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It's the nation's favourite antiques experts with £200 each... | 0:00:02 | 0:00:05 | |
I love that. | 0:00:05 | 0:00:07 | |
..a classic car and a goal to scour Britain for antiques. | 0:00:07 | 0:00:11 | |
Yippee! | 0:00:11 | 0:00:12 | |
It is a good job that I like you! | 0:00:12 | 0:00:14 | |
The aim - to make the biggest profit at auction but it's no mean feat. | 0:00:14 | 0:00:18 | |
There'll be worthy winners and valiant losers... | 0:00:18 | 0:00:22 | |
Oh, I'm getting wet! | 0:00:22 | 0:00:24 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:28 | |
-How much did you make? -About a couple of quid. | 0:00:28 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:34 | |
Yeah! | 0:00:34 | 0:00:35 | |
On this road trip, a pair of duelling devils are vying for England's heartlands. | 0:00:35 | 0:00:40 | |
Young Thomas Plant runs a Berkshire sale room with his cheery energy | 0:00:43 | 0:00:48 | |
and a magpie eye. | 0:00:48 | 0:00:50 | |
Shiny, shiny and...oh, more shiny. | 0:00:50 | 0:00:52 | |
While Philip Serrell, an auctioneer from Worcestershire, | 0:00:52 | 0:00:56 | |
has a quick wit and a very sunny outlook. | 0:00:56 | 0:01:00 | |
I don't know what's happening, really. | 0:01:00 | 0:01:02 | |
My life needs to take a new direction. | 0:01:02 | 0:01:05 | |
After both suffering losses on the last leg... | 0:01:08 | 0:01:11 | |
Do you know there are occasions on a Sunday morning when you get up | 0:01:11 | 0:01:13 | |
and you think "I should have stopped in bed?" | 0:01:13 | 0:01:15 | |
That's a hideous loss. | 0:01:15 | 0:01:17 | |
They need to up their games. | 0:01:17 | 0:01:19 | |
They both started this road trip with a cool £200. | 0:01:19 | 0:01:24 | |
Though he lost a little lolly on the last leg, | 0:01:24 | 0:01:27 | |
Thomas has still managed to accumulate £247.54 in total. | 0:01:27 | 0:01:32 | |
While the privations of the last time have left Philip | 0:01:34 | 0:01:39 | |
in the poorhouse with only £193.34 to his name. | 0:01:39 | 0:01:44 | |
It was the rash purchase of a large canoe that did him in. | 0:01:44 | 0:01:49 | |
I'm still emotionally destroyed after the canoe saga. | 0:01:49 | 0:01:52 | |
Don't talk about it! | 0:01:52 | 0:01:54 | |
I think I was scuttled! | 0:01:54 | 0:01:57 | |
-Just call me Bismarck from now on! -All right, Bizzy! | 0:01:57 | 0:02:01 | |
This whole road trip takes our boys from Samlesbury in Lancashire | 0:02:05 | 0:02:08 | |
over the waves to the Isle of Man | 0:02:08 | 0:02:11 | |
and then south to Greenwich in London, | 0:02:11 | 0:02:14 | |
a heroic journey of almost 700 miles. | 0:02:14 | 0:02:17 | |
Today they begin in the city of Sheffield, South Yorkshire | 0:02:20 | 0:02:24 | |
and cruise through the Peak District | 0:02:24 | 0:02:26 | |
and the East Midlands before ending up at their auction in Leicester. | 0:02:26 | 0:02:29 | |
Sheffield is, of course, Steel City - | 0:02:35 | 0:02:37 | |
famed for its long association with the metal, but it also has one or two surprises in store. | 0:02:37 | 0:02:43 | |
Do you know what I didn't realise about Sheffield is that | 0:02:43 | 0:02:46 | |
I didn't realise it was so hilly. | 0:02:46 | 0:02:47 | |
Well, you do now. | 0:02:47 | 0:02:50 | |
It's just a fantastic view, isn't it? | 0:02:50 | 0:02:52 | |
It's a great view. What do you know? | 0:02:52 | 0:02:54 | |
I know nothing, mate. Sheffield Wednesday, Sheffield United... | 0:02:54 | 0:02:58 | |
-The Full Monty. -The Full Monty? | 0:02:58 | 0:02:59 | |
-It was set here. -Was it? | 0:02:59 | 0:03:01 | |
-Yes, of course it was. -Steel, all the steelworks. | 0:03:01 | 0:03:03 | |
As it was such a great film, do you want to... | 0:03:03 | 0:03:06 | |
-Thomas! -Come on! | 0:03:06 | 0:03:07 | |
No, no, come along. No, no! | 0:03:07 | 0:03:10 | |
-Thomas, come on! -Wouldn't you like that? | 0:03:10 | 0:03:12 | |
No, no, I wouldn't! | 0:03:12 | 0:03:13 | |
A bit of exhibitionism. | 0:03:13 | 0:03:15 | |
SONG: "Hot Stuff" | 0:03:15 | 0:03:18 | |
You worry me sometimes. | 0:03:20 | 0:03:22 | |
And me. | 0:03:22 | 0:03:23 | |
And if there isn't enough to worry about, | 0:03:25 | 0:03:27 | |
it looks like the car's conked out too. | 0:03:27 | 0:03:30 | |
MOTOR STRUGGLES TO START | 0:03:30 | 0:03:31 | |
-That is gone, isn't it? -It's dead, finished, kaput. | 0:03:31 | 0:03:34 | |
Ga-pizza, kaput, good night, goodbye. | 0:03:34 | 0:03:37 | |
-It's the electrics. -Yes. We're auctioneers, not engineers. | 0:03:37 | 0:03:40 | |
I know that. | 0:03:40 | 0:03:42 | |
-Thomas, what we'll do, we'll call a cab. -All right, OK. | 0:03:42 | 0:03:46 | |
Here we are. Here we are. | 0:03:46 | 0:03:48 | |
You are a gentleman, sir. | 0:03:49 | 0:03:51 | |
Thomas. | 0:03:51 | 0:03:52 | |
Oh, this is much better, isn't it? | 0:03:52 | 0:03:54 | |
Don't worry, lads, a local garage will pick up the car. | 0:03:54 | 0:03:58 | |
-What's your name? -My name is Gill. | 0:03:59 | 0:04:02 | |
What are you doing for the next couple of weeks, Gill?! | 0:04:02 | 0:04:05 | |
I'll pay the man, don't worry. I'll pay him. Thank you. | 0:04:08 | 0:04:12 | |
You have got more money than me. | 0:04:12 | 0:04:14 | |
Finally, they've arrived at their first shop, | 0:04:17 | 0:04:20 | |
Dronfield Antiques where dealer Howard presides. | 0:04:20 | 0:04:25 | |
-Howard, I'm Thomas. -Thomas, hi. | 0:04:25 | 0:04:27 | |
-Hi, Philip. -Hi. | 0:04:27 | 0:04:29 | |
I'm sorry we're a bit full in here, but it's always like this. | 0:04:29 | 0:04:32 | |
Howard's shop is, indeed, stuffed to the gunnels with items. | 0:04:32 | 0:04:35 | |
Surely, our lads can find something to their taste in here. | 0:04:35 | 0:04:39 | |
There's a lot here. My God. | 0:04:40 | 0:04:42 | |
I don't know quite where to start. | 0:04:42 | 0:04:44 | |
Thomas has alighted on a 1960s hairdryer. | 0:04:46 | 0:04:49 | |
I'm not sure that's quite what you're looking for though, old boy. | 0:04:49 | 0:04:53 | |
It looks like something out of Barbarella, the film. | 0:04:53 | 0:04:56 | |
# Barbarella, Ba-BaBarbarella. | 0:04:56 | 0:05:01 | |
# Ba-ba-ba-ba... # | 0:05:01 | 0:05:06 | |
Yes, the resemblance is uncanny, Thomas. | 0:05:06 | 0:05:10 | |
But while mountaineering over the acres of stock, | 0:05:10 | 0:05:13 | |
Thomas has spied something that might carry a bit more weight in the saleroom. | 0:05:13 | 0:05:18 | |
Oh, my giddy aunt! | 0:05:18 | 0:05:19 | |
I've seen some scales. They might be a bit big. | 0:05:19 | 0:05:23 | |
They're railway ones, I reckon. Railway scales. | 0:05:23 | 0:05:27 | |
I mean, the whole thing weighs a ton. | 0:05:27 | 0:05:29 | |
These heavy duty scales were made by W & T Avery of Birmingham, | 0:05:29 | 0:05:33 | |
a manufacturer of weighing scales founded in the 18th century. | 0:05:33 | 0:05:38 | |
I reckon they're railway scales, or something like that, or food scales, | 0:05:38 | 0:05:42 | |
but we're missing the weights. I'll ask him. | 0:05:42 | 0:05:45 | |
I'm standing on these scales. Right. | 0:05:45 | 0:05:48 | |
What you know about these? | 0:05:48 | 0:05:50 | |
Um, well, I would have thought they were late Victorian probably. | 0:05:50 | 0:05:54 | |
They've been there a while actually, buried under some furniture. | 0:05:54 | 0:05:58 | |
-What have you got on them? -I think they're on at about 65, I think. | 0:05:58 | 0:06:02 | |
-50 quid to buy them. -OK, OK. | 0:06:02 | 0:06:04 | |
But before long, he's trying to haggle Howard down. | 0:06:04 | 0:06:08 | |
Can we do anything on the price? | 0:06:08 | 0:06:10 | |
-At less than 50 quid? -Yeah, yeah. -How much less? -Well... | 0:06:12 | 0:06:16 | |
About a fiver less might do it. | 0:06:16 | 0:06:18 | |
Well, I was thinking maybe a tenner less. | 0:06:18 | 0:06:21 | |
But you know, it's up to you. | 0:06:21 | 0:06:24 | |
I would like to pay £40 for them if you are happy with that. | 0:06:24 | 0:06:28 | |
-I'll take your £40, yes. -Really? -Yes. | 0:06:28 | 0:06:32 | |
-Right. -You're a very kind man. | 0:06:32 | 0:06:35 | |
-My pleasure. -Hopefully, they'll be all right. | 0:06:35 | 0:06:38 | |
And I hope they'll be an earner. | 0:06:38 | 0:06:40 | |
So do we, Howard. So do we. | 0:06:40 | 0:06:43 | |
-Thank you very much. -Thank you very much indeed. | 0:06:43 | 0:06:45 | |
Philip hasn't found anything in Howard's shop | 0:06:47 | 0:06:50 | |
so he's wandered off, just down the road, to Swifties, | 0:06:50 | 0:06:53 | |
a yard that deals mainly in roofing and architectural salvage. | 0:06:53 | 0:06:57 | |
This kind of place is right up Philip's street. | 0:06:58 | 0:07:01 | |
Luckily, Tracy's on hand to give him a friendly welcome. | 0:07:03 | 0:07:07 | |
Oh, stop it, Tracy. You'll make the dog blush. | 0:07:07 | 0:07:10 | |
Can Tracy and her doggy assistant, Molly, | 0:07:10 | 0:07:13 | |
help to salvage Philip's chances in this game? | 0:07:13 | 0:07:16 | |
That's nice, isn't it? | 0:07:16 | 0:07:19 | |
You can see cool things here. | 0:07:19 | 0:07:22 | |
I like that, there. | 0:07:22 | 0:07:24 | |
I wonder how much that is. It looks like a pedestal. | 0:07:24 | 0:07:27 | |
I can't really see, that's the trouble. I'll have to find Tracy. | 0:07:27 | 0:07:30 | |
It's a solid marble pedestal or plinth. It's priced up at £50. | 0:07:30 | 0:07:35 | |
You could put a bird bath on there. | 0:07:37 | 0:07:39 | |
You could put a sundial on there. | 0:07:39 | 0:07:41 | |
You could put a plant on there. That's what I love about you, Trace! | 0:07:41 | 0:07:44 | |
You've got some vision. | 0:07:44 | 0:07:46 | |
-What could you do that for me? -50. | 0:07:46 | 0:07:49 | |
Oh, behave, Trace! Go and have another look at it! | 0:07:49 | 0:07:52 | |
-Blooming ruined, that is. -£40. | 0:07:52 | 0:07:54 | |
I'm daft enough to want to buy that. | 0:07:54 | 0:07:57 | |
I'll give you 30 quid for it, sold as seen. | 0:07:57 | 0:08:01 | |
-Go on, then. -You're an angel. | 0:08:01 | 0:08:05 | |
-I should come here more often. -Oh, yes. | 0:08:05 | 0:08:07 | |
Now, Philip, how on earth are you planning to get that... | 0:08:07 | 0:08:11 | |
Oh, I see. | 0:08:11 | 0:08:12 | |
Whoops, carefully now. Mind the dog. | 0:08:12 | 0:08:15 | |
I'll end up in the middle of the road with this. | 0:08:15 | 0:08:19 | |
Back at the other shop, Thomas is ready to move onwards | 0:08:19 | 0:08:22 | |
and is calling his compadre to let him know his travel plans. | 0:08:22 | 0:08:26 | |
Hello. | 0:08:26 | 0:08:27 | |
-Hello, Philip. -Thomas, how are you? | 0:08:27 | 0:08:30 | |
-I'm going to go off to my shop now. -Oh, right, so what am I going to do? | 0:08:30 | 0:08:33 | |
-Well, you can make your own way. -That's nice, isn't it?! Charming(!) | 0:08:33 | 0:08:38 | |
"You can make your own way"! | 0:08:38 | 0:08:40 | |
-Bye. -Bye. -He's not very happy. | 0:08:40 | 0:08:43 | |
My taxi's here and I'm not waiting for him | 0:08:43 | 0:08:46 | |
because he's got stuff to do so I'm going to go and get it. | 0:08:46 | 0:08:49 | |
Well, I think we're left to our own devices now. | 0:08:49 | 0:08:52 | |
I'm sorry to say you are, Philip. | 0:08:52 | 0:08:54 | |
Don't forget your hunk of marble now, will you? | 0:08:54 | 0:08:59 | |
Thomas, meanwhile, has just found an old friend, Gill, the taxi driver. | 0:08:59 | 0:09:03 | |
Yes, that's brilliant, thank you. | 0:09:03 | 0:09:05 | |
They're heading for Chapel-en-le-Frith, Derbyshire, | 0:09:07 | 0:09:11 | |
about 24 miles away... which is rather a long taxi journey. | 0:09:11 | 0:09:16 | |
I hope you brought your wallet, Thomas. | 0:09:16 | 0:09:19 | |
And how are you doing with your purchases so far? | 0:09:19 | 0:09:23 | |
Not bad, actually. | 0:09:23 | 0:09:24 | |
But Philip, unfortunately, had a very bad time. He bought a canoe. | 0:09:24 | 0:09:28 | |
Well, it didn't do too well. | 0:09:28 | 0:09:31 | |
-He comes out very stern on television, sometimes. -Does he? | 0:09:31 | 0:09:35 | |
He's not grumpy all the time. | 0:09:35 | 0:09:37 | |
Not quite all the time(!) | 0:09:37 | 0:09:39 | |
Now known as the capital of the Peak District, Chapel-en-le-Frith | 0:09:42 | 0:09:46 | |
was founded in the 13th century. | 0:09:46 | 0:09:49 | |
Thomas is heading into antiques | 0:09:49 | 0:09:51 | |
and collectables where Barry's ready to greet him. | 0:09:51 | 0:09:55 | |
-Hello, I'm Thomas. -I'm Barry. | 0:09:55 | 0:09:56 | |
-Barry, nice to meet you. -Nice to meet you. | 0:09:56 | 0:09:59 | |
So here we are. We're in... I think we're in the Dales. | 0:10:03 | 0:10:07 | |
I'm pretty sure we're in the Dales. | 0:10:07 | 0:10:09 | |
Not even close. You're in the Peak District. | 0:10:09 | 0:10:12 | |
Let's hope your eye for a bargain's sharper than your geography today, Tom. | 0:10:12 | 0:10:17 | |
Sure enough, he's spotted something he might want to snap up. | 0:10:17 | 0:10:21 | |
I might look through all those photographs. | 0:10:21 | 0:10:24 | |
The First World War cards. A nice shipping one. | 0:10:24 | 0:10:27 | |
The thing about postcards and photographs - Victorian, Edwardian, | 0:10:27 | 0:10:33 | |
up to the First and Second World War - look at this lot. | 0:10:33 | 0:10:38 | |
You just wonder where they went to, what they got up to. | 0:10:38 | 0:10:41 | |
People like big job lots of photographs. | 0:10:41 | 0:10:45 | |
Barry, what can be done on these? | 0:10:45 | 0:10:49 | |
-Normally, we sell them out as individuals. -OK. | 0:10:49 | 0:10:53 | |
-But maybe I'll do a deal for the lot. -What do you think? | 0:10:53 | 0:10:56 | |
-I would have thought about 45 quid for the lot. -Can I offer you 30? | 0:10:56 | 0:11:02 | |
What about 35? | 0:11:02 | 0:11:03 | |
Go on, 30. | 0:11:05 | 0:11:07 | |
35. | 0:11:08 | 0:11:10 | |
It's a battle of wills. | 0:11:10 | 0:11:13 | |
I'll make a concession. | 0:11:13 | 0:11:14 | |
-£32 and that's it. -32? Not 30. -32. | 0:11:14 | 0:11:18 | |
Thank you very much, sir. Thank you. | 0:11:20 | 0:11:23 | |
And I get the basket? | 0:11:23 | 0:11:25 | |
-Yeah, I suppose so. -What do you mean, "I suppose so"?! | 0:11:25 | 0:11:28 | |
I thought Dick Turpin wore a mask! | 0:11:28 | 0:11:30 | |
(LAUGHS) | 0:11:30 | 0:11:32 | |
-There you are. -Thank you, sir. I'll get you some change. | 0:11:32 | 0:11:35 | |
But highway man or not, Thomas's luck is in today. | 0:11:35 | 0:11:39 | |
-You're a winner. -Why am I a winner? | 0:11:39 | 0:11:41 | |
-There's no change. -No change?! Thank you very much. £30. Get in! | 0:11:41 | 0:11:45 | |
Nicely done, Thomas. | 0:11:45 | 0:11:48 | |
30 quid, yes, yes! Awesome! | 0:11:48 | 0:11:51 | |
Meanwhile, Philip is still back in Sheffield. | 0:11:54 | 0:11:57 | |
Since his local knowledge is a little lacking, | 0:11:57 | 0:11:59 | |
he's decided to spend the afternoon learning more about the city. | 0:11:59 | 0:12:03 | |
Kelham Island Museum should do the trick. | 0:12:03 | 0:12:06 | |
It celebrates Sheffield's industrial heritage. | 0:12:06 | 0:12:09 | |
In particular, her status as Steel City. | 0:12:09 | 0:12:13 | |
Pleased to meet you, Philip. Mick Steeper. | 0:12:13 | 0:12:15 | |
Mick, how are you, all right? | 0:12:15 | 0:12:16 | |
Mick is a technical manager, an engineer in the steel industry, | 0:12:16 | 0:12:19 | |
and is just the man to ask... | 0:12:19 | 0:12:21 | |
Why then was Sheffield a centre for steel? | 0:12:21 | 0:12:25 | |
Well, the reason that Sheffield developed a steel industry was | 0:12:25 | 0:12:27 | |
because of the geographical features. | 0:12:27 | 0:12:29 | |
There's water power in the rivers that are coming down from the hills. | 0:12:29 | 0:12:32 | |
There's five, isn't there? There's the Don, I know that one. | 0:12:32 | 0:12:35 | |
What are the other ones? | 0:12:35 | 0:12:36 | |
There's the Sheaf, the Porter, the Rivelin, and... | 0:12:36 | 0:12:39 | |
-The other one! -The other one! | 0:12:39 | 0:12:42 | |
Sheffield is recorded as a centre for metalwork, | 0:12:42 | 0:12:45 | |
particularly cutlery making, stretching back | 0:12:45 | 0:12:48 | |
to the mediaeval period, but it was at the dawn of the Victorian era | 0:12:48 | 0:12:52 | |
that steelmaking became super-sized. | 0:12:52 | 0:12:55 | |
At the time of Victoria and onwards, | 0:12:57 | 0:13:00 | |
Sheffield's interests moved on to a much higher volume steelmaking. | 0:13:00 | 0:13:04 | |
-Which, presumably, is the Industrial Revolution. -That's right. | 0:13:04 | 0:13:07 | |
And the reason that Britain needed steel changed completely. | 0:13:07 | 0:13:10 | |
It was no longer small volume stuff like the cutlery and the hand saws. | 0:13:10 | 0:13:15 | |
It became large volume stuff like rail, like shipbuilding, | 0:13:15 | 0:13:19 | |
like steel in construction. | 0:13:19 | 0:13:22 | |
Once the industry was able to produce the metal in volume, | 0:13:22 | 0:13:25 | |
all the other machines associated with steelmaking | 0:13:25 | 0:13:28 | |
had to grow in size. | 0:13:28 | 0:13:30 | |
Inside Mick wants to show Philip | 0:13:30 | 0:13:33 | |
an immense steam engine that once powered a steel mill. | 0:13:33 | 0:13:37 | |
This is just the most amazing piece of kit. | 0:13:37 | 0:13:41 | |
-This is the steam engine itself. -This is the engine. | 0:13:41 | 0:13:44 | |
The steam enters the three cylinders at the top. | 0:13:44 | 0:13:47 | |
Each drives an individual piston. | 0:13:47 | 0:13:49 | |
Over 2,000 people worked on the ordinance plans | 0:13:49 | 0:13:52 | |
-of which this was part. -Was that war effort? | 0:13:52 | 0:13:55 | |
Basically, munitions and armour. | 0:13:55 | 0:13:58 | |
These mills were used to roll armour plate for battleships. | 0:13:58 | 0:14:03 | |
-Some sort of motor, isn't it? -It certainly is. | 0:14:03 | 0:14:06 | |
But the steel industry in Sheffield also prides itself | 0:14:06 | 0:14:09 | |
on it's history of small-scale Artisan manufacture. | 0:14:09 | 0:14:13 | |
Philip's going to meet Stan, one of the last little masters. | 0:14:13 | 0:14:19 | |
The craftsmen who carry centuries-old metalworking skills | 0:14:19 | 0:14:23 | |
into the present day. | 0:14:23 | 0:14:25 | |
So Stan, how long have you been doing this? | 0:14:28 | 0:14:30 | |
70 years, and I'm 86 now. | 0:14:30 | 0:14:34 | |
And I'm just learning, more or less. | 0:14:34 | 0:14:37 | |
-You're 80 what? -86 now. -No, I don't believe that. | 0:14:37 | 0:14:40 | |
-I am, yes. -Really? -Yes. | 0:14:40 | 0:14:41 | |
-Do you think you've got the hang of this yet? -Just about. | 0:14:41 | 0:14:44 | |
Stan is a highly skilled craftsmen, known as a cutler. | 0:14:44 | 0:14:48 | |
-Cutler's make cutlery. -That's right. I'm a spring knife cutler. | 0:14:48 | 0:14:53 | |
Stan makes every part of these pocket knives himself, | 0:14:53 | 0:14:56 | |
right down to the springs that hold them together. | 0:14:56 | 0:14:59 | |
-Who taught you through this? -Who taught me? -Yes. | 0:14:59 | 0:15:02 | |
A little old fella called Ted Osborne. | 0:15:02 | 0:15:05 | |
He was about 60 when I first started as an apprentice in 1946. | 0:15:05 | 0:15:10 | |
-You started in 1946. -Yes. | 0:15:10 | 0:15:12 | |
-So all of this comes from Sheffield steel, doesn't it? -Oh, yes. | 0:15:12 | 0:15:15 | |
-The blade's got my name on, of course. -"Stan Shaw, Sheffield." | 0:15:15 | 0:15:20 | |
It's hard work making those because I've got to make all the blades, | 0:15:20 | 0:15:23 | |
and springs and linings, and things. | 0:15:23 | 0:15:27 | |
There's 200 hours in that one. | 0:15:27 | 0:15:29 | |
-Thank you, Stan, you've been a star. -It's a pleasure. | 0:15:29 | 0:15:31 | |
I tell you what, it's been a joy to meet you, and a pleasure. | 0:15:31 | 0:15:35 | |
And with that, it's time for Phil to cut and run(!) | 0:15:35 | 0:15:39 | |
(LAUGHS) Sorry. | 0:15:39 | 0:15:40 | |
Thomas, meanwhile, is still in Chapel-en-le-Frith, | 0:15:40 | 0:15:44 | |
and he's about to have a nice surprise. | 0:15:44 | 0:15:46 | |
HORN HONKS | 0:15:46 | 0:15:48 | |
It looks like the car's been repaired and delivered back to him. | 0:15:48 | 0:15:52 | |
Let's hope she works. Come on, work for me! | 0:15:52 | 0:15:55 | |
ENGINE TURNS OVER | 0:15:55 | 0:15:57 | |
Ha-ha! I can't believe it works, that so brilliant. | 0:15:57 | 0:16:01 | |
So, Thomas is back in the driving seat and off to meet Philip. | 0:16:01 | 0:16:05 | |
Nighty-night, chaps. | 0:16:06 | 0:16:09 | |
But a new day finds them roving England's grassy byways once more. | 0:16:12 | 0:16:17 | |
Philip seems to be in a reflective mood. | 0:16:17 | 0:16:20 | |
I can't help myself buying canoes and other rubbish like that. | 0:16:20 | 0:16:24 | |
If I go and find another one I'll go and buy it. | 0:16:24 | 0:16:27 | |
And it's just... You know you're just going to end up doomed. | 0:16:27 | 0:16:30 | |
Oh, Philip, do cheer up. And stop harping on about that blasted canoe. | 0:16:30 | 0:16:35 | |
I'd like to buy a muck spreader. | 0:16:35 | 0:16:38 | |
-A muck spreader?! -Yeah, I think that'd be really cool. | 0:16:38 | 0:16:41 | |
Oh, Lordy. | 0:16:41 | 0:16:43 | |
So far, Thomas has spent £70 on two lots. | 0:16:43 | 0:16:46 | |
The cast iron scales and the collection of vintage postcards | 0:16:46 | 0:16:49 | |
and photographs. | 0:16:49 | 0:16:50 | |
He still has a generous £177.54 burning a hole in his pocket. | 0:16:50 | 0:16:56 | |
While old cheery chops, Philip, has only spent £30 on one lot - | 0:17:00 | 0:17:04 | |
the solid marble pedestal. | 0:17:04 | 0:17:07 | |
That leaves him £163.34 and a hernia to spend today. | 0:17:07 | 0:17:13 | |
-Are you shopping in Bakewell? -I don't know. | 0:17:13 | 0:17:16 | |
You are. | 0:17:16 | 0:17:18 | |
Glad to see you're paying attention, chaps. | 0:17:18 | 0:17:21 | |
All the best. | 0:17:21 | 0:17:22 | |
At least the landscape does not disappoint. | 0:17:22 | 0:17:25 | |
Look at that view! | 0:17:25 | 0:17:27 | |
Philip's dropping Thomas off in Bakewell, Derbyshire. | 0:17:27 | 0:17:31 | |
Ah, lovely. | 0:17:33 | 0:17:34 | |
This pretty market town is home to the celebrated delicacies, | 0:17:34 | 0:17:38 | |
the Bakewell pudding and the Bakewell tart. | 0:17:38 | 0:17:41 | |
-Well, Thomas, you have a jolly good shop. -I will. Don't forget my tart. | 0:17:42 | 0:17:46 | |
-I won't forget your tart. A nice big one for you. -Yes. | 0:17:46 | 0:17:49 | |
Cheeky. | 0:17:49 | 0:17:52 | |
-Good luck! -Thank you. | 0:17:52 | 0:17:53 | |
Thomas is heading for the regal Tsar Emporium where dapper owner | 0:17:53 | 0:18:00 | |
Mel holds court. | 0:18:00 | 0:18:02 | |
-Thomas. Hi, I'm Mel. -Mel, nice to meet you. | 0:18:02 | 0:18:06 | |
I like your style. | 0:18:06 | 0:18:08 | |
Mel's shop is simply packed with shiny baubles | 0:18:08 | 0:18:12 | |
but will all that glitters mean gold for our Tom? | 0:18:12 | 0:18:15 | |
-It's a bit like an assault course in here. -It is a bit. | 0:18:17 | 0:18:20 | |
-You might get molested by Maximus. He's floating about. -Maximus?! Hello, Maximus. | 0:18:20 | 0:18:25 | |
Are you named after Maximus... | 0:18:25 | 0:18:26 | |
-DOG YAPS Sorry! -He's feisty. | 0:18:26 | 0:18:29 | |
He's only playing but... | 0:18:29 | 0:18:31 | |
I have the same trouble with Thomas and Philip. | 0:18:31 | 0:18:34 | |
It's quite cute, isn't it? | 0:18:34 | 0:18:36 | |
It's a child's toy tambourine, made of wood and pigskin, | 0:18:37 | 0:18:41 | |
probably dating from the 1950s. | 0:18:41 | 0:18:43 | |
It's a great bit of fun. | 0:18:46 | 0:18:48 | |
And he's spied something else that might just be the answer to all his prayers. | 0:18:48 | 0:18:52 | |
I quite like the little St Christopher. | 0:18:52 | 0:18:55 | |
That's sweet, isn't it? | 0:18:55 | 0:18:57 | |
It's a rosewood St Christopher plaque priced up at £14. | 0:18:57 | 0:19:01 | |
It's a little St Christopher plaque. | 0:19:01 | 0:19:03 | |
St Christopher, obviously, the patron saint of all things travel. | 0:19:03 | 0:19:07 | |
Would be good for us on our travels. | 0:19:07 | 0:19:09 | |
I think we need it with the car. | 0:19:10 | 0:19:12 | |
It certainly couldn't hurt. | 0:19:12 | 0:19:14 | |
-Now, what deal can he strike with Mel? -How much is on the ticket? | 0:19:16 | 0:19:19 | |
-You've got £25 on it. -Yeah. Um... -You know... | 0:19:19 | 0:19:24 | |
Yeah. To give you a chance, I'll do you that for ten. | 0:19:24 | 0:19:27 | |
-And the St Christopher? -How much is on that ticket? -14. | 0:19:27 | 0:19:30 | |
-Well, I suppose seven. -Seven. | 0:19:30 | 0:19:33 | |
-Could we do the two for 15? -You're a cheeky one, aren't you? | 0:19:33 | 0:19:37 | |
-Can but ask. -OK then. We'll do that. | 0:19:37 | 0:19:40 | |
Oh, brilliant. We'll do that. We'll have those for 15. | 0:19:40 | 0:19:43 | |
A glittering deal. | 0:19:43 | 0:19:45 | |
Wonderful. Thanks. I'm off to go and buy a tart for Philip. | 0:19:45 | 0:19:48 | |
Righty ho. | 0:19:48 | 0:19:51 | |
When in Rome, eh, Thomas? | 0:19:51 | 0:19:53 | |
-I'm here to buy a Bakewell tart... -Right. OK. | 0:19:53 | 0:19:57 | |
..for my co-pilot on my little trip, Philip. | 0:19:57 | 0:19:59 | |
How much is that then? | 0:19:59 | 0:20:01 | |
What Thomas has here is a Bakewell tart with a shortcrust pastry base, | 0:20:01 | 0:20:07 | |
importantly distinct from a Bakewell pudding | 0:20:07 | 0:20:10 | |
which is made with flaky pastry. | 0:20:10 | 0:20:12 | |
-Thank you. I'm sure he'll love it. -I'm sure he will. | 0:20:12 | 0:20:15 | |
And with that sweet little mission accomplished, he's heading onwards. | 0:20:15 | 0:20:19 | |
Philip, meanwhile, has driven about ten miles | 0:20:22 | 0:20:25 | |
to the Matlock area in Derbyshire. | 0:20:25 | 0:20:28 | |
The former spa town of Matlock sits at the southern edge of the Peak District. | 0:20:28 | 0:20:32 | |
The shop Philip is aiming for is in the small village of Cromford | 0:20:33 | 0:20:37 | |
just to the south of Matlock. Dealer Pat is on hand to help. | 0:20:37 | 0:20:41 | |
-Hi, how are you? Is it all right if I have a look round? -It is indeed. -Philip. -How do you do? | 0:20:41 | 0:20:46 | |
Philip's not doing too well so far. | 0:20:50 | 0:20:52 | |
The thing is, I have got to buy. | 0:20:54 | 0:20:56 | |
I've only bought one lot. That's the issue for me. | 0:20:56 | 0:21:00 | |
Luckily, he's alighted on something which might spark some interest. | 0:21:00 | 0:21:04 | |
That's a fireman's nozzle, if you'll pardon the expression. | 0:21:05 | 0:21:09 | |
So that would go on the end of your hose and put your fire out. | 0:21:09 | 0:21:12 | |
I like that. | 0:21:12 | 0:21:14 | |
But will Pat throw a wet blanket on his enthusiasm? | 0:21:14 | 0:21:17 | |
I think at auction... You've got that priced at 30 quid. | 0:21:17 | 0:21:21 | |
I think at auction, 30 quid's the top end. | 0:21:21 | 0:21:23 | |
I think it would make 15 to 30 quid. | 0:21:23 | 0:21:25 | |
-If I offered you a tenner, would you throw me out the door? -I might do. | 0:21:25 | 0:21:30 | |
-But would you throw me out with this and you with a tenner? -Ha! | 0:21:30 | 0:21:33 | |
-I could manage 15. -How about 12 quid? My maths ain't very good. | 0:21:33 | 0:21:37 | |
-That's sort of splitting the difference. -All right. | 0:21:37 | 0:21:39 | |
-And 13's unlucky, isn't it? -We're not going to say 13. | 0:21:39 | 0:21:42 | |
Pat, you're an absolute gentleman. Thank you ever so much. | 0:21:42 | 0:21:45 | |
I'll get some money out. I like that. | 0:21:45 | 0:21:47 | |
I don't know quite why I bought it. | 0:21:47 | 0:21:49 | |
You never seem to, Philip. | 0:21:49 | 0:21:51 | |
But his second buy seems to have lit a fire under him. | 0:21:51 | 0:21:55 | |
He's back in the car and heading for Matlock town centre. | 0:21:55 | 0:21:58 | |
I'm so far behind the game now. I've got to go and buy something. | 0:22:00 | 0:22:04 | |
And I've got to go and buy something that's not going to make me | 0:22:04 | 0:22:07 | |
just £10 profit, so it's going to mean taking a risk. | 0:22:07 | 0:22:10 | |
Matthew from Magpie Antiques is an old pal. | 0:22:10 | 0:22:13 | |
Hiya, matey. | 0:22:13 | 0:22:15 | |
-Good to see you. -You too. | 0:22:15 | 0:22:18 | |
So, let's hope he can help Phil stack up another buy. | 0:22:18 | 0:22:21 | |
And it's not long before something takes his fancy. | 0:22:26 | 0:22:29 | |
# Je t'aime... # | 0:22:31 | 0:22:33 | |
Hellfire. How much is she? | 0:22:33 | 0:22:36 | |
# Oui, je t'aime... # | 0:22:36 | 0:22:37 | |
I'm very, very tempted. | 0:22:37 | 0:22:40 | |
Isn't she hot? | 0:22:40 | 0:22:42 | |
Isn't she just gorgeous? | 0:22:42 | 0:22:44 | |
She's lovely, isn't she? | 0:22:46 | 0:22:48 | |
She's a 1960s mannequin, Phil. | 0:22:48 | 0:22:51 | |
Minus her arms. Armless. | 0:22:51 | 0:22:53 | |
Mate, she's still got the glass eyes in. | 0:22:53 | 0:22:56 | |
-And how much is she like that? -Probably about 80 quid. | 0:22:56 | 0:22:59 | |
Give me one sec. Give me one second. | 0:22:59 | 0:23:01 | |
Matthew's popping downstairs to check what the rock bottom price | 0:23:01 | 0:23:06 | |
might be with the dealer who owns Philip's new friend. | 0:23:06 | 0:23:09 | |
His interest might not be as crack pot as it seems. | 0:23:12 | 0:23:15 | |
Retro mannequins can be popular | 0:23:15 | 0:23:17 | |
and might attract interest from vintage style enthusiasts. | 0:23:17 | 0:23:20 | |
Right, sir. I've had a word. I can get that young lady for you... | 0:23:20 | 0:23:24 | |
..for 60 quid. You don't get the clothes with her, unfortunately. | 0:23:28 | 0:23:31 | |
-So you'd need to wrap her up in a towel... -Not the clothes?! | 0:23:31 | 0:23:34 | |
You need to wrap her up in a towel and sit her in that convertible. | 0:23:34 | 0:23:37 | |
No, I can't do that. I can't do that. | 0:23:37 | 0:23:39 | |
No, you can't. | 0:23:39 | 0:23:40 | |
The designer corset the mannequin is wearing is far too expensive for Philip. | 0:23:41 | 0:23:45 | |
It's selling for £120 second-hand. | 0:23:45 | 0:23:49 | |
So, you can keep your mitts off that lot. | 0:23:49 | 0:23:52 | |
I didn't think this was that sort of show. | 0:23:53 | 0:23:56 | |
Right, Phil. Here's your date for this evening. | 0:23:57 | 0:24:01 | |
She's a picture. | 0:24:01 | 0:24:03 | |
Now, what can Matthew do on the price? | 0:24:03 | 0:24:05 | |
What about if we come down a little bit on the price... | 0:24:05 | 0:24:09 | |
Give you 30 quid for it. That's it. Finished as she is. Handshake. | 0:24:09 | 0:24:12 | |
Got to buy something off you. | 0:24:12 | 0:24:13 | |
And I know I'm being mean, but I've just got to buy something. | 0:24:13 | 0:24:17 | |
-Let's say 35 and you take scarf, as well. -The whole lot as it stands. | 0:24:17 | 0:24:21 | |
-The whole lot, £35. -Go on. -She is yours, sir. -Cheers, matey. -Spot on. | 0:24:21 | 0:24:24 | |
Good Lord. How am I going to explain this to my wife? | 0:24:24 | 0:24:27 | |
-That's none of our business, Philip. -Thank you, my friend. | 0:24:27 | 0:24:31 | |
Anyway, best get going. | 0:24:31 | 0:24:32 | |
They're driving about 20 miles to Ravenshead near Nottingham | 0:24:32 | 0:24:36 | |
where Philip's dropping Thomas off. | 0:24:36 | 0:24:38 | |
Having bought all the lots he wants for auction, | 0:24:40 | 0:24:42 | |
he's decided to visit an intriguing local collection. | 0:24:42 | 0:24:46 | |
All the best. | 0:24:46 | 0:24:47 | |
Thomas is meeting Andy Carter, | 0:24:47 | 0:24:49 | |
a petro-head with an addiction to a special kind of vehicle. | 0:24:49 | 0:24:53 | |
Bubble cars. | 0:25:08 | 0:25:10 | |
-Hello. -Hello, Thomas. Pleased to meet you. I'm Andy. | 0:25:10 | 0:25:12 | |
-Andy, nice to meet you. Andy, are these all your cars? -Yes. | 0:25:12 | 0:25:15 | |
This is my bubble car collection. | 0:25:15 | 0:25:17 | |
Bubble cars, or micro cars, are tiny but road-worthy vehicles | 0:25:19 | 0:25:24 | |
dating from the 1950s and '60s. | 0:25:24 | 0:25:27 | |
Today their retro looks and quirky charm make them | 0:25:27 | 0:25:30 | |
irresistible to their devoted fan base | 0:25:30 | 0:25:32 | |
and most particularly to Andy who has more than 20 of them. | 0:25:32 | 0:25:37 | |
-It's my hobby, yes. -Your hobby? -Right back to when I was a teenager. | 0:25:37 | 0:25:41 | |
So, tell me about the bubble car. Why were they invented? | 0:25:41 | 0:25:44 | |
Well, they appeared after the war in the mid-'50s. | 0:25:44 | 0:25:47 | |
The Suez Crisis meant petrol was rationed. | 0:25:47 | 0:25:50 | |
They do fantastic fuel consumption. | 0:25:50 | 0:25:52 | |
People were just getting back on their feet after World War II. | 0:25:52 | 0:25:56 | |
Cars were very expensive. So these cars were much cheaper | 0:25:56 | 0:25:59 | |
so it enabled working people to get around and get to work. | 0:25:59 | 0:26:03 | |
They were one step up from a motorbike. | 0:26:03 | 0:26:06 | |
Covered transport. | 0:26:06 | 0:26:08 | |
-Well, that's it. Covered transport. You wouldn't get wet. -That's right. | 0:26:08 | 0:26:12 | |
-Bring me through your collection here. -Right. | 0:26:12 | 0:26:15 | |
Well, I'll start with the car that I started with. | 0:26:15 | 0:26:18 | |
So, Thomas, this is my first car. A BMW Isetta. | 0:26:18 | 0:26:21 | |
My mum and dad didn't want me to have a motorbike | 0:26:21 | 0:26:23 | |
when I was 16 years of age. | 0:26:23 | 0:26:25 | |
So they went and bought me an old Isetta. | 0:26:25 | 0:26:28 | |
Andy got the car in 1970 after the micro-car craze had waned for most. | 0:26:28 | 0:26:34 | |
They suddenly dropped out of fashion. | 0:26:34 | 0:26:36 | |
When the Mini and the Fiat 500 and the NSU became popular, | 0:26:36 | 0:26:40 | |
all of a sudden, nobody wanted a bubble car any more. | 0:26:40 | 0:26:42 | |
They weren't cool enough to be seen in. | 0:26:42 | 0:26:44 | |
But caring not a jot for popular opinion, | 0:26:44 | 0:26:47 | |
Andy's love for the bubble car was born. | 0:26:47 | 0:26:50 | |
-Were you chuffed to bits? -Oh, yes. Fantastic. | 0:26:50 | 0:26:52 | |
Yes, I could take a girl to a party. I had my own mobility. | 0:26:52 | 0:26:56 | |
-It was fantastic. -That was it. Freedom. -Yes. -You could get out. | 0:26:56 | 0:26:59 | |
-How do you get into this one? -Well, you'll have to stand back, Thomas. | 0:26:59 | 0:27:02 | |
-OK. Yeah, yeah. -The whole front of the car opens up. | 0:27:02 | 0:27:05 | |
-There we go. -Then you just jump in. | 0:27:05 | 0:27:07 | |
-And you'll notice the steering wheel even moves out. -It does. | 0:27:07 | 0:27:10 | |
-To allow you room to get in. -Then you just slip in. -Just jump in. | 0:27:10 | 0:27:15 | |
Literally, just jump in. | 0:27:15 | 0:27:17 | |
Ooh, it's, um... Right. | 0:27:21 | 0:27:24 | |
-Are you OK in there? -Yeah, I'm all right. | 0:27:25 | 0:27:27 | |
Luckily, I don't suffer from claustrophobia. | 0:27:27 | 0:27:30 | |
This is wonderful. It's quite sort of compact and sort of bijou in here. | 0:27:32 | 0:27:36 | |
Wonderful. Open-top motoring. | 0:27:36 | 0:27:40 | |
Look at that. You can feel the wind in your hair. | 0:27:40 | 0:27:42 | |
Did you take your wife out in this? | 0:27:42 | 0:27:44 | |
My wife did actually go out with me when I had a Isetta. | 0:27:44 | 0:27:47 | |
At one time, I did run over her foot and yet she still married me. | 0:27:47 | 0:27:50 | |
God, that's true love, isn't it? | 0:27:50 | 0:27:52 | |
Bubble cars were made both in Britain, like these Peel cars | 0:27:52 | 0:27:56 | |
built in the Isle of Man, | 0:27:56 | 0:27:58 | |
and in Europe, like Andy's BMW. | 0:27:58 | 0:28:00 | |
German cars were obviously much higher quality. | 0:28:00 | 0:28:03 | |
The British cars quite often were made of fibreglass, | 0:28:03 | 0:28:06 | |
-they were designed with a motorbike engine. -Who would have made them? | 0:28:06 | 0:28:10 | |
Well, this one was designed by Hunslet, the locomotive company in Leeds. | 0:28:10 | 0:28:15 | |
-On three wheels? -Yes, three wheels. | 0:28:15 | 0:28:16 | |
With a little Villiers motorbike engine. Incredibly noisy. | 0:28:16 | 0:28:21 | |
-It looks dreadful. -But that's part of its charm, Thomas. | 0:28:21 | 0:28:24 | |
I know it is part of its charm. | 0:28:24 | 0:28:26 | |
That, I think, has got lines, it's got design to it. | 0:28:26 | 0:28:29 | |
Somebody's thought about that. | 0:28:29 | 0:28:32 | |
Some nutter's done that one. | 0:28:32 | 0:28:34 | |
You know? You can imagine someone in a shed... | 0:28:34 | 0:28:37 | |
But that's the great British way, Thomas. Tut tut. | 0:28:37 | 0:28:40 | |
Now a special treat. | 0:28:42 | 0:28:43 | |
Andy's going to let him drive one of the bubble beauties. | 0:28:43 | 0:28:46 | |
I'll take her for a spin round the block. | 0:28:50 | 0:28:52 | |
# Here in my car | 0:28:52 | 0:28:54 | |
# I feel safest of all | 0:28:54 | 0:28:55 | |
# I can lock all my doors | 0:28:55 | 0:28:57 | |
# It's the only way to live | 0:28:57 | 0:28:59 | |
# In cars... # | 0:28:59 | 0:29:01 | |
This is brilliant. | 0:29:03 | 0:29:05 | |
-How was that? -Wow. Wow. Wow. | 0:29:07 | 0:29:10 | |
What a great, great experience. | 0:29:10 | 0:29:14 | |
I don't think I've ever driven a car like that. | 0:29:14 | 0:29:20 | |
You did very well. | 0:29:20 | 0:29:22 | |
Well, that's very kind. Very kind. | 0:29:22 | 0:29:25 | |
Thank you very much. | 0:29:25 | 0:29:27 | |
-I've really enjoyed my day. -It's been my pleasure, Thomas. | 0:29:27 | 0:29:30 | |
Meanwhile, that old gear-head Philip has the, er, macro car | 0:29:30 | 0:29:35 | |
and has driven on to West Bridgford where he has one last shop to visit. | 0:29:35 | 0:29:41 | |
-Hello. Hi. Philip. -Philip. Andy. | 0:29:41 | 0:29:44 | |
Right. I've got to buy something. | 0:29:44 | 0:29:47 | |
With only three items bagged and time rapidly running out, | 0:29:47 | 0:29:50 | |
yes, you jolly well do, Philip. | 0:29:50 | 0:29:52 | |
But something's caught his eye. | 0:29:57 | 0:30:00 | |
Uh-oh. The theme is developing here. | 0:30:00 | 0:30:03 | |
Is that a young lady up there? | 0:30:05 | 0:30:07 | |
It's just a fairly saucy second world war calendar. | 0:30:07 | 0:30:14 | |
The price on the ticket is £38. | 0:30:14 | 0:30:17 | |
What I like on the back is this inscription. | 0:30:17 | 0:30:20 | |
"To Albert, with lots of love, Annette." | 0:30:20 | 0:30:22 | |
So Annette clearly had a good old sense of humour, didn't she? | 0:30:22 | 0:30:25 | |
He's going to weigh up that decision, | 0:30:25 | 0:30:27 | |
but something in a cabinet has caught his eye. | 0:30:27 | 0:30:30 | |
It's a little set of scales for checking the weight of gold sovereign coins. | 0:30:30 | 0:30:35 | |
He's thinking he might combine them in a job lot | 0:30:35 | 0:30:38 | |
with the fire hose nozzle he bought earlier. | 0:30:38 | 0:30:41 | |
That's appropriate. Ticket price is £10. | 0:30:41 | 0:30:44 | |
The purpose of this was just to make sure that you weren't being | 0:30:44 | 0:30:47 | |
-kippered on your gold. -That's right. -So you'd weigh your sovereign... | 0:30:47 | 0:30:50 | |
Sovereigns or half sovereigns. | 0:30:50 | 0:30:52 | |
..and it should have a specific amount of gold in it. | 0:30:52 | 0:30:54 | |
-That's right. -I think that's quite a bit of fun. | 0:30:54 | 0:30:57 | |
But we've got a load of weights missing, haven't we? | 0:30:57 | 0:31:00 | |
Well, that's a possibility again, isn't it? | 0:31:00 | 0:31:02 | |
And here's a fab little item. | 0:31:02 | 0:31:04 | |
SONG: THUNDERBIRDS THEME TUNE | 0:31:06 | 0:31:09 | |
Fantastic. Look at that. | 0:31:11 | 0:31:13 | |
Thunderbirds are go. | 0:31:13 | 0:31:15 | |
I think this is brilliant. So... | 0:31:15 | 0:31:17 | |
I spent seven years qualifying | 0:31:19 | 0:31:23 | |
as a fine art auctioneer. | 0:31:23 | 0:31:25 | |
I've been in this business, what, 35 years now | 0:31:25 | 0:31:29 | |
and I'm just about to buy a Thunderbirds 2 alarm clock. | 0:31:29 | 0:31:35 | |
What is the world coming to? | 0:31:35 | 0:31:37 | |
Oh, Philip. Don't be so dramatic. | 0:31:37 | 0:31:40 | |
I think that is possibly one of the worst things I've ever seen in my life. | 0:31:40 | 0:31:44 | |
In fact, I think that's so bad it's verging on genius. | 0:31:44 | 0:31:47 | |
Unfortunately, it isn't an original Thunderbirds item. | 0:31:47 | 0:31:51 | |
It dates from the early 1990s. Ticket price for the toy is £10. | 0:31:51 | 0:31:55 | |
Philip's amassed a little pile of items and they're certainly diverse. | 0:31:57 | 0:32:03 | |
The combined ticket price for all three pieces is £58. | 0:32:03 | 0:32:06 | |
Now, what sort of a deal can he strike with Andy? | 0:32:07 | 0:32:12 | |
To me, there's £25 worth there. | 0:32:12 | 0:32:15 | |
I think 20 for the three. | 0:32:15 | 0:32:17 | |
22.50. | 0:32:17 | 0:32:20 | |
And we can deal. | 0:32:20 | 0:32:22 | |
I tell you what, because I can't do 50ps, | 0:32:22 | 0:32:24 | |
-I'll give you 22 quid. -Go on, then. £22. -You're on. You're a gentleman. | 0:32:24 | 0:32:27 | |
And with that, Philip has his lots for auction. | 0:32:27 | 0:32:31 | |
And not a moment too soon. | 0:32:31 | 0:32:33 | |
They've repaired nearby to unveil their haul of items. | 0:32:33 | 0:32:37 | |
-Philip's up first. -Well, this is my first lot, Thomas. -Really? | 0:32:37 | 0:32:41 | |
I don't know what made me do this. | 0:32:42 | 0:32:45 | |
-Oh, Philip! -Hold on, whoa! | 0:32:45 | 0:32:47 | |
-I think she's rather fetching. -She's armless(!) | 0:32:47 | 0:32:50 | |
Oh, that's my line! | 0:32:50 | 0:32:52 | |
See, I know she hasn't got any arms, but what I was thinking was, | 0:32:52 | 0:32:55 | |
if you just went round here like that, you can sort of... | 0:32:55 | 0:32:59 | |
All very nice, but somehow the arms don't match with the body. | 0:33:00 | 0:33:03 | |
Huh, not quite. | 0:33:03 | 0:33:05 | |
-What is this? -Right... Well... It's a lump of marble. -Yeah. | 0:33:05 | 0:33:10 | |
-Yeah. -This is my best buy ever. -More on the same theme. -Tut, tut! | 0:33:10 | 0:33:15 | |
-Well, I had a stocking moment. -That's fine. | 0:33:15 | 0:33:18 | |
Every bloke should have one. So I think she's really cool. | 0:33:18 | 0:33:20 | |
-She was a tenner. -She's beautiful. She's like one of the Vargas girls. | 0:33:20 | 0:33:23 | |
-Lovely shape. -Do you think she'll do all right for a tenner? | 0:33:23 | 0:33:27 | |
For a tenner, she's great. She'll make £15. | 0:33:27 | 0:33:31 | |
-And now the Thunderbirds toy. -£6, right? | 0:33:31 | 0:33:33 | |
Are you ready? Thunderbirds are... I'll count you in, ready? | 0:33:33 | 0:33:36 | |
Thunderbirds are go! | 0:33:36 | 0:33:38 | |
TOY WHIRS | 0:33:39 | 0:33:41 | |
-Isn't that just brilliant? -Yes. | 0:33:42 | 0:33:45 | |
There is a minor problem. | 0:33:45 | 0:33:48 | |
-What, that it's 1992? -And it doesn't work. | 0:33:48 | 0:33:50 | |
That's the only thing it does. It doesn't do anything else at all. | 0:33:50 | 0:33:55 | |
-£6?! -Yeah, was I robbed? -Robbed?! | 0:33:55 | 0:33:58 | |
-Really, that's 50p in a boot sale. -Yeah, but it's brilliant, isn't it? | 0:33:58 | 0:34:02 | |
-Come on, let me see what you bought. -I'm humbled by your purchases. | 0:34:02 | 0:34:05 | |
I can understand that. | 0:34:05 | 0:34:07 | |
-Oh, right. -First up, the basket of photos and postcards. | 0:34:07 | 0:34:12 | |
-So you've got somebody's photograph album... -Yes, a collection of photographs. | 0:34:12 | 0:34:16 | |
AND the tambourine. Was it going for a song?! | 0:34:16 | 0:34:20 | |
This is... | 0:34:20 | 0:34:22 | |
my "Kumbaya, My Lord". | 0:34:22 | 0:34:24 | |
-Child's tambourine! -Right, OK. -7.50. -How you can knock... | 0:34:26 | 0:34:32 | |
..my "Thunderbirds are go" at six quid, | 0:34:33 | 0:34:35 | |
when that cost you £7.50 is beyond me. | 0:34:35 | 0:34:38 | |
But surely Thomas's Victorian scales will turn out to be a heavy hitter, | 0:34:38 | 0:34:42 | |
-won't they? -These were £40, the Avery and Sons. | 0:34:42 | 0:34:45 | |
I think either railway station or post office. | 0:34:45 | 0:34:48 | |
And that's the thing that'll make them sell, isn't it? | 0:34:48 | 0:34:51 | |
Yes... They need a bit of love and attention, but it's all there. | 0:34:51 | 0:34:54 | |
-I think you're all right with that lot. -Finally, some mild positivity. | 0:34:54 | 0:34:59 | |
-God, is that it, then? -That's it. It's really, really depressing. | 0:34:59 | 0:35:03 | |
Aren't you both fonts of joy today, then? | 0:35:03 | 0:35:06 | |
Well, at least Thomas has a little treat for Philip - | 0:35:06 | 0:35:09 | |
the Bakewell tart. | 0:35:09 | 0:35:10 | |
-Oh! -Tarts. -Absolutely! | 0:35:11 | 0:35:13 | |
-Shall we go and... We need a drink to go with this. -Definitely. | 0:35:13 | 0:35:18 | |
But do they have any tasty predictions, | 0:35:18 | 0:35:20 | |
once their rival's back is turned? | 0:35:20 | 0:35:22 | |
I think Thomas has been really clever, cos he's only spent about £80. | 0:35:22 | 0:35:26 | |
If they GIVE all his stuff away, he can't lose as much as I did | 0:35:26 | 0:35:30 | |
with my canoe or the rest of it at the last auction. | 0:35:30 | 0:35:33 | |
Oh, enough about the canoe! | 0:35:33 | 0:35:35 | |
I think he's been really quite clever. | 0:35:35 | 0:35:38 | |
To buy underwear on the Antiques Road Trip on an armless mannequin | 0:35:38 | 0:35:42 | |
is BRILLIANT! Is it going to make profit? | 0:35:42 | 0:35:46 | |
It's probably going to do all right. It'll probably make something. | 0:35:46 | 0:35:49 | |
I think perhaps arms would have helped, wouldn't they? | 0:35:49 | 0:35:52 | |
Does that mean that I'm going to retain the lead? | 0:35:52 | 0:35:55 | |
Well, I haven't done that well myself, so it's... | 0:35:55 | 0:35:58 | |
all up in the air - we'll have to wait for the auction. | 0:35:58 | 0:36:00 | |
Then you won't have long to wait. | 0:36:00 | 0:36:03 | |
On this leg, Thomas and Philip have travelled from the city | 0:36:03 | 0:36:06 | |
of Sheffield to their auction in Leicester in the East Midlands. | 0:36:06 | 0:36:09 | |
Leicester is a city with a venerable history, | 0:36:09 | 0:36:13 | |
stretching back to the Roman period. | 0:36:13 | 0:36:15 | |
I quite like Leicester. | 0:36:15 | 0:36:17 | |
Do you know, I think it's quite attractive. | 0:36:17 | 0:36:19 | |
I'm glad it meets with your approval, chaps. | 0:36:19 | 0:36:22 | |
-They're aiming for Churchgate Auctions. -Are you ready for this? | 0:36:22 | 0:36:26 | |
I am ready. Oh, thanks for stopping in a puddle! | 0:36:26 | 0:36:29 | |
-Set my day off beautifully! -Don't bicker! | 0:36:30 | 0:36:34 | |
Thomas plant started this leg with £247.54 - | 0:36:35 | 0:36:39 | |
he spent £84 on the nose and has four lots in this sale. | 0:36:39 | 0:36:43 | |
Philip Serrell began with £193.34 - he spent £99 | 0:36:46 | 0:36:50 | |
and has five lots to show for it. | 0:36:50 | 0:36:52 | |
Auctioneer Dickon Dearman will be at the helm today. | 0:36:55 | 0:36:58 | |
Our tussling twosome are about to do battle - take it away! | 0:36:58 | 0:37:03 | |
First up are Thomas's Victorian scales. What will they weigh in at? | 0:37:05 | 0:37:08 | |
Do I see £30? £30 for them? 20, then? £20. | 0:37:08 | 0:37:13 | |
£20 has been bid on those scales. Is there 22, now? | 0:37:13 | 0:37:16 | |
-22... -That's not great. -24, 26, 28, £30. | 0:37:16 | 0:37:20 | |
32, 35, 37, | 0:37:20 | 0:37:25 | |
£40. 40, yes. | 0:37:25 | 0:37:27 | |
-45, 50... -50! | 0:37:27 | 0:37:29 | |
Do I see... No. Selling then to you, sir, for £45. | 0:37:29 | 0:37:34 | |
They make just a shade more than Thomas paid - | 0:37:34 | 0:37:37 | |
not an auspicious start, but better than a loss. | 0:37:37 | 0:37:40 | |
-This doesn't look good, does it? -A lot of work, isn't it? -It doesn't look good. | 0:37:40 | 0:37:44 | |
Now, Philip's job lot of fire hose nozzle | 0:37:44 | 0:37:47 | |
and sovereign scales - will they set the sale room alight? | 0:37:47 | 0:37:51 | |
Do I see £10? £10 has been bid... 12, from you, sir. | 0:37:51 | 0:37:54 | |
14, 16, 18, £20. | 0:37:54 | 0:37:57 | |
22. 22, 25, 25 now. 25 do I see anywhere? | 0:37:57 | 0:38:02 | |
25, is there? Selling then, for £22... | 0:38:02 | 0:38:06 | |
Again, they squeak a profit. | 0:38:06 | 0:38:09 | |
A turn for Thomas, next, as his basket of miscellaneous photos | 0:38:09 | 0:38:13 | |
-and postcards are up. -Do I see £20 for these? -Oh, dear. | 0:38:13 | 0:38:17 | |
-£10, then? £10 I have down there. -This is not good news. | 0:38:17 | 0:38:22 | |
£12, 14, 16, 18, £20. | 0:38:22 | 0:38:25 | |
-You're off. -..24, 26, | 0:38:25 | 0:38:28 | |
28... 28, do I see now? | 0:38:28 | 0:38:32 | |
Selling then for £26. | 0:38:32 | 0:38:34 | |
Another sale price that's nothing to write home about. | 0:38:36 | 0:38:39 | |
Tough luck, Thomas. | 0:38:39 | 0:38:41 | |
-What did you pay for those? -Don't... | 0:38:41 | 0:38:43 | |
-I'm not telling you, ner-ner, ner-ner ner! -£20. | 0:38:43 | 0:38:45 | |
Now, can Philip's post-war bombshell seduce the punters? | 0:38:45 | 0:38:50 | |
-Opening here at £15. -Get in there - profit! -17 now. £17. | 0:38:50 | 0:38:55 | |
17 from you, sir. Is there 20 now? £20. | 0:38:55 | 0:38:59 | |
20 do I see now? | 0:38:59 | 0:39:00 | |
No further bids... | 0:39:00 | 0:39:02 | |
Selling then, for £17. | 0:39:02 | 0:39:04 | |
That is a good profit. | 0:39:04 | 0:39:06 | |
I wouldn't say it's a GOOD profit, but it's a profit! | 0:39:07 | 0:39:11 | |
It seems there's one thing that always sells - shrewd, Philip. | 0:39:11 | 0:39:15 | |
It's previous experience with the two of us. | 0:39:15 | 0:39:17 | |
Yeah, that's a massive hit, that, isn't it? | 0:39:17 | 0:39:20 | |
Now, the other woman in Philip's life. Can he repeat the trick? | 0:39:20 | 0:39:25 | |
So, £20. £10, then. | 0:39:25 | 0:39:28 | |
-Ouch! -Do I see 12? £12, 14? | 0:39:28 | 0:39:32 | |
16, 18, £20. 22, | 0:39:32 | 0:39:36 | |
25, 27, £30 has been bid. | 0:39:36 | 0:39:40 | |
35 now, 35 is there, anywhere? | 0:39:40 | 0:39:44 | |
Selling then for... Ooh, 35, fresh bidder, madam. | 0:39:44 | 0:39:46 | |
-Fresh bidder. -There you are. | 0:39:46 | 0:39:48 | |
£35. Is there 40 now? £40? 40 is there, anywhere? | 0:39:48 | 0:39:52 | |
Selling then, for £35. | 0:39:52 | 0:39:55 | |
-£35. -Which is exactly where we started! | 0:39:55 | 0:39:59 | |
And lot number 64... | 0:39:59 | 0:40:01 | |
Seems like the punters didn't fancy her. | 0:40:01 | 0:40:04 | |
-It's all looking good, isn't it? -Rosy. # Everything's Rosie... # | 0:40:04 | 0:40:09 | |
It's Thomas's tambourine next. | 0:40:09 | 0:40:11 | |
Perhaps this will shake things up? | 0:40:11 | 0:40:13 | |
20. Do I see £20? I'll take £10, then. | 0:40:13 | 0:40:17 | |
-£10 bid, 12, 14... -I'm going. | 0:40:17 | 0:40:19 | |
Start the car. | 0:40:19 | 0:40:21 | |
-This is just ridiculous. -Yes, 22, 24? Shake of the head. | 0:40:21 | 0:40:27 | |
24, do I see now? Anywhere? No further interest... | 0:40:27 | 0:40:30 | |
Selling then for £22. | 0:40:30 | 0:40:33 | |
An unexpected success - with bells on. Well done! | 0:40:33 | 0:40:37 | |
-# Kumbaya, my Lord... # -Oh, Ging Gang Goolie, more like. | 0:40:37 | 0:40:42 | |
Now, the Thunderbirds toy that even Philip seems to lack faith in. | 0:40:42 | 0:40:45 | |
-£10. -That's fantastic! Get in there! -Do I see 12 now? | 0:40:45 | 0:40:50 | |
£12, 14, 16, 18, £20. | 0:40:50 | 0:40:52 | |
-£20. -22... | 0:40:55 | 0:40:57 | |
Don't dare to dream... | 0:40:57 | 0:40:58 | |
I'm living the dream(!) | 0:41:00 | 0:41:02 | |
£30, 32 now? 32 is there, anywhere? 32, do I see? | 0:41:02 | 0:41:07 | |
Selling then, for £30. | 0:41:07 | 0:41:09 | |
And it flies! F-AB! | 0:41:10 | 0:41:13 | |
-You are one of the country's leading toy experts, right? -Yes. | 0:41:13 | 0:41:16 | |
That's not in any dispute at all. | 0:41:16 | 0:41:18 | |
You said my toy was worth 50 pence. | 0:41:18 | 0:41:20 | |
This isn't a toy auction. | 0:41:20 | 0:41:23 | |
I wouldn't have entertained it. | 0:41:23 | 0:41:26 | |
To be absolutely honest. | 0:41:26 | 0:41:29 | |
Thomas could do with some help here, so let's hope | 0:41:29 | 0:41:31 | |
his St Christopher plaque will protect him from further losses. | 0:41:31 | 0:41:35 | |
-£10 for this. Do I see ten? A fiver, then? -Oh! | 0:41:35 | 0:41:38 | |
£5 has been bid, and six now. Six pounds. Eight pounds? | 0:41:38 | 0:41:42 | |
10, £12, 14, no, £14, do I see? | 0:41:42 | 0:41:46 | |
16. £16 now, anywhere? 16, 16, do I see? | 0:41:46 | 0:41:50 | |
Selling, for £14. | 0:41:50 | 0:41:52 | |
-Doubled my money. -Looks like someone's watching over you, Thomas. | 0:41:54 | 0:41:58 | |
And finally, the great hunk of marble - can it carve out a profit? | 0:41:58 | 0:42:02 | |
-What's my marble plinth going to make? -£30? 25 if you like. | 0:42:02 | 0:42:07 | |
25 has been bid. Do I see £30? £30. £30 just there. 35? | 0:42:07 | 0:42:12 | |
-What did you pay for it? -30. -40, yes. £50? 50, thank you, madam. | 0:42:12 | 0:42:19 | |
Do I see 60 now? £60. 60 is there, anywhere? Selling then, for £50. | 0:42:19 | 0:42:24 | |
Thank you. | 0:42:24 | 0:42:25 | |
A very respectable sale, | 0:42:25 | 0:42:27 | |
proving even Philip's bad luck isn't set in stone. | 0:42:27 | 0:42:30 | |
Thomas started this leg with £247.54. | 0:42:33 | 0:42:37 | |
After paying auction costs, he made a rather modest profit | 0:42:37 | 0:42:40 | |
of £2.74, which gives him £250.28 to carry forward. | 0:42:40 | 0:42:46 | |
While Philip began with £193.34, he made a slightly more | 0:42:49 | 0:42:53 | |
substantial profit of £27.28, giving him £220.62 in his wallet. | 0:42:53 | 0:43:00 | |
So that means that, despite his grumbling, | 0:43:00 | 0:43:02 | |
he ends this leg victorious. Well done, Phil. | 0:43:02 | 0:43:05 | |
-I've had enough. I'm going to... -Don't! | 0:43:05 | 0:43:08 | |
Come on, we've all made money this time. | 0:43:08 | 0:43:11 | |
-We've got to be happy. -How much d'you make? | 0:43:11 | 0:43:13 | |
About a couple of quid! | 0:43:13 | 0:43:15 | |
Onwards and upwards. Come on - two pounds profit... £25. Let's go! | 0:43:15 | 0:43:19 | |
Wahey! | 0:43:19 | 0:43:22 | |
Next time on the Antiques Road Trip, | 0:43:25 | 0:43:27 | |
Thomas and Philip do some deals on the quiet. | 0:43:27 | 0:43:29 | |
-Will you just shut up, Jack?! -And then decide to make some noise... | 0:43:29 | 0:43:34 | |
HONK! | 0:43:34 | 0:43:36 | |
Subtitles by Red Bee Media Ltd | 0:43:56 | 0:43:58 |