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It's the nation's favourite antiques experts with £200 each, | 0:00:01 | 0:00:06 | |
a classic car and a goal to scour Britain for antiques. | 0:00:06 | 0:00:11 | |
-Yippee! -Sometimes a man is in need. | 0:00:11 | 0:00:13 | |
The aim? To make the biggest profit at auction. | 0:00:13 | 0:00:16 | |
But it's no mean feat. | 0:00:16 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:21 | |
Knobbly nick-nacks. | 0:00:21 | 0:00:23 | |
So, will it be the high road to glory | 0:00:23 | 0:00:25 | |
or the slow road to disaster? | 0:00:25 | 0:00:27 | |
It landed on the rug! | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:33 | 0:00:34 | |
On this Road Trip, a couple of champagne Charlies | 0:00:36 | 0:00:38 | |
are vying to pop the cork of auction victory. | 0:00:38 | 0:00:42 | |
Charlie Ross is a silver smoothie | 0:00:43 | 0:00:45 | |
whose antiques skill is as burnished as his way with the girls. | 0:00:45 | 0:00:50 | |
I could blow her a kiss down the phone, if that helps. | 0:00:50 | 0:00:53 | |
Hope the missus isn't watching! | 0:00:53 | 0:00:55 | |
Yeah. Whose missus? | 0:00:55 | 0:00:56 | |
Whilst his young rival, Charles Hanson, | 0:00:56 | 0:00:58 | |
is a cheeky and chipper auctioneering prodigy, | 0:00:58 | 0:01:01 | |
but has some ground to catch up if he wants to better the silver fox. | 0:01:01 | 0:01:06 | |
All I can hear is the echo of Charlie Ross laughing. | 0:01:06 | 0:01:09 | |
That unnerves me! | 0:01:09 | 0:01:10 | |
Not the only one! After Charlie the elder cleaned up at their last auction, | 0:01:10 | 0:01:15 | |
the whole hangs on this final leg of the Road Trip. | 0:01:15 | 0:01:18 | |
How exciting! | 0:01:18 | 0:01:20 | |
Both our boys started with £200. | 0:01:20 | 0:01:22 | |
Charlie Ross has now traded up to a terribly healthy £410.00 exactly. | 0:01:22 | 0:01:27 | |
While Charles Hanson has accumulated a very respectable £302.20. | 0:01:28 | 0:01:34 | |
They're gliding over the great British highways and byways | 0:01:34 | 0:01:37 | |
in a curvy 1970s knockout, | 0:01:37 | 0:01:40 | |
the 1971 Triumph TR6. | 0:01:40 | 0:01:43 | |
This is absolutely glorious. | 0:01:43 | 0:01:44 | |
-This has got the heritage. -It certainly has. | 0:01:44 | 0:01:47 | |
On this entire Road Trip, Charles and Charlie have cruised over 500 miles | 0:01:47 | 0:01:52 | |
through the English green and pleasant land | 0:01:52 | 0:01:55 | |
from Tarporley in Cheshire | 0:01:55 | 0:01:57 | |
to Itchen Stoke near Winchester in Hampshire. | 0:01:57 | 0:01:59 | |
On this final leg of their travels, | 0:01:59 | 0:02:01 | |
they begin in Hereford, oddly enough located in the county of Herefordshire, | 0:02:01 | 0:02:06 | |
heading for Hampshire's Itchen Stoke | 0:02:06 | 0:02:10 | |
for their final reckoning. | 0:02:10 | 0:02:12 | |
They've made it to Hereford, and Charlie's made friends with a local. | 0:02:12 | 0:02:16 | |
He's full of bull! | 0:02:16 | 0:02:17 | |
Charlie, you can't do that. | 0:02:17 | 0:02:20 | |
-What? -Get down. -Why? | 0:02:20 | 0:02:22 | |
-I think it's rude to mount on a huge Hereford bull. -Have you ever ridden a bull? | 0:02:22 | 0:02:27 | |
-Is it bronze? -It's bronze. | 0:02:27 | 0:02:29 | |
-Get down, get down. -Ooh, God! | 0:02:29 | 0:02:31 | |
Come on! | 0:02:31 | 0:02:33 | |
-Quick! -I think it's made a hole in my trousers! | 0:02:33 | 0:02:35 | |
Once you've finished assaulting the civic art, | 0:02:37 | 0:02:39 | |
first stop is Hereford Antiques Centre. | 0:02:39 | 0:02:42 | |
-Shall we go in together? -Yep. -Shopping together. I can't wait! | 0:02:42 | 0:02:46 | |
Charles, when you're in there, | 0:02:47 | 0:02:50 | |
-don't make too much noise. -Please, likewise. | 0:02:50 | 0:02:52 | |
-Me? -Yeah, you. | 0:02:52 | 0:02:55 | |
Yeah. A clean fight now, boys, please. | 0:02:55 | 0:02:57 | |
Nice shop. | 0:02:57 | 0:02:59 | |
-Shall I go through here? -Anywhere you like. -See you shortly. | 0:03:00 | 0:03:02 | |
Don't call me "Shortly". | 0:03:02 | 0:03:05 | |
Boom-boom. | 0:03:05 | 0:03:06 | |
-Richard. Hello. -Hello. | 0:03:07 | 0:03:09 | |
Hello! Dealer Richard will assist with their search. | 0:03:09 | 0:03:13 | |
Now, Charles, the callow youth, | 0:03:18 | 0:03:20 | |
is trailing behind his competitor | 0:03:20 | 0:03:23 | |
as this last leg of their road trip kicks off. | 0:03:23 | 0:03:25 | |
Doe he have a strategy with which to beat his rival? | 0:03:25 | 0:03:29 | |
Come on, suave! | 0:03:30 | 0:03:32 | |
My tactics are to really go for it. | 0:03:32 | 0:03:35 | |
This is my last auction. | 0:03:35 | 0:03:37 | |
It's my last stand against Charlie, and here he comes. | 0:03:37 | 0:03:41 | |
OK, Charlie? Fine, are you going past me? | 0:03:41 | 0:03:43 | |
-I need the loo. -Going to the loo? Fine. | 0:03:43 | 0:03:45 | |
-It's obviously pre-match nerves, Charlie! -Ha! | 0:03:45 | 0:03:48 | |
He doesn't seem very nervous, Charles. | 0:03:48 | 0:03:50 | |
I've got a lot of money. Well, a lot more than Charles has! | 0:03:50 | 0:03:55 | |
Before long, Charlie's taken a shine to a collection of items in a silver cabinet. | 0:04:02 | 0:04:06 | |
There's quite a lot of watches in here, of varying sorts. | 0:04:07 | 0:04:11 | |
These are all damaged. They would need work to make them go. | 0:04:11 | 0:04:15 | |
But again, wonderful direction of decoration on that. | 0:04:15 | 0:04:20 | |
There might be a little job lot here which might be quite exciting. | 0:04:20 | 0:04:25 | |
Combined ticket price for all seven silver watches is £160. | 0:04:25 | 0:04:29 | |
I suppose I'd like to buy the whole lot for about 80 quid. | 0:04:30 | 0:04:33 | |
Nothing ventured, nothing gained. | 0:04:33 | 0:04:36 | |
It's worth a try. | 0:04:36 | 0:04:38 | |
Charlie's going to speak to Richard. | 0:04:38 | 0:04:40 | |
-What's the best you could do? -90 would be. -90 would be. | 0:04:40 | 0:04:44 | |
Gosh, I'm being rather pathetic and pernickety here. | 0:04:44 | 0:04:48 | |
You can't do them for 80, can you? | 0:04:48 | 0:04:50 | |
85 I'll do. | 0:04:50 | 0:04:51 | |
Put it there. I think that's great. Really thrilled. | 0:04:51 | 0:04:54 | |
-Thank you very much. -Thank you. | 0:04:54 | 0:04:55 | |
So, Charlie has his job lot of silver watches at a bargain price. | 0:04:55 | 0:04:59 | |
And now Charles has also found something he likes. | 0:04:59 | 0:05:03 | |
This I love. Isn't that wonderful? | 0:05:05 | 0:05:08 | |
It's a mahogany knife box dating from way back in the late 1700s. | 0:05:08 | 0:05:13 | |
Back in its heyday, you would have had some fabric lining | 0:05:14 | 0:05:18 | |
but over the years, it's just been completely lost. | 0:05:18 | 0:05:22 | |
The price on the ticket is a hefty £110. | 0:05:23 | 0:05:27 | |
But Charles is hoping that the damage on the box | 0:05:27 | 0:05:29 | |
might give him a significant leeway to negotiate. | 0:05:29 | 0:05:32 | |
-I quite like this knife box. -Uh-huh. | 0:05:32 | 0:05:35 | |
What's the best price on that, Richard? | 0:05:35 | 0:05:37 | |
-This is £30. -Really? -Mm-hm. | 0:05:37 | 0:05:40 | |
-You said 30. -Mm-hm. | 0:05:40 | 0:05:42 | |
It is tired. It is worn out. | 0:05:42 | 0:05:45 | |
-But it's history. -Yeah. | 0:05:45 | 0:05:48 | |
I would like to offer £20 for it. | 0:05:48 | 0:05:50 | |
-Done with your approval? -Go on, then. Done. | 0:05:50 | 0:05:53 | |
That's one buy. £20. Thank you, Richard. | 0:05:53 | 0:05:56 | |
Thank you! Charles gets the 18th-century knife box | 0:05:56 | 0:05:59 | |
and both our boys are storming onwards. | 0:05:59 | 0:06:01 | |
I'm saying nothing, Charlie. | 0:06:02 | 0:06:04 | |
-What did you buy? -I'm saying nothing. -What did you buy? | 0:06:04 | 0:06:07 | |
Hmm. They're driving the 15 miles to the environs of Ledbury, Herefordshire, | 0:06:12 | 0:06:17 | |
a very well-appointed market town, don't you know? | 0:06:17 | 0:06:19 | |
Charlie's dropping Charles off. | 0:06:21 | 0:06:22 | |
Thank you very much. Drive safely! | 0:06:22 | 0:06:24 | |
We'll come back to you shortly, Charles. | 0:06:24 | 0:06:27 | |
See you, Charlie. Bye! | 0:06:27 | 0:06:30 | |
Right now, Charlie's driving on to his next shop, | 0:06:31 | 0:06:35 | |
Posterity, which lies just outside of town. | 0:06:35 | 0:06:39 | |
# La la la. # Hello, doggie! | 0:06:39 | 0:06:40 | |
No need to talk to Mackintosh like that, Charlie. | 0:06:40 | 0:06:43 | |
He's the yard foreman. | 0:06:43 | 0:06:45 | |
Owner David is on hand to help. | 0:06:45 | 0:06:48 | |
Posterity specialise in architectural and garden antiques. | 0:06:48 | 0:06:52 | |
And on site is a giant collection of absolute monsters | 0:06:52 | 0:06:57 | |
which have caught Charlie's eye. | 0:06:57 | 0:06:59 | |
I love your olive jars! | 0:06:59 | 0:07:01 | |
They're absolutely magnificent! | 0:07:01 | 0:07:04 | |
-Where do they come from? -They're Spanish. | 0:07:04 | 0:07:06 | |
Northern Spanish, just south of the Pyrenees, some from up the Pyrenees. | 0:07:06 | 0:07:09 | |
They're known out there as tinaja, | 0:07:09 | 0:07:13 | |
and they're all dated between about 1850 and 1920. | 0:07:13 | 0:07:18 | |
We've got a fine collection at the moment. | 0:07:18 | 0:07:20 | |
They were used for storing anything. Water, wine, if you were lucky. | 0:07:20 | 0:07:24 | |
That's the biggest one I've ever seen in my life. | 0:07:24 | 0:07:27 | |
The big ones might even make a good sort of eco home! | 0:07:27 | 0:07:30 | |
You could have an upstairs and downstairs in that thing! | 0:07:30 | 0:07:34 | |
You could put Philip Serrell in one of those. Best place for him, really! | 0:07:34 | 0:07:38 | |
I'd like to see you try! | 0:07:38 | 0:07:40 | |
Charlie's quite smitten with them, | 0:07:40 | 0:07:42 | |
and he's flashing his cash. | 0:07:42 | 0:07:44 | |
Have you got such a thing as a 300-pounder? | 0:07:44 | 0:07:48 | |
I love them! | 0:07:49 | 0:07:50 | |
This little chap here I'd be prepared to let you have at £300. | 0:07:50 | 0:07:55 | |
-Would you really? -Well, seeing as it's you! | 0:07:55 | 0:07:57 | |
Huh. This example dates from around 1910. | 0:07:57 | 0:08:01 | |
It's losing a bit of its exterior. | 0:08:01 | 0:08:05 | |
I think that's absolutely fabulous. Marvellous! | 0:08:05 | 0:08:08 | |
I can't resist it! | 0:08:08 | 0:08:10 | |
300 quid, sir. | 0:08:10 | 0:08:11 | |
Good golly! Charlie lays £300 out on a single lot | 0:08:11 | 0:08:17 | |
and now only has £25 left of his previously generous budget. | 0:08:17 | 0:08:21 | |
That's a bold move, Charlie. | 0:08:21 | 0:08:24 | |
And how do you think you're going to get the beast to auction, eh? | 0:08:24 | 0:08:28 | |
Meanwhile, Charles is a couple of miles away | 0:08:29 | 0:08:31 | |
at Eastnor Castle, near Ledbury. | 0:08:31 | 0:08:33 | |
He's meeting head guide, Patricia. Look up! | 0:08:33 | 0:08:37 | |
-Charles Hanson. -I'm Patricia. | 0:08:37 | 0:08:39 | |
Construction of this magnificent stately home began in 1810 | 0:08:39 | 0:08:44 | |
and was commissioned by John Cox, First Earl Somers, | 0:08:44 | 0:08:47 | |
whose descendants still live here. | 0:08:47 | 0:08:50 | |
Oh, my goodness me! | 0:08:50 | 0:08:52 | |
Here we are in the Great Hall. | 0:08:52 | 0:08:56 | |
It was designed as a baronial hall, | 0:08:56 | 0:08:59 | |
so in John Somers' day, it was completely empty | 0:08:59 | 0:09:03 | |
with only these benches around the room. | 0:09:03 | 0:09:06 | |
-It was used for feasting and dancing. -Goodness me! | 0:09:06 | 0:09:10 | |
The cost of building the castle was so great | 0:09:10 | 0:09:13 | |
that the interiors inevitably took a lower priority at first. | 0:09:13 | 0:09:17 | |
But later generations of the family each made their own mark, | 0:09:17 | 0:09:21 | |
leaving us with a glorious combination of Victorian design across the century. | 0:09:21 | 0:09:27 | |
Patricia is taking Charles on to see a room | 0:09:28 | 0:09:31 | |
that the second earl commissioned | 0:09:31 | 0:09:33 | |
Augustus Welby Northmore Pugin to design in 1848. | 0:09:33 | 0:09:39 | |
Pugin was a 19th-century designer and architect | 0:09:39 | 0:09:42 | |
now chiefly remembered for his interiors at the Palace of Westminster. | 0:09:42 | 0:09:46 | |
Oh, golly! | 0:09:46 | 0:09:48 | |
When you walk in here, Patricia, | 0:09:48 | 0:09:50 | |
you just get a feeling of romance and drama. | 0:09:50 | 0:09:54 | |
I suppose that is what Pugin was about, wasn't he? | 0:09:54 | 0:09:57 | |
Pugin was about that, yes. | 0:09:57 | 0:09:59 | |
Pugin was a great proponent of the 19th-century Gothic revival | 0:09:59 | 0:10:03 | |
which sought to restore the medieval Gothic styles. | 0:10:03 | 0:10:07 | |
You've got the castle, and I suppose what Pugin did | 0:10:08 | 0:10:12 | |
was to romanticise it, | 0:10:12 | 0:10:14 | |
-was to give it that medieval, almost inspirations. -That's right. | 0:10:14 | 0:10:20 | |
Which, when you walk in here, it is like a medieval fairytale. | 0:10:20 | 0:10:24 | |
You can't quite believe you're real | 0:10:24 | 0:10:27 | |
because it's just so whimsical. | 0:10:27 | 0:10:30 | |
It's just one big Gothic fantasy. Where are we going next? | 0:10:30 | 0:10:33 | |
-We're going Italian, now. -Italian? Ooh, take me there! -This way. | 0:10:33 | 0:10:36 | |
They're going to visit the Long Library | 0:10:36 | 0:10:39 | |
which was decorated by the third earl, | 0:10:39 | 0:10:41 | |
who was something of a lover of the dolce vita. | 0:10:41 | 0:10:45 | |
The third earl, Charles, loved Italy. | 0:10:46 | 0:10:49 | |
He visited Italy and we think he bought most of it and brought it home. | 0:10:49 | 0:10:54 | |
Looking above here as well, we have all these beautiful textiles, or hangings. | 0:10:54 | 0:10:59 | |
-We do. The Tapestries. -Yes. -Yes. | 0:10:59 | 0:11:02 | |
And they're all Flemish tapestries. | 0:11:02 | 0:11:05 | |
The tapestries were originally ordered by Catherine de Medici, | 0:11:07 | 0:11:10 | |
the Italian-born 16th-century Queen of France. | 0:11:10 | 0:11:14 | |
It was a complete set of 38, and we have about eight of them. | 0:11:14 | 0:11:18 | |
-Yes. -They were bought by the third earl and fitted up here. -Yes. | 0:11:18 | 0:11:23 | |
To decorate his library. | 0:11:23 | 0:11:25 | |
And the current owner, a descendant of the first earl, | 0:11:27 | 0:11:29 | |
has also made contemporary changes to the castle. | 0:11:29 | 0:11:32 | |
He's taken it from a very poor neglected state | 0:11:32 | 0:11:35 | |
because that's how he found it. | 0:11:35 | 0:11:37 | |
-Yes. -And he's restored it. | 0:11:37 | 0:11:39 | |
And now he opens it to the public. | 0:11:39 | 0:11:41 | |
It seems that these stately environs have inspired Charles. | 0:11:41 | 0:11:46 | |
It's been a wonderful visit. | 0:11:46 | 0:11:48 | |
I'm pleased to see a real country house that's been lived in. | 0:11:48 | 0:11:51 | |
And to learn about the antiques that have been collected, | 0:11:51 | 0:11:55 | |
it really gives me a desire. | 0:11:55 | 0:11:56 | |
A desire to now move on, to go on, | 0:11:56 | 0:12:00 | |
and find those antiques to beat my friend, Charlie Ross. | 0:12:00 | 0:12:02 | |
-OK? -I'm glad you've enjoyed it. | 0:12:02 | 0:12:04 | |
-It really has... -It's certainly been my pleasure. | 0:12:04 | 0:12:07 | |
As Charles plots victory, | 0:12:09 | 0:12:11 | |
Charlie has driven on the eight miles to Malvern in Worcestershire. | 0:12:11 | 0:12:14 | |
This former spa town originally grew up around a medieval Benedictine monastery, | 0:12:16 | 0:12:21 | |
the remains of which make up the earliest parts of this, | 0:12:21 | 0:12:25 | |
the Grade I listed Great Malvern priory. | 0:12:25 | 0:12:27 | |
Charlie's aiming for his next shop, Foley House Antiques. | 0:12:27 | 0:12:32 | |
Careful there, old boy! | 0:12:33 | 0:12:34 | |
Mind the truss! | 0:12:34 | 0:12:36 | |
Here, dealers Tracey and Brigitte hold court. | 0:12:39 | 0:12:41 | |
Look out, girls! | 0:12:41 | 0:12:42 | |
What a lovely ting! | 0:12:49 | 0:12:51 | |
He's only got £25 left in his wallet, | 0:12:52 | 0:12:54 | |
but before long, he's spied something. | 0:12:54 | 0:12:57 | |
-Brigitte? -Yes? -Can you help me? | 0:12:58 | 0:13:01 | |
What is that? | 0:13:01 | 0:13:03 | |
There, with what looks like a Russian flag and a Union Jack on it. | 0:13:03 | 0:13:07 | |
I'll get the key. | 0:13:07 | 0:13:09 | |
It looks absolutely fascinating. It's got Russian writing round it. | 0:13:09 | 0:13:13 | |
I'd be intrigued to know what it's to do with. | 0:13:13 | 0:13:16 | |
Glad to oblige! | 0:13:16 | 0:13:18 | |
It's a plaque commemorating the 1962 joint British/Soviet mountaineering expedition | 0:13:18 | 0:13:24 | |
to the Pamir Mountains in what is now Tajikistan | 0:13:24 | 0:13:29 | |
and was then part of the Soviet Union. | 0:13:29 | 0:13:31 | |
It's a real piece of history, and Charlie's quite smitten by it. | 0:13:31 | 0:13:34 | |
He's a bit of a climber himself, you know. Socially. | 0:13:34 | 0:13:36 | |
How much can your Russian plaque be? | 0:13:38 | 0:13:39 | |
I can't resist your Russian plaque. | 0:13:39 | 0:13:41 | |
Well, I shouldn't say that. Could it be a tenner? | 0:13:41 | 0:13:43 | |
No! | 0:13:43 | 0:13:45 | |
-It couldn't, no? -15? | 0:13:45 | 0:13:47 | |
I think 15 would be a good price. | 0:13:47 | 0:13:51 | |
Oh, Brigitte! Brigitte! | 0:13:51 | 0:13:54 | |
You could make quite a lot on it. | 0:13:54 | 0:13:55 | |
Does 12 sound any exciting? No? | 0:13:56 | 0:13:59 | |
-No, it would have to be 15. -Have to be 15. -Have to be. | 0:13:59 | 0:14:02 | |
Girls... | 0:14:02 | 0:14:03 | |
-A deal. -Sold to the man in the corner! | 0:14:03 | 0:14:06 | |
Mwa! Thank you! | 0:14:06 | 0:14:08 | |
Da! All is glasnost in the shop | 0:14:08 | 0:14:11 | |
and Charlie has his coveted plaque. | 0:14:11 | 0:14:14 | |
And with that, our boys are back in the car | 0:14:16 | 0:14:19 | |
and celebrating the end of a super first day's buying. | 0:14:19 | 0:14:23 | |
Nighty-night, chaps! | 0:14:23 | 0:14:25 | |
But early next morning, they're up with the fresh scent of antiques in their nostrils. | 0:14:27 | 0:14:31 | |
And with the last auction fast approaching, | 0:14:32 | 0:14:35 | |
they're comparing their form in the competition so far. | 0:14:35 | 0:14:38 | |
I've only ever lost one series. | 0:14:38 | 0:14:40 | |
-Oh, no! -Yep! -Oh, no! -Yep. | 0:14:40 | 0:14:43 | |
I've only ever won one series! | 0:14:43 | 0:14:46 | |
But this game isn't won until the last fall of the gavel. | 0:14:47 | 0:14:50 | |
So far on this leg, Charlie's certainly done the heavy lifting | 0:14:50 | 0:14:55 | |
in terms of spend. | 0:14:55 | 0:14:57 | |
He's splurged £400 exactly on three lots. | 0:14:57 | 0:15:00 | |
The enormous olive jar, the job lot of silver watches | 0:15:00 | 0:15:04 | |
and the plaque commemorating a mountaineering expedition. | 0:15:04 | 0:15:09 | |
He's only got £10 left to spend. | 0:15:09 | 0:15:10 | |
While Charles has been positively parsimonious by comparison, | 0:15:13 | 0:15:17 | |
spending only £20 on one lot, the 18th-century knife box. | 0:15:17 | 0:15:20 | |
He still has £282.20 to spend. | 0:15:20 | 0:15:24 | |
They're on their way to Lechlade- on-Thames, Gloucestershire. | 0:15:27 | 0:15:31 | |
-There we are. -In Cirencester. | 0:15:32 | 0:15:34 | |
No, you're not. You're in Lechlade-on-Thames, | 0:15:34 | 0:15:36 | |
which, as the name suggests, sits on the banks of old Father Thames. | 0:15:36 | 0:15:41 | |
And this handsome town has put Charlie in the mood | 0:15:41 | 0:15:44 | |
for quoting some classic English poetry. | 0:15:44 | 0:15:46 | |
The church clock strikes three | 0:15:46 | 0:15:50 | |
and is there honey still for tea? | 0:15:50 | 0:15:52 | |
-That's not quite right. -Really? | 0:15:52 | 0:15:53 | |
No, it's not. | 0:15:53 | 0:15:55 | |
-John Betjeman. -OK. | 0:15:55 | 0:15:56 | |
No, it's Rupert Brooke. | 0:15:56 | 0:15:57 | |
CLOCK CHIMES | 0:15:57 | 0:15:59 | |
Cometh the hour, Charlie, cometh the man. | 0:16:00 | 0:16:03 | |
Come on, then! | 0:16:03 | 0:16:05 | |
-I'll race you, OK? -This way, Charlie. | 0:16:05 | 0:16:07 | |
They're sprinting for Lechlade Antiques Arcade. | 0:16:07 | 0:16:10 | |
And who's winning? | 0:16:10 | 0:16:12 | |
Here we are, Charlie. Our first shop. | 0:16:12 | 0:16:14 | |
I'll go right. You go straight on. | 0:16:17 | 0:16:19 | |
Charles is heading upstairs. Come on, Charlie. | 0:16:19 | 0:16:23 | |
Get your breath! | 0:16:23 | 0:16:24 | |
While Rosco says hello... | 0:16:24 | 0:16:26 | |
-Greetings! -Hello. -How are you? I'm Charlie. | 0:16:26 | 0:16:29 | |
-Hi, Charlie. -And you are? -Tim. | 0:16:29 | 0:16:31 | |
-Tim. -I'm Tim. This is Dom. -Dominic. | 0:16:31 | 0:16:33 | |
-Tim and Dom. -Yes. -A double act! | 0:16:33 | 0:16:36 | |
What an amazing building! | 0:16:44 | 0:16:46 | |
Ooh, I might find a book. | 0:16:49 | 0:16:50 | |
It's the sort of thing that's likely to be within my grasp. | 0:16:51 | 0:16:54 | |
Not that one! | 0:16:59 | 0:17:01 | |
Oh, Lordy! | 0:17:01 | 0:17:02 | |
Music lover Charlie has spotted something that might hit the right note. | 0:17:03 | 0:17:08 | |
History of Music. | 0:17:09 | 0:17:11 | |
Look at the wonderful gilding on that volume. | 0:17:11 | 0:17:14 | |
It's a five-volume history of music | 0:17:14 | 0:17:17 | |
first published by Cassell & Co | 0:17:17 | 0:17:20 | |
in the late 19th century. | 0:17:20 | 0:17:21 | |
Ticket price is £22.50. | 0:17:21 | 0:17:24 | |
Is that all? | 0:17:24 | 0:17:25 | |
That's splendid. Books are so cheap. | 0:17:25 | 0:17:29 | |
Good books. | 0:17:31 | 0:17:32 | |
Something like this doesn't really go out of fashion. | 0:17:32 | 0:17:36 | |
It becomes no less relevant with age. | 0:17:36 | 0:17:41 | |
Aren't they beautiful? | 0:17:41 | 0:17:44 | |
Tim? | 0:17:44 | 0:17:45 | |
-Charlie. -Ah. You are here! -Have you found something? | 0:17:45 | 0:17:49 | |
The books belong to a dealer, Veen, | 0:17:49 | 0:17:53 | |
who isn't in the shop today. | 0:17:53 | 0:17:55 | |
Charlie wants to offer his last £10 for them. | 0:17:55 | 0:17:58 | |
-Is it worth a try? What do you think? -I can ring her. -Could you? | 0:17:58 | 0:18:03 | |
Could you tell her it's Charlie and he's ever such a nice chap. | 0:18:03 | 0:18:07 | |
-I could blow her a kiss down the phone, if that helps? -We'll try that. | 0:18:07 | 0:18:10 | |
Hope the missus isn't watching! | 0:18:10 | 0:18:12 | |
Tim - great name - will call Veen. | 0:18:13 | 0:18:16 | |
But with so little to spend, will she tell Charlie to go whistle? | 0:18:16 | 0:18:20 | |
While Tim, great name, makes the call, Charlie browses on, | 0:18:20 | 0:18:23 | |
just in case his telephonic charms don't swing the deal. | 0:18:23 | 0:18:26 | |
Ooh. Ordnance Survey maps. | 0:18:26 | 0:18:28 | |
People like old Ordnance Survey maps. They collect them. | 0:18:29 | 0:18:33 | |
Since their auction is near Winchester, | 0:18:33 | 0:18:37 | |
he's wondering if he can find a map of local interest. | 0:18:37 | 0:18:39 | |
And he might be just in luck. | 0:18:39 | 0:18:42 | |
No. | 0:18:42 | 0:18:44 | |
"A one-inch map of Great Britain. Winchester"! | 0:18:45 | 0:18:50 | |
£2.50. | 0:18:50 | 0:18:52 | |
And how interesting to look at one which was published in 1959. | 0:18:52 | 0:18:56 | |
A-ha. Tim, great name, is back. | 0:18:56 | 0:18:59 | |
Was Veen seduced by Charlie's offer? | 0:18:59 | 0:19:01 | |
She will take a tenner. | 0:19:01 | 0:19:03 | |
-But could the £2.50 map be included? -Sounds good to me. | 0:19:03 | 0:19:07 | |
So Charlie's charm got him the books and the map thrown in for a bargain £10. | 0:19:07 | 0:19:12 | |
That's cheeky. | 0:19:12 | 0:19:14 | |
Charles, meanwhile, is another part of the shop. | 0:19:16 | 0:19:20 | |
Young Carlos is feeling the pressure this morning. | 0:19:20 | 0:19:22 | |
We have no time today, OK? Time today is of the essence. | 0:19:22 | 0:19:25 | |
I'm £100 behind. £100 behind that great man Charlie Ross. | 0:19:25 | 0:19:29 | |
All I can hear is the echo of Charlie Ross laughing. | 0:19:36 | 0:19:39 | |
That unnerves me, because he quite clearly is show-boating. | 0:19:39 | 0:19:43 | |
He quite clearly thinks he's over the line. | 0:19:43 | 0:19:45 | |
Charlie, you're not there yet. | 0:19:45 | 0:19:48 | |
But Charles has spotted something which might just save him. | 0:19:48 | 0:19:52 | |
This is quite nice. | 0:19:52 | 0:19:54 | |
What we've got here, | 0:19:54 | 0:19:56 | |
surprisingly out on the side, | 0:19:56 | 0:19:59 | |
is a pretty tray. | 0:19:59 | 0:20:01 | |
It's an interesting table tray | 0:20:01 | 0:20:03 | |
beautifully embossed in the Rococo style. | 0:20:03 | 0:20:05 | |
It's solid silver and dates from the Edwardian period. | 0:20:05 | 0:20:09 | |
It's quite good. | 0:20:09 | 0:20:11 | |
And two more silvery beauties have caught his eye. | 0:20:11 | 0:20:13 | |
You've got these two very delicious silver dishes. | 0:20:13 | 0:20:17 | |
Just very indistinctly hallmarked just on the edge here of this one | 0:20:17 | 0:20:21 | |
there is a hallmark for Chester. | 0:20:21 | 0:20:24 | |
And this one as well is a companion. | 0:20:24 | 0:20:27 | |
It's a pair. They're quite quirky. | 0:20:27 | 0:20:30 | |
The tickets aren't marked with prices, | 0:20:30 | 0:20:32 | |
so Carlos is going to ask dealer Dominic | 0:20:32 | 0:20:35 | |
what the tray and pair of dishes might cost. | 0:20:35 | 0:20:37 | |
What can you do them for? | 0:20:39 | 0:20:40 | |
-I think all three, taken today... -Taken today. Cash. Cash buyer. | 0:20:40 | 0:20:45 | |
-Cash buyer. -For a man who's on the run today. | 0:20:45 | 0:20:47 | |
-A man on the run. Heard the song? -Yes, definitely. | 0:20:47 | 0:20:51 | |
# Band on the run # | 0:20:51 | 0:20:54 | |
I think it's Band on the Run, Charles. | 0:20:54 | 0:20:57 | |
Man on the Run. | 0:20:57 | 0:20:58 | |
# Band on the run # | 0:20:58 | 0:21:00 | |
It's band! | 0:21:00 | 0:21:01 | |
But what can Dom do, eh? | 0:21:01 | 0:21:03 | |
I think £70 would be perfect. | 0:21:03 | 0:21:05 | |
-Golly. -There's a good profit in there for you. | 0:21:05 | 0:21:07 | |
-You won't take 60? -No, I think I'll have to do 70. | 0:21:07 | 0:21:11 | |
70. It's fairly tempting. We're so near. Very tempting. | 0:21:11 | 0:21:14 | |
To finish tempting you, 65. | 0:21:14 | 0:21:16 | |
For Queen and country, your very best price is... | 0:21:16 | 0:21:20 | |
It has to be 65, I'm afraid. | 0:21:21 | 0:21:23 | |
Hard man, but good man. | 0:21:24 | 0:21:27 | |
-Yeah, I'll take them. Thank you. -Thank you very much. -I'll take them. | 0:21:27 | 0:21:30 | |
Sold. Done. | 0:21:30 | 0:21:32 | |
Marvellous. Thank you, Dom. | 0:21:32 | 0:21:34 | |
This business is also all about making friends. There's a... | 0:21:34 | 0:21:38 | |
CLATTERING | 0:21:38 | 0:21:40 | |
Are you OK, Dom? | 0:21:40 | 0:21:42 | |
By chance he is. Charles has now found another of Dom's items that he rather likes. | 0:21:42 | 0:21:45 | |
Tell me about that. Give me its pedigree. | 0:21:47 | 0:21:50 | |
Right. It's a little Edwardian candle set. | 0:21:50 | 0:21:52 | |
It's a piece of toleware, | 0:21:53 | 0:21:55 | |
or painted varnished tin | 0:21:55 | 0:21:58 | |
with gilt decoration, | 0:21:58 | 0:22:00 | |
comprising two candle snuffers and a pair of wick nips. | 0:22:00 | 0:22:04 | |
That would cut the wick, I think. Is that damaged there, Dom? | 0:22:04 | 0:22:07 | |
There's a small amount of damage on the handle. | 0:22:07 | 0:22:09 | |
What a shame. | 0:22:09 | 0:22:12 | |
It could be replaced. But as a cheap item... | 0:22:12 | 0:22:16 | |
Dom, what's the best price on that? | 0:22:16 | 0:22:17 | |
The very best on that, for you, would be £10. | 0:22:17 | 0:22:20 | |
And for Charles's next trick. | 0:22:20 | 0:22:22 | |
Dom, you gave me £5 back. | 0:22:22 | 0:22:25 | |
Put that £5 in your hand. | 0:22:25 | 0:22:27 | |
I'll close my eyes | 0:22:27 | 0:22:29 | |
and put back in my hand which one you'd rather I take away. | 0:22:29 | 0:22:32 | |
I'm going to be kind today. | 0:22:34 | 0:22:36 | |
Abracadabra! | 0:22:36 | 0:22:38 | |
-Very kind. -Are you sure? -Yes. | 0:22:38 | 0:22:40 | |
With that cunning sleight of hand, | 0:22:40 | 0:22:42 | |
Charles has accumulated another three lots | 0:22:42 | 0:22:45 | |
and both our lads are hitting the road. | 0:22:45 | 0:22:47 | |
-Thanks again. Bye! -The sun's out! | 0:22:47 | 0:22:50 | |
That's a sign of things to come. | 0:22:50 | 0:22:52 | |
Let's hope so! | 0:22:53 | 0:22:55 | |
They're driving the 32 miles to Wheatley, Oxfordshire, | 0:22:55 | 0:22:58 | |
where, since he's now spent every last penny in his pocket, | 0:22:58 | 0:23:01 | |
Charlie has decided to take the blooming afternoon off... | 0:23:01 | 0:23:06 | |
..and pay a visit to Waterperry Gardens | 0:23:07 | 0:23:10 | |
and meet their museum curator, Gordon. | 0:23:10 | 0:23:13 | |
A-ha. You must be the boss, sir. | 0:23:13 | 0:23:15 | |
-Mr Ross. -Gordon, is it? -It is indeed. | 0:23:16 | 0:23:18 | |
This is absolutely remarkable. | 0:23:18 | 0:23:21 | |
Waterperry House is an elegant 17th-century mansion | 0:23:21 | 0:23:25 | |
which remains a private residence. | 0:23:25 | 0:23:27 | |
But the lovely historic gardens which surround it | 0:23:27 | 0:23:30 | |
and were once its estate, are now open to the public | 0:23:30 | 0:23:33 | |
and house a garden centre and Gordon's museum of rural objects. | 0:23:33 | 0:23:38 | |
The well-tended gardens here have their modern roots in the 1930s, | 0:23:39 | 0:23:43 | |
when horticulturalist, Beatrix Havergal established a ladies' agricultural school on the site. | 0:23:43 | 0:23:51 | |
-Beatrix... -Havergal. -What a splendid name! | 0:23:51 | 0:23:54 | |
As this footage from the mid-20th century shows, | 0:23:54 | 0:23:57 | |
the delightful young ladies of the school had a jolly time | 0:23:57 | 0:24:01 | |
learning all about aspects of horticulture. | 0:24:01 | 0:24:03 | |
It was a horticulture training college for young ladies only. | 0:24:03 | 0:24:07 | |
And they went away with some sort of diploma? | 0:24:07 | 0:24:09 | |
-They had the Waterperry diploma. -Which was presumably very highly thought of. | 0:24:09 | 0:24:13 | |
Yes, they were well trained. | 0:24:13 | 0:24:15 | |
Today the gardens cover 80 acres. | 0:24:15 | 0:24:17 | |
And her legacy lives on, does it? | 0:24:17 | 0:24:20 | |
-Are things very much as they were in her day? -Very much so, yes. | 0:24:20 | 0:24:23 | |
-The garden is renowned for its herbaceous border. -Yes. Yes. | 0:24:23 | 0:24:28 | |
Now, Gordon's going to show Charlie some of his favourite items from the museum | 0:24:28 | 0:24:33 | |
which houses a vast collection of objects relating to horticulture and country life. | 0:24:33 | 0:24:38 | |
Hundreds and hundreds of objects, a lot of which I think I know something about, | 0:24:39 | 0:24:45 | |
but there are one or two, as I came through the door, | 0:24:45 | 0:24:47 | |
I saw a wonderful gun, | 0:24:47 | 0:24:50 | |
-but it didn't look like a normal sort of gun, to me. -It's far from being normal! | 0:24:50 | 0:24:55 | |
It's a 19th-century gun which has been adapted to be triggered by trip wires, | 0:24:55 | 0:24:59 | |
designed to shoot poachers on country estates. Painful! | 0:24:59 | 0:25:04 | |
It's been adapted. It's the mechanism from a musket. | 0:25:04 | 0:25:07 | |
My goodness me. How fearsome! | 0:25:07 | 0:25:09 | |
It's been so arranged that this would be hidden, camouflaged, in the bushes. | 0:25:09 | 0:25:15 | |
-Yes. -This rod has on the end of it, three rings. -Yes. | 0:25:15 | 0:25:20 | |
-So you could have three trip-wires across one path. -Why three? | 0:25:20 | 0:25:24 | |
You've got more chance of catching them than if you had two. | 0:25:24 | 0:25:27 | |
Good point, Gordon. In the mid-19th century, | 0:25:27 | 0:25:30 | |
such brutal devices were outlawed | 0:25:30 | 0:25:32 | |
and, of course, this one has now been rendered safely inoperative. | 0:25:32 | 0:25:36 | |
Gordon's taking Charlie on to see more of the museum's unusual objects. | 0:25:38 | 0:25:42 | |
These shoes, here. Are they shoes? | 0:25:42 | 0:25:44 | |
-Hmm. -They look like shoes. -Booties. -Booties. | 0:25:44 | 0:25:47 | |
-What for? -These two chaps, these were for sheep. -Sheep?! | 0:25:47 | 0:25:54 | |
Sheep's wellies. Little sheep's wellies. | 0:25:54 | 0:25:57 | |
They were made by Dunlop in 1936. | 0:25:57 | 0:26:00 | |
They made five sizes. These are size three. | 0:26:00 | 0:26:04 | |
-And some had zips on. -Zips?! | 0:26:04 | 0:26:07 | |
You zip your sheep into boots?! Was this for a fashion show? | 0:26:07 | 0:26:11 | |
-Was it to stop them getting rot of some sort? -Yes, if they'd got foot rot. | 0:26:11 | 0:26:15 | |
A medicated paste to treat foot rot | 0:26:15 | 0:26:18 | |
was put into the boots before the sheep were fitted with them. | 0:26:18 | 0:26:21 | |
-What about these? -These are very classy. | 0:26:21 | 0:26:24 | |
-They look beautifully hand-stitched. -They are. | 0:26:24 | 0:26:27 | |
Size four. They're for goats. Regimental goats. | 0:26:29 | 0:26:33 | |
These spiffy little boots would have been worn by a goat | 0:26:33 | 0:26:36 | |
that was the mascot to a military regiment. | 0:26:36 | 0:26:38 | |
What an eclectic mix you have here! What's your favourite object? | 0:26:38 | 0:26:42 | |
-I'm always asked that, and it does change. -Does it? | 0:26:42 | 0:26:46 | |
-Yes. I mean that could be... -What's that? | 0:26:46 | 0:26:49 | |
It's a clockwork crow-scarer. | 0:26:49 | 0:26:50 | |
-A crow-scarer? May I look at it? -Yes. | 0:26:50 | 0:26:53 | |
It was made in 1850. | 0:26:55 | 0:26:56 | |
-It is one of my... -Crikey, as old as that? -..one of my favourites. -150 years old. | 0:26:56 | 0:27:01 | |
It's a clockwork device that fires blank cartridges at regular intervals | 0:27:01 | 0:27:05 | |
to scare away crows. | 0:27:05 | 0:27:06 | |
And it was firing a pin-fired cartridge. | 0:27:06 | 0:27:11 | |
A 16-bore cartridge every 15 minutes. | 0:27:11 | 0:27:14 | |
-I wouldn't mind one of those. If ever you see another one... -Yes. | 0:27:14 | 0:27:17 | |
-Give me a call. -It'll frighten birds, cats, dogs. | 0:27:17 | 0:27:21 | |
Neighbours, the lot. | 0:27:21 | 0:27:22 | |
-Wives! -Yes. | 0:27:22 | 0:27:24 | |
What a terrifying insight into your home life, Charlie. | 0:27:24 | 0:27:28 | |
Now, Gordon's got one last thing to show you. | 0:27:28 | 0:27:30 | |
-Now, this is a part you've got to be introduced to. -Right. | 0:27:31 | 0:27:36 | |
The orange tree house. It's played a very important part | 0:27:36 | 0:27:39 | |
-in the establishing of the school of horticulture. -Really? -Yes. | 0:27:39 | 0:27:44 | |
One orange tree. | 0:27:45 | 0:27:47 | |
The legend runs | 0:27:47 | 0:27:49 | |
that doughty Miss Havergal was unsure about her decision to start the horticultural school | 0:27:49 | 0:27:54 | |
until she caught the inspiring whiff of a freshly picked orange | 0:27:54 | 0:27:58 | |
and resolved to found Waterperry Gardens as a result. | 0:27:58 | 0:28:03 | |
Waterperry keeps this orange tree to remember Miss Havergal's good work to this day. | 0:28:03 | 0:28:09 | |
Looks like Charlie fancies one. | 0:28:09 | 0:28:10 | |
Careful, Charlie. Judging by that poacher gun, | 0:28:10 | 0:28:13 | |
they take a dim view of that sort of thing round here. | 0:28:13 | 0:28:16 | |
GUNSHOT | 0:28:16 | 0:28:17 | |
Only joking! | 0:28:17 | 0:28:19 | |
Charles, meanwhile, has driven on to Chilton, Oxfordshire. | 0:28:19 | 0:28:23 | |
That looks blowy, Charles! | 0:28:23 | 0:28:25 | |
Lucky I'm slim! | 0:28:29 | 0:28:31 | |
And long-legged. | 0:28:31 | 0:28:33 | |
And terrible at parking! | 0:28:33 | 0:28:36 | |
This is Country Markets Antiques & Collectables | 0:28:36 | 0:28:39 | |
and this is dealer, Julie. Hello, Jules. | 0:28:39 | 0:28:41 | |
Hello, madam. | 0:28:41 | 0:28:43 | |
-Hi, there. -How are you? -I'm fine, thank you. -You look a very stylish lady. | 0:28:43 | 0:28:47 | |
-That lovely necklace. -Yes. My favourite. -Beautiful. | 0:28:47 | 0:28:51 | |
Have you been taking lessons at the Charlie Ross Charm School, Charles? | 0:28:51 | 0:28:55 | |
It's like Charlie and myself. | 0:29:01 | 0:29:03 | |
But he doesn't want any Mickey Mouse buys today. | 0:29:03 | 0:29:07 | |
He's seen something with real age. | 0:29:07 | 0:29:10 | |
I can spy four Roman and medieval rings. | 0:29:10 | 0:29:13 | |
That you can. And they're priced up at a bargain £10 each. | 0:29:13 | 0:29:17 | |
-That ring is like a gent's signet ring, almost. -I'd say so. | 0:29:17 | 0:29:20 | |
Some sort of fleur-de-lys design. | 0:29:20 | 0:29:22 | |
But they all have been lived in, haven't they? | 0:29:22 | 0:29:26 | |
Ticket price for all four is £40 | 0:29:26 | 0:29:28 | |
but Charles is going down on bended knee in the hope of a better deal. | 0:29:28 | 0:29:32 | |
So, Julie... | 0:29:32 | 0:29:35 | |
would you... | 0:29:35 | 0:29:36 | |
-I'd have to think about it. -Yes. | 0:29:36 | 0:29:39 | |
Charles so loves the items in this cabinet, | 0:29:39 | 0:29:43 | |
that he's asked to call Frank, the dealer who owns them, | 0:29:43 | 0:29:47 | |
in the hope of acquiring an affordable job lot. | 0:29:47 | 0:29:51 | |
Frank, it turns out, is only 19 years old. | 0:29:51 | 0:29:54 | |
Even younger than Charles! | 0:29:54 | 0:29:56 | |
Frank, you've got these Roman coins | 0:29:56 | 0:29:59 | |
which are three pounds each. | 0:29:59 | 0:30:00 | |
Frankly, Frank, they're bronze Roman coins | 0:30:00 | 0:30:03 | |
mainly from the second to the fourth century AD. | 0:30:03 | 0:30:06 | |
Ticket price for all the coins and the rings combined is £82. | 0:30:06 | 0:30:11 | |
There's 14 Roman coins, Frank. | 0:30:11 | 0:30:13 | |
Now, can they strike a deal? | 0:30:13 | 0:30:15 | |
I know you're down with the kids, Charles. | 0:30:15 | 0:30:17 | |
Frank, mate. | 0:30:19 | 0:30:21 | |
What would be your best price? | 0:30:23 | 0:30:25 | |
Frankly, Frank's gone to calculate what deal he could do. | 0:30:25 | 0:30:28 | |
It's so important we see more youngsters like Frank | 0:30:28 | 0:30:32 | |
have their small cabinets. | 0:30:32 | 0:30:34 | |
And his passion to tell me about the objects was all there. | 0:30:34 | 0:30:38 | |
It really is... It makes me warm inside. | 0:30:38 | 0:30:41 | |
Now back to the real world, | 0:30:42 | 0:30:44 | |
trying to chip Frank down on the price. | 0:30:44 | 0:30:46 | |
Hand on heart, you've got to make some money | 0:30:47 | 0:30:50 | |
because you're a young man building this hobby into a career. | 0:30:50 | 0:30:54 | |
But I would probably want to pay about £40. | 0:30:54 | 0:30:58 | |
Exactly. Shall we meet in the middle, | 0:30:58 | 0:31:00 | |
at £42.50? | 0:31:00 | 0:31:02 | |
Are you sure? | 0:31:04 | 0:31:06 | |
Frank, I want to say thanks ever so much. | 0:31:06 | 0:31:08 | |
Keep collecting. | 0:31:08 | 0:31:10 | |
Keep your enthusiasm. It's really infectious. I wish you all the best. | 0:31:10 | 0:31:14 | |
Charles has his last lot | 0:31:14 | 0:31:16 | |
and it satisfies his love for all things ancient. | 0:31:16 | 0:31:19 | |
Sometimes in this great Antiques Road Trip, you need to buy with your heart. | 0:31:19 | 0:31:23 | |
How many times has he said that before? | 0:31:23 | 0:31:26 | |
Now our duelling duo have all their lots for auction. | 0:31:27 | 0:31:31 | |
So Charles has caught up with Charlie | 0:31:31 | 0:31:34 | |
and it's time for them to stage their last dramatic unveiling. | 0:31:34 | 0:31:38 | |
20 paces and fire. This is the final duel. | 0:31:38 | 0:31:41 | |
Charlie's first up. | 0:31:42 | 0:31:45 | |
My goodness. There's one lot I love, Charlie. The lot I really admire is your big silver ensemble here. | 0:31:45 | 0:31:52 | |
It clearly is silver. It looks market fresh | 0:31:52 | 0:31:55 | |
although we've got damage and loss and wear and tear. | 0:31:55 | 0:31:58 | |
-Damage, loss, wear and tear! -I love it. | 0:31:58 | 0:31:59 | |
And what about the olive jar, too big to fit in the room! | 0:31:59 | 0:32:03 | |
Tell me, what's on that screen? | 0:32:04 | 0:32:06 | |
-It's an olive jar. -It's not. | 0:32:06 | 0:32:08 | |
-Early 20th century. About 1910. -Terracotta? -Had to buy it. | 0:32:08 | 0:32:12 | |
-Terracotta. -Goodness me. That, Charlie... -It's huge. | 0:32:12 | 0:32:16 | |
That smacks of the opportunist | 0:32:16 | 0:32:18 | |
in that it could rise dramatically and make a fortune | 0:32:18 | 0:32:23 | |
to the right garden dweller in Winchester, or it could crash. | 0:32:23 | 0:32:28 | |
I bought that because it's of historical interest. | 0:32:28 | 0:32:31 | |
There's a Russian flag and a British flag. | 0:32:31 | 0:32:33 | |
Was it first to the South Pole or something? | 0:32:33 | 0:32:36 | |
It commemorates a Russian and British expedition. | 0:32:36 | 0:32:40 | |
-I like it. -Isn't that extraordinary? -I like it. | 0:32:40 | 0:32:43 | |
Charlie seems bulletproof, so far. | 0:32:43 | 0:32:45 | |
How will Charles fare? | 0:32:45 | 0:32:47 | |
There you go. | 0:32:47 | 0:32:49 | |
Oh! I saw that. | 0:32:49 | 0:32:51 | |
-It's got damage, hasn't it. -I bought history. | 0:32:51 | 0:32:54 | |
No, I'm not complaining. Has it got the original interior? | 0:32:54 | 0:32:58 | |
Charlie, I just love it for the veneer... | 0:32:58 | 0:33:00 | |
Answer the question, Charles! | 0:33:00 | 0:33:02 | |
-Has it got the original interior? -No. -No interior at all. | 0:33:02 | 0:33:05 | |
It's fine. It's a piece of history. | 0:33:05 | 0:33:07 | |
-And two snuffers. -Absolutely. -In the tray. -Absolutely. | 0:33:07 | 0:33:11 | |
-Are they broken? -I'm not sure, Charlie. | 0:33:11 | 0:33:13 | |
-May I hold them? -Of course you can. | 0:33:13 | 0:33:15 | |
You think that's the way they were made? | 0:33:17 | 0:33:19 | |
-You're talking complete nonsense. -Put them down. | 0:33:19 | 0:33:22 | |
-They're broken. -Put them down. I don't think they are. | 0:33:22 | 0:33:25 | |
Tell me about your coins. | 0:33:25 | 0:33:27 | |
We are talking River Thames finds in the main. | 0:33:27 | 0:33:30 | |
-Medieval, Roman rings. Even the ring of... -You love these. -I do. | 0:33:30 | 0:33:34 | |
To me, this really is hands-on history. | 0:33:34 | 0:33:37 | |
There's 14 coins there, ranging from AD2 to AD500. | 0:33:37 | 0:33:42 | |
-Winchester's the right place for that. -I think so. -Just right. -Digging for history! | 0:33:42 | 0:33:46 | |
Oh, what a competition we have! Well done, old bean. | 0:33:46 | 0:33:49 | |
But do the gloves come off behind closed doors? | 0:33:49 | 0:33:52 | |
He's bought very well. He's speculated hugely with that pot. | 0:33:52 | 0:33:56 | |
The pot will either race away and be a saviour, | 0:33:56 | 0:34:00 | |
or it will be his nemesis and he'll lose his money. | 0:34:00 | 0:34:03 | |
Charles's things? Sheraton knife box. Nice thing, but it's completely and utterly had it. | 0:34:03 | 0:34:08 | |
His Roman coins? He always buys Roman coins and he does well with them. | 0:34:08 | 0:34:12 | |
They could make £100. The snuffers are, quite frankly, useless. They're broken. | 0:34:12 | 0:34:18 | |
Watch this space! | 0:34:18 | 0:34:20 | |
On this leg of their chummy Road Trip, | 0:34:20 | 0:34:23 | |
Charles and Charlie have travelled from Hereford | 0:34:23 | 0:34:25 | |
to their auction here in the village of Itchen Stoke, | 0:34:25 | 0:34:28 | |
near Winchester in Hampshire. | 0:34:28 | 0:34:30 | |
The pretty little village has a quintessentially English style, | 0:34:30 | 0:34:34 | |
just the place for our pair of dapper gents | 0:34:34 | 0:34:37 | |
to face their final showdown. | 0:34:37 | 0:34:39 | |
Where's my pot? | 0:34:39 | 0:34:41 | |
Charlie's managed to have the pot delivered | 0:34:41 | 0:34:43 | |
to the auction house in one piece! | 0:34:43 | 0:34:45 | |
Ooh! Off to the sale room. | 0:34:45 | 0:34:47 | |
Here at Andrew Smith & Son Auctions, | 0:34:47 | 0:34:50 | |
auctioneer Andrew Smith presides - surprise, surprise! | 0:34:50 | 0:34:53 | |
But before he raises his gavel, what does he think of their lots? | 0:34:53 | 0:34:58 | |
The Russian British plaque, I haven't seen one before. | 0:34:58 | 0:35:00 | |
That's quite interesting. The silver will do well. | 0:35:00 | 0:35:04 | |
As a pure quirkiness, it has to be the olive oil jar. | 0:35:04 | 0:35:08 | |
It's big, but it's quite fun. | 0:35:09 | 0:35:11 | |
Charlie Ross started this leg with £410 on the button. | 0:35:13 | 0:35:17 | |
He's spent every last coin he had on five lots. | 0:35:17 | 0:35:20 | |
Charles Hanson began with £302.20. | 0:35:21 | 0:35:24 | |
He spent £132.50 and also has five lots in today's sale. | 0:35:24 | 0:35:30 | |
This last great battle will determine which Charles is king! | 0:35:30 | 0:35:35 | |
Gentlemen, take your thrones. | 0:35:35 | 0:35:38 | |
First up is Charlie Ross with his locally relevant map of 1950s Winchester. | 0:35:38 | 0:35:43 | |
-I'll start the bidding at a fiver. -Yes! | 0:35:43 | 0:35:45 | |
I won't tell you whose this is! | 0:35:47 | 0:35:49 | |
At five pounds. Seven. | 0:35:52 | 0:35:54 | |
-No! -Ten. 12. -No! | 0:35:54 | 0:35:57 | |
At £10 commission bid. | 0:35:57 | 0:35:59 | |
12. 15. 17. | 0:35:59 | 0:36:02 | |
20. 22. 25. 27? | 0:36:02 | 0:36:06 | |
£27. Commission bid there at 27 in the room. Is there 30? | 0:36:06 | 0:36:11 | |
At £27. | 0:36:11 | 0:36:12 | |
I've got mud on my face. | 0:36:12 | 0:36:15 | |
Amazing. Well done, Charlie. Well done. | 0:36:15 | 0:36:17 | |
A local lot for local people. | 0:36:17 | 0:36:19 | |
A stormer of a start for Charlie. | 0:36:19 | 0:36:22 | |
Charles now, with his 18th-century knife box. | 0:36:22 | 0:36:25 | |
Might it carve out a decent profit? | 0:36:25 | 0:36:28 | |
Start me at £40, now. £40? £40? | 0:36:28 | 0:36:31 | |
-30, then. -Oh, no. -£30. | 0:36:31 | 0:36:32 | |
-20, if you like. £20, surely? -Oh, no! | 0:36:32 | 0:36:36 | |
Got to start somewhere. £10? Ten I have. | 0:36:36 | 0:36:37 | |
Well done. Is there 12? | 0:36:37 | 0:36:39 | |
At £10 on my left. We will sell. Make no mistake. At £10. | 0:36:39 | 0:36:42 | |
12. 15. 17? | 0:36:42 | 0:36:45 | |
-£15 I have. I'm selling. -Oh, dear. | 0:36:45 | 0:36:48 | |
At £15. Are you sure? You're going to make somebody very unhappy! | 0:36:48 | 0:36:52 | |
At £15. | 0:36:52 | 0:36:54 | |
Made me very happy! | 0:36:54 | 0:36:56 | |
So it should. That cuts into Charles's chances! | 0:36:56 | 0:36:59 | |
-Chin up, old bean. -Long way to go, bean. -Long way to go. Absolutely. | 0:37:00 | 0:37:04 | |
Now Charlie's plaque commemorating a chilly expedition during the Cold War. | 0:37:04 | 0:37:09 | |
Five pounds, surely? Five pounds at the back. We're away. | 0:37:09 | 0:37:12 | |
Is there a seven? At £5 and selling. | 0:37:12 | 0:37:14 | |
Seven? At £5. Are you sure? | 0:37:14 | 0:37:17 | |
At five... Seven in the middle here. Ten. 12. | 0:37:17 | 0:37:20 | |
At £10 and selling, at the back. Is there 12? | 0:37:20 | 0:37:23 | |
At £10. Are you done? Any more? At £10. Last time. | 0:37:23 | 0:37:27 | |
-Profit? -No. -I thought it cost you a fiver? -No, it cost me 15. | 0:37:29 | 0:37:33 | |
Now, might the bonny but broken set of candle accessories | 0:37:33 | 0:37:37 | |
be enough to let Charles snuff out the competition? | 0:37:37 | 0:37:40 | |
-£10. -Five. -£10. -Five. | 0:37:42 | 0:37:44 | |
-Five? -Oh, no! -Too much. | 0:37:44 | 0:37:46 | |
Five I have. Is there seven? | 0:37:46 | 0:37:47 | |
At £5. | 0:37:47 | 0:37:49 | |
Seven. 10. 12. | 0:37:49 | 0:37:51 | |
15? | 0:37:51 | 0:37:53 | |
-At £12 in the middle here. -Too much money. -£12. | 0:37:53 | 0:37:56 | |
Still a good buy at £12. Any more? | 0:37:56 | 0:37:58 | |
-Far too much money. -If we're all done, for the last time. | 0:37:58 | 0:38:01 | |
Despite Charlie's scorn, | 0:38:01 | 0:38:04 | |
they scored Charles a nice little profit. | 0:38:04 | 0:38:06 | |
Now another for Charlie, | 0:38:08 | 0:38:09 | |
as his lot of five books on music play out. | 0:38:09 | 0:38:12 | |
Start me at £20. £20? | 0:38:12 | 0:38:14 | |
-£20? -Is this it? -Yes. | 0:38:14 | 0:38:17 | |
£5? Five we have. Is there seven? | 0:38:17 | 0:38:20 | |
At five... Seven. Ten. | 0:38:20 | 0:38:22 | |
12. 15. | 0:38:22 | 0:38:24 | |
17? | 0:38:24 | 0:38:25 | |
£15 standing. Is there 17? | 0:38:25 | 0:38:27 | |
At £15 we are selling. | 0:38:27 | 0:38:29 | |
Are you all done at £15? | 0:38:29 | 0:38:31 | |
-Profit. -You are on top form. | 0:38:32 | 0:38:34 | |
Indeed he is. Charlie's still comfortably in the lead. | 0:38:34 | 0:38:39 | |
Can Charles change his fortunes with his lot of medieval coins and rings? | 0:38:39 | 0:38:44 | |
-Start me at £50. -Come on, sir. Come on. | 0:38:44 | 0:38:47 | |
£50? 40? | 0:38:47 | 0:38:48 | |
-£40? -It's painful. | 0:38:48 | 0:38:50 | |
30 to get it going. £30. | 0:38:50 | 0:38:52 | |
£30. 20? | 0:38:52 | 0:38:54 | |
£20? Surely at £20? | 0:38:54 | 0:38:56 | |
-A tenner to start me. -Oh, no! -£10? | 0:38:56 | 0:38:59 | |
-Ten we have. 12? -Come on! -15? | 0:38:59 | 0:39:01 | |
Keep going! | 0:39:01 | 0:39:04 | |
I can't imagine whose these are! | 0:39:04 | 0:39:06 | |
17. 20. | 0:39:09 | 0:39:11 | |
At £17 seated. 20. 22? | 0:39:11 | 0:39:14 | |
-Keep going. -£20 standing. | 0:39:14 | 0:39:16 | |
-Oh, no! -At £20. Can we do any more? At £20, then. | 0:39:16 | 0:39:20 | |
-You make your own luck. -Last time at £20. | 0:39:20 | 0:39:22 | |
Ancient they may be, but profit-making they ain't. | 0:39:23 | 0:39:27 | |
Another for the young pretender now | 0:39:27 | 0:39:29 | |
as his embossed tray is up. | 0:39:29 | 0:39:31 | |
Might this prove every cloud has a silver lining? | 0:39:31 | 0:39:34 | |
I'm going to go straight in at £100. | 0:39:34 | 0:39:36 | |
Is there ten in the room? At £100. | 0:39:36 | 0:39:39 | |
Two gentlemen getting very excited in front of me here. | 0:39:39 | 0:39:42 | |
At £100 we are selling. Is there ten? | 0:39:42 | 0:39:44 | |
At £100. Any more? | 0:39:44 | 0:39:46 | |
All done at £100. Commission bid, then. Very last time. | 0:39:46 | 0:39:51 | |
-Well done. -That's the business. | 0:39:51 | 0:39:53 | |
We're rolling now to victory. | 0:39:53 | 0:39:57 | |
Rolling the victory V! | 0:39:57 | 0:39:59 | |
His fortunes have turned. | 0:39:59 | 0:40:00 | |
Carlos steals the lead. | 0:40:00 | 0:40:03 | |
If silver's high today, | 0:40:03 | 0:40:04 | |
might Charlie repeat the trick with his watches? | 0:40:04 | 0:40:07 | |
£60. Is there a five in the room? | 0:40:07 | 0:40:09 | |
At £60, commission bid. | 0:40:09 | 0:40:11 | |
65. Commission bid's out. 65 in the room. | 0:40:11 | 0:40:14 | |
Is there a 70? At 65... | 0:40:14 | 0:40:15 | |
70. And five? At £70. Is there a five? | 0:40:15 | 0:40:19 | |
£70, right at the back. | 0:40:19 | 0:40:21 | |
At £70. Is there a five? | 0:40:21 | 0:40:23 | |
All done at £70. We will be selling. | 0:40:23 | 0:40:25 | |
Get that gavel down quick! | 0:40:25 | 0:40:28 | |
Last time at £70. | 0:40:28 | 0:40:30 | |
This really is now game on. | 0:40:32 | 0:40:34 | |
Time ticks on, and Charlie badly needs a profit | 0:40:34 | 0:40:37 | |
if he's going to re-take the advantage. | 0:40:37 | 0:40:39 | |
Charles's matching pair of silver dishes now. | 0:40:39 | 0:40:42 | |
Might lightning strike twice? | 0:40:42 | 0:40:44 | |
£40 commission bid. Is there a two? | 0:40:44 | 0:40:46 | |
-Come on. -42. 45. 47. 50. | 0:40:46 | 0:40:49 | |
And five. 60. And five. | 0:40:49 | 0:40:51 | |
-70? -Come on! One more! | 0:40:51 | 0:40:54 | |
One more! | 0:40:54 | 0:40:56 | |
£65. At £65. Are you all done? | 0:40:56 | 0:40:59 | |
For the last time. | 0:40:59 | 0:41:01 | |
And how! | 0:41:01 | 0:41:03 | |
-Well done, Charles. -Come and catch me! Come and catch me! | 0:41:03 | 0:41:07 | |
If Charlie is going to catch Charles, | 0:41:07 | 0:41:09 | |
it all rests on this. | 0:41:09 | 0:41:11 | |
The very last lot of their entire Road Trip. | 0:41:11 | 0:41:15 | |
The enormous olive pot. | 0:41:15 | 0:41:18 | |
He could still do it. Oh, the tension! | 0:41:18 | 0:41:21 | |
£150. 160. | 0:41:21 | 0:41:23 | |
Commission bid's out. 160 in the room. Is there 170? | 0:41:23 | 0:41:26 | |
He's desperate! | 0:41:26 | 0:41:29 | |
Desperate! | 0:41:29 | 0:41:31 | |
180? 180? | 0:41:31 | 0:41:33 | |
It's against you at 170. 180. Well done. 190. | 0:41:34 | 0:41:37 | |
200? | 0:41:37 | 0:41:39 | |
At £190 then in the door, there. | 0:41:39 | 0:41:42 | |
Oh, madam, I'll lend you a tenner! | 0:41:42 | 0:41:43 | |
You're making some people very happy in the corner here! | 0:41:45 | 0:41:48 | |
-At £190. -I need more! -200? | 0:41:48 | 0:41:50 | |
At £190, then. Are you all done? | 0:41:50 | 0:41:54 | |
-Last time. -He's holding it, Charlie. | 0:41:54 | 0:41:56 | |
-Oh, no! -Put it there, sir. | 0:41:57 | 0:42:00 | |
Oh, Charlie, a massive loss on a massive lot. | 0:42:00 | 0:42:04 | |
It's all gone to pot, eh? | 0:42:04 | 0:42:06 | |
That was a rollercoaster! But you've done me. | 0:42:07 | 0:42:10 | |
Charlie Ross began this leg with £410 exactly. | 0:42:11 | 0:42:15 | |
After auction costs, he made a disastrous loss | 0:42:15 | 0:42:18 | |
of £154.16, | 0:42:18 | 0:42:20 | |
meaning he's left with a total of £255.84. | 0:42:20 | 0:42:25 | |
Poor old fruit! Don't cry! | 0:42:25 | 0:42:28 | |
Charles Hanson, meanwhile, began with £302.20. | 0:42:28 | 0:42:32 | |
He managed to bag a profit of £41.34 | 0:42:32 | 0:42:35 | |
and ends victorious | 0:42:35 | 0:42:37 | |
with £343.54. | 0:42:37 | 0:42:41 | |
Well done, boy, that's the spirit! | 0:42:41 | 0:42:44 | |
Good pals Charles and Charlie have danced through this Road Trip. | 0:42:45 | 0:42:49 | |
It's been an epic journey. | 0:42:49 | 0:42:52 | |
What you need is this! | 0:42:57 | 0:42:59 | |
Shop! I need a lady, please! | 0:43:09 | 0:43:11 | |
Do behave! | 0:43:11 | 0:43:13 | |
It's been a very close-run race. | 0:43:18 | 0:43:21 | |
-Going, going... -Gone! | 0:43:21 | 0:43:22 | |
But our dear boys were made for this game. | 0:43:24 | 0:43:26 | |
I've really enjoyed our Road Trip. I really have. | 0:43:26 | 0:43:29 | |
Au revoir, then. Till next time, chaps! | 0:43:30 | 0:43:33 | |
Subtitles by Red Bee Media Ltd | 0:43:53 | 0:43:56 |