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It's the nation's favourite antiques experts, with £200 each, | 0:00:02 | 0:00:05 | |
a classic car, and a goal to scour Britain for antiques. | 0:00:05 | 0:00:10 | |
Going, going...gone. | 0:00:10 | 0:00:11 | |
-Yes! -I think I've arrived! | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction, but it is no mean feat. | 0:00:13 | 0:00:17 | |
Yes! | 0:00:17 | 0:00:19 | |
-There will be worthy winners and valiant losers. -Tails. | 0:00:19 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
Agh, agh! | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:32 | |
Yeah! | 0:00:34 | 0:00:35 | |
CAR HORN BEEPS | 0:00:35 | 0:00:37 | |
Today sees the start of a new journey with two Road Trip veterans. | 0:00:37 | 0:00:41 | |
Auctioneer Paul Laidlaw has a passion for militaria... | 0:00:45 | 0:00:48 | |
an eye for detail... | 0:00:48 | 0:00:50 | |
..and is always keen to pass on his specialist knowledge. | 0:00:51 | 0:00:55 | |
What more can the antiques expert tell you about it? Not a lot, really! | 0:00:55 | 0:00:59 | |
Trying to beat him at auction is antique dealer David Harper. | 0:01:01 | 0:01:05 | |
He enjoys taking a risk... | 0:01:05 | 0:01:08 | |
all things oriental... | 0:01:08 | 0:01:10 | |
and isn't afraid of a bit of hard graft. | 0:01:10 | 0:01:13 | |
-Look at that. -I've never seen a man work like this! -Have you not? | 0:01:13 | 0:01:17 | |
Never seen me work like this! | 0:01:17 | 0:01:19 | |
Ha-ha, well, with £200 each in their wallets, | 0:01:19 | 0:01:22 | |
the best of the British springtime, and this 1968 Triumph Herald, | 0:01:22 | 0:01:27 | |
our experts are in for the trip of a lifetime. | 0:01:27 | 0:01:30 | |
I'll tell you what, Paul, it's very good to be back in a classic. | 0:01:32 | 0:01:35 | |
-You like it? -Oh, and the sun shining. | 0:01:35 | 0:01:38 | |
-You are lapping this up, aren't you? -It's wonderful! | 0:01:38 | 0:01:42 | |
-I'm back in the zone, says David Harper! -I'm back in the zone, I am! | 0:01:42 | 0:01:45 | |
What fun! | 0:01:45 | 0:01:47 | |
On this route, our boys set off from Windermere | 0:01:47 | 0:01:50 | |
in the English Lake District and cover almost 600 miles. | 0:01:50 | 0:01:55 | |
They will cross the border into Scotland, | 0:01:55 | 0:01:57 | |
ending the week in the city of Dundee. | 0:01:57 | 0:01:59 | |
On this leg, they will start at the Cumbrian town of Windermere and | 0:02:03 | 0:02:07 | |
weave their way towards the auction in East Boldon in Tyne and Wear. | 0:02:07 | 0:02:11 | |
-Kendal, my adopted home. -Yeah. -And where are we going to end up? -I have no idea. | 0:02:14 | 0:02:19 | |
-Where are we going to end up? -God's own country. -We're going to Scotland. | 0:02:19 | 0:02:23 | |
-But what a journey for us! -Aye, my grandmother was Scottish... | 0:02:23 | 0:02:26 | |
-Very good. -..a proper Scot. | 0:02:26 | 0:02:28 | |
-So there's Scottish blood running in these veins. -Freedom! | 0:02:28 | 0:02:32 | |
-Rargh! -THEY LAUGH | 0:02:32 | 0:02:34 | |
Oh, Lordy! | 0:02:34 | 0:02:35 | |
Lake Windermere, at ten-and-a-half miles, | 0:02:38 | 0:02:41 | |
is the longest natural lake in England. | 0:02:41 | 0:02:44 | |
-Look at that! -There's Windermere. -Jeez! | 0:02:44 | 0:02:47 | |
On a good day, Britain, for me, | 0:02:47 | 0:02:50 | |
is the most beautiful place on the planet. | 0:02:50 | 0:02:53 | |
The nearby town of Windermere was named after the railway station | 0:02:53 | 0:02:56 | |
built in the mid-19th century | 0:02:56 | 0:02:58 | |
and had, before then, been known as Birthwaite. | 0:02:58 | 0:03:02 | |
Our experts' first stop is tucked away in a little courtyard | 0:03:05 | 0:03:08 | |
-and run by Jean and Barry. -Hi, I'm David. -Barry. | 0:03:08 | 0:03:10 | |
Barry, nice to meet you. Where do you want to go? | 0:03:10 | 0:03:13 | |
-You want me to go that way? What do you want me to do? -Go to hell! | 0:03:13 | 0:03:16 | |
Oh, no, oh, no! Oh, charming! | 0:03:16 | 0:03:18 | |
What a great start. Do you hear that? Mm. | 0:03:18 | 0:03:20 | |
The gloves are off now, Harper! | 0:03:20 | 0:03:22 | |
Now, now, fellas, don't fall out so early in the trip. | 0:03:22 | 0:03:26 | |
That is one cracking chandelier. | 0:03:28 | 0:03:31 | |
And it's... Well, I'm not far away. | 0:03:31 | 0:03:33 | |
I've got £200 to spend, so I'm short £2,450. | 0:03:33 | 0:03:38 | |
From David's expensive tastes to Paul's sense of humour. | 0:03:38 | 0:03:42 | |
I CANNOT believe it. | 0:03:44 | 0:03:46 | |
In 20 years, usually, these retail at about £500-£700. | 0:03:46 | 0:03:51 | |
-This has got real mileage. -Don't fall for it, David. | 0:03:51 | 0:03:54 | |
Catch any of that? | 0:03:54 | 0:03:56 | |
HE LAUGHS | 0:03:56 | 0:03:58 | |
You little horror! | 0:03:58 | 0:03:59 | |
LAUGHTER CONTINUES | 0:03:59 | 0:04:00 | |
I'm going to have to watch him. Come on in, Paul. Have a great time. | 0:04:00 | 0:04:03 | |
Shall we look for one of the bargains? | 0:04:03 | 0:04:05 | |
I think you should buy furniture. | 0:04:05 | 0:04:07 | |
It's doing particularly well at the moment. | 0:04:07 | 0:04:09 | |
Huh! They're both at it now. Come on, chaps, time is ticking on. | 0:04:09 | 0:04:14 | |
So what have we got, then, you two? Come on, dealer to dealer, | 0:04:14 | 0:04:17 | |
what have we got in here that stands you at no money? | 0:04:17 | 0:04:20 | |
-I've come up with two little pieces for you. -OK. | 0:04:20 | 0:04:23 | |
Might be good. You never know. It's probably saved me hours. | 0:04:23 | 0:04:26 | |
He may not trust Paul, but Jean and Barry have got some hidden gems, | 0:04:26 | 0:04:30 | |
including this 19th century Staffordshire character pepper pot. | 0:04:30 | 0:04:34 | |
Ticket price, £95. | 0:04:34 | 0:04:36 | |
He's a big, portly fellow. He's a happy, well-fed chap. | 0:04:39 | 0:04:43 | |
I would love to have a go at him, I would, because I think he's rare. | 0:04:43 | 0:04:47 | |
But in auction, I think it might be, | 0:04:47 | 0:04:50 | |
because of the damage, £20-£30. | 0:04:50 | 0:04:53 | |
-If you'd take £20 for him... -I couldn't do it, David. No. | 0:04:53 | 0:04:57 | |
-I couldn't do it. -Barry's not having that. | 0:04:57 | 0:04:59 | |
Some objects do get you, you know. There's just something. | 0:04:59 | 0:05:02 | |
They just grab you. And he grabs me because he's just got that... | 0:05:02 | 0:05:07 | |
-quirky appeal, hasn't he? -Yeah. | 0:05:07 | 0:05:10 | |
I'd have a go at 20 quid. It would be my first purchase. | 0:05:10 | 0:05:13 | |
-We can't do 20. Will you do 30? -I tell you what, I'll spin a coin. | 0:05:13 | 0:05:18 | |
Oh, no, not again, "spin a coin". It's a risk, Harper. | 0:05:18 | 0:05:21 | |
-25, 35. Are you going to do that? -Go on, then. | 0:05:21 | 0:05:24 | |
25 if I win, 35 if you win. You ready? | 0:05:24 | 0:05:27 | |
-Good luck, everyone. -I'll win this. | 0:05:27 | 0:05:30 | |
Tails. | 0:05:30 | 0:05:31 | |
And Harper wins with heads. | 0:05:32 | 0:05:35 | |
Thank you very much, you two. My first purchase. | 0:05:35 | 0:05:38 | |
-Can I have my 10p back? -THEY LAUGH | 0:05:38 | 0:05:40 | |
And with the flip of a coin, he's bought his first item for £25. | 0:05:40 | 0:05:44 | |
With David now done with shopping, | 0:05:46 | 0:05:48 | |
can Barry and Jean tempt Paul with a little treasure? | 0:05:48 | 0:05:52 | |
-That's a Stanhope, isn't it? The wee... -No, it isn't. -Is it not? -No. | 0:05:54 | 0:06:00 | |
-How much is that? -That can be...a fiver. | 0:06:00 | 0:06:03 | |
I'd like to spend more. But I'm not talking you up! | 0:06:05 | 0:06:08 | |
Come on, Paul, give us the lowdown on your tiny find. | 0:06:08 | 0:06:11 | |
-Yeah, I've got to come clean. It's a Stanhope. -It isn't! -It is. -It's not! | 0:06:13 | 0:06:19 | |
It is. And I wouldn't want to do the dirty on you and walk outside and go, | 0:06:19 | 0:06:22 | |
"Do you know...?" | 0:06:22 | 0:06:24 | |
What a decent chap. And so full of knowledge. | 0:06:24 | 0:06:27 | |
Stanhope, named after the man, in the 19th century, developed... | 0:06:28 | 0:06:33 | |
If I say "microfilm", it's painting a picture. | 0:06:33 | 0:06:36 | |
It is photography greatly diminished in scale. | 0:06:36 | 0:06:40 | |
And you look down them, and there are two little views. | 0:06:40 | 0:06:43 | |
So you get two Stanhopes for the price of one there. | 0:06:43 | 0:06:45 | |
Ooh, I think he spies great profits with these little binoculars. | 0:06:45 | 0:06:49 | |
-Have we got a deal at a fiver then, yeah? -I can't go back on it, can I? | 0:06:51 | 0:06:55 | |
You're a gentleman, Barry. Wish me luck. Pray to God I'm right! | 0:06:55 | 0:06:59 | |
You're going to get some luck with that! | 0:06:59 | 0:07:01 | |
One of the smallest things we've seen on the Road Trip. | 0:07:01 | 0:07:04 | |
Next, I'll buy a wardrobe. | 0:07:04 | 0:07:06 | |
He's certainly eyed up a bargain with this one. | 0:07:08 | 0:07:11 | |
I still can't see it. | 0:07:13 | 0:07:14 | |
Meanwhile, David is back on the road, off to the village | 0:07:19 | 0:07:21 | |
of Coniston, sitting in the Lake District National Park. | 0:07:21 | 0:07:26 | |
The 19th-century poet, art critic and philosopher John Ruskin | 0:07:28 | 0:07:32 | |
made Coniston his home and has been commemorated with a museum. | 0:07:32 | 0:07:36 | |
But more recent notoriety has come from Coniston Water | 0:07:38 | 0:07:42 | |
and the world speed records that have been attempted and set by | 0:07:42 | 0:07:45 | |
one of the greatest sporting dynasties this country has ever known. | 0:07:45 | 0:07:50 | |
And David's in for a taste of life in the fast lane | 0:07:52 | 0:07:56 | |
at the Ruskin Museum, courtesy of museum director, Vicky. | 0:07:56 | 0:08:00 | |
-Vicky. -Hello, David, how nice to meet you. | 0:08:00 | 0:08:03 | |
-Thank you very much. -Welcome to the Bluebird Wing at the Ruskin Museum. | 0:08:03 | 0:08:06 | |
-So can you show me around? -Yes, of course. | 0:08:06 | 0:08:09 | |
The museum tells the story of record-breaker Donald Campbell | 0:08:10 | 0:08:13 | |
and his father, Sir Malcolm, | 0:08:13 | 0:08:15 | |
who broke land and water speed records in the 1920s and '30s | 0:08:15 | 0:08:19 | |
using specially constructed vehicles he named Bluebird. | 0:08:19 | 0:08:23 | |
This is something I have never known and I have always wanted to know - | 0:08:28 | 0:08:31 | |
why were the boats and the cars for Malcolm and Donald called Bluebird? | 0:08:31 | 0:08:37 | |
Apparently, in 1912, | 0:08:37 | 0:08:39 | |
the hit play in the West End was called The Blue Bird. | 0:08:39 | 0:08:45 | |
And it's about two children pursuing the Blue Bird of Happiness. | 0:08:45 | 0:08:49 | |
And Sir Malcolm thought | 0:08:49 | 0:08:50 | |
that the elusiveness of the Blue Bird of Happiness | 0:08:50 | 0:08:53 | |
was similar to record-breaking. | 0:08:53 | 0:08:55 | |
Just never quite able to get your hands on that bird. | 0:08:55 | 0:08:57 | |
-Nearly within reach, but you couldn't grab hold of it. -Yeah, I know the feeling. | 0:08:57 | 0:09:01 | |
And, of course, it was a very effective piece of marketing, | 0:09:01 | 0:09:04 | |
because it meant the blue colour was used for all the cars and boats. | 0:09:04 | 0:09:09 | |
But Donald carried on the family tradition, | 0:09:10 | 0:09:13 | |
breaking seven world water-speed records | 0:09:13 | 0:09:15 | |
and, to this day, is the only person | 0:09:15 | 0:09:18 | |
to hold both the world water and land speed records in the same year. | 0:09:18 | 0:09:22 | |
So great was his passion for speed that his last vessel, | 0:09:27 | 0:09:30 | |
the Bluebird K7, was more aircraft than boat. | 0:09:30 | 0:09:34 | |
-It looks very insect-like. -Very insect... | 0:09:36 | 0:09:38 | |
A bit like a water boatman or something. | 0:09:38 | 0:09:40 | |
Yes, absolutely, as if it is hovering on top of the water. | 0:09:40 | 0:09:43 | |
And it did. And Donald Campbell, in order to go faster, | 0:09:43 | 0:09:46 | |
actually bought a Gnat Trainer fighter | 0:09:46 | 0:09:49 | |
from the Ministry of Defence, who were decommissioning... | 0:09:49 | 0:09:52 | |
-So it's a fighter engine, an aircraft engine? -Oh, yes, yes. | 0:09:52 | 0:09:54 | |
But water speed records are a dangerous dream to chase. | 0:09:57 | 0:10:01 | |
Over the winter of 1966-1967, | 0:10:01 | 0:10:04 | |
Donald was pushing to better his own 276mph record at Coniston. | 0:10:04 | 0:10:11 | |
These images were taken during weeks of unsuccessful attempts. | 0:10:15 | 0:10:19 | |
Then, on 4th January, Donald was on target to smash the record | 0:10:19 | 0:10:23 | |
when disaster struck. | 0:10:23 | 0:10:25 | |
Whilst speeding at over 300mph, Donald lost control of his craft. | 0:10:30 | 0:10:35 | |
The Bluebird somersaulted in the air and nosedived into the water, | 0:10:35 | 0:10:39 | |
breaking up an impact, and killing the 45-year-old husband and father. | 0:10:39 | 0:10:43 | |
In a way, it is sort of more or less implicit from the start | 0:10:47 | 0:10:50 | |
that there is that risk. | 0:10:50 | 0:10:52 | |
The water speed record is... | 0:10:52 | 0:10:55 | |
has the highest attrition rate of any sport, as far as I am aware. | 0:10:55 | 0:10:59 | |
-It's 80-odd percent. -Really? -Yeah. | 0:10:59 | 0:11:02 | |
The awful thing is that had he just managed to control her | 0:11:02 | 0:11:05 | |
for another sort of hundred yards or so, he would almost... | 0:11:05 | 0:11:08 | |
Well, he would have certainly broken his own record | 0:11:08 | 0:11:11 | |
and the record that he set could even still be in place, | 0:11:11 | 0:11:15 | |
because the record currently stands at 317. | 0:11:15 | 0:11:18 | |
Donald's fame in life has been mirrored in death | 0:11:20 | 0:11:23 | |
as he and his craft remained in the lake for over 34 years | 0:11:23 | 0:11:27 | |
before they were recovered. | 0:11:27 | 0:11:29 | |
And since 2001, | 0:11:29 | 0:11:31 | |
the wreckage of Bluebird K7 has been undergoing a painstaking | 0:11:31 | 0:11:36 | |
restoration project in preparation for display in the museum. | 0:11:36 | 0:11:39 | |
And now all you need here, Vicky, is the boat. | 0:11:44 | 0:11:46 | |
-You need her here, don't you? -We do. | 0:11:46 | 0:11:48 | |
I mean, she will be coming here in due course, | 0:11:48 | 0:11:51 | |
but the conservation rebuild is being carried out by volunteers | 0:11:51 | 0:11:54 | |
-and they're not doing it 24/7. -Will you let me know | 0:11:54 | 0:11:57 | |
-when she arrives? I'd love to come back. -We'll let you know. | 0:11:57 | 0:12:00 | |
-Vicky, it has been an absolute delight... -Thank you for coming. | 0:12:00 | 0:12:03 | |
-Thank you for coming. -My pleasure. Thank you for inviting us. | 0:12:03 | 0:12:05 | |
-Glad you've enjoyed it. It's quite a story. -Fascinating. | 0:12:05 | 0:12:08 | |
Meanwhile, Paul is heading towards the next stop of the trip - | 0:12:13 | 0:12:16 | |
the historic market town of Kendal. | 0:12:16 | 0:12:19 | |
Since the Roman settlers began dealing with the local tribes over | 0:12:23 | 0:12:26 | |
2,000 years ago, trading has been an important part of Kendal's history. | 0:12:26 | 0:12:30 | |
Today, it is still famed for its variety of shops, | 0:12:32 | 0:12:35 | |
and Paul's heading for one with a past. | 0:12:35 | 0:12:37 | |
Housed in a listed 17th century manor house, owners Robert and Andy | 0:12:41 | 0:12:45 | |
have packed it full of eclectic and tempting antiques. | 0:12:45 | 0:12:50 | |
I did say before I was looking for somewhere to rummage. | 0:12:50 | 0:12:53 | |
I think I've arrived! | 0:12:53 | 0:12:54 | |
The trick is to turn this treasure trove into your own pot of gold. | 0:12:54 | 0:12:59 | |
The context is bric-a-brac. That's car-boot sale on a table, is it not? | 0:13:01 | 0:13:07 | |
Oh, cheeky! | 0:13:07 | 0:13:08 | |
And in amongst it is rather a rich thing. | 0:13:08 | 0:13:12 | |
So, period - | 0:13:13 | 0:13:15 | |
second half of the 19th century. | 0:13:15 | 0:13:17 | |
Medium gilt brass. | 0:13:17 | 0:13:20 | |
With applied enamelled porcelain plaque there. | 0:13:20 | 0:13:25 | |
It is a rich piece of Victorian, very decorative, metalwork. | 0:13:25 | 0:13:30 | |
He's taken with this gilt brass chalice-like vessel, | 0:13:32 | 0:13:35 | |
but it's not the only item he's got his eye on. | 0:13:35 | 0:13:38 | |
African...carved wooden stool. | 0:13:40 | 0:13:44 | |
My children could have told you that. What more can the... | 0:13:44 | 0:13:48 | |
the antiques expert tell you about it? | 0:13:48 | 0:13:51 | |
Not a lot, really! | 0:13:51 | 0:13:52 | |
At least he's honest. | 0:13:54 | 0:13:55 | |
That has a pleasing...patina. | 0:13:55 | 0:14:00 | |
It's got wear and tear. | 0:14:00 | 0:14:02 | |
It's unlikely to have been brought about over here. | 0:14:04 | 0:14:09 | |
Because over here, | 0:14:09 | 0:14:11 | |
it sits in the corner with a plant on it, does it not? | 0:14:11 | 0:14:14 | |
Um, any port in a storm. | 0:14:14 | 0:14:15 | |
In this case, it could be an African port. | 0:14:15 | 0:14:17 | |
We'll give that a try later on, shall we? | 0:14:17 | 0:14:19 | |
A man on a mission with two items in his sights and no sign of surrender. | 0:14:19 | 0:14:23 | |
That is an officer's service dress. That's the correct terminology. | 0:14:26 | 0:14:32 | |
Royal Army Medical Corps captain. | 0:14:32 | 0:14:35 | |
Why am I looking at it? Well, it's a strong market. Military, hot. | 0:14:35 | 0:14:41 | |
It's all there. It has its belt and it also has its trousers. | 0:14:41 | 0:14:48 | |
With a passion for militaria, Paul's gunning for glory. | 0:14:48 | 0:14:51 | |
Here's another one. | 0:14:51 | 0:14:53 | |
In this instance... That was Royal Army Medical Corps. | 0:14:53 | 0:14:57 | |
This one has collar badges of the Royal West Kent Regiment. | 0:14:57 | 0:14:59 | |
And, of course, collectors chase relics of particular regiments. | 0:14:59 | 0:15:04 | |
OK, another one I can ask about. | 0:15:04 | 0:15:07 | |
This place certainly has him all lit up. | 0:15:07 | 0:15:09 | |
-And he has also found a Chinese carved table lamp. -Chinese. | 0:15:11 | 0:15:16 | |
Carved hardwood. | 0:15:17 | 0:15:20 | |
I love it. I must admit, I absolutely love these things. | 0:15:20 | 0:15:25 | |
Bags of character there. | 0:15:25 | 0:15:27 | |
And you put yourself a nice silk shade or a pagoda form shade on that, | 0:15:27 | 0:15:30 | |
what's not to love? | 0:15:30 | 0:15:33 | |
What about the £185 price tag, Paul? It's worth a shot. | 0:15:33 | 0:15:39 | |
A few wee bits and bobs. The likes of the officer's service dress there. | 0:15:39 | 0:15:43 | |
-We're looking for £87 for that. -OK. That's unlucky, but c'est la vie. | 0:15:43 | 0:15:48 | |
-You've got a Victorian cup. -We've been looking for £150 for that. | 0:15:48 | 0:15:52 | |
-I know, I know, I know. -So where would you want to be? | 0:15:52 | 0:15:55 | |
Oh, I'll say my limit and not play any games. At 50, I take a punt. | 0:15:55 | 0:16:00 | |
We'll let you have a deal at 50 and see how you go with that. | 0:16:00 | 0:16:04 | |
Laidlaw's gaining ground with a third off the Victorian brass. | 0:16:04 | 0:16:08 | |
There's a wee African stool sitting on the floor in front of you. | 0:16:08 | 0:16:12 | |
That's unusual. Anything ethnic these days, | 0:16:12 | 0:16:14 | |
-again, we're looking about £45 for that. -Yeah. | 0:16:14 | 0:16:17 | |
It was going to be my parting shot, just because you've asked, | 0:16:17 | 0:16:20 | |
a tenner, to be honest with you. | 0:16:20 | 0:16:22 | |
Have a go with that, just for interest, to see what it'll bring... | 0:16:22 | 0:16:25 | |
Take a punt at those two, then. | 0:16:25 | 0:16:27 | |
It's another great deal at £10 for the stool. | 0:16:27 | 0:16:30 | |
And now for his final strike. | 0:16:31 | 0:16:34 | |
-Strike while the iron's hot. Long shot. Two more things. -Yes. | 0:16:34 | 0:16:39 | |
There was the two service dress tunics. | 0:16:39 | 0:16:41 | |
I didn't even ask you about it - | 0:16:41 | 0:16:43 | |
the Chinese carved hardwood for your lamp... | 0:16:43 | 0:16:45 | |
-Yes. -..at the top of the stairs. | 0:16:45 | 0:16:47 | |
-It's got a massive price tag on it. -You're welcome to bid us on that. | 0:16:47 | 0:16:50 | |
Yeah, so no pressure at all. | 0:16:50 | 0:16:53 | |
-I want to pay 70 quid, the lot. -Two tunics... -And the Chinese lamp. | 0:16:53 | 0:16:57 | |
-..at £70... -70 quid, plus stool at 10, brass at 50. -No problem. | 0:16:57 | 0:17:02 | |
-Pleasure, Andrew. -You're welcome. -Good man. | 0:17:03 | 0:17:06 | |
Well, I never! That's a saving of almost £600. | 0:17:06 | 0:17:11 | |
Parting with over half his cash, Paul's making off with four items. | 0:17:11 | 0:17:15 | |
Thank you. | 0:17:15 | 0:17:17 | |
And joining David once more, they wind down together for the night | 0:17:17 | 0:17:22 | |
after a fast and furious day on the road. | 0:17:22 | 0:17:25 | |
Night-night. | 0:17:25 | 0:17:26 | |
It's the start of a brand-new day on the road trip. | 0:17:30 | 0:17:34 | |
So have we suddenly gone back to November or something? | 0:17:34 | 0:17:37 | |
-Is it near Christmas? This is freezing! -Bracing, eh, chaps? | 0:17:37 | 0:17:43 | |
This is real motoring. It's raw. | 0:17:43 | 0:17:45 | |
Hypothermia in the morning, nothing like it! | 0:17:45 | 0:17:48 | |
Yesterday, Paul parted with £135 and picked up five items - | 0:17:49 | 0:17:54 | |
the Stanhope binoculars, | 0:17:54 | 0:17:57 | |
the African stool, | 0:17:57 | 0:17:58 | |
a pair of Second World War dress tunics, | 0:17:58 | 0:18:02 | |
an early 20th century Chinese table lamp, | 0:18:02 | 0:18:05 | |
and the Gothic chalice-like vessel with the porcelain plaques. | 0:18:05 | 0:18:10 | |
Which leaves him with £65 to take into the end of the day. | 0:18:10 | 0:18:14 | |
On the toss of a coin, | 0:18:15 | 0:18:17 | |
David bought the Staffordshire character pepper pot for £25, | 0:18:17 | 0:18:21 | |
which means he still has £175 to spend. | 0:18:21 | 0:18:24 | |
Our experts are braving the British spring weather | 0:18:26 | 0:18:29 | |
en route to Hawes in North Yorkshire. | 0:18:29 | 0:18:32 | |
Sitting to the east of the Pennines, this picture-postcard market town | 0:18:35 | 0:18:38 | |
makes it particularly popular with visitors. | 0:18:38 | 0:18:42 | |
And one big draw is Paul's next stop - | 0:18:43 | 0:18:45 | |
the proud home of Wensleydale cheese. | 0:18:45 | 0:18:49 | |
Listen, have a great day. | 0:18:51 | 0:18:52 | |
Yeah, well, you get pickle, cheese, and crackers, OK? | 0:18:52 | 0:18:56 | |
-OK, what kind of bread do you want? -Just lots! -Just lots of bread? | 0:18:56 | 0:18:58 | |
-OK. All right. Good luck. -See you later! -See you, Paul. | 0:18:58 | 0:19:02 | |
This crumbly cheese has a rich heritage | 0:19:03 | 0:19:05 | |
going back to the 12th century. | 0:19:05 | 0:19:07 | |
It is now enjoyed globally, | 0:19:07 | 0:19:09 | |
including by animation stars Wallace and Gromit. | 0:19:09 | 0:19:13 | |
Although there are other producers of Wensleydale in the UK, | 0:19:15 | 0:19:19 | |
this is where it all started and, as such, | 0:19:19 | 0:19:22 | |
houses a museum charting its cheesy past. | 0:19:22 | 0:19:25 | |
Today, it is still made only using milk from local farms | 0:19:25 | 0:19:29 | |
and has been the recipient of almost 400 awards in the last decade alone. | 0:19:29 | 0:19:34 | |
So, pucker up, Paul, for a real taste of Yorkshire history, | 0:19:36 | 0:19:40 | |
courtesy of managing director, David. | 0:19:40 | 0:19:42 | |
Well, this is not what I expected. I know we're in a museum setting. | 0:19:44 | 0:19:48 | |
I expected a farmhouse sort of environment. And I see Norman arches. | 0:19:48 | 0:19:53 | |
Well, yes, because the story of Wensleydale cheese really started | 0:19:53 | 0:19:56 | |
with those first monks who came over from France | 0:19:56 | 0:20:01 | |
after William the Conqueror had taken over the country. | 0:20:01 | 0:20:03 | |
So they arrived in the 11th and 12th century, | 0:20:03 | 0:20:06 | |
and they were the people who really brought cheesemaking to these parts. | 0:20:06 | 0:20:10 | |
Back then, cheese was primarily a way of preserving sheep milk. | 0:20:12 | 0:20:16 | |
Over time, the art of cheesemaking evolved. | 0:20:17 | 0:20:21 | |
Cow's milk was largely used | 0:20:21 | 0:20:23 | |
and the process moved out of the monastery and into the farmhouse. | 0:20:23 | 0:20:27 | |
These are stone pressers, and these would have been used to press | 0:20:27 | 0:20:32 | |
cheese in a farmhouse location. | 0:20:32 | 0:20:33 | |
These would have been built into a wall | 0:20:33 | 0:20:35 | |
or built into the inside of a building. | 0:20:35 | 0:20:38 | |
And what always fascinates me about Wensleydale cheese | 0:20:38 | 0:20:40 | |
is people describe it as a lightly pressed cheese. | 0:20:40 | 0:20:43 | |
Can you imagine that lightly pressing something? It's incredible. | 0:20:43 | 0:20:47 | |
It wasn't until 1897 that cheese was made commercially in the area, | 0:20:49 | 0:20:53 | |
when local merchant Edward Chapman sought to standardise quality. | 0:20:53 | 0:20:58 | |
But it was the now legendary local businessman Kit Calvert MBE, | 0:20:58 | 0:21:04 | |
captured here on the left, who rescued the business from closure in | 0:21:04 | 0:21:08 | |
the 1930s and started the creamery, as we know it today, in 1953. | 0:21:08 | 0:21:13 | |
So we've got a fantastic document here which is | 0:21:14 | 0:21:16 | |
the souvenir of the opening of the new creamery. | 0:21:16 | 0:21:19 | |
But there is a fantastic paragraph there. Really sums the picture up. | 0:21:19 | 0:21:24 | |
"This new creamery is only what our industry deserves, | 0:21:24 | 0:21:29 | |
"and if treated with much care | 0:21:29 | 0:21:31 | |
"and respect as it was by our predecessors, | 0:21:31 | 0:21:34 | |
"it will pay its trustees worthy compensations." A heritage... | 0:21:34 | 0:21:38 | |
-That's brilliant. -..runs through it, doesn't it? | 0:21:38 | 0:21:41 | |
The current custodians of this heritage and taste continue | 0:21:41 | 0:21:44 | |
to invent new cheeses, including Kit Calvert Wensleydale, | 0:21:44 | 0:21:49 | |
which is handcrafted to an old traditional recipe. | 0:21:49 | 0:21:52 | |
Wensleydale cheese changed during the Second World War | 0:21:54 | 0:21:56 | |
when the Ministry of Food really encouraged cheesemakers | 0:21:56 | 0:22:00 | |
to have cheese ready and available faster. | 0:22:00 | 0:22:02 | |
Therefore, the moisture went up, and that's where the characteristic | 0:22:02 | 0:22:06 | |
white, crumbly style of Wensleydale, still very milky | 0:22:06 | 0:22:10 | |
and still very appealing, came to the fore. | 0:22:10 | 0:22:13 | |
-And probably these older recipes of Wensleydale cheese got forgotten a little bit. -I see. | 0:22:13 | 0:22:18 | |
But just as a way of commemorating Kit Calvert, we were encouraged | 0:22:18 | 0:22:21 | |
by certain customers saying, "Can you make us an old-style Wensleydale?" Which is what we did. | 0:22:21 | 0:22:26 | |
-So if you just break a bit off the end there... -Just a little bit. | 0:22:26 | 0:22:29 | |
Have a generous bit. It's worth it. | 0:22:29 | 0:22:31 | |
-You will see how smooth and creamy... -Tangy. -Tangy. | 0:22:34 | 0:22:38 | |
From the nose to the palate... | 0:22:38 | 0:22:42 | |
Man alive, David! | 0:22:42 | 0:22:45 | |
-You're my new best friend, you know that? -Yeah, yeah. | 0:22:45 | 0:22:48 | |
-I see you really enjoyed it. -I have! Wonderful. Thanks very much. | 0:22:48 | 0:22:52 | |
Pleasure. | 0:22:52 | 0:22:53 | |
MOOING | 0:22:54 | 0:22:56 | |
As Paul hits the cheese, | 0:22:57 | 0:22:59 | |
David has been hitting the road | 0:22:59 | 0:23:01 | |
en route to West Burton in the Yorkshire Dales National Park. | 0:23:01 | 0:23:05 | |
Where he has been met by a slower pace of rural life. | 0:23:06 | 0:23:11 | |
SHEEP BLEAT | 0:23:11 | 0:23:13 | |
Hurry along, girls! | 0:23:13 | 0:23:15 | |
The beautiful village of West Burton was a thriving market town | 0:23:16 | 0:23:19 | |
around the late 18th and 19th centuries. | 0:23:19 | 0:23:22 | |
And the market cross and stocks can still be seen today. | 0:23:24 | 0:23:28 | |
David's appointment is at The Old Smithy Antiques with owner Elaine. | 0:23:30 | 0:23:34 | |
-Hello. -Hello. -Hi there, gosh, this is gorgeous. Lovely to meet you. | 0:23:37 | 0:23:41 | |
-What a gorgeous place. -It is, it's lovely, isn't it? | 0:23:41 | 0:23:44 | |
-And a lovely heat source. -Yeah, it is. | 0:23:44 | 0:23:45 | |
-It's lovely on a cold day like today, isn't it? -Absolutely. | 0:23:45 | 0:23:48 | |
And I've been... Feel my hands. | 0:23:48 | 0:23:49 | |
-Oh, they are cold! Oh, my word! -Bitter. But a warm heart. | 0:23:49 | 0:23:53 | |
A very warm heart. | 0:23:53 | 0:23:54 | |
Crikey! | 0:23:54 | 0:23:55 | |
And with only one purchase so far, you had better warm up fast, David. | 0:23:55 | 0:23:59 | |
I think it's Japanese, but... | 0:24:01 | 0:24:03 | |
It's a silver cigarette case, but the inside is quite something. | 0:24:03 | 0:24:07 | |
The silver cigarette case has a ticket price of £85 and an engraved | 0:24:10 | 0:24:15 | |
picture of the volcano, Mount Fuji, the highest mountain in Japan. | 0:24:15 | 0:24:21 | |
That's copper laid on top of silver. It's got a good weight. | 0:24:21 | 0:24:24 | |
-Put it aside for now, is that OK? -I will, yes. I'll leave it there. -Right, I'll dive in here again. | 0:24:24 | 0:24:28 | |
Will the cigarette case erupt into profits at the auction? | 0:24:28 | 0:24:31 | |
Or perhaps this little 19th century glass dish will? | 0:24:32 | 0:24:36 | |
I know it's masonic, | 0:24:36 | 0:24:38 | |
but I think that has quite a bit of an age to it. | 0:24:38 | 0:24:41 | |
I'm pleased you pointed that out to me, because anything | 0:24:41 | 0:24:44 | |
with any sort of masonic emblem is sought-after, isn't it? | 0:24:44 | 0:24:47 | |
And they can do quite well. | 0:24:47 | 0:24:48 | |
I mean, that's a good chunk of hand-blown glass. | 0:24:48 | 0:24:51 | |
I think it's some kind of... It's a paperweight of some sort. | 0:24:51 | 0:24:55 | |
-Yeah, but... Yeah. -For anything. Pins... | 0:24:55 | 0:24:57 | |
-You never know with the Masons, do you? -You don't know. | 0:24:57 | 0:24:59 | |
-Let's shake your hand. -Oh, gosh! -Oh, you're one of those, aren't you? | 0:24:59 | 0:25:02 | |
Er, well, er, no! | 0:25:02 | 0:25:04 | |
No, women aren't allowed, of course. I'm sorry, I'm sorry! | 0:25:04 | 0:25:07 | |
Ticket price is £18, | 0:25:07 | 0:25:08 | |
but maybe another handshake could bring that down, David? | 0:25:08 | 0:25:12 | |
Can it be a tenner? | 0:25:12 | 0:25:13 | |
-Yeah, I think it could. -OK, let me have that for a tenner, Elaine. | 0:25:13 | 0:25:16 | |
Thank you very much. That's the first one. Thank you. | 0:25:16 | 0:25:19 | |
Now let's go to the Japanese cigarette box. | 0:25:19 | 0:25:23 | |
It's nicely engraved, but you have got some silver polish, | 0:25:23 | 0:25:25 | |
-so if I buy it, can I buff it up? -I would think so. -All right. | 0:25:25 | 0:25:28 | |
How much can it be? Go on. Give me the double-best death price. | 0:25:28 | 0:25:31 | |
-65 is the death on that, I'm sorry. -Oh, no! I'll have it for 50. | 0:25:31 | 0:25:35 | |
If you say yes, I'll take a chance on it. | 0:25:35 | 0:25:36 | |
I could do it at 60, maybe, at a push. | 0:25:36 | 0:25:38 | |
-I can't, I can't. -No, 55 is the very death. The very death. | 0:25:38 | 0:25:42 | |
65, really, but I would do it at 55 and that's as far as I can go. | 0:25:42 | 0:25:45 | |
-OK, I can see it in your eyes, I'll have it. Thank you very much. -OK, thank you very much. | 0:25:45 | 0:25:50 | |
A good deal, but can it shine, David? | 0:25:50 | 0:25:52 | |
Oh, look at that! Elaine, you are absolutely dreadful. | 0:25:55 | 0:26:00 | |
-SHE GASPS -What is your house like?! | 0:26:00 | 0:26:02 | |
-Oh, gosh, don't ask! -Behave, Harper. | 0:26:02 | 0:26:05 | |
Oh, my goodness me, Elaine, you're going to be absolutely devastated. | 0:26:05 | 0:26:08 | |
No, the price is going up. | 0:26:08 | 0:26:09 | |
HE LAUGHS | 0:26:09 | 0:26:11 | |
That is Japanese silver, baby, | 0:26:11 | 0:26:13 | |
looking the way it did when it was made. | 0:26:13 | 0:26:15 | |
-I've never seen a man work like this! -Have you not? | 0:26:15 | 0:26:18 | |
-Never seen me work like this. -It's worth twice as much now. -It is. | 0:26:18 | 0:26:23 | |
-Elaine, you're so right. -SHE LAUGHS | 0:26:23 | 0:26:25 | |
Do you know, he's always been one to add a bit of sparkle, | 0:26:25 | 0:26:29 | |
even to little lumps of stone. | 0:26:29 | 0:26:31 | |
They are depicting typical Chinese scenes. | 0:26:32 | 0:26:35 | |
We've got people here, we've got landscape, outcrops of rock, | 0:26:35 | 0:26:39 | |
and we've got some age to them. But they're probably tourist pieces. | 0:26:39 | 0:26:43 | |
No price, which probably means they're free... Elaine? | 0:26:43 | 0:26:47 | |
I don't know how much those are. How much do think they should be? | 0:26:47 | 0:26:50 | |
-Shall I tell you? -Go on, then. | 0:26:50 | 0:26:51 | |
-I think they should be, for the pair, a few pounds. -A few pounds. | 0:26:51 | 0:26:56 | |
-Well, I was thinking more like a tenner apiece. -Oh, gosh! | 0:26:56 | 0:27:01 | |
-But I suppose I could do the pair for 15. -A fiver for the pair. | 0:27:01 | 0:27:06 | |
-Can you squeeze up to -£8? Oh, go on, only cos you're gorgeous! | 0:27:06 | 0:27:10 | |
Oh, go on, then! Thank you. | 0:27:10 | 0:27:12 | |
So, with these 19th or 20th century early Chinese stone carvings, | 0:27:12 | 0:27:17 | |
-he's walking off with three items. -Very good. | 0:27:17 | 0:27:20 | |
Goodbye. | 0:27:20 | 0:27:22 | |
And back in the Triumph with Paul, | 0:27:22 | 0:27:24 | |
they head to their final shopping destination. | 0:27:24 | 0:27:26 | |
How many items do you need to buy? | 0:27:28 | 0:27:30 | |
-I'm not telling you. -You can tell me. You can, honestly! | 0:27:30 | 0:27:33 | |
PAUL LAUGHS | 0:27:33 | 0:27:35 | |
Paul, no-one is listening. Tell me anything you like. | 0:27:35 | 0:27:37 | |
Come on, personal issues, I can help you. | 0:27:37 | 0:27:39 | |
You couldn't handle my personal issues! | 0:27:39 | 0:27:42 | |
Are they as bad as people say? | 0:27:42 | 0:27:44 | |
Oh, I say! | 0:27:44 | 0:27:46 | |
They're en route to the town of Middleham. | 0:27:46 | 0:27:48 | |
-This is my territory, Mr Laidlaw. -This is... Am I on your patch? | 0:27:50 | 0:27:54 | |
-You're on my patch. -THEY LAUGH | 0:27:54 | 0:27:57 | |
The town's castle was the childhood home of Richard III and still | 0:27:57 | 0:28:01 | |
rises over its inhabitants today. | 0:28:01 | 0:28:04 | |
As it was left to go to rack and ruin by the Tudors, | 0:28:06 | 0:28:08 | |
the stone was used to build many of the local houses. | 0:28:08 | 0:28:12 | |
PAUL CHUCKLES Is that handbrake on? | 0:28:14 | 0:28:17 | |
Er, yeah, I think so! | 0:28:17 | 0:28:19 | |
If it isn't, it's going down the hill with you. | 0:28:19 | 0:28:21 | |
-And I think, Paul... -Good luck, yeah? -..you are that direction. | 0:28:21 | 0:28:24 | |
-If you can find five things. -It's all downhill for you from now on. | 0:28:24 | 0:28:27 | |
-See you later. -See you. -What a carry on! | 0:28:27 | 0:28:30 | |
And off he goes to Middleham Antiques to meet Road Trip regular, Angela. Hi, Ange! | 0:28:30 | 0:28:36 | |
-Paul, pleased to meet you. -Yes, I know. | 0:28:36 | 0:28:39 | |
-One of me favourite presenters. -I'm loving you! -You talk a lot of sense. | 0:28:39 | 0:28:43 | |
And you're one of my favourite antique dealers! | 0:28:43 | 0:28:45 | |
Because you're talking a lot of sense. I'll do my "thang". | 0:28:45 | 0:28:48 | |
-Just shout when you want me. -Thanks, Angela. -Yeah. | 0:28:48 | 0:28:51 | |
They're like old friends already. | 0:28:51 | 0:28:53 | |
Oi, oi, oi, oi, oi, that's good. | 0:28:55 | 0:28:58 | |
He's getting warmer in this room. | 0:28:58 | 0:29:00 | |
-Angela... -Yes? | 0:29:05 | 0:29:07 | |
One of the daftest things for me to pick up is an old stoneware... | 0:29:07 | 0:29:13 | |
I'm not going to call it a flagon, but a jar. | 0:29:13 | 0:29:16 | |
-But it's got 22 quid on it. -Oh, yeah, I think we can do something on that. | 0:29:16 | 0:29:19 | |
-I need you to knock 20 quid off that. -I could let it go for five. | 0:29:19 | 0:29:23 | |
-But not two. -Sell us that for a fiver? -Mm-hmm. | 0:29:23 | 0:29:26 | |
-No point in being silly about it. -Old stock. Everything is movable. | 0:29:26 | 0:29:30 | |
-It is not set in stone. -I'm loving your work. | 0:29:30 | 0:29:33 | |
A deal for an old jar. You do spot some corkers. | 0:29:35 | 0:29:40 | |
I'm going to tell you why I bought it. | 0:29:40 | 0:29:42 | |
-Ah, it's the name. And what's that? -SRD. -Mm-hmm. | 0:29:42 | 0:29:47 | |
The best story I've heard yet - Services Ration Department. | 0:29:47 | 0:29:52 | |
You know what these stored? Rum. | 0:29:52 | 0:29:54 | |
But the SRD makes it appealing to me because it's a military thing. | 0:29:54 | 0:29:58 | |
A tipple on yet more militaria, but Paul is a man with a plan. | 0:30:01 | 0:30:05 | |
I have got one good military lot that just got better | 0:30:05 | 0:30:08 | |
by virtue of a rum jar. That's magic. Totally comfortable with that. | 0:30:08 | 0:30:13 | |
£20 for two service dress tunics yesterday, | 0:30:13 | 0:30:16 | |
it is now £25 for two service dress tunics and an SRD rum jar. | 0:30:16 | 0:30:21 | |
-Telling you, that's getting to be a nice wee lot. -He's excited. | 0:30:21 | 0:30:25 | |
But has David been having as much luck with his shopping endeavours | 0:30:28 | 0:30:31 | |
with the help of Richard? | 0:30:31 | 0:30:33 | |
-I did walk by the window just now and I saw that. -The Chinese pot? | 0:30:33 | 0:30:37 | |
-I mean, it's new, isn't it? -That's right, it is 20th century. | 0:30:37 | 0:30:41 | |
I've got it in for 695, | 0:30:41 | 0:30:43 | |
which I think is about an average price for that. | 0:30:43 | 0:30:46 | |
-OK, I think you're probably right. It's a big lump, isn't it? -Yes. | 0:30:46 | 0:30:49 | |
I bought it to put the wife in, but she wouldn't fit. | 0:30:49 | 0:30:52 | |
Hey, I hope your wife's not watching, Richard. | 0:30:52 | 0:30:54 | |
There's going to be pillow talk. | 0:30:54 | 0:30:56 | |
It seems like you might have Chinese on your mind. | 0:30:56 | 0:30:59 | |
Oh, I've always got Chinese on my mind, that's for sure! | 0:30:59 | 0:31:02 | |
-I have this, this one here. -Is it a teapot? | 0:31:02 | 0:31:05 | |
Yes, it's an interesting piece, isn't it? | 0:31:05 | 0:31:06 | |
-It's pretty modern, isn't it? -Mm. | 0:31:06 | 0:31:08 | |
He's tempted by the cockerel-shaped teapot, | 0:31:08 | 0:31:11 | |
but at £75, he's not counting his chickens just yet. | 0:31:11 | 0:31:14 | |
-Hmm, can the jade teapot be... Are you ready for a bid? -Go on. | 0:31:18 | 0:31:23 | |
-..40 quid? -No, I couldn't do it for that. | 0:31:23 | 0:31:26 | |
-I wouldn't cover my costs on it, David. -Really? -Yeah. -Are you sure? | 0:31:26 | 0:31:30 | |
-Yeah. -OK. -If you offer me 50, I'll take it. | 0:31:30 | 0:31:34 | |
-There we go. -You know where we've got to go with this, Robert. | 0:31:34 | 0:31:38 | |
You know where we have to go. | 0:31:38 | 0:31:40 | |
-45... -Good man! | 0:31:40 | 0:31:42 | |
Thank you very much. Chinese jade teapot. | 0:31:42 | 0:31:45 | |
With that final purchase, our rivals regroup and make the short journey | 0:31:45 | 0:31:48 | |
to the town of Aysgarth for a showdown. | 0:31:48 | 0:31:51 | |
Do not kill me, Paul. | 0:31:55 | 0:31:56 | |
-Behave yourself, David, you're playing this down! -Are you ready? | 0:31:56 | 0:32:00 | |
Oh, my gosh, oh, my gosh. OK. | 0:32:00 | 0:32:04 | |
-All right. OK. -Where do you want to go? Where do you want to go? | 0:32:04 | 0:32:07 | |
-Show me the wee Staffordshire piece. -Yes, yeah. -Pepperette. -Yes. | 0:32:07 | 0:32:10 | |
-And who is he? -I don't know. It's a late 18th century character, | 0:32:10 | 0:32:14 | |
but I love his face and he's got comedic value. | 0:32:14 | 0:32:17 | |
He is a toping gentleman. | 0:32:17 | 0:32:20 | |
Yes, he certainly is. But I think he's fun. | 0:32:20 | 0:32:22 | |
-I love such things. -Good. -It's a great period. | 0:32:22 | 0:32:25 | |
-Oozes charm, totally with you in every regard. -Thank you. But... | 0:32:25 | 0:32:29 | |
-But I don't think you paid a lot of money for it. -No, I didn't. | 0:32:29 | 0:32:32 | |
Indeed. And all thanks to the toss of a coin. | 0:32:32 | 0:32:35 | |
We've got a mottled jade Chinese teapot. | 0:32:35 | 0:32:40 | |
And do you know where it is from, what period? | 0:32:40 | 0:32:43 | |
The "Ming Ding Dong" Dynasty. | 0:32:43 | 0:32:46 | |
Which is... | 0:32:46 | 0:32:48 | |
You definitely set me up there! | 0:32:48 | 0:32:50 | |
Which is about made yesterday. | 0:32:50 | 0:32:53 | |
THEY LAUGH | 0:32:53 | 0:32:55 | |
The guy just finished it like this and I went, "There you go, | 0:32:55 | 0:32:58 | |
"there's 45 quid." Effectively that. There is no age to it. | 0:32:58 | 0:33:02 | |
You're a gambler. And that's a clever buy. | 0:33:02 | 0:33:05 | |
You put it in there and find a couple of people who think, "Gosh, that might be an old one." | 0:33:05 | 0:33:09 | |
So that's me, Paul. I'm done. | 0:33:09 | 0:33:11 | |
-I think it's a very astute portfolio you've got there. -Ohh! | 0:33:11 | 0:33:15 | |
And we both know it has potential. | 0:33:15 | 0:33:19 | |
Will Paul's items pack as much of a punch? | 0:33:19 | 0:33:22 | |
-Well, of course, militaria. That is obvious. -And... | 0:33:22 | 0:33:26 | |
Ah, very interesting! | 0:33:26 | 0:33:28 | |
-The smallest thing I bought. -Oh, my gosh! -Bone. -Bone. | 0:33:28 | 0:33:31 | |
Can see the little flecks in it. Is that a little bit of...? | 0:33:31 | 0:33:34 | |
What is that marking? | 0:33:34 | 0:33:35 | |
-It's a double Stanhope viewer. -Oh, how gorgeous! What is in there? | 0:33:35 | 0:33:39 | |
-What can we see? -It took some doing, but it transpires | 0:33:39 | 0:33:43 | |
it's Conwy Castle and a little local village, Deganwy or something. | 0:33:43 | 0:33:49 | |
-That is super, Paul. -Sweet little find, that! -How did you even see it? | 0:33:49 | 0:33:53 | |
I wouldn't see it! Very sweet. | 0:33:53 | 0:33:56 | |
-OK... -The piece I'm least proud of is my ethnic African stool. | 0:33:56 | 0:34:01 | |
-Can I tell you what I think that is? -Go on. -I think it's Asante. | 0:34:01 | 0:34:04 | |
-I think it's West Africa, Nigeria. -Yeah, yeah. | 0:34:04 | 0:34:07 | |
And I think it's absolutely cracking. Is there lots of wear? | 0:34:07 | 0:34:10 | |
There's good wear. | 0:34:10 | 0:34:12 | |
And look at the wear from the clay soil up, importantly. | 0:34:12 | 0:34:15 | |
-I like it, Paul. I like it. -It's OK. -Yes, I like it. | 0:34:15 | 0:34:18 | |
I think it's a proper Asante, and I rate it. | 0:34:18 | 0:34:21 | |
-It's a good table, isn't it? -It's a very good table. | 0:34:21 | 0:34:23 | |
I tell you what, we could stand here a fair, couldn't we, | 0:34:23 | 0:34:27 | |
and I think we could make ourselves, you and I, | 0:34:27 | 0:34:29 | |
enough to have a good weekend away somewhere. | 0:34:29 | 0:34:32 | |
Eat and drink as much as we could consume. I reckon we could do it. | 0:34:32 | 0:34:35 | |
-I like the way your mind works! -Wouldn't that be good? | 0:34:35 | 0:34:38 | |
They may be heading off on holiday hand-in-hand, | 0:34:38 | 0:34:40 | |
but do they think they will be neck-and-neck at the auction? | 0:34:40 | 0:34:43 | |
Some shrewd purchases. I know why he bought every single piece. | 0:34:45 | 0:34:49 | |
And he's only made one mistake, that being the Staffordshire pepperette. | 0:34:49 | 0:34:55 | |
It's a loser. But everything else, I think, has got some potential. | 0:34:55 | 0:34:59 | |
It's a good offering, good portfolio, as I said. Like it. | 0:34:59 | 0:35:02 | |
I think it'll be a close call. | 0:35:02 | 0:35:04 | |
I don't think any of us are going to be embarrassed by the things that we bought, and it is anyone's game. | 0:35:04 | 0:35:09 | |
And bizarrely, we've both spent about the same amount of money, too. | 0:35:09 | 0:35:13 | |
So, very interesting. | 0:35:13 | 0:35:15 | |
Will their purchases pay off? | 0:35:15 | 0:35:17 | |
Time to find out as they head to auction in East Boldon. | 0:35:17 | 0:35:21 | |
-So, the auction, Paul Laidlaw, the auction. -This is it. D-day. | 0:35:23 | 0:35:26 | |
The first one. And I'm feeling remarkably, stupidly, confident. | 0:35:26 | 0:35:30 | |
No-one else will build you up other than yourself, so you might | 0:35:30 | 0:35:33 | |
as well get yourself on a pedestal and chop yourself off at the base. | 0:35:33 | 0:35:36 | |
-Why don't we build one another up? -Shall we do that? -I've always said you were amazing. | 0:35:36 | 0:35:40 | |
-Paul, you know what? I think I love you. -Oh, Lordy. | 0:35:40 | 0:35:44 | |
The Boldons are a group of three villages | 0:35:44 | 0:35:47 | |
surrounded by green belt land with a deep connection to mining. | 0:35:47 | 0:35:51 | |
Today's auction is at Boldon Auction Galleries. | 0:35:52 | 0:35:55 | |
-After you, Paul. -Thank you very much. | 0:35:55 | 0:35:57 | |
-Ladies first. -PAUL CHUCKLES | 0:35:57 | 0:35:58 | |
And while our experts get their teeth stuck into the competition, | 0:35:58 | 0:36:03 | |
auctioneer Giles Hodges shares his thoughts on their lots. | 0:36:03 | 0:36:07 | |
The market for Staffordshire on the whole is pretty flat because, | 0:36:08 | 0:36:12 | |
unfortunately, there is a lot of reproductions around. | 0:36:12 | 0:36:14 | |
We have got two Chinese soapstone carvings. | 0:36:14 | 0:36:17 | |
The word "Chinese" sort of brings a bit of excitement | 0:36:17 | 0:36:21 | |
to most salerooms at the moment, | 0:36:21 | 0:36:22 | |
but they are fairly crude, fairly standard, | 0:36:22 | 0:36:25 | |
and I think they might just struggle a little bit today. | 0:36:25 | 0:36:28 | |
Paul spent £140 of his original £200 and is offering up five lots. | 0:36:29 | 0:36:34 | |
David also began with £200 and spent £143 on five lots, | 0:36:37 | 0:36:43 | |
with £57 cash left over. | 0:36:43 | 0:36:45 | |
So, take it away, Giles! | 0:36:46 | 0:36:49 | |
First up is David's pepper pot. | 0:36:51 | 0:36:54 | |
Tenner to start me. | 0:36:54 | 0:36:55 | |
-Fiver, off we go. -Oh, Paul. | 0:36:55 | 0:36:57 | |
-£5 here, at five, at five. Eight, 10, -£10. You were wrong. | 0:36:57 | 0:37:02 | |
-£10, a bid down there. You're both out. -Come on, go on! | 0:37:02 | 0:37:06 | |
-15. At £15, a lady's bid at the moment. -Go on. Go on, lady. | 0:37:06 | 0:37:10 | |
£15 you are bid, all done at 15... | 0:37:10 | 0:37:13 | |
Paul was right about that one. | 0:37:13 | 0:37:14 | |
It's a loss. | 0:37:14 | 0:37:16 | |
Not a bloodbath. | 0:37:16 | 0:37:17 | |
Over to Paul now and his Gothic piece of Victorian gilt bronze. | 0:37:20 | 0:37:23 | |
10, 15, 20, five, 30, five, 40, £40 upstairs. Another fiver? | 0:37:25 | 0:37:32 | |
That's got to be. | 0:37:32 | 0:37:33 | |
45. 45 downstairs. The bid is downstairs. All done at £45. | 0:37:33 | 0:37:40 | |
GAVEL BANGS | 0:37:40 | 0:37:41 | |
Mmm, close, close. A small loss. | 0:37:41 | 0:37:44 | |
£5, to be precise, David. | 0:37:44 | 0:37:46 | |
Even more after commission. | 0:37:46 | 0:37:48 | |
Not a great start, fellas. | 0:37:48 | 0:37:49 | |
David is hoping to carve out better profits | 0:37:51 | 0:37:53 | |
with his two pieces of Chinese stone. | 0:37:53 | 0:37:56 | |
£5 bid downstairs, at five, at five... | 0:37:58 | 0:38:01 | |
Eight, 10, 12, 15... | 0:38:01 | 0:38:05 | |
-At 15... -Come on. I need that tenner, but I... Go on! | 0:38:05 | 0:38:10 | |
At £15, we're away. At 15... | 0:38:10 | 0:38:14 | |
I'm crawling back, Paul. I'm crawling back with desperation! | 0:38:14 | 0:38:18 | |
You'll be up and walking in no time with that £7. | 0:38:18 | 0:38:21 | |
Now for Paul's Chinese carved table lamp. | 0:38:23 | 0:38:26 | |
I've got two commission bids. I start at £30, I've started. | 0:38:26 | 0:38:29 | |
35, 40, five... | 0:38:29 | 0:38:32 | |
-Anybody else? -It's cheap. | 0:38:32 | 0:38:34 | |
50, five, 60, five, 70... | 0:38:34 | 0:38:38 | |
It's hotting up. | 0:38:38 | 0:38:39 | |
-At £75, gentleman's bid upstairs to the left... -I'd buy it at that. | 0:38:39 | 0:38:42 | |
-I still think it's cheap. -It's still cheap. -Yeah. | 0:38:42 | 0:38:45 | |
-At 75... -I'll take it. -Take it, Paul, take it. I'm giving it to you. | 0:38:45 | 0:38:49 | |
That's kind of him. | 0:38:50 | 0:38:52 | |
And that £25 puts Paul in front. | 0:38:52 | 0:38:55 | |
Is his next lot sitting on yet more profits? | 0:38:58 | 0:39:01 | |
Got two commission bids and 20 starts me straight in. | 0:39:02 | 0:39:04 | |
25, 30, 35, bid is upstairs on the balcony. | 0:39:04 | 0:39:10 | |
At £35, if we're all done... | 0:39:10 | 0:39:12 | |
At £35... | 0:39:12 | 0:39:15 | |
Another £25 helps Paul increase his lead. | 0:39:16 | 0:39:19 | |
-It's a nice earner. Well done. -It's all right. -Steady away, that. | 0:39:21 | 0:39:24 | |
Right, David, | 0:39:24 | 0:39:26 | |
let's hope your masonic engraved glass can dish out more cash. | 0:39:26 | 0:39:30 | |
-Somebody bid me £5 for the masonic. -No... | 0:39:31 | 0:39:35 | |
Gentleman at the forefront at five, 10, 15, 20, five... | 0:39:35 | 0:39:40 | |
25 at the forefront, 30, £30 on the right-hand side. | 0:39:40 | 0:39:44 | |
-£30, ladies and gents. -Come on! | 0:39:44 | 0:39:47 | |
-Are we all done at 30? -No, we're not! | 0:39:47 | 0:39:50 | |
He's catching up now, though, with a £20 profit all of his own. | 0:39:50 | 0:39:53 | |
I wanted...and I got 10% back! | 0:39:54 | 0:39:57 | |
Up next is his big risk - the Chinese jade teapot. | 0:39:59 | 0:40:03 | |
Somebody start me at £50. 50 bid, straight in at 50. | 0:40:04 | 0:40:09 | |
55, 60, £60 down to the left. | 0:40:09 | 0:40:13 | |
-At £60, are we all done, ladies and gents? -Egg them on, egg them on! | 0:40:13 | 0:40:16 | |
-At £60, the first and the last time... -Egg them on! Egg them on! | 0:40:16 | 0:40:19 | |
Love you though I do, you're on your own. | 0:40:19 | 0:40:21 | |
GAVEL BANGS | 0:40:21 | 0:40:22 | |
Not pouring out much of a profit, but it's good at £15. | 0:40:22 | 0:40:27 | |
I wanted 120, I got half. | 0:40:27 | 0:40:29 | |
Can Paul's miniature lot give him a big return? | 0:40:30 | 0:40:34 | |
Bid at 15 to start me. At £15. 18, anybody else? 18. | 0:40:34 | 0:40:39 | |
20, 22, 25, 28. | 0:40:39 | 0:40:43 | |
All done, ladies and gents? At £28... | 0:40:43 | 0:40:47 | |
You've got your eyes on the prize now. | 0:40:47 | 0:40:50 | |
-That is a good profit. -From a fiver. | 0:40:50 | 0:40:53 | |
It's better than my blinking jade Chinese pot! | 0:40:53 | 0:40:56 | |
David's last offering - the silver Japanese cigarette case. | 0:40:59 | 0:41:02 | |
Will it be a smokin' lot or not? | 0:41:02 | 0:41:06 | |
20 to start it, 25, 30, five, 40, five, 50, five, 60... | 0:41:06 | 0:41:12 | |
Come on, come on! | 0:41:12 | 0:41:14 | |
-At £65 and all done... At 65... -Come on! No! | 0:41:14 | 0:41:19 | |
Not exactly a towering mountain of profit, I'm afraid, David. | 0:41:19 | 0:41:23 | |
HE GROANS | 0:41:23 | 0:41:25 | |
And for Paul's last lot, he has combined his Second World War | 0:41:28 | 0:41:31 | |
dress tunics with the First World War rum jar. | 0:41:31 | 0:41:34 | |
Can it seal his victory? | 0:41:34 | 0:41:37 | |
Somebody bid me a fiver, the lot, please. Bid at the back of the hall. | 0:41:37 | 0:41:40 | |
Five, 10, 15, 20, five, 30, five, | 0:41:40 | 0:41:46 | |
40, five, 50, 55, 60, five, | 0:41:46 | 0:41:51 | |
70, five. | 0:41:51 | 0:41:53 | |
Downstairs at 75. Are we all done? | 0:41:53 | 0:41:57 | |
At £75, we are away at £75. | 0:41:57 | 0:42:00 | |
And that profit is bang on £50, which gives victory to Laidlaw. | 0:42:02 | 0:42:06 | |
-A good day out. -No bloodshed there. Pie and a pint, my man? | 0:42:07 | 0:42:10 | |
Pie and a pint sounds marvellous! You're great, you are, Laidlaw. | 0:42:10 | 0:42:14 | |
David Harper started with £200 and after auction costs, | 0:42:17 | 0:42:20 | |
he made a profit of £8.70. | 0:42:20 | 0:42:23 | |
Ha! Which gives him £208.70 to spend next time. | 0:42:23 | 0:42:28 | |
Paul Laidlaw also started with £200 | 0:42:32 | 0:42:34 | |
and has made an impressive profit of £71.56 after costs. | 0:42:34 | 0:42:39 | |
That puts him in the lead with £271.56 to spend on the next leg. | 0:42:39 | 0:42:46 | |
Well done. | 0:42:46 | 0:42:47 | |
-Very good. All very successful, I think. -Not a bad morning's work. | 0:42:48 | 0:42:51 | |
I know you're the one with the maths degree, | 0:42:51 | 0:42:53 | |
but I think you will find that 208 beats 271. | 0:42:53 | 0:42:56 | |
-In what parallel universe are you? -In my universe! | 0:42:56 | 0:42:59 | |
-And winner drives. -Get off! | 0:42:59 | 0:43:02 | |
-Ready? -Yes. -Wey-hey! | 0:43:02 | 0:43:05 | |
PAUL LAUGHS | 0:43:05 | 0:43:07 | |
Next time on the Antiques Road Trip, David Harper | 0:43:08 | 0:43:12 | |
shows off his love of antiques... | 0:43:12 | 0:43:14 | |
I almost want to kiss it. Is that really wrong? | 0:43:14 | 0:43:17 | |
..and impresses Paul Laidlaw with his purchases. | 0:43:17 | 0:43:20 | |
-Stunning beyond belief. -A belting good thing! | 0:43:20 | 0:43:23 |