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It's the nation's favourite antiques experts with £200 each, | 0:00:02 | 0:00:05 | |
a classic car and a goal to scour Britain for antiques. | 0:00:05 | 0:00:10 | |
-Going, going, gone. -Yes! | 0:00:10 | 0:00:12 | |
I'm loving that, bird. | 0:00:12 | 0:00:13 | |
The aim, to make their biggest profit at auction | 0:00:13 | 0:00:16 | |
but it's no mean feat. | 0:00:16 | 0:00:17 | |
Yes! | 0:00:17 | 0:00:19 | |
There will be worthy winners and valiant losers. | 0:00:19 | 0:00:22 | |
Don't I look handsome? | 0:00:22 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
I'm going now! | 0:00:28 | 0:00:30 | |
This is the Antiques Road Trip... | 0:00:30 | 0:00:32 | |
..yeah! | 0:00:34 | 0:00:35 | |
It's a brand-spanking new week | 0:00:35 | 0:00:37 | |
and we're hitting the road with a right couple of gents, | 0:00:37 | 0:00:40 | |
yes, it is antiques experts Charlie Ross and Thomas Plant. | 0:00:40 | 0:00:44 | |
-Let this trip begin! -Yes. | 0:00:44 | 0:00:47 | |
Charlie is the old dog of the antiques trade, | 0:00:47 | 0:00:50 | |
having clocked up a phenomenal 25 years running his own auction house | 0:00:50 | 0:00:54 | |
and he is now sought the world over for his charm and wit, so he thinks. | 0:00:54 | 0:00:59 | |
-May I kiss your hand? -You may indeed! -Mwah! | 0:00:59 | 0:01:01 | |
Undaunted is his worthy opponent, young whippersnapper | 0:01:02 | 0:01:05 | |
and fellow auctioneer, Thomas Plant. | 0:01:05 | 0:01:07 | |
His particular penchant is for jewellery, watches and silver. | 0:01:07 | 0:01:11 | |
Oh, yes, and hats. | 0:01:11 | 0:01:12 | |
Thomas is taking the wheel today as our pair | 0:01:13 | 0:01:15 | |
set off on their antiques adventure with £200 each to spend | 0:01:15 | 0:01:19 | |
and a natty little 1971 Triumph Spitfire to zip around in. | 0:01:19 | 0:01:23 | |
Those windscreen wipers don't look right to me. | 0:01:23 | 0:01:26 | |
-They have broken already! -That doesn't bode well. | 0:01:26 | 0:01:30 | |
The plan for our dear experts is to travel over 400 miles from Somerset | 0:01:30 | 0:01:35 | |
deep in the West Country, | 0:01:35 | 0:01:36 | |
right the way up to Shropshire via North Wales, | 0:01:36 | 0:01:39 | |
before looping back down to finish their trip in Bedford, Bedfordshire. | 0:01:39 | 0:01:43 | |
Today, we are beginning our journey in the village of Watchet, | 0:01:45 | 0:01:48 | |
watch it, hah! | 0:01:48 | 0:01:50 | |
They'll meander the sleepy roads of Somerset, pop over to Devon, | 0:01:50 | 0:01:54 | |
then finish up at the auction showdown in Frome back in Somerset. | 0:01:54 | 0:01:58 | |
Phew! | 0:01:58 | 0:01:59 | |
# The future's not ours to see.. | 0:01:59 | 0:02:02 | |
# Que sera sera. # | 0:02:02 | 0:02:05 | |
Oh, maybe not. | 0:02:05 | 0:02:06 | |
Oh, well, the first stop is in what's it? Watchet. | 0:02:06 | 0:02:10 | |
-Watchet. -Watch it! -Watch it! | 0:02:10 | 0:02:13 | |
Now, this lovely village gets its name from wacet, | 0:02:13 | 0:02:17 | |
a natural blue dye found in the local cliffs. | 0:02:17 | 0:02:21 | |
And the harbour here is famed for inspiring one of Britain's | 0:02:21 | 0:02:24 | |
most iconic poems, | 0:02:24 | 0:02:26 | |
Samuel Taylor Coleridge's The Rime Of The Ancient Mariner. | 0:02:26 | 0:02:30 | |
I hope that's not a bad omen for our fellows as it is time to shop. | 0:02:30 | 0:02:33 | |
-A Smugglers Cave! -This is where we are. Come on, Roscoe. -After you. | 0:02:33 | 0:02:38 | |
-Age before beauty! -Thank you! | 0:02:38 | 0:02:40 | |
Standing by to assist is shop owner Simon and manager, Candy. | 0:02:42 | 0:02:47 | |
-Hello, madam. I'm Charlie. -I'm Candy. Welcome. -Candy, what a lovely name. | 0:02:47 | 0:02:51 | |
-I'm Thomas. And who else is this? -This is Simon. | 0:02:51 | 0:02:54 | |
-Simon is the owner to the shop. -Nice to see you. -Hello, Simon. | 0:02:54 | 0:02:58 | |
-And trust our Roscoe, he is straight in there with the girls. -Candy! -Yes. | 0:02:58 | 0:03:02 | |
-Can I borrow you? -He's already in there. -You can, certainly. | 0:03:02 | 0:03:06 | |
Smugglers Cave lives up to its name, a veritable treasure trove | 0:03:09 | 0:03:13 | |
of everything from kitchenalia to chests of drawers. | 0:03:13 | 0:03:16 | |
Surely there will be some serious antiques for Thomas to get stuck into? | 0:03:16 | 0:03:20 | |
-Oh, dear. He's started with the hats already. -I need this for Roscoe. | 0:03:21 | 0:03:25 | |
Ooh, gee! | 0:03:28 | 0:03:30 | |
Look at that! | 0:03:32 | 0:03:33 | |
So what we've got here is a cast-iron water pump. | 0:03:35 | 0:03:39 | |
This is for the garden, isn't it? Oh, isn't that wonderful? | 0:03:39 | 0:03:43 | |
Cast-iron, Victorian, I would have thought. Lovely handle. Whoa! | 0:03:43 | 0:03:48 | |
-Steady, Eddie. -It's not light! | 0:03:48 | 0:03:51 | |
That could be my first purchase. | 0:03:52 | 0:03:54 | |
It's just up my street. Just something. It's big, it's bold... | 0:03:54 | 0:04:00 | |
It's £45. Let's see what Simon can do. Simon, I found this in the back. | 0:04:00 | 0:04:06 | |
-Not everyone makes it back there! -Only weirdos! | 0:04:06 | 0:04:11 | |
No comment. | 0:04:11 | 0:04:12 | |
I've got a figure. | 0:04:12 | 0:04:13 | |
-35. -What about 25? | 0:04:15 | 0:04:18 | |
-30. -Can we do 28? | 0:04:18 | 0:04:21 | |
-We are splitting hairs, I know. -28, if it helps. -It does help. | 0:04:21 | 0:04:27 | |
-You're a star. -First purchase, high and dry. Well done, Thomas. | 0:04:27 | 0:04:31 | |
Now, let's see how Charlie is getting on with Candy. | 0:04:36 | 0:04:39 | |
And he's only after one thing, you know. | 0:04:39 | 0:04:42 | |
So no silver in the shop at all? | 0:04:42 | 0:04:44 | |
-We've only got the Rhode Island Red bowl. -That one there? -Yes. | 0:04:44 | 0:04:50 | |
-Nice thing. -I will have a look at it. | 0:04:50 | 0:04:52 | |
Tell me the history about the Brabazon Rhode Island Red Challenge Cup. | 0:04:52 | 0:04:56 | |
Rhode Island Reds are beautiful, deep red hens, | 0:04:56 | 0:05:00 | |
that lay fabulous dark brown eggs. | 0:05:00 | 0:05:02 | |
They are very popular because they are quite hardy hens | 0:05:02 | 0:05:05 | |
and they do lay very well most of the year. | 0:05:05 | 0:05:08 | |
-Unlike a bantam they won't go off lay. -Are you a farmer's daughter? | 0:05:08 | 0:05:12 | |
-Yes? -Well, yes and no. -Well, there's a shock! | 0:05:12 | 0:05:15 | |
The way you are going on there. It is a beautiful, beautiful cup, actually. | 0:05:15 | 0:05:19 | |
-The quality is superb. -Yes, Charlie, but it is £125. | 0:05:19 | 0:05:24 | |
Lovely shape and handles. | 0:05:24 | 0:05:26 | |
Would you do £75 for that? | 0:05:27 | 0:05:29 | |
No. | 0:05:30 | 0:05:31 | |
-Can you get close to where I am? -I can say 90. | 0:05:33 | 0:05:37 | |
I tell you what, I'll pay you £85 for it, cash. | 0:05:37 | 0:05:41 | |
-All right, sir, you have a deal. -May I kiss your hand? -You may indeed! | 0:05:42 | 0:05:46 | |
Mwah! | 0:05:46 | 0:05:47 | |
-That Candy is a good egg, isn't she? -Yes! My first buy. | 0:05:47 | 0:05:53 | |
Wonderful. | 0:05:53 | 0:05:54 | |
Oh, hold up, Thomas is venturing to the bowels of the shop again. | 0:05:54 | 0:05:59 | |
What is this down here? Is it more junk? Oh! | 0:05:59 | 0:06:02 | |
PSYCHO MUSIC | 0:06:02 | 0:06:05 | |
Oh, my God. | 0:06:05 | 0:06:06 | |
It's like something out of a horror movie, all these creatures. | 0:06:10 | 0:06:14 | |
But, this is a porcelain-headed doll by Armand Marseille. | 0:06:14 | 0:06:18 | |
It's got the A and the M. It's got the thing there. | 0:06:18 | 0:06:21 | |
Armand Marseille here. | 0:06:21 | 0:06:24 | |
Weighted eyelids, teeth, this is real human hair. | 0:06:24 | 0:06:29 | |
Yuck! | 0:06:29 | 0:06:31 | |
Armand Marseille began manufacturing dolls in 1865, | 0:06:31 | 0:06:35 | |
creating a company which sat at the heart of the German | 0:06:35 | 0:06:38 | |
doll-making industry for the next 60 years. | 0:06:38 | 0:06:41 | |
At its peak, the company produced over 1,000 doll heads a day. | 0:06:41 | 0:06:46 | |
The rarer examples of which can now fetch thousands of pounds. | 0:06:46 | 0:06:50 | |
Sadly, I don't think these fall into that category. | 0:06:50 | 0:06:52 | |
Has anyone else bought bits of body? I can't buy bits of body. | 0:06:54 | 0:06:57 | |
I get letters saying, "You're a weirdo. | 0:06:59 | 0:07:03 | |
The evidence is stacking up against you, Thomas. | 0:07:04 | 0:07:07 | |
Right, Simon, I'm just going to get something. What am I doing? | 0:07:11 | 0:07:16 | |
-What am I doing? -I really don't know, Thomas. | 0:07:16 | 0:07:19 | |
I really don't know, old fruit. | 0:07:19 | 0:07:21 | |
-What can they be? -Dolls. -Yes. | 0:07:23 | 0:07:26 | |
-£60. -Oh! -For all of them. | 0:07:26 | 0:07:30 | |
-They are horrible. -Beautiful. -They are not beautiful. At all. | 0:07:30 | 0:07:35 | |
-Is £60 too much? -Too much. | 0:07:35 | 0:07:37 | |
50 if it helps, but I think you will do well with them. | 0:07:37 | 0:07:40 | |
£40. That is a good buy. | 0:07:43 | 0:07:45 | |
Yes, but it just looks so odd though, a man buying dolls. | 0:07:47 | 0:07:50 | |
-It takes all kinds. -Mmm. | 0:07:50 | 0:07:53 | |
I'm going to think about it, do you mind, but thank you. | 0:07:55 | 0:07:58 | |
-You will do well. -Well, I don't know. I don't know. | 0:07:58 | 0:08:01 | |
While Thomas mulls over the dolls, Charlie has gone all Alpine. | 0:08:01 | 0:08:05 | |
-It is a goatherder's. -Oh, a goatherder. | 0:08:05 | 0:08:08 | |
-Is that definitely a goat's foot? -Yes, that's a goat's foot. | 0:08:08 | 0:08:11 | |
WEST COUNTRY ACCENT: That is a goatherder, my lover! | 0:08:12 | 0:08:15 | |
That is a goat's foot. High on the hill... | 0:08:15 | 0:08:16 | |
-# High on the hill Lay ee odl lay ee odl lay hee hoo! -# | 0:08:16 | 0:08:19 | |
HE HUMS | 0:08:19 | 0:08:21 | |
# Folks in a town that was quite remote heard | 0:08:23 | 0:08:26 | |
# Lay ee odl lay ee odl lay hee hoo. # | 0:08:26 | 0:08:28 | |
How much is it? | 0:08:28 | 0:08:29 | |
-Oh, come on, bird, stick a price on it. -40 quid. | 0:08:30 | 0:08:32 | |
-40 quid, bird? -Yes. | 0:08:32 | 0:08:35 | |
It's one of those antiques that you've got to say to somebody, | 0:08:36 | 0:08:39 | |
-where are you going to find another one. -I'm loving that, bird! | 0:08:39 | 0:08:43 | |
What you think, my handsome? | 0:08:43 | 0:08:46 | |
WEST COUNTRY ACCENT: I tell you what, no haggling, I'll give you 30 quid right now for it. | 0:08:46 | 0:08:50 | |
Cash. Done. I am loving you, bird. | 0:08:50 | 0:08:53 | |
These two are getting on famously, aren't they? | 0:08:53 | 0:08:57 | |
Fab. Look at that. # High on a hill, a lonely goatherd...# | 0:08:57 | 0:09:01 | |
While Charlie's all chipper, Thomas is, well, | 0:09:02 | 0:09:05 | |
continuing his obsession for headgear and breathing apparatus. | 0:09:05 | 0:09:09 | |
Oh, for goodness' sake, Thomas! | 0:09:11 | 0:09:15 | |
-Where are you going? -Every time I see you you're in a damn silly hat! | 0:09:15 | 0:09:20 | |
This is a gas mask. | 0:09:20 | 0:09:21 | |
I do know it is a gas mask, after all, | 0:09:21 | 0:09:24 | |
I was wearing one in the war, Thomas! | 0:09:24 | 0:09:27 | |
Have you bought what you wanted to buy? | 0:09:27 | 0:09:29 | |
I may have bought something, I may not. | 0:09:29 | 0:09:31 | |
All you need to do is look around the shop and see what is missing! | 0:09:31 | 0:09:35 | |
Thomas is feeling the pressure now. | 0:09:35 | 0:09:37 | |
It is time to make a decision about...those dolls. | 0:09:37 | 0:09:40 | |
35, I would like to see you take them to auction. | 0:09:40 | 0:09:43 | |
£30 and I will take them off your hands. | 0:09:43 | 0:09:45 | |
Like a nutcase. | 0:09:46 | 0:09:47 | |
Yes. OK. | 0:09:49 | 0:09:51 | |
Two items now. Right, I'm going to give you some money now | 0:09:53 | 0:09:55 | |
and then I am going to walk out of your shop. | 0:09:55 | 0:09:57 | |
On your head be it, Thomas, on your head be it. | 0:09:57 | 0:10:00 | |
Meanwhile, Charlie is zipping up the road to another antiques' emporium. | 0:10:03 | 0:10:07 | |
He has already bought two items but seems hellbent on buying more. | 0:10:07 | 0:10:11 | |
-Hello, my dear. -Hello, how are you? | 0:10:11 | 0:10:15 | |
How do you manage to find such wonderful temperatures here? | 0:10:15 | 0:10:18 | |
Oh, God, it is absolutely frightful, isn't it? | 0:10:18 | 0:10:20 | |
-At least we don't have the snow. -Nice to see you. Charlie is the name. | 0:10:20 | 0:10:23 | |
-And you are? -Janet. -Nice to see you, Janet. May I look round? -Of course! | 0:10:23 | 0:10:28 | |
Now, don't forget, you've only got £85, Roscoe. | 0:10:28 | 0:10:31 | |
A magnificent clock and candelabrum, aren't they splendid? Very French. | 0:10:31 | 0:10:37 | |
That isn't priced. | 0:10:38 | 0:10:40 | |
That'll be beyond my price range but I thought I would just admire it. | 0:10:40 | 0:10:44 | |
Admire away, old boy. But you ain't got the money for that beauty. | 0:10:44 | 0:10:49 | |
That's an interesting charger, isn't it? | 0:10:49 | 0:10:51 | |
Now, this looks a bit more like it. | 0:10:51 | 0:10:54 | |
Is it Newlyn? | 0:10:54 | 0:10:55 | |
I wondered if it might have come from the Newlyn School. | 0:10:55 | 0:10:58 | |
The Newlyn School was part of the Arts and Crafts movement, | 0:10:58 | 0:11:02 | |
founded at the end of the 19th century. | 0:11:02 | 0:11:05 | |
Based, funnily enough, in Newlyn, Cornwall, it became | 0:11:05 | 0:11:08 | |
famous for its beaten metalwork, particularly with fishy motifs. | 0:11:08 | 0:11:12 | |
-I like these, they are almost like owls, aren't they? -Or shrimps! | 0:11:12 | 0:11:18 | |
-You are making it more Newlyn with shrimps. -I am trying! | 0:11:18 | 0:11:23 | |
How much is it? | 0:11:23 | 0:11:25 | |
-Ah-ha! Now you want to know. -I'd better ask. -I must ask the boss. | 0:11:25 | 0:11:29 | |
I can't go out of the shop without asking the price of something. | 0:11:29 | 0:11:33 | |
There isn't a ticket on it so a spot of haggling might be in order. | 0:11:33 | 0:11:37 | |
It's... | 0:11:37 | 0:11:38 | |
Got to be worth, I would hope, more than £10 which I'm going to offer. | 0:11:38 | 0:11:42 | |
The owner of the shop doesn't seem to be available | 0:11:42 | 0:11:45 | |
so Charlie is going to have to reckon with Janet. | 0:11:45 | 0:11:47 | |
-Look out, Janet. -How much do you want? | 0:11:47 | 0:11:50 | |
20. | 0:11:50 | 0:11:51 | |
-What a temptress you are. 15? Can you add 10 and 20? -16. | 0:11:53 | 0:11:59 | |
Oh, no, don't start doing that nonsense! 16? No, 15. Full and final. | 0:11:59 | 0:12:05 | |
-All right, then. -Are you happy with that? -I am. | 0:12:05 | 0:12:07 | |
-You don't need to make a phone call? -He's not answering his phone. | 0:12:07 | 0:12:10 | |
Well, that serves him right, if he wants 120 quid for it then, doesn't it! | 0:12:10 | 0:12:15 | |
Three items already and it's only day one. Rock'n'roll, Roscoe! | 0:12:15 | 0:12:20 | |
Time to hook back up with Thomas in the little Triumph Spitfire. | 0:12:20 | 0:12:23 | |
I bought one lot which you are going to die. | 0:12:25 | 0:12:28 | |
You are going to see it and think, Thomas, what have you done? | 0:12:28 | 0:12:31 | |
I wonder what that could be, Thomas? | 0:12:31 | 0:12:34 | |
The boys are heading a couple of miles south to Sampford Brett, | 0:12:34 | 0:12:37 | |
where Thomas is dropping Charlie off to do a tad more shopping. | 0:12:37 | 0:12:41 | |
They've come to Keith Richards' antiques. | 0:12:41 | 0:12:44 | |
INTRO TO (I CAN'T GET NO) SATISFACTION | 0:12:44 | 0:12:47 | |
MUSIC STOPS ABRUPTLY | 0:12:47 | 0:12:48 | |
No! Not that one. | 0:12:48 | 0:12:49 | |
-Greetings! -Bye-bye. | 0:12:49 | 0:12:51 | |
Treat that car properly. | 0:12:51 | 0:12:53 | |
While Charlie finds his way to the shop, | 0:12:53 | 0:12:55 | |
Thomas has an appointment 23 miles south-east in Stoke St Gregory, | 0:12:55 | 0:12:59 | |
in the heart of the Somerset Levels. | 0:12:59 | 0:13:02 | |
One of the last remaining wetlands in Britain, | 0:13:02 | 0:13:05 | |
the Somerset Levels have been at the heart of the basket weaving | 0:13:05 | 0:13:08 | |
industry for centuries, because, where there's water, there's willow. | 0:13:08 | 0:13:13 | |
From man's very earliest days, we've grown and harvested willow | 0:13:13 | 0:13:17 | |
to make everything from durable containers to fences. | 0:13:17 | 0:13:20 | |
Wickerwork was heavily used to package and transport goods. | 0:13:20 | 0:13:25 | |
It was a bit like the bubble wrap of its day. | 0:13:25 | 0:13:28 | |
Nestling in the centre of the Levels, | 0:13:28 | 0:13:30 | |
is a company which still makes willow baskets | 0:13:30 | 0:13:33 | |
and all manner of other extraordinary wicker creations. | 0:13:33 | 0:13:36 | |
Thomas has come to meet Jonathan Coate whose great-great-great-great | 0:13:36 | 0:13:40 | |
grandfather started the company all the way back in 1819. | 0:13:40 | 0:13:43 | |
-Hello, I'm Thomas. -Jonathan. -Jonathan, nice to meet you. | 0:13:43 | 0:13:47 | |
-Tell me, have you always been involved in this? -Yes, all my life. | 0:13:47 | 0:13:50 | |
And your family, it's your generation? | 0:13:50 | 0:13:52 | |
-Yes, I'm the seventh generation. -Seventh! -Yes. | 0:13:52 | 0:13:55 | |
What I'm really interested in is the process. | 0:13:55 | 0:13:58 | |
-Could you take me through the process? -Yes, we certainly can. | 0:13:58 | 0:14:01 | |
That would be really exciting. | 0:14:01 | 0:14:03 | |
The whole process starts with raw materials, | 0:14:03 | 0:14:05 | |
the branches of a willow or withies, as they are called. | 0:14:05 | 0:14:09 | |
We've got some willow here. This was actually literally cut today. | 0:14:09 | 0:14:14 | |
Before the willow can be used, | 0:14:14 | 0:14:15 | |
it needs to be first boiled for ten hours. Then stripped. | 0:14:15 | 0:14:19 | |
Traditionally, this was done by the women and children of the village. | 0:14:19 | 0:14:23 | |
They would strip it with a brake which is basically a piece of spring | 0:14:23 | 0:14:26 | |
steel, which they would have out in the garden or by the back door. | 0:14:26 | 0:14:29 | |
And one rod at a time, pull it through the brake, turn it round... | 0:14:29 | 0:14:36 | |
All by hand? | 0:14:36 | 0:14:37 | |
All by hand. | 0:14:37 | 0:14:38 | |
Go on, Thomas, have a go. | 0:14:38 | 0:14:40 | |
-And push it right down in between the brake. -All the way down? | 0:14:40 | 0:14:44 | |
That is fine. Back towards you. That's it. | 0:14:44 | 0:14:48 | |
You are a professional here. | 0:14:48 | 0:14:50 | |
-A professional here. All the way in, yes? -Yes, that's it. | 0:14:50 | 0:14:52 | |
All the way out. | 0:14:52 | 0:14:54 | |
It comes off quite easily, doesn't it, in the end. | 0:14:54 | 0:14:57 | |
Look at that! | 0:14:57 | 0:14:58 | |
Once stripped, the willow is made into baskets | 0:14:59 | 0:15:01 | |
and, here, these come in many shapes and sizes. | 0:15:01 | 0:15:05 | |
You've got loads of coffins! | 0:15:05 | 0:15:07 | |
The mad thing is, my grandmother was buried in one of these. | 0:15:07 | 0:15:10 | |
And I didn't know it was a wicker coffin, | 0:15:10 | 0:15:12 | |
or I can't remember that I knew. | 0:15:12 | 0:15:14 | |
All I heard was the creaking of the wicker. | 0:15:14 | 0:15:16 | |
It was like somebody arriving with a Fortnum & Mason's hamper. | 0:15:16 | 0:15:19 | |
But, no, there was Grandma inside there. | 0:15:19 | 0:15:22 | |
Thomas is keen to learn how to weave a basket. | 0:15:22 | 0:15:25 | |
But Jonathan's latest commission is for a number of willow coffins. | 0:15:25 | 0:15:28 | |
Stiffen up, Thomas. | 0:15:28 | 0:15:30 | |
This one's been staked up, so it's ready to put the siding on. | 0:15:30 | 0:15:34 | |
So, using one rod at a time, we'll tuck that in there. | 0:15:34 | 0:15:37 | |
It may seem a bit morbid, but there's a reason why there's been | 0:15:37 | 0:15:40 | |
a growing interest in wicker coffins over the years. | 0:15:40 | 0:15:43 | |
So quick! | 0:15:43 | 0:15:45 | |
And that's because they're very environmentally friendly. | 0:15:45 | 0:15:49 | |
-OK, Thomas, your go. -Brilliant. | 0:15:49 | 0:15:52 | |
-In we go. So, in there. -That's it. | 0:15:52 | 0:15:55 | |
-In it goes. -Yeah. | 0:15:55 | 0:15:56 | |
I don't think I'm ready yet for an apprenticeship. | 0:15:58 | 0:16:00 | |
I think I need a bit more toughening up on my hands. Ooh! | 0:16:00 | 0:16:03 | |
Funny, Jonathan's not saying anything. | 0:16:03 | 0:16:06 | |
Let's stick to the day job, eh? | 0:16:06 | 0:16:08 | |
Jonathan's range is not restricted to coffins by any means. | 0:16:10 | 0:16:14 | |
The company gets some unusual commissions, one of which was | 0:16:14 | 0:16:17 | |
a giant chess set for the show-jumpers at the London Olympics. | 0:16:17 | 0:16:20 | |
They were decorated, for decorating the jumps? | 0:16:22 | 0:16:25 | |
The jump we made, | 0:16:25 | 0:16:27 | |
it was a giant table the horses were jumping over, that was chequered. | 0:16:27 | 0:16:31 | |
And the pieces were standing around to lead the horses into the jump. | 0:16:31 | 0:16:35 | |
Brilliant. | 0:16:35 | 0:16:36 | |
And, hidden away inside one of Britain's most iconic hats, | 0:16:36 | 0:16:39 | |
-more of Jonathan's handiwork. -We actually make these little baskets | 0:16:39 | 0:16:43 | |
which go underneath the bearskins. | 0:16:43 | 0:16:45 | |
-The bearskins for the guards outside Buckingham Palace? -That's right. | 0:16:45 | 0:16:48 | |
-Each one has its own little basket inside. -I'm going to have a go. | 0:16:48 | 0:16:52 | |
Hm, there we go. Thomas just can't resist a good hat. | 0:16:52 | 0:16:56 | |
Oh, what a big head. Nothing fits. | 0:16:56 | 0:16:59 | |
Suits you, sir! | 0:16:59 | 0:17:00 | |
Actually, you always feel sorry for them, | 0:17:00 | 0:17:02 | |
thinking, God, this is really heavy. | 0:17:02 | 0:17:04 | |
And they're uber strong, standing up, their core strength. | 0:17:04 | 0:17:08 | |
But, actually, it's not too bad, if you've got the right one. | 0:17:08 | 0:17:11 | |
Jonathan's really not impressed, Thomas. | 0:17:11 | 0:17:14 | |
THOMAS GIGGLES | 0:17:15 | 0:17:16 | |
Meanwhile, Charlie's itching to spend some money | 0:17:16 | 0:17:19 | |
in the eponymous Keith's shop. | 0:17:19 | 0:17:21 | |
Oh, and here's the man himself. | 0:17:21 | 0:17:23 | |
-Hello. Charlie. -Hello, Charlie. -Nice to see you. -And you. | 0:17:23 | 0:17:26 | |
Show me around, you've got things here? | 0:17:26 | 0:17:27 | |
Yes, I've got this room here, | 0:17:27 | 0:17:29 | |
and another room just as we go through here as well. | 0:17:29 | 0:17:32 | |
-I recognise that lady. -Yes. | 0:17:32 | 0:17:34 | |
Margaret Thatcher. Isn't that wonderful? | 0:17:34 | 0:17:38 | |
-Lead on. -Come through. | 0:17:38 | 0:17:40 | |
Uh-oh. Keith's lured Charlie into the first-class lounge. | 0:17:40 | 0:17:44 | |
It's glorious. | 0:17:47 | 0:17:49 | |
Glorious. Glorious. | 0:17:49 | 0:17:51 | |
Glorious present, yeah. | 0:17:51 | 0:17:53 | |
They might all be glorious, old fruit, | 0:17:53 | 0:17:54 | |
but quite out of your price range. Back to economy for you. | 0:17:54 | 0:17:58 | |
I'm just going to nip back | 0:17:58 | 0:17:59 | |
and reacquaint myself with Margaret Thatcher again, if I may? | 0:17:59 | 0:18:02 | |
He always was one for the ladies. | 0:18:02 | 0:18:06 | |
How much is that, in terms of..., | 0:18:06 | 0:18:08 | |
Um... It's 95 now. | 0:18:08 | 0:18:11 | |
-It can be £60. -Can it! | 0:18:11 | 0:18:14 | |
-It can be £60. -That's ridiculously reasonable, isn't it? | 0:18:14 | 0:18:17 | |
-It's very reasonable indeed. -Oh, blimey. | 0:18:17 | 0:18:19 | |
That's within my budget, just about. HE GIGGLES | 0:18:19 | 0:18:23 | |
I think I've got to feel her. | 0:18:23 | 0:18:25 | |
This teapot's not for pouring. HE LAUGHS | 0:18:26 | 0:18:29 | |
Almost as famous as Mrs T herself was her alter ego | 0:18:29 | 0:18:33 | |
in the satirical 1980s TV puppet show Spitting Image. | 0:18:33 | 0:18:38 | |
So popular was the show that it spurned a host of merchandise, | 0:18:38 | 0:18:41 | |
much of which is now highly collectable. | 0:18:41 | 0:18:44 | |
This teapot was made in the pottery capital of Stoke-on-Trent. | 0:18:44 | 0:18:48 | |
Look at that. | 0:18:49 | 0:18:51 | |
"Denis, come here!" | 0:18:51 | 0:18:52 | |
I think I feel a deal brewing. | 0:18:52 | 0:18:55 | |
60 quid. | 0:18:55 | 0:18:56 | |
-Or 50, if it's going to help. -What a wonderful man. | 0:18:58 | 0:19:00 | |
You're the first man I've ever dealt with who's brought down the price | 0:19:00 | 0:19:04 | |
without me asking. HE LAUGHS | 0:19:04 | 0:19:05 | |
I knew you were going to ask. | 0:19:05 | 0:19:07 | |
50 quid. | 0:19:07 | 0:19:09 | |
At 50 quid... | 0:19:09 | 0:19:10 | |
-Are you sure you're happy with that, before you shake on it? -I am. | 0:19:12 | 0:19:15 | |
I think that's wonderful. | 0:19:15 | 0:19:16 | |
I hope that one doesn't backfire on you. | 0:19:16 | 0:19:18 | |
Nicely done, though, Charlie. | 0:19:18 | 0:19:20 | |
It's been a bumper day for our Charlie. | 0:19:23 | 0:19:25 | |
Now, both experts could do with a decent bit of shuteye. Nighty-night. | 0:19:25 | 0:19:30 | |
The sun has come out, at last, for our esteemed experts, | 0:19:33 | 0:19:37 | |
and spirits are high. | 0:19:37 | 0:19:39 | |
-# Oh, what a beautiful morning! -Oh, what a beautiful day! # | 0:19:39 | 0:19:44 | |
Yes, long may it last. | 0:19:44 | 0:19:46 | |
It's very sticky on the old "accelerateur". | 0:19:46 | 0:19:48 | |
Well, you know, you'll get used to her. | 0:19:48 | 0:19:51 | |
If I was driving, that wouldn't have happened by now. | 0:19:51 | 0:19:53 | |
CHARLIE LAUGHS | 0:19:53 | 0:19:54 | |
So far, Charlie has pushed the boat out, spending a whopping £180 | 0:19:54 | 0:19:59 | |
on an Arts and Crafts copper charger, | 0:19:59 | 0:20:01 | |
a goat's herd staff, | 0:20:01 | 0:20:03 | |
a silver cup and A Margaret Thatcher teapot, | 0:20:03 | 0:20:06 | |
leaving him with a mere £20 still to spend. | 0:20:06 | 0:20:09 | |
Thomas, meanwhile, has struggled to part with his cash. | 0:20:10 | 0:20:13 | |
He's spent a paltry £58 on a Victorian water pump, | 0:20:13 | 0:20:17 | |
and those rather spooky dolls. | 0:20:17 | 0:20:19 | |
That leaves him with a gargantuan £142 to splash about. | 0:20:19 | 0:20:23 | |
Thomas and Charlie are heading 34 miles south east | 0:20:25 | 0:20:28 | |
to the delightful town of Crewkerne in Somerset. | 0:20:28 | 0:20:31 | |
Crewkerne's been a travellers' watering hole for hundreds of years, | 0:20:31 | 0:20:35 | |
positioned on the old London to south west road, | 0:20:35 | 0:20:38 | |
and is most famous for the sails that were made there | 0:20:38 | 0:20:42 | |
for Nelson's flagship Victory. | 0:20:42 | 0:20:45 | |
-Pull in here. -Pull in, pull in. -Ah! -Well done. | 0:20:45 | 0:20:47 | |
-I'm over here. -I'm going this way. | 0:20:49 | 0:20:51 | |
With some catching up to do, | 0:20:51 | 0:20:53 | |
Thomas is hotfooting it straight to Antiques Bazaar. | 0:20:53 | 0:20:56 | |
It's a huge trading centre, home to the stock of 45 dealers, | 0:20:56 | 0:21:00 | |
and presided over by a very welcoming owner. | 0:21:00 | 0:21:03 | |
-Morning. -Good morning, how do you do? -I'm Thomas. | 0:21:03 | 0:21:06 | |
-I'm Anthony, nice to meet you. -Very nice to meet you. | 0:21:06 | 0:21:09 | |
-I'm going to... -You're welcome to have a look around, yes. | 0:21:09 | 0:21:11 | |
I hope everything's labelled. I'm here to give you a hand. | 0:21:11 | 0:21:14 | |
-Thank you, Anthony. -OK. Good luck. | 0:21:14 | 0:21:16 | |
So, how are you feeling today, Thomas? | 0:21:21 | 0:21:24 | |
What's quite lovely about this buying experience is that | 0:21:24 | 0:21:26 | |
my last one, first day, was with Roscoe. | 0:21:26 | 0:21:29 | |
And all I heard was, "Oh! Will you let me have this!" | 0:21:29 | 0:21:35 | |
So, I'm feeling quite relaxed. | 0:21:35 | 0:21:38 | |
I don't like sharing shops. | 0:21:38 | 0:21:40 | |
Now, don't get too relaxed there, old boy. | 0:21:43 | 0:21:46 | |
The pressure's on to get buying, you know. | 0:21:46 | 0:21:48 | |
-I love that. -HE TUTS | 0:21:48 | 0:21:51 | |
£750. | 0:21:51 | 0:21:52 | |
-HE TUTS AGAIN -Why do I like the expensive things? | 0:21:55 | 0:22:00 | |
HE HUMS | 0:22:00 | 0:22:01 | |
No need to rush, Thomas, we've got all day, mate. | 0:22:01 | 0:22:03 | |
I want to spend some money. | 0:22:05 | 0:22:07 | |
The wind has gone from my sails. | 0:22:07 | 0:22:10 | |
It's ugly. | 0:22:10 | 0:22:12 | |
Huh. Not as much as I am, I assure you. | 0:22:12 | 0:22:15 | |
Ah! What are those? | 0:22:15 | 0:22:18 | |
What I've got is a pair of prints here. | 0:22:18 | 0:22:21 | |
You've got Queen Victoria, and the other one is Prince Albert. | 0:22:21 | 0:22:26 | |
In tiles on the floor is a name. | 0:22:26 | 0:22:29 | |
It's got "Baxter Prints". They're quite well framed. | 0:22:29 | 0:22:31 | |
They're a bit foxed. But they are Baxter Prints. | 0:22:31 | 0:22:34 | |
Now, are they £12 each or £12 for the pair? | 0:22:34 | 0:22:38 | |
-Luckily, Anthony is waiting in the wings. -What have you found? | 0:22:38 | 0:22:41 | |
Well, a pair of prints, Victoria and Albert. | 0:22:41 | 0:22:44 | |
Do you think they're £12 the pair? | 0:22:44 | 0:22:46 | |
No, I would say definitely not. | 0:22:46 | 0:22:48 | |
Do you think we could have them for £12 for the pair? | 0:22:48 | 0:22:50 | |
I think that would be a little bit unfair on them. | 0:22:50 | 0:22:54 | |
What could we do? | 0:22:54 | 0:22:56 | |
I could do them for 15. | 0:22:56 | 0:22:58 | |
-£15? -£15. | 0:22:58 | 0:22:59 | |
I'm sure you're not going to knock me on that. Humble money, £15. | 0:22:59 | 0:23:03 | |
Humble money, is that what they say? | 0:23:03 | 0:23:05 | |
-Humble money? -Humble money, yes. | 0:23:05 | 0:23:07 | |
Humble they may be. | 0:23:07 | 0:23:09 | |
But, thank the Lordy Thomas has bought something at last. | 0:23:09 | 0:23:14 | |
Across the road, Charlie's arrived at another large emporium. | 0:23:14 | 0:23:18 | |
-Good morning, sir. -Good morning. -How are you? -I am fine. | 0:23:18 | 0:23:22 | |
-The name is Charlie. -Hello, Charlie. -And you are? -Eddie. -Eddie. | 0:23:22 | 0:23:26 | |
Steady, Eddie. | 0:23:26 | 0:23:27 | |
I was extremely profligate with my spending yesterday. | 0:23:27 | 0:23:32 | |
I come to your establishment, and I'll own up with £20. | 0:23:32 | 0:23:37 | |
One £20 note is all I have in the world. | 0:23:37 | 0:23:40 | |
-Oh, dear, oh, dear, I feel sorry for you. -No, don't feel sorry for me. | 0:23:40 | 0:23:44 | |
There'll be something I can buy, won't there? | 0:23:44 | 0:23:46 | |
-Have a look. -Without a doubt. -Have a look. | 0:23:46 | 0:23:49 | |
No auctioneer should be without one. That is the biggest gavel I've seen. | 0:23:55 | 0:23:59 | |
I should think you'd break your rostrum | 0:23:59 | 0:24:02 | |
if you brought that down and sold something. | 0:24:02 | 0:24:04 | |
Put it down quickly before you do some damage, Charlie. | 0:24:04 | 0:24:07 | |
Now, talking of damage, what's he spotted now? | 0:24:07 | 0:24:10 | |
Here, we've got an 18th-century Chinese ginger jar. | 0:24:10 | 0:24:14 | |
Damaged, yep. | 0:24:14 | 0:24:17 | |
Would have had a wooden lid, which is missing. But that's not a problem. | 0:24:17 | 0:24:21 | |
It's got some nibbles out of it. | 0:24:21 | 0:24:24 | |
But it's priced at £6. | 0:24:24 | 0:24:27 | |
Huh, crumbs. | 0:24:27 | 0:24:28 | |
That is within my budget. | 0:24:28 | 0:24:30 | |
I could even buy another piece of Chinese pottery to go with it. | 0:24:30 | 0:24:35 | |
In fact... | 0:24:35 | 0:24:38 | |
I think I'm allowed to buy like-for-like items. | 0:24:38 | 0:24:43 | |
I feel a bit of a collective lot coming on here. | 0:24:43 | 0:24:46 | |
Time to do a deal, me thinks. | 0:24:46 | 0:24:48 | |
I'm thinking a way of solving my problem here, Eddie. | 0:24:48 | 0:24:51 | |
-You are, are you? -Well, I thought I might go off to the Orient | 0:24:51 | 0:24:53 | |
with a collective bundle of things. | 0:24:53 | 0:24:57 | |
-That might be a way forward, mightn't it? -Possibly, yes. | 0:24:57 | 0:25:00 | |
Look at him go. He's like a dog with a bone now. | 0:25:00 | 0:25:03 | |
Potty for pots. | 0:25:05 | 0:25:06 | |
-Never seen Margaret Thatcher there before. -No. That's spooky. | 0:25:06 | 0:25:09 | |
No, no, I'm not going to buy her. I've already got one of her. | 0:25:09 | 0:25:12 | |
-Oh, dear, you're in trouble. -Yeah! | 0:25:12 | 0:25:14 | |
So let's count up the pots then. | 0:25:14 | 0:25:16 | |
One, two, three... | 0:25:16 | 0:25:18 | |
-Four damaged pots. Would you be happy? -I'd be happy with that. | 0:25:18 | 0:25:22 | |
-£20 note? -Yeah, go on. -You are the man, sir. | 0:25:22 | 0:25:25 | |
May I give you the order of the £20. | 0:25:25 | 0:25:28 | |
Your last chance to regret it. You'll be all right? | 0:25:28 | 0:25:30 | |
-That's all right. -Thank you very much. | 0:25:30 | 0:25:32 | |
So, while Roscoe is completely spent out, | 0:25:32 | 0:25:34 | |
the same could definitely not be said for Thomas. | 0:25:34 | 0:25:38 | |
Luckily, he has another shop to go to. | 0:25:38 | 0:25:39 | |
He's heading into the county of Devon just nine miles | 0:25:41 | 0:25:43 | |
south-west of Crewkerne to the village of Tytherleigh where he's | 0:25:43 | 0:25:46 | |
-pinning all his hopes on the Trading Post. -Hello. | 0:25:46 | 0:25:49 | |
-Let's see how he gets on then. -What's your name? -Andrew. | 0:25:49 | 0:25:52 | |
Andrew, I'm Thomas. Nice to meet you. | 0:25:52 | 0:25:54 | |
Come on, Thomas, you've still got £127 to spend. | 0:25:57 | 0:26:01 | |
Can you spy anything to buy? | 0:26:01 | 0:26:02 | |
-Shh, can you hear the sound of the sea? -Quite a nice shell purse. | 0:26:08 | 0:26:12 | |
Mother of pearl, brass fittings, very popular, very French, actually. | 0:26:14 | 0:26:18 | |
We see a lot of these about but they're quite popular things. | 0:26:18 | 0:26:21 | |
They're quite pretty, aren't they? | 0:26:21 | 0:26:23 | |
Nice jewelled item. A jewel of the sea. | 0:26:25 | 0:26:29 | |
Using shells to make purses became very popular at the end of the | 0:26:29 | 0:26:33 | |
19th century when Victorians began to take holidays by the seaside. | 0:26:33 | 0:26:37 | |
This purse might well have been bought as a souvenir, | 0:26:37 | 0:26:41 | |
-so time to seal the deal with Andrew. -Andrew, what can that be? | 0:26:41 | 0:26:45 | |
-30 on that one. -30. OK. You couldn't do it for 25? | 0:26:45 | 0:26:48 | |
Yeah, we could do, yeah. It's a nice thing. | 0:26:50 | 0:26:52 | |
-If we go to 20, that's got to be the rock bottom. -Rock bottom. OK. | 0:26:52 | 0:26:56 | |
All right, I'll have that. £20, thank you very much. | 0:26:56 | 0:27:00 | |
At least you've bought something. That's Thomas's shopping completed. | 0:27:00 | 0:27:05 | |
Let's find out where Charlie has got to. | 0:27:05 | 0:27:08 | |
He's continuing the rural Somerset theme and is heading six miles north | 0:27:08 | 0:27:13 | |
to the lovely village of Shepton Beauchamp. | 0:27:13 | 0:27:15 | |
Charlie has come to meet avid collector and archivist, | 0:27:15 | 0:27:18 | |
Andrew Hall. | 0:27:18 | 0:27:20 | |
-Andrew. -Hi. -Good to see you. -Yes. | 0:27:20 | 0:27:23 | |
-I know why I'm here, to see your -lawn mowers? That's right. | 0:27:23 | 0:27:26 | |
-How many have you got? -1,100 at the last count. -1,100? -1,100. | 0:27:26 | 0:27:31 | |
Hidden away in no ordinary garden shed, is just part of Andrew's | 0:27:32 | 0:27:37 | |
vast collection of vintage lawn mowers. | 0:27:37 | 0:27:39 | |
It's listed in the Guinness Book Of Records | 0:27:42 | 0:27:44 | |
as the largest in the world. | 0:27:44 | 0:27:46 | |
I don't believe it. How many mowers can you get in a shed? | 0:27:46 | 0:27:50 | |
In this one, just short of 600. | 0:27:50 | 0:27:53 | |
The history of the lawn mower is tied up with two very British | 0:27:53 | 0:27:57 | |
traditions, the great country house estates and the evolution of sport. | 0:27:57 | 0:28:02 | |
At the end of the 18th century, | 0:28:02 | 0:28:03 | |
acres of lawn like those at Blenheim Palace were | 0:28:03 | 0:28:06 | |
cut by over 200 labourers every ten days using scythes, | 0:28:06 | 0:28:11 | |
but as the Industrial Revolution kicked in, | 0:28:11 | 0:28:14 | |
all that was to change with the invention of a new labour-saving | 0:28:14 | 0:28:17 | |
device, the lawn mower. | 0:28:17 | 0:28:18 | |
At the end of the shed is a particularly special example. | 0:28:21 | 0:28:25 | |
This, in actual fact, is the oldest known motor mower in the world. | 0:28:25 | 0:28:30 | |
Is it really? What a privilege to see it. | 0:28:30 | 0:28:33 | |
-You can sit on it if you want, as well. -Can I really? | 0:28:33 | 0:28:36 | |
This lawn mower was painstakingly restored by Andrew who | 0:28:36 | 0:28:39 | |
rescued it from an old sporting ground. | 0:28:39 | 0:28:42 | |
The lawn mower has played a huge, | 0:28:42 | 0:28:43 | |
-huge part in all British sporting life. -That's right. | 0:28:43 | 0:28:48 | |
I think, to be fair, the history of the lawn mower and the development | 0:28:48 | 0:28:52 | |
of the lawn mower goes hand-in-hand with the development of sport. | 0:28:52 | 0:28:55 | |
Yeah, Wimbledon, Lords, croquet lawns, the great lawns of England. | 0:28:55 | 0:29:01 | |
In the garden, Andrew has ferreted out a few of the earliest mowers | 0:29:01 | 0:29:05 | |
to show Charlie, one of which dating back to the 1880s, | 0:29:05 | 0:29:09 | |
played a key role in sporting lawns. | 0:29:09 | 0:29:11 | |
-These early small machines had two purposes. -Yeah? | 0:29:11 | 0:29:16 | |
One was, the line marker for tennis courts were not invented yet, | 0:29:16 | 0:29:21 | |
so what they actually did was they lowered the cut on these | 0:29:21 | 0:29:24 | |
machines, cut the lines out with this machine | 0:29:24 | 0:29:28 | |
so at least you could see a difference in colouration. | 0:29:28 | 0:29:31 | |
And that gave you the line. | 0:29:31 | 0:29:32 | |
The second use of these machines | 0:29:32 | 0:29:35 | |
is they became known as ladies machines. | 0:29:35 | 0:29:38 | |
I like it already. I like where you're going there. | 0:29:39 | 0:29:43 | |
-They're manageable for a lady. -That's right. | 0:29:43 | 0:29:45 | |
Larger machines needed a little more horse or donkey power. | 0:29:45 | 0:29:49 | |
This, presumably, is pulled by something. | 0:29:49 | 0:29:51 | |
Yes, we class this as a small pony mower or a donkey machine. | 0:29:51 | 0:29:56 | |
So you'll have a donkey, somebody leading the donkey. | 0:29:56 | 0:29:59 | |
Somebody will be leading the donkey with a carrot on the front. | 0:29:59 | 0:30:03 | |
And then somebody on the back. | 0:30:05 | 0:30:06 | |
It's hugely labour-intensive, isn't it? | 0:30:06 | 0:30:08 | |
It is, but don't forget that labour was cheap then to what it is today. | 0:30:08 | 0:30:12 | |
By the Edwardian period, mowers were still a luxury with only | 0:30:12 | 0:30:16 | |
the very rich being able to afford one like this from 1907. | 0:30:16 | 0:30:20 | |
Do you know what strikes me, first of all, looking at that machine? | 0:30:20 | 0:30:23 | |
It looks more sophisticated than the equivalent motor car. | 0:30:23 | 0:30:27 | |
Yes and more expensive too. This machine in 1907 would be £125. | 0:30:27 | 0:30:34 | |
That's a huge amount of money. | 0:30:34 | 0:30:36 | |
That equates today to something like 15,000. | 0:30:36 | 0:30:40 | |
Extraordinary. | 0:30:40 | 0:30:41 | |
In those days, actually, it would have bought your house. | 0:30:41 | 0:30:43 | |
It would, but, you see, the other thing is with motor mowers of this | 0:30:43 | 0:30:46 | |
period, they wouldn't have been used by the gardener, | 0:30:46 | 0:30:50 | |
they would have been used by the chauffeur | 0:30:50 | 0:30:52 | |
because he was the person who knew about petrol engines. | 0:30:52 | 0:30:55 | |
-A gardener wouldn't have had a clue, would he? -Yes. | 0:30:55 | 0:30:58 | |
A chauffeur to mow the lawn, eh? Those were the days. | 0:30:58 | 0:31:01 | |
Well, what an enlightening visit for Charlie, but it's time to leave | 0:31:01 | 0:31:05 | |
Andrew's lawn mowers behind and motor off to meet Thomas. | 0:31:05 | 0:31:09 | |
It's the moment of truth | 0:31:09 | 0:31:10 | |
when our experts reveal their purchases to one another. | 0:31:10 | 0:31:13 | |
The boys have regrouped in the pub. | 0:31:14 | 0:31:16 | |
-Roscoe. -Yep? | 0:31:16 | 0:31:18 | |
Roscoe, are you going to reveal first? Senious prioritus, I say. | 0:31:18 | 0:31:21 | |
How was your shopping? | 0:31:21 | 0:31:23 | |
Terrible, I don't want to talk about it! | 0:31:23 | 0:31:25 | |
Reveal! Get on with it, get on with it. | 0:31:25 | 0:31:28 | |
HE SINGS DARTH VADER THEME | 0:31:28 | 0:31:31 | |
That's the funeral march by the way, | 0:31:31 | 0:31:33 | |
you don't want to be doing that too much! | 0:31:33 | 0:31:35 | |
-Roscoe! -Yes. -Right! Now, I saw that in the shop. | 0:31:35 | 0:31:38 | |
-So how much did you pay for it? -85. | 0:31:38 | 0:31:41 | |
Oh! | 0:31:41 | 0:31:42 | |
You're dancing a little jig there, aren't you? Profit, profit, profit. | 0:31:42 | 0:31:46 | |
Oh, Thomas likes that one, but what about a cup of tea with Mrs T? | 0:31:46 | 0:31:51 | |
-Can I pick her up? -You can pick her up. | 0:31:51 | 0:31:53 | |
The only time you'll ever pick up the lady, look at that. | 0:31:53 | 0:31:56 | |
-The lady's not for turning. -No, no. -£40-£60 they make. | 0:31:56 | 0:32:01 | |
It cost 50 quid, so you know, we're in the middle there. | 0:32:01 | 0:32:05 | |
-You're in the middle. -By which time I'd got rather short of cash. -Yep? | 0:32:05 | 0:32:09 | |
So I went random today and without further ado, | 0:32:09 | 0:32:12 | |
I bought an 18th-century Chinese ginger jar which is knackered, | 0:32:12 | 0:32:16 | |
er, a prunus blossom one which is later but in good order, | 0:32:16 | 0:32:19 | |
and a couple of random pots, and the whole lot was 20 quid. | 0:32:19 | 0:32:22 | |
-Oh, bargain. -Can you yodel? -No, I can't yodel. | 0:32:22 | 0:32:27 | |
Because I'd like to see you yodel! | 0:32:27 | 0:32:29 | |
-# High on a hill and a lonely goat -# Oh lay ee odl lay ee odl ee hoo! | 0:32:29 | 0:32:33 | |
-That actually came into the bargaining. -Did it? | 0:32:33 | 0:32:35 | |
-Yes, we sang it together as a duet. Candy and I. -You and Candy, yes! | 0:32:35 | 0:32:39 | |
-Yes, I have a bit of a soft spot for Candy. -I bet you do. | 0:32:39 | 0:32:42 | |
That Candy certainly made an impression. | 0:32:42 | 0:32:45 | |
-Right, I didn't spend all my money, I have to say. -Thomas! | 0:32:45 | 0:32:49 | |
I tried, I tried! | 0:32:49 | 0:32:52 | |
The village pump, the village pump. | 0:32:52 | 0:32:55 | |
Have a look. | 0:32:55 | 0:32:57 | |
-Yep. I would imagine you bought it for 25 quid, did you? -28. | 0:32:57 | 0:33:01 | |
-Fine, isn't it? -Absolutely. -Can't go wrong. | 0:33:02 | 0:33:06 | |
-You've got a couple of Leblanc prints, have you? -Baxters. | 0:33:06 | 0:33:09 | |
-I hope they were cheap. -Yeah, they were really cheap. | 0:33:09 | 0:33:11 | |
-They need to be cheap. -£15. -For the two? -Yeah. -Sauce pot! | 0:33:11 | 0:33:17 | |
-You sauce pot! What have we got here? -Well, this is the horror show. | 0:33:17 | 0:33:21 | |
-Ready for this? -Has it got something in it? I hope it has. | 0:33:21 | 0:33:26 | |
Oh, dear! THOMAS LAUGHS | 0:33:26 | 0:33:29 | |
-Is that a bit of Armand Marseille? -Top marks, Charlie. | 0:33:29 | 0:33:31 | |
-So that's just a do-it-yourself kit, really? -A do-it-yourself kit. | 0:33:31 | 0:33:34 | |
But it's a dolly kit. I think that is worth 75 to 80 quid. | 0:33:34 | 0:33:39 | |
I paid £30. | 0:33:39 | 0:33:41 | |
-Thomas, well done, old bean. -Well done, Roscoe. -May the best man win. | 0:33:41 | 0:33:44 | |
All jolly cordial if you ask me, but what did they really think? | 0:33:44 | 0:33:48 | |
It's all about Charlie's silver bowl. I mean he bought that so well. | 0:33:48 | 0:33:51 | |
It's going to fly away at the auction. | 0:33:51 | 0:33:53 | |
The next lot is the teapot, it's fantastic. | 0:33:53 | 0:33:56 | |
I love those teapots. | 0:33:56 | 0:33:58 | |
Who's going to win? | 0:33:58 | 0:33:59 | |
Well, I hope it's Roscoe because he spent all his money | 0:33:59 | 0:34:02 | |
and wet Plant has hardly spend £100, so well done, Roscoe. | 0:34:02 | 0:34:06 | |
Pretty obvious looking at Thomas's things that he's had a pretty | 0:34:06 | 0:34:10 | |
tough time at that old shopping, but he's played safe. | 0:34:10 | 0:34:13 | |
The village pump, 28 quid, | 0:34:13 | 0:34:16 | |
will sell for 40 or so. | 0:34:16 | 0:34:19 | |
A pair of Baxter prints. | 0:34:19 | 0:34:21 | |
Like so many things, | 0:34:21 | 0:34:22 | |
Baxter prints are just not worth what they used to be worth. | 0:34:22 | 0:34:25 | |
But at £15 for the two, they're a safe buy. | 0:34:25 | 0:34:28 | |
It's going to be quite interesting, it's going to be nip and tuck | 0:34:28 | 0:34:32 | |
as the last gavel comes down. We'll wait and see. | 0:34:32 | 0:34:36 | |
All will be revealed very soon. | 0:34:36 | 0:34:38 | |
Shifty. | 0:34:38 | 0:34:39 | |
It's been a very jovial first leg, | 0:34:39 | 0:34:41 | |
kicking off in Watchet, | 0:34:41 | 0:34:43 | |
meandering around the delightful county of Somerset, | 0:34:43 | 0:34:45 | |
popping into Devon | 0:34:45 | 0:34:46 | |
and now back into Somerset again | 0:34:46 | 0:34:48 | |
for the chaps' first auction in Frome. | 0:34:48 | 0:34:51 | |
Right, come on. Once more into the breach. | 0:34:51 | 0:34:55 | |
Today's battleground is at the large rural auctioneers, Cooper & Tanner. | 0:34:55 | 0:35:00 | |
So what does auctioneer, Dennis Barnard, | 0:35:00 | 0:35:02 | |
think of our experts' choices? | 0:35:02 | 0:35:04 | |
With regard to the case of dolls, they look a bit sad in there | 0:35:06 | 0:35:10 | |
actually, just their heads and bodies. Because there's so much | 0:35:10 | 0:35:12 | |
work attached to them, I think sort of 30, £35 is probably top whack. | 0:35:12 | 0:35:17 | |
The Maggie Thatcher teapot, I know there's lots of them around but | 0:35:17 | 0:35:22 | |
it is interesting and I'm thinking perhaps 60, £75, | 0:35:22 | 0:35:26 | |
something like that. | 0:35:26 | 0:35:27 | |
The silver cup is particularly attractive, it is engraved, | 0:35:27 | 0:35:31 | |
which makes it less saleable, but I would be very surprised | 0:35:31 | 0:35:34 | |
if it's less than 150, £175. | 0:35:34 | 0:35:38 | |
I like it. | 0:35:38 | 0:35:39 | |
Our experts began this journey with £200 each, and over the last | 0:35:39 | 0:35:43 | |
two days, Charlie has spent every single penny on five auction lots. | 0:35:43 | 0:35:48 | |
Thomas, meanwhile, only managed to part with a measly £93 on four lots. | 0:35:48 | 0:35:52 | |
Dearie me! | 0:35:52 | 0:35:54 | |
-Have you got butterflies in your tummy? -I have. -Have you? | 0:35:54 | 0:35:57 | |
Are you nervous? | 0:35:57 | 0:35:58 | |
I've got that same feeling as when you're about to go out to bat. | 0:35:58 | 0:36:02 | |
Everything could all be over in a quick flash. | 0:36:03 | 0:36:07 | |
Right, chaps, concentrate. The auction is about to begin. | 0:36:07 | 0:36:10 | |
First up is Charlie's copper charger, possibly Newlyn School. | 0:36:10 | 0:36:14 | |
Start me, somebody, at £10. £10, quickly. | 0:36:14 | 0:36:19 | |
10 we've got, 15, 15. 20, sir? | 0:36:19 | 0:36:21 | |
20, 20. 20, I'm bid. | 0:36:21 | 0:36:27 | |
22, 22, 25, 25. | 0:36:27 | 0:36:29 | |
Look at that, look at that, I told you! | 0:36:29 | 0:36:31 | |
32, 32, 35, 35 at the end. | 0:36:31 | 0:36:34 | |
35, right there at 35. | 0:36:34 | 0:36:37 | |
Anyone else coming in? 35. | 0:36:37 | 0:36:39 | |
A stonking £20 profit for Roscoe's charger. Well done. | 0:36:39 | 0:36:44 | |
I'm in the money! | 0:36:44 | 0:36:46 | |
-It's Thomas's pair of Baxter prints up next. -Go on. Go on! | 0:36:46 | 0:36:53 | |
10 then, for these two pictures. Five we've got, five we've got. | 0:36:53 | 0:36:57 | |
-We've got eight, eight pounds. -That's too cheap. That's too cheap. | 0:36:57 | 0:37:00 | |
8, 10, 12? 12, 15? 12, 12, 12. | 0:37:00 | 0:37:06 | |
-Go on! One more. -£12. We've got this one I think at £12. | 0:37:06 | 0:37:11 | |
Yours for £12. | 0:37:11 | 0:37:13 | |
Well, there we are, £12, three-pound loss. | 0:37:13 | 0:37:17 | |
And sadly there will be even more loss after the auction house | 0:37:17 | 0:37:21 | |
takes its well-earned commission. | 0:37:21 | 0:37:22 | |
Well, they were Baxter prints at the end of the day! | 0:37:22 | 0:37:24 | |
-And I tried to buy them for £12. -Did you? -Yeah. -That's the spirit. | 0:37:24 | 0:37:28 | |
Now it's Charlie's collection of damaged pots. | 0:37:28 | 0:37:31 | |
Now then, who's got £20 to start on that jug? | 0:37:31 | 0:37:33 | |
£20 start straight away. | 0:37:33 | 0:37:36 | |
Five? 30. Five, girls? | 0:37:36 | 0:37:39 | |
-Good girl! -Stop! | 0:37:41 | 0:37:43 | |
35, 40, 40 with you, sir. | 0:37:43 | 0:37:45 | |
You've got to bid on some of my lots now! | 0:37:45 | 0:37:48 | |
At £40. | 0:37:48 | 0:37:50 | |
Roscoe is on a roll, another £20 profit. | 0:37:52 | 0:37:55 | |
-Well done. -Very sporting! | 0:37:55 | 0:37:57 | |
Now, will Thomas scare the bidders off with his suitcase of dolls? | 0:37:58 | 0:38:03 | |
Who's got 20? £20? 16 then, 16 for these dolls. | 0:38:03 | 0:38:07 | |
16 with the lady. 16. | 0:38:07 | 0:38:09 | |
-18 now? -Go on, go on! | 0:38:09 | 0:38:12 | |
-£16 for you, madam. £16. Anyone else coming in? -That's it. | 0:38:12 | 0:38:17 | |
18, 18. | 0:38:17 | 0:38:19 | |
20 there, madam? 22, two seven? 22? 24, madam? | 0:38:19 | 0:38:23 | |
24. 26 now, sir? £24 with the lady. | 0:38:23 | 0:38:27 | |
At £24. Are we all done then at £24? | 0:38:27 | 0:38:30 | |
I think Thomas has got the frights now. Another loss. | 0:38:30 | 0:38:35 | |
It's not going well. | 0:38:35 | 0:38:37 | |
Will Charlie's luck continue though? | 0:38:37 | 0:38:39 | |
It's his Alpine staff up next. | 0:38:39 | 0:38:42 | |
-£40? £20. -That would be a steal. -20, 20, 20, now five. | 0:38:42 | 0:38:47 | |
-You won't find another one in this room I should think. -No! | 0:38:47 | 0:38:51 | |
25. 30. | 0:38:51 | 0:38:53 | |
-There you are. -35? 35. -We're in Percy profit! | 0:38:53 | 0:38:58 | |
35? Are you sure? | 0:38:58 | 0:39:01 | |
42 if you like? 42, 45, 48? | 0:39:01 | 0:39:06 | |
45 with you, sir. 45. | 0:39:06 | 0:39:10 | |
All done at £45 then. | 0:39:10 | 0:39:13 | |
He's done it again. | 0:39:13 | 0:39:15 | |
Yodel-ay hee-hee! | 0:39:15 | 0:39:17 | |
Well, Thomas's luck has to turn, surely? | 0:39:17 | 0:39:20 | |
And it's his mother-of-pearl purse up next. | 0:39:20 | 0:39:22 | |
Start me, somebody, at £20. | 0:39:22 | 0:39:24 | |
10 then. 10 for the purse, 10 to go up, 10 with the lady. | 0:39:24 | 0:39:28 | |
10, 10, 10. Have we got 15? | 0:39:28 | 0:39:31 | |
-15, and 20, and five, five? -Go on, go on. -30. | 0:39:31 | 0:39:36 | |
28, sir? Have you got 28, sir? | 0:39:36 | 0:39:40 | |
-Go on, he's got 28. -28? No. | 0:39:40 | 0:39:43 | |
25 with the lady. 28. 30? | 0:39:43 | 0:39:46 | |
Oh! £28! | 0:39:46 | 0:39:49 | |
One more, come on! One more. | 0:39:49 | 0:39:51 | |
We're all done at £28. I'm still the auctioneer. | 0:39:51 | 0:39:55 | |
LAUGHTER | 0:39:55 | 0:39:57 | |
-Thomas! -Sorry I get carried away. | 0:39:57 | 0:39:59 | |
You will get carried away soon if you're not careful! | 0:40:01 | 0:40:04 | |
A profit for Thomas at last. | 0:40:04 | 0:40:07 | |
-No wonder he's getting a little exuberant. -Still behind in the game. | 0:40:07 | 0:40:10 | |
Go away, Roscoe. | 0:40:10 | 0:40:11 | |
Yes. Play nicely, children. | 0:40:11 | 0:40:14 | |
It's Charlie's big purchase next, his silver cup for prize hens. | 0:40:14 | 0:40:19 | |
I know where I'm going to start, I'm going to start at just £100. | 0:40:19 | 0:40:22 | |
We've got £100. 110. | 0:40:22 | 0:40:26 | |
110, 120, 130, 140. | 0:40:26 | 0:40:30 | |
We've got 135 on the book, John. | 0:40:30 | 0:40:32 | |
Have we got 140? No. 135. | 0:40:32 | 0:40:35 | |
135, there you are. 140. | 0:40:35 | 0:40:37 | |
140, 145 with my silver man? Not bidding. | 0:40:37 | 0:40:41 | |
140, down here at 140. Are we all done? At 140. | 0:40:41 | 0:40:46 | |
A stonking profit for Charlie. It really looks like it's his day. | 0:40:46 | 0:40:51 | |
-Profit Roscoe, they call him. -Profit Roscoe. | 0:40:51 | 0:40:53 | |
It's Thomas's last chance to catch up, but his Victorian water pump | 0:40:53 | 0:40:58 | |
will need to make over £140 for him to stand a chance. | 0:40:58 | 0:41:02 | |
Let's start, £20 to start, shall we? A garden feature, £20 there. | 0:41:02 | 0:41:06 | |
Straight in at 20. | 0:41:06 | 0:41:08 | |
30, 30. 35. 40, 40, five? | 0:41:08 | 0:41:12 | |
Oh, you're on fire! | 0:41:12 | 0:41:14 | |
-50, 50, five? 60. -Thomas! | 0:41:14 | 0:41:18 | |
They're not threatening you, are they? | 0:41:18 | 0:41:21 | |
No, no! I promise you, I've got nothing to do with it! | 0:41:21 | 0:41:23 | |
Have you got 65? | 0:41:23 | 0:41:24 | |
70 now, 75, 80, 80, 85? | 0:41:24 | 0:41:29 | |
80. With you. At £80. | 0:41:29 | 0:41:32 | |
All done at £80. | 0:41:32 | 0:41:35 | |
Not as much as he needed, but still a splendid £52 profit for Thomas. | 0:41:35 | 0:41:40 | |
At last he can celebrate. | 0:41:40 | 0:41:42 | |
-Mwah! Mwah! Thank you. -What about me? -Aww! | 0:41:42 | 0:41:45 | |
Lordy, look at that! | 0:41:45 | 0:41:47 | |
Now, any takers for the last lot of the day? | 0:41:47 | 0:41:50 | |
It's Charlie's Margaret Thatcher teapot. | 0:41:50 | 0:41:52 | |
Shall we start at £20? £20? Mrs Thatcher. | 0:41:52 | 0:41:56 | |
£20 we've got, 20, 20, 20. | 0:41:56 | 0:41:59 | |
We've got five. Five. | 0:41:59 | 0:42:01 | |
30, five, 40, five, 50, five, 60, | 0:42:01 | 0:42:07 | |
-70, 80, 90, 100. -Ooh! Roscoe! | 0:42:07 | 0:42:11 | |
110? 100, 100. | 0:42:11 | 0:42:15 | |
Are we all done? Anyone else coming in? £100. | 0:42:15 | 0:42:20 | |
Ha! The Iron Lady managed to turn our Charlie | 0:42:20 | 0:42:23 | |
yet another luscious profit. | 0:42:23 | 0:42:25 | |
Well done, Roscoe. | 0:42:25 | 0:42:28 | |
-Pumps and Thatchers to you. -Pumps and Thatchers! | 0:42:28 | 0:42:31 | |
Both our experts started this leg with £200, | 0:42:33 | 0:42:35 | |
and after paying auction costs, | 0:42:35 | 0:42:37 | |
Thomas has made a decent profit of £25.08. | 0:42:37 | 0:42:41 | |
That leaves him with a respectable £225.08 to carry forward. | 0:42:41 | 0:42:47 | |
That rascal Roscoe, on the other hand, has triumphed today. | 0:42:47 | 0:42:51 | |
He's made a bumper profit of £95.20, | 0:42:51 | 0:42:55 | |
which means he takes forward £295.20 to spend next time. | 0:42:55 | 0:43:00 | |
-How was it for you, Thomas? -Go away. You gloat! | 0:43:00 | 0:43:03 | |
-I never realised you'd gloat! -I'm not a gloater! | 0:43:03 | 0:43:07 | |
No, well done, you deserve it. | 0:43:07 | 0:43:09 | |
You know you don't mean it. | 0:43:09 | 0:43:10 | |
-We both ended up with more money than we started with. -That's what we wanted. | 0:43:10 | 0:43:13 | |
Next time on Antiques Road Trip, | 0:43:13 | 0:43:15 | |
Charlie resorts to dressing up to get a deal. | 0:43:15 | 0:43:18 | |
Ha-haa! Ha-ha-haa! Just like that! | 0:43:18 | 0:43:22 | |
-And Thomas, well, he just likes dressing up. -There you are. | 0:43:22 | 0:43:26 | |
I could be a pirate now, couldn't I? | 0:43:26 | 0:43:28 |