:36:36 | 0:36:38 | |
Ten? | 0:36:38 | 0:36:40 | |
-Ten pounds? -Surely not. | 0:36:40 | 0:36:42 | |
-Five? -Surely not. -Come on! | 0:36:42 | 0:36:44 | |
Don't be embarrassed! | 0:36:44 | 0:36:46 | |
Thank you! | 0:36:46 | 0:36:48 | |
Find a carrier bag! Five pounds I'm bid. | 0:36:48 | 0:36:50 | |
Five. 7.50 anywhere? | 0:36:50 | 0:36:52 | |
Five pounds. 7.50. | 0:36:52 | 0:36:54 | |
7.50. A wonderful conversation piece at dinner parties. | 0:36:54 | 0:36:58 | |
7.50. Ten anywhere? | 0:36:58 | 0:37:00 | |
-Ten. -Yes! -12.50. | 0:37:00 | 0:37:02 | |
-Yes! -12.50. Come on. 12.50. | 0:37:02 | 0:37:04 | |
It's worth more. 15. | 0:37:04 | 0:37:06 | |
£15. | 0:37:06 | 0:37:08 | |
15. Don't lose it. You won't see another one! | 0:37:08 | 0:37:11 | |
You won't want to! | 0:37:11 | 0:37:13 | |
-Ever. -16! | 0:37:13 | 0:37:15 | |
No, we're going in 2.50's. All right, 16, then. | 0:37:15 | 0:37:18 | |
16. 16, when I'm desperate. | 0:37:18 | 0:37:20 | |
17. | 0:37:20 | 0:37:21 | |
18. 19. | 0:37:21 | 0:37:23 | |
-19. -Yes! | 0:37:23 | 0:37:25 | |
Keep it nodding. | 0:37:25 | 0:37:26 | |
£20. 21. | 0:37:26 | 0:37:28 | |
21. 22. Keep it nodding. | 0:37:28 | 0:37:30 | |
Anybody else now? Has it run out of steam? | 0:37:32 | 0:37:34 | |
At £22. | 0:37:34 | 0:37:35 | |
Yes! | 0:37:37 | 0:37:38 | |
£22, | 0:37:42 | 0:37:44 | |
Jonny-boy! | 0:37:44 | 0:37:46 | |
Well, who would have thought our first profit of the day | 0:37:47 | 0:37:49 | |
would belong to the nodding bird? | 0:37:49 | 0:37:52 | |
Yes, yes. Make it go away now! | 0:37:52 | 0:37:55 | |
Boing! | 0:37:55 | 0:37:58 | |
That bird flew! | 0:37:58 | 0:37:59 | |
And it wasn't cheap! | 0:38:00 | 0:38:02 | |
Excuse me, that's my joke, Anita. | 0:38:04 | 0:38:06 | |
Now it's Anita's brooch next. | 0:38:07 | 0:38:10 | |
Can she get another splurge of profit? | 0:38:10 | 0:38:12 | |
15 to open. £15. £15. | 0:38:13 | 0:38:16 | |
Yes, come on. | 0:38:16 | 0:38:18 | |
12? | 0:38:18 | 0:38:19 | |
12 I'm bid. At 12. | 0:38:19 | 0:38:21 | |
14. Thank you. 16. | 0:38:21 | 0:38:23 | |
18. 20. | 0:38:23 | 0:38:25 | |
22. 24. 26. | 0:38:25 | 0:38:27 | |
28. 30. | 0:38:27 | 0:38:29 | |
-Oh, yes! -32. 34. | 0:38:29 | 0:38:31 | |
36. 38. | 0:38:31 | 0:38:33 | |
-40. 42. -What?! | 0:38:33 | 0:38:36 | |
44. 46. | 0:38:36 | 0:38:37 | |
48. 50. | 0:38:37 | 0:38:40 | |
At £50 in the front row. | 0:38:40 | 0:38:42 | |
Anybody else now? £50. We're selling at 50. | 0:38:42 | 0:38:44 | |
First and last time. | 0:38:44 | 0:38:46 | |
Lot 85. | 0:38:47 | 0:38:48 | |
Anita certainly knows her jewellery. | 0:38:48 | 0:38:51 | |
What an excellent profit. | 0:38:51 | 0:38:53 | |
She's well and truly back in the game. | 0:38:53 | 0:38:55 | |
Gee whizz! | 0:38:56 | 0:38:58 | |
You're in overall profit at the moment. | 0:38:58 | 0:39:00 | |
It's Jonathan's turn next, with the pair of decanters. | 0:39:00 | 0:39:04 | |
Show us what you're made of, boy. | 0:39:04 | 0:39:06 | |
Opening at £15, then. 15 I'm bid. | 0:39:07 | 0:39:10 | |
At 15. 17.50. | 0:39:10 | 0:39:12 | |
20. 2.50. | 0:39:12 | 0:39:14 | |
25? | 0:39:14 | 0:39:16 | |
At £22.50 in the middle there. | 0:39:16 | 0:39:18 | |
Anybody else now? 25 back in. | 0:39:18 | 0:39:21 | |
27.50? | 0:39:21 | 0:39:22 | |
The pair. At 27.50. | 0:39:22 | 0:39:25 | |
27.50. | 0:39:25 | 0:39:27 | |
At... £30, madam. | 0:39:27 | 0:39:29 | |
Yes! | 0:39:29 | 0:39:30 | |
30. 32.50. | 0:39:30 | 0:39:32 | |
At £32.50. | 0:39:32 | 0:39:34 | |
-They're flying! -At £32.50 for the pair. | 0:39:34 | 0:39:37 | |
32.50, then. | 0:39:38 | 0:39:40 | |
-I can barely contain myself. -Well done, Jonathan. Well done. | 0:39:41 | 0:39:45 | |
Ah, bless him. | 0:39:45 | 0:39:47 | |
Jonathan has finally managed some profit. | 0:39:47 | 0:39:49 | |
I'm flying backwards at the moment. | 0:39:50 | 0:39:52 | |
You made a good profit there. | 0:39:52 | 0:39:54 | |
And you've got two other items to go. | 0:39:54 | 0:39:56 | |
Don't be downhearted, darling. | 0:39:56 | 0:39:59 | |
Have you ever thought of taking up counselling? You're very good! | 0:39:59 | 0:40:02 | |
-Very good. -Just call me Auntie! | 0:40:02 | 0:40:04 | |
Auntie Anita is very supportive. | 0:40:05 | 0:40:09 | |
But will he need more counselling after this little number? | 0:40:09 | 0:40:12 | |
The child's potty chair sends you potty. | 0:40:12 | 0:40:15 | |
50. 40. 30. Opening at £20. | 0:40:16 | 0:40:20 | |
-£20. -Got to be more than 20. | 0:40:20 | 0:40:21 | |
-20 I'm bid. -Yes. -At 20. | 0:40:21 | 0:40:23 | |
Anybody else now? 22.50. | 0:40:23 | 0:40:26 | |
25. 7.50. | 0:40:26 | 0:40:28 | |
£30. | 0:40:28 | 0:40:30 | |
32.50. 35. | 0:40:30 | 0:40:32 | |
Keep going. Keep going. Keep going. | 0:40:32 | 0:40:34 | |
Any further bids? £35, then. | 0:40:34 | 0:40:37 | |
First and last time. | 0:40:37 | 0:40:39 | |
That's another tenner down the old Swanee. | 0:40:41 | 0:40:44 | |
It's not a good day for Jonathan. | 0:40:44 | 0:40:47 | |
-It could have been worse, Jonny. -It could have been worse. | 0:40:47 | 0:40:51 | |
Not much! Anyway, now it's Anita, with her pair of marble corner shelves. | 0:40:52 | 0:40:57 | |
Ten for the two. £10. | 0:40:59 | 0:41:00 | |
Ten I'm bid. Thank you. At £10. | 0:41:01 | 0:41:03 | |
-12 anywhere? At ten. -It's not going to go there. | 0:41:03 | 0:41:06 | |
Any further hands. 12, madam. 12. | 0:41:06 | 0:41:09 | |
14. 16. | 0:41:09 | 0:41:12 | |
18. £18. | 0:41:12 | 0:41:14 | |
All finished? At £18, then. | 0:41:14 | 0:41:17 | |
That's a bit disappointing, that. | 0:41:19 | 0:41:22 | |
Disappointing, indeed, Anita. | 0:41:22 | 0:41:25 | |
I thought you were on a roll, there. | 0:41:25 | 0:41:27 | |
Now for the final lot of the day. | 0:41:29 | 0:41:31 | |
Jonathan's lump of stone | 0:41:31 | 0:41:33 | |
from his visit to York Minster. | 0:41:33 | 0:41:35 | |
You're going to have to get about 300 quid | 0:41:35 | 0:41:37 | |
for this big dod of York Minster! | 0:41:37 | 0:41:39 | |
£20. | 0:41:41 | 0:41:42 | |
15. £15. | 0:41:42 | 0:41:45 | |
Start me at ten. £10. Thank you. | 0:41:45 | 0:41:47 | |
-Yes. -I've got £10 in. | 0:41:47 | 0:41:49 | |
At £10. | 0:41:49 | 0:41:51 | |
12.50. | 0:41:51 | 0:41:52 | |
12.50. 15. | 0:41:52 | 0:41:55 | |
17.50. | 0:41:55 | 0:41:56 | |
20. 2.50. | 0:41:56 | 0:41:58 | |
-Yes! -£22.50. | 0:41:59 | 0:42:00 | |
At 22.50. Any further bids? At 22.50. | 0:42:00 | 0:42:04 | |
Well, I don't think he can believe it. | 0:42:07 | 0:42:09 | |
Lovely York Minster has served up a respectable profit. | 0:42:09 | 0:42:12 | |
Shall we go away and try and work out quite what the losses are? | 0:42:14 | 0:42:17 | |
Jonathan started today's show with £426.74. | 0:42:21 | 0:42:25 | |
And after paying auction costs, | 0:42:25 | 0:42:27 | |
made a loss of £56.35 | 0:42:27 | 0:42:30 | |
giving him £370.39 to carry forward. | 0:42:30 | 0:42:34 | |
Anita, meanwhile, started with £445.84 | 0:42:38 | 0:42:42 | |
and after auction costs also made a loss of £25.43. | 0:42:42 | 0:42:48 | |
Despite this, | 0:42:48 | 0:42:49 | |
Anita is today's winner | 0:42:49 | 0:42:51 | |
and has £420.41 to take forward. | 0:42:51 | 0:42:55 | |
Well done, girl. | 0:42:55 | 0:42:57 | |
Ah, well. Better luck next time, Jonny. | 0:42:58 | 0:43:00 | |
Still two auctions to go. | 0:43:00 | 0:43:02 | |
Yeah, well. Who knows? Who knows? It's a funny old game, this. | 0:43:02 | 0:43:06 | |
There's only £50 between their totals | 0:43:07 | 0:43:09 | |
so it's all to play for. | 0:43:09 | 0:43:11 | |
Next time on the Antiques Road Trip: | 0:43:11 | 0:43:13 | |
-Could I buy that for a tenner? -Ooh, no. | 0:43:13 | 0:43:16 | |
120. | 0:43:16 | 0:43:18 | |
Oh! 120?! | 0:43:18 | 0:43:20 | |
Well, it's somewhere to start. | 0:43:20 | 0:43:22 | |
In search of the very best price. | 0:43:22 | 0:43:25 | |
Or should that be the perfect figure? | 0:43:25 | 0:43:27 | |
-I'd have to take her waist in a bit. -Depends how you like your ladies! | 0:43:27 | 0:43:30 | |
Subtitles by Red Bee Media Ltd | 0:43:51 | 0:43:54 |