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It's the nation's favourite antiques experts | 0:00:01 | 0:00:03 | |
with £200 each... | 0:00:03 | 0:00:05 | |
..a classic car and a goal to scour Britain for antiques. | 0:00:06 | 0:00:11 | |
-Yippee! -Sometimes a man is in need. | 0:00:11 | 0:00:13 | |
The aim? To make the biggest profit at auction. But it's no mean feat. | 0:00:13 | 0:00:18 | |
There'll be worthy winners and valiant losers! | 0:00:18 | 0:00:21 | |
Knobbly nick-nacks. | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
It landed on the rug! | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
It's a right royal showdown on this week's Road Trip | 0:00:35 | 0:00:39 | |
as the antique trade's answer to Prince Charles | 0:00:39 | 0:00:42 | |
does battle with our very own Bonnie Prince Charlie! | 0:00:42 | 0:00:45 | |
Charlie Ross is a veteran freelance auctioneer | 0:00:45 | 0:00:50 | |
whose twinkle-eyed charm makes him one of the most formidable Road Trippers ever. | 0:00:50 | 0:00:54 | |
Shop! I need a lady, please! | 0:00:55 | 0:00:57 | |
Whilst whipper-snapper Charles Hanson, a Derbyshire auctioneer, | 0:00:57 | 0:01:02 | |
is determined to show what young blood can do. | 0:01:02 | 0:01:04 | |
I'm off and running. I'm off and running, Charlie! | 0:01:05 | 0:01:08 | |
Go! Go! Go! | 0:01:08 | 0:01:10 | |
-You and me. -I can't believe it. -Experience and youth. | 0:01:10 | 0:01:14 | |
Both of them begin this week with a bumper budget of £200. | 0:01:15 | 0:01:18 | |
They'll be aiming to trade that up on each leg of the Road Trip, | 0:01:18 | 0:01:22 | |
buying antiques to sell at auction. | 0:01:22 | 0:01:24 | |
Charles and Charlie are paired with a very stylish set of vintage wheels. | 0:01:25 | 0:01:29 | |
The 1971 Triumph TR6. | 0:01:29 | 0:01:32 | |
Do you know, Charlie, this car is a dream, isn't it? | 0:01:33 | 0:01:37 | |
It's fantastic, as long as you're not driving it! | 0:01:37 | 0:01:39 | |
Cheeky! | 0:01:39 | 0:01:41 | |
This week, Charles and Charlie will travel around 500 miles | 0:01:43 | 0:01:47 | |
through the glorious heartlands of England, | 0:01:47 | 0:01:49 | |
from Tarporley in Cheshire | 0:01:49 | 0:01:50 | |
to Itchen Stoke near Winchester in Hampshire. | 0:01:50 | 0:01:53 | |
In this leg, they begin in Tarporley, | 0:01:56 | 0:01:58 | |
heading for their first auction in Manchester. | 0:01:58 | 0:02:00 | |
Luckily, our pair are the best of chums. | 0:02:03 | 0:02:05 | |
# Consider yourself my mate # | 0:02:05 | 0:02:08 | |
Just tell me where we are! | 0:02:08 | 0:02:10 | |
Fine. You're just outside Tarporley, a terribly pretty village | 0:02:10 | 0:02:14 | |
that seems to be the ideal place to begin. | 0:02:14 | 0:02:18 | |
They're heading for their first shop where a bevy of beauties await. | 0:02:18 | 0:02:22 | |
It's so exciting, Charlie. | 0:02:24 | 0:02:26 | |
Are you ready? Going, going, gone! | 0:02:26 | 0:02:30 | |
And they're off! | 0:02:30 | 0:02:32 | |
Girls! | 0:02:32 | 0:02:33 | |
Hello! | 0:02:33 | 0:02:34 | |
-I'm Charlie. -Hello. -Charlie, nice to meet you. Jane. | 0:02:34 | 0:02:38 | |
-Jane. -Louise. -Louise. | 0:02:38 | 0:02:40 | |
-Hi, Louise, Charles. Hi, Jane. Good to see you. -Hello. | 0:02:40 | 0:02:44 | |
-Ladies, can we just browse? -You can browse, yes. | 0:02:44 | 0:02:47 | |
Can we maybe take a personal shopper with us? Are you available to escort us? | 0:02:47 | 0:02:51 | |
-Whichever you prefer, sir. -Any preferences? | 0:02:51 | 0:02:53 | |
-How can I possibly have a preference with two such beautiful women! -Absolutely! | 0:02:53 | 0:02:57 | |
Don't be too long. I'm going to count! | 0:02:57 | 0:02:58 | |
OK. | 0:02:58 | 0:03:00 | |
Hmm. Does young Charles have a strategy planned out? | 0:03:00 | 0:03:03 | |
Jane, my Road Trip with Charlie is all about buying things which are quirky. | 0:03:04 | 0:03:08 | |
I'm not too keen on knobbly nick-nacks. | 0:03:08 | 0:03:10 | |
Looking around, you only seem to deal in nice high-brow objects which I love. | 0:03:10 | 0:03:15 | |
Hmm. Knobbly nick-nacks notwithstanding, | 0:03:15 | 0:03:18 | |
is there anything to catch Carlos's eye? | 0:03:18 | 0:03:21 | |
Jane, round the corner, what I did see, | 0:03:21 | 0:03:24 | |
are these pair of figures. | 0:03:24 | 0:03:26 | |
It's a pair of plaster lamps in the shape of cherubs. | 0:03:26 | 0:03:29 | |
Ticket price, a substantial £145. | 0:03:29 | 0:03:34 | |
-They have a look, don't they, about them? -They do. | 0:03:34 | 0:03:37 | |
They certainly make a statement. | 0:03:37 | 0:03:39 | |
-Are they yours? -No, they belong to another dealer. | 0:03:39 | 0:03:43 | |
-I think there's age to them, but I think they've had work done on them. -Yes. | 0:03:43 | 0:03:47 | |
They're big and they're bold. They're quite frightening | 0:03:47 | 0:03:50 | |
but they've got a great look. | 0:03:50 | 0:03:52 | |
Jane will phone the dealer, Francesca, who's selling them. | 0:03:52 | 0:03:56 | |
But what can Charles offer? | 0:03:56 | 0:03:58 | |
They could, on a bad day, make 30. | 0:03:58 | 0:03:59 | |
On a good day, they could make £100. | 0:03:59 | 0:04:01 | |
So 50 is a fair offer. | 0:04:01 | 0:04:03 | |
Jane's spoken to the dealer. Will she accept Charles's cheeky offer? | 0:04:04 | 0:04:08 | |
OK. Bye. | 0:04:08 | 0:04:09 | |
Have I been too rude? | 0:04:11 | 0:04:13 | |
She said, essentially, that 50 is more or less what she paid for them. | 0:04:13 | 0:04:18 | |
To give a profit, would Francesca viably take £60 for them? | 0:04:18 | 0:04:23 | |
I'll tell you what. Go down to the 70. | 0:04:23 | 0:04:26 | |
65. | 0:04:26 | 0:04:27 | |
Take a chance. Heard that song? | 0:04:28 | 0:04:30 | |
# Take a chance | 0:04:30 | 0:04:32 | |
# If you change your mind... # | 0:04:32 | 0:04:34 | |
# Honey, I'm still free | 0:04:34 | 0:04:35 | |
# Take a chance on me... # | 0:04:35 | 0:04:38 | |
-Take a chance together? -65. Go on. I'll shake on that. | 0:04:38 | 0:04:41 | |
-Thank you, Jane. -It's done. -That's my Road Trip up and running again, Charlie Ross! | 0:04:41 | 0:04:46 | |
I'm up and running! | 0:04:46 | 0:04:48 | |
Charlie, I'm off and running! | 0:04:48 | 0:04:49 | |
So Charles's musical haggling seems to have won the day. | 0:04:49 | 0:04:54 | |
And he's got his first buy. | 0:04:54 | 0:04:56 | |
Mamma mia! | 0:04:56 | 0:04:57 | |
# Mamma mia, here I go again | 0:04:57 | 0:05:00 | |
# My, my, how can I resist you # | 0:05:00 | 0:05:04 | |
Meanwhile, Charlie's still downstairs, doing his level best to charm the lovely Louise. | 0:05:05 | 0:05:10 | |
Right, Louise, where are your things? | 0:05:11 | 0:05:13 | |
Round the corner, just round there. | 0:05:13 | 0:05:15 | |
-Round that wall. -Splendid. | 0:05:15 | 0:05:17 | |
That looks rather good. Mercury in there. | 0:05:17 | 0:05:20 | |
Yes, we're bell ringers. | 0:05:22 | 0:05:24 | |
A pair of Moorcroft candlesticks. | 0:05:25 | 0:05:27 | |
1920s. Would you model it for me? | 0:05:27 | 0:05:29 | |
Not now, no! | 0:05:29 | 0:05:31 | |
I don't suppose this is yours, is it? | 0:05:32 | 0:05:34 | |
No, you've gone past mine! | 0:05:34 | 0:05:36 | |
Oh, no! I'm coming back. Sorry. Come on. Come on. | 0:05:36 | 0:05:38 | |
Show me yours! Show me yours! | 0:05:38 | 0:05:40 | |
Oh, Charlie! | 0:05:40 | 0:05:41 | |
Something caught my eye in here. | 0:05:41 | 0:05:44 | |
Charlie's spotted a rosewood box. | 0:05:44 | 0:05:47 | |
The price on the ticket is £68. | 0:05:47 | 0:05:50 | |
It's still got the original interior to it, which is unusual. | 0:05:51 | 0:05:56 | |
The thing to look for with these boxes is damage. | 0:05:57 | 0:06:01 | |
If there's mother-of-pearl missing, it's a nightmare. | 0:06:01 | 0:06:04 | |
Jane can do a deal on the box. | 0:06:04 | 0:06:07 | |
What can Charlie offer? | 0:06:07 | 0:06:09 | |
About 30 quid. At 30 quid I would certainly buy it. | 0:06:09 | 0:06:12 | |
Jane doesn't look quite convinced. | 0:06:12 | 0:06:14 | |
Can Charlie sweeten the deal? | 0:06:14 | 0:06:16 | |
What can I get you? Is there a sweetie shop in the village? | 0:06:16 | 0:06:20 | |
-I'm very partial to chocolate. -Are you? Tell you what. | 0:06:20 | 0:06:22 | |
I will go to the shop and buy you something. | 0:06:22 | 0:06:25 | |
So Charlie offers to buy Jane some chocs if she'll let him have the box for £30 | 0:06:25 | 0:06:29 | |
rather than the £34 she wants. | 0:06:29 | 0:06:32 | |
See you in a minute. | 0:06:33 | 0:06:35 | |
He's heading for The Old Fire Station chocolate shop. | 0:06:37 | 0:06:41 | |
Charlie might be in the chocolate shop, | 0:06:43 | 0:06:45 | |
but his tactics aren't changing. | 0:06:45 | 0:06:47 | |
Are you negotiable on your price at all? | 0:06:47 | 0:06:49 | |
I'm very tight on buying my Victorian rosewood box. | 0:06:49 | 0:06:52 | |
I'd say these are fresher and newer than your rosewood box! | 0:06:52 | 0:06:56 | |
-I suspect we might be able to do something. -Certainly fresher! | 0:06:56 | 0:07:02 | |
He'll take a box of the hand-made truffles for Jane. | 0:07:02 | 0:07:05 | |
-Is that all right? -Gosh! | 0:07:05 | 0:07:07 | |
She won't be able to resist...those. | 0:07:07 | 0:07:08 | |
How much do I owe you, sir? | 0:07:08 | 0:07:10 | |
Well, 5.99 normally. To you, £5.50. | 0:07:10 | 0:07:14 | |
Ooh, how splendid! | 0:07:14 | 0:07:16 | |
Big Cheshire smile. | 0:07:16 | 0:07:18 | |
Hmm. I think there's a flaw in your maths here, Charlie. | 0:07:18 | 0:07:20 | |
-Very kind of you. Thank you. -Thank you. -All the best. | 0:07:20 | 0:07:23 | |
But Charlie's about to have a terrible realisation. | 0:07:23 | 0:07:27 | |
I think I've got this slightly wrong. | 0:07:30 | 0:07:32 | |
I've now paid £5.50 for the chocolates | 0:07:32 | 0:07:35 | |
and hopefully I'll get the box for 30. | 0:07:35 | 0:07:38 | |
But it could have been 34. | 0:07:38 | 0:07:39 | |
Oh, Lordy. I'm not sure maths is your strong suit, old boy! | 0:07:40 | 0:07:44 | |
-Jane. -Charlie. -Today is your lucky day. | 0:07:46 | 0:07:52 | |
Oh, Charlie, thank you! | 0:07:52 | 0:07:55 | |
It's yours. | 0:07:55 | 0:07:57 | |
-Thank you very much indeed. -That's so sweet of you. | 0:07:58 | 0:08:01 | |
Chocolates included, the box cost £35.50, | 0:08:01 | 0:08:05 | |
so his charm actually costs him money! | 0:08:05 | 0:08:08 | |
But at least he's got his first buy. | 0:08:08 | 0:08:09 | |
Now he's heading straight upstairs where he immediately spots a hand mirror. | 0:08:11 | 0:08:16 | |
-That's quite nice. -Blimey, that's cheap. Sorrento. | 0:08:16 | 0:08:19 | |
But Charlie seems to have taken a shine to it, too. | 0:08:19 | 0:08:22 | |
Do you want to leave me up here and I'll see you downstairs? | 0:08:23 | 0:08:26 | |
No, you can go downstairs now. I like a bit of Sorrento. | 0:08:26 | 0:08:28 | |
I was just browsing that, Charlie. | 0:08:28 | 0:08:30 | |
I was just about to pick it up. | 0:08:30 | 0:08:33 | |
Yeah, course you were, Charles! | 0:08:34 | 0:08:35 | |
-I've never heard so much rubbish... -Can I help you? -..in all my life. | 0:08:35 | 0:08:39 | |
-You have been up here for an hour and you've missed that. -Yes. | 0:08:39 | 0:08:42 | |
The southern-Italian town of Sorrento | 0:08:42 | 0:08:45 | |
has a long history of producing items in marquetry. | 0:08:45 | 0:08:48 | |
This mirror dates from the late 19th century. | 0:08:48 | 0:08:52 | |
I'm not going to have an argument with you. | 0:08:52 | 0:08:55 | |
OK. OK, go on, take it downstairs. | 0:08:55 | 0:08:57 | |
-Go on. -Jolly reasonable. | 0:08:57 | 0:08:59 | |
-Do you really want to buy this, Charles? -No, I don't. | 0:08:59 | 0:09:02 | |
-Go on, get out of here. -# If you change your mind... # | 0:09:02 | 0:09:05 | |
Exactly. Go on. Get downstairs. | 0:09:05 | 0:09:07 | |
A little jealous, Charles? | 0:09:07 | 0:09:09 | |
I went straight up and saw something I liked. | 0:09:09 | 0:09:12 | |
-You didn't. -It's not difficult in this shop. | 0:09:12 | 0:09:14 | |
It's a pretty little thing, I must admit. I did look at it for my dressing table. | 0:09:14 | 0:09:18 | |
-Did you. -Yes. -You come up with all the lines, don't you, Jane? | 0:09:18 | 0:09:22 | |
-Yeah, yeah. -All the lines. | 0:09:22 | 0:09:25 | |
Half price. 7.50. | 0:09:25 | 0:09:27 | |
Can you really not do a fiver on that? | 0:09:29 | 0:09:32 | |
6.50. | 0:09:32 | 0:09:34 | |
How can I turn that down? | 0:09:36 | 0:09:38 | |
How can I possibly turn you down? | 0:09:38 | 0:09:41 | |
-That's a good deal. -It is. I'll have it. | 0:09:41 | 0:09:43 | |
-You'll have it. -Yep. Put it with my purchases. | 0:09:43 | 0:09:46 | |
I'm going back upstairs. | 0:09:46 | 0:09:48 | |
Because I like this sh... Ooh, God, I just bumped my head! | 0:09:48 | 0:09:51 | |
-Ouch! -Have you got a first aid kit? | 0:09:51 | 0:09:53 | |
Oh, do be careful, Charlie. | 0:09:53 | 0:09:56 | |
Meanwhile, Charles Hanson is in another part of the antiques centre | 0:09:58 | 0:10:01 | |
with another dealer, John. | 0:10:01 | 0:10:03 | |
And Charles is upping the pressure. | 0:10:03 | 0:10:05 | |
One thing, John, I did see, that I really, really like | 0:10:07 | 0:10:12 | |
is this wonderful maritime time-piece | 0:10:12 | 0:10:15 | |
which also includes the barometer dial, also the compass | 0:10:15 | 0:10:19 | |
-and also the thermometer. -Yes. -On the anchor. | 0:10:19 | 0:10:22 | |
-That really is... -That's a really high quality piece. -Yes, it is. | 0:10:22 | 0:10:26 | |
John, what age is that? | 0:10:26 | 0:10:28 | |
-1910, would you say? -Hmm. | 0:10:28 | 0:10:31 | |
Aye, aye, Captain! I quite like this. | 0:10:31 | 0:10:34 | |
1910, it's a real Edwardian novelty. | 0:10:34 | 0:10:37 | |
On the ticket is a whopping £250, well out of Charles's league. | 0:10:38 | 0:10:42 | |
He only has £135 left, but can he persuade John to cut him a deal? | 0:10:43 | 0:10:48 | |
I've got 135. Would you possibly come down to that level? | 0:10:49 | 0:10:53 | |
-Yes. -Would you really? | 0:10:53 | 0:10:54 | |
-135. -Yeah. Um... | 0:10:54 | 0:10:57 | |
Here we go! | 0:10:57 | 0:10:58 | |
Would you... I'm not being funny. | 0:10:58 | 0:11:00 | |
I want to take to auction three items. | 0:11:00 | 0:11:02 | |
Would you possibly give me a bit of change from 135? | 0:11:02 | 0:11:05 | |
Just for me, John? | 0:11:05 | 0:11:07 | |
Maybe a tenner? John, would you make it 125? | 0:11:07 | 0:11:10 | |
Leave me a tenner for luck tomorrow. I'll have a whole day shopping with £10! | 0:11:10 | 0:11:14 | |
That's a big discount. | 0:11:14 | 0:11:16 | |
-One for the road. -125. -Are you sure? -OK. | 0:11:16 | 0:11:19 | |
125. That leaves me £10. | 0:11:19 | 0:11:21 | |
Thanks, John. | 0:11:21 | 0:11:22 | |
Let's hope my maritime time-piece will tick the right way, eh, John? | 0:11:22 | 0:11:27 | |
Well, let's hope it does. | 0:11:28 | 0:11:30 | |
Meanwhile, Charlie the charmer is still upstairs. | 0:11:33 | 0:11:35 | |
And yet another item has taken his fancy. | 0:11:37 | 0:11:39 | |
Arts & Crafts Movement, wall pocket in brass. | 0:11:39 | 0:11:44 | |
Typical Arts & Crafts decoration here. | 0:11:44 | 0:11:49 | |
The Arts & Crafts Movement of the late Victorian period | 0:11:49 | 0:11:52 | |
celebrated design drawn from natural form and traditional craftsmanship. | 0:11:52 | 0:11:58 | |
This wall pocket is priced at £32. | 0:11:58 | 0:12:00 | |
I really do think it's a good thing. | 0:12:02 | 0:12:04 | |
Oh, I can't resist having a go at this! | 0:12:06 | 0:12:09 | |
Shop! I need a lady, please! | 0:12:09 | 0:12:11 | |
LAUGHTER | 0:12:11 | 0:12:13 | |
-Louise! -A young, attractive lady. Any one of the two will do! | 0:12:13 | 0:12:17 | |
How many ABBA songs would I have to sing to get the price down on that? | 0:12:17 | 0:12:21 | |
I've got a much better voice than Charles Hanson! | 0:12:21 | 0:12:24 | |
Shall we say three? | 0:12:24 | 0:12:25 | |
# Waterloo... # | 0:12:25 | 0:12:26 | |
-Ooh! -Ooh, dear! Ooh, crumbs! | 0:12:26 | 0:12:29 | |
Tut-tut! | 0:12:29 | 0:12:30 | |
I think... I think we're probably looking at a best price there of 25. | 0:12:30 | 0:12:34 | |
25?! I thought you were going to say 20. | 0:12:34 | 0:12:37 | |
-I'd pay £20 for it, I really would. -20? -Yeah. | 0:12:37 | 0:12:42 | |
-Go on, then, £20. -Happy with that? -Yep. | 0:12:42 | 0:12:45 | |
And with that, Charles and Charlie's bumper Tarporley spending spree | 0:12:45 | 0:12:50 | |
draws to a happy close. | 0:12:50 | 0:12:52 | |
-Enjoy the chocolates. -Thank you, I will, Charlie. Thank you. I will. | 0:12:52 | 0:12:57 | |
-Lovely to see you. -All the best. -Good luck. -It's been delightful. | 0:12:57 | 0:13:00 | |
-I'm gonna win! -Good luck! | 0:13:00 | 0:13:01 | |
Lovely ladies, lovely buys. | 0:13:04 | 0:13:06 | |
Expensive chocolates. | 0:13:06 | 0:13:08 | |
With only £10 left in his budget, | 0:13:09 | 0:13:12 | |
Charles Hanson is in no pressing rush to shop this afternoon. | 0:13:12 | 0:13:15 | |
So he's already in the car, driving the 33 miles | 0:13:15 | 0:13:19 | |
over the Welsh border to Llangollen, Denbighshire. | 0:13:19 | 0:13:22 | |
He's going to take a look around the fascinating house, Plas Newydd. | 0:13:25 | 0:13:30 | |
-Afternoon! -Hello! -How are you? -Good, thank you. | 0:13:31 | 0:13:34 | |
-I'm Charles Hanson. -Hello, Charles. -Nice to meet you. | 0:13:34 | 0:13:37 | |
He's meeting heritage assistant Gail. | 0:13:37 | 0:13:39 | |
The house is a museum dedicated to the lives of two extraordinary former inhabitants. | 0:13:39 | 0:13:45 | |
"The ladies of Llangollen", as they were known, | 0:13:45 | 0:13:48 | |
living here together in the late 18th and early 19th century. | 0:13:48 | 0:13:52 | |
Lady Eleanor Butler and Miss Sarah Ponsonby. | 0:13:52 | 0:13:55 | |
They came here in 1780. | 0:13:55 | 0:13:57 | |
They were here for 49 years. | 0:13:57 | 0:13:59 | |
-May we go in? -Please do. Come in. | 0:13:59 | 0:14:01 | |
The pair lived here, sharing a bed and a loving companionship | 0:14:03 | 0:14:07 | |
which scandalised some members of their Georgian and Regency society, | 0:14:07 | 0:14:12 | |
but also drew many famous friends to visit them, | 0:14:12 | 0:14:14 | |
including poets Byron, Shelley and Wordsworth. | 0:14:14 | 0:14:18 | |
The ladies were high born, but rejected their aristocratic backgrounds | 0:14:18 | 0:14:23 | |
to live a life dedicated to learning, art and nature. | 0:14:23 | 0:14:27 | |
This incredible house is their enduring legacy. | 0:14:27 | 0:14:31 | |
So really, the story of this house, dwelling, | 0:14:31 | 0:14:35 | |
-revolves around two ladies. -Yes. | 0:14:35 | 0:14:37 | |
Well done, Charles(!) | 0:14:37 | 0:14:39 | |
The ladies put their artistic stamp on the house, | 0:14:39 | 0:14:41 | |
most strikingly in these wooden embellishments. | 0:14:41 | 0:14:44 | |
Both ladies came from aristocratic Anglo-Irish families. | 0:14:44 | 0:14:49 | |
They got together. They came here, they left their homes? | 0:14:49 | 0:14:53 | |
Yes, it was termed as an elopement. They "eloped" from Ireland | 0:14:53 | 0:14:57 | |
and the two met through their love of literature. | 0:14:57 | 0:14:59 | |
Tell me about them, as ladies. | 0:14:59 | 0:15:00 | |
As ladies, very courageous, very brave for their times. | 0:15:00 | 0:15:04 | |
They knew what they wished to achieve out of life. | 0:15:04 | 0:15:08 | |
What they wished to do with their lives was better themselves, | 0:15:08 | 0:15:12 | |
educate themselves and beautify their surroundings | 0:15:12 | 0:15:15 | |
and live closer to nature. | 0:15:15 | 0:15:16 | |
The couple were also interested in art and design. | 0:15:16 | 0:15:20 | |
They remodelled this property from a traditional farmhouse | 0:15:20 | 0:15:23 | |
into this extraordinary Gothic style. | 0:15:23 | 0:15:27 | |
Their vision leaves us a unique home. | 0:15:27 | 0:15:30 | |
What a wonderful place to elope to. | 0:15:30 | 0:15:33 | |
I look in this hallway, Gail, and all this oak panelling | 0:15:33 | 0:15:37 | |
really reflects a romance for the past. | 0:15:37 | 0:15:41 | |
It's a collage of carvings, a mosaic, really, it's become, | 0:15:41 | 0:15:44 | |
but of old furniture and ecclesiastical carvings. | 0:15:44 | 0:15:49 | |
This is the roof of a four-poster bed, | 0:15:49 | 0:15:50 | |
which is quite incredible. | 0:15:50 | 0:15:52 | |
We've got coffers, blanket chests and so on, | 0:15:52 | 0:15:56 | |
that have been cut up and assembled here with the help of a local joiner. | 0:15:56 | 0:16:00 | |
The ladies had the idea and the eye for the design. | 0:16:00 | 0:16:03 | |
We also have lots of stained glass, if you'd like to come through. | 0:16:03 | 0:16:08 | |
Mind your head, Charles! | 0:16:09 | 0:16:11 | |
Tell me about the stained glass. | 0:16:12 | 0:16:14 | |
It's done in the same style, really. A mosaic of stained glass pieces. | 0:16:14 | 0:16:19 | |
They are. They're shards, aren't they? | 0:16:19 | 0:16:21 | |
You've got chins and eyes. | 0:16:21 | 0:16:23 | |
And strange pieces. Some pieces are even upside-down. | 0:16:23 | 0:16:27 | |
-Absolutely. -But it's more to get the overall effect. | 0:16:27 | 0:16:30 | |
-Absolutely. They had a real passion for the past. -Yes. | 0:16:30 | 0:16:34 | |
Which they've put back together in an ad-hoc way, which worked. | 0:16:34 | 0:16:39 | |
In their own style, yes. | 0:16:39 | 0:16:41 | |
Gail's taking Charles upstairs into the bedroom. | 0:16:41 | 0:16:45 | |
The ladies shared this until Eleanor's death in 1829. | 0:16:45 | 0:16:50 | |
Here we have the ladies' bedroom. | 0:16:50 | 0:16:51 | |
-Isn't it a gorgeous room? -It is. -Did they ever come out and say, "We're courting?" | 0:16:51 | 0:16:57 | |
-Oh, no. -Were they very private? -Very private about it. | 0:16:57 | 0:17:01 | |
The way we get an insight into the ladies' lives | 0:17:01 | 0:17:05 | |
is that Eleanor Butler kept a journal for many years. | 0:17:05 | 0:17:08 | |
In this, she calls Sarah her sweet, "my beloved", and so on, | 0:17:08 | 0:17:15 | |
and their terminology certainly shows that they had a great love for one another. | 0:17:15 | 0:17:20 | |
And that love and companionship is what life is all about. | 0:17:20 | 0:17:24 | |
And with that happy thought, it's time for Charles to hit the road. | 0:17:25 | 0:17:28 | |
Thank you ever so much for a wonderful visit. | 0:17:28 | 0:17:31 | |
Meanwhile, Charlie Ross has travelled to Tilston in Cheshire, | 0:17:36 | 0:17:40 | |
where he's keen to hunt for more buys. | 0:17:40 | 0:17:42 | |
-Hello. -Hello! Sally, is it? | 0:17:47 | 0:17:49 | |
-Yes, it is. -Charlie. -Hello, Charlie. | 0:17:49 | 0:17:51 | |
Sally's got something that might just capture Charlie's heart. | 0:17:53 | 0:17:57 | |
This little piece is unusual. Did you notice that? | 0:17:57 | 0:18:00 | |
No! | 0:18:02 | 0:18:03 | |
You'll have to educate me here. | 0:18:04 | 0:18:06 | |
Sally wasn't quite sure what the object was, | 0:18:06 | 0:18:09 | |
until she found a newspaper cutting | 0:18:09 | 0:18:11 | |
relating to the theft of a similar piece. | 0:18:11 | 0:18:14 | |
I didn't know what it was for, then I found this little thing | 0:18:14 | 0:18:19 | |
which says... | 0:18:19 | 0:18:21 | |
-"Artichoke cup stolen". -Yes. | 0:18:21 | 0:18:24 | |
-Sally! Really! -Not this one! I didn't! I promise! | 0:18:24 | 0:18:27 | |
It's an unusual little object, isn't it? | 0:18:29 | 0:18:32 | |
-A Chinese artichoke cup. -Yes. | 0:18:32 | 0:18:34 | |
-Would you get a whole artichoke in there? -I think you'd just put the heart. -Just the heart. | 0:18:34 | 0:18:40 | |
-Just the heart. -What a glorious object! | 0:18:40 | 0:18:42 | |
-It's like a little Chinese hat, isn't it? -It looks like it, yes. | 0:18:42 | 0:18:46 | |
Yes, you look charming, darling! | 0:18:47 | 0:18:49 | |
Suits you! | 0:18:49 | 0:18:50 | |
What a lovely thing. That's just so gorgeous. | 0:18:50 | 0:18:53 | |
And it hasn't even got a price on it. | 0:18:53 | 0:18:56 | |
Well, it's rather special, isn't it? £45 because it's a damaged top. | 0:18:56 | 0:19:01 | |
-Is that all it is? -Yes. -I could fool Charles Hanson, my opponent, with that. | 0:19:01 | 0:19:06 | |
My worry was him, how he jumps up and down. | 0:19:06 | 0:19:09 | |
He's have broken the whole lot. You're lucky he's not here, to be honest. | 0:19:09 | 0:19:13 | |
Oh, Sally! | 0:19:14 | 0:19:15 | |
What was that you were saying, Charlie? | 0:19:15 | 0:19:17 | |
I did a Hanson! | 0:19:17 | 0:19:19 | |
It landed on the rug! | 0:19:19 | 0:19:21 | |
Thank God for that! | 0:19:21 | 0:19:23 | |
Anyway, it's been damaged before. | 0:19:23 | 0:19:25 | |
I don't care! My heart! | 0:19:25 | 0:19:27 | |
Charlie didn't break it, but he is going to buy it. | 0:19:29 | 0:19:32 | |
I'm not going to ask you what your best is, because it was £45 and I think that's reasonable. | 0:19:32 | 0:19:39 | |
-We have a deal. -We have a deal. -And I love it. | 0:19:39 | 0:19:41 | |
-Hanson will like it. -Hanson will be jealous, I reckon! | 0:19:42 | 0:19:45 | |
He will be jealous! How delightful! | 0:19:45 | 0:19:47 | |
Delightful indeed. | 0:19:47 | 0:19:49 | |
Buying fever is upon Charlie today, | 0:19:50 | 0:19:53 | |
so he's off to Chester, Cheshire. | 0:19:53 | 0:19:55 | |
The city's historic buildings sing of the past. | 0:19:55 | 0:19:59 | |
Let's hope he can find something shiny to buy in this frankly-named antique shop. | 0:19:59 | 0:20:05 | |
-Peter? -Yes. -Charlie. -Nice to meet you. -Nice to see you. -OK. | 0:20:06 | 0:20:10 | |
Charlie's spent £107 today, | 0:20:10 | 0:20:13 | |
so he's still got £93 in his pocket. | 0:20:13 | 0:20:15 | |
Thinking of the auction in Manchester, | 0:20:17 | 0:20:19 | |
Charlie's decided to put Peter's canny local knowledge to use. | 0:20:19 | 0:20:22 | |
Over to you. Pull me something out that you think that you can sell me that I'll make a profit. | 0:20:23 | 0:20:28 | |
And Peter, if it makes a profit, | 0:20:28 | 0:20:30 | |
I will sing your name... | 0:20:30 | 0:20:33 | |
-from the rooftops. -Listen. | 0:20:33 | 0:20:36 | |
Peter's got an early 20th century American coffee percolator. | 0:20:36 | 0:20:41 | |
Complete. Nothing missing on it. | 0:20:42 | 0:20:44 | |
Dated on the bottom with the patent numbers to 1906. | 0:20:44 | 0:20:47 | |
Something you can make money on, especially in Manchester. | 0:20:47 | 0:20:50 | |
How many coffee bars would like to put that in their coffee bar? | 0:20:50 | 0:20:55 | |
How, in Manchester, a trendy city... | 0:20:55 | 0:20:58 | |
A trendy coffee bar would like that. | 0:20:58 | 0:21:00 | |
Well, but now - how much is it? | 0:21:00 | 0:21:03 | |
-If you didn't turn a profit on that at £20. -What?! | 0:21:04 | 0:21:07 | |
-You're not selling me that for 20 quid? -I'll do it for 20. | 0:21:07 | 0:21:10 | |
Huh! That's woken you up, Charlie. What a bargain! | 0:21:10 | 0:21:13 | |
That's really fantastic. | 0:21:13 | 0:21:15 | |
Be still, my beating heart! | 0:21:15 | 0:21:17 | |
But I'm trying to beat that Hanson, and frankly, that's my way forward. | 0:21:17 | 0:21:22 | |
You'll do it with that. | 0:21:22 | 0:21:24 | |
I'm sorry. It's not a lot of money, is it? | 0:21:24 | 0:21:26 | |
-Listen, it's money. -It's money. -At least I hope it is! | 0:21:26 | 0:21:30 | |
Oh, that's real! | 0:21:30 | 0:21:31 | |
I should hope so. | 0:21:31 | 0:21:33 | |
And with that zinger of a deal, | 0:21:33 | 0:21:36 | |
Charles' and Charlie's jam-packed first day ends on a high. | 0:21:36 | 0:21:40 | |
Night-night, chaps! | 0:21:40 | 0:21:42 | |
Right, it's the start of a new day on the Road Trip. | 0:21:45 | 0:21:48 | |
The boys are just outside Chester and about to head for the shops. | 0:21:50 | 0:21:52 | |
But things are not off to a roaring start. | 0:21:52 | 0:21:56 | |
GEARS GRATE | 0:21:57 | 0:21:59 | |
Like a lady. Treat it like a lady. | 0:21:59 | 0:22:00 | |
I can't get it into gear. I doubt it's the gear box. | 0:22:02 | 0:22:04 | |
I think the clutch... If the clutch has gone... | 0:22:04 | 0:22:06 | |
Calamity! | 0:22:06 | 0:22:08 | |
Trust me. I know just about enough about cars | 0:22:08 | 0:22:12 | |
to know that this is not gonna work. | 0:22:12 | 0:22:16 | |
So we're what, a mile outside Chester? | 0:22:16 | 0:22:18 | |
This is a pickle. But wait, who's that on the horizon? | 0:22:18 | 0:22:22 | |
By pure chance, a big fan of the Road Trip appears in the car park. | 0:22:22 | 0:22:27 | |
Our car has stopped working. | 0:22:27 | 0:22:29 | |
-Hello, sir. How are you? -Hello! -Very nice to see you! | 0:22:29 | 0:22:33 | |
Very nice to see you! | 0:22:33 | 0:22:34 | |
Lovely Peter, the Road Trip fan, | 0:22:34 | 0:22:36 | |
agrees to give them a lift to the shops. | 0:22:36 | 0:22:38 | |
Good golly. Those lucky Charlies have charmed their way out of yet another jam. | 0:22:39 | 0:22:44 | |
Thank you, Peter. | 0:22:44 | 0:22:45 | |
So far, Charles has spent £190 on just two lots. | 0:22:45 | 0:22:50 | |
The cherub table lamps | 0:22:50 | 0:22:53 | |
and the maritime mantel clock with barometer, | 0:22:53 | 0:22:55 | |
leaving him only a meagre £10 to spend today. | 0:22:55 | 0:22:59 | |
While Charlie's already amassed five lots at a cost of £127. | 0:23:02 | 0:23:06 | |
The Sorrento-ware hand mirror, | 0:23:06 | 0:23:09 | |
the rosewood sewing box... | 0:23:09 | 0:23:11 | |
..the Arts & Crafts wall pocket, | 0:23:12 | 0:23:15 | |
the brass percolator | 0:23:15 | 0:23:16 | |
and the Chinese artichoke cup. | 0:23:16 | 0:23:19 | |
Which leaves him with £73 in his pocket. | 0:23:20 | 0:23:23 | |
-Bye, Peter! -This way, Charlie. -Bye! | 0:23:24 | 0:23:27 | |
-Bye, Peter! -What a great guy. | 0:23:27 | 0:23:29 | |
Thanks to Peter, they're finally in Chester city centre. | 0:23:29 | 0:23:33 | |
Now, if they can just find their antiques shops... | 0:23:33 | 0:23:36 | |
-Charlie, come on! -Slow and steady wins the race. | 0:23:39 | 0:23:42 | |
-Look. "Welcome to Chester." -Know the story of the tortoise and the hare? | 0:23:42 | 0:23:46 | |
-Yes. -Yes. Just slow down. | 0:23:46 | 0:23:49 | |
You're like Romeo up there! Come on. | 0:23:49 | 0:23:51 | |
Look at him. Always running! | 0:23:51 | 0:23:53 | |
Charles has hared away from Charlie the tortoise | 0:23:53 | 0:23:57 | |
and off towards K.D. Antiques. | 0:23:57 | 0:23:59 | |
He's meeting old chum Calvin. | 0:23:59 | 0:24:02 | |
Last year, Charles went on an epic buying spree in this very shop, | 0:24:02 | 0:24:07 | |
putting almost £100 in Calvin's till. | 0:24:07 | 0:24:10 | |
His budget this time is rather more modest. | 0:24:12 | 0:24:14 | |
What I'm looking for is something that might just cost me | 0:24:14 | 0:24:18 | |
-£10 or thereabouts. -OK. | 0:24:18 | 0:24:20 | |
And what I intend to do today, to be completely blunt with you, | 0:24:20 | 0:24:24 | |
is I'm going to take your object | 0:24:24 | 0:24:26 | |
and then try and build on it. | 0:24:26 | 0:24:28 | |
-And swap it... -With other dealers? -Exactly. With your blessing. | 0:24:28 | 0:24:33 | |
OK. | 0:24:33 | 0:24:34 | |
Further to this master plan, | 0:24:34 | 0:24:36 | |
Charles thinks he's found something he can trade up. | 0:24:36 | 0:24:39 | |
It's an auctioneer's gavel. Isn't that wonderful? | 0:24:40 | 0:24:43 | |
-A pocket gavel. -Isn't that neat? | 0:24:43 | 0:24:45 | |
Ticket price is £14. What can Calvin let it go for? | 0:24:45 | 0:24:50 | |
-Five pounds. -Five pounds. | 0:24:51 | 0:24:53 | |
Going once, going twice, going, gone. | 0:24:53 | 0:24:56 | |
-That's it, Calvin. -Well done. -Thanks, Calvin. That's great. | 0:24:56 | 0:24:59 | |
The cunning Charles has another buy, and he's off to see if he can trade it up. | 0:24:59 | 0:25:04 | |
Meanwhile, Charlie is nearby in another shop | 0:25:06 | 0:25:09 | |
where the delightful young Rachel is helping him. | 0:25:09 | 0:25:11 | |
That's taken my eye. Gosh, that's fabulous, that bread fork. | 0:25:11 | 0:25:16 | |
-Yeah, it's lovely. It's an unusual item, really nice... -Glorious! | 0:25:16 | 0:25:21 | |
The quality of that! | 0:25:22 | 0:25:24 | |
Yeah, it's beautiful. | 0:25:24 | 0:25:25 | |
That's a fabulous item. | 0:25:25 | 0:25:28 | |
It's a Victorian silver-plated bread fork | 0:25:29 | 0:25:32 | |
used for serving bread or rolls at a formal dinner. | 0:25:32 | 0:25:35 | |
There's £27 on the ticket. | 0:25:36 | 0:25:38 | |
There's probably a little bit of trade in that, isn't there? | 0:25:39 | 0:25:42 | |
-I could probably tweak you a bit. -You could tweak me a bit. | 0:25:42 | 0:25:45 | |
I could probably do that for you for about £23. | 0:25:45 | 0:25:49 | |
Fantastic quality. | 0:25:49 | 0:25:51 | |
If I made those, I'd want to put my name on them. | 0:25:51 | 0:25:54 | |
Terrific. Charlie pays £23 for the bread fork | 0:25:54 | 0:25:57 | |
and he's got his last lot for auction. | 0:25:57 | 0:26:00 | |
But his problems aren't over. | 0:26:00 | 0:26:02 | |
He wanted to spend this afternoon at a museum about half an hour away, | 0:26:02 | 0:26:05 | |
but with the Triumph still caput, how will he get there? | 0:26:05 | 0:26:09 | |
Our car's broken down, so I have to get a cab. | 0:26:11 | 0:26:14 | |
-I'll hitch in the rain. -My husband is in Chester today | 0:26:14 | 0:26:18 | |
-and I'm sure he could drop you off en-route. -Is he not working today? | 0:26:18 | 0:26:21 | |
-No, he's got a day off. -That would be brilliant! -OK. | 0:26:21 | 0:26:24 | |
What service, eh? | 0:26:24 | 0:26:25 | |
Charlie's off to meet Rachel's husband Matt just around the corner. | 0:26:25 | 0:26:29 | |
It's Charlie's second miscellaneous man in a car park, | 0:26:29 | 0:26:32 | |
and it's not even lunch time! | 0:26:32 | 0:26:34 | |
A-ha! | 0:26:34 | 0:26:35 | |
Would you be, by any chance, Matt? | 0:26:35 | 0:26:38 | |
Hi, Charlie, how are you? | 0:26:38 | 0:26:40 | |
-This is really kind of you. -No problem. Glad to help. | 0:26:40 | 0:26:42 | |
Charlie and the Good Samaritan, Matt, | 0:26:42 | 0:26:46 | |
are heading for Northwich, about 18 miles away. | 0:26:46 | 0:26:49 | |
The area around Northwich has been famous for producing salt | 0:26:49 | 0:26:53 | |
for many hundreds of years, | 0:26:53 | 0:26:55 | |
and this afternoon, Charlie's going to learn why. | 0:26:55 | 0:26:57 | |
-Matt, thank you very much indeed. -Not a problem. Have a good day! -All the best! -Bye, now. | 0:26:59 | 0:27:03 | |
Gosh, aren't people nice, eh? | 0:27:03 | 0:27:05 | |
Charlie's heading into the Weaver Hall Museum | 0:27:05 | 0:27:09 | |
which tells the salty story of the region's past. | 0:27:09 | 0:27:12 | |
He's meeting community and education officer, Tom. | 0:27:12 | 0:27:15 | |
-Ah, Tom? -Yes. Very pleased to meet you. | 0:27:15 | 0:27:18 | |
-Today, I'd rather be down a salt mine, it's so horrible out there! -You want to find out about salt. | 0:27:18 | 0:27:23 | |
This area is built on salt, | 0:27:23 | 0:27:26 | |
literally and figuratively. | 0:27:26 | 0:27:28 | |
And it's brought the local people both prosperity and misfortune over the centuries. | 0:27:28 | 0:27:34 | |
My word. Tom, before we get into all this, | 0:27:34 | 0:27:38 | |
I need to start at the very beginning. | 0:27:38 | 0:27:40 | |
-Can I take you back 220 million years? Is that far enough? -How long? | 0:27:40 | 0:27:44 | |
-If we've got time... -I was thinking Roman times! 220 million years? | 0:27:44 | 0:27:48 | |
At that time, what is now Cheshire was a very salty sea | 0:27:48 | 0:27:53 | |
which dried up, and over those millions of years, | 0:27:53 | 0:27:55 | |
has left behind that, which we call rock salt. | 0:27:55 | 0:27:58 | |
If you don't believe me, lick your finger, rub on there, and have another lick. | 0:27:58 | 0:28:02 | |
-I'd better not actually lick that. -Don't do that. | 0:28:02 | 0:28:05 | |
Ha, good advice, Tom. | 0:28:05 | 0:28:07 | |
Most of that is salt. So if you have water running underground over the top of that, | 0:28:08 | 0:28:13 | |
instead of your spring being fresh drinking water, | 0:28:13 | 0:28:16 | |
it comes out very salty. But we can make something of it. | 0:28:16 | 0:28:19 | |
We can make the beginnings of salt, something people have been doing for over 2,000 years in Cheshire, | 0:28:19 | 0:28:24 | |
back to the Iron Age. | 0:28:24 | 0:28:26 | |
Salt would be produced by evaporating the water from this natural brine. | 0:28:26 | 0:28:30 | |
Behind them is a pan used to do this. That dates from the medieval period. | 0:28:30 | 0:28:35 | |
A medieval pan, so only 1,000 years old. But still old enough! | 0:28:35 | 0:28:39 | |
Salt was produced in this way for many hundreds of years. | 0:28:39 | 0:28:43 | |
In the 19th century, a new technique for extracting salt was pioneered. | 0:28:43 | 0:28:48 | |
Water was pumped underground, dissolving the mineral. | 0:28:48 | 0:28:51 | |
This was a boon for the industry, but became a curse for the town. | 0:28:52 | 0:28:57 | |
-I wanted to show you some effects of the salt industry on the town. -Yes. | 0:28:57 | 0:29:02 | |
One of the worst effects it had was subsidence, or as some people say, sub-SI-dence, | 0:29:02 | 0:29:06 | |
and it's the collapse of the ground | 0:29:06 | 0:29:08 | |
-when they took too much salt from underneath. -Of course! | 0:29:08 | 0:29:11 | |
The subsidence problems caused by salt extraction | 0:29:11 | 0:29:14 | |
came to a head in the late 1800s. | 0:29:14 | 0:29:16 | |
Most famously in Northwich, the Castle Street subsidence. | 0:29:16 | 0:29:19 | |
We see where a whole house has tipped backwards. | 0:29:19 | 0:29:22 | |
That's absolutely extraordinary, | 0:29:22 | 0:29:24 | |
that the house is still more or less intact! | 0:29:24 | 0:29:27 | |
This is as a result of the unique architecture they came up with. | 0:29:27 | 0:29:31 | |
That was to have a timber frame that would hold the bricks together. | 0:29:31 | 0:29:35 | |
So if the building tipped, the wooden frame held the bricks in place | 0:29:35 | 0:29:40 | |
and the glass in the windows, and they could jack the whole thing back up again! | 0:29:40 | 0:29:43 | |
This destructive kind of salt extraction has now ended. | 0:29:43 | 0:29:48 | |
but the area continues its tumultuous relationship with the mineral. | 0:29:48 | 0:29:52 | |
Rock salt is mined nearby to this very day | 0:29:52 | 0:29:55 | |
and with thanks to Tom for his "seasoned" knowledge... | 0:29:55 | 0:29:59 | |
-It's been absolutely fascinating. -Thank you. -Thank you very much. Bye! | 0:29:59 | 0:30:03 | |
..it's time for that old salt, Charlie, to hit the road. | 0:30:03 | 0:30:07 | |
Charles is still back in Chester | 0:30:16 | 0:30:18 | |
and is about to try his luck in the shop where Charlie Ross bought his percolator yesterday. | 0:30:18 | 0:30:22 | |
His plan is still to swap the gavel he bought earlier, | 0:30:26 | 0:30:30 | |
along with the lonely fiver still in his pocket, | 0:30:30 | 0:30:33 | |
for an item that might make more at auction. | 0:30:33 | 0:30:35 | |
Will canny Peter take the bait? | 0:30:35 | 0:30:38 | |
Peter, the first question is, do you like it? | 0:30:38 | 0:30:41 | |
-I love that. It's fantastic. -Do you really? | 0:30:41 | 0:30:43 | |
Chester's storeyed streets have given Charles a taste for the ancient today. | 0:30:44 | 0:30:49 | |
When you're in Chester, you want to... You just get a feel | 0:30:49 | 0:30:54 | |
and you want something historic. | 0:30:54 | 0:30:56 | |
Peter has some genuine archaeological finds | 0:30:56 | 0:30:59 | |
that might fit the bill - a number of medieval rings. | 0:30:59 | 0:31:02 | |
In the main, these are British finds - metal detectorists, archaeologists. | 0:31:02 | 0:31:07 | |
-This one here was found in the Thames. -Really? | 0:31:07 | 0:31:10 | |
Fairly recently. | 0:31:10 | 0:31:12 | |
It's a fertility ring dating from way back in the 1100s. | 0:31:12 | 0:31:16 | |
That's a medieval bronze ring, almost a love token, in the shape. | 0:31:16 | 0:31:19 | |
-I think so, yes. -With that heart. -With that heart shape, yes. -What a wonderful ring. | 0:31:19 | 0:31:24 | |
So that is a beautiful little medieval ring, 12th century. | 0:31:24 | 0:31:29 | |
Now that, Peter, is priced at £45. | 0:31:29 | 0:31:33 | |
But would that ring | 0:31:33 | 0:31:35 | |
be a viable swap for my gavel? | 0:31:35 | 0:31:37 | |
-With the fiver. -With the fiver. -That you've got in your pocket. | 0:31:37 | 0:31:41 | |
-I've got five pounds left over. -Five pounds as well. | 0:31:41 | 0:31:43 | |
-It's a good deal for you. -It's a good deal for me, absolutely. | 0:31:43 | 0:31:46 | |
Thanks again. Look after the gavel, OK? | 0:31:46 | 0:31:48 | |
See you, Peter. Bye! | 0:31:48 | 0:31:50 | |
And with that buy, our lads are ready to reveal their purchases to one another. | 0:31:50 | 0:31:56 | |
Go on, then, Charlie. I can't wait! | 0:31:57 | 0:32:00 | |
I like your array. No, I really do. | 0:32:02 | 0:32:06 | |
But what I want to go to, Charlie, first of all | 0:32:06 | 0:32:08 | |
is this small jar and cover here. | 0:32:08 | 0:32:11 | |
-Is it a custard cup and cover? -Artichoke. -Is it really? | 0:32:11 | 0:32:15 | |
-For the heart of an artichoke. -That's a really rare object, Charlie. I love it. | 0:32:15 | 0:32:18 | |
But all importantly, I suspect you probably paid £45. | 0:32:18 | 0:32:22 | |
-How much was it? -£45. -No, it wasn't! No, it wasn't! Really? No! | 0:32:22 | 0:32:26 | |
Bang on the money, Charles. | 0:32:26 | 0:32:28 | |
No wonder you're a valuer! | 0:32:28 | 0:32:30 | |
-I love the rosewood box. -It's got its original interior. | 0:32:31 | 0:32:35 | |
I bought it on price. | 0:32:35 | 0:32:37 | |
-I like it. -It is what it is. | 0:32:37 | 0:32:39 | |
-And this is a patent coffee percolator. -What a lovely object. | 0:32:39 | 0:32:44 | |
-I thought it was quite quirky having coffee through a tap. -Great object. | 0:32:44 | 0:32:48 | |
-Cost 20. -No, it didn't! -That's better. -That's a really good thing. | 0:32:48 | 0:32:51 | |
Very complimentary. | 0:32:51 | 0:32:53 | |
-Now, I, Charlie, I bought three things. -Yep. | 0:32:54 | 0:32:58 | |
Charlie, you do look impressed(!) | 0:32:58 | 0:33:00 | |
They're chipped plaster! | 0:33:01 | 0:33:04 | |
Ghastly! | 0:33:04 | 0:33:06 | |
The best thing to do here, I think, | 0:33:06 | 0:33:07 | |
is to sell the shades. | 0:33:07 | 0:33:09 | |
Throw those away and sell the shades. | 0:33:09 | 0:33:12 | |
-They are outrageous. -They are outrageous. -They're like you! | 0:33:12 | 0:33:15 | |
-Don't you like them at all? -No. | 0:33:15 | 0:33:16 | |
I get the feeling you're not too keen on them, Charlie! | 0:33:16 | 0:33:19 | |
-But this. -Isn't that gorgeous? -I think it's amazing! | 0:33:20 | 0:33:24 | |
High praise! | 0:33:24 | 0:33:25 | |
-What did that cost? -That was 125. | 0:33:26 | 0:33:28 | |
That is as nice as those are dreadful! | 0:33:28 | 0:33:31 | |
-Charlie, this ring is circa 1180. -Yeah. | 0:33:31 | 0:33:34 | |
And it was fished out of the Thames in March 2012. | 0:33:34 | 0:33:39 | |
-That's real history, isn't it? -It certainly is. How much was it? | 0:33:39 | 0:33:42 | |
I only had today £10 left over. | 0:33:42 | 0:33:44 | |
So I had to trade hard. So I bought a gavel for a fiver. | 0:33:44 | 0:33:48 | |
I went to see Peter. I had a five pound note. | 0:33:48 | 0:33:50 | |
He was very happy to do a deal where I gave him the gavel and a fiver | 0:33:50 | 0:33:55 | |
and in return, he gave me that ring. | 0:33:55 | 0:33:57 | |
Well done, old man. Well done. | 0:33:57 | 0:33:59 | |
That's all very sportsmanlike. | 0:33:59 | 0:34:01 | |
But when their rival's back is turned, | 0:34:01 | 0:34:05 | |
which lots do they like most and least? | 0:34:05 | 0:34:07 | |
Charles's dreadful lamps. | 0:34:07 | 0:34:09 | |
But his fantastic clock and barometer, | 0:34:09 | 0:34:13 | |
which I think is shop of the week, frankly. | 0:34:13 | 0:34:17 | |
That percolator, again, to me, Charlie, it's a knobbly nick-nack. | 0:34:17 | 0:34:21 | |
You've changed your tune, then! | 0:34:21 | 0:34:23 | |
Come on, buddy, let's get away with this £20 lot which might make a tenner. | 0:34:23 | 0:34:27 | |
Don't buy something because it's cheap. | 0:34:27 | 0:34:30 | |
Buy with a passion. Buy because you adore it. | 0:34:30 | 0:34:33 | |
Like you adore those cherubs, eh, Charles? | 0:34:33 | 0:34:36 | |
I'm very happy with my purchases. | 0:34:36 | 0:34:39 | |
If I had the choice now of swapping any of his for mine, | 0:34:39 | 0:34:42 | |
I would swap...none of them. | 0:34:42 | 0:34:45 | |
Confidence from the young upstart, eh? Off to the battlefield, then! | 0:34:45 | 0:34:49 | |
On this first leg of their Road Trip, | 0:34:50 | 0:34:52 | |
our happy Charlies have travelled from Tarporley, Cheshire, | 0:34:52 | 0:34:55 | |
to arrive at their auction in Manchester. | 0:34:55 | 0:34:58 | |
Batten down the hatches! Profit, here we come! | 0:34:58 | 0:35:01 | |
With the Triumph back on the road, they're off! | 0:35:01 | 0:35:04 | |
A modern cultural power-house rising from its proud industrial past, | 0:35:06 | 0:35:11 | |
Manchester's a vibrant UK city that needs little introduction. | 0:35:11 | 0:35:15 | |
What was the industry in Manchester? | 0:35:15 | 0:35:18 | |
-Oh... -Textiles? | 0:35:18 | 0:35:20 | |
Ohhh! | 0:35:20 | 0:35:22 | |
Apart from to Charlie, it would seem! | 0:35:22 | 0:35:25 | |
Venerable auction house Capes Dunn | 0:35:27 | 0:35:30 | |
has been serving the city for 180 years. | 0:35:30 | 0:35:33 | |
Today, auctioneer Caroline Lane will be wielding the gavel. | 0:35:33 | 0:35:37 | |
But before she faces the crowd, | 0:35:37 | 0:35:39 | |
what does she think of our lads' buys? | 0:35:39 | 0:35:41 | |
I think they are a fun, eclectic group of items. | 0:35:41 | 0:35:46 | |
The cherubs, they're nice, attractive things. | 0:35:46 | 0:35:49 | |
Are they antique? Possibly not. | 0:35:49 | 0:35:50 | |
They look like they could have been made 20 years ago. | 0:35:50 | 0:35:53 | |
What about the coffee percolator? | 0:35:53 | 0:35:55 | |
We unpacked it and went, "Crikey! This has been cleaned within an inch of its life." | 0:35:55 | 0:36:00 | |
It's a shame, because it doesn't show much of its age. | 0:36:00 | 0:36:03 | |
It's a nice thing. It's quite pretty. | 0:36:03 | 0:36:05 | |
Charles and Charlie both started this Road Trip with £200. | 0:36:05 | 0:36:09 | |
Charles Hanson has spent the full whack on just three lots. | 0:36:09 | 0:36:13 | |
Charlie Ross, meanwhile, has assembled six lots at a cost of £150. | 0:36:15 | 0:36:20 | |
Battle is about to commence. | 0:36:21 | 0:36:24 | |
First up is Charlie's Sorrento inlaid mirror. | 0:36:27 | 0:36:30 | |
How will it reflect on his buying acumen? | 0:36:30 | 0:36:33 | |
Who will bid me £10 for this lot? | 0:36:33 | 0:36:35 | |
Surely £10? It's here to sell. | 0:36:35 | 0:36:37 | |
Thank you. £10 seated here on the front. | 0:36:37 | 0:36:40 | |
Thank you very much. Here at £10. Any more? | 0:36:40 | 0:36:43 | |
Surely? Thank you. £15. | 0:36:43 | 0:36:46 | |
15 there. Any advance with the gentleman on my right at £15. | 0:36:46 | 0:36:50 | |
-Well done. -Are we all sure at just 15? | 0:36:50 | 0:36:54 | |
Charlie's off to a solid start. | 0:36:54 | 0:36:56 | |
Next up, another for Charlie | 0:36:58 | 0:37:00 | |
as his rosewood box faces the crowd. | 0:37:00 | 0:37:02 | |
He had to woo the dealer with choccies to get it, | 0:37:02 | 0:37:06 | |
but will it seduce the sale room? | 0:37:06 | 0:37:07 | |
Start the bidding with me at £15. | 0:37:07 | 0:37:09 | |
Looking for 20. 20 at the back of the room. | 0:37:09 | 0:37:11 | |
25. Thank you. 30. | 0:37:11 | 0:37:13 | |
35 on my right. If we're all sure at £35. | 0:37:13 | 0:37:17 | |
Oh, dear. The cost of the chocolates tips the scales. | 0:37:20 | 0:37:24 | |
Bad luck, Romeo! | 0:37:24 | 0:37:26 | |
Without the chocolates, a profit. With the chocolates, a loss. | 0:37:26 | 0:37:30 | |
Now, the first for Charles Hanson. | 0:37:31 | 0:37:33 | |
His 12th-century fertility ring. | 0:37:33 | 0:37:36 | |
Will it bear fruit? | 0:37:36 | 0:37:37 | |
A rare 12th century fertility ladies' bronze ring. | 0:37:37 | 0:37:40 | |
-Ooh, I say. -Circa 1180. | 0:37:40 | 0:37:43 | |
-Bit of fertility. -It's history, Charlie. -Yes. | 0:37:43 | 0:37:46 | |
I'm going red! | 0:37:46 | 0:37:48 | |
I think my parents would like me to get one of these! | 0:37:48 | 0:37:51 | |
Lot 33, with me at £10. | 0:37:51 | 0:37:53 | |
-Come on. -It's already in at ten. -Thank you. 15. 20. | 0:37:53 | 0:37:57 | |
25. 30. | 0:37:57 | 0:38:00 | |
35. | 0:38:00 | 0:38:01 | |
40. With the lady seated here at £40. | 0:38:03 | 0:38:06 | |
Any more? 45. Back in, sir. Thank you. | 0:38:06 | 0:38:08 | |
We're at 45 now. One more? | 0:38:08 | 0:38:10 | |
One more? No? | 0:38:10 | 0:38:12 | |
I can't tempt you. 45 with the gentleman seated. | 0:38:12 | 0:38:14 | |
If we're all sure at £45. | 0:38:14 | 0:38:17 | |
The sale room gets a giggle, and it's a profit for Charles. | 0:38:19 | 0:38:23 | |
One for Charlie, now. | 0:38:24 | 0:38:25 | |
Here's his American percolator. Can it build up a head of steam? | 0:38:25 | 0:38:30 | |
I will start the bidding with me at £15. With me at just 15. | 0:38:30 | 0:38:33 | |
20. 25 now. 30. 35. | 0:38:33 | 0:38:35 | |
40 now. With the gentleman at £40. | 0:38:35 | 0:38:37 | |
-Brilliant. -Up a bit. -Brilliant. -Are we sure? | 0:38:37 | 0:38:40 | |
Just £40. If we're all sure at 40. | 0:38:40 | 0:38:43 | |
-45 just in time. -Oh, yes! | 0:38:43 | 0:38:45 | |
45 with the gentleman standing. 50. Thank you. | 0:38:45 | 0:38:47 | |
At £50, if we're all sure at 50. | 0:38:47 | 0:38:51 | |
Splendid. I love that auctioneer! | 0:38:51 | 0:38:55 | |
She's doing you proud, Charlie. | 0:38:55 | 0:38:57 | |
-Coffee? -Don't. -Coffee? Coffee? | 0:38:57 | 0:39:01 | |
I think you might have had too much of the stuff, Charlie. | 0:39:01 | 0:39:03 | |
Now Charles's gamble. | 0:39:05 | 0:39:06 | |
The, er, decorative cherub lamps. | 0:39:06 | 0:39:10 | |
Tell me now, you don't actually like them, do you? | 0:39:10 | 0:39:13 | |
No. No. | 0:39:13 | 0:39:15 | |
-With me at £20. -Oh, no. -Far too much. | 0:39:15 | 0:39:17 | |
25. 30. 35 now. In the room at 35. | 0:39:17 | 0:39:21 | |
-40 on my right. -What?! -45 here. -Keep going. | 0:39:21 | 0:39:23 | |
50. 55. | 0:39:23 | 0:39:26 | |
-Good grief, sir! -Keep going! | 0:39:26 | 0:39:28 | |
-How dare you? -One for the road! | 0:39:28 | 0:39:29 | |
65. 70. | 0:39:29 | 0:39:31 | |
70 on my right. 75. | 0:39:32 | 0:39:34 | |
-Oh! -75 with the gentleman on my left. -Good man, sir. | 0:39:34 | 0:39:38 | |
£75. Any more? If we're all sure at 75? | 0:39:38 | 0:39:41 | |
-80 just in time. -Yes! -Oh! | 0:39:42 | 0:39:44 | |
-80 just in time. -One more. | 0:39:44 | 0:39:46 | |
85. Thank you. | 0:39:46 | 0:39:48 | |
85 now. | 0:39:48 | 0:39:49 | |
It's a wack business. | 0:39:49 | 0:39:51 | |
Any more? 85. | 0:39:51 | 0:39:54 | |
Good man, sir. Thank you very much. | 0:39:54 | 0:39:56 | |
Manna from heaven for the young pretender, | 0:39:56 | 0:39:59 | |
as he steals the lead. | 0:39:59 | 0:40:01 | |
Well done, old bean! | 0:40:01 | 0:40:03 | |
And now Charlie's silver-plated bread fork. | 0:40:03 | 0:40:07 | |
Who'll start me for this lot? £15? | 0:40:07 | 0:40:08 | |
-Who'll start me 15? Thank you. -Oh, madam! | 0:40:08 | 0:40:13 | |
20 I have. The gentleman seated. 25. Thank you. 25 I have. | 0:40:13 | 0:40:18 | |
With the lady seated on my right at 25. | 0:40:18 | 0:40:20 | |
If you're all sure, I will sell at 25. | 0:40:20 | 0:40:22 | |
-Well done. -Lovely taste, madam. | 0:40:23 | 0:40:26 | |
Marvellous taste. | 0:40:26 | 0:40:28 | |
It just about holds. | 0:40:28 | 0:40:30 | |
But that's a small loss for Charlie after auction costs. | 0:40:30 | 0:40:33 | |
Charles is still in the lead. | 0:40:33 | 0:40:35 | |
Next is Charlie's Arts & Crafts wall pocket. | 0:40:37 | 0:40:40 | |
I have interest with me and it starts at £30. | 0:40:40 | 0:40:44 | |
The bid is with me at 30. 35 and I'm out now. | 0:40:44 | 0:40:48 | |
35 on my right. 40 if you'd like. Thank you, sir. | 0:40:48 | 0:40:50 | |
No? £40 with the gentleman standing. | 0:40:50 | 0:40:53 | |
Not bad, but I still think it could do a bit more. | 0:40:53 | 0:40:56 | |
Any advance? All sure? Nice example. | 0:40:56 | 0:40:58 | |
All sure at just £40? | 0:40:58 | 0:41:01 | |
Very respectable. | 0:41:02 | 0:41:04 | |
And Charlie sneaks ahead of the young buck. | 0:41:04 | 0:41:06 | |
You know your stuff, Charlie. | 0:41:06 | 0:41:08 | |
The artichoke cup Charlie nearly broke is next. | 0:41:08 | 0:41:12 | |
Does a smashing profit await? | 0:41:12 | 0:41:14 | |
I have interest. It's with me at £50. | 0:41:14 | 0:41:16 | |
With me at 50. I'm moving into the room. | 0:41:16 | 0:41:19 | |
-# Do-dee-dee! # -Well done, Charlie. | 0:41:19 | 0:41:20 | |
Any more? | 0:41:20 | 0:41:22 | |
-Come on! -Well done. -My bid at just £50. | 0:41:22 | 0:41:25 | |
-Seems cheap. -It does. | 0:41:25 | 0:41:27 | |
-I will sell at £50. -Well done, Charlie. -Could we do one more? | 0:41:27 | 0:41:31 | |
Hmm. The auctioneer clearly had faith in it, | 0:41:32 | 0:41:35 | |
but it fair choked with the crowd. | 0:41:35 | 0:41:37 | |
Yo-ho-ho. | 0:41:37 | 0:41:39 | |
So, everything rests on Charlie's much-admired maritime time-piece. Will it take sail? | 0:41:39 | 0:41:45 | |
-A novel Edwardian gilt-metal... -Wonderful thing. This is it. | 0:41:45 | 0:41:48 | |
-I have interest. -Ooh. | 0:41:48 | 0:41:50 | |
I can start the bid with me at £80. With me at £80. | 0:41:50 | 0:41:53 | |
-That's a good bid. -With me at £80. | 0:41:53 | 0:41:55 | |
-A nominal bid. -Keep going. -The bid is with me at 80. | 0:41:55 | 0:41:58 | |
Ohhh. | 0:41:58 | 0:41:59 | |
Any more on this lot? Seems cheap. It's a nice thing. | 0:41:59 | 0:42:01 | |
-With me at just £80. -Unbelievable. | 0:42:01 | 0:42:04 | |
We're all sure? I will sell at just 80. | 0:42:04 | 0:42:07 | |
Oh, dear! Despite those high hopes, | 0:42:08 | 0:42:11 | |
it fails to float. | 0:42:11 | 0:42:13 | |
Hard game, isn't it? | 0:42:13 | 0:42:14 | |
It's a hard game, bean. | 0:42:14 | 0:42:17 | |
I've had so much luck on my Road Trip. | 0:42:18 | 0:42:22 | |
I need some bad luck. And that's bad luck. | 0:42:22 | 0:42:23 | |
Graceful in victory, | 0:42:23 | 0:42:26 | |
but noble in defeat. | 0:42:26 | 0:42:28 | |
Was there ever a pair like 'em? | 0:42:28 | 0:42:30 | |
So the distinguished Charlie Ross takes the day | 0:42:30 | 0:42:34 | |
with a steady accumulation of profit. | 0:42:34 | 0:42:36 | |
Tortoise one, hare nil. | 0:42:37 | 0:42:40 | |
Charles Hanson started this leg with £200. | 0:42:41 | 0:42:43 | |
After paying auction costs, he made a stinging loss of £27.80. | 0:42:43 | 0:42:48 | |
He begins the next leg with £172.20. | 0:42:48 | 0:42:52 | |
Charlie Ross also started with £200. | 0:42:54 | 0:42:58 | |
He made a reasonable profit of £26.30 | 0:42:58 | 0:43:01 | |
and starts next time with £226.30. | 0:43:01 | 0:43:06 | |
-I've just been talking to the man that bought your fertility ring. -Yes? | 0:43:08 | 0:43:13 | |
"I like this", he said, "but it's a bit late for me." | 0:43:13 | 0:43:15 | |
It's never too late on the Road Trip. | 0:43:17 | 0:43:19 | |
On to the next leg, boys. | 0:43:19 | 0:43:21 | |
Next time on the Antiques Road Trip, | 0:43:22 | 0:43:24 | |
the boys go from Chesterfield to Grantham. | 0:43:24 | 0:43:27 | |
Charlie finds something he simply must have. | 0:43:27 | 0:43:30 | |
-I want that. I want that! -You have it. | 0:43:30 | 0:43:32 | |
And Charles will literally do anything to seal the deal. | 0:43:32 | 0:43:35 | |
The car. The car needs washing. Anything else? | 0:43:35 | 0:43:38 | |
Subtitles by Red Bee Media Ltd | 0:43:57 | 0:44:00 |