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It's the nation's favourite antiques experts | 0:00:02 | 0:00:04 | |
with £200 each, a classic car | 0:00:04 | 0:00:06 | |
and a goal to scour Britain for antiques. | 0:00:06 | 0:00:10 | |
-Going, going...gone. -Yes! -How do I look? | 0:00:10 | 0:00:13 | |
The aim - to make the biggest profit at auction, | 0:00:13 | 0:00:16 | |
-but it's no mean feat. -Yes! | 0:00:16 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
I'm going to become a bin man. | 0:00:22 | 0:00:23 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
I like it when you're chasing me. | 0:00:27 | 0:00:30 | |
This is the Antiques Road Trip. | 0:00:30 | 0:00:32 | |
Yeah! | 0:00:35 | 0:00:36 | |
It's the beginning of a fresh and fun-packed week on Road Trip | 0:00:38 | 0:00:43 | |
with another pair of antiquarian wheeler-dealers, | 0:00:43 | 0:00:46 | |
Mark Stacey and Will Axon. | 0:00:46 | 0:00:48 | |
Keep buying the wrong things, making less money than me, | 0:00:48 | 0:00:51 | |
and we'll have a lovely week. | 0:00:51 | 0:00:53 | |
Listen, Mark, I don't mind being your stooge. I'm quite happy. | 0:00:53 | 0:00:58 | |
New kid on the block Will Axon is | 0:00:58 | 0:01:00 | |
an experienced valuer and master of the gavel. | 0:01:00 | 0:01:02 | |
-You may remember him from the last series. -Who else is in? | 0:01:02 | 0:01:06 | |
28. At 28. Shake it the other way, madam. | 0:01:06 | 0:01:09 | |
Surely, you can't value them for £2. 28 in the corner... | 0:01:09 | 0:01:13 | |
Now he's switched to join our happy gang. | 0:01:13 | 0:01:15 | |
It all seems a lot easier when you're watching it on the telly. | 0:01:15 | 0:01:20 | |
He won't get an easy ride against Mark Stacey. | 0:01:20 | 0:01:23 | |
Oh, no. One of the antique trade's big hitters. | 0:01:23 | 0:01:26 | |
A bit clumsy, but he knows exactly | 0:01:26 | 0:01:28 | |
who to speak to to get the best deal. | 0:01:28 | 0:01:30 | |
Will you show me where the bargains are? | 0:01:30 | 0:01:33 | |
Mark and Will are sashaying around the country in this little | 0:01:33 | 0:01:36 | |
British beauty - a 1963 Triumph TR4, | 0:01:36 | 0:01:39 | |
and Will is first in the hot seat. | 0:01:39 | 0:01:42 | |
-As long as I can reach the pedals. -We'll get you a cushion. | 0:01:42 | 0:01:46 | |
Is he old enough to drive? | 0:01:46 | 0:01:48 | |
Our duelling duo's trip takes them through five counties, no less, | 0:01:49 | 0:01:54 | |
starting in East Sussex, travelling through Kent, Essex, | 0:01:54 | 0:01:58 | |
Suffolk and Hertfordshire | 0:01:58 | 0:01:59 | |
and ending up at an auction in the London suburb of Ruislip. | 0:01:59 | 0:02:03 | |
This leg stays firmly in East Sussex, | 0:02:03 | 0:02:06 | |
travelling along the south-east coast of England. | 0:02:06 | 0:02:09 | |
They're starting in Hastings, finishing at an auction in Lewes, | 0:02:09 | 0:02:13 | |
but the first shopping stop is Bexhill. | 0:02:13 | 0:02:16 | |
As it's the start of the trip, they both begin with a bountiful £200, | 0:02:16 | 0:02:21 | |
but things aren't going quite to plan. | 0:02:21 | 0:02:24 | |
What have you done to the car and the weather? | 0:02:24 | 0:02:27 | |
I've broken both of them. | 0:02:27 | 0:02:28 | |
It won't be like this all week, I hope. | 0:02:28 | 0:02:31 | |
As long as it's downhill, we're all right. | 0:02:31 | 0:02:33 | |
Certainly it's going downhill at the moment, as far as I'm concerned. | 0:02:33 | 0:02:37 | |
It could be the weather or human error. I couldn't possibly comment! | 0:02:37 | 0:02:41 | |
JUDDERING SOUND | 0:02:41 | 0:02:43 | |
-No, it's gone. -Hang on. I'm going to try and coast it into this space. | 0:02:43 | 0:02:47 | |
The first and maybe the last stop | 0:02:47 | 0:02:49 | |
for this pair is the pretty little seaside town of Bexhill, | 0:02:49 | 0:02:52 | |
but the chaps have to ditch the car and take to Shanks's pony. | 0:02:52 | 0:02:57 | |
This looks all right. | 0:02:57 | 0:02:59 | |
It's time for the spending spectacular | 0:02:59 | 0:03:02 | |
to commence and they're off! | 0:03:02 | 0:03:04 | |
No pushing, chaps. Keep it clean. | 0:03:06 | 0:03:10 | |
Will, Will, look at this. | 0:03:10 | 0:03:12 | |
-Hello. I'm Mark. -Pleased to meet you. | 0:03:12 | 0:03:14 | |
-Nice to meet you. -Hi. Will. -Hello, Will. Andy. | 0:03:14 | 0:03:17 | |
Nice to meet you, Andy. Lots | 0:03:17 | 0:03:19 | |
-and lots of stuff and not the right budget. -An eclectic mix though. | 0:03:19 | 0:03:23 | |
I know you are, Will, but what about the stock(?) | 0:03:23 | 0:03:27 | |
Joking over, men. Time to split up | 0:03:27 | 0:03:29 | |
and get down to the business of buying. | 0:03:29 | 0:03:31 | |
Lickety-split, Will's spotted something! | 0:03:39 | 0:03:42 | |
He's reaching for the bottle already, | 0:03:42 | 0:03:45 | |
a vintage Scotch whisky display bottle with a price of £65. | 0:03:45 | 0:03:48 | |
This is quite fun, isn't it? | 0:03:48 | 0:03:51 | |
I suppose... | 0:03:51 | 0:03:52 | |
Yeah, shop display. | 0:03:52 | 0:03:54 | |
Scotch whisky. | 0:03:56 | 0:03:58 | |
What I like about it is the way the | 0:03:58 | 0:04:00 | |
glass has been coloured just to give it the impression of being full. | 0:04:00 | 0:04:04 | |
If only! | 0:04:04 | 0:04:06 | |
A bit of damage to the label. That's a shame. | 0:04:06 | 0:04:10 | |
Where's Mark lurking? | 0:04:12 | 0:04:13 | |
There could be something hidden in the bottom of this box | 0:04:13 | 0:04:19 | |
that's going to wipe the smile off that little Will Axon's face. | 0:04:19 | 0:04:23 | |
I don't mean that. He's rather sweet, isn't he? | 0:04:23 | 0:04:26 | |
-Shall we see if it works? -CLICKS SWITCH | 0:04:28 | 0:04:32 | |
No, I've broken that as well. | 0:04:32 | 0:04:34 | |
The car first and now this. It's not your day. | 0:04:34 | 0:04:39 | |
Now, I did spot this when we first came in the door. | 0:04:43 | 0:04:48 | |
He's gone booze-daft. | 0:04:48 | 0:04:50 | |
It's a 19th century, etched glass | 0:04:50 | 0:04:53 | |
spirit barrel with a brass tap and it's not cheap. | 0:04:53 | 0:04:56 | |
It has a whopping ticket price of £120. | 0:04:56 | 0:04:59 | |
If you look at the tap or spigot, | 0:04:59 | 0:05:01 | |
I think they're sometimes called, we've got a nice stamp, London, | 0:05:01 | 0:05:06 | |
which is a sign of quality, | 0:05:06 | 0:05:08 | |
and then on the other side, | 0:05:08 | 0:05:10 | |
either the maker or the retailer perhaps - Loftus. | 0:05:10 | 0:05:14 | |
The total ticket price of the whisky bottle | 0:05:15 | 0:05:18 | |
and the spirit barrel is £185. | 0:05:18 | 0:05:21 | |
Will's offered £120 for the two. That's more than half his budget. | 0:05:21 | 0:05:26 | |
Go on, then, Will, as we're your first call on your first show... | 0:05:26 | 0:05:30 | |
-What do we do? 120 for the two? -Oh, lordy! -I'll do 120 for the two. | 0:05:30 | 0:05:34 | |
Nice one, Andy. I hope I've done the right thing. | 0:05:34 | 0:05:37 | |
-I'm sure you have. -May your luck be with me. | 0:05:37 | 0:05:40 | |
Meanwhile, empty-handed Mark is heading 12 miles west to Eastbourne. | 0:05:41 | 0:05:47 | |
You can see why Eastbourne has the title of Sunniest Town in Britain. | 0:05:50 | 0:05:54 | |
The maritime climate has people | 0:05:54 | 0:05:55 | |
flocking here to the beautiful pebbly beaches | 0:05:55 | 0:05:59 | |
and a stroll down the famous pier for a bit of kiss-me-quick. | 0:05:59 | 0:06:02 | |
Mark is off to a rather special shop, | 0:06:04 | 0:06:07 | |
but his sterling won't buy diddly-squat here. | 0:06:07 | 0:06:09 | |
He's visiting a wonderfully eccentric couple, | 0:06:09 | 0:06:12 | |
Graham and Jan Upton, | 0:06:12 | 0:06:14 | |
who have brought over 100,000 items | 0:06:14 | 0:06:17 | |
of vintage packaging, products, signage, clothes | 0:06:17 | 0:06:21 | |
and ephemera collected together | 0:06:21 | 0:06:23 | |
over 50 years into one multi-storey, jam-packed shop - | 0:06:23 | 0:06:27 | |
the Museum of Shops. | 0:06:27 | 0:06:30 | |
This must be one of the more sort of uniquely bizarre places | 0:06:30 | 0:06:33 | |
I've ever visited - in a very positive way. | 0:06:33 | 0:06:36 | |
People used to visit our house | 0:06:36 | 0:06:38 | |
and apart from the fact they thought we were bonkers, | 0:06:38 | 0:06:41 | |
they used to say, "Your house is more like a museum." It gave us the idea. | 0:06:41 | 0:06:45 | |
Their lifelong passion for | 0:06:45 | 0:06:47 | |
collecting can be seen crammed into four floors of themed shop displays | 0:06:47 | 0:06:52 | |
and domestic room settings. | 0:06:52 | 0:06:54 | |
This is fascinating. | 0:06:56 | 0:06:57 | |
It's like walking into an old Victorian arcade, isn't it? | 0:06:57 | 0:07:01 | |
Among the displays is Mr Barton's grocer's shop. | 0:07:01 | 0:07:05 | |
The shelves are packed with nostalgic items such as Oxo, Rinso, | 0:07:05 | 0:07:10 | |
Smith's Crisps and many more. | 0:07:10 | 0:07:12 | |
Anyone remember the Bisto Kids? | 0:07:12 | 0:07:15 | |
Upstairs, there's more densely packed shops with | 0:07:15 | 0:07:18 | |
painstaking attention to detail, | 0:07:18 | 0:07:20 | |
right down to the very last and most intimate of items. | 0:07:20 | 0:07:24 | |
Would you like me to show you my pre-war condoms, Mark? | 0:07:26 | 0:07:31 | |
I beg your pardon? | 0:07:31 | 0:07:33 | |
-Oh, good Lord! -Looking a bit worse for the wear now, | 0:07:35 | 0:07:38 | |
but in a little box that was supposed | 0:07:38 | 0:07:40 | |
to look like a chocolate box, complete with the doilies. | 0:07:40 | 0:07:43 | |
I love this. "The only really hygienic preventative. | 0:07:43 | 0:07:48 | |
"Hygiene should be first and foremost." | 0:07:48 | 0:07:52 | |
I wasn't expecting to be talking about these. | 0:07:52 | 0:07:55 | |
Good Lord! Me neither. In the basement are the domestic rooms | 0:07:55 | 0:07:59 | |
and there's a wonderful World War II kitchen | 0:07:59 | 0:08:02 | |
that Jan and Graham have re-created in minute detail. | 0:08:02 | 0:08:06 | |
Oh, look at this! | 0:08:06 | 0:08:09 | |
Do you know, that is so much like my grandmother's house. | 0:08:09 | 0:08:12 | |
It is a bit like you've stepped back in time. | 0:08:12 | 0:08:15 | |
Yeah, I hope so. I hope that's how it feels. | 0:08:15 | 0:08:18 | |
To be honest, I thought the Blitz as soon as you see the costumes. | 0:08:18 | 0:08:22 | |
-Yeah. -You know, I mean, this is so 1940s, isn't it? | 0:08:22 | 0:08:26 | |
If you look through the kitchen window, you can see the bombs beyond. | 0:08:26 | 0:08:30 | |
SOUND OF EXPLOSIONS | 0:08:31 | 0:08:33 | |
And the other striking thing | 0:08:37 | 0:08:39 | |
is you've got it down to the fact that probably everybody smoked. | 0:08:39 | 0:08:43 | |
Smoking in the UK increased during both world wars, | 0:08:43 | 0:08:46 | |
but it wasn't until the Second World War | 0:08:46 | 0:08:49 | |
that it became really popular with the ladies. | 0:08:49 | 0:08:51 | |
-I think you're quite mad, Graham. -Do you? -I do, I do. | 0:08:53 | 0:08:56 | |
-In a very nice way. -That's fine. | 0:08:56 | 0:08:58 | |
-A nice madness. -That's good. I'm pleased to hear that. | 0:08:58 | 0:09:03 | |
LAUGHTER | 0:09:03 | 0:09:05 | |
No street would be complete without a local pub | 0:09:05 | 0:09:07 | |
and Jan and Graham have re-created | 0:09:07 | 0:09:09 | |
one of those too, called The Admiral Lord Nelson Inn no less. | 0:09:09 | 0:09:14 | |
Graham, do you not think | 0:09:14 | 0:09:16 | |
-you're creating your own little world here? -I suppose so. | 0:09:16 | 0:09:19 | |
-Do you think it's an escape from realism? -Is it an escape? | 0:09:19 | 0:09:22 | |
-You tell me. -I think so, really. | 0:09:22 | 0:09:25 | |
-We enjoy it. -Do you? | 0:09:25 | 0:09:27 | |
Graham, I find this really fascinating. | 0:09:28 | 0:09:31 | |
You're an absolute joy to talk to. | 0:09:31 | 0:09:32 | |
If I could fill the glass, | 0:09:32 | 0:09:34 | |
I'd happily toast a long, successful opening of your museum. | 0:09:34 | 0:09:39 | |
That's very kind and we're pleased to meet you after all these years. | 0:09:39 | 0:09:42 | |
With that heady hit of nostalgia over, | 0:09:42 | 0:09:45 | |
let's find out what Will's up to. | 0:09:45 | 0:09:48 | |
He's made his own way 17 miles inland | 0:09:49 | 0:09:52 | |
to the quaint little hamlet of Golden Cross. | 0:09:52 | 0:09:55 | |
It may be quite small, | 0:09:57 | 0:09:59 | |
but it does have a lovely little antiques place | 0:09:59 | 0:10:01 | |
and shopkeeper Rhoda is open for business. | 0:10:01 | 0:10:04 | |
My buying head on, buying head on. Maybe smalls. | 0:10:07 | 0:10:11 | |
Yeah... Cigar-cutter. | 0:10:16 | 0:10:18 | |
Cigar-cutter - I'm thinking | 0:10:18 | 0:10:20 | |
down the drinking and smoking route. What a terrible role model I am! | 0:10:20 | 0:10:25 | |
First booze, now fags, and it's only day one of the trip. | 0:10:25 | 0:10:28 | |
He's got his beady eye on a 20th century, silver-plated cigar-cutter. | 0:10:28 | 0:10:32 | |
Items like these can be very collectable to the right buyer. | 0:10:32 | 0:10:36 | |
It has a ticket price of £35. | 0:10:36 | 0:10:38 | |
The cigar-cutter's a good, clean example. | 0:10:38 | 0:10:41 | |
-A shame that's not solid silver. -No. I know. | 0:10:41 | 0:10:45 | |
I'm thinking I might be able to work with this somehow | 0:10:45 | 0:10:48 | |
if perhaps I could find something else to go with it. | 0:10:48 | 0:10:53 | |
Oh, hang on a minute. What's this poking out from over here? | 0:10:53 | 0:10:59 | |
Now, this is... | 0:10:59 | 0:11:01 | |
This is following on from my theme a bit, isn't it? | 0:11:01 | 0:11:05 | |
An old oak, sort of smoker's box. | 0:11:06 | 0:11:10 | |
A little bit of damage there, but this is nice, look - | 0:11:11 | 0:11:16 | |
little strikers here for your vestas. | 0:11:16 | 0:11:19 | |
This late 19th century, oak smoker's box would have been all the rage | 0:11:19 | 0:11:23 | |
back when smoking was fashionable | 0:11:23 | 0:11:25 | |
and everyone was lighting up, but what price is Rhoda looking for? | 0:11:25 | 0:11:29 | |
80 for the two. | 0:11:29 | 0:11:30 | |
Could we do 70 on the two? | 0:11:30 | 0:11:33 | |
And that... I'm being honest with you. | 0:11:34 | 0:11:37 | |
That leaves me with £10 for tomorrow. | 0:11:37 | 0:11:40 | |
Hmm... | 0:11:40 | 0:11:42 | |
As it's your first day, yes. | 0:11:42 | 0:11:45 | |
You're very kind. Rhoda, I appreciate your help. | 0:11:45 | 0:11:49 | |
Will's almost spent out, with only £10 left after only two shops. | 0:11:49 | 0:11:54 | |
Gosh, he's quick. | 0:11:54 | 0:11:55 | |
Meanwhile, back in Eastbourne, | 0:11:55 | 0:11:57 | |
Mark's bargain-buying bonanza hasn't even begun, | 0:11:57 | 0:12:00 | |
so the pressure is on for him to get in the game. | 0:12:00 | 0:12:04 | |
Lots of curious pieces here, but... | 0:12:04 | 0:12:07 | |
Oh, no, that's... Ah! | 0:12:08 | 0:12:10 | |
Now, this is something that Will would be jealous about. | 0:12:12 | 0:12:17 | |
It's a big hammer or a gavel. | 0:12:18 | 0:12:21 | |
It is indeed a gavel. | 0:12:21 | 0:12:23 | |
It's an early 20th century, | 0:12:23 | 0:12:24 | |
large fruitwood gavel and it's not as expensive as you'd think, Mark. | 0:12:24 | 0:12:28 | |
The ticket price is £25. | 0:12:28 | 0:12:31 | |
It's got a bit of age to it | 0:12:31 | 0:12:33 | |
because it's walloped a few things in its time. | 0:12:33 | 0:12:36 | |
It's probably sold a Picasso or two now and again. | 0:12:36 | 0:12:40 | |
You never know, do you? | 0:12:40 | 0:12:41 | |
That's a definite possibility, actually. | 0:12:41 | 0:12:44 | |
Time to get owner Jasper involved. | 0:12:44 | 0:12:48 | |
Are you sitting down? | 0:12:48 | 0:12:50 | |
I'm going to start off very low because I know you'll hammer me up. | 0:12:50 | 0:12:54 | |
-Hammer... -Hammer! -Every one a winner. | 0:12:54 | 0:12:59 | |
Oi, I do the jokes round here! | 0:12:59 | 0:13:01 | |
I'm going to start with an offer of £10. | 0:13:01 | 0:13:03 | |
I did say I'm starting low, | 0:13:06 | 0:13:09 | |
but it's not where we start, it's where we finish. | 0:13:09 | 0:13:12 | |
That's a good start, but nowhere near... | 0:13:12 | 0:13:14 | |
-He's cheeky all right! -What are you going to sell it to me for? | 0:13:14 | 0:13:19 | |
-15. -15. Gosh! I wasn't expecting you to say that. | 0:13:19 | 0:13:22 | |
I was expecting you to say something else. | 0:13:22 | 0:13:25 | |
Do you know, I can't argue with that. | 0:13:26 | 0:13:29 | |
£15 is a very good price. Thank you. | 0:13:29 | 0:13:32 | |
What a bumper deal, eh? It all seemed a little too easy. | 0:13:32 | 0:13:36 | |
Thank you very much and I suppose I should say, "Going, going...gone." | 0:13:36 | 0:13:41 | |
It's time you were gone too before he changes his mind. | 0:13:41 | 0:13:46 | |
So, with that cheeky first purchase, | 0:13:46 | 0:13:48 | |
Mark has finally bagged a lot for £15 of his £200 budget, | 0:13:48 | 0:13:54 | |
But it's Will's turn now to shop till he drops. | 0:13:55 | 0:13:58 | |
He's headed south to Eastbourne, | 0:13:58 | 0:14:00 | |
where he's popped into Old Bank Antiques | 0:14:00 | 0:14:03 | |
where he hopes to make a withdrawal. | 0:14:03 | 0:14:06 | |
Oh, wow, look at this! | 0:14:06 | 0:14:08 | |
This must be the old bank vault, look. | 0:14:08 | 0:14:11 | |
-LOUD METALLIC SOUND -Oh! | 0:14:13 | 0:14:16 | |
He's roped in shopkeeper Ray to give him some help. | 0:14:16 | 0:14:20 | |
He's confessed that he only has a tenner to spend. | 0:14:20 | 0:14:22 | |
This is the sort of thing, you see, a little snuff box. | 0:14:22 | 0:14:26 | |
-Yes. -Again, look, remnants of the old snuff. | 0:14:26 | 0:14:29 | |
-28. -I expect we can do something with that. | 0:14:31 | 0:14:35 | |
Do you reckon that might be doable? | 0:14:35 | 0:14:38 | |
That sounds promising, so Ray is off to phone the dealer. | 0:14:38 | 0:14:41 | |
This papier-mache, pewter-inlaid snuff box is 19th century. | 0:14:41 | 0:14:46 | |
-OK, bye-bye. -It's the moment of truth. | 0:14:46 | 0:14:49 | |
-Right, Will, well, I've made the call. -Tell me it's good news. | 0:14:49 | 0:14:52 | |
-And it is good news. -Really? -You're a lucky man. | 0:14:52 | 0:14:56 | |
-Because it's you... -Yeah? -£10. | 0:14:56 | 0:14:58 | |
-That's a result. -Absolutely. I think it is. | 0:14:58 | 0:15:00 | |
-Well done. I can't lose much on that. -I don't think so. -Surely not. | 0:15:00 | 0:15:05 | |
And with that, he has spent his entire budget. | 0:15:05 | 0:15:08 | |
Meanwhile, Mark has popped | 0:15:08 | 0:15:10 | |
into the local antiques centre, but it's time he got a move on. | 0:15:10 | 0:15:14 | |
-Hello. -Hello. -How are you? -I'm good. Yourself? | 0:15:14 | 0:15:16 | |
-Who's this chappy? -That's Chase. | 0:15:16 | 0:15:18 | |
-Chase. Hello, Chase. -The cleverest dealer in here! | 0:15:18 | 0:15:22 | |
Oh, get on with it! Rope in the help of Paul, | 0:15:31 | 0:15:33 | |
the antiques centre owner. Get him to show you some goodies. | 0:15:33 | 0:15:36 | |
It is quite crudely made, the lock there, but it is quite nicely... | 0:15:36 | 0:15:40 | |
-Reasonably nicely carved. -Reasonably nicely carved. | 0:15:40 | 0:15:45 | |
This 19th century, Anglo-Indian box and key have a ticket price of £40, | 0:15:45 | 0:15:50 | |
so it's not too pricey. | 0:15:50 | 0:15:52 | |
Any other goodies? | 0:15:52 | 0:15:53 | |
You didn't actually look at that one. | 0:15:53 | 0:15:56 | |
That's got quite nice inscriptions on the back | 0:15:56 | 0:15:59 | |
The painting is 19th-century oil-on-board, | 0:15:59 | 0:16:01 | |
possibly portraying Mount Blanc, with an inscription on the back. | 0:16:01 | 0:16:05 | |
I like the colours. | 0:16:05 | 0:16:07 | |
Bit of a dull scene actually. | 0:16:09 | 0:16:11 | |
But I do love the colours - I love the thickness... | 0:16:11 | 0:16:13 | |
It's the sort of pictures I like. Ooh, I like that. | 0:16:15 | 0:16:19 | |
-It's dated here. -Yeah, 1865 - gosh. | 0:16:19 | 0:16:22 | |
And it's to whoever it is, from where she painted... | 0:16:22 | 0:16:25 | |
-Maybe she was at a hotel. -Very possibly. | 0:16:25 | 0:16:29 | |
And she was painting the vista. | 0:16:29 | 0:16:32 | |
I mean, it's very decorative. | 0:16:32 | 0:16:35 | |
-Is it very cheap though? -60 quid. -Oh! | 0:16:35 | 0:16:37 | |
-It's an antique. -I know. | 0:16:37 | 0:16:39 | |
-If I'm here much longer, I'll be an antique. -Too late! | 0:16:39 | 0:16:45 | |
How close to 40 can we go? | 0:16:45 | 0:16:47 | |
-We can't cos I gave 50 for it. -Oh. -Uh-huh. | 0:16:47 | 0:16:51 | |
-So 60's your best? -55. I'll take £5 off. | 0:16:51 | 0:16:55 | |
-I'll take it. -Go on. | 0:16:55 | 0:16:57 | |
-I'll throw the box in for 25. -Oh, my God! -I won't go any lower than that. | 0:16:57 | 0:17:00 | |
So that's 80 then - let's do that. | 0:17:00 | 0:17:03 | |
Another humdinger of a deal done | 0:17:03 | 0:17:06 | |
and Mark's finally filling up his goody bag, | 0:17:06 | 0:17:09 | |
but still has £105 to spend. Onwards and upwards! | 0:17:09 | 0:17:13 | |
The next shopping stop of this leg, | 0:17:13 | 0:17:16 | |
takes him around 15 miles west to Peacehaven. | 0:17:16 | 0:17:20 | |
Located above the chalk cliffs and nearby famous Beachy Head, | 0:17:20 | 0:17:25 | |
Peacehaven town was formed for | 0:17:25 | 0:17:27 | |
retiring World War I veterans to recover from the effects of the war. | 0:17:27 | 0:17:31 | |
Mark's popping into Collectors Haven to meet Steve. | 0:17:31 | 0:17:36 | |
He needs to knuckle down and buy, buy, buy. | 0:17:36 | 0:17:41 | |
How odd is that? | 0:17:41 | 0:17:43 | |
A handmade bottle in the form of a pig? | 0:17:44 | 0:17:47 | |
It's a perfume bottle. | 0:17:47 | 0:17:50 | |
Why on earth would you have | 0:17:50 | 0:17:52 | |
-a perfume bottle in the form of a pig? -I've got no idea. | 0:17:52 | 0:17:56 | |
Pigs are not renowned for their sweet smells, are they? | 0:17:56 | 0:17:59 | |
-Happy as a pig in... -COUGHS | 0:17:59 | 0:18:02 | |
Mark's picked out a pretty, cloisonne enamel box. | 0:18:02 | 0:18:05 | |
Not old, circa 1960, with a ticket price of £100. | 0:18:05 | 0:18:09 | |
All this blue and the green is little glass... | 0:18:12 | 0:18:15 | |
powdered glass, little glass crystals, | 0:18:15 | 0:18:17 | |
which they put on and then fire. | 0:18:17 | 0:18:20 | |
As it fires, it melts and forms the pattern here. | 0:18:20 | 0:18:23 | |
It's put in within wires. | 0:18:23 | 0:18:25 | |
But it's a pretty little thing. It's a nice little work of art. | 0:18:25 | 0:18:29 | |
-It is. -It's got a nice, decorative appeal to it. | 0:18:29 | 0:18:33 | |
Piggy Toby. | 0:18:40 | 0:18:42 | |
Don't you think he's rather fun? | 0:18:42 | 0:18:44 | |
It's a little jug in the form of a pig, | 0:18:44 | 0:18:47 | |
holding a pint of beer in his best suit. | 0:18:47 | 0:18:51 | |
He's fixated by pigs today | 0:18:53 | 0:18:55 | |
and this little piggy is a novelty majolica jug, circa 1900. | 0:18:55 | 0:18:59 | |
I love his little trousers. | 0:19:00 | 0:19:03 | |
I think he's great. I think he's lovely, actually. | 0:19:03 | 0:19:06 | |
Crazy, but lovely. I'm going to put it... | 0:19:06 | 0:19:10 | |
Sound like any one you know, Mark? | 0:19:10 | 0:19:12 | |
The ticket price on this jolly fellow is £40. | 0:19:12 | 0:19:15 | |
But what will Steve be willing to let him go for? | 0:19:15 | 0:19:19 | |
I'd go to 30, but that would be it. | 0:19:19 | 0:19:21 | |
What about the unknown quantity? | 0:19:22 | 0:19:25 | |
65? | 0:19:25 | 0:19:27 | |
I think 60 sounds better. | 0:19:28 | 0:19:30 | |
-£60. -Let's shake on it. -You've got a deal. | 0:19:30 | 0:19:34 | |
-I've got to give you 90 quid? -Yeah. -Perfect. I'm very happy with that. | 0:19:34 | 0:19:38 | |
Sweet-talking devil! And with that, Mark's maxed out on lots | 0:19:38 | 0:19:42 | |
.and the spending spectacle is at an end. | 0:19:42 | 0:19:46 | |
Mark and Will both began this leg with a Road Trip budget of £200. | 0:19:46 | 0:19:49 | |
Will went hell for leather and | 0:19:49 | 0:19:52 | |
managed to spend the whole lot on five lots - | 0:19:52 | 0:19:55 | |
an over-sized whisky bottle, | 0:19:55 | 0:19:57 | |
a glass spirit barrel, | 0:19:57 | 0:19:59 | |
a smoker's box, a snuff box, | 0:19:59 | 0:20:01 | |
and a cigar cutter. | 0:20:01 | 0:20:03 | |
Mark also amassed five lots, spending £185 on a | 0:20:05 | 0:20:08 | |
large gavel, an oil painting, | 0:20:08 | 0:20:12 | |
an AngloIndian carved box, | 0:20:12 | 0:20:14 | |
a novelty pig jug, | 0:20:14 | 0:20:16 | |
and a cloisonne circular box. | 0:20:16 | 0:20:19 | |
So, let's see what they really think of each other's items. | 0:20:19 | 0:20:23 | |
I think I might just have the edge. | 0:20:23 | 0:20:25 | |
I've got the gavel that cost very little, | 0:20:25 | 0:20:27 | |
the pig, the enamel box, | 0:20:27 | 0:20:30 | |
the painting. I think he was quite impressed with my items actually. | 0:20:30 | 0:20:33 | |
The little Anglo-Indian box - sweet enough, but of no great quality. | 0:20:33 | 0:20:37 | |
And the pig - bit of a punt on that really. | 0:20:37 | 0:20:41 | |
And with that, it's time to trundle | 0:20:41 | 0:20:43 | |
off in the Triumph to the auction house. | 0:20:43 | 0:20:47 | |
Let's hope a lot of... | 0:20:47 | 0:20:50 | |
Oh, God, it's gone dead on me again. | 0:20:50 | 0:20:52 | |
Go into second. There you go. | 0:20:52 | 0:20:54 | |
Woo! Are we late? | 0:20:54 | 0:20:56 | |
I'm just eager to get to the auction. | 0:20:58 | 0:21:01 | |
On the first leg of their road trip, theses jolly jousters have travelled | 0:21:01 | 0:21:05 | |
through East Sussex, 1066 country no less, from Hastings to Lewes. | 0:21:05 | 0:21:11 | |
Lewes is an ancient market town | 0:21:11 | 0:21:13 | |
with wonderful architecture, left behind by generations. | 0:21:13 | 0:21:18 | |
And this building is of great importance - | 0:21:18 | 0:21:20 | |
it's where they make their local brew. | 0:21:20 | 0:21:24 | |
Come on, Will, let's get it over with. I think we'll be all right. | 0:21:24 | 0:21:27 | |
-Yeah. -Keep smiling. | 0:21:27 | 0:21:29 | |
Whatever - we're a couple of happy chappies. | 0:21:29 | 0:21:31 | |
-We are a couple of happy chappies. What can go wrong? -Let's go. | 0:21:31 | 0:21:35 | |
Boasting almost a century's-worth of experience, | 0:21:35 | 0:21:37 | |
Gorringes Auction House know what they're about, | 0:21:37 | 0:21:40 | |
and today's miscellaneous auction is also online. | 0:21:40 | 0:21:43 | |
Auctioneer Philip Taylor is primed, | 0:21:45 | 0:21:47 | |
-as our knights of antiquity are about to do battle. -This is it. | 0:21:47 | 0:21:52 | |
Lot 1, Mark's early 20th century, large fruitwood gavel. | 0:21:52 | 0:21:56 | |
Will it hammer home a solid profit? | 0:21:56 | 0:21:58 | |
A bit bigger than mine. £10? Any bids at 10? | 0:21:58 | 0:22:02 | |
-Now he's just bragging(!) -Surely £10 for the gavel? Any bids at 10? | 0:22:02 | 0:22:05 | |
Thank you, 10 I'm bid. 15 now. At 15. At 20. At £20. | 0:22:05 | 0:22:09 | |
The lady in the centre at 20... 25 at the back wall. | 0:22:09 | 0:22:12 | |
£30 bid. It is yours, madam, at 30. | 0:22:12 | 0:22:15 | |
Any further bids? Are you all done at £30...? | 0:22:15 | 0:22:19 | |
-35, just in time. -Oh, just in time. | 0:22:19 | 0:22:21 | |
Have another one, madam? Done then on 35. Your bid, sir, at 35... | 0:22:21 | 0:22:25 | |
-That's all right. £20 profit. -Good work, Mark. Good work. | 0:22:25 | 0:22:30 | |
I'm happy with that. | 0:22:30 | 0:22:31 | |
The gavel nailed it. Strike one to Mark! | 0:22:32 | 0:22:36 | |
Once the gavel's gone down, you can't get the gavel again. | 0:22:36 | 0:22:38 | |
Oh, he's like a Zen master! | 0:22:38 | 0:22:42 | |
Now it's boozy Will with the Scotch whisky display bottle. | 0:22:42 | 0:22:46 | |
-Anyone fancy a wee nip? -Start at £10? Surely, someone, 10? | 0:22:46 | 0:22:50 | |
Thank you. 10 I'm bid. 15 bid. At £15. | 0:22:50 | 0:22:52 | |
A shop display lot at £15 only. | 0:22:52 | 0:22:55 | |
At £15 only. | 0:22:55 | 0:22:57 | |
-At £15... -It's all over now. That's cheap. | 0:22:57 | 0:23:00 | |
It's yours at the back there at 15. | 0:23:00 | 0:23:02 | |
Are you all done? All finished on 15? It's yours at the back, sir, at 15... | 0:23:02 | 0:23:06 | |
GAVEL BANGS £15 only... | 0:23:06 | 0:23:09 | |
Not a great start for Will's first Road Trip auction. | 0:23:09 | 0:23:14 | |
Mark's up next with his Mont Blanc painting. | 0:23:14 | 0:23:16 | |
Could this pretty little picture make him a pretty little penny? | 0:23:16 | 0:23:21 | |
Bid me £30 to get it started? Any bids at 30? | 0:23:21 | 0:23:24 | |
20 then? Any bids at 10? | 0:23:24 | 0:23:26 | |
-Oh, come on! -Start me at £10 on it? Any bids at £10? | 0:23:26 | 0:23:30 | |
A little view here of Mont Blanc. Any bids at £10? | 0:23:30 | 0:23:33 | |
No bids at all? Oh, dear me! We can't sell it if you can't bid. | 0:23:33 | 0:23:37 | |
£5. I've got it there at £5 only. The frame is worth more. At £5 only. | 0:23:37 | 0:23:41 | |
-Oh, this is silly. -Are you all done? I'll let it go at £5 only... | 0:23:41 | 0:23:45 | |
-GAVEL BANGS -That's ridiculous. | 0:23:45 | 0:23:47 | |
What a hefty loss! That's obliterated his earlier profit. | 0:23:47 | 0:23:52 | |
My 15 quid for my bottle's looking quite good now. | 0:23:52 | 0:23:55 | |
It is looking very good. That's very disappointing. | 0:23:55 | 0:23:59 | |
There's a chance for Will now with his 19th century glass barrel, | 0:23:59 | 0:24:03 | |
but he needs to make over £80 to clear a profit. | 0:24:03 | 0:24:07 | |
-A rather nice item. -Thank you very much. -It is nice. | 0:24:07 | 0:24:11 | |
-By Loftus of London. -Come on. -Quite a nice item. Surely, £50? | 0:24:11 | 0:24:15 | |
Get me started at 30, someone? Any bids at £30? | 0:24:15 | 0:24:18 | |
The spirit barrel at £30? Surely, £30? | 0:24:18 | 0:24:21 | |
10 from someone then? Get it going at £10? Any bids at £10? | 0:24:21 | 0:24:24 | |
Any bids... Thank you. 10 at the back. At only £10. | 0:24:24 | 0:24:28 | |
15 at the back. At 15. 20. Come along, sir. At £20. 25. | 0:24:28 | 0:24:32 | |
At £25. It's no money at 25. I've got to sell it though at 25. | 0:24:32 | 0:24:37 | |
I'm letting it go at the very back wall at £25... | 0:24:37 | 0:24:41 | |
-GAVEL BANGS -I'm sorry, Will. -That is just... | 0:24:41 | 0:24:44 | |
I'm really sorry, Will. | 0:24:44 | 0:24:47 | |
What a disaster, eh? No-one seems interested in the alcohol theme. | 0:24:49 | 0:24:53 | |
But will his smoking lots fare any better? | 0:24:53 | 0:24:56 | |
And here's one now - the 19th century, oak smoker's box. | 0:24:56 | 0:25:00 | |
Must be £30? £20 from someone? Who bids me £20? Thank you, £20. | 0:25:00 | 0:25:04 | |
Only bid at 20. 5 with you now? 25. At 25. £30 bid now. | 0:25:04 | 0:25:09 | |
At 30. 35. And 40. | 0:25:09 | 0:25:11 | |
At £40. At 40. At £40. | 0:25:11 | 0:25:14 | |
-Bid again, sir? No? At 40. -Go on. | 0:25:14 | 0:25:17 | |
Have we all finished then? Done on £40, it sells... | 0:25:17 | 0:25:21 | |
GAVEL BANGS Bidder number 5,000. £40, thank you. | 0:25:21 | 0:25:24 | |
Well done. You made a... | 0:25:24 | 0:25:25 | |
-A small loss. -A small loss, which is good, actually. | 0:25:25 | 0:25:29 | |
Loss after loss after loss. | 0:25:29 | 0:25:31 | |
Poor Will. He took a risk with his theme. So far, it's not paying off. | 0:25:31 | 0:25:37 | |
And Mark's not doing much better. | 0:25:37 | 0:25:39 | |
Could this Anglo-Indian box have some eastern promise? | 0:25:39 | 0:25:42 | |
-Beautifully carved. -Oh, beautifully carved. | 0:25:42 | 0:25:45 | |
Get me started at 20? £20, someone? Surely at 20? Any bids then at 10? | 0:25:45 | 0:25:49 | |
-£10?! -10 I'm bid. 15, anyone? 15 bid. 20 against you, madam? | 0:25:49 | 0:25:54 | |
£20, surely? Is that a bid, madam? I can't see you. Will you bid me 20? | 0:25:54 | 0:25:58 | |
-He's trying. -At £15 only then. | 0:25:58 | 0:26:01 | |
At £15. At £15. It's got to be sold. It goes then on 15. Last time at 15. | 0:26:01 | 0:26:05 | |
It's had its time at 15. 15... GAVEL BANGS | 0:26:05 | 0:26:08 | |
A small loss, but a loss nonetheless and it's all stacking up. | 0:26:08 | 0:26:13 | |
-We've got our health, Mark. -Yeah. -We've got a nice car parked outside. | 0:26:13 | 0:26:17 | |
We have. The sun's still shining. | 0:26:17 | 0:26:19 | |
And only a few more lots to go, then we'll hit the bar. | 0:26:19 | 0:26:23 | |
I'm in for that! | 0:26:23 | 0:26:25 | |
Mark's up again with his novelty pig jug. | 0:26:25 | 0:26:28 | |
It'll have to be one miraculous piggy to stop this losing streak. | 0:26:28 | 0:26:32 | |
People collect pigs. How do you like this one? Start me around £40? | 0:26:32 | 0:26:37 | |
Any bids at 30 then? The pig at £30? | 0:26:37 | 0:26:40 | |
10 to get it started? Someone bid me £10 to get it started? | 0:26:40 | 0:26:43 | |
Any bids at £10 for it? Any bids at £10 for the pig? Oh, dear me. | 0:26:43 | 0:26:48 | |
Thank you, £10. I'm bid 10. 15 now against you. At 15. £20 I have. | 0:26:48 | 0:26:53 | |
It's yours in the centre, madam, at 20. Any further bidders? | 0:26:53 | 0:26:56 | |
I'm letting it go at 20. Finished on £20 only... | 0:26:56 | 0:27:01 | |
This little piggy did not get to market. | 0:27:01 | 0:27:04 | |
-There seems to be a theme emerging from today's sale. -Yeah. | 0:27:06 | 0:27:10 | |
If Will can make a profit on his final two items, | 0:27:10 | 0:27:12 | |
he could still be in with a chance. | 0:27:12 | 0:27:15 | |
Next up is his silver-plated cigar-cutter. | 0:27:15 | 0:27:18 | |
Somebody bid me? Any bids at all? | 0:27:18 | 0:27:20 | |
-Get it started at a fiver? £5. -The blade's solid... -A fiver, Will? | 0:27:20 | 0:27:24 | |
8 I'm bid. At 10. 10 I have. | 0:27:24 | 0:27:27 | |
At £10. At £10. Bid again, sir, at 10? | 0:27:27 | 0:27:29 | |
Right in the corner, will you bid me? At £10 only. | 0:27:29 | 0:27:32 | |
I'll let it go at 10. Finished with it at £10 only... | 0:27:32 | 0:27:37 | |
-Back there at 10... -Thank you very much. | 0:27:37 | 0:27:41 | |
Oh, lordy! Another crushing blow for Will. | 0:27:41 | 0:27:44 | |
Mark's Japanese cloisonne, circular box is the next lot. | 0:27:44 | 0:27:48 | |
Surely, this will do some business. | 0:27:48 | 0:27:51 | |
-Your pretty box. -Oh, my pretty box. | 0:27:51 | 0:27:54 | |
With me here at £20 only. £20. 25. 30. | 0:27:54 | 0:27:57 | |
5. 40. 5. 50 bid. | 0:27:57 | 0:27:59 | |
At £50. The desk at £50. | 0:27:59 | 0:28:02 | |
At £50. At 50. Any further bidders then, at 50? | 0:28:02 | 0:28:05 | |
All done, finished then on 50? | 0:28:05 | 0:28:07 | |
At £50, it goes... GAVEL BANGS | 0:28:07 | 0:28:10 | |
-It went a little bit more than I thought, but still a loss. -Yeah. | 0:28:10 | 0:28:14 | |
Another beastly outcome, eh? But there's not much between the pair, | 0:28:14 | 0:28:18 | |
so it could all change with Will's final lot. | 0:28:18 | 0:28:21 | |
It's his snuff box. | 0:28:21 | 0:28:23 | |
If this sparks the crowd's interest, he could still be in with a chance. | 0:28:23 | 0:28:27 | |
-Here we go. -£10 to get it started? | 0:28:28 | 0:28:31 | |
-Thank you. 10 I'm bid. 15 now. 15. 20. 5. -Come on. | 0:28:31 | 0:28:35 | |
At £25. At 25. Are you all done at 25? | 0:28:35 | 0:28:39 | |
Finished then... £30. At 30. | 0:28:39 | 0:28:42 | |
In the centre I've got it at 30. | 0:28:42 | 0:28:44 | |
-She can come again. -Last time then. It goes at 30... | 0:28:44 | 0:28:47 | |
-The highest profit of the day. -Get in! -Well done, 20 quid profit! | 0:28:47 | 0:28:51 | |
Thank you very much, sir. | 0:28:51 | 0:28:53 | |
Hurrah, profit at last! But too little, too late. | 0:28:53 | 0:28:56 | |
And despite desperate losses on both sides, | 0:28:56 | 0:28:59 | |
Mark beats Will by a nose. | 0:28:59 | 0:29:01 | |
-I've had enough of this. Let's go. -I've had enough of this. Come on. | 0:29:01 | 0:29:05 | |
Newbie Will Axon started with the | 0:29:07 | 0:29:09 | |
princely sum of £200 and spent the lot. | 0:29:09 | 0:29:12 | |
After auction costs, he's lost £101.60, | 0:29:12 | 0:29:16 | |
leaving him £98.40 for the next leg. | 0:29:16 | 0:29:20 | |
Mark Stacey spent £185 of his starting budget of 200 | 0:29:21 | 0:29:25 | |
and after costs, made a loss of £82.50, | 0:29:25 | 0:29:29 | |
which means he has just £117.50 to play with next time. | 0:29:29 | 0:29:34 | |
Not so hot. | 0:29:34 | 0:29:36 | |
-What a disaster! -I'm still a bit shell-shocked, to be honest. -Me too. | 0:29:36 | 0:29:41 | |
-We have a little money left. -We made small profits and big losses. | 0:29:41 | 0:29:45 | |
Small profit? One each, that's it. | 0:29:45 | 0:29:48 | |
-Oh, yeah. -And then big losses. -Big losses. | 0:29:48 | 0:29:51 | |
Shall we see if we have enough | 0:29:51 | 0:29:52 | |
-petrol to get to the next stop? -Shall we check the gauge? | 0:29:52 | 0:29:55 | |
-But we did say we were going to stay cheery. -We are cheerful. | 0:29:55 | 0:29:59 | |
-It can only get better. -What else can happen? | 0:29:59 | 0:30:02 | |
Probably quite a lot. Drive on, chaps. A new leg awaits you. | 0:30:02 | 0:30:06 | |
On this leg, they'll start in Bilsington | 0:30:11 | 0:30:13 | |
and end up at an auction not far away in Sandwich, | 0:30:13 | 0:30:19 | |
but clocking up some 80-odd miles in between. | 0:30:19 | 0:30:21 | |
I'm going to change my tactics, I think. I've been a bit soft. | 0:30:22 | 0:30:25 | |
-Have you? -On the dealers, I think. | 0:30:25 | 0:30:29 | |
I thought it was just you didn't buy very nice things. | 0:30:29 | 0:30:33 | |
They are deep in the countryside in Kent, | 0:30:33 | 0:30:35 | |
near a little village called Bilsington | 0:30:35 | 0:30:38 | |
and Mark's dropping Will off at the first shop. | 0:30:38 | 0:30:41 | |
It's time for Will to put his new tough-guy tactic into play, | 0:30:41 | 0:30:45 | |
as he kicks off his bargain blitz at the Barn at Bilsington, | 0:30:45 | 0:30:48 | |
with just £98.40 in his pocket. | 0:30:48 | 0:30:51 | |
Watch out, Gabrielle - he means business. | 0:30:51 | 0:30:54 | |
Gabrielle specialises in French country furniture, | 0:30:56 | 0:30:59 | |
though you could be mistaken for thinking | 0:30:59 | 0:31:02 | |
you were in her lavishly decorated home, | 0:31:02 | 0:31:04 | |
complete with a fire in the hearth to get you warmed up | 0:31:04 | 0:31:07 | |
and in the buying mood. | 0:31:07 | 0:31:09 | |
But anyway, there's business to be done. Let's have a rummage. | 0:31:09 | 0:31:12 | |
See? It works a treat. | 0:31:12 | 0:31:14 | |
That's quite nice, isn't it? | 0:31:20 | 0:31:22 | |
Bone rather than ivory. | 0:31:23 | 0:31:25 | |
And you've got this sort of penwork. | 0:31:25 | 0:31:28 | |
It's almost got a sort of... | 0:31:28 | 0:31:30 | |
Indian feel about it. | 0:31:30 | 0:31:32 | |
Gabrielle's glasses in there, and a little nail file. | 0:31:35 | 0:31:38 | |
That's what they're used for - handy little box for knick-knacks. | 0:31:39 | 0:31:42 | |
No price ticket on it. | 0:31:45 | 0:31:46 | |
That might be one to mention. | 0:31:47 | 0:31:49 | |
These decorative little boxes are just the kind of thing | 0:31:49 | 0:31:52 | |
that could fly at auction. | 0:31:52 | 0:31:54 | |
Hmm. | 0:31:59 | 0:32:01 | |
Nice Chinese blue and white vase. | 0:32:03 | 0:32:05 | |
Got a mark underneath. | 0:32:07 | 0:32:09 | |
Always be slightly suspicious of the Chinese marks. | 0:32:09 | 0:32:14 | |
I believe that's the Kangxi mark. | 0:32:14 | 0:32:16 | |
This pretty blue and white painted vase | 0:32:16 | 0:32:19 | |
is 19th-century Kangxi. | 0:32:19 | 0:32:21 | |
The production of Kangxi ended in 1722, | 0:32:21 | 0:32:25 | |
but the style was copied into the 1800s. | 0:32:25 | 0:32:28 | |
It's got what I would call a sort of star crack | 0:32:28 | 0:32:32 | |
to the body, | 0:32:32 | 0:32:34 | |
and that has spread somewhat. | 0:32:34 | 0:32:38 | |
Well, it's no Ming dynasty, | 0:32:38 | 0:32:40 | |
so can Will stick to his new macho technique | 0:32:40 | 0:32:43 | |
and get it within budget? | 0:32:43 | 0:32:45 | |
-I found this upstairs. -Yes. | 0:32:46 | 0:32:48 | |
-Which is interesting. -Mm-hm. | 0:32:48 | 0:32:51 | |
But quite badly damaged. | 0:32:51 | 0:32:53 | |
Can you see that nasty crack? | 0:32:56 | 0:32:58 | |
-It's got age to it. -It has. | 0:32:58 | 0:33:00 | |
Um... | 0:33:00 | 0:33:02 | |
Going to have met with some problems in its life. | 0:33:02 | 0:33:05 | |
Haven't we all, dear? | 0:33:05 | 0:33:08 | |
Can we say £40? | 0:33:08 | 0:33:10 | |
And 5. | 0:33:11 | 0:33:13 | |
Well, if I find something else and round it up to 50? | 0:33:13 | 0:33:16 | |
-You've got quite a sweet little box next door. -Yes. | 0:33:16 | 0:33:20 | |
That's more. That's got to be 25. | 0:33:20 | 0:33:22 | |
So, £45 for the vase | 0:33:22 | 0:33:25 | |
and £25 for the box is £70. | 0:33:25 | 0:33:28 | |
But how much does Will dare to offer? | 0:33:28 | 0:33:31 | |
Could I have both for 60? | 0:33:31 | 0:33:33 | |
That seems fair. | 0:33:35 | 0:33:36 | |
To who? To you or to me? | 0:33:36 | 0:33:38 | |
-To both of us! -Fair enough. | 0:33:38 | 0:33:40 | |
-Can we do that? -Yes. | 0:33:40 | 0:33:42 | |
I'm thrilled. Thanks very much. | 0:33:42 | 0:33:44 | |
Good. A pleasure. | 0:33:44 | 0:33:46 | |
Ding-ding! Round one to Will. | 0:33:46 | 0:33:48 | |
He's struck a good bargain, but £60 is over half his starting budget, | 0:33:48 | 0:33:52 | |
so he only has £38.40 | 0:33:52 | 0:33:54 | |
for the rest of this leg. Pretty risky, this. | 0:33:54 | 0:33:58 | |
Meanwhile, Mark's put his pedal to the metal | 0:33:58 | 0:34:00 | |
and gone nearly eight miles southeast | 0:34:00 | 0:34:02 | |
to a place called Appledore. | 0:34:02 | 0:34:06 | |
He's at the Old Forge with just £117.50 to spend, | 0:34:06 | 0:34:11 | |
so he's trying to forge an alliance with storekeeper Jenny. | 0:34:11 | 0:34:14 | |
Jenny, I've a good feeling we're going to do some business today. | 0:34:14 | 0:34:17 | |
You have, and I've got you a cup of tea, | 0:34:17 | 0:34:19 | |
because you must be frozen. | 0:34:19 | 0:34:21 | |
I'm frozen. I know we're going to get on. | 0:34:21 | 0:34:24 | |
You old charmer, you. | 0:34:24 | 0:34:26 | |
-Thank you, Jenny. -It's a pleasure. | 0:34:26 | 0:34:28 | |
This is the sort of thing I think might sell quite well. | 0:34:29 | 0:34:32 | |
I'll lift it up. It's quite heavy, I should imagine. | 0:34:32 | 0:34:35 | |
Yes, it is. | 0:34:35 | 0:34:37 | |
I mean, how would you describe that? | 0:34:40 | 0:34:42 | |
Cheap? Concrete? Doorstep? | 0:34:42 | 0:34:45 | |
I could go on. | 0:34:45 | 0:34:46 | |
I think these are quite cheeky. | 0:34:46 | 0:34:48 | |
Painted in a nicer colour, I think that could be quite a fun item. | 0:34:49 | 0:34:53 | |
It's a bit much at the moment - £22. | 0:34:55 | 0:34:57 | |
And it just says "Doggy"! | 0:34:57 | 0:34:59 | |
But I think she's rather sweet. | 0:35:01 | 0:35:03 | |
Look, there's a little bow. You can see a little bow. | 0:35:03 | 0:35:06 | |
I think you're barking up the wrong tree here. | 0:35:06 | 0:35:08 | |
It's rough, rough, rough! | 0:35:08 | 0:35:10 | |
Like a moth to a flame, | 0:35:11 | 0:35:13 | |
Mark's alighted on an outrageous vintage 1970s lamp | 0:35:13 | 0:35:17 | |
that is, frankly, camper than knickers. | 0:35:17 | 0:35:20 | |
I think it's green and brown onyx. | 0:35:20 | 0:35:22 | |
I suppose it is, yes. | 0:35:22 | 0:35:24 | |
With these sort of gilt metal or brass mounts, | 0:35:24 | 0:35:27 | |
with sort of caryatids on the base there. | 0:35:27 | 0:35:31 | |
And this outrageous shade! | 0:35:31 | 0:35:33 | |
Everybody comments on it, I have to say. | 0:35:34 | 0:35:37 | |
You could almost get away with it at Ascot, at Ladies Day. | 0:35:37 | 0:35:40 | |
But I think, to me, | 0:35:40 | 0:35:43 | |
it sort of screams the 1970s. I don't know about you. | 0:35:43 | 0:35:46 | |
-I think it probably is. -Abigail's Party and all that. | 0:35:46 | 0:35:48 | |
There's no ticket price on the lamp, | 0:35:48 | 0:35:51 | |
so let the tussle begin. | 0:35:51 | 0:35:52 | |
What would be your bargain price? Because you've got to get rid of it. | 0:35:52 | 0:35:56 | |
It doesn't fit in with your theme at all here. | 0:35:56 | 0:35:59 | |
What - retro chic? | 0:35:59 | 0:36:00 | |
Um...35. MARK GASPS | 0:36:00 | 0:36:04 | |
-Oh, lordy! -What were you thinking? | 0:36:04 | 0:36:07 | |
I might have to have a sit-down. | 0:36:08 | 0:36:09 | |
Um... | 0:36:09 | 0:36:11 | |
Oh, dear! | 0:36:11 | 0:36:12 | |
The old ticker's going now - palpitations. | 0:36:12 | 0:36:15 | |
Am-dram, eat your heart out! | 0:36:15 | 0:36:18 | |
But if I could get that | 0:36:18 | 0:36:20 | |
for somewhere near £20, or in between 20 and 30... | 0:36:20 | 0:36:24 | |
What about 25? | 0:36:24 | 0:36:25 | |
Oh, Jenny, I've got to have it for £25. | 0:36:26 | 0:36:29 | |
At the end of the day, the shade's worth that. | 0:36:29 | 0:36:32 | |
Yeah. | 0:36:32 | 0:36:33 | |
So, first deal of the day in the bag. | 0:36:33 | 0:36:35 | |
But what about that concrete terrier? | 0:36:35 | 0:36:37 | |
# How much is that doggy in the window? # | 0:36:37 | 0:36:41 | |
Graham, the little doggy's owner, has arrived. | 0:36:41 | 0:36:43 | |
So now they can have a pet talk. | 0:36:43 | 0:36:45 | |
What could you do it for? It's marked as 22. | 0:36:45 | 0:36:49 | |
15. How's that, Mark? MARK GASPS | 0:36:49 | 0:36:51 | |
Ideally, I'd like to get it for a tenner or so. | 0:36:51 | 0:36:54 | |
I'll let you have it for ten if it'll help. | 0:36:54 | 0:36:58 | |
Thank you so much, Graham. You are a star. | 0:36:58 | 0:37:00 | |
You're very welcome. | 0:37:00 | 0:37:01 | |
Meanwhile, Will has made his own way ten miles northeast | 0:37:01 | 0:37:05 | |
from the Barn in Bilsington to another barn in Bethersden. | 0:37:05 | 0:37:10 | |
His crusade for curiosities continues. | 0:37:11 | 0:37:14 | |
-Hello there! -Hello there. | 0:37:14 | 0:37:16 | |
-You must be Tony. -That's me. | 0:37:16 | 0:37:17 | |
-Nice to meet you. I'm Will. -And you. | 0:37:17 | 0:37:19 | |
Will's spotted a couple of decorative vases | 0:37:23 | 0:37:25 | |
he wants to take a closer look at. | 0:37:25 | 0:37:28 | |
I like those, in a way. | 0:37:28 | 0:37:30 | |
And being damaged doesn't put me off that much, | 0:37:30 | 0:37:32 | |
because I've already bought a damaged item today, | 0:37:32 | 0:37:35 | |
so that might be my theme! | 0:37:35 | 0:37:37 | |
Oh, lordy! Not another theme. | 0:37:38 | 0:37:40 | |
They've got a Whitefriars look about them, haven't they? | 0:37:40 | 0:37:43 | |
Textured sort of bark finish, I would say. | 0:37:43 | 0:37:47 | |
No marks. Ground pontil. | 0:37:47 | 0:37:49 | |
Whitefriars were Britain's longest running | 0:37:49 | 0:37:51 | |
and most productive glass house. | 0:37:51 | 0:37:53 | |
Their glass always reflected the fashion of the day, | 0:37:53 | 0:37:56 | |
but these are looky-likies. | 0:37:56 | 0:37:58 | |
How much have you got on the ticket there? | 0:37:58 | 0:38:00 | |
-Nine. -£9 for two vases. | 0:38:00 | 0:38:03 | |
That's well within my budget. | 0:38:03 | 0:38:05 | |
I tell you what... | 0:38:05 | 0:38:07 | |
Can I put those to one side for the moment? | 0:38:07 | 0:38:10 | |
He's interested, but he's browsing on. | 0:38:10 | 0:38:12 | |
And he's drawn to another set of vases just along the way. | 0:38:12 | 0:38:15 | |
That's quite interesting. | 0:38:15 | 0:38:17 | |
Old shell cases. | 0:38:17 | 0:38:19 | |
First or Second World War. | 0:38:19 | 0:38:22 | |
They've been tooled or worked | 0:38:22 | 0:38:25 | |
into a pair of vases. | 0:38:25 | 0:38:27 | |
Generally called trench art. | 0:38:29 | 0:38:32 | |
For obvious reasons. | 0:38:32 | 0:38:33 | |
What interests me is that there's no price ticket on them. | 0:38:34 | 0:38:38 | |
I shall go and ask Tony. | 0:38:40 | 0:38:42 | |
To be honest, I think they'll be out of my budget, | 0:38:42 | 0:38:44 | |
but let's ask him anyway. | 0:38:44 | 0:38:46 | |
Yeah, let's! And remember, you're a lean, mean negotiating machine. | 0:38:46 | 0:38:51 | |
Can they be... | 0:38:52 | 0:38:55 | |
very affordable? | 0:38:55 | 0:38:56 | |
-I'll try my best. Deborah, they're yours. -As I flutter my eyelids. | 0:38:56 | 0:39:00 | |
Are they? Oh, Deborah, face-to-face. | 0:39:00 | 0:39:03 | |
Ah, the boyish charm offensive. | 0:39:03 | 0:39:06 | |
You can tell me where to stick 'em... | 0:39:06 | 0:39:08 | |
-Go for it. -..but would I be able to buy those for a tenner? | 0:39:08 | 0:39:12 | |
That would really help me out. | 0:39:12 | 0:39:14 | |
-OK. -Yeah? | 0:39:15 | 0:39:17 | |
It's working, it's working! | 0:39:17 | 0:39:20 | |
Blimey! It is, too! | 0:39:20 | 0:39:22 | |
I'm going to have those | 0:39:22 | 0:39:23 | |
and I think I'm going to go for those two glass vases | 0:39:23 | 0:39:25 | |
-at nine quid. -Fine. | 0:39:25 | 0:39:27 | |
And I'm not even going to knock you down on the nine quid. How's that? | 0:39:27 | 0:39:30 | |
Wonderful. | 0:39:30 | 0:39:31 | |
How very kind of you, Will. | 0:39:31 | 0:39:33 | |
And with that, Will's bagged himself a veritable feast of vases | 0:39:33 | 0:39:36 | |
and it's time to pack up and ship out. | 0:39:36 | 0:39:39 | |
Together again, | 0:39:44 | 0:39:46 | |
the chaps are heading from Kent back into East Sussex. | 0:39:46 | 0:39:49 | |
They're on their way back to historic Hastings. | 0:39:49 | 0:39:53 | |
They're in King's Road, where Mark's continuing his treasure hunt. | 0:39:53 | 0:39:57 | |
-Good luck. -See you later. | 0:39:57 | 0:39:59 | |
-Take it easy - don't spend it all! -I will. | 0:39:59 | 0:40:02 | |
Good work, Mark, good work. | 0:40:02 | 0:40:03 | |
-Hi. -Hi. I'm Mark. | 0:40:07 | 0:40:08 | |
-I'm Charles. -Charles, nice to meet you. | 0:40:08 | 0:40:11 | |
Oh, stop horsing around and get on with it, Mark! | 0:40:19 | 0:40:22 | |
This is a little Chinese export ware bowl and cover. | 0:40:24 | 0:40:28 | |
Decorated with these little Chinese mons. You've got a dragon, | 0:40:28 | 0:40:32 | |
an eagle, and these little peonies and flowers. | 0:40:32 | 0:40:36 | |
Painted in what's generally referred to as Imari colours - | 0:40:36 | 0:40:39 | |
these iron reds, golds and blues. | 0:40:39 | 0:40:43 | |
This early 20th century Imari bowl and cover | 0:40:43 | 0:40:46 | |
have a ticket price of £25. | 0:40:46 | 0:40:49 | |
Having had a thorough look round, | 0:40:49 | 0:40:51 | |
he's hatched a new plan. | 0:40:51 | 0:40:54 | |
I've made an executive decision. | 0:40:54 | 0:40:56 | |
I'm going to go off-piste. | 0:40:56 | 0:40:58 | |
Quelle surprise! | 0:40:58 | 0:40:59 | |
Mark's off to explore the rest of King's Road | 0:40:59 | 0:41:02 | |
and is leaving the Chinese bowl with Charles for safekeeping. | 0:41:02 | 0:41:05 | |
If you can have a little think about the very best price, | 0:41:05 | 0:41:08 | |
and I don't want to in any way influence you, | 0:41:08 | 0:41:12 | |
but about ten would be lovely. | 0:41:12 | 0:41:14 | |
-And I'll be back later to have a word with you. -Excellent. | 0:41:14 | 0:41:18 | |
Subtle as a brick. | 0:41:18 | 0:41:19 | |
A couple of doors down, | 0:41:23 | 0:41:25 | |
and Mark's already drawn to a cheeky turquoise vase. | 0:41:25 | 0:41:28 | |
I really like this. The dealer's got it out of the cabinet for me. | 0:41:28 | 0:41:31 | |
It's Chinese. | 0:41:31 | 0:41:32 | |
I love the colour - that bright turquoise glaze. | 0:41:32 | 0:41:36 | |
But I mean, this immortal sitting on this water bottle or wine bottle | 0:41:36 | 0:41:41 | |
or sake bottle. | 0:41:41 | 0:41:44 | |
He looks as if he's actually drunk the contents! | 0:41:44 | 0:41:47 | |
-I think you may be right there. -Sake is Japanese, not Chinese, Mark. | 0:41:47 | 0:41:51 | |
He has a rather lovely expression on his face. | 0:41:51 | 0:41:54 | |
There's no ticket on this jug, but Andy the dealer | 0:41:54 | 0:41:58 | |
is offering it for a knockdown price of £15, | 0:41:58 | 0:42:00 | |
which Mark cannot refuse. | 0:42:00 | 0:42:03 | |
I think I'm going to have it for 15. Thanks very much, Andy. | 0:42:03 | 0:42:07 | |
I love it. I think it's great. It's making me smile. | 0:42:07 | 0:42:10 | |
And with that natty little purchase, | 0:42:10 | 0:42:12 | |
it's time to hot-foot it back to King's Road Antiques, | 0:42:12 | 0:42:15 | |
where Charles is waiting expectantly to complete the deal. | 0:42:15 | 0:42:19 | |
-Charles, hello. -Hi. -I'm back again. -Like a bad penny. | 0:42:19 | 0:42:23 | |
The Chinese bowl had a ticket price of £25, | 0:42:23 | 0:42:25 | |
but Mark wants it for a tenner, and he's not ready to settle. | 0:42:25 | 0:42:28 | |
-You're going to squeeze me, aren't you? -I am. I'm sorry. | 0:42:28 | 0:42:31 | |
I've got to, because I'm so short of cash. | 0:42:31 | 0:42:33 | |
I'll do anything...within reason. | 0:42:33 | 0:42:36 | |
Well, a good squeeze sounds about right. | 0:42:36 | 0:42:38 | |
-Could you? -I think we could do a tenner. -Are you happy with that? | 0:42:38 | 0:42:40 | |
-I'm not squeezing you too much? -No. | 0:42:40 | 0:42:43 | |
-Gentle enough. Shake my hand then. -Thanks very much, Charles. | 0:42:43 | 0:42:46 | |
Mission accomplished. Two more items for auction | 0:42:46 | 0:42:49 | |
for the princely sum of £25. Is there no stopping this man? | 0:42:49 | 0:42:53 | |
This is Will's final opportunity to load up on swag, | 0:42:58 | 0:43:01 | |
so he's snuck into Hastings Antiques Centre, | 0:43:01 | 0:43:04 | |
where Rob has more vases to tempt him with. | 0:43:04 | 0:43:07 | |
There's a couple of Whitefriars pieces here. | 0:43:07 | 0:43:10 | |
Look at this - we're straight into business. | 0:43:10 | 0:43:14 | |
And this is nice, because it's got the original label on it. | 0:43:14 | 0:43:17 | |
-That is nice. -That's a nice thing. | 0:43:17 | 0:43:19 | |
Very nice! | 0:43:19 | 0:43:21 | |
They would be nice for 30. | 0:43:21 | 0:43:23 | |
And you'd get a profit. | 0:43:23 | 0:43:25 | |
He's only got £19.40, Rob. | 0:43:25 | 0:43:27 | |
-I'm appealing to your good nature, Rob. -I know. | 0:43:27 | 0:43:31 | |
-What do you reckon? -You know, | 0:43:31 | 0:43:33 | |
I'm going to let you have them for £19.40. | 0:43:33 | 0:43:35 | |
-Both of them? -Yeah. | 0:43:35 | 0:43:36 | |
Oh, man! | 0:43:36 | 0:43:38 | |
Today is just getting better and better! | 0:43:38 | 0:43:40 | |
-Rob, you're a star, man! -That's all right. | 0:43:40 | 0:43:42 | |
What a jammy so-and-so. | 0:43:42 | 0:43:44 | |
Another handsome deal struck, and he's all spent out. | 0:43:44 | 0:43:47 | |
While Will's been blowing his budget, | 0:43:48 | 0:43:50 | |
Mark's popped off on his own to Rye, | 0:43:50 | 0:43:53 | |
12 miles northeast. | 0:43:53 | 0:43:55 | |
It's his final push for plunder, | 0:43:55 | 0:43:58 | |
as he drops into Wish Barn Antiques, | 0:43:58 | 0:44:00 | |
where all your dreams come true. | 0:44:00 | 0:44:03 | |
Well, maybe. | 0:44:03 | 0:44:04 | |
Hello. I'm Mark. | 0:44:04 | 0:44:06 | |
Mark, I'm Robert. How do you do? Nice to meet you. | 0:44:06 | 0:44:08 | |
Very small on the outside, but it goes back for ever. | 0:44:08 | 0:44:11 | |
-It's like the TARDIS. -It is. | 0:44:11 | 0:44:14 | |
Mark's homed in on a pair | 0:44:14 | 0:44:15 | |
of Victorian papier-mache folding shelves with a ticket price of £28. | 0:44:15 | 0:44:20 | |
They're hand-painted | 0:44:20 | 0:44:22 | |
with these sort of ship scenes, | 0:44:22 | 0:44:24 | |
and this is little shell, | 0:44:24 | 0:44:27 | |
sort of shell motifs. | 0:44:27 | 0:44:29 | |
And then they hang on the wall like that. | 0:44:29 | 0:44:31 | |
I think those are rather fine, actually. | 0:44:32 | 0:44:35 | |
But I like them because they're that marine subject. | 0:44:35 | 0:44:38 | |
And I keep thinking | 0:44:38 | 0:44:40 | |
that the saleroom is on the coast. | 0:44:40 | 0:44:43 | |
Mark's putting the shelves aside with Robert | 0:44:43 | 0:44:46 | |
while he takes his time finding something else to float his boat. | 0:44:46 | 0:44:49 | |
Mark's so drawn to highly-decorative little pieces | 0:44:52 | 0:44:55 | |
and today is no different. | 0:44:55 | 0:44:57 | |
Isn't this charming? It's a little chamber stick. | 0:44:57 | 0:45:00 | |
This is something you'd have used in Georgian and Victorian times. | 0:45:00 | 0:45:04 | |
And you would have had a little candle in here, | 0:45:04 | 0:45:07 | |
so it would have sat on your bedside cabinet. | 0:45:07 | 0:45:10 | |
And obviously, the drips would have fallen into the little leaf design. | 0:45:10 | 0:45:14 | |
It's Staffordshire porcelain and priced at £16. | 0:45:14 | 0:45:18 | |
The ticket says circa 1900, | 0:45:18 | 0:45:20 | |
but I think it's a little bit earlier, | 0:45:20 | 0:45:22 | |
so this could be a bargain worth keeping an eye on. | 0:45:22 | 0:45:25 | |
The papier-mache shelves and chamber stick | 0:45:27 | 0:45:29 | |
have a combined ticket price of £44. | 0:45:29 | 0:45:31 | |
Is Robert in the mood for a deal? | 0:45:31 | 0:45:33 | |
He's being ably assisted by his daughter, Frances. | 0:45:33 | 0:45:36 | |
What if I said £35 for the two? | 0:45:36 | 0:45:39 | |
That's not bad, is it? | 0:45:40 | 0:45:42 | |
I think I'm going to have to go with that, Robert. | 0:45:42 | 0:45:44 | |
-Thank you so much. -Thank you. | 0:45:44 | 0:45:46 | |
Ker-ching! | 0:45:46 | 0:45:48 | |
A pretty hefty discount, I think we can all agree. | 0:45:48 | 0:45:51 | |
Job's a good 'un, Mark. | 0:45:51 | 0:45:52 | |
That concludes his splash of cash for this leg. | 0:45:52 | 0:45:55 | |
Will too, has made it to Rye to visit a remarkable old building. | 0:45:58 | 0:46:03 | |
Ypres Tower, | 0:46:05 | 0:46:07 | |
or Wipers Tower, as it's known locally, | 0:46:07 | 0:46:10 | |
was originally built for defence | 0:46:10 | 0:46:12 | |
against invasion from the French, | 0:46:12 | 0:46:14 | |
who burnt Rye to the ground on several occasions. | 0:46:14 | 0:46:17 | |
The tower was one of the few buildings left standing, | 0:46:17 | 0:46:20 | |
and its history spans over 750 years. | 0:46:20 | 0:46:23 | |
Will's dropping in for a chat with Jo, | 0:46:23 | 0:46:25 | |
who has all the info. | 0:46:25 | 0:46:27 | |
The tower looks much as it would have when it was built, | 0:46:27 | 0:46:29 | |
and has served the town as a fort, private dwelling, | 0:46:29 | 0:46:32 | |
court hall, mortuary and prison. Wow! | 0:46:32 | 0:46:35 | |
1249, it was built as a castle. | 0:46:35 | 0:46:38 | |
By 1262, we know it was actually being used as a prison, | 0:46:38 | 0:46:42 | |
because we had two couples here charged with murder, | 0:46:42 | 0:46:45 | |
in the King's Prison at Rye, | 0:46:45 | 0:46:47 | |
-which I think is really quite nice. -Yes. | 0:46:47 | 0:46:50 | |
Ooh, lovely! | 0:46:50 | 0:46:51 | |
The castle became a private house in 1430, | 0:46:51 | 0:46:54 | |
when a man called John de Ypres bought it - hence the name. | 0:46:54 | 0:46:57 | |
Around 60 years later, | 0:46:57 | 0:46:59 | |
it once again became a prison, | 0:46:59 | 0:47:01 | |
and remained so until 1892. | 0:47:01 | 0:47:03 | |
Among the prisoners who languished in Wipers Tower, | 0:47:05 | 0:47:08 | |
awaiting punishment, were smugglers. | 0:47:08 | 0:47:10 | |
Smuggling in the area began in the 13th century, | 0:47:10 | 0:47:13 | |
when Edward I introduced a tax on wool exports. | 0:47:13 | 0:47:16 | |
This was a huge wool-producing area, | 0:47:16 | 0:47:19 | |
so he would tax wool and the money was used to raise his armies. | 0:47:19 | 0:47:23 | |
So, as soon as you put a tax on something, | 0:47:23 | 0:47:26 | |
somebody wants to avoid it, so they started to smuggle wool out. | 0:47:26 | 0:47:29 | |
In 1661, the export of wool was forbidden | 0:47:29 | 0:47:33 | |
and smuggling became rampant. | 0:47:33 | 0:47:34 | |
Wool would go out and luxuries would come in. | 0:47:34 | 0:47:37 | |
Smugglers became large, highly organised groups. | 0:47:37 | 0:47:40 | |
If captured, smugglers could find themselves in Wipers Tower | 0:47:42 | 0:47:46 | |
awaiting trial or punishment by burning. | 0:47:46 | 0:47:49 | |
Men, women and children were imprisoned together. | 0:47:49 | 0:47:52 | |
So this is one of the cells? | 0:47:54 | 0:47:55 | |
Yes. It wouldn't have been very pleasant. | 0:47:55 | 0:47:57 | |
I'm sure there were quite a lot of creatures in the straw. | 0:47:57 | 0:48:00 | |
-Oh, don't! -And several people, and also of course...one pot. | 0:48:00 | 0:48:05 | |
-Oh, for doing the business? -Yes. | 0:48:05 | 0:48:07 | |
And how many people would have been in a cell like this? | 0:48:07 | 0:48:10 | |
-I would think probably maximum six or seven. -Six or seven?! | 0:48:10 | 0:48:13 | |
Of course, no prison is complete | 0:48:13 | 0:48:15 | |
without its own infamous inmate story. | 0:48:15 | 0:48:18 | |
John Breads, he was a butcher, | 0:48:18 | 0:48:20 | |
and he'd been accused by the townsfolk | 0:48:20 | 0:48:23 | |
-of giving short measure in his meat. -Oh! | 0:48:23 | 0:48:25 | |
So he went to court and was fined by the mayor. | 0:48:25 | 0:48:28 | |
He bore a grudge | 0:48:28 | 0:48:30 | |
and eventually decided he would get his own back. | 0:48:30 | 0:48:34 | |
He stabbed who he thought was the mayor, | 0:48:34 | 0:48:36 | |
-but it turned out to be the deputy mayor instead. -Oh, no! | 0:48:36 | 0:48:39 | |
So he killed the wrong man. | 0:48:39 | 0:48:41 | |
He was arrested and brought in here. | 0:48:41 | 0:48:43 | |
He was tried, and who should be chairman of the bench | 0:48:43 | 0:48:46 | |
but the man who was the intended victim, James Lamb. | 0:48:46 | 0:48:50 | |
I think the cards were stacked against him somewhat. | 0:48:50 | 0:48:53 | |
So he was convicted and sentenced to death. | 0:48:53 | 0:48:55 | |
Once dead, his body was placed in a cage | 0:48:57 | 0:49:00 | |
and swung above the marshes for 70 years. | 0:49:00 | 0:49:03 | |
Women of Rye stole his bones, boiled them | 0:49:03 | 0:49:07 | |
and drank the infusion to aid rheumatism. | 0:49:07 | 0:49:09 | |
Yuck! | 0:49:09 | 0:49:11 | |
What's left of his skull still resides in Rye. | 0:49:11 | 0:49:14 | |
And with that happy tale told, | 0:49:14 | 0:49:16 | |
it's time for Will to take his leave. | 0:49:16 | 0:49:21 | |
Mark set out on this leg with £117.50, | 0:49:21 | 0:49:22 | |
and forked out £95 on six items | 0:49:22 | 0:49:27 | |
for his five lots. | 0:49:27 | 0:49:29 | |
A stone model of a Yorkshire terrier, | 0:49:29 | 0:49:31 | |
a vintage lamp, | 0:49:31 | 0:49:33 | |
papier-mache wall shelves, | 0:49:33 | 0:49:35 | |
a china chamber stick holder, | 0:49:35 | 0:49:37 | |
and a Chinese water jug, paired with an Imari bowl. | 0:49:37 | 0:49:41 | |
Will began this leg with a lowly £98.40, | 0:49:43 | 0:49:47 | |
but made every penny count on eight items that comprise his five lots, | 0:49:47 | 0:49:51 | |
including - a Kangxi vase, | 0:49:51 | 0:49:54 | |
two glass vases, | 0:49:54 | 0:49:55 | |
an Indian box, | 0:49:55 | 0:49:57 | |
a pair of trench art vases, | 0:49:57 | 0:49:58 | |
and two Whitefriars glass vases - | 0:49:58 | 0:50:01 | |
one with its original paper label intact. | 0:50:01 | 0:50:04 | |
On the second leg of their road trip, | 0:50:06 | 0:50:08 | |
these two daredevils have done a round trip from Kent, | 0:50:08 | 0:50:10 | |
popping into East Sussex, then back to Kent, | 0:50:10 | 0:50:12 | |
starting in Bilsington, ending in Sandwich for the auction. | 0:50:12 | 0:50:16 | |
What a cat's cradle! | 0:50:16 | 0:50:18 | |
Sandwich, with its many medieval buildings, | 0:50:18 | 0:50:21 | |
landed the first captive elephant in 1255, | 0:50:21 | 0:50:24 | |
which was taken on foot to London Tower Zoo | 0:50:24 | 0:50:27 | |
as a gift from the French king to Henry VI. | 0:50:27 | 0:50:31 | |
-How's that, Will? -Perfect, Mark. | 0:50:32 | 0:50:34 | |
Here we are - sunny Sandwich. | 0:50:34 | 0:50:36 | |
Sunny sandwich. Are you hungry? | 0:50:36 | 0:50:38 | |
I am a bit peckish, actually. | 0:50:38 | 0:50:40 | |
Oh, come on, chaps! | 0:50:40 | 0:50:42 | |
You're making a meal of that joke. | 0:50:42 | 0:50:45 | |
Pettmans Sandwich Auction has been established for over 50 years. | 0:50:45 | 0:50:49 | |
Originally selling cattle and furniture, | 0:50:49 | 0:50:52 | |
it now specialises in fine art, antiques and collector's items. | 0:50:52 | 0:50:56 | |
The man at the helm of today's auction is the lovely Kevin Hall. | 0:50:56 | 0:51:01 | |
Time for the gladiators of antiquity to enter the ring. | 0:51:01 | 0:51:05 | |
-It's a good crowd here. -Yes, it is. | 0:51:05 | 0:51:08 | |
I like a general sale with plenty of people. | 0:51:08 | 0:51:10 | |
Absolutely. | 0:51:10 | 0:51:12 | |
Can Mark's folding shelves with marine scenes | 0:51:12 | 0:51:15 | |
make waves with today's crowd? | 0:51:15 | 0:51:17 | |
£10 I have. Any advance on 10? Looking for 12. | 0:51:17 | 0:51:20 | |
12. 14. 16. 18. | 0:51:20 | 0:51:23 | |
20. 22. 24. 26. | 0:51:23 | 0:51:26 | |
28. 30. 32. | 0:51:26 | 0:51:28 | |
32 with you. | 0:51:28 | 0:51:30 | |
Any advance on £32? | 0:51:30 | 0:51:31 | |
-It needs to be a bit more. -Fresh bidder. | 0:51:31 | 0:51:33 | |
34 with you. Any advance on £34? | 0:51:33 | 0:51:36 | |
Selling for £34. | 0:51:37 | 0:51:39 | |
Oh, well, there's a profit, but not much. | 0:51:39 | 0:51:43 | |
Profit nonetheless. | 0:51:43 | 0:51:44 | |
But this is how their first auction started, so let's hope it picks up. | 0:51:44 | 0:51:48 | |
Now Mark with a couple of crackers. | 0:51:50 | 0:51:52 | |
His turquoise jug and the Imari bowl, | 0:51:52 | 0:51:54 | |
which he's combined as one lot. | 0:51:54 | 0:51:56 | |
-£10 I have. Any advance on 10? -Oh, come on! | 0:51:56 | 0:51:59 | |
12. 14. 16. 18. | 0:51:59 | 0:52:03 | |
20. 22. 24. | 0:52:03 | 0:52:05 | |
26. 28. 30. | 0:52:05 | 0:52:08 | |
32. 34. 36. | 0:52:08 | 0:52:10 | |
38? 36 with you. | 0:52:10 | 0:52:12 | |
Any advance on £36, now? | 0:52:12 | 0:52:14 | |
Selling for £36. | 0:52:14 | 0:52:18 | |
Not the perfect pairing, but not a loss. | 0:52:18 | 0:52:21 | |
MARK SIGHS | 0:52:22 | 0:52:23 | |
Oh, well. | 0:52:23 | 0:52:25 | |
-I tried. -I'm feeling for you, Mark. | 0:52:25 | 0:52:27 | |
Will's first lot. Hopefully, someone will shell out plenty | 0:52:28 | 0:52:31 | |
for this pair of trench art vases. | 0:52:31 | 0:52:33 | |
£10 I have. Any advance on 10? | 0:52:33 | 0:52:36 | |
Looking for 12. 14. | 0:52:36 | 0:52:38 | |
You're in profit. | 0:52:38 | 0:52:40 | |
20? 18 at the back. | 0:52:40 | 0:52:42 | |
Any advance on 18? 20. | 0:52:42 | 0:52:44 | |
22. 24. 26. | 0:52:44 | 0:52:46 | |
28. 30. | 0:52:46 | 0:52:48 | |
28 with you. | 0:52:48 | 0:52:50 | |
-I would like to get 30. -It's a profit, though. | 0:52:50 | 0:52:53 | |
Selling for £28. | 0:52:53 | 0:52:55 | |
-That's a good profit, Will. -Thank you, Mark. | 0:52:55 | 0:52:57 | |
Well, those hit the spot! | 0:52:57 | 0:52:59 | |
And Will is off and running. | 0:52:59 | 0:53:01 | |
-I think that's good. -Thank you. | 0:53:01 | 0:53:03 | |
I'm really pleased for you(!) | 0:53:03 | 0:53:06 | |
WILL CHUCKLES | 0:53:06 | 0:53:08 | |
Sincere as always, Mark. | 0:53:08 | 0:53:11 | |
Can Will's luck hold out | 0:53:11 | 0:53:13 | |
with his Chinese vase? | 0:53:13 | 0:53:15 | |
£40 I have. | 0:53:15 | 0:53:16 | |
Oh, he's got 40. | 0:53:16 | 0:53:18 | |
42. 44. 46. | 0:53:18 | 0:53:21 | |
48. 50. 55. | 0:53:21 | 0:53:23 | |
60. £60 with you. | 0:53:23 | 0:53:26 | |
Any advance on £60 now? | 0:53:26 | 0:53:28 | |
Selling for £60. | 0:53:28 | 0:53:30 | |
-50% profit. -Yeah, good. Thank you. | 0:53:32 | 0:53:35 | |
Two lots each, and Will's in the lead. | 0:53:35 | 0:53:38 | |
Can Mark's '70s lamp | 0:53:39 | 0:53:41 | |
light up a profit for him? | 0:53:41 | 0:53:44 | |
£40 I have. | 0:53:44 | 0:53:45 | |
Oh, £40! | 0:53:45 | 0:53:47 | |
42. 44. | 0:53:47 | 0:53:49 | |
46. 48. 50. | 0:53:49 | 0:53:51 | |
Come on, Mark Stacey! | 0:53:51 | 0:53:53 | |
65. 70. | 0:53:53 | 0:53:55 | |
75? | 0:53:55 | 0:53:57 | |
70 with you. Any advance on £70? | 0:53:57 | 0:54:01 | |
Are you all done at £70? Selling at £70. | 0:54:01 | 0:54:04 | |
I can't believe it - £70! | 0:54:04 | 0:54:07 | |
He's cashing in on the kitsch. | 0:54:09 | 0:54:10 | |
Mark now takes the lead. | 0:54:10 | 0:54:13 | |
Oh! | 0:54:13 | 0:54:15 | |
I don't feel so bad now. | 0:54:15 | 0:54:17 | |
Let's hope that there are some fans of Whitefriars glass in the crowd. | 0:54:20 | 0:54:23 | |
First up are Will's genuine pair. | 0:54:23 | 0:54:27 | |
£10 I have. Any advance on 10? Looking for 12. | 0:54:27 | 0:54:30 | |
Are you all done at 10? 12. | 0:54:30 | 0:54:32 | |
14. 16? | 0:54:32 | 0:54:34 | |
£14 with you. | 0:54:34 | 0:54:36 | |
16. 18. 20. | 0:54:36 | 0:54:38 | |
22. 22? | 0:54:38 | 0:54:40 | |
20 with you. Any advance on £20 now? | 0:54:40 | 0:54:45 | |
Selling for £20. | 0:54:45 | 0:54:46 | |
60p?! It cost more in petrol to get them here. | 0:54:48 | 0:54:51 | |
Doesn't bode well for the other pair coming up later. | 0:54:51 | 0:54:54 | |
It's the reconstituted stone dog next. | 0:54:55 | 0:54:58 | |
Will it fetch Mark any cash? | 0:54:58 | 0:55:00 | |
£10 I have. Any advance on 10? Looking for 12. | 0:55:00 | 0:55:03 | |
-Are you all done at 10? -Oh, no! | 0:55:03 | 0:55:06 | |
£12 with you. Any advance on £12? | 0:55:06 | 0:55:09 | |
Are you all done at £12? | 0:55:09 | 0:55:11 | |
Selling for £12. | 0:55:11 | 0:55:13 | |
Oh, that's so disappointing! | 0:55:13 | 0:55:16 | |
At least he's gone to a good home. | 0:55:16 | 0:55:17 | |
I can't say I'm surprised. | 0:55:17 | 0:55:19 | |
Still, Mark remains ahead. | 0:55:19 | 0:55:21 | |
My poor little dog! If I'd have known | 0:55:21 | 0:55:23 | |
-he was only going to make that, I would have kept him. -Aw! | 0:55:23 | 0:55:26 | |
Will's Whitefriars-style vases are next. | 0:55:26 | 0:55:30 | |
Can they do better than the real McCoy? | 0:55:30 | 0:55:32 | |
-Bit of damage on one. -Oh, there's a bit of damage? Sh! | 0:55:32 | 0:55:36 | |
£10 I have. Any advance on 10? Looking for 12. | 0:55:37 | 0:55:40 | |
12. 14. 16. 18. | 0:55:40 | 0:55:43 | |
20. 2. 24. | 0:55:43 | 0:55:45 | |
-24 with you. -Doing well. | 0:55:45 | 0:55:48 | |
26. 28? | 0:55:49 | 0:55:51 | |
26 with you. Any advance on £26 now? | 0:55:51 | 0:55:55 | |
Selling for £26. | 0:55:55 | 0:55:58 | |
-I mean, that's good, Will. -It's profit. | 0:55:58 | 0:56:00 | |
That's a big profit on £9. | 0:56:00 | 0:56:03 | |
Crikey! Even better than the real thing. | 0:56:03 | 0:56:06 | |
Will's catching up on Mark. | 0:56:06 | 0:56:08 | |
At this rate, by Friday, we might have all our money back. | 0:56:09 | 0:56:12 | |
This is his final lot - | 0:56:12 | 0:56:15 | |
the carved bone box. Can his good fortune continue? | 0:56:15 | 0:56:18 | |
£10 I have. Any advance on 10? Looking for 12. | 0:56:18 | 0:56:21 | |
12. 14. 16. 18. | 0:56:21 | 0:56:24 | |
20. 22. 24. 26. | 0:56:24 | 0:56:27 | |
28. 30. 32. | 0:56:27 | 0:56:29 | |
34. 36. 38. | 0:56:29 | 0:56:32 | |
38 with you. Any advance on £38 now? | 0:56:32 | 0:56:35 | |
Selling for...40. | 0:56:35 | 0:56:38 | |
-42? -Don't lose it now, madam! | 0:56:38 | 0:56:40 | |
44? | 0:56:40 | 0:56:42 | |
Selling for £42. | 0:56:42 | 0:56:44 | |
That's carved him another tiny profit | 0:56:44 | 0:56:47 | |
and put him back in the lead. But there's not much in it. | 0:56:47 | 0:56:51 | |
-You should be pleased with that. -I'm very pleased today. | 0:56:51 | 0:56:53 | |
-You've more than doubled your money there. -Yeah. | 0:56:53 | 0:56:55 | |
Could there be light at the end of the tunnel for Mark | 0:56:55 | 0:56:59 | |
with his Victorian chamber stick? | 0:56:59 | 0:57:01 | |
-Here we go. -This is it. | 0:57:01 | 0:57:03 | |
-£50 I have. Any advance on 50? -Oh! | 0:57:03 | 0:57:06 | |
Looking for 55. | 0:57:06 | 0:57:08 | |
-£50 I have. -The master strikes again! | 0:57:08 | 0:57:11 | |
Selling for £50. | 0:57:11 | 0:57:13 | |
Oh, I'm happy with that, Will! | 0:57:13 | 0:57:15 | |
I tell you, Will, we're back up there. | 0:57:15 | 0:57:18 | |
I'm still chasing you! | 0:57:18 | 0:57:20 | |
I like that. I like it when you're chasing me. | 0:57:20 | 0:57:22 | |
BOTH CHORTLE | 0:57:22 | 0:57:24 | |
A tremendous tussle from the two titans of treasure | 0:57:24 | 0:57:28 | |
and another win for Mr Stacey. | 0:57:28 | 0:57:30 | |
-Thank you, Sandwich! -Come on, then. | 0:57:30 | 0:57:33 | |
Will Axon leapt forth on this leg with £98.40 and spent the lot. | 0:57:35 | 0:57:40 | |
After auction costs, he made £45.92 | 0:57:40 | 0:57:44 | |
and starts next time with £144.32. | 0:57:44 | 0:57:48 | |
Springing into shopping mode, | 0:57:50 | 0:57:52 | |
Mark spent £95 of his £117.50 starting budget, | 0:57:52 | 0:57:58 | |
and after costs, made £70.64, | 0:57:58 | 0:58:01 | |
giving him £188.14 to play with on the next leg. | 0:58:01 | 0:58:06 | |
Will, are you smiling? | 0:58:06 | 0:58:08 | |
Yeah, I think so, Mark, but you've done it again, mate. | 0:58:08 | 0:58:11 | |
That last lot of the day... | 0:58:11 | 0:58:13 | |
We crept up. I'm just under 200 now, Will. | 0:58:13 | 0:58:16 | |
I think I'm just under 150. | 0:58:16 | 0:58:17 | |
Listen, we're on a roll. | 0:58:17 | 0:58:19 | |
We can do this, you know. We can end the week where we started. | 0:58:19 | 0:58:22 | |
Come on! Brothers unite! | 0:58:22 | 0:58:24 | |
THEY LAUGH | 0:58:24 | 0:58:26 | |
Best foot forward, chaps. | 0:58:29 | 0:58:31 |