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It's the nation's favourite antiques experts, with £200 each, | 0:00:02 | 0:00:05 | |
a classic car and a goal to scour Britain for antiques. | 0:00:05 | 0:00:10 | |
Going, going, gone. | 0:00:10 | 0:00:12 | |
-Yes! -I think I've fallen in love with a brick. | 0:00:12 | 0:00:14 | |
The aim? To make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:17 | |
Yes! | 0:00:17 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:21 | |
I feel antiqued out! | 0:00:21 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
-CRUNCH! -Charlie! -Sorry about that! | 0:00:28 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:32 | |
It's the final leg of our battle of the sexes | 0:00:37 | 0:00:39 | |
round the north of England. | 0:00:39 | 0:00:40 | |
Road Trip rookie Christina Trevanion has been tussling | 0:00:40 | 0:00:43 | |
with the former youngster of the team, Charles Hanson. | 0:00:43 | 0:00:47 | |
See, you've taken the mantle now. I was the youngest on the Road Trip. | 0:00:47 | 0:00:50 | |
-Am I the youngest on the Road Trip? -I was the youngest on the Road Trip. | 0:00:50 | 0:00:53 | |
You're now officially the youngest. | 0:00:53 | 0:00:56 | |
Charles may have lost his junior status, | 0:00:56 | 0:00:58 | |
but this rather nifty 1969 Morris Minor | 0:00:58 | 0:01:01 | |
has a good few years on the pair of them. | 0:01:01 | 0:01:03 | |
New girl in class Christina has got off to a good start. | 0:01:05 | 0:01:08 | |
But head boy Charles played a blinder, | 0:01:08 | 0:01:11 | |
winning the next two legs with handsome profits. | 0:01:11 | 0:01:13 | |
Feisty Christina fought back, | 0:01:13 | 0:01:15 | |
winning the fourth leg, thanks to a rattling railway lot. | 0:01:15 | 0:01:18 | |
Brilliant! | 0:01:18 | 0:01:20 | |
So, it's 2-2. | 0:01:20 | 0:01:21 | |
It's all to play for on this final leg. | 0:01:21 | 0:01:24 | |
This could be a giant-killer. | 0:01:24 | 0:01:25 | |
This could be Man United being blown away by Accrington Stanley. | 0:01:25 | 0:01:29 | |
-Are you calling me Accrington Stanley? -I might be. | 0:01:29 | 0:01:33 | |
Old boy Charles began the trip with £200, | 0:01:33 | 0:01:36 | |
but has made some handsome profits | 0:01:36 | 0:01:39 | |
and now has an impressive £567.84 | 0:01:39 | 0:01:41 | |
to play with, putting him miles ahead in the race to the finish. | 0:01:41 | 0:01:47 | |
Newbie Christina also began with £200 | 0:01:47 | 0:01:49 | |
and has steadily increased her total to a respectable £335.24, | 0:01:49 | 0:01:54 | |
but with Charles more than £200 ahead she's playing catch-up. | 0:01:54 | 0:01:59 | |
Our experts embarked from Whaley Bridge in Derbyshire | 0:01:59 | 0:02:02 | |
before weaving over 600 miles around the north of England | 0:02:02 | 0:02:05 | |
to conclude at Cobridge in Stoke-on-Trent in the Potteries. | 0:02:05 | 0:02:09 | |
Today we're starting out in Harrogate, | 0:02:09 | 0:02:11 | |
heading east to York then north to Northallerton, | 0:02:11 | 0:02:14 | |
Masham and Richmond, before auction in Cobridge, Stoke-on-Trent. | 0:02:14 | 0:02:18 | |
Harrogate found fame as a spa town at the end of the 16th century, | 0:02:20 | 0:02:23 | |
its reputation growing through the 17th century, | 0:02:23 | 0:02:26 | |
when people came from far and wide to drink the waters. | 0:02:26 | 0:02:29 | |
The Royal Baths were opened in 1897, | 0:02:29 | 0:02:31 | |
although only the Turkish bath remains working today. | 0:02:31 | 0:02:35 | |
With the stakes at two wins each, Charles and Christina are heading | 0:02:36 | 0:02:39 | |
into the Harrogate Antiques Centre to see who can up the ante today. | 0:02:39 | 0:02:44 | |
OK? On your mark, get set, go. | 0:02:44 | 0:02:46 | |
Will it be Charles or Christina who finds a winner amongst | 0:02:46 | 0:02:49 | |
the more than 50 stalls here? | 0:02:49 | 0:02:52 | |
Charles is first off the plot and is guided by Phil, | 0:02:52 | 0:02:55 | |
who's looking after lots of stallholders' wares today. | 0:02:55 | 0:02:58 | |
What I'm looking for is something quirky, something a bit different. | 0:02:58 | 0:03:02 | |
This is quite interesting | 0:03:02 | 0:03:03 | |
because what we've got here is a painted plaster cherub. | 0:03:03 | 0:03:06 | |
It's referred to as the Goose Boy. | 0:03:06 | 0:03:08 | |
Why's he the Goose Boy? | 0:03:08 | 0:03:09 | |
Because he's with the goose. | 0:03:09 | 0:03:12 | |
Are your glasses fogged? | 0:03:12 | 0:03:14 | |
Use your eyes, Charles. Let's see how Christina is getting on. | 0:03:14 | 0:03:17 | |
I'm thinking a little bit of jewellery would be great. | 0:03:17 | 0:03:21 | |
To beat Charlie I need to make a lot of money. | 0:03:21 | 0:03:24 | |
Which is looking unlikely. | 0:03:25 | 0:03:27 | |
But it'll be fine. Think positive. | 0:03:27 | 0:03:29 | |
Yeah... Charles is deep in thought. | 0:03:29 | 0:03:32 | |
-Can we very carefully lift her off? -Right. | 0:03:32 | 0:03:35 | |
What I want to do is just determine what she's made of. She's very heavy. | 0:03:35 | 0:03:39 | |
If I put her down there... | 0:03:39 | 0:03:41 | |
So, she is plaster. | 0:03:41 | 0:03:43 | |
Am I loving her? | 0:03:43 | 0:03:44 | |
Am I feeling her? | 0:03:44 | 0:03:45 | |
Well, clearly. I mean... | 0:03:45 | 0:03:47 | |
-No... -Oh, lordy. | 0:03:47 | 0:03:50 | |
Just watch where you put those hands, Charles. | 0:03:50 | 0:03:52 | |
-It's not really giving me that love. -OK. | 0:03:52 | 0:03:54 | |
So, no lighting up Charles' world here. | 0:03:54 | 0:03:57 | |
Has Christina found anything at Roy's stall? | 0:03:57 | 0:04:00 | |
There's a cabinet of curiosities if ever I saw it. | 0:04:00 | 0:04:03 | |
Oh, that's fun. Can I have a look at the little dish with the owl on top? | 0:04:03 | 0:04:06 | |
That's rather lovely, isn't it? | 0:04:09 | 0:04:11 | |
What's your best price on that one, Roy? | 0:04:11 | 0:04:13 | |
-Er... -£22 on it. | 0:04:13 | 0:04:16 | |
£15. | 0:04:16 | 0:04:18 | |
A neighbouring stallholder, Myra, also has an owl to offer Christina. | 0:04:18 | 0:04:22 | |
Ooh, we've got competition, I like it! | 0:04:22 | 0:04:24 | |
What's your best price on that one, Myra? That's 35. | 0:04:27 | 0:04:30 | |
Er, 25. | 0:04:30 | 0:04:32 | |
25. And 15 for that one. | 0:04:32 | 0:04:34 | |
-See, that one makes that one look quite expensive. -12. -Ooh! | 0:04:34 | 0:04:37 | |
We've got an auction going on. | 0:04:37 | 0:04:39 | |
You've got competition with Charles Hanson. | 0:04:39 | 0:04:42 | |
-I have, haven't I? I've really got to win. -I've got to see you win. | 0:04:42 | 0:04:45 | |
-Exactly. -All right. I'll go down to 20! -Oh! I love it, brilliant. | 0:04:45 | 0:04:48 | |
Road Trip fever seems to have gripped Roy and Myra. | 0:04:48 | 0:04:52 | |
They're slashing their prices like billy-o. | 0:04:52 | 0:04:55 | |
How about 20 for the both of those as a job lot, | 0:04:55 | 0:04:59 | |
-cos I want to buy something off both of you? -32. | 0:04:59 | 0:05:02 | |
-32 for the two. -On the two. | 0:05:02 | 0:05:04 | |
Can we say 30 for the two? | 0:05:04 | 0:05:07 | |
-Cash, now. -Go on. -Yeah! | 0:05:07 | 0:05:09 | |
Brilliant! Thank you very much, sir. Thank you, Roy. Thank you, Myra. | 0:05:09 | 0:05:13 | |
Christina's off to a flying start with those two owl-adorned boxes. | 0:05:13 | 0:05:18 | |
Is Charles ready to swoop as well? | 0:05:18 | 0:05:20 | |
One thing I did see earlier on that is just nagging at me a bit | 0:05:20 | 0:05:25 | |
is this thing over here. | 0:05:25 | 0:05:27 | |
-The scent bottle. -Yeah. | 0:05:27 | 0:05:28 | |
This green malachite glass bottle with stopper | 0:05:28 | 0:05:31 | |
was made in Czechoslovakia in the 1930s. | 0:05:31 | 0:05:34 | |
-It's priced at 210... -I can do better than that. | 0:05:34 | 0:05:37 | |
-It's a big price and you must make a profit. -My best is 80. -Really? | 0:05:37 | 0:05:42 | |
I'd want to pay probably about £45. That's my maximum. | 0:05:44 | 0:05:49 | |
A £210 ticket price down to £45? | 0:05:49 | 0:05:52 | |
That's quite a proposal, Charles. | 0:05:52 | 0:05:55 | |
Get it sold. If it's not... | 0:05:55 | 0:05:57 | |
-OK. 45. -Sure? -45. -We've got a deal. | 0:05:57 | 0:05:59 | |
-Sold! -Wow! | 0:05:59 | 0:06:00 | |
He's done it! Clever boy, Charles. | 0:06:00 | 0:06:02 | |
Well, they're both off to a good start with those lots. | 0:06:02 | 0:06:06 | |
Back to the road. | 0:06:06 | 0:06:07 | |
Leaving Harrogate, our duo are now heading east to York. | 0:06:08 | 0:06:12 | |
York is one of England's most historic cities. | 0:06:12 | 0:06:16 | |
Full of stunning architecture, | 0:06:16 | 0:06:17 | |
it has been a Roman, Saxon and Viking settlement. | 0:06:17 | 0:06:21 | |
But will antiques and vintage | 0:06:21 | 0:06:23 | |
provide Charles with ye olde worlde treasures? | 0:06:23 | 0:06:26 | |
Hello, sir. I'm Charles Hanson. Good to see you. | 0:06:26 | 0:06:28 | |
-Pleased to meet you, sir. -May I browse your emporium? | 0:06:28 | 0:06:30 | |
-You can. Help yourself. -That's very kind. | 0:06:30 | 0:06:34 | |
Careful now, Charles. | 0:06:39 | 0:06:41 | |
Spider! There's a big spider. | 0:06:43 | 0:06:45 | |
You really must leave alone, dear boy. | 0:06:45 | 0:06:48 | |
There's some really nice objects. | 0:06:48 | 0:06:51 | |
And first and foremost there's this vase in here which is marked Monart | 0:06:51 | 0:06:54 | |
and it's Scottish, it captures the essence of the early 20th century. | 0:06:54 | 0:06:59 | |
£60 isn't a great deal and I think collectors will recognise it | 0:06:59 | 0:07:03 | |
for being what it is and it could be worth a bit more. | 0:07:03 | 0:07:06 | |
Now, over there Charles has spotted a rather nice Liberty enclosed-style | 0:07:06 | 0:07:10 | |
Arts and Crafts cabinet. | 0:07:10 | 0:07:12 | |
It's from the same sort of period. | 0:07:12 | 0:07:14 | |
It's mahogany... | 0:07:14 | 0:07:15 | |
I think you'll find it's oak, Charles. | 0:07:15 | 0:07:17 | |
You've got this wonderful almost sinuous stained-glass effect. | 0:07:17 | 0:07:21 | |
It's very Art Nouveau. | 0:07:21 | 0:07:24 | |
Charles' wish list is getting rather full, | 0:07:24 | 0:07:27 | |
and oh, dear, he's spotted something else. | 0:07:27 | 0:07:30 | |
There's a huge market today for sporting ephemera, | 0:07:30 | 0:07:33 | |
sporting memorabilia. | 0:07:33 | 0:07:35 | |
What you want is to find something that really takes you back in time. | 0:07:35 | 0:07:39 | |
That's interesting. It could make £20, it could make £100. | 0:07:39 | 0:07:44 | |
And sometimes you've got to gamble. | 0:07:45 | 0:07:47 | |
Now, I think it's about time to step up to the wicket | 0:07:47 | 0:07:50 | |
and start the ball rolling, Charles. | 0:07:50 | 0:07:52 | |
-These items don't belong to you, do they? -No. | 0:07:52 | 0:07:54 | |
I'm working on behalf of a friend of mine. | 0:07:54 | 0:07:56 | |
-He's over there, isn't he? -Yes. | 0:07:56 | 0:07:57 | |
-He's a bit camera shy, isn't he? -He's a bit camera shy. | 0:07:57 | 0:08:00 | |
If I bought the cabinet, the Monart glass vase and the cricket ball | 0:08:00 | 0:08:06 | |
and the last thing was the cane, which, um... | 0:08:06 | 0:08:10 | |
is Chester hallmarked. If I bought all four... | 0:08:10 | 0:08:13 | |
-Hmm. -..what's the best price? 150. | 0:08:13 | 0:08:15 | |
What could you knock the whole lot down for? | 0:08:15 | 0:08:18 | |
Look at your mate, he's over there. | 0:08:18 | 0:08:20 | |
I don't want him to fall over with shock. | 0:08:20 | 0:08:21 | |
It's all up to camera-shy Martin. | 0:08:21 | 0:08:23 | |
I can see it. He's saying 120. | 0:08:23 | 0:08:26 | |
He's saying 120. Would you do the whole lot for £100? | 0:08:26 | 0:08:30 | |
Yes, he says yes. Upset and he's crying now, though. | 0:08:31 | 0:08:35 | |
And that's it. Thanks ever so much. | 0:08:35 | 0:08:38 | |
But this inning's not over yet. | 0:08:38 | 0:08:40 | |
Our camera-shy dealer has thrown in an extra item as part of the deal - | 0:08:40 | 0:08:44 | |
an early 20th-century monochrome photograph of a cricket team, | 0:08:44 | 0:08:48 | |
probably of the era that would've used Charles' cricket ball. | 0:08:48 | 0:08:52 | |
That's wonderful. What a bonus. | 0:08:52 | 0:08:54 | |
Guys, that's the first time that's ever happened to me. | 0:08:54 | 0:08:57 | |
Ah, the sun is shining, but our Charles is mourning his lost youth. | 0:08:59 | 0:09:05 | |
-I was a young pretender. -Yeah. -You are now the young pretendess. | 0:09:05 | 0:09:09 | |
-The young pretendess. -And you can take me. -Yes, Charles. | 0:09:09 | 0:09:13 | |
She'll take you to the next shop. | 0:09:13 | 0:09:15 | |
Later they'll head south to the potteries for their auction | 0:09:15 | 0:09:18 | |
in Cobridge, Stoke-on-Trent, | 0:09:18 | 0:09:19 | |
but next stop on the trip is Northallerton. | 0:09:19 | 0:09:23 | |
This could be the winner. | 0:09:23 | 0:09:26 | |
-Good luck, enjoy yourself. -Will do. -Bye! | 0:09:26 | 0:09:30 | |
-Good morning. -Good morning. -How are you? -Very well, thank you. | 0:09:30 | 0:09:32 | |
-What a fine day. -Excellent. -In Northallerton. | 0:09:32 | 0:09:35 | |
-Good to see you, I'm Charles Hanson. -Pleased to meet you. Andrew. | 0:09:35 | 0:09:38 | |
Charles is looking to unearth something special here | 0:09:38 | 0:09:41 | |
-at Exquisite Antiques. -Is there anything market-fresh? | 0:09:41 | 0:09:44 | |
Has anything just come in? | 0:09:44 | 0:09:46 | |
Are there any rich pickings that maybe haven't been | 0:09:46 | 0:09:49 | |
looked at before already? | 0:09:49 | 0:09:50 | |
-A couple of bits. -Oh, yeah? | 0:09:50 | 0:09:52 | |
We've got the prints on the top there from the north-east | 0:09:52 | 0:09:55 | |
and then we've got some selections in the back. | 0:09:55 | 0:09:57 | |
-These are interesting prints, aren't they? -They are. | 0:09:57 | 0:09:59 | |
Obviously the gentleman on there, | 0:09:59 | 0:10:01 | |
-Jimmy Kay, had them published in the 1920s. -Who was Jimmy Kay? | 0:10:01 | 0:10:04 | |
We believe when we've researched it this gentleman obviously did | 0:10:04 | 0:10:07 | |
these charcoals and etchings, | 0:10:07 | 0:10:09 | |
and then he had them published in newspapers as well. | 0:10:09 | 0:10:11 | |
He's from Harding in County Durham, | 0:10:11 | 0:10:13 | |
so obviously they're all very mining shots with obviously the mining | 0:10:13 | 0:10:16 | |
and the sort of north-east Geordie little bit of twang in there | 0:10:16 | 0:10:19 | |
as well. But they're absolutely fabulous. | 0:10:19 | 0:10:21 | |
They're wonderful. | 0:10:21 | 0:10:22 | |
What's the best price on them? | 0:10:22 | 0:10:24 | |
-50. -50, and no less? -No less. -No less, OK. | 0:10:24 | 0:10:27 | |
They're probably worth anything from £30 upwards. Um... | 0:10:27 | 0:10:32 | |
Make me an offer. | 0:10:32 | 0:10:33 | |
But you're a Yorkshire man, aren't you? | 0:10:33 | 0:10:36 | |
You're a Yorkshire man and I'm a Derbyshire man. | 0:10:36 | 0:10:38 | |
-I've got short arms and long pockets. -Exactly. | 0:10:38 | 0:10:40 | |
If you don't make an offer you never know, but I won't be cheeky. | 0:10:40 | 0:10:44 | |
-I think my offer... -49. | 0:10:44 | 0:10:47 | |
-Take a chance. -Take a chance... | 0:10:49 | 0:10:52 | |
..at £30. | 0:10:52 | 0:10:54 | |
-I can do 30. -Are you sure? -You're a nice guy, yes. -Are you sure? Mate! | 0:10:55 | 0:11:01 | |
Well, that's deal done, then. | 0:11:01 | 0:11:03 | |
Charles has got his last lot for the auction | 0:11:03 | 0:11:05 | |
and Andrew packs up the drawings in the old suitcase they came in. | 0:11:05 | 0:11:08 | |
Meanwhile Christina is off to the small market town of Masham. | 0:11:10 | 0:11:15 | |
The pressure is on for her to beat Charles at the next auction, | 0:11:15 | 0:11:18 | |
but she's still a long way behind in the money stakes. | 0:11:18 | 0:11:21 | |
Will Aura Antiques hold her winning lot? | 0:11:21 | 0:11:24 | |
Hello. | 0:11:24 | 0:11:25 | |
-You must be Robert. -That's right. -Hi, Robert, I'm Christina. | 0:11:25 | 0:11:29 | |
-Hello, Christina. -Nice to meet you. Hi. | 0:11:29 | 0:11:31 | |
After a quick look at his wares, | 0:11:34 | 0:11:37 | |
Christina makes the owner an offer he can't refuse. | 0:11:37 | 0:11:39 | |
Take me upstairs, Robert. That's not an offer you have every day, is it? | 0:11:39 | 0:11:44 | |
Hmm, mind your step. | 0:11:44 | 0:11:45 | |
I love this, how much is this? | 0:11:45 | 0:11:47 | |
-It's a tenner. -A tenner? -Yes. | 0:11:47 | 0:11:50 | |
Why so cheap? | 0:11:52 | 0:11:54 | |
Well, it's really a shop fitting but I no longer require it. | 0:11:54 | 0:11:58 | |
But it's a nice funky thing. I don't know how old it is, but it's... | 0:11:58 | 0:12:02 | |
-Well, it's not going to be very old, is it? -No, but it's... | 0:12:02 | 0:12:05 | |
In fact, I don't think it's very old at all, | 0:12:05 | 0:12:08 | |
but the prints on it I think have got some age to it, haven't they? | 0:12:08 | 0:12:11 | |
Yeah. I think you could do well out of that for a tenner. | 0:12:11 | 0:12:14 | |
-I think, what, a fiver? -Oh, no! | 0:12:14 | 0:12:16 | |
Oh, go on. Do it for a fiver. | 0:12:16 | 0:12:18 | |
Go on. | 0:12:18 | 0:12:19 | |
I'm clearing a space for you, you can put some nice furniture there. | 0:12:19 | 0:12:22 | |
-Go on, then. -A fiver? -Yeah. -You're a legend. I love you, thank you. | 0:12:22 | 0:12:26 | |
Well done, Christina. The killer negotiator strikes again. | 0:12:26 | 0:12:30 | |
Right, so, what have we got in here? | 0:12:30 | 0:12:35 | |
-You've got a lovely little ruby there. -And the turquoise. | 0:12:35 | 0:12:38 | |
Very sweet. I like that. | 0:12:38 | 0:12:40 | |
The ticket price is £90 on that gold brooch, | 0:12:40 | 0:12:43 | |
and here's another little gem. | 0:12:43 | 0:12:45 | |
Nine-carat. Is it jade or... | 0:12:45 | 0:12:48 | |
agate...? | 0:12:48 | 0:12:49 | |
-Looks Scottish to me. -Hmm. You've got some lovely things. | 0:12:49 | 0:12:54 | |
Come on, Christina. Make a decision, make a decision. | 0:12:54 | 0:12:57 | |
Yes, come on, Christina, do make your mind up, dear. | 0:12:57 | 0:13:00 | |
Right, Robert, I think these two are the ones | 0:13:00 | 0:13:03 | |
that I'm most interested in. | 0:13:03 | 0:13:05 | |
That one at £90 and that one at £55. | 0:13:05 | 0:13:09 | |
-But I don't want to pay that. -100 for the two. | 0:13:09 | 0:13:13 | |
You couldn't squeeze just a little bit more? | 0:13:13 | 0:13:15 | |
-That would make me a liar. -Would it? | 0:13:17 | 0:13:18 | |
Yes, cos I've just said that's me best. | 0:13:18 | 0:13:21 | |
95 would be wonderful. | 0:13:23 | 0:13:25 | |
-Go on, then. -You're a star! Thank you very much. | 0:13:25 | 0:13:28 | |
£95. That's wonderful. | 0:13:28 | 0:13:30 | |
Negotiating on your knees seems to work. | 0:13:30 | 0:13:33 | |
£95 for the two brooches and a measly fiver for that screen. | 0:13:33 | 0:13:37 | |
-I owe you £100. It's a round 100, isn't it? -Yes, it is. | 0:13:37 | 0:13:40 | |
Well, that was short and sweet. | 0:13:40 | 0:13:42 | |
Will those brooches raise enough to take Christina ahead of Charles? | 0:13:42 | 0:13:45 | |
We'll find out at the auction. | 0:13:45 | 0:13:47 | |
-It's been a pleasure. -Thank you. | 0:13:47 | 0:13:48 | |
-Thank you very much. -Hope you do well. -So do I! | 0:13:48 | 0:13:51 | |
Christina and Charles get together again | 0:13:51 | 0:13:53 | |
and head off to their final shopping destination, Richmond. | 0:13:53 | 0:13:57 | |
Founded in the 11th century by the Normans, | 0:14:00 | 0:14:02 | |
this market town nestles in the heart of the Yorkshire Dales. | 0:14:02 | 0:14:05 | |
Arriving in Market Place itself, | 0:14:07 | 0:14:09 | |
Christina gives Charles his marching orders. | 0:14:09 | 0:14:11 | |
He's off to meet Linda Powell | 0:14:11 | 0:14:13 | |
at the museum of the Green Howards Regiment. | 0:14:13 | 0:14:16 | |
-Afternoon. -Good afternoon. -I'm hoping you're Linda Powell. | 0:14:16 | 0:14:20 | |
-I am. Lovely to meet you. -I'm Charles Hanson. | 0:14:20 | 0:14:22 | |
-It's great to be here at your museum. -Thank you. | 0:14:22 | 0:14:24 | |
-May I have a wander round? -Of course. -Can't wait. | 0:14:24 | 0:14:26 | |
Fighting in every major campaign | 0:14:26 | 0:14:28 | |
from the 17th century through two world wars | 0:14:28 | 0:14:31 | |
to the Gulf War and Bosnia, | 0:14:31 | 0:14:32 | |
the regiment had a proud history for over 300 years. | 0:14:32 | 0:14:36 | |
They became part of the Yorkshire Regiment in 2006. | 0:14:36 | 0:14:40 | |
Regiments were originally named after their colonels. | 0:14:40 | 0:14:43 | |
The Green Howards were differentiated | 0:14:43 | 0:14:45 | |
from another regiment, led by a second Colonel Howard, | 0:14:45 | 0:14:48 | |
as "green" because of the trimmings on their uniforms. | 0:14:48 | 0:14:51 | |
What we do here is both tell the story of the great and the good, | 0:14:51 | 0:14:54 | |
but also the ordinary soldier. | 0:14:54 | 0:14:57 | |
But more than that, we can tell the story | 0:14:57 | 0:14:59 | |
of the whole regimental family, | 0:14:59 | 0:15:00 | |
and that includes women who were married | 0:15:00 | 0:15:02 | |
and who followed their men throughout the centuries, | 0:15:02 | 0:15:06 | |
so it's not just about the fighting. | 0:15:06 | 0:15:08 | |
It's about everyone who was part of the regiment. | 0:15:08 | 0:15:10 | |
It wasn't uncommon, even as far back as the Crimean War, | 0:15:10 | 0:15:13 | |
for small numbers of women to accompany their husbands | 0:15:13 | 0:15:16 | |
to the front line. | 0:15:16 | 0:15:18 | |
One lady did write about her experiences, | 0:15:18 | 0:15:20 | |
and we have something called the Green Howards' Gazette. | 0:15:20 | 0:15:23 | |
After the Crimea, in about the 1890s, | 0:15:23 | 0:15:26 | |
she wrote in to this magazine to describe her experiences | 0:15:26 | 0:15:29 | |
during the Crimea, and it's a wonderful account. | 0:15:29 | 0:15:32 | |
Linda reads Margaret Kerwin's account of an attack. | 0:15:32 | 0:15:35 | |
"The day of the explosion | 0:15:35 | 0:15:37 | |
"was the most frightful thing that I ever witnessed. | 0:15:37 | 0:15:40 | |
"It was reported that some Frenchmen got heavy punishment | 0:15:40 | 0:15:43 | |
"as they had set fire to the English and French magazines | 0:15:43 | 0:15:45 | |
"which were together. | 0:15:45 | 0:15:47 | |
"I was on my knees ironing at the time, | 0:15:47 | 0:15:49 | |
"and my little pet goat lying beside me, | 0:15:49 | 0:15:52 | |
"when four shells exploded in my tent | 0:15:52 | 0:15:54 | |
"and covered me all over with earth. | 0:15:54 | 0:15:57 | |
That just gives you some idea of what she was going through, | 0:15:57 | 0:16:00 | |
and at the same time, she carries on ironing. | 0:16:00 | 0:16:02 | |
The museum also has some more hard-hitting exhibits. | 0:16:02 | 0:16:05 | |
-So what's this? -It's a piece of somebody's belt | 0:16:05 | 0:16:09 | |
which, erm...a shot has landed in the middle of it. | 0:16:09 | 0:16:13 | |
But he survives it. | 0:16:13 | 0:16:15 | |
He was a bit bruised, but he survived. | 0:16:15 | 0:16:18 | |
-And this was lodged in...? -His belt buckle. | 0:16:18 | 0:16:21 | |
-That's incredible. -Yeah. | 0:16:21 | 0:16:22 | |
You look at the size of this bullet, | 0:16:22 | 0:16:24 | |
and I mean, for it just to be lodged there | 0:16:24 | 0:16:26 | |
and not even penetrate is incredible. | 0:16:26 | 0:16:28 | |
The stunning medal room reflects the honours awarded | 0:16:29 | 0:16:33 | |
to members of the regiment. | 0:16:33 | 0:16:34 | |
You've got over 5,000 medals in this room, | 0:16:34 | 0:16:38 | |
including 18 Victoria Crosses. | 0:16:38 | 0:16:41 | |
-18 Victoria Crosses?! -Yeah. -And of course, the Victoria Cross... | 0:16:41 | 0:16:44 | |
It's the highest award you can be awarded. | 0:16:44 | 0:16:48 | |
Less than 1,400 Victoria Crosses have been awarded | 0:16:48 | 0:16:53 | |
in the 157 years since its inception. | 0:16:53 | 0:16:57 | |
Awarded for valour in the face of the enemy, | 0:16:57 | 0:17:00 | |
the medals have traditionally been cast of metal from Russian cannons | 0:17:00 | 0:17:04 | |
captured during the Crimean War. | 0:17:04 | 0:17:06 | |
You stand in a room like this and you feel very small. | 0:17:08 | 0:17:12 | |
You feel very small for what these great men | 0:17:12 | 0:17:14 | |
achieved in their lifetimes and for what they did for us today. | 0:17:14 | 0:17:18 | |
It takes your breath away, doesn't it? | 0:17:18 | 0:17:20 | |
Absolutely, Charles. | 0:17:20 | 0:17:22 | |
Heading into York House Antiques, | 0:17:24 | 0:17:27 | |
it's Christina's last chance to find that hidden treasure | 0:17:27 | 0:17:30 | |
which will take her ahead of Charles and win her the day. | 0:17:30 | 0:17:34 | |
-Oh, hello. -Hi. -How do you do? -I'm Christina, how are you? | 0:17:34 | 0:17:38 | |
-I'm Christina, too. -Are you? Oh, my goodness! | 0:17:38 | 0:17:41 | |
Heading upstairs, our Christina's on a mission to hammer home a bargain. | 0:17:41 | 0:17:46 | |
Maybe that's what I need as my new gavel. | 0:17:46 | 0:17:48 | |
This little...tile here... | 0:17:52 | 0:17:55 | |
Great subject - look at him, bless him. | 0:17:55 | 0:17:58 | |
This poor little caged bird, looking at these beautiful moths, | 0:17:58 | 0:18:01 | |
which are all out and free, and he's stuck behind his cage. | 0:18:01 | 0:18:05 | |
Quite a sad subject, really. | 0:18:06 | 0:18:08 | |
Oh, but great that it's Mintons. | 0:18:08 | 0:18:10 | |
Absolutely brilliant - Stoke-on-Trent. | 0:18:10 | 0:18:13 | |
Minton was one of the best-known of the Stoke potteries, | 0:18:13 | 0:18:16 | |
founded by Thomas Minton at the end of the 18th century. | 0:18:16 | 0:18:20 | |
Time to see if that damage can help Christina get the price down. | 0:18:20 | 0:18:23 | |
Um...yeah, nice tile, but unfortunate about this crack. | 0:18:23 | 0:18:28 | |
What's your best price on that? | 0:18:28 | 0:18:30 | |
Because I wouldn't be looking to pay anything near that, because... | 0:18:30 | 0:18:33 | |
-I wouldn't either. -THEY LAUGH | 0:18:33 | 0:18:36 | |
-I don't think so, no. -Because of this damage. | 0:18:36 | 0:18:38 | |
I mean, literally, I was thinking a fiver. | 0:18:38 | 0:18:41 | |
Literally, because of this. | 0:18:42 | 0:18:44 | |
-I would say yes, OK. -For a fiver? Oh, you're a genius! Wow, OK. | 0:18:44 | 0:18:48 | |
Another item for a fiver - cheeky girl. | 0:18:48 | 0:18:51 | |
No, I'm really pleased with that. Thank you very much. | 0:18:51 | 0:18:53 | |
That's my last purchase. Fantastic. | 0:18:53 | 0:18:57 | |
Well, that's Christina's final lot. | 0:18:57 | 0:18:59 | |
Will her purchases earn enough profit | 0:18:59 | 0:19:01 | |
for her to overtake Charles' lead of over £200? | 0:19:01 | 0:19:05 | |
Charles Hanson started this final leg with £567.84p, | 0:19:05 | 0:19:11 | |
and spent £175 on five lots - | 0:19:11 | 0:19:14 | |
a Scottish Monart glass vase, | 0:19:14 | 0:19:17 | |
a Liberty & Co display cabinet, | 0:19:17 | 0:19:19 | |
a green malachite glass scent bottle, | 0:19:19 | 0:19:21 | |
a collection of original cartoons by Jimmy Kay, | 0:19:21 | 0:19:25 | |
a Victorian cricket ball, | 0:19:25 | 0:19:26 | |
together with a cricket photograph circa 1890, | 0:19:26 | 0:19:30 | |
and an Edwardian bamboo walking cane. Gosh. | 0:19:30 | 0:19:34 | |
Christina Trevanion started with £335.24p | 0:19:34 | 0:19:38 | |
and spent £135, also on five lots. | 0:19:38 | 0:19:41 | |
A nine-carat gold and hard-stone brooch, | 0:19:41 | 0:19:43 | |
a folding screen with plates of regal scenes, | 0:19:43 | 0:19:46 | |
a Victorian gold brooch in the form of a coiled snake, | 0:19:46 | 0:19:50 | |
a large Minton tile, | 0:19:50 | 0:19:52 | |
and a dressing table jar and circular box, | 0:19:52 | 0:19:54 | |
both decorated with an owl. | 0:19:54 | 0:19:56 | |
But what did they think of each other's treasures? | 0:19:56 | 0:19:59 | |
I like what he's bought! I love his Liberty cupboard. | 0:19:59 | 0:20:03 | |
It's not OVERLY in vogue at the moment, | 0:20:03 | 0:20:05 | |
but with that name attached it should do really, really well, | 0:20:05 | 0:20:07 | |
so I think he's done a great job with that. | 0:20:07 | 0:20:10 | |
But those drawings are gorgeous, I love those. Icing on the cake. | 0:20:10 | 0:20:13 | |
Totally unique. I think he's pulled a blinder with those. | 0:20:13 | 0:20:16 | |
£5 for a screen - unbelievable. | 0:20:16 | 0:20:18 | |
The tile - OK, it was £5, but it had a big crack in, | 0:20:18 | 0:20:21 | |
but it is local interest. | 0:20:21 | 0:20:23 | |
But that wonderful little Deco brooch could really fly. | 0:20:23 | 0:20:27 | |
She's bought really well. Very nervous about this. | 0:20:27 | 0:20:30 | |
After starting in Harrogate, heading east to York, | 0:20:30 | 0:20:33 | |
then north, to the Richmond area, | 0:20:33 | 0:20:36 | |
the last stretch of our trip | 0:20:36 | 0:20:37 | |
heads back south, to the Potteries, | 0:20:37 | 0:20:40 | |
and concludes at an auction in Cobridge, | 0:20:40 | 0:20:42 | |
Stoke-on-Trent. | 0:20:42 | 0:20:44 | |
Coburn was once known as the global heart of the ceramics industry. | 0:20:44 | 0:20:48 | |
Josiah Wedgwood founded the first of Stoke's many potteries | 0:20:48 | 0:20:51 | |
in the 18th century, | 0:20:51 | 0:20:52 | |
and today the area remains a thriving industry. | 0:20:52 | 0:20:56 | |
Our duo are finally arriving at their showdown, | 0:20:56 | 0:20:59 | |
at ASH Auctions. | 0:20:59 | 0:21:02 | |
-This is quite daunting, isn't it? -I'm excited! -This is the last one. | 0:21:02 | 0:21:07 | |
But also, it's the big one. | 0:21:07 | 0:21:10 | |
-Isn't it? -Well, good luck. -Good luck. | 0:21:10 | 0:21:12 | |
Founding partner Lee Sherratt will man the gavel at today's auction. | 0:21:14 | 0:21:19 | |
Let the games begin. | 0:21:19 | 0:21:20 | |
First up is Christina's brooch, | 0:21:21 | 0:21:23 | |
but what will the bidders think? | 0:21:23 | 0:21:25 | |
£50, straight in on commission. | 0:21:25 | 0:21:28 | |
£50, it's on sale at £50. | 0:21:28 | 0:21:29 | |
At £50, bid at 55, can I see? | 0:21:29 | 0:21:31 | |
At £50, bid £55. Are you carrying on? | 0:21:31 | 0:21:33 | |
Still on commissions. Carry on, Jeff. | 0:21:33 | 0:21:35 | |
AUCTIONEER: 55, 65, 75, 78. | 0:21:35 | 0:21:38 | |
Up to £78 on commission bids, £78. | 0:21:38 | 0:21:41 | |
At £78, all done? | 0:21:41 | 0:21:43 | |
Finishes at £78. | 0:21:43 | 0:21:46 | |
-78! -Phew! -That's great, well done, that's great! | 0:21:46 | 0:21:49 | |
Splendid! Keep it up, Christina, and you might just catch him. | 0:21:49 | 0:21:53 | |
Next up, Charles' first lot, the Monart glass vase. | 0:21:53 | 0:21:58 | |
25 on bid. 25, straight in. I thought you would. | 0:21:58 | 0:22:00 | |
-Look at the hands! -Look at the hands! | 0:22:00 | 0:22:03 | |
35. 35, 40. | 0:22:03 | 0:22:04 | |
40 bid, 5, 45. 50, 55. 55, 60. | 0:22:04 | 0:22:07 | |
At £55 on my right. At... | 0:22:07 | 0:22:10 | |
60, fresh money standing. 60, 65, 65, 70. | 0:22:10 | 0:22:13 | |
70 I'm bid. | 0:22:13 | 0:22:15 | |
-Go on! One more! -75... | 0:22:15 | 0:22:16 | |
80, 80 I'm bid. 85. 85, 90. | 0:22:16 | 0:22:19 | |
90 I'm bid now. 95, 95 - top it up? | 0:22:19 | 0:22:21 | |
One more! One more! | 0:22:21 | 0:22:23 | |
Bid £100, and five. He's out now, you see? | 0:22:23 | 0:22:26 | |
At £100. At £100. | 0:22:26 | 0:22:28 | |
Selling at £100, selling... | 0:22:28 | 0:22:30 | |
Oh, he hasn't finished yet, Lee. | 0:22:30 | 0:22:32 | |
£105, back in, seated. | 0:22:32 | 0:22:34 | |
105, 105. | 0:22:34 | 0:22:35 | |
Have another go, madam. 110. | 0:22:35 | 0:22:37 | |
100...108, then. 108, I'm tempting you. | 0:22:37 | 0:22:40 | |
At £105, then. First time, second time, at £105... | 0:22:40 | 0:22:45 | |
SHE LAUGHS | 0:22:46 | 0:22:48 | |
Well, now! The auctioneer got it wrong on that one. | 0:22:48 | 0:22:51 | |
That's a massive profit for Charles. | 0:22:51 | 0:22:53 | |
Will Christina's bargain-basement screen shield her | 0:22:53 | 0:22:56 | |
from impending disaster? | 0:22:56 | 0:22:58 | |
£20 to get on, somebody. | 0:22:58 | 0:22:59 | |
£20 - come on, it's worth that, surely? | 0:22:59 | 0:23:02 | |
Come on, Christina - gallop it. Canter... | 0:23:02 | 0:23:04 | |
£20 for it. £15 for it. | 0:23:04 | 0:23:05 | |
-Ugh... -£15 for it - come on, it's got to be worth that? | 0:23:05 | 0:23:08 | |
£10. £10 for it. | 0:23:08 | 0:23:10 | |
-Hey! She's bid on it. -It's cheap at £10 - come on. | 0:23:10 | 0:23:14 | |
Well short. I'll sell it at £10, all done. Maiden bid for only £10. | 0:23:14 | 0:23:20 | |
Double the money there, but double a fiver isn't much, | 0:23:20 | 0:23:23 | |
and she's still lagging behind. | 0:23:23 | 0:23:25 | |
Next, it's Charles's Liberty-style cabinet. | 0:23:25 | 0:23:28 | |
£50 - it's got to be worth that. £50. £40, bid me. | 0:23:28 | 0:23:31 | |
£40 bid. Great buy at £40. | 0:23:31 | 0:23:34 | |
-That's good. -This is very cheap at £40. | 0:23:34 | 0:23:36 | |
I'll take £50, if you like. 50. | 0:23:36 | 0:23:37 | |
At 55, now five. 55, 60. 60 bid, now 65. | 0:23:37 | 0:23:41 | |
65, 70. 70... | 0:23:41 | 0:23:43 | |
-Good girl... -75. | 0:23:43 | 0:23:46 | |
-At 75. -Go on! -At 75. Commission bidder. | 0:23:46 | 0:23:49 | |
-At £75, then... -Yes, 80! Sorry... | 0:23:49 | 0:23:54 | |
£80 for it. You can't do that! | 0:23:54 | 0:23:57 | |
£80 bid, 80 bid. | 0:23:57 | 0:23:58 | |
Keep your hands down! | 0:23:58 | 0:24:01 | |
For you, madam, £80. Commissions are now out. | 0:24:01 | 0:24:03 | |
At £80, then, once, twice...third and final time, 80... | 0:24:03 | 0:24:08 | |
Well done, Charles. So, what's that? | 0:24:08 | 0:24:11 | |
I must calm down, I'm so excited! Sorry! | 0:24:11 | 0:24:13 | |
After being physically restrained from joining in, | 0:24:13 | 0:24:17 | |
Charles doubles his money there. | 0:24:17 | 0:24:18 | |
Christina's next lot, the Victorian snake brooch. | 0:24:18 | 0:24:22 | |
-£50 commission, straight in. -Great. -£50, straight in, here. | 0:24:22 | 0:24:25 | |
I'll take five, if you like. £50, take five. | 0:24:25 | 0:24:28 | |
If not, commissions still in. Carry on, Jeff. | 0:24:28 | 0:24:30 | |
AUCTIONEER: 50, 60. 60, 70. 73. | 0:24:30 | 0:24:35 | |
We're up to £73 now on commission. 73, is there 75 anywhere? | 0:24:35 | 0:24:38 | |
If not, then it's straight to commission at £73. | 0:24:38 | 0:24:42 | |
Not bad. Is she catching Charles yet? | 0:24:42 | 0:24:45 | |
Will his scent bottle have the sweet smell of success? | 0:24:45 | 0:24:49 | |
-Straight in, we've got a commission bid of £50. -Good lad! | 0:24:49 | 0:24:52 | |
At £50, where's 55? | 0:24:52 | 0:24:54 | |
This is a belter. At £50, where's 55? I should think so. | 0:24:54 | 0:24:57 | |
55, 60. At £60, where's 65? Go on, it's worth more than this. | 0:24:57 | 0:25:01 | |
Straight to a commission bidder. | 0:25:01 | 0:25:03 | |
-Five. At 65, 70. At £70, at £75. -One more! | 0:25:03 | 0:25:07 | |
-Now 80. £80 bid. -Go on, one more! | 0:25:07 | 0:25:10 | |
-It's only money! -One more! -Commission bidder gets it. | 0:25:10 | 0:25:13 | |
-At £80, the hammer's up... -Hold on... | 0:25:13 | 0:25:17 | |
So, £80 for that fragrant lot. He's ahead by more than a nose now. | 0:25:17 | 0:25:22 | |
Will Christina's tile fire up some interest back in its home town? | 0:25:22 | 0:25:25 | |
£30 - can I see 20? | 0:25:25 | 0:25:27 | |
-£20, £20... -No! | 0:25:27 | 0:25:29 | |
£20 bid on the right-hand side. I'll take two, if you like. | 0:25:29 | 0:25:32 | |
If not...maiden bidder at £20, the hammer's up. | 0:25:32 | 0:25:37 | |
Quadruple! You know... | 0:25:37 | 0:25:39 | |
Well, that was quick! Top marks, Christina. | 0:25:39 | 0:25:42 | |
It's the turn of Charles' pen and ink drawings. | 0:25:42 | 0:25:45 | |
Could they be his masterpiece? | 0:25:45 | 0:25:46 | |
£50 the lot. Interesting lot, here. £40 can I see? | 0:25:46 | 0:25:49 | |
£40 to get along. £20 the lot. | 0:25:49 | 0:25:52 | |
£20 - £20, off at £20. I'll take £25, now. | 0:25:52 | 0:25:55 | |
At £20 bid. All over the place. 25 bid. 25 bid now. | 0:25:55 | 0:25:58 | |
30 bid now. 35, 35 bid now. 35, 40 bid now. | 0:25:58 | 0:26:01 | |
At 40 bid now. 45 bid. At 45 bid now. 50 bid? 45. | 0:26:01 | 0:26:05 | |
At £45, left-hand side at 45. | 0:26:05 | 0:26:07 | |
-Being sold off, no mistake... -She's back in again. | 0:26:07 | 0:26:10 | |
At 50 bid, now. She's out, now. In the seats at £50. | 0:26:10 | 0:26:13 | |
At £50 bid once. £50 twice. | 0:26:13 | 0:26:16 | |
Third and final time at £50. | 0:26:16 | 0:26:19 | |
£50, eh? Charles just keeps increasing that lead. | 0:26:19 | 0:26:23 | |
Christina's last lot, now - the two boxes, decorated with birds. | 0:26:23 | 0:26:27 | |
But is it OWL over for her already?! | 0:26:27 | 0:26:30 | |
15, can I see 15? Give me ten to get on, somebody. £10. | 0:26:30 | 0:26:34 | |
At £10, front row... | 0:26:34 | 0:26:35 | |
Hey! I don't think they've noticed Lee has started the bidding... | 0:26:35 | 0:26:38 | |
At £12, now 14. 14 bid now, 16, if you like. | 0:26:38 | 0:26:42 | |
16. At £16, now 18, if you like? | 0:26:42 | 0:26:44 | |
18. 18 bid, now 20's against you, 20. | 0:26:44 | 0:26:47 | |
At £18, then, front row bid at £18. | 0:26:47 | 0:26:51 | |
It's the first loss of the day, and our experts didn't even notice. | 0:26:51 | 0:26:55 | |
What? Have we sold? Did they sell? | 0:26:55 | 0:26:58 | |
They've sold it already! | 0:26:58 | 0:27:01 | |
Maybe they'll be more on the ball now - ha! | 0:27:01 | 0:27:04 | |
Here's Charles's final lot, | 0:27:04 | 0:27:06 | |
the cane, photograph and cricket ball with stand. | 0:27:06 | 0:27:09 | |
£40. £40 straight in, it's on sale. That's 40 bid. | 0:27:09 | 0:27:13 | |
At £40, worth more than this, surely. Where are the bids? | 0:27:13 | 0:27:15 | |
45. 45, 50. Five. On commission... | 0:27:15 | 0:27:19 | |
No mistake. You carrying on? | 0:27:19 | 0:27:21 | |
-53, 54. -Up to £54 on commission. | 0:27:21 | 0:27:25 | |
At £54, commission bid. | 0:27:25 | 0:27:27 | |
At £54 once, twice, third and final time... | 0:27:28 | 0:27:32 | |
Howzat? | 0:27:34 | 0:27:35 | |
Let's just say it's been an experience! | 0:27:35 | 0:27:37 | |
SHE LAUGHS | 0:27:37 | 0:27:39 | |
Well, Christina wasn't out for a duck, | 0:27:39 | 0:27:42 | |
but I think it was Charles who scored a six there. | 0:27:42 | 0:27:45 | |
Christina began this leg with £335.24p. | 0:27:45 | 0:27:50 | |
After paying auction costs, she made a profit of £28.18p, | 0:27:50 | 0:27:53 | |
giving her a grand total of £363.42p. | 0:27:53 | 0:27:58 | |
Charles began with an impressive £567.84p. | 0:27:59 | 0:28:03 | |
After costs, he made a profit of £127.58p, | 0:28:03 | 0:28:08 | |
winning the trip with a massive total of £695.42p. | 0:28:08 | 0:28:12 | |
All proceeds go to Children In Need. | 0:28:12 | 0:28:14 | |
Charles may have seen off the threat from the young pretender Christina, | 0:28:14 | 0:28:18 | |
but she's not letting his victory go to his head. | 0:28:18 | 0:28:22 | |
You may have won, but your driving is still atrocious. | 0:28:22 | 0:28:24 | |
-Hand over the keys. -Come on! | 0:28:24 | 0:28:26 | |
Listen, this is a built-up area! Surely it's a man's prerogative? | 0:28:26 | 0:28:30 | |
No, not this time. No, I want to go home alive. | 0:28:30 | 0:28:32 | |
SHE LAUGHS | 0:28:32 | 0:28:34 | |
-Come on. -Take me home. | 0:28:34 | 0:28:37 | |
Thanks for the memories. Well played. | 0:28:37 | 0:28:40 | |
-That's it. That's it, Christina. -Woo-hoo! -Woo-hoo! | 0:28:40 | 0:28:44 | |
We're moving on to the start of a brand-new road trip, | 0:28:46 | 0:28:49 | |
and a battle of the sexes with some familiar faces. | 0:28:49 | 0:28:53 | |
# She's a lady! # | 0:28:53 | 0:28:55 | |
Glaswegian Anita Manning | 0:28:55 | 0:28:56 | |
was one of the first female auctioneers in the country. | 0:28:56 | 0:28:59 | |
Her auction house is the largest non-specialist seller | 0:28:59 | 0:29:03 | |
of paintings in Great Britain. | 0:29:03 | 0:29:05 | |
She is well known for her good taste in art. But how about in men? | 0:29:05 | 0:29:09 | |
He's lovely. He reminds me of one of my old boyfriends. | 0:29:09 | 0:29:12 | |
Ha-ha! That dashing Road Trip veteran Lewis, James Lewis, | 0:29:15 | 0:29:20 | |
started collecting antiques as a child of just five. | 0:29:20 | 0:29:23 | |
He specialises in wooden objects and tribal art, | 0:29:23 | 0:29:27 | |
and can often come up with another clever use for his purchases. | 0:29:27 | 0:29:30 | |
This is... | 0:29:30 | 0:29:32 | |
..a really rare Indian musical instrument. | 0:29:33 | 0:29:37 | |
Both experts have £200 to spend as they journey in this | 0:29:38 | 0:29:41 | |
beautiful 1969 Volkswagen Beetle. | 0:29:41 | 0:29:45 | |
James takes first turn in the driving seat | 0:29:45 | 0:29:48 | |
while Anita quizzes him on tactics for the trip. | 0:29:48 | 0:29:50 | |
Tell me all your secrets. | 0:29:50 | 0:29:52 | |
There aren't any. | 0:29:52 | 0:29:55 | |
-I haven't got... -You've not got secrets from me? | 0:29:55 | 0:29:58 | |
No secrets from Anita? | 0:29:58 | 0:30:00 | |
Our experts will wind their way almost 800 miles from | 0:30:04 | 0:30:08 | |
rural Oxfordshire to London, | 0:30:08 | 0:30:10 | |
cross to the West Country | 0:30:10 | 0:30:12 | |
and the South Coast before returning to London again. | 0:30:12 | 0:30:15 | |
Wow! | 0:30:15 | 0:30:16 | |
On this first leg, our team is starting out in Deddington, | 0:30:16 | 0:30:19 | |
continuing through Oxfordshire, before crossing into Hertfordshire | 0:30:19 | 0:30:23 | |
for their auction in St Albans. | 0:30:23 | 0:30:24 | |
Deddington is a pretty village on the edge of the Cotswolds. | 0:30:26 | 0:30:30 | |
The market square was once home to the Pudding Pie Fair, | 0:30:30 | 0:30:33 | |
when a plum pudding was especially baked, | 0:30:33 | 0:30:36 | |
and pigs, sheep and horses were all on sale. | 0:30:36 | 0:30:39 | |
But it's the antiques on sale that brought our pair here. Or is it? | 0:30:40 | 0:30:45 | |
Shall we just enjoy ourselves? | 0:30:45 | 0:30:46 | |
I should be carrying you across the threshold. | 0:30:46 | 0:30:49 | |
Really, James? | 0:30:49 | 0:30:50 | |
-Come here. -No! | 0:30:50 | 0:30:52 | |
-You'll drop me on my head. -All right, come on. | 0:30:52 | 0:30:56 | |
Come on. | 0:30:56 | 0:30:57 | |
Lordy! | 0:30:57 | 0:30:59 | |
-Hello, Brenda! -Hello, Anita! | 0:30:59 | 0:31:02 | |
-I'm Anita. -Who's your boyfriend? | 0:31:02 | 0:31:04 | |
-This is my big pal, Jamesie. -Your big pal, brilliant. | 0:31:04 | 0:31:09 | |
With four floors of goodies, Deddington Antiques Centre | 0:31:09 | 0:31:13 | |
is owner Brenda's treasure trove. | 0:31:13 | 0:31:15 | |
James is first off the buying blocks. | 0:31:15 | 0:31:18 | |
-Let's have that little pincushion. -OK. -Cheers. | 0:31:18 | 0:31:22 | |
This George V pincushion has a ticket price of £33. | 0:31:22 | 0:31:26 | |
-What could that be? -This is somebody else's. -OK. | 0:31:26 | 0:31:30 | |
Um... | 0:31:30 | 0:31:31 | |
I will do... | 0:31:31 | 0:31:34 | |
25. | 0:31:34 | 0:31:35 | |
-I think it would make 20 to 25. -Right. | 0:31:35 | 0:31:38 | |
I was going to offer you a cheeky 15. | 0:31:40 | 0:31:42 | |
Oh, cheeky indeed. | 0:31:42 | 0:31:44 | |
Give me 20. | 0:31:44 | 0:31:45 | |
It's going to go for more than 20 - it's hallmarked silver. | 0:31:45 | 0:31:48 | |
-Split the difference, you've got a deal. -What's the difference? | 0:31:48 | 0:31:51 | |
17.50. | 0:31:51 | 0:31:53 | |
That's ridiculous! | 0:31:53 | 0:31:54 | |
19. | 0:31:54 | 0:31:56 | |
Oh, that's even more ridiculous! | 0:31:56 | 0:31:57 | |
-Well, you're being ridiculous, so I might as well be. -18. | 0:31:57 | 0:31:59 | |
-18.50. -Go on. | 0:31:59 | 0:32:01 | |
-Well done. -You've got a deal. | 0:32:01 | 0:32:03 | |
Now, can Anita battle Brenda as well as James has? | 0:32:03 | 0:32:06 | |
Brenda, could I see this green tray? | 0:32:06 | 0:32:09 | |
Yeah. Look at that. | 0:32:09 | 0:32:11 | |
-That is so... -I think that's quite pretty. -Very pretty. | 0:32:11 | 0:32:14 | |
I think I've got a thing about mermaids. | 0:32:14 | 0:32:16 | |
-I think they're gorgeous. -They're supposed to be magical, aren't they? | 0:32:16 | 0:32:19 | |
Yeah. I wonder if this would be magical for me. | 0:32:19 | 0:32:23 | |
-What have we got on it? -You've got 55. | 0:32:23 | 0:32:26 | |
I'll tell you what I'd like to be paying for it - 22. | 0:32:26 | 0:32:29 | |
Would you? I'd like you to pay... | 0:32:29 | 0:32:33 | |
32. | 0:32:33 | 0:32:34 | |
32. Could you let it go for 25? | 0:32:34 | 0:32:37 | |
Um... | 0:32:37 | 0:32:39 | |
-28. -28? -28? -It's a deal. -Thank you so much. -That's lovely. | 0:32:39 | 0:32:43 | |
But Anita's not finished with Brenda yet. | 0:32:43 | 0:32:46 | |
Her sparkly stock is beckoning. | 0:32:46 | 0:32:49 | |
These orange Art Deco beads have a ticket price of £18. | 0:32:49 | 0:32:52 | |
These are kind of fun. | 0:32:52 | 0:32:55 | |
-They're not amber, obviously. -No. -But they've got some age to them. | 0:32:55 | 0:32:58 | |
OK, and they are not too dear. Can you give me a deal on that? | 0:32:58 | 0:33:01 | |
-I can give you a deal. -Can you give me it for ten quid? | 0:33:01 | 0:33:03 | |
-I'll give you it for ten quid. Deal. -You are a star. | 0:33:03 | 0:33:07 | |
Very nicely done, Anita. | 0:33:09 | 0:33:11 | |
Will these two Art Deco items - the necklace and tray - | 0:33:11 | 0:33:14 | |
garner high profits for her, do you think? | 0:33:14 | 0:33:16 | |
James is playing catch-up. Has anything else taken his fancy? | 0:33:19 | 0:33:23 | |
Do you have anything Chinese? | 0:33:23 | 0:33:25 | |
That seems to be what is doing really well at auction | 0:33:25 | 0:33:27 | |
-at the moment. -What about the brush pot? | 0:33:27 | 0:33:30 | |
-Yeah, let's look at that. -Yeah? It's... | 0:33:30 | 0:33:33 | |
Obviously, this has been turned after, but it is an old brush pot. | 0:33:33 | 0:33:37 | |
Wooden with mother-of-pearl. | 0:33:37 | 0:33:40 | |
There's a big split up there. | 0:33:40 | 0:33:41 | |
-Yeah, but that's all part of the charm of the item. -It's on the back. | 0:33:41 | 0:33:45 | |
Ha-ha, it is. | 0:33:45 | 0:33:47 | |
-I would put 40 to 60 on that. -Would you really? -Yeah. What could it be? | 0:33:47 | 0:33:51 | |
It's a fairly expensive piece, | 0:33:51 | 0:33:53 | |
but if you gave me a £50 note... | 0:33:53 | 0:33:57 | |
I could live with that. Only just, but I could live with it. | 0:33:57 | 0:34:01 | |
James isn't sure. And now he has spotted something else. | 0:34:01 | 0:34:04 | |
The other thing I saw earlier... | 0:34:04 | 0:34:06 | |
He's quite heavy. | 0:34:06 | 0:34:07 | |
I'm not sure whether he's a base metal. | 0:34:07 | 0:34:10 | |
-Oh, yes, he is. -He's a base metal, isn't he? | 0:34:10 | 0:34:13 | |
This 19th century bronzed desk figure of St Peter | 0:34:13 | 0:34:16 | |
has a ticket price of £28.50. | 0:34:16 | 0:34:19 | |
What could he be? | 0:34:19 | 0:34:21 | |
He could be... Make me an offer. | 0:34:22 | 0:34:24 | |
I would say about a tenner. | 0:34:25 | 0:34:27 | |
What about if I do it for 20? | 0:34:27 | 0:34:30 | |
Mm... | 0:34:30 | 0:34:31 | |
-I'd put 40 to 60 on the brush pot. -Mm. | 0:34:31 | 0:34:34 | |
£60 for them both. | 0:34:34 | 0:34:36 | |
-I want to try and make a profit. -Mm-hm. | 0:34:37 | 0:34:40 | |
If I gave you 40 for that, a tenner for that - 50 the two - | 0:34:40 | 0:34:43 | |
how about that? | 0:34:43 | 0:34:44 | |
-Give me 55 and we've got a deal. -Ooh... | 0:34:44 | 0:34:47 | |
-Fine, OK. -OK? -See how we go. | 0:34:47 | 0:34:49 | |
You'll be all right, you've got a religious one on your side. | 0:34:49 | 0:34:52 | |
Hallelujah! But will St Alban of the auction house | 0:34:52 | 0:34:56 | |
look more kindly on James's next lot | 0:34:56 | 0:34:59 | |
or Anita's Deco buys? | 0:34:59 | 0:35:02 | |
You better track down the competition | 0:35:02 | 0:35:04 | |
and head out on the road again, James. | 0:35:04 | 0:35:06 | |
Leaving Deddington, our duo are heading north to Banbury. | 0:35:06 | 0:35:11 | |
In the nursery rhyme, | 0:35:11 | 0:35:13 | |
Banbury Cross was where one could spot a fine lady on a white horse. | 0:35:13 | 0:35:17 | |
This particular cross was erected in 1859 to commemorate | 0:35:17 | 0:35:21 | |
the marriage of Queen Victoria's daughter, Victoria, don't you know? | 0:35:21 | 0:35:24 | |
Could Frogabilia be the shop where Anita will find rings for her | 0:35:24 | 0:35:29 | |
fingers and bells for her toes? | 0:35:29 | 0:35:31 | |
-Hello, I'm Anita. -Hi, nice to meet you. | 0:35:31 | 0:35:35 | |
-Welcome. -This is absolutely gorgeous. | 0:35:35 | 0:35:38 | |
Nancy Maroody's shop is packed full of unusual items that might | 0:35:38 | 0:35:42 | |
just take Anita ahead of James in the shopping stakes. | 0:35:42 | 0:35:45 | |
Lordy. | 0:35:45 | 0:35:46 | |
-Nancy, is it all right to have a look at the brass? -Of course, of course. | 0:35:46 | 0:35:50 | |
OK. | 0:35:50 | 0:35:52 | |
-Nice Arts and Crafts piece. -All right. That's lovely. | 0:35:52 | 0:35:55 | |
That's lovely. | 0:35:55 | 0:35:57 | |
-Let's take it over to the counter. -OK. | 0:35:57 | 0:35:59 | |
I like this. | 0:35:59 | 0:36:01 | |
-It has a northern look about it, Nancy. -Mm. | 0:36:01 | 0:36:05 | |
This was a motif that was often used in the northern regions, | 0:36:05 | 0:36:09 | |
where we have this. It is almost like a Viking longship. | 0:36:09 | 0:36:13 | |
The ticket price on this solid brass jardiniere is £60. | 0:36:13 | 0:36:18 | |
Anita has spotted some objects that tribal art expert James | 0:36:18 | 0:36:21 | |
might be interested in. | 0:36:21 | 0:36:23 | |
-And you can see through the eyes. -That's right. | 0:36:23 | 0:36:26 | |
Does my bum look big in this? | 0:36:26 | 0:36:28 | |
Now, I really wouldn't like to comment there, Anita. | 0:36:28 | 0:36:31 | |
This caught my eye. | 0:36:31 | 0:36:33 | |
-It's a little oil. -Mm-hm. | 0:36:33 | 0:36:36 | |
It was done in 1866, | 0:36:36 | 0:36:39 | |
by a J Gordon, who apparently | 0:36:39 | 0:36:42 | |
lived in Edinburgh. | 0:36:42 | 0:36:45 | |
-A-ha! -Let's have a wee look at it out in the light, shall we? | 0:36:45 | 0:36:50 | |
It's quite well done. | 0:36:51 | 0:36:53 | |
The subject is sort of charming, | 0:36:53 | 0:36:57 | |
you know, with the house here | 0:36:57 | 0:37:00 | |
and the little duck pond. | 0:37:00 | 0:37:02 | |
It has a little je ne sais quoi. | 0:37:02 | 0:37:04 | |
This landscape, by little-known Scottish painter James Gordon, | 0:37:04 | 0:37:08 | |
has a ticket price of £20. | 0:37:08 | 0:37:11 | |
Has Anita found an undiscovered masterpiece here? | 0:37:11 | 0:37:14 | |
Maybe a bargain. | 0:37:14 | 0:37:15 | |
On the pot... Can I make an offer on it? | 0:37:15 | 0:37:18 | |
-Yes, let's see what your offer would be. -Yeah. | 0:37:18 | 0:37:21 | |
What I'd like to pay for it is probably | 0:37:21 | 0:37:24 | |
in the region of £30. | 0:37:24 | 0:37:27 | |
-Right. -In that region. Can you come anywhere near that? | 0:37:27 | 0:37:30 | |
-45? -45... | 0:37:30 | 0:37:33 | |
If you give me 45 for that, I will make you a very good deal for that. | 0:37:35 | 0:37:39 | |
OK, how much will you give me on that? | 0:37:39 | 0:37:41 | |
I'm going to give you this for £5. | 0:37:41 | 0:37:44 | |
-That is a great deal. OK. -I think you can't lose there. | 0:37:46 | 0:37:50 | |
Thank you very much. | 0:37:50 | 0:37:51 | |
Well done, Anita. | 0:37:51 | 0:37:53 | |
I wonder if either of those will leave James's chances | 0:37:53 | 0:37:55 | |
of victory scuttled. | 0:37:55 | 0:37:57 | |
Later they'll head east, to St Albans, for the auction. | 0:38:00 | 0:38:04 | |
But their next stop of the day is Woodstock, | 0:38:04 | 0:38:06 | |
where they'll swap driving seats before Anita heads off to Oxford. | 0:38:06 | 0:38:11 | |
The lovely Woodstock in rural Oxfordshire | 0:38:11 | 0:38:13 | |
was established as a market town in the late 12th century. | 0:38:13 | 0:38:17 | |
Once famous for glove making, | 0:38:17 | 0:38:18 | |
it now hosts visitors en route to Blenheim Palace. | 0:38:18 | 0:38:22 | |
-You've got three antique shops here. -I know. | 0:38:22 | 0:38:25 | |
-And loads of money. -Loads of money. | 0:38:25 | 0:38:27 | |
Hopefully not as much as I'll have by the time I'm finished. | 0:38:27 | 0:38:30 | |
-Oh! -Oh, blimey. | 0:38:34 | 0:38:36 | |
Careful with the old girl... Car, I mean. | 0:38:36 | 0:38:38 | |
James heads into Woodstock Antiques hoping to unearth that winning item. | 0:38:38 | 0:38:42 | |
-Hi, Michael. How are you? -Hello, James. Good to see you. | 0:38:42 | 0:38:44 | |
Good to see you again. | 0:38:44 | 0:38:46 | |
James has already bought three good items - will he run true to form | 0:38:46 | 0:38:50 | |
and buy quite a few more from Michael's cornucopia? | 0:38:50 | 0:38:54 | |
He's spotted a commemorative tin | 0:38:54 | 0:38:56 | |
bearing a portrait of the present queen's grandmother, Queen Mary. | 0:38:56 | 0:39:01 | |
These tins were given to all of the troops in the First World War | 0:39:01 | 0:39:04 | |
and she sent this tin, which was wrapped up, and inside the tin, | 0:39:04 | 0:39:08 | |
as you open it, first thing was a Christmas card. | 0:39:08 | 0:39:11 | |
Take the Christmas card out and there were two packages. | 0:39:11 | 0:39:14 | |
The tins contain a small block of chocolate, | 0:39:14 | 0:39:17 | |
tobacco and a tiny pencil. | 0:39:17 | 0:39:19 | |
Got a few bits of tarnish marks. | 0:39:19 | 0:39:21 | |
It's 100 years old next year. | 0:39:21 | 0:39:24 | |
I think we'd all be a bit tarnished up after 100 years, don't you? | 0:39:24 | 0:39:27 | |
Mind your head there, sir. | 0:39:27 | 0:39:29 | |
What on earth is THIS doing here? | 0:39:31 | 0:39:35 | |
Indian cheroot advertising. | 0:39:35 | 0:39:38 | |
In the 1950s, say... You know, in those days, | 0:39:40 | 0:39:44 | |
you know, the dangers of smoking were not as... | 0:39:44 | 0:39:47 | |
known as they are today. | 0:39:47 | 0:39:49 | |
You don't get big smoking adverts any more. | 0:39:49 | 0:39:52 | |
I've no idea what that's worth. | 0:39:52 | 0:39:55 | |
Absolutely no idea. | 0:39:55 | 0:39:57 | |
We'll see if Michael does. | 0:39:57 | 0:39:59 | |
But first that brass tin. | 0:39:59 | 0:40:00 | |
How about a tenner for the brass tin? | 0:40:00 | 0:40:02 | |
Oh, yeah, that's all right. | 0:40:02 | 0:40:04 | |
Straight up. | 0:40:04 | 0:40:05 | |
I got it for 50p, so that's fine. | 0:40:05 | 0:40:08 | |
-THEY LAUGH -That's no problem. | 0:40:08 | 0:40:11 | |
50p! | 0:40:11 | 0:40:13 | |
I think maybe Michael should be an expert on Road Trip | 0:40:13 | 0:40:16 | |
if he can make profits like that. | 0:40:16 | 0:40:17 | |
I'll make you a second cheeky offer. | 0:40:17 | 0:40:19 | |
Your sign that you said could be 30 quid. | 0:40:21 | 0:40:23 | |
I didn't say it could be 30 - I said it could be 40. | 0:40:23 | 0:40:26 | |
OK. | 0:40:26 | 0:40:27 | |
Oh, cheeky. | 0:40:27 | 0:40:28 | |
How about 20, then? | 0:40:28 | 0:40:30 | |
30 will do it. | 0:40:30 | 0:40:31 | |
How about 25? You're a good bloke! | 0:40:31 | 0:40:33 | |
Cheers. Thank you. | 0:40:33 | 0:40:35 | |
OK. | 0:40:35 | 0:40:36 | |
A tin sign and a brass tin. | 0:40:36 | 0:40:38 | |
I think James should go and look for a scarecrow and a lion, don't you? | 0:40:38 | 0:40:42 | |
Meanwhile, Anita is beetling along to Oxford, | 0:40:45 | 0:40:48 | |
at the wheel for the first time. | 0:40:48 | 0:40:50 | |
The city of dreaming spires, Oxford is home to 38 colleges. | 0:40:50 | 0:40:55 | |
Anita arrives in the very heart of Oxford to meet | 0:40:56 | 0:40:59 | |
Stephen Johnston at the stunning Museum of the History of Science. | 0:40:59 | 0:41:03 | |
Originally built in the 17th century to house | 0:41:03 | 0:41:06 | |
the vast collection of Elias Ashmole, | 0:41:06 | 0:41:09 | |
it was one of the first purpose-built museums in the world. | 0:41:09 | 0:41:13 | |
Containing over 20,000 objects, it encompasses all branches of | 0:41:13 | 0:41:17 | |
science from astronomy to chemistry and early photography. | 0:41:17 | 0:41:21 | |
Hello, Anita. I'm Stephen. | 0:41:21 | 0:41:23 | |
Stephen, it's very, very exciting to be here. | 0:41:23 | 0:41:27 | |
The exhibits, they are a feast for the eyes. | 0:41:27 | 0:41:30 | |
They look like pieces of sculpture. | 0:41:30 | 0:41:32 | |
Yep, many of them are sculptural because many of them come from | 0:41:32 | 0:41:36 | |
a period when our conventional distinction between the arts | 0:41:36 | 0:41:40 | |
and the sciences didn't exist. | 0:41:40 | 0:41:43 | |
So someone commissioned an object for astronomy or anything else | 0:41:43 | 0:41:46 | |
and they expected not just functional and smart - | 0:41:46 | 0:41:50 | |
it was beautiful. | 0:41:50 | 0:41:51 | |
This conjunction of art and science is perfectly illustrated by | 0:41:53 | 0:41:57 | |
the museum's fine collection of early plate and box cameras. | 0:41:57 | 0:42:01 | |
This is a genuine black box. | 0:42:01 | 0:42:03 | |
And a box full of glass vessels | 0:42:03 | 0:42:06 | |
and bottles which were all used for early photography, | 0:42:06 | 0:42:10 | |
by one person we now know of as Lewis Carroll. | 0:42:10 | 0:42:12 | |
Who wrote, of course, the wonderful Adventures Of Alice In Wonderland. | 0:42:12 | 0:42:17 | |
Yes, and people often don't realise now that there was a real Alice - | 0:42:17 | 0:42:21 | |
she was a real person, Alice Liddell. | 0:42:21 | 0:42:24 | |
He would use this set to do photography with the Liddell family | 0:42:24 | 0:42:28 | |
and Alice Liddell herself. | 0:42:28 | 0:42:30 | |
And he was so good at children's portrait photography | 0:42:30 | 0:42:33 | |
because when he told them a story they would... | 0:42:33 | 0:42:36 | |
They would stay still during the long exposure! | 0:42:36 | 0:42:41 | |
They wouldn't fidget! | 0:42:41 | 0:42:43 | |
The museum also contains the world's largest collection of astrolabes. | 0:42:43 | 0:42:49 | |
These were instruments used for many purposes, including locating | 0:42:49 | 0:42:53 | |
the positions of celestial objects, | 0:42:53 | 0:42:55 | |
telling the time and even to write horoscopes. | 0:42:55 | 0:42:59 | |
This astrolabe was originally bought for Queen Elizabeth I | 0:42:59 | 0:43:03 | |
by a supposed suitor from the court - Robert Dudley, | 0:43:03 | 0:43:06 | |
the future Earl of Leicester. | 0:43:06 | 0:43:08 | |
This is the sky. | 0:43:08 | 0:43:10 | |
When you look up at night you see the stars moving. | 0:43:10 | 0:43:12 | |
As I do that... | 0:43:14 | 0:43:15 | |
that is the stars turning around us. | 0:43:15 | 0:43:18 | |
You can measure time by stars. | 0:43:18 | 0:43:21 | |
You can measure time by the sun. | 0:43:21 | 0:43:23 | |
The stars are in one place here. As you turn that round, you see | 0:43:23 | 0:43:28 | |
the track that the sun would make for that particular day. | 0:43:28 | 0:43:31 | |
The museum has objects | 0:43:31 | 0:43:33 | |
that come right up to the 20th and 21st centuries - | 0:43:33 | 0:43:36 | |
and this unprepossessing piece of slate has quite a tale. | 0:43:36 | 0:43:40 | |
We've kept it because it's Albert Einstein's blackboard. | 0:43:40 | 0:43:43 | |
The one he used in Oxford lecturing, so that's his writing up there. | 0:43:43 | 0:43:48 | |
-And those are his equations? -Yes. | 0:43:48 | 0:43:51 | |
Obviously I could explain that to you in great length, | 0:43:51 | 0:43:53 | |
but maybe I'll leave that with you to interpret by yourself. | 0:43:53 | 0:43:57 | |
I'll come back and test you later. | 0:43:57 | 0:44:00 | |
-I'll work it out, Stephen. -Great. | 0:44:00 | 0:44:02 | |
Now, I know that E=mc2. | 0:44:02 | 0:44:08 | |
But I don't get that one. | 0:44:08 | 0:44:10 | |
I think we'll just say it's all relative... | 0:44:10 | 0:44:13 | |
and leave it at that, shall we, Anita? | 0:44:13 | 0:44:16 | |
While Anita is left stumped, | 0:44:16 | 0:44:19 | |
James has also arrived in scholarly Oxford for his final stop. | 0:44:19 | 0:44:24 | |
Will Nora Brook's sparkling shop be an education for this | 0:44:24 | 0:44:27 | |
Road Trip stalwart? | 0:44:27 | 0:44:29 | |
I'm James, nice to see you. | 0:44:29 | 0:44:30 | |
-How do you do? I'm Nora. -What a shop. -Yeah. | 0:44:30 | 0:44:33 | |
I've got to try and find something that's going to give me | 0:44:33 | 0:44:36 | |
a chance of making a profit at auction. | 0:44:36 | 0:44:39 | |
What about the wonderful college oar - | 0:44:39 | 0:44:41 | |
do you think you might be able to make a big profit with that? | 0:44:41 | 0:44:44 | |
Certainly not your normal stock. | 0:44:44 | 0:44:47 | |
How much could that be? | 0:44:47 | 0:44:49 | |
I could take £25 for it. | 0:44:49 | 0:44:51 | |
It is original. All of it is original. | 0:44:51 | 0:44:54 | |
That chunk out the top. | 0:44:54 | 0:44:56 | |
I know, there is a chunk out of the top. | 0:44:56 | 0:44:58 | |
An old oar with a chunk missing. | 0:44:58 | 0:45:01 | |
I don't know how well THAT would do in the Boat Race. | 0:45:01 | 0:45:04 | |
How about these? | 0:45:04 | 0:45:06 | |
Oh, well, they're wonderful, aren't they? Silver-gilt. | 0:45:06 | 0:45:08 | |
These pretty grape scissors catch James's eye. | 0:45:08 | 0:45:12 | |
-I suppose I could take 75 for those. -75? | 0:45:12 | 0:45:15 | |
They're a lovely weight, aren't they? | 0:45:15 | 0:45:19 | |
Quite late, though. | 0:45:19 | 0:45:20 | |
I think they're '30s. | 0:45:20 | 0:45:22 | |
This cabinet looks interesting. | 0:45:22 | 0:45:25 | |
That cabinet has always got interesting things. | 0:45:25 | 0:45:27 | |
-Ah! -That's a whole set of stuff. | 0:45:27 | 0:45:30 | |
It was all together in a box. | 0:45:30 | 0:45:32 | |
All of those bits were together in one box. | 0:45:32 | 0:45:34 | |
And the little velvet bag. | 0:45:34 | 0:45:35 | |
Funny thing, that is. | 0:45:35 | 0:45:37 | |
17th century. | 0:45:37 | 0:45:39 | |
Cloak or a cape. | 0:45:39 | 0:45:42 | |
-They're interesting. -They are. | 0:45:42 | 0:45:45 | |
That, I think, is the finial from a Chinese hat. | 0:45:45 | 0:45:50 | |
Oh, right. | 0:45:50 | 0:45:52 | |
-And so might that have been on the shoulder of a robe? -Perhaps. | 0:45:52 | 0:45:54 | |
How much are these? | 0:45:54 | 0:45:56 | |
I suppose I want £30 for them. | 0:45:56 | 0:45:58 | |
-The lot. -Yeah. | 0:45:58 | 0:46:01 | |
And those are...? | 0:46:01 | 0:46:02 | |
Well, I thought 75. | 0:46:02 | 0:46:04 | |
Will you take 80 for the three lots? | 0:46:04 | 0:46:08 | |
How about 90? | 0:46:08 | 0:46:10 | |
I can't quite remember how much I've got. | 0:46:10 | 0:46:13 | |
Oh, do keep track, James. | 0:46:13 | 0:46:15 | |
You've got £91.50. | 0:46:15 | 0:46:17 | |
Shall we say 85? That's absolutely my very best. | 0:46:17 | 0:46:21 | |
-It's very fair. Thank you very much. -Thank you. | 0:46:21 | 0:46:24 | |
James has done it again and bought quite a few items. | 0:46:24 | 0:46:27 | |
I do wonder how he'll put his five lots together, though. | 0:46:27 | 0:46:31 | |
-Thank you. -Thank you. -Bye. -Good luck. | 0:46:31 | 0:46:34 | |
Now that Anita has escaped Einstein's head scratcher, | 0:46:34 | 0:46:39 | |
maybe she'll come top of the class with her last shop of the trip - Antiques On High. | 0:46:39 | 0:46:45 | |
I'm sure Anita can score high marks here with Caroline Henney | 0:46:45 | 0:46:49 | |
helping her through the 25 dealers' wares. | 0:46:49 | 0:46:52 | |
There's interesting things in this cabinet. | 0:46:52 | 0:46:55 | |
And there's something that's caught my eye. | 0:46:55 | 0:46:57 | |
I wonder if I could have a look at those... | 0:46:57 | 0:46:59 | |
-..chrome paws. SHE LAUGHS -OK! | 0:46:59 | 0:47:04 | |
These 19th-century polished steel castors | 0:47:04 | 0:47:08 | |
probably came off a table and have a ticket price of £55. | 0:47:08 | 0:47:11 | |
We've got four bits of furniture. | 0:47:11 | 0:47:15 | |
Yes. I think you need a settee. | 0:47:15 | 0:47:17 | |
I need a settee! | 0:47:17 | 0:47:19 | |
-They're unusual. -They are. | 0:47:19 | 0:47:21 | |
But I would like to buy them fairly cheaply. | 0:47:21 | 0:47:23 | |
I can have a word with the dealer. | 0:47:23 | 0:47:26 | |
I can let you know where I... | 0:47:26 | 0:47:29 | |
Shall I sit down for this bit? | 0:47:29 | 0:47:31 | |
I think you'll need to lie down. | 0:47:31 | 0:47:33 | |
I would like to be paying in the region of £10 for those. | 0:47:33 | 0:47:37 | |
Oh, gosh. | 0:47:37 | 0:47:38 | |
Let me have a quick word and I'll see how the land lies for you. | 0:47:38 | 0:47:43 | |
Caroline has a chat with the camera-shy dealer, | 0:47:43 | 0:47:46 | |
but she's not sure Anita will like the news. | 0:47:46 | 0:47:49 | |
Anita, I think really the best we can do on them is £30. | 0:47:49 | 0:47:52 | |
That's under a tenner each. | 0:47:52 | 0:47:54 | |
But I really want to get four feet ahead of James. | 0:47:54 | 0:47:58 | |
Do you think there would be the slightest possibility of, say, £20? | 0:48:00 | 0:48:05 | |
I'll tell you what, Anita - if you beat James, yeah, | 0:48:05 | 0:48:08 | |
we'll do them for 20. | 0:48:08 | 0:48:10 | |
Great. Four feet ahead. | 0:48:10 | 0:48:12 | |
Don't paws for profit. | 0:48:12 | 0:48:14 | |
Oh, no! | 0:48:14 | 0:48:15 | |
I hope you win or you won't have a leg to stand on! | 0:48:15 | 0:48:19 | |
Just as well this isn't the Joke Road Trip. | 0:48:19 | 0:48:22 | |
That's the shopping over. | 0:48:22 | 0:48:24 | |
Anita Manning started today with £200 and spent £108 on five lots - | 0:48:24 | 0:48:28 | |
an oil on board, dated 1866, | 0:48:28 | 0:48:32 | |
four paw castors, | 0:48:32 | 0:48:34 | |
a brass Arts and Crafts jardiniere, | 0:48:34 | 0:48:36 | |
a 19302 Art Deco moulded glass tray | 0:48:36 | 0:48:39 | |
and a set of Art Deco plastic beads. | 0:48:39 | 0:48:42 | |
James Lewis also started with £200, | 0:48:42 | 0:48:44 | |
and he has spent £193.50, also on five lots - | 0:48:44 | 0:48:48 | |
a Victorian presentation oar, | 0:48:48 | 0:48:50 | |
with an advertising sign for cheroots, | 0:48:50 | 0:48:52 | |
a bronzed desk figure of St Peter, | 0:48:52 | 0:48:55 | |
with a brass WWI Christmas tin, | 0:48:55 | 0:48:57 | |
a pair of silver-gilt grape shears, | 0:48:57 | 0:49:00 | |
with a silver pin cushion, | 0:49:00 | 0:49:02 | |
an oriental bamboo Shibayama brush pot | 0:49:02 | 0:49:05 | |
and a Chinese imperial hat finial | 0:49:05 | 0:49:07 | |
and shoulder decorations in a velvet evening bag. | 0:49:07 | 0:49:10 | |
Phew! What a mixture! But what do they think of each other's haul? | 0:49:10 | 0:49:14 | |
James Lewis has bought hundreds of things! | 0:49:14 | 0:49:18 | |
He cannot help himself! | 0:49:18 | 0:49:20 | |
He spent all his money because that's what he loves doing. | 0:49:20 | 0:49:23 | |
By far, Anita's best purchase, and the best item, is the oil painting. | 0:49:23 | 0:49:27 | |
I think that's really quite good. | 0:49:27 | 0:49:29 | |
I think I might have blown a few chances | 0:49:29 | 0:49:31 | |
by buying too much, | 0:49:31 | 0:49:33 | |
but we'll see. | 0:49:33 | 0:49:35 | |
We will indeed. | 0:49:36 | 0:49:37 | |
After starting out in Deddington, | 0:49:37 | 0:49:39 | |
our intrepid duo have wound their way through Oxfordshire, | 0:49:39 | 0:49:42 | |
crossing over into Hertfordshire for the auction in St Albans. | 0:49:42 | 0:49:46 | |
Just 22 miles from London, | 0:49:46 | 0:49:48 | |
St Albans is a stunning cathedral city. | 0:49:48 | 0:49:51 | |
The shrine of St Alban, the first Christian martyr in Britain, | 0:49:51 | 0:49:55 | |
sits within the great cathedral, | 0:49:55 | 0:49:57 | |
and is a site for pilgrimage. | 0:49:57 | 0:49:59 | |
Anita and James are heading for Hertfordshire Auctions | 0:49:59 | 0:50:02 | |
to see who will get today's gold star. | 0:50:02 | 0:50:05 | |
This first auction of the road trip | 0:50:05 | 0:50:07 | |
is under the guidance of auctioneer Chris Small, | 0:50:07 | 0:50:10 | |
and is also being held online, | 0:50:10 | 0:50:11 | |
so might attract extra bidders. | 0:50:11 | 0:50:13 | |
First up, it's James's bizarre lot | 0:50:13 | 0:50:17 | |
of that tin sign and the oar. | 0:50:17 | 0:50:19 | |
Will it leave him up the creek? | 0:50:19 | 0:50:21 | |
Starting at £20, who's in? 20 got. | 0:50:21 | 0:50:24 | |
20 I'm bid on two on the net. 22, 25, and 30. 35. | 0:50:24 | 0:50:28 | |
35's in the room, and 40. | 0:50:28 | 0:50:29 | |
45. | 0:50:29 | 0:50:31 | |
45, and 50. And 55. | 0:50:31 | 0:50:33 | |
At 55, these two items at £55 I've got. | 0:50:33 | 0:50:36 | |
Going to sell them. £55 I'm bid. | 0:50:36 | 0:50:39 | |
-Last chance. Are you done with them? -GAVEL FALLS | 0:50:39 | 0:50:42 | |
Not bad, James. | 0:50:42 | 0:50:43 | |
A small profit on that strange combination. | 0:50:43 | 0:50:47 | |
That's sort of all right for a daft lot. | 0:50:47 | 0:50:49 | |
Next, it's Anita's first lot of that hidden masterpiece, | 0:50:49 | 0:50:54 | |
bought for a measly fiver. | 0:50:54 | 0:50:57 | |
20, I'm bid. And 25. At 30 I'm bid. | 0:50:57 | 0:51:00 | |
Do you think this is cheap? I do! | 0:51:00 | 0:51:02 | |
£30 I'm bid, going once. | 0:51:02 | 0:51:05 | |
£30, and 35 bid. | 0:51:05 | 0:51:07 | |
-In the room at 35. -Yes! -Yes! | 0:51:07 | 0:51:09 | |
At 40. Straight back in at 40. | 0:51:09 | 0:51:11 | |
At 45, he says. | 0:51:11 | 0:51:13 | |
-Yes! -45 got. And 50 on the net. | 0:51:13 | 0:51:16 | |
At 50 I'm bid. This one. It's up to you. | 0:51:16 | 0:51:19 | |
You're nodding the wrong way. Have a think about it. | 0:51:19 | 0:51:23 | |
-It's an oil on board at £50. -Yes! | 0:51:23 | 0:51:26 | |
£50, eh? But I don't know if James and Anita | 0:51:26 | 0:51:28 | |
can handle the excitement. | 0:51:28 | 0:51:30 | |
Next - James's St Peter figure | 0:51:30 | 0:51:34 | |
and the World War I Christmas tin. | 0:51:34 | 0:51:38 | |
Starting at 20, who's in? | 0:51:38 | 0:51:39 | |
(20...) Oh, come on! | 0:51:39 | 0:51:42 | |
20, I've got. | 0:51:42 | 0:51:44 | |
LAUGHTER | 0:51:44 | 0:51:45 | |
Don't worry, James, they're there. I've seen it. £20 I've got. | 0:51:45 | 0:51:49 | |
And 5, 30, and 35. | 0:51:49 | 0:51:51 | |
And 35. Got to hurry you. 40. | 0:51:51 | 0:51:54 | |
And 45 on the net. | 0:51:54 | 0:51:55 | |
£45 going once... | 0:51:55 | 0:51:58 | |
£45 twice. | 0:51:58 | 0:52:00 | |
Third, final... Oh, and 50. | 0:52:00 | 0:52:03 | |
Goodness me, the hammer nearly went down then, didn't it? | 0:52:03 | 0:52:06 | |
Now, James, no manhandling the bidders now! | 0:52:06 | 0:52:09 | |
And 5, on the net. | 0:52:09 | 0:52:11 | |
Are we sure we're done now? At £55 I sell it. | 0:52:11 | 0:52:15 | |
Yes! Well done! | 0:52:15 | 0:52:17 | |
Heavens above! That was £30 on the purchase price there. | 0:52:17 | 0:52:21 | |
James's turn again. It's the sharp little lot | 0:52:21 | 0:52:24 | |
of the pincushion and the grape scissors. | 0:52:24 | 0:52:27 | |
Start me at 20, who's in? | 0:52:27 | 0:52:28 | |
20. 25. And 30. | 0:52:28 | 0:52:30 | |
35. And 70 on the net, | 0:52:30 | 0:52:33 | |
at £70 I've got. At 75, I'm bid. | 0:52:33 | 0:52:37 | |
80 on the net bidder. £80 I'm bid now, and a 5 I'm bid. | 0:52:37 | 0:52:40 | |
At 85, still with the net bidder at 85. | 0:52:40 | 0:52:43 | |
Are we done? Going once. | 0:52:43 | 0:52:44 | |
£85 then going twice. | 0:52:44 | 0:52:46 | |
Third, final time at £85. | 0:52:46 | 0:52:50 | |
Oh, dear. After costs that's actually a small loss. | 0:52:50 | 0:52:53 | |
Now, James isn't happy at all. | 0:52:53 | 0:52:55 | |
They could've made double that. Double that. | 0:52:55 | 0:52:57 | |
Well, he would say that, wouldn't he? | 0:52:57 | 0:52:59 | |
Now, let's see whether Anita's castors will do any better. | 0:52:59 | 0:53:02 | |
Tell me your bids - what do you want to pay for 'em? | 0:53:02 | 0:53:05 | |
5 I've got. 8 I've got. At 8 I'm bid now. | 0:53:05 | 0:53:07 | |
10, I've got. 12 I've got. And 15. | 0:53:07 | 0:53:10 | |
Got 15. In the yellow at 15. | 0:53:10 | 0:53:12 | |
15, I'm bid. 15. 18. | 0:53:12 | 0:53:14 | |
Got 18. 20. | 0:53:14 | 0:53:16 | |
-No! -£20 I've got. | 0:53:16 | 0:53:18 | |
£20. And 22 on the net bidder. | 0:53:18 | 0:53:20 | |
They're joining in now. | 0:53:20 | 0:53:22 | |
£22 I've got. | 0:53:22 | 0:53:25 | |
£22 I've got now, at £22. Up to you. | 0:53:25 | 0:53:28 | |
And 25 in the room. | 0:53:28 | 0:53:30 | |
-I can't believe this! -£25 I've got. | 0:53:30 | 0:53:33 | |
Going once. Going twice. | 0:53:33 | 0:53:37 | |
Got 'em. 25. | 0:53:37 | 0:53:38 | |
-No wonder you're laughing. -Yes! Yes! | 0:53:38 | 0:53:41 | |
But after costs, that's not much of a profit, | 0:53:41 | 0:53:43 | |
but Anita's delighted, which is great. | 0:53:43 | 0:53:47 | |
Well, it's time for his bamboo pot. | 0:53:47 | 0:53:48 | |
Can this lot give James a brush with victory? | 0:53:48 | 0:53:51 | |
Start me at £20, who's in? £20 I've got. 25 got. 30. | 0:53:51 | 0:53:55 | |
32 bid. £35 I've got. All these bids are on the net. At £35 I've got. | 0:53:55 | 0:54:00 | |
38 in the room. And 40. 45 got. | 0:54:00 | 0:54:03 | |
50. 55. | 0:54:03 | 0:54:05 | |
60. | 0:54:05 | 0:54:06 | |
Come on! | 0:54:06 | 0:54:07 | |
And 5. And 70. | 0:54:07 | 0:54:10 | |
And 5. And 80. | 0:54:10 | 0:54:13 | |
At £80 for the Japanese. | 0:54:13 | 0:54:15 | |
£85 is on the net. At £85 I'm bid. | 0:54:15 | 0:54:18 | |
One more? Once then, £85. | 0:54:18 | 0:54:22 | |
90. Thought you would. | 0:54:22 | 0:54:24 | |
90's in the room now. At £90. | 0:54:24 | 0:54:27 | |
Third and final time, it's yours. | 0:54:27 | 0:54:28 | |
-That was a sweat. -That was quite exciting. | 0:54:28 | 0:54:31 | |
Phew! Well done. James is storming ahead of Anita now. | 0:54:31 | 0:54:34 | |
It's her favourite lot, | 0:54:36 | 0:54:38 | |
the brass Arts and Crafts jardiniere. | 0:54:38 | 0:54:41 | |
Start me at £20, who's in? | 0:54:41 | 0:54:43 | |
20, thank you. 20, 22, | 0:54:43 | 0:54:44 | |
25, 28. | 0:54:44 | 0:54:45 | |
30, 32, 35, | 0:54:45 | 0:54:47 | |
38, 40. | 0:54:47 | 0:54:48 | |
42, 45. | 0:54:48 | 0:54:51 | |
45. Got 48, 50. | 0:54:51 | 0:54:52 | |
55, 60... | 0:54:52 | 0:54:55 | |
65. 70. | 0:54:55 | 0:54:58 | |
75, 80. | 0:54:58 | 0:54:59 | |
£80. | 0:54:59 | 0:55:00 | |
And 5. At £90. Do you want 5? | 0:55:00 | 0:55:04 | |
£90. And 5. | 0:55:04 | 0:55:06 | |
And 100. You're out? | 0:55:06 | 0:55:08 | |
£100 then. I'll take 5 if it helps? | 0:55:08 | 0:55:11 | |
-Go on. -105. | 0:55:11 | 0:55:13 | |
110. 110 I'll say. | 0:55:13 | 0:55:16 | |
110 I'm bid. £110. | 0:55:16 | 0:55:18 | |
Marvellous, Anita. Another lot more than doubling its purchase price. | 0:55:18 | 0:55:22 | |
And she's just snuck into the lead. | 0:55:22 | 0:55:25 | |
It all hangs on James's final lot. | 0:55:25 | 0:55:27 | |
He's sure this gilt-metal hat finial clasps and bag | 0:55:27 | 0:55:31 | |
were a good buy. | 0:55:31 | 0:55:33 | |
Start me at 20. Who's in? At 20 got. | 0:55:33 | 0:55:35 | |
And 25, and 30. | 0:55:35 | 0:55:37 | |
-And 35. And 40. -(Times it by 10.) | 0:55:37 | 0:55:39 | |
-And 45. And 45 is to my right. -No way. | 0:55:39 | 0:55:42 | |
-At £45 I'm bid. -Come on! | 0:55:42 | 0:55:45 | |
And 50. 55. | 0:55:45 | 0:55:47 | |
And 60. And 65. | 0:55:47 | 0:55:49 | |
-£65 I'm bid. -No way! | 0:55:49 | 0:55:52 | |
You're up, madam. It's there, once. | 0:55:52 | 0:55:54 | |
65 going twice. | 0:55:54 | 0:55:56 | |
Third, final time, then. | 0:55:56 | 0:55:58 | |
Oh, James isn't a happy bunny, | 0:55:58 | 0:56:00 | |
even though he more than tripled the £20 purchase price. | 0:56:00 | 0:56:04 | |
He thought he had a valuable lot there. | 0:56:04 | 0:56:06 | |
If you found the Crown Jewels in the lake | 0:56:06 | 0:56:08 | |
and it made a tenner and it was a tenner profit, | 0:56:08 | 0:56:10 | |
you wouldn't be happy, would you? | 0:56:10 | 0:56:12 | |
Aw. Anita's moulded glass tray | 0:56:12 | 0:56:15 | |
with the mermaid next. | 0:56:15 | 0:56:17 | |
Will the bidders be wooed? | 0:56:17 | 0:56:18 | |
£20. £20 I've got. | 0:56:18 | 0:56:20 | |
-Straight in, £20 I've got. -You what? | 0:56:20 | 0:56:23 | |
And 25. And 28. Any more? | 0:56:23 | 0:56:24 | |
And 30. And 32. And 35. | 0:56:24 | 0:56:28 | |
38, 38. 38 and 40. | 0:56:28 | 0:56:31 | |
42, 45, | 0:56:31 | 0:56:33 | |
48. | 0:56:33 | 0:56:34 | |
50. | 0:56:34 | 0:56:36 | |
-52. -It's appealing. | 0:56:36 | 0:56:38 | |
It's useful. | 0:56:38 | 0:56:40 | |
-And 60. -You are pulling my fin. | 0:56:40 | 0:56:44 | |
She's beaten the both of you. | 0:56:44 | 0:56:45 | |
£55 I'm bid, coming right at the end there at £55. | 0:56:45 | 0:56:50 | |
Are you done with it? | 0:56:50 | 0:56:52 | |
Do you know, you're crowned queen of the castle. | 0:56:52 | 0:56:57 | |
-I'm going for a beer. -SHE LAUGHS | 0:56:57 | 0:57:00 | |
We've got one more to go. | 0:57:00 | 0:57:01 | |
-I don't care, I've given up! -LAUGHTER | 0:57:01 | 0:57:04 | |
You're all mad! | 0:57:04 | 0:57:06 | |
Takes one to know one! And he's off. | 0:57:06 | 0:57:08 | |
I think it's just too much excitement for the poor boy. | 0:57:08 | 0:57:11 | |
But you're winning, James. | 0:57:11 | 0:57:13 | |
He's away in a huff. | 0:57:13 | 0:57:15 | |
But Anita still has one lot to go. | 0:57:15 | 0:57:18 | |
Can the amber-effect beads be her Crown Jewels? | 0:57:18 | 0:57:21 | |
£30 for those. | 0:57:21 | 0:57:22 | |
How can he start those at £30?! | 0:57:22 | 0:57:25 | |
A tenner. Who's in? | 0:57:25 | 0:57:26 | |
-Yes! -50p! | 0:57:26 | 0:57:29 | |
Oh, do behave, James. | 0:57:29 | 0:57:31 | |
James Lewis! | 0:57:31 | 0:57:33 | |
18. 22. 25. | 0:57:33 | 0:57:35 | |
28. | 0:57:35 | 0:57:37 | |
30. 32, 35, 38, | 0:57:37 | 0:57:40 | |
-40. -£40. -Lady's bid £40. -What! | 0:57:40 | 0:57:43 | |
£40 - I think she's done it. | 0:57:43 | 0:57:45 | |
In the chair at £40. | 0:57:45 | 0:57:47 | |
Are you done with them? | 0:57:47 | 0:57:49 | |
-£40. -Yes! James Lewis, did you see that? | 0:57:49 | 0:57:53 | |
Yeah. | 0:57:53 | 0:57:55 | |
By George, on the very last lot | 0:57:55 | 0:57:56 | |
Anita has taken the lead and won the auction! | 0:57:56 | 0:58:00 | |
That's better. Kiss and make up like good boys and girls now. | 0:58:01 | 0:58:05 | |
James began this first leg with £200. | 0:58:05 | 0:58:07 | |
After paying auction costs, | 0:58:07 | 0:58:09 | |
he made a respectable profit of £93.50, | 0:58:09 | 0:58:12 | |
giving him £293.50 | 0:58:12 | 0:58:15 | |
to take into the next leg. | 0:58:15 | 0:58:18 | |
Anita also began with £200, | 0:58:19 | 0:58:21 | |
but she has stormed ahead of James | 0:58:21 | 0:58:23 | |
with an impressive profit of £121.60, | 0:58:23 | 0:58:26 | |
winning this leg and giving her £321.60 | 0:58:26 | 0:58:30 | |
to play with on the next. Well done, girl. | 0:58:30 | 0:58:33 | |
Drive on, James. Drive on. | 0:58:33 | 0:58:35 | |
So, off to London. | 0:58:37 | 0:58:40 |