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-It's the nation's favourite antiques experts! -All right, viewers? | 0:00:02 | 0:00:04 | |
With £200 each, a classic car | 0:00:04 | 0:00:07 | |
and a goal to scour Britain for antiques. | 0:00:07 | 0:00:10 | |
On fire! Yes! | 0:00:10 | 0:00:11 | |
Sold! | 0:00:11 | 0:00:13 | |
The aim, to make the biggest profit at auction. | 0:00:13 | 0:00:15 | |
But it's no mean feat! | 0:00:15 | 0:00:17 | |
50p! | 0:00:17 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:22 | |
You've had it a while! | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory | 0:00:23 | 0:00:25 | |
or the slow road to disaster? | 0:00:25 | 0:00:27 | |
Ooh! | 0:00:27 | 0:00:28 | |
Oh, no! | 0:00:28 | 0:00:30 | |
This is the Antiques Road Trip! | 0:00:30 | 0:00:32 | |
Yeah! | 0:00:33 | 0:00:35 | |
On this road trip, we're journeying with two antiques maestros, | 0:00:36 | 0:00:40 | |
who are eagle of eye and quick to the punch. | 0:00:40 | 0:00:43 | |
When I got out of bed this morning, | 0:00:43 | 0:00:45 | |
I felt as if I'd been through a round with Mike Tyson! | 0:00:45 | 0:00:49 | |
-Why was that? -I went through round one with you! | 0:00:49 | 0:00:54 | |
Anita Manning is a flamboyant Scot | 0:00:54 | 0:00:56 | |
who owns her own saleroom | 0:00:56 | 0:00:58 | |
and who's always proud to showcase her unique sense of style. | 0:00:58 | 0:01:01 | |
Here we go. | 0:01:01 | 0:01:02 | |
Too exotic. | 0:01:02 | 0:01:04 | |
While James Lewis is a Derbyshire auctioneer | 0:01:05 | 0:01:07 | |
who has an eye for quality | 0:01:07 | 0:01:09 | |
and is never afraid of making a cheeky offer. | 0:01:09 | 0:01:12 | |
Both our jolly chums began this epic road trip with £200. | 0:01:13 | 0:01:17 | |
Anita stormed ahead on the first leg | 0:01:17 | 0:01:20 | |
and now has a whopping £321.60 | 0:01:20 | 0:01:23 | |
burning a hole in her sporran. Do girls wear sporrans? | 0:01:23 | 0:01:27 | |
But James also made consistent profits. | 0:01:27 | 0:01:30 | |
He boasts a budget of £293.50. | 0:01:30 | 0:01:32 | |
I don't know what he's moaning about, really. But he will moan! | 0:01:32 | 0:01:37 | |
Not quite out for the count, | 0:01:37 | 0:01:40 | |
but you certainly won the round hands down! | 0:01:40 | 0:01:41 | |
This top-trading twosome | 0:01:41 | 0:01:44 | |
are driving a sweet little '60s chick - the 1969 Volkswagen Beetle. | 0:01:44 | 0:01:50 | |
The whole road trip will see them sally forth | 0:01:52 | 0:01:54 | |
through the glories of southern England, | 0:01:54 | 0:01:56 | |
from Oxfordshire and the South East, | 0:01:56 | 0:01:59 | |
then west, and then back to hopeful triumph in our nation's capital. | 0:01:59 | 0:02:04 | |
In this leg they begin in the leafy London district of Wimbledon, | 0:02:04 | 0:02:10 | |
heading for auction near the town of Alresford in Hampshire. | 0:02:10 | 0:02:14 | |
MUSIC: "The Wombling Song" by The Wombles | 0:02:16 | 0:02:19 | |
We're on Wimbledon Common! | 0:02:19 | 0:02:22 | |
-Yep. -Is that where the Wombles came from? | 0:02:22 | 0:02:25 | |
What do you mean, "came" from? | 0:02:25 | 0:02:27 | |
-Are Wombles real things, James? -Of course they are! | 0:02:27 | 0:02:29 | |
They're as real as your haggis! | 0:02:29 | 0:02:31 | |
Good point. | 0:02:31 | 0:02:32 | |
# Underground, overground, Wombling free... # | 0:02:32 | 0:02:35 | |
They've arrived in the centre of lovely Wimbledon, | 0:02:39 | 0:02:42 | |
where James will begin his search - for antiques, hopefully! | 0:02:42 | 0:02:46 | |
He's heading into his first shop of the day, | 0:02:46 | 0:02:49 | |
the haltingly named Just Pause... | 0:02:49 | 0:02:51 | |
..where, ready to greet him, is proprietor Maria. Hi, Maria! | 0:02:52 | 0:02:56 | |
-Hi, I'm James. Nice to see you. -Nice to see you. | 0:02:56 | 0:02:59 | |
And he's shortly spotted something that appeals. | 0:03:00 | 0:03:03 | |
How much is the decanter box? | 0:03:03 | 0:03:06 | |
-Negotiable. -OK. | 0:03:06 | 0:03:08 | |
-There's a lot of damage, isn't there? -Yeah. | 0:03:08 | 0:03:12 | |
It's a portable mahogany liqueur casket, | 0:03:12 | 0:03:14 | |
probably dating from around the 1830s, | 0:03:14 | 0:03:17 | |
containing six glass decanters. | 0:03:17 | 0:03:19 | |
A smart way of transporting one's grog when one's travelling. | 0:03:19 | 0:03:24 | |
There's no ticket price on it | 0:03:25 | 0:03:26 | |
and it sounds like Marie's open to a haggle. | 0:03:26 | 0:03:30 | |
With an auction estimate of 40 to 60, would you consider 40? | 0:03:30 | 0:03:34 | |
-How about 45? -That should be worth that. | 0:03:34 | 0:03:38 | |
-It is! -You're... | 0:03:38 | 0:03:39 | |
That's a great, great bargain. | 0:03:41 | 0:03:44 | |
James is tempted, but he's going to think on that and browse further. | 0:03:44 | 0:03:48 | |
There's a large item in the basement | 0:03:50 | 0:03:52 | |
that seems to have caught his beady eye. | 0:03:52 | 0:03:54 | |
Gosh. | 0:03:54 | 0:03:56 | |
Cor blimey! | 0:03:56 | 0:03:57 | |
Cor blimey, guv'nor! | 0:03:57 | 0:03:59 | |
A big lump of Chinese. Um... | 0:03:59 | 0:04:03 | |
Got a bit of age to it. You've had it a while, haven't you? | 0:04:04 | 0:04:08 | |
Well, it's Chinese blue and white, ticket price £85. | 0:04:09 | 0:04:13 | |
But neither James nor Marie are sure of its age. | 0:04:13 | 0:04:16 | |
James is optimistic | 0:04:16 | 0:04:17 | |
in hoping that it might just turn out to be an antique piece, | 0:04:17 | 0:04:21 | |
dating from the 19th or even 18th century. | 0:04:21 | 0:04:24 | |
But if it is the latter, it could be seriously valuable. | 0:04:25 | 0:04:28 | |
Still, it's a gamble, isn't it? | 0:04:28 | 0:04:31 | |
Or is it? | 0:04:31 | 0:04:32 | |
It's either worth thousands or nothing! | 0:04:33 | 0:04:37 | |
Well, I hope it's thousands for you! | 0:04:37 | 0:04:38 | |
Well, the fact that it's been here all these months, | 0:04:38 | 0:04:41 | |
probably means it's not! | 0:04:41 | 0:04:43 | |
What would you like to offer? | 0:04:43 | 0:04:45 | |
You are bubbly, Marie! | 0:04:45 | 0:04:47 | |
Well, it's been reduced three times. You've had it ages. | 0:04:47 | 0:04:51 | |
How about a cheeky 30 quid? | 0:04:51 | 0:04:53 | |
OK. | 0:04:54 | 0:04:55 | |
-Sure? -Done! | 0:04:55 | 0:04:57 | |
I was thinking you were going to say 50! | 0:04:57 | 0:05:01 | |
I was, but then I thought we'd do a deal. | 0:05:01 | 0:05:03 | |
I'll give you - this is a rare thing for me - I'm going to give you 40. | 0:05:03 | 0:05:07 | |
-Thank you! -40. | 0:05:07 | 0:05:09 | |
Highly maverick move, I'd say, for the Road Trip. | 0:05:11 | 0:05:14 | |
He's voluntarily raised his own offer. | 0:05:14 | 0:05:17 | |
Let's hope that bit of good karma sees James right with the vase | 0:05:17 | 0:05:20 | |
at the auction. | 0:05:20 | 0:05:22 | |
But this pair are getting on swimmingly | 0:05:23 | 0:05:25 | |
and James has soon found something else nearby. | 0:05:25 | 0:05:28 | |
Oh, they've both had their ears off. | 0:05:34 | 0:05:36 | |
Do you know, a long time ago, | 0:05:36 | 0:05:39 | |
I really desperately wanted one of these. | 0:05:39 | 0:05:41 | |
-Aw! -They're carved out of a block of serpentine. They're from Florence. | 0:05:41 | 0:05:46 | |
It's a pair of figures of dogs. | 0:05:47 | 0:05:49 | |
Indeed modelled from the dark green mineral serpentine | 0:05:49 | 0:05:52 | |
and dating from the Victorian period. | 0:05:52 | 0:05:55 | |
Perhaps brought home from some lucky traveller's Grand Tour of Europe. | 0:05:55 | 0:05:59 | |
Marie has got £90 on the pair. | 0:05:59 | 0:06:02 | |
I like the dogs, but I think they're too much money because of the ears. | 0:06:03 | 0:06:06 | |
-The dogs could be cheaper. -Could they? -Yes. | 0:06:06 | 0:06:09 | |
-30? -40? | 0:06:09 | 0:06:12 | |
35. | 0:06:14 | 0:06:16 | |
-OK. -Deal! -Done! | 0:06:16 | 0:06:19 | |
But what about the portable liqueur casket he also liked? | 0:06:19 | 0:06:22 | |
Marie last offered a price of £45 on that. | 0:06:22 | 0:06:26 | |
And 45 on that. You've got a deal. | 0:06:26 | 0:06:29 | |
-There you go. -Thank you. -Brilliant. Well, that's three. | 0:06:29 | 0:06:31 | |
Three items indeed. Good start, James. | 0:06:31 | 0:06:35 | |
Meanwhile, Anita has driven on to the London district of Battersea, | 0:06:35 | 0:06:39 | |
otherwise known as "Battercia"! | 0:06:39 | 0:06:41 | |
Ha! | 0:06:41 | 0:06:42 | |
The area's most famous disused power station | 0:06:42 | 0:06:46 | |
is often likened to an upturned table. | 0:06:46 | 0:06:48 | |
This well-heeled postcode seems a good place to start her morning. | 0:06:48 | 0:06:52 | |
She's strolling off into her first shop of the day, | 0:06:52 | 0:06:56 | |
the sizeable Northcote Antiques Market. | 0:06:56 | 0:06:59 | |
Best get hunting, girl. | 0:07:00 | 0:07:02 | |
And she's soon spotted a glittering little bauble. | 0:07:10 | 0:07:13 | |
I always think that silver and crystal is a lovely combination. | 0:07:13 | 0:07:18 | |
This is a little dish that would possibly belong to a lady. | 0:07:18 | 0:07:25 | |
This possibly could have been an ashtray. | 0:07:25 | 0:07:28 | |
It bears silver hallmarks, though, dating it to 1909. | 0:07:28 | 0:07:33 | |
Though the marks have been slightly damaged by over-polishing. | 0:07:33 | 0:07:36 | |
Ticket price is £58. | 0:07:36 | 0:07:38 | |
This would have belonged to a rather racy type of female, you know! | 0:07:39 | 0:07:46 | |
Much like yourself, Anita. | 0:07:46 | 0:07:47 | |
Dealer Donald doesn't know what he's in for. Stand by, boy! | 0:07:47 | 0:07:51 | |
It's had a bit of a knock. | 0:07:51 | 0:07:54 | |
And also the hallmark has been rubbed. | 0:07:54 | 0:07:58 | |
-You know what's coming, don't you? -I know exactly what's coming! | 0:07:58 | 0:08:01 | |
-Can I tell you what I'd like to pay for that? -Sure. | 0:08:01 | 0:08:05 | |
I would like to pay £20 for it. | 0:08:05 | 0:08:08 | |
OK... | 0:08:08 | 0:08:09 | |
-You haven't fallen down. -I haven't fallen down. | 0:08:09 | 0:08:13 | |
He hasn't agreed to the offer, either! | 0:08:13 | 0:08:15 | |
Less than half price is quite a discount. | 0:08:15 | 0:08:17 | |
I'd be tempted to offer it to you for about 30. | 0:08:20 | 0:08:23 | |
Um, could you come to 25? | 0:08:23 | 0:08:27 | |
That might give me a wee bit of a chance. | 0:08:27 | 0:08:29 | |
-OK. -Will we do that? | 0:08:29 | 0:08:31 | |
-Only cos we like you! -Oh, thank you so much, Donald! | 0:08:31 | 0:08:34 | |
Anita's charm does her proud yet again. | 0:08:34 | 0:08:38 | |
And she's got the racy little number for £25. | 0:08:38 | 0:08:41 | |
But she's really on fire this morning | 0:08:42 | 0:08:44 | |
and she's soon found something else. | 0:08:44 | 0:08:46 | |
I'm quite interested in this item here. | 0:08:47 | 0:08:51 | |
It's a bronzed censer. | 0:08:51 | 0:08:54 | |
I think that it's Oriental. | 0:08:54 | 0:08:57 | |
Yes. A censer is a vessel for burning incense. | 0:08:57 | 0:09:02 | |
The ticket price on this one is £35. | 0:09:02 | 0:09:05 | |
Diana will call Peter, the dealer who owns it. Great phone! | 0:09:07 | 0:09:11 | |
All right. Here she is. | 0:09:11 | 0:09:13 | |
Hello, Peter. It's Anita from the Antiques Road Trip. | 0:09:15 | 0:09:18 | |
Can you come to, say, 22? | 0:09:19 | 0:09:23 | |
OK. Let's go for 25, Peter. | 0:09:23 | 0:09:27 | |
Smashing. | 0:09:27 | 0:09:28 | |
Peter knocks a tenner off the asking, | 0:09:28 | 0:09:30 | |
and Anita's got both ashtray and censer for a nice round £50. | 0:09:30 | 0:09:35 | |
Anita's jumped in the Beetle and is having a great day. | 0:09:39 | 0:09:43 | |
London! I love it! | 0:09:43 | 0:09:46 | |
Marvellous. | 0:09:46 | 0:09:47 | |
She's en route to Eccles Road Antiques. | 0:09:47 | 0:09:49 | |
Time for a truffle about. | 0:09:49 | 0:09:52 | |
I quite like these. | 0:09:55 | 0:09:57 | |
These are what we call firedogs. | 0:09:57 | 0:10:01 | |
They would sit on either side of the hearth | 0:10:01 | 0:10:05 | |
and you would lay your poker, | 0:10:05 | 0:10:08 | |
the shovel and the brush there. | 0:10:08 | 0:10:11 | |
So that your fire tools would lie across these. | 0:10:11 | 0:10:16 | |
These are very nice. They're quality, they're ornate, | 0:10:16 | 0:10:20 | |
they're possibly French. | 0:10:20 | 0:10:22 | |
Ticket price is £75. | 0:10:22 | 0:10:24 | |
But Anita's hoping that Helen might be able to do a deal. | 0:10:24 | 0:10:27 | |
-Helen? -Yes? | 0:10:29 | 0:10:31 | |
I was having a wee look at these firedogs. | 0:10:31 | 0:10:34 | |
I think possibly 19th century? | 0:10:34 | 0:10:37 | |
They are French. Definitely French, the French Empire. | 0:10:37 | 0:10:40 | |
So, mid-19th century. | 0:10:40 | 0:10:43 | |
I'd like to buy them. Can I offer a price? | 0:10:43 | 0:10:45 | |
Can I make an offer and you can tell me if I'm... | 0:10:45 | 0:10:48 | |
-I can tell you to leave the shop? -You can do that if you want! | 0:10:48 | 0:10:51 | |
I would like to be paying around the 50 mark for these. | 0:10:51 | 0:10:57 | |
Can we do sort of 55? | 0:10:57 | 0:10:59 | |
-Yeah. -Will you do 55? | 0:11:01 | 0:11:02 | |
-55 and I'll shake your hand. -Thank you very much. | 0:11:02 | 0:11:06 | |
A nice deal done, very amicably. | 0:11:06 | 0:11:09 | |
Helen's recommended that Anita take a look in the basement | 0:11:09 | 0:11:12 | |
where there's a lot of stock that's been in the shop for some time | 0:11:12 | 0:11:15 | |
and on which a good deal might be struck. | 0:11:15 | 0:11:18 | |
Helen just said, "Good luck. You may be some time!" | 0:11:20 | 0:11:23 | |
Maybe she thinks that a giant spider will capture me! | 0:11:23 | 0:11:26 | |
Well, let's hope not! | 0:11:26 | 0:11:28 | |
But something has captured Anita's heart. | 0:11:28 | 0:11:31 | |
That's quite a nice wee thing. | 0:11:33 | 0:11:35 | |
It's from the 1920s | 0:11:35 | 0:11:38 | |
and it's a child's sliding, folding chair. | 0:11:38 | 0:11:43 | |
Isn't it just so cute | 0:11:43 | 0:11:45 | |
to see something like that in the miniature? | 0:11:45 | 0:11:48 | |
Ticket price was £195 before it was confined to the gloom below stairs. | 0:11:48 | 0:11:55 | |
You know, I thought that wee child's chair | 0:11:55 | 0:11:57 | |
is just absolutely lovely. | 0:11:57 | 0:11:59 | |
-It's charming, isn't it? -Have you had that for a long time? | 0:11:59 | 0:12:02 | |
Yes, since God was a boy, basically! | 0:12:02 | 0:12:05 | |
If this has been here since God was a boy, | 0:12:06 | 0:12:10 | |
this chair is costing you money. | 0:12:10 | 0:12:13 | |
Yes, I take your point. | 0:12:13 | 0:12:16 | |
So you're going to make me an offer, aren't you? | 0:12:16 | 0:12:19 | |
Do. Make me an offer and I'll see... | 0:12:19 | 0:12:22 | |
Do I need to be sitting? | 0:12:22 | 0:12:23 | |
Yes! Can I buy it for 40 quid? | 0:12:23 | 0:12:27 | |
Yes. | 0:12:30 | 0:12:31 | |
Crikey - that's £150 off! | 0:12:31 | 0:12:35 | |
What a buy, eh? | 0:12:35 | 0:12:37 | |
And they're on the road again, this time for Molesey in Surrey. | 0:12:37 | 0:12:43 | |
On the banks of Old Father Thames, | 0:12:45 | 0:12:48 | |
Molesey is a south-western suburb of central London. | 0:12:48 | 0:12:52 | |
Anita's jumping out of the car at a stunning local landmark, | 0:12:52 | 0:12:56 | |
Hampton Court Palace. | 0:12:56 | 0:12:57 | |
That looks absolutely fantastic. | 0:12:59 | 0:13:03 | |
We'll come back to you in due course, Anita. | 0:13:03 | 0:13:07 | |
James is driving to Hampton Court Emporium. | 0:13:07 | 0:13:11 | |
He's soon spotted an unusual little item, though. | 0:13:14 | 0:13:17 | |
What's this funny little ewer in here? | 0:13:17 | 0:13:19 | |
A ewer is a type of pitcher, or jug - | 0:13:19 | 0:13:22 | |
this one modelled from gilt metal in a neo-classical style. | 0:13:22 | 0:13:26 | |
The ticket price is £95. | 0:13:26 | 0:13:29 | |
Oh! | 0:13:31 | 0:13:32 | |
French inkwell. Ah, now that's taken you by surprise! | 0:13:33 | 0:13:36 | |
The top of the jug hinges to reveal this gilt-metal socle. | 0:13:36 | 0:13:40 | |
And then inside is a clear glass inkwell. | 0:13:40 | 0:13:44 | |
So it's a bit of a novelty. | 0:13:44 | 0:13:46 | |
What would you think? | 0:13:46 | 0:13:48 | |
I'd put 30 to 50 on that at auction. | 0:13:48 | 0:13:51 | |
-Really. -Hmm. | 0:13:51 | 0:13:53 | |
Hoping it might make a bit more. | 0:13:53 | 0:13:55 | |
So it would need to be heavily discounted. | 0:13:55 | 0:13:58 | |
Lesley will call the dealer who owns it. | 0:13:58 | 0:14:00 | |
He's got a price in mind. Could the dealer match it? | 0:14:01 | 0:14:04 | |
Can we push you down just a wee bit further? | 0:14:05 | 0:14:10 | |
He has got a price in mind which he's written on his hand. | 0:14:10 | 0:14:13 | |
What is your very, very...? | 0:14:13 | 0:14:15 | |
Obviously we don't want you to lose money on it. | 0:14:15 | 0:14:18 | |
Right, James. | 0:14:18 | 0:14:20 | |
£45. That's... | 0:14:20 | 0:14:23 | |
Snap! | 0:14:23 | 0:14:25 | |
-Fantastic! -Shake! | 0:14:25 | 0:14:27 | |
Brilliant. | 0:14:27 | 0:14:28 | |
So, James's rather unusual haggling method | 0:14:28 | 0:14:31 | |
lands him a price that both he and the dealer are happy with. | 0:14:31 | 0:14:35 | |
Put her there, then! | 0:14:35 | 0:14:37 | |
Anita, meanwhile, is over in the rarefied environs | 0:14:39 | 0:14:42 | |
of Hampton Court Palace... | 0:14:42 | 0:14:44 | |
..where she's meeting exhibition curator Sebastian Edwards. | 0:14:48 | 0:14:52 | |
-Hi, I'm Anita. -Hello, Anita. Welcome to Hampton Court. | 0:14:52 | 0:14:56 | |
Oh, what a splendid and wonderful building! | 0:14:56 | 0:15:00 | |
The palace has been shaped most notably by Cardinal Wolsey | 0:15:00 | 0:15:03 | |
during the reign of King Henry VIII in the 16th century | 0:15:03 | 0:15:07 | |
and later under William III | 0:15:07 | 0:15:09 | |
from 1689 to 1702. | 0:15:09 | 0:15:11 | |
I really can't wait to get inside. | 0:15:11 | 0:15:14 | |
Today, Anita's here to see a specific exhibition | 0:15:16 | 0:15:20 | |
that Sebastian curates. | 0:15:20 | 0:15:21 | |
And it's one with a rather lively premise. | 0:15:21 | 0:15:25 | |
"The Secrets of the Royal Bedchamber"! | 0:15:25 | 0:15:28 | |
We have a special exhibition, just for you! | 0:15:28 | 0:15:30 | |
This sounds very interesting! | 0:15:30 | 0:15:32 | |
Come and have a look. | 0:15:32 | 0:15:34 | |
I say! | 0:15:34 | 0:15:36 | |
The exhibition largely looks at the 17th and 18th centuries, | 0:15:36 | 0:15:39 | |
a time when monarchs' bedrooms became almost public spaces | 0:15:39 | 0:15:44 | |
into which the great and good of the kingdom would vie to be invited. | 0:15:44 | 0:15:48 | |
The bedchamber of the king, or even queen, became the place | 0:15:49 | 0:15:53 | |
where some of the nation's biggest intrigues were played out. | 0:15:53 | 0:15:57 | |
And the monarch received members of the court | 0:15:57 | 0:16:00 | |
actually lying in the royal bunk. | 0:16:00 | 0:16:02 | |
It was a real privilege to meet the king in his bedroom. | 0:16:02 | 0:16:05 | |
He was off his guard, he was relaxed, and in theory, informal, | 0:16:05 | 0:16:07 | |
and that's where everybody at court wanted to be. | 0:16:07 | 0:16:10 | |
Anita's particularly interested in seeing a bed | 0:16:10 | 0:16:13 | |
that belonged to Mary of Medina, | 0:16:13 | 0:16:15 | |
the wife of King James II. | 0:16:15 | 0:16:18 | |
It's the bed in which Mary gave birth in a very public fashion. | 0:16:18 | 0:16:22 | |
Poor old love! | 0:16:22 | 0:16:23 | |
There were 70 witnesses around it, | 0:16:23 | 0:16:26 | |
which included many important men of the kingdom. | 0:16:26 | 0:16:28 | |
-Let's have a look at that. -Come and see. | 0:16:28 | 0:16:31 | |
James and Mary's son was born in this bed in 1688. | 0:16:33 | 0:16:37 | |
The nation in this period was Protestant | 0:16:38 | 0:16:41 | |
but James and Mary were Catholic, | 0:16:41 | 0:16:43 | |
and the prospect of a Catholic heir to the throne | 0:16:43 | 0:16:46 | |
caused a political crisis. | 0:16:46 | 0:16:48 | |
Many in Government were keen to deny | 0:16:49 | 0:16:51 | |
that the royal baby was a legitimate heir, | 0:16:51 | 0:16:54 | |
so the King planned to crowd the birthing room | 0:16:54 | 0:16:57 | |
with 70 important witnesses | 0:16:57 | 0:16:59 | |
immediately after his son was born. | 0:16:59 | 0:17:01 | |
This includes ministers of state, | 0:17:01 | 0:17:04 | |
the Archbishop of Canterbury, ambassadors, | 0:17:04 | 0:17:07 | |
he wants everybody to know that this is an absolutely regular birth | 0:17:07 | 0:17:11 | |
and that it's his child. | 0:17:11 | 0:17:13 | |
So, it was very important that this child was seen to be the king's son. | 0:17:13 | 0:17:20 | |
But unfortunately, it didn't work in this case. | 0:17:20 | 0:17:23 | |
Despite the King's efforts, a lurid rumour spread | 0:17:23 | 0:17:26 | |
that threw the parentage of the baby into public doubt. | 0:17:26 | 0:17:30 | |
The bed has a special name, the warming pan bed, | 0:17:30 | 0:17:32 | |
because there was a great story at the time | 0:17:32 | 0:17:34 | |
that the baby was not hers, that the baby had died or there was no baby. | 0:17:34 | 0:17:39 | |
And that a changeling, somebody's else's child, had been bought | 0:17:39 | 0:17:42 | |
and slipped into the palace in a warming pan, | 0:17:42 | 0:17:44 | |
which is one of these great metal dishes on a stick | 0:17:44 | 0:17:46 | |
that you put hot coals in to warm the bed, | 0:17:46 | 0:17:48 | |
as a suitable container to hide the baby in. | 0:17:48 | 0:17:51 | |
Of course the story wasn't true, | 0:17:51 | 0:17:53 | |
but the suspicion surrounding the royal birth | 0:17:53 | 0:17:56 | |
paved the way to a revolution. | 0:17:56 | 0:17:57 | |
In 1688, the forces of James' son-in-law, | 0:17:57 | 0:18:00 | |
the Protestant William of Orange, invaded, | 0:18:00 | 0:18:03 | |
and he became King William III alongside his wife. | 0:18:03 | 0:18:07 | |
James and Mary, though, fled to France, where they lived in exile. | 0:18:07 | 0:18:11 | |
And it all started in that bed? | 0:18:11 | 0:18:13 | |
It all started in this bed. | 0:18:13 | 0:18:15 | |
So the course of this nation's history changed in this bed. | 0:18:15 | 0:18:18 | |
Indeed it did. | 0:18:18 | 0:18:20 | |
Anita's had a dizzying romp through 17th-century history this morning | 0:18:20 | 0:18:24 | |
but it's time for her to be on her way. | 0:18:24 | 0:18:27 | |
Do you know, Sebastian, it's enough to make me want a wee lie down! | 0:18:28 | 0:18:32 | |
But thank you for those stories. Bye-bye! | 0:18:32 | 0:18:34 | |
But James is still back in East Molesey proper, | 0:18:40 | 0:18:43 | |
and wandering into Palace Antiques. | 0:18:43 | 0:18:45 | |
James is looking for a final item. | 0:18:49 | 0:18:50 | |
Perhaps this little brass box for tapers or matches. | 0:18:50 | 0:18:53 | |
It's about 1850. | 0:18:55 | 0:18:57 | |
Embossed brass. Provincial. | 0:18:57 | 0:19:00 | |
Could even be Dutch, something like that. | 0:19:01 | 0:19:03 | |
It was just to hang next to the fireplace. | 0:19:03 | 0:19:06 | |
It's 150 years old and it's seven quid. | 0:19:06 | 0:19:09 | |
So there'll be a bit of trade on that. | 0:19:09 | 0:19:12 | |
But... | 0:19:12 | 0:19:13 | |
..that's the sort of thing that... | 0:19:15 | 0:19:16 | |
..might make 20 quid at auction. | 0:19:18 | 0:19:20 | |
Ash, can I borrow you for a second? | 0:19:22 | 0:19:24 | |
I know "last of the big spenders", and all, | 0:19:24 | 0:19:28 | |
would four quid be all right?! | 0:19:28 | 0:19:30 | |
Just seven on it. | 0:19:30 | 0:19:32 | |
Yeah... Actually, five pounds, James, would be just right. | 0:19:32 | 0:19:36 | |
OK. I'll take it. Thanks very much. | 0:19:36 | 0:19:39 | |
He certainly seems to have overcome his indecisiveness. Look at this! | 0:19:40 | 0:19:44 | |
Now, Anita's only a short stroll away | 0:19:50 | 0:19:53 | |
and heading into Bridge Road Antiques. | 0:19:53 | 0:19:55 | |
She doesn't give up, does she? | 0:19:55 | 0:19:57 | |
And, quick as you like, she's collared dealer David. | 0:19:57 | 0:20:01 | |
Look out, David. | 0:20:01 | 0:20:03 | |
So I had a look at this old tennis racket here. | 0:20:03 | 0:20:07 | |
Yes, this is a very old-fashioned racket. Beautiful, eh? | 0:20:07 | 0:20:10 | |
It is indeed a mid-20th-century tennis racket | 0:20:11 | 0:20:14 | |
fitted with a square, wooden press to protect it. Ticket price is £10. | 0:20:14 | 0:20:19 | |
Worth a whack, eh? | 0:20:19 | 0:20:20 | |
Could we take that off? | 0:20:22 | 0:20:24 | |
-Could we maybe...test it? -We could. I'm sure we could. | 0:20:24 | 0:20:28 | |
Lordy! I hope this shop is well-insured! | 0:20:28 | 0:20:31 | |
Thankfully, they can't find a ball, so they're using a faux fur hat. | 0:20:33 | 0:20:38 | |
Naturalement! | 0:20:38 | 0:20:40 | |
We're just doing a wee bit of bat and ball. | 0:20:40 | 0:20:42 | |
-I've got a better one. -Bat and hat. -OK. | 0:20:42 | 0:20:44 | |
-That was good. -That was good. I think that was very good. | 0:20:49 | 0:20:51 | |
He would say that. Careful with that hat, Anita. | 0:20:51 | 0:20:54 | |
If you break it, you have to buy it. | 0:20:54 | 0:20:56 | |
Speaking of which, are you planning to make any purchases | 0:20:56 | 0:20:59 | |
or just have another game with your best friend? | 0:20:59 | 0:21:01 | |
Would you like something else as well with it, perhaps? | 0:21:01 | 0:21:04 | |
-You know, to sort of... -Is there any other tennis-y things? | 0:21:04 | 0:21:07 | |
-What about this? -There was a photograph you were interested in. | 0:21:07 | 0:21:10 | |
That's quite nice, isn't it? | 0:21:12 | 0:21:13 | |
Look at that. The Surbiton championships. | 0:21:13 | 0:21:16 | |
-1904. -So it's sort of Edwardian. | 0:21:16 | 0:21:19 | |
It's a set of photographs depicting players at Surbiton tennis club, | 0:21:21 | 0:21:25 | |
dating from 1909. | 0:21:25 | 0:21:27 | |
Ticket price on that is £20. | 0:21:27 | 0:21:29 | |
Now, what could good old sport David do | 0:21:32 | 0:21:34 | |
on the prices of the racket and the photos? | 0:21:34 | 0:21:36 | |
-I'd like to buy that for about a fiver. -Would you? | 0:21:37 | 0:21:40 | |
-Uh-huh. -Mm-hm. -Cos it's not going to make any money! | 0:21:40 | 0:21:44 | |
It's not going to make any money in auction, | 0:21:44 | 0:21:47 | |
-but it's good for a bit of fun. -It's good for a bit of fun, it is. | 0:21:47 | 0:21:51 | |
Deal done, then, at five pounds on the racket. | 0:21:51 | 0:21:54 | |
-Oh, thank you. -Thank you, Anita. | 0:21:54 | 0:21:57 | |
And the photos? | 0:21:57 | 0:21:58 | |
How about ten pounds for them? Would that do it for you? | 0:21:58 | 0:22:02 | |
A fiver would do it. | 0:22:03 | 0:22:05 | |
All right, then, we'll do that for you, as well. | 0:22:05 | 0:22:07 | |
Will you? The two of them for a tenner? | 0:22:07 | 0:22:09 | |
All bought, then. | 0:22:09 | 0:22:11 | |
Give us a kiss! | 0:22:11 | 0:22:12 | |
Shopping over, let's remind ourselves | 0:22:13 | 0:22:16 | |
what our experts have bought. | 0:22:16 | 0:22:17 | |
James began the second leg with £293.50, | 0:22:19 | 0:22:22 | |
and spent £170 on five auction lots. | 0:22:22 | 0:22:25 | |
The Florentine dogs... | 0:22:26 | 0:22:29 | |
the bronze spill box... | 0:22:29 | 0:22:31 | |
the novelty inkwell... | 0:22:31 | 0:22:33 | |
the liquor casket... | 0:22:33 | 0:22:36 | |
and a huge Chinese vase. | 0:22:36 | 0:22:39 | |
Anita started with £321.60 | 0:22:40 | 0:22:43 | |
and spent £155 also on five auction lots - | 0:22:43 | 0:22:47 | |
the silver and crystal ashtray... | 0:22:47 | 0:22:50 | |
the bronze censer... | 0:22:50 | 0:22:52 | |
the miniature chair... | 0:22:52 | 0:22:54 | |
the tennis racket and photographs... | 0:22:54 | 0:22:56 | |
and the French firedogs. | 0:22:56 | 0:22:59 | |
On this show, Anita and James | 0:23:01 | 0:23:03 | |
have toured west London | 0:23:03 | 0:23:05 | |
before leaving the smoke to head for their auction in nearby Alresford | 0:23:05 | 0:23:10 | |
in Hampshire. | 0:23:10 | 0:23:11 | |
The attractive small town of Alresford | 0:23:13 | 0:23:15 | |
hosts a yearly watercress festival | 0:23:15 | 0:23:18 | |
to celebrate local production of the peppery leaf. | 0:23:18 | 0:23:21 | |
Let's hope Anita and James can be as fresh and sprightly today | 0:23:21 | 0:23:25 | |
as they head for Andrew Smith & Son's auctioneers. | 0:23:25 | 0:23:28 | |
-Oh! -There we go! | 0:23:28 | 0:23:30 | |
Are you ready, darling? | 0:23:30 | 0:23:32 | |
Yeah, doesn't it look good? | 0:23:32 | 0:23:34 | |
Best get inside, then. | 0:23:34 | 0:23:36 | |
Today's gavel-basher is Nick Jarrett. | 0:23:37 | 0:23:40 | |
The sale is about to begin. | 0:23:42 | 0:23:44 | |
First up is Anita's silver and crystal ashtray, or dish. | 0:23:45 | 0:23:50 | |
£10. Ten I have. 12 can I say? | 0:23:50 | 0:23:53 | |
12, 14, 16, 18, £20 and two. | 0:23:53 | 0:23:57 | |
25. 25, new bidder. 28. | 0:23:57 | 0:24:00 | |
£30. And two. | 0:24:00 | 0:24:03 | |
At £30. | 0:24:03 | 0:24:05 | |
£30 I have. At £30. Have you done? | 0:24:05 | 0:24:08 | |
-Yes! I'm happy. -Well done. | 0:24:08 | 0:24:11 | |
It ekes out a £5 profit. | 0:24:11 | 0:24:13 | |
Not a bad start for her. | 0:24:13 | 0:24:15 | |
But she will have to pay auction costs on that. | 0:24:15 | 0:24:18 | |
Next is James's pair of Florentine dogs. | 0:24:20 | 0:24:23 | |
Will the buyers be straining at the leash? | 0:24:23 | 0:24:25 | |
Bid on the book at £30. | 0:24:25 | 0:24:28 | |
-32. I'm out at £32. -Come on! | 0:24:28 | 0:24:31 | |
Anyone else here? 35. 38. | 0:24:31 | 0:24:33 | |
40. Two. 45. 48. £50. He's back in. | 0:24:33 | 0:24:36 | |
Was cheap, wasn't it? 55. | 0:24:36 | 0:24:38 | |
60? At £55, then, with the gentleman. All done? | 0:24:38 | 0:24:42 | |
Selling at 55. | 0:24:42 | 0:24:45 | |
-Dear me. -I know. Those two missing ears were worth another £45! | 0:24:45 | 0:24:50 | |
It's a decent profit, but not what he'd hoped for. | 0:24:50 | 0:24:54 | |
Ruff! | 0:24:54 | 0:24:55 | |
Now, it's Anita's Oriental censer. | 0:24:57 | 0:24:59 | |
Does she scent a winner? | 0:24:59 | 0:25:01 | |
£30. Take five on that. | 0:25:01 | 0:25:03 | |
35. At £35. 40 can I say now? | 0:25:03 | 0:25:07 | |
All done at 35. Have you done? | 0:25:07 | 0:25:10 | |
-Last chance. -Ohh... | 0:25:10 | 0:25:13 | |
Again, not the flyer she wanted. | 0:25:14 | 0:25:16 | |
But a profit's not to be sniffed at. | 0:25:16 | 0:25:19 | |
-Still, no losses so far. -No loss. | 0:25:19 | 0:25:23 | |
Now, it's James' bargain little bronze taper holder. | 0:25:23 | 0:25:27 | |
I'm going to start you here at £32. | 0:25:27 | 0:25:30 | |
35 can I say now? | 0:25:30 | 0:25:32 | |
At £32. Anybody else in at 32? | 0:25:32 | 0:25:34 | |
At £32. Have you done? | 0:25:34 | 0:25:38 | |
What can you say about that? | 0:25:38 | 0:25:40 | |
It strikes right with someone | 0:25:40 | 0:25:43 | |
and earns James a very nice mark-up. | 0:25:43 | 0:25:45 | |
One for Anita, now, as her 1920s child's chair is up. | 0:25:47 | 0:25:51 | |
£50. 50, surely? 30, then? | 0:25:51 | 0:25:54 | |
30, I have. 32. 35. 38. 40. | 0:25:54 | 0:25:58 | |
And two. 45. | 0:25:58 | 0:26:00 | |
48. 50. And five. 60. | 0:26:00 | 0:26:03 | |
And five. 70? | 0:26:03 | 0:26:04 | |
65, gentleman's bid, yes? | 0:26:04 | 0:26:07 | |
£65. Selling at 65. | 0:26:07 | 0:26:10 | |
Another very nice profit for Anita. Well done. | 0:26:10 | 0:26:14 | |
Profit in the furniture section? That isn't easy to do. Well done. | 0:26:14 | 0:26:18 | |
Now, it's James's novelty inkwell, | 0:26:18 | 0:26:21 | |
modelled as an Etruscan jug. | 0:26:21 | 0:26:25 | |
£30 for it, can I say? £30? | 0:26:25 | 0:26:27 | |
-20? -Oh, no! | 0:26:27 | 0:26:28 | |
You're right! | 0:26:30 | 0:26:31 | |
-Ten? -Oh, no! -Can I have... 12. 15. | 0:26:31 | 0:26:34 | |
18. 20. They're in, now. | 0:26:34 | 0:26:36 | |
James! | 0:26:36 | 0:26:37 | |
-It's running away. -Are you in at 28? | 0:26:37 | 0:26:39 | |
-£30. £35. -It's still a loss! | 0:26:39 | 0:26:42 | |
38, new bidder. And 40. Two. | 0:26:42 | 0:26:44 | |
The lady's bid at 45. All done. | 0:26:44 | 0:26:46 | |
There you are. | 0:26:47 | 0:26:49 | |
It climbs up to what he paid for it. | 0:26:49 | 0:26:52 | |
But that'll mean a loss after auction costs. | 0:26:52 | 0:26:55 | |
Now it's Anita's tennis-themed lot. | 0:26:56 | 0:26:59 | |
Five pounds? Five pounds. | 0:27:00 | 0:27:03 | |
A pound if you like. | 0:27:03 | 0:27:04 | |
-One pound I have. -Boo! | 0:27:04 | 0:27:07 | |
-One pound. Two, three. -Thank you, darling! | 0:27:07 | 0:27:09 | |
Four. Five. Six. Seven. Eight. Nine. £10. | 0:27:09 | 0:27:14 | |
Yes! | 0:27:14 | 0:27:16 | |
At £10, all done. A tenner. | 0:27:16 | 0:27:19 | |
Yes! | 0:27:19 | 0:27:20 | |
Thanks to the charming lady to Anita's right, | 0:27:22 | 0:27:25 | |
that barely breaks even. | 0:27:25 | 0:27:27 | |
I think you owe her a glass of something. | 0:27:27 | 0:27:30 | |
Maybe "deuce"? Hah! | 0:27:30 | 0:27:32 | |
Now, it's James's portable liqueur casket. | 0:27:33 | 0:27:36 | |
Will the punters be tempted to take a swig? | 0:27:36 | 0:27:39 | |
50 I have, thank you. I'll take a fiver on that. | 0:27:39 | 0:27:42 | |
At £50, gentleman's bid. | 0:27:42 | 0:27:44 | |
55 just in front. 60 and five. | 0:27:44 | 0:27:46 | |
70. Five. 80. Five. | 0:27:46 | 0:27:49 | |
90. Five. 100. And ten. | 0:27:49 | 0:27:52 | |
120. 130. 140. | 0:27:52 | 0:27:54 | |
150? 140. All done? | 0:27:54 | 0:27:57 | |
At 140. | 0:27:57 | 0:27:58 | |
-Yeah! -Well done, you. -Good result. | 0:27:58 | 0:28:01 | |
-Happy now? -That's a brilliant result. | 0:28:01 | 0:28:03 | |
A terrific result for James. | 0:28:03 | 0:28:05 | |
And he's definitely in the lead. | 0:28:05 | 0:28:06 | |
It's nice to see a wee smile on your face. | 0:28:07 | 0:28:10 | |
Now, can Anita repeat the trick | 0:28:10 | 0:28:12 | |
with her set of bronze firedogs? | 0:28:12 | 0:28:15 | |
£42. 45, can I say? | 0:28:15 | 0:28:17 | |
45, now. Lady's bid. 48? | 0:28:17 | 0:28:19 | |
-At £45. -That's cheap. | 0:28:19 | 0:28:21 | |
At £45. Are you sure at 45? | 0:28:21 | 0:28:24 | |
-Come on! -At £45, then. | 0:28:24 | 0:28:26 | |
No! | 0:28:26 | 0:28:27 | |
Oh, you poor thing! | 0:28:28 | 0:28:30 | |
What a shame. They didn't set the saleroom alight. | 0:28:30 | 0:28:34 | |
It's the excitement of the auction! | 0:28:35 | 0:28:38 | |
There, there, Anita. | 0:28:38 | 0:28:40 | |
Lastly, it's James's great hope. | 0:28:41 | 0:28:44 | |
His Chinese blue and white vase. | 0:28:44 | 0:28:46 | |
We have got a phone bid, which is good. | 0:28:46 | 0:28:49 | |
And I can start you here at £400. | 0:28:49 | 0:28:52 | |
-Yes! -420, can I say? 420. | 0:28:52 | 0:28:54 | |
Blimey! | 0:28:54 | 0:28:55 | |
450. 470. | 0:28:55 | 0:28:57 | |
500. Thank you. And 20. | 0:28:57 | 0:28:59 | |
520. 550. | 0:28:59 | 0:29:01 | |
570. 600? | 0:29:01 | 0:29:03 | |
570, then. At £570 have you done? | 0:29:03 | 0:29:06 | |
At 570. All done. | 0:29:06 | 0:29:09 | |
Wow! | 0:29:09 | 0:29:10 | |
An enormous profit on the vase that sat unloved on a shelf for months. | 0:29:14 | 0:29:19 | |
What a spot, James! | 0:29:19 | 0:29:21 | |
Give him a wee clap! | 0:29:21 | 0:29:23 | |
Thank you! | 0:29:25 | 0:29:27 | |
Anita started this leg with £321.60. | 0:29:28 | 0:29:33 | |
After paying auction costs, | 0:29:33 | 0:29:35 | |
she made a small loss of £3.30 | 0:29:35 | 0:29:37 | |
and finishes today with £318.30. | 0:29:37 | 0:29:41 | |
Whilst James began with £293.50. | 0:29:43 | 0:29:47 | |
After costs, he made a profit of - drum roll, please... | 0:29:47 | 0:29:51 | |
£520.44, | 0:29:53 | 0:29:55 | |
giving him £813.94 to carry forwards. | 0:29:55 | 0:30:00 | |
Although it does seem to have rather gone to his head! | 0:30:03 | 0:30:05 | |
-I'm going in the back, not the front. -OK. | 0:30:05 | 0:30:08 | |
There you are. | 0:30:08 | 0:30:09 | |
HE GRUNTS | 0:30:09 | 0:30:11 | |
-OK, darling? -Come on, then. | 0:30:14 | 0:30:16 | |
You could always make him walk, Anita. | 0:30:17 | 0:30:20 | |
Ah, well, maybe not - | 0:30:20 | 0:30:22 | |
because they're off on the third leg of their road trip. | 0:30:22 | 0:30:25 | |
Beginning near Lacock in Wiltshire, | 0:30:25 | 0:30:28 | |
heading for auction in Cirencester, Gloucestershire. | 0:30:28 | 0:30:31 | |
They're supposed to be on their way to a shop. | 0:30:33 | 0:30:36 | |
Car boot sale. | 0:30:36 | 0:30:37 | |
Oh, hang on. | 0:30:37 | 0:30:38 | |
Let's go and have a look there. | 0:30:38 | 0:30:40 | |
That's where the bargains will be had. Look! Let's do it, yes? | 0:30:40 | 0:30:44 | |
In the usual haphazard fashion they're making an unplanned stop | 0:30:45 | 0:30:49 | |
at Lacock car boot sale, | 0:30:49 | 0:30:51 | |
which is about four miles from the centre of Chippenham. | 0:30:51 | 0:30:54 | |
This bustling car boot runs in the summer months, weather permitting. | 0:30:56 | 0:31:01 | |
ANITA LAUGHS | 0:31:01 | 0:31:02 | |
Nice to see you. | 0:31:02 | 0:31:04 | |
James has a whopping £813.94 to spend. | 0:31:04 | 0:31:09 | |
There we go. | 0:31:09 | 0:31:11 | |
A pair of true firedogs. | 0:31:11 | 0:31:15 | |
Ah, firedogs again, eh? | 0:31:15 | 0:31:17 | |
Unlike Anita's fancy bronze ones, | 0:31:17 | 0:31:19 | |
these firedogs or andirons are more utilitarian, | 0:31:19 | 0:31:23 | |
and would stand in a hearth to support a large log. | 0:31:23 | 0:31:27 | |
Stallholder Oliver has priced the pair at £40. | 0:31:27 | 0:31:31 | |
These are French provincial. They're about 1860/1870. | 0:31:31 | 0:31:35 | |
True to form, James is going to try a cheeky offer. | 0:31:35 | 0:31:39 | |
I'll give you 14 quid for them. | 0:31:39 | 0:31:40 | |
Gosh. | 0:31:40 | 0:31:42 | |
I think they might make 20 at the auction, that's why. | 0:31:42 | 0:31:44 | |
16 and we've dealt. See? We've dealt. Dead easy. There you go. | 0:31:44 | 0:31:47 | |
16, there you go. | 0:31:49 | 0:31:51 | |
-Right... -And he's spotted something else at Oliver's stall. | 0:31:51 | 0:31:55 | |
One of my biggest soft spots is for snuffboxes | 0:31:56 | 0:31:59 | |
and this little chap is about 1850/1860. | 0:31:59 | 0:32:04 | |
It's turned wood, and therefore treen. | 0:32:04 | 0:32:07 | |
It's not worth very much money at all, but it's just quite sweet. | 0:32:08 | 0:32:13 | |
-Will another cheeky offer fly? -I will give you two quid for that box. | 0:32:13 | 0:32:17 | |
-It's cracked and it's lost its top. -It's lovely. | 0:32:17 | 0:32:21 | |
-Go on. -No. -Three. -Certainly not. -Three. | 0:32:21 | 0:32:24 | |
Four. I came down tons on that one. | 0:32:24 | 0:32:26 | |
-Four. -Thank you very much. | 0:32:26 | 0:32:28 | |
Careful, sir. | 0:32:29 | 0:32:31 | |
Oliver sticks to his guns but £4 is enough to buy the box, eh. | 0:32:31 | 0:32:34 | |
Anita meanwhile is, as usual, trying on some headgear. | 0:32:37 | 0:32:40 | |
STAR WARS THEME PLAYS | 0:32:40 | 0:32:41 | |
I'm not sure that dealer's impressed, Anita. | 0:32:46 | 0:32:49 | |
Lordy. | 0:32:53 | 0:32:56 | |
James is at least looking at antiques. | 0:32:56 | 0:32:58 | |
These are interesting. Only two of them, though, which is a real shame. | 0:32:59 | 0:33:03 | |
An early 19th century fire shovel and a pair of tongs. | 0:33:05 | 0:33:08 | |
Sadly, now separated from the poker that would have completed the set. | 0:33:08 | 0:33:11 | |
And he's also found a toasting fork. | 0:33:15 | 0:33:18 | |
Probably dating from a little earlier. | 0:33:18 | 0:33:20 | |
There's no ticket price on them. | 0:33:20 | 0:33:21 | |
He's thinking of incorporating all three into a lot with | 0:33:21 | 0:33:24 | |
the fire dogs he's already bought. | 0:33:24 | 0:33:27 | |
That makes a more respectable lot for an auction. | 0:33:27 | 0:33:29 | |
What would buy those? | 0:33:29 | 0:33:31 | |
-£4. -I'm going to be a mean git and offer you two. | 0:33:31 | 0:33:35 | |
-Go on, then. -Is that all right? There you go. | 0:33:37 | 0:33:39 | |
You've got yourself a deal. | 0:33:39 | 0:33:41 | |
Thank you very much. Thank you. | 0:33:41 | 0:33:44 | |
-Hello, darling. How did you get on? -Not too bad. | 0:33:44 | 0:33:47 | |
Anita hasn't found anything here so they're going to get back on track. | 0:33:47 | 0:33:51 | |
Let's roll. | 0:33:51 | 0:33:52 | |
They're finally back on the road and aiming for Bath. | 0:33:57 | 0:34:00 | |
What better place for them to continue their day? | 0:34:02 | 0:34:05 | |
Here we go. | 0:34:08 | 0:34:09 | |
James, isn't this absolutely wonderful? | 0:34:11 | 0:34:15 | |
Beautiful, isn't it? | 0:34:15 | 0:34:17 | |
James, I've got to go shopping. I've got lots to do. | 0:34:17 | 0:34:20 | |
Indeed you do, Anita. | 0:34:20 | 0:34:21 | |
She's strolling off into Old Bank Antiques Centre, | 0:34:21 | 0:34:24 | |
and she's got £318.30 to spend. | 0:34:24 | 0:34:27 | |
Go, girl. | 0:34:27 | 0:34:29 | |
And soon, something on the walls put a gleam in her eye. | 0:34:31 | 0:34:34 | |
My eye was drawn to this mirror. | 0:34:34 | 0:34:37 | |
By this wonderful horse. | 0:34:37 | 0:34:41 | |
And horseman, he's quite good looking too. | 0:34:41 | 0:34:44 | |
What we have in the top is an engraving and underneath a mirror. | 0:34:44 | 0:34:48 | |
But this image is so splendid and so beautiful and he has the best | 0:34:48 | 0:34:52 | |
and proudest of steed. | 0:34:52 | 0:34:54 | |
It probably dates from the early 19th century. Ticket price is £85. | 0:34:56 | 0:35:00 | |
That's too steep. | 0:35:01 | 0:35:03 | |
So Alex will have to be consulted. | 0:35:03 | 0:35:05 | |
-Alex! -Hello. -I was quite taken by this mirror here. | 0:35:05 | 0:35:11 | |
Do you know anything about this print? | 0:35:11 | 0:35:13 | |
Do you know who the character is? To me it looks like... | 0:35:13 | 0:35:16 | |
Looks a little bit like the Duke of Wellington. | 0:35:16 | 0:35:18 | |
With that nose. | 0:35:18 | 0:35:19 | |
So, what could Alex do on the price? | 0:35:19 | 0:35:22 | |
Could you do 40 on that? | 0:35:22 | 0:35:24 | |
-Yes, go on. -We'll go for that. -OK. | 0:35:26 | 0:35:29 | |
Yeah. OK, that's fine. | 0:35:29 | 0:35:30 | |
-Thank you very much, Alex. -OK. -Thank you. | 0:35:30 | 0:35:32 | |
Marvellous. | 0:35:32 | 0:35:34 | |
A super, less than half-price deal on the mirror. | 0:35:34 | 0:35:36 | |
But Anita's got her eye on another celebratory item. | 0:35:36 | 0:35:41 | |
This is really just a bit of fun. | 0:35:41 | 0:35:44 | |
This crazy ice bucket and... | 0:35:44 | 0:35:48 | |
-A bottle. -..is there any champagne in there? -No. | 0:35:48 | 0:35:51 | |
Thankfully. | 0:35:51 | 0:35:53 | |
It's a modern plastic ice bucket in the shape of a top hat | 0:35:53 | 0:35:56 | |
along with a display bottle, sans champagne. | 0:35:56 | 0:36:00 | |
Not exactly antique, is it, Anita? But festive. | 0:36:00 | 0:36:03 | |
What could it be bought for, £8? | 0:36:05 | 0:36:07 | |
-Yes, -go on, then. For fun. -Why not? | 0:36:08 | 0:36:12 | |
Done. She's got her two lots in this shop and she's charging on. | 0:36:12 | 0:36:16 | |
Now, James is less than a mile away | 0:36:18 | 0:36:20 | |
and about to wander off into his first shop proper. | 0:36:20 | 0:36:23 | |
Brian and Caroline Craik Ltd. | 0:36:23 | 0:36:26 | |
-Welcome, David.... -Hello there. -..to my emporium. -Nice to see you. | 0:36:27 | 0:36:32 | |
James has soon espied something that attracts him. | 0:36:35 | 0:36:38 | |
That's an interesting bit of furniture. | 0:36:40 | 0:36:43 | |
It's a Chinese occasional table fashioned from rosewood | 0:36:44 | 0:36:47 | |
-and dating from around 1900. -This is lovely. | 0:36:47 | 0:36:51 | |
The quality of this little hook here and the lovely line of the leg... | 0:36:51 | 0:36:57 | |
is exactly what people are looking for in this Chinese furniture. | 0:36:57 | 0:37:02 | |
Caroline had a price of £225 in mind for the table but, of course, | 0:37:02 | 0:37:06 | |
James is keen to negotiate. Stand by. | 0:37:06 | 0:37:09 | |
-Is there much movement there? -Well, 175? | 0:37:11 | 0:37:15 | |
How about 130, and I'm pretty much there? | 0:37:15 | 0:37:19 | |
If you say 150, OK, I'll let it go. | 0:37:20 | 0:37:22 | |
James is tempted. | 0:37:22 | 0:37:24 | |
-You got a deal. -Woo! | 0:37:24 | 0:37:27 | |
Deal done at £150. It's not like James to splash his cash. | 0:37:27 | 0:37:31 | |
Let's hope the gavel pays off. | 0:37:31 | 0:37:32 | |
Now, Anita has travelled about 14 miles onwards | 0:37:34 | 0:37:38 | |
to the town of Frome in Somerset. | 0:37:38 | 0:37:40 | |
And she's wasting no time meeting dealer Alan. | 0:37:43 | 0:37:46 | |
-Hi, Anita. How are you? -I'm good thank you. -Nice to see you. | 0:37:46 | 0:37:50 | |
What about this wee guy here? Tell me about him. | 0:37:50 | 0:37:52 | |
I think this wee guy is great fun. | 0:37:52 | 0:37:56 | |
It's a teddy bear, knitting. | 0:37:56 | 0:37:59 | |
-Is he working? -Oh, yeah, it works. | 0:37:59 | 0:38:01 | |
SHE CHUCKLES | 0:38:01 | 0:38:03 | |
MUSIC: "O Fortuna" | 0:38:03 | 0:38:05 | |
He's pretty scary. | 0:38:08 | 0:38:09 | |
He's very...arresting. | 0:38:14 | 0:38:17 | |
Certainly something about him. | 0:38:17 | 0:38:19 | |
You can say that again. | 0:38:19 | 0:38:20 | |
Let's see if we've got a little maker's mark here. | 0:38:20 | 0:38:26 | |
This is a Japanese one. | 0:38:26 | 0:38:28 | |
It is indeed a Japanese automaton toy bear with light up eyes | 0:38:28 | 0:38:33 | |
dating from the 1950s. | 0:38:33 | 0:38:35 | |
Ticket price is £65. | 0:38:37 | 0:38:39 | |
Anita seems keen on it, but will need to seek a substantial discount. | 0:38:39 | 0:38:44 | |
I think my best price would be 35. | 0:38:45 | 0:38:51 | |
-Well, it's... -That's a good price. -It's... Uh-huh. | 0:38:51 | 0:38:55 | |
Would £25 buy him? | 0:38:55 | 0:38:57 | |
Can we go anywhere in that sort of region? | 0:38:57 | 0:38:59 | |
-OK, I'll do it for 25. -We can do it for 25. | 0:38:59 | 0:39:02 | |
That's absolutely wonderful. Thank you, very much. | 0:39:02 | 0:39:05 | |
I'm hoping that he will do well and somebody will fall in love with him. | 0:39:05 | 0:39:09 | |
James, meanwhile is still back in Bath. | 0:39:11 | 0:39:13 | |
He's heading for the Herschel Museum of Astronomy which tells the story | 0:39:13 | 0:39:17 | |
of one of 18th-century Bath resident's stellar achievements. | 0:39:17 | 0:39:22 | |
He's meeting museum volunteer and astrophysicist Rebekah Lusher. | 0:39:22 | 0:39:28 | |
-Rebekah, hi. -Hi, James. -Nice to see you. | 0:39:28 | 0:39:30 | |
-Welcome to the Herschel Museum. -Thank you. -Let's go inside. -Lovely. | 0:39:30 | 0:39:33 | |
William Herschel was a German-born musician who moved to Bath | 0:39:34 | 0:39:37 | |
in 1766 and indeed into this very house. | 0:39:37 | 0:39:41 | |
Herschel was to go on to become the first astronomer | 0:39:44 | 0:39:47 | |
to discover a planet in our solar system since ancient times. | 0:39:47 | 0:39:51 | |
But it was his outstanding talent in music | 0:39:51 | 0:39:53 | |
that first brought him to Bath. | 0:39:53 | 0:39:56 | |
He was appointed the music director at the newly built | 0:39:56 | 0:40:00 | |
-Octagon Chapel for the high society of Bath. -OK. | 0:40:00 | 0:40:04 | |
William soon settled into his new role and his place in Bath society. | 0:40:04 | 0:40:10 | |
But this intelligent and determined man | 0:40:10 | 0:40:13 | |
also embarked on a varied programme of self-education. | 0:40:13 | 0:40:16 | |
William taught himself English and then he taught himself mathematics. | 0:40:16 | 0:40:21 | |
-OK. -He studied optics and became quite interested in astronomy. | 0:40:21 | 0:40:26 | |
Astronomy was very popular with society. | 0:40:26 | 0:40:29 | |
It was the fashionable thing to do. | 0:40:29 | 0:40:31 | |
At a dinner party you get out a telescope | 0:40:31 | 0:40:33 | |
and have a look for things. | 0:40:33 | 0:40:35 | |
So he took it up as a hobby originally | 0:40:35 | 0:40:37 | |
and borrowed some telescopes. | 0:40:37 | 0:40:39 | |
Tried to find some things. | 0:40:39 | 0:40:41 | |
And decided he was quite disappointed with them | 0:40:41 | 0:40:44 | |
and thought, "I can do better than this." | 0:40:44 | 0:40:46 | |
And that's really where he started, | 0:40:46 | 0:40:48 | |
-because his telescopes are the best in the world. -Really? | 0:40:48 | 0:40:51 | |
Remarkably, Herschel crafted these sophisticated telescopes | 0:40:52 | 0:40:56 | |
right here in this very house - and using skills he taught himself. | 0:40:56 | 0:41:01 | |
He had the talents to do it, and he did. All from scratch. | 0:41:01 | 0:41:04 | |
He turned this house, basically, into a workshop. | 0:41:04 | 0:41:07 | |
Every room was full of speculum metals, polishing mirrors, lathes. | 0:41:07 | 0:41:12 | |
-Lovely. And you've still got workshops here? -Yes, we do. | 0:41:12 | 0:41:15 | |
Love to see. Yeah? Come on. | 0:41:15 | 0:41:17 | |
Oh, golly. Right, so what's all this? | 0:41:19 | 0:41:24 | |
These are the tools he used to make his mirrors for his own telescopes. | 0:41:24 | 0:41:29 | |
This is the speculum metal they use for the mirrors. | 0:41:29 | 0:41:32 | |
An alloy of copper and tin. | 0:41:32 | 0:41:34 | |
These precisely-shaped mirrors | 0:41:34 | 0:41:36 | |
were the secret to Herschel's powerful, home-made telescopes. | 0:41:36 | 0:41:40 | |
Using them, he made his most famous discovery. | 0:41:40 | 0:41:44 | |
They are heading outside to see the spot where it happened. | 0:41:44 | 0:41:47 | |
This is Herschel's garden where he used to bring his telescopes. | 0:41:47 | 0:41:50 | |
And we think this is the area of the garden where | 0:41:50 | 0:41:52 | |
he first discovered a new planet. | 0:41:52 | 0:41:54 | |
When he first observed the new celestial body, | 0:41:54 | 0:41:58 | |
Herschel thought it might be a comet. | 0:41:58 | 0:42:01 | |
However, further observation by Herschel | 0:42:01 | 0:42:03 | |
and others revealed it to be Uranus. | 0:42:03 | 0:42:06 | |
The first new planet found in our solar system | 0:42:06 | 0:42:09 | |
since at least the ancient Greeks. | 0:42:09 | 0:42:12 | |
It brought him world fame. | 0:42:13 | 0:42:15 | |
And his telescopes, which suddenly became well-known over the world, | 0:42:15 | 0:42:20 | |
were ordered by many of the best astronomers. | 0:42:20 | 0:42:23 | |
Herschel went on to make many more contributions to science, | 0:42:23 | 0:42:27 | |
including the discovery of infrared radiation, | 0:42:27 | 0:42:31 | |
and was appointed the King's astronomer by George III. | 0:42:31 | 0:42:35 | |
Time now for James to link up with Anita. | 0:42:37 | 0:42:40 | |
They're driving to the town of Marlborough in Wiltshire. | 0:42:40 | 0:42:44 | |
First shop of the day is the Marlborough Parade Antiques Centre. | 0:42:44 | 0:42:48 | |
-James, this looks wonderful. -Looks nice, doesn't it? | 0:42:48 | 0:42:51 | |
Aw, this looks great. | 0:42:51 | 0:42:53 | |
Best get browsing, you two. | 0:42:53 | 0:42:55 | |
And Anita's the first to spy something. | 0:42:59 | 0:43:02 | |
She's found a pair of Art Nouveau metal earrings set with seed pearls. | 0:43:02 | 0:43:07 | |
Ticket price is £49. | 0:43:07 | 0:43:09 | |
Of course, Anita wants to negotiate, | 0:43:09 | 0:43:11 | |
but Gary is being quite strict about the shop's policy | 0:43:11 | 0:43:14 | |
of discounting no more than 10% for trade. | 0:43:14 | 0:43:17 | |
Do you think the dealer would give us a wee bit more than 10%? | 0:43:19 | 0:43:22 | |
She won't do much more than that, | 0:43:22 | 0:43:23 | |
because they're reasonable, aren't they? | 0:43:23 | 0:43:25 | |
-They're nice. How low would she go? -42. | 0:43:25 | 0:43:29 | |
Gary's sticking at that price. | 0:43:29 | 0:43:30 | |
She's tempted and she's spotted another two | 0:43:30 | 0:43:33 | |
pieces of jewellery in another cabinet, as well. | 0:43:33 | 0:43:36 | |
Mind the dog. | 0:43:36 | 0:43:37 | |
-We've got these big sort of big... -Rare rocks. | 0:43:37 | 0:43:42 | |
They're like Cairngorms but they're big bits of show. | 0:43:42 | 0:43:47 | |
1950s, they've got that sort of '50s look about them. | 0:43:48 | 0:43:52 | |
It's two brooches inset with large gemstones | 0:43:52 | 0:43:55 | |
which look similar to the Cairngorm quartz | 0:43:55 | 0:43:58 | |
native to Anita's Caledonian homeland. | 0:43:58 | 0:44:01 | |
Combined ticket price on the two is £19 | 0:44:03 | 0:44:05 | |
and it doesn't sound like Gary's open to negotiation. | 0:44:05 | 0:44:09 | |
-Don't even try it. -Oh, right. | 0:44:10 | 0:44:12 | |
You're a mean beastie. | 0:44:12 | 0:44:15 | |
So can I have them for 19, surely you'd take your 10% off. | 0:44:15 | 0:44:18 | |
Not on those. Anything under 20. | 0:44:18 | 0:44:21 | |
-Is that your rule? -Madam, that is our rule. | 0:44:21 | 0:44:23 | |
OK, darling. We'll see what happens. It's worth taking a chance on. | 0:44:25 | 0:44:30 | |
But Anita will take the pair for £19, | 0:44:30 | 0:44:32 | |
as well as the earrings for £42. | 0:44:32 | 0:44:35 | |
Anita's all bought up and on her way. | 0:44:37 | 0:44:39 | |
Meanwhile, James has wandered outside | 0:44:41 | 0:44:43 | |
and has found an item of his own. | 0:44:43 | 0:44:44 | |
It's a carpenter's trunk. | 0:44:48 | 0:44:50 | |
These things were popular in the 19th century. | 0:44:52 | 0:44:55 | |
In fact, right the way through into the 1920s. | 0:44:55 | 0:44:59 | |
And carpenters would have a trunk like this | 0:44:59 | 0:45:02 | |
that would be full of their little tools. | 0:45:02 | 0:45:05 | |
It's fashioned of pine and probably dates from the late 1800s. | 0:45:06 | 0:45:11 | |
It was marked up at a hefty £150, but since it's been sitting outside, | 0:45:11 | 0:45:16 | |
dealer Robert seems to be in a generous mood. | 0:45:16 | 0:45:19 | |
-Give me £50. -30 quid. -I can't. Honestly can't. -Can't you? | 0:45:19 | 0:45:24 | |
-I wish I could. -35? -£40 and we have a deal. -You've got a deal. 40 quid. | 0:45:27 | 0:45:33 | |
-Well... It's worth a bash at that. -It is! | 0:45:33 | 0:45:38 | |
Another lot in the bag and James does seem to be in luck today | 0:45:38 | 0:45:42 | |
as he's shortly enlisted Gary's help in finding another bargain. | 0:45:42 | 0:45:47 | |
Just found that in the back room. | 0:45:47 | 0:45:49 | |
At least it's an original. | 0:45:49 | 0:45:51 | |
-It's a pastel, is it? -Pastel, yeah. -It's a pastel. | 0:45:51 | 0:45:54 | |
# The tears of a clown | 0:45:54 | 0:45:57 | |
# When there's no-one around. # | 0:45:57 | 0:46:01 | |
It is indeed a fairly modern pastel drawing of a clown. | 0:46:01 | 0:46:04 | |
Gary's willing to kick off the negotiation at £15. | 0:46:06 | 0:46:09 | |
But James is ever ready to go lower. | 0:46:09 | 0:46:11 | |
Fiver. | 0:46:12 | 0:46:14 | |
-Are you trying to rob me? -No. -Trying to rob me, bankrupt me? | 0:46:15 | 0:46:19 | |
12.50 and that hurt. | 0:46:21 | 0:46:23 | |
-How about 7.50? -Ooh! -Straight into the soft underbelly. | 0:46:25 | 0:46:28 | |
You're crippling me. | 0:46:28 | 0:46:31 | |
Tenner and it's yours. | 0:46:31 | 0:46:32 | |
-Eight. -Tenner. -Tenner! | 0:46:32 | 0:46:34 | |
-Thank you very much. -Ten quid. | 0:46:34 | 0:46:37 | |
Terrific. But he's not finished yet. | 0:46:38 | 0:46:41 | |
He's travelling on to Hungerford in Berkshire. | 0:46:43 | 0:46:46 | |
He's sauntering into Hungerford Arcade, | 0:46:48 | 0:46:50 | |
where he's meeting dealer Adrian, who's an old pal. | 0:46:50 | 0:46:54 | |
-Hello, there. -Hello, James. Good to see you. -Good to see you. | 0:46:54 | 0:46:57 | |
James is assembling a job lot of small items | 0:46:57 | 0:47:01 | |
around the little treen snuffbox he bought yesterday. | 0:47:01 | 0:47:03 | |
So, he'll need to scour this sizeable antiques centre. | 0:47:03 | 0:47:07 | |
He's soon found a candidate for his job lot - a bijouterie. | 0:47:07 | 0:47:11 | |
It's a novelty pincushion shaped like a lady's shoe. | 0:47:11 | 0:47:15 | |
Ticket price is £6. | 0:47:15 | 0:47:17 | |
Would three quid be any good for that? | 0:47:17 | 0:47:20 | |
I will try. | 0:47:20 | 0:47:21 | |
Adrian will call the person who owns it. | 0:47:21 | 0:47:24 | |
-Can you please do £3? Yes. -Brilliant. That's great. | 0:47:24 | 0:47:29 | |
That's in the bag for £3, then. | 0:47:29 | 0:47:31 | |
In the meanwhile, he's found something else. | 0:47:31 | 0:47:33 | |
-Oh, crikey, that's fun. -He should have a matchbox on his back there. | 0:47:35 | 0:47:39 | |
It's another novelty item. | 0:47:39 | 0:47:41 | |
A Victorian pewter smoker's stand or matchbox holder. | 0:47:41 | 0:47:45 | |
25, would you ask her? | 0:47:45 | 0:47:46 | |
With pleasure. | 0:47:46 | 0:47:47 | |
James is in luck. The dealer will accept £25 for that. | 0:47:50 | 0:47:54 | |
And he's now got something else at a price that suits him. | 0:47:55 | 0:47:59 | |
I just found this cast iron font-like creature | 0:47:59 | 0:48:05 | |
that would hold matches | 0:48:05 | 0:48:09 | |
and I thought, "Whoopee! That's not expensive." | 0:48:09 | 0:48:13 | |
"Small cast iron urn, no lid - £1." | 0:48:13 | 0:48:16 | |
Even James isn't barefaced enough to haggle on that. | 0:48:16 | 0:48:20 | |
So he's got the smoker's stand, pincushion and urn for £29, | 0:48:20 | 0:48:24 | |
and Adrian's going to throw in a few antique coins | 0:48:24 | 0:48:27 | |
that might slot into the missing recess in the snuffbox | 0:48:27 | 0:48:31 | |
for one extra pound. That's nice. | 0:48:31 | 0:48:34 | |
-£30 - spot on. -Yes. And thank you so much. | 0:48:34 | 0:48:36 | |
-It's been lovely. -Thanks. -Really enjoyed it. | 0:48:36 | 0:48:38 | |
Thank you very much. | 0:48:38 | 0:48:40 | |
Shopping done, | 0:48:40 | 0:48:41 | |
let's remind ourselves what our experts have bought. | 0:48:41 | 0:48:44 | |
Anita started this leg with £318.13, and spent £134 on five auction lots. | 0:48:46 | 0:48:51 | |
The champers ice bucket and bottle... | 0:48:51 | 0:48:55 | |
..the 19th century mirror... | 0:48:57 | 0:49:00 | |
the automaton bear... | 0:49:00 | 0:49:02 | |
the brooches... | 0:49:02 | 0:49:03 | |
and the earrings. | 0:49:03 | 0:49:05 | |
James began with £813.94, and spent £252 on five auction lots. | 0:49:06 | 0:49:13 | |
The firedogs and tools... | 0:49:13 | 0:49:15 | |
the carpenter's chest... | 0:49:15 | 0:49:17 | |
his job lot of small items... | 0:49:17 | 0:49:20 | |
the portrait of a clown... | 0:49:20 | 0:49:22 | |
and the Chinese table. | 0:49:22 | 0:49:25 | |
But it's time now to get back on the road to auction. | 0:49:27 | 0:49:30 | |
They're driving to Cirencester | 0:49:30 | 0:49:32 | |
in Gloucestershire. | 0:49:32 | 0:49:34 | |
The market town of Cirencester | 0:49:34 | 0:49:36 | |
has origins dating back to the Roman occupation of Britain. | 0:49:36 | 0:49:39 | |
They're pulling up at the saleroom | 0:49:41 | 0:49:42 | |
of auctioneers Moore Allen and Innocent. | 0:49:42 | 0:49:45 | |
Here we are, James. | 0:49:46 | 0:49:47 | |
Here we go. | 0:49:49 | 0:49:50 | |
This looks interesting. | 0:49:52 | 0:49:54 | |
Best dive right in, then. | 0:49:54 | 0:49:56 | |
Presiding today will be auctioneer Philip Allwood. | 0:49:58 | 0:50:01 | |
The auction's about to begin. | 0:50:02 | 0:50:04 | |
First up, it's James's pair of 19th century firedogs, | 0:50:05 | 0:50:08 | |
accompanied by fire tools. | 0:50:08 | 0:50:10 | |
They didn't light Anita's fire. | 0:50:10 | 0:50:12 | |
Will they set the saleroom ablaze? | 0:50:12 | 0:50:15 | |
I can start you on the book at 30. | 0:50:15 | 0:50:18 | |
At £30, got it here. Five, if you like, now. | 0:50:18 | 0:50:20 | |
That's a start. | 0:50:20 | 0:50:22 | |
Five, 50. At 50...five. | 0:50:22 | 0:50:24 | |
60, five. 70. | 0:50:24 | 0:50:27 | |
At £70 here. Five anywhere? Five. 80. | 0:50:27 | 0:50:30 | |
At £80, back with me at £80. Anyone? | 0:50:30 | 0:50:32 | |
At £80, you all sure? | 0:50:32 | 0:50:35 | |
At £80, five on the net. | 0:50:35 | 0:50:36 | |
At £85 here, the book's out. | 0:50:36 | 0:50:38 | |
85, you all sure...? | 0:50:38 | 0:50:40 | |
Blimey - that certainly did burn a hot streak. | 0:50:41 | 0:50:45 | |
-I am thrilled with that. -Well done! | 0:50:45 | 0:50:47 | |
I bet you are. | 0:50:47 | 0:50:48 | |
Now it's Anita's mirror, appended to a portrait | 0:50:48 | 0:50:52 | |
that may be the Duke of Wellington - or may be somebody else entirely. | 0:50:52 | 0:50:55 | |
20? Ten, to get on, going to be a tenner. | 0:50:55 | 0:50:58 | |
£10 for the glass? | 0:50:58 | 0:51:00 | |
A fiver? | 0:51:00 | 0:51:02 | |
Oh, dear - this isn't going in the right direction. | 0:51:02 | 0:51:05 | |
-Nobody? A fiver? -Go on! | 0:51:05 | 0:51:08 | |
-At £5 over here. -James, I'm going to burst into floods of tears! | 0:51:08 | 0:51:12 | |
At £5, on my right here at £5. | 0:51:12 | 0:51:14 | |
A fiver. At £5. At £5... | 0:51:14 | 0:51:17 | |
I'll need another 50 more! | 0:51:17 | 0:51:19 | |
At £5. | 0:51:19 | 0:51:22 | |
That's trotted off to a disaster. | 0:51:22 | 0:51:24 | |
Bad luck, Anita. | 0:51:24 | 0:51:25 | |
Now another try for James, with his pine carpenter's chest. | 0:51:27 | 0:51:30 | |
Will it carve out a profit? | 0:51:30 | 0:51:33 | |
Who'll start me at 100? | 0:51:33 | 0:51:34 | |
100? | 0:51:34 | 0:51:35 | |
Good pine chest there. 100? | 0:51:35 | 0:51:37 | |
-50, to get on. £50. -He's trying... | 0:51:37 | 0:51:40 | |
-30, then. -Oh, what? -£30? | 0:51:40 | 0:51:44 | |
£30, a bid there at 30. Got to be cheap, at £30. | 0:51:44 | 0:51:46 | |
Five, anyone? At £30, five. 40. Five. | 0:51:46 | 0:51:49 | |
At £45 in the room now. | 0:51:49 | 0:51:51 | |
£45 - 50, if you like? | 0:51:51 | 0:51:52 | |
At £45, it's selling right in front of me here. | 0:51:52 | 0:51:55 | |
At £45 - 50. At 55. | 0:51:55 | 0:51:57 | |
At 55. 60, now. | 0:51:57 | 0:51:59 | |
At £55 in front of me, now. At 55, it's selling. | 0:51:59 | 0:52:02 | |
60. Five. At £65, right in front of me in the room here. | 0:52:02 | 0:52:06 | |
At £65, you're out on the net. | 0:52:06 | 0:52:08 | |
At £65, you all sure? | 0:52:08 | 0:52:10 | |
Selling here, then. At 65, you all done...? | 0:52:10 | 0:52:14 | |
So, it does nail a decent profit in the end. | 0:52:15 | 0:52:18 | |
-He did his best there. -Not bad. -He did his best. | 0:52:18 | 0:52:21 | |
Now, will there be cause for celebration | 0:52:21 | 0:52:24 | |
on Anita's ice bucket and display bottle of champers? | 0:52:24 | 0:52:27 | |
Ten to get on. £10, a bid there. | 0:52:27 | 0:52:29 | |
-Yeah, yeah! -£10, I have. | 0:52:29 | 0:52:31 | |
At £10, 12, going to say now. | 0:52:31 | 0:52:33 | |
At £10. 12, on the net. | 0:52:33 | 0:52:36 | |
At 12, the book's out at £12. £15, if you like, now? | 0:52:36 | 0:52:39 | |
At 12, 15. 18, over there. | 0:52:39 | 0:52:41 | |
Oh! Go on, go, go on! | 0:52:41 | 0:52:43 | |
I'm getting all excited here, James! | 0:52:43 | 0:52:46 | |
£18, a bid here. At £18 - 20, now. | 0:52:46 | 0:52:48 | |
Fill it up. At £18, it's selling on the net, here. | 0:52:48 | 0:52:51 | |
You're all out in front of me. At £18... | 0:52:51 | 0:52:53 | |
-18, it is. -Aw! | 0:52:53 | 0:52:55 | |
Corks popped all round, then. | 0:52:55 | 0:52:57 | |
At least it's back on the right road. | 0:52:58 | 0:53:01 | |
Next, it's James's job lot of bijouterie - | 0:53:01 | 0:53:04 | |
will the little items serve up a big profit? | 0:53:04 | 0:53:08 | |
At £50. | 0:53:08 | 0:53:09 | |
30, to get on. | 0:53:09 | 0:53:11 | |
At £20 a bid - at £20, five, now. | 0:53:11 | 0:53:13 | |
At £20 - five. 30. Five. | 0:53:13 | 0:53:16 | |
At £35, got to be cheap at 35. 40. | 0:53:16 | 0:53:19 | |
Five. 50. Five. | 0:53:19 | 0:53:22 | |
60, if you like, madam? At 55...60. | 0:53:22 | 0:53:25 | |
Five. 70? There's 65, here. | 0:53:25 | 0:53:27 | |
At £65 - it's on the left. | 0:53:27 | 0:53:30 | |
They like it, James. They like it. | 0:53:30 | 0:53:32 | |
You all done? | 0:53:32 | 0:53:33 | |
A sizable win for James. | 0:53:34 | 0:53:37 | |
-Ah... -There's a profit, there. That's good. -You're doing all right. | 0:53:37 | 0:53:41 | |
Time now for Anita's automaton bear. | 0:53:42 | 0:53:45 | |
Who'll start me, 50? £50? | 0:53:45 | 0:53:47 | |
Go on, go on... | 0:53:47 | 0:53:49 | |
£30? | 0:53:49 | 0:53:51 | |
20, to get on. Got to be £20. | 0:53:51 | 0:53:53 | |
-Yes, £20, a bid there. -Go on! We've started. | 0:53:53 | 0:53:56 | |
30. At £30, I have £30. Anyone else? | 0:53:56 | 0:53:59 | |
At £30, it's in the room, now. At £30. Five, anyone? | 0:53:59 | 0:54:02 | |
At £30 - it's got to be cheap, at £30. | 0:54:02 | 0:54:03 | |
Look at him! | 0:54:03 | 0:54:05 | |
It's only one eye that's on. | 0:54:05 | 0:54:08 | |
Oh, dear, that's not going to help...Cyclops. | 0:54:08 | 0:54:10 | |
It's selling in the room, here. You all done at 30? | 0:54:10 | 0:54:13 | |
Grr! | 0:54:13 | 0:54:15 | |
The uncooperative bear picks a terrible time to break down, | 0:54:15 | 0:54:18 | |
but at least it scrapes a profit. | 0:54:18 | 0:54:20 | |
It wasn't just one eye when we had it! | 0:54:21 | 0:54:24 | |
Now it's James' modern pastel portrait of a Pierrot. | 0:54:26 | 0:54:30 | |
Will it be smiles or tears after this lot? | 0:54:30 | 0:54:33 | |
£20 for the Pierrot, there. | 0:54:33 | 0:54:34 | |
The bidders have been scared off. | 0:54:34 | 0:54:37 | |
-A tenner? -No! | 0:54:37 | 0:54:39 | |
Dear me - £10, it's no laughing matter. | 0:54:39 | 0:54:41 | |
£10. Nobody? A fiver? | 0:54:41 | 0:54:44 | |
Oh, what? | 0:54:44 | 0:54:46 | |
Yes? Really? £5, a bid. At £5, at £5, there. | 0:54:47 | 0:54:51 | |
-Anybody? -Wow... | 0:54:51 | 0:54:52 | |
-I can't believe who's bidding. -That is mad. | 0:54:52 | 0:54:54 | |
At £5, it's selling here for a fiver. | 0:54:54 | 0:54:57 | |
At £5 - the frame would cost you that. | 0:54:57 | 0:54:59 | |
-At £5, you all sure? -He's trying... -You all done at a fiver? | 0:54:59 | 0:55:04 | |
Tears, as it turns out. | 0:55:05 | 0:55:07 | |
That is just insane. | 0:55:07 | 0:55:11 | |
One more for Anita, as her pair of Cairngorm-style brooches are up. | 0:55:11 | 0:55:17 | |
£10. | 0:55:17 | 0:55:18 | |
A fiver? | 0:55:18 | 0:55:19 | |
THEY GROAN | 0:55:19 | 0:55:21 | |
£5, a bid at five. Eight. | 0:55:21 | 0:55:22 | |
Ten. At 12, do you mean, madam? | 0:55:22 | 0:55:25 | |
At £10 here. At £10. 12 - thank you, madam. | 0:55:25 | 0:55:28 | |
At the back at 12. 15, if you like? | 0:55:28 | 0:55:29 | |
15. 18. At £18 at the back, there. | 0:55:29 | 0:55:32 | |
20, if you like, now? | 0:55:32 | 0:55:34 | |
£18, you all sure? | 0:55:34 | 0:55:36 | |
Go on, go on! | 0:55:36 | 0:55:37 | |
What a shame. | 0:55:37 | 0:55:39 | |
Oh...it could have been a LOT worse. | 0:55:39 | 0:55:44 | |
Now it's James's great hope - the Chinese table. | 0:55:45 | 0:55:48 | |
I can start you on the book at... | 0:55:48 | 0:55:51 | |
At 180. At 180, we've started. At 180. | 0:55:53 | 0:55:56 | |
190, now. At £180, I have. 180...190. | 0:55:56 | 0:56:00 | |
Looking good... | 0:56:00 | 0:56:01 | |
220. 240. 260. 280. | 0:56:01 | 0:56:05 | |
At £280 - 300, if you like. 280 I have. | 0:56:05 | 0:56:08 | |
At £280. £300, on the phone, if you like? | 0:56:08 | 0:56:11 | |
At £280 here. At £280, you all sure now? | 0:56:11 | 0:56:16 | |
At 280... | 0:56:16 | 0:56:18 | |
James's instincts were right. | 0:56:20 | 0:56:22 | |
That lot was full of Eastern Promise. | 0:56:22 | 0:56:24 | |
Well done. Well done, well done. | 0:56:24 | 0:56:26 | |
And finally, Anita's up with her Art Nouveau earrings | 0:56:26 | 0:56:30 | |
set with seed pearls. | 0:56:30 | 0:56:32 | |
£50, to get on. £50 a bid - thank you, madam. At £50. | 0:56:32 | 0:56:35 | |
At 50, look cheap at £50. Five, anyone? | 0:56:35 | 0:56:38 | |
Five on the net. 60. Five. 70. At 75... | 0:56:38 | 0:56:42 | |
80. Five. 90. At £90...five. | 0:56:42 | 0:56:45 | |
100... | 0:56:45 | 0:56:46 | |
It's a flier. | 0:56:46 | 0:56:48 | |
120. 130. 140 to me madam. | 0:56:48 | 0:56:52 | |
At 130, 140 on the net. | 0:56:52 | 0:56:54 | |
150, if you like, on the phone? | 0:56:54 | 0:56:55 | |
At 140. 150. | 0:56:55 | 0:56:57 | |
At 150. 160, if you like, on the phone? | 0:56:57 | 0:57:00 | |
At 150, I have. 150. It's on the net here at 150. | 0:57:00 | 0:57:03 | |
160. | 0:57:03 | 0:57:04 | |
At 160, someone else...170, now. | 0:57:04 | 0:57:07 | |
It's at 160. It's on the phone now, the net's out. | 0:57:07 | 0:57:10 | |
-At 160. 170, back in. -Back in! | 0:57:10 | 0:57:13 | |
At 170. 180 if you like, now. | 0:57:13 | 0:57:15 | |
180. At 190. 200, fill it up, now. | 0:57:15 | 0:57:19 | |
200. | 0:57:19 | 0:57:20 | |
-Crikey! -This is running and running. | 0:57:20 | 0:57:22 | |
240 now. At 220. 240. | 0:57:22 | 0:57:26 | |
At 240. It's on the phone now at 240. 260, now. | 0:57:26 | 0:57:29 | |
At £240 - it's on the phone, now, at 240. | 0:57:29 | 0:57:34 | |
An absolutely smashing profit | 0:57:35 | 0:57:37 | |
proves Anita really does | 0:57:37 | 0:57:38 | |
have an eye for style. | 0:57:38 | 0:57:40 | |
-Yes! -Yes! Well done! | 0:57:40 | 0:57:43 | |
Anita started this leg with £318.30. | 0:57:45 | 0:57:49 | |
After paying auction costs, she made a profit of £121.02 | 0:57:49 | 0:57:54 | |
and ends today with £439.32. | 0:57:54 | 0:57:58 | |
Well done. | 0:57:58 | 0:57:59 | |
But heavyweight James beat her to the punch once more. | 0:58:01 | 0:58:05 | |
He began with £813.94 | 0:58:05 | 0:58:08 | |
and after costs, made a profit of £158 today, | 0:58:08 | 0:58:13 | |
giving him £971.94 to carry onwards. | 0:58:13 | 0:58:18 | |
-Well, James, that was SO exciting! -He did his best, didn't he? | 0:58:19 | 0:58:24 | |
-Uh-huh. -Got every last pound out of them. | 0:58:24 | 0:58:27 | |
Indeed, he did. | 0:58:27 | 0:58:28 | |
To the Beetle, and away to the next leg. | 0:58:28 | 0:58:31 | |
-Here we go! -Aye, here we go. | 0:58:31 | 0:58:33 |