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It's the nation's favourite antiques experts | 0:00:02 | 0:00:04 | |
with £200 each, a classic car and a goal to scour Britain for antiques. | 0:00:04 | 0:00:09 | |
-Going, going...gone. -Yes! -I think I've fallen in love with a brick. | 0:00:09 | 0:00:13 | |
-The aim - to make the biggest profit at auction, but it's no mean feat. -Yes! | 0:00:13 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:21 | |
-I feel antiqued out. -So will it be the high road to glory or the slow road to disaster? | 0:00:21 | 0:00:27 | |
-Charlie! -Sorry about that. | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:32 | |
It's the start of a brand-new Road Trip with a brand-new expert. | 0:00:35 | 0:00:40 | |
# Pretty woman, walking down the street... # | 0:00:40 | 0:00:44 | |
Christina Trevanion may be a Road Trip rookie, | 0:00:44 | 0:00:46 | |
but this shrewd Shrewsbury lady is the head of the jewellery department in a long-established auction house. | 0:00:46 | 0:00:53 | |
That looks a bit painful. | 0:00:53 | 0:00:55 | |
With plenty of antiques experience, she isn't afraid to use her female charms to get what she wants. | 0:00:55 | 0:01:00 | |
I'll give you a second kiss. | 0:01:00 | 0:01:03 | |
She's friendly. | 0:01:03 | 0:01:05 | |
Her competitive companion is Road Trip stalwart Charles Hanson, | 0:01:05 | 0:01:09 | |
a fully-fledged auctioneer from Derbyshire. | 0:01:09 | 0:01:12 | |
# Cos every girl's crazy 'bout a sharp-dressed man... # | 0:01:12 | 0:01:17 | |
With a passion for the traditional, an eye for detail | 0:01:17 | 0:01:20 | |
and the memory of a goldfish. | 0:01:20 | 0:01:22 | |
I've bought a really, really... What did I buy? What did I buy? Sorry. | 0:01:22 | 0:01:27 | |
Good grief! With a starting budget of £200 each, | 0:01:27 | 0:01:30 | |
young Christina and old hand Hanson are hoping to shake things up a bit. This is going to be fun. | 0:01:30 | 0:01:36 | |
You are a young lady. Maybe you can galvanise the antiques market to go hip. | 0:01:36 | 0:01:42 | |
-Hip? -Go happening. | 0:01:42 | 0:01:44 | |
Oh, lordy! | 0:01:44 | 0:01:47 | |
In this battle of the sexes, Charles and Christina will go the distance | 0:01:47 | 0:01:52 | |
in their beautiful, vintage 1969 Morris Minor | 0:01:52 | 0:01:55 | |
if they survive the delightful spring weather and the gear changes, that is. | 0:01:55 | 0:02:00 | |
CRUNCHING OF GEARS | 0:02:00 | 0:02:03 | |
-Charlie! -Sorry about that. | 0:02:03 | 0:02:05 | |
The route for the week takes our intrepid road trippers from Whaley Bridge in Derbyshire | 0:02:07 | 0:02:13 | |
over peak and dale to their final destination of Cobridge in Staffordshire, | 0:02:13 | 0:02:18 | |
covering approximately 600 miles. | 0:02:18 | 0:02:20 | |
But on this leg, our experts will start in Whaley Bridge | 0:02:20 | 0:02:24 | |
and end up at auction in Liverpool. | 0:02:24 | 0:02:27 | |
Situated in the High Peak, Whaley Bridge is a small, but vibrant town nestling in the hills | 0:02:27 | 0:02:32 | |
of the Goyt Valley. | 0:02:32 | 0:02:34 | |
I feel we might get lucky round here. This is a good place to start. | 0:02:34 | 0:02:38 | |
-Something in your waters? -Yeah, there is. | 0:02:38 | 0:02:41 | |
Hardly surprising seeing as you are on Hanson territory, but will it give him the upper hand? | 0:02:41 | 0:02:46 | |
-We're here? -You've got one small shop on the left-hand side. | 0:02:46 | 0:02:50 | |
-Have you been here before? -No, I've got no idea. -Are you sure? -Positive. | 0:02:50 | 0:02:54 | |
-There's also one big shop over there. -Right. | 0:02:54 | 0:02:56 | |
This is where you do this and you begin to feel the energy and the desire. | 0:02:56 | 0:03:01 | |
-They say small is beautiful. Do you want the small shop? -I think I'll go small. -I'll go big. | 0:03:01 | 0:03:07 | |
-I'll start small... -OK, on your marks, get set, go! | 0:03:07 | 0:03:11 | |
Stop bossing the new girl about and get along to your first shop. | 0:03:11 | 0:03:15 | |
-This is my first shop. -Yes, we know that, Charles. It's called Finders Keepers... Losers, weepers! | 0:03:15 | 0:03:21 | |
-Hello, sir. -Good morning. -Is it your shop? -It is. -I'm Charles Hanson. -Hi, Charles. My name's Paul. | 0:03:21 | 0:03:26 | |
-Paul, is that your clock? -Yes. -Is it for sale? -It is for sale. -Made in China? | 0:03:26 | 0:03:31 | |
-It's made in China in the 1960s, I presume. -Yeah, it's quite stylish. | 0:03:31 | 0:03:35 | |
You've got this wonderful, chrome outer ring which has had some tarnishing and rust. | 0:03:35 | 0:03:41 | |
I do like the way the numbers are almost in plastic, | 0:03:41 | 0:03:44 | |
the Arabic numerals. They've got a real '60s feel. | 0:03:44 | 0:03:47 | |
And what appears to almost be a Bakelite case, but it is a wooden, ebonised case. | 0:03:47 | 0:03:53 | |
Could our chap have fallen in love with this timeless timepiece? | 0:03:53 | 0:03:56 | |
-I don't like it. -Oh, no. -How much, Paul, is it? | 0:03:56 | 0:03:59 | |
-£45. -Look at me. Paul, look at me. | 0:03:59 | 0:04:02 | |
-That's cheap. -Eh? -I think that's really cheap. -It's a real gamble. | 0:04:02 | 0:04:07 | |
It's just so...awful. Not being cruel, Paul, but it is. | 0:04:07 | 0:04:10 | |
-It's just got that look. -If you hear it chime, you'll buy it. -Really? | 0:04:10 | 0:04:15 | |
-Yeah. -Would you take £30 for it? | 0:04:15 | 0:04:17 | |
How about we do this? If I get it to chime, it's 35. If I don't, it's 30. | 0:04:17 | 0:04:22 | |
So the money's on the bell. | 0:04:22 | 0:04:24 | |
-Has that overwound it? -No, it hasn't. It does that. It's fine. | 0:04:26 | 0:04:30 | |
-So if it chimes at five o'clock, it's £35? -Yeah. | 0:04:30 | 0:04:33 | |
-Going, going... -CLOCK CHIMES | 0:04:34 | 0:04:37 | |
-Sold, Paul. -Excellent. -£35. Thanks ever so much. | 0:04:37 | 0:04:41 | |
Ding-dong! And with that, it's time to head to his next shop on foot, | 0:04:41 | 0:04:45 | |
making the most of Britain in springtime. | 0:04:45 | 0:04:48 | |
Oblivious to the blizzard, Christina is getting stuck in at Whaley Bridge Antiques with owner Damien. | 0:04:48 | 0:04:55 | |
Have we got anything new and exciting? | 0:04:55 | 0:04:58 | |
-Cat badges? -I've just had... I've got cat badges. | 0:04:58 | 0:05:02 | |
There's a little box of dogs that came out of an old lady's house. | 0:05:02 | 0:05:06 | |
-Are you wanting something you can make a few quid on? -Hmm... | 0:05:06 | 0:05:10 | |
They're not old, but there are loads of them. | 0:05:10 | 0:05:13 | |
This hodge-podge of hounds even includes an egg-cup collie. Hardly pedigree, do you think? | 0:05:13 | 0:05:19 | |
-These are all resin, really. -They are, but they're very cheap. -Are they? -You're after a profit. | 0:05:19 | 0:05:25 | |
-What are we talking, "cheap"? -The box, 20 quid. | 0:05:25 | 0:05:28 | |
For a load of dogs? | 0:05:28 | 0:05:31 | |
-For a load of dogs. -That does sound cheap, but they are resin. | 0:05:31 | 0:05:36 | |
But I do like that box behind you. | 0:05:36 | 0:05:39 | |
-# Hallelujah! # -Not convinced by a box of plastic dogs, Christina has a vision. | 0:05:39 | 0:05:45 | |
-This came from a local church. -So this would have been an alms box. | 0:05:45 | 0:05:49 | |
The 19th century alms box was used to collect cash for the poor. | 0:05:49 | 0:05:53 | |
There's a lovely groove on the top where the people have put the money in. | 0:05:53 | 0:05:58 | |
Yeah, it just looks worn and tactile. It's lovely. I like that. | 0:05:58 | 0:06:03 | |
-Yeah. -How much is that? -90 quid. | 0:06:03 | 0:06:05 | |
-£90? That sounds like a lot of money. -I know. | 0:06:05 | 0:06:08 | |
That's almost half of her budget. | 0:06:08 | 0:06:10 | |
-At auction, I see that at maybe £40 to £60. -Right. | 0:06:10 | 0:06:16 | |
-Yeah. -So what can you do me that's quite close to that? | 0:06:16 | 0:06:19 | |
She's a trier all right, but then so is he. | 0:06:19 | 0:06:23 | |
Well, it might cost you a kiss, but you can have it for £60. | 0:06:23 | 0:06:28 | |
-Cheeky! -A kiss for £60? | 0:06:28 | 0:06:30 | |
-Go on, 40. -No, 60. | 0:06:31 | 0:06:34 | |
-That's what it cost me. -Is it? -Yeah. | 0:06:34 | 0:06:36 | |
Well, surely, I should be paying 40 and then you get £20 for a kiss. | 0:06:36 | 0:06:41 | |
Surely! I'm not selling my kisses cheap. | 0:06:41 | 0:06:44 | |
A peck on the cheek is all I ask for. My wife will be watching. | 0:06:44 | 0:06:48 | |
I think your wife needs to watch you a bit closer, Damien. | 0:06:48 | 0:06:51 | |
I love it, but I think it's a bit rich. I don't think I'll make any money out of it. | 0:06:51 | 0:06:55 | |
-What can we throw in for £60? -60 and take the box of resin dogs. | 0:06:55 | 0:07:01 | |
-They don't... -You'll make something out of those. -Yeah, like a bonfire, eh? Woof! | 0:07:01 | 0:07:07 | |
-50. -I can't take 50... | 0:07:07 | 0:07:10 | |
50 and the dogs. Go on, go on. | 0:07:10 | 0:07:13 | |
Go on. And you're my first one. | 0:07:13 | 0:07:15 | |
You're my first, first one. | 0:07:15 | 0:07:18 | |
-Go on. £50? -£50. | 0:07:19 | 0:07:21 | |
-Sure? -The box and a kiss. | 0:07:21 | 0:07:24 | |
-If we said £49 on the box and £1 for the dogs... -Absolutely fine. -Is that all right? -Yes. | 0:07:24 | 0:07:30 | |
-I'll give you a second kiss. -Good luck. -Fresh! -Thank you very much. You're a star. My first one down! | 0:07:30 | 0:07:37 | |
With Christina up and running, Charles can now try his luck with the dashing Damien. | 0:07:38 | 0:07:44 | |
Pucker up, Carlos! | 0:07:44 | 0:07:46 | |
-Good morning. -Good morning. -How are you? Charles Hanson. -Damien Wylde. -Good to see you. | 0:07:46 | 0:07:52 | |
You've got some really good things. You've got some coins, some nice flatware. There's everything here. | 0:07:52 | 0:07:58 | |
-Where do I start? -Have a look round and shout out if you want anything. We'll see what we can do. | 0:07:58 | 0:08:03 | |
-Thanks, Chris. -Chris? Who's Chris? -Damien. -Sorry, Damien. | 0:08:03 | 0:08:08 | |
He never was one for names, old Charles. | 0:08:08 | 0:08:10 | |
-What you've got here is a silkwork. -It's silkwork. | 0:08:10 | 0:08:14 | |
It's probably been done in the 1880s. | 0:08:14 | 0:08:16 | |
What is so nice, you've got battles going back to the Peninsula, the Waterloo, Inkerman... | 0:08:16 | 0:08:22 | |
-What a nice thing! -The silkwork is for the Royal Lancastrian Regiment | 0:08:22 | 0:08:27 | |
and commemorates the battles they've taken part in, but it looks like it's been through the wars itself. | 0:08:27 | 0:08:34 | |
This, I love. What really puts me off is this condition. | 0:08:34 | 0:08:37 | |
-How much is it? -I've got 60 on it. -Yeah. | 0:08:37 | 0:08:40 | |
However, as it's you, how about 25 quid? | 0:08:40 | 0:08:44 | |
-You can't? Crikey me! -Temptress. -Crikey me! | 0:08:44 | 0:08:47 | |
It's your lucky day, Carlos. Quick, kiss him! | 0:08:47 | 0:08:50 | |
-They say, amongst Derbyshire people, you can do a deal. That is one good deal. -You'll make money at that. | 0:08:50 | 0:08:56 | |
It might well make money, Damien, but young Charles has been distracted by a George III chest. | 0:08:56 | 0:09:02 | |
And he does love his drawers. | 0:09:02 | 0:09:04 | |
-The chest of drawers... -You like the chest of drawers? -I do. | 0:09:04 | 0:09:08 | |
Three short and three long drawers on this blade feet. | 0:09:08 | 0:09:12 | |
-This is 1790, 1800, lovely colour. -The boards are good on the back. | 0:09:12 | 0:09:16 | |
Yeah. The scars of a patina which has been there for two centuries. | 0:09:16 | 0:09:21 | |
These handles aren't original. They don't look the most attractive. | 0:09:21 | 0:09:26 | |
-It should have little, round, wooden handles. -I like the chest because it's period. | 0:09:26 | 0:09:31 | |
-I also like the... -The silkwork, the colours. -But I think the silkwork is too ropey in its condition. | 0:09:31 | 0:09:37 | |
-Yes. -Which leaves me with one big chest. -Yeah. -It's here, Chris. | 0:09:37 | 0:09:41 | |
Damien! | 0:09:41 | 0:09:43 | |
What's the best price? | 0:09:43 | 0:09:44 | |
Well, you see, I've got 320 on it. | 0:09:44 | 0:09:46 | |
-For this? -Yeah. | 0:09:46 | 0:09:49 | |
I'm going to charge you £180 and I'm going to throw the Lancaster colours in. Now shake my hand. | 0:09:49 | 0:09:55 | |
I'd love to buy the chest, Chris. | 0:09:56 | 0:09:57 | |
Damien! | 0:09:57 | 0:09:59 | |
Sorry, Damien. Damien, I'd love to buy the chest. | 0:09:59 | 0:10:02 | |
I think the chest is worth 100 to 150. | 0:10:02 | 0:10:05 | |
I'd like to pay you 20, 40, 60, 80... £100. | 0:10:05 | 0:10:12 | |
Another 20 and we've got a deal. | 0:10:12 | 0:10:14 | |
-Which is 20 for the chest and for the picture? -Just for the chest. | 0:10:14 | 0:10:19 | |
I feel, Chris... | 0:10:19 | 0:10:20 | |
Damien! Crikey! | 0:10:20 | 0:10:22 | |
Damien, sorry. I feel it's a chest, Damien, which at auction is worth 100 to 150, so I'll leave it. | 0:10:22 | 0:10:29 | |
-I tell you what we'll do. -Yes? -Take the chest of drawers for 100. | 0:10:29 | 0:10:33 | |
-Don't say that to me now. -Yeah, take it. -The roller-coaster of the romance of the Road Trip. | 0:10:33 | 0:10:39 | |
If you had remembered his name and offered him a kiss, you might have got there a bit quicker, Carlos. | 0:10:39 | 0:10:44 | |
And if I said for Queen and country, here's an extra £20... | 0:10:44 | 0:10:49 | |
-Yes. -And I'll take the picture as well. -Yes, you can. | 0:10:49 | 0:10:52 | |
-We've got a deal. So that's £120 all in. -All in. | 0:10:52 | 0:10:55 | |
For the picture and the chest. Are you happy? | 0:10:55 | 0:10:57 | |
The chest is brilliant. | 0:10:57 | 0:10:59 | |
I think that'll do two easy. | 0:10:59 | 0:11:00 | |
It's a wonderful Georgian chest and if you can't buy history for history's sake | 0:11:00 | 0:11:05 | |
-with a passion for what you enjoy, when can you? -It's shabby chic. Enjoy, my friend. -Thanks, Damien. | 0:11:05 | 0:11:11 | |
-There's your 120. -Thank you. | 0:11:11 | 0:11:13 | |
Blimey, that's half his budget on the chest alone! He's bold, that boy! | 0:11:13 | 0:11:17 | |
At last, spring has sprung and just down the road, Christina has wasted no time at all in the shop | 0:11:17 | 0:11:24 | |
where Charles bought his swinging '60s clock from Paul. Stand by. | 0:11:24 | 0:11:28 | |
I do like the Schweppes box. | 0:11:28 | 0:11:30 | |
Everybody wants to buy the Schweppes box, but I like to keep them in the shop just to contain things. | 0:11:30 | 0:11:36 | |
-Obviously, they're in keeping. -I like that a lot. | 0:11:36 | 0:11:39 | |
-You want to keep it? -I do. -There's a challenge. | 0:11:39 | 0:11:42 | |
-Uh-oh! -No price would tempt you? -Maybe. Everything's got a price. | 0:11:42 | 0:11:46 | |
But if I had to let it go, £25. | 0:11:46 | 0:11:49 | |
-And the contents? -No, I don't think so. | 0:11:49 | 0:11:53 | |
-Go on, the contents and the box for £25. -I don't think so. Charles said I had to watch out for you. | 0:11:53 | 0:12:00 | |
-I can see why now. -Cheeky monkey! | 0:12:00 | 0:12:03 | |
Word travels fast in Whaley Bridge. Go easy on him, girl. | 0:12:03 | 0:12:07 | |
Would you let it go for any less? | 0:12:07 | 0:12:09 | |
-The bottom price would be 20. -I'm not going to make any money on it at 20 quid. -She's a terrier. | 0:12:11 | 0:12:16 | |
-A fiver? -LAUGHTER | 0:12:16 | 0:12:18 | |
-Please. -No. | 0:12:19 | 0:12:21 | |
Would you take any less? | 0:12:21 | 0:12:24 | |
Would you buy it at 15? | 0:12:24 | 0:12:27 | |
Over to you now, isn't it? | 0:12:27 | 0:12:29 | |
I'd give you ten quid now for it. | 0:12:29 | 0:12:31 | |
-What about the other fiver? -No. I don't think I've got another fiver. | 0:12:33 | 0:12:38 | |
£150 at the last count, actually. | 0:12:38 | 0:12:41 | |
-Go on, a tenner. It's fun. -Not for Paul, it isn't. | 0:12:41 | 0:12:45 | |
A tenner. Go on. | 0:12:45 | 0:12:47 | |
He's crumbling. Leave the shirt on his back, girl. | 0:12:47 | 0:12:50 | |
-Go on. -OK, but... | 0:12:50 | 0:12:52 | |
-But? -Deal. -Yeah? -Is it a deal? | 0:12:52 | 0:12:55 | |
Is it a deal? There was a "but" there somewhere. | 0:12:55 | 0:12:58 | |
There is a "but". I'd just like to apologise to all my customers that have tried to buy the crate. | 0:12:58 | 0:13:04 | |
-Has it been very popular? -Yeah, absolutely. | 0:13:04 | 0:13:06 | |
-They can come to the auction. -Absolutely. | 0:13:06 | 0:13:09 | |
-It's a deal. -It's a deal. -Thank you, Paul. You're a legend. | 0:13:09 | 0:13:13 | |
-Do I get the contents? -No, sorry. -It was worth a try. | 0:13:13 | 0:13:17 | |
Quit while you're ahead, young lady. | 0:13:17 | 0:13:19 | |
With three lots already under his belt, young Charles has made tracks | 0:13:19 | 0:13:23 | |
to Manchester for an arresting experience. | 0:13:23 | 0:13:26 | |
The Greater Manchester Police Museum is housed | 0:13:28 | 0:13:31 | |
in one of the city's earliest police stations, painstakingly restored | 0:13:31 | 0:13:36 | |
to reflect the realities of policing at the turn of the 19th century. | 0:13:36 | 0:13:40 | |
An offshoot of the town council, Greater Manchester Police Force was formed in 1839, | 0:13:40 | 0:13:46 | |
ten years after the Peelers of London. | 0:13:46 | 0:13:49 | |
One of the earliest forces, it was met with suspicion and resistance. | 0:13:49 | 0:13:54 | |
Punishments were harsh and often outweighed the crimes. | 0:13:54 | 0:13:58 | |
Charles is meeting curator Duncan Broady to find out more. | 0:13:58 | 0:14:01 | |
-Nice to meet you. -Charles Hanson. I feel like saying, "It wasn't me." | 0:14:01 | 0:14:06 | |
It's quite daunting. I can see some handcuffs over there. | 0:14:06 | 0:14:09 | |
And clearly, it's all in keeping to what was then, | 0:14:09 | 0:14:13 | |
back in the 1870s, real punishment. | 0:14:13 | 0:14:16 | |
The tricky part was once you made the arrest, you had to walk through the streets with your prisoner. | 0:14:16 | 0:14:22 | |
You had no van or car to collect you, so handcuffs were vital to make sure that the person couldn't escape. | 0:14:22 | 0:14:28 | |
So here I am at the desk back in 1879 | 0:14:28 | 0:14:31 | |
and I could be brought in for some probably quite minor crimes. | 0:14:31 | 0:14:35 | |
Yes, indeed. | 0:14:35 | 0:14:37 | |
-It could be "drunk and incapable". -Yes. -Or "drunk and disorderly". | 0:14:37 | 0:14:42 | |
-It wasn't me. -Or there was even one that the Manchester Police had | 0:14:42 | 0:14:46 | |
which was "drunk and refusing to fight". | 0:14:46 | 0:14:48 | |
This was somebody in such a state of intoxication | 0:14:48 | 0:14:51 | |
that they couldn't even summon the strength to fight the officer before they were arrested. | 0:14:51 | 0:14:57 | |
I'm quite a coward, so maybe that's me in that regard. But I'm no drunk. Can you tell? | 0:14:57 | 0:15:02 | |
Of course not, Carlos. But if you did tipple too much, | 0:15:02 | 0:15:06 | |
there's one place where you could've ended up - in the chokey. | 0:15:06 | 0:15:09 | |
In these cells, you would spend the night before going to court the next day to the magistrates. | 0:15:09 | 0:15:15 | |
-So that's why there's only four cells? -Four cells, but as many as 12 people per cell on a busy night. | 0:15:15 | 0:15:21 | |
-12 per cell? -Yes. -And I can see my name is up there as well, Duncan. | 0:15:21 | 0:15:25 | |
-Yes, we have it on the board there. -It wasn't me. -I think you need to go inside, Charles. | 0:15:25 | 0:15:31 | |
Charles Samuel Hanson, you are hereby charged and will be suitably detained at Her Majesty's pleasure. | 0:15:31 | 0:15:38 | |
It's actually quite comfortable. | 0:15:38 | 0:15:41 | |
It's like almost being on a plastic sun lounger. | 0:15:41 | 0:15:45 | |
But I think, after a while, you would become slightly uncomfortable. | 0:15:46 | 0:15:51 | |
-I do hope someone remembers to free the Road Trip One. -Let me out. -Ah! | 0:15:51 | 0:15:56 | |
After playing his "get out of jail" card, | 0:15:56 | 0:15:59 | |
Charles and Christina are back together and heading to Southport. | 0:15:59 | 0:16:03 | |
Founded in 1792, Southport was originally sparsely populated | 0:16:03 | 0:16:08 | |
and dominated by sand dunes, | 0:16:08 | 0:16:10 | |
but that all changed at the turn of the 19th century with the onset of the Industrial Revolution | 0:16:10 | 0:16:17 | |
and the influx of day-trippers who came to enjoy the seaside in the sunshine. No time to paddle today. | 0:16:17 | 0:16:22 | |
Christina may be the new kid on the block | 0:16:22 | 0:16:26 | |
but she sure knows how to haggle. | 0:16:26 | 0:16:28 | |
With £140 in her pocket, she's now at the Royal Arcade. | 0:16:28 | 0:16:32 | |
Oh, my goodness! | 0:16:32 | 0:16:34 | |
-Hello. -Hello. -Hi, I'm Christina. Nice to meet you. -Nice to meet you too. Welcome to Southport. | 0:16:34 | 0:16:39 | |
-Thank you very much. It's Caroline? -Caroline. -Caroline and Christina. Goodness me! | 0:16:39 | 0:16:45 | |
-Where do I start? -Help yourself. -Browse away, OK. | 0:16:45 | 0:16:48 | |
With 60 different dealers under one roof, there's plenty to choose from. | 0:16:48 | 0:16:53 | |
There's so much. | 0:16:54 | 0:16:56 | |
You'd be moaning if there wasn't. Come on, Christina. Chop-chop! | 0:16:56 | 0:17:01 | |
This is really quite unusual with this yellow glazing. | 0:17:01 | 0:17:04 | |
I've not seen one with that bright colour before and, to a collector, that could be quite interesting. | 0:17:04 | 0:17:11 | |
Christina has spotted a limited edition piece of Prattware, | 0:17:11 | 0:17:15 | |
issued as a souvenir from the British Empire Exhibition of 1924, courtesy of stall-owner Roy. | 0:17:15 | 0:17:21 | |
That's quite fun and unusual with the yellow, really unusual. | 0:17:21 | 0:17:24 | |
-It is, yeah. -I quite like that. | 0:17:24 | 0:17:27 | |
-That little crack in there worries me slightly. -Probably just a firing crack. | 0:17:27 | 0:17:32 | |
Yeah, we've got a crack in there. | 0:17:32 | 0:17:35 | |
It's been extended there. What's your price on that one? | 0:17:35 | 0:17:39 | |
The very bottom figure would be 66. | 0:17:39 | 0:17:42 | |
£66? | 0:17:42 | 0:17:44 | |
-Here she goes. -Could you do it for 60? | 0:17:44 | 0:17:46 | |
-No. -Go on. -I can't. -Go on. | 0:17:46 | 0:17:49 | |
£60 would be brilliant. I'd be happy at 60. | 0:17:49 | 0:17:52 | |
-65 would be... That would be it. -65? | 0:17:52 | 0:17:56 | |
It looks like she's met her match. | 0:17:56 | 0:17:58 | |
65... Go on then. | 0:17:58 | 0:18:00 | |
-Let's go £65. I'll shake on that with you. £65 and wish me lots of luck. -All the best. -I'll need it. | 0:18:00 | 0:18:06 | |
And once she starts, there's no stopping her. | 0:18:06 | 0:18:10 | |
-"Very rare piece, Art Deco at its best." I like that. -It's quite different. -Yeah. | 0:18:10 | 0:18:15 | |
It's quite fun. I like that. | 0:18:15 | 0:18:18 | |
The Art Deco cigarette or cheroot holder has a price tag of £36, | 0:18:18 | 0:18:23 | |
but Christina is hoping she can get the price down to £15 with a phone call to the absentee stall-owner. | 0:18:23 | 0:18:29 | |
-Will you do 20? -I just don't see it at a profit at 20. | 0:18:29 | 0:18:33 | |
She doesn't think she'll make the profit. He'll meet you halfway at 18. | 0:18:33 | 0:18:37 | |
-Halfway? -Halfway? | 0:18:37 | 0:18:39 | |
-15, please, would be brilliant. -She's begging now. She's on her knees. 15? | 0:18:39 | 0:18:44 | |
-OK, it's a winner. -Yay! Brilliant. | 0:18:44 | 0:18:47 | |
All right. Bye, Paul. Bye. | 0:18:47 | 0:18:49 | |
-Fantastic. -There we go. How was that? -Art Deco at its best. | 0:18:49 | 0:18:53 | |
Well done. Fantastic. You're a lady of negotiation skills. Can I take her with me? She's brilliant. | 0:18:53 | 0:18:59 | |
No, you cannot. Leave her alone. | 0:18:59 | 0:19:01 | |
Lovely. Thank you. | 0:19:01 | 0:19:02 | |
Meanwhile, just down the road, her rival Carlos is in John Nolan Antiques - | 0:19:02 | 0:19:07 | |
where he is really up against it. | 0:19:07 | 0:19:10 | |
John, I might need your help. I've got £45 to spend. | 0:19:10 | 0:19:14 | |
-Time is the essence. -You want me to choose something for you? | 0:19:14 | 0:19:17 | |
-I love these, but these are too much, aren't they? -There's a pair of those. | 0:19:17 | 0:19:21 | |
They're lead-glazed earthenware and they're quite nice. | 0:19:21 | 0:19:25 | |
-Are they drug jars? -They are, yes. They come from a chemist. | 0:19:25 | 0:19:29 | |
-They're almost like a Whieldon glaze. -They're beautiful. | 0:19:29 | 0:19:33 | |
Whieldon glaze, after the 18th century potter Thomas Whieldon, | 0:19:33 | 0:19:37 | |
is a brown earthenware effect, usually achieved with manganese oxide, | 0:19:37 | 0:19:42 | |
but with a price tag of £90 for the pair, they might not turn out to be best-sellers. | 0:19:42 | 0:19:47 | |
-I bought them in about 1980 in Liverpool. -Yeah. | 0:19:47 | 0:19:51 | |
-And I've still got these... -Really? -..in 2013. | 0:19:51 | 0:19:55 | |
-So you've had these in your shop... -I've had those in my shop for the best part of... -33 years? Oh, my! | 0:19:55 | 0:20:01 | |
That means one thing to me - cash them in, get them sold. | 0:20:01 | 0:20:05 | |
-I'll tell you what. I'll keep one. -Yes. -It'll be a remembrance of your visit. -Yeah. | 0:20:05 | 0:20:10 | |
And you have one. £45 and we've done a deal. | 0:20:10 | 0:20:14 | |
But you know, John, sometimes in life, in love, you don't want to break up. You want to stay together. | 0:20:14 | 0:20:21 | |
You don't want to get divorced. They've been together here in your shop since 1980. | 0:20:21 | 0:20:26 | |
Wouldn't you want to say goodbye to them both and say, | 0:20:26 | 0:20:29 | |
"Goodbye, missus, goodbye, mister, let's wave them both off together?" | 0:20:29 | 0:20:33 | |
-John, look at me. -At £45, they're a good buy. | 0:20:33 | 0:20:36 | |
-For the pair? -Goodbye. They're yours. -Are you being serious? -Yes. -You've bought them. | 0:20:36 | 0:20:42 | |
Ha! BOGOF, eh? Buy one, get one free. | 0:20:42 | 0:20:44 | |
For £45, let's take them on. | 0:20:44 | 0:20:47 | |
-OK, you'll be known as the man who sold these. -Who bought something which maybe was a big mistake. | 0:20:47 | 0:20:53 | |
And with that, Charles has spent every penny of his £200 budget | 0:20:53 | 0:20:58 | |
and the shopping is all wrapped up for our experts. | 0:20:58 | 0:21:00 | |
Christina started out with £200 and has spent £140 on five lots, | 0:21:02 | 0:21:06 | |
consisting of a pine alms box, a selection of dog ornaments, | 0:21:06 | 0:21:11 | |
a soft drinks advertising crate, | 0:21:11 | 0:21:13 | |
a Pratt pot lid and base and an Art Deco cigarette holder. | 0:21:13 | 0:21:18 | |
Ooh, a thrifty little cash reserve of £60 to boot. | 0:21:18 | 0:21:22 | |
Charles also started with £200 but he's blown the lot on four lots - | 0:21:22 | 0:21:27 | |
a risky strategy, but will it pay off? | 0:21:27 | 0:21:29 | |
He bought a retro clock, a chest of drawers, | 0:21:29 | 0:21:33 | |
a Victorian military silkwork and a pair of pottery jug jars. | 0:21:33 | 0:21:38 | |
Now, this is the bit where you tell us what you really think of each other's items. | 0:21:38 | 0:21:42 | |
I love how Charlie's antiques are a complete reflection of him. | 0:21:42 | 0:21:46 | |
He's gone completely wacky with his clock, which is Charlie through and through. | 0:21:46 | 0:21:50 | |
He has spent a lot of money, so we'll see what happens on the day. | 0:21:50 | 0:21:54 | |
The dogs, I know, are a girl's best friend and also a man's best friend. | 0:21:54 | 0:21:59 | |
They are a nice pack of dogs, but they're not Beswick, they're not Doulton. They're just ornamental. | 0:21:59 | 0:22:04 | |
Next time, Christina, put a bit more oomph into the whole aspect of buying collectable. | 0:22:04 | 0:22:10 | |
I think they're so cheap, even I would have said "no". | 0:22:10 | 0:22:14 | |
Really? There's only one way to find out who's bought best, | 0:22:14 | 0:22:17 | |
as they head off to auction 18 miles south in the city of Liverpool. | 0:22:17 | 0:22:22 | |
# Pigeons, widgeons, seagulls, sparrows | 0:22:22 | 0:22:24 | |
# All the birds come here to nest... # | 0:22:24 | 0:22:26 | |
Liverpool may be famed for its Liver Birds, but it's the Liver Dogs that are bothering Charles. | 0:22:26 | 0:22:31 | |
How much is that doggy in the window? | 0:22:31 | 0:22:34 | |
-Those dogs are so cheap and I know they're going to woof away. -I don't know about that. | 0:22:34 | 0:22:39 | |
That's giving me a bit of a worry. | 0:22:39 | 0:22:41 | |
Our experts go head-to-head at Adam Partridge Auctioneers & Valuers. | 0:22:41 | 0:22:45 | |
Today's sale is an antiques, collectors' items and specialist maritime auction. | 0:22:45 | 0:22:51 | |
How exciting! It's very nerve-racking, isn't it? | 0:22:51 | 0:22:54 | |
It's my nervous energy. | 0:22:55 | 0:22:56 | |
Over to today's auctioneer, Adam Partridge. | 0:22:56 | 0:22:59 | |
First up for Charles, it's the George III chest, | 0:22:59 | 0:23:04 | |
but will it be a drawer for both the saleroom and the online bidders? | 0:23:04 | 0:23:08 | |
-Handsome-looking chest... -Handsome-looking chest. | 0:23:08 | 0:23:11 | |
-Give me 60? 50, I have. At £50. 55 now? -Come on. | 0:23:11 | 0:23:15 | |
-At £50. Where's 5? Online at 55. -Online. It's going to Jamaica! | 0:23:15 | 0:23:20 | |
-70? 70 bid. -Keep going. -At 5. 80? 80 bid. At 5 now? | 0:23:20 | 0:23:24 | |
-85 online. -Keep going. -Worth more. 90 bid. At £90. -Keep going. | 0:23:24 | 0:23:28 | |
-At 5 online, 95. -Good. -At 95, it's still cheap. | 0:23:28 | 0:23:31 | |
-Come on, it's cheap. -At 95. Give me 100? -Come on. | 0:23:31 | 0:23:35 | |
-100. -Keep going. -110, sir? 100 only. | 0:23:35 | 0:23:37 | |
-Go on. -110's online. -Yes! -Well done. -It needs one more to break even. | 0:23:37 | 0:23:42 | |
-It is cheap. -Is there any more? At £110. | 0:23:42 | 0:23:45 | |
110. Come on. At £110. Any advance now? | 0:23:45 | 0:23:49 | |
At £110. Anyone else? | 0:23:49 | 0:23:52 | |
I'm off and running, going, going, going... | 0:23:52 | 0:23:55 | |
-Gone! 110. -Well done. -Which means I've lost a fiver. Happy days(!) | 0:23:55 | 0:23:59 | |
It might be a £10 profit, but that will be wiped out | 0:23:59 | 0:24:03 | |
once the commission is paid. | 0:24:03 | 0:24:04 | |
First up for Christina, it's the 19th century pine alms box | 0:24:04 | 0:24:08 | |
with religious inscription. Let us pray! | 0:24:08 | 0:24:12 | |
I'm starting at 25. I'll take 30. And 5. And 40. | 0:24:12 | 0:24:15 | |
And 5. And 50. Lady's bid, 50. 5 behind. | 0:24:15 | 0:24:19 | |
60 now. 65. | 0:24:19 | 0:24:21 | |
70. 75. 80. | 0:24:21 | 0:24:24 | |
-Keep going. Keep going. Go on. -75. I'll take 80 somewhere? | 0:24:24 | 0:24:29 | |
Final chance. We're selling at the back of the room at £75 in white... | 0:24:29 | 0:24:33 | |
You are on the road and you've just blown away the master. Well done. | 0:24:33 | 0:24:38 | |
A handsome mark-up. Christina proves she's not green about the gills. | 0:24:38 | 0:24:43 | |
Back to Charles now and his next timely offering. | 0:24:43 | 0:24:47 | |
-£20, the clock. It must be worth that. -It must be worth that. | 0:24:47 | 0:24:51 | |
-It's got the style, it's got the look. It swings. -Very stylish. | 0:24:51 | 0:24:55 | |
-Sir, do you like it? -£20? -No. -Give me 10 then. | 0:24:55 | 0:24:58 | |
Let's see some bidding. 10. And 15, sir. And 20. Have another one. | 0:24:58 | 0:25:02 | |
-It's 20 in the cap. At £20. -I'm in trouble. | 0:25:02 | 0:25:05 | |
It's in the middle at £20. Anyone else? At 20. | 0:25:05 | 0:25:08 | |
-Are you all done? -It swings. -At £20, the clock at 20. Any more? | 0:25:08 | 0:25:13 | |
-It's fine. -When you hear that bang, | 0:25:15 | 0:25:18 | |
it's like nailing a nail into a coffin. | 0:25:18 | 0:25:21 | |
For whom the bell tolls, Carlos. The clock fails to strike a note with the bidders. | 0:25:21 | 0:25:26 | |
It didn't swing so much as... Swung. | 0:25:26 | 0:25:29 | |
They say swing high, swing low and that swung low. | 0:25:29 | 0:25:32 | |
The drinks will be on Christina if she can repeat her success | 0:25:32 | 0:25:36 | |
-with the pine advertising crate. -£20, the crate? | 0:25:36 | 0:25:39 | |
-£20? -He's got £20. | 0:25:39 | 0:25:41 | |
-No, he hasn't... -I've got 10 bid. I'll take 15. | 0:25:41 | 0:25:44 | |
At 15 here. £15, the crate here. | 0:25:44 | 0:25:46 | |
-At £15. Any more? At £15. -Well done. | 0:25:46 | 0:25:49 | |
-At £15... -Come on, Adam. -You've done it. | 0:25:49 | 0:25:52 | |
-Anyone else? -You haven't made a loss yet. -20 at the back there. 5 now? | 0:25:52 | 0:25:56 | |
25. And 30? 25 down here in the cap. | 0:25:56 | 0:26:00 | |
-£25. Last chance? -I like it. -At £25 in the cap then... -What a man! | 0:26:00 | 0:26:05 | |
-I don't believe it! -Schweet! | 0:26:06 | 0:26:10 | |
Next up for Charles, it's the Victorian military silkwork, | 0:26:10 | 0:26:14 | |
but will it help win the battle? | 0:26:14 | 0:26:16 | |
-There we go. -It's started. I've come alive. | 0:26:16 | 0:26:19 | |
-At £20. -Come on, come on, come on. | 0:26:19 | 0:26:21 | |
-It's surely worth a bit more. 25. -Yes! | 0:26:21 | 0:26:24 | |
-30 bid. 5? -One for the road! -£30. Anyone else now? | 0:26:24 | 0:26:28 | |
-At 30... Thanks for coming. -Quite right. Hey, that's my line! | 0:26:28 | 0:26:33 | |
Anyone else? It's not expensive at £30. We'll sell at £30 then... | 0:26:33 | 0:26:37 | |
Brilliant. That's £10 profit. I'm back in business. | 0:26:39 | 0:26:42 | |
Not a storming victory, but a profit nonetheless. | 0:26:42 | 0:26:46 | |
Next up for Christina is that rather unusual Pratt pot lid and base. | 0:26:46 | 0:26:50 | |
I'm bid £30. I'll take 5 now. 30 bid. 5. 40. | 0:26:50 | 0:26:53 | |
40 with me here. At £40. Any more now? | 0:26:53 | 0:26:57 | |
-At £40, it's my bid. -Come on! -I'll take 5 in the room. | 0:26:57 | 0:27:01 | |
-Are you all done then? -No! -He's trying. | 0:27:01 | 0:27:04 | |
We're selling at £40 for the lid with base... | 0:27:04 | 0:27:07 | |
Ouch! | 0:27:08 | 0:27:11 | |
Christina's luck runs out as she makes her first loss | 0:27:11 | 0:27:14 | |
which means Charles could be in with a shout. | 0:27:14 | 0:27:17 | |
Come on, Carlos, time to play catch-up with your next lot, | 0:27:17 | 0:27:21 | |
the pair of Whieldon-style pottery jars. | 0:27:21 | 0:27:24 | |
-Give me £100 for them? -Come on. -£100 for these? -Come on. | 0:27:24 | 0:27:27 | |
-80? -Come on. -Come on. | 0:27:27 | 0:27:29 | |
£80? 60? Someone give me £50 to start off? £50? | 0:27:29 | 0:27:33 | |
-50. -You've got a bid. | 0:27:33 | 0:27:36 | |
-I'm off and running. -And in profit at your first bid. -I'm delighted. | 0:27:36 | 0:27:39 | |
-£50. Where's 5 now? Online or in the room? -There's got to be another bid. | 0:27:39 | 0:27:45 | |
-Come on, online. They are cheap. -At 50. -I think they're cheap. -Anyone? | 0:27:45 | 0:27:50 | |
If they make 50, I'm making a big loss. | 0:27:50 | 0:27:52 | |
-I have to pay commission. -We're selling at £50... | 0:27:52 | 0:27:56 | |
Oh, oh... I've been shot, I've been shot. The gavel's down. | 0:27:56 | 0:28:01 | |
Young Carlos takes another blow in the battle of the sexes | 0:28:01 | 0:28:04 | |
as once again, the tiny profit will be wiped out by commission. | 0:28:04 | 0:28:09 | |
Some might think Christina is barking mad | 0:28:09 | 0:28:12 | |
with this next little lot. | 0:28:12 | 0:28:14 | |
Always popular. Bid me £10 for this canine collection? | 0:28:14 | 0:28:19 | |
-£10 online. At £10. I'll take 15? -£10! -10 is bid, internet. | 0:28:19 | 0:28:22 | |
At £10. At £10. | 0:28:22 | 0:28:25 | |
-Come on! -Anyone else for these, surely? -Sell them. | 0:28:25 | 0:28:29 | |
-More, more, more! -We're selling online then at... | 0:28:29 | 0:28:31 | |
-15 seated. 15 on the sofa. -15. -At £15 then. | 0:28:31 | 0:28:36 | |
£15. Selling at... 20 online. | 0:28:36 | 0:28:38 | |
-Oh, no! -£20. 5 in the room. 25 in the room this time. | 0:28:38 | 0:28:42 | |
-25?! -At £25. You're all out. It's this side now. | 0:28:42 | 0:28:46 | |
-At £25... -It's slightly embarrassing. -That's fantastic. | 0:28:46 | 0:28:50 | |
I don't believe it. £25. Put it there. Put it there. | 0:28:50 | 0:28:54 | |
A tail-wagging profit | 0:28:56 | 0:28:58 | |
as newbie Christina teaches old dog Hanson some new tricks. | 0:28:58 | 0:29:02 | |
You are in... What are you in? You're in the money. | 0:29:02 | 0:29:05 | |
-Not hugely yet. -You're in the money. | 0:29:05 | 0:29:07 | |
One lot to go. | 0:29:07 | 0:29:09 | |
Christina's final lot is the Art Deco cigarette holder, | 0:29:11 | 0:29:14 | |
but will it leave her with a smoking profit? | 0:29:14 | 0:29:17 | |
Bid me £10? | 0:29:17 | 0:29:19 | |
Oh, it's all gone quiet. Come on, come on, come on. | 0:29:19 | 0:29:23 | |
-Yes, sir. -10 is bid. -10 online. | 0:29:23 | 0:29:26 | |
-At £10. -Well done. -Thank God! | 0:29:26 | 0:29:28 | |
-At £10. Anyone else? -Come on, one more, one more. | 0:29:28 | 0:29:31 | |
-On a cheroot holder modelled with a crouching cat. -Keep it there. | 0:29:31 | 0:29:35 | |
-Selling online at a tenner... -There goes the cat. -Is that good? | 0:29:35 | 0:29:39 | |
It might be. | 0:29:39 | 0:29:41 | |
-At £10... -One more, one more. | 0:29:41 | 0:29:43 | |
Well done. Well done, partner. Well done. | 0:29:44 | 0:29:48 | |
You can't win 'em all, Christina, | 0:29:48 | 0:29:50 | |
a lesson that you'll learn well here on the Road Trip. Just ask Charles. | 0:29:50 | 0:29:55 | |
All I know is that you won today and I'm playing catch-up. | 0:29:55 | 0:29:59 | |
-The first and last time, don't worry. -Hanson is playing catch-up. | 0:29:59 | 0:30:03 | |
-When the going gets tough... -Go and have a cup of tea. -Yeah. | 0:30:03 | 0:30:06 | |
Charles Hanson started this leg with £200 and after auction costs, | 0:30:06 | 0:30:11 | |
he has made a loss of £27.80, | 0:30:11 | 0:30:14 | |
sending him through to the next round with a less than satisfying £172.20. | 0:30:14 | 0:30:20 | |
Newcomer Christina Trevanion also started with £200. | 0:30:22 | 0:30:26 | |
After costs, she has made a profit of £3.50... Wow! | 0:30:26 | 0:30:30 | |
..taking her total to £203.50 and she claims the first victory of this Road Trip. | 0:30:30 | 0:30:37 | |
-On to... -Manchester. | 0:30:37 | 0:30:40 | |
-You know, if I can't make money in Manchester... -Yeah? -..when can I? -Yeah, baby. -Yes, baby. | 0:30:40 | 0:30:46 | |
'On this leg, they'll travel from Manchester, | 0:30:48 | 0:30:51 | |
'making their way to auction in Birkenhead, on the Wirral.' | 0:30:51 | 0:30:55 | |
'The world's first industrialised city, | 0:31:00 | 0:31:03 | |
'Manchester is today famed for its music, sport and culture. | 0:31:03 | 0:31:07 | |
'But it's shopping for antiques that brings our experts here.' | 0:31:08 | 0:31:12 | |
-CAR DOOR SLAMS -OK, I'll race you in. | 0:31:12 | 0:31:14 | |
'Well, with just £172.20 to your name, you do have some catching up to do, Charles.' | 0:31:14 | 0:31:19 | |
'The Levenshulme antiques village has 20 individual shops to explore, | 0:31:19 | 0:31:24 | |
'so happy hunting!' | 0:31:24 | 0:31:26 | |
Wow. | 0:31:26 | 0:31:28 | |
-Must stay focused. Not here to shop. -'No, you're not, Christina.' | 0:31:28 | 0:31:33 | |
What do you think? Does suit me? | 0:31:33 | 0:31:36 | |
'Oh, smokin'! I'm happy to see she's not taking this competition sitting down.' | 0:31:36 | 0:31:42 | |
That's really nice. I like that. | 0:31:42 | 0:31:44 | |
That's quite fun. | 0:31:44 | 0:31:47 | |
'Ticket price is £25. She's smitten | 0:31:47 | 0:31:50 | |
'but even with £203.50 in her mittens, | 0:31:50 | 0:31:53 | |
'can Christina persuade shop owner Sally to do a deal?' | 0:31:53 | 0:31:56 | |
I saw this chair. It caught my eye. I really quite liked it. | 0:31:56 | 0:32:01 | |
-Do you know anything about it? -I think it's an artist's chair, | 0:32:01 | 0:32:04 | |
because it's got this little seat where you'd keep your paintbrushes. | 0:32:04 | 0:32:09 | |
Is there any flexibility on the price? | 0:32:09 | 0:32:11 | |
I was thinking, at auction, it'll make maybe £15. | 0:32:11 | 0:32:15 | |
And I need to make a profit against that pesky Charlie Hanson. | 0:32:15 | 0:32:18 | |
-Righty-ho. -What's your thoughts? -Um, well... | 0:32:18 | 0:32:20 | |
-I could do it for 15. -It's a deal. Thank you, Sally, you're a star! | 0:32:20 | 0:32:24 | |
'Christina's off the mark, but Charles needs help | 0:32:24 | 0:32:27 | |
'and puts in a sneaky call to the auctioneer.' | 0:32:27 | 0:32:31 | |
My great passion, James, is often buy big, buy monumental, buy furniture. | 0:32:31 | 0:32:36 | |
And, um, I like buying it. | 0:32:36 | 0:32:38 | |
Don't buy furniture? OK. Don't touch it. Thanks very much. | 0:32:38 | 0:32:42 | |
See you in Birkenhead. | 0:32:42 | 0:32:44 | |
'The auctioneer's top tip - don't buy furniture.' | 0:32:44 | 0:32:47 | |
'That's easy advice to follow, Charles.' | 0:32:47 | 0:32:50 | |
'Or maybe not.' | 0:32:51 | 0:32:54 | |
'Having already bought furniture, Christina seeks something different | 0:32:54 | 0:32:57 | |
'and Barry's shop might be just the place.' | 0:32:57 | 0:33:01 | |
My goodness, there's a lot of stuff here. | 0:33:01 | 0:33:04 | |
'Yeah, I'll say. Clever Christina's spotted some silverware.' | 0:33:04 | 0:33:08 | |
I'm trying to put together a lot of silver plate that will do well at the auction. | 0:33:08 | 0:33:13 | |
And, um, I think Barry might be my man. | 0:33:13 | 0:33:17 | |
'While Christina gathers her riches, | 0:33:19 | 0:33:21 | |
'Charles has decided to ditch the furniture | 0:33:21 | 0:33:23 | |
'and follow Christina's lead. That sneaky boy!' | 0:33:23 | 0:33:28 | |
-Don't you dare... Keep... -Is it for sale? | 0:33:28 | 0:33:30 | |
Keep... | 0:33:30 | 0:33:32 | |
Go away! Go away! | 0:33:32 | 0:33:34 | |
No, this is... Barry's my mate now. | 0:33:34 | 0:33:35 | |
Yeah? How are you, mate? How are you, mate? | 0:33:35 | 0:33:38 | |
All falling apart very, very swiftly. | 0:33:38 | 0:33:42 | |
Ladies first. I'm sorry, Barry. I'll let you do a deal with Christina. | 0:33:42 | 0:33:46 | |
-Like the plate, by the way. -Get out! | 0:33:46 | 0:33:49 | |
'Barry's got them fighting over him, now.' | 0:33:51 | 0:33:54 | |
'Well, he is a man with some bright ideas.' | 0:33:54 | 0:33:57 | |
I'm thinking, that's quite cool at the moment, isn't it? | 0:33:57 | 0:34:00 | |
'Christina's interest has been sparked by a pair of enamelled industrial downlighters. | 0:34:00 | 0:34:05 | |
'But can she get them for the right price?' | 0:34:05 | 0:34:08 | |
-So, they were marked up at... -50. -For the pair? -No. | 0:34:10 | 0:34:14 | |
-Yeah. -That's each. -Oh, go on, Barry. -You can have them for 30 each. | 0:34:14 | 0:34:17 | |
But we would sell them as a pair. I'd want to put them in as a pair. | 0:34:17 | 0:34:23 | |
-Give me 50 quid the pair. -50 quid the pair. Go on, Barry. | 0:34:24 | 0:34:26 | |
Thank you very much. I like those. Let's look at the silver plate. | 0:34:26 | 0:34:30 | |
'Can he do her another deal with a silver lining?' | 0:34:30 | 0:34:34 | |
20 pound for that one. | 0:34:34 | 0:34:36 | |
-20 for that one. -Oh, Barry! What? -Fiver each for those. | 0:34:36 | 0:34:41 | |
-What's that one got on it? -Three pound. -Three pounds on it. | 0:34:41 | 0:34:44 | |
I think the bowl is probably more saleable than the basket. | 0:34:44 | 0:34:50 | |
What about... | 0:34:50 | 0:34:52 | |
20 for that? | 0:34:52 | 0:34:54 | |
'Ooh, he's happy with that. I think.' | 0:34:54 | 0:34:56 | |
-OK. -20 quid? -Yeah. | 0:34:56 | 0:34:58 | |
-Thank you ever so much. -Thankin' you. -You're a star. Off I trot. | 0:34:58 | 0:35:03 | |
There you go. | 0:35:03 | 0:35:05 | |
'She's one happy customer, walking away with a job lot.' | 0:35:05 | 0:35:08 | |
'The silver-plated pedestal rose bowl, a pair of trumpet vases, | 0:35:08 | 0:35:12 | |
'nut dishes, | 0:35:12 | 0:35:15 | |
'and Barry's thrown in an early 20thC silver napkin ring.' | 0:35:15 | 0:35:19 | |
'All for £20.' | 0:35:19 | 0:35:21 | |
'Good going, Christina. Right, Charles! You're up.' | 0:35:21 | 0:35:24 | |
Barry, is this all for sale outside here, as well? | 0:35:24 | 0:35:27 | |
-Yeah. -Everything. | 0:35:27 | 0:35:29 | |
I quite like this man, down here. He's tired, he's a bit discoloured.. | 0:35:29 | 0:35:35 | |
'He's a gnome, Charles.' | 0:35:35 | 0:35:37 | |
Where did he come from? Did your father make him, you say? | 0:35:37 | 0:35:40 | |
-Father-in-law made him, yeah. -Really? Back to what, the 1930s? | 0:35:40 | 0:35:43 | |
-No, probably '50s. -There's also one more down there, Barry, as well. | 0:35:43 | 0:35:48 | |
Another garden gnome. If I bought the two, what's your best price? | 0:35:48 | 0:35:52 | |
-£10 the pair. -£10 the pair. If I said a fiver for the two together? | 0:35:52 | 0:35:58 | |
-No. No, you've got to pay a tenner the pair. -Meet me halfway. Eight. | 0:35:58 | 0:36:03 | |
-I'm not meeting anywhere. Tenner the pair. -Get out of here! | 0:36:03 | 0:36:06 | |
'Hm! Stalemate. And after some consultation,... | 0:36:06 | 0:36:10 | |
-Charles can see it now. -'..Charles buys one gnome for £5.' | 0:36:10 | 0:36:14 | |
OK, Chris. Yeah, I know. You and me now, mate. We'll ditch Christina. | 0:36:16 | 0:36:20 | |
OK, Chris. Happy? Yeah. | 0:36:20 | 0:36:23 | |
We're off. See you later. | 0:36:23 | 0:36:24 | |
'A talking gnome called Chris? I think he's losing it, that boy.' | 0:36:24 | 0:36:29 | |
'With that, he's off to his next shop.' | 0:36:29 | 0:36:32 | |
'Meanwhile, Christina's heading for a history lesson, by foot.' | 0:36:32 | 0:36:36 | |
'The Manchester Jewish Museum is the only one of its kind outside London | 0:36:36 | 0:36:40 | |
'and can be found in a former synagogue.' | 0:36:40 | 0:36:43 | |
'The museum tells the story of Manchester's Jewish community.' | 0:36:45 | 0:36:49 | |
'Having been popular with traders since the 1740s, | 0:36:50 | 0:36:54 | |
'the city's cotton trade soon attracted Jewish entrepreneurs, | 0:36:54 | 0:36:58 | |
'who left a lasting legacy in Manchester and further afield.' | 0:36:58 | 0:37:03 | |
'Christina's come to hear all about it from curator Alexandra Grime.' | 0:37:03 | 0:37:07 | |
-This is beautiful. -It is. -It's breathtaking. | 0:37:07 | 0:37:10 | |
-It was built in 1874, the building. -1874? -It was originally a synagogue, as you can probably tell. | 0:37:10 | 0:37:15 | |
-Yeah. -The community moved out in 1982 and it became this museum. | 0:37:15 | 0:37:20 | |
'The synagogue would've been a place of worship for the Sephardi Jews | 0:37:20 | 0:37:25 | |
'and is built in the style of their Spanish and Portuguese ancestors.' | 0:37:25 | 0:37:30 | |
'At the end of the 18th century, | 0:37:30 | 0:37:32 | |
'families from places like Corfu and Syria settled in the city.' | 0:37:32 | 0:37:36 | |
'As the population grew, they built up communities, places of worship | 0:37:36 | 0:37:41 | |
'and their businesses, particularly in the clothing industry, | 0:37:41 | 0:37:44 | |
'and they went from strength to strength.' | 0:37:44 | 0:37:47 | |
One really interesting guy is called Benjamin Hyam. | 0:37:47 | 0:37:50 | |
What he's doing is selling ready-made garments, proper suits, | 0:37:50 | 0:37:53 | |
people can afford the suits and it really catches on, | 0:37:53 | 0:37:57 | |
-these ready-made, rather than tailored items. -OK, gosh, wow. | 0:37:57 | 0:38:00 | |
-So this is the start of the high street shop. -Absolutely. | 0:38:00 | 0:38:03 | |
-By 1851, he opens a shop like this. -Is this his shop? -This is. | 0:38:03 | 0:38:07 | |
Charles Dickens mentions this shop as does Benjamin Disraeli. They visit when they're in town. | 0:38:07 | 0:38:13 | |
I never would have had Disraeli as a man with a suit off the rack. Wow. | 0:38:13 | 0:38:18 | |
'In the decades preceding World War One, | 0:38:19 | 0:38:22 | |
'the population in Manchester increased, as Jews fled persecution. | 0:38:22 | 0:38:26 | |
'Fearing a backlash, the established community tried to Anglicise the new arrivals, | 0:38:26 | 0:38:32 | |
'opening schools to teach English and introducing them to some good old British staples.' | 0:38:32 | 0:38:38 | |
They had clubs aimed at organising their recreation, | 0:38:38 | 0:38:42 | |
-so they had brass bands and played cricket and things like that. -Brass bands! | 0:38:42 | 0:38:47 | |
-Good old Lancashire tradition. -I love it! | 0:38:47 | 0:38:49 | |
Which is why this item is fantastic. This is actually a washboard, | 0:38:49 | 0:38:54 | |
brought over in 1910. | 0:38:54 | 0:38:56 | |
You can see it's very worn. That's because it was never used as a washboard. | 0:38:56 | 0:39:01 | |
Leon actually used it as a cricket bat. I think it's such a great story | 0:39:01 | 0:39:06 | |
-He's come from Eastern Europe and made his washboard into a cricket bat. -Very resourceful. | 0:39:06 | 0:39:11 | |
No better example of Anglicisation than that. | 0:39:11 | 0:39:13 | |
'With only a gnome called Chris to his name, | 0:39:16 | 0:39:19 | |
'Charles hits the shops again.' | 0:39:19 | 0:39:21 | |
'This time, in Sale.' | 0:39:21 | 0:39:23 | |
'A thriving commuter town in Greater Manchester, | 0:39:24 | 0:39:27 | |
'Sale boasts the 250-year-old Bridgewater Canal.' | 0:39:27 | 0:39:32 | |
'At its peak, the canal carried more than three million tons of traffic, | 0:39:33 | 0:39:38 | |
'much of it fuelling the Industrial Revolution.' | 0:39:38 | 0:39:41 | |
'Today, it carries a lighter load, of ducks and leisure barges.' | 0:39:41 | 0:39:45 | |
'Charles is pinning his hopes on the Manchester Antiques Company, and owner John Long.' | 0:39:45 | 0:39:52 | |
-Hello. -How are you? | 0:39:52 | 0:39:54 | |
Good to see you. I'll go for a wander. | 0:39:54 | 0:39:57 | |
Thanks, John. | 0:39:57 | 0:39:58 | |
'This could spell disaster for Charles. He's in a room full of furniture, | 0:39:58 | 0:40:03 | |
'but can he resist?' | 0:40:03 | 0:40:05 | |
The fact is I've been told in no uncertain terms, by James, the auctioneer, | 0:40:05 | 0:40:08 | |
"Don't buy furniture." | 0:40:08 | 0:40:11 | |
So, maybe you wave it goodbye. | 0:40:11 | 0:40:13 | |
-So long. -'By Jove, I think he's got it at last.' | 0:40:13 | 0:40:18 | |
That's a very nice, unframed oil on canvas. | 0:40:18 | 0:40:22 | |
-True. -A portrait of a gentleman with his telescope, | 0:40:22 | 0:40:27 | |
with a sailing vessel in the background. | 0:40:27 | 0:40:30 | |
How much would that be, if I asked you a price? | 0:40:30 | 0:40:32 | |
-£75. -God. | 0:40:32 | 0:40:34 | |
OK, I'll give it some thought. | 0:40:34 | 0:40:37 | |
'With his nemesis Christina in the lead, Charles has a fight on his hands | 0:40:39 | 0:40:44 | |
'and spots the perfect piece to take into battle.' | 0:40:44 | 0:40:47 | |
Maybe if I turned up to reveal my wares, wearing this,... | 0:40:47 | 0:40:52 | |
..she might take note of me. | 0:40:55 | 0:40:57 | |
'Oh, yeah? This replica 15thC suit of armour | 0:40:57 | 0:41:00 | |
'would have been made in the early 20thC | 0:41:00 | 0:41:03 | |
'for educational or theatrical purposes.' | 0:41:03 | 0:41:06 | |
'Crikey. Is Charles arming himself for war? He looks the part.' | 0:41:06 | 0:41:09 | |
Christina, I'm ready for Birkenhead. | 0:41:09 | 0:41:13 | |
'Or perhaps pistols at dawn.' | 0:41:15 | 0:41:16 | |
This is the time of William the Fourth, it's George the Fourth. | 0:41:16 | 0:41:20 | |
It's a duelling type pistol. | 0:41:20 | 0:41:23 | |
And, um, it's 180 years old. | 0:41:23 | 0:41:26 | |
And you can see that because this handle is just about to fall off. | 0:41:26 | 0:41:31 | |
But in a... Oops! It has fallen off, actually. | 0:41:31 | 0:41:33 | |
-'Silly boy!' -Might have to buy it now, regardless. | 0:41:33 | 0:41:37 | |
It is pretty tired, but I like it as it's in its original condition. | 0:41:37 | 0:41:41 | |
It could never be fired now and it's purely a relic. | 0:41:41 | 0:41:45 | |
And it could be cheap. | 0:41:45 | 0:41:48 | |
'He's gone GUN-HO in this place, with three items in his sights.' | 0:41:48 | 0:41:53 | |
'The canvas, circa 1820, | 0:41:53 | 0:41:56 | |
'the coaching pistol and the armour | 0:41:56 | 0:41:58 | |
'all belong to John's son Wayne.' | 0:41:58 | 0:42:00 | |
'Can our Carlos cut a deal over the phone with our John... Wayne's son.' | 0:42:00 | 0:42:05 | |
Wayne, it's Charles Hanson. If you don't make an offer, you never know. | 0:42:05 | 0:42:09 | |
And I've got £167.20. | 0:42:09 | 0:42:12 | |
There's no way you could do me a deal for all three, is there? | 0:42:12 | 0:42:16 | |
Wayne wants you. I'm hoping son and fatherly love can do me a deal. | 0:42:16 | 0:42:21 | |
-You better win, he said. -Huh? -You'd better win. | 0:42:22 | 0:42:25 | |
-Is that a deal? -It's a deal, yeah. | 0:42:25 | 0:42:27 | |
'It's victory for chancer Charles.' | 0:42:27 | 0:42:31 | |
-I've got 167 and 20 pence. -Yes. | 0:42:31 | 0:42:34 | |
Could you leave me a pound? Make you 166.20? | 0:42:34 | 0:42:38 | |
I've got to go into Cheshire tomorrow with a pound. | 0:42:38 | 0:42:42 | |
'Now, that's pushing it.' | 0:42:42 | 0:42:44 | |
I'll pay you my entire budget for a pound change. | 0:42:44 | 0:42:47 | |
-OK. -Going... -Going... -Going. -Gone. -Sold! | 0:42:47 | 0:42:50 | |
Thanks, John. Come 'ere, John. Thanks, John! | 0:42:50 | 0:42:52 | |
'It's enough to melt a heart of steel, this.' | 0:42:52 | 0:42:56 | |
'But wait, there's more.' | 0:42:56 | 0:42:58 | |
-Crikey. These aren't part of the armour, John? -Yes. | 0:42:58 | 0:43:01 | |
Well, that's a bonus. | 0:43:01 | 0:43:02 | |
As you say, en garde! | 0:43:02 | 0:43:04 | |
Oh, my goodness. | 0:43:04 | 0:43:06 | |
That's bigger than mine. | 0:43:06 | 0:43:09 | |
'Boys will be boys.' I think you'd best be off.' | 0:43:09 | 0:43:12 | |
'Our experts' next stop is the market town of Knutsford.' | 0:43:14 | 0:43:19 | |
'Recorded in the Domesday Book of 1086, | 0:43:19 | 0:43:23 | |
'Knutsford is perhaps best known | 0:43:23 | 0:43:25 | |
'as the home of 19thC Cranford novelist Elizabeth Gaskell.' | 0:43:25 | 0:43:30 | |
'Christina is heading to the aptly named Knutsford Antiques Centre.' | 0:43:32 | 0:43:36 | |
'With three floors to explore, can this jewellery expert find a hidden diamond in the rough?' | 0:43:36 | 0:43:43 | |
'But soon her cup runneth over.' | 0:43:43 | 0:43:46 | |
Oh, that's lovely. It's Charlie, look, Charlie dancing. | 0:43:47 | 0:43:51 | |
'This 19thC Staffordshire polychrome mug is decorated with couples dancing a jig.' | 0:43:51 | 0:43:58 | |
'Ticket price, £35.' | 0:43:58 | 0:44:01 | |
There's a little crack there which would be a bit of a concern. | 0:44:01 | 0:44:05 | |
'A cracking piece indeed.' | 0:44:05 | 0:44:08 | |
It's never going to make me a fortune, but it's a great print. | 0:44:08 | 0:44:11 | |
You can really sense that you're in the middle of the dance, | 0:44:11 | 0:44:15 | |
that enthusiasm and vibrance... | 0:44:15 | 0:44:17 | |
They're having a great time, aren't they? Proper shindig there. | 0:44:17 | 0:44:21 | |
'If you're buying that mug, best seek out manager Gordon.' | 0:44:21 | 0:44:25 | |
-These little chappies caught my eye. -Yeah. -I thought they were fun. | 0:44:25 | 0:44:30 | |
-Now, Gordon,... -Yeah? -Bearing in mind it's cracked,... | 0:44:30 | 0:44:33 | |
'Oh, I see what she did there.' | 0:44:33 | 0:44:35 | |
What's your thoughts on...? It's marked up at £35. | 0:44:35 | 0:44:39 | |
'Here she goes.' | 0:44:39 | 0:44:42 | |
I need to be able to make a profit on it at auction | 0:44:42 | 0:44:45 | |
and at auction, I can see it fetching about 20 quid. | 0:44:45 | 0:44:48 | |
-So what d'you want to pay for it? -10. -No way. No way, I'm sorry. | 0:44:49 | 0:44:54 | |
-'Don't take him for a mug.' -What's your absolute best price? | 0:44:54 | 0:44:59 | |
-About 30. -30? Can you come down any more? | 0:44:59 | 0:45:02 | |
-Perhaps 28. That's your limit. -Is absolutely that it? -Yeah. | 0:45:02 | 0:45:05 | |
-What about 25? -I couldn't take that much off. | 0:45:05 | 0:45:08 | |
-Go on. -Cash, then. -Cash? Oh, yes, of course. | 0:45:08 | 0:45:11 | |
-All right, I'll do it for 25. -You're a legend. Thank you very much, sir. | 0:45:12 | 0:45:17 | |
'She's good at this bargaining lark' | 0:45:17 | 0:45:19 | |
'Now, with four lots, she's catching up with Charles and hitting the road.' | 0:45:19 | 0:45:23 | |
'But this time, our delightful duo are heading to nearby Congleton.' | 0:45:26 | 0:45:31 | |
'Sitting at the foothills of the Pennines, | 0:45:31 | 0:45:34 | |
'surrounded by beautiful countryside, | 0:45:34 | 0:45:36 | |
'this is a popular, historic market town.' | 0:45:36 | 0:45:39 | |
'Clutching his last pound, Charles is dropped off... | 0:45:39 | 0:45:44 | |
-Bye. -Bye. | 0:45:44 | 0:45:45 | |
'..to fend for himself, at the Victoria Mill Arts Centre.' | 0:45:45 | 0:45:50 | |
Sounds better - 100 pence. | 0:45:50 | 0:45:52 | |
It's not a pound. 100 pence. | 0:45:52 | 0:45:55 | |
'Hm! What a cunning bit of PR, eh?' | 0:45:55 | 0:45:58 | |
'But will it be enough to convince store owner Geoff?' | 0:45:58 | 0:46:02 | |
-That's quite nice. -It is nice. | 0:46:02 | 0:46:04 | |
It's garish. To some people, it's unsightly. | 0:46:04 | 0:46:07 | |
But it catches the age, doesn't it? | 0:46:07 | 0:46:11 | |
'This stylish Art Deco vase is circa 1930.' | 0:46:11 | 0:46:14 | |
'Problem is, it's also circa £15.' | 0:46:14 | 0:46:17 | |
-That's 1,500 pence, isn't it? -That's £15. -£15. | 0:46:17 | 0:46:21 | |
-To you, Charles, it's a tenner. -£10, yeah, well, we're close. | 0:46:21 | 0:46:26 | |
No blemishes. No chips. | 0:46:26 | 0:46:29 | |
And I love it. | 0:46:29 | 0:46:30 | |
But it's priced at £15 and all I have is that. | 0:46:30 | 0:46:34 | |
One solid pound. | 0:46:34 | 0:46:36 | |
And it's in good condition. | 0:46:36 | 0:46:38 | |
Would you, sir, actually take one pound for it? | 0:46:38 | 0:46:42 | |
Normally, no, of course. But this is exceptional, so I will. | 0:46:42 | 0:46:46 | |
You're happy for me to have that vase for a pound? Really? | 0:46:46 | 0:46:49 | |
It's a no-brainer. I'm going to flip you the pound, shake your hand. | 0:46:49 | 0:46:53 | |
-Here's that pound, up it goes, that's yours. -Thank you. | 0:46:53 | 0:46:57 | |
-That's mine. -Pleasure. -And I'm absolutely overjoyed. | 0:46:57 | 0:47:01 | |
'Thrilling, eh? It has "great deal" written all over it.' | 0:47:01 | 0:47:05 | |
'With Charles now penniless, it's over to Christina.' | 0:47:05 | 0:47:09 | |
'And she's making her way from Congleton to Wheelock.' | 0:47:09 | 0:47:14 | |
Named after the River Wheelock, | 0:47:14 | 0:47:17 | |
'this little village is surrounded by countryside.' | 0:47:17 | 0:47:19 | |
'Can Christina up her game and charm Richard, in Hidden Treasures, | 0:47:19 | 0:47:24 | |
'into giving her a bargain?' | 0:47:24 | 0:47:25 | |
Hi. I'm Christina. Nice to meet you. | 0:47:25 | 0:47:28 | |
What have we got that's a bit fresh, that will make me a fortune, | 0:47:28 | 0:47:32 | |
that I can beat Charlie Hanson with? Come on! Hit me with it. | 0:47:32 | 0:47:36 | |
'Careful, Christina. There's a brick in there.' | 0:47:36 | 0:47:39 | |
Hey, what's the brick? | 0:47:39 | 0:47:41 | |
The Royal Wedding of Charles and Diana. It's one of a run of bricks | 0:47:41 | 0:47:44 | |
that was used for a prison that they actually laid the foundations for. | 0:47:44 | 0:47:50 | |
A Royal Wedding prison brick! | 0:47:50 | 0:47:53 | |
-How much is on that? -Er, £22. | 0:47:53 | 0:47:56 | |
I think that might be a little bit risky. | 0:47:56 | 0:47:59 | |
'The brick's no building block for profit.' | 0:47:59 | 0:48:01 | |
'But can Christina see money in this early 20thC till?' | 0:48:01 | 0:48:04 | |
'Ticket price, £25.' | 0:48:04 | 0:48:07 | |
This is quite a sophisticated one. | 0:48:07 | 0:48:08 | |
The ones I've seen before haven't got a till roll with them. | 0:48:08 | 0:48:11 | |
You would've just had your cashier's drawer. | 0:48:11 | 0:48:14 | |
And it's still got the workings in the top of it as well. | 0:48:14 | 0:48:18 | |
So I'm quite pleased. I think it's quite fun. | 0:48:18 | 0:48:21 | |
-'She likes it!' -As it's my first Road Trip... | 0:48:21 | 0:48:24 | |
'Can Richard resist her persuasive charms?' | 0:48:24 | 0:48:26 | |
-£25 sounds like an awful lot of money. -Does it? Oh. | 0:48:26 | 0:48:30 | |
Go on, what's your best price? | 0:48:31 | 0:48:33 | |
-20. -For a newbie? Any less? | 0:48:33 | 0:48:37 | |
-I'll do it for 15. -Will you? -Yeah. -£15. | 0:48:37 | 0:48:40 | |
-Go on, you've got yourself a deal. -Great. -Brilliant. | 0:48:41 | 0:48:45 | |
'Ker-ching! A deal at £15 for the pine till.' | 0:48:45 | 0:48:49 | |
'Right, Christina, are we off?' | 0:48:49 | 0:48:51 | |
I think I've fallen in love with a brick! | 0:48:51 | 0:48:54 | |
-'You've done what?' -No, I can't buy a brick. That's stupid. -£5 and it's yours. | 0:48:54 | 0:48:59 | |
A pound. I'll give you a pound for the brick. | 0:48:59 | 0:49:01 | |
I'm going to lose money on it. | 0:49:01 | 0:49:02 | |
-Go on, then. -Really? -I'll do a pound. | 0:49:02 | 0:49:05 | |
I can't believe I've just bought a brick! | 0:49:05 | 0:49:07 | |
'She's only gone and bought a brick' | 0:49:07 | 0:49:09 | |
Thanks very much. Oh, God. I'm never going to live this down. | 0:49:09 | 0:49:13 | |
'Let's hope she's laying some foundations for a decent profit with that purchase!' | 0:49:13 | 0:49:19 | |
'With everyone shopped out, let's get a measure of what they bought.' | 0:49:21 | 0:49:25 | |
Charles spent £113 and is offering up five lots, | 0:49:25 | 0:49:28 | |
featuring a stone gnome called Chris, | 0:49:28 | 0:49:31 | |
a 19th-century twin-barrel pistol, | 0:49:31 | 0:49:34 | |
an oil-on-canvas with maritime interest, | 0:49:34 | 0:49:37 | |
an Art Deco vase and a suit of armour, complete with swords. | 0:49:37 | 0:49:41 | |
Christina is also presenting five lots, but at a cost of £126. | 0:49:44 | 0:49:48 | |
A pair of enamel downlighters, a job lot of silverware, | 0:49:48 | 0:49:51 | |
a commemorative brick for the wedding | 0:49:51 | 0:49:54 | |
of His Royal Highness Charles and Diana, | 0:49:54 | 0:49:56 | |
and an artist's chair paired with a pine till. | 0:49:56 | 0:49:59 | |
But what do they think of each other's offerings? | 0:49:59 | 0:50:02 | |
Christina's bought some really steady items | 0:50:02 | 0:50:05 | |
and Christina is my steady Eddy. | 0:50:05 | 0:50:07 | |
I'm convinced, with her £1 brick and other items, she'll make profits | 0:50:07 | 0:50:11 | |
But I'm not in to just be steady. | 0:50:11 | 0:50:14 | |
I'm in to really impress Christina and go all out | 0:50:14 | 0:50:16 | |
or to say to Christina, "At least I tried." | 0:50:16 | 0:50:19 | |
I'm surprised at how mediocre Charlie's stuff was. | 0:50:19 | 0:50:23 | |
I thought he'd go a bit wacky. And then... | 0:50:23 | 0:50:25 | |
he revealed his literally knight in shining armour, | 0:50:25 | 0:50:28 | |
which I think will absolutely annihilate me. | 0:50:28 | 0:50:31 | |
'Well, there's only one way to find out, | 0:50:31 | 0:50:33 | |
'so onwards and upwards to the auction in Birkenhead.' | 0:50:33 | 0:50:37 | |
If you saw me, dressed in the saleroom in that suit of armour, | 0:50:38 | 0:50:42 | |
what would you think that body is worth? | 0:50:42 | 0:50:44 | |
I would think it's got to be better than how you're dressed currently. | 0:50:44 | 0:50:47 | |
Oh, thanks(!) | 0:50:47 | 0:50:49 | |
'The town of Birkenhead runs along the bank of the River Mersey | 0:50:49 | 0:50:53 | |
'and has boasted a ferry service for over 800 years, | 0:50:53 | 0:50:56 | |
'when Benedictine monks would have gone back and forth to Liverpool, | 0:50:56 | 0:51:00 | |
'rowing.' | 0:51:00 | 0:51:01 | |
-Good luck, partner. -Good luck. -Auction number two. | 0:51:01 | 0:51:04 | |
Auction number two. Let's go. | 0:51:04 | 0:51:06 | |
'Our daring duo are going into battle in today's general sale at Kruger Gibbon.' | 0:51:06 | 0:51:12 | |
'Over to the first of today's two auctioneers - | 0:51:12 | 0:51:16 | |
'moustachioed James Gibbon.' | 0:51:16 | 0:51:18 | |
'Let battle commence!' | 0:51:18 | 0:51:20 | |
'First up is Christina, but will it be treasure or travesty?' | 0:51:21 | 0:51:26 | |
I'll start at 10. £10? 10 I have. | 0:51:26 | 0:51:28 | |
12 I have. 14. | 0:51:29 | 0:51:32 | |
-16. -My heart. | 0:51:32 | 0:51:34 | |
-16, new bidder at the back. -Come on! | 0:51:34 | 0:51:37 | |
-18. The lady's back in. -1,800 pence. | 0:51:37 | 0:51:40 | |
-20 by the door. -Good price. | 0:51:40 | 0:51:42 | |
She's back again. 22. | 0:51:42 | 0:51:44 | |
I'm selling it, ladies and gentlemen. £22. | 0:51:44 | 0:51:47 | |
-It's a rollercoaster. -'Ow!' | 0:51:47 | 0:51:50 | |
'More of a travesty, actually, as that £2 profit will be wiped out | 0:51:50 | 0:51:54 | |
'after auction-house costs.' | 0:51:54 | 0:51:56 | |
'Another one now for Christina, the 19thC Staffordshire mug.' | 0:51:57 | 0:52:02 | |
'Can auctioneer Adrian Kruger help JIG her into a profit? | 0:52:02 | 0:52:05 | |
Start me on this, please, at £15. | 0:52:05 | 0:52:08 | |
-Come on! -10 to start, thank you. | 0:52:08 | 0:52:10 | |
-You've got 1,000 pence. -12 I have. | 0:52:10 | 0:52:13 | |
14 I have. 16. 18. | 0:52:13 | 0:52:15 | |
-20. -Ooh! -22. | 0:52:15 | 0:52:18 | |
20 I have. £20 it is. | 0:52:18 | 0:52:20 | |
Breaking even. | 0:52:20 | 0:52:22 | |
-Well done. -Darling, I paid £25 for it. | 0:52:22 | 0:52:25 | |
-Did you? I thought it was 20. -'Oh, do pay attention, Charles.' | 0:52:25 | 0:52:29 | |
'It's going downhill for our girl with her second loss of the day.' | 0:52:29 | 0:52:34 | |
'Can Charles do any better? He's certainly all fired up.' | 0:52:34 | 0:52:38 | |
-£10 I have. -Come on. -I have 12. | 0:52:38 | 0:52:40 | |
14. | 0:52:40 | 0:52:42 | |
16. 18. 20. | 0:52:42 | 0:52:44 | |
-22. -Excellent. -24. 28.30. | 0:52:44 | 0:52:47 | |
32. 34. | 0:52:47 | 0:52:49 | |
-36. 38. -Buy history and you live the dream. | 0:52:49 | 0:52:52 | |
-Do they realise the handle's falling off? -Sh! -44. | 0:52:52 | 0:52:55 | |
-£44 I have. -Well done, Charles. Brilliant. | 0:52:55 | 0:52:59 | |
I'm selling at 44. | 0:52:59 | 0:53:01 | |
-Thank you very much. -How much did you give for it? -A tenner. | 0:53:01 | 0:53:05 | |
-Oh, well, very good. -Thanks, mate. | 0:53:05 | 0:53:07 | |
'Even he's impressed. And with that, Charles is off!' | 0:53:08 | 0:53:12 | |
'Can trusted friend Chris do any better for him?' | 0:53:14 | 0:53:17 | |
Start me off at £10 on the gnome. | 0:53:17 | 0:53:19 | |
Tenner. Thank you. A lady with class and distinction. 12, thank you. | 0:53:19 | 0:53:24 | |
12. Are we going 14? 14. | 0:53:24 | 0:53:27 | |
16. | 0:53:27 | 0:53:29 | |
18. 20. | 0:53:29 | 0:53:31 | |
-They're all over each other. -Like a rash. -22. | 0:53:31 | 0:53:35 | |
24. 26. | 0:53:35 | 0:53:37 | |
-Keep going, Chris. -28. | 0:53:37 | 0:53:40 | |
30. | 0:53:40 | 0:53:41 | |
32. £32. | 0:53:41 | 0:53:44 | |
I'm selling at 32. | 0:53:44 | 0:53:46 | |
-Sold to you, madam. -Well done, you. | 0:53:46 | 0:53:48 | |
'£27 profit there, Charles. Now, that's GNOME joke!' | 0:53:48 | 0:53:52 | |
'Back to Christina. She's trying to build up profits, brick by brick.' | 0:53:54 | 0:53:58 | |
Who'll start me on this one at £10? | 0:53:58 | 0:54:01 | |
-Come on. -Five to start, thank you. -I'll take it at five. | 0:54:01 | 0:54:05 | |
-Six I have. -How could you do that? -Seven I have. Eight pounds. | 0:54:05 | 0:54:09 | |
Nine pounds. 10. | 0:54:09 | 0:54:11 | |
-£11 I have. 12? -Deal. -£12 I have to the lady on my left. | 0:54:11 | 0:54:16 | |
All finished, then, at 12. | 0:54:16 | 0:54:18 | |
'Who'd have guessed that, eh? Profit at last.' | 0:54:18 | 0:54:21 | |
'And from an old brick, no less.' | 0:54:21 | 0:54:23 | |
'Now for Charles's £1 offering - the Art Deco vase.' | 0:54:24 | 0:54:28 | |
Very, very stylish. Lovely piece. | 0:54:28 | 0:54:30 | |
-Why didn't they do this with my last piece? -I'll start the bid at £10. | 0:54:30 | 0:54:34 | |
£10 I have. 12 I have. 14 I have. | 0:54:34 | 0:54:36 | |
16. 16 I have with the gentleman in the middle. | 0:54:36 | 0:54:39 | |
16 I have. Do I see 18? 18 I have. | 0:54:39 | 0:54:42 | |
-20? 20. It's selling at 20. -Man! -22 I have. | 0:54:43 | 0:54:47 | |
All finished, then, at £22. | 0:54:48 | 0:54:51 | |
'I say, Charles, that's a flowery profit.' | 0:54:52 | 0:54:55 | |
'Christina's combined her swivel chair and pine till, | 0:54:56 | 0:55:00 | |
'hoping it'll make her a pretty packet.' | 0:55:00 | 0:55:02 | |
And I'm straight in with a commission bid at £30. | 0:55:02 | 0:55:07 | |
-Yes! -You've done it. | 0:55:07 | 0:55:10 | |
-32. -Yeah! -I'm going to go 34. | 0:55:10 | 0:55:13 | |
36 I'm at. It's in the room at £36. | 0:55:13 | 0:55:16 | |
I'm selling at 36. Are we all done? | 0:55:17 | 0:55:20 | |
36, ladies and gentlemen. | 0:55:20 | 0:55:22 | |
'So close, but her profit will again be eaten up by costs.' | 0:55:22 | 0:55:26 | |
'Can Charles do any better with his maritime canvas? Anchors aweigh!' | 0:55:29 | 0:55:33 | |
A lot of interest in this on commission. | 0:55:33 | 0:55:36 | |
'Commission bids, eh? This could get interesting.' | 0:55:36 | 0:55:39 | |
I can go 30, 35, 40, 50, 60... | 0:55:39 | 0:55:43 | |
-Here we go. -70, 80,... -Hanson, you're rolling. -90, 100,... | 0:55:43 | 0:55:48 | |
-'I say, it's flying.' -140. £160 I have. | 0:55:48 | 0:55:52 | |
-Oh, Hanson! -£160 I have. -Oh, my God. | 0:55:52 | 0:55:55 | |
Are we all gone at £160? | 0:55:55 | 0:55:58 | |
Looks like we are. | 0:55:59 | 0:56:01 | |
£120 profit. | 0:56:01 | 0:56:03 | |
-I'm just going to go home now. -Put it there. | 0:56:03 | 0:56:06 | |
'So childish. So that's plain sailing into hefty profits, Charles' | 0:56:08 | 0:56:11 | |
'Full steam ahead, old boy.' | 0:56:11 | 0:56:14 | |
'Christina's got one lot left.' | 0:56:15 | 0:56:17 | |
'But can they light up her life?' | 0:56:17 | 0:56:20 | |
-I have commission bids on these. -Oh! | 0:56:20 | 0:56:22 | |
I can start them with me at 50, 52, 55, 60. | 0:56:22 | 0:56:27 | |
-65, 70, 75, 80... -Well done. | 0:56:27 | 0:56:31 | |
85, £90 I have on commission. | 0:56:31 | 0:56:34 | |
Brilliant. | 0:56:34 | 0:56:36 | |
£90 I have on commission. All done at £95 on commission? | 0:56:36 | 0:56:41 | |
-Ah, thank you, darling. -No, well done. | 0:56:41 | 0:56:44 | |
'It's good, but with Charles already in the lead and with one lot to go, | 0:56:44 | 0:56:48 | |
'looks like she's lost this battle.' | 0:56:48 | 0:56:50 | |
'So, is Charles charging towards victory? | 0:56:50 | 0:56:55 | |
Commission bids again I have on this. I can start it 100, 110,... | 0:56:55 | 0:57:00 | |
-Great, we're off. -See? Perfect. | 0:57:00 | 0:57:03 | |
120 I have. 125. I go 130. | 0:57:03 | 0:57:06 | |
135 and it's in the room. | 0:57:06 | 0:57:08 | |
-140 I have. -Keep going. -150 I have. | 0:57:08 | 0:57:11 | |
160, 170, 180, 190. | 0:57:12 | 0:57:16 | |
-Brilliant. -200. -Oh, God. | 0:57:16 | 0:57:19 | |
-Come on! -Are we all finished and done at 220? | 0:57:19 | 0:57:23 | |
-We are. -Well done, Charlie. APPLAUSE | 0:57:23 | 0:57:25 | |
Thank you! | 0:57:25 | 0:57:27 | |
Thank you. Thank you very much! | 0:57:27 | 0:57:29 | |
'Soak up that applause, Charles. You deserve it.' | 0:57:29 | 0:57:33 | |
'And with that, the new girl loses her lead.' | 0:57:33 | 0:57:35 | |
'Christina Trevanion started this leg with £203.50.' | 0:57:39 | 0:57:43 | |
'After auction costs, she's made a profit of £25.70, | 0:57:43 | 0:57:47 | |
'which makes her total for the next round £229.20.' | 0:57:47 | 0:57:52 | |
'But with everything to prove, Charles Hanson began with a reduced £172.20, | 0:57:56 | 0:58:03 | |
'and has made a magnificent profit of £219.76 after costs.' | 0:58:03 | 0:58:10 | |
'This gives him a head start with a whopping £391.96 to spend next time' | 0:58:10 | 0:58:16 | |
-I really can't believe it. -No, quite seriously, I can't either. | 0:58:19 | 0:58:23 | |
-And now you drive me home, don't you? -No, you can drive. -Why? | 0:58:23 | 0:58:26 | |
-Because I'll let you. -Really? Are you sure? -Just this once. -Great. | 0:58:26 | 0:58:30 | |
The day gets better and better and better. Honestly. | 0:58:30 | 0:58:34 |