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It's the nation's favourite antiques experts | 0:00:02 | 0:00:04 | |
with £200 each, a classic car and a goal to scour Britain for antiques. | 0:00:04 | 0:00:10 | |
Going, going, gone! | 0:00:10 | 0:00:13 | |
How do I look? | 0:00:13 | 0:00:14 | |
The aim, to make the biggest profit at auction, | 0:00:14 | 0:00:16 | |
but it's no mean feat! | 0:00:16 | 0:00:18 | |
Yes! | 0:00:18 | 0:00:19 | |
There'll be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
I'm going to become a bin man. | 0:00:22 | 0:00:24 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:28 | |
I like it when you're chasing me! | 0:00:28 | 0:00:30 | |
This is the Antiques Road Trip! | 0:00:30 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:35 | |
The Garden of England awaits on the third leg of their Road Trip | 0:00:37 | 0:00:41 | |
for our antiques experts Mark Stacey and Will Axon. | 0:00:41 | 0:00:44 | |
There is some nice countryside around, isn't there? | 0:00:46 | 0:00:49 | |
Yes. Let me know when you find it! | 0:00:49 | 0:00:51 | |
Road Trip veteran and antiques expert Mark knows exactly how to uncover a bargain. | 0:00:52 | 0:00:57 | |
And he has a great moral fibre, to boot. | 0:00:57 | 0:01:00 | |
I promise not to nick anything! | 0:01:00 | 0:01:02 | |
Newmarket newbie Will, though, | 0:01:05 | 0:01:06 | |
has been suffering from a bit of cabinet fever so far | 0:01:06 | 0:01:09 | |
and needs to get his head back in the game. | 0:01:09 | 0:01:12 | |
It's bad. I need to focus. | 0:01:12 | 0:01:14 | |
Both Mark and Will started the week with £200 | 0:01:14 | 0:01:17 | |
and despite making a profit at the last auction, | 0:01:17 | 0:01:19 | |
they still find themselves in the red. | 0:01:19 | 0:01:21 | |
Let's do the biz. | 0:01:21 | 0:01:25 | |
Mark's opening losses were nearly offset by his second-leg profit. | 0:01:25 | 0:01:29 | |
But he still only has £188.14 to start this leg. | 0:01:29 | 0:01:34 | |
A disastrous beginning to Will's Road Trip means he'll need to get in gear | 0:01:34 | 0:01:39 | |
to improve on his budget of £144.32. | 0:01:39 | 0:01:43 | |
With such a poor start to their Road Trip, | 0:01:43 | 0:01:46 | |
it seems ironic that they're sitting pretty in a classic Triumph! | 0:01:46 | 0:01:51 | |
And this 1963 TR4 is certainly attracting some admiring attention. | 0:01:51 | 0:01:56 | |
Wa-hey! | 0:01:56 | 0:01:58 | |
What-ho, boys! | 0:01:58 | 0:01:59 | |
"What-ho, boys"?! | 0:02:01 | 0:02:03 | |
WILL LAUGHS | 0:02:03 | 0:02:06 | |
Our travelling treasure-hunters | 0:02:06 | 0:02:08 | |
are cruising through a whopping five counties. | 0:02:08 | 0:02:10 | |
They started the week in Hastings, East Sussex, | 0:02:10 | 0:02:12 | |
and will circumnavigate the south-east, | 0:02:12 | 0:02:15 | |
before ending up at an auction in the London suburb of Ruislip. | 0:02:15 | 0:02:18 | |
On this leg, they'll start in the coastal town of Deal | 0:02:20 | 0:02:23 | |
and end up at an auction in Chiswick, | 0:02:23 | 0:02:26 | |
clocking up nearly 130 miles along the way. | 0:02:26 | 0:02:29 | |
-Mark, you're on that way. -Am I? Good luck. Happy hunting. | 0:02:31 | 0:02:34 | |
-Happy hunting, mate. -Don't find too much! -See you later! | 0:02:34 | 0:02:37 | |
Mark's found an antiques shop, run by Mick, | 0:02:41 | 0:02:44 | |
and he's hoping it's flush with bargains that get him back in the black. | 0:02:44 | 0:02:49 | |
-Hello. -Hello, there. | 0:02:49 | 0:02:51 | |
-I'm Mark. -Mick. How do you do? -Nice to meet you, Mick. | 0:02:51 | 0:02:54 | |
The shop seems well stocked with items to catch Mark's eye, | 0:02:54 | 0:02:58 | |
and even has a canine security system, | 0:02:58 | 0:03:01 | |
attack dog Jasper. | 0:03:01 | 0:03:03 | |
The wagging tail's a bit of a giveaway, though! | 0:03:03 | 0:03:05 | |
Heading for auction in Chiswick, the boys need to tailor their buys | 0:03:06 | 0:03:10 | |
to the demands of that fussy London market. | 0:03:10 | 0:03:12 | |
You've got to look for those quirky items that just might appeal there. | 0:03:12 | 0:03:17 | |
Found something quirky, have you, Mark? | 0:03:17 | 0:03:18 | |
It's a pottery garden seat. | 0:03:18 | 0:03:21 | |
These were used in the Victorian period as conservatory seats. | 0:03:21 | 0:03:26 | |
They're often made of majolica. | 0:03:26 | 0:03:28 | |
This has got a nice high-fired blue glaze on it | 0:03:28 | 0:03:32 | |
with bubbles on the top where the glaze has blistered. | 0:03:32 | 0:03:36 | |
It's a lovely octagonal shape, | 0:03:36 | 0:03:39 | |
in a sort of Chinese style. | 0:03:39 | 0:03:40 | |
It's priced up at £55. It needs to be a lot less than that. | 0:03:40 | 0:03:45 | |
So I might have a word with Mick. | 0:03:45 | 0:03:48 | |
And right on cue... | 0:03:48 | 0:03:49 | |
Go on, then. Make me an offer. | 0:03:49 | 0:03:51 | |
What about 20 quid, Mick? Cash. | 0:03:51 | 0:03:53 | |
-25. -Oh, come on. You know you want me to win. You want me to win. | 0:03:53 | 0:03:58 | |
-OK. -Shall we shake hands at 20, then? -Done. | 0:03:58 | 0:04:02 | |
Thanks a lot. I'm really pleased with that. | 0:04:02 | 0:04:04 | |
Well, it looks like there's a good deal to be had in Deal! Eh, Mark? | 0:04:04 | 0:04:08 | |
Meanwhile, Will's arrived at Inside-Out Antiques. | 0:04:08 | 0:04:11 | |
I wonder if he can make a quick deal, too. | 0:04:11 | 0:04:14 | |
-Hello, there. -Hiya. -Hi. You must be Vince. | 0:04:14 | 0:04:16 | |
-I am. -I'm Will. How do you do? | 0:04:16 | 0:04:18 | |
-What's that, a skull? -Yes. | 0:04:24 | 0:04:26 | |
Would have been the lid of something or other? | 0:04:26 | 0:04:29 | |
-A poison bottle? -I would say more of a walking stick. -Cane handle. | 0:04:29 | 0:04:33 | |
-Cane handle. Very interesting. -That is quite interesting. Quite quirky. | 0:04:33 | 0:04:37 | |
I've got 60 on that. | 0:04:37 | 0:04:39 | |
Let's have a look in there. Why can't we get in there? | 0:04:39 | 0:04:41 | |
Well, it's bronze. | 0:04:43 | 0:04:46 | |
A sort of memento mori. | 0:04:47 | 0:04:49 | |
Maybe to perhaps just remind you of your own mortality, | 0:04:49 | 0:04:54 | |
every morning as you take your cane out of the cane stand. | 0:04:54 | 0:04:57 | |
Yeah. I'm asking 75 for it. | 0:04:57 | 0:05:00 | |
I thought it was 60 a minute ago! | 0:05:00 | 0:05:02 | |
So did I! | 0:05:02 | 0:05:04 | |
Play that back! I want proof! | 0:05:05 | 0:05:07 | |
-I've got 60 on that. -'I thought so!' | 0:05:10 | 0:05:12 | |
Who said antiques was a fair game? | 0:05:12 | 0:05:14 | |
Yeah. Might be. | 0:05:14 | 0:05:16 | |
What sort of age do you think it's got? Early 20th, late 19th? | 0:05:16 | 0:05:20 | |
Always difficult to tell on that type of thing. Very difficult to tell, in fact. | 0:05:20 | 0:05:24 | |
Got a bit of wear on the... the "pateena" there. The patina. | 0:05:24 | 0:05:28 | |
Potato, "potahto". Either way, looks like he's holding on to that one. | 0:05:28 | 0:05:32 | |
That's got something about it. Where did that come from? | 0:05:39 | 0:05:42 | |
China, I'd say. | 0:05:42 | 0:05:44 | |
20th century. Looks like a bronze censer case, or incense burner, as it's better known. | 0:05:44 | 0:05:50 | |
What's the ticket price? | 0:05:50 | 0:05:51 | |
No price on it? | 0:05:51 | 0:05:53 | |
-No. -It must be cheap. | 0:05:53 | 0:05:55 | |
55. | 0:05:56 | 0:05:58 | |
SHARP INTAKE OF BREATH | 0:05:58 | 0:06:01 | |
What if I came in, really cheeky, and said I could have them both for 50 quid? | 0:06:01 | 0:06:07 | |
I'd say, "Bloomin' cheek!" | 0:06:07 | 0:06:09 | |
Can't do it. Can't do it. | 0:06:09 | 0:06:11 | |
75, you've got a deal. | 0:06:11 | 0:06:13 | |
70 quid. | 0:06:13 | 0:06:15 | |
70 quid, Vince. Go on. Five quid luck money. | 0:06:15 | 0:06:17 | |
-Luck money? -For me. 70 quid. | 0:06:17 | 0:06:20 | |
Yeah! You're a man! You're a man! Good work. | 0:06:20 | 0:06:24 | |
Crikey Moses! £70. That's nearly half your remaining budget, Will. | 0:06:24 | 0:06:28 | |
Although they do say, "Go big or go home." | 0:06:28 | 0:06:31 | |
With items in their bag already, | 0:06:36 | 0:06:38 | |
the chaps are making the short trip 16 miles up the Kent coast | 0:06:38 | 0:06:41 | |
to Margate. | 0:06:41 | 0:06:43 | |
Mark's hotfooting it to his shop, Paraphernalia. | 0:06:43 | 0:06:47 | |
I suppose it's meant to look like a fan. | 0:06:52 | 0:06:55 | |
Often fans are framed in frames like this. | 0:06:55 | 0:06:59 | |
The frame is later, I think. But it suits it quite well. | 0:06:59 | 0:07:02 | |
There's a little bit of damage on the frame. | 0:07:02 | 0:07:04 | |
So I think it's a 19th-century engraving of an 18th-century scene. | 0:07:04 | 0:07:09 | |
But I just think that's rather fun. | 0:07:09 | 0:07:11 | |
If it was - how shall I put it delicately? - cheap. | 0:07:11 | 0:07:16 | |
Well, it's one to bear in mind. | 0:07:16 | 0:07:18 | |
But owner Andrew has a jasperware flask | 0:07:18 | 0:07:21 | |
that's caught Mark's eye. | 0:07:21 | 0:07:22 | |
Gosh, that's rather fun, isn't it? It's a Wedgwood-type thing. | 0:07:22 | 0:07:26 | |
Yes, it is. And it's got a silver top. | 0:07:26 | 0:07:29 | |
It's rather sweet, isn't it? | 0:07:30 | 0:07:32 | |
Sweet, but not antique. '70s, I'd say. | 0:07:32 | 0:07:35 | |
So it's really like a model of an 18th-century one? | 0:07:35 | 0:07:39 | |
-That's correct, yes. -They obviously did a little series here. | 0:07:39 | 0:07:43 | |
"Jasperware perfume bottle collection." | 0:07:43 | 0:07:45 | |
-It's a nice collector's piece. -I rather like that, Andrew. | 0:07:45 | 0:07:48 | |
Oh, dear! I've just seen the price! | 0:07:48 | 0:07:51 | |
Really. Do tell. | 0:07:51 | 0:07:52 | |
I'm disappointed cos it's got two figures. | 0:07:53 | 0:07:56 | |
I'll put that over there. Can we? | 0:07:58 | 0:08:00 | |
The two figures being 2 and 5. | 0:08:00 | 0:08:02 | |
But knowing you, Mark, you can get that price down. | 0:08:02 | 0:08:06 | |
Where do you need it to be? | 0:08:06 | 0:08:08 | |
I need it to be £20, really. | 0:08:08 | 0:08:10 | |
And then I would pay 15 for that. | 0:08:10 | 0:08:14 | |
-OK. Let's do that. -Are you sure? -Yeah, yeah. -Happy with that? | 0:08:14 | 0:08:16 | |
-And I can come back and visit you again? -You can any time, and I can eat tonight. | 0:08:16 | 0:08:20 | |
-We've got a deal. Thank you, Andrew. -You're welcome. | 0:08:22 | 0:08:24 | |
Nice work. That's two items bought for just £35. | 0:08:24 | 0:08:28 | |
Take note, Will. | 0:08:28 | 0:08:30 | |
He's popped along the road to try and uncover the mystery | 0:08:30 | 0:08:33 | |
surrounding one of Margate's top tourist attractions, | 0:08:33 | 0:08:36 | |
where something quite extraordinary exists | 0:08:36 | 0:08:39 | |
two metres under a garden. | 0:08:39 | 0:08:41 | |
Will's meeting up with Sarah for the guided tour. | 0:08:41 | 0:08:44 | |
Thanks very much. I'm really looking forward to this visit. | 0:08:44 | 0:08:47 | |
I've read and seen a lot about The Grotto. | 0:08:47 | 0:08:49 | |
-Nothing quite prepares you for the actual thing, though. -I can imagine. | 0:08:49 | 0:08:53 | |
The story goes that in 1835, | 0:08:53 | 0:08:56 | |
James Newlove lowered his young son Joshua into a hole in the ground | 0:08:56 | 0:09:01 | |
that had appeared during the digging of a duck pond. | 0:09:01 | 0:09:04 | |
Joshua emerged describing tunnels adorned with shells. | 0:09:04 | 0:09:08 | |
He had discovered the Shell Grotto. | 0:09:08 | 0:09:11 | |
However he came upon it, James Newlove could see the commercial benefit of his find. | 0:09:11 | 0:09:17 | |
The Grotto, with its 4.6 million shells, opened its doors to the public in 1838 | 0:09:17 | 0:09:23 | |
and came as something of a surprise to the people of Margate. | 0:09:23 | 0:09:26 | |
How do you bring four-point-whatever million shells | 0:09:28 | 0:09:32 | |
to a small garden or a small point, | 0:09:32 | 0:09:36 | |
without anyone knowing or noticing or...? | 0:09:36 | 0:09:39 | |
That's... That's a difficult question. | 0:09:39 | 0:09:43 | |
I just don't know the answer to that. | 0:09:43 | 0:09:45 | |
Maybe it was built long enough before the 1830s | 0:09:45 | 0:09:49 | |
-for it just to have been forgotten. -Forgotten in local folklore. -Yeah. | 0:09:49 | 0:09:53 | |
Or maybe it was built in secret. But that's difficult to imagine. | 0:09:53 | 0:09:58 | |
In modern times, grottoes have served as chapels or shrines. | 0:09:58 | 0:10:01 | |
But at first glance, the design here only adds to the confusion, | 0:10:01 | 0:10:06 | |
with cockles, whelks, mussels and oysters | 0:10:06 | 0:10:09 | |
creating an array of patterns. | 0:10:09 | 0:10:11 | |
Since the first paying customers descended the chalk stairway, | 0:10:11 | 0:10:16 | |
debate has raged about its origins, | 0:10:16 | 0:10:19 | |
whether as an ancient temple or a meeting place for a secret sect. | 0:10:19 | 0:10:23 | |
There's one theory that the grotto was meant to represent a journey through life and death. | 0:10:23 | 0:10:29 | |
So you crawl down your chalk passage, that represents birth. | 0:10:29 | 0:10:33 | |
-Yes. -This rotunda, this circus, we're in a circular passage here, | 0:10:33 | 0:10:37 | |
this has got lots of flowering forms, | 0:10:37 | 0:10:40 | |
a couple of phallic symbols over there. | 0:10:40 | 0:10:42 | |
The panel that I'm standing in front of is generally referred to as a womb. | 0:10:42 | 0:10:48 | |
I can see it now, yes! | 0:10:48 | 0:10:50 | |
And as you go further down, the bottom room becomes much more geometrical | 0:10:50 | 0:10:54 | |
with suns and stars and moons. | 0:10:54 | 0:10:57 | |
So the theory is that you travel through life and death to the afterlife. | 0:10:57 | 0:11:02 | |
But people who think this was some kind of garden fancy or folly | 0:11:02 | 0:11:06 | |
just see patterns. | 0:11:06 | 0:11:08 | |
And with nearly 180 years' worth of embellishment, | 0:11:08 | 0:11:12 | |
there seems little chance of discovering the truth behind its mysterious beginnings. | 0:11:12 | 0:11:16 | |
For what it's worth, | 0:11:16 | 0:11:18 | |
it might have been dug out for smugglers to hoard their secret stash of contraband, | 0:11:18 | 0:11:23 | |
a practice rife for centuries along the south coast. | 0:11:23 | 0:11:27 | |
But whatever its origins, it's certainly a magical, mysterious place. | 0:11:27 | 0:11:31 | |
With three purchases already in the old bag, | 0:11:34 | 0:11:37 | |
Mark's still scouring the shops at Margate, looking for more bargains. | 0:11:37 | 0:11:42 | |
Hello, Mark. Pleased to meet you. I'm Ron Scott. How are you? | 0:11:42 | 0:11:45 | |
Well, I'm so underdressed! | 0:11:45 | 0:11:47 | |
Nice hat! | 0:11:48 | 0:11:51 | |
There's lashings to see, but trust Mark to find | 0:11:56 | 0:11:59 | |
one of the smallest things in here, | 0:11:59 | 0:12:01 | |
a silver-topped dressing table jar. | 0:12:01 | 0:12:03 | |
Now, this is broken. | 0:12:03 | 0:12:06 | |
Probably beyond repair. But it is silver-topped, actually. | 0:12:06 | 0:12:10 | |
And nicely, it still has its stopper in it, which is unusual. | 0:12:10 | 0:12:14 | |
That's only priced at 15 quid. | 0:12:14 | 0:12:17 | |
You must admit that is realistically priced. | 0:12:17 | 0:12:19 | |
It is realistically priced, Ron. | 0:12:19 | 0:12:21 | |
But it is broken! | 0:12:21 | 0:12:23 | |
-Let's be honest. -If 12 quid's good for you, it's good for me. | 0:12:24 | 0:12:27 | |
-I think we're going to do that. Are you happy with that? -I am. Good man. | 0:12:27 | 0:12:31 | |
-Thank you. -Thanks, Ron. -Thank you very much, Mark. | 0:12:31 | 0:12:33 | |
That didn't take long. | 0:12:33 | 0:12:35 | |
Thanks very much, Mark. Let me get the door for you! | 0:12:35 | 0:12:39 | |
-Thank you, Ron. See you again. -Bye! Thanks very much. | 0:12:40 | 0:12:42 | |
Oh, I need a lie-down! | 0:12:42 | 0:12:45 | |
No rest for the wicked though. | 0:12:48 | 0:12:49 | |
The boys are making the long journey across Kent, to the town of Brasted, | 0:12:49 | 0:12:53 | |
where young Will's checking out the wares of Courtyard Antiques. | 0:12:53 | 0:12:56 | |
That's quite interesting. | 0:12:58 | 0:13:00 | |
Stoneware. Blue and white. Obviously got a bit of age to it. | 0:13:07 | 0:13:13 | |
Probably mid-19th century. | 0:13:13 | 0:13:15 | |
Nicely decorated, and I love this sort of deep blue | 0:13:15 | 0:13:20 | |
contrasting with the lighter blue. | 0:13:20 | 0:13:23 | |
It gives a bit of depth to it. | 0:13:23 | 0:13:25 | |
You've got this almost stylised chinoiserie decoration, | 0:13:25 | 0:13:28 | |
and these have a slightly European slant on them, the flowers. | 0:13:28 | 0:13:34 | |
It's got a ticket price of £45, | 0:13:34 | 0:13:37 | |
so shopkeeper Barry puts Will in touch with the owner. | 0:13:37 | 0:13:41 | |
I was wondering if I might be able to take a punt on it as such | 0:13:41 | 0:13:45 | |
at sort of £20. | 0:13:45 | 0:13:47 | |
That's really kind of you. Thanks very much. I'll pass you back to Barry to say goodbye. | 0:13:49 | 0:13:53 | |
Cheers. Thank you. Bye! | 0:13:53 | 0:13:55 | |
Result! | 0:13:55 | 0:13:57 | |
Hello, Chris? Is that all right? | 0:13:57 | 0:13:59 | |
I wish I'd known you were that accommodating! | 0:13:59 | 0:14:04 | |
I'd have bought it myself a long time ago! | 0:14:04 | 0:14:06 | |
That man is making a move now! Too late, Barry, I'm having it! Thank you! | 0:14:06 | 0:14:09 | |
Well, I never! I'd pay up quick, if I were you! | 0:14:12 | 0:14:14 | |
Uh-oh. Something tells me he's not finished yet. | 0:14:16 | 0:14:19 | |
Elaine's the lady to talk to. | 0:14:21 | 0:14:23 | |
I've been looking at your canes. Some very nice ones there. | 0:14:23 | 0:14:26 | |
But yesterday, I bought a cane handle but without a cane. | 0:14:26 | 0:14:31 | |
You wouldn't happen to have in your workshop or knocking around anywhere | 0:14:31 | 0:14:35 | |
a cane without a handle? | 0:14:35 | 0:14:37 | |
-Actually, I do have an ebony one. -Really? | 0:14:37 | 0:14:41 | |
-Any chance I could have a look at that? -Actually, yes. | 0:14:41 | 0:14:44 | |
Elaine's gone off for a rummage. | 0:14:44 | 0:14:46 | |
But where's Will going? | 0:14:46 | 0:14:48 | |
Now what's he up to? | 0:14:49 | 0:14:51 | |
Come on, mate. | 0:14:54 | 0:14:56 | |
This is interesting. | 0:14:56 | 0:14:57 | |
Do you know what? I've got a good feeling about this. | 0:14:59 | 0:15:02 | |
-He seems to fit on there pretty well. -Very nice. Yes. | 0:15:06 | 0:15:09 | |
What sort of money are you asking on the cane? | 0:15:11 | 0:15:14 | |
25. | 0:15:15 | 0:15:16 | |
£18. | 0:15:16 | 0:15:18 | |
-Then at least you know it's gone to... -20. | 0:15:19 | 0:15:21 | |
20... | 0:15:21 | 0:15:23 | |
You shook my hand before I could even think about it. | 0:15:23 | 0:15:26 | |
Elaine, I'm not going to quibble over a couple of quid with you. | 0:15:26 | 0:15:29 | |
I think £20 is a fair price, | 0:15:29 | 0:15:31 | |
because together, they stand a chance. | 0:15:31 | 0:15:34 | |
Do you know, Will, I think you might be right, | 0:15:35 | 0:15:37 | |
but at the expense of most of your budget. | 0:15:37 | 0:15:41 | |
Meanwhile, Mark's travelled the seven-mile journey ahead to Otford. | 0:15:41 | 0:15:45 | |
Located on the River Darent, | 0:15:46 | 0:15:48 | |
it was voted Village of the Year in 2006 | 0:15:48 | 0:15:51 | |
and the sort of place where you can find a bargain on the street. | 0:15:51 | 0:15:54 | |
Otford Antiques. | 0:15:54 | 0:15:56 | |
These are quite funky. | 0:15:59 | 0:16:01 | |
As soon as you see this type of shape, | 0:16:01 | 0:16:03 | |
you're imagining the 1960s, '70s. | 0:16:03 | 0:16:07 | |
It's got that sort of '70s look about it. | 0:16:07 | 0:16:10 | |
When we look underneath, | 0:16:11 | 0:16:13 | |
yes, we've got a maker's name here. | 0:16:13 | 0:16:15 | |
"Uldum Mobelfabrik. Made in Denmark." | 0:16:15 | 0:16:20 | |
If you're going to do these things, you've got to go on your own gut feeling. | 0:16:20 | 0:16:24 | |
But we'll go in and find out and see whether we can pick up four chairs. | 0:16:24 | 0:16:27 | |
-They belong to this place, do they? -Yes, they belong to Jackie here. | 0:16:27 | 0:16:31 | |
-They're mine. -Oh, Jackie is my favourite girl's name! | 0:16:31 | 0:16:34 | |
Oh, he's a smooth operator. | 0:16:34 | 0:16:36 | |
Jackie, how much do you really want for them? | 0:16:36 | 0:16:39 | |
-60 would be the price. -If I could get them for about 50 quid... | 0:16:39 | 0:16:43 | |
-Can't do 60? -I'd love them for 50, honestly. | 0:16:43 | 0:16:47 | |
That look tells me Elaine has an opinion on this, too. | 0:16:47 | 0:16:50 | |
If you add another £10 onto that, you can have them. That gives Jackie a little profit | 0:16:51 | 0:16:57 | |
and gives you a good chance of a profit as well. | 0:16:57 | 0:16:59 | |
-Ooh. We've got a businesslady here! -It's like the Mafia! | 0:17:00 | 0:17:03 | |
We've got a "Donness", here, not a Don! | 0:17:04 | 0:17:07 | |
I can't believe this! | 0:17:07 | 0:17:09 | |
-I'm being... I'm... I'm... -She's my friend! | 0:17:09 | 0:17:11 | |
I'm being mugged! What's the number for Crimewatch... Crime Fighters? | 0:17:11 | 0:17:15 | |
-Could we split in the middle? -Tell you what... Yes. | 0:17:19 | 0:17:21 | |
So we'll say 55. | 0:17:21 | 0:17:23 | |
-Would you be happy at 55? Promise me, Jackie? -Yes, fine. | 0:17:23 | 0:17:26 | |
Look out! The opposition has arrived, | 0:17:26 | 0:17:29 | |
but with £34.32 left in his pocket, | 0:17:29 | 0:17:32 | |
he'll have to dig deep to find a bargain here. | 0:17:32 | 0:17:35 | |
Will's heading upstairs to see what Mark has overlooked. | 0:17:37 | 0:17:41 | |
Hello. | 0:17:41 | 0:17:43 | |
I think we may have hit a minor jackpot here. | 0:17:49 | 0:17:52 | |
Make sure Mark's not around. | 0:17:52 | 0:17:54 | |
Look at this. This is a book slide, yeah? | 0:17:54 | 0:17:57 | |
Blimey, he's excited. | 0:17:57 | 0:17:59 | |
It's obvious what it does. You put your books, it can go left or right. | 0:17:59 | 0:18:04 | |
But what has got me quite excited about this, | 0:18:04 | 0:18:09 | |
it's cracking quality. | 0:18:09 | 0:18:12 | |
It's actually in coromandel wood, | 0:18:13 | 0:18:15 | |
which is a family of the rosewood. | 0:18:15 | 0:18:18 | |
It's similar to my cane, actually. | 0:18:18 | 0:18:20 | |
And this I have not seen very often. | 0:18:20 | 0:18:25 | |
It has got a cracking little label, | 0:18:25 | 0:18:27 | |
"Farthing & Thornhill, Makers. Cornhill", in London. | 0:18:27 | 0:18:31 | |
To put a maker's mark on a book slide, | 0:18:31 | 0:18:33 | |
you know this has got to be super quality. | 0:18:33 | 0:18:36 | |
And do you know the best bit? | 0:18:36 | 0:18:38 | |
It's 28 quid! | 0:18:38 | 0:18:40 | |
That could be a bargain. | 0:18:40 | 0:18:42 | |
Whoo! | 0:18:42 | 0:18:44 | |
Now what's this Mark's got his eye on? | 0:18:44 | 0:18:46 | |
Looks like Denby pottery. | 0:18:46 | 0:18:48 | |
Denby's striking designs graced the 1970s with flair. | 0:18:48 | 0:18:52 | |
Although typically painted in browns and oranges, the bulb pattern is somewhat unusual. | 0:18:52 | 0:18:57 | |
Do you know, I'm rather taken with this vase. | 0:18:57 | 0:19:00 | |
But I don't know why, really... | 0:19:00 | 0:19:02 | |
..because I don't know anything about it. | 0:19:03 | 0:19:05 | |
It's got £28 on it at the moment. | 0:19:06 | 0:19:09 | |
It goes... CLANGING | 0:19:09 | 0:19:11 | |
Careful! | 0:19:11 | 0:19:12 | |
Who did that? | 0:19:12 | 0:19:13 | |
It goes quite nicely with the chairs. | 0:19:13 | 0:19:15 | |
Yes, put it down! | 0:19:15 | 0:19:17 | |
It's time to do battle with our Jackie again. Stand by! | 0:19:17 | 0:19:20 | |
-Hello, Jackie. I don't know what it is, but I'm in a '70s mood today. -Good! Retro. | 0:19:21 | 0:19:27 | |
I'm looking back. Looking back, you know. | 0:19:27 | 0:19:29 | |
-Of course, I wasn't around in the '70s(!) -Of course not! | 0:19:29 | 0:19:33 | |
-What about 15? -No, can't do 15. | 0:19:33 | 0:19:35 | |
-You're adamant! -It's far too cheap. -Adamant. -Yes. | 0:19:35 | 0:19:38 | |
-What about 14? -No. 18? | 0:19:38 | 0:19:40 | |
We're very close. | 0:19:40 | 0:19:42 | |
-We want to do a deal on this, don't we? -We do. | 0:19:42 | 0:19:45 | |
How much did we say? 16? | 0:19:46 | 0:19:48 | |
No. 17. | 0:19:48 | 0:19:50 | |
-Are you going to be determined on 17? -Mm. | 0:19:52 | 0:19:54 | |
-Really? -Yes. | 0:19:54 | 0:19:56 | |
-It's a good price. -Go on, then. 17. Thanks, Jackie. | 0:19:56 | 0:20:01 | |
But whilst Mark's tipping over the edge, | 0:20:01 | 0:20:04 | |
Will's on the slide. | 0:20:04 | 0:20:05 | |
-I found a little book slide upstairs. -OK. | 0:20:05 | 0:20:08 | |
Buried under... Now, | 0:20:08 | 0:20:10 | |
28 that's got on it. | 0:20:10 | 0:20:11 | |
What's the absolute death on this? | 0:20:11 | 0:20:14 | |
A sliding book... We've got 28. | 0:20:14 | 0:20:18 | |
-20 quid? -20? ..Yes. | 0:20:20 | 0:20:23 | |
OK. So that's a deal. That's a deal, £20. | 0:20:23 | 0:20:26 | |
He's still not finished, yet, don't you know? | 0:20:27 | 0:20:30 | |
Chinese rice paper paintings. | 0:20:31 | 0:20:33 | |
They're usually for export, and they show traditional Chinese customs, | 0:20:35 | 0:20:39 | |
traditional Chinese costumes, | 0:20:39 | 0:20:41 | |
and the really sought-after ones traditional Chinese tortures and crime punishment. | 0:20:41 | 0:20:46 | |
There's no... | 0:20:48 | 0:20:49 | |
no price on it... | 0:20:49 | 0:20:51 | |
..which might be a good thing. | 0:20:52 | 0:20:54 | |
That's worth an ask. I'm going to go and say, "Can that be 15 quid?" | 0:20:56 | 0:21:00 | |
I reckon that's worth a go. | 0:21:00 | 0:21:01 | |
Hey, Will! You do know you only have £14.32 left, don't you? | 0:21:01 | 0:21:06 | |
Beryl's calling the painting's owner, so fingers crossed. | 0:21:06 | 0:21:10 | |
OK. Thank you. Bye. | 0:21:10 | 0:21:12 | |
-All done. 14. -Ooh, thank you very much! | 0:21:13 | 0:21:16 | |
-What did he say the price was on it, ten? -15. | 0:21:16 | 0:21:18 | |
Was it? | 0:21:18 | 0:21:20 | |
Well, it's better to be lucky than good. | 0:21:22 | 0:21:24 | |
Will's finished shopping, with a whopping 32p warming his pocket. | 0:21:24 | 0:21:30 | |
Mark Stacey set out on this leg with £188.14 | 0:21:33 | 0:21:37 | |
and forked out £139 on six items for his five lots. | 0:21:37 | 0:21:41 | |
A blue garden seat, the Denby vase, | 0:21:41 | 0:21:43 | |
the fan-shaped engraving, the Danish dining chairs | 0:21:43 | 0:21:47 | |
and the combined scent flask and silver dressing-table jar. | 0:21:47 | 0:21:51 | |
Will Axon began this leg with a lowly £144.32 | 0:21:54 | 0:21:58 | |
and spent all but a few pennies also on six items that comprise his five lots. | 0:21:58 | 0:22:04 | |
The chinoiserie platter, | 0:22:04 | 0:22:07 | |
the bronze censer case, | 0:22:07 | 0:22:09 | |
the book slide, | 0:22:09 | 0:22:11 | |
the pith painting | 0:22:11 | 0:22:13 | |
and the cane with the skull handle. | 0:22:13 | 0:22:16 | |
So, what do our experts really think? | 0:22:16 | 0:22:20 | |
The walking stick is genius, absolute genius. | 0:22:22 | 0:22:24 | |
To marry a 19th-century cane | 0:22:24 | 0:22:27 | |
with what I think is a very modern cast skull, is genius. | 0:22:27 | 0:22:33 | |
I'm fairly confident that this auction will be mine. | 0:22:33 | 0:22:37 | |
It's time to head to the den of antiquity, Chiswick Auctions. | 0:22:38 | 0:22:43 | |
On the third leg of their road trip, | 0:22:45 | 0:22:47 | |
our dealers have crossed the breadth of Kent and into London, | 0:22:47 | 0:22:52 | |
starting in Deal and ending in Chiswick for the auction. | 0:22:52 | 0:22:55 | |
-This is it. -Here we are, Mark. | 0:22:55 | 0:22:57 | |
-Let's rock this sale room. -Rock something, anyway. | 0:22:57 | 0:23:01 | |
Chiswick Auctions have been in business for only 15 years, | 0:23:02 | 0:23:05 | |
but have gained an excellent reputation, | 0:23:05 | 0:23:08 | |
and are frequently featured on TV. | 0:23:08 | 0:23:11 | |
They specialise in fine art, antiques and collectables. | 0:23:11 | 0:23:14 | |
The man at the helm of today's auction, | 0:23:14 | 0:23:15 | |
with his gavel at the ready, is William Rouse. | 0:23:15 | 0:23:18 | |
-Are you fluttering? -No. -No? -Confident. | 0:23:18 | 0:23:21 | |
Really? | 0:23:21 | 0:23:22 | |
Right, chaps, let battle commence. | 0:23:22 | 0:23:24 | |
First up is Will's chinoiserie platter, circa 1840. | 0:23:26 | 0:23:30 | |
I've got interest on this on the book, | 0:23:31 | 0:23:34 | |
I'm sure you'll be pleased to know. And I'm straight in at £15. | 0:23:34 | 0:23:38 | |
-Oh, well, that's good. -£15. | 0:23:38 | 0:23:39 | |
18. 20. 22. 25. | 0:23:39 | 0:23:43 | |
25 is bid. 28 I'll take. | 0:23:43 | 0:23:45 | |
28. 30. 32. | 0:23:45 | 0:23:48 | |
In the doorway, then, at £32. | 0:23:48 | 0:23:50 | |
£32. Are you all done and finished at £32? | 0:23:50 | 0:23:54 | |
32. | 0:23:54 | 0:23:55 | |
Well done. I'm surprised at that. | 0:23:57 | 0:23:59 | |
A steady £12 profit for Will's platter. Good start. | 0:23:59 | 0:24:03 | |
It's Mark's garden seat next, | 0:24:04 | 0:24:06 | |
with pierced decoration. | 0:24:06 | 0:24:08 | |
-Interest in this on the book. I'm straight in at £35. -That's good. | 0:24:09 | 0:24:13 | |
35. 40. 45. | 0:24:13 | 0:24:16 | |
45 is bid, then. At £45. | 0:24:16 | 0:24:19 | |
Anybody else, then? At £45 I'm going to sell it. 45. | 0:24:19 | 0:24:24 | |
A healthy £25 profit for Mark. This is going rather well! | 0:24:24 | 0:24:28 | |
45. I thought it might be more. They'd just started to bid then. | 0:24:28 | 0:24:31 | |
Then they realised what they were doing! | 0:24:31 | 0:24:34 | |
Now, now, boys! | 0:24:36 | 0:24:37 | |
It's time for Will's bronze censer case. | 0:24:37 | 0:24:41 | |
What's it worth? Start me. £30 for this lot. | 0:24:41 | 0:24:43 | |
-Speculative lot. I'm bid 30. -This is worth 30. | 0:24:43 | 0:24:47 | |
35. 38. 40. | 0:24:47 | 0:24:50 | |
42. 45. 48. | 0:24:50 | 0:24:52 | |
50. £50. | 0:24:52 | 0:24:54 | |
£50 in the middle of the room. At 50. | 0:24:55 | 0:24:57 | |
Anybody else? All done and finished at £50. I'm going to sell. | 0:24:57 | 0:25:00 | |
At 50 it goes. | 0:25:00 | 0:25:02 | |
-You were lucky with that one. -I was not! | 0:25:03 | 0:25:06 | |
I'm not sure about luck, | 0:25:06 | 0:25:08 | |
but I do know it's another profit for Will. | 0:25:08 | 0:25:11 | |
Told you we'd have a good day! | 0:25:11 | 0:25:13 | |
Cheer up, Mark. It's your fan-shaped engraving next. | 0:25:13 | 0:25:16 | |
What's it worth? Start me at £30. | 0:25:19 | 0:25:20 | |
£20, the lot to go for £20, surely? | 0:25:20 | 0:25:24 | |
For this framed fan, anybody? | 0:25:24 | 0:25:27 | |
-Oh, dear. £10 start me. -Oh, no! -Start me at ten here. | 0:25:27 | 0:25:30 | |
12. 14. 16. | 0:25:30 | 0:25:33 | |
18. 20. 22. | 0:25:33 | 0:25:36 | |
-£22 in front of me. Anybody else at £22? -It's another shame. | 0:25:36 | 0:25:41 | |
25 there. 28. 30. | 0:25:41 | 0:25:44 | |
32. 35. 38. | 0:25:44 | 0:25:47 | |
40. 42. 45. | 0:25:47 | 0:25:50 | |
45 there. Away there at 45. Bit more respectable. £45. | 0:25:50 | 0:25:55 | |
-That was close! -I hope you brought a change of trousers! | 0:25:55 | 0:25:59 | |
Fear not, Mark. You're on a roll. | 0:25:59 | 0:26:01 | |
Another £25 profit. | 0:26:01 | 0:26:04 | |
I thought that was going to struggle. | 0:26:04 | 0:26:06 | |
-You hoped it was going to struggle! -I did not! -Of course not, Will(!) | 0:26:06 | 0:26:09 | |
-45... -Let the viewers make up their own mind. | 0:26:09 | 0:26:13 | |
That's you told, Will. | 0:26:14 | 0:26:16 | |
Handbags at the ready, | 0:26:16 | 0:26:18 | |
let's see if the auction room gets as excited about the book slide | 0:26:18 | 0:26:21 | |
as you did, Will. | 0:26:21 | 0:26:23 | |
Nice quality object. | 0:26:24 | 0:26:26 | |
And I'm straight in at £60. | 0:26:26 | 0:26:27 | |
£60 I'm bid. 65. 70. | 0:26:27 | 0:26:30 | |
75. 80 is my last. 85 in the room. | 0:26:30 | 0:26:34 | |
-That's very good. -Need someone to go with him, now. | 0:26:34 | 0:26:37 | |
At £85 in the room. Anybody else want to come in? | 0:26:37 | 0:26:39 | |
I can sell the lot. 85 it goes, then. | 0:26:39 | 0:26:41 | |
I think that's a jolly good price. | 0:26:42 | 0:26:44 | |
Well, how sporting of you, Mark. | 0:26:46 | 0:26:48 | |
A cracking result for Will there. | 0:26:48 | 0:26:49 | |
Do I smell a profit here? | 0:26:51 | 0:26:53 | |
It's Mark's scent flask and dressing table jar. | 0:26:53 | 0:26:56 | |
Must be worth £30. £15 each for them. | 0:26:57 | 0:27:00 | |
-30 I'm bid. 32. -That's good. -32 I'm bid. | 0:27:00 | 0:27:02 | |
At £32. Come along. | 0:27:02 | 0:27:04 | |
£32 is all I'm bid. | 0:27:04 | 0:27:06 | |
Seems so cheap. Can't believe it. | 0:27:06 | 0:27:08 | |
35. Thank you. | 0:27:08 | 0:27:10 | |
35 there. In the middle of the room. | 0:27:10 | 0:27:12 | |
38. It's amazing where they come from. | 0:27:12 | 0:27:15 | |
40. 42. | 0:27:15 | 0:27:17 | |
£42. Here we are. | 0:27:17 | 0:27:19 | |
At £42. Are you all done and finished? | 0:27:19 | 0:27:21 | |
£42. | 0:27:21 | 0:27:23 | |
I was very lucky with that one. | 0:27:23 | 0:27:25 | |
A £15 profit, Mark. But you'll need to do better to win this auction. | 0:27:25 | 0:27:29 | |
Eyes up. It's Will's pith painting next. | 0:27:31 | 0:27:34 | |
Somebody likes it. I've got a start-off bid of £30 with me. | 0:27:34 | 0:27:37 | |
-That's all right. -I'm pleased with that. -32 I'll take in the room. | 0:27:37 | 0:27:40 | |
It's with me, then, on a commission bid of 30. | 0:27:40 | 0:27:42 | |
Anybody else want to come in against commission? | 0:27:42 | 0:27:45 | |
With me, then, at £30. I'm going to sell it at 30. Sold. | 0:27:45 | 0:27:48 | |
A commission bid is a bid left by someone | 0:27:48 | 0:27:51 | |
who can't be at the auction. | 0:27:51 | 0:27:54 | |
How will the Chiswick bidders react to Mark's big purchase, | 0:27:54 | 0:27:57 | |
the Danish dining chairs? | 0:27:57 | 0:28:00 | |
Somebody offer me £20 to start me. | 0:28:00 | 0:28:02 | |
£20 for the four chairs. | 0:28:02 | 0:28:04 | |
That's absolutely... £10, then? | 0:28:04 | 0:28:07 | |
Uh-oh! | 0:28:07 | 0:28:08 | |
Bruno can't resist a bargain. | 0:28:08 | 0:28:10 | |
12. OK. Suddenly things are beginning to move. | 0:28:10 | 0:28:13 | |
Someone's had a go... | 0:28:13 | 0:28:15 | |
Too much. Dear, oh, dear. £12. | 0:28:15 | 0:28:18 | |
£14 in the blue. | 0:28:18 | 0:28:19 | |
16. £16 standing, then. | 0:28:19 | 0:28:22 | |
At £16. Oh, dear! | 0:28:22 | 0:28:24 | |
£16. I'm going to sell them. | 0:28:24 | 0:28:27 | |
Oh, dear, indeed. The dining chairs were a sitting duck. | 0:28:27 | 0:28:31 | |
That's a loss of £39. | 0:28:31 | 0:28:33 | |
Mark, you were unlucky with them. | 0:28:33 | 0:28:35 | |
Well, that's the way it goes. It's life. | 0:28:35 | 0:28:38 | |
Now, how will the bidding go on Will's last lot of the day, | 0:28:41 | 0:28:44 | |
his cleverly amalgamated skull and cane? | 0:28:44 | 0:28:47 | |
-This is a nice bit of fun. -Yes, it is! | 0:28:48 | 0:28:51 | |
Somebody likes it. I'm straight in at £40. With me at £40. | 0:28:51 | 0:28:55 | |
I've got bids everywhere. | 0:28:55 | 0:28:57 | |
Leaping to bid on it. 45. | 0:28:57 | 0:28:59 | |
-50. -They all want it. -55. 60. | 0:28:59 | 0:29:02 | |
65. 70. | 0:29:02 | 0:29:03 | |
75. 80. | 0:29:03 | 0:29:05 | |
85. 90. | 0:29:05 | 0:29:07 | |
95. 100. | 0:29:07 | 0:29:09 | |
-110. 120. -This is ridiculous! -130. | 0:29:09 | 0:29:11 | |
-140. -Go on! -150. | 0:29:11 | 0:29:13 | |
160. 170. 180. | 0:29:13 | 0:29:16 | |
-190. -Oh, it's a good thing, Mark. | 0:29:16 | 0:29:18 | |
-It's not a good thing! -£200 there. | 0:29:18 | 0:29:20 | |
Thanks for the bid. At £200. Anybody else want to come in? | 0:29:20 | 0:29:23 | |
Unusual lot. £200. I'm going to sell it. | 0:29:23 | 0:29:26 | |
Ooh! | 0:29:26 | 0:29:28 | |
Now I know what it feels like! | 0:29:28 | 0:29:30 | |
I think it's brilliant, Will. | 0:29:30 | 0:29:32 | |
Say it like you mean it, Mark! | 0:29:32 | 0:29:33 | |
A stonking profit for Will. Bravo! | 0:29:33 | 0:29:36 | |
It's Mark's last chance to catch up. | 0:29:38 | 0:29:41 | |
But his Denby pottery vase will have to go some | 0:29:41 | 0:29:44 | |
for him to stand a chance of victory at today's auction. | 0:29:44 | 0:29:47 | |
-There we go. £20 for this. The Denby vase for 20. -Come on! | 0:29:47 | 0:29:50 | |
20 I'm bid here. | 0:29:50 | 0:29:52 | |
22. 25. 28. 30 in front of me here. | 0:29:52 | 0:29:56 | |
At £30. Still at 30. | 0:29:56 | 0:29:59 | |
-It's a profit at least. -£30. I'm going to sell it for 30. | 0:29:59 | 0:30:02 | |
Well, it's a profit, Will. | 0:30:03 | 0:30:05 | |
Little consolation there for Mark. | 0:30:05 | 0:30:07 | |
After auction costs, that's a small profit | 0:30:07 | 0:30:09 | |
and nowhere near enough to win today | 0:30:09 | 0:30:12 | |
as Will takes the spoils. | 0:30:12 | 0:30:14 | |
It's been a tremendous auction for our new boy of knick-knacks | 0:30:14 | 0:30:18 | |
against the Titan of treasure. | 0:30:18 | 0:30:20 | |
So, the tables have turned. | 0:30:20 | 0:30:22 | |
Mark started this leg with £188.14 | 0:30:22 | 0:30:25 | |
and after costs made a disappointing £6.96 profit, | 0:30:25 | 0:30:30 | |
giving him £195.10 to play with on the next leg. | 0:30:30 | 0:30:35 | |
Will Axon, though, went forth and multiplied. | 0:30:37 | 0:30:40 | |
He kicked off this leg with £144.32 | 0:30:40 | 0:30:44 | |
and after auction costs made a whopping £181.54 | 0:30:44 | 0:30:48 | |
and starts next time with a bumper £325.86. | 0:30:48 | 0:30:53 | |
Well done! | 0:30:53 | 0:30:54 | |
What a contrast, William. | 0:30:54 | 0:30:57 | |
My first taste of victory, Mark! | 0:30:57 | 0:30:59 | |
It was quite a taste of victory as well, you know. | 0:30:59 | 0:31:02 | |
-But it's raining. Shall we go? -Get in the car. | 0:31:02 | 0:31:05 | |
So, we've got a real contest now. | 0:31:07 | 0:31:10 | |
In your own time, Will! | 0:31:10 | 0:31:12 | |
The fourth leg of the trip starts in Crystal Palace in London, | 0:31:17 | 0:31:21 | |
before heading to Essex and an auction showdown in Southend-on-Sea. | 0:31:21 | 0:31:26 | |
-This looks like it, Will. -Antique Warehouse, I like the sound of that. | 0:31:26 | 0:31:31 | |
-Are we shopping in here together? -I think we are, Mark. | 0:31:31 | 0:31:35 | |
-Is this place big enough for the both of us? -I'm sure it is. | 0:31:35 | 0:31:38 | |
The boys are starting out at Crystal Palace Antique & Modern. | 0:31:40 | 0:31:44 | |
With four floors of treasure, it's south London's largest antiques emporium. | 0:31:44 | 0:31:50 | |
So, Will's starting at the top, to find out what treasures | 0:31:50 | 0:31:55 | |
his £325.86 can afford.. | 0:31:55 | 0:31:58 | |
Very nice. | 0:32:00 | 0:32:02 | |
Little cheese board there. | 0:32:05 | 0:32:07 | |
If I tell you it's got a carved mouse on it, | 0:32:07 | 0:32:10 | |
you'll know who's made it, and Tim's going to tell you all about it. | 0:32:10 | 0:32:14 | |
If you insist! | 0:32:14 | 0:32:16 | |
The carved mouse is a trademark of Robert Thompson, the Mouseman. | 0:32:16 | 0:32:20 | |
Famous for his oak furnishings, | 0:32:20 | 0:32:22 | |
Thompson featured the creature on almost every piece he made. | 0:32:22 | 0:32:26 | |
This cheese board is an early example of his work. Will has offered £100. | 0:32:26 | 0:32:30 | |
Bear with me. | 0:32:30 | 0:32:32 | |
Dealer Nick is making a phone call to the owner. | 0:32:32 | 0:32:35 | |
And it looks like it's good news. | 0:32:37 | 0:32:39 | |
Meanwhile, he may have £195.10 to spend but seems uninspired. | 0:32:41 | 0:32:46 | |
SIGHS: Oh, dear! | 0:32:46 | 0:32:48 | |
Flush with success, | 0:32:48 | 0:32:50 | |
Will's already on the scent of his next purchase. | 0:32:50 | 0:32:54 | |
That's sweet, isn't it? | 0:32:54 | 0:32:56 | |
I mean, it's of no great consequence. | 0:32:56 | 0:32:59 | |
It's a little country house, little pen sketch. | 0:32:59 | 0:33:04 | |
What I love is this frame, this birdseye maple. | 0:33:04 | 0:33:09 | |
You've got this lovely figuring. | 0:33:09 | 0:33:12 | |
I don't know, it just appeals. | 0:33:13 | 0:33:15 | |
Looks like it's been in that frame for ever. | 0:33:15 | 0:33:18 | |
It's only 23 quid! | 0:33:18 | 0:33:21 | |
I could bear that in mind, but I'll hang it up there. | 0:33:21 | 0:33:25 | |
This caught my eye. | 0:33:28 | 0:33:30 | |
Obviously, Art Deco. You can tell just by looking at it. | 0:33:31 | 0:33:34 | |
This clock garniture | 0:33:34 | 0:33:36 | |
with this stylish looking woman perched atop this tree stump. | 0:33:36 | 0:33:43 | |
It's got a ticket here. It's had a price on it and it's been reduced. | 0:33:43 | 0:33:49 | |
I was almost tempted to make a cheeky offer of about £100. | 0:33:49 | 0:33:53 | |
Will gets on the phone to the owner, Ian, | 0:33:53 | 0:33:57 | |
but he wants £120. | 0:33:57 | 0:33:59 | |
Could we meet in the middle and say 110? | 0:33:59 | 0:34:02 | |
It's gone and you've got a space on your mantelpiece to fill with more treasure. | 0:34:05 | 0:34:10 | |
110? | 0:34:10 | 0:34:12 | |
Yeah. That's really kind of you, mate. Thanks very much. Cheers. | 0:34:13 | 0:34:18 | |
Hey, big spender! That's nearly two-thirds of your budget on your first two items. | 0:34:18 | 0:34:23 | |
Before we get to the office, Nick, this caught my eye. | 0:34:23 | 0:34:27 | |
-Ah. -Sweet, isn't it? -It is. Yes. Let me have a quick look at it. | 0:34:27 | 0:34:32 | |
I'd be inclined to say it could be £20. As a starting thing. | 0:34:34 | 0:34:38 | |
-To round it off. -Yeah? | 0:34:38 | 0:34:40 | |
Well, I think 15. You say 20. | 0:34:40 | 0:34:43 | |
-Let's meet at 18. -I think we can do that. -Let's do it. | 0:34:43 | 0:34:47 | |
-So I've got to settle up for everything now. -Yes, indeed. | 0:34:47 | 0:34:50 | |
In the office? Perfect. | 0:34:50 | 0:34:53 | |
While Will pays up, it looks like Mark's mood is as grey as the weather. | 0:34:53 | 0:34:58 | |
Maybe he'll cheer up on his next visit. | 0:34:58 | 0:35:00 | |
His antique search may have gone to the dogs, | 0:35:00 | 0:35:03 | |
but he's making his way north into central London, to Piccadilly, | 0:35:03 | 0:35:08 | |
to the oldest recognised Kennel Club in the world. | 0:35:08 | 0:35:12 | |
-Hello. -Hello. -I'm Mark. -Hello, I'm Louisa. | 0:35:12 | 0:35:16 | |
-And who's this charming fellow? -This is Louie. | 0:35:16 | 0:35:19 | |
-He's going to show you round the Kennel Club today. -Hello! | 0:35:19 | 0:35:22 | |
-He's shivering. Shall we go in? -Yes. | 0:35:22 | 0:35:26 | |
Oh, isn't he sweet? | 0:35:26 | 0:35:29 | |
Oh. That's embarrassing. | 0:35:29 | 0:35:31 | |
From prize-winning pooches to lovable scruffy mongrels, | 0:35:31 | 0:35:35 | |
Britain's always had a love affair with its four-legged friends. | 0:35:35 | 0:35:40 | |
With an estimated 28,000 dogs competing each year at Crufts, | 0:35:40 | 0:35:44 | |
it's not hard to see why a national body had to be set up | 0:35:44 | 0:35:48 | |
to legislate in canine matters. | 0:35:48 | 0:35:51 | |
The Kennel Club has its roots in dog shows | 0:35:51 | 0:35:54 | |
that became popular in the 19th century. | 0:35:54 | 0:35:56 | |
While initially dogs were only recognised by their kennel names, | 0:35:56 | 0:36:00 | |
since its formation in 1873, | 0:36:00 | 0:36:02 | |
the club has identified 211 distinct breeds of dogs. | 0:36:02 | 0:36:07 | |
Louisa is showing Mark the Club's art gallery, | 0:36:07 | 0:36:09 | |
which displays Victorian and Edwardian canine art - | 0:36:09 | 0:36:12 | |
including hundreds of oil paintings, engravings and prints. | 0:36:12 | 0:36:17 | |
This room has a Victorian feel to me, the pictures and the panelling. | 0:36:17 | 0:36:21 | |
It is very Victorian, and Victorians loved their dogs. | 0:36:21 | 0:36:25 | |
Queen Victoria was a huge dog fan and owned a large number of dogs. | 0:36:25 | 0:36:29 | |
She had at least 28 breeds of dog. | 0:36:29 | 0:36:32 | |
I never knew Queen Victoria loved her dogs so much. | 0:36:32 | 0:36:35 | |
She didn't just have them in kennels. She had lots of pets. | 0:36:35 | 0:36:39 | |
That's quite early. Victoria came to the throne in 1837. | 0:36:39 | 0:36:43 | |
She owned dogs before she was Queen. | 0:36:43 | 0:36:45 | |
When she was Princess, she did have a large number of dogs. | 0:36:45 | 0:36:48 | |
-And this book lists her various breeds? -Yes. It does. | 0:36:48 | 0:36:53 | |
This would have been given as a gift, anybody that visited Windsor. | 0:36:53 | 0:36:57 | |
There's some exotic ones in here. | 0:36:57 | 0:36:59 | |
A lot would have been given to her by various people, | 0:36:59 | 0:37:03 | |
other royalty from overseas, things like that. | 0:37:03 | 0:37:06 | |
-Bedouin dogs. -Gosh! That sounds rather exotic. | 0:37:06 | 0:37:11 | |
We also have a Hungarian sheep-dog. We're not sure which breed that is. | 0:37:11 | 0:37:17 | |
That's January 1943, so again, that's very early. | 0:37:17 | 0:37:22 | |
-Did she get involved with the Kennel Club when it was founded? -She did. Yes. | 0:37:22 | 0:37:26 | |
She did show her dogs at Crufts. | 0:37:26 | 0:37:29 | |
She was involved in the dog-showing world. | 0:37:29 | 0:37:32 | |
This medal here was given to Queen Victoria from the Pomeranian Club, | 0:37:32 | 0:37:36 | |
awarded at the Kennel Club in 1891 for her Pomeranian, Windsor Marco. | 0:37:36 | 0:37:41 | |
-He won first in his class at that show. -Wonderful! | 0:37:41 | 0:37:44 | |
It's a bit like our current Queen, who loves Corgis. | 0:37:44 | 0:37:48 | |
I suppose that's led to an increase in interest and ownership of Corgis. | 0:37:48 | 0:37:53 | |
BARKING | 0:37:53 | 0:37:57 | |
It's estimated today | 0:37:57 | 0:37:59 | |
that there are approximately 10.5 million dogs owned in the UK, | 0:37:59 | 0:38:02 | |
accounting for over a third of all the nation's household pets. | 0:38:02 | 0:38:07 | |
Dogs truly still are our best friends. | 0:38:07 | 0:38:10 | |
Meanwhile, Will has decided to do a spot more shopping. | 0:38:11 | 0:38:14 | |
One of them should! | 0:38:14 | 0:38:16 | |
He's travelled nine miles east to Chislehurst, looking to spend more | 0:38:16 | 0:38:21 | |
in Wrattan Antique & Craft Mews. | 0:38:21 | 0:38:25 | |
They're quite nice, aren't they? | 0:38:27 | 0:38:30 | |
I've got one at home which we use. They're, basically, breadboards. | 0:38:32 | 0:38:36 | |
-Does what it says on the tin! -A tin of bread? | 0:38:36 | 0:38:40 | |
They've got something about them. | 0:38:42 | 0:38:45 | |
I've gone for a cheese board, haven't I, so why not go for three breadboards as well? | 0:38:45 | 0:38:51 | |
There might be a kitchenalia lot I could get together. | 0:38:51 | 0:38:54 | |
Oh, no. Not another theme, surely? | 0:38:55 | 0:38:57 | |
It's time to get Graham and Maureen involved. | 0:38:57 | 0:39:00 | |
What about a jelly mould? | 0:39:00 | 0:39:02 | |
Oh, lordy! He's quite out of control. | 0:39:02 | 0:39:04 | |
Stop him, before he picks up the... | 0:39:04 | 0:39:07 | |
And one of those. What is it? | 0:39:07 | 0:39:10 | |
It looks like a butter press without its mould to me. | 0:39:10 | 0:39:13 | |
Chuck that in as well and we've got a deal - 20 quid. | 0:39:13 | 0:39:17 | |
I'm a hard man... Oh! It's done! | 0:39:18 | 0:39:21 | |
So Will's impromptu raid on Graham and Maureen's pantry | 0:39:21 | 0:39:25 | |
has resulted in three breadboards, a jelly mould and a butter press. | 0:39:25 | 0:39:29 | |
All for £20. Top marks! | 0:39:29 | 0:39:32 | |
-It's even aesthetically pleasing stacked. -It is, isn't it? | 0:39:32 | 0:39:35 | |
Would you like a bag? | 0:39:35 | 0:39:37 | |
Back together again, the boys are heading in to Essex, | 0:39:37 | 0:39:41 | |
to the town of Great Baddow. | 0:39:41 | 0:39:44 | |
-Great Baddow? -That's right, antique centre. | 0:39:44 | 0:39:47 | |
Sounds like some sort of '70s rock group! | 0:39:47 | 0:39:50 | |
-The Great Baddow! -The Great Baddow and the Baddettes! | 0:39:50 | 0:39:53 | |
LAUGHS We could be the Baddettes. | 0:39:53 | 0:39:56 | |
Saddettes, more like! | 0:39:56 | 0:39:59 | |
Now, this should be interesting. | 0:39:59 | 0:40:01 | |
Our sparring partners are heading to the same shop, Baddow Antiques. | 0:40:01 | 0:40:05 | |
Let's hope Will leaves something for Mark to buy. | 0:40:05 | 0:40:08 | |
-I think you should go that way. -All right. -See you later. | 0:40:10 | 0:40:15 | |
Oh, I love those glasses! | 0:40:19 | 0:40:21 | |
I bet that's not for sale. Yeah. | 0:40:21 | 0:40:24 | |
"Not for sale." They're fab, aren't they? | 0:40:24 | 0:40:27 | |
What's this? A bit of art glass? | 0:40:28 | 0:40:31 | |
It's quite speccy, the art glass, a real up-and-coming market. | 0:40:33 | 0:40:37 | |
I suppose it's a Vaseline glass. | 0:40:37 | 0:40:40 | |
No price on them, of course. | 0:40:44 | 0:40:46 | |
That might be a theme for one of my items, a sort of art glass lot. | 0:40:48 | 0:40:53 | |
Oh, lordy! Struggling to make his first purchase, | 0:40:53 | 0:40:57 | |
dealer Ron has pointed Mark in the direction | 0:40:57 | 0:41:00 | |
of an Edwardian cut-glass ship's decanter.' | 0:41:00 | 0:41:04 | |
-That's rather fun. What's this? -It's a quarter decanter. | 0:41:04 | 0:41:07 | |
It's like a small version of a ship's decanter. | 0:41:07 | 0:41:10 | |
-It would have sat like that and it wouldn't spill over. -Yeah. | 0:41:10 | 0:41:14 | |
-It's a ship's decanter in miniature. -It's rather sweet. | 0:41:14 | 0:41:17 | |
I must admit, I haven't seen one dinky like that for ages. | 0:41:17 | 0:41:21 | |
-That might be a possibility, Ron. Can we reserve that for me? -Yeah. | 0:41:24 | 0:41:27 | |
At an asking price of £25, | 0:41:27 | 0:41:30 | |
you could consider letting go of those purse strings, Mark. | 0:41:30 | 0:41:33 | |
Ron! | 0:41:33 | 0:41:35 | |
Boy! Ron's being run ragged today. | 0:41:35 | 0:41:38 | |
Will's found some more glass items for his - dare I say it? - theme. | 0:41:38 | 0:41:42 | |
That was what caught my eye. | 0:41:42 | 0:41:44 | |
It's the texture and the design. It's got something about it. | 0:41:44 | 0:41:48 | |
I'll tell you the other bit I quite liked. | 0:41:49 | 0:41:51 | |
-Unfortunately, it's damaged. -Is it? | 0:41:51 | 0:41:54 | |
-It has a little neck crack. -Yeah. | 0:41:54 | 0:41:57 | |
-So that might be quite affordable with the crack in there. -Absolutely. | 0:41:57 | 0:42:01 | |
It's a good shape, isn't it? | 0:42:01 | 0:42:04 | |
All this 1960s art glass is making me nostalgic. | 0:42:04 | 0:42:08 | |
Not. | 0:42:08 | 0:42:09 | |
Not sure what I'm doing, but let's go with the flow! | 0:42:09 | 0:42:12 | |
Deary me, there's more? | 0:42:12 | 0:42:15 | |
-OK, a little sort of... -Remarkably, it still has its lid. | 0:42:15 | 0:42:19 | |
So what have we got? One, two, three, four, five pieces. | 0:42:21 | 0:42:25 | |
-You've seen the programme. I'm on a budget. -35 quid the lot. | 0:42:27 | 0:42:31 | |
30 quid? | 0:42:33 | 0:42:35 | |
-32 and that is the deal. -Let's do it. It's a deal. | 0:42:35 | 0:42:38 | |
After Ron gave Will another pound off for luck, | 0:42:39 | 0:42:43 | |
our dapper dealer has got the lot for just £31 and is all shopped-out. | 0:42:43 | 0:42:48 | |
So he can relax. | 0:42:48 | 0:42:51 | |
Mark can't. He hasn't bought a thing. | 0:42:51 | 0:42:53 | |
What about that ship's decanter? | 0:42:53 | 0:42:55 | |
-The fact that it's perfect. -Yes. | 0:42:55 | 0:42:58 | |
I know you don't like £25, but I know your position. | 0:42:58 | 0:43:03 | |
So I will say, money back, £18. | 0:43:03 | 0:43:07 | |
-£18. -And I think you've got... -I think we'll shake hands on 18. | 0:43:07 | 0:43:11 | |
You read my mind. | 0:43:11 | 0:43:13 | |
-LAUGHING: -I'm quite good at that. -You're a very canny dealer, Ron. | 0:43:13 | 0:43:16 | |
At last! One lot down, and with the clock ticking, | 0:43:16 | 0:43:21 | |
Mark's made a dash across the courtyard | 0:43:21 | 0:43:24 | |
to see what dealer Steve has to offer. | 0:43:24 | 0:43:26 | |
-Immediately, what I like about it immediately is the shape. -Yeah. | 0:43:28 | 0:43:33 | |
It's very Chinese, that baluster shape. | 0:43:33 | 0:43:35 | |
-Do you know much about this? -Not at all. | 0:43:36 | 0:43:39 | |
Oh, good. That's a positive sign! STEVE LAUGHS | 0:43:39 | 0:43:43 | |
-You know it's damaged, don't you? -I do. | 0:43:43 | 0:43:45 | |
I don't know if that's the right lid. | 0:43:45 | 0:43:48 | |
It's a little bit on the wobbly jubbly side. | 0:43:48 | 0:43:51 | |
-It doesn't look quite right. -But it is the same type of pattern. | 0:43:51 | 0:43:55 | |
With that little dog on the top. | 0:43:55 | 0:43:58 | |
How cheap could it be? | 0:43:58 | 0:44:00 | |
EXHALES | 0:44:01 | 0:44:03 | |
I'm thinking really cheap, Steve. | 0:44:03 | 0:44:05 | |
-I was thinking about 12. -MARK LAUGHS | 0:44:05 | 0:44:10 | |
Oh, they do say people of Essex have a sense of humour, don't they? | 0:44:11 | 0:44:15 | |
I'll tell you what, Steve, because I'm in a rush and I like you, | 0:44:15 | 0:44:19 | |
I'll take it off your hands for a fiver. | 0:44:19 | 0:44:22 | |
Then it gives me a little bit of a chance at auction. | 0:44:22 | 0:44:26 | |
-Cheeky. -Go on, then. | 0:44:26 | 0:44:28 | |
Put it there, quickly. | 0:44:28 | 0:44:30 | |
That could be a bargain, Mark, wrong lid or not. | 0:44:30 | 0:44:34 | |
Now that Mark's on a roll, | 0:44:36 | 0:44:38 | |
he's going to put up a fight in Battlesbridge. | 0:44:38 | 0:44:42 | |
Today, the village is best known as a centre for antiques, | 0:44:42 | 0:44:46 | |
though its present appearance owes much to centuries of riverside industry. | 0:44:46 | 0:44:50 | |
But will the tide turn for Mark within the Battlesbridge Antiques Centre? | 0:44:50 | 0:44:56 | |
That's quite fun, isn't it? Look at that! That shelf! | 0:44:56 | 0:45:02 | |
Gosh, I really like that. | 0:45:02 | 0:45:05 | |
What I've found is a wall bracket, probably part of a pair or more, | 0:45:05 | 0:45:10 | |
made of pottery then glazed to look like metal. | 0:45:10 | 0:45:15 | |
It's like a suit of armour. | 0:45:15 | 0:45:18 | |
I think that's really nice. | 0:45:18 | 0:45:20 | |
More importantly, I think it's got some age. | 0:45:20 | 0:45:23 | |
I think we're looking at something that was made... | 0:45:23 | 0:45:26 | |
probably around 1900 - 1890, 1900? | 0:45:26 | 0:45:30 | |
I'll tell you what else is making me rather excited. | 0:45:31 | 0:45:35 | |
WHISPERING: It's only marked up at £30. | 0:45:35 | 0:45:39 | |
Ooh! | 0:45:39 | 0:45:40 | |
But you just know he's not going to offer £30. | 0:45:42 | 0:45:45 | |
Yeah... | 0:45:45 | 0:45:47 | |
He's asked Valerie to phone the owner with a bid of £20. | 0:45:47 | 0:45:51 | |
-It's like being at a job interview. -Thank you very much. -Oh! | 0:45:51 | 0:45:55 | |
Please say yes. Bye-bye. | 0:45:55 | 0:45:57 | |
-You're in luck. -Am I? -£20. -MARK GASPS | 0:45:58 | 0:46:01 | |
We've got a deal. Thank you SO much. | 0:46:01 | 0:46:03 | |
Thanks for all your help. Things are on the turn. | 0:46:03 | 0:46:06 | |
Oh! Looks like Mark's got his mojo back. | 0:46:06 | 0:46:10 | |
He's on a roll and has found this Japanese box with a blue glass liner. | 0:46:10 | 0:46:15 | |
What would it be estimated at auction? | 0:46:15 | 0:46:17 | |
Probably £20 or £30. | 0:46:17 | 0:46:19 | |
There's no price on it, so I want to try and get it...under £10, really. | 0:46:19 | 0:46:24 | |
I've got to claw my way back here. | 0:46:24 | 0:46:26 | |
I'll go and see if the dealer's around | 0:46:26 | 0:46:29 | |
then come back and let you know what happens. | 0:46:29 | 0:46:31 | |
And after a quick negotiation with the camera-shy dealer... | 0:46:31 | 0:46:36 | |
Good news. | 0:46:36 | 0:46:38 | |
I said I wanted to pay around £10-ish for it. | 0:46:38 | 0:46:42 | |
I tried a sneaky £5, but the dealer was having none of it. | 0:46:43 | 0:46:47 | |
So we compromised and settled on £8. | 0:46:47 | 0:46:49 | |
If I knew how to say "I'm very happy" in Japanese, I would, but I can't, so I won't. | 0:46:51 | 0:46:56 | |
Let's try watashi wa ureshii desu. | 0:46:56 | 0:46:59 | |
I'm not just a pretty face, you know. | 0:46:59 | 0:47:02 | |
That's quite fun, isn't it? Have you seen this before? | 0:47:02 | 0:47:07 | |
You might have done, because it's a sliding book rest. | 0:47:07 | 0:47:11 | |
This is lacquered wood. | 0:47:11 | 0:47:13 | |
Quite cheaply done, actually. | 0:47:13 | 0:47:16 | |
The fact is, it's only £12, as well. | 0:47:16 | 0:47:19 | |
I don't think this is going to make anywhere near the £85 Will's made. | 0:47:19 | 0:47:23 | |
If I could get that, say, for...a fiver. | 0:47:23 | 0:47:27 | |
Then even if it made £15, it would be quite a good profit margin. | 0:47:27 | 0:47:31 | |
Cos we've got the dragon here | 0:47:31 | 0:47:34 | |
chasing the pearl of wisdom. | 0:47:34 | 0:47:37 | |
Just like I am, but I'm chasing the pearl of profit. | 0:47:38 | 0:47:41 | |
Ooh! How poetic! But with another cheeky offer of £5, | 0:47:41 | 0:47:46 | |
it's a wonder Val's not chasing you out of the shop! | 0:47:46 | 0:47:49 | |
-I tried. -Thank you, Valerie. | 0:47:49 | 0:47:51 | |
-£8 was her best. -Oh, well! £8. What do I do? | 0:47:51 | 0:47:55 | |
The only thing I do like about it, it has the original paper label, | 0:47:55 | 0:48:00 | |
which says, "chung chan hen". | 0:48:00 | 0:48:04 | |
Which I know from my Chinese is, "Please do not buy me." | 0:48:04 | 0:48:08 | |
-Actually, it says, "Please buy me." -MARK LAUGHS | 0:48:08 | 0:48:12 | |
I don't know why I'm even on this show | 0:48:12 | 0:48:15 | |
because I'm too generous to a fault here. | 0:48:15 | 0:48:19 | |
Just for your cheek saying "please buy me", I'm going to say yes to £8. | 0:48:19 | 0:48:24 | |
-That dealer had better buy you a gin and tonic. -I truly hope so, too. | 0:48:24 | 0:48:29 | |
Phew! You'll need a swift G&T after pulling your five lots out of the bag, Mark. | 0:48:29 | 0:48:33 | |
Will Axon set out on this leg with a whopping £325.86 | 0:48:35 | 0:48:40 | |
and forked out £279 on his five lots. | 0:48:40 | 0:48:44 | |
A collection of kitchenalia, | 0:48:44 | 0:48:47 | |
the Art Deco clock, | 0:48:47 | 0:48:49 | |
the pen drawing, | 0:48:49 | 0:48:51 | |
the selection of art glass | 0:48:51 | 0:48:52 | |
and the Mouseman cheeseboard. | 0:48:52 | 0:48:55 | |
Mark Stacey began this leg with £195.10, | 0:48:57 | 0:49:01 | |
and finally got round to spending a mere £59 of it | 0:49:01 | 0:49:03 | |
also on five lots. | 0:49:03 | 0:49:05 | |
The Japanese casket, the ship's decanter, | 0:49:05 | 0:49:09 | |
the book slide, the porcelain vase | 0:49:09 | 0:49:12 | |
and the wall bracket. | 0:49:12 | 0:49:14 | |
Let's hear how our experts think they'll get on. | 0:49:14 | 0:49:18 | |
Listen, he stands a chance, just as much as I do. | 0:49:19 | 0:49:22 | |
We're at the hands of the auctioneer now. | 0:49:22 | 0:49:25 | |
Could be a flip of a coin. | 0:49:25 | 0:49:27 | |
The Mouseman breadboard is wonderful. | 0:49:27 | 0:49:30 | |
At £100, I think that's a steal. An absolute steal. | 0:49:30 | 0:49:34 | |
It's time to get back to Southend, and head to today's auction. | 0:49:35 | 0:49:39 | |
On the fourth leg of their road trip, our hardy hagglers | 0:49:40 | 0:49:44 | |
have cut a dash across London and into Essex, | 0:49:44 | 0:49:46 | |
starting in Crystal Palace and ending up in Southend-on-Sea | 0:49:46 | 0:49:50 | |
for the auction. | 0:49:50 | 0:49:52 | |
This looks like it. | 0:49:52 | 0:49:54 | |
And I'll just pull up outside here, shall I? | 0:49:54 | 0:49:57 | |
At a jaunty angle. | 0:49:57 | 0:49:59 | |
-Whoa! -How's that? -Perfect. | 0:49:59 | 0:50:02 | |
Don't worry about the parking bays. Leave the car anywhere you like(!) | 0:50:02 | 0:50:06 | |
Our experts are going head-to-head at Chalkwell Auctions. | 0:50:08 | 0:50:12 | |
Established for 25 years, it has grown to be an important saleroom | 0:50:12 | 0:50:17 | |
in the south of England and on the internet. | 0:50:17 | 0:50:20 | |
Putting the boys under the hammer is Trevor Cornforth. | 0:50:20 | 0:50:24 | |
The Japanese casket with blue glass liner is up first. | 0:50:26 | 0:50:29 | |
Will it fester or fly? | 0:50:29 | 0:50:31 | |
Start me at £10. Ten to start, surely? | 0:50:31 | 0:50:33 | |
-Any interest at £10? -Oh, come on. | 0:50:33 | 0:50:36 | |
I've got a bid of ten at the back. We're in the room at £10. | 0:50:36 | 0:50:41 | |
That's an interesting little item. At £10. All fini... | 0:50:41 | 0:50:45 | |
15. 20? 15 in the front with the lady, then. | 0:50:45 | 0:50:48 | |
At £15. Selling at 15... | 0:50:48 | 0:50:51 | |
20 back in on the net. 20 against you. Are you out? | 0:50:51 | 0:50:55 | |
An internet bid now at £20. 25, fresh place. 25 on the left. | 0:50:55 | 0:51:01 | |
Oh. £25. | 0:51:01 | 0:51:03 | |
Are we done at £25? 30 on the net. | 0:51:03 | 0:51:06 | |
35? All done at 30 on the net. Selling at 30. | 0:51:06 | 0:51:10 | |
-Well done, Mark. -I'm pleased with that, Will. | 0:51:10 | 0:51:13 | |
"Arigato," says Mr Stacey. | 0:51:13 | 0:51:16 | |
That's a handsome mark-up to start. | 0:51:16 | 0:51:18 | |
And it's Mark's next lot, the quarter size ship's decanter. | 0:51:18 | 0:51:23 | |
It's bound to float someone's boat. | 0:51:23 | 0:51:25 | |
For an elegant lady to pretend she doesn't drink. | 0:51:25 | 0:51:28 | |
Start me at £20 on it. See what happens. | 0:51:28 | 0:51:31 | |
-20 I'm bid straight away. -Oh! | 0:51:31 | 0:51:34 | |
At 20 seated. Here at £20. | 0:51:34 | 0:51:36 | |
It's a sweet piece. 25. And 30. And 35? | 0:51:36 | 0:51:41 | |
40. 45? 50. | 0:51:41 | 0:51:45 | |
45 at the front. We're selling at £45. | 0:51:45 | 0:51:47 | |
All done at 45? | 0:51:47 | 0:51:49 | |
-I'm happy with that, Will. -Should be. | 0:51:49 | 0:51:52 | |
You certainly should! Another sturdy profit there. | 0:51:52 | 0:51:56 | |
Well, Mark, my moment of truth is soon to arrive. | 0:51:56 | 0:52:00 | |
-Oh, Will, I don't think you've got any problems. -Oh, the tension! | 0:52:00 | 0:52:05 | |
It's Will's first lot. | 0:52:05 | 0:52:08 | |
Can this selection of kitchenalia serve up a profit? | 0:52:08 | 0:52:11 | |
I've got £20 bid. 25 in the room. | 0:52:11 | 0:52:14 | |
I've got 25 seated. I need 30. 30 here. | 0:52:14 | 0:52:17 | |
35? It's against you at £30 on the internet. | 0:52:17 | 0:52:20 | |
We're at 35. And 40 now. | 0:52:20 | 0:52:23 | |
-£40 on the internet. -Internet. | 0:52:23 | 0:52:25 | |
At £40. Looking for 45. | 0:52:25 | 0:52:27 | |
At £40 at the moment. We're selling... | 0:52:27 | 0:52:30 | |
-Doubled your money. -Bet you're happy with that. -I'm happy with that. | 0:52:30 | 0:52:35 | |
Looks like you've got a profit on a platter there. | 0:52:35 | 0:52:39 | |
It's the Art Deco figural clock next, Will. | 0:52:39 | 0:52:43 | |
Start me at £30. Let's give it a chance. 30. 35. 40. 45. 50. | 0:52:43 | 0:52:48 | |
60? £50 on my right. In the room at £50. | 0:52:48 | 0:52:53 | |
At £50. We're looking for 60. | 0:52:53 | 0:52:55 | |
£50 bid on the clock set. Must be worth more than that. | 0:52:55 | 0:52:59 | |
60 on the left. 70? | 0:52:59 | 0:53:01 | |
60 with the lady seated, then. In the room at £60. | 0:53:01 | 0:53:05 | |
-We're selling at £60. -BANGS GAVEL | 0:53:05 | 0:53:08 | |
Oh, gosh! | 0:53:08 | 0:53:10 | |
The clock failed to chime with the bidders. | 0:53:10 | 0:53:13 | |
Never mind. I'm learning. | 0:53:13 | 0:53:16 | |
You might be learning, but you're not earning. | 0:53:16 | 0:53:19 | |
Let's see if Mark's Chinese book slide can be a best-seller. | 0:53:19 | 0:53:23 | |
Pretty little item, very practical. | 0:53:23 | 0:53:26 | |
Start me at £20 on it. | 0:53:26 | 0:53:29 | |
Nice little piece. £20, surely. 20 I'm bid. In the room at £20. | 0:53:29 | 0:53:32 | |
Surely that's not going to be it at £20? Are you done at 20? | 0:53:32 | 0:53:37 | |
All finished. | 0:53:37 | 0:53:39 | |
-Well, that's fine. -Well done, Mark. | 0:53:39 | 0:53:41 | |
After auction costs, it's a modest profit, but a profit, nevertheless. | 0:53:41 | 0:53:47 | |
It's the Chinese vase, which actually is there. | 0:53:47 | 0:53:50 | |
-It looks rather nice on there. -I think someone's given it a polish. | 0:53:50 | 0:53:56 | |
Start me at £50 on it, see what happens. £50 to start. | 0:53:56 | 0:53:59 | |
-Any interest at £50? Must see £50, surely? -Come on! | 0:53:59 | 0:54:04 | |
Start me at £20. I've got to start somewhere. | 0:54:04 | 0:54:06 | |
-50 came in at the last minute. -£50! | 0:54:06 | 0:54:09 | |
-We're at £50. -Come on. You know you want it! | 0:54:09 | 0:54:13 | |
I have a bid of £50. I'm looking for £60. | 0:54:13 | 0:54:16 | |
-It's lovely. -Wonderful news for you. -Finished... | 0:54:16 | 0:54:20 | |
Cor! You're in the pink, Mark - considering the lid's wrong! | 0:54:20 | 0:54:24 | |
Can Will get back on track with his next lot? | 0:54:24 | 0:54:28 | |
It's his maple-framed drawing of a country house. | 0:54:28 | 0:54:31 | |
Start me at £20 on it. £20 on the little drawing. | 0:54:31 | 0:54:34 | |
It's very sweet. £20 to start? Have to see a start of £20. | 0:54:34 | 0:54:40 | |
It's with me, personally, at £20... | 0:54:40 | 0:54:42 | |
While unusual, it's not illegal for an auctioneer to bid on an item. | 0:54:42 | 0:54:48 | |
-..With me on the rostrum at £20. -Not my day today. -25 on the net. | 0:54:48 | 0:54:52 | |
-Oh! -I've got 25. And 30 with me. It's at £30 at the moment. | 0:54:52 | 0:54:57 | |
I'm looking for 35. | 0:54:57 | 0:54:59 | |
-Are we done at £30? All done. -BANGS GAVEL | 0:54:59 | 0:55:01 | |
-Well, that's a fair price. -You were right. | 0:55:01 | 0:55:05 | |
A picture-perfect buy for our auctioneer. | 0:55:05 | 0:55:08 | |
He's made you a neat profit, Will. | 0:55:08 | 0:55:10 | |
How will the bidders react to Mark's biggest purchase? | 0:55:10 | 0:55:14 | |
At a costly £20, his pottery wall bracket is next under the hammer. | 0:55:14 | 0:55:19 | |
Start me at £20 on this. I'm starting you low. 20 I'm bid. | 0:55:19 | 0:55:23 | |
In the room at £20. At 20. 25. And 30. And 35? And 40. | 0:55:23 | 0:55:28 | |
£40 in the room at the moment. Any advance on £40? | 0:55:28 | 0:55:32 | |
Come on. It's a lovely thing. | 0:55:32 | 0:55:34 | |
Are we done at 40? At £40. | 0:55:34 | 0:55:37 | |
At 45. And 50? £50 seated. | 0:55:37 | 0:55:41 | |
-Bit more! Come on! Bit more! -I'm selling at 50... | 0:55:41 | 0:55:45 | |
That's all right. | 0:55:45 | 0:55:47 | |
All right for you, Mark. That's you done. | 0:55:47 | 0:55:49 | |
You've not had any trouble making a profit today. | 0:55:49 | 0:55:53 | |
Now, how will the bidding go on Will's lot of five glass items? | 0:55:53 | 0:55:58 | |
Nice little lot. Start me at £20? See where we go. | 0:55:58 | 0:56:01 | |
20 to start. 20 I'm bid. In the room at £20. At £20 here. | 0:56:01 | 0:56:06 | |
At £20. Surely more than that. | 0:56:06 | 0:56:09 | |
And 25. 30? | 0:56:09 | 0:56:11 | |
-£30 seated. It's at £30. -Small loss. | 0:56:11 | 0:56:15 | |
At £30. All finished? | 0:56:15 | 0:56:18 | |
Do you know what? I'm not surprised any more. | 0:56:18 | 0:56:20 | |
Maybe you needed more luck money on that, Will. | 0:56:20 | 0:56:23 | |
Another loss, I'm afraid. | 0:56:23 | 0:56:25 | |
It's Will's last lot, the Mouseman oak cheese board. | 0:56:25 | 0:56:30 | |
If that flies, he could still win today's auction. | 0:56:30 | 0:56:34 | |
Start me at £30 on it straight away. 30. 35. 40. 45. 50. 60. | 0:56:34 | 0:56:39 | |
60 seated in the room. Any advance on £60? | 0:56:39 | 0:56:43 | |
We're at 60. 70. 80? | 0:56:43 | 0:56:45 | |
£70 on the internet. Are you on the telephone on this? | 0:56:45 | 0:56:49 | |
It's 80 with me. I'm bidding now, personally. At £80. | 0:56:49 | 0:56:53 | |
Gosh! He's at it again! | 0:56:53 | 0:56:55 | |
I like this little piece. It's a current bid with me of £80. | 0:56:55 | 0:56:58 | |
Any advance on 80? 90 in the room. That's sparked your interest! | 0:56:58 | 0:57:02 | |
-LAUGHTER -90 back in the room. | 0:57:02 | 0:57:05 | |
90 against me now. In the room at £90. | 0:57:05 | 0:57:08 | |
I'm 90. Looking for 100. At £90. All finished? | 0:57:08 | 0:57:12 | |
Will, I'm sorry. I think that was an absolute steal for somebody. | 0:57:12 | 0:57:17 | |
That's the luck of the auction, though - or lack of it. | 0:57:17 | 0:57:21 | |
Hard cheese, old fruit. | 0:57:21 | 0:57:23 | |
It's worth £200 to £300. I know that. You know that. | 0:57:23 | 0:57:26 | |
I've sold them for 300 quid all day long in North Yorkshire. That's what they're worth. | 0:57:26 | 0:57:32 | |
-I would have bought it. -C'est la vie. | 0:57:32 | 0:57:34 | |
-I would have done the same. -You know, I know and Tim knows. | 0:57:34 | 0:57:37 | |
-HEAVENLY CHOIR SINGS -All I know is Mark's the winner of today's auction. | 0:57:37 | 0:57:43 | |
Will Axon's lead didn't last long. | 0:57:43 | 0:57:45 | |
He kicked off this leg with £325.86p, | 0:57:45 | 0:57:49 | |
but after auction costs, made a shattering loss of £74, | 0:57:49 | 0:57:53 | |
and starts next time with £251.86p. | 0:57:53 | 0:57:57 | |
Mark Stacey made an incredible comeback. | 0:57:58 | 0:58:02 | |
Starting this leg with £195.10p, | 0:58:02 | 0:58:04 | |
he earned a fantastic £100.90p profit after auction costs, | 0:58:04 | 0:58:09 | |
giving him exactly £296 to play with on the last leg. | 0:58:09 | 0:58:14 | |
Well, ups and downs, ups and downs, ups and downs. | 0:58:14 | 0:58:19 | |
-The heavens are going to open. -Oh, no! -Let's go! | 0:58:19 | 0:58:22 | |
-It's hailing, Mark. Ay-ay-ay! -It's your fault, Will. Come on! | 0:58:22 | 0:58:27 | |
Let's go, Will. | 0:58:28 | 0:58:30 | |
It's onwards and upwards! | 0:58:30 | 0:58:33 |