Browse content similar to Episode 28. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
It's the nation's favourite antiques experts with £200 each... | 0:00:02 | 0:00:05 | |
-I love that! -..a classic car and a goal to scour Britain for antiques. | 0:00:05 | 0:00:10 | |
-Yippee! -Sometimes a man is in need. | 0:00:10 | 0:00:13 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:21 | |
Knobbly knick-knacks. | 0:00:21 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
It landed on the rug! | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:35 | |
On this road trip, | 0:00:35 | 0:00:37 | |
two cheeky Charlies are vying to build their fortunes. | 0:00:37 | 0:00:40 | |
Fortune favours the brave. | 0:00:40 | 0:00:42 | |
Indeed it does. | 0:00:42 | 0:00:44 | |
Charles Hanson is a fresh-faced, fit, Derbyshire auctioneer | 0:00:45 | 0:00:49 | |
and valuer who hopes his youthful vim | 0:00:49 | 0:00:51 | |
and vigour will be enough to scoot ahead | 0:00:51 | 0:00:54 | |
of the competition. | 0:00:54 | 0:00:56 | |
While Charlie Ross, a freelance auctioneer, | 0:00:58 | 0:01:00 | |
is a venerable sage who's wily wit and easy charm | 0:01:00 | 0:01:04 | |
mark him out as a formidable rival. | 0:01:04 | 0:01:07 | |
Oh, listen to it! Did you hear that squeal then? | 0:01:07 | 0:01:11 | |
Would you like a seat, madam? | 0:01:11 | 0:01:13 | |
We're now two legs into this road trip and thus far, | 0:01:13 | 0:01:17 | |
age and wisdom have carried the day. | 0:01:17 | 0:01:19 | |
From his original £200, | 0:01:21 | 0:01:23 | |
Charlie Ross has now traded up to hold a cash pot of £211.78. | 0:01:23 | 0:01:28 | |
While Charles Hansen has faired less well, | 0:01:30 | 0:01:33 | |
diminishing his original £200 to a paltry £164. | 0:01:33 | 0:01:38 | |
But anything can happen in this game. | 0:01:42 | 0:01:44 | |
Today, our pair are hitting the road in England's glory, | 0:01:44 | 0:01:47 | |
the stunning 1971 Triumph TR6. | 0:01:47 | 0:01:50 | |
And it's a good thing they're taking care of it. | 0:01:50 | 0:01:53 | |
-It's dirty! -No. -It's dirty. -Not as dirty as your car. -Give it a wipe. | 0:01:55 | 0:01:59 | |
-Oh, for goodness' sake! Charles, stop it! -Give it a wipe! | 0:01:59 | 0:02:02 | |
-I can't see what's going on. -Sorry. | 0:02:02 | 0:02:04 | |
-What you need is this. -Aah! | 0:02:04 | 0:02:06 | |
It's the start of a beautiful day, | 0:02:06 | 0:02:09 | |
but rivalry has already reared its ugly head. | 0:02:09 | 0:02:12 | |
-You know what they say, don't you? -What? | 0:02:13 | 0:02:15 | |
The sun shines on the righteous. | 0:02:15 | 0:02:18 | |
Why it's shining on you, I don't know. | 0:02:18 | 0:02:20 | |
Oh, do behave! | 0:02:20 | 0:02:22 | |
Oh this road trip, Charles | 0:02:23 | 0:02:25 | |
and Charlie will travel around 500 miles, | 0:02:25 | 0:02:27 | |
through England's green and pleasant lands, | 0:02:27 | 0:02:30 | |
from Tarporley, in Cheshire, | 0:02:30 | 0:02:31 | |
to Itchen Stoke, | 0:02:31 | 0:02:33 | |
near Winchester, in Hampshire. | 0:02:33 | 0:02:35 | |
Today, they are beginning their shopping in Cannock, | 0:02:38 | 0:02:41 | |
in Staffordshire, | 0:02:41 | 0:02:43 | |
aiming for their auction in Stroud, Gloucestershire. | 0:02:43 | 0:02:46 | |
They are just approaching Cannock, | 0:02:47 | 0:02:49 | |
where Charlie is dropping Charles off at his first shop. | 0:02:49 | 0:02:53 | |
But it seems like Charlie might be trying to nobble the opposition. | 0:02:53 | 0:02:57 | |
Oh, you are such a girl! | 0:02:57 | 0:03:00 | |
-That's my ankle! -I don't care if it's your ankle, | 0:03:00 | 0:03:02 | |
I hope it really hurts! | 0:03:02 | 0:03:04 | |
-That's graceful. -Ow! -I hope it hurts. -Sorry. | 0:03:04 | 0:03:07 | |
Don't make me come down there, boys. | 0:03:07 | 0:03:09 | |
Near here in 2009, a magnificent hoard of Anglo-Saxon gold | 0:03:12 | 0:03:16 | |
and silver was unearthed. | 0:03:16 | 0:03:18 | |
Let's hope Charles discovers similar treasures as he starts his day shop | 0:03:18 | 0:03:23 | |
at Peppermill Antiques. | 0:03:23 | 0:03:24 | |
Lovely name! | 0:03:24 | 0:03:26 | |
-Enjoy Lichfield, OK? See you later. -Bye. | 0:03:26 | 0:03:30 | |
Wow. This really is antiques on an industrial scale. | 0:03:35 | 0:03:39 | |
He's meeting owner Scott. | 0:03:39 | 0:03:42 | |
-Mr Scott Humphries. -Charles Hanson. | 0:03:42 | 0:03:44 | |
Now, I am on the hunt, you know, maybe for the Hanson hoard. | 0:03:44 | 0:03:48 | |
I think you are going to have to have a look round. | 0:03:48 | 0:03:51 | |
Look at that interior. Beautiful. | 0:03:53 | 0:03:55 | |
Feel like I'm in a bedroom here. | 0:03:57 | 0:03:59 | |
Something hidden in the corner has caught Charles's eagle eye. | 0:03:59 | 0:04:04 | |
Not very well displayed is what we call a decoupage screen. | 0:04:04 | 0:04:10 | |
Decoupage is the craft of decorating objects with scraps of glued | 0:04:10 | 0:04:16 | |
and varnished paper. | 0:04:16 | 0:04:19 | |
This screen, dating from the late 1800s, | 0:04:19 | 0:04:22 | |
is a nice example of a style then popular, | 0:04:22 | 0:04:25 | |
but it bears some serious damage. | 0:04:25 | 0:04:27 | |
Charles is off to ask Scott about it. | 0:04:28 | 0:04:31 | |
Ticket price is a whopping £595. | 0:04:31 | 0:04:34 | |
Four-fold screen, what is the best price on that? | 0:04:36 | 0:04:38 | |
I can do that for 100. | 0:04:38 | 0:04:39 | |
Crikey, Moses! | 0:04:39 | 0:04:41 | |
I know it has got a bit of damage, that's why | 0:04:41 | 0:04:43 | |
it's priced quite reasonable. | 0:04:43 | 0:04:45 | |
It's... I mean, £100 is very reasonable, | 0:04:45 | 0:04:47 | |
but having lost this money so far, | 0:04:47 | 0:04:49 | |
I just think maybe the condition almost outweighs its potential. | 0:04:49 | 0:04:55 | |
Is 100 your best price? | 0:04:55 | 0:04:56 | |
I could do it at 85. | 0:04:58 | 0:05:00 | |
-That is your very best? -£80. -£80. | 0:05:01 | 0:05:05 | |
I might leave here and regret it | 0:05:05 | 0:05:07 | |
if I don't find anything else really to come up to that quality. | 0:05:07 | 0:05:10 | |
So, I think I might call you later. | 0:05:10 | 0:05:14 | |
Your best price, Scott, is? | 0:05:14 | 0:05:16 | |
70 to take it away today. | 0:05:16 | 0:05:19 | |
-Can I hold it? -You can. -Lovely. | 0:05:19 | 0:05:21 | |
Charles is at his most indecisive today. | 0:05:21 | 0:05:24 | |
He is not buying it now, but the scrap screen is held in reserve, | 0:05:24 | 0:05:27 | |
and Charles is off to his next shop. | 0:05:27 | 0:05:29 | |
Thanks, Scott. Bye, see you. | 0:05:29 | 0:05:32 | |
Charlie Ross, meanwhile, | 0:05:37 | 0:05:39 | |
has headed toward the cathedral city of Lichfield, Staffordshire. | 0:05:39 | 0:05:43 | |
Lichfield's heyday was in the 18th century, | 0:05:44 | 0:05:47 | |
when it was home to many great thinkers, including Samuel Johnson, | 0:05:47 | 0:05:51 | |
the learned author of the first authoritative English dictionary. | 0:05:51 | 0:05:56 | |
Let's hope Charlie can summon up some of that nous | 0:05:58 | 0:06:01 | |
as he heads into James A Jordan Antiques, | 0:06:01 | 0:06:04 | |
where he is meeting up with the eponymous James, | 0:06:04 | 0:06:07 | |
who, it turns out, is a friend of a friend...of a friend. | 0:06:07 | 0:06:11 | |
-Charlie Ross. -Lovely to meet you, Charlie. | 0:06:11 | 0:06:13 | |
-I've heard a lot about you. -Thank you very much. | 0:06:13 | 0:06:15 | |
From my opposition. | 0:06:15 | 0:06:17 | |
That Mr Charles Hanson. You know him well, I believe. | 0:06:17 | 0:06:20 | |
Intriguing. | 0:06:20 | 0:06:22 | |
-Charles passed on a little tip to me. -Yeah. | 0:06:22 | 0:06:25 | |
He said, "When you go to see my good friend," | 0:06:25 | 0:06:28 | |
he said, "just ask him if he has got anything in the back." | 0:06:28 | 0:06:31 | |
Mm. | 0:06:31 | 0:06:33 | |
Mm. Are you sure Charles said that, Charlie? | 0:06:33 | 0:06:37 | |
Have you got anything in the back? | 0:06:37 | 0:06:38 | |
I'll have a look, see if there is anything there. | 0:06:38 | 0:06:41 | |
-What have you got there? -Victorian silver pocket watch. -Lovely. -Swiss. | 0:06:44 | 0:06:49 | |
Swiss movement, English case. | 0:06:49 | 0:06:52 | |
Oddly enough, when Charles Hanson visited the shop on a previous | 0:06:52 | 0:06:55 | |
road trip, he came away with a couple of watches, too. | 0:06:55 | 0:06:59 | |
-Continental silver? -It is. -We haven't met, hello. -Hello, Yvette. | 0:06:59 | 0:07:04 | |
-Lovely to meet you. -And you. | 0:07:04 | 0:07:06 | |
Key wind. Is it in working order or is that pushing it? | 0:07:06 | 0:07:10 | |
It is working, actually, yes. | 0:07:10 | 0:07:12 | |
Oh, look, it is ticking away beautifully. | 0:07:12 | 0:07:14 | |
-So the date of that would be? -That is about 1890 to 1900. -Yeah. | 0:07:14 | 0:07:20 | |
-Lovely. How much is that, sir? -I can do that for £30. | 0:07:20 | 0:07:24 | |
Can you really? | 0:07:24 | 0:07:25 | |
-Someone hasn't brought that in for cleaning, have they? -No. | 0:07:25 | 0:07:28 | |
-Can you squeak it a bit then? -Yes. | 0:07:28 | 0:07:31 | |
Oh, because I was going to make you a pathetic offer of 15. | 0:07:31 | 0:07:34 | |
SHE SQUEALS | 0:07:34 | 0:07:36 | |
Did you hear that squeal? Would you like a seat, madam? | 0:07:36 | 0:07:40 | |
Hang on. Oh, dear. | 0:07:40 | 0:07:43 | |
Tell me what your best is and I'll see if I can match it. | 0:07:43 | 0:07:46 | |
20. | 0:07:46 | 0:07:47 | |
Marvellous. | 0:07:49 | 0:07:50 | |
Despite Yvette's shock at his cheeky offer, | 0:07:50 | 0:07:53 | |
Charles gets a great deal on the watch. | 0:07:53 | 0:07:56 | |
He is going to have a deeper browse. | 0:07:56 | 0:07:58 | |
Love your grape scissors. | 0:07:58 | 0:08:00 | |
-They're lovely, aren't they? -Aren't they fabulous? | 0:08:00 | 0:08:03 | |
But it is not long before something else attracts his attention. | 0:08:03 | 0:08:07 | |
Here we have a taste of the Orient. | 0:08:07 | 0:08:10 | |
And how! A very large Imari charger. | 0:08:10 | 0:08:15 | |
Imari porcelain hails from the Japanese town of Arita. | 0:08:15 | 0:08:20 | |
A charger is a large decorative plate that can be used for display | 0:08:20 | 0:08:24 | |
or just to brighten up table settings. | 0:08:24 | 0:08:27 | |
James, may I borrow you, sir? | 0:08:27 | 0:08:30 | |
-I am quite liking your enormous Imari charger. -Yes. | 0:08:30 | 0:08:34 | |
I really like the colours. | 0:08:34 | 0:08:36 | |
Did it come right, as they say, | 0:08:36 | 0:08:38 | |
or did you have to get into a war to by it? | 0:08:38 | 0:08:40 | |
-It came reasonable. -Reasonable? | 0:08:40 | 0:08:42 | |
HE LAUGHS | 0:08:42 | 0:08:45 | |
-Hedging your bets there, are you? -Yes. | 0:08:45 | 0:08:46 | |
The very best on that I could do is 50. | 0:08:46 | 0:08:49 | |
Oh, that is pretty competitive. | 0:08:49 | 0:08:51 | |
-Mm-hm. -Oh, crumbs! | 0:08:51 | 0:08:53 | |
It would be insulting to offer 40, would it? | 0:08:53 | 0:08:56 | |
-Would you show me the door? -Would you meet me halfway, 45? | 0:08:56 | 0:09:00 | |
Shake me by the hand, sir. That is really, really kind of you. | 0:09:00 | 0:09:05 | |
Splendid. You wait till I tell Charles where that came from. | 0:09:06 | 0:09:09 | |
His first two buys, served up on a plate. | 0:09:09 | 0:09:13 | |
-Thank you very much indeed. -A pleasure. | 0:09:13 | 0:09:15 | |
With any luck, we'll sink that old Hanson. | 0:09:15 | 0:09:18 | |
Charlie is still in a buying mood, | 0:09:23 | 0:09:25 | |
so he's heading just down the road to the Lichfield Antiques Centre. | 0:09:25 | 0:09:29 | |
It looks like he has uncovered an interesting | 0:09:35 | 0:09:37 | |
if controversial item - a smoking gun, if you will. | 0:09:37 | 0:09:41 | |
A-ha! | 0:09:41 | 0:09:43 | |
Richard Nixon advertising cigarettes. | 0:09:43 | 0:09:47 | |
So, these were done to promote | 0:09:47 | 0:09:51 | |
Richard Nixon's presidential campaign in 1972. | 0:09:51 | 0:09:55 | |
And Nixon, one of the most famous presidents of all time, | 0:09:55 | 0:09:59 | |
because it all ended in tears and Watergate and what have you. | 0:09:59 | 0:10:03 | |
Richard Nixon was a two-term president of the USA. | 0:10:03 | 0:10:07 | |
The Watergate political scandal of the early 1970s resulted | 0:10:07 | 0:10:11 | |
in his resignation from the White House. | 0:10:11 | 0:10:14 | |
And to think that they actually produced king-sized filter | 0:10:14 | 0:10:17 | |
cigarettes to advertise his campaign. | 0:10:17 | 0:10:20 | |
Can you imagine anything worse today? | 0:10:20 | 0:10:22 | |
And they are... | 0:10:22 | 0:10:23 | |
£10. I think that is a great statement of history! | 0:10:23 | 0:10:27 | |
We don't like smoking, but we love historical statements. | 0:10:27 | 0:10:31 | |
This item might appeal to a collector of political ephemera. | 0:10:31 | 0:10:35 | |
It certainly wouldn't be bought for the 40-year-old tobacco. | 0:10:35 | 0:10:39 | |
Charlie is going to ask dealer Madeleine about them. | 0:10:39 | 0:10:42 | |
-Madeleine! -Madeleine! | 0:10:42 | 0:10:45 | |
I'm over here, Madeleine, come and help me. | 0:10:45 | 0:10:48 | |
Ah, Madeleine! Madeleine, I'm here! | 0:10:48 | 0:10:51 | |
-I'm here. -There you are. -Could you show me something? -Mm-hm. | 0:10:51 | 0:10:54 | |
Horrible habit, but a great, great statement of history. | 0:10:54 | 0:10:59 | |
They are priced up at £10. | 0:10:59 | 0:11:02 | |
I wouldn't be able to tell you whether they were expensive or cheap. | 0:11:02 | 0:11:05 | |
I think they are a bargain price, myself. | 0:11:05 | 0:11:08 | |
HE LAUGHS | 0:11:08 | 0:11:10 | |
Do you think whoever owns those would take a fiver for them or not? | 0:11:10 | 0:11:13 | |
What do you think? | 0:11:13 | 0:11:15 | |
-Cash? -Go on. | 0:11:15 | 0:11:17 | |
I have never bought a second-hand pair of cigarettes before. | 0:11:17 | 0:11:23 | |
Well, I should think not. But with this piece of historical ephemera | 0:11:23 | 0:11:27 | |
in hand, Charlie is off for another browse. | 0:11:27 | 0:11:30 | |
Meanwhile, the clock is ticking for Charles. | 0:11:35 | 0:11:38 | |
He has just arrived at the same shop | 0:11:38 | 0:11:40 | |
and seems he is meeting another old friend. | 0:11:40 | 0:11:42 | |
He has got so many friends, that boy. | 0:11:42 | 0:11:45 | |
Good morning. How are you? Nice seeing you again. | 0:11:45 | 0:11:48 | |
Hello, Madeleine. I know this lady. | 0:11:48 | 0:11:51 | |
You seem to know everyone, Charles. | 0:11:51 | 0:11:53 | |
Look sharp, though, Carlos, | 0:11:53 | 0:11:54 | |
there is one more of your old acquaintances around. | 0:11:54 | 0:11:57 | |
-What are you doing here? -How are you? Get on with it. And good luck. | 0:12:00 | 0:12:03 | |
Good luck to you, too. Go on, get out of here. | 0:12:03 | 0:12:05 | |
Get out of here. | 0:12:05 | 0:12:07 | |
This shop seems to have put Charles in an oddly esoteric mood. | 0:12:07 | 0:12:11 | |
I want to go mystical. I have a desire to go magical. | 0:12:13 | 0:12:17 | |
I want to go to auction and believe. | 0:12:17 | 0:12:20 | |
As that would have it, Madeleine might have found just the thing. | 0:12:20 | 0:12:25 | |
What about the dwarf? | 0:12:27 | 0:12:29 | |
OK. Oh, I never saw him behind there. | 0:12:29 | 0:12:32 | |
That is quite novel. That is quite sweet. | 0:12:32 | 0:12:34 | |
It is a small novelty inkwell including a gnome at a forge. | 0:12:34 | 0:12:40 | |
Ticket price, £68. | 0:12:40 | 0:12:42 | |
That is quite good. He hasn't been repainted. Can you see on his nose? | 0:12:42 | 0:12:47 | |
-He's... You can see the real wear, can't you? -Yeah. | 0:12:47 | 0:12:50 | |
I'd have thought the material... Is it a pewter? | 0:12:50 | 0:12:53 | |
Or some sort of base metal pewter? What is the best on that? | 0:12:53 | 0:12:57 | |
For you, Charles, since I've known you a while... | 0:12:57 | 0:13:01 | |
So, if I said 20, would that help? | 0:13:01 | 0:13:03 | |
Maddie, you know what? Cometh the man, cometh the hour. | 0:13:03 | 0:13:06 | |
Sometimes a man is in need, OK? | 0:13:06 | 0:13:08 | |
And when the man is in need, you meet a Madeleine. | 0:13:08 | 0:13:11 | |
Thanks, Madeleine. Thank you very, very much. | 0:13:13 | 0:13:15 | |
A magical first buy for Charles. | 0:13:15 | 0:13:17 | |
Charlie Ross is feeling very confident about his morning's | 0:13:21 | 0:13:25 | |
purchases, so he is travelling 22 miles to Nuneaton in Warwickshire. | 0:13:25 | 0:13:30 | |
Where he is keen to visit the Nuneaton and Bedworth Museum, | 0:13:32 | 0:13:35 | |
which houses a collection relating to one of the area's most | 0:13:35 | 0:13:39 | |
celebrated daughters, | 0:13:39 | 0:13:40 | |
Mary Ann Evans, the female novelist of the 19th century | 0:13:40 | 0:13:45 | |
who published under the pen name George Eliot. | 0:13:45 | 0:13:47 | |
Charlie is meeting senior museum officer Catherine. | 0:13:50 | 0:13:54 | |
-Hello. Charlie. -Nice to meet you. -Very nice to see you. | 0:13:54 | 0:13:58 | |
Wonderful to be here. | 0:13:58 | 0:14:00 | |
Born in 1819, Mary Ann Evans became one of the most acclaimed | 0:14:00 | 0:14:05 | |
novelists in the history of English literature. | 0:14:05 | 0:14:08 | |
Her classics like The Mill On The Floss, Middlemarch | 0:14:08 | 0:14:11 | |
and Daniel Deronda have been lauded by critics | 0:14:11 | 0:14:15 | |
and loved by generations of readers. | 0:14:15 | 0:14:17 | |
-Did she live here? -She was actually born just outside of Nuneaton. | 0:14:17 | 0:14:21 | |
-Yeah. -And her childhood was spent at Griff House, | 0:14:21 | 0:14:25 | |
which is just on the outskirts. | 0:14:25 | 0:14:27 | |
There's a couple of schoolteachers along the way that really | 0:14:27 | 0:14:29 | |
inspire her. | 0:14:29 | 0:14:31 | |
And I think she just has this thirst for knowledge. | 0:14:31 | 0:14:33 | |
And her father was wealthy enough to buy her an education. | 0:14:33 | 0:14:36 | |
Yes, certainly. | 0:14:36 | 0:14:37 | |
His aim may have been that she would be educated enough | 0:14:37 | 0:14:41 | |
to become a governess or something like that, | 0:14:41 | 0:14:43 | |
but her intellect goes way beyond perhaps what any of them expect. | 0:14:43 | 0:14:47 | |
And in fact, the man that she does it do up living | 0:14:47 | 0:14:50 | |
with for over 20 years is someone who is very educated, | 0:14:50 | 0:14:53 | |
very intelligent, writes a lot of books | 0:14:53 | 0:14:56 | |
and is interested in the same things as her. | 0:14:56 | 0:14:58 | |
This relationship with philosopher | 0:14:58 | 0:15:00 | |
and critic George Henry Lewes was the most important of her life, | 0:15:00 | 0:15:05 | |
but highly unconventional by the social standards | 0:15:05 | 0:15:08 | |
of the Victorian period. | 0:15:08 | 0:15:10 | |
He was married to somebody else. | 0:15:10 | 0:15:12 | |
1855, I think, is the year they set up home together in London. | 0:15:12 | 0:15:16 | |
And George suggests she might like to try and write fiction, | 0:15:16 | 0:15:20 | |
which she finally does when she is 37. | 0:15:20 | 0:15:22 | |
So this is not someone who wrote her books young, this is someone | 0:15:22 | 0:15:25 | |
who's bringing a lot of experience to her writing by the time | 0:15:25 | 0:15:28 | |
she undertakes it. | 0:15:28 | 0:15:29 | |
So, she goes and she becomes tremendously | 0:15:29 | 0:15:32 | |
successful as a novelist. | 0:15:32 | 0:15:33 | |
-Yeah. -And she makes an awful lot of money at the time. -Does she? | 0:15:33 | 0:15:37 | |
For example, Mill On The Floss, | 0:15:37 | 0:15:39 | |
-they think she made about 270,000 in today's money... -What?! | 0:15:39 | 0:15:43 | |
-..from one year's sales of Mill On The Floss. -From one year's sales? | 0:15:43 | 0:15:48 | |
When her first novels were published, | 0:15:48 | 0:15:50 | |
Evans's true identity was hidden behind her writing pseudonym. | 0:15:50 | 0:15:54 | |
Taking a male pen name might have widened her readership, | 0:15:54 | 0:15:58 | |
but it also left her open to the wiles of an imposter. | 0:15:58 | 0:16:01 | |
The average person buying her book would have thought it was a man? | 0:16:01 | 0:16:05 | |
Yes, indeed. And actually, that caused a bit of a problem for her. | 0:16:05 | 0:16:09 | |
Just about the time she published her second book in 1858, | 0:16:09 | 0:16:13 | |
there are rumours starting in Nuneaton. | 0:16:13 | 0:16:16 | |
And the rumours are that a local gentleman called | 0:16:16 | 0:16:18 | |
Joseph Liggins has actually written the books. | 0:16:18 | 0:16:21 | |
This escalates to a point where Joseph Henry Liggins actually | 0:16:21 | 0:16:25 | |
gets to the point where he tries to sell the rights to one of the books | 0:16:25 | 0:16:28 | |
-in America. And at this point, George Eliot steps in. -"Hang on." | 0:16:28 | 0:16:32 | |
"Hang on a minute, I've done all the work | 0:16:32 | 0:16:34 | |
"and the money should be mine." | 0:16:34 | 0:16:37 | |
And it was actually Charles Dickens who first identified | 0:16:37 | 0:16:40 | |
that he thought it was her that was writing the books. | 0:16:40 | 0:16:43 | |
He said, "Definitely this is a woman's hand in this work." | 0:16:43 | 0:16:46 | |
This museum holds a number of Eliot's own possessions - | 0:16:46 | 0:16:50 | |
including a dress, table, secretaire and shoes. | 0:16:50 | 0:16:56 | |
Gosh! They were the shoes of a wealthy person. | 0:16:56 | 0:16:58 | |
Aren't they beautifully made? | 0:16:58 | 0:17:00 | |
-They are beautiful and entirely unpractical. -Crikey! | 0:17:00 | 0:17:04 | |
And again, along with her dress, you know, diminutive. | 0:17:04 | 0:17:08 | |
Absolutely glorious! | 0:17:08 | 0:17:10 | |
I think because she is remembered for her novels and, you know, | 0:17:10 | 0:17:15 | |
possibly the greatest English novelist ever, it is very easy... | 0:17:15 | 0:17:18 | |
A lot of people have described Middlemarch as the greatest | 0:17:18 | 0:17:21 | |
-English book ever written. -Yeah. | 0:17:21 | 0:17:23 | |
It is very easy to lose sight of the fact that she was flesh | 0:17:23 | 0:17:26 | |
-and blood like the rest of us. -Yeah. | 0:17:26 | 0:17:28 | |
Thank you very much indeed. It has been really, really interesting. | 0:17:28 | 0:17:32 | |
-A pleasure to meet you. -Super. | 0:17:32 | 0:17:34 | |
Charles, meanwhile, is still back in Lichfield. | 0:17:36 | 0:17:40 | |
Time is running out and he is getting himself into a bit of tizz. | 0:17:40 | 0:17:44 | |
Running as usual. | 0:17:44 | 0:17:46 | |
I'm not sure where. Hello. | 0:17:46 | 0:17:48 | |
Oh, no, look, the market is closed, as well. | 0:17:48 | 0:17:51 | |
So, today isn't quite going to plan. | 0:17:51 | 0:17:54 | |
As he can't find any open antique shops, | 0:17:54 | 0:17:58 | |
Charles is concocting a rather unlikely plan. | 0:17:58 | 0:18:00 | |
There's actually a firm of lawyers I know down here. | 0:18:00 | 0:18:03 | |
And who knew, Ansons, who are full of good lawyers, | 0:18:03 | 0:18:07 | |
they may have something in their offices for sale. | 0:18:07 | 0:18:11 | |
Like what, Charles? A writ? | 0:18:11 | 0:18:14 | |
Planning application for a double garage perhaps? | 0:18:14 | 0:18:18 | |
You never know. | 0:18:18 | 0:18:19 | |
Mm. | 0:18:19 | 0:18:21 | |
They may have something that is antique, | 0:18:22 | 0:18:25 | |
they have been here a long time. | 0:18:25 | 0:18:26 | |
You really have gone off book today, haven't you? | 0:18:28 | 0:18:31 | |
Luckily, Associate Solicitor Shelly | 0:18:31 | 0:18:34 | |
agrees to humour this crackpot inquiry. | 0:18:34 | 0:18:38 | |
-Ah, Shelly. -Hello. -Nice to see you again. How is life? -Good, thank you. | 0:18:38 | 0:18:42 | |
-Keeping well? -Yes, thank you. | 0:18:42 | 0:18:43 | |
-It's a very quirky inquiry, I'm sure your colleagues told you. -Yes. | 0:18:43 | 0:18:47 | |
Have you, by any chance, in your store room or old cellars | 0:18:47 | 0:18:51 | |
or stock rooms, have any type of antique | 0:18:51 | 0:18:54 | |
-that viably you might wish to sort of sell? -OK. | 0:18:54 | 0:18:58 | |
We have got something that has been lying around the office for a while. | 0:18:58 | 0:19:02 | |
-Have you really? -It is a bit quirky. -Like me, eh? -Yeah. A bit old. | 0:19:02 | 0:19:06 | |
Oh, really? That is a good sign. Antique? | 0:19:06 | 0:19:09 | |
-Think so, yeah. -Fantastic. | 0:19:09 | 0:19:10 | |
So, I think that's going to be worth you having a look at. | 0:19:10 | 0:19:13 | |
-Could it be for sale, though? -It might be. -Really? | 0:19:13 | 0:19:15 | |
-We'll see what you say. -At the right price? -Yeah, of course. | 0:19:15 | 0:19:17 | |
-Shall we? -Yeah, sure. -Thanks ever so much. | 0:19:17 | 0:19:21 | |
-We've got something in here. -Not the bookcase? | 0:19:21 | 0:19:24 | |
Not the bookcase, no, don't get excited. | 0:19:24 | 0:19:27 | |
-This box here? -Yeah. -May I take it out? -Yeah. It is a bit heavy. | 0:19:27 | 0:19:31 | |
Oh, my goodness me! | 0:19:31 | 0:19:33 | |
What is it? | 0:19:34 | 0:19:36 | |
It is a company seal. | 0:19:36 | 0:19:38 | |
A company seal was used to mark official documents. | 0:19:38 | 0:19:42 | |
Crikey me! | 0:19:42 | 0:19:44 | |
Oh, that is wonderful, Shelly, that is really nice. | 0:19:44 | 0:19:46 | |
That is really nice. Wow! | 0:19:46 | 0:19:49 | |
It is a Cannock Colliery business seal. | 0:19:49 | 0:19:52 | |
-Wow, OK. -But I don't know much more about it than that. | 0:19:52 | 0:19:55 | |
-I suppose date to 1890, 1900? -Right. | 0:19:55 | 0:20:00 | |
-So it would work almost by placing a piece of paper into here? -Yeah. | 0:20:00 | 0:20:04 | |
-Can we try it? -That's fine, yeah. | 0:20:04 | 0:20:06 | |
OK, so you would obviously spin... | 0:20:08 | 0:20:10 | |
Oh, wonderful. | 0:20:12 | 0:20:14 | |
And there you've got, on the seal... | 0:20:14 | 0:20:18 | |
It's a seal, it's a stamped seal | 0:20:18 | 0:20:21 | |
inscribed, "Cannock Colliery Company Limited." | 0:20:21 | 0:20:24 | |
It's a nice item and it is in good condition, as well. | 0:20:24 | 0:20:27 | |
Shelly, if I said to you I'd probably like to... | 0:20:27 | 0:20:33 | |
uh... | 0:20:33 | 0:20:34 | |
make an offer of £30? | 0:20:34 | 0:20:36 | |
-40. -Look at me, I'm a man in need! | 0:20:38 | 0:20:42 | |
-I'm a man in need. -OK, I will meet you in the middle then. | 0:20:42 | 0:20:45 | |
-I am going to say yes. -35? -£35, you've got a deal. | 0:20:45 | 0:20:48 | |
-Deal. -Thanks, Shelly. | 0:20:48 | 0:20:49 | |
Well, with a strikingly strange strategy, | 0:20:49 | 0:20:53 | |
Charles has managed to secure himself another buy. | 0:20:53 | 0:20:56 | |
Do you need a hand there, Carlos? That looks a bit lumpy. | 0:20:56 | 0:20:59 | |
And with that, it's the end of an absolutely hectic day shopping. | 0:21:01 | 0:21:05 | |
Nighty-night, chaps. | 0:21:05 | 0:21:07 | |
But there's no rest for our gents. | 0:21:09 | 0:21:11 | |
The morning sun greets them back in the car | 0:21:11 | 0:21:13 | |
and cheruping with excitement for the day ahead. | 0:21:13 | 0:21:16 | |
How sweet. | 0:21:16 | 0:21:18 | |
# Blackbird has spoken | 0:21:18 | 0:21:21 | |
# Like the first... | 0:21:21 | 0:21:23 | |
# Morn Praise for the morning... # | 0:21:23 | 0:21:27 | |
So far, Charlie has spent £70 on three lots - | 0:21:27 | 0:21:31 | |
the silver pocket watch, the Imari charger | 0:21:31 | 0:21:34 | |
and the Nixon campaign cigarettes. | 0:21:34 | 0:21:37 | |
He has £141.78 in cash left. | 0:21:37 | 0:21:41 | |
Charles, meanwhile, has spent just £55 on two lots - | 0:21:43 | 0:21:47 | |
a novelty inkwell and the colliery company seal from the solicitors. | 0:21:47 | 0:21:52 | |
He has £109 in his pocket. | 0:21:52 | 0:21:56 | |
Let's borrow the presents, let's borrow the pedigree. | 0:21:56 | 0:21:59 | |
Are you going to buy me a present? | 0:21:59 | 0:22:00 | |
There is no time for presents, lads. | 0:22:00 | 0:22:03 | |
The boys are heading to Walsall in the West Midlands. | 0:22:03 | 0:22:07 | |
This town grew up during the Industrial Revolution | 0:22:08 | 0:22:11 | |
and became famous for its leather trade. | 0:22:11 | 0:22:14 | |
After the chaos of yesterday, Charles still needs more buys. | 0:22:14 | 0:22:19 | |
After wandering the streets for some time, | 0:22:19 | 0:22:22 | |
he spots a sign that looks promising. | 0:22:22 | 0:22:24 | |
Hello, sir. How are you? | 0:22:25 | 0:22:27 | |
I'm on a hunt, OK? I'm on a hunt. | 0:22:27 | 0:22:30 | |
Purely by chance, I've come down this street | 0:22:30 | 0:22:31 | |
and I can see on the wall there it says LP Antiques. | 0:22:31 | 0:22:34 | |
-Tell me, have you got antiques? -We have got antiques, yeah. | 0:22:34 | 0:22:36 | |
Have you really? Can I come and have a look? | 0:22:36 | 0:22:39 | |
-Yes. -Is that all right? Can I have a quick peek upstairs now? | 0:22:39 | 0:22:43 | |
This unit sells mainly reproduction furniture, | 0:22:43 | 0:22:46 | |
but Charles seems determined to gamble on this road trip, | 0:22:46 | 0:22:49 | |
so he has talked his way in for a look anyway. | 0:22:49 | 0:22:52 | |
Something might jump out at me. | 0:22:52 | 0:22:54 | |
Young upholsterer Rob has been dragooned into showing him around. | 0:22:54 | 0:22:59 | |
There is very little antique stock in the building, as they no | 0:22:59 | 0:23:02 | |
longer trade in it, but Charles is determined to spy something. | 0:23:02 | 0:23:05 | |
They are quite nice, aren't they? | 0:23:08 | 0:23:10 | |
A pair of Parisian field glasses, which are quite neat. | 0:23:10 | 0:23:16 | |
They are quite good. They're probably First World War. | 0:23:16 | 0:23:19 | |
Maybe 1910, 1920. | 0:23:19 | 0:23:21 | |
These... Look, these belonged to a man from Lincolnshire. | 0:23:21 | 0:23:24 | |
Rob will need to ask his boss what they can be sold for. | 0:23:24 | 0:23:27 | |
Find out how much they are for the two together. | 0:23:27 | 0:23:30 | |
Yeah, for the two together. | 0:23:30 | 0:23:31 | |
And Charles has spotted a pair of wooden bowls, as you do. | 0:23:32 | 0:23:36 | |
£15 each. Or two for 25. | 0:23:38 | 0:23:41 | |
Two for 25? | 0:23:41 | 0:23:43 | |
I wonder, do you reckon she might throw me a couple of bowls in? | 0:23:43 | 0:23:47 | |
Just say, "For poor, old Hans..." | 0:23:47 | 0:23:49 | |
Just tell her poor Hanson wonders, | 0:23:49 | 0:23:51 | |
could you throw in two wooden bowls as well? | 0:23:51 | 0:23:53 | |
Give her a call. Thanks, mate. | 0:23:53 | 0:23:55 | |
Young Rob might come back and I might get lucky. | 0:23:55 | 0:23:57 | |
But then again, if you don't ask, you don't get. Hold on, hold on. | 0:23:57 | 0:24:02 | |
-Yeah. -Rob, this is a biggie. | 0:24:02 | 0:24:05 | |
-Hit me. -Yep, the two. -Yes! She said yes? -Yeah. | 0:24:05 | 0:24:08 | |
-Really? -Yeah. -That's awesome. All the best. | 0:24:08 | 0:24:12 | |
Thanks, Rob. Thanks again, I really appreciate it. | 0:24:12 | 0:24:15 | |
Awesome, he gets the lot for £25. | 0:24:15 | 0:24:17 | |
Once again, in the most unlikely of fashions, | 0:24:17 | 0:24:20 | |
Charles has managed to secure a bargain. | 0:24:20 | 0:24:22 | |
Well done, that man. | 0:24:22 | 0:24:24 | |
Charles now has three lots, but he wants one more. | 0:24:26 | 0:24:29 | |
He has decided to take the interesting | 0:24:29 | 0:24:31 | |
but damaged decoupage screen | 0:24:31 | 0:24:34 | |
he saw back in Cannock yesterday. | 0:24:34 | 0:24:37 | |
Time for a call to dealer Scott. | 0:24:38 | 0:24:41 | |
What's the best price? | 0:24:41 | 0:24:42 | |
£70? Thanks ever so much. And I'll take it. | 0:24:43 | 0:24:47 | |
Deal done and Charles has got his lots for auction...just. | 0:24:47 | 0:24:53 | |
Charlie Ross, meanwhile, | 0:24:53 | 0:24:55 | |
has driven on to the West Midlands town of Halesowen. | 0:24:55 | 0:24:59 | |
He is strolling off into the shop Yesterday's World, | 0:24:59 | 0:25:03 | |
where dealers Jean and Ivan are in control. | 0:25:03 | 0:25:06 | |
-Hello. -Good morning. -You must be Jean. -I am. -I'm Charlie. | 0:25:08 | 0:25:11 | |
-Nice to meet you. -Lovely to meet you, too. | 0:25:11 | 0:25:13 | |
Charlie has spotted a group of items that hint at the brave | 0:25:17 | 0:25:21 | |
and eventful life of their owner. | 0:25:21 | 0:25:23 | |
May I look at your First World War medals? | 0:25:23 | 0:25:25 | |
-Thanks, Jean, lovely. -Thank you. | 0:25:25 | 0:25:27 | |
-And that is named to T Warner. -That is the one. | 0:25:27 | 0:25:30 | |
The Royal Artillery. Gunner T Warner. | 0:25:30 | 0:25:34 | |
Now, that is interesting. | 0:25:34 | 0:25:37 | |
We have got a First World War to T Warner. | 0:25:37 | 0:25:39 | |
-And a Second. -And two Second World Wars to T Warner. | 0:25:39 | 0:25:43 | |
-Yes. -Crikey! | 0:25:43 | 0:25:46 | |
-Royal Artillery, it has got to be the same man. -Same man. -Blimey! | 0:25:46 | 0:25:49 | |
-You wouldn't think he'd have to go through it all again, would you? -No. | 0:25:49 | 0:25:53 | |
The World War II medals are for service and defence. | 0:25:53 | 0:25:56 | |
Ivan is the military man, what could he let them go for? | 0:25:56 | 0:26:00 | |
50 for the three. Best deal. | 0:26:00 | 0:26:02 | |
If I bought them, for example, for £40... | 0:26:02 | 0:26:06 | |
I think if I could buy the three for £40, | 0:26:06 | 0:26:09 | |
I think I might make a tenner or something. | 0:26:09 | 0:26:12 | |
-I couldn't do better than 40. -No. Could you do 40? -Yeah. | 0:26:12 | 0:26:15 | |
I'm happy with that. | 0:26:15 | 0:26:16 | |
-Are you? -Are you sure? -Yes, we will go with that. | 0:26:16 | 0:26:18 | |
-I suspect that the lady takes the money. -I do indeed. | 0:26:18 | 0:26:20 | |
You do the negotiating and you take the money. | 0:26:20 | 0:26:23 | |
-How is that? -That's lovely. | 0:26:23 | 0:26:25 | |
And a gold star to Charlie, who has got another buy. | 0:26:25 | 0:26:28 | |
Charles Hanson, meanwhile, has travelled into central Birmingham. | 0:26:32 | 0:26:35 | |
He has finished his shopping, | 0:26:35 | 0:26:37 | |
so he is headed for the Museum Of The Jewellery Quarter, | 0:26:37 | 0:26:40 | |
where he is going to learn about the history of one of Birmingham's | 0:26:40 | 0:26:43 | |
most important traditional industries. | 0:26:43 | 0:26:46 | |
He's meeting the head of the community museum, Christopher. | 0:26:46 | 0:26:50 | |
-Hello. -Hi, Charles. -I'm Charles Hanson. | 0:26:50 | 0:26:52 | |
Welcome to the Museum Of The Jewellery Quarter. | 0:26:52 | 0:26:55 | |
Birmingham has a centuries-long history of producing jewellery, | 0:26:55 | 0:26:59 | |
and this area was the powerhouse of the bauble business. | 0:26:59 | 0:27:03 | |
This museum tells the story of the industry and preserved | 0:27:03 | 0:27:07 | |
the factory of one manufacturer, Smith and Pepper, as it then was, | 0:27:07 | 0:27:11 | |
for most of the 20th century. | 0:27:11 | 0:27:13 | |
The Smith and Pepper factory opened in 1899 and closed in 1981. | 0:27:15 | 0:27:21 | |
It was a family business run by only two generations of the Smith family | 0:27:21 | 0:27:25 | |
and manufactured gold and silver jewellery. | 0:27:25 | 0:27:28 | |
When the factory closed, | 0:27:30 | 0:27:32 | |
it was left entirely as it had been on the last day of operation. | 0:27:32 | 0:27:36 | |
The museum was built around it. | 0:27:36 | 0:27:38 | |
First, Christopher is taking Charles into the office space. | 0:27:40 | 0:27:44 | |
-Come on in. -It's amazing, isn't it? | 0:27:44 | 0:27:46 | |
Well, I mean, you know, if you look at this space, | 0:27:46 | 0:27:49 | |
-it could be a 1930s office. -Absolutely. -That's what it was. | 0:27:49 | 0:27:52 | |
This was the sort of nerve centre of the firm. | 0:27:52 | 0:27:55 | |
It was Miss Olive's territory | 0:27:55 | 0:27:57 | |
because the partners were Olive, Tom and Eric. | 0:27:57 | 0:28:00 | |
-Yes. -A family business. And she ran the office. -Yes. | 0:28:00 | 0:28:04 | |
And you can see the boxes on the wall there where the stuff would be | 0:28:04 | 0:28:07 | |
sent around the world, the various things made at Smith and Pepper. | 0:28:07 | 0:28:10 | |
-Yes. -And then as you look around the office, | 0:28:10 | 0:28:13 | |
you can see the dumbwaiter over there, | 0:28:13 | 0:28:15 | |
where orders were sent down to the factory floor | 0:28:15 | 0:28:18 | |
and the finished goods came back up. | 0:28:18 | 0:28:20 | |
Miss Olive also ran a tight ship. | 0:28:20 | 0:28:22 | |
There were various standards that had to be kept here. | 0:28:22 | 0:28:25 | |
And one of the key once was that the workers stayed downstairs | 0:28:25 | 0:28:28 | |
and office staff stayed upstairs. | 0:28:28 | 0:28:30 | |
And there's a great story that when it first opened as a museum, | 0:28:30 | 0:28:33 | |
in 1992, | 0:28:33 | 0:28:34 | |
there was a grand opening and the men from the workshop | 0:28:34 | 0:28:37 | |
came up to the office and it was the first time | 0:28:37 | 0:28:39 | |
they'd ever been upstairs in the factory. | 0:28:39 | 0:28:41 | |
Christopher is going to take Charles downstairs to the manufacturing | 0:28:41 | 0:28:45 | |
floor, which has also been preserved in working order. | 0:28:45 | 0:28:49 | |
We are now stepping into the 1899 factory. | 0:28:51 | 0:28:55 | |
It is just incredible. | 0:28:55 | 0:28:57 | |
It almost looks as though nothing has happened. | 0:28:57 | 0:29:01 | |
The various different machines created the components of jewellery | 0:29:03 | 0:29:06 | |
from gold or silver bullion, which were then soldered together. | 0:29:06 | 0:29:10 | |
Clive there is working at the jeweller's bench. | 0:29:10 | 0:29:12 | |
And the job of the jeweller in this particular factory | 0:29:12 | 0:29:15 | |
was mainly soldering. | 0:29:15 | 0:29:16 | |
It was literally connecting the various components | 0:29:16 | 0:29:18 | |
that had been produced through the other machinery. | 0:29:18 | 0:29:21 | |
It is skilled work. You would have been a man to do this. | 0:29:21 | 0:29:23 | |
And you would've had lots of training. | 0:29:23 | 0:29:25 | |
So, at the moment, it's Clive. | 0:29:25 | 0:29:27 | |
Clive looks as though he is smoking a pipe. | 0:29:27 | 0:29:29 | |
Yeah. He is using a blow pipe. | 0:29:29 | 0:29:31 | |
This is the traditional method of controlling | 0:29:31 | 0:29:34 | |
the temperature of the flame. | 0:29:34 | 0:29:36 | |
Don't burn yourself, Clive. That's a big flame. | 0:29:36 | 0:29:38 | |
It wouldn't be the first time. | 0:29:38 | 0:29:40 | |
THEY LAUGH | 0:29:40 | 0:29:41 | |
Careful! | 0:29:41 | 0:29:43 | |
I'll take you over now to look at another piece of technilogical | 0:29:43 | 0:29:46 | |
-wonderment. -Yes. -Which is our drop stamp pit. -Wonderful. | 0:29:46 | 0:29:49 | |
It sounds very interesting. | 0:29:49 | 0:29:50 | |
The drop stamp literally stamps a decorative design | 0:29:50 | 0:29:54 | |
into a piece of metal. | 0:29:54 | 0:29:55 | |
-Can we see it in action? -Yeah, we'll ask Clive to demonstrate. | 0:29:55 | 0:30:00 | |
-A basic piece of metal. -Yes. | 0:30:00 | 0:30:02 | |
And the stamp will actually create the design on it through | 0:30:02 | 0:30:05 | |
sheer force. | 0:30:05 | 0:30:06 | |
-Is it going to just drop? -Yep. | 0:30:06 | 0:30:08 | |
Crikey! | 0:30:12 | 0:30:13 | |
Oh, I say! Then, obviously, by that stamp, | 0:30:15 | 0:30:17 | |
you create this wonderful, what I was suppose you would call | 0:30:17 | 0:30:20 | |
-repousse work or imposter relief. -Yeah, yeah. | 0:30:20 | 0:30:23 | |
Well, that certainly made an impression on Charles. | 0:30:23 | 0:30:25 | |
With that, it is time for him to hit the road. | 0:30:25 | 0:30:29 | |
It has been invigorating, so thanks, Chris, really good. | 0:30:29 | 0:30:33 | |
-Is it this way out? -Yes. -Thank you. | 0:30:33 | 0:30:35 | |
Elsewhere, Charlie Ross has travelled on to Ironbridge | 0:30:41 | 0:30:43 | |
in Shropshire. | 0:30:43 | 0:30:46 | |
Completed in 1779, the bridge which gives the town its name | 0:30:46 | 0:30:50 | |
was the first arched bridge in the world to be made from cast iron. | 0:30:50 | 0:30:55 | |
Today, it is part of a UNESCO World Heritage Site. | 0:30:55 | 0:30:59 | |
Charlie is heading into the Curio Centre. | 0:30:59 | 0:31:03 | |
-Hello. -Mr Ross. -How very formal. | 0:31:05 | 0:31:08 | |
-Charlie. -How are you? -Hello. | 0:31:08 | 0:31:10 | |
What a super thing! | 0:31:13 | 0:31:15 | |
Oh, now, there is something that takes my eye. | 0:31:17 | 0:31:19 | |
See that little whisky noggin? | 0:31:19 | 0:31:22 | |
It's a small jug for an individual measure of whisky. | 0:31:22 | 0:31:25 | |
In a smart Scottish country house, if you had a dinner party, | 0:31:25 | 0:31:29 | |
20 people round, every single person would have one of those. | 0:31:29 | 0:31:32 | |
That's right, yeah. | 0:31:32 | 0:31:34 | |
Charlie does seem smitten with the noggin, but the ticket price | 0:31:34 | 0:31:38 | |
is £175, well over his current budget | 0:31:38 | 0:31:41 | |
of £101.78. | 0:31:41 | 0:31:44 | |
What can Simon do for trade? | 0:31:44 | 0:31:46 | |
You're probably looking at around 140. | 0:31:46 | 0:31:49 | |
-Oh! I'm getting closer. -I know you are. | 0:31:49 | 0:31:51 | |
These aren't mine, unfortunately, these are somebody else's. | 0:31:51 | 0:31:54 | |
-Bother! I love that... -It's a shame. -...with a passion. | 0:31:54 | 0:31:57 | |
-It comes with the little silver label, as well. -Yes, it does. | 0:31:57 | 0:32:01 | |
Now look at that. That is for putting your whisky in. | 0:32:01 | 0:32:05 | |
Charlie loves the whisky noggin so much that he might be willing to | 0:32:05 | 0:32:09 | |
sell one of his other items to Simon to make the cash he needs to buy it. | 0:32:09 | 0:32:12 | |
He is thinking of sacrificing the pocket watch he bought yesterday. | 0:32:12 | 0:32:16 | |
Well, I never did! | 0:32:16 | 0:32:17 | |
I am willing to trade with you. | 0:32:19 | 0:32:21 | |
If the price is right. | 0:32:21 | 0:32:23 | |
I'm loving this! I'm loving the way this is going. | 0:32:23 | 0:32:26 | |
-I can show it to you. -I'd like to see it, yeah, definitely. | 0:32:26 | 0:32:28 | |
-Look at this exceptional object, sir. -OK, blow me away. | 0:32:29 | 0:32:32 | |
It is all nicely hallmarked around the top. | 0:32:34 | 0:32:37 | |
I mean, obviously, it is a bit of a basic sort of model. | 0:32:37 | 0:32:40 | |
That is 39.22 you need? | 0:32:40 | 0:32:43 | |
-38.22 to you, sir. -OK, yes, we'll buy this off you for that. | 0:32:43 | 0:32:46 | |
That's fine. I'm happy with that. | 0:32:46 | 0:32:48 | |
Charlie's clever trading means he has only paid £121.78 | 0:32:48 | 0:32:53 | |
for the whisky noggin. | 0:32:53 | 0:32:56 | |
That is £101.78 in cash and the £20 he got the watch for. | 0:32:56 | 0:33:01 | |
Job done. | 0:33:01 | 0:33:02 | |
With all their buying finished, | 0:33:04 | 0:33:05 | |
the chaps to have met up in sunny Brum to unveil their buys. | 0:33:05 | 0:33:09 | |
Open your eyes! | 0:33:12 | 0:33:14 | |
Is that it? | 0:33:14 | 0:33:15 | |
HE LAUGHS | 0:33:15 | 0:33:17 | |
Is that it? | 0:33:17 | 0:33:19 | |
Oh, it's called a noggin, is it? A nog...? What do you call that? | 0:33:19 | 0:33:22 | |
-Yep. -A little noggin. Whisky, isn't it? I love it, Charlie. | 0:33:22 | 0:33:25 | |
I bet it was made by Hogan and Heath. | 0:33:25 | 0:33:27 | |
-Hogan and Heath! -Oh, it wasn't! -It was! -Marvellous! | 0:33:27 | 0:33:30 | |
-Silver label, 1910. -That is a really nice object, Charlie. | 0:33:30 | 0:33:34 | |
A modest toast to the whisky noggin. | 0:33:34 | 0:33:37 | |
Now, what about the vintage smokes? | 0:33:37 | 0:33:39 | |
-What is that? -Look, look at the name on it. | 0:33:39 | 0:33:43 | |
He was the USA president, wasn't he? | 0:33:43 | 0:33:46 | |
This is a box of original cigarettes that were given to people | 0:33:46 | 0:33:51 | |
in the presidential campaign of 1972. | 0:33:51 | 0:33:54 | |
Can you imagine today giving away cigarettes as part | 0:33:54 | 0:33:58 | |
of your election campaign? | 0:33:58 | 0:34:00 | |
-That cost a fiver. -Really? -Yeah. | 0:34:00 | 0:34:02 | |
They could make a fiver or they could make 50. | 0:34:02 | 0:34:05 | |
And the Imari charger? | 0:34:05 | 0:34:07 | |
And of course, I bought this because it is large and you eat... | 0:34:07 | 0:34:11 | |
-Well, we know all about that. -Wonderful. | 0:34:11 | 0:34:13 | |
Japanese, 1910. | 0:34:13 | 0:34:14 | |
You always test the ring. | 0:34:14 | 0:34:17 | |
Nice ring. | 0:34:17 | 0:34:18 | |
OK, Charlie, I reckon you paid probably about £45. | 0:34:18 | 0:34:22 | |
-Do you actually walk into the shop behind me? Do you? -No. | 0:34:22 | 0:34:27 | |
Is that what it cost you? | 0:34:27 | 0:34:28 | |
-£45. -No, it didn't! Really? You and I have a chemistry. | 0:34:28 | 0:34:31 | |
Put it there. Really? | 0:34:31 | 0:34:33 | |
Time for the young pretender to reveal his own buys. | 0:34:33 | 0:34:36 | |
-My really fine four-fold screen. -Four screen? | 0:34:36 | 0:34:39 | |
There is some damage, which doesn't really... | 0:34:39 | 0:34:42 | |
That's part of the history of it. | 0:34:42 | 0:34:44 | |
-I would be very surprised if it doesn't make more than £100. -Really? | 0:34:44 | 0:34:47 | |
And the rest of it. | 0:34:47 | 0:34:49 | |
-Look. -In the immortal words of Charles Hanson, "Is that it?" | 0:34:49 | 0:34:54 | |
This probably continental inkwell, but it's novelty. | 0:34:54 | 0:34:57 | |
-It's good fun and it is worth 20 quid. -Yeah, exactly. | 0:34:57 | 0:35:00 | |
It cost me £20. | 0:35:00 | 0:35:02 | |
Mm. | 0:35:02 | 0:35:03 | |
These are quite nice. | 0:35:03 | 0:35:04 | |
I really dug deep for these, and they are quite good quality. | 0:35:04 | 0:35:08 | |
A pair of field glasses. They're probably First World War. | 0:35:08 | 0:35:10 | |
I bought them together with the bowls, OK? | 0:35:10 | 0:35:13 | |
-Yeah, a tenner. -I paid £25. | 0:35:13 | 0:35:16 | |
Did you? Let me just stop you. | 0:35:16 | 0:35:18 | |
This looks absolutely wonderful, wonderful! | 0:35:18 | 0:35:22 | |
This is looking like the crown jewels. | 0:35:22 | 0:35:25 | |
Do you know what? Out of these two, these are the crown jewels. | 0:35:25 | 0:35:28 | |
I'm being serious. | 0:35:28 | 0:35:30 | |
For once in your life, | 0:35:30 | 0:35:31 | |
your articles are exceeded in quality by your trousers. | 0:35:31 | 0:35:36 | |
And that is saying something. | 0:35:36 | 0:35:38 | |
Now, now, no need to get personal. | 0:35:38 | 0:35:41 | |
Well, our pair are frank enough to each other's faces, | 0:35:41 | 0:35:45 | |
but what do they say behind closed doors, eh? | 0:35:45 | 0:35:48 | |
Charles, I can tell from the table, had a very hard time of it, | 0:35:48 | 0:35:52 | |
but he saved himself with this. | 0:35:52 | 0:35:55 | |
Charlie, goodness me, you bought a basic slap-up plate for £45? | 0:35:55 | 0:35:59 | |
Overly priced. You bought an amusing noggin with a label. | 0:35:59 | 0:36:04 | |
Being a gambling man, I would go for Hanson. Who is he? That's me. | 0:36:04 | 0:36:08 | |
Well, well, the gloves are off. | 0:36:09 | 0:36:11 | |
This promises to be a heavyweight showdown. | 0:36:11 | 0:36:13 | |
Today, our princely pair have wandered over 200 miles | 0:36:14 | 0:36:17 | |
through the dreaming byways of England | 0:36:17 | 0:36:20 | |
from Cannock in Staffordshire to end up at their auction in Stroud, | 0:36:20 | 0:36:24 | |
Gloucestershire. | 0:36:24 | 0:36:25 | |
Stroud is a terribly well appointed Cotswolds town | 0:36:27 | 0:36:30 | |
with a proud tradition | 0:36:30 | 0:36:31 | |
of textile manufacture stretching back through the centuries. | 0:36:31 | 0:36:35 | |
Let's hope Charles and Charlie | 0:36:35 | 0:36:38 | |
have cut their cloth to fit today's sale room. | 0:36:38 | 0:36:40 | |
They are heading for Stroud Auction Rooms, | 0:36:41 | 0:36:44 | |
which holds monthly antiques and specialists sales. | 0:36:44 | 0:36:47 | |
You know, they are hungry for antiques, Charlie, hungry. | 0:36:49 | 0:36:53 | |
Shame we didn't buy any. | 0:36:53 | 0:36:55 | |
Cheeky. | 0:36:55 | 0:36:57 | |
No manners. | 0:36:57 | 0:36:59 | |
With his gavel poised, is today's auctioneer, James Taylor. | 0:36:59 | 0:37:02 | |
But before he takes to the floor, | 0:37:02 | 0:37:04 | |
what does he make of our chaps' buys? | 0:37:04 | 0:37:07 | |
Some interesting items have been put forward. | 0:37:07 | 0:37:09 | |
We particularly like the whisky noggin, they always sell well. | 0:37:09 | 0:37:12 | |
There are a couple of items that do seem like they are a bit | 0:37:12 | 0:37:15 | |
of a desperate buy. The Imari charger isn't great. | 0:37:15 | 0:37:18 | |
The screen is really nice, | 0:37:18 | 0:37:19 | |
but the damage that has been done to it is really going to hold it back. | 0:37:19 | 0:37:22 | |
They are restorable, but people like them | 0:37:22 | 0:37:24 | |
when they are perfect and original. | 0:37:24 | 0:37:26 | |
Charlie Ross started today with £211.78. | 0:37:26 | 0:37:31 | |
He spent up to the hilt on four lots. | 0:37:31 | 0:37:34 | |
Charles Hanson, meanwhile, started today with £164. | 0:37:36 | 0:37:39 | |
He spent £150 of that and also has four lots to show for it. | 0:37:39 | 0:37:42 | |
Gentleman, take your seats. | 0:37:46 | 0:37:49 | |
Let this showdown begin. | 0:37:49 | 0:37:51 | |
First up, we have Charlie's lovely little glass whisky noggin. | 0:37:52 | 0:37:56 | |
Will the punters be tempted to take a nip? | 0:37:56 | 0:37:59 | |
Lot of commission interest means I'm straight in at £130, | 0:37:59 | 0:38:03 | |
looking for 140. | 0:38:03 | 0:38:04 | |
At £130 with me now. Looking for 140. | 0:38:04 | 0:38:07 | |
140. 150. Still with me. Is there 160? | 0:38:07 | 0:38:09 | |
-At £150 on commission now. -Thank you, Stroud! -At £150. | 0:38:09 | 0:38:14 | |
I am selling to the book now at 150... | 0:38:14 | 0:38:16 | |
I'm thrilled! | 0:38:17 | 0:38:18 | |
What a start! Chin-chin, old chap. | 0:38:18 | 0:38:22 | |
Another for Charlie Ross now. | 0:38:22 | 0:38:24 | |
It's his war medals going under the hammer. | 0:38:24 | 0:38:27 | |
Bids straight in with me at £38. | 0:38:27 | 0:38:29 | |
-Brilliant. -They are geniuses here! | 0:38:29 | 0:38:32 | |
With me, 50. I'm out at 50. Now is there five? | 0:38:32 | 0:38:35 | |
At £50, they are off the book, in the room, looking for five. | 0:38:35 | 0:38:38 | |
-These auctioneers are geniuses. -In the room now at 50... | 0:38:38 | 0:38:41 | |
Well, Charlie has won that battle, but will he win the war? | 0:38:41 | 0:38:45 | |
Well battled. | 0:38:47 | 0:38:49 | |
Now, Charles Hanson's colliery company stamp, | 0:38:49 | 0:38:52 | |
acquired from some local legal eagles. | 0:38:52 | 0:38:54 | |
A fair amount of commission interest means I'm straight in at £50. | 0:38:55 | 0:38:59 | |
At £50, the bid is with me, now looking for five. | 0:38:59 | 0:39:01 | |
-55. 60, still with me. Is there five? -Slowed down. | 0:39:01 | 0:39:04 | |
-At £60, it is still with me now. -It could still go higher. Oh, God. | 0:39:04 | 0:39:07 | |
At £70, still on commission now, | 0:39:07 | 0:39:08 | |
looking for five. At £70, it is on the book now, looking for five. | 0:39:08 | 0:39:11 | |
-75. -Oh, stop, no higher, please. | 0:39:11 | 0:39:14 | |
At £75, it's off the book, in the room. Looking for 80. | 0:39:14 | 0:39:16 | |
At £75, I'm selling to the room now at 75... | 0:39:16 | 0:39:19 | |
I have to say, if I was the lawyer, I'd be hot on your heels. | 0:39:19 | 0:39:25 | |
But he bought it fair and square, Charlie. | 0:39:25 | 0:39:27 | |
That ruling is in Charles's favour. | 0:39:27 | 0:39:30 | |
And with that, the young pretender steals the lead. | 0:39:30 | 0:39:34 | |
Next up is Charlie's Imari charger. | 0:39:34 | 0:39:37 | |
It wasn't the auctioneer's favourite, | 0:39:37 | 0:39:39 | |
but might it find favour with the crowd? | 0:39:39 | 0:39:42 | |
And the bid is straight in the me at £50 now. Is there five? | 0:39:42 | 0:39:44 | |
-Well done! -At £50. The bid's on commission now. Looking for five. | 0:39:44 | 0:39:47 | |
At £50, selling now, maiden bid on the book. | 0:39:47 | 0:39:49 | |
55. 60 is with me. And five, sir? | 0:39:49 | 0:39:51 | |
65 takes me out. In the room now, it's at 70. | 0:39:51 | 0:39:53 | |
At £65, it is off the book and in the room, looking for 70. | 0:39:53 | 0:39:56 | |
At £65, I'm selling to the room now at 65... | 0:39:56 | 0:40:00 | |
-Well done. -It doesn't quite charge away, but a success nevertheless. | 0:40:00 | 0:40:05 | |
But not quite enough to catch up with Charles. | 0:40:05 | 0:40:09 | |
The gnomish inkwell is up next. Can it magic up a profit? | 0:40:09 | 0:40:14 | |
-And the bid is straight in with me at £55. -Got it! | 0:40:14 | 0:40:17 | |
At £55 it's on commission now, looking for 60. At 55. 60. | 0:40:17 | 0:40:21 | |
Five, still with me. Is there 70? | 0:40:21 | 0:40:22 | |
At £65, it is still with me now, looking for 70. | 0:40:22 | 0:40:25 | |
70 and five. Still with me. Is there 80? At £75. | 0:40:25 | 0:40:28 | |
That's good, Charlie. | 0:40:28 | 0:40:29 | |
At £75, selling on the book at 75... | 0:40:29 | 0:40:32 | |
-80 takes me out on the internet. -£80! Oh, yes! Good man. | 0:40:32 | 0:40:37 | |
There, there, Charlie. | 0:40:37 | 0:40:38 | |
At £80, I'm selling it away to the net now at 80. | 0:40:38 | 0:40:41 | |
-Premier place to come for a sale. -Marvellous result. | 0:40:42 | 0:40:44 | |
Oh, you are a good sport, Charlie. | 0:40:44 | 0:40:46 | |
And an almost supernatural result on the inkwell. | 0:40:46 | 0:40:50 | |
The young buck solidifies his lead. | 0:40:50 | 0:40:54 | |
Bids from everywhere. | 0:40:54 | 0:40:55 | |
Next, Charlie's naughty Nixon campaign cigarettes. | 0:40:55 | 0:40:59 | |
There it is, bid straight in with me at £30. | 0:40:59 | 0:41:03 | |
At £30 on commission now, looking for two. | 0:41:03 | 0:41:05 | |
At £30. It's on the book now, looking for two. 32. 35 is me. | 0:41:05 | 0:41:08 | |
38, sir? At £35, it is still on commission, now looking for eight. | 0:41:08 | 0:41:12 | |
At £35. I'm selling on the book now for 35... | 0:41:12 | 0:41:15 | |
A fabulous profit. No whitewash needed here. | 0:41:15 | 0:41:19 | |
But Charles still has the upper hand with two lots to go. | 0:41:19 | 0:41:23 | |
The job lot of field glasses and bowls next. | 0:41:23 | 0:41:28 | |
-And I have commission straight in at £40. -Get out of here! | 0:41:28 | 0:41:31 | |
-It's on commission now, looking for two. -Come on! | 0:41:31 | 0:41:35 | |
-At £40, I'm selling it away. On the book at 40... -Sensational! | 0:41:35 | 0:41:39 | |
-That's good. -That is a sensational result. I take my hat off to you. | 0:41:39 | 0:41:43 | |
Charles was all over flat when he bought them, but the lot has flown. | 0:41:43 | 0:41:48 | |
And lastly, Charles's great hope, the decoupage screen. | 0:41:48 | 0:41:53 | |
There it is. | 0:41:53 | 0:41:54 | |
And I have commission interest straight in at £65. | 0:41:54 | 0:41:57 | |
-Come on! -At £65, the bid is with me now, looking for 70. | 0:41:57 | 0:42:01 | |
-70. 75 is me. 80. I'm out at 80. In the room now. -Come on, one more. | 0:42:01 | 0:42:05 | |
At £80, it's in the room now, looking for five. | 0:42:05 | 0:42:07 | |
-At £80, off the book and in the room now, looking for five. -Told you. | 0:42:07 | 0:42:10 | |
At £80, I'm selling to the room now at 80... | 0:42:10 | 0:42:13 | |
It is a topsy-turvy day. | 0:42:13 | 0:42:15 | |
The screen they both rated highly barely scrapes by, | 0:42:15 | 0:42:19 | |
but Charles is in such fine fettle that it scarcely matters. | 0:42:19 | 0:42:22 | |
I'm happy, Charlie. | 0:42:22 | 0:42:24 | |
-Come on, old man, let's go. -Bye. | 0:42:24 | 0:42:27 | |
-Are you coming? -No. -Put your hand up then. Give me your hand. | 0:42:27 | 0:42:31 | |
Ready? Three, two, one. | 0:42:31 | 0:42:34 | |
Charles stole the show with some striking profits, even though | 0:42:34 | 0:42:38 | |
he didn't expect them. | 0:42:38 | 0:42:40 | |
Charlie Ross started this leg with £211.78. | 0:42:40 | 0:42:44 | |
After auction costs, he made a profit of £34.22, | 0:42:44 | 0:42:48 | |
giving him £246 to carry forward. | 0:42:48 | 0:42:51 | |
Well done, old bean. | 0:42:51 | 0:42:54 | |
But Charles Hanson, meanwhile, | 0:42:54 | 0:42:55 | |
started wit h a diminished £164. | 0:42:55 | 0:42:59 | |
He won this leg, though, with a handsome profit of £75.50, | 0:42:59 | 0:43:03 | |
meaning that he is now nipping at Charlie's heels with £239.50 | 0:43:03 | 0:43:09 | |
to carry forwards. | 0:43:09 | 0:43:10 | |
Smashing. | 0:43:10 | 0:43:12 | |
Oh, dear! Sounds like we've got a shotgun on board. | 0:43:14 | 0:43:18 | |
MOTOR REVS | 0:43:18 | 0:43:20 | |
-Goodbye, Stroud. -Goodbye, Stroud. | 0:43:20 | 0:43:22 | |
And hello next leg. | 0:43:22 | 0:43:24 | |
On the next Antiques Road Trip, Charles and Charlie do some | 0:43:28 | 0:43:31 | |
fancy footwork to bag items that are going for a song. | 0:43:31 | 0:43:35 | |
# Onward, Christian soldiers! # | 0:43:35 | 0:43:41 | |
Subtitles by Red Bee Media Ltd | 0:43:43 | 0:43:46 |