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-It's the nation's favourite antiques experts. -All right, viewers? -With £200 each, a classic car, | 0:00:03 | 0:00:07 | |
and a goal, to scour Britain for antiques. | 0:00:07 | 0:00:10 | |
I'm on fire. Yes! | 0:00:10 | 0:00:12 | |
Sold. Going, going, gone. | 0:00:12 | 0:00:13 | |
The aim, to make the biggest profit at auction, but it's no mean feat. | 0:00:13 | 0:00:18 | |
-50p! -There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:22 | |
-You've had it a while, haven't you? -Will it be the high road to glory, | 0:00:22 | 0:00:25 | |
or the slow road to disaster? | 0:00:25 | 0:00:27 | |
-Ooh! Ooh-hoo! -Oh, no. | 0:00:27 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:35 | |
On this Antiques Road Trip, | 0:00:36 | 0:00:37 | |
two esteemed auctioneers are battling for fortune. | 0:00:37 | 0:00:40 | |
Anita Manning is a gabby Glasgow gal | 0:00:40 | 0:00:43 | |
with an eye for quality and nerves of steel. | 0:00:43 | 0:00:46 | |
Whilst James Lewis is a doughty Derbyshire dandy, | 0:00:46 | 0:00:49 | |
always keen to take a goggle at a potential bargain. | 0:00:49 | 0:00:51 | |
Both our game gavel-meisters started this road trip with £200. | 0:00:51 | 0:00:56 | |
So far, Anita has managed to leverage her lolly | 0:00:56 | 0:00:59 | |
up to a respectable £439.32. | 0:00:59 | 0:01:03 | |
But James is in the lead. | 0:01:03 | 0:01:04 | |
His wallet positively overfloweth. | 0:01:04 | 0:01:07 | |
He begins this leg with a whopping £971.94. | 0:01:07 | 0:01:13 | |
Well, I never did. | 0:01:13 | 0:01:15 | |
On this whole road trip, they began in Oxfordshire | 0:01:15 | 0:01:18 | |
and will tour the sunny southern counties of England, | 0:01:18 | 0:01:21 | |
before ending up in grand old smoky herself, London. | 0:01:21 | 0:01:25 | |
On today's leg, they're dawdling through delicious Devon, | 0:01:25 | 0:01:29 | |
beginning in the city of Exeter | 0:01:29 | 0:01:30 | |
and aiming for auction in the small town of Chudleigh. | 0:01:30 | 0:01:34 | |
Devonshire's handsome county town | 0:01:34 | 0:01:37 | |
seems a lively place to start their day, | 0:01:37 | 0:01:39 | |
but it looks like James has nodded off. | 0:01:39 | 0:01:41 | |
Tut, tut. | 0:01:41 | 0:01:42 | |
Wakey-wakey, James. Wakey-wakey. | 0:01:42 | 0:01:46 | |
-Ah... -ANITA LAUGHS | 0:01:46 | 0:01:48 | |
-It's too nice for antique shopping. -No, no. Mind on your work, on you go. | 0:01:48 | 0:01:52 | |
Quite right, Anita. | 0:01:52 | 0:01:53 | |
Have fun. | 0:01:53 | 0:01:55 | |
Anita's on her way to her first shop of the day, Otto Retro, | 0:01:55 | 0:02:00 | |
where resides the very dapper dealer, Lewis. | 0:02:00 | 0:02:03 | |
-Hello. -Hi. | 0:02:03 | 0:02:04 | |
-I'm Anita. -Nice to meet you. -And I love your shop. | 0:02:04 | 0:02:08 | |
This shop specialises in 20th-century retro pieces, | 0:02:08 | 0:02:11 | |
quirky items which appeal to Anita's wild side. Stand by. | 0:02:11 | 0:02:17 | |
And she soon found something which packs a stylish punch. | 0:02:19 | 0:02:23 | |
This, despite the fact that it looks a wee bit scruffy, | 0:02:23 | 0:02:27 | |
is a very romantic item. | 0:02:27 | 0:02:30 | |
It's a suitcase, probably from the early 20th century, | 0:02:30 | 0:02:34 | |
1910, 1920 and it's made of leather. | 0:02:34 | 0:02:38 | |
But what I like about this one is we've still our original... | 0:02:38 | 0:02:43 | |
labels on them. Look at this. | 0:02:43 | 0:02:45 | |
We've got one for the Royal Hotel in Windermere, | 0:02:45 | 0:02:49 | |
we've got a French one here. | 0:02:49 | 0:02:51 | |
Bruges... | 0:02:51 | 0:02:53 | |
Ticket price is £60. Lewis will be summoned. | 0:02:53 | 0:02:57 | |
I was just looking at this suitcase | 0:02:57 | 0:02:59 | |
and I fell in love with these wonderful stickers, original ones. | 0:02:59 | 0:03:04 | |
-And below it is another suitcase. -This one again, probably very, very early 20th century, | 0:03:04 | 0:03:09 | |
sort of '20s, '30s. Made in China. When China was of quality. | 0:03:09 | 0:03:14 | |
Ticket price on that is also £60, so, £120 for the two. | 0:03:14 | 0:03:19 | |
I love these little Chinese tigers. | 0:03:19 | 0:03:22 | |
-I love these. -It's beautiful, beautiful detailing. | 0:03:22 | 0:03:25 | |
-When you go on your holidays, do you take one of them? -I do. | 0:03:25 | 0:03:30 | |
You're a man of style. | 0:03:30 | 0:03:31 | |
She's buttering you up, Lewis. Guess what's coming. | 0:03:31 | 0:03:34 | |
I'd like to buy the two of them for about 45 quid. | 0:03:34 | 0:03:38 | |
Crikey, Anita. That would be a discount. | 0:03:38 | 0:03:41 | |
Am I way out there? | 0:03:42 | 0:03:43 | |
-Am I a wee bit out? -Quite a bit, really. Yeah. | 0:03:43 | 0:03:47 | |
Would 55 buy them? | 0:03:47 | 0:03:48 | |
I really, really couldn't do 55. | 0:03:50 | 0:03:52 | |
I... I think probably the lowest I could really do... | 0:03:52 | 0:03:55 | |
..on two suitcases like that would probably be 80. | 0:03:57 | 0:03:59 | |
-Would 70 buy them? -Erm... | 0:03:59 | 0:04:02 | |
-75 would. -It's a deal, Lewis. | 0:04:02 | 0:04:04 | |
-That's lovely. -Thank you. | 0:04:04 | 0:04:06 | |
I love them to bits. | 0:04:06 | 0:04:08 | |
A good deal at £75 for the two. | 0:04:08 | 0:04:11 | |
This is quite fun. | 0:04:12 | 0:04:14 | |
This is a medical poster, which is | 0:04:14 | 0:04:17 | |
showing the injuries that you can get on ankles and knees. | 0:04:17 | 0:04:24 | |
It's in French, so I don't know what it says. | 0:04:24 | 0:04:26 | |
Medical items are very popular - people like them. | 0:04:26 | 0:04:29 | |
Look at these ligaments and tendons - they're scary. | 0:04:29 | 0:04:35 | |
I think I'll have a go at that. | 0:04:35 | 0:04:37 | |
Ticket price is £25. | 0:04:37 | 0:04:39 | |
But, of course, Anita is going to ask Lewis for a discount. | 0:04:39 | 0:04:42 | |
-Poor Lewis. -Could I buy it for ten? | 0:04:42 | 0:04:45 | |
We would do 12 on it. | 0:04:45 | 0:04:47 | |
-You could do 12? -Yeah. -Right. That's a deal. Thank you very much. | 0:04:47 | 0:04:51 | |
So, she's packed her bags and she's off. | 0:04:51 | 0:04:54 | |
Now James is elsewhere in Exeter | 0:04:55 | 0:04:57 | |
and is wandering into McBains Antiques complex, | 0:04:57 | 0:05:00 | |
where he's meeting dealer Aaron. | 0:05:00 | 0:05:04 | |
-Good morning. -Hello there. Nice to see you. -You, too. How you doing? | 0:05:04 | 0:05:08 | |
Best get browsing, James. | 0:05:08 | 0:05:10 | |
Look out. That's Tilly the Shih Tzu, | 0:05:15 | 0:05:17 | |
and James has also to meet another member of the family. | 0:05:17 | 0:05:21 | |
My dad, Gordon. | 0:05:21 | 0:05:22 | |
-Gordon, boss man. -Gordy. Lordy. | 0:05:22 | 0:05:25 | |
Soon enough, James has spotted someone else he's quite taken with, | 0:05:25 | 0:05:28 | |
though she does seem a little worse for wear. | 0:05:28 | 0:05:31 | |
It's a 20th-century shop mannequin, who's taken | 0:05:31 | 0:05:34 | |
a bit of a knock on her bonce. Ticket price is £80. | 0:05:34 | 0:05:38 | |
I don't think it's her head that needs covering, James. | 0:05:38 | 0:05:40 | |
He's going to make a cheeky offer. Stand by. | 0:05:40 | 0:05:43 | |
Well, she could be something really silly... | 0:05:43 | 0:05:46 | |
-Yeah. -..like 20 quid or something. | 0:05:46 | 0:05:49 | |
-She can be 40. There you are. -40. | 0:05:49 | 0:05:52 | |
The damage is still a problem, | 0:05:52 | 0:05:54 | |
but he's having a brainwave. | 0:05:54 | 0:05:57 | |
A wig would do her. | 0:05:57 | 0:05:58 | |
If you can find me a wig, you can have 35. | 0:05:58 | 0:06:01 | |
I do have a big bouffant wig kicking around, I think. | 0:06:01 | 0:06:05 | |
HE LAUGHS Hang on. | 0:06:05 | 0:06:09 | |
I think I've got one of these somewhere. | 0:06:09 | 0:06:11 | |
You've been to...those 1970s dudes, haven't you? | 0:06:12 | 0:06:16 | |
Hmm. Suits you. | 0:06:16 | 0:06:18 | |
Here we go. I'll give you 35 quid for that. | 0:06:18 | 0:06:21 | |
ALL LAUGH | 0:06:21 | 0:06:23 | |
-We can do it for 35. -You sure? | 0:06:23 | 0:06:25 | |
The wig for free. | 0:06:25 | 0:06:27 | |
-You've got a deal. -Thank you very much. | 0:06:28 | 0:06:30 | |
He's got the mannequin and wig together for £35, | 0:06:30 | 0:06:33 | |
and he's soon reflecting on another item elsewhere in the shop. | 0:06:33 | 0:06:37 | |
It's a big two-handle tray. | 0:06:39 | 0:06:41 | |
About 1900 in date. | 0:06:41 | 0:06:44 | |
It's made of copper electroplated with silver. | 0:06:44 | 0:06:47 | |
The fact that the copper's coming through, | 0:06:47 | 0:06:49 | |
some people absolutely hate it, but other people actually like it. | 0:06:49 | 0:06:53 | |
It's known as bleeding. | 0:06:53 | 0:06:55 | |
It's where the copper comes through the Sheffield plate or | 0:06:55 | 0:06:57 | |
the silver plating. | 0:06:57 | 0:06:59 | |
-I can do that for £45, James. -Hello, puss. What do you think? | 0:06:59 | 0:07:04 | |
Eh? | 0:07:04 | 0:07:05 | |
She's your lucky sign, James. | 0:07:05 | 0:07:07 | |
Could be. | 0:07:07 | 0:07:08 | |
That's Jess, the shop's pussy. | 0:07:08 | 0:07:11 | |
What do you think, Jess? | 0:07:11 | 0:07:12 | |
-Should I buy it? -Jess says yes. | 0:07:12 | 0:07:15 | |
-I'll give you £30 for it. -Go on, then. | 0:07:15 | 0:07:18 | |
You've got a deal. £30. | 0:07:19 | 0:07:22 | |
On Jess' sage advice, James takes the tray and he's on his way... | 0:07:22 | 0:07:27 | |
..to the city's historic quayside | 0:07:28 | 0:07:30 | |
and into Exeter Vintage Warehouse. | 0:07:30 | 0:07:34 | |
All right, mate? | 0:07:34 | 0:07:35 | |
I don't think everyone's as keen on that hat as you are, James. | 0:07:37 | 0:07:40 | |
He's meeting dealer Simon. | 0:07:40 | 0:07:41 | |
-Hello there. -Hi. How are you doing? | 0:07:41 | 0:07:43 | |
-Nice to meet you. -I'm James. -Hi, James. | 0:07:43 | 0:07:45 | |
It's quite a big place. | 0:07:45 | 0:07:46 | |
It is all yours? Is it...? | 0:07:46 | 0:07:48 | |
There's 3,500 square feet here, James, | 0:07:48 | 0:07:51 | |
and it's pretty much all down to me. | 0:07:51 | 0:07:53 | |
Blimey, Simon. You've got some ground to cover then, James. | 0:07:53 | 0:07:57 | |
Best get on the prowl, mate. | 0:07:57 | 0:07:58 | |
I love this sort of piled-up stuff. | 0:07:58 | 0:08:01 | |
Fingers crossed there might be something here. | 0:08:01 | 0:08:04 | |
And in a flash, he's found a group of items that take his fancy. | 0:08:04 | 0:08:08 | |
How about your cases? | 0:08:08 | 0:08:09 | |
More luggage? After Anita's buys this morning, eh? Golly. | 0:08:09 | 0:08:13 | |
They're quite sought after, but I can do you a deal. | 0:08:13 | 0:08:17 | |
Shall we get them down and have a look? | 0:08:17 | 0:08:19 | |
It's a collection of four pieces of vintage luggage, | 0:08:19 | 0:08:22 | |
two gentleman's suitcases, a lady's suitcase | 0:08:22 | 0:08:25 | |
and a bag in a style known as a Gladstone. | 0:08:25 | 0:08:28 | |
They all date from between the mid-19th century and to around 1920. | 0:08:28 | 0:08:32 | |
What can Simon do on the price? | 0:08:32 | 0:08:34 | |
You can see they've been there a while from the dust. | 0:08:34 | 0:08:38 | |
Blimey. | 0:08:38 | 0:08:40 | |
How about all four? | 0:08:40 | 0:08:42 | |
100 quid. 80 if it helps you. | 0:08:42 | 0:08:44 | |
-60? -I can't. | 0:08:44 | 0:08:47 | |
On a bad day, they could make 50 quid. | 0:08:47 | 0:08:49 | |
So, how about 65? | 0:08:49 | 0:08:51 | |
Erm... | 0:08:52 | 0:08:53 | |
-75. -That is a fair price. -It is. -Right. Let me think. | 0:08:53 | 0:08:57 | |
Now, though that's a great deal from Simon, | 0:08:57 | 0:09:00 | |
he's still not sure he can turn a profit on them as auction, | 0:09:00 | 0:09:03 | |
so he's browsing on. | 0:09:03 | 0:09:04 | |
HE LAUGHS | 0:09:05 | 0:09:08 | |
Perfect for a classic car. | 0:09:08 | 0:09:10 | |
And after a thorough scout about, he's heading outside, | 0:09:10 | 0:09:13 | |
where Simon is relaxing with his partner's children Oliver and Tegan. | 0:09:13 | 0:09:18 | |
That's quite fun. | 0:09:21 | 0:09:23 | |
Is that Egyptian, do you think? | 0:09:23 | 0:09:24 | |
-I'm not sure. -Your tea table. | 0:09:24 | 0:09:27 | |
Honestly, James! | 0:09:27 | 0:09:29 | |
Let these nice people have their tea break in peace. | 0:09:29 | 0:09:33 | |
The table at which they're eating is brass topped | 0:09:33 | 0:09:35 | |
and decorated in the Egyptian style. | 0:09:35 | 0:09:38 | |
We could do that for 30 quid. | 0:09:38 | 0:09:41 | |
-It should be 30 quid, shouldn't it? -It's worth that all day long. | 0:09:41 | 0:09:45 | |
James is also still keen on the collection of luggage. | 0:09:45 | 0:09:48 | |
He's going to make a final offer. | 0:09:48 | 0:09:50 | |
So...60 for the luggage and 20 for the table. How about that? | 0:09:50 | 0:09:54 | |
-Is that all right? -It's a deal. -You've got a deal. Brilliant. | 0:09:54 | 0:09:57 | |
-Thank you. Well... -I guess we have to clear it now. Do we? -I'm afraid so. | 0:09:57 | 0:10:00 | |
But nothing can keep bargain hounds | 0:10:00 | 0:10:03 | |
of this calibre off the road for long. | 0:10:03 | 0:10:06 | |
They're driving along the Devon coast. | 0:10:06 | 0:10:09 | |
James, I love this south coast and I really, really, | 0:10:09 | 0:10:12 | |
really love the seaside. | 0:10:12 | 0:10:15 | |
The seaside brings out the wild child in me. | 0:10:15 | 0:10:19 | |
Crikey Moses. They're heading towards the Torquay area. | 0:10:19 | 0:10:23 | |
The capital of the so-called English Riviera, | 0:10:23 | 0:10:25 | |
Torquay is one of Britain's best-loved seaside resorts | 0:10:25 | 0:10:29 | |
and Anita's dropping James off here. | 0:10:29 | 0:10:32 | |
We'll come back to you shortly, James. | 0:10:32 | 0:10:35 | |
Anita is motoring onwards to Ashburton, | 0:10:35 | 0:10:38 | |
another pretty little Devonian town. | 0:10:38 | 0:10:40 | |
Anita's aiming for Etcetera Antiques, | 0:10:43 | 0:10:45 | |
where dealer Rob is ready to greet her. | 0:10:45 | 0:10:48 | |
-Nice to meet you. -It's lovely to be here. | 0:10:48 | 0:10:50 | |
Soon enough, Anita's alighted on an unusual little something. | 0:10:54 | 0:10:59 | |
-That comes off. -Careful now. | 0:10:59 | 0:11:01 | |
I think it's a ruler. Not to measure, but to actually rule lines. | 0:11:01 | 0:11:06 | |
Sometimes they're made of ebony and I think it's one of those, personally. | 0:11:06 | 0:11:10 | |
I quite like it. | 0:11:10 | 0:11:11 | |
Ticket price is £15. | 0:11:11 | 0:11:13 | |
What I'd like to pay for that is very, very, very little. | 0:11:13 | 0:11:18 | |
We're somewhere close because I want to get very, very, very much, | 0:11:18 | 0:11:21 | |
-so we're not that far away, are we? -Not that far away. | 0:11:21 | 0:11:24 | |
Good, good, good. Can that be bought for a fiver? | 0:11:24 | 0:11:26 | |
No. BOTH LAUGH | 0:11:27 | 0:11:30 | |
We can get somewhere near if you buy something else, maybe. | 0:11:30 | 0:11:33 | |
OK. Well... I actually don't think | 0:11:33 | 0:11:35 | |
that I'd have a great deal of difficulty | 0:11:35 | 0:11:37 | |
with that because I've spotted something else that I like. | 0:11:37 | 0:11:40 | |
Lead on, Anita. | 0:11:40 | 0:11:42 | |
The other thing that drew my attention was this female bust here. | 0:11:42 | 0:11:47 | |
I quite like the image. | 0:11:47 | 0:11:49 | |
She's a... maybe from the early part of the 20th century. | 0:11:49 | 0:11:54 | |
This bohemian babe is priced up at £30. | 0:11:54 | 0:11:58 | |
Is she bronze? Can I have a wee look? | 0:11:58 | 0:12:00 | |
Unfortunately, she's not bronze. | 0:12:00 | 0:12:03 | |
She's actually a plaster. | 0:12:03 | 0:12:05 | |
Oh, yeah. | 0:12:05 | 0:12:07 | |
It's not bronze price, so that's an advantage, isn't it? | 0:12:07 | 0:12:09 | |
Music to Anita's ears, then. | 0:12:09 | 0:12:12 | |
I would not be wanting to pay a lot of money for that either. | 0:12:12 | 0:12:14 | |
I guess we're coming to the haggling bit again. | 0:12:14 | 0:12:16 | |
-Is this...? Are we coming to the haggling bit? -It felt like it to me. | 0:12:16 | 0:12:20 | |
I like you, Rob. | 0:12:20 | 0:12:21 | |
Could that be bought for a tenner? And that bought for £5? | 0:12:21 | 0:12:25 | |
Erm, I don't think I can go down that low. | 0:12:25 | 0:12:27 | |
Being incredibly generous - | 0:12:27 | 0:12:29 | |
I'm not known for my generosity, to be honest with you... | 0:12:29 | 0:12:32 | |
-I don't believe that. -..we're going to go for £20 for both bits. | 0:12:32 | 0:12:36 | |
-Do you think I'll make a profit? -Erm... | 0:12:36 | 0:12:39 | |
I don't want to lose anything. | 0:12:39 | 0:12:41 | |
-No. -But I don't want to upset you either. | 0:12:41 | 0:12:43 | |
I want you to be happy when I walk out the door. | 0:12:43 | 0:12:46 | |
-I'll be very happy when you walk out the door. -Touche, Rob. | 0:12:46 | 0:12:48 | |
Well, let's just go for a deal. | 0:12:48 | 0:12:52 | |
I'm happy with that. I like both of these items. | 0:12:52 | 0:12:54 | |
Excellent. Rob stands firm at £20 for them | 0:12:54 | 0:12:57 | |
and Anita's got another two items bagged. | 0:12:57 | 0:13:00 | |
James is back in Torquay, where he's going to spend the morning | 0:13:01 | 0:13:04 | |
exploring the subterranean wonder | 0:13:04 | 0:13:07 | |
of a world-class archaeological site. | 0:13:07 | 0:13:10 | |
Hello, there. | 0:13:10 | 0:13:11 | |
Hi, I'm Nick. I'm the owner of Kents Cavern and we're here to show | 0:13:11 | 0:13:15 | |
you around the caves and find some exciting stuff in there. | 0:13:15 | 0:13:18 | |
This is a large cave complex with a truly ancient history. | 0:13:18 | 0:13:21 | |
-Right. Watch your head here. Just... -Oh, wow. | 0:13:23 | 0:13:26 | |
The stalactites and stalagmites of these limestone caves | 0:13:26 | 0:13:30 | |
are a time capsule of ancient life, | 0:13:30 | 0:13:32 | |
which were formed over hundreds of thousands of millennia. | 0:13:32 | 0:13:36 | |
Human beings have occupied the warm sheltered caves for many | 0:13:39 | 0:13:43 | |
thousands of years. | 0:13:43 | 0:13:44 | |
The caves were first systematically excavated in the 19th century | 0:13:44 | 0:13:48 | |
and yielded up countless archaeological finds, | 0:13:48 | 0:13:51 | |
which shed light on the early history of man | 0:13:51 | 0:13:54 | |
and continue to astound scientists to this day. | 0:13:54 | 0:13:58 | |
The earliest sort of modern finds in the caves are actually Roman coins, | 0:13:58 | 0:14:02 | |
so the Victorians, when they were excavating the caves, | 0:14:02 | 0:14:05 | |
found these coins. So, we know that they... | 0:14:05 | 0:14:07 | |
The Romans were here. So, that was about 2,000 years ago. | 0:14:07 | 0:14:10 | |
And then, coming right through history, | 0:14:10 | 0:14:12 | |
there's evidence of people using the caves. | 0:14:12 | 0:14:14 | |
But it wasn't till the 1820s when a Roman Catholic priest, | 0:14:14 | 0:14:19 | |
a chap called Father John MacEnery, | 0:14:19 | 0:14:21 | |
started to discover something very, very strange about the cave. | 0:14:21 | 0:14:25 | |
And he was finding bones of extinct animals, | 0:14:25 | 0:14:27 | |
mammoths and woolly rhinos and sabre-toothed tigers, | 0:14:27 | 0:14:32 | |
lying side-by-side next to stones that had been shaped by some | 0:14:32 | 0:14:36 | |
kind of intelligent being. | 0:14:36 | 0:14:37 | |
This intelligent being was, of course, a human. | 0:14:37 | 0:14:39 | |
At the time, it was popularly supposed that human history | 0:14:39 | 0:14:43 | |
stretched back only a few thousand years, | 0:14:43 | 0:14:46 | |
but MacEnery's discovery showed that people had | 0:14:46 | 0:14:49 | |
been around for very much longer than that. | 0:14:49 | 0:14:52 | |
His finds led to the cave being carefully excavated in the 19th | 0:14:52 | 0:14:56 | |
and 20th centuries. | 0:14:56 | 0:14:57 | |
Today, the cavern is recognised as one of the most important | 0:14:57 | 0:15:00 | |
archaeological and paleontological sites in Britain. | 0:15:00 | 0:15:05 | |
Don't try saying that too quickly. | 0:15:05 | 0:15:07 | |
Nick's taking James to see a copy of a find that has only recently | 0:15:07 | 0:15:11 | |
revolutionised our understanding of early man. | 0:15:11 | 0:15:14 | |
-This was discovered in Kents Cavern. -In the 19th century? | 0:15:14 | 0:15:18 | |
In the 1920s. This is... Well, it's a copy. | 0:15:18 | 0:15:21 | |
..of the oldest piece of human bone found anywhere in Britain, | 0:15:21 | 0:15:25 | |
and it's a piece of human jaw bone. | 0:15:25 | 0:15:28 | |
In the last few years, new scientific analysis | 0:15:28 | 0:15:31 | |
of the specimen has suggested that the jaw bone is more than 40,000 years old. | 0:15:31 | 0:15:36 | |
While Nick has a copy, the real thing is nearby in Torquay Museum. | 0:15:36 | 0:15:40 | |
It's about 42,000 years old. | 0:15:41 | 0:15:43 | |
Just to put that into perspective. | 0:15:43 | 0:15:45 | |
If we think of Stonehenge, for example. | 0:15:45 | 0:15:48 | |
Stonehenge is about 5,000 years old. | 0:15:48 | 0:15:50 | |
This discovery suggests that modern humans were living in Britain | 0:15:50 | 0:15:54 | |
much earlier than was previously though. | 0:15:54 | 0:15:57 | |
It's the oldest human bone in the whole of north-western Europe, | 0:15:57 | 0:16:00 | |
-comes from Torquay, which is pretty extraordinary, really. -Incredible. | 0:16:00 | 0:16:03 | |
Almost 200 years after MacEnery's finds, | 0:16:03 | 0:16:07 | |
the cavern is still offering up the secrets of our ancient | 0:16:07 | 0:16:10 | |
Stone Age past. | 0:16:10 | 0:16:11 | |
Thank you very much. One last request. Show me the way out... | 0:16:11 | 0:16:15 | |
-because I'm totally lost. -It's over here, James. -Thanks very much. | 0:16:15 | 0:16:18 | |
Now don't get lost, James. | 0:16:18 | 0:16:19 | |
People tend to get stuck down here for quite a long while. | 0:16:19 | 0:16:22 | |
Meanwhile, Anita's driven on to the town of Bovey Tracey | 0:16:24 | 0:16:28 | |
to shop at Courtenay House Antiques. | 0:16:28 | 0:16:31 | |
-Hello, Anita. -Hello. | 0:16:32 | 0:16:35 | |
-How lovely to meet you. -And you as well. | 0:16:35 | 0:16:39 | |
This shop incorporates a little tea room. | 0:16:39 | 0:16:42 | |
-Hello, girls. -Are you having a lovely time, ladies? | 0:16:42 | 0:16:45 | |
ALL: Yes. | 0:16:45 | 0:16:46 | |
Anita has a plan this afternoon. | 0:16:46 | 0:16:48 | |
She's decided that she'd like to find some jewels. | 0:16:48 | 0:16:52 | |
I'm continually drawn to jewellery cabinets | 0:16:52 | 0:16:55 | |
because I love jewellery and I like buying it. | 0:16:55 | 0:16:58 | |
And I like to see a selection like that. | 0:16:58 | 0:17:01 | |
Tina! I've been looking in your jewellery cabinet here. | 0:17:01 | 0:17:04 | |
I wondered if you had anything behind the counter, | 0:17:04 | 0:17:09 | |
anything that's fresh in. | 0:17:09 | 0:17:10 | |
-I have a hidden little box I might be able to show you. -Yes! | 0:17:10 | 0:17:15 | |
Now this is what I call very exciting. | 0:17:15 | 0:17:18 | |
I'll get my wee glass out. | 0:17:18 | 0:17:20 | |
Anita's selecting a little group of rings - | 0:17:20 | 0:17:22 | |
two nine-carat gold pieces, a gold and platinum ring | 0:17:22 | 0:17:26 | |
and a 22-carat wedding band. | 0:17:26 | 0:17:28 | |
All of these items bear some damage or a little tired in style. | 0:17:28 | 0:17:33 | |
She's aiming to build up a lot that might appeal to a scrap gold dealer or a rag and bone man. | 0:17:33 | 0:17:38 | |
And you're dealing with gold, which you know has to be recycled, | 0:17:39 | 0:17:45 | |
and I sometimes think that that is a wonderful aspect | 0:17:45 | 0:17:49 | |
of our business... | 0:17:49 | 0:17:50 | |
-Yes. -..in that we are the original recyclers. | 0:17:50 | 0:17:54 | |
I'd like to make an offer on that little group. | 0:17:54 | 0:17:57 | |
I'd like to be paying £25 on that wee lot. | 0:17:57 | 0:18:00 | |
-You're happy at that? -Yeah. | 0:18:02 | 0:18:04 | |
-That's great. -That's what I had in my mind. | 0:18:04 | 0:18:06 | |
-Is that what you had in your mind? -Yes. | 0:18:06 | 0:18:09 | |
What a team we would make. | 0:18:09 | 0:18:11 | |
Indeed. Anita's happy with the lot of gold rings | 0:18:11 | 0:18:15 | |
she thinks might sell for scrap, | 0:18:15 | 0:18:17 | |
but she's spotted a broach fashioned of a non-precious yellow | 0:18:17 | 0:18:21 | |
metal that she'd also like to throw into the lot. | 0:18:21 | 0:18:24 | |
This is not for scrap. I think it's cos she just likes it, to be honest. | 0:18:24 | 0:18:28 | |
-See this wee thing here? -Yes. | 0:18:29 | 0:18:32 | |
-If we put that in with it. -30. -You're a very decisive woman. | 0:18:32 | 0:18:36 | |
You are, Tina. | 0:18:36 | 0:18:37 | |
Let's go for £30 AND let's shake on that again. | 0:18:37 | 0:18:41 | |
Thank you very much. | 0:18:41 | 0:18:42 | |
And with that, Anita has all her buys for auction. | 0:18:42 | 0:18:45 | |
Now James is back in the Beetle and he's got some company. | 0:18:48 | 0:18:51 | |
I'm not quite sure how to break the news | 0:18:51 | 0:18:54 | |
to Anita that she's been replaced. | 0:18:54 | 0:18:58 | |
He's hatching a plan to return to Exeter, if he can figure out how to get there. | 0:18:59 | 0:19:03 | |
Erm, excuse me. Hi. | 0:19:03 | 0:19:04 | |
You couldn't tell me the right way to Exeter, could you? | 0:19:04 | 0:19:07 | |
-Go up to the top of the junction. -I do apologise. | 0:19:07 | 0:19:09 | |
-That's quite all right. -She's showing a bit too much. | 0:19:09 | 0:19:12 | |
So, why exactly are you going back to Exeter, James? | 0:19:13 | 0:19:17 | |
The hotel that Anita and I stayed in last night | 0:19:17 | 0:19:19 | |
is littered with odd antiques here and there, | 0:19:19 | 0:19:23 | |
so I had a word with the owner | 0:19:23 | 0:19:24 | |
and she seems rather keen to sell the odd one. | 0:19:24 | 0:19:29 | |
And so back to Exeter. | 0:19:29 | 0:19:31 | |
And to the Gipsy Hill Hotel. | 0:19:33 | 0:19:35 | |
The owner's name is Grace, but she's a little camera shy. | 0:19:35 | 0:19:39 | |
-So, James is meeting the duty manager. -Hi, I'm James. -Hi, I'm Thierry. | 0:19:39 | 0:19:43 | |
James is hoping that he might find a forgotten treasure amongst | 0:19:43 | 0:19:46 | |
the hotel's knick-knacks and objects. | 0:19:46 | 0:19:49 | |
James is keen on a pair of 19th century Chinese vases he spotted. | 0:19:49 | 0:19:54 | |
At the moment, these are really doing OK, | 0:19:54 | 0:19:57 | |
so these are quite fashionable. | 0:19:57 | 0:19:59 | |
They're Chinese and they're known as famille rose. | 0:19:59 | 0:20:02 | |
Of course, being French, you'll know - family of pink. Erm... | 0:20:02 | 0:20:07 | |
And we've got warriors and we've got these figures of the Oriental court. | 0:20:07 | 0:20:13 | |
It's got a chunk out of that one. | 0:20:13 | 0:20:15 | |
-On the top there. -Yeah. | 0:20:15 | 0:20:18 | |
But it's a small... In overall terms, it could be worse. | 0:20:18 | 0:20:22 | |
Oddly enough, there's no ticket price because this is a hotel, | 0:20:23 | 0:20:26 | |
-but what will James offer? -One perfect, one damaged. | 0:20:26 | 0:20:29 | |
£100. | 0:20:29 | 0:20:31 | |
-What do you think? -I'll go and find out for you. | 0:20:32 | 0:20:35 | |
Have a word. Thank you. | 0:20:35 | 0:20:37 | |
Thierry will got and ask the owner if £100 would buy them, | 0:20:37 | 0:20:40 | |
but James is having an uncharacteristic change of heart. | 0:20:40 | 0:20:45 | |
I've come in at 100 because I want to be fair. | 0:20:45 | 0:20:47 | |
Do you know, I think even if he says yes to 100, I think I'm going | 0:20:47 | 0:20:50 | |
to give him a bit more. | 0:20:50 | 0:20:52 | |
150 probably. What do you think? | 0:20:52 | 0:20:54 | |
-She said it's not enough, £100. She said 150. -Oh, did she? | 0:20:54 | 0:20:58 | |
OK. I'm going to give you 180. | 0:20:58 | 0:21:01 | |
Gosh. He must be feeling guilty. | 0:21:01 | 0:21:03 | |
That's because it's not a shop, so I'm taking a bit more of a risk. | 0:21:03 | 0:21:07 | |
But I'm hoping that they'll do well. | 0:21:07 | 0:21:10 | |
But I want you to feel that it's been fair as well. | 0:21:10 | 0:21:12 | |
Thank you. That's great. Thank you very much. | 0:21:12 | 0:21:17 | |
On this leg, Anita began with 439.32. | 0:21:17 | 0:21:21 | |
She spent £137 on her five lots. | 0:21:21 | 0:21:24 | |
A vintage medical chart, | 0:21:24 | 0:21:27 | |
vintage suitcases, | 0:21:27 | 0:21:29 | |
a plaster bust of a lady, | 0:21:29 | 0:21:31 | |
a Victorian cylinder ruler | 0:21:31 | 0:21:33 | |
and a collection of jewellery. | 0:21:33 | 0:21:35 | |
While James began with a budget of £971.94. | 0:21:35 | 0:21:40 | |
He spent a total of £325 also for five lots. | 0:21:40 | 0:21:44 | |
A pair of famille rose vases, | 0:21:44 | 0:21:47 | |
a selection of 19th century luggage, | 0:21:47 | 0:21:50 | |
an Edwardian rococo tray, | 0:21:50 | 0:21:52 | |
a female shop mannequin with a big wig, | 0:21:52 | 0:21:56 | |
and an Egyptian table. | 0:21:56 | 0:21:57 | |
And, after that, what do they think of their rival's lots? | 0:21:57 | 0:22:01 | |
His vases. He's playing that old Oriental card again, | 0:22:01 | 0:22:05 | |
and he's found them in the hotel. | 0:22:05 | 0:22:07 | |
My goodness. No place is safe with James Lewis about. | 0:22:07 | 0:22:12 | |
Anita's things, well, what has she got? | 0:22:12 | 0:22:15 | |
We've got a little ruler, the Art Nouveau bust. | 0:22:15 | 0:22:18 | |
She's not going to lose anything. | 0:22:18 | 0:22:19 | |
And that gold, my goodness. Guaranteed profit. | 0:22:19 | 0:22:24 | |
On this delightful Devon road trip, | 0:22:25 | 0:22:27 | |
James and Anita began in Exeter | 0:22:27 | 0:22:28 | |
and are now motoring towards | 0:22:28 | 0:22:30 | |
auction in the town of Chudleigh. | 0:22:30 | 0:22:32 | |
And indeed to Chudleigh's town hall, | 0:22:32 | 0:22:34 | |
wherein today's auction will take place. | 0:22:34 | 0:22:37 | |
Oh, I can smell bacon! | 0:22:37 | 0:22:39 | |
And presiding over this morning's sale is the auctioneer | 0:22:39 | 0:22:42 | |
Michael Bowman. | 0:22:42 | 0:22:43 | |
The sale is about to begin. Oh! The tension. | 0:22:43 | 0:22:46 | |
First up, it's Anita's French medical chart. | 0:22:46 | 0:22:50 | |
Start me at £10 for the chart. | 0:22:50 | 0:22:53 | |
Ten is there? Five if you like. | 0:22:53 | 0:22:56 | |
This medical chart. Five bid, thank you. £5. | 0:22:56 | 0:22:59 | |
At five. At £5. | 0:22:59 | 0:23:01 | |
We'll have one bid at £5. At five. | 0:23:01 | 0:23:04 | |
I'm selling at £5. | 0:23:05 | 0:23:07 | |
-That wasn't a good start, James. -HE LAUGHS | 0:23:10 | 0:23:13 | |
Not very healthy. | 0:23:13 | 0:23:15 | |
Next it's another lot for Anita, | 0:23:15 | 0:23:16 | |
as her two leather suitcases meet the crowd. | 0:23:16 | 0:23:19 | |
£10 for the two. | 0:23:20 | 0:23:22 | |
-£10. -£10. | 0:23:22 | 0:23:24 | |
12. | 0:23:24 | 0:23:25 | |
15. 17. | 0:23:26 | 0:23:28 | |
20. At £20. | 0:23:28 | 0:23:30 | |
-Gentleman's bidding in the centre at 20. At £20. -No! | 0:23:30 | 0:23:34 | |
At 20. In the centre at 20. All done? | 0:23:34 | 0:23:37 | |
At £20. | 0:23:37 | 0:23:38 | |
Slaughtered, James. | 0:23:38 | 0:23:40 | |
20 quid! | 0:23:40 | 0:23:42 | |
Oh, dear. | 0:23:42 | 0:23:44 | |
They're sent packing at a stinging loss. | 0:23:44 | 0:23:47 | |
See if they like yours better, I'm going to burst into floods of tears. | 0:23:47 | 0:23:51 | |
So, with hopes that Anita's mascara is waterproof, | 0:23:52 | 0:23:55 | |
it's James' own lot of luggage now. | 0:23:55 | 0:23:58 | |
Start me at £10 for the lot. | 0:23:58 | 0:24:00 | |
10 bid, thank you. 12. | 0:24:00 | 0:24:03 | |
15. 17. | 0:24:03 | 0:24:05 | |
20. 22. | 0:24:05 | 0:24:07 | |
25. 27. | 0:24:07 | 0:24:08 | |
30. 32 | 0:24:08 | 0:24:10 | |
35. 37. | 0:24:10 | 0:24:12 | |
40. 42. | 0:24:12 | 0:24:14 | |
45. | 0:24:14 | 0:24:15 | |
At £45 in the centre seated. | 0:24:15 | 0:24:17 | |
-Well... -At £45. | 0:24:17 | 0:24:18 | |
Gentleman's bid at 45. | 0:24:18 | 0:24:20 | |
All done? At £45. | 0:24:20 | 0:24:23 | |
Still pretty depressing, isn't it? SHE LAUGHS | 0:24:25 | 0:24:27 | |
Cheer up, James. | 0:24:27 | 0:24:30 | |
Now it's Anita's plaster bust of a bohemian lady. | 0:24:30 | 0:24:34 | |
10 bid, thank you. £10. | 0:24:34 | 0:24:36 | |
At 10. | 0:24:36 | 0:24:37 | |
12. 15. | 0:24:37 | 0:24:38 | |
17. 20. At £20. | 0:24:38 | 0:24:41 | |
Up on the stairs at 20. At £20. | 0:24:41 | 0:24:44 | |
At 20. Up on the stairs at 20. Are we all done? | 0:24:44 | 0:24:47 | |
I'm selling at £20. | 0:24:47 | 0:24:50 | |
Well, that is a tiny, tiny blood transfusion after the blood bath. | 0:24:50 | 0:24:54 | |
A profit. Let's hope this is the lot that changes their fortunes. | 0:24:55 | 0:24:59 | |
Now, will James' silver plated tray shine? | 0:25:00 | 0:25:04 | |
Start me at £10 for the tray. | 0:25:04 | 0:25:06 | |
10 bid. 12. | 0:25:06 | 0:25:07 | |
15. 17. | 0:25:07 | 0:25:09 | |
20. At £20. | 0:25:09 | 0:25:11 | |
Back of the room standing at 20. | 0:25:11 | 0:25:13 | |
-What? -£20. -No way! -It's not good. | 0:25:13 | 0:25:16 | |
25. 27. | 0:25:16 | 0:25:18 | |
30. 32. | 0:25:18 | 0:25:20 | |
35. At £35. | 0:25:21 | 0:25:23 | |
Back of the room now at 35. | 0:25:23 | 0:25:24 | |
Gentleman's bid standing at 35. | 0:25:24 | 0:25:27 | |
All done? At £35. | 0:25:27 | 0:25:30 | |
It does scrape a small profit, | 0:25:30 | 0:25:32 | |
but he'll have to pay auction costs on that. | 0:25:32 | 0:25:34 | |
Now, will this lot make James feel a bit of a dummy? | 0:25:36 | 0:25:40 | |
It's the bewigged mannequin. | 0:25:40 | 0:25:41 | |
At 10. | 0:25:41 | 0:25:44 | |
Is there 12 anywhere? At £10 for this mannequin. | 0:25:44 | 0:25:46 | |
12. 15. | 0:25:46 | 0:25:48 | |
17. 20. At £20. | 0:25:48 | 0:25:50 | |
-Go on. -On the stairs there, 20. | 0:25:50 | 0:25:52 | |
At £20. | 0:25:52 | 0:25:54 | |
At 20. Up on the stairs at 20. We're all done? | 0:25:54 | 0:25:57 | |
At £20. | 0:25:57 | 0:25:59 | |
Oh! | 0:25:59 | 0:26:01 | |
Surprise, surprise - no-one else likes it as much as James does. | 0:26:01 | 0:26:05 | |
Anita's cylindrical ruler is next. | 0:26:06 | 0:26:09 | |
Will it draw a straight line to a profit? | 0:26:09 | 0:26:11 | |
10 bid, thank you. At £10. | 0:26:13 | 0:26:15 | |
At 10. 12. | 0:26:15 | 0:26:16 | |
You're in profit. £12. | 0:26:16 | 0:26:19 | |
15. At £15. | 0:26:19 | 0:26:21 | |
-Trebled your money. -15. Back of the room now at 15. | 0:26:21 | 0:26:24 | |
15. On my left at 15. Gentleman's bid at 15. | 0:26:24 | 0:26:26 | |
Are we all done? I'm selling at £15. | 0:26:26 | 0:26:30 | |
That does rule in her favour. | 0:26:30 | 0:26:32 | |
Now it's James' Egyptian-style brass top table. | 0:26:33 | 0:26:37 | |
20 bid, thank you. At £20. | 0:26:37 | 0:26:38 | |
And five, may I say? At £20. | 0:26:38 | 0:26:40 | |
Are we all done then at £20? | 0:26:41 | 0:26:43 | |
At £20. I'm selling if there's no further bids at 20. | 0:26:43 | 0:26:46 | |
-All done? -No way. | 0:26:46 | 0:26:48 | |
At £20. | 0:26:48 | 0:26:50 | |
LAUGHTER | 0:26:50 | 0:26:53 | |
No need to throw your toys out of the pram, James. | 0:26:53 | 0:26:55 | |
It was a ghastly thing. Although that is a loss after costs. | 0:26:55 | 0:26:59 | |
-Bad boy. -HE LAUGHS | 0:26:59 | 0:27:02 | |
Now it's Anita's job lot of gold rings, | 0:27:04 | 0:27:07 | |
along with a yellow metal broach. | 0:27:07 | 0:27:08 | |
James fancied it. Will the punters? | 0:27:08 | 0:27:11 | |
20, is there? 20 bid, thank you. | 0:27:11 | 0:27:14 | |
25. 35. 40. | 0:27:14 | 0:27:17 | |
Five. 50. | 0:27:18 | 0:27:20 | |
Five. 60. | 0:27:22 | 0:27:23 | |
-65. -It's climbing. | 0:27:24 | 0:27:27 | |
100. 105. | 0:27:27 | 0:27:29 | |
110. 115. | 0:27:29 | 0:27:33 | |
And climbing. | 0:27:33 | 0:27:35 | |
140. | 0:27:35 | 0:27:36 | |
And 140. Are we all sound at 140? | 0:27:36 | 0:27:39 | |
At £140. | 0:27:39 | 0:27:42 | |
A very nice profit pulls Anita back from the brink. | 0:27:42 | 0:27:46 | |
NARRATOR WHISTLES | 0:27:46 | 0:27:47 | |
-Wow. -£140. -Well done. | 0:27:47 | 0:27:51 | |
Now it's James' moneybags purchase, | 0:27:51 | 0:27:53 | |
two Chinese vases privately bought from a hotelier. | 0:27:53 | 0:27:57 | |
At £50. 60. | 0:27:58 | 0:28:00 | |
70. 80. | 0:28:00 | 0:28:02 | |
90. 100. | 0:28:02 | 0:28:04 | |
-110. -It's getting there, James. | 0:28:04 | 0:28:07 | |
130. 140. 150. | 0:28:07 | 0:28:11 | |
160. At 160. | 0:28:11 | 0:28:13 | |
-On the landing at 160. -No. | 0:28:13 | 0:28:16 | |
No, no, no. | 0:28:16 | 0:28:18 | |
Don't panic, James. | 0:28:18 | 0:28:19 | |
-Don't panic. -I'm not panicking. | 0:28:19 | 0:28:21 | |
180. 190. | 0:28:21 | 0:28:23 | |
200. 210. | 0:28:23 | 0:28:25 | |
-Telephone's still in. -220. | 0:28:25 | 0:28:28 | |
It's got legs, this one. | 0:28:28 | 0:28:29 | |
320. | 0:28:29 | 0:28:31 | |
340. | 0:28:31 | 0:28:32 | |
360. | 0:28:32 | 0:28:34 | |
SHE WHISPERS | 0:28:34 | 0:28:36 | |
380. 400. | 0:28:36 | 0:28:37 | |
-(400.) -Well, that's what I thought they should make. | 0:28:37 | 0:28:40 | |
It's gathering momentum. | 0:28:40 | 0:28:41 | |
420. 480. | 0:28:41 | 0:28:43 | |
500. | 0:28:43 | 0:28:45 | |
That's good now. | 0:28:45 | 0:28:47 | |
520. | 0:28:47 | 0:28:48 | |
540. | 0:28:48 | 0:28:51 | |
At 560. | 0:28:51 | 0:28:53 | |
At 560 and I'm selling. | 0:28:53 | 0:28:55 | |
At £560. | 0:28:55 | 0:28:58 | |
(Yes!) | 0:28:58 | 0:29:00 | |
Jeez! | 0:29:00 | 0:29:03 | |
Look out! He's more than trebled his money on that one. | 0:29:03 | 0:29:07 | |
It's been a very odd day. | 0:29:07 | 0:29:09 | |
Certainly has been an odd day. | 0:29:09 | 0:29:11 | |
Anita started this leg with £439.32. | 0:29:11 | 0:29:15 | |
After paying auction costs, she holds a small profit of £27 exactly, | 0:29:15 | 0:29:19 | |
giving her £466.32 to carry onwards and upwards. | 0:29:19 | 0:29:26 | |
Whilst James began with £917.94. | 0:29:28 | 0:29:32 | |
He made a smashing profit of £232.60, giving him | 0:29:32 | 0:29:37 | |
a whopping £1,204.54 cash in hand. | 0:29:37 | 0:29:42 | |
Oh, James, that was a bit of a rollercoaster ride. | 0:29:42 | 0:29:47 | |
Wasn't it just? | 0:29:47 | 0:29:49 | |
That's all it needs - one star lot. | 0:29:49 | 0:29:51 | |
-Come on. -Thank you. | 0:29:51 | 0:29:53 | |
So let's hope there will be some more star lots to come. Drive on! | 0:29:53 | 0:29:58 | |
On this final leg, our twosome are driving a Swinging Sixties sweetheart - | 0:29:58 | 0:30:03 | |
the 1969 Volkswagen Beetle. | 0:30:03 | 0:30:05 | |
We've seen some wonderful counties in England. | 0:30:05 | 0:30:09 | |
We've been to Herefordshire. No, Hertfordshire. | 0:30:09 | 0:30:12 | |
Hertfordshire, Herefordshire and Hampshire, | 0:30:12 | 0:30:15 | |
where hurricanes hardly ever happen. | 0:30:15 | 0:30:17 | |
Huh! | 0:30:17 | 0:30:18 | |
They started this whole road trip actually in Oxfordshire, | 0:30:18 | 0:30:21 | |
and have toured the stately southern counties of England, | 0:30:21 | 0:30:24 | |
heading for auction in London. | 0:30:24 | 0:30:26 | |
On this last leg of their journey, | 0:30:26 | 0:30:27 | |
they'll begin in Dorchester, | 0:30:27 | 0:30:29 | |
with all eyes on their final auction in our nation's capital. | 0:30:29 | 0:30:32 | |
It's a fine day in Dorset as they drive towards Dorchester, | 0:30:32 | 0:30:37 | |
where they're both beginning this leg's shopping. | 0:30:37 | 0:30:40 | |
Oh, they've driven straight into the middle of a classic motorcycle meet. | 0:30:40 | 0:30:44 | |
-Trust you two! -Wow! An old Norton. Wow! | 0:30:44 | 0:30:50 | |
-This is very much your era, isn't it? -Yeah! | 0:30:50 | 0:30:52 | |
-'30s and all that. -Watch it, watch it! | 0:30:52 | 0:30:55 | |
Golly! | 0:30:55 | 0:30:57 | |
-Anyway, less about the old bikes, more about antiques. -OK. | 0:30:57 | 0:31:01 | |
Indeed. | 0:31:01 | 0:31:03 | |
They're splitting up to wander to their first shops. | 0:31:03 | 0:31:05 | |
James is strolling off into De Danann Antiques, | 0:31:05 | 0:31:07 | |
where he's meeting dealer John. | 0:31:07 | 0:31:10 | |
-Golly! You've got a big place. -No need to be personal. | 0:31:10 | 0:31:13 | |
It's a sizeable antiques centre, so he'll need to use his head | 0:31:13 | 0:31:16 | |
if he's going to root out a bargain. | 0:31:16 | 0:31:20 | |
Hello! | 0:31:20 | 0:31:21 | |
Hello! He's shortly spotted another couple of animal-themed items. | 0:31:21 | 0:31:25 | |
Crufts dog show. | 0:31:27 | 0:31:28 | |
Oh, really? | 0:31:28 | 0:31:30 | |
A pair of EPBM - electro-plated base metal - cups. | 0:31:30 | 0:31:34 | |
Commemorating the Crufts dog show. | 0:31:35 | 0:31:37 | |
When did Crufts start? | 0:31:37 | 0:31:39 | |
1891, as it happens. | 0:31:39 | 0:31:41 | |
These possibly date from the early years of the event. | 0:31:41 | 0:31:44 | |
Ticket price is £45 for the pair. | 0:31:44 | 0:31:46 | |
This is very much in what we call the Rococo style. | 0:31:46 | 0:31:50 | |
Very Victorian. | 0:31:50 | 0:31:52 | |
Embossed with flowers and these giant C-scrolls. | 0:31:52 | 0:31:56 | |
It says they're a pair, but they're not, | 0:31:56 | 0:31:58 | |
because if you hold them together, | 0:31:58 | 0:31:59 | |
one is about half an inch longer than the other, | 0:31:59 | 0:32:03 | |
and also, different makers, | 0:32:03 | 0:32:05 | |
so I reckon they'd have been different years. | 0:32:05 | 0:32:07 | |
He's noting them and browsing on. | 0:32:07 | 0:32:09 | |
Soon he spies something else which really speaks of its own history. | 0:32:09 | 0:32:13 | |
That's quite interesting. | 0:32:13 | 0:32:15 | |
Lt W Batty of the Royal Signals. | 0:32:15 | 0:32:18 | |
So we've got an engineer's tool cabinet | 0:32:18 | 0:32:23 | |
with precision instruments and chisels. | 0:32:23 | 0:32:28 | |
I don't see any precision instruments, | 0:32:28 | 0:32:30 | |
but the Royal Corps of Signals is a branch of the armed forces | 0:32:30 | 0:32:33 | |
dedicated to telecommunications. | 0:32:33 | 0:32:36 | |
This toolkit dates from the early 20th century. | 0:32:36 | 0:32:38 | |
Well, maybe. Ticket price, £60. | 0:32:38 | 0:32:41 | |
John, I've got a couple of things I'm looking at up here. | 0:32:41 | 0:32:44 | |
I thought they're quite interesting. | 0:32:44 | 0:32:47 | |
-Yeah, Crufts. -I thought they might be early Crufts trophies, | 0:32:47 | 0:32:50 | |
but they're not a pair, though. | 0:32:50 | 0:32:51 | |
-Good lord! One for one year and one for another? -Yes, that's what I think. | 0:32:51 | 0:32:55 | |
Er...25. | 0:32:55 | 0:32:57 | |
25. OK. | 0:32:57 | 0:32:59 | |
And what about the signalman's toolkit? | 0:32:59 | 0:33:02 | |
That could be 40. | 0:33:02 | 0:33:04 | |
(40...) | 0:33:04 | 0:33:06 | |
65. | 0:33:07 | 0:33:09 | |
60 for the two. | 0:33:09 | 0:33:10 | |
-50 the two? -55? | 0:33:10 | 0:33:13 | |
There you go. 55. Thank you. | 0:33:13 | 0:33:16 | |
Excellent! A great deal done with military efficiency. | 0:33:16 | 0:33:20 | |
Now, Anita's nearby at Dorchester Curiosity Centre, | 0:33:20 | 0:33:23 | |
where she's meeting dealer Martin. | 0:33:23 | 0:33:26 | |
I love this type of place. | 0:33:26 | 0:33:28 | |
It's a big warehouse and there is thousands and thousands of items | 0:33:28 | 0:33:35 | |
of every type and every fashion. | 0:33:35 | 0:33:39 | |
And she's soon spotted something outside | 0:33:39 | 0:33:41 | |
that she'd like to take for a ride. | 0:33:41 | 0:33:44 | |
What's this wee soul doing out here all alone? | 0:33:44 | 0:33:47 | |
He's a black beauty. | 0:33:47 | 0:33:50 | |
Certainly is. | 0:33:50 | 0:33:51 | |
It's a metal spring-mounted rocking horse. | 0:33:51 | 0:33:54 | |
Ticket price is £65. | 0:33:54 | 0:33:55 | |
He's a tin toy. He's from the 1940s, | 0:33:55 | 0:33:59 | |
so he has a bit of age. He's a vintage item. | 0:33:59 | 0:34:03 | |
He's resting on these springs, | 0:34:03 | 0:34:07 | |
and it's a fairly tough and substantial toy. | 0:34:07 | 0:34:11 | |
Of course, she's going to test that theory. Stand by. | 0:34:11 | 0:34:14 | |
He would probably take my weight. | 0:34:14 | 0:34:16 | |
Careful! | 0:34:17 | 0:34:19 | |
TIM TITTERS | 0:34:19 | 0:34:20 | |
My legs are too long! | 0:34:20 | 0:34:23 | |
But he's a good strong creature. | 0:34:23 | 0:34:26 | |
I think I'll have a go at him. | 0:34:26 | 0:34:28 | |
Hmm. Better get Martin. | 0:34:28 | 0:34:29 | |
What I'd be looking to buy him for | 0:34:29 | 0:34:32 | |
is round about £25. | 0:34:32 | 0:34:34 | |
HE INHALES SHARPLY Right. | 0:34:34 | 0:34:36 | |
I'd like to look at 30. | 0:34:36 | 0:34:38 | |
-At 30? -Yeah. -Uh-huh. | 0:34:38 | 0:34:40 | |
Could you come a wee bit sort of... | 0:34:40 | 0:34:43 | |
halfway between the two? | 0:34:43 | 0:34:45 | |
-Let's go £28, then. How's that? -£28? That sounds absolutely wonderful. | 0:34:45 | 0:34:49 | |
Thank you very much. | 0:34:49 | 0:34:50 | |
One item safely stabled, | 0:34:50 | 0:34:52 | |
and she's soon toying with the idea of another playful buy. | 0:34:52 | 0:34:56 | |
We've got a whole army there. I'm not sure | 0:34:56 | 0:35:00 | |
which army! | 0:35:00 | 0:35:02 | |
I think it's second childhood, you know. | 0:35:02 | 0:35:05 | |
100 lead toy soldiers, | 0:35:05 | 0:35:08 | |
not all originating from the same set. | 0:35:08 | 0:35:10 | |
Ticket price on the whole assortment is £108. | 0:35:10 | 0:35:13 | |
Is she going gaga? | 0:35:13 | 0:35:15 | |
The dealer who owns them is called Gary. | 0:35:15 | 0:35:17 | |
What I do like about this is that you've got quite a quantity. | 0:35:17 | 0:35:21 | |
You can have a good wee...war there. | 0:35:21 | 0:35:23 | |
A good battle, yeah! | 0:35:23 | 0:35:24 | |
And if all else fails, | 0:35:24 | 0:35:27 | |
you've got these four Scotsmen with kilts on, | 0:35:27 | 0:35:30 | |
who will come down and win the battle. | 0:35:30 | 0:35:32 | |
And all this chat about brave Scots warriors | 0:35:32 | 0:35:35 | |
has whetted Anita's appetite for a serious haggle. Look out, Gary! | 0:35:35 | 0:35:39 | |
Can they be bought for in the region of, | 0:35:39 | 0:35:43 | |
say, £30, £35? | 0:35:43 | 0:35:46 | |
I think the best I could do really is 55. | 0:35:46 | 0:35:49 | |
-55 on that? -Yes. | 0:35:49 | 0:35:51 | |
Could you take another tenner off of it? | 0:35:51 | 0:35:53 | |
I'll met you halfway. 50. | 0:35:53 | 0:35:55 | |
Shall we go for it? | 0:35:55 | 0:35:57 | |
-If you're happy. -Let's go with that. Thank you very much, Gary. | 0:35:57 | 0:36:00 | |
-You're very welcome. -That's smashing. | 0:36:00 | 0:36:01 | |
So, she's got the rocking horse and the lead soldiers | 0:36:01 | 0:36:04 | |
for a total of £78. | 0:36:04 | 0:36:05 | |
And now she's trotting off to find a sandpit to play in, perhaps. | 0:36:05 | 0:36:09 | |
Now, James is still in his first shop. | 0:36:12 | 0:36:15 | |
That's ominous. | 0:36:15 | 0:36:18 | |
That's quite interesting. | 0:36:18 | 0:36:20 | |
It's a shot flask for... | 0:36:20 | 0:36:22 | |
or powder flask | 0:36:22 | 0:36:25 | |
for an 18th-century musket. Made from one whole cow horn. | 0:36:25 | 0:36:28 | |
Mmm. It's designed to hold shot or gunpowder. | 0:36:28 | 0:36:32 | |
Ticket price is £18 | 0:36:32 | 0:36:35 | |
and James is impressed with its quality. | 0:36:35 | 0:36:38 | |
Just look at the way that's been heated | 0:36:38 | 0:36:40 | |
and flattened. Very subtly done. | 0:36:40 | 0:36:43 | |
Into these panels and then spiralled. | 0:36:43 | 0:36:47 | |
£18. | 0:36:47 | 0:36:48 | |
Well...it's not expensive at that. | 0:36:48 | 0:36:51 | |
I'll just see what he can do on it. | 0:36:51 | 0:36:54 | |
Go for it. | 0:36:54 | 0:36:55 | |
-Hi. -Hi. -What could you do on that for me? | 0:36:55 | 0:36:59 | |
-9. -9? -Yeah. | 0:37:00 | 0:37:03 | |
Deal. Thank you very much. | 0:37:03 | 0:37:05 | |
That's grand. | 0:37:05 | 0:37:06 | |
Golly, that deal was over like a shot. Swift work, chaps. | 0:37:06 | 0:37:10 | |
And his magpie eye is soon caught by something shiny | 0:37:10 | 0:37:13 | |
elsewhere in the shop. | 0:37:13 | 0:37:15 | |
I'm thinking about useful things for the dining table. | 0:37:15 | 0:37:18 | |
And there we've got a pair of | 0:37:18 | 0:37:21 | |
Victorian Sheffield plate bottle coasters. | 0:37:21 | 0:37:26 | |
Sheffield plate is clever stuff. | 0:37:26 | 0:37:28 | |
It looks just like the real solid silver, | 0:37:28 | 0:37:31 | |
except it's silver on top of a layer of copper. | 0:37:31 | 0:37:34 | |
Popular in the 18th and 19th centuries. | 0:37:34 | 0:37:37 | |
Two pairs of the coasters, priced up at £30 each, | 0:37:37 | 0:37:41 | |
so £60 the lot. | 0:37:41 | 0:37:42 | |
But it's the damage, and the damage is key. | 0:37:44 | 0:37:48 | |
We've got a boss missing off that one in the centre | 0:37:48 | 0:37:51 | |
and we've got woodworm in the base there. | 0:37:51 | 0:37:53 | |
HE INHALES | 0:37:53 | 0:37:55 | |
Best see what John could do, then. | 0:37:55 | 0:37:57 | |
John, what could they be? | 0:37:57 | 0:38:00 | |
40 the lot. | 0:38:00 | 0:38:02 | |
How about 35, then? | 0:38:02 | 0:38:03 | |
-35, yeah? -Is 35 all right? -Yeah. That's fine. | 0:38:03 | 0:38:07 | |
You've got a deal. Thank you very much. | 0:38:07 | 0:38:08 | |
Thank you. | 0:38:08 | 0:38:10 | |
Smashing. | 0:38:10 | 0:38:11 | |
After a bumper browse in this shop, | 0:38:11 | 0:38:13 | |
James has secured a whopping four items. | 0:38:13 | 0:38:15 | |
Thank you, John! | 0:38:15 | 0:38:17 | |
Now, Anita's also still in Dorchester. | 0:38:20 | 0:38:22 | |
Continuing the playful theme she started this morning shopping with, | 0:38:22 | 0:38:25 | |
she's now wandered on to the town's teddy bear museum. | 0:38:25 | 0:38:29 | |
Fancy a hug? | 0:38:29 | 0:38:30 | |
She's meeting the proprietor, Jackie Ridley. | 0:38:33 | 0:38:36 | |
Hello! It's lovely to be here. | 0:38:36 | 0:38:38 | |
-My name's Anita. -I'm Jackie. | 0:38:38 | 0:38:40 | |
-And I'm a teddy bear girl. -I'm so glad! | 0:38:40 | 0:38:43 | |
You've come to the right place. | 0:38:43 | 0:38:45 | |
This enchanting museum grew out of | 0:38:45 | 0:38:47 | |
Jackie's own enormous and quirky collection of teddy bears. | 0:38:47 | 0:38:50 | |
Collecting bears is a personal passion | 0:38:50 | 0:38:52 | |
that she's had since childhood. | 0:38:52 | 0:38:54 | |
-Do you still have your first bear? -I do. | 0:38:54 | 0:38:57 | |
-And he's here today. -Is he? Oh! | 0:38:57 | 0:38:59 | |
-Can I have a wee cuddle? -Oh, yes. | 0:38:59 | 0:39:01 | |
Aw! He's very sweet. | 0:39:01 | 0:39:04 | |
Teddy bears are named after | 0:39:04 | 0:39:06 | |
US President Theodore - or Teddy - Roosevelt. | 0:39:06 | 0:39:09 | |
The story goes that Roosevelt spared the life of a bear | 0:39:10 | 0:39:13 | |
when on a hunting trip, | 0:39:13 | 0:39:15 | |
and this inspired a couple who owned as Brooklyn candy store | 0:39:15 | 0:39:18 | |
to create a toy in tribute. | 0:39:18 | 0:39:21 | |
The wife, Rose, Rose Michtom, | 0:39:21 | 0:39:23 | |
would actually make a little tiny Teddy's bear. | 0:39:23 | 0:39:28 | |
So she makes a Teddy's bear and pops it in her husband's shop window. | 0:39:28 | 0:39:32 | |
-And that's how they started? -That's how it all started. | 0:39:32 | 0:39:35 | |
Though the teddy is as American as apple pie in its origins, | 0:39:35 | 0:39:39 | |
it was a German company, Steiff, | 0:39:39 | 0:39:42 | |
that really popularised it | 0:39:42 | 0:39:44 | |
and remains the key name in collectable bears to this day. | 0:39:44 | 0:39:47 | |
Well, Margarete Steiff had the capacity | 0:39:47 | 0:39:52 | |
to key into this Teddy's bear. | 0:39:52 | 0:39:54 | |
She had a huge factory and she was able to suddenly | 0:39:54 | 0:39:58 | |
manufacture them in quantity, | 0:39:58 | 0:40:00 | |
and by 1903, the Germans had virtually taken over | 0:40:00 | 0:40:05 | |
the market for this new phenomenon which everyone wanted, | 0:40:05 | 0:40:10 | |
which was a teddy bear. | 0:40:10 | 0:40:11 | |
The Steiff company has remained synonymous | 0:40:11 | 0:40:14 | |
with valuable and collectable bears. | 0:40:14 | 0:40:17 | |
Jackie's taking Anita to see a copy | 0:40:17 | 0:40:19 | |
of the most valuable teddy in the world - | 0:40:19 | 0:40:22 | |
a Steiff bear that sold at auction for an astonishing £110,000. | 0:40:22 | 0:40:28 | |
What are we looking for in an early Steiff bear? | 0:40:28 | 0:40:32 | |
-What are the characteristics? -Look at the length of the arms. | 0:40:32 | 0:40:36 | |
Look at this lovely hump. | 0:40:36 | 0:40:39 | |
Look at the way the stitching is done, | 0:40:39 | 0:40:42 | |
the way the nose is made, and the eyes. | 0:40:42 | 0:40:45 | |
The eyes are glass eyes. | 0:40:45 | 0:40:47 | |
They're not plastic eyes. | 0:40:47 | 0:40:49 | |
I don't think it's only that, | 0:40:49 | 0:40:51 | |
but it's the fact that this is just a gorgeous...thing. | 0:40:51 | 0:40:56 | |
Well, I think this will send us all | 0:40:56 | 0:40:59 | |
-searching in the attics for our old teddy bear. -Absolutely. | 0:40:59 | 0:41:03 | |
But it would have to be a very, very special teddy. | 0:41:03 | 0:41:06 | |
It would. | 0:41:06 | 0:41:08 | |
It's nearly time for Anita to hit the road, | 0:41:08 | 0:41:10 | |
but first, she's going to have | 0:41:10 | 0:41:11 | |
a last look around Jackie's collection. | 0:41:11 | 0:41:14 | |
# If you go down in the woods today You'd better go in disguise... # | 0:41:14 | 0:41:19 | |
Look out, Anita! Some of the locals are taking an interest in you. | 0:41:19 | 0:41:22 | |
They'll want an autograph. | 0:41:22 | 0:41:24 | |
# Today's the day the teddy bears have their picnic. # | 0:41:24 | 0:41:28 | |
Back in the car and back on the road, our experts are as competitive as ever. | 0:41:28 | 0:41:34 | |
What I want to do today, James, is to find something | 0:41:34 | 0:41:36 | |
that's going to make me £3,000! | 0:41:36 | 0:41:39 | |
Don't we all, Anita. | 0:41:39 | 0:41:41 | |
Let's hope your luck's in, girl. | 0:41:41 | 0:41:43 | |
They're driving to the city of Portsmouth in Hampshire. | 0:41:43 | 0:41:46 | |
Portsmouth has, for centuries, | 0:41:46 | 0:41:48 | |
been one of Britain's most vital naval ports. | 0:41:48 | 0:41:51 | |
Its history is commemorated by the city's modern Spinnaker Tower. | 0:41:51 | 0:41:55 | |
They're pulling up beside a naval hero. | 0:41:56 | 0:41:59 | |
-There we go! -Well done, James. | 0:41:59 | 0:42:01 | |
Who is that? | 0:42:01 | 0:42:03 | |
-It's Nelson, of course. -Oh, yeah! | 0:42:03 | 0:42:06 | |
Good-looking guy from the back. | 0:42:06 | 0:42:09 | |
Hey, Anita, stop ogling a statue! | 0:42:09 | 0:42:11 | |
She's going to drive onwards, though. | 0:42:11 | 0:42:14 | |
But James is going to his first shop. | 0:42:14 | 0:42:17 | |
He's marching off towards the Antiques Storehouse, | 0:42:17 | 0:42:20 | |
which is located right in the heart of Portsmouth's historic docks. | 0:42:20 | 0:42:24 | |
James has been here before, so already knows dealer Andrew. | 0:42:24 | 0:42:28 | |
-Hi, Andrew. How are you? -Hi, James. Good to see you. | 0:42:28 | 0:42:31 | |
I've got to find something that's got a chance of making a profit. | 0:42:37 | 0:42:41 | |
Yep, that's the general idea. | 0:42:41 | 0:42:43 | |
But he's just found something with real historic interest. | 0:42:43 | 0:42:47 | |
One thing that almost everybody finds | 0:42:47 | 0:42:50 | |
when they're doing a house clearance, | 0:42:50 | 0:42:52 | |
stuck at the back of the bureau, | 0:42:52 | 0:42:54 | |
is Granny's death certificate, or Grandad's death certificate. | 0:42:54 | 0:42:57 | |
But... | 0:42:57 | 0:42:59 | |
..this one is slightly different. | 0:43:00 | 0:43:02 | |
Winston Leonard Spencer-Churchill. | 0:43:04 | 0:43:06 | |
I mean, that... | 0:43:06 | 0:43:09 | |
is an incredible thing to see. | 0:43:09 | 0:43:12 | |
There would be more than one. | 0:43:12 | 0:43:14 | |
You would have to prove to the tax office, to the Inland Revenue, | 0:43:14 | 0:43:18 | |
but also, you would have copies made | 0:43:18 | 0:43:20 | |
for the family as well, for the family records. | 0:43:20 | 0:43:22 | |
Yeah, there could be lots of copies knocking about. | 0:43:22 | 0:43:25 | |
It's priced at £1,100. Huh! | 0:43:25 | 0:43:28 | |
So James isn't sure he could make a profit on it. | 0:43:28 | 0:43:32 | |
But he's visited this shop on a previous road trip, | 0:43:32 | 0:43:34 | |
and he's remembered some stock of Andrew's he'd like to revisit. | 0:43:34 | 0:43:38 | |
One of the things you pointed out very kindly | 0:43:38 | 0:43:41 | |
were two very thick boxes, blue boxes of William Wyllie sketches. | 0:43:41 | 0:43:46 | |
-I haven't moved them since! -Haven't you?! | 0:43:46 | 0:43:48 | |
Andrew has two boxes crammed full of works | 0:43:48 | 0:43:52 | |
that came from the studio of popular artist William Lionel Wyllie, | 0:43:52 | 0:43:56 | |
who painted in the late 19th and early 20th centuries. | 0:43:56 | 0:43:59 | |
-There you go. -Ah, brilliant! Where shall we go with these? | 0:43:59 | 0:44:02 | |
James did rather well from the last Wyllie sketch he bought here. | 0:44:02 | 0:44:06 | |
Can he repeat the trick? | 0:44:06 | 0:44:08 | |
William Wyllie was really known for his etchings | 0:44:08 | 0:44:11 | |
of yachts and ships, | 0:44:11 | 0:44:14 | |
and there's the man himself. | 0:44:14 | 0:44:15 | |
There he is. That's William Wyllie, | 0:44:15 | 0:44:17 | |
painting a large-scale oil. | 0:44:17 | 0:44:19 | |
James has found one unusual sketch that he really likes. | 0:44:19 | 0:44:23 | |
I think that's quite smart. | 0:44:23 | 0:44:25 | |
And there's a bird sitting on a cat's head, | 0:44:25 | 0:44:28 | |
sharing a bowl of milk with mice. | 0:44:28 | 0:44:31 | |
"United Happy Family" he's called it. | 0:44:31 | 0:44:34 | |
That's bonkers! | 0:44:34 | 0:44:37 | |
Love it. | 0:44:37 | 0:44:39 | |
He's going to speak to Andrew about that one. | 0:44:39 | 0:44:41 | |
-Could that be 10? -Yeah, that's fine. | 0:44:41 | 0:44:44 | |
And he's also selected another piece. | 0:44:44 | 0:44:46 | |
There's a yacht, which I thought would be more his sort of thing, | 0:44:46 | 0:44:51 | |
so, I mean, what would you want for that? | 0:44:51 | 0:44:53 | |
That's going to be getting...certainly £50 for that. | 0:44:53 | 0:44:56 | |
50. OK. | 0:44:56 | 0:44:57 | |
-Take 50 the two? -I'll do them for 60. | 0:44:57 | 0:45:00 | |
That was 50 and that was 10 anyway! | 0:45:00 | 0:45:02 | |
Was it? I thought I said 20. OK, 50's fine. | 0:45:02 | 0:45:05 | |
-You've got a deal. -That is really nice, actually. | 0:45:05 | 0:45:08 | |
It is. James gets his wily way with his Wyllie pictures for £50. | 0:45:08 | 0:45:13 | |
And he's sailing onwards. Hopefully upwards. | 0:45:13 | 0:45:15 | |
Now, Anita's driven on to the town of Fareham, Hampshire, | 0:45:17 | 0:45:21 | |
where she's visiting Antiques of Fareham. | 0:45:21 | 0:45:23 | |
-Hello. -Hello! I'm Anita Manning. | 0:45:25 | 0:45:28 | |
Hi. I'm Nick. | 0:45:28 | 0:45:29 | |
-I'm looking to buy some antiques. Am I in the right place? -Yes, you are. | 0:45:29 | 0:45:34 | |
Tell you what, if you just stand over there, | 0:45:34 | 0:45:36 | |
I'll open up the door and reveal all to you. | 0:45:36 | 0:45:39 | |
Sounds interesting. | 0:45:39 | 0:45:40 | |
It does! | 0:45:40 | 0:45:42 | |
-Hello, again! -Hello! | 0:45:46 | 0:45:49 | |
Nick and his wife used to have a shop in town, | 0:45:49 | 0:45:52 | |
but now mainly deal online and at antique fairs, | 0:45:52 | 0:45:55 | |
so they've generously allowed Anita into their garage, | 0:45:55 | 0:45:58 | |
where they keep their stock. | 0:45:58 | 0:46:01 | |
Best behaviour, now, Anita. | 0:46:01 | 0:46:03 | |
And she's soon unearthed something that she likes the look of. | 0:46:06 | 0:46:09 | |
I rather like this little purse. | 0:46:09 | 0:46:12 | |
Late 19th, early 20th century. | 0:46:12 | 0:46:16 | |
If you open it up, it's in absolutely perfect condition. | 0:46:16 | 0:46:21 | |
But it has a faintly Art Deco look about it. | 0:46:21 | 0:46:26 | |
As if it was blowing a kiss to the Art Deco period. | 0:46:26 | 0:46:30 | |
Hmm. You do have a way with words, Anita. | 0:46:30 | 0:46:33 | |
Ticket price is £35. | 0:46:33 | 0:46:35 | |
The purse is made of ivory, | 0:46:37 | 0:46:39 | |
but of course it's illegal to trade in ivory items made after 1947. | 0:46:39 | 0:46:43 | |
But this little purse here was made well before that time. | 0:46:44 | 0:46:48 | |
And there's something else from a similar period | 0:46:48 | 0:46:51 | |
that's also caught her fancy. | 0:46:51 | 0:46:52 | |
I like this. I find it very appealing. | 0:46:52 | 0:46:55 | |
It's a little evening purse. | 0:46:55 | 0:46:58 | |
Now, the body of the purse is made of the finest kid leather. | 0:46:58 | 0:47:02 | |
This is probably the type of purse | 0:47:02 | 0:47:05 | |
that a fine stylish lady would have carried on a night out | 0:47:05 | 0:47:10 | |
at the turn of the century in Shanghai. | 0:47:10 | 0:47:13 | |
Ooh! Ticket price on the leather purse is £18. | 0:47:13 | 0:47:16 | |
She's going to ask Nick about both her Art Deco-influenced items. | 0:47:16 | 0:47:21 | |
What will Anita offer on the ivory purse? | 0:47:21 | 0:47:24 | |
I would be thinking of that probably in the region of... | 0:47:24 | 0:47:29 | |
£12 to £15. | 0:47:29 | 0:47:31 | |
And what about the leather one? | 0:47:31 | 0:47:33 | |
I'd be maybe in the region of £8, round about that. | 0:47:33 | 0:47:39 | |
Hmm. I think we might be able to do something. I don't know if I can do it quite as low as that. | 0:47:39 | 0:47:44 | |
What I'd be looking at would be about 25, 27 for the pair. | 0:47:44 | 0:47:49 | |
-Is there any possibility of coming near 20 on it? -Um... | 0:47:49 | 0:47:53 | |
I think just to make a little bit in it for me, | 0:47:53 | 0:47:57 | |
if I said 22? | 0:47:57 | 0:47:59 | |
That's absolutely fine with me. I'm happy with that. | 0:47:59 | 0:48:02 | |
Anita's got her stylish buys and she's off. | 0:48:02 | 0:48:07 | |
Ten miles down the road to Southsea, where she's heading into Parmiters Antiques | 0:48:07 | 0:48:13 | |
to meet sharply dressed dealer Ian. | 0:48:13 | 0:48:15 | |
-Hello. -Hello. I'm Anita. -Hello, Anita. Welcome to Southsea. | 0:48:15 | 0:48:19 | |
Oh, nice jacket, sir! | 0:48:19 | 0:48:20 | |
Ian's shop is stuffed to the gunwales | 0:48:20 | 0:48:22 | |
with eye-catching and eccentric items, | 0:48:22 | 0:48:25 | |
which plays right into Anita's wheelhouse. | 0:48:25 | 0:48:29 | |
Time for a browse, Anita. | 0:48:29 | 0:48:31 | |
Shortly she's fallen for something | 0:48:36 | 0:48:38 | |
redolent of the great British seaside. | 0:48:38 | 0:48:40 | |
Isn't he adorable? | 0:48:40 | 0:48:42 | |
Not another one! | 0:48:42 | 0:48:43 | |
This is Puck the magic dragon. | 0:48:43 | 0:48:46 | |
Ah, Puff's brother, is he? | 0:48:46 | 0:48:48 | |
I think that this is a fairground animal. | 0:48:48 | 0:48:53 | |
I think this is off one of the rides of maybe the 1940s | 0:48:53 | 0:48:58 | |
or 1950s. | 0:48:58 | 0:48:59 | |
And it appeals to me because it is so colourful. | 0:48:59 | 0:49:03 | |
I wonder how much it is? | 0:49:03 | 0:49:05 | |
Best ask Ian. | 0:49:05 | 0:49:06 | |
I've fallen in love with Puck the magic dragon. | 0:49:06 | 0:49:09 | |
I suppose you want to know how much it is? | 0:49:09 | 0:49:12 | |
She sure does. | 0:49:12 | 0:49:13 | |
I'm asking 150, but I'm open to an offer. | 0:49:13 | 0:49:16 | |
-We can do a wee bit of bargaining. -Yeah. | 0:49:16 | 0:49:18 | |
-Without falling out. -I won't fall out with you, Anita. | 0:49:18 | 0:49:22 | |
-Cos you're nice. -That's good! | 0:49:22 | 0:49:23 | |
Say I come in at... | 0:49:23 | 0:49:26 | |
£80? | 0:49:26 | 0:49:27 | |
-How does that sound? -120. | 0:49:27 | 0:49:30 | |
100. | 0:49:32 | 0:49:33 | |
-Go on, then. -Thank you very much! | 0:49:34 | 0:49:36 | |
Cor, she's splashing her cash today. | 0:49:36 | 0:49:39 | |
But she'll have to be bold | 0:49:39 | 0:49:40 | |
if she's going to stand any chance against James. Hello! | 0:49:40 | 0:49:43 | |
Not my type. | 0:49:43 | 0:49:45 | |
No, but there's someone outside who does take her fancy. | 0:49:47 | 0:49:50 | |
This is one of the things that I noticed | 0:49:53 | 0:49:55 | |
when I came in at the beginning. | 0:49:55 | 0:49:56 | |
A footballer. | 0:49:56 | 0:49:58 | |
It's a piece of a fairground attraction. Ticket price is £120. | 0:49:58 | 0:50:03 | |
I'm going to have a go at that. I think that's great. | 0:50:03 | 0:50:07 | |
And he's got fabulous thighs. | 0:50:07 | 0:50:09 | |
Yeah, footballer's! | 0:50:09 | 0:50:11 | |
-I want to ask you about something else. -OK. | 0:50:11 | 0:50:13 | |
What can you give him to me for? | 0:50:13 | 0:50:16 | |
Well, again...what am I asking? 120. | 0:50:16 | 0:50:19 | |
120. Could I come in at 60? | 0:50:19 | 0:50:22 | |
Um...go on, give me 60 for him. | 0:50:22 | 0:50:23 | |
Oh, 60 quid - that's wonderful! | 0:50:23 | 0:50:26 | |
Absolutely wonderful. | 0:50:26 | 0:50:28 | |
-He can be my new boyfriend. -Yeah! | 0:50:28 | 0:50:30 | |
Yes! You've scored, Anita. | 0:50:30 | 0:50:32 | |
She's got both her final items, and now everyone's all bought up. | 0:50:32 | 0:50:37 | |
Anita started this leg with £466.32. | 0:50:37 | 0:50:40 | |
She spent £260 on her five lots. | 0:50:40 | 0:50:44 | |
An Art Deco ivory evening bag, | 0:50:44 | 0:50:47 | |
a collection of toy soldiers, | 0:50:47 | 0:50:50 | |
a playground Puck the Magic Dragon, | 0:50:50 | 0:50:53 | |
a spring rocking horse, | 0:50:53 | 0:50:55 | |
and a fairground footballer. As you do. | 0:50:55 | 0:50:57 | |
While James began with £1,204.54. | 0:50:57 | 0:51:02 | |
He spent £149 and also has five lots. | 0:51:02 | 0:51:05 | |
A horn flask, | 0:51:05 | 0:51:07 | |
bottle coasters, a precision engineer's toolcase, | 0:51:07 | 0:51:12 | |
a pair of Victorian Crufts vases, | 0:51:12 | 0:51:14 | |
and two pieces of original artwork by William Lionel Wyllie. | 0:51:14 | 0:51:18 | |
So, what do they think of each other's items? | 0:51:18 | 0:51:21 | |
Wyllie is just absolutely marvellous | 0:51:21 | 0:51:24 | |
on that type of marine drawing or watercolour or etching. | 0:51:24 | 0:51:29 | |
So, I think he'll do well on that. | 0:51:29 | 0:51:31 | |
I think Anita's suffering from too much sun. | 0:51:31 | 0:51:34 | |
What a mad lot! | 0:51:34 | 0:51:36 | |
The little dragon - £100? | 0:51:36 | 0:51:39 | |
HE SIGHS No. | 0:51:39 | 0:51:42 | |
Don't mince your words, eh? | 0:51:42 | 0:51:43 | |
On this final leg of the road trip, | 0:51:43 | 0:51:45 | |
Anita and James began in Dorchester, Dorset, | 0:51:45 | 0:51:49 | |
and they're now aiming for auction in grand old London town. | 0:51:49 | 0:51:52 | |
Today's auction is in Wandsworth, | 0:51:52 | 0:51:55 | |
on the banks of old Father Thames, | 0:51:55 | 0:51:57 | |
and not too far from the iconic edifice of Battersea Power Station, | 0:51:57 | 0:52:01 | |
They're driving to Criterion Auctions. | 0:52:01 | 0:52:05 | |
Hang on! Something's different. | 0:52:05 | 0:52:07 | |
Have you changed your hair, Anita? | 0:52:08 | 0:52:10 | |
Oh, no! Silly me. | 0:52:13 | 0:52:15 | |
Unfortunately, James has been taken ill | 0:52:15 | 0:52:17 | |
and won't be able to attend this auction. | 0:52:17 | 0:52:19 | |
But fortunately, I've got a stand-in! | 0:52:19 | 0:52:22 | |
He's a cracking guy! He looks a bit like James as well. | 0:52:22 | 0:52:26 | |
He does a bit, actually. | 0:52:26 | 0:52:28 | |
Our new friend is a bull mastiff by the name of Nelson. | 0:52:28 | 0:52:31 | |
But today, he'll be playing the part of James Lewis. | 0:52:31 | 0:52:35 | |
They're arriving at the auction house. Look at that. | 0:52:35 | 0:52:37 | |
Here we are, darling. Here we are. | 0:52:37 | 0:52:39 | |
There we are. Hold on a sec. Hold on a sec. | 0:52:41 | 0:52:44 | |
Wait a minute! | 0:52:44 | 0:52:45 | |
He's keener than you are today, Anita! | 0:52:47 | 0:52:49 | |
The saleroom's looking a little sparse today, | 0:52:49 | 0:52:52 | |
but will be accepting bids over the telephone and online. | 0:52:52 | 0:52:55 | |
Today's auctioneer is Daniel Webster. | 0:52:55 | 0:52:57 | |
First up is James's 18th-century shot flask. | 0:52:57 | 0:53:00 | |
Will it go off with a bang? | 0:53:00 | 0:53:02 | |
At £30. The money's with me at 30. | 0:53:02 | 0:53:05 | |
Surely worth more. At 30, and 5 now. | 0:53:05 | 0:53:07 | |
At £35, are we all sure, then? | 0:53:07 | 0:53:10 | |
At 35... | 0:53:10 | 0:53:12 | |
-BANGS GAVEL -Yes! | 0:53:12 | 0:53:14 | |
A tidy profit for James. | 0:53:14 | 0:53:17 | |
Who's a clever boy, then? | 0:53:17 | 0:53:19 | |
Well done, darling! Well done. | 0:53:19 | 0:53:22 | |
Next, Anita's job lot | 0:53:22 | 0:53:23 | |
of ivory purse and early 20th-century leather bag. | 0:53:23 | 0:53:26 | |
At £30, are we sure? | 0:53:26 | 0:53:28 | |
-35. -35, darling! | 0:53:28 | 0:53:31 | |
-40. -You're not interested in this one. | 0:53:31 | 0:53:34 | |
Of course he's not. It's more of a lady's lot, to be fair. | 0:53:34 | 0:53:37 | |
-£40, are we all sure? -For 40... | 0:53:37 | 0:53:39 | |
BANGS GAVEL | 0:53:39 | 0:53:41 | |
Anita's eye for vintage style sees her clear to a profit. | 0:53:41 | 0:53:45 | |
Now it's James's set of four Sheffield plated bottle coasters. | 0:53:45 | 0:53:49 | |
We have 40 and 5. | 0:53:49 | 0:53:51 | |
At 45, money's here. | 0:53:51 | 0:53:53 | |
At 45...are we done and sure at 45? | 0:53:53 | 0:53:57 | |
-BANGS GAVEL -Well, that was short and sweet. | 0:53:57 | 0:54:00 | |
Indeed it was. | 0:54:00 | 0:54:02 | |
Another £10 profit to James, | 0:54:02 | 0:54:04 | |
whose attention seems to be wandering. | 0:54:04 | 0:54:07 | |
James! James. | 0:54:07 | 0:54:09 | |
Hey, are you listening? You made a profit. | 0:54:09 | 0:54:12 | |
Now it's Anita's job lot of toy soldiers. | 0:54:12 | 0:54:15 | |
Will they prove victorious? | 0:54:15 | 0:54:17 | |
At £30, someone, surely? 30 is bid. | 0:54:17 | 0:54:20 | |
And 5. | 0:54:20 | 0:54:22 | |
40. | 0:54:22 | 0:54:23 | |
Come on, come on! | 0:54:23 | 0:54:24 | |
And 5. 50. | 0:54:24 | 0:54:26 | |
50! | 0:54:26 | 0:54:28 | |
5. 60. | 0:54:28 | 0:54:30 | |
5. 70. | 0:54:30 | 0:54:32 | |
75, back in. | 0:54:32 | 0:54:34 | |
80. | 0:54:34 | 0:54:35 | |
£80! | 0:54:35 | 0:54:37 | |
At 85. | 0:54:37 | 0:54:39 | |
Are you listening? | 0:54:39 | 0:54:41 | |
Going for 85... | 0:54:41 | 0:54:42 | |
-BANGS GAVEL -Did you hear that? | 0:54:42 | 0:54:44 | |
I think he's jealous of your profit, Anita. | 0:54:44 | 0:54:47 | |
Now it's James's Royal Signal engineer's toolbox. | 0:54:47 | 0:54:51 | |
We have 35. 40 now. | 0:54:51 | 0:54:54 | |
At £40, the money's with me. And 5. We're in the room. | 0:54:54 | 0:54:58 | |
At £45 in the room. A neat thing at 45. Are we done? | 0:54:58 | 0:55:02 | |
At 45...I'll sell, then, at 45. | 0:55:02 | 0:55:04 | |
BANGS GAVEL | 0:55:04 | 0:55:06 | |
That manages to carve out a little profit for James. | 0:55:06 | 0:55:10 | |
See, you're getting all excited when it's your lots, | 0:55:10 | 0:55:13 | |
and when it's my lots, | 0:55:13 | 0:55:14 | |
you're lying down there and you don't give a damn! | 0:55:14 | 0:55:17 | |
Next it's Anita's 1970s footballer. | 0:55:17 | 0:55:20 | |
With the thighs. | 0:55:20 | 0:55:22 | |
50, if you like, surely. 50 is bid. | 0:55:22 | 0:55:25 | |
-50 bid! -55, 60. | 0:55:25 | 0:55:27 | |
60 now. | 0:55:27 | 0:55:29 | |
At £60 we're away. | 0:55:29 | 0:55:30 | |
£60 and we're not away! | 0:55:30 | 0:55:33 | |
-Fair warning at 60... -BANGS GAVEL | 0:55:33 | 0:55:37 | |
It makes what she paid for it. | 0:55:37 | 0:55:39 | |
But that's a loss after auction costs are deducted, | 0:55:39 | 0:55:41 | |
so a bit of an own goal. | 0:55:41 | 0:55:43 | |
Let's hope Anita's next playful lot does better - | 0:55:43 | 0:55:47 | |
the tin plate rocking horse. | 0:55:47 | 0:55:49 | |
Waiting for the horse, surely? | 0:55:49 | 0:55:51 | |
Rock away for £20. | 0:55:51 | 0:55:54 | |
20 is bid. | 0:55:54 | 0:55:56 | |
At £20, no money. Are we done? | 0:55:56 | 0:55:58 | |
£20! | 0:55:58 | 0:56:00 | |
-Selling at 20. -BANGS GAVEL | 0:56:00 | 0:56:02 | |
It refuses at the first fence. | 0:56:02 | 0:56:04 | |
What a pity. | 0:56:04 | 0:56:05 | |
The bidders in this room today | 0:56:05 | 0:56:08 | |
are not in a playful mood. | 0:56:08 | 0:56:11 | |
Now it's James's vases, | 0:56:11 | 0:56:13 | |
commemorating an early Crufts championship. | 0:56:13 | 0:56:17 | |
£50 for them? At 50. 30, if you like. | 0:56:17 | 0:56:20 | |
At £30... | 0:56:20 | 0:56:21 | |
NOW you're interested! | 0:56:21 | 0:56:23 | |
Crufts! | 0:56:23 | 0:56:25 | |
At £20 now. | 0:56:25 | 0:56:26 | |
25, internet. | 0:56:26 | 0:56:28 | |
30, we're in the room. £35, internet's money, then. | 0:56:28 | 0:56:31 | |
-£35. -BANGS GAVEL | 0:56:31 | 0:56:34 | |
£35. That was a profit. That was a profit, darling. | 0:56:34 | 0:56:37 | |
That was a profit. | 0:56:37 | 0:56:39 | |
Well done. Do you want a biscuit? | 0:56:39 | 0:56:41 | |
You never offer me a biscuit. | 0:56:41 | 0:56:42 | |
Now, all Anita's hopes rest on her dragon. | 0:56:42 | 0:56:46 | |
It was her bold buy, in an attempt to chase James. | 0:56:46 | 0:56:50 | |
But will it pay off? | 0:56:50 | 0:56:52 | |
And £40? | 0:56:52 | 0:56:54 | |
20. | 0:56:54 | 0:56:55 | |
Oh, 20! Oh, no! | 0:56:55 | 0:56:58 | |
-10 is bid. -10! | 0:56:58 | 0:57:01 | |
10! | 0:57:01 | 0:57:02 | |
At £10 now. | 0:57:02 | 0:57:04 | |
At £10, then. | 0:57:04 | 0:57:06 | |
BANGS GAVEL | 0:57:06 | 0:57:09 | |
10 quid! | 0:57:09 | 0:57:11 | |
Well, that went up in flames, didn't it? | 0:57:11 | 0:57:13 | |
That was tough to take. Tough to take. | 0:57:13 | 0:57:16 | |
Certainly on your own. Now, James's last lot of the day - | 0:57:16 | 0:57:20 | |
his two William Wyllie pictures. | 0:57:20 | 0:57:22 | |
100 is bid. | 0:57:22 | 0:57:23 | |
He's doubled the money already. | 0:57:23 | 0:57:26 | |
30. 40. | 0:57:26 | 0:57:28 | |
140. | 0:57:28 | 0:57:29 | |
50. | 0:57:29 | 0:57:31 | |
£150. | 0:57:31 | 0:57:33 | |
150, are we all done? | 0:57:33 | 0:57:36 | |
150. We'll sell, then, at 150. | 0:57:36 | 0:57:39 | |
-BANGS GAVEL -The hammer's down. £150. | 0:57:39 | 0:57:42 | |
£150, darling! | 0:57:42 | 0:57:44 | |
They sail away. Well done, James! | 0:57:44 | 0:57:48 | |
So a terrible pity that the real James had to miss his last auction, | 0:57:48 | 0:57:51 | |
but he ends this road trip triumphant | 0:57:51 | 0:57:54 | |
and swimming in lashings of lolly nevertheless. | 0:57:54 | 0:57:57 | |
Anita began this final leg with £466.32 | 0:57:57 | 0:58:01 | |
and after auction costs, she made an unfortunate loss | 0:58:01 | 0:58:04 | |
of £83.70, | 0:58:04 | 0:58:06 | |
leaving her with a total of £382.62. | 0:58:06 | 0:58:09 | |
Just lay off the dragons in future, Anita. | 0:58:09 | 0:58:13 | |
But James has beaten all comers. | 0:58:13 | 0:58:15 | |
He began this leg with £1,204.54. | 0:58:15 | 0:58:18 | |
He made a smart profit of £105.20 | 0:58:18 | 0:58:23 | |
and ends the road trip high on the hog with £1,309.74. | 0:58:23 | 0:58:29 | |
All proceeds go to Children In Need. | 0:58:29 | 0:58:32 | |
It's been another wonderful Road Trip. Toodle-oo, you two. | 0:58:33 | 0:58:39 |