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It's the nation's favourite antiques experts with £200 each, | 0:00:02 | 0:00:05 | |
a classic car and a goal to scour Britain for antiques. | 0:00:05 | 0:00:09 | |
-Going, going, gone! -I've fallen in love with a brick! | 0:00:09 | 0:00:13 | |
The aim, to make the biggest profit at auction - but it's no mean feat | 0:00:13 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:21 | |
I feel antiqued out! | 0:00:21 | 0:00:23 | |
Will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
-GEARS CRUNCH -Charlie! -Sorry! | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:32 | |
Yeah! | 0:00:33 | 0:00:35 | |
This week, we're with the dashing duo of the antiques world. | 0:00:36 | 0:00:40 | |
Auctioneer, antiques expert and all-round good guy Charles Hanson | 0:00:43 | 0:00:48 | |
had a shaky start... | 0:00:48 | 0:00:50 | |
I don't believe it! You conquered me today! | 0:00:50 | 0:00:52 | |
..but has fought hard to take back the lead. | 0:00:52 | 0:00:56 | |
LAUGHTER Thank you very much. | 0:00:56 | 0:00:59 | |
Hot on his heels is jewellery expert Christina Trevanion. | 0:01:01 | 0:01:05 | |
She may be a Road Tip rookie... | 0:01:05 | 0:01:06 | |
-As it's my first Road Trip...! -HE LAUGHS | 0:01:06 | 0:01:09 | |
..but she's got one thing on her mind. | 0:01:09 | 0:01:12 | |
-I NEED a bargain! -Need a bargain! | 0:01:12 | 0:01:15 | |
And she's going to great lengths to get what she wants. | 0:01:15 | 0:01:20 | |
-That's it. The gloves are off, baby! -LAUGHS | 0:01:20 | 0:01:23 | |
Charles started with £200 | 0:01:27 | 0:01:29 | |
and after two trips to auction has made some impressive profits, | 0:01:29 | 0:01:33 | |
giving him £391.96p to spend today. | 0:01:33 | 0:01:37 | |
Also kicking off with £200, | 0:01:41 | 0:01:43 | |
Christina's seen a steady return on her purchases, | 0:01:43 | 0:01:46 | |
clocking up a respectable budget of £229.20p. | 0:01:46 | 0:01:49 | |
Their worthy steed for the journey | 0:01:50 | 0:01:53 | |
is this beautifully preserved 1969 Morris Minor. | 0:01:53 | 0:01:56 | |
Sorry. | 0:01:56 | 0:01:57 | |
-CHRISTINA LAUGHS -What happened? | 0:01:57 | 0:02:01 | |
Yet another car suffers at the hands of Hanson! | 0:02:01 | 0:02:05 | |
My knob's come off. Sorry. CHRISTINA LAUGHS | 0:02:05 | 0:02:09 | |
-Do you want me to screw it back on? -Could you screw my knob on, please? | 0:02:09 | 0:02:13 | |
Oh, try to behave, Charles! | 0:02:13 | 0:02:15 | |
The route for the week takes our intrepid road trippers | 0:02:18 | 0:02:21 | |
from Whaley Bridge in Derbyshire over peak and dale | 0:02:21 | 0:02:24 | |
to their final destination of Cobridge in Staffordshire, | 0:02:24 | 0:02:28 | |
covering approximately 600 miles. | 0:02:28 | 0:02:30 | |
On this part of the journey, | 0:02:32 | 0:02:34 | |
they'll kick off their shopping in Liverpool | 0:02:34 | 0:02:37 | |
and work their way up to the auction in Lytham St Annes in Lancashire. | 0:02:37 | 0:02:42 | |
Liverpool's wealth was in part due | 0:02:45 | 0:02:48 | |
to the city handling 40% of the world's trade | 0:02:48 | 0:02:52 | |
by the early 19th century. | 0:02:52 | 0:02:55 | |
Can our duo cash in on this rich heritage? | 0:02:55 | 0:02:58 | |
They're off to a great start(!) | 0:02:58 | 0:03:00 | |
-The car's rolling off. -Is it? Sorry! Handbrake! | 0:03:00 | 0:03:04 | |
Or maybe not. | 0:03:04 | 0:03:05 | |
-See you later. -Bye. | 0:03:07 | 0:03:09 | |
With no sign of putting the brakes on, | 0:03:11 | 0:03:14 | |
Charles is starting in pole position. | 0:03:14 | 0:03:16 | |
But can his first shop of the trip | 0:03:16 | 0:03:19 | |
and owner Trevor help him stay there? | 0:03:19 | 0:03:22 | |
I'll go for a walk around, if that's OK. | 0:03:22 | 0:03:24 | |
-I'm on a bit of a thrill chase today. -Good. | 0:03:24 | 0:03:26 | |
-To keep myself in the lead. -Well, bright and optimistic is good. | 0:03:26 | 0:03:30 | |
I'll be back in a second. | 0:03:30 | 0:03:32 | |
I'm trying to impress Christina. | 0:03:34 | 0:03:36 | |
A man is always underdressed without a waistcoat. | 0:03:36 | 0:03:40 | |
Quite the gentleman, isn't he? | 0:03:40 | 0:03:42 | |
That could be Christina on this cigarette card. | 0:03:42 | 0:03:46 | |
Cheeky boy! | 0:03:46 | 0:03:47 | |
It's a wonderful shop! There's everything here. | 0:03:47 | 0:03:49 | |
But is there anything you like, Charles? | 0:03:49 | 0:03:52 | |
What I quite like is down here. | 0:03:52 | 0:03:55 | |
It's marked Ruskin. | 0:03:55 | 0:03:58 | |
What has caught my eye is it's priced at... | 0:03:58 | 0:04:01 | |
WHISPERS: ..£55! | 0:04:01 | 0:04:03 | |
And that's really cheap. The problem is, it says "cracked". | 0:04:03 | 0:04:07 | |
If it wasn't cracked, it could be worth £300 or £400. | 0:04:07 | 0:04:12 | |
Well, Charles, that's quite a find. | 0:04:12 | 0:04:15 | |
-Trevor? -Yeah. | 0:04:15 | 0:04:16 | |
-I couldn't look in your cabinet? -You're welcome. | 0:04:16 | 0:04:19 | |
I just noticed on this shelf down here a nice Ruskin bowl. | 0:04:19 | 0:04:23 | |
Yes, it has a crack in it. | 0:04:23 | 0:04:25 | |
-Has a crack. -It's incredibly thin. -Is it? -Yeah. | 0:04:25 | 0:04:28 | |
-You're circa 1920, aren't you, with this? -I'm sure. | 0:04:28 | 0:04:32 | |
It's Ruskin copying the great Chinese master potters | 0:04:32 | 0:04:37 | |
in their flambe and other glazes. | 0:04:37 | 0:04:40 | |
Trevor, what's your best price on that? | 0:04:40 | 0:04:42 | |
-Charles... -Trevor. -..you're a nice guy. -Yes, mate! | 0:04:42 | 0:04:45 | |
-You don't give any nasty pressure. -No. | 0:04:45 | 0:04:48 | |
-£30. -Trevor, you say 30. I'm always one to come back. | 0:04:48 | 0:04:53 | |
I think one's got to negotiate and make a counter offer. | 0:04:53 | 0:04:56 | |
-Would you take £25? -I would, Charles. | 0:04:56 | 0:04:58 | |
-Would you really, Trevor? -Yes. -Because it's just got to go? -No. | 0:04:58 | 0:05:03 | |
Because it's as sunny as you are! | 0:05:03 | 0:05:05 | |
Ha ha! He's a jolly fellow! | 0:05:05 | 0:05:07 | |
I'm really excited. | 0:05:07 | 0:05:10 | |
What Trevor doesn't realise | 0:05:10 | 0:05:12 | |
is that on the bottom it's dated 1917. | 0:05:12 | 0:05:16 | |
It's also not cracked. Um... | 0:05:16 | 0:05:20 | |
And I think it's really nice. I think it's worth £100. | 0:05:20 | 0:05:24 | |
Hanson! Off and running! | 0:05:24 | 0:05:27 | |
Well, Charles, that might make you a pretty packet at auction, | 0:05:28 | 0:05:31 | |
so Christina's got some serious catching up to do. | 0:05:31 | 0:05:34 | |
-Thanks very much, Trevor. Good to see you again. -Good luck. | 0:05:34 | 0:05:38 | |
Her first shop was once a stable | 0:05:41 | 0:05:44 | |
built to serve one of the world's first train stations. | 0:05:44 | 0:05:47 | |
With so much history packed in, she'll have to work hard | 0:05:47 | 0:05:50 | |
to find the right piece for profit in this place. | 0:05:50 | 0:05:53 | |
I'm looking for one thing - possibly one or two things - | 0:05:53 | 0:05:57 | |
which are going to make me big money. | 0:05:57 | 0:05:59 | |
"Needle" and "haystack"... springs to mind. | 0:05:59 | 0:06:03 | |
It'll be fine. | 0:06:03 | 0:06:05 | |
This labyrinth of antiques | 0:06:05 | 0:06:07 | |
is putting our girl in a bit of a spin. | 0:06:07 | 0:06:09 | |
-I just want to tidy it all up! -LAUGHS | 0:06:09 | 0:06:13 | |
With so much choice, | 0:06:14 | 0:06:16 | |
Christina's turning to the auction house for divine inspiration. | 0:06:16 | 0:06:21 | |
..ceramics and Chinese. | 0:06:21 | 0:06:22 | |
So, really, we're looking for jewellery and silver, | 0:06:22 | 0:06:24 | |
ceramics and Chinese? | 0:06:24 | 0:06:25 | |
Bye, bye. | 0:06:25 | 0:06:27 | |
It's very much "smalls". | 0:06:27 | 0:06:29 | |
In that case, furniture's out. | 0:06:29 | 0:06:32 | |
-BREATHES IN -No pressure(!) | 0:06:32 | 0:06:35 | |
Armed with that advice, there'll be no more horsing about. | 0:06:35 | 0:06:39 | |
It looks almost Picasso in inspiration, doesn't it? | 0:06:39 | 0:06:42 | |
It's quite lovely. I like that. | 0:06:42 | 0:06:44 | |
Quite a nice shape, very displayable. | 0:06:44 | 0:06:48 | |
It's the kind of thing that my granny would have loved, | 0:06:48 | 0:06:51 | |
and is coming back into vogue now. | 0:06:51 | 0:06:52 | |
Christina's first find is an Italian art pottery jug. | 0:06:52 | 0:06:56 | |
Now she's on a roll. | 0:06:56 | 0:06:57 | |
So, these would have been carpet bowls, | 0:06:57 | 0:07:00 | |
or ARE carpet bowls. | 0:07:00 | 0:07:02 | |
You would have played... | 0:07:02 | 0:07:05 | |
your carpet bowls inside as a game. | 0:07:05 | 0:07:09 | |
Like you play crown green balls now. | 0:07:09 | 0:07:11 | |
You really want to make sure that they've got no chips to the glaze. | 0:07:11 | 0:07:15 | |
These haven't, as far as I can see. | 0:07:15 | 0:07:17 | |
And they're nice decorative things, nice colour. | 0:07:17 | 0:07:20 | |
Together, they make quite a nice little display. | 0:07:20 | 0:07:23 | |
They're marked up at £6 each. | 0:07:23 | 0:07:25 | |
At last, she's bowled over, | 0:07:25 | 0:07:27 | |
but can she strike a deal with owner Paul? | 0:07:27 | 0:07:30 | |
Paul, what's your thoughts on... | 0:07:30 | 0:07:34 | |
..a jug and some carpet bowls? | 0:07:35 | 0:07:37 | |
-£20 the lot. -That sounds like quite a lot of money. | 0:07:37 | 0:07:41 | |
-That's cheap. -No? -I had hours of fun with them bowls. | 0:07:42 | 0:07:45 | |
Oh, he's a lot of fun. | 0:07:45 | 0:07:48 | |
I was thinking more like a tenner. | 0:07:48 | 0:07:51 | |
-We're in 2013. -I know. -The war's over! | 0:07:51 | 0:07:56 | |
-I'll take 15 quid for them. -I'm still at a tenner. | 0:07:56 | 0:07:59 | |
-Go on. -They're cheap at 15. -Go on. A tenner. I need the head start! | 0:07:59 | 0:08:03 | |
-Split the difference at 12? -Yeah. Go on. -Yeah? Do me at 12? -Yeah. | 0:08:03 | 0:08:07 | |
Brilliant. You're a star. Thank you very much. | 0:08:07 | 0:08:10 | |
She knows how to get what she wants. | 0:08:10 | 0:08:12 | |
With deal at £12, | 0:08:12 | 0:08:14 | |
it's time to hit the road once more | 0:08:14 | 0:08:16 | |
and make the short journey towards Prescot. | 0:08:16 | 0:08:19 | |
Sitting on the edge of town is our next stop, Knowsley Hall, | 0:08:21 | 0:08:25 | |
a 2,500-acre estate. | 0:08:25 | 0:08:28 | |
And all this beautiful countryside is inspiring our eager experts | 0:08:28 | 0:08:33 | |
to stage an impromptu rescue attempt. | 0:08:33 | 0:08:35 | |
-LAMB BLEATS -Go on, Charlie! | 0:08:35 | 0:08:37 | |
-Come on! -Go on, Charlie! Go on! | 0:08:37 | 0:08:39 | |
You shoo him back here, I'll catch him. | 0:08:39 | 0:08:42 | |
Oh, no. Come on! | 0:08:42 | 0:08:44 | |
-Well done! -Come on. | 0:08:48 | 0:08:50 | |
-Yay! -There you go. | 0:08:50 | 0:08:52 | |
What a hero he is! | 0:08:52 | 0:08:54 | |
Now, hurry along, Charles, cos Christina has an important date. | 0:08:54 | 0:08:59 | |
-Have fun. -Bye. -Bye. | 0:08:59 | 0:09:01 | |
The current resident of Knowsley Hall | 0:09:03 | 0:09:05 | |
is the 19th Earl of Derby. | 0:09:05 | 0:09:08 | |
His family's history is closely connected to the history of Britain | 0:09:08 | 0:09:12 | |
and includes a Prime Minister, a champion of William Shakespeare | 0:09:12 | 0:09:16 | |
and close ties to the royal family stretching back to Richard III. | 0:09:16 | 0:09:20 | |
Despite all that, it's the family's passion for horse racing | 0:09:20 | 0:09:25 | |
that's arguably been their biggest contribution to British life. | 0:09:25 | 0:09:28 | |
They created their namesake, the Derby, | 0:09:28 | 0:09:32 | |
the best-known horse race in the world. | 0:09:32 | 0:09:35 | |
GALLOPING HOOVES | 0:09:37 | 0:09:39 | |
-You must be Lord Derby. -Hi there. | 0:09:42 | 0:09:43 | |
-I'm Lord Derby, nice to meet you. -Thank you so much for having us. | 0:09:43 | 0:09:46 | |
Your house is absolutely stunning. | 0:09:46 | 0:09:48 | |
I'm very proud to be part of a long lineage here. | 0:09:48 | 0:09:52 | |
The family have lived here for 600 years. | 0:09:52 | 0:09:54 | |
-There's obviously been a link with horses. -A huge link with horses. | 0:09:54 | 0:09:59 | |
Going way, way back, pre-Civil War. | 0:09:59 | 0:10:03 | |
Here at Knowsley in the park, there was a racecourse. | 0:10:03 | 0:10:06 | |
-This is the park of this house? -This is the park. | 0:10:06 | 0:10:09 | |
That tower which was a lookout for the racecourse is still there. | 0:10:09 | 0:10:13 | |
It shows that that family link with racing goes on a long way. | 0:10:13 | 0:10:18 | |
It was the 12th Earl of Derby who started the Epsom Oaks in 1779, | 0:10:20 | 0:10:26 | |
and then the Derby a year later, | 0:10:26 | 0:10:29 | |
marking the beginning of the sport as we know it today. | 0:10:29 | 0:10:31 | |
The naming of the Derby was at a dinner party at Epsom, | 0:10:31 | 0:10:35 | |
and a toss of a coin between Sir Charles Bunbury and Lord Derby. | 0:10:35 | 0:10:40 | |
Derby won the toss, but Diomed, Sir Charles Bunbury's horse, | 0:10:40 | 0:10:44 | |
-won the first running of the race. -That's very diplomatic! | 0:10:44 | 0:10:47 | |
It took another nine years till Derby could win it. | 0:10:47 | 0:10:52 | |
The family have had great success across the generations, | 0:10:55 | 0:10:58 | |
right up to today, with Lord Derby's own champion horse, | 0:10:58 | 0:11:03 | |
Ouija Board. | 0:11:03 | 0:11:05 | |
And of course, their name has gone beyond horse racing | 0:11:05 | 0:11:09 | |
and has spread into other sporting events. | 0:11:09 | 0:11:12 | |
It really has flourished | 0:11:15 | 0:11:17 | |
into all these wonderful international events! | 0:11:17 | 0:11:19 | |
It's spread out into all these international events. | 0:11:19 | 0:11:22 | |
We've gone beyond racing. | 0:11:22 | 0:11:24 | |
We've got donkey derbies and demolition derbies... | 0:11:24 | 0:11:26 | |
What a sporting legacy to uphold! | 0:11:26 | 0:11:28 | |
Quite a sporting legacy! Quite a family history! | 0:11:28 | 0:11:31 | |
I'm very proud to be part of such an illustrious and long family history. | 0:11:31 | 0:11:36 | |
With Christina otherwise engaged, | 0:11:36 | 0:11:38 | |
Charles is trotting round the countryside on his own... | 0:11:38 | 0:11:41 | |
HORN HONKS | 0:11:41 | 0:11:42 | |
..en route to Wigan in Greater Manchester | 0:11:43 | 0:11:47 | |
one of the first towns in the country to feature a railway. | 0:11:47 | 0:11:51 | |
George Orwell also brought fame to the town | 0:11:51 | 0:11:54 | |
with his book The Road To Wigan Pier, | 0:11:54 | 0:11:57 | |
largely concerned with England's working poor. | 0:11:57 | 0:12:01 | |
Today, however, the area is the centre | 0:12:01 | 0:12:03 | |
of a large regeneration project. | 0:12:03 | 0:12:05 | |
Can our Charles turn rags to riches at his next stop, JW Antiques? | 0:12:05 | 0:12:10 | |
He's certainly keeping his eyes peeled for a bargain! | 0:12:15 | 0:12:19 | |
I'm short-sighted. | 0:12:19 | 0:12:21 | |
Looking good, Charles! | 0:12:22 | 0:12:24 | |
No, it's not very good. I can't see a thing. | 0:12:24 | 0:12:27 | |
When it comes to afternoon tea, you might take a seat... | 0:12:29 | 0:12:32 | |
"How are you, darling?" "How are you?" | 0:12:32 | 0:12:34 | |
Oh, Charles! First, it's an imaginary friend. | 0:12:34 | 0:12:37 | |
Now a tea party on the floor! | 0:12:37 | 0:12:40 | |
We've got some chips on the rims over there. | 0:12:40 | 0:12:43 | |
We've got a nice set of three milk down to cream jugs | 0:12:43 | 0:12:47 | |
and a small jug for in between, | 0:12:47 | 0:12:49 | |
and that lovely condiment set - just gorgeous and so complete. | 0:12:49 | 0:12:55 | |
This Art Deco tea and coffee set dates from the 1930s | 0:12:55 | 0:12:58 | |
and has a price tag of £80 | 0:12:58 | 0:13:00 | |
for the lot. | 0:13:00 | 0:13:03 | |
What's he up to now? | 0:13:05 | 0:13:07 | |
He's picking up items by the bucket-load, with the help of John. | 0:13:07 | 0:13:12 | |
The reason I quite like this bucket is because clearly it has some age. | 0:13:12 | 0:13:17 | |
It's quite rustic. It's coopered. | 0:13:17 | 0:13:19 | |
Which is this iron or... Yeah, it is, cast-iron binding. | 0:13:19 | 0:13:24 | |
I think it's pine, isn't it? | 0:13:24 | 0:13:26 | |
That's just quite a nice bucket. | 0:13:26 | 0:13:29 | |
If I said to you, John, what sort of value on this bucket, | 0:13:29 | 0:13:33 | |
what would you tell me? What's it worth? | 0:13:33 | 0:13:35 | |
To a poor man from Derbyshire, John, looking to earn a buck at auction. | 0:13:35 | 0:13:39 | |
Let the man think, Charles! | 0:13:39 | 0:13:41 | |
-45. -OK. | 0:13:43 | 0:13:45 | |
-I'll give it some thought. -No problem. -He's saying... | 0:13:45 | 0:13:48 | |
That man over there is saying how much? | 0:13:48 | 0:13:51 | |
-'£25!' -£25. Do you know him? -Yeah. | 0:13:51 | 0:13:55 | |
-Oh, I know him, yeah. -Good man. I'll give it some thought! | 0:13:55 | 0:13:58 | |
Oh, boss Will says £25. | 0:13:58 | 0:14:02 | |
There's no stopping you now, Charles, | 0:14:02 | 0:14:04 | |
as he's spotted another piece. | 0:14:04 | 0:14:06 | |
I like this. This is of Newcastle on Tyne, | 0:14:06 | 0:14:08 | |
and they're flowering out in a great Deco style. | 0:14:08 | 0:14:11 | |
It's called the crocus pattern. | 0:14:11 | 0:14:13 | |
It's quite nice, it's not in bad condition. | 0:14:13 | 0:14:15 | |
Charles is adding this crocus pattern pottery bowl | 0:14:15 | 0:14:19 | |
to the items on his wish list, | 0:14:19 | 0:14:21 | |
already featuring the 18th-century peat bucket | 0:14:21 | 0:14:24 | |
and the coffee and tea set. | 0:14:24 | 0:14:26 | |
Right, boys. Prepare yourselves. Hanson's ready to deal. | 0:14:26 | 0:14:30 | |
-I think you said the best on the bucket was 20. -Yeah. | 0:14:30 | 0:14:33 | |
Actually, Charles, it was 25, but who's counting? | 0:14:33 | 0:14:36 | |
-What's the best on the bowl? -That is the best. | 0:14:36 | 0:14:39 | |
-20? -Yeah. | 0:14:39 | 0:14:41 | |
What's the best price, John, on that big coffee set? | 0:14:41 | 0:14:44 | |
I would value that at between 50 and 80 at auction. | 0:14:44 | 0:14:47 | |
I want to buy it for about £40, but you've got your margins. | 0:14:47 | 0:14:51 | |
-If you want it for 50, you can have it. -Yeah... | 0:14:51 | 0:14:54 | |
-And you'll make money on it. -Yeah. It's tempting. | 0:14:54 | 0:14:57 | |
If I said to you I'm going to buy the peat bucket for 20, 20 for that, | 0:14:57 | 0:15:02 | |
and rather than paying 50 for that big set... | 0:15:02 | 0:15:06 | |
..would you accept 40? You would? | 0:15:08 | 0:15:11 | |
Thank you, John. I'll take the whole lot. | 0:15:11 | 0:15:14 | |
Chancer Charles wins again | 0:15:14 | 0:15:16 | |
and is walking away with the coffee and tea set for £40, | 0:15:16 | 0:15:20 | |
the pottery bowl for £20 and the bucket also for £20. | 0:15:20 | 0:15:24 | |
Bargains all round! | 0:15:24 | 0:15:26 | |
But can Christina do even better? | 0:15:28 | 0:15:31 | |
she's been making her way | 0:15:31 | 0:15:33 | |
to the small town of Bretherton. | 0:15:33 | 0:15:35 | |
With a recorded history going back over 800 years, | 0:15:39 | 0:15:42 | |
perhaps Bretherton's biggest claim to fame is its association | 0:15:42 | 0:15:46 | |
with the father of British astronomy, Jeremiah Horrocks. | 0:15:46 | 0:15:50 | |
The perfect place for Christina to reach for the stars | 0:15:50 | 0:15:53 | |
with her remaining £217.20p. | 0:15:53 | 0:15:56 | |
-Hello! -Hello, Christina. It's lovely to see you. | 0:15:56 | 0:16:01 | |
-What's your name? -Aiden. -Nice to meet you, Aiden. | 0:16:01 | 0:16:03 | |
-Thank you so much for having us. -You're welcome. | 0:16:03 | 0:16:06 | |
This looks wonderful! How exciting. | 0:16:06 | 0:16:07 | |
I wonder what we can tempt you with. We want you to make a profit. | 0:16:07 | 0:16:11 | |
Ah, excellent, Christina, a partner in crime, eh? | 0:16:11 | 0:16:15 | |
-Jewellery here. -And silver there, brilliant. | 0:16:15 | 0:16:18 | |
I'm not an expert on me jewellery. | 0:16:18 | 0:16:20 | |
Well, Aiden, luckily our girl is - so move aside. | 0:16:20 | 0:16:23 | |
That's nice, that little pepper. | 0:16:23 | 0:16:27 | |
This Edwardian silver pepperette has caught Christina's eye. | 0:16:27 | 0:16:31 | |
Nice Birmingham hallmark. | 0:16:31 | 0:16:33 | |
-I can see it's already got a blue glass liner... -Which is nice. | 0:16:33 | 0:16:35 | |
-..which really helps. -And original. | 0:16:35 | 0:16:37 | |
-And it's some original pepper! -Yep. SHE LAUGHS | 0:16:37 | 0:16:40 | |
-It just screams Art Nouveau, doesn't it? -Yeah. | 0:16:40 | 0:16:42 | |
-So... -What's it got on it? -You've got £80 on that. -£80? | 0:16:42 | 0:16:46 | |
-I know you like a bargain, don't you? -I NEED a bargain. | 0:16:46 | 0:16:49 | |
You need a bargain! | 0:16:49 | 0:16:51 | |
How's 40? | 0:16:51 | 0:16:53 | |
Half price? He's trying hard, Christina. | 0:16:53 | 0:16:56 | |
-That's a big drop. -Wow! That is a big drop! Incredibly kind. | 0:16:56 | 0:16:59 | |
-We want you to make a profit! -Thank you. -Eh? | 0:16:59 | 0:17:02 | |
Huh! Team Christina all the way! | 0:17:02 | 0:17:05 | |
-Ooh, those buttons are nice. -They are nice, those. | 0:17:05 | 0:17:08 | |
Yeah. Oh, Chester as well. Those are lovely. | 0:17:08 | 0:17:11 | |
Great you've got the original box and there's still six. | 0:17:11 | 0:17:14 | |
-You've got a good eye, haven't you? -I try! -Yeah! -Not so far, I'm losing! | 0:17:14 | 0:17:19 | |
No, you're picking nice pieces. | 0:17:19 | 0:17:20 | |
The case of six Edwardian silver buttons dates from 1903 | 0:17:20 | 0:17:25 | |
and are priced at £125. | 0:17:25 | 0:17:27 | |
I would look at those and I would say 80 to 120 at auction. | 0:17:27 | 0:17:30 | |
-Right. So... -Can you do something like 75...? -Oooh! | 0:17:30 | 0:17:35 | |
-I know you're pretty! -Go on. -It's that smile you've got, isn't it? | 0:17:35 | 0:17:40 | |
Good job not all my customers have got smiles or I'd be broke! | 0:17:40 | 0:17:43 | |
CHRISTINA LAUGHS Go on, then. We want you to win. | 0:17:43 | 0:17:46 | |
-Brilliant. Can we do it at 75? -75. | 0:17:46 | 0:17:48 | |
-Oh, my... -I'm in shock. -I don't know how much money I've got. | 0:17:48 | 0:17:51 | |
-I'm spending too much money! -I hope you've run out! | 0:17:51 | 0:17:53 | |
Yeah, I think I might have done. | 0:17:53 | 0:17:55 | |
Relax, Christina. There's still £102.20p in your kitty. | 0:17:55 | 0:17:59 | |
So, can Aiden tempt you with yet more goodies? | 0:17:59 | 0:18:03 | |
-I should be looking at this! -Yeah, £3. | 0:18:03 | 0:18:05 | |
Everything that I'm buying for £1 makes me most profit. | 0:18:05 | 0:18:10 | |
-It's ridiculous. -How about that for a bargain? | 0:18:10 | 0:18:13 | |
Oh, he's cute. Dogs. | 0:18:13 | 0:18:14 | |
-It's got to be the right price, though. -Right price... | 0:18:14 | 0:18:16 | |
-It's not silver. -Going off that, you can't lose at £1, can you? | 0:18:16 | 0:18:20 | |
-£1? Are you serious? -£1. -Aiden, it's a deal. Thank you. | 0:18:20 | 0:18:23 | |
-It's only cos you're smiling! -Brilliant, thank you. | 0:18:23 | 0:18:27 | |
-I'm a sucker for a smile. -I'll take it. | 0:18:27 | 0:18:28 | |
-You're welcome. -Fantastic. You're a star! | 0:18:28 | 0:18:30 | |
A silver-plated dog for a £1 note? | 0:18:30 | 0:18:33 | |
You'd have to be barking mad to say no, Christina. | 0:18:33 | 0:18:36 | |
Added to the buttons and the pepperette, | 0:18:36 | 0:18:39 | |
she's walking away with a silver haul. | 0:18:39 | 0:18:42 | |
-Shall we call it 115? -How much is it? | 0:18:42 | 0:18:43 | |
-116. -Go on, then! | 0:18:43 | 0:18:46 | |
She's done it again! | 0:18:46 | 0:18:48 | |
-Thank you very much. -Mwah! | 0:18:48 | 0:18:49 | |
Ah! What a gentleman! | 0:18:49 | 0:18:51 | |
And a kiss to seal the deal. | 0:18:51 | 0:18:53 | |
'Back on the road together, and Charles is turning on the charm. | 0:18:57 | 0:19:00 | |
-You've got the X factor. -Oh, don't be daft. | 0:19:00 | 0:19:02 | |
You have! You've got those eyelashes... | 0:19:02 | 0:19:04 | |
-If I've got the X factor, what have you got? -It's a good question. | 0:19:04 | 0:19:07 | |
What have I got? | 0:19:07 | 0:19:08 | |
-You have natural talent. -Thank you very much. You can come again. | 0:19:08 | 0:19:12 | |
Don't encourage him, Christina. | 0:19:13 | 0:19:16 | |
They're making the short journey to the village of Eccleston, | 0:19:16 | 0:19:18 | |
home to Olympic gold cyclist extraordinaire, | 0:19:18 | 0:19:22 | |
Sir Bradley Wiggins. | 0:19:22 | 0:19:24 | |
And two old weaving mills - | 0:19:26 | 0:19:29 | |
one of which is now being converted | 0:19:29 | 0:19:31 | |
into an Aladdin's cave of antiques and collectables. | 0:19:31 | 0:19:34 | |
Let's get shopping. | 0:19:34 | 0:19:35 | |
-Which way are you going? -That way. -OK. See you later. | 0:19:35 | 0:19:39 | |
Good luck. | 0:19:39 | 0:19:41 | |
And they're off, scouring their final shop of the day. | 0:19:42 | 0:19:45 | |
Ah! | 0:19:47 | 0:19:48 | |
This man is almost a lookalike for Charlie Ross! | 0:19:48 | 0:19:51 | |
Charlie, would you mind? Thanks, mate. You're a good man. | 0:19:51 | 0:19:54 | |
How rude! | 0:19:54 | 0:19:56 | |
-SHE WOLF WHISTLES -Oh, my! | 0:19:56 | 0:19:58 | |
SHE LAUGHS | 0:19:58 | 0:20:00 | |
He's going to get so lost! Think I ought to give him a map? | 0:20:01 | 0:20:05 | |
Not a bad idea, girl. | 0:20:05 | 0:20:07 | |
With the clock ticking, Charles is feeling the pressure. | 0:20:10 | 0:20:13 | |
-Any bargains in there? -I don't know. | 0:20:15 | 0:20:17 | |
I feel antiqued out! It's just huge. | 0:20:19 | 0:20:22 | |
After an hour of searching, | 0:20:22 | 0:20:24 | |
Charles makes a last mad dash for a final purchase | 0:20:24 | 0:20:28 | |
in Antico, across the road. | 0:20:28 | 0:20:31 | |
Ah, hello. | 0:20:31 | 0:20:33 | |
-Sir, Charles Hanson. Your name is? -Darren. -Hi, Darren. | 0:20:33 | 0:20:36 | |
-Can I wander round? -Course you can. -Lovely. I'm going to be really quick. | 0:20:36 | 0:20:40 | |
Meanwhile, already armed with five lots, | 0:20:41 | 0:20:43 | |
Christina decides to ditch shopping | 0:20:43 | 0:20:45 | |
for an altogether more relaxing experience. | 0:20:45 | 0:20:49 | |
Enjoy this sunshine! | 0:20:49 | 0:20:51 | |
Time's running out, Charles. | 0:20:53 | 0:20:56 | |
I'm struggling here. | 0:20:56 | 0:20:57 | |
-There's a nice little wall stand that I bought this morning. -Oh, yes? | 0:20:57 | 0:21:02 | |
Darren, that's quite nice, actually. | 0:21:02 | 0:21:04 | |
Has he finally found his last lot in this late Victorian wall rack? | 0:21:04 | 0:21:09 | |
What I love about this is the turning. | 0:21:09 | 0:21:13 | |
Walnut and ebonised on mahogany shelf tiers. | 0:21:13 | 0:21:17 | |
-It is - what, 1880? -Yeah. | 0:21:17 | 0:21:19 | |
1870. And you'll tell me, Charles, it's how much? | 0:21:19 | 0:21:23 | |
45 to you. | 0:21:23 | 0:21:25 | |
-You wouldn't take 30 for it? -No. | 0:21:25 | 0:21:27 | |
-In cash. -No. -Darren look at me. -No, it's got to be £40. -For me? | 0:21:27 | 0:21:32 | |
-No less? -No. £40. | 0:21:32 | 0:21:35 | |
I'll take it. Go on. Sold. | 0:21:35 | 0:21:37 | |
£40, that's my fifth item. | 0:21:37 | 0:21:39 | |
I'm happy. | 0:21:39 | 0:21:40 | |
At last, he's walking away with the wall rack. | 0:21:40 | 0:21:44 | |
And the shopping is all done. | 0:21:45 | 0:21:47 | |
Charles started this leg in the lead with £391.96p. | 0:21:47 | 0:21:52 | |
He's parted with £145 and is offering up five lots. - | 0:21:52 | 0:21:56 | |
a peat bucket, | 0:21:56 | 0:21:57 | |
a crocus-pattern bowl, | 0:21:57 | 0:21:59 | |
a Ruskin stoneware bowl, | 0:21:59 | 0:22:00 | |
an Art Deco tea and coffee service | 0:22:00 | 0:22:02 | |
and a walnut wall rack. | 0:22:02 | 0:22:04 | |
Christina began with £229.20p and also has five items, | 0:22:04 | 0:22:09 | |
at a cost of £127 | 0:22:09 | 0:22:11 | |
for a silver-plated dog, | 0:22:11 | 0:22:13 | |
six Edwardian silver buttons, | 0:22:13 | 0:22:15 | |
a silver pepperette, | 0:22:15 | 0:22:17 | |
four porcelain carpet bowls | 0:22:17 | 0:22:19 | |
and an Italian art pottery jug. | 0:22:19 | 0:22:21 | |
So, what do they think of each other's wares? | 0:22:21 | 0:22:24 | |
I have to be honest, I think he's bought some pretty things... | 0:22:24 | 0:22:28 | |
..but I don't think there's anything that's going to completely run away | 0:22:29 | 0:22:32 | |
and make a fortune. | 0:22:32 | 0:22:33 | |
The bucket's nice... | 0:22:33 | 0:22:35 | |
but it's a bucket, isn't it? | 0:22:35 | 0:22:36 | |
Yes, I would swap some of my items for hers, | 0:22:36 | 0:22:39 | |
but I'm still very content to sit pretty. | 0:22:39 | 0:22:42 | |
And, Christina - watch, girl, and learn. | 0:22:42 | 0:22:44 | |
Ooh! That's fighting talk, Charles. | 0:22:44 | 0:22:47 | |
It doesn't look like it's letting up on the road, either. | 0:22:47 | 0:22:50 | |
They're heading to auction | 0:22:51 | 0:22:53 | |
in the seaside resort of Lytham St Annes near Blackpool. | 0:22:53 | 0:22:57 | |
Consisting of two neighbours, | 0:22:57 | 0:22:58 | |
the 19th-century planned town of St Annes | 0:22:58 | 0:23:02 | |
and its older counterpart Lytham, | 0:23:02 | 0:23:04 | |
this area has been a popular holiday destination since Victorian times. | 0:23:04 | 0:23:09 | |
They're going to Gerrards auctioneers and valuers, | 0:23:09 | 0:23:12 | |
where today's auction is in the room, over the phone and online, | 0:23:12 | 0:23:16 | |
Jonathan Cook's got the gavel in his grasp. | 0:23:16 | 0:23:18 | |
First up is Christina and her silver-plated dog. | 0:23:20 | 0:23:23 | |
£20 on the net. Any advance on 20? | 0:23:23 | 0:23:26 | |
-£20! -Where'd that come from? | 0:23:26 | 0:23:29 | |
Any advance on 20 in the room? 22 on the net. | 0:23:29 | 0:23:31 | |
24. 26. | 0:23:31 | 0:23:34 | |
-Well done. I don't believe this. -All finished at £28...? | 0:23:34 | 0:23:38 | |
-Brilliant! -Yay! | 0:23:40 | 0:23:43 | |
That profit will keep you out of the doghouse for a while, Christina. | 0:23:43 | 0:23:47 | |
Can Charles also rack up a profit with his first lot of the day? | 0:23:48 | 0:23:52 | |
Bids there at £28. | 0:23:52 | 0:23:55 | |
At 28. 30. £32? On the net at 32. | 0:23:55 | 0:24:00 | |
34. 36. | 0:24:00 | 0:24:02 | |
At £36 on the net. Any advance in the room? At £36... | 0:24:02 | 0:24:06 | |
Do sit still, Charles. | 0:24:06 | 0:24:08 | |
-..At 40, £40. -Calm down! | 0:24:08 | 0:24:11 | |
42 on the phone! At £42, then. Sell away at 42... | 0:24:11 | 0:24:16 | |
After all the time he took to find it, | 0:24:18 | 0:24:21 | |
his £2 profit will be wiped out by auction house costs. | 0:24:21 | 0:24:25 | |
Shame. | 0:24:25 | 0:24:26 | |
Back to Christina. | 0:24:28 | 0:24:30 | |
Will her horsey Italian jug see her galloping into profit? | 0:24:30 | 0:24:34 | |
£10 on the net. £10 on the internet. Any advance in the room...? | 0:24:34 | 0:24:39 | |
-They don't like my jug. -It's a profit. | 0:24:39 | 0:24:42 | |
-They don't like my jug. -It's a profit, though, isn't it? | 0:24:42 | 0:24:46 | |
-You're just warming up still. -OK. I'd better warm up quickly. | 0:24:46 | 0:24:50 | |
Indeed, Christina, | 0:24:50 | 0:24:51 | |
as most of that small profit will be eaten up in costs. | 0:24:51 | 0:24:56 | |
Charles again, now, | 0:24:56 | 0:24:58 | |
with his late 18th-century pine peat bucket. | 0:24:58 | 0:25:01 | |
£25. 26. At 26. 30. | 0:25:01 | 0:25:05 | |
-£30. Five. 40. -See? -Keep going. | 0:25:05 | 0:25:08 | |
Five. 50. £50. Any advance on 50? | 0:25:08 | 0:25:12 | |
There's a bucket-load of profit there for you, Charles. Well done. | 0:25:13 | 0:25:18 | |
Can Christina follow suit with the Art Nouveau silver buttons? | 0:25:19 | 0:25:23 | |
£28. £30. 32. | 0:25:23 | 0:25:26 | |
34. 36. 38. 40. | 0:25:26 | 0:25:29 | |
42. 44. 46. | 0:25:29 | 0:25:31 | |
£46 on the net. 48. 50. | 0:25:31 | 0:25:34 | |
Five. 60. Five. | 0:25:34 | 0:25:37 | |
At £65. Any advance in the room? | 0:25:37 | 0:25:40 | |
-Come on! -£65. | 0:25:40 | 0:25:42 | |
Ah! It's a blow, with a £10 loss. | 0:25:43 | 0:25:46 | |
Staying with silver, | 0:25:48 | 0:25:50 | |
can her pepperette sprinkle her with profit? | 0:25:50 | 0:25:53 | |
Starting off at 28. 30. 32. 34. 36. | 0:25:53 | 0:25:56 | |
-Brilliant. -At £36. 38. 40. | 0:25:56 | 0:25:59 | |
-You're in profit. -At £40. 42. 44... | 0:25:59 | 0:26:02 | |
A lot of interest here, Christina. | 0:26:02 | 0:26:05 | |
..Five. 60. Five. 70. 75. | 0:26:05 | 0:26:09 | |
-80. Five. -Oh! | 0:26:09 | 0:26:13 | |
One more! Go 88. | 0:26:13 | 0:26:15 | |
88? | 0:26:15 | 0:26:16 | |
£88. 90. | 0:26:17 | 0:26:19 | |
Thank you anyway, madam. | 0:26:19 | 0:26:21 | |
£90, are we all sure? | 0:26:21 | 0:26:23 | |
£51 profit on the pepperette! | 0:26:24 | 0:26:26 | |
That's not to be sneezed at! Ha! | 0:26:26 | 0:26:30 | |
Over to Charles and his crocus pattern pottery bowl. | 0:26:30 | 0:26:34 | |
-£10. Any advance on ten? -A tenner! | 0:26:34 | 0:26:37 | |
-It's lovely, in perfect condition. -£12. 14 on the net. | 0:26:37 | 0:26:41 | |
-Keep going. -14. 16. | 0:26:41 | 0:26:43 | |
-18. 20. -Oh, yes! | 0:26:43 | 0:26:46 | |
Sell away at 20... | 0:26:46 | 0:26:49 | |
-It's one of mine. Thanks. -No-one would have guessed(!) | 0:26:49 | 0:26:53 | |
It may be in perfect condition, but it's breaking even. | 0:26:53 | 0:26:58 | |
No profits here, Charles. | 0:26:58 | 0:27:00 | |
Next is Charles' tea and coffee set, circa 1930. | 0:27:01 | 0:27:05 | |
£50 bid on the net. 55. | 0:27:05 | 0:27:08 | |
-Go on. -60. Five. | 0:27:08 | 0:27:10 | |
-70. 75. -Keep going, boy. | 0:27:10 | 0:27:13 | |
-£80 on the net. -Keep going. -It's going to sell. £80... | 0:27:13 | 0:27:17 | |
Cor! He's doubled his money with that lot. | 0:27:17 | 0:27:20 | |
Will Christina's carpet bowls help her roll into bigger profits? | 0:27:20 | 0:27:25 | |
Tenner at the back. £10. Gent's bid at ten. | 0:27:25 | 0:27:29 | |
At £10. Any advance on ten? | 0:27:29 | 0:27:31 | |
12 on the net. 14. | 0:27:31 | 0:27:33 | |
No further interest. | 0:27:33 | 0:27:35 | |
-No interest at all... -Get on with it! | 0:27:35 | 0:27:38 | |
-Are we all sure? -Bring that gavel down! | 0:27:38 | 0:27:40 | |
Another £9 in the bank, Christina. | 0:27:41 | 0:27:44 | |
Last up is Charles, with his Ruskin stoneware bowl. | 0:27:44 | 0:27:49 | |
Can he capitalise on its good condition? | 0:27:49 | 0:27:53 | |
-Nice thing this. -It IS a good thing. -Start it off at £100. | 0:27:53 | 0:27:57 | |
£100. 110. 120... | 0:27:57 | 0:27:59 | |
Go on, boy! We're riding! | 0:27:59 | 0:28:02 | |
..140. 150. | 0:28:02 | 0:28:05 | |
-160. -Keep going, boy. -£170, all finished...? | 0:28:05 | 0:28:09 | |
It's a cracker! £145 profit. Wow! | 0:28:10 | 0:28:15 | |
-That is absolutely phenomenal. -Can't believe it. | 0:28:17 | 0:28:19 | |
-I'm over the moon. -Well done. -Thank you! | 0:28:19 | 0:28:21 | |
You are out of this world, Charles, with two auction wins in a row. | 0:28:21 | 0:28:25 | |
Well done. | 0:28:25 | 0:28:26 | |
Christina Trevanion started with £229.20p. | 0:28:27 | 0:28:32 | |
After auction costs, she's made a profit of £42.74p, | 0:28:32 | 0:28:36 | |
which makes her total for the next round... | 0:28:36 | 0:28:40 | |
But, having started with £391.96p, | 0:28:43 | 0:28:46 | |
Charles Hanson has made a hefty profit, of £151.84p after costs, | 0:28:46 | 0:28:52 | |
increasing his lead and giving him £543.80p | 0:28:52 | 0:28:57 | |
to flash on the next leg. | 0:28:57 | 0:29:00 | |
-Shall I drive? -Yes, why not? | 0:29:00 | 0:29:02 | |
You've made such a phenomenal profit. I'm slightly in shock still. | 0:29:02 | 0:29:05 | |
-I literally cannot believe it. -I love Lytham! -I bet you do. | 0:29:05 | 0:29:11 | |
Long live Lytham. | 0:29:11 | 0:29:13 | |
-Let's go. On to Leeds. -Off we go. | 0:29:13 | 0:29:16 | |
HORN HONKS | 0:29:16 | 0:29:18 | |
On this leg they kick off in Leeds, Yorkshire, | 0:29:19 | 0:29:22 | |
before heading north for auction in Penrith in Cumbria. | 0:29:22 | 0:29:25 | |
-Madam. -Thank you very much. | 0:29:25 | 0:29:28 | |
-Your driver will depart. -See you later. -Go for it. -Bye. | 0:29:28 | 0:29:31 | |
Having lost the last auction, | 0:29:31 | 0:29:33 | |
Christina's determined to get on the front foot | 0:29:33 | 0:29:35 | |
and spend some of her £271.94p. | 0:29:35 | 0:29:40 | |
-Hello. -Hello. | 0:29:40 | 0:29:41 | |
-I'm Christina. -I'm Pete. -Pete, nice to meet you, Pete. | 0:29:41 | 0:29:44 | |
-Nice to meet you, Christina. -This looks very exciting. | 0:29:44 | 0:29:46 | |
Lots of furniture, I see. | 0:29:46 | 0:29:48 | |
More besides... | 0:29:48 | 0:29:51 | |
Show me your empire. | 0:29:51 | 0:29:52 | |
-Bit more furniture. -Bit more furniture in here. | 0:29:52 | 0:29:54 | |
This could be quite a task. | 0:29:54 | 0:29:57 | |
I've only got £271 to spend. | 0:29:57 | 0:30:00 | |
I need to come up with something really golden. | 0:30:01 | 0:30:03 | |
Oh, Lordy! | 0:30:03 | 0:30:05 | |
The search goes on. | 0:30:07 | 0:30:09 | |
It's amazing what you can come up with. | 0:30:09 | 0:30:11 | |
Oh! There's a big spider in there! | 0:30:11 | 0:30:14 | |
Ooooh! I don't like spiders. | 0:30:16 | 0:30:18 | |
Maybe it's time to consult Pete. | 0:30:18 | 0:30:21 | |
There's this dressing table. | 0:30:21 | 0:30:23 | |
-It's got this sort of tambour... -Yes, they're little tambour... | 0:30:23 | 0:30:26 | |
..tops. | 0:30:26 | 0:30:28 | |
Ooh! | 0:30:28 | 0:30:30 | |
Ow! | 0:30:30 | 0:30:31 | |
They're vicious! | 0:30:31 | 0:30:33 | |
I don't think we're seeing it at its best. | 0:30:33 | 0:30:35 | |
So what's that sort of money? | 0:30:35 | 0:30:37 | |
45. | 0:30:37 | 0:30:39 | |
45 quid. | 0:30:39 | 0:30:40 | |
It's a big lump. | 0:30:40 | 0:30:42 | |
That's what concerns me. It's a big bit of furniture. | 0:30:42 | 0:30:45 | |
Not many people could accommodate it in their homes... | 0:30:45 | 0:30:47 | |
but there's something about it that I just quite like. | 0:30:47 | 0:30:50 | |
And what would that be, Christina? | 0:30:50 | 0:30:52 | |
£20? | 0:30:52 | 0:30:54 | |
-35. -Come on, Pete. | 0:30:54 | 0:30:56 | |
30. | 0:30:56 | 0:30:57 | |
-Oh, go on, 20, it gives me a fighting... -25 and that's, that's... | 0:30:57 | 0:31:01 | |
It gives me a fighting chance at £20. | 0:31:01 | 0:31:03 | |
-OK, 20. It's done. -Yeah? -OK, yeah. -Pete, you're a legend. Thank you. | 0:31:03 | 0:31:07 | |
It's either going to be brilliant or it's going to bomb spectacularly, | 0:31:07 | 0:31:10 | |
and I think it's probably going to be the latter! | 0:31:10 | 0:31:12 | |
Possibly, but isn't it staggering | 0:31:12 | 0:31:14 | |
that you can pick up a substantial piece of furniture for just £20? | 0:31:14 | 0:31:19 | |
Now, here's Charles, feeling confident with £543.80p to his name. | 0:31:19 | 0:31:24 | |
-How are you? -Fine. | 0:31:24 | 0:31:26 | |
-I'm Charles Hanson. -I'm John. | 0:31:26 | 0:31:27 | |
-Good to see you, John. -Welcome to our emporium. | 0:31:27 | 0:31:29 | |
He may be looking to score here at Swiss Cottage, | 0:31:30 | 0:31:33 | |
but in this game it's all about responding | 0:31:33 | 0:31:35 | |
to whatever life delivers. | 0:31:35 | 0:31:38 | |
Is there anything here, John, that's quite quirky, | 0:31:38 | 0:31:40 | |
that's quite different, that's quite...radical? | 0:31:40 | 0:31:43 | |
Bull's head, if you want quirky. | 0:31:43 | 0:31:45 | |
Golly! | 0:31:45 | 0:31:46 | |
It's an old one, isn't it, the bull's head. | 0:31:46 | 0:31:48 | |
Tell me where it came from? | 0:31:48 | 0:31:50 | |
A butcher's, one of the old-style butcher's. | 0:31:50 | 0:31:52 | |
He's a bit tired, isn't he? He's been a bit moth-eaten. | 0:31:52 | 0:31:56 | |
-But it's got a big price, hasn't it? 350. -It's a big price, yes. -Yeah. | 0:31:56 | 0:31:59 | |
What's the very best, John, if our horns were locked at 350? | 0:31:59 | 0:32:02 | |
-300 we'd come down... -That's the very best, is it? -Yes. | 0:32:02 | 0:32:05 | |
I would just be taking too much of a gamble at £300. I'll leave it. | 0:32:05 | 0:32:09 | |
Never mind! There's plenty more wildlife to be spotted around here. | 0:32:09 | 0:32:12 | |
And they're nice up there. | 0:32:12 | 0:32:15 | |
These red leaping deer capture the Art Deco, and that's really nice. | 0:32:15 | 0:32:21 | |
This is a vase that goes with it. | 0:32:21 | 0:32:24 | |
And there we are. They're made by Crown Devon. | 0:32:24 | 0:32:26 | |
And Crown Devon were a really forward-thinking | 0:32:26 | 0:32:31 | |
Art Deco manufacturer. | 0:32:31 | 0:32:33 | |
They're all been priced individually. It's just a lovely ensemble. | 0:32:33 | 0:32:38 | |
£175, and actually I would want the whole lot going together | 0:32:38 | 0:32:42 | |
as one bundle of Art Deco joy. | 0:32:42 | 0:32:46 | |
-Hi, John. -Hiya. | 0:32:46 | 0:32:48 | |
What would be your best price for the famous five? | 0:32:48 | 0:32:51 | |
-110. -110. | 0:32:51 | 0:32:53 | |
The only concern is if it's a general sale | 0:32:53 | 0:32:55 | |
and it's a real bric-a-brac affair... | 0:32:55 | 0:32:58 | |
-It's all there. -They might get lost. | 0:32:58 | 0:33:00 | |
I'm going to think about it. £110 is a really good offer, | 0:33:00 | 0:33:04 | |
but I need to be really sure about it. | 0:33:04 | 0:33:06 | |
Hang on! He's off. | 0:33:06 | 0:33:07 | |
Charles is having his usual trouble, though, getting started, it seems. | 0:33:07 | 0:33:11 | |
Christina, meanwhile, has left town with Morris. | 0:33:15 | 0:33:19 | |
Whoo! | 0:33:19 | 0:33:20 | |
Motoring from Leeds over to Shipley... | 0:33:21 | 0:33:25 | |
and the historic Victorian village of Saltaire. | 0:33:25 | 0:33:28 | |
She's not here for the World Heritage site, though... | 0:33:28 | 0:33:32 | |
-Hello. -Hello. -Hi. | 0:33:34 | 0:33:35 | |
-Are you Malcolm? -I am, yes. -Hi, Malcolm. -Nice to meet you. | 0:33:35 | 0:33:38 | |
I'm Christina, very nice to meet you. | 0:33:38 | 0:33:39 | |
-Nice to see you. -This is amazing. -Oh, yes. It's a treasure trove. | 0:33:39 | 0:33:42 | |
Malcolm's establishment on the third floor of an old textile mill | 0:33:43 | 0:33:47 | |
has a bit of everything. | 0:33:47 | 0:33:48 | |
Not that that always helps! | 0:33:48 | 0:33:51 | |
Mr Bond, I've been expecting you. | 0:33:51 | 0:33:53 | |
I love that! Look at that! How cool is that? | 0:33:54 | 0:33:57 | |
Chrome Deco aeroplane cruet. That's awesome. | 0:33:57 | 0:34:01 | |
Practical too. | 0:34:01 | 0:34:03 | |
-You're looking at this? -Yes, please. | 0:34:03 | 0:34:05 | |
I think it's quite fun. | 0:34:05 | 0:34:07 | |
I mean, I think it's terrible. | 0:34:07 | 0:34:08 | |
It's obviously in very bad condition and not worth that at all. | 0:34:08 | 0:34:11 | |
Oh, that ploy! | 0:34:11 | 0:34:13 | |
So the ticket price is... | 0:34:13 | 0:34:15 | |
-£68. -Right. | 0:34:15 | 0:34:18 | |
I'll have to ring him, but I can normally work up to 10%. | 0:34:18 | 0:34:21 | |
-So that's £6.80. -But I'd... -That's £60-ish. -Well, I'd say £60. | 0:34:21 | 0:34:25 | |
But I can always ring and see if I can squeeze a bit more out. | 0:34:25 | 0:34:29 | |
That would be amazing. | 0:34:29 | 0:34:30 | |
-Especially as a lot of the chrome is peeling on there. -Yeah. | 0:34:30 | 0:34:33 | |
-But it's an unusual thing, isn't it? -No! | 0:34:33 | 0:34:36 | |
-I see them every day! -Do you? Oh, right. | 0:34:36 | 0:34:38 | |
Get me another one, then! | 0:34:38 | 0:34:40 | |
-Right, I'll go and ask. -Thank you. -I'll come back. | 0:34:40 | 0:34:43 | |
But I think it looks very Art Deco. It's also got a registered number | 0:34:43 | 0:34:47 | |
on the back there which is a good sign. | 0:34:47 | 0:34:49 | |
But it's just a bit of fun, isn't it? | 0:34:49 | 0:34:52 | |
He's back. | 0:34:52 | 0:34:53 | |
-Can't get hold of him. -Oh! -So... -Oh? | 0:34:53 | 0:34:58 | |
I will... | 0:34:58 | 0:34:59 | |
I'll do it at... | 0:34:59 | 0:35:02 | |
Yes? | 0:35:02 | 0:35:03 | |
..56. | 0:35:05 | 0:35:06 | |
Mmm. | 0:35:06 | 0:35:07 | |
-56? That's your absolute maximum? -It is. | 0:35:07 | 0:35:09 | |
Because what I'm doing is taking the commission off. | 0:35:09 | 0:35:11 | |
-I'm asking for blood, aren't I? -You are. | 0:35:11 | 0:35:14 | |
And I can't give you it. | 0:35:14 | 0:35:16 | |
-You can ask your mother. -Is there any leverage on about £50? | 0:35:16 | 0:35:20 | |
I'm prepared to let it go at 50, but that's the best I can do. | 0:35:20 | 0:35:23 | |
OK. So £50. | 0:35:23 | 0:35:25 | |
(I like it.) | 0:35:25 | 0:35:27 | |
-(Why not have it?) What are you whispering for? -(I don't know!) | 0:35:27 | 0:35:30 | |
Oh, go on, then! £50. | 0:35:32 | 0:35:34 | |
-All right, lovely. -Brilliant. Thank you very much. -You're welcome. | 0:35:34 | 0:35:37 | |
Let's go for it. | 0:35:37 | 0:35:38 | |
But while Christina's been busy buying, | 0:35:42 | 0:35:45 | |
Charles has headed for the centre of Leeds, | 0:35:45 | 0:35:48 | |
where, down on the waterfront, further along the River Aire, | 0:35:48 | 0:35:51 | |
is a museum dedicated to arms and armour. | 0:35:51 | 0:35:54 | |
-And you must be... -I'm Karen. -Karen. Charles Hanson. | 0:35:54 | 0:35:57 | |
Lovely to meet you, Charles. | 0:35:57 | 0:35:58 | |
Welcome to the Armouries. | 0:35:58 | 0:36:00 | |
This impressive building displays the National Collection. | 0:36:01 | 0:36:04 | |
It all started out in the Tower of London, | 0:36:04 | 0:36:07 | |
but the huge space here can display over 8,500 objects | 0:36:07 | 0:36:11 | |
and Charles is in for a behind-the-scenes treat. | 0:36:11 | 0:36:15 | |
The museum has items like this lobster-tail helmet | 0:36:15 | 0:36:18 | |
from the Civil War, | 0:36:18 | 0:36:20 | |
but Charles is here to see the much fancier tournament sword. | 0:36:20 | 0:36:23 | |
These were the jousts that began in the Middle Ages | 0:36:25 | 0:36:28 | |
and soon became a highly dangerous spectator sport. | 0:36:28 | 0:36:31 | |
Henry VIII was very keen, but so were other European monarchs. | 0:36:31 | 0:36:35 | |
This one here is one of the jewels of our collection. | 0:36:35 | 0:36:38 | |
This armour here's got a breastplate, a back plate, | 0:36:38 | 0:36:41 | |
a neck plate and full articulating arm defences. | 0:36:41 | 0:36:44 | |
-You can see how you can move. -Yeah. | 0:36:44 | 0:36:47 | |
-What age is this? -Precisely, | 0:36:47 | 0:36:49 | |
-and you don't often get a chance to say that, 1591. -It's not! It's not! | 0:36:49 | 0:36:54 | |
Sophia, Electress of Saxony, wants to give her husband Christian | 0:36:54 | 0:36:58 | |
the best Christmas present ever, | 0:36:58 | 0:37:01 | |
and she orders him a suite of 12 of these. | 0:37:01 | 0:37:05 | |
It was a way of showing yourself. | 0:37:05 | 0:37:08 | |
I actually think that's why Henry VIII was so well-known | 0:37:08 | 0:37:12 | |
as a physical presence, was because he showed himself at tournaments. | 0:37:12 | 0:37:16 | |
King Henry became so enthusiastic about jousting | 0:37:18 | 0:37:22 | |
that he hired German craftsmen | 0:37:22 | 0:37:24 | |
to create his own armoury in Greenwich, | 0:37:24 | 0:37:26 | |
making plate of increasing thickness. | 0:37:26 | 0:37:28 | |
I feel fairly underdressed, I feel quite open to damage. | 0:37:28 | 0:37:32 | |
You need some extra bits. | 0:37:32 | 0:37:34 | |
This is to protect your face. | 0:37:34 | 0:37:38 | |
Because this is the most vulnerable area, | 0:37:38 | 0:37:40 | |
this is the area you're going to be hit. | 0:37:40 | 0:37:42 | |
I'm jousting in what year, in this? | 0:37:42 | 0:37:45 | |
You're jousting in about the 1580s, 1590s. | 0:37:45 | 0:37:48 | |
-In England? -In England. -So this is an English-made jousting outfit? | 0:37:48 | 0:37:52 | |
-English-made jousting outfit. -I feel very humble to wear this. | 0:37:52 | 0:37:55 | |
And for sir's tootsies? | 0:37:55 | 0:37:56 | |
These are the steel feet of Henry VIII. | 0:37:56 | 0:38:01 | |
-Worn by Henry VIII? -Worn by Henry VIII. | 0:38:03 | 0:38:05 | |
-I can't believe it. -You can flex it. | 0:38:05 | 0:38:07 | |
It's just amazing. | 0:38:07 | 0:38:09 | |
So, essentially, Karen, they were worn like that, were they? | 0:38:09 | 0:38:12 | |
Yeah. Absolutely. | 0:38:12 | 0:38:14 | |
-So I'm actually walking... -You're walking in Henry VIII's footsteps. | 0:38:14 | 0:38:17 | |
That's just incredible. | 0:38:17 | 0:38:19 | |
But these shoes are by no means the only items of armour | 0:38:20 | 0:38:23 | |
that once belonged to Henry here. | 0:38:23 | 0:38:25 | |
There's a complete suit, for example, | 0:38:25 | 0:38:28 | |
made for the young king at a very famous joust. | 0:38:28 | 0:38:30 | |
Well, here we are in the Tournament Gallery | 0:38:30 | 0:38:32 | |
and I'm going to show you an armour for Henry VIII | 0:38:32 | 0:38:36 | |
made for him when he was a young man, still in his 20s. | 0:38:36 | 0:38:39 | |
It was made for him to wear at the Field of Cloth of Gold tournament. | 0:38:39 | 0:38:43 | |
-Gosh! -A magnificent tournament | 0:38:43 | 0:38:45 | |
that was held between himself and King Francis I of France in 1520. | 0:38:45 | 0:38:50 | |
It became the byword for luxury and extravagance. | 0:38:50 | 0:38:55 | |
He is almost invincible. He was Henry VIII, he was invincible. | 0:38:55 | 0:38:58 | |
And I'm thinking, how can I prod him? Where can I take a hit? | 0:38:58 | 0:39:02 | |
You're never going to get into this armour, I can tell you. | 0:39:02 | 0:39:05 | |
Every single plate locks into every other. | 0:39:05 | 0:39:08 | |
It does however weight 94 lbs, so it's very heavy. | 0:39:08 | 0:39:12 | |
I've got to be Christina's knight in shining armour, | 0:39:12 | 0:39:16 | |
and seeing Henry VIII, King Henry from 1520, what are your tips for me? | 0:39:16 | 0:39:22 | |
I think you've got everything it needs, | 0:39:22 | 0:39:24 | |
because I can see you've got a chivalrous nature. | 0:39:24 | 0:39:27 | |
I think Karen's got a bit of a soft spot for our Charles! | 0:39:27 | 0:39:30 | |
Later they're making for the auction in Penrith, | 0:39:35 | 0:39:38 | |
but our next stop is Skipton. | 0:39:38 | 0:39:40 | |
This historic market town is famous for its castle and mills, | 0:39:44 | 0:39:48 | |
although it's a lesser-known fact | 0:39:48 | 0:39:50 | |
that Skipton was also the site of prisoner of war camps | 0:39:50 | 0:39:53 | |
during both World Wars. | 0:39:53 | 0:39:55 | |
Nowadays, one of those is a caravan park. | 0:39:55 | 0:39:58 | |
Wash House Antiques. It's tiny! | 0:39:58 | 0:40:01 | |
-It looks packed to the rafters. -They say small is beautiful, don't they? | 0:40:01 | 0:40:05 | |
Exactly. | 0:40:05 | 0:40:06 | |
-So what we can do is we can go with a hop... -A skip...ton! | 0:40:06 | 0:40:09 | |
..a skip and a jump! See you later. | 0:40:09 | 0:40:12 | |
Now, Charles, Skipton has little to do with skipping. | 0:40:12 | 0:40:16 | |
-Good morning. -Good morning, Charles. -How are you? -Fine, thank you. | 0:40:16 | 0:40:19 | |
-What a wonderful shop you have. -Thank you. | 0:40:19 | 0:40:21 | |
I'm Charles and you're the lady in tweed. | 0:40:21 | 0:40:22 | |
-Samantha. -Hi, Samantha. Good to see you. -Hello. | 0:40:22 | 0:40:24 | |
I think the tweed has definitely put him in the mood, | 0:40:24 | 0:40:27 | |
plus of course the contents of Samantha's fine little shop. | 0:40:27 | 0:40:31 | |
-That's a nice gavel, isn't it? -Yes. | 0:40:31 | 0:40:34 | |
As an auctioneer, | 0:40:34 | 0:40:35 | |
you always want to sell objects with a gavel that's tactile, | 0:40:35 | 0:40:40 | |
and this is light, has a lovely feel, | 0:40:40 | 0:40:43 | |
and it's probably what, 1920s? | 0:40:43 | 0:40:45 | |
-I'll have to think about that. -That would do the job. | 0:40:45 | 0:40:47 | |
-It could be going, going, gone if the price is right. -All right. | 0:40:47 | 0:40:51 | |
That's a nice box as well, isn't it? | 0:40:51 | 0:40:53 | |
I think that's a really beautiful box. | 0:40:53 | 0:40:55 | |
It has got a little issue | 0:40:55 | 0:40:57 | |
-in that it's missing a little bit of the foot there. -Yeah. | 0:40:57 | 0:41:01 | |
I love this box because the detail is so good, | 0:41:01 | 0:41:04 | |
and furthermore it has a lovely feel, has a nice mellow colour, | 0:41:04 | 0:41:08 | |
and it's just a pretty box. | 0:41:08 | 0:41:10 | |
Circa 1880. How much is that? | 0:41:10 | 0:41:12 | |
-It could be very reasonable. -Yeah. | 0:41:12 | 0:41:14 | |
-If I were to say £15... -£15. Food for thought. | 0:41:14 | 0:41:19 | |
He's giving the shop a thorough examination! | 0:41:19 | 0:41:22 | |
In the corner over there is a really nice oil lamp, the one with the... | 0:41:22 | 0:41:27 | |
is it a ram's horn? | 0:41:27 | 0:41:28 | |
-Right. It's actually a Victorian put-together. -A made-up. | 0:41:28 | 0:41:32 | |
-And it's actually an electric lamp now. -Oh, is it? | 0:41:32 | 0:41:36 | |
Obviously for the purpose of auction we would have to have it PAT tested. | 0:41:36 | 0:41:40 | |
-Yes. -Check the leccy. | 0:41:40 | 0:41:43 | |
It's a bit of a drama queen by appearance. | 0:41:43 | 0:41:45 | |
What would it cost me to buy? | 0:41:45 | 0:41:47 | |
If I were to say 35... | 0:41:47 | 0:41:51 | |
What I might do is come back to you | 0:41:51 | 0:41:54 | |
-with an offer for maybe two, three or even four items. -Right. | 0:41:54 | 0:41:58 | |
Come on, Charles, let's see the colour of your cash! | 0:41:58 | 0:42:02 | |
Now, what about your travelling companion? | 0:42:02 | 0:42:05 | |
My name's Christina. | 0:42:05 | 0:42:07 | |
-I'm June. -June. Nice to meet you, June. | 0:42:07 | 0:42:09 | |
-Hi. And you are... -Melanie. | 0:42:09 | 0:42:11 | |
-Melanie. And you're my ladies for today. -We are. | 0:42:11 | 0:42:14 | |
Lots of choice, but with very few dealers around, | 0:42:14 | 0:42:17 | |
she'll need all the advice that Melanie and June can supply. | 0:42:17 | 0:42:21 | |
I have dealings with this dealer. | 0:42:21 | 0:42:23 | |
-I know exactly what she'll do in the end. -OK, brilliant. | 0:42:23 | 0:42:26 | |
OK, that's great. | 0:42:26 | 0:42:28 | |
Ah, now, that could be handy. | 0:42:28 | 0:42:30 | |
Well, I think we might go for a bit of a group lot. | 0:42:30 | 0:42:33 | |
Nice picture frame. | 0:42:33 | 0:42:35 | |
-That's quite nice, isn't it? -Yeah, yeah. -That's London 1984. | 0:42:35 | 0:42:39 | |
£55 on that. | 0:42:39 | 0:42:41 | |
Well, that's quite nice, isn't it? | 0:42:41 | 0:42:44 | |
That's nice with the patterned glass. | 0:42:44 | 0:42:46 | |
We've got D&F which is Deakin and Francis, and then Birmingham | 0:42:46 | 0:42:51 | |
-and...1919. -Yes. | 0:42:51 | 0:42:55 | |
The toilet jar is £50. | 0:42:55 | 0:42:57 | |
-What about the scent bottle? -That's rather nice. | 0:42:57 | 0:43:00 | |
This is fast work! | 0:43:00 | 0:43:02 | |
That's got a nice star-cut base | 0:43:02 | 0:43:05 | |
which you would expect of a slightly better quality piece. | 0:43:05 | 0:43:08 | |
-But it stands nicely, doesn't it? -Yeah, it does. | 0:43:08 | 0:43:10 | |
The scent bottle is £35. | 0:43:10 | 0:43:13 | |
If we were to hypothetically say this group, | 0:43:13 | 0:43:16 | |
what do you think on that? | 0:43:16 | 0:43:18 | |
We'll say £90. | 0:43:19 | 0:43:20 | |
I'm thinking more probably along the region of maybe £70 for the group. | 0:43:20 | 0:43:26 | |
Well, go to 80. 80's my best offer. | 0:43:26 | 0:43:29 | |
-80? -Yeah. -I will go for that 80, because I think that's very fair. | 0:43:29 | 0:43:33 | |
It's very fair of you. Thank you very much. Grand. Thank you. | 0:43:33 | 0:43:36 | |
Speedy! | 0:43:36 | 0:43:37 | |
Now, the last time we saw Charles he had quite a heap of stuff too. | 0:43:37 | 0:43:41 | |
Any news? | 0:43:41 | 0:43:42 | |
The last item I'm going to sort of remark upon are the two birds. | 0:43:42 | 0:43:46 | |
Tell me about them. | 0:43:46 | 0:43:47 | |
I've had these some time, but I seem to recollect when I bought it | 0:43:47 | 0:43:50 | |
that the lady said it was a Russian one... | 0:43:50 | 0:43:52 | |
Da! | 0:43:52 | 0:43:53 | |
-It's quite sweet, isn't it? -Whether it is... | 0:43:53 | 0:43:55 | |
Now, this one, I'm sure, is a modern one. | 0:43:55 | 0:43:58 | |
-That one, I think has some age. -Yeah, this is quite a quirky toy. | 0:43:58 | 0:44:01 | |
But who knows? He might just fly away at auction. | 0:44:01 | 0:44:04 | |
There doesn't seem to be a key for the clockwork. | 0:44:04 | 0:44:07 | |
Though, fortunately, Charles can supply all the energy required. | 0:44:07 | 0:44:11 | |
What am I worth? A fiver? A fiver? | 0:44:11 | 0:44:14 | |
Silly boy! Now, any danger of a deal? | 0:44:14 | 0:44:17 | |
If I bought our four items, could you work a price out for me? | 0:44:17 | 0:44:21 | |
-Looking at the individual prices, it would be totting up to £90. -Right. | 0:44:21 | 0:44:26 | |
I could trim it down to 50. | 0:44:26 | 0:44:29 | |
I would love to really buy the group for about £40. | 0:44:29 | 0:44:32 | |
The big oil lamp would be £20, the gavel and the box, 15, | 0:44:32 | 0:44:38 | |
and then the two birds would be £5. | 0:44:38 | 0:44:41 | |
I think we can end it at that, then. | 0:44:41 | 0:44:43 | |
-Are you sure? -Yes. -Can I raise my gavel? -Yes. | 0:44:43 | 0:44:46 | |
-Going, going... -Gone. | 0:44:46 | 0:44:48 | |
Sold! £40. | 0:44:48 | 0:44:51 | |
Thank you very much. | 0:44:51 | 0:44:52 | |
Just as I go and say au revoir... | 0:44:52 | 0:44:55 | |
Aye-aye? | 0:44:55 | 0:44:56 | |
That bookcase over there, Globe-Wernicke, early 20th century... | 0:44:56 | 0:45:01 | |
and it appears to be in good condition... | 0:45:01 | 0:45:03 | |
-It is, it is in good condition. -Could it be a goer? | 0:45:03 | 0:45:06 | |
Hang on! This is turning into quite an outing! | 0:45:06 | 0:45:08 | |
I think it's a real popular item. | 0:45:08 | 0:45:10 | |
I think it's one of those pieces of furniture | 0:45:10 | 0:45:12 | |
that's really in at the moment. | 0:45:12 | 0:45:14 | |
Globe-Wernicke, founded in the USA during the late 19th century, | 0:45:14 | 0:45:18 | |
patented the expanding bookcase, | 0:45:18 | 0:45:21 | |
whereby units of different depth and height could be fitted together. | 0:45:21 | 0:45:25 | |
They're now highly collectable. | 0:45:25 | 0:45:27 | |
What's your rock-bottom price? | 0:45:27 | 0:45:28 | |
-I think for that I would have to stick with £100. -£100? | 0:45:28 | 0:45:33 | |
The very, very best I could do would be 95. | 0:45:33 | 0:45:37 | |
I definitely couldn't move below that. | 0:45:37 | 0:45:39 | |
I think at £95 I shall say... | 0:45:39 | 0:45:42 | |
I'll take it. Thank you very much. | 0:45:44 | 0:45:46 | |
I'm over the moon. | 0:45:46 | 0:45:47 | |
That is impressive, Charles! | 0:45:47 | 0:45:49 | |
So after yesterday's drought, now the flood. | 0:45:49 | 0:45:52 | |
Back at the Antique Centre, | 0:45:52 | 0:45:54 | |
Christina's finally got hold of a dealer. | 0:45:54 | 0:45:56 | |
What about some photographs from the Beeching era? | 0:45:56 | 0:46:00 | |
-Are they railway photographs? -Yeah. | 0:46:00 | 0:46:01 | |
They came out of a clearance I did from an ex-train driver | 0:46:01 | 0:46:05 | |
just after Beeching, | 0:46:05 | 0:46:07 | |
which was the time a lot of the railway stations disappeared. | 0:46:07 | 0:46:10 | |
So there's a good little bit of history from the mid-'60s. | 0:46:10 | 0:46:13 | |
-All the lovely old signal boxes... -All abandoned. | 0:46:13 | 0:46:15 | |
..and things like that. And quite a few stations. | 0:46:15 | 0:46:17 | |
-Gosh! It is a very specialist market, though, isn't it? -It is. | 0:46:17 | 0:46:21 | |
-If you found that right market... -Yeah. | 0:46:21 | 0:46:23 | |
-What have you got on these, then? -Asking sort of 38 for the whole lot. | 0:46:23 | 0:46:27 | |
I'm just concerned that they could be the kind of thing | 0:46:27 | 0:46:30 | |
that makes a couple of quid at auction | 0:46:30 | 0:46:33 | |
-or they could make quite a lot of money. -Yeah. | 0:46:33 | 0:46:36 | |
I would be happy to get these in the sort of £15-20 region. | 0:46:36 | 0:46:41 | |
I think they're fascinating, but I don't know how many other people | 0:46:41 | 0:46:44 | |
will think they're fascinating. | 0:46:44 | 0:46:46 | |
Yeah. There's lots of chaps love this sort of stuff. | 0:46:46 | 0:46:49 | |
You'll be fine, honestly! | 0:46:49 | 0:46:50 | |
Seb's got a point, Christina. | 0:46:50 | 0:46:52 | |
Give me £26 and we have a deal. | 0:46:52 | 0:46:55 | |
-Shall we go 25? -Yeah, let's go 25, then. -Yeah? -OK? | 0:46:55 | 0:46:58 | |
-OK, 25. -Thank you. -Thank you. | 0:46:58 | 0:46:59 | |
-I think those are quite interesting. -Yeah, they're good fun. | 0:46:59 | 0:47:02 | |
Completely not what I would usually buy, | 0:47:02 | 0:47:04 | |
-but maybe that's where I've been going wrong! -Yes. | 0:47:04 | 0:47:06 | |
These do seem to be a bit of a bargain. | 0:47:07 | 0:47:09 | |
Remember, she's still got about £100 left. | 0:47:09 | 0:47:12 | |
Now, anything else? | 0:47:12 | 0:47:14 | |
What are those prints over there? | 0:47:14 | 0:47:15 | |
-Those look very Art Deco. -Fashion prints, yeah. -1940s. | 0:47:15 | 0:47:18 | |
-They're rather lovely, aren't they? -Yeah, original frames as well. | 0:47:18 | 0:47:22 | |
I think they've got a lot of style | 0:47:22 | 0:47:23 | |
with these sort of slightly demure colours, | 0:47:23 | 0:47:25 | |
but that's what ladies were going for, slightly higher hemlines. | 0:47:25 | 0:47:28 | |
I mean, this Art Deco look is very trendy at the moment. | 0:47:28 | 0:47:31 | |
But this price... Is that £18 for the two or each? | 0:47:31 | 0:47:35 | |
Each at the moment. | 0:47:35 | 0:47:38 | |
What about...? You're going to hate me. | 0:47:38 | 0:47:41 | |
What about £15 the pair? | 0:47:41 | 0:47:44 | |
-The pair? -Yes. | 0:47:44 | 0:47:46 | |
-15's too low. -OK. What's your absolute, absolute minimum? | 0:47:46 | 0:47:50 | |
I'm thinking sort of 24. | 0:47:50 | 0:47:51 | |
-24 for the pair? -For the pair - that's the pair. | 0:47:51 | 0:47:54 | |
And the frames, of course, as well as the prints. | 0:47:54 | 0:47:56 | |
-Well, I would hope that you'd throw the frames in! -You know! | 0:47:56 | 0:47:59 | |
What about £20 for the pair? | 0:47:59 | 0:48:01 | |
I'm going to let you have them for 20, OK? | 0:48:01 | 0:48:04 | |
-OK, you've got a deal, Seb. -OK. All done. | 0:48:04 | 0:48:06 | |
-You're a star. Thank you. -Thank you. £20. Lovely. | 0:48:06 | 0:48:08 | |
Well done, Skipton. Quite a haul for them both, | 0:48:08 | 0:48:11 | |
that explains the very good mood in the Morris, I presume. | 0:48:11 | 0:48:15 | |
Whee! | 0:48:15 | 0:48:16 | |
They're now motoring south and west across the Lancashire border | 0:48:19 | 0:48:22 | |
from Skipton to Burnley. | 0:48:22 | 0:48:24 | |
The market town of Burnley | 0:48:24 | 0:48:25 | |
became one of Lancashire's most prominent mill towns | 0:48:25 | 0:48:27 | |
during the industrial age of the 18th and 19th centuries, | 0:48:27 | 0:48:31 | |
growing into a major centre for engineering | 0:48:31 | 0:48:34 | |
and one of the world's largest manufacturers of cotton cloth. | 0:48:34 | 0:48:38 | |
Looks like this establishment works on a fairly industrial scale too. | 0:48:41 | 0:48:45 | |
Off you go, then, Charles. Good luck. | 0:48:45 | 0:48:47 | |
He's still got an awful lot of cash to spend at Karlen Antiques. | 0:48:49 | 0:48:54 | |
So what will take his fancy, eh? | 0:48:54 | 0:48:56 | |
Retro pottery? | 0:48:56 | 0:48:58 | |
Come over here, Sharon. | 0:48:58 | 0:49:00 | |
-This is quite nice. -Yeah. | 0:49:00 | 0:49:02 | |
Look at that for a design. | 0:49:02 | 0:49:04 | |
-That to me...is it Midwinter? -It is. -It is Midwinter... -And it's cheap. | 0:49:04 | 0:49:08 | |
Is it cheap? Oh, Sharon - you're talking my language, Sharon. | 0:49:08 | 0:49:12 | |
-Are these little soup bowls or...? -They're soup bowls, I would say. | 0:49:12 | 0:49:15 | |
-We'll put those up there. -They look quite sweet. | 0:49:15 | 0:49:18 | |
Yeah, they do look sweet. Is it the '50s or '60s? | 0:49:18 | 0:49:21 | |
I think probably more like '60s. But it doesn't matter? | 0:49:21 | 0:49:23 | |
You know, if you're a swinger and you like the '60s, that's fine, isn't it? | 0:49:23 | 0:49:27 | |
-Yeah. -If I said to you, what's the very best on that little ensemble, | 0:49:27 | 0:49:30 | |
-what would you tell me? -Only because it's you | 0:49:30 | 0:49:32 | |
-and I know you need to make money... -Sharon! I'm in need. | 0:49:32 | 0:49:35 | |
-We're talking £10. -Oh, my God, Sharon! Don't do that to me, Sharon! | 0:49:35 | 0:49:39 | |
I like your little doll here. That's quite nice. | 0:49:39 | 0:49:41 | |
-Dream baby, that one is. -Yeah. | 0:49:41 | 0:49:42 | |
-I used to make those... -How much could she be? | 0:49:42 | 0:49:46 | |
What is she on for? 22. | 0:49:46 | 0:49:48 | |
£12. | 0:49:48 | 0:49:51 | |
She can't help herself. | 0:49:51 | 0:49:52 | |
He'll find it difficult to spend much here. | 0:49:52 | 0:49:55 | |
What about this hat, sweetheart? | 0:49:55 | 0:49:57 | |
This is very '60s. | 0:49:57 | 0:49:58 | |
-It is, isn't it? -It is, isn't it? | 0:49:58 | 0:50:01 | |
The right lady...it's very Audrey Hepburn, do you not think? | 0:50:01 | 0:50:04 | |
Can you put it on for me? I can't model it. | 0:50:04 | 0:50:07 | |
I just don't think I'll do it justice! | 0:50:07 | 0:50:09 | |
Oh, I say! No, you do. | 0:50:09 | 0:50:11 | |
-That pretty young lady! -It's got to go. How much is it? | 0:50:11 | 0:50:14 | |
-£5. -£5. | 0:50:14 | 0:50:16 | |
Is he buying ALL of it? | 0:50:16 | 0:50:18 | |
What's the best price on the whole lot? | 0:50:18 | 0:50:22 | |
20 for all the lot there. I think that's a real bargain. | 0:50:22 | 0:50:25 | |
Can you see the little glass dish there with the bull's-eye? | 0:50:25 | 0:50:28 | |
-Oh, yes, that one there. -You can throw that in. | 0:50:28 | 0:50:30 | |
I just can't say no to you! | 0:50:30 | 0:50:32 | |
I just can't say no! | 0:50:32 | 0:50:33 | |
You know, if that's OK with you, I'm going to say yes. | 0:50:33 | 0:50:36 | |
-Yes, well, I'm really happy! Let's shake on it quickly! -Are you sure? | 0:50:36 | 0:50:39 | |
That's done. Thank you very much. Give us a kiss. Thank you. | 0:50:39 | 0:50:42 | |
So Charles is now done shopping with almost £400 still in his pocket. | 0:50:42 | 0:50:49 | |
Christina began with £271.94p, | 0:50:49 | 0:50:52 | |
and she spent £195 on five auction lots - | 0:50:52 | 0:50:56 | |
an Art Deco cruet set in the form of a plane, | 0:50:56 | 0:50:59 | |
a pair of Art Deco stylish fashion plates, | 0:50:59 | 0:51:02 | |
a collection of railway-related photographs, | 0:51:02 | 0:51:05 | |
a selection of silverwares | 0:51:05 | 0:51:07 | |
and a retro dressing table. | 0:51:07 | 0:51:09 | |
Whilst Charles started out £543.80p, | 0:51:09 | 0:51:13 | |
he has spent just £158 on five lots - | 0:51:13 | 0:51:17 | |
a 19th-century oil lamp, | 0:51:17 | 0:51:19 | |
a mahogany jewellery box paired with an Edwardian gavel, | 0:51:19 | 0:51:23 | |
an oak bookcase cabinet, | 0:51:23 | 0:51:24 | |
clockwork birds | 0:51:24 | 0:51:26 | |
and an interesting lot of retro pottery, a doll | 0:51:26 | 0:51:29 | |
and a pink ladies' hat. | 0:51:29 | 0:51:31 | |
But what do they really think of each other's items? | 0:51:31 | 0:51:33 | |
Mine were quite cheap. | 0:51:33 | 0:51:35 | |
Christina's bought quality, but they've come at expense. | 0:51:35 | 0:51:38 | |
I love the bookcase. | 0:51:38 | 0:51:39 | |
I love the lamp. I think those are really quirky. | 0:51:39 | 0:51:42 | |
Look at the ducks! | 0:51:42 | 0:51:43 | |
I have a feeling I'm going to be out for a duck. Again! | 0:51:43 | 0:51:47 | |
After starting out in Yorkshire, at Leeds, | 0:51:47 | 0:51:50 | |
before heading over to Lancashire, | 0:51:50 | 0:51:52 | |
this leg of our trip concludes | 0:51:52 | 0:51:53 | |
at an auction in the Cumbrian town of Penrith. | 0:51:53 | 0:51:57 | |
Penrith is blessed with a large number of wells | 0:51:57 | 0:51:59 | |
and the town's good fortune | 0:51:59 | 0:52:01 | |
was once marked by pagan-inspired well-dressing ceremonies during May. | 0:52:01 | 0:52:07 | |
-That looks perfect. -There we are. | 0:52:07 | 0:52:09 | |
They're at Penrith Farmers' & Kidds', | 0:52:09 | 0:52:12 | |
where at least ten delightful lots are just waiting to be snapped up | 0:52:12 | 0:52:15 | |
under the stewardship of auctioneer Tom Sargent. | 0:52:15 | 0:52:18 | |
It's Christina's birthday as well, | 0:52:18 | 0:52:20 | |
so let's hope that that is a good omen. | 0:52:20 | 0:52:23 | |
Now, you two, attention, please. | 0:52:23 | 0:52:25 | |
There's an auction under way. Charles' birds go first. | 0:52:25 | 0:52:28 | |
-Clockwork toys. -One's Russian. Come on! | 0:52:28 | 0:52:33 | |
I've £10 on commission. £10, the bid's with me. | 0:52:33 | 0:52:36 | |
10. 12. 15. | 0:52:36 | 0:52:38 | |
-18. 20. -Keep going! -£20 bid. At 20. -They're there, look. -Keep going. | 0:52:38 | 0:52:43 | |
20 bid. 22. 25. | 0:52:43 | 0:52:45 | |
Good lad! Keep going. | 0:52:45 | 0:52:48 | |
Selling at £25. 350. | 0:52:48 | 0:52:51 | |
Well, those certainly grabbed the worm! | 0:52:51 | 0:52:54 | |
What will Penrith make of his next very mixed lot, though? | 0:52:55 | 0:52:59 | |
Absolutely a perfect lot for this market, isn't it? | 0:52:59 | 0:53:02 | |
It's a general sale. You want general items. | 0:53:02 | 0:53:05 | |
-You'll do really well on this. -Look at me. | 0:53:05 | 0:53:07 | |
No, you will. | 0:53:07 | 0:53:09 | |
Armand Marseille doll and the other bits and pieces with that as well. | 0:53:09 | 0:53:13 | |
Oh, it suits you. | 0:53:13 | 0:53:14 | |
£10 bid. £10. 12. | 0:53:14 | 0:53:17 | |
15. 18. 20. | 0:53:17 | 0:53:19 | |
-22. 22 bid. -Keep going. -At 22. -Cheap. | 0:53:19 | 0:53:22 | |
22. At 22. | 0:53:22 | 0:53:24 | |
22. Selling at £22. | 0:53:24 | 0:53:26 | |
3085. | 0:53:26 | 0:53:27 | |
Oh, a tiny loss after commission. | 0:53:27 | 0:53:30 | |
You've got to ride it. | 0:53:30 | 0:53:32 | |
I'm disappointed. I've fallen off. | 0:53:34 | 0:53:35 | |
Now for his box and gavel. | 0:53:35 | 0:53:38 | |
The auctioneer's been casting admiring glances at that one! | 0:53:38 | 0:53:41 | |
And £10 bid. | 0:53:41 | 0:53:43 | |
Come on! Keep going! | 0:53:43 | 0:53:45 | |
10. 12. 15. 15 bid. | 0:53:45 | 0:53:47 | |
18. 20. | 0:53:47 | 0:53:49 | |
-Good lad! -Go on, you could do with a new gavel! -Keep going! | 0:53:49 | 0:53:52 | |
-One more. -20 I've got. | 0:53:52 | 0:53:54 | |
22. | 0:53:54 | 0:53:55 | |
25. Still with me, 25. | 0:53:55 | 0:53:58 | |
25 and the lady's got it at 25. | 0:53:58 | 0:54:01 | |
That late spurt has got him a profit. | 0:54:03 | 0:54:06 | |
-That's a £10 profit. -Exactly. -I can't grumble. | 0:54:06 | 0:54:09 | |
That is properly in the money, isn't it? | 0:54:09 | 0:54:11 | |
Now for Charles' curious lamp, | 0:54:11 | 0:54:13 | |
£3 dearer thanks to its PAT test. | 0:54:13 | 0:54:16 | |
There we are. 20 bid. £20 bid. At 20. | 0:54:16 | 0:54:20 | |
25. 25 bid. | 0:54:20 | 0:54:21 | |
-25. 30. -There's more hands! There's more hands! Come on! | 0:54:21 | 0:54:24 | |
At 50 bid. | 0:54:24 | 0:54:27 | |
At 50 bid. At 55. 60. 60 bid. | 0:54:27 | 0:54:30 | |
At 60. 60 bid for that one. | 0:54:30 | 0:54:32 | |
-More, more! -One more! | 0:54:32 | 0:54:34 | |
At 60. | 0:54:34 | 0:54:35 | |
-That's OK. I'm over the moon. -Well done. | 0:54:35 | 0:54:37 | |
And so you should be - that lit up the room, didn't it? | 0:54:37 | 0:54:40 | |
Christina's turn now. | 0:54:40 | 0:54:43 | |
You just need one item to take off, to ignite, to inspire... | 0:54:43 | 0:54:47 | |
So will her little silver collection be that very lot? | 0:54:48 | 0:54:52 | |
Various bids. I've £40 bid. | 0:54:52 | 0:54:54 | |
£40 bid for the lot. At 40. 45. 50. | 0:54:54 | 0:54:57 | |
55. 60. | 0:54:57 | 0:54:59 | |
60 bid. 65. | 0:54:59 | 0:55:01 | |
-Keep going! -65. Now with 65. | 0:55:01 | 0:55:04 | |
65, all done. Selling now at 65. | 0:55:04 | 0:55:07 | |
621. | 0:55:07 | 0:55:08 | |
Oh, dear! That's out for a duck, I'd say! | 0:55:08 | 0:55:12 | |
Minus 15! | 0:55:12 | 0:55:14 | |
It's my birthday! | 0:55:14 | 0:55:16 | |
-# It's my party... -And I'll cry if I want to! # | 0:55:16 | 0:55:21 | |
Now for her salt and pepper aeroplane. | 0:55:21 | 0:55:24 | |
There we are. £10 bid. | 0:55:24 | 0:55:26 | |
10 for the cruet. 10 bid. | 0:55:26 | 0:55:29 | |
-Some more, some more! -Any more? 10 for that. 10 bid. | 0:55:29 | 0:55:32 | |
-More, surely? -12 for the cruet. | 0:55:32 | 0:55:34 | |
-12 for the cruet, then. Selling then. -It's iconic! -Ah! | 0:55:34 | 0:55:37 | |
Selling at 12. | 0:55:37 | 0:55:38 | |
Oh, dear, never mind, Christina. | 0:55:40 | 0:55:42 | |
Your fashion plates are up next. | 0:55:42 | 0:55:44 | |
At £10 bid. 12. 15. 18. 20. | 0:55:45 | 0:55:49 | |
-22 I'm after. 22 over on the right. -You're in profit. | 0:55:49 | 0:55:52 | |
£22. 25. 28. | 0:55:52 | 0:55:54 | |
£28 bid. | 0:55:54 | 0:55:55 | |
28, all right. Selling at 28. | 0:55:55 | 0:55:59 | |
Well done, partner. | 0:55:59 | 0:56:00 | |
She'll never catch him up at this rate! | 0:56:00 | 0:56:03 | |
-It's a mixed day, isn't it? -A mixed day. | 0:56:03 | 0:56:05 | |
-Do you know, I would...? -It really is a mixed day. | 0:56:05 | 0:56:07 | |
Let's just hope all those railway buffs the dealer talked about | 0:56:07 | 0:56:11 | |
have been poring over these. | 0:56:11 | 0:56:12 | |
I have 55 bid. | 0:56:12 | 0:56:14 | |
Brilliant! | 0:56:14 | 0:56:16 | |
55. 60. 65. | 0:56:16 | 0:56:18 | |
70. 75. | 0:56:18 | 0:56:20 | |
80. 85. | 0:56:20 | 0:56:21 | |
90. 95. | 0:56:21 | 0:56:22 | |
100. 105. | 0:56:22 | 0:56:23 | |
110. 115. | 0:56:23 | 0:56:25 | |
130. 140. 150. | 0:56:25 | 0:56:26 | |
-Oh, my God! -160 I have. -Obviously, they're incredibly valuable! | 0:56:26 | 0:56:29 | |
170. 180. | 0:56:29 | 0:56:31 | |
190. 200. | 0:56:31 | 0:56:32 | |
-At 200. -It's your birthday! | 0:56:32 | 0:56:34 | |
£200 the bid. | 0:56:34 | 0:56:36 | |
At 200 selling, at £200. | 0:56:36 | 0:56:38 | |
Great stuff, Christina! | 0:56:40 | 0:56:42 | |
The comeback starts here! | 0:56:42 | 0:56:44 | |
Give us a hug, give us a hug! | 0:56:44 | 0:56:46 | |
Lot 651. | 0:56:46 | 0:56:47 | |
That's amazing! | 0:56:47 | 0:56:50 | |
This was the not-so-big-spending Charles' greatest investment. | 0:56:50 | 0:56:54 | |
I've 50 bid. | 0:56:54 | 0:56:55 | |
-Keep going. -55. 60. | 0:56:55 | 0:56:58 | |
65. 70. | 0:56:58 | 0:56:59 | |
Got to be 100, isn't it? | 0:56:59 | 0:57:00 | |
£85 bid. 90. | 0:57:00 | 0:57:03 | |
-£90 the bid. -Cheap. One more. -Come on, come on, come on. | 0:57:03 | 0:57:06 | |
At £90... | 0:57:06 | 0:57:09 | |
Lost a fiver. | 0:57:09 | 0:57:10 | |
Yeah, and even more after commission. | 0:57:10 | 0:57:13 | |
That's life! | 0:57:13 | 0:57:14 | |
You win some, you lose some. | 0:57:14 | 0:57:16 | |
Despite the cheap price, Christina's dressing table | 0:57:16 | 0:57:19 | |
looks a lot riskier. | 0:57:19 | 0:57:20 | |
-What's it going to make, really? -A fiver. -Oh, come on! -A fiver. | 0:57:20 | 0:57:24 | |
Why'd you buy it, then? Why'd you buy it? | 0:57:24 | 0:57:26 | |
-Cos it was a punt. -I've £10 bid. | 0:57:26 | 0:57:30 | |
-10 for the dressing table. At 10. -That's it! | 0:57:30 | 0:57:33 | |
10 for dressing table, then. 10 bid. | 0:57:33 | 0:57:36 | |
-10 for the dressing table. -The mirror's worth that! | 0:57:36 | 0:57:39 | |
At £10. | 0:57:39 | 0:57:41 | |
It doubled our expectations! | 0:57:41 | 0:57:43 | |
-Yeah. -It doubled up! | 0:57:43 | 0:57:46 | |
Someone's got quite a bargain there! | 0:57:46 | 0:57:48 | |
But thanks to her photographs, Christina is the victor today. | 0:57:48 | 0:57:51 | |
It's your day, birthday girl. I commend you. Well done. | 0:57:51 | 0:57:54 | |
-Thank you very much. -Cup of tea? -Yes, cup of tea! | 0:57:54 | 0:57:56 | |
Christina began with... | 0:57:56 | 0:57:58 | |
And after paying auction costs, she's made a profit of £63.30p, | 0:58:00 | 0:58:05 | |
leaving her with... | 0:58:05 | 0:58:07 | |
..to spend next time. | 0:58:08 | 0:58:10 | |
Charles started out with... | 0:58:11 | 0:58:13 | |
And after paying auction costs, he's made a profit of £24.04p, | 0:58:16 | 0:58:20 | |
leaving him with... | 0:58:20 | 0:58:22 | |
..and a lead of almost £250. | 0:58:24 | 0:58:27 | |
I think...it's a victory drive for me today. | 0:58:27 | 0:58:30 | |
Go on, get in the passenger seat. Where you belong! | 0:58:30 | 0:58:33 |