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It's the nation's favourite antiques experts | 0:00:02 | 0:00:04 | |
with £200 each, a classic car | 0:00:04 | 0:00:06 | |
and a goal to scour Britain for antiques. | 0:00:06 | 0:00:09 | |
Going, going...gone. | 0:00:09 | 0:00:11 | |
Yes! | 0:00:11 | 0:00:12 | |
I'm lovin' that bird. | 0:00:12 | 0:00:14 | |
The aim? To make the biggest profit at auction, | 0:00:14 | 0:00:16 | |
but it's no mean feat. | 0:00:16 | 0:00:17 | |
Yes! | 0:00:17 | 0:00:18 | |
There'll be worthy winners and valiant losers. | 0:00:18 | 0:00:21 | |
Don't I look handsome? | 0:00:21 | 0:00:23 | |
So, will it be the high road to glory | 0:00:23 | 0:00:25 | |
or the slow road to disaster? | 0:00:25 | 0:00:27 | |
I'm going now. | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:32 | |
Yeah... | 0:00:34 | 0:00:35 | |
The sun has come out in Gloucestershire | 0:00:37 | 0:00:39 | |
for antiques experts Charlie Ross and Thomas Plant. | 0:00:39 | 0:00:42 | |
Spirits are riding high | 0:00:42 | 0:00:43 | |
for the start of the third leg of their road trip. | 0:00:43 | 0:00:47 | |
-Cows are going nuts. -Look at them! They are... | 0:00:47 | 0:00:49 | |
THEY MOO | 0:00:49 | 0:00:51 | |
Cuddly Thomas has over 20 years' auctioneering experience | 0:00:54 | 0:00:57 | |
tucked under his belt | 0:00:57 | 0:00:58 | |
and he's not afraid to use it. | 0:00:58 | 0:01:00 | |
For goodness' sake, for 32, | 0:01:00 | 0:01:02 | |
-you're not going to ask for discount? -I am. | 0:01:02 | 0:01:04 | |
I am! Come on! | 0:01:04 | 0:01:06 | |
Rumbustious Charlie is even more of a veteran in the trade | 0:01:07 | 0:01:11 | |
and is blessed with dazzling powers of persuasion. | 0:01:11 | 0:01:14 | |
I'm going to ask you a straightforward question here. | 0:01:14 | 0:01:16 | |
-You can say yes or no. -No. | 0:01:16 | 0:01:18 | |
Ha...on we go. | 0:01:18 | 0:01:20 | |
Our valiant experts began the week with £200 each, | 0:01:21 | 0:01:24 | |
but two auctions later, a rather large gap is appearing. | 0:01:24 | 0:01:28 | |
On the net now at 30... | 0:01:28 | 0:01:29 | |
Do you know, it's not pain, Thomas. | 0:01:29 | 0:01:31 | |
It's agony. | 0:01:31 | 0:01:33 | |
Charlie suffered a few losses | 0:01:35 | 0:01:37 | |
and kicks off this leg back near square one | 0:01:37 | 0:01:40 | |
with £195.36. | 0:01:40 | 0:01:42 | |
Not happy. | 0:01:42 | 0:01:43 | |
Thomas, on the other hand, has made some astute purchases, | 0:01:46 | 0:01:49 | |
more than doubling his money, | 0:01:49 | 0:01:51 | |
giving him a magnificent £416.88 to play with. | 0:01:51 | 0:01:55 | |
Happy. | 0:01:55 | 0:01:56 | |
Our chaps are nipping about | 0:01:59 | 0:02:00 | |
in their natty little 1971 Triumph Spitfire | 0:02:00 | 0:02:04 | |
and isn't this just the weather for it? | 0:02:04 | 0:02:06 | |
This week's Road Trip is whisking us over 400 miles | 0:02:08 | 0:02:10 | |
from Watchet in Somerset | 0:02:10 | 0:02:12 | |
right up to Shropshire via North Wales | 0:02:12 | 0:02:15 | |
before looping back down | 0:02:15 | 0:02:16 | |
to finish at an auction finale in Bedford, Bedfordshire. | 0:02:16 | 0:02:20 | |
Today, we're kicking off in Tewkesbury, Gloucestershire, | 0:02:20 | 0:02:24 | |
then heading for delightful Worcestershire, | 0:02:24 | 0:02:26 | |
before motoring north for an auction showdown | 0:02:26 | 0:02:28 | |
in Wrexham, North Wales. | 0:02:28 | 0:02:30 | |
Sitting near the River Severn is the town of Tewkesbury - | 0:02:32 | 0:02:35 | |
a little piece of the Middle Ages preserved in time - | 0:02:35 | 0:02:38 | |
although some parts are better preserved than others. | 0:02:38 | 0:02:41 | |
HE LAUGHS | 0:02:41 | 0:02:44 | |
Alongside its charming 12th-century abbey | 0:02:44 | 0:02:47 | |
is one of the best black-and-white timbered medieval high streets in Britain, | 0:02:47 | 0:02:51 | |
home to two antique shops on opposite sides of the road. | 0:02:51 | 0:02:55 | |
Perfect! | 0:02:55 | 0:02:56 | |
-What a splendid establishment. -Oh, look at that! | 0:02:56 | 0:02:59 | |
BOTH: Oh! | 0:02:59 | 0:03:00 | |
-Good luck, old bean. -Good luck to you. | 0:03:00 | 0:03:03 | |
I'm off. Bye-bye. Find yourself a shop. | 0:03:03 | 0:03:05 | |
Be careful with your £400. | 0:03:05 | 0:03:07 | |
Sh! | 0:03:07 | 0:03:09 | |
Look at him go! | 0:03:09 | 0:03:11 | |
Charlie's shop du jour is Coach House Antiques - | 0:03:12 | 0:03:15 | |
an eclectic mix of traditional furniture, | 0:03:15 | 0:03:18 | |
shabby chic and retro. | 0:03:18 | 0:03:19 | |
Talking of retro... | 0:03:21 | 0:03:22 | |
-IMITATES TOMMY COOPER: -I'm looking for some bargains! | 0:03:22 | 0:03:24 | |
Ha-ha-ha! | 0:03:24 | 0:03:26 | |
Oh, lordy. | 0:03:26 | 0:03:27 | |
And after a good old sniff about... | 0:03:31 | 0:03:33 | |
I'm inexorably drawn back to this cabinet. | 0:03:33 | 0:03:35 | |
Which is owned by dealer John, who, luckily, is here today. | 0:03:35 | 0:03:39 | |
These are fabulous pot lids. | 0:03:39 | 0:03:42 | |
The Duke of Wellington's funeral. | 0:03:42 | 0:03:44 | |
-Framed, ready to go. -Yeah. | 0:03:44 | 0:03:46 | |
-How much is that one? -195. -Yeah. | 0:03:46 | 0:03:49 | |
But it is quite a rare one. | 0:03:49 | 0:03:51 | |
That's a rare lid. That's such a wonderful thing, isn't it? | 0:03:51 | 0:03:54 | |
Yeah. | 0:03:54 | 0:03:55 | |
Blow your money on one thing, Roscoe... | 0:03:55 | 0:03:58 | |
Uh-oh... | 0:03:59 | 0:04:00 | |
In the mid-19th century, | 0:04:00 | 0:04:02 | |
new printing technology allowed multicoloured transfers | 0:04:02 | 0:04:05 | |
to be printed on pot lids and other everyday wares. | 0:04:05 | 0:04:08 | |
Pot lids like these are now highly sought after | 0:04:08 | 0:04:10 | |
for their technical excellence, variety, | 0:04:10 | 0:04:13 | |
and their value as social and historical records. | 0:04:13 | 0:04:16 | |
This one depicts the funeral of the Duke of Wellington | 0:04:16 | 0:04:18 | |
and has a ticket price of £195. | 0:04:18 | 0:04:22 | |
Wonderful. I can remember Winston Churchill's funeral, | 0:04:22 | 0:04:25 | |
um...as if it was yesterday - 1965. | 0:04:25 | 0:04:28 | |
And that was a fabulous occasion. | 0:04:28 | 0:04:31 | |
-How much is that? -To you? -To me. Well, 600 to me! | 0:04:31 | 0:04:36 | |
CHARLIE LAUGHS | 0:04:36 | 0:04:38 | |
-I'll give that to you for £100. -Would you really? -I will. | 0:04:38 | 0:04:42 | |
That is a good buy. | 0:04:42 | 0:04:43 | |
I'm going to ask one question from a psychological point of view, | 0:04:43 | 0:04:47 | |
not really a financial one. | 0:04:47 | 0:04:49 | |
Could it be £95? | 0:04:49 | 0:04:51 | |
Only in so much that it's psychologically better than 100. | 0:04:51 | 0:04:55 | |
-Yes. -Are you sure? -Yes. | 0:04:55 | 0:04:56 | |
That's just under half your entire budget, Charlie! | 0:04:56 | 0:04:59 | |
You are a brave man. | 0:04:59 | 0:05:01 | |
A wonderful man, sir. Thank you. | 0:05:01 | 0:05:03 | |
WOMAN CLAPS | 0:05:03 | 0:05:04 | |
A round of applause! | 0:05:04 | 0:05:05 | |
A round of applause. | 0:05:05 | 0:05:07 | |
Charlie's not finished yet. | 0:05:08 | 0:05:10 | |
There's something else tempting in John's cabinet - | 0:05:10 | 0:05:12 | |
a very old-looking bottle, possibly Roman. | 0:05:12 | 0:05:16 | |
Extraordinary condition, isn't it? | 0:05:16 | 0:05:18 | |
"Riga Balsam." | 0:05:18 | 0:05:20 | |
-That's quite a rare thing, isn't it? -Yeah. | 0:05:20 | 0:05:22 | |
I don't know that it's Roman. So I'd be taking... | 0:05:22 | 0:05:26 | |
They are very hard to... | 0:05:26 | 0:05:27 | |
I'd be taking a complete gamble. | 0:05:27 | 0:05:29 | |
It's in extraordinary condition if it is Roman, isn't it? | 0:05:29 | 0:05:32 | |
It is, yeah. | 0:05:32 | 0:05:33 | |
The ticket price on the bottle is £35. | 0:05:34 | 0:05:37 | |
Can John do another deal? | 0:05:37 | 0:05:40 | |
-It can be yours for £20. -Could it really? | 0:05:40 | 0:05:43 | |
-There's no downside, is there, at 20 quid? -That's right. | 0:05:43 | 0:05:45 | |
Oh, what the heck. I like this. | 0:05:45 | 0:05:47 | |
No downside at all. | 0:05:49 | 0:05:50 | |
So, Charlie's raid on John's cabinet | 0:05:50 | 0:05:52 | |
has resulted in a Victorian pot lid and possibly Roman bottle | 0:05:52 | 0:05:55 | |
both for £115. | 0:05:55 | 0:05:57 | |
I am a compulsive shopper. | 0:05:59 | 0:06:02 | |
Thank you very much indeed, sir. Well done. | 0:06:02 | 0:06:04 | |
Now, let's see if Thomas is as flash with his cash in Attica. | 0:06:05 | 0:06:09 | |
Hello, I'm Thomas, Thomas Plant. | 0:06:11 | 0:06:13 | |
-What's your name? -Mark Turner. | 0:06:13 | 0:06:15 | |
Mark, nice to meet you. | 0:06:15 | 0:06:16 | |
Get browsing, Thomas. | 0:06:18 | 0:06:20 | |
There's something about shells and purses with me, isn't there? | 0:06:20 | 0:06:23 | |
I should have been a girl. | 0:06:23 | 0:06:25 | |
No comment. | 0:06:26 | 0:06:28 | |
Ooh, I think something's caught his eye, | 0:06:28 | 0:06:30 | |
with a ticket price of £20. | 0:06:30 | 0:06:31 | |
Solid pair of field glasses. | 0:06:33 | 0:06:36 | |
But what's interesting about them | 0:06:38 | 0:06:40 | |
is they've got the broad arrow mark for military issue. | 0:06:40 | 0:06:45 | |
"11089" - that's interesting. | 0:06:46 | 0:06:50 | |
So these are probably First World War. | 0:06:50 | 0:06:52 | |
So those, you've got 20 on. | 0:06:52 | 0:06:55 | |
What can be the best on the binoculars, please? | 0:06:55 | 0:06:57 | |
-15. -15...OK, cool. | 0:06:57 | 0:07:00 | |
Could I offer you 12? | 0:07:00 | 0:07:01 | |
MARK SIGHS | 0:07:01 | 0:07:02 | |
-Make it 14. -Make it 14. -Yeah. -And it's a deal. -Yeah. | 0:07:02 | 0:07:06 | |
All right, OK. I'll have those. | 0:07:06 | 0:07:08 | |
First World War binoculars at 14 can't be bad. | 0:07:08 | 0:07:11 | |
I'll have those, thank you very much. | 0:07:11 | 0:07:13 | |
Not bad at all - in fact, quite an eye opener. | 0:07:15 | 0:07:18 | |
Ha! | 0:07:18 | 0:07:19 | |
Is it me, or does our Thomas remind you of a teddy bear? | 0:07:19 | 0:07:23 | |
Now, here's something Winnie the Pooh | 0:07:23 | 0:07:25 | |
would definitely like. | 0:07:25 | 0:07:26 | |
I do love that. | 0:07:29 | 0:07:30 | |
It's for drizzling honey. | 0:07:31 | 0:07:33 | |
Honey pourer-drizzler. | 0:07:33 | 0:07:35 | |
The honey goes in there and you drizzle it out. | 0:07:35 | 0:07:38 | |
You can see, it's almost like a honeycomb | 0:07:38 | 0:07:41 | |
but the construction of that is just beautiful. | 0:07:41 | 0:07:43 | |
That has been made on a wheel. | 0:07:43 | 0:07:47 | |
I think it's incredibly stylish, actually... | 0:07:47 | 0:07:49 | |
It is so stylish. | 0:07:49 | 0:07:51 | |
What can that be? | 0:07:51 | 0:07:52 | |
I wouldn't want to go lower than 12. | 0:07:54 | 0:07:56 | |
It's something quite quirky, quite unusual, | 0:07:57 | 0:08:00 | |
it's got a real charm about it. | 0:08:00 | 0:08:02 | |
It has got a charm. It has got a charm. | 0:08:02 | 0:08:04 | |
West Country, Bristolian charm. | 0:08:04 | 0:08:06 | |
All right, all right... | 0:08:06 | 0:08:08 | |
You're pressing my buttons. You know you are, Mark. | 0:08:08 | 0:08:11 | |
So, what's the best on that? | 0:08:11 | 0:08:14 | |
12 on that. I couldn't go any lower. | 0:08:14 | 0:08:16 | |
-So that makes those two 26... -14 and 12, 26. | 0:08:16 | 0:08:20 | |
Can we do the two for 25? | 0:08:20 | 0:08:22 | |
-Um...yes. -Keeps it... | 0:08:22 | 0:08:24 | |
No, that's fine, I'm happy with that. | 0:08:24 | 0:08:26 | |
-Thank you very much. -Thank you very much. | 0:08:26 | 0:08:28 | |
Well done, Thomas! Two items in the old bag. | 0:08:28 | 0:08:31 | |
With his shopping for the morning completed, | 0:08:32 | 0:08:34 | |
Charlie's heading 14 miles northwest to Malvern. | 0:08:34 | 0:08:38 | |
For a man not only passionate about vintage cars | 0:08:40 | 0:08:42 | |
but who also auctions them off for a living, | 0:08:42 | 0:08:45 | |
our Charlie is in for a treat. | 0:08:45 | 0:08:47 | |
Malvern is the home | 0:08:53 | 0:08:54 | |
of one of Britain's best-known classic sports cars - the Morgan. | 0:08:54 | 0:08:59 | |
Morgan roadsters and three-wheelers epitomise timeless glamour. | 0:09:02 | 0:09:06 | |
Outwardly, they've changed little | 0:09:06 | 0:09:08 | |
since they were first made over 100 years ago. | 0:09:08 | 0:09:11 | |
Charlie's going to be shown around - lucky dog - | 0:09:13 | 0:09:16 | |
by the managing director, Steve. | 0:09:16 | 0:09:18 | |
Ah-ha! Do I see the managing director? | 0:09:18 | 0:09:20 | |
Charlie Ross. | 0:09:20 | 0:09:21 | |
-Good to meet you. Steve Morris. -Steve, hello. | 0:09:21 | 0:09:24 | |
Morgans have been made here in Malvern | 0:09:26 | 0:09:28 | |
since the early days of the motor car. | 0:09:28 | 0:09:30 | |
Back in 1909, | 0:09:30 | 0:09:32 | |
25-year-old Harry Morgan invented his first three-wheeler, | 0:09:32 | 0:09:36 | |
a car so light and affordable, | 0:09:36 | 0:09:38 | |
it was to bring motoring to the masses. | 0:09:38 | 0:09:40 | |
I can't help looking at this | 0:09:41 | 0:09:42 | |
and thinking, "Why three wheels? Why not four?" | 0:09:42 | 0:09:45 | |
It was cheaper to run, cheaper to manufacture. | 0:09:45 | 0:09:48 | |
Even back in the early 1900s, | 0:09:48 | 0:09:50 | |
I think tax played a part in the affordable part of motoring. | 0:09:50 | 0:09:53 | |
Yeah...gosh. And it's got no steering wheel. | 0:09:53 | 0:09:56 | |
No, it's a tiller-style steering, so you're steering off a handle. | 0:09:56 | 0:10:00 | |
Is that steering the back wheels or the front wheels? | 0:10:00 | 0:10:03 | |
-Front-wheel steering, so... -Yeah. Gosh. | 0:10:03 | 0:10:06 | |
They may not seem fast by modern standards, | 0:10:06 | 0:10:09 | |
but early Morgan three-wheelers were demons on the racing track, | 0:10:09 | 0:10:13 | |
winning a string of trophies. | 0:10:13 | 0:10:14 | |
Ah! Brooklands! | 0:10:14 | 0:10:16 | |
This is HFS and Ruth Morgan | 0:10:16 | 0:10:19 | |
in an early trial at Brooklands, on the race track, | 0:10:19 | 0:10:21 | |
so possibly testing, it could have been speed trials, | 0:10:21 | 0:10:24 | |
-it could have been general... -Speed trials? No crash hats! | 0:10:24 | 0:10:26 | |
-No, no... -They wore woollen bonnets! | 0:10:26 | 0:10:29 | |
Do you know - long before my time - | 0:10:29 | 0:10:31 | |
but my father raced at Brooklands in a home-made car? | 0:10:31 | 0:10:35 | |
I bet it wasn't as quick as a Morgan. | 0:10:35 | 0:10:38 | |
And knowing my father, it used to break down. | 0:10:38 | 0:10:40 | |
By the '30s, Morgans evolved to meet demand for family cars, | 0:10:40 | 0:10:45 | |
developing their first four-wheelers. | 0:10:45 | 0:10:47 | |
They've changed little on the outside ever since. | 0:10:47 | 0:10:50 | |
That, I think, is as attractive as any car you've ever made, really. | 0:10:50 | 0:10:54 | |
Early '60s car, that. It's what we call a drophead coupe. | 0:10:54 | 0:10:58 | |
-The actual car was Charles Morgan's mother's car. -Really? | 0:10:58 | 0:11:02 | |
Yes - it's got quite a lot of history, with the car. | 0:11:02 | 0:11:05 | |
So why did they ditch the three wheels in the end | 0:11:05 | 0:11:07 | |
and go for four wheels? | 0:11:07 | 0:11:09 | |
I think there was a requirement - the world had moved on. | 0:11:09 | 0:11:11 | |
I think there was a requirement for family transport, | 0:11:11 | 0:11:14 | |
for more travel, more distance, more comfort. | 0:11:14 | 0:11:18 | |
-Presumably, you can put more power into four wheels, can't you? -Yeah. | 0:11:18 | 0:11:22 | |
If you put a V8 engine into that three-wheeler... | 0:11:22 | 0:11:25 | |
-You could have a problem. -You'd be dead within the week. | 0:11:25 | 0:11:28 | |
THEY LAUGH | 0:11:28 | 0:11:29 | |
Morgan's success has been to stick at what they're good at - | 0:11:32 | 0:11:34 | |
making the quintessential British sports car, | 0:11:34 | 0:11:38 | |
some of which even hark back to those early days. | 0:11:38 | 0:11:41 | |
And what am I looking at, straightaway? | 0:11:42 | 0:11:44 | |
A car from 1910? | 0:11:44 | 0:11:46 | |
No, it's very modern, | 0:11:46 | 0:11:47 | |
the very latest Morgan three-wheeler. | 0:11:47 | 0:11:49 | |
-You're making three-wheeled cars today? -We certainly are. | 0:11:49 | 0:11:52 | |
We make 12 a week, every week. | 0:11:52 | 0:11:53 | |
To me, as a layman, it looks virtually the same. | 0:11:53 | 0:11:56 | |
Yeah. I mean, it was styled with the original three-wheeler in mind, | 0:11:56 | 0:12:00 | |
but obviously with a modern twist to everything. | 0:12:00 | 0:12:03 | |
What sort of performance would a three-wheeler like this have? | 0:12:03 | 0:12:05 | |
-It's phenomenal. -Really? Quick? | 0:12:05 | 0:12:08 | |
Yeah, you'll do 120mph, it's... | 0:12:08 | 0:12:10 | |
CHARLIE LAUGHS | 0:12:10 | 0:12:12 | |
Quoted 0-60 in, you know, late five seconds. | 0:12:12 | 0:12:16 | |
-Really? -Yeah, six seconds. -Like flying a Spitfire! | 0:12:16 | 0:12:18 | |
They're very quick - and, of course, you're so low, | 0:12:18 | 0:12:21 | |
you're so open to the elements, | 0:12:21 | 0:12:22 | |
but you certainly get out of it with a smile on your face. | 0:12:22 | 0:12:25 | |
Each one is hand crafted and made to order. | 0:12:28 | 0:12:31 | |
But if you're after one, there's a year-long waiting list | 0:12:32 | 0:12:35 | |
and be prepared to fork out up to £135,000 for the pleasure. | 0:12:35 | 0:12:40 | |
It's more than most of us can afford, | 0:12:42 | 0:12:44 | |
but for lucky Charlie, dreams do come true. | 0:12:44 | 0:12:47 | |
I've got one last wish here, Steve, you've been so good to me - | 0:12:48 | 0:12:52 | |
can I drive one of your cars? | 0:12:52 | 0:12:53 | |
-You certainly can - I've got one outside you can drive now. -Come on! | 0:12:53 | 0:12:56 | |
A proper driving experience. | 0:13:01 | 0:13:03 | |
CHARLIE LAUGHS | 0:13:03 | 0:13:05 | |
You can actually drive a car like this without smiling. | 0:13:08 | 0:13:11 | |
I don't want to buy antiques any more - | 0:13:13 | 0:13:15 | |
to hell with antiques! | 0:13:15 | 0:13:16 | |
I just want to spend the rest of my life driving this car. | 0:13:16 | 0:13:19 | |
Sorry, Charlie. | 0:13:22 | 0:13:23 | |
You've got to get back to the Spitfire, I'm afraid, | 0:13:23 | 0:13:26 | |
although I wouldn't turn my nose up even at that. | 0:13:26 | 0:13:29 | |
While Charlie's having a spin, | 0:13:29 | 0:13:31 | |
Thomas has travelled to the small town of Upton-Upon-Severn | 0:13:31 | 0:13:33 | |
for a spot more shopping. | 0:13:33 | 0:13:35 | |
Now, what does this rather fetching establishment have in store? | 0:13:35 | 0:13:38 | |
-Hello. -Hello, how are you? | 0:13:40 | 0:13:41 | |
-I'm Thomas. -Hi, Thomas. I'm Lee. -Lee, nice to meet you. -You too. | 0:13:41 | 0:13:45 | |
Everything in Croome Antiques has been chosen by owner Lee | 0:13:45 | 0:13:49 | |
and there's all kind of quirky things lurking about. | 0:13:49 | 0:13:52 | |
Oh - there's a teddy, Thomas. | 0:13:52 | 0:13:55 | |
And is it real? | 0:13:55 | 0:13:56 | |
-What the dog called? -Jerry. -Jerry. | 0:13:56 | 0:13:59 | |
Hello. Are you going to come and say hello? | 0:13:59 | 0:14:02 | |
Hello... | 0:14:02 | 0:14:03 | |
He's the complaints department. | 0:14:03 | 0:14:05 | |
-Has never bitten anybody yet. -Oh, OK. OK. That's a warning. | 0:14:05 | 0:14:09 | |
After him, Jerry! | 0:14:10 | 0:14:11 | |
And now, anyone for the races? | 0:14:13 | 0:14:16 | |
There's more to this horse and rider than meets the eye. | 0:14:16 | 0:14:18 | |
This is a spelter table light. | 0:14:19 | 0:14:22 | |
So what you do, there's meant to be a little... | 0:14:22 | 0:14:25 | |
This is the post where the horse is tethered to the jockey | 0:14:25 | 0:14:28 | |
and there's meant to be a little striker in there | 0:14:28 | 0:14:30 | |
and it's filled with, uh...paraffin. | 0:14:30 | 0:14:34 | |
And you can take it out and you can strike it on there | 0:14:34 | 0:14:37 | |
and you can hand the lighter round to your colleagues after supper | 0:14:37 | 0:14:40 | |
to light one's cigars or cigarettes with. | 0:14:40 | 0:14:43 | |
So it's a Deco table light. | 0:14:43 | 0:14:45 | |
I quite like that. | 0:14:45 | 0:14:47 | |
It's missing its striker and there's some damage to the base, | 0:14:47 | 0:14:50 | |
so the ticket price on this table lighter is £98. | 0:14:50 | 0:14:53 | |
One to think about. | 0:14:53 | 0:14:54 | |
What a fabulous, fabulous spirit kettle on a stand. | 0:14:56 | 0:15:03 | |
Look at that! | 0:15:03 | 0:15:05 | |
Straight out of the Art Nouveau period, by WMF. | 0:15:05 | 0:15:10 | |
Wow! | 0:15:10 | 0:15:11 | |
What a thing. | 0:15:11 | 0:15:13 | |
Oh, look at that cane handle. | 0:15:13 | 0:15:17 | |
What a thing of beauty. | 0:15:17 | 0:15:19 | |
Ho! Ho! | 0:15:19 | 0:15:22 | |
What a fabulous thing. | 0:15:23 | 0:15:25 | |
I think he likes it. | 0:15:25 | 0:15:26 | |
Oh, and it's the early mark, as well. | 0:15:26 | 0:15:28 | |
Oh...! | 0:15:28 | 0:15:29 | |
Right, so this is a really early mark for WMF. | 0:15:29 | 0:15:31 | |
It's the ostrich in the diamond, there. | 0:15:32 | 0:15:36 | |
Badly bashed. | 0:15:36 | 0:15:37 | |
From its early days in the late 19th century | 0:15:37 | 0:15:40 | |
through to the First World War, | 0:15:40 | 0:15:42 | |
German manufacturing company WMF | 0:15:42 | 0:15:45 | |
became one of the most prolific producers of elegant designs | 0:15:45 | 0:15:49 | |
formed in metal and glass. | 0:15:49 | 0:15:51 | |
This piece is stamped with the rare ostrich mark, | 0:15:51 | 0:15:53 | |
which was replaced in 1907 by a simple WMF. | 0:15:53 | 0:15:58 | |
What a thing of absolute...beauty. | 0:15:58 | 0:16:04 | |
What a thing. But it has seen slightly better days. | 0:16:04 | 0:16:08 | |
I like that. I'm going to ask about that, | 0:16:08 | 0:16:10 | |
see what can be done. | 0:16:10 | 0:16:12 | |
That's two items to consider. Could this be a third? | 0:16:12 | 0:16:15 | |
That's lovely, isn't it? | 0:16:15 | 0:16:17 | |
It's Art Nouveau. It's in pewter. | 0:16:17 | 0:16:20 | |
You've got the two flower heads. You've got the sinuous stem. | 0:16:20 | 0:16:24 | |
It would have been a drinks... | 0:16:24 | 0:16:26 | |
It would have been a tray for drinks. | 0:16:26 | 0:16:28 | |
But it is very attractive and that pewter look is good-looking. | 0:16:28 | 0:16:31 | |
And it's so cheap - £18. | 0:16:32 | 0:16:35 | |
I think that's quite a good thing. I think that could make money. | 0:16:35 | 0:16:39 | |
So, there's the pewter plate, the WMF kettle | 0:16:39 | 0:16:43 | |
and the jockey table lighter. | 0:16:43 | 0:16:45 | |
-What can you do? -OK, well, the horse, um...we've got 98 on, | 0:16:45 | 0:16:49 | |
so we'll do that for 80. | 0:16:49 | 0:16:51 | |
-OK. -OK? | 0:16:51 | 0:16:52 | |
The WMF, um... | 0:16:52 | 0:16:54 | |
I haven't got a lot of manoeuvrability with that, | 0:16:55 | 0:16:58 | |
I'll be honest with you. | 0:16:58 | 0:16:59 | |
We've got 110 on it. | 0:16:59 | 0:17:00 | |
-Mm, you like it, though, don't you? -I do, I love it. Yeah. | 0:17:00 | 0:17:04 | |
I could hear the noise and the commotion when you... | 0:17:04 | 0:17:07 | |
Yeah, it's very nice, it's a nice thing. | 0:17:07 | 0:17:09 | |
-So, £100. -Oh...! | 0:17:09 | 0:17:11 | |
LEE LAUGHS | 0:17:11 | 0:17:12 | |
Yeah. | 0:17:13 | 0:17:15 | |
-And the Art Nouveau tray is 18. -Yeah. | 0:17:15 | 0:17:18 | |
We'll do that for 15, of course. | 0:17:18 | 0:17:20 | |
Um... | 0:17:20 | 0:17:22 | |
Cos that's damaged, I was thinking that should be...a bit less. 60. | 0:17:22 | 0:17:28 | |
60?! | 0:17:28 | 0:17:29 | |
I was hoping for 70 for the kettle and stand. | 0:17:29 | 0:17:35 | |
-For the tray, I get it. -Yes. -That's fine. | 0:17:35 | 0:17:38 | |
How do those figures grab you? | 0:17:38 | 0:17:41 | |
60, 70, get the tray. | 0:17:41 | 0:17:44 | |
OK - tray at 15, that one...uh... | 0:17:44 | 0:17:47 | |
-I'll accept 60 on that. -OK. | 0:17:47 | 0:17:49 | |
I'll go to 90 on that, but no less. | 0:17:49 | 0:17:52 | |
And I think that's a very good buy at 90. | 0:17:52 | 0:17:54 | |
Make it...150 for the lot, and you've got a deal. | 0:17:54 | 0:17:59 | |
THOMAS LAUGHS | 0:18:01 | 0:18:03 | |
-155. -Oh...! | 0:18:04 | 0:18:07 | |
LEE LAUGHS | 0:18:07 | 0:18:08 | |
And that's a good price. | 0:18:08 | 0:18:09 | |
(Oh, 155...) | 0:18:09 | 0:18:11 | |
So that's one, two, three... | 0:18:11 | 0:18:14 | |
OK... | 0:18:15 | 0:18:16 | |
-We're splitting hairs, really, aren't we? -We are. -Come on. | 0:18:17 | 0:18:20 | |
-Thank you very much. -Thank you, Thomas. Appreciate it. | 0:18:20 | 0:18:23 | |
Lee's done you proud there, Thomas. | 0:18:23 | 0:18:25 | |
This is the most I've spent in a shop for ages! | 0:18:25 | 0:18:28 | |
Yeah - well done, you! | 0:18:28 | 0:18:29 | |
After that flurry of purchases, there's only one thing to be done. | 0:18:29 | 0:18:33 | |
Both experts deserve a little lie down. | 0:18:33 | 0:18:35 | |
Sleep tight, chaps. | 0:18:36 | 0:18:38 | |
It's day two and Charlie's fretting over yesterday's purchases. | 0:18:41 | 0:18:45 | |
-It's all going horribly wrong. -Does it matter, though? | 0:18:47 | 0:18:51 | |
We're here, in the open-top car... | 0:18:51 | 0:18:54 | |
This is the most beautiful county. | 0:18:54 | 0:18:57 | |
That's the spirit - peckers up! | 0:18:57 | 0:18:59 | |
Charlie spent £115 on two items - | 0:19:01 | 0:19:04 | |
the pot lid depicting the Duke of Wellington's funeral | 0:19:04 | 0:19:07 | |
and the Roman unguentaria bottle, | 0:19:07 | 0:19:09 | |
leaving him with £80.36 to play with. | 0:19:09 | 0:19:12 | |
I am a compulsive shopper. | 0:19:13 | 0:19:16 | |
Thomas, meanwhile, has splashed out £180 on five items - | 0:19:16 | 0:19:21 | |
a honey drizzler, a pair of WWI binoculars, | 0:19:21 | 0:19:24 | |
a pewter plate, a WMF spirit kettle and table lighter - lordy - | 0:19:24 | 0:19:30 | |
and that still leaves him with £236.88 to spend. | 0:19:30 | 0:19:34 | |
Flash Harry. | 0:19:34 | 0:19:36 | |
I better give you some money. | 0:19:36 | 0:19:37 | |
Now, this should be interesting. | 0:19:37 | 0:19:39 | |
Our sparring partners have returned to Malvern | 0:19:39 | 0:19:41 | |
and their shops are right next door to one another. | 0:19:41 | 0:19:44 | |
Ha-ha! | 0:19:44 | 0:19:45 | |
-Roscoe. -Do your worst, Planters. | 0:19:45 | 0:19:47 | |
Oh! | 0:19:47 | 0:19:48 | |
Come on, Roscoe! Bounce out! | 0:19:48 | 0:19:51 | |
-You're remarkably lithe, aren't you? -I'm fit, aren't I? | 0:19:51 | 0:19:54 | |
Fit for shopping, I hope. | 0:19:54 | 0:19:56 | |
Thomas has bagged Foley House Antiques Centre. | 0:19:56 | 0:19:58 | |
-Hello, Thomas. I'm Bridget. -Bridget. Very nice to meet you. | 0:19:59 | 0:20:02 | |
-Well, I'll have a good look around, if that's all right? -Please do. | 0:20:02 | 0:20:05 | |
Thank you very much. | 0:20:05 | 0:20:06 | |
Yesterday, Thomas went on a shopping frenzy, | 0:20:06 | 0:20:09 | |
snapping up five items in two shops. | 0:20:09 | 0:20:12 | |
Let's see if he's still on a roll. | 0:20:12 | 0:20:14 | |
Have a good scoot... | 0:20:16 | 0:20:18 | |
Uh-oh - has he run out of steam? | 0:20:18 | 0:20:22 | |
God, there's stuff everywhere, isn't there? | 0:20:22 | 0:20:25 | |
Bridget, there's stuff everywhere. | 0:20:25 | 0:20:26 | |
Yes, Thomas - it's a shop, don't you know? | 0:20:26 | 0:20:29 | |
Frustrating... | 0:20:29 | 0:20:32 | |
I haven't even looked in these cabinets here. | 0:20:32 | 0:20:34 | |
It's extraordinary. | 0:20:34 | 0:20:35 | |
Um... | 0:20:35 | 0:20:37 | |
Oh, Bridget, I feel your pain. | 0:20:37 | 0:20:39 | |
It's a no. It's a no. | 0:20:39 | 0:20:41 | |
God, I'm being a pain. | 0:20:44 | 0:20:45 | |
I give up. Quick, let's go and look next door. | 0:20:45 | 0:20:48 | |
Charlie's making himself at home in Promenade Antiques, | 0:20:51 | 0:20:54 | |
watched by friendly owner Mark. | 0:20:54 | 0:20:56 | |
-Anyway, may I have a look round? -You're more than welcome. | 0:20:56 | 0:20:59 | |
See what I can find. | 0:20:59 | 0:21:00 | |
As long as you do more than just look, Charlie. | 0:21:00 | 0:21:03 | |
That is an enormous dinner service. | 0:21:06 | 0:21:09 | |
That's a real gamble lot, something like that, isn't it? | 0:21:09 | 0:21:12 | |
If you went to buy that, it would cost you... | 0:21:12 | 0:21:14 | |
..£3,000? | 0:21:15 | 0:21:17 | |
-Each plate's £30-£40. -And there's 12 of those. | 0:21:17 | 0:21:20 | |
£50. There's 12 - 5, 12, 60... | 0:21:20 | 0:21:22 | |
I bet there's £3,000 worth of stuff there. | 0:21:22 | 0:21:25 | |
This has hardly been used - | 0:21:25 | 0:21:26 | |
a lot of these were bought as wedding presents, | 0:21:26 | 0:21:28 | |
put away, never used. | 0:21:28 | 0:21:30 | |
That's a lot of dinner service. | 0:21:30 | 0:21:32 | |
Not sure I've got quite enough money for that. | 0:21:32 | 0:21:35 | |
Yeah, the dinner service has £170 on the ticket. | 0:21:35 | 0:21:39 | |
Best aim for something more suited to your budget, | 0:21:39 | 0:21:41 | |
like this. | 0:21:41 | 0:21:43 | |
-I like your toffee hammer. -Memories of childhood. | 0:21:43 | 0:21:46 | |
Memories of childhood - isn't that wonderful? | 0:21:46 | 0:21:48 | |
Look at that - toffee hammer. | 0:21:48 | 0:21:50 | |
But you have a slab of toffee, | 0:21:50 | 0:21:53 | |
and the retailer would smash up the toffee and sell it in chunks. | 0:21:53 | 0:21:59 | |
That's a wonderful thing, and it says "for toffee". | 0:21:59 | 0:22:02 | |
Isn't that delightful? What a wonderful memory. | 0:22:02 | 0:22:06 | |
That's well worth considering, that is. | 0:22:07 | 0:22:10 | |
I might as well ask a question - um... | 0:22:10 | 0:22:13 | |
That's not something I would normally buy, | 0:22:14 | 0:22:16 | |
that dinner service, as you know - there's so much of it. | 0:22:16 | 0:22:19 | |
And it would be a complete gamble at auction, but...um... | 0:22:19 | 0:22:23 | |
I've got just under 100 quid, it's not going to buy that, is it? | 0:22:23 | 0:22:26 | |
How much, just under? | 0:22:26 | 0:22:28 | |
Started with £195 and I've got 80 quid left, | 0:22:28 | 0:22:31 | |
so I don't know whether... | 0:22:31 | 0:22:33 | |
That's probably not going to do the trick, is it? | 0:22:33 | 0:22:35 | |
-I did have some breakfast cups that went with it. -Yes. | 0:22:35 | 0:22:38 | |
-And I sold those yesterday to a lady. -Did you? | 0:22:38 | 0:22:42 | |
To match her own service, presumably? | 0:22:42 | 0:22:44 | |
-And she gave me a good price for them. -Yeah. | 0:22:44 | 0:22:47 | |
So...as that happened, in that case, | 0:22:47 | 0:22:50 | |
I could go that for the money that you're offering. | 0:22:50 | 0:22:52 | |
Could you? | 0:22:52 | 0:22:53 | |
I think that's a phenomenal offer, I have to say. | 0:22:53 | 0:22:56 | |
Heart over head, isn't it? | 0:22:56 | 0:22:57 | |
The thing I like best of all is your toffee... | 0:22:57 | 0:23:01 | |
Yeah. It's good fun. | 0:23:01 | 0:23:03 | |
That's a great thing. | 0:23:03 | 0:23:04 | |
So Charlie's hoping to snaffle up the toffee hammer | 0:23:04 | 0:23:07 | |
AND the dinner service for his remaining cash. | 0:23:07 | 0:23:10 | |
If I gave you £80.36 - and that is my total wipe-out - | 0:23:11 | 0:23:16 | |
could I have that and the toffee hammer? | 0:23:16 | 0:23:19 | |
Seeing as you like the toffee hammer, I'll do that. | 0:23:19 | 0:23:21 | |
Are you sure? That's really kind of you. | 0:23:21 | 0:23:24 | |
And just like that, Charlie's spent out. | 0:23:24 | 0:23:27 | |
Now, how's Thomas getting on? | 0:23:27 | 0:23:30 | |
I've been perusing. I've been perusing. | 0:23:30 | 0:23:33 | |
And because I have an Art Nouveau pewter plate, | 0:23:33 | 0:23:37 | |
-it would fit quite nicely with this mirror. -Oh, right. | 0:23:37 | 0:23:42 | |
-Because that's Arts and Crafts as well. -Yes, yes. | 0:23:42 | 0:23:44 | |
Um...well, Art Nouveau, Arts and Crafts. | 0:23:44 | 0:23:46 | |
For goodness' sake, for 32, | 0:23:46 | 0:23:47 | |
-you're not going to ask for discount? -I am. | 0:23:47 | 0:23:49 | |
-I am! Come on! -Oh...! | 0:23:49 | 0:23:51 | |
Come on. See, they would fit well together. | 0:23:51 | 0:23:55 | |
A plate and a mirror. | 0:23:55 | 0:23:58 | |
Ah, so Thomas wants to put the mirror in the same lot | 0:23:58 | 0:24:01 | |
as the pewter plate he bought yesterday - cunning. | 0:24:01 | 0:24:04 | |
-It's quite cheap. -I know it's cheap. So you don't need discount, do you? | 0:24:04 | 0:24:08 | |
-£20 would be buying it. -25 would be buying it. | 0:24:08 | 0:24:13 | |
20 and you've got a deal. | 0:24:13 | 0:24:14 | |
-Go on, then. Go on. -Superb. | 0:24:16 | 0:24:18 | |
You're very sweet. Thank you very much. | 0:24:18 | 0:24:20 | |
Phew! He's bought something at last, | 0:24:20 | 0:24:23 | |
putting us all out of our misery. | 0:24:23 | 0:24:24 | |
-Super. Thank you so much. -Thank you. | 0:24:24 | 0:24:27 | |
-Our first sale of the day, as well. -Is it? -Of course. | 0:24:27 | 0:24:31 | |
Shame it took all morning. | 0:24:31 | 0:24:33 | |
Eh? Ha! | 0:24:33 | 0:24:34 | |
The chaps are leaving Malvern behind | 0:24:34 | 0:24:36 | |
and are heading nine-and-a-half miles north | 0:24:36 | 0:24:38 | |
to the city of Worcester. | 0:24:38 | 0:24:40 | |
Worcester is most famous for its well-known sauce - | 0:24:42 | 0:24:45 | |
uh, I mean cathedral, | 0:24:45 | 0:24:47 | |
the earliest parts of which date back to the 11th century. | 0:24:47 | 0:24:50 | |
-Look at the cathedral. -Oh, yes, look at that. | 0:24:50 | 0:24:53 | |
It's also the place most associated with one of our national treasures - | 0:24:55 | 0:24:59 | |
the composer, Sir Edward Elgar. | 0:24:59 | 0:25:02 | |
Glorious. | 0:25:02 | 0:25:03 | |
But it's not the music Thomas is here to explore. | 0:25:05 | 0:25:08 | |
He has an appointment with something altogether more grisly. | 0:25:08 | 0:25:11 | |
He's heading to the George Marshall Medical Museum | 0:25:11 | 0:25:13 | |
to meet curator Frank Crompton, who's going to show him around. | 0:25:13 | 0:25:17 | |
-So, you've got some interesting things to show me. -Absolutely. | 0:25:19 | 0:25:21 | |
-Ah, well, lead on then, Frank. -Right. | 0:25:21 | 0:25:23 | |
Most of the artefacts in this museum | 0:25:23 | 0:25:27 | |
were collected by one man, George Marshall. | 0:25:27 | 0:25:29 | |
He was a consultant surgeon at the Worcester Infirmary | 0:25:29 | 0:25:32 | |
from the 1940s to the 1960s and an enthusiastic collector | 0:25:32 | 0:25:36 | |
of old medical and surgical equipment. | 0:25:36 | 0:25:39 | |
Over the course of 50 years, he amassed several thousand objects, | 0:25:39 | 0:25:43 | |
each telling its own story of the history of medicine - | 0:25:43 | 0:25:46 | |
and some of them are rather macabre. | 0:25:46 | 0:25:49 | |
So, Frank, what are these here? | 0:25:50 | 0:25:52 | |
These are death masks of prisoners | 0:25:52 | 0:25:54 | |
who were hanged at the jail in Worcester. | 0:25:54 | 0:25:56 | |
As soon as the criminal was taken off the rope, so to speak, | 0:25:56 | 0:26:02 | |
-they did a plaster cast of his face. -Yes. | 0:26:02 | 0:26:05 | |
They weren't buried until they'd actually been used for dissection. | 0:26:05 | 0:26:09 | |
In the 19th century, | 0:26:09 | 0:26:10 | |
death masks of criminals were taken | 0:26:10 | 0:26:13 | |
because it was believed they could be used | 0:26:13 | 0:26:15 | |
to predict criminal behaviour. | 0:26:15 | 0:26:17 | |
I was going to say, what's wrong with this poor fellow? | 0:26:17 | 0:26:19 | |
He's a microcephalic, | 0:26:19 | 0:26:20 | |
which means he's been born without the upper part of his brain | 0:26:20 | 0:26:23 | |
and so he would have had the intellect of a four-year-old | 0:26:23 | 0:26:26 | |
if he was lucky. | 0:26:26 | 0:26:28 | |
He was working, as far as we know, as a farm hand | 0:26:28 | 0:26:30 | |
and he was brought before the court for setting fire to a hayrick. | 0:26:30 | 0:26:35 | |
Now, normally, a person in that circumstance | 0:26:35 | 0:26:38 | |
would have been commuted to transportation to Australia | 0:26:38 | 0:26:41 | |
-or somewhere else. -Yeah. | 0:26:41 | 0:26:43 | |
He was hanged. | 0:26:43 | 0:26:44 | |
Whilst studying the workings of the mind was still in its infancy, | 0:26:47 | 0:26:51 | |
so too was 19th-century surgery. | 0:26:51 | 0:26:53 | |
I'll show you the operating chair here. | 0:26:53 | 0:26:56 | |
This was made between 1840 and 1850 | 0:26:56 | 0:27:00 | |
and, basically, if you wanted to do an operation without anaesthetics, | 0:27:00 | 0:27:04 | |
they were actually strapped to this chair. | 0:27:04 | 0:27:06 | |
And so these little holes here would take straps... | 0:27:06 | 0:27:10 | |
Leather straps or webbing straps, we're not sure. | 0:27:10 | 0:27:12 | |
..to strap the poor person down. | 0:27:12 | 0:27:14 | |
There were various techniques which were used to try and dull the pain - | 0:27:14 | 0:27:18 | |
sometimes alcohol was used, the person consumed some alcohol, | 0:27:18 | 0:27:22 | |
which would desensitise them. | 0:27:22 | 0:27:25 | |
But normally, they were simply strapped in there | 0:27:25 | 0:27:28 | |
and there would be some fairly hefty people around | 0:27:28 | 0:27:31 | |
to make sure they didn't squirm about too much. | 0:27:31 | 0:27:33 | |
Doesn't bear thinking about, does it? | 0:27:33 | 0:27:35 | |
Ugh! | 0:27:35 | 0:27:36 | |
The instruments used by surgeons were no less brutal. | 0:27:36 | 0:27:39 | |
-It's actually a surgeon's kit. -Right. | 0:27:39 | 0:27:41 | |
It was in use in the Crimean War and we've got a number of items in here. | 0:27:41 | 0:27:46 | |
You've got the saw for going through bones. | 0:27:46 | 0:27:49 | |
The saw for going through bone, yes. | 0:27:49 | 0:27:50 | |
-Is this...is this a catheter, here? -That's a catheter there. | 0:27:50 | 0:27:54 | |
Oh, my God, that fills me with utter horror. | 0:27:54 | 0:27:56 | |
Before that, you would actually use one of these flesh knives. | 0:27:56 | 0:28:01 | |
You actually cut through the flesh, you got down to the bone | 0:28:01 | 0:28:04 | |
before you took the saw out. | 0:28:04 | 0:28:06 | |
The saw would work much more efficiently. | 0:28:06 | 0:28:09 | |
-That was the last thing, the saw. -Yeah, the saw was the last thing. | 0:28:09 | 0:28:12 | |
Somewhat horrific. | 0:28:12 | 0:28:13 | |
-How far we are removed from it. -Absolutely. Thank God. | 0:28:13 | 0:28:17 | |
Amputations in the early 19th century | 0:28:19 | 0:28:21 | |
were carried out without any anaesthetic, | 0:28:21 | 0:28:24 | |
but in 1847, | 0:28:24 | 0:28:25 | |
chloroform was introduced for the first time. | 0:28:25 | 0:28:28 | |
This is showing an example of how an operation, an amputation, | 0:28:28 | 0:28:34 | |
-would have gone on in 1860, 1870. -Yeah. | 0:28:34 | 0:28:38 | |
Looking at his apron, just imagining, | 0:28:38 | 0:28:41 | |
-it doesn't look like the most hygienic place in the world. -No. | 0:28:41 | 0:28:44 | |
It wouldn't have been the most hygienic place in the world. | 0:28:44 | 0:28:47 | |
When we become aware that there is such a thing as a germ, | 0:28:47 | 0:28:49 | |
which is going to cause things, | 0:28:49 | 0:28:51 | |
they began to try and do something about that | 0:28:51 | 0:28:54 | |
by bringing in the use of an antiseptic spray. | 0:28:54 | 0:28:58 | |
-So was it a sawdust floor? -Yeah, it would have been. | 0:28:58 | 0:29:00 | |
-Like a butcher's, so to speak. -It would have been. | 0:29:00 | 0:29:03 | |
You simply sweep up the mess that's caused by the operation. | 0:29:03 | 0:29:07 | |
Frank, I have to say that I'm very pleased I live now. | 0:29:07 | 0:29:12 | |
When people say to you, "Do you know what? | 0:29:12 | 0:29:14 | |
"I'd love to live in the 19th century, | 0:29:14 | 0:29:16 | |
"it would have been - or the 18th century"... | 0:29:16 | 0:29:18 | |
I wouldn't even want to have been born in the 1950s, for God's sake. | 0:29:18 | 0:29:22 | |
I was born in the 1940s. | 0:29:22 | 0:29:23 | |
-Yes - I wouldn't even want that! -Primitive. | 0:29:23 | 0:29:26 | |
I'm going to go away feeling, um...a little bit nauseous, | 0:29:26 | 0:29:30 | |
but I think I'll survive. | 0:29:30 | 0:29:33 | |
But, also, I've had my knowledge increased. | 0:29:33 | 0:29:36 | |
-Yeah. -It's been a pleasure. | 0:29:36 | 0:29:37 | |
What a fascinating - albeit rather gruesome - | 0:29:37 | 0:29:41 | |
visit for Thomas. | 0:29:41 | 0:29:42 | |
Now it's time to meet up with old Roscoe, | 0:29:42 | 0:29:44 | |
because it's the moment of truth, | 0:29:44 | 0:29:46 | |
when our experts reveal all to each other | 0:29:46 | 0:29:48 | |
and where better than in the shade of the great Worcester Cathedral? | 0:29:48 | 0:29:52 | |
It's too wet for me to reveal my fine goods. | 0:29:53 | 0:29:56 | |
-Is it? -Yes. -Will it get damaged? | 0:29:56 | 0:29:58 | |
-They're all papier-mache. -Oh, are they? | 0:29:58 | 0:30:00 | |
CHARLIE LAUGHS | 0:30:00 | 0:30:01 | |
Come on - whip it off, Charlie! | 0:30:01 | 0:30:03 | |
# Dah-dah-dah... # | 0:30:03 | 0:30:05 | |
Roscoe! Is that it? | 0:30:05 | 0:30:07 | |
What do you mean, "is that it?" | 0:30:07 | 0:30:08 | |
There's quite a lot of it. | 0:30:08 | 0:30:10 | |
That's a Royal Doulton dinner service. | 0:30:10 | 0:30:12 | |
-What have you done, buying that? -Well... -How much was it? | 0:30:12 | 0:30:16 | |
-101 pieces, £80. -£80 - right, OK... -Total gamble. -Hm. | 0:30:16 | 0:30:22 | |
I'm not sure Thomas likes it, so what's next? | 0:30:22 | 0:30:24 | |
-What have you done, buying a pot lid? -I like pot lids. -Do you? | 0:30:24 | 0:30:28 | |
I still love pot lids, I do, | 0:30:28 | 0:30:30 | |
and I bought Old Wellington's funeral. | 0:30:30 | 0:30:33 | |
-Right. -I'm a great fan of Wellington. | 0:30:33 | 0:30:35 | |
-And it's got a pretty border. -Well, it's in very good condition, | 0:30:35 | 0:30:38 | |
it's almost as good a condition as you can get. | 0:30:38 | 0:30:41 | |
-I don't like this frame, but... -How much was that? | 0:30:41 | 0:30:45 | |
-£95. -GASPING: £95...! | 0:30:45 | 0:30:47 | |
-And what is...? -I want you to take a look at that, please. | 0:30:47 | 0:30:50 | |
I wanted you to tell me how old it is? | 0:30:50 | 0:30:51 | |
-This is Roman. -It is Roman. | 0:30:51 | 0:30:54 | |
This is a Roman flask, definitely Roman. | 0:30:54 | 0:30:57 | |
-How much was that? -20 quid. -Really? -Yeah. | 0:30:57 | 0:30:59 | |
-God, that's rather wonderful, isn't it? -It's a super thing. | 0:30:59 | 0:31:02 | |
-Love your toffee mallet. -Do you? -I love your toffee mallet. | 0:31:02 | 0:31:05 | |
-It was 36p. -Oh, that's so sweet. | 0:31:05 | 0:31:07 | |
That could be, proportionally, on this trip, | 0:31:07 | 0:31:10 | |
-the biggest profit. -It could. | 0:31:10 | 0:31:12 | |
Thank goodness he likes something. | 0:31:12 | 0:31:13 | |
Now, time for Charlie to be the judge. | 0:31:13 | 0:31:16 | |
Hm... | 0:31:16 | 0:31:18 | |
Wait for it... | 0:31:19 | 0:31:20 | |
£400. Didn't quite make £400. | 0:31:20 | 0:31:23 | |
-Are they military? -Yes. Yes, they are. | 0:31:23 | 0:31:26 | |
-Probably First World War. -Yeah, yeah. | 0:31:26 | 0:31:28 | |
Those are of a price | 0:31:28 | 0:31:29 | |
and they probably cost between 15 and 20 quid. | 0:31:29 | 0:31:33 | |
-£14. -Good valuation. -£14. | 0:31:33 | 0:31:36 | |
That's...rather charming. | 0:31:36 | 0:31:38 | |
I like that style and I think the spout is to die for. | 0:31:38 | 0:31:42 | |
-Isn't it lovely? -Who made it? -WMF. | 0:31:42 | 0:31:45 | |
-That's WMF? -It's very early. | 0:31:45 | 0:31:48 | |
That surprises me. That's a pleasant surprise. | 0:31:48 | 0:31:51 | |
It's got the early ostrich mark on the base. | 0:31:51 | 0:31:54 | |
And you got a table lighter there? | 0:31:54 | 0:31:55 | |
A slightly damaged table lighter. | 0:31:55 | 0:31:57 | |
-Have you got the lighter bit? -No. | 0:31:57 | 0:31:59 | |
It's quite nicely modelled, isn't it? | 0:31:59 | 0:32:00 | |
-Beautiful thing, isn't it? -Quite nicely modelled. | 0:32:00 | 0:32:03 | |
-You've missed out the best thing. -I haven't come to it yet. | 0:32:03 | 0:32:06 | |
-Wonderful cocktail... -No, no, no! | 0:32:06 | 0:32:09 | |
-Is it not for cocktails? -Not for cocktails. | 0:32:09 | 0:32:11 | |
-What are you dispensing with that? -Honey. | 0:32:11 | 0:32:13 | |
-Honey? -Honey dispenser. It's a honey drizzler. | 0:32:13 | 0:32:17 | |
-Look at the shape of the cone. -Oh, I can feel it. | 0:32:17 | 0:32:20 | |
-It's had honey in it. -It's lovely. | 0:32:20 | 0:32:22 | |
It's not that old, probably 1970s, 1960s. | 0:32:22 | 0:32:24 | |
-That cost...? -11. | 0:32:24 | 0:32:26 | |
Well, that doesn't really matter. | 0:32:26 | 0:32:28 | |
It doesn't really matter. Inconsequential. | 0:32:28 | 0:32:30 | |
Well, the whole thing will hinge on this...ghastly dinner service. | 0:32:30 | 0:32:35 | |
-It's not ghastly. -Oh, I don't like it. | 0:32:35 | 0:32:37 | |
-Right, Roscoe. -Good, good. -Let's get out of the rain. | 0:32:37 | 0:32:41 | |
Keep hold of that brolly and take me away somewhere. | 0:32:41 | 0:32:43 | |
So, they were a bit cagey there, weren't they? | 0:32:43 | 0:32:46 | |
Let's hear what they really think. | 0:32:46 | 0:32:48 | |
The WMF - I thought it might have been Benson or someone like that, | 0:32:48 | 0:32:51 | |
not WMF, but it's very stylish. | 0:32:51 | 0:32:55 | |
But who buys them nowadays? That's the point. | 0:32:55 | 0:32:58 | |
Oh, God, you know...it is awkward, really, isn't it? | 0:32:59 | 0:33:02 | |
Cos I don't really like two of the items he's bought - | 0:33:02 | 0:33:06 | |
the pot lid and the dinner service. | 0:33:06 | 0:33:10 | |
Oh, Roscoe, please make some money, please - | 0:33:10 | 0:33:12 | |
I feel sorry for you. | 0:33:12 | 0:33:14 | |
It all comes down to the Doulton. | 0:33:14 | 0:33:16 | |
If the Doulton makes £200-£250, I'll catch up a bit. | 0:33:16 | 0:33:19 | |
If it doesn't...we'll have to go on to the next one. | 0:33:19 | 0:33:23 | |
Crumbs! Is that dinner service a gamble too far? | 0:33:23 | 0:33:26 | |
Will there be tears at teatime? | 0:33:26 | 0:33:28 | |
Let's get to the auction and find out. | 0:33:28 | 0:33:30 | |
Thomas and Charlie's third leg began in Tewkesbury, Gloucestershire, | 0:33:32 | 0:33:35 | |
continues northwards into the lovely county of Worcestershire, | 0:33:35 | 0:33:38 | |
and now, they're finishing up at an auction in Wrexham, North Wales. | 0:33:38 | 0:33:42 | |
-Blimey! -God, I never realised Wrexham was so busy. | 0:33:44 | 0:33:47 | |
-It's because you're here, Thomas. -No, it's because YOU'RE here, Roscoe. | 0:33:47 | 0:33:51 | |
After you... | 0:33:51 | 0:33:52 | |
All our chaps' items will be going under the hammer here | 0:33:54 | 0:33:57 | |
at Wingetts Auction House, | 0:33:57 | 0:33:59 | |
an establishment which has been selling off goods | 0:33:59 | 0:34:01 | |
for almost 50 years. | 0:34:01 | 0:34:03 | |
In charge of today's proceedings is auctioneer Richard Hughes. | 0:34:03 | 0:34:08 | |
Well, I like the table lighter. | 0:34:08 | 0:34:09 | |
Little bit of damage on the base, which is going to affect the price. | 0:34:09 | 0:34:13 | |
I was thinking, perfect, £100-£150. | 0:34:13 | 0:34:16 | |
As is...probably more like £40-£60. | 0:34:16 | 0:34:19 | |
Prattware pot lid, in good condition. | 0:34:19 | 0:34:22 | |
I can't see any major damage or faults with it, | 0:34:22 | 0:34:25 | |
so...I'd be hoping for in excess of £100. | 0:34:25 | 0:34:28 | |
Well, that would be nice. | 0:34:28 | 0:34:30 | |
So, Charlie started this leg with £195.36 | 0:34:31 | 0:34:35 | |
and spent the whole lot on four auction lots. | 0:34:35 | 0:34:39 | |
Are you sure? That's really kind of you. | 0:34:39 | 0:34:42 | |
Thomas began with a whopping £416.88 | 0:34:44 | 0:34:48 | |
and spent less than half - £200, to be precise - | 0:34:48 | 0:34:51 | |
on five auction lots. | 0:34:51 | 0:34:52 | |
-Thank you very much. -Thank you, Thomas. | 0:34:52 | 0:34:54 | |
As ever, it's anyone's game. | 0:34:54 | 0:34:58 | |
I think I'm in for a bad day. | 0:34:58 | 0:35:00 | |
You're in for a stormer. | 0:35:00 | 0:35:02 | |
First up is Thomas's honey drizzler. | 0:35:03 | 0:35:05 | |
£10 to start, then - got to be that, surely. | 0:35:05 | 0:35:08 | |
£5, only bid - standing with you, sir, now. | 0:35:08 | 0:35:11 | |
That's the main - but eight in front, if you want it? | 0:35:11 | 0:35:13 | |
At £5, I'm only bid, standing - eight bid. Ten. | 0:35:13 | 0:35:16 | |
Nearly into a profit. | 0:35:16 | 0:35:18 | |
Lady's bid in front. Only bid now. | 0:35:18 | 0:35:20 | |
Is there ten in the room? You're out? | 0:35:20 | 0:35:22 | |
Your bid, madam. | 0:35:22 | 0:35:24 | |
Oh. | 0:35:24 | 0:35:25 | |
But the great thing about only spending £11 - | 0:35:25 | 0:35:28 | |
-you haven't lost a lot. -No. | 0:35:28 | 0:35:31 | |
True, although it will be more than £1 | 0:35:31 | 0:35:33 | |
once the auction house takes its well-earned commission. | 0:35:33 | 0:35:36 | |
Apiarists should stay at home and look after their bees. | 0:35:36 | 0:35:39 | |
It's the first of Charlie's big purchases up next - | 0:35:39 | 0:35:43 | |
his pot lid, bought for £95. | 0:35:43 | 0:35:46 | |
Give me £100 for it. | 0:35:46 | 0:35:48 | |
Got to be that, surely. | 0:35:48 | 0:35:50 | |
£50 to start, then. | 0:35:50 | 0:35:52 | |
-All gone quiet... -Oh... | 0:35:53 | 0:35:55 | |
I'm only bid by the doorway there, £20. Now 25... | 0:35:55 | 0:35:59 | |
You'll be fine, it's OK. | 0:35:59 | 0:36:02 | |
£25, the bid, standing at the back of the room. | 0:36:02 | 0:36:04 | |
30 in front, sir. Five, sir. 40. | 0:36:04 | 0:36:07 | |
-And five. 50... -Halfway... | 0:36:07 | 0:36:10 | |
60. And five, sir. 70. | 0:36:11 | 0:36:14 | |
-£65. -Go on... -More! | 0:36:14 | 0:36:17 | |
65 bid standing. | 0:36:17 | 0:36:19 | |
Goes with you, sir. | 0:36:20 | 0:36:21 | |
Thank you. | 0:36:22 | 0:36:24 | |
-Oh-ho-ho... -Oh, shut up, Roscoe. | 0:36:25 | 0:36:27 | |
THOMAS LAUGHS | 0:36:27 | 0:36:28 | |
Ouch! Charlie really needed to make a profit there. | 0:36:28 | 0:36:32 | |
Got any tissues, Thomas? | 0:36:32 | 0:36:33 | |
I'm crying. | 0:36:33 | 0:36:34 | |
There's always the dinner service. | 0:36:36 | 0:36:38 | |
But now it's time for Thomas's binoculars. | 0:36:38 | 0:36:40 | |
£5 to start, then. Five, I'm bid eight. Ten, sir. | 0:36:40 | 0:36:43 | |
There's a man next to me, bidding. | 0:36:43 | 0:36:45 | |
15. 18. 20. | 0:36:45 | 0:36:48 | |
And two. 25. | 0:36:48 | 0:36:50 | |
-28. -Oh... | 0:36:50 | 0:36:52 | |
-30. -Ooh! | 0:36:52 | 0:36:54 | |
30 - fresh bidder, two. | 0:36:54 | 0:36:56 | |
£30, your bid, sir, in the room, in the centre at 30 bid. | 0:36:56 | 0:37:00 | |
32, lady's bid. 35, sir. | 0:37:00 | 0:37:02 | |
If you like? | 0:37:02 | 0:37:04 | |
Sold in front. | 0:37:05 | 0:37:07 | |
-Thomas... -35. | 0:37:07 | 0:37:09 | |
First handshake of the day. | 0:37:09 | 0:37:11 | |
Well done, Thomas. A solid gain. | 0:37:12 | 0:37:14 | |
There's a difference between you and me, isn't there? | 0:37:14 | 0:37:16 | |
What do you mean? | 0:37:16 | 0:37:18 | |
One of us makes a profit. | 0:37:18 | 0:37:19 | |
Now, don't give up yet, Charlie. | 0:37:20 | 0:37:22 | |
It's your toffee mallet, bought for 36p. | 0:37:22 | 0:37:25 | |
£5 - £5, I've got. Bid eight. | 0:37:25 | 0:37:28 | |
Bid ten, sir? 12. 15. 18... | 0:37:28 | 0:37:31 | |
Roscoe! | 0:37:31 | 0:37:32 | |
20... | 0:37:32 | 0:37:33 | |
£18, now, I'm only bid with you, madam. | 0:37:33 | 0:37:35 | |
Should have bought five of these. | 0:37:35 | 0:37:37 | |
Sold at 18. | 0:37:38 | 0:37:41 | |
Well done, sir. 36p to £18. | 0:37:41 | 0:37:45 | |
Yep, that's the way to do it, boy. | 0:37:45 | 0:37:47 | |
A well-needed sweetener for Charlie. | 0:37:47 | 0:37:51 | |
50 times what it cost. | 0:37:51 | 0:37:53 | |
CHARLIE LAUGHS | 0:37:53 | 0:37:54 | |
Now, what about Thomas's pairing of the pewter dish and the mirror? | 0:37:56 | 0:37:59 | |
£20, then - mirror and the dish for £20. | 0:37:59 | 0:38:02 | |
Got to be that, surely. | 0:38:02 | 0:38:04 | |
£20, I've got - thank you, madam. | 0:38:04 | 0:38:05 | |
We're away now... | 0:38:05 | 0:38:06 | |
Thomas, we're away. | 0:38:06 | 0:38:09 | |
And five. 40. And five. | 0:38:09 | 0:38:11 | |
50. And five. | 0:38:11 | 0:38:14 | |
60. And five. | 0:38:14 | 0:38:16 | |
70... | 0:38:16 | 0:38:17 | |
Good night, Road Trip. | 0:38:17 | 0:38:20 | |
-Shut up, Roscoe! -And seated... | 0:38:20 | 0:38:22 | |
I'm not very good at this, Roscoe. I'm not good at this. | 0:38:22 | 0:38:26 | |
False modesty is most unbecoming, Thomas. | 0:38:26 | 0:38:29 | |
But well done all the same. | 0:38:29 | 0:38:31 | |
-Do you know, Thomas? -What? | 0:38:31 | 0:38:33 | |
I couldn't be thrashed by a nicer person. | 0:38:33 | 0:38:34 | |
Shut up, please. You're not being thrashed. | 0:38:34 | 0:38:36 | |
It's Thomas up again now, this time with his early WMF spirit kettle. | 0:38:36 | 0:38:41 | |
£50. | 0:38:41 | 0:38:42 | |
£20, I've got five bid. 30. Five, sir. | 0:38:42 | 0:38:46 | |
40. And five. | 0:38:46 | 0:38:47 | |
50. Five. | 0:38:47 | 0:38:48 | |
60. Five. | 0:38:48 | 0:38:50 | |
Five bid, 60. | 0:38:50 | 0:38:51 | |
70. 80. | 0:38:51 | 0:38:53 | |
I'll take 75, if you want, then. | 0:38:53 | 0:38:55 | |
At £70, the bid's on the left. £75, madam. 80. | 0:38:55 | 0:38:58 | |
And five. | 0:38:58 | 0:38:59 | |
£80, standing. | 0:38:59 | 0:39:02 | |
All done and finished... | 0:39:02 | 0:39:04 | |
-Ooh... -Well done. Washed your face. | 0:39:04 | 0:39:07 | |
-Mm. -Just a tad... | 0:39:07 | 0:39:08 | |
Certainly not what Thomas expected. That's a loss after commission. | 0:39:08 | 0:39:14 | |
Oh, God, that was quite... | 0:39:14 | 0:39:15 | |
-You're quite pleased, actually, aren't you? -I am. | 0:39:15 | 0:39:17 | |
I am really pleased. | 0:39:17 | 0:39:19 | |
Glad YOU are. | 0:39:19 | 0:39:21 | |
Now it's Charlie's big gamble. He needs to make up a lot of ground | 0:39:22 | 0:39:26 | |
and it all comes down to his enormous dinner service. | 0:39:26 | 0:39:30 | |
£20 - all right, I'm bid, standing on my right with you, sir. | 0:39:30 | 0:39:33 | |
Maiden bid at 20. Now five bid. 30, if you like, sir. | 0:39:33 | 0:39:36 | |
-At £25... -Oh, dear. It's not looking good. | 0:39:36 | 0:39:39 | |
35 bid. 40. And five, sir. | 0:39:39 | 0:39:42 | |
50. 50 at the back. And five. | 0:39:42 | 0:39:45 | |
It's quite a big chunk - | 0:39:45 | 0:39:46 | |
bit of lifting there. | 0:39:46 | 0:39:47 | |
You'd think if someone wants it for...oh. | 0:39:47 | 0:39:50 | |
At 60 bid, seated with you, sir. | 0:39:50 | 0:39:53 | |
We need a little bit more. | 0:39:53 | 0:39:54 | |
You need a LOT more! | 0:39:54 | 0:39:56 | |
CHARLIE SIGHS | 0:39:56 | 0:39:58 | |
I have to say, that's a lot for the money, isn't it? | 0:39:58 | 0:40:01 | |
It certainly is - someone got themselves a bargain. | 0:40:01 | 0:40:06 | |
Stop laughing! I've started with a modest loss. | 0:40:06 | 0:40:08 | |
Now, will Thomas's table lighter make it out of the starter's block? | 0:40:09 | 0:40:13 | |
£20, I've got, then - thank you, madam, at the back. | 0:40:13 | 0:40:16 | |
Five bid. 30. | 0:40:16 | 0:40:17 | |
Five, sir. 40. Five. | 0:40:17 | 0:40:19 | |
45. 50. Five. | 0:40:19 | 0:40:22 | |
55, sir. | 0:40:22 | 0:40:23 | |
60. | 0:40:23 | 0:40:24 | |
Five. 70. | 0:40:24 | 0:40:26 | |
Five. 80. | 0:40:26 | 0:40:29 | |
-Five... -This is a masterclass in dealing. | 0:40:29 | 0:40:32 | |
I'm bid 85. 90. | 0:40:32 | 0:40:34 | |
-Ooh! -Get in there! | 0:40:34 | 0:40:36 | |
100. | 0:40:36 | 0:40:37 | |
110. 110, sir? | 0:40:37 | 0:40:39 | |
Jumping over there. Go on, 105! | 0:40:39 | 0:40:42 | |
105. Ten... | 0:40:42 | 0:40:44 | |
Break the seal. | 0:40:44 | 0:40:45 | |
120. And five. | 0:40:45 | 0:40:47 | |
130. And five. | 0:40:47 | 0:40:51 | |
140. And five. | 0:40:51 | 0:40:54 | |
Selling and going at 140... | 0:40:54 | 0:40:57 | |
Oh! | 0:40:57 | 0:40:58 | |
Roscoe, Roscoe! | 0:41:02 | 0:41:04 | |
A stonking profit for Thomas | 0:41:04 | 0:41:06 | |
as his table lighter streaks across the finishing line. | 0:41:06 | 0:41:09 | |
-Have you ever seen me sulk? -No, and you don't sulk. | 0:41:09 | 0:41:12 | |
-You're about to see me sulk. -You don't sulk. You don't sulk. | 0:41:12 | 0:41:14 | |
I'm going to sulk now. I'm not speaking again today. | 0:41:16 | 0:41:19 | |
Don't be moody. | 0:41:19 | 0:41:20 | |
Now, Charlie, it's the last lot of the day | 0:41:20 | 0:41:23 | |
and it's your Roman bottle. | 0:41:23 | 0:41:24 | |
Nice antiquity there. | 0:41:24 | 0:41:26 | |
Give me £50 for it. | 0:41:26 | 0:41:27 | |
-2,000 years old. -Yeah. | 0:41:29 | 0:41:31 | |
-£20 to start... -Nearly as old as me. | 0:41:31 | 0:41:33 | |
In the corner, now, and I'll take five. | 0:41:33 | 0:41:35 | |
Maiden bid. 25 bid. 30. | 0:41:35 | 0:41:38 | |
Five, sir. 40. | 0:41:38 | 0:41:40 | |
And five. 50. | 0:41:40 | 0:41:43 | |
And five, sir. | 0:41:43 | 0:41:44 | |
-60... -Do you think it's going to make a million? | 0:41:44 | 0:41:47 | |
-£65... -This is at £65,000. | 0:41:47 | 0:41:51 | |
60, back in. Five. | 0:41:51 | 0:41:52 | |
70. | 0:41:52 | 0:41:53 | |
Oh, brilliant. | 0:41:53 | 0:41:55 | |
Go on! | 0:41:55 | 0:41:57 | |
Sold at 65. | 0:41:57 | 0:41:58 | |
That's a very good return on my money. | 0:42:00 | 0:42:03 | |
Well done, Roscoe. | 0:42:03 | 0:42:04 | |
Hurrah! At last, an extremely respectable profit for Roscoe. | 0:42:04 | 0:42:10 | |
This is the nadir of my existence. | 0:42:10 | 0:42:11 | |
You're going to turn a corner and you're going to nail me - | 0:42:11 | 0:42:15 | |
nail me, from now on in. | 0:42:15 | 0:42:17 | |
Well, that remains to be seen. | 0:42:17 | 0:42:18 | |
So, Charlie started off this leg on the back foot | 0:42:18 | 0:42:21 | |
with £195.36 | 0:42:21 | 0:42:23 | |
and has - oh, dear - made a loss of £24.80 after auction costs. | 0:42:23 | 0:42:29 | |
That leaves him with a depleted £170.56 to carry forward. | 0:42:29 | 0:42:34 | |
Don't cry, Charlie, please. It's humiliating. | 0:42:34 | 0:42:37 | |
Thomas's winning streak, though, continues unabated. | 0:42:37 | 0:42:40 | |
He began this leg with £416.88 | 0:42:40 | 0:42:42 | |
and has made a profit of £68.96. | 0:42:42 | 0:42:46 | |
That means his total soars again. | 0:42:46 | 0:42:49 | |
He had £485.84 to spend next time. | 0:42:49 | 0:42:54 | |
Well done. | 0:42:54 | 0:42:56 | |
Gosh...do you know, I've never been in a car with such a rich person. | 0:42:56 | 0:42:59 | |
Right - there's only one way I'm going to win this competition. | 0:42:59 | 0:43:02 | |
Scaring you. | 0:43:02 | 0:43:04 | |
Goodbye, Wrexham. Hope I never see you again! | 0:43:04 | 0:43:07 | |
It wasn't that bad! | 0:43:07 | 0:43:09 | |
Next time on the Antiques Road Trip, Charlie has hair issues. | 0:43:10 | 0:43:15 | |
Do I need a nit comb?! | 0:43:15 | 0:43:17 | |
And Thomas is...well, just hair-raising. | 0:43:17 | 0:43:20 | |
WARPED: Roscoe, this is Planter, your merciless Mysteron! | 0:43:20 | 0:43:24 |