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It's the nation's favourite antiques experts, with £200 each... | 0:00:02 | 0:00:05 | |
I love that! | 0:00:05 | 0:00:07 | |
..a classic car, and a goal to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
Yippee! | 0:00:11 | 0:00:12 | |
Sometimes a man is in need. | 0:00:12 | 0:00:14 | |
The aim? To make the biggest profit at auction. | 0:00:14 | 0:00:16 | |
But it's no mean feat - | 0:00:16 | 0:00:17 | |
there'll be worthy winners and valiant losers! | 0:00:17 | 0:00:22 | |
Knobbly nick-nacks! | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory, or the slow road to disaster? | 0:00:23 | 0:00:27 | |
It landed on the rug! | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:34 | |
Yeah! | 0:00:34 | 0:00:35 | |
Jostling for pole position on their second leg of this week's road trip | 0:00:37 | 0:00:40 | |
are intrepid master antiquarians, Charles Hanson and Charlie Ross. | 0:00:40 | 0:00:45 | |
Worldly-wise Charlie Ross is a record-breaking auctioneer, | 0:00:46 | 0:00:50 | |
with over 25 years' experience. | 0:00:50 | 0:00:52 | |
He knows what he wants when he sees it. | 0:00:52 | 0:00:55 | |
I want that! I want that! I want that! | 0:00:55 | 0:00:57 | |
While the hungry young pretender Charles Hanson | 0:00:57 | 0:01:00 | |
is an auctioneer and valuer that will do almost anything to seal a deal. | 0:01:00 | 0:01:04 | |
The car! The car needs washing. I'll wash the car, anything else? | 0:01:04 | 0:01:07 | |
Both Charles and Charlie started the week with £200 | 0:01:07 | 0:01:10 | |
and after the first leg, | 0:01:10 | 0:01:12 | |
Charlie has £226.30 to splash on more goodies. | 0:01:12 | 0:01:15 | |
Charles, however, is sliding backwards, | 0:01:19 | 0:01:21 | |
and starts this leg on only £172.20. | 0:01:21 | 0:01:25 | |
So he'll be hoping for success today to get him back in the game. | 0:01:25 | 0:01:29 | |
Charles and Charlie are cruising in a 1971 Triumph TR6. | 0:01:29 | 0:01:34 | |
But it hasn't always been plain sailing. | 0:01:35 | 0:01:37 | |
I can't get it into gear. | 0:01:40 | 0:01:42 | |
Let's hope it's more reliable on this leg of the trip, eh? | 0:01:42 | 0:01:45 | |
This week Charles and Charlie are travelling around 500 miles | 0:01:46 | 0:01:49 | |
through the glorious heartlands of England - | 0:01:49 | 0:01:52 | |
from Tarporley in Cheshire | 0:01:52 | 0:01:53 | |
to Itchen Stoke near Winchester in Hampshire. | 0:01:53 | 0:01:56 | |
On this leg of the trip they begin in Chesterfield | 0:01:56 | 0:02:00 | |
and end up 50 miles away at an auction in Grantham. | 0:02:00 | 0:02:03 | |
-This is your county! -Absolutely! | 0:02:04 | 0:02:06 | |
-Derbyshire is a great cricketing county. -Yeah! | 0:02:06 | 0:02:09 | |
We're also heading to a wonderful, wonderful town with a wonky spire. | 0:02:09 | 0:02:15 | |
The wonky spire is an iconic landmark in the town of Chesterfield. | 0:02:15 | 0:02:18 | |
Which is the chaps' first stop. | 0:02:18 | 0:02:23 | |
It's also home to one of the largest outdoor markets in Britain. | 0:02:23 | 0:02:27 | |
Time for Charlie's bargain-buying blitz to begin. | 0:02:27 | 0:02:30 | |
And Charles wants him to look for real antiques today, | 0:02:30 | 0:02:33 | |
and steer away from his usual knobbly nick-nacks. | 0:02:33 | 0:02:37 | |
-Stop it! Give me my hat! -Go on inside! | 0:02:37 | 0:02:39 | |
Give me my hat! Give me my hat! | 0:02:39 | 0:02:40 | |
Dear, oh, dear! What on earth is Charlie wearing?! | 0:02:40 | 0:02:43 | |
-See you later! Be big and be bold. -Natty(!) -I'll be big and bold. | 0:02:43 | 0:02:47 | |
Marlene and I - We're going to hit it off. | 0:02:47 | 0:02:49 | |
Best foot forward! | 0:02:49 | 0:02:50 | |
CHARLIE HUMS TO HIMSELF | 0:02:50 | 0:02:53 | |
-You must be Marlene. -I am that. And you must be Charlie. | 0:02:54 | 0:02:57 | |
-I am indeed. -Pleased to meet you. -Lovely to meet you. | 0:02:57 | 0:03:00 | |
-You can have a browse, do what you want. -I'll have a good look. | 0:03:00 | 0:03:03 | |
Typical pressed brass roundels. | 0:03:06 | 0:03:10 | |
Nice cut glass inkwells. | 0:03:10 | 0:03:12 | |
Charlie's spotted a miniature portrait in a fake ivory frame, | 0:03:12 | 0:03:16 | |
with a ticket price of £38. | 0:03:16 | 0:03:18 | |
I am just looking at a little thing here which is of no great age - | 0:03:18 | 0:03:22 | |
-although it might be Edwardian. -Yeah. | 0:03:22 | 0:03:24 | |
It's probably as late as 1950s. | 0:03:24 | 0:03:27 | |
But, so what, because it's a charming object, | 0:03:27 | 0:03:31 | |
and I think we can safely say this is ivorine, or something. | 0:03:31 | 0:03:35 | |
Yes, I'd have thought so. | 0:03:35 | 0:03:37 | |
And it's almost based on the Girl with the Pearl Earring. | 0:03:37 | 0:03:42 | |
That's a famous picture, isn't it? | 0:03:42 | 0:03:43 | |
If I bought that, Charles would get frightfully cross with me | 0:03:43 | 0:03:46 | |
for buying something that isn't antique, | 0:03:46 | 0:03:49 | |
but, you know - who's winning the competition, Charles? | 0:03:49 | 0:03:52 | |
Yes, indeed. Good point, Charlie. Well made. | 0:03:52 | 0:03:55 | |
But what kind of deal can Marlene come up with? | 0:03:55 | 0:03:58 | |
How hard can you try on that? | 0:03:58 | 0:04:00 | |
-25. -Can you...?! | 0:04:00 | 0:04:03 | |
That's trying quite hard, isn't it? £25 - well within my budget. | 0:04:03 | 0:04:08 | |
So I'm going to have that, if I may. | 0:04:08 | 0:04:10 | |
Right. I'm going into the deep depths! | 0:04:10 | 0:04:13 | |
Mind the step there, old boy. | 0:04:16 | 0:04:17 | |
Rummage, rummage...! | 0:04:19 | 0:04:21 | |
There's loads for me to look at! Absolutely loads. | 0:04:21 | 0:04:25 | |
Oh, what have you got here?! | 0:04:25 | 0:04:27 | |
-Hey! -I know. | 0:04:27 | 0:04:28 | |
What do I like? | 0:04:28 | 0:04:30 | |
Knobbly nick-nack alert! | 0:04:30 | 0:04:32 | |
Charlie is fanatical about cricket | 0:04:32 | 0:04:34 | |
and he's just spotted a Victorian cricket print. | 0:04:34 | 0:04:37 | |
Without a ticket price. | 0:04:37 | 0:04:38 | |
What do I love in life? Cricket! | 0:04:38 | 0:04:42 | |
Well, that explains the outfit. | 0:04:42 | 0:04:44 | |
"Winge-worth cricket club team..." | 0:04:44 | 0:04:46 | |
-Winger-worth. -Oh, I beg your pardon. Oh, what a fab thing! | 0:04:46 | 0:04:51 | |
I LOVE the image of it all! | 0:04:51 | 0:04:54 | |
-Is it ever-so cheap? -I can't price everything... -This is priceless! | 0:04:54 | 0:04:58 | |
-You can imagine! You tell me how cheap. -A fiver. | 0:04:58 | 0:05:01 | |
I'll pay a fiver for it. | 0:05:01 | 0:05:03 | |
If you want that for a fiver, you can have it for a fiver. | 0:05:03 | 0:05:07 | |
Are you sure? It's not everybody's cup of tea, is it, frankly? | 0:05:07 | 0:05:10 | |
But...it's wonderful! | 0:05:10 | 0:05:13 | |
I want that! I want that! I want that! | 0:05:13 | 0:05:15 | |
-Well, you have it, Charles. -I want that. Fab. | 0:05:15 | 0:05:18 | |
And what Charlie wants, Charlie gets. | 0:05:18 | 0:05:22 | |
You know what Charles said to me? | 0:05:22 | 0:05:23 | |
He said when you go out shopping this time, he said, | 0:05:23 | 0:05:26 | |
I don't want you buying any knobbly nick-nacks! | 0:05:26 | 0:05:29 | |
And there's a knobbly nick-nack! | 0:05:29 | 0:05:32 | |
He just can't help himself can he? | 0:05:32 | 0:05:34 | |
Among the many items in Marlene's shop, | 0:05:34 | 0:05:37 | |
is this Edwardian nursing chair with marquetry inlay. | 0:05:37 | 0:05:40 | |
That's caught Charlie's attention. | 0:05:40 | 0:05:42 | |
That would have been, originally, part of a nine-piece salon suite, | 0:05:42 | 0:05:46 | |
-I think, don't you? -Yes. | 0:05:46 | 0:05:47 | |
-Look at all that workmanship. -Yeah. | 0:05:47 | 0:05:50 | |
The ticket price on the chair is £30, | 0:05:50 | 0:05:52 | |
and Marlene is offering it for £15, | 0:05:52 | 0:05:54 | |
but cheeky Charlie is still trying to haggle her down to ten! | 0:05:54 | 0:05:58 | |
Where would you get a chair with all that inlay on for £10? | 0:05:58 | 0:06:01 | |
-Here, I would've thought! -Not for £10! | 0:06:01 | 0:06:04 | |
-£12? -No! | 0:06:04 | 0:06:06 | |
-£15..? -Don't. I'm always happy to do a deal, but... | 0:06:06 | 0:06:09 | |
No, £15. I'm not mincing around any more - 15 quid. | 0:06:09 | 0:06:15 | |
Deal done at £15 for the chair. | 0:06:15 | 0:06:18 | |
-I've got three bits, there'll all make a profit. -Have a nice day! | 0:06:18 | 0:06:22 | |
Thank you so much for looking after me. | 0:06:22 | 0:06:24 | |
Hold on, Charlie. You've forgotten something! | 0:06:24 | 0:06:27 | |
Charlie! Your hat! | 0:06:27 | 0:06:29 | |
Oh, my hat! | 0:06:29 | 0:06:32 | |
-That's worth more than the things I've bought! -To you, it is! | 0:06:32 | 0:06:35 | |
Thank you very much. | 0:06:35 | 0:06:37 | |
One shop down, and he's bought three items already. | 0:06:37 | 0:06:40 | |
Which only cost him £45. | 0:06:40 | 0:06:42 | |
So, he's still got £181.30 to spend on the rest of the trip. | 0:06:42 | 0:06:47 | |
Meanwhile, it's Charles's turn to get shopping, | 0:06:49 | 0:06:51 | |
and his first shop is Bolsover Antique Centre | 0:06:51 | 0:06:54 | |
where he's meeting Carol. | 0:06:54 | 0:06:56 | |
-I'm Charles. -Pleased to meet you. My name's Carol. -Hi, Carol. Great centre! | 0:06:56 | 0:07:00 | |
I'm after something that's quite quirky, auction-friendly... | 0:07:00 | 0:07:03 | |
-Anything you can point me in the right direction of. -Yep. | 0:07:03 | 0:07:07 | |
-We'll have a look around, shall we? -Thank you, Carol. | 0:07:07 | 0:07:09 | |
OK, time to unearth some real gems and get back in the game, Charles. | 0:07:09 | 0:07:14 | |
Sometimes, with all these cabinets it's like a needle in a haystack. | 0:07:14 | 0:07:18 | |
But it will yell at me. It might prick me, and that's a good sign - | 0:07:18 | 0:07:21 | |
you've found the needle, you've found the treasure. | 0:07:21 | 0:07:25 | |
Charles' dreams of finding treasure may have just come true. | 0:07:25 | 0:07:29 | |
But is it the real McCoy? | 0:07:29 | 0:07:32 | |
Peculiar coin... | 0:07:32 | 0:07:35 | |
"Walking stick penny, dated 1912." | 0:07:35 | 0:07:39 | |
-And stamped "RMS Titanic". Carol? -Yes. | 0:07:39 | 0:07:42 | |
This little walking stick penny here... | 0:07:42 | 0:07:45 | |
Do you know who the owner is, at all? | 0:07:45 | 0:07:47 | |
Just ask him was it stamped recently | 0:07:47 | 0:07:49 | |
or has it got some possible pedigree? | 0:07:49 | 0:07:52 | |
-Yes. I'll check on that. -Thanks, Carol. | 0:07:52 | 0:07:55 | |
The Titanic coin, has a ticket price of only £8. | 0:07:55 | 0:07:57 | |
But if it's genuine, it could be worth a lot more. | 0:07:57 | 0:08:00 | |
If that penny had been on board Titanic, | 0:08:00 | 0:08:05 | |
it's worth £1,000. | 0:08:05 | 0:08:07 | |
And the interesting thing is, | 0:08:07 | 0:08:08 | |
it's sitting in a cabinet that's full of real history. | 0:08:08 | 0:08:13 | |
So, who knows? | 0:08:13 | 0:08:15 | |
Carol has rung the dealer who believes the coin to be genuine, | 0:08:15 | 0:08:18 | |
but Charles just isn't sure. | 0:08:18 | 0:08:20 | |
-I'll give it some thought. -OK, that's fine. -Thanks ever so much. | 0:08:21 | 0:08:24 | |
Thanks, Carol. Thanks. | 0:08:24 | 0:08:26 | |
Maybe I ought to go for a really rare carving, | 0:08:27 | 0:08:30 | |
or something that I have a passion for. | 0:08:30 | 0:08:32 | |
And with that in mind, young Charles has spotted not one, | 0:08:32 | 0:08:36 | |
but two rare Far Eastern carvings. | 0:08:36 | 0:08:39 | |
-I mean, this here has the old label that's come from a museum. -Yeah. | 0:08:39 | 0:08:43 | |
An antiquities department. | 0:08:43 | 0:08:45 | |
The ticket price on this Indian goddess figure is a big 150. | 0:08:45 | 0:08:49 | |
I'm really tempted to go all Oriental, and speculate a bit. | 0:08:49 | 0:08:55 | |
Because life's too short. | 0:08:55 | 0:08:57 | |
This Chinese seated immortal figure is also £150. | 0:08:57 | 0:09:01 | |
And as both the carvings and the Titanic penny | 0:09:01 | 0:09:04 | |
are owned by the same dealer, | 0:09:04 | 0:09:06 | |
Charles wants to speak to him direct, | 0:09:06 | 0:09:08 | |
to see if he can strike a deal. | 0:09:08 | 0:09:10 | |
Hi, Ray. | 0:09:10 | 0:09:12 | |
Ray, if I bought all three items, being a Derbyshire man, | 0:09:12 | 0:09:15 | |
you'd want to meet me somewhere between £150 and £120, would you? | 0:09:15 | 0:09:20 | |
No. He's a good man, he says 150 is his absolute best. | 0:09:20 | 0:09:24 | |
£140? | 0:09:24 | 0:09:25 | |
Ray, call it £140 and you've got a deal. | 0:09:27 | 0:09:29 | |
If you don't speculate with the exotic | 0:09:31 | 0:09:33 | |
and if you don't go Eastern, you never know. | 0:09:33 | 0:09:35 | |
Are you sure, Ray? Go for it, he says. | 0:09:35 | 0:09:38 | |
Derbyshire man says go for it, I'll go for it. | 0:09:38 | 0:09:40 | |
Thanks, Ray. Going, going, gone. Sold. Thanks, Ray. | 0:09:40 | 0:09:44 | |
I'll take them all. These objects have a chance. | 0:09:44 | 0:09:47 | |
They're either worth £25-£30 each or they're worth £500 each. | 0:09:47 | 0:09:52 | |
And what are we riding on the Road Trip? A roller-coaster! | 0:09:52 | 0:09:55 | |
And life's too short. Done. | 0:09:55 | 0:09:58 | |
So, with that bumper deal done, | 0:09:58 | 0:10:00 | |
Charles has spent a huge £140 of his £172.20 | 0:10:00 | 0:10:04 | |
on two tatty-looking Far Eastern carvings and the dubious penny. | 0:10:04 | 0:10:09 | |
Let's hope the gamble pays off, eh? | 0:10:09 | 0:10:11 | |
With little left of his budget, | 0:10:14 | 0:10:16 | |
Charles decides to take break from shopping | 0:10:16 | 0:10:19 | |
and hop in the car to Old Whittington, | 0:10:19 | 0:10:21 | |
three miles north of Chesterfield. | 0:10:21 | 0:10:23 | |
He's visiting an old pub where one of the most significant events | 0:10:24 | 0:10:28 | |
in the history of the English Crown was plotted. | 0:10:28 | 0:10:32 | |
The pub is now a museum called the Revolution House, | 0:10:32 | 0:10:34 | |
and Charles's guide is curator Anne-Marie. | 0:10:34 | 0:10:38 | |
-Hi. I'm Charles Hanson. -Hello, Charles, Anne-Marie. | 0:10:38 | 0:10:42 | |
-And this is Revolution House. -It is indeed. -Fantastic. | 0:10:42 | 0:10:44 | |
-May I come in. -Certainly. -Thank you. -After you. | 0:10:44 | 0:10:47 | |
Wow! | 0:10:48 | 0:10:49 | |
Tell me why it's called Revolution House. | 0:10:51 | 0:10:55 | |
Well, it's named after the revolution of 1688, | 0:10:55 | 0:10:58 | |
which some people call the Glorious Revolution. | 0:10:58 | 0:11:01 | |
And that's the revolution that deposed James II | 0:11:01 | 0:11:05 | |
and replaced him with William and Mary. | 0:11:05 | 0:11:07 | |
It was three centuries ago, | 0:11:09 | 0:11:10 | |
at this former ale house called the Cock and Pynot, | 0:11:10 | 0:11:13 | |
that three local noblemen - | 0:11:13 | 0:11:15 | |
including the Earl of Devonshire and the Earl of Danby - | 0:11:15 | 0:11:18 | |
began plotting events which led to the overthrow of King James II. | 0:11:18 | 0:11:23 | |
When James II came on the throne in 1685, | 0:11:23 | 0:11:26 | |
why only three years later was he out of favour? | 0:11:26 | 0:11:30 | |
He wanted to impose laws without Parliament's consent. | 0:11:30 | 0:11:34 | |
That and the fact that he was a Catholic, | 0:11:34 | 0:11:36 | |
which they also didn't like very much. | 0:11:36 | 0:11:39 | |
The treasonous noblemen were supposed to meet | 0:11:39 | 0:11:41 | |
on nearby Whittington Moor, where nobody could overhear them, | 0:11:41 | 0:11:45 | |
but rain forced them to seek shelter in the pub. | 0:11:45 | 0:11:49 | |
So maybe if I'd been in that pub, in the 1680s, | 0:11:49 | 0:11:54 | |
I may have heard some whispers coming from over there. | 0:11:54 | 0:11:57 | |
You might well have done. | 0:11:57 | 0:11:59 | |
-Because over there was the room called the... -Plotting Parlour. | 0:11:59 | 0:12:03 | |
And it's now demolished, sadly. | 0:12:03 | 0:12:05 | |
I thought you might like to see a picture | 0:12:05 | 0:12:08 | |
of what it looked like in 1788 - | 0:12:08 | 0:12:09 | |
one of the first illustrations that we have. | 0:12:09 | 0:12:12 | |
So, back in 1688, | 0:12:12 | 0:12:14 | |
the building might have looked a lot different, | 0:12:14 | 0:12:17 | |
but would have still comprised rooms like kitchen, stables, groom house | 0:12:17 | 0:12:22 | |
and, of course, the plotting parlour. | 0:12:22 | 0:12:24 | |
Behind you is an important chair. | 0:12:24 | 0:12:27 | |
It's a replica of an important chair. | 0:12:27 | 0:12:30 | |
It's called the Plotting Chair, | 0:12:30 | 0:12:32 | |
and it's recorded from at least 1788, | 0:12:32 | 0:12:37 | |
that this was the chair in which one of the conspirators actually sat. | 0:12:37 | 0:12:42 | |
-May I take a seat? -Certainly. Which is great. | 0:12:42 | 0:12:45 | |
But if it was the original chair, we wouldn't be able to let you sit in it. | 0:12:45 | 0:12:49 | |
-Would you not? -No. -Why not? -Well, it would be far too precious. | 0:12:49 | 0:12:52 | |
Oh. And I'm not? Fine. | 0:12:52 | 0:12:55 | |
The real Plotting Chair is preserved by the National Trust at nearby Hardwick Hall. | 0:12:55 | 0:13:00 | |
All this talk of plotting has got Charlie thinking. | 0:13:00 | 0:13:03 | |
I'm plotting to beat my friend Charlie Ross | 0:13:04 | 0:13:07 | |
on the Antiques Road Trip. How do I do it? Any suggestions? | 0:13:07 | 0:13:10 | |
Well, if you can get hold of any of this... | 0:13:10 | 0:13:13 | |
This is a puzzle jug. | 0:13:13 | 0:13:16 | |
-Yes. -It's known as Brampton ware. | 0:13:16 | 0:13:18 | |
This style of pottery was made mostly in the mid-Victorian period - | 0:13:18 | 0:13:22 | |
1830s, 1860s - | 0:13:22 | 0:13:23 | |
but what you do with it is fill it with beer, | 0:13:23 | 0:13:27 | |
and then try and get people to drink out of it without spilling it. | 0:13:27 | 0:13:30 | |
Yeah, I like it. And what do you want for it? | 0:13:30 | 0:13:33 | |
-Oh, no, I'm afraid I'm not selling it! -Oh, really?! | 0:13:33 | 0:13:36 | |
Oh, well, that's it. That's done, then. | 0:13:36 | 0:13:37 | |
The Glorious Revolution of 1688 is considered to be | 0:13:37 | 0:13:41 | |
one of the most important events in the evolution of the powers | 0:13:41 | 0:13:45 | |
of Parliament and the crown. | 0:13:45 | 0:13:47 | |
And the Revolution House takes its place proudly in that history. | 0:13:47 | 0:13:51 | |
With the tour of this legendary pub almost at an end, Charles has | 0:13:52 | 0:13:56 | |
convinced Anne-Marie to give him one for the road, from the puzzle jug. | 0:13:56 | 0:14:00 | |
Alcohol-free, obviously. | 0:14:00 | 0:14:02 | |
SHE LAUGHS | 0:14:02 | 0:14:04 | |
No, it hasn't. Oh, my goodness me! It hasn't... It hasn't worked. | 0:14:04 | 0:14:09 | |
Look at me. I'd better change my shirt now. | 0:14:09 | 0:14:11 | |
-Thank you, Anne-Marie. Thanks. -Silly boy. | 0:14:11 | 0:14:14 | |
And with that, he is back on the road again. | 0:14:14 | 0:14:18 | |
Meanwhile, Charlie Ross travelled to the old spa town of Matlock, | 0:14:18 | 0:14:22 | |
where his search for knobbly knick-knacks | 0:14:22 | 0:14:24 | |
continues in Matlock Antiques. | 0:14:24 | 0:14:27 | |
-Hello, how are you doing? -Hello, my dear. Are you the boss? | 0:14:27 | 0:14:30 | |
-Yeah, well, stand-in boss today. -Lots of bosses. Are you all bosses? | 0:14:30 | 0:14:33 | |
-Boss, boss and boss, yeah. -I'm Charlie, and you are? -Lynne. | 0:14:33 | 0:14:36 | |
-Lynne. -And Judy. -And I'm Judy. -Judy. -And Margaret. -LJM! | 0:14:36 | 0:14:40 | |
If you stay in that order, I'll remember. | 0:14:40 | 0:14:42 | |
Oh, lordy, Charlie, stop chatting up the ladies | 0:14:42 | 0:14:44 | |
and get down to the business of buying! | 0:14:44 | 0:14:47 | |
That really is unusually large, isn't it? | 0:14:48 | 0:14:51 | |
There's an amber cigarette holder down here with cheroot holder, | 0:14:55 | 0:15:00 | |
which appears to have a gold rim round it. | 0:15:00 | 0:15:05 | |
Ticket price on the cheroot holder is £8.50, but I think Charlie | 0:15:05 | 0:15:10 | |
is more interested in the scrap value of the gold. | 0:15:10 | 0:15:13 | |
Wrapped it up for you. | 0:15:13 | 0:15:14 | |
18-carat gold. | 0:15:14 | 0:15:17 | |
What's the scrap price of 18-carat gold today? £20 a gram? | 0:15:18 | 0:15:23 | |
Something like that? | 0:15:23 | 0:15:24 | |
You're not far off the mark there, Charlie. | 0:15:24 | 0:15:27 | |
-In its original box as well? -Yeah. | 0:15:30 | 0:15:33 | |
-Probably be a fiver, couldn't it? -Probably could. -Probably could. | 0:15:33 | 0:15:36 | |
Could you put that on one side, my dear? | 0:15:36 | 0:15:39 | |
That'll be another knobbly knick-knack, Charles, I'm afraid. | 0:15:39 | 0:15:43 | |
It's time, old boy, to start buying some real antiques. | 0:15:43 | 0:15:47 | |
Who had one when he was a child? Charlie Ross. | 0:15:47 | 0:15:50 | |
Who used to smash them into each other | 0:15:50 | 0:15:53 | |
and render them completely valueless? Charlie Ross. | 0:15:53 | 0:15:56 | |
He's been all over the shop and still hasn't splashed any cash. | 0:15:56 | 0:16:00 | |
But, hold on, maybe Steve, who's a dealer here, can help. | 0:16:00 | 0:16:04 | |
You've got proper antiques inhere, haven't you? | 0:16:04 | 0:16:07 | |
Yeah, that might interest you, that one at the bottom. | 0:16:07 | 0:16:10 | |
Creamware jug. | 0:16:10 | 0:16:11 | |
Isn't that so primitive and delightful? | 0:16:11 | 0:16:14 | |
That ribbon, paintwork round the top, it's so crude, isn't it? | 0:16:14 | 0:16:18 | |
I mean, it's a real naive charm. | 0:16:18 | 0:16:20 | |
"When this you see Remember me And keep me in your mind | 0:16:20 | 0:16:24 | |
"Let all the world say what they will Speak of me as you find." | 0:16:24 | 0:16:28 | |
I think that's glorious. | 0:16:28 | 0:16:29 | |
There's no ticket price attached to the 18th-century creamware jug, | 0:16:29 | 0:16:33 | |
and it's seen better days, so it shouldn't be too pricey. | 0:16:33 | 0:16:37 | |
Is that delightfully cheap in its horribly bashed state, or is it...? | 0:16:37 | 0:16:41 | |
20 quid, sir. | 0:16:41 | 0:16:42 | |
Do you know, I think at last today, I am going to have that, if I may. | 0:16:42 | 0:16:46 | |
At last today, I'm going to buy something that Charles Hanson, | 0:16:46 | 0:16:50 | |
my oppo, will REALLY like. | 0:16:50 | 0:16:52 | |
And if he doesn't like that, I'm going to pick it up and smack it over his head. | 0:16:52 | 0:16:55 | |
That's not exactly cricket, old bean. | 0:16:55 | 0:16:57 | |
Finally, Charles has found something he is really happy with. | 0:16:57 | 0:17:01 | |
He's off downstairs to retrieve the item Lynne has put aside for him. | 0:17:01 | 0:17:05 | |
-Did you put a cheroot holder aside for me? -I did, yes. -Thank you. | 0:17:05 | 0:17:09 | |
I really would like that. | 0:17:09 | 0:17:11 | |
Well, the gold. You can have the other bit(!) | 0:17:11 | 0:17:13 | |
-HE LAUGHS -Right, thank you! -Right. | 0:17:13 | 0:17:16 | |
-I have only got a tenner. Would you give me a fiver? -Fiver? | 0:17:16 | 0:17:19 | |
-Yeah, £5 is fine. -That seems a very reasonable deal. | 0:17:19 | 0:17:21 | |
-Been lovely to meet you, ladies. -Lovely to meet you, yes. Come and see us again. -Bye-bye. | 0:17:21 | 0:17:25 | |
It's the end of Charlie's Matlock bargain-buying bonanza. Oh, lordy! | 0:17:25 | 0:17:30 | |
So, with a good night's buying in the bag for both boys, | 0:17:31 | 0:17:35 | |
it's time for bed. Night-night. | 0:17:35 | 0:17:37 | |
It's a brand-new day on this road trip, | 0:17:43 | 0:17:45 | |
and Charles and Charlie are in high spirits. | 0:17:45 | 0:17:48 | |
BOTH: # Wobbly, wobbly knick-knacks | 0:17:48 | 0:17:49 | |
# Wobbly, wobbly knick-knacks | 0:17:49 | 0:17:51 | |
# Wobbly, wobbly knick-knacks... # | 0:17:51 | 0:17:53 | |
Thrifty buyer Charlie has bought five items so far - | 0:17:53 | 0:17:56 | |
the fake ivory portrait frame, a cricket print, | 0:17:56 | 0:18:00 | |
an Edwardian nursing chair, | 0:18:00 | 0:18:02 | |
an amber-and-gold cheroot holder, and a creamware jug. | 0:18:02 | 0:18:06 | |
This lot only cost him £70, | 0:18:06 | 0:18:08 | |
so he can afford to splash out £156.30 today. | 0:18:08 | 0:18:12 | |
In contrast, Charles started this leg of the journey with £172.20. | 0:18:12 | 0:18:18 | |
Yesterday, he splurged £140 on two Far Eastern carvings | 0:18:18 | 0:18:23 | |
and a bronze penny, stamped "RMS Titanic". | 0:18:23 | 0:18:26 | |
So, he only has £32.20 to spend today. | 0:18:26 | 0:18:30 | |
I am not in it now to make attempts at margins. | 0:18:30 | 0:18:34 | |
I am in it as a high-risk contender to make a fortune or lose it all. | 0:18:34 | 0:18:40 | |
"I'll either make a million, or I am going to lose it all!" | 0:18:40 | 0:18:44 | |
The chaps are heading from Derbyshire | 0:18:44 | 0:18:46 | |
and across the border into Nottinghamshire. | 0:18:46 | 0:18:48 | |
They're on their way to the bustling old market town of Mansfield. | 0:18:48 | 0:18:52 | |
Robin Hood's legendary Sherwood Forest lies just to the east. | 0:18:53 | 0:18:59 | |
-So, this is my stop, Charlie. -It is. -This is where we depart. | 0:18:59 | 0:19:03 | |
-Good luck, keep in touch. -Good luck. | 0:19:03 | 0:19:04 | |
-Got any money left? -Yes, lots. -Do you want a loan? -No loan! | 0:19:04 | 0:19:07 | |
Charlie's first stop is a little shop owned by Jonathan Selby. | 0:19:07 | 0:19:11 | |
-I'm Charles Hanson. -Jonathan Selby. -Good to meet you, Jonathan. | 0:19:11 | 0:19:13 | |
-May I wander round your shop and browse? -Absolutely no problem. | 0:19:13 | 0:19:17 | |
That's quite stylish. | 0:19:19 | 0:19:20 | |
This is interesting. What are these two cupboards down here all about? | 0:19:24 | 0:19:28 | |
Charles has spotted the set of watch restorer's cabinets, | 0:19:28 | 0:19:31 | |
in pine and mahogany, that came from a house clearance. | 0:19:31 | 0:19:34 | |
Open the drawers up, you'll see we've got old... | 0:19:34 | 0:19:37 | |
Pocket watch. Parts of pocket watch. | 0:19:37 | 0:19:39 | |
Pocket watch escapements, pocket watch movements. | 0:19:39 | 0:19:43 | |
We've got drawers full of... | 0:19:43 | 0:19:44 | |
Goodness me, look at that! | 0:19:44 | 0:19:46 | |
Old straps in here. | 0:19:46 | 0:19:47 | |
Look. Any old strap. | 0:19:47 | 0:19:49 | |
You've got a really good mix of all sorts of clock parts | 0:19:49 | 0:19:55 | |
in the two cabinets. | 0:19:55 | 0:19:57 | |
There's a ticket price of £40 on each cabinet but, oh, dear, | 0:19:57 | 0:20:01 | |
Charles has only got £32.20 left in his back pocket. | 0:20:01 | 0:20:05 | |
What's the best price on the two together, mate? | 0:20:05 | 0:20:07 | |
JONATHAN SIGHS | 0:20:07 | 0:20:08 | |
-70. -Really? | 0:20:08 | 0:20:10 | |
They could be quite good for auction, because they tell a story. | 0:20:10 | 0:20:14 | |
-What's the absolutely best price? -To you, 65. -Oh, no! | 0:20:14 | 0:20:18 | |
I'm afraid they're well out of your price range, Carlos. | 0:20:18 | 0:20:21 | |
Time to walk away, mate. | 0:20:21 | 0:20:23 | |
That's the very best? | 0:20:23 | 0:20:24 | |
He's not giving up, is he? | 0:20:24 | 0:20:27 | |
-£60. -Oh, don't say that! I've got to walk away. | 0:20:27 | 0:20:30 | |
£30 each. | 0:20:30 | 0:20:32 | |
-I could buy one, but it would be nice to keep the two together. -OK. | 0:20:32 | 0:20:36 | |
Because they come from one home and, you know, we don't want break-ups. | 0:20:36 | 0:20:40 | |
Mrs Chest and Mr Chest, they want to stay together. | 0:20:40 | 0:20:43 | |
But my entire money is £32.20. | 0:20:43 | 0:20:47 | |
Would you do me a deal? | 0:20:47 | 0:20:49 | |
-For one? -For two. -For two. No, I can't do two. -Aww! | 0:20:49 | 0:20:53 | |
He's like a dog with a bone with those watch cabinets. | 0:20:53 | 0:20:56 | |
He's not going to leave it alone, is he? | 0:20:56 | 0:20:59 | |
There's nothing I can do, is there? I couldn't do a job for you? | 0:20:59 | 0:21:02 | |
-No, I think I've got everything covered. -Oh, come on! | 0:21:02 | 0:21:05 | |
Oh, come on, Jonathan. Just look at his little face! | 0:21:05 | 0:21:08 | |
Not wishing to give up yet, | 0:21:08 | 0:21:10 | |
Charles has even asked the rest of Jonathan's family for suggestions. | 0:21:10 | 0:21:14 | |
The car, the car needs washing! I'll wash the car. Anything else? | 0:21:14 | 0:21:17 | |
Got a falconry aviary, you can clean it. | 0:21:17 | 0:21:19 | |
You can clean the falconry aviary out! | 0:21:19 | 0:21:22 | |
Clean the aviary out? Are you serious? Where do you keep a falcon? | 0:21:22 | 0:21:25 | |
Jonathan's son keeps a falcon in the back garden. | 0:21:25 | 0:21:28 | |
Oh, Charles, what are you letting yourself into - guano? | 0:21:28 | 0:21:31 | |
Put it there. That's a job done. I've got to worry about this falcon. | 0:21:31 | 0:21:35 | |
There's no going back now, Charles. | 0:21:35 | 0:21:38 | |
Let's hope the bird's not in a bad mood, hey? | 0:21:38 | 0:21:41 | |
Ah, this is the man himself. This is the falcon. | 0:21:41 | 0:21:44 | |
Wow. He looks like a gladiator. | 0:21:44 | 0:21:47 | |
-What's his name? -Maximus. | 0:21:47 | 0:21:49 | |
-He is a gladiator. -Yeah. -And the cages... | 0:21:49 | 0:21:51 | |
JONATHAN LAUGHS | 0:21:51 | 0:21:53 | |
-Oh, man! -Yuck! | 0:21:53 | 0:21:55 | |
Oh, there's flies in here as well. | 0:21:55 | 0:21:57 | |
I told you - guano. | 0:21:57 | 0:21:59 | |
-Smells as well. -Oh, dear. | 0:21:59 | 0:22:01 | |
-Oh, dear! OK. -Charles... | 0:22:01 | 0:22:03 | |
-And this is just one night's mess? -That's just one night's mess. | 0:22:08 | 0:22:12 | |
-It really smells, doesn't it? -Nasty! | 0:22:12 | 0:22:14 | |
-A deal's a deal, isn't it? -It is indeed. | 0:22:14 | 0:22:17 | |
You know, you can't start backing out and being soft. | 0:22:17 | 0:22:20 | |
No, you're doing a really good job there. | 0:22:20 | 0:22:23 | |
-HE COUGHS -Oh, lordy! | 0:22:23 | 0:22:25 | |
When you've...made a deal... | 0:22:25 | 0:22:30 | |
you stick to it. Thanks, Jonathan. | 0:22:30 | 0:22:32 | |
I really hope now that my lot makes a small profit. | 0:22:32 | 0:22:34 | |
Now go and wash your hands, Charles. | 0:22:34 | 0:22:36 | |
He's certainly game, isn't he, our boy? | 0:22:36 | 0:22:38 | |
So, with the deal done, he's walked away with two | 0:22:38 | 0:22:40 | |
watch restorer's cabinets for £32.20 and a clean birdcage. | 0:22:40 | 0:22:45 | |
Well done, Charles. | 0:22:45 | 0:22:47 | |
And now you're broke, why don't you have the rest of the day off, mate? | 0:22:47 | 0:22:51 | |
Meanwhile, Charlie, or is that Billy Bunter, | 0:22:55 | 0:22:58 | |
has travelled southeast to Southwell, | 0:22:58 | 0:23:00 | |
a beautiful conservation town where Lord Byron once lived. | 0:23:00 | 0:23:04 | |
And with £156.30 still burning a hole in his pocket, | 0:23:07 | 0:23:12 | |
he is heading for a part of town called the Bull Yard, | 0:23:12 | 0:23:14 | |
to meet up with shopkeeper Julia. | 0:23:14 | 0:23:17 | |
KNOCK ON DOOR | 0:23:17 | 0:23:18 | |
-Knock, knock. Hello. -Hello. -I'm Charlie. -Hello, nice to meet you. | 0:23:18 | 0:23:21 | |
Nice to see you. Thank you for letting me into your lovely shop. | 0:23:21 | 0:23:24 | |
-What a lovely town! -It's fantastic, yeah. -May I have a look around? | 0:23:24 | 0:23:28 | |
Yes, of course. Feel free. | 0:23:28 | 0:23:30 | |
They played cricket with top hats! | 0:23:32 | 0:23:34 | |
Leave it alone, Charlie. You've already got one cricket lot. | 0:23:34 | 0:23:38 | |
He's rather... | 0:23:40 | 0:23:41 | |
I was going to say he's jolly. He is anything but jolly, isn't he? | 0:23:41 | 0:23:44 | |
A Spanish peasant from Valencia. | 0:23:44 | 0:23:47 | |
Now, that's a name on there, isn't there? | 0:23:47 | 0:23:50 | |
-I mean, this is what, 1880? 1860, 1880 date? -I think so, yes. -Yeah. | 0:23:50 | 0:23:56 | |
A watercolour, on paper. But it's got a good image. | 0:23:56 | 0:23:59 | |
I just wish he was smiling about more. | 0:23:59 | 0:24:02 | |
The 19th-century framed watercolour, by an artist called Luke Price, | 0:24:02 | 0:24:06 | |
has sparked Charlie's interest, but it has no ticket price attached. | 0:24:06 | 0:24:10 | |
I notice that he is priceless. | 0:24:11 | 0:24:13 | |
I was thinking something in the region of 65. | 0:24:13 | 0:24:18 | |
-Quite a teaser that one, quite a teaser that one! -I'm open to offers. | 0:24:18 | 0:24:22 | |
Quite a teaser. | 0:24:22 | 0:24:24 | |
Canny Charlie is mulling that one over, | 0:24:24 | 0:24:26 | |
while he sees what else is on offer. | 0:24:26 | 0:24:29 | |
That's rather splendid. | 0:24:29 | 0:24:31 | |
Oh, that's wonderful! | 0:24:31 | 0:24:33 | |
What a great idea to go by my bed. | 0:24:33 | 0:24:36 | |
Clock and lamp. Or on my desk. | 0:24:36 | 0:24:39 | |
How brilliant! God, that's a great bit of Deco, isn't it? | 0:24:39 | 0:24:43 | |
The Art Deco brass-cased desk timepiece and lamp | 0:24:43 | 0:24:47 | |
have lit Charlie up, but at £245, it's way out of his budget. | 0:24:47 | 0:24:53 | |
So, what's a man to do, eh? | 0:24:53 | 0:24:55 | |
I don't have that amount of money left on me at the moment, | 0:24:57 | 0:24:59 | |
but I really like that. Really like that. | 0:24:59 | 0:25:02 | |
That is not a knobbly knick-knack. | 0:25:02 | 0:25:06 | |
-No, it isn't. -That is anything but a knobbly knick-knack. | 0:25:06 | 0:25:09 | |
Why don't you make me an offer on it? | 0:25:09 | 0:25:11 | |
-I could tell you what I've got left. Makes it simple, doesn't it? -Yeah. | 0:25:11 | 0:25:16 | |
-Shall I tempt you with a price? -Try me. -I'll try you, then. -Try me. | 0:25:16 | 0:25:20 | |
-Hang on, we're going to sit down. -Brace yourself! -I'll sit down. | 0:25:20 | 0:25:23 | |
This could be really disappointing, or the bargain of the century. | 0:25:23 | 0:25:28 | |
Wait for it, old boy. | 0:25:28 | 0:25:29 | |
What if I halve it - 120? | 0:25:29 | 0:25:31 | |
HE SIGHS DEEPLY | 0:25:33 | 0:25:35 | |
-Am I tempting you? -HE STAMPS FEET EXCITEDLY | 0:25:35 | 0:25:37 | |
I'd rather do a deal and you buy something than you walk out with nothing. | 0:25:37 | 0:25:41 | |
If I gave you £100 cash, is that too mean? | 0:25:41 | 0:25:45 | |
The cheeky devil is still trying for a bigger discount! | 0:25:45 | 0:25:48 | |
120 on that, and I will throw in that picture as well. | 0:25:48 | 0:25:51 | |
-120, and you'll throw in the picture? -Yes. -Mwah! | 0:25:51 | 0:25:55 | |
-120 for that and that? -Yes. | 0:25:55 | 0:25:57 | |
-Yeah? -Yippee! -Deal. | 0:25:57 | 0:25:59 | |
-Oh, you've made an old man very happy. -Good. -I love that. | 0:25:59 | 0:26:03 | |
What a terrific deal! Two items for less than half the original price. | 0:26:03 | 0:26:08 | |
Time to hand cash over and leave, before she changes her mind. Quick! | 0:26:08 | 0:26:13 | |
-That is just fab! -You're very welcome. | 0:26:13 | 0:26:16 | |
-Yum. -Good luck. -Thank you. | 0:26:16 | 0:26:18 | |
And, Hanson, if you call these knobbly knick-knacks, | 0:26:18 | 0:26:21 | |
-I'll have your guts for garters. -Steady, no need for threats. | 0:26:21 | 0:26:26 | |
So, with those final purchases in the bag, | 0:26:26 | 0:26:28 | |
the old boy is done with shopping. | 0:26:28 | 0:26:30 | |
Time for Charlie to hop back in the Triumph TR6 | 0:26:36 | 0:26:39 | |
and motor east to Newark, to the home of an intriguing collector. | 0:26:39 | 0:26:43 | |
-How are you? -I'm very well, thank you. -How lovely to see you. | 0:26:43 | 0:26:46 | |
John Mollins, also known as "The Iron Man", | 0:26:46 | 0:26:48 | |
has made it his life's work to preserve one of Britain's | 0:26:48 | 0:26:51 | |
most enduring domestic appliances - the iron. | 0:26:51 | 0:26:54 | |
He has a collection of around 800. | 0:26:54 | 0:26:57 | |
Good grief! | 0:26:57 | 0:26:58 | |
# Oh, any old iron Any old iron | 0:26:58 | 0:27:00 | |
# Any, any, any old iron... # | 0:27:00 | 0:27:02 | |
And 240 of these make up the world's largest collection | 0:27:02 | 0:27:05 | |
of British gas irons. | 0:27:05 | 0:27:08 | |
What made you buy your first iron? | 0:27:10 | 0:27:12 | |
In my house, we had a stone fireplace, and I thought, | 0:27:12 | 0:27:15 | |
what's missing is a few oil lamps or heating to go by the bed. | 0:27:15 | 0:27:20 | |
And when I saw an iron, I thought, "That'll look nice on the hearth." | 0:27:20 | 0:27:23 | |
In the near 40 years that John has been collecting, | 0:27:23 | 0:27:26 | |
he's gathered examples of all types of irons from throughout history. | 0:27:26 | 0:27:31 | |
When was the first traditional iron? What I would call an iron? | 0:27:31 | 0:27:34 | |
And they all seem to be more or less the same shape. | 0:27:34 | 0:27:38 | |
It was called a sad iron. | 0:27:38 | 0:27:39 | |
-S-A-D? -Yeah, S-A-D, or flat iron. -Why "sad"? | 0:27:39 | 0:27:44 | |
Because it looks like a lump of...nothing. | 0:27:44 | 0:27:47 | |
The sad, or flat iron, was heated on an open fire or stove. | 0:27:47 | 0:27:52 | |
After that came the charcoal iron... | 0:27:52 | 0:27:55 | |
-Blimey, that looks like an extraordinary piece of kit. -Yeah. | 0:27:55 | 0:27:58 | |
..which was heated by filling it with embers from the fire. | 0:27:58 | 0:28:03 | |
That looks extraordinary. It looks like a dreadnought. | 0:28:03 | 0:28:06 | |
These look quite interesting contraptions. | 0:28:06 | 0:28:08 | |
-The ones with the holes in the side. -Spirit irons. | 0:28:08 | 0:28:10 | |
The spirit iron works by burning paraffin or methylated spirits to heat the sole. | 0:28:10 | 0:28:15 | |
And if ironing with a container full of highly flammable liquid | 0:28:15 | 0:28:18 | |
wasn't dangerous enough, then how about the gas iron, | 0:28:18 | 0:28:21 | |
-invented around 1859? -And they all work on the same principle - | 0:28:21 | 0:28:24 | |
a flexible hose from the mains gas, connected to the iron. | 0:28:24 | 0:28:29 | |
The gas is lit as it comes in? | 0:28:29 | 0:28:31 | |
Yeah, it would have been a box of matches job, and a big bang. | 0:28:31 | 0:28:33 | |
-Quite a dangerous thing, isn't it? -Very dangerous. -Must have blown up! | 0:28:33 | 0:28:37 | |
Yeah, you had to throw a match in and do a runner for two seconds, | 0:28:37 | 0:28:40 | |
and then, hopefully, it stayed alight. | 0:28:40 | 0:28:42 | |
Throughout history, irons have been used in the home | 0:28:42 | 0:28:46 | |
and in laundries, where rows and rows of women would spend long days, | 0:28:46 | 0:28:50 | |
shoulder-to-shoulder, pressing the cloth of the upper classes. | 0:28:50 | 0:28:53 | |
Crikey! | 0:28:53 | 0:28:55 | |
-That was when laundry was laundry. -Quite a sweatshop, I think. -Yeah! | 0:28:55 | 0:28:58 | |
And there were different irons for different garments. | 0:28:58 | 0:29:01 | |
There's one here for top hats. | 0:29:01 | 0:29:05 | |
-Gosh! -That was warmed on a gas mantle. | 0:29:07 | 0:29:10 | |
You'd get just the exact temperature, and experience | 0:29:10 | 0:29:13 | |
would tell you that, and you iron away on the top hat. | 0:29:13 | 0:29:16 | |
-Too hot, and you've got a hole in your hat. -What a lovely thing. | 0:29:16 | 0:29:19 | |
It must be quite a thrill when you've found something. | 0:29:19 | 0:29:22 | |
It's lovely when you find the thing you've been looking for | 0:29:22 | 0:29:25 | |
and you've only seen in a book. | 0:29:25 | 0:29:26 | |
Your mate has got one, another collector's got one. | 0:29:26 | 0:29:29 | |
Your heart misses a beat. | 0:29:29 | 0:29:31 | |
By the 1930s, housewives not only wanted the iron to function well, | 0:29:31 | 0:29:35 | |
but also to look pretty. | 0:29:35 | 0:29:37 | |
And multicoloured gas irons came on the market for those who could afford them. | 0:29:37 | 0:29:42 | |
-The standard was mottled grey. -Yes. | 0:29:42 | 0:29:44 | |
-You paid a little bit more for a bit... -For a flash colour. | 0:29:44 | 0:29:46 | |
-For a flash colour. -What's the most you've ever paid for an iron? | 0:29:46 | 0:29:49 | |
Come on, I'm asking you the question! | 0:29:49 | 0:29:51 | |
£1,000. | 0:29:51 | 0:29:53 | |
-Crikey! Really? -Yes. | 0:29:53 | 0:29:56 | |
This one. Very rare iron. | 0:29:56 | 0:29:59 | |
-That's one of the gems. -Well done. | 0:29:59 | 0:30:01 | |
So, why do you collect irons? | 0:30:01 | 0:30:03 | |
I just like the way they are manufactured, | 0:30:03 | 0:30:05 | |
and the beautiful casting. | 0:30:05 | 0:30:07 | |
I just like to maintain something in history. | 0:30:07 | 0:30:10 | |
Well, it's an amazing collection. Absolutely amazing. | 0:30:10 | 0:30:13 | |
And presumably, you aren't finished? | 0:30:13 | 0:30:15 | |
-There are still one or two gems out there. -Yeah. | 0:30:15 | 0:30:17 | |
Now, I take it that you are an expert ironer yourself? | 0:30:17 | 0:30:20 | |
Not very good at all. | 0:30:20 | 0:30:23 | |
I seem to end with more creases than I started with. | 0:30:23 | 0:30:26 | |
HE LAUGHS | 0:30:26 | 0:30:28 | |
I mean, you are interested in the manufacture of them, | 0:30:28 | 0:30:30 | |
where they come from and how rare they are. | 0:30:30 | 0:30:32 | |
You're not interested in how well they iron? | 0:30:32 | 0:30:34 | |
-Couldn't care less if they iron or not. -CHARLIE LAUGHS | 0:30:34 | 0:30:37 | |
On that note, I think I will go home and do some ironing. | 0:30:37 | 0:30:41 | |
-Thank you very much. -Thank you for coming. -Absolutely wonderful. | 0:30:41 | 0:30:44 | |
Now, with the history of ironing all straightened out, | 0:30:44 | 0:30:47 | |
it's time for Charlie and Charles to clap eyes on each other's goodies. | 0:30:47 | 0:30:51 | |
This could be interesting. | 0:30:51 | 0:30:53 | |
They're meeting at picturesque Newark Castle. | 0:30:53 | 0:30:56 | |
Go! | 0:30:56 | 0:30:57 | |
-Oh! -Oh! | 0:30:59 | 0:31:01 | |
-Hello, Charlie. -You're not laughing? -No, I like. | 0:31:01 | 0:31:03 | |
That's really quite unusual. A little table, studio lamp. | 0:31:03 | 0:31:06 | |
Yeah. Desk lamp, I think, but with clock in working order. | 0:31:06 | 0:31:10 | |
Yeah, I like that, Charlie. | 0:31:10 | 0:31:11 | |
But, what I like, with my great passion for history, | 0:31:11 | 0:31:14 | |
-we go back to, what, 1790? -1810? -It's a wonderful jug. | 0:31:14 | 0:31:18 | |
-It's a bit worn. Is it creamware? It's creamware, isn't it? -I call it creamware. | 0:31:18 | 0:31:21 | |
-And the calendar is period, or just a reproduction? -I think it's period. | 0:31:21 | 0:31:25 | |
If you look at the back of it, it goes along with the picture. | 0:31:25 | 0:31:28 | |
-But it's just nonsense. -Yeah. | 0:31:28 | 0:31:29 | |
-What's over here? -A picture. -Really? That's quite good, isn't it? | 0:31:29 | 0:31:32 | |
-I quite liked it, but it's got a lot of history. -It has, Charlie. | 0:31:32 | 0:31:36 | |
-A lot of history. I'm afraid that's coming through here. -That's good, I like it. | 0:31:36 | 0:31:39 | |
So far, Charles is impressed. Now, let's have a look at his lots. | 0:31:39 | 0:31:43 | |
You can have a look - three, two, one, go! | 0:31:43 | 0:31:45 | |
Good Lord! | 0:31:46 | 0:31:48 | |
Watches, HUNDREDS of watches! | 0:31:48 | 0:31:51 | |
-Have you been to a watch repairer? -He's, I think... -No gold? -No. | 0:31:51 | 0:31:54 | |
-No silver? -No. | 0:31:54 | 0:31:56 | |
Charlie, I have no idea what this Indian lass is worth, | 0:31:56 | 0:31:59 | |
but we do know she is period, and she is certainly 100 years old. | 0:31:59 | 0:32:04 | |
-That's history, isn't it, old boy? -It's fantastic. | 0:32:04 | 0:32:07 | |
Tell me about your coin. Somebody has stamped "RMS Titanic" on it. | 0:32:07 | 0:32:11 | |
To me, it's just a romantic token, and it cost me £5. | 0:32:11 | 0:32:15 | |
-Did it? -Yeah. -They saw you coming. | 0:32:15 | 0:32:17 | |
I'm not going to hang around with knobbly knick-knacks. | 0:32:17 | 0:32:20 | |
Sorry? | 0:32:20 | 0:32:22 | |
-Could you say that again? -Good luck. And may the best man win. | 0:32:23 | 0:32:26 | |
I think he probably will. | 0:32:26 | 0:32:27 | |
He's a cheeky so-and-so, that Charlie. | 0:32:27 | 0:32:30 | |
Now, with the formalities out of the way, | 0:32:30 | 0:32:33 | |
what do they really think about each other's lots? | 0:32:33 | 0:32:36 | |
He's got a wonderful lamp that the more I looked at, | 0:32:36 | 0:32:38 | |
the more it shined a spark of a profit. | 0:32:38 | 0:32:42 | |
Really, everything he's bought, I am unnerved by. | 0:32:42 | 0:32:45 | |
I can't believe he bought a bit of Titanic frippery. | 0:32:45 | 0:32:49 | |
And for Charles to say, "Do you think they gave them to everybody | 0:32:49 | 0:32:52 | |
"as they were going on board?", yes, Charles, I really think they did. Just in case it sank(!) | 0:32:52 | 0:32:56 | |
I LOVE the Indian figure. | 0:32:56 | 0:32:59 | |
Do I know what it's worth? | 0:32:59 | 0:33:00 | |
I haven't got a clue, and full marks to him for having a go. | 0:33:00 | 0:33:04 | |
And Charles is all about having a go. | 0:33:04 | 0:33:07 | |
And now, it's onwards to the auction. | 0:33:07 | 0:33:10 | |
On the second leg of their road trip, | 0:33:10 | 0:33:13 | |
these two proper Charlies have travelled from Chesterfield | 0:33:13 | 0:33:16 | |
in Derbyshire to Grantham in Lincolnshire. | 0:33:16 | 0:33:18 | |
Grantham, a town with origins from an old stagecoach route from London, | 0:33:18 | 0:33:23 | |
is most famously known as the birthplace of Sir Isaac Newton, | 0:33:23 | 0:33:27 | |
and Britain's first female Prime Minister, Margaret Thatcher. | 0:33:27 | 0:33:31 | |
The depth of the Lincolnshire auction house will know | 0:33:31 | 0:33:34 | |
no boundaries when they uncover, unravel, sell my Indian figure. | 0:33:34 | 0:33:38 | |
-You never know, Charlie. -You do. -You never know. -I do. | 0:33:38 | 0:33:41 | |
Golding Young of Grantham have over a century's worth | 0:33:41 | 0:33:44 | |
of auctioneering experience, but they move with the times, | 0:33:44 | 0:33:47 | |
and today's lots will also be bid for online. | 0:33:47 | 0:33:50 | |
Colin Young is today's auctioneer, with his hand firmly on the gavel. | 0:33:50 | 0:33:54 | |
Now, he's seen the two Charlies' goodies. What does he think? | 0:33:54 | 0:33:58 | |
They're all good, interesting items, which are likely to attract bids. | 0:33:58 | 0:34:02 | |
The lamp is a really nice thing. | 0:34:02 | 0:34:04 | |
The Indian carved figure is quite an interesting item. | 0:34:04 | 0:34:07 | |
We usually get quite a bit of interest presale in these things, | 0:34:07 | 0:34:10 | |
questions for condition reports, | 0:34:10 | 0:34:12 | |
and all that sort of thing, which usually is quite positive. | 0:34:12 | 0:34:16 | |
Charlie Ross started this leg with £226.30, | 0:34:16 | 0:34:21 | |
and has spent £190 to make up six lots. | 0:34:21 | 0:34:24 | |
Meanwhile, Charles Hanson started with a mere £172.20 to spend. | 0:34:27 | 0:34:32 | |
He used that up and cleaned out a falcon's cage to assemble four lots. | 0:34:32 | 0:34:37 | |
Yuck! | 0:34:37 | 0:34:38 | |
The Zen warriors of antiquity are about to do battle. | 0:34:38 | 0:34:42 | |
First up is Charlie's Victorian cricket print. | 0:34:44 | 0:34:47 | |
It's one of his classic knobbly knick-knacks, | 0:34:47 | 0:34:49 | |
but will it bowl the auction crowd over? | 0:34:49 | 0:34:52 | |
Start me at six. Six, six bid. At six bid, let's get on then. | 0:34:52 | 0:34:55 | |
-Well done! -At six bid. Eight anywhere else? Surely. -Get it sold! | 0:34:55 | 0:34:59 | |
-Eight bid, ten bid, 12 bid. -Oh, it's flying! -15. 18 now. 18 bid? | 0:34:59 | 0:35:03 | |
-At £15 bid... -Well done, Charlie. -15 at the back of the room. | 0:35:03 | 0:35:07 | |
At 15, we're done, we're finished, and we'll sell this time at £15. | 0:35:07 | 0:35:11 | |
-Marvellous! -Well done, Charlie. Well done. -Congratulations. | 0:35:11 | 0:35:14 | |
Well, that knocked them for six. Good start, Charlie. | 0:35:14 | 0:35:17 | |
And he is up again, | 0:35:17 | 0:35:19 | |
with the Edwardian nursing chair with marquetry inlay. | 0:35:19 | 0:35:21 | |
So, if everyone is sitting comfortably, | 0:35:21 | 0:35:23 | |
let the bidding commence. | 0:35:23 | 0:35:25 | |
20 to go then, surely. £20, anybody? 20? | 0:35:25 | 0:35:28 | |
Ten if we must. £10 to go, surely? | 0:35:28 | 0:35:30 | |
£10, it's only £2.50 a leg. | 0:35:30 | 0:35:32 | |
Ten, 12, 15, 15, 18, 18, 20, £20 a bid. | 0:35:32 | 0:35:35 | |
-Two bid, five, no? -Ooh, madam! -22 bid. | 0:35:35 | 0:35:38 | |
Well done, bean. | 0:35:38 | 0:35:40 | |
At 22, the last call now. 25, 28, now 28 bid. | 0:35:40 | 0:35:43 | |
-30, do I see now? -Well done, Charlie. -Last call at £28... | 0:35:43 | 0:35:47 | |
Another small profit, increasing Charlie's lead. | 0:35:47 | 0:35:50 | |
You're flying. And I commend you. | 0:35:50 | 0:35:53 | |
And now it's Charles's turn, with his coin stamped "RMS Titanic". | 0:35:53 | 0:35:58 | |
Will his treasure sink or swim? | 0:35:58 | 0:36:00 | |
Who's going to start me at £100? | 0:36:00 | 0:36:02 | |
-Rare thing. -100, 100? -Rare thing. | 0:36:02 | 0:36:05 | |
-50 to go, then. 50. -Come on. | 0:36:05 | 0:36:06 | |
30, then. | 0:36:06 | 0:36:08 | |
30. £10 bid, ten. 12 anywhere else now? | 0:36:08 | 0:36:10 | |
£10 a bid, 12 do I see now? £12 a bid. 12 do I see now? | 0:36:10 | 0:36:13 | |
12 bid, 15 bid, 15 bid, 18 bid, 20 bid. Two now. 22. | 0:36:13 | 0:36:17 | |
25 bid. 28, 28, bid 30. | 0:36:17 | 0:36:20 | |
-30 bid, 32, 35, 38... -Come on! | 0:36:20 | 0:36:22 | |
£35 a bid. 38 now, surely? At £35 a bid. 36, 38. | 0:36:22 | 0:36:25 | |
At 38 and bid. At 38 bid, do I see 40? 40 bid. | 0:36:25 | 0:36:29 | |
-Oh! -42 now. Any more? No? | 0:36:29 | 0:36:32 | |
At £40, we're done and finished, and selling this time at £40. | 0:36:32 | 0:36:37 | |
-Great! -I think my road trip has hit an iceberg. -Thank you very much. | 0:36:37 | 0:36:40 | |
Your ship's come in with that tidy profit, Charles. | 0:36:40 | 0:36:43 | |
You're back in the game. | 0:36:43 | 0:36:45 | |
Charlie's turn now, with his amber and gold cheroot holder, | 0:36:45 | 0:36:49 | |
and a portrait framed in fake ivory. | 0:36:49 | 0:36:51 | |
Fake it may be, but can it turn a real profit? | 0:36:51 | 0:36:54 | |
30 to go then, surely. £30, anyone? 30. Come on. 30 on the net. | 0:36:54 | 0:36:58 | |
At 30 bid. 32 anywhere else now, surely? | 0:36:58 | 0:37:01 | |
At 32, 35... 35 in the room. Any more now? | 0:37:01 | 0:37:05 | |
At 35, last call, done and finished, the lady has bid. Selling at £35. | 0:37:05 | 0:37:10 | |
A small profit, but a profit nonetheless. | 0:37:10 | 0:37:13 | |
But Charles is still in the lead. | 0:37:13 | 0:37:15 | |
-Look at me. Look at me. -I have looked at you quite enough today. | 0:37:15 | 0:37:19 | |
It's Charlie again with the Art Deco lamp and desk timepiece. | 0:37:21 | 0:37:25 | |
Could it be time to make some money? | 0:37:25 | 0:37:27 | |
Start me at 100 for it. 100, 100? 80 to go then, surely. £80, anybody? | 0:37:27 | 0:37:31 | |
I'll take 50 if we have to, but that really will be giving it away. | 0:37:31 | 0:37:34 | |
£50, 50. Come on, humour me. 50, 50 bid. Five anywhere else now? | 0:37:34 | 0:37:38 | |
£50 a bid. Five, surely? | 0:37:38 | 0:37:40 | |
-Well done. -Now do I see 55? I've got five, 55. | 0:37:40 | 0:37:43 | |
Bid 60. 60, 65. | 0:37:43 | 0:37:46 | |
70, 70 bid. | 0:37:46 | 0:37:47 | |
-I've got 75. -Well done, Charlie. -80 in the room. -That's better. | 0:37:47 | 0:37:50 | |
80, no more here. £80 bid. Five anywhere else now? £80 in the room. | 0:37:50 | 0:37:53 | |
Five is the last call, then. Are we all done? | 0:37:53 | 0:37:55 | |
Selling this time at the back of the room at £80. | 0:37:55 | 0:37:59 | |
A stinging blow for Charlie there. He'd hoped for more than that. | 0:37:59 | 0:38:03 | |
Up next are Charles's watch cabinets that cost him | 0:38:03 | 0:38:07 | |
an afternoon cleaning a falcon's cage. | 0:38:07 | 0:38:09 | |
Will they fly for him today? | 0:38:09 | 0:38:11 | |
-Who's going to start me on this lot? £40, 40. -Come on. -£40, anybody? 40. | 0:38:11 | 0:38:16 | |
£40 bid straight in. | 0:38:16 | 0:38:17 | |
-Ooh! -£40 a bid, at £40 bid, anyone else now? | 0:38:17 | 0:38:19 | |
Is anybody else go into joining? 42. 45, 48. Bid 50. And five? | 0:38:19 | 0:38:24 | |
-I'll ask you for two, if you like. -One more! | 0:38:24 | 0:38:26 | |
52? No, £50 bid anywhere else? | 0:38:26 | 0:38:28 | |
Last call, done and finished, selling down here at £50. | 0:38:28 | 0:38:31 | |
-Well done! -Good man. I'm happy. | 0:38:31 | 0:38:33 | |
Charles is happy, and so was the falcon. | 0:38:33 | 0:38:36 | |
Next is Charlie's Valencian peasant watercolour, by Luke Price. | 0:38:37 | 0:38:41 | |
Could the price be right today? | 0:38:41 | 0:38:43 | |
50 to go then, surely. £50, anyone? 50? | 0:38:43 | 0:38:46 | |
Let's get everybody excited. Start me at £20. £20 anyone? | 0:38:46 | 0:38:50 | |
£10? | 0:38:52 | 0:38:53 | |
£10? I thought you were going to bid on your own item, for a minute! | 0:38:54 | 0:38:59 | |
At 10... 12 bid. 15, do I see now? At 12 bid. | 0:38:59 | 0:39:02 | |
15 bid. 15. At 18 bid. | 0:39:02 | 0:39:04 | |
-At 18, it's on the internet. -On the internet? | 0:39:04 | 0:39:07 | |
-It is. -It's going to the National Gallery! | 0:39:07 | 0:39:10 | |
Yes. Or the National Asylum. | 0:39:10 | 0:39:12 | |
-LAUGHTER -18 bid. 20 or up now then. | 0:39:12 | 0:39:14 | |
Selling at £18... | 0:39:14 | 0:39:16 | |
I can do no more for you, gentlemen. | 0:39:16 | 0:39:18 | |
The auctioneer did his best there, | 0:39:18 | 0:39:20 | |
but that's another disappointment for Charlie. | 0:39:20 | 0:39:23 | |
£18. Look at me. | 0:39:23 | 0:39:25 | |
How will Charles's gamble on his carvings go? | 0:39:27 | 0:39:30 | |
First under the hammer is the Chinese lacquered Immortal. | 0:39:30 | 0:39:33 | |
Could its chance of profit live on with this crowd? | 0:39:33 | 0:39:36 | |
£50, anybody? 50? | 0:39:36 | 0:39:39 | |
30 to go then, surely. £30, who's first in? 30? | 0:39:39 | 0:39:41 | |
I don't believe it. | 0:39:41 | 0:39:43 | |
20 to go then, surely. £20. | 0:39:43 | 0:39:45 | |
-I'm going down. -Faith! | 0:39:45 | 0:39:47 | |
At 22 bid. 25, 28. | 0:39:47 | 0:39:49 | |
28, bid 30. | 0:39:49 | 0:39:51 | |
32, 35, 38. | 0:39:51 | 0:39:54 | |
It's worth a gamble. It's worth a gamble. | 0:39:54 | 0:39:56 | |
42, 45, 48. Bid 50. | 0:39:56 | 0:39:59 | |
50, do I see? 50. 55? | 0:39:59 | 0:40:02 | |
At 50, last call in the room, selling at £50. | 0:40:02 | 0:40:06 | |
Shame. | 0:40:06 | 0:40:07 | |
Oh, dear, the gamble failed, and that's knocked his profit. | 0:40:07 | 0:40:11 | |
There's not much between the two now. | 0:40:11 | 0:40:14 | |
It's the turn of Charlie's oldest antique - | 0:40:14 | 0:40:17 | |
the 300-year-old creamware jug. | 0:40:17 | 0:40:19 | |
But will the crowd pour any money into it? | 0:40:19 | 0:40:21 | |
Who's going to start me at, what, £50 for it? £50, anybody? 50? | 0:40:21 | 0:40:24 | |
-50? -It's a real bargain. -30? 20 to go then, surely. | 0:40:24 | 0:40:28 | |
£20, we'll give it away at 20. £20, who's going to join in? 20 bid. | 0:40:28 | 0:40:31 | |
At 20... 25. | 0:40:31 | 0:40:33 | |
25. 28 now. At 25 bid. | 0:40:33 | 0:40:35 | |
28 on the internet. 20 and 30 on the net. | 0:40:35 | 0:40:37 | |
32 in the room. 32 in the room. | 0:40:37 | 0:40:39 | |
35. 38 now. 38 bid. | 0:40:39 | 0:40:41 | |
Going this time at 38 in the front row. | 0:40:41 | 0:40:44 | |
-Well done, sir. -Well done, sir. | 0:40:44 | 0:40:45 | |
Not what he had hoped for, but these two are neck-and-neck. | 0:40:45 | 0:40:49 | |
It all rides on Charles's final lot - his mythological goddess. | 0:40:49 | 0:40:53 | |
With a small profit, he'll win. But with a big loss, he loses. | 0:40:53 | 0:40:58 | |
Let's start at £100 for it, 100. Bit of an unknown quantity. | 0:40:58 | 0:41:02 | |
-It is, absolutely. -Certainly is. | 0:41:02 | 0:41:04 | |
-Let's gamble. -100? 80 to go. | 0:41:04 | 0:41:07 | |
-Rare thing. -Who's going to be first in at 80? | 0:41:07 | 0:41:10 | |
£80, anybody? 80? | 0:41:10 | 0:41:11 | |
50 to go then, surely. £50, 50. | 0:41:11 | 0:41:14 | |
OK, start at £20 for something that's, what, 350 years old? | 0:41:14 | 0:41:18 | |
-Absolutely. -Thank you. | 0:41:18 | 0:41:19 | |
£20 a bid. At £20, two do I see now? 22, 25, five bid? | 0:41:19 | 0:41:22 | |
28, 28, 30, 32, 35, five bid, 38. | 0:41:22 | 0:41:25 | |
40, at £40 a bid. 45, 45, 48, 48, 50. | 0:41:25 | 0:41:29 | |
£50 a bid. 50, 55, 60... | 0:41:29 | 0:41:31 | |
Come on, sir, one more! | 0:41:31 | 0:41:33 | |
-Look, it's his money, not yours! -One for the road. | 0:41:33 | 0:41:36 | |
He might buy you a cup of coffee, you never know your luck! | 0:41:36 | 0:41:39 | |
60 on the net. At 60. 65, no? 60, it's on the net, then. | 0:41:39 | 0:41:41 | |
Two if it's going to help you out. | 0:41:41 | 0:41:43 | |
Last bid is on the internet, selling at £60. | 0:41:43 | 0:41:47 | |
-You never know how far that online bidder may have gone. -Probably 62. | 0:41:47 | 0:41:52 | |
Charles's speculation on the mythological goddess | 0:41:52 | 0:41:54 | |
didn't win out on this occasion, but has it put him off trying? | 0:41:54 | 0:41:59 | |
After all that that verbiage, you're back where you started. | 0:41:59 | 0:42:02 | |
Charlie, my plan won't change. I will continue my art of speculation. | 0:42:02 | 0:42:07 | |
-Or just wishy-washy along in the middle. -No. | 0:42:07 | 0:42:10 | |
-One day, I will get it right, and I will make our fortune. -OUR fortune? | 0:42:10 | 0:42:15 | |
-Our fortune. -Well done, old bean. | 0:42:15 | 0:42:17 | |
It was a close thing, and although Charles Hanson has won this battle, | 0:42:17 | 0:42:21 | |
he's still losing the war. | 0:42:21 | 0:42:23 | |
He's slowly leaking money, | 0:42:23 | 0:42:25 | |
while Charlie is keeping his head just above his £200 starting pack. | 0:42:25 | 0:42:30 | |
Charles Hanson started this leg with £172.20, and after auction costs, | 0:42:30 | 0:42:36 | |
has lost £8.20, leaving him with £164 for the next leg. | 0:42:36 | 0:42:42 | |
Charlie Ross, meanwhile, began this leg with £226.30. | 0:42:42 | 0:42:47 | |
After costs, he's lost £14.52, | 0:42:47 | 0:42:51 | |
giving him £211.78 going forward. | 0:42:51 | 0:42:55 | |
Funny old game, isn't it? | 0:42:55 | 0:42:56 | |
-All that work, and we're back where we started. -I know. | 0:42:56 | 0:43:00 | |
-But Charlie, you've got to keep speculating. -I will! | 0:43:00 | 0:43:04 | |
You know, I am determined to either be the victor at over £1,000, | 0:43:04 | 0:43:09 | |
or take myself back to zero. | 0:43:09 | 0:43:11 | |
Cometh the man, cometh the hour, cometh to Walsall. | 0:43:11 | 0:43:15 | |
Walsall... HE TOOTS HORN | 0:43:15 | 0:43:18 | |
-..here we come. -Exactly. | 0:43:18 | 0:43:20 | |
And on to the next leg, boys. | 0:43:20 | 0:43:21 | |
On the next episode of the Antiques Road Trip, we have a few surprises. | 0:43:24 | 0:43:28 | |
SQUEALING NOISE Oh! Did you hear that squeal there? | 0:43:28 | 0:43:31 | |
And the rivalry gets ugly. | 0:43:31 | 0:43:34 | |
Ow, my ankle! That's my ankle! | 0:43:34 | 0:43:37 | |
Subtitles by Red Bee Media Ltd | 0:43:56 | 0:43:59 |