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It's the nation's favourite antiques experts with £200 each, | 0:00:02 | 0:00:05 | |
a classic car, and a goal - to scour Britain for antiques. | 0:00:05 | 0:00:09 | |
-Going, going...gone. -Yes! -I'm loving that bird. -The aim? | 0:00:09 | 0:00:14 | |
To make the biggest profit at auction, but it's no mean feat. | 0:00:14 | 0:00:17 | |
-Yes! -There'll be worthy winners and valiant losers. -Don't I look handsome? | 0:00:17 | 0:00:23 | |
So will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:27 | |
I'm going now. | 0:00:27 | 0:00:29 | |
This is the Antiques Road Trip! | 0:00:29 | 0:00:32 | |
# Yeah! # | 0:00:34 | 0:00:35 | |
We're back on the road for the fourth leg of our road trip | 0:00:39 | 0:00:42 | |
with dapper chaps and antiques experts | 0:00:42 | 0:00:44 | |
Thomas Plant and Charlie Ross. | 0:00:44 | 0:00:46 | |
No, no, Roscoe, this is rather beautiful, isn't it? | 0:00:46 | 0:00:49 | |
-It's absolutely gorgeous. -Do you know where we are? | 0:00:49 | 0:00:52 | |
We must be very nearly in Wales. | 0:00:52 | 0:00:54 | |
After running his own auction house for 20 years, | 0:00:54 | 0:00:57 | |
Charlie's expertise lies in antique furniture and vintage cars, | 0:00:57 | 0:01:01 | |
not to mention an uncanny ability to charm everyone in his way. | 0:01:01 | 0:01:05 | |
-HE MIMICS TOMMY COPPER -I'm looking for some bargains! | 0:01:05 | 0:01:08 | |
Thomas is also an auctioneer of considerable experience, | 0:01:08 | 0:01:11 | |
with a particular penchant for jewellery, silver and...hats. | 0:01:11 | 0:01:16 | |
I'll do the rest of the shop dressed as an American soldier. | 0:01:16 | 0:01:19 | |
Our pair of charming chappies began the road trip with £200 each. | 0:01:21 | 0:01:25 | |
-Three auctions later...a chasm is opening up between them. -CHARLIE SOBS | 0:01:25 | 0:01:29 | |
-Do you remember how much you've got now? -Oh, it's so boring, the whole money thing, isn't it? | 0:01:29 | 0:01:34 | |
Oh, how lovely to hear that. | 0:01:34 | 0:01:35 | |
-Do you want to give it to me, then? -Yes, of course. CHARLIE LAUGHS | 0:01:35 | 0:01:38 | |
I'm very uncomfortable winning, to be honest with you. | 0:01:38 | 0:01:41 | |
How my heart bleeds! | 0:01:41 | 0:01:43 | |
Thomas is leading the field by quite a margin. | 0:01:45 | 0:01:48 | |
He starts this leg with a whopping £485.84. | 0:01:48 | 0:01:53 | |
Charlie, meanwhile, is somewhat of a straggler, | 0:01:53 | 0:01:57 | |
kicking off this leg with a rather limp £170.56. | 0:01:57 | 0:02:01 | |
But right now the sun is shining | 0:02:01 | 0:02:04 | |
and they have the joys of their 1971 Triumph Spitfire to nip about in. | 0:02:04 | 0:02:09 | |
This week's road trip is taking us | 0:02:10 | 0:02:12 | |
over 400 miles from Watchet in Somerset | 0:02:12 | 0:02:16 | |
up to Shropshire via North Wales | 0:02:16 | 0:02:18 | |
before looping back down to finish at an auction showdown | 0:02:18 | 0:02:21 | |
in Bedford, Bedfordshire. | 0:02:21 | 0:02:24 | |
Today, we're starting our journey in Church Stretton, Shropshire. | 0:02:24 | 0:02:28 | |
Then we'll skip back and forth over the English/Welsh border | 0:02:28 | 0:02:31 | |
before returning to Shropshire for an auction in Minsterley. | 0:02:31 | 0:02:35 | |
Sadly though, our poor experts | 0:02:35 | 0:02:37 | |
seem to have little idea of where they are. | 0:02:37 | 0:02:40 | |
-We're in Shropshire. -I know we're in Shropshire, | 0:02:40 | 0:02:42 | |
but these hills, what are these hills called? | 0:02:42 | 0:02:45 | |
Er...they're called the Shropshire Hills, boys. | 0:02:45 | 0:02:48 | |
First stop is the charming small rural town of Church Stretton. | 0:02:50 | 0:02:55 | |
Back in 1214, King John granted it a market charter | 0:02:55 | 0:02:58 | |
and markets have been held here ever since. | 0:02:58 | 0:03:01 | |
Oh, there's a church here too, and a giant antiques centre. | 0:03:01 | 0:03:05 | |
-There we are. -Thank you, my man. -Oh. -You wait in the car. | 0:03:05 | 0:03:09 | |
No, no, no, no! What's wrong? | 0:03:09 | 0:03:12 | |
-Didn't you like my driving? -I was absolutely...terrified. | 0:03:12 | 0:03:16 | |
Not as scared as dealer Terry's probably feeling right now. | 0:03:16 | 0:03:19 | |
-Look out. -Hello there. -Hello there. -Charlie is the name. -I'm Terry. | 0:03:19 | 0:03:22 | |
-Hello. Thomas. Terry, yeah? -Yeah. -Pleased to meet you. | 0:03:22 | 0:03:25 | |
-May we have a look round? -Yeah, carry on. | 0:03:25 | 0:03:27 | |
ALL LAUGH | 0:03:27 | 0:03:28 | |
This antiques market is enormous, | 0:03:28 | 0:03:31 | |
with three floors housing the wares of up to 60 dealers. | 0:03:31 | 0:03:34 | |
Surely there'll be something here to tempt the chaps. | 0:03:34 | 0:03:37 | |
Thomas is diving straight in, | 0:03:37 | 0:03:39 | |
weighed down by his extremely heavy pockets. | 0:03:39 | 0:03:41 | |
Having all this money, one feels quite uncomfortable. | 0:03:41 | 0:03:45 | |
Erm...what am I going to buy?! | 0:03:45 | 0:03:48 | |
Thomas' opponent, meanwhile, has the opposite problem. | 0:03:48 | 0:03:51 | |
Don't buy expensive things. | 0:03:51 | 0:03:54 | |
Keep...cheap. | 0:03:54 | 0:03:57 | |
So I could really go completely wrong from now on in | 0:03:57 | 0:04:01 | |
and then lose everything, which I've done before in the past, believe you me. | 0:04:01 | 0:04:05 | |
-I'm an old master at this. -Thomas has never won a road trip. | 0:04:05 | 0:04:09 | |
And...I have no intention of this being his first. | 0:04:09 | 0:04:15 | |
Eagle-eyed Thomas has already spotted something he likes. | 0:04:15 | 0:04:17 | |
So this is a spelter figure... in the Art Deco style... | 0:04:17 | 0:04:24 | |
..of a dancer. | 0:04:25 | 0:04:27 | |
It has had a little bit of damage or cracking just here. | 0:04:27 | 0:04:30 | |
Spelter...which has been bronzed to make it look like bronze. | 0:04:30 | 0:04:35 | |
Such nice movement to her. | 0:04:35 | 0:04:38 | |
Yeah, I like that very much. | 0:04:38 | 0:04:41 | |
Spelter is an alloy including zinc | 0:04:41 | 0:04:44 | |
which was popular in the Art Deco period | 0:04:44 | 0:04:46 | |
as it was much cheaper to make than bronze. | 0:04:46 | 0:04:49 | |
The ticket price is £75. Best have a chat with Terry, eh? | 0:04:49 | 0:04:53 | |
-She's a nice figure. -She is. -She has been restored here though. -Yeah. | 0:04:53 | 0:04:57 | |
-What...? -What can I do? -Yeah. I mean, I've got a figure in mind... | 0:04:57 | 0:05:01 | |
-because of the restoration. -Yeah. I'll go and give 'em a ring. | 0:05:01 | 0:05:04 | |
The figure is owned by a dealer who's not in today. | 0:05:04 | 0:05:08 | |
-He doesn't look that hopeful. -All right then. OK. | 0:05:08 | 0:05:10 | |
-What's the best? -63. -63? -Yeah. | 0:05:10 | 0:05:14 | |
-Why the three? -Cos that's what he wants. | 0:05:14 | 0:05:17 | |
TERRY LAUGHS | 0:05:17 | 0:05:19 | |
Not 60? | 0:05:20 | 0:05:22 | |
Erm... | 0:05:22 | 0:05:24 | |
I can do it for 60 for you, but I can't go any more. | 0:05:24 | 0:05:28 | |
-Yeah, I'll buy it for 60. -OK. -Thank you very much. -Well done. | 0:05:28 | 0:05:31 | |
-One, two... -Well, that's one purchase down for Thomas. | 0:05:31 | 0:05:35 | |
How's our Roscoe getting on? | 0:05:35 | 0:05:37 | |
Going round one of the biggest antique emporiums for miles around. | 0:05:37 | 0:05:41 | |
-HE SIGHS -Nothing I'm looking at is doing it for me. | 0:05:41 | 0:05:45 | |
How about an early 20th-century | 0:05:45 | 0:05:48 | |
oak framed screen with cross-stitch tapestry, eh, Charlie? | 0:05:48 | 0:05:51 | |
I...quite like the peacock. | 0:05:51 | 0:05:55 | |
Faded a little bit I should imagine from where it was originally. | 0:05:55 | 0:05:58 | |
But it's priced at £30. | 0:05:58 | 0:06:01 | |
That's not a lot of money, £30. | 0:06:01 | 0:06:03 | |
Erm...one could probably think that it might be buyable for 20. | 0:06:03 | 0:06:08 | |
Hey! Keep your voice down! | 0:06:08 | 0:06:10 | |
-Someone's lurking! -Roscoe! | 0:06:10 | 0:06:13 | |
-Sh! -Roscoe, I've bought! | 0:06:13 | 0:06:16 | |
-Come on, let's go. -I'm sorry, I can't be pushed into these things. | 0:06:16 | 0:06:20 | |
THOMAS LAUGHS | 0:06:20 | 0:06:21 | |
Just because you have found something. | 0:06:21 | 0:06:23 | |
I can't do with it when someone's so smug! | 0:06:23 | 0:06:27 | |
Why aren't you buying the cross-stitch Berlin Wall-work panel? | 0:06:27 | 0:06:31 | |
-Why am I not buying it? -It's only £30. -I know. -Why don't you buy that? | 0:06:31 | 0:06:36 | |
Well...who says I haven't? | 0:06:36 | 0:06:39 | |
-I'll find Terry. -HE HUMS | 0:06:42 | 0:06:44 | |
-Terry. -How are you? -Well, I'm having a marvellous time. | 0:06:44 | 0:06:47 | |
Upstairs is a cross-stitch panel. | 0:06:47 | 0:06:51 | |
I got in a right muddle, I was going round and round in circles. | 0:06:51 | 0:06:55 | |
Would it need a phone call to try and tweak it a bit? | 0:06:55 | 0:06:57 | |
-I can do it for 25. She won't go any more. -She wouldn't? -No. | 0:06:57 | 0:07:00 | |
-Not even if I blew her a kiss down the phone? -No. | 0:07:00 | 0:07:03 | |
-No, that would probably make her go back to 30. -THEY LAUGH | 0:07:03 | 0:07:06 | |
Oh, dear! | 0:07:08 | 0:07:11 | |
-There is no downside at 25 quid, is there? -No. -Put it there, guvnor. | 0:07:11 | 0:07:15 | |
Phew! Well done, Charlie. One item all sewn up. | 0:07:15 | 0:07:19 | |
Thomas would like to buy more here, but there's a problem. | 0:07:19 | 0:07:22 | |
It's another whole room! | 0:07:22 | 0:07:24 | |
A whole 'nother floor. | 0:07:24 | 0:07:27 | |
# I'm lost just like a dog without a bone. # | 0:07:27 | 0:07:33 | |
Where am I? | 0:07:33 | 0:07:35 | |
Hang on a minute, we're walking round in circles. | 0:07:37 | 0:07:40 | |
Oh, God! | 0:07:40 | 0:07:42 | |
I can't get out! | 0:07:42 | 0:07:44 | |
Meanwhile, Charlie's on a roll. | 0:07:44 | 0:07:46 | |
-He's found something else to perk him up. -Cafe au lait. Hm. | 0:07:46 | 0:07:50 | |
A little very Art Deco looking, almost Christopher Dresser design. | 0:07:50 | 0:07:56 | |
-Yeah. -Hot milk in one, coffee in the other and away you go. | 0:07:56 | 0:08:00 | |
Very, very nice. And I like the... | 0:08:02 | 0:08:06 | |
They are ebony, aren't they, those handles? | 0:08:06 | 0:08:09 | |
-I think they're very nice. -Together they're priced at £40. | 0:08:09 | 0:08:12 | |
-Yeah. -I think they'd probably make 30 quid at auction. | 0:08:12 | 0:08:15 | |
-Which is... I've got nowhere to go. -No. | 0:08:15 | 0:08:17 | |
Is it a very nice amenable person that owns these? | 0:08:17 | 0:08:20 | |
-Are they lovely? -I can do 'em for 30 quid for the pair, | 0:08:20 | 0:08:24 | |
-but that's as much as... -Can you? -Yeah. | 0:08:24 | 0:08:26 | |
Could you do me a gesture like...28? | 0:08:26 | 0:08:29 | |
I mean, that sounds really pathetic | 0:08:29 | 0:08:31 | |
and you can show me the door if you like, | 0:08:31 | 0:08:34 | |
-but it's just psychologically... -28? | 0:08:34 | 0:08:38 | |
-Yeah. -Right. -Are you sure? -Yeah. -Fab. Thank you very much indeed. -OK. | 0:08:38 | 0:08:43 | |
Sorry to be such a cheese-paring misery. | 0:08:43 | 0:08:45 | |
Two quid could be the difference at the end of the day, | 0:08:45 | 0:08:48 | |
-you never know in life. -You never know. | 0:08:48 | 0:08:50 | |
Yes, every penny counts, especially when your opponent | 0:08:50 | 0:08:53 | |
is displaying an intimidating amount of intellectual prowess. | 0:08:53 | 0:08:58 | |
I have a very short concentration span, | 0:08:58 | 0:09:00 | |
it lasts for about a minute and... | 0:09:00 | 0:09:03 | |
Aye up, what's this? | 0:09:03 | 0:09:05 | |
I think...a pair of tribal carved spears. | 0:09:05 | 0:09:09 | |
They're not spears, they're...paddles. | 0:09:09 | 0:09:12 | |
You're right, they're African ceremonial paddles. | 0:09:12 | 0:09:15 | |
Like that. | 0:09:15 | 0:09:17 | |
£45 the pair. | 0:09:17 | 0:09:19 | |
I think I'd have them for 30. | 0:09:19 | 0:09:21 | |
-There he is! -Lordy! | 0:09:23 | 0:09:26 | |
They're tripping over each other in this shop. | 0:09:26 | 0:09:29 | |
It can be another person. | 0:09:29 | 0:09:31 | |
-There we are. -Very convincing. | 0:09:33 | 0:09:36 | |
Is he there? Is he hiding? | 0:09:40 | 0:09:42 | |
-I've seen him round the corner, you see. -No, he's not hiding from you. | 0:09:42 | 0:09:45 | |
-Well, he might be. -Because I saw him as I picked these up. -Yeah. | 0:09:45 | 0:09:49 | |
-You trying to hide 'em? -Yes. THEY LAUGH | 0:09:49 | 0:09:53 | |
-Do you think they'll take 30 for them? -No. -Oh, really? -Yeah. -Why not? | 0:09:56 | 0:10:00 | |
Cos they only come in two days ago. | 0:10:00 | 0:10:02 | |
-You wouldn't phone, Terry, just to ask? -I'll try. | 0:10:02 | 0:10:05 | |
-Do you mind? -No, I'll try. -Do you mind? | 0:10:05 | 0:10:07 | |
They might do 'em a bit more, but not a lot. | 0:10:07 | 0:10:10 | |
They're good though, aren't they? They're good big things. | 0:10:11 | 0:10:14 | |
Yes, but will the deal come down on the price? | 0:10:14 | 0:10:16 | |
-35. -Oh, really? -Yes. | 0:10:16 | 0:10:19 | |
-Your lucky day. -Lucky day? -Yes. | 0:10:19 | 0:10:23 | |
I think I've got to have 'em for 35. | 0:10:23 | 0:10:25 | |
-I think they're cheaper at that, yeah. -Yeah. -Definitely. | 0:10:25 | 0:10:28 | |
-Thank you very much. -Thank you. | 0:10:28 | 0:10:29 | |
Both boys have managed to buy two items each in their first shop, | 0:10:29 | 0:10:33 | |
-but whilst they've been busy, the rain's arrived. -Oh, no, look! | 0:10:33 | 0:10:37 | |
The car's got wet! We are going to get wet bottoms! | 0:10:37 | 0:10:40 | |
-Hood up! -Hood up. | 0:10:40 | 0:10:42 | |
Poor old loves. Wet bottoms or not, the road trip moves on. | 0:10:42 | 0:10:45 | |
Our chaps are heading 31 miles west | 0:10:47 | 0:10:50 | |
just over the border into Wales to the town of Welshpool | 0:10:50 | 0:10:54 | |
where Thomas is dropping Charlie off for a spot more shopping. | 0:10:54 | 0:10:57 | |
Ohh! FE! Look! | 0:10:57 | 0:10:59 | |
Look at that! Fred Anderson! | 0:10:59 | 0:11:02 | |
Posh shop! | 0:11:02 | 0:11:03 | |
There's only one thing I'm going to need in this shop. | 0:11:03 | 0:11:06 | |
-What's that, some money? -Your money! -Go on, out you get! Come on! | 0:11:06 | 0:11:10 | |
-Thank you, dear. Have a nice visit. -I will. Bye-bye. | 0:11:10 | 0:11:13 | |
HE SIGHS | 0:11:15 | 0:11:17 | |
This is a Roscoe sort of shop! | 0:11:18 | 0:11:20 | |
Thomas and his money meanwhile are heading north | 0:11:20 | 0:11:22 | |
and back into England, to the town of Oswestry. | 0:11:22 | 0:11:26 | |
Bizarrely, he's coming here to learn more about a very Welsh institution. | 0:11:26 | 0:11:31 | |
I'm looking forward to a lovely Welsh reception, | 0:11:31 | 0:11:35 | |
full of warmth, humour... and good singing. | 0:11:35 | 0:11:40 | |
MALE VOICE CHOIR SINGS | 0:11:40 | 0:11:42 | |
Ah, food for the soul! | 0:11:43 | 0:11:46 | |
Thomas's destination is the Welsh Guards Museum | 0:11:46 | 0:11:49 | |
and standing by to meet him is Stan Evans, | 0:11:49 | 0:11:52 | |
a veteran Welsh Guard himself. | 0:11:52 | 0:11:54 | |
-Thomas. -Hello. Stan is it? -Stan it is, yes. I'm the curator. | 0:11:54 | 0:11:59 | |
The Welsh Guards were formed not only to protect the Queen, | 0:11:59 | 0:12:01 | |
standing guard at Windsor Castle and Buckingham Palace, | 0:12:01 | 0:12:04 | |
but also as an infantry regiment to go into the First World War. | 0:12:04 | 0:12:09 | |
They are the youngest of the guards regiments, | 0:12:10 | 0:12:13 | |
only coming into being in 1915, | 0:12:13 | 0:12:15 | |
and straightaway they had to design a uniform | 0:12:15 | 0:12:18 | |
with a badge to identify themselves. | 0:12:18 | 0:12:21 | |
Back into the battle of Agincourt, | 0:12:22 | 0:12:25 | |
the Welshmen, who had no uniforms whatsoever | 0:12:25 | 0:12:29 | |
were told that on the side of the battle there was a field of leeks. | 0:12:29 | 0:12:33 | |
"Wear a leek upon your chest and kill those that don't." | 0:12:33 | 0:12:36 | |
So it really is the oldest badge of uniform. | 0:12:36 | 0:12:39 | |
This is the uniform they would have worn, | 0:12:39 | 0:12:41 | |
the buttons would have been Welsh Guards buttons. | 0:12:41 | 0:12:43 | |
And here we see the leek in the situation it would have been in. | 0:12:43 | 0:12:46 | |
The Welsh Guards soon distinguished themselves, | 0:12:46 | 0:12:49 | |
earning 21 battle honours, shown on the colour, | 0:12:49 | 0:12:53 | |
and two Victoria crosses, one from each World War. | 0:12:53 | 0:12:56 | |
In the Second World War, one act of bravery | 0:12:56 | 0:12:59 | |
left behind a very different kind of memorial. | 0:12:59 | 0:13:02 | |
Corporal Winslade was an infantry section leader then | 0:13:02 | 0:13:07 | |
and he was responsible for an outpost. | 0:13:07 | 0:13:10 | |
And they were holding off the Germans | 0:13:10 | 0:13:12 | |
until the other companies could get to safety. | 0:13:12 | 0:13:15 | |
And they held for as long as they could | 0:13:15 | 0:13:18 | |
and, unfortunately, Corporal Winslade was shot through the chest | 0:13:18 | 0:13:22 | |
and the bullet entered his breast pocket. | 0:13:22 | 0:13:25 | |
And we can see here his paybook | 0:13:25 | 0:13:28 | |
and a photograph of his girlfriend and the bullet has penetrated both. | 0:13:28 | 0:13:32 | |
-Wow! -Erm...and he was killed instantly. | 0:13:32 | 0:13:35 | |
During both World Wars and since | 0:13:41 | 0:13:43 | |
in all British conflicts including Iraq and Afghanistan, | 0:13:43 | 0:13:47 | |
the Welsh Guards have sustained many casualties, | 0:13:47 | 0:13:49 | |
but are well-known for their bravery and loyalty to their regiment. | 0:13:49 | 0:13:53 | |
Back in the UK they are most famous | 0:13:53 | 0:13:55 | |
for standing the guard at the royal palaces | 0:13:55 | 0:13:58 | |
wearing the iconic ceremonial uniform. | 0:13:58 | 0:14:00 | |
And it looks like they may have a new recruit! | 0:14:00 | 0:14:03 | |
-The red jacket. -Oh, Thomas, you never miss a chance to dress up, do you? | 0:14:03 | 0:14:08 | |
Face round to me. | 0:14:08 | 0:14:10 | |
When you're getting dressed for duties you ask somebody, "Can you give me a pull round?" | 0:14:11 | 0:14:15 | |
-A pull round? -This is a pull round. | 0:14:15 | 0:14:18 | |
-You stand there... -Yeah. -..and I do that. | 0:14:18 | 0:14:21 | |
Oh, lordy! | 0:14:21 | 0:14:24 | |
Does he look the part? Don't move, Thomas. | 0:14:24 | 0:14:27 | |
While his opponent stands guard, Charlie's back in Welshpool | 0:14:29 | 0:14:32 | |
feasting his eyes on the goods of shop owner Ian. | 0:14:32 | 0:14:36 | |
-Oh, goodness me! This room could have been designed for me, couldn't it? -Well, I hope it could be. | 0:14:36 | 0:14:40 | |
Oh, dear, looks a bit out of your budget though, Charlie. | 0:14:40 | 0:14:43 | |
-So how long have you been here? -We've been here just over 100 years. | 0:14:43 | 0:14:47 | |
Look out, here comes the sob story. | 0:14:47 | 0:14:49 | |
I have to say something straightaway, sir. | 0:14:49 | 0:14:52 | |
-Looking at your lovely objects, I've come here with a pathetic sort of hundred-odd quid of money. -Yes. | 0:14:52 | 0:14:58 | |
-I haven't done well. -And you could do with a change of luck? -I could do with a bolster. | 0:14:58 | 0:15:04 | |
Or rather, something small that you can afford. | 0:15:04 | 0:15:07 | |
-More feminine. -It is. -Very, very nice. -He's looking at you. | 0:15:07 | 0:15:12 | |
OK, so always too big. | 0:15:13 | 0:15:15 | |
-Those are quite interesting. -The water buffalo? | 0:15:15 | 0:15:18 | |
-Yes. -Aren't they lovely. | 0:15:18 | 0:15:20 | |
They're all right, but they're a bit out of the bracket. | 0:15:20 | 0:15:22 | |
-You're not going to sell those to me for 100 quid? -No, I can't afford to. | 0:15:22 | 0:15:25 | |
-And they are a true pair, aren't they? -They're a true pair. | 0:15:25 | 0:15:28 | |
The sort of thing that's, you know, saleable nowadays. | 0:15:28 | 0:15:32 | |
-Yes. -I like those. -Yeah. -I'm going to do an exact sum in a minutes. | 0:15:32 | 0:15:37 | |
Canny Charlie's fallen for a pair of wooden Chinese water buffalo carved in the early 20th century, | 0:15:37 | 0:15:43 | |
but the ticket price on them is way over what he can afford, at £245. | 0:15:43 | 0:15:49 | |
-I've only got about 110 quid. -You've got about 110 quid to spare. | 0:15:49 | 0:15:53 | |
-I can't buy those, can I? -The buffalo cost 140. | 0:15:53 | 0:15:56 | |
I could probably charge you 155, but it's out of your bracket, unfortunately, | 0:15:56 | 0:16:00 | |
it's out of your bracket. | 0:16:00 | 0:16:01 | |
-Yeah. But I mean... -Oh, crikey! | 0:16:01 | 0:16:04 | |
I'm...I'm thinking a little bit now. | 0:16:04 | 0:16:08 | |
I did buy with them a very nice mahogany tripod table for 200, | 0:16:08 | 0:16:12 | |
which I got 500 for. | 0:16:12 | 0:16:14 | |
There appears to be a glimmer of hope, and now Charlie spots something else. | 0:16:14 | 0:16:19 | |
He has had a leg off. Are you aware? | 0:16:20 | 0:16:23 | |
Oh, golly! Do you think I'll be lumbered with them now if I don't sell them to you? | 0:16:23 | 0:16:27 | |
-What did you say was your offer? -110. | 0:16:27 | 0:16:30 | |
-110. -Chancer! | 0:16:30 | 0:16:32 | |
£110... I will sell them to you. | 0:16:32 | 0:16:36 | |
-And I will wish you the very best of luck with them. -Are you sure? | 0:16:36 | 0:16:39 | |
-I will wish you the very best of luck with them. -You, sir, are a gentleman and a scholar! | 0:16:39 | 0:16:43 | |
-Ooh, you want money? -I want my money. | 0:16:43 | 0:16:45 | |
-90. 100. And ten. -And ten. | 0:16:45 | 0:16:49 | |
-Thank you very much. -I've still got a fiver. | 0:16:49 | 0:16:51 | |
-Yeah, and I tell you what I'm going to do. -What are you going to do? | 0:16:51 | 0:16:54 | |
I need those to be lucky for you to win. | 0:16:54 | 0:16:56 | |
-Yeah. -That's for you and that's for luck towards the auction. | 0:16:56 | 0:17:01 | |
When I was selling the chickens and the cows and what have you, | 0:17:01 | 0:17:04 | |
we always used to give the biggest buyer of the day | 0:17:04 | 0:17:06 | |
-a bit of lucky money. -Well, you're definitely my biggest buyer today. | 0:17:06 | 0:17:09 | |
-CHARLIE LAUGHS -Charlie, you are a very lucky man indeed. | 0:17:09 | 0:17:13 | |
By Ian giving you back that £10, | 0:17:13 | 0:17:15 | |
you got the water buffalo for a snip at £100. | 0:17:15 | 0:17:19 | |
Ridiculous! | 0:17:19 | 0:17:20 | |
It's the end of the day and time for our experts to have a well-needed little lie down. | 0:17:20 | 0:17:25 | |
Sleep tight. | 0:17:25 | 0:17:27 | |
Day two, and our devilish duo are comparing the size of their wallets...again! | 0:17:28 | 0:17:33 | |
-I mean, you went shopping yesterday and you've still got over £400 left? -Just under. | 0:17:33 | 0:17:38 | |
CHARLIE LAUGHS How much have you got left? | 0:17:38 | 0:17:42 | |
-I've got...£17.61, I think. Or £17.57. -Wonderful! Wonderful! -Or £17.56. | 0:17:42 | 0:17:47 | |
-You've really done well! -I'm not sure about the pence. | 0:17:47 | 0:17:50 | |
Every penny helps, Charlie. | 0:17:50 | 0:17:52 | |
So to recap, Charlie has spent £153 on three items - | 0:17:52 | 0:17:56 | |
a cafe au lait set, a screen with cross-stitch needlework | 0:17:56 | 0:18:02 | |
and a pair of Chinese carved water buffalo. | 0:18:02 | 0:18:04 | |
That means he has £17.56 left in his coffers. | 0:18:04 | 0:18:09 | |
Thomas, on the other hand, has parted with £95 | 0:18:09 | 0:18:12 | |
on an Art Deco figure and a pair of African ceremonial paddles. | 0:18:12 | 0:18:15 | |
Which still leaves him with a magnificent £390.84 | 0:18:15 | 0:18:20 | |
to play to play about with. | 0:18:20 | 0:18:23 | |
Our chaps have motored back into Wales | 0:18:23 | 0:18:25 | |
and are heading for the large town of Wrexham. | 0:18:25 | 0:18:28 | |
Impoverished Charlie is dropping tycoon Thomas off at his next shop, hoping he'll spend big. | 0:18:29 | 0:18:35 | |
-Got all your money in your pocket? -Yeah, and it's bulging. CHARLIE LAUGHS | 0:18:35 | 0:18:39 | |
-And buy something nice. -Bye-bye. | 0:18:39 | 0:18:42 | |
Bryn-Y-Grog Emporium houses the wares of over 50 dealers | 0:18:42 | 0:18:46 | |
and one of them standing by to help Thomas. | 0:18:46 | 0:18:49 | |
-Good morning. -Thomas? -That's right. -Hello, Thomas. -It's Brian? -Brian. | 0:18:49 | 0:18:53 | |
-I hope you find something to buy, I'm sure you will. -I think I will. | 0:18:53 | 0:18:56 | |
-I'm sure I will. It looks massive! -Massive it is, and with a healthy wallet | 0:18:56 | 0:19:01 | |
surely finding a treasure here should be no problem for our expert. | 0:19:01 | 0:19:05 | |
-They're proper antiques. -So what's your tactics today, Thomas? | 0:19:05 | 0:19:09 | |
My tactics are to buy...quality. | 0:19:09 | 0:19:13 | |
Concentrate. | 0:19:13 | 0:19:15 | |
Don't buy a resin panel, which is what this is. | 0:19:15 | 0:19:18 | |
Don't spuff it all on one item. | 0:19:20 | 0:19:24 | |
Did you say spuff it?! | 0:19:24 | 0:19:26 | |
Retro Mysterons ray gun with light beams and... | 0:19:26 | 0:19:31 | |
And voice changer. | 0:19:31 | 0:19:33 | |
Roscoe, this is Plant, your merciless Mysteron! | 0:19:33 | 0:19:37 | |
How many children put their lips round there? Disgusting! | 0:19:38 | 0:19:41 | |
-Yuck! -I'm going to start doing some buying now. I've had a good look. | 0:19:41 | 0:19:45 | |
What I'm looking at here is an onyx cigarette set. | 0:19:50 | 0:19:53 | |
I'm not really interested in the lighter, but there's just marvellous colours to it. | 0:19:53 | 0:19:58 | |
I think this is spelter, but it's quite well painted, actually. | 0:19:58 | 0:20:02 | |
It's got a bit of age to it. | 0:20:02 | 0:20:04 | |
It's the kind of thing which you buy for a tenner and it's going to make £25. | 0:20:04 | 0:20:09 | |
Yeah, it's not a bad looking thing. There's so much stuff! | 0:20:09 | 0:20:12 | |
So, that's a contender. Now, what's this with a ticket price of £38? | 0:20:12 | 0:20:17 | |
-It's a deed box. -This deed box dates from the early 20th century | 0:20:19 | 0:20:23 | |
and would've been used to hold important documents | 0:20:23 | 0:20:26 | |
such as house deeds or bonds and other available items. | 0:20:26 | 0:20:29 | |
It would have been double-locked with two keys | 0:20:29 | 0:20:31 | |
and kept in a strong room in the bank or solicitors. | 0:20:31 | 0:20:34 | |
-38 quid. That's no money, it's quite good. -Safe/deed box? | 0:20:34 | 0:20:38 | |
-Yeah, the deed box. -Time to see if Brian can do a deal. | 0:20:38 | 0:20:41 | |
Do you know if they've got the keys? | 0:20:41 | 0:20:44 | |
-Er...no. Sorry, as is. -As is? -Yeah. | 0:20:44 | 0:20:48 | |
-I quite like that. It's quite fun. -Well, the paint's pleasant on it, | 0:20:48 | 0:20:51 | |
there's enough of the gilding left to decorate it quite nicely. | 0:20:51 | 0:20:54 | |
-Yeah, it's quite a good fun thing, a good decorative lot. -Yeah. | 0:20:54 | 0:20:58 | |
I quite like that. That's quite good fun. | 0:20:58 | 0:21:00 | |
So, it's got £38 on it, how about £28? | 0:21:00 | 0:21:03 | |
5? 25? | 0:21:03 | 0:21:06 | |
-Yes, why not. -We'll have that for sure. -OK. -At 25 that's great. | 0:21:06 | 0:21:11 | |
-We'll definitely have that. That's brilliant. -A good deal indeed! | 0:21:11 | 0:21:15 | |
Now, what about that green onyx ashtray? | 0:21:15 | 0:21:18 | |
-I think that is delightful! Have a look at it. -It's nice. | 0:21:18 | 0:21:21 | |
-Yeah, that's good. The pheasant's very good, isn't it? -The pheasant's brilliant, isn't it? -Yeah. | 0:21:21 | 0:21:27 | |
-Would they mind if I just gave them a tenner for that? -Oh, gosh, no. | 0:21:27 | 0:21:29 | |
-The quality. -That's nice. -Yeah. | 0:21:29 | 0:21:32 | |
And people can use it to put little cuff links in or something. | 0:21:32 | 0:21:35 | |
-Yeah. So we'll say £8 for that. -Oh, perfect. Perfect. That's great. | 0:21:35 | 0:21:38 | |
-25 and eight so that's... -£33. -£33. Yeah. | 0:21:38 | 0:21:43 | |
Last of the big spenders, eh? | 0:21:43 | 0:21:45 | |
While Thomas has been shopping, Charlie is en route two miles west | 0:21:45 | 0:21:49 | |
to a rather large country house. | 0:21:49 | 0:21:52 | |
This is the longest drive up to a house I think I've ever been on. | 0:21:52 | 0:21:55 | |
I've been driving for hours! | 0:21:55 | 0:21:57 | |
But what a sight to greet one at the end. | 0:21:57 | 0:22:00 | |
Charlie's come to Erddig House, | 0:22:00 | 0:22:03 | |
widely recognised as one of Britain's finest historic houses | 0:22:03 | 0:22:06 | |
and now owned by the National Trust. | 0:22:06 | 0:22:08 | |
-Poised to show Charlie around is curator Graham Clark. -Thank you. | 0:22:08 | 0:22:13 | |
Erddig House was inherited by the Yorke family | 0:22:13 | 0:22:16 | |
in the mid-18th century, | 0:22:16 | 0:22:18 | |
who continued to live here for the next 200 years. | 0:22:18 | 0:22:22 | |
But although the house appears to be steeped in all the trappings of the aristocracy, | 0:22:22 | 0:22:27 | |
there's an unusual story here of the family and servants who shared these rooms. | 0:22:27 | 0:22:33 | |
Cos this is all about the servants, really, isn't it? | 0:22:34 | 0:22:36 | |
-It is, yes. -The history of the house? -That's right. | 0:22:36 | 0:22:38 | |
And at the end of the room there we have a door to the servery, | 0:22:38 | 0:22:42 | |
which would have been the door for the servants to come in. | 0:22:42 | 0:22:45 | |
Although the Yorkes inherited the house, | 0:22:45 | 0:22:47 | |
they were not hugely wealthy and began losing money from the start. | 0:22:47 | 0:22:52 | |
As a result, they couldn't afford to pay their servants the usual going rate, | 0:22:52 | 0:22:56 | |
so instead they opted to pay them in kind, | 0:22:56 | 0:22:59 | |
in order to keep their loyalty, by treating them like family. | 0:22:59 | 0:23:03 | |
There weren't any back stairs that were segregated - | 0:23:03 | 0:23:06 | |
another feature of the house. | 0:23:06 | 0:23:08 | |
The servants rubbed up well against the family. | 0:23:08 | 0:23:11 | |
-So you'd bump into servants all the time. -Yeah. | 0:23:12 | 0:23:14 | |
This is their version of the dining room, the servants hall. | 0:23:14 | 0:23:17 | |
You would have had your meals in here. | 0:23:17 | 0:23:19 | |
You'd have the butler at one end and the housekeeper at the other. | 0:23:19 | 0:23:22 | |
Heads of the respective staff. | 0:23:22 | 0:23:23 | |
And here we have portraits, oil paintings, of the servants. | 0:23:23 | 0:23:26 | |
Almost unheard of, isn't it? | 0:23:26 | 0:23:29 | |
The paintings were commissioned by Philip Yorke I | 0:23:31 | 0:23:34 | |
in the 1790s and it was he who also wrote the poems | 0:23:34 | 0:23:38 | |
included in the paintings about each of the servants. | 0:23:38 | 0:23:42 | |
Who have we got here? | 0:23:42 | 0:23:44 | |
This is dear old Jane Ebbrell who worked for 70 years for the Yorkes. | 0:23:44 | 0:23:48 | |
-70 years! -No retirement age then. | 0:23:48 | 0:23:50 | |
But we know the Yorkes housed her in her own cottage | 0:23:50 | 0:23:53 | |
on the estate and gave her the lovely job title | 0:23:53 | 0:23:56 | |
of "spider-brusher" when her days as housekeeper was done. | 0:23:56 | 0:23:59 | |
She was still allowed on the estate but didn't have anything to do. | 0:23:59 | 0:24:02 | |
A really interesting character here is Thomas Rogers. | 0:24:02 | 0:24:06 | |
He was carpenter-joiner here. | 0:24:06 | 0:24:08 | |
He was saved from the press gang for the Napoleonic wars | 0:24:08 | 0:24:10 | |
by the squire, who paid a ransom... | 0:24:10 | 0:24:12 | |
-To keep his servant! -..to keep him here. | 0:24:12 | 0:24:16 | |
I'd like to come in here and listen to the old conversation. | 0:24:17 | 0:24:21 | |
Philip Yorke's tradition of honouring the servants | 0:24:21 | 0:24:24 | |
was to continue in the family right up to the 20th century. | 0:24:24 | 0:24:27 | |
Here we are in the servant passage and we have the successors | 0:24:27 | 0:24:30 | |
to those early oil paintings with photographs of the servants. | 0:24:30 | 0:24:33 | |
This is a lovely, touching story. | 0:24:33 | 0:24:35 | |
It's Lucy Hitchman and Lucy was the nurse | 0:24:35 | 0:24:38 | |
and Ernest Jones was the groom. They met most days, | 0:24:38 | 0:24:41 | |
when they took the young lads for a pony trip around the garden. | 0:24:41 | 0:24:46 | |
-Inevitably, as these things happen, they fell in love. -How exciting. | 0:24:46 | 0:24:50 | |
He was much below her station. | 0:24:50 | 0:24:52 | |
People advised them not to court, but they got married. | 0:24:52 | 0:24:55 | |
-With the family's blessing? -Family's blessing. | 0:24:55 | 0:24:58 | |
Commemorated in verse. If I just finish off the poem, | 0:24:58 | 0:25:01 | |
"We trust the attachment here begun | 0:25:01 | 0:25:03 | |
"May last while life its course shall run." | 0:25:03 | 0:25:05 | |
But perhaps the most important photograph | 0:25:05 | 0:25:08 | |
we have at Erddig is this 1912 group photograph | 0:25:08 | 0:25:10 | |
of the principal servants, all holding a tool of their trade. | 0:25:10 | 0:25:14 | |
You'll see William Gittings has a saw. He's the carpenter. | 0:25:14 | 0:25:17 | |
The butler has a bottle of claret. | 0:25:17 | 0:25:20 | |
Most importantly, the family have put themselves | 0:25:20 | 0:25:23 | |
in the photograph behind their servants. | 0:25:23 | 0:25:26 | |
Wonderful. We've got the cook, here. | 0:25:26 | 0:25:28 | |
-Holding some sort of game bird. -That's right. Brace of pheasants. | 0:25:28 | 0:25:31 | |
-Which will be prepared in the kitchen. -Cooked up in the pot. | 0:25:31 | 0:25:34 | |
-Shall we? -Marvellous. | 0:25:34 | 0:25:36 | |
A wonderful room, isn't it? | 0:25:38 | 0:25:39 | |
One of the largest rooms in the house, which shows its importance. | 0:25:39 | 0:25:43 | |
One has the sense of it being a very happy home. | 0:25:43 | 0:25:46 | |
The relationship between the family and the servants - | 0:25:46 | 0:25:50 | |
everybody must have got on. | 0:25:50 | 0:25:52 | |
It feels like a home, although it's enormous, it feels like a home. | 0:25:52 | 0:25:56 | |
And I want to meet the servants that were here and ask them | 0:25:56 | 0:25:59 | |
how they were treated. And hopefully get the right answer. | 0:25:59 | 0:26:03 | |
-Are you treated well here? -All the time! -Good! | 0:26:03 | 0:26:06 | |
-Thank you so much, Graham. -Thank you to meet you. -It's been wonderful. | 0:26:06 | 0:26:09 | |
What a fascinating visit for Charlie. | 0:26:09 | 0:26:12 | |
If only he was on equal footing with sparring partner Thomas Plant. | 0:26:12 | 0:26:17 | |
Our chaps have reconvened in the Spitfire and are now | 0:26:17 | 0:26:21 | |
journeying to Ruthin in Denbighshire where a shop awaits Charlie. | 0:26:21 | 0:26:25 | |
-I am going shopping and you're going shopping. -I am going shopping. | 0:26:26 | 0:26:29 | |
And you've still got a lot of money. Still got a lot of money. | 0:26:29 | 0:26:31 | |
-I've got very, very little. -I've got a lot of money | 0:26:31 | 0:26:34 | |
and I'll probably still have a lot by the time I've finished. | 0:26:34 | 0:26:36 | |
-Unless I see something amazing. -Thomas! Go big! | 0:26:36 | 0:26:39 | |
Oh, will you stop banging on about the money? | 0:26:39 | 0:26:42 | |
Ah, the county town of Ruthin. | 0:26:43 | 0:26:45 | |
In the 15th century, a rebellion against King Henry IV | 0:26:45 | 0:26:49 | |
left the town ravaged and burnt to the ground, | 0:26:49 | 0:26:52 | |
but luckily for our experts, it rose from the ashes. | 0:26:52 | 0:26:55 | |
-Are you going to take this car on? -Yes, I am. | 0:26:55 | 0:26:58 | |
-While I spend the rest of my money. -You've done so well. | 0:26:58 | 0:27:01 | |
-I'll leave it ticking over for you, sir. -Leave it ticking. | 0:27:01 | 0:27:04 | |
I've got profit to make. | 0:27:04 | 0:27:06 | |
HE GROANS | 0:27:06 | 0:27:08 | |
When's your coach getting here, sir? THEY LAUGH | 0:27:08 | 0:27:12 | |
Roscoe, you'll be fine. | 0:27:12 | 0:27:14 | |
Charlie, stop sulking. | 0:27:14 | 0:27:16 | |
While Thomas heads off, Charlie has a surprise in store. | 0:27:16 | 0:27:20 | |
Someone he knows from the antiques trade. | 0:27:20 | 0:27:22 | |
-Hello! -It's you! How are you, Andy? -Very well. Long time no see. | 0:27:22 | 0:27:25 | |
I didn't know you were here. | 0:27:25 | 0:27:28 | |
-Is this your establishment? -It certainly is, yes. | 0:27:28 | 0:27:30 | |
We've finally come in off the road. | 0:27:30 | 0:27:33 | |
-Every time I see you, you're at a fair. -That's right. | 0:27:33 | 0:27:36 | |
-I think I've spent money with you over the years. -Once or twice. | 0:27:36 | 0:27:39 | |
-But not a lot! -HE LAUGHS | 0:27:39 | 0:27:41 | |
-I've got a confession to make. -You're skint? | 0:27:41 | 0:27:43 | |
This is what I've got left. | 0:27:43 | 0:27:45 | |
-HE GROANS -£17.56. | 0:27:48 | 0:27:53 | |
I've got something that might interest you that's just come in. | 0:27:53 | 0:27:57 | |
-Unusual. -You know I like a bit of unusual. | 0:27:58 | 0:28:01 | |
-Something very, very small. -Is it delicate, Andy? | 0:28:01 | 0:28:05 | |
-No, it's not delicate. -I wonder what it could be. | 0:28:05 | 0:28:08 | |
Before we find out, let's see where Thomas has got to. | 0:28:09 | 0:28:13 | |
He's heading through the beautiful Welsh countryside to his last shop | 0:28:13 | 0:28:17 | |
in Denbigh, handily called Denbighshire Antiques. | 0:28:17 | 0:28:21 | |
-Hello. Thomas. -Nice to meet you. -What's your name? -Paul. | 0:28:23 | 0:28:27 | |
-You've got a lot here, haven't you? -Yeah. | 0:28:27 | 0:28:30 | |
-I plan to spend a bit of money with you, if that's all right. -Hope so. | 0:28:30 | 0:28:33 | |
Right. Are we going wild or playing sensible? | 0:28:36 | 0:28:40 | |
Roscoe wants me to buy furniture, cos it's quite expensive | 0:28:40 | 0:28:43 | |
and one could lose money on furniture. | 0:28:43 | 0:28:45 | |
So if I bought a bit of furniture, I think Roscoe would be dancing a jig. | 0:28:45 | 0:28:50 | |
Come on, Planter, get buying. | 0:28:51 | 0:28:54 | |
I've seen something I quite like. | 0:28:54 | 0:28:56 | |
This is a terracotta garden urn. | 0:28:58 | 0:29:02 | |
Obviously, it comes in bits. This lifts off, like that. | 0:29:02 | 0:29:06 | |
And that goes down like that. That's the base. | 0:29:06 | 0:29:09 | |
This is where the plant would go. | 0:29:09 | 0:29:11 | |
It should have been one of a pair, but look at these lovely petals here. | 0:29:11 | 0:29:15 | |
Probably 1920s. | 0:29:15 | 0:29:17 | |
What a thing for somebody's garden. | 0:29:17 | 0:29:20 | |
I don't know if it'll sell well, but it's got a chance. | 0:29:20 | 0:29:23 | |
Right time of year, I have to say. Right. Let's go and find Paul. | 0:29:23 | 0:29:26 | |
It has £110 on the ticket but let's face it, our Thomas can afford it. | 0:29:26 | 0:29:32 | |
I'm not a great expert in garden statuary. | 0:29:32 | 0:29:34 | |
-Is it something which you'd be prepared to do a deal on? -Yeah. | 0:29:34 | 0:29:39 | |
-But not a million miles from where it is, to be honest. -Oh, really? | 0:29:39 | 0:29:43 | |
-I see this at a figure. -At? -£70. | 0:29:43 | 0:29:47 | |
-I couldn't sell that at 70. -What could you sell at? | 0:29:47 | 0:29:50 | |
-90 would be the money. -Come on. What about 75? | 0:29:50 | 0:29:54 | |
Reluctantly, I'll take 80. | 0:29:55 | 0:29:58 | |
75. Cos you know I want to try and make a profit. | 0:29:58 | 0:30:01 | |
-I think you'll be making more of a profit than what I did. -Oh, come on! | 0:30:01 | 0:30:05 | |
-You said this came to you well. -It did. | 0:30:05 | 0:30:07 | |
-But I still feel you'd make more of a profit than what I did. -Well... | 0:30:07 | 0:30:10 | |
75, and you've got a deal? You're a star. You're an absolute star. | 0:30:10 | 0:30:13 | |
I can't believe it! | 0:30:13 | 0:30:15 | |
Mr Cautious has finally splashed his cash. Well done! | 0:30:15 | 0:30:20 | |
Now, if you recall, | 0:30:20 | 0:30:22 | |
Andy was about to pick out something unusual for our Charlie. | 0:30:22 | 0:30:25 | |
-Have you still got your eyes closed? -Yeah. -There we are. | 0:30:25 | 0:30:28 | |
Open your eyes. Very, very unusual. | 0:30:30 | 0:30:34 | |
Isn't that wonderful? | 0:30:34 | 0:30:37 | |
It's a needle case. | 0:30:37 | 0:30:39 | |
-I would think round about... BOTH: 1920s. -Spot on! | 0:30:39 | 0:30:42 | |
Looks like Thomas Plant. He has a hat, you know. | 0:30:42 | 0:30:45 | |
The needle case is made of celluloid, an early form of plastic, | 0:30:45 | 0:30:49 | |
that was often used instead of ivory because it was cheaper. | 0:30:49 | 0:30:52 | |
-We take that off and out comes the thread. -Look at that! | 0:30:52 | 0:30:57 | |
-This isn't all, is it? -This could be yours... | 0:30:57 | 0:31:01 | |
-Could it? -..for a £10 note. | 0:31:01 | 0:31:03 | |
And you'd still have a fiver to spend. | 0:31:03 | 0:31:06 | |
-I'd still have £7.56 to spend. -As much as that? | 0:31:06 | 0:31:09 | |
-Oh, Lord! Today is my lucky day! -HE LAUGHS | 0:31:09 | 0:31:11 | |
-Thank you, Lord, for sending Andy! I shall have it, sir. -Deal is set. | 0:31:13 | 0:31:19 | |
Never has shopping been made so easy. It's marvellous. | 0:31:19 | 0:31:22 | |
That went well, didn't it? | 0:31:22 | 0:31:25 | |
Can Andy help Charlie find anything for his remaining pennies? | 0:31:25 | 0:31:28 | |
-Where's your bargain basement bit? Do you have one? -Not really. | 0:31:28 | 0:31:32 | |
I don't want an American nit comb! Do I need a nit comb? | 0:31:32 | 0:31:37 | |
-What about a stone gargoyley thingy? -He's grotesque, isn't he? | 0:31:37 | 0:31:43 | |
-These things look quite cheap in here. £5 here and £6 there. -Yes. | 0:31:43 | 0:31:48 | |
There's a pin cushion in the form of what looks like a pheasant, there. | 0:31:48 | 0:31:52 | |
There we go. A little pewter pin cushion. | 0:31:54 | 0:31:58 | |
Could we do this for seven quid? | 0:31:58 | 0:32:01 | |
I think you probably could cos it's priced up at four! | 0:32:01 | 0:32:04 | |
No, it's not, never! | 0:32:04 | 0:32:05 | |
That's the one with the broken leg. | 0:32:05 | 0:32:08 | |
The one without a broken leg hasn't got any price at all. | 0:32:08 | 0:32:11 | |
It's priceless, sir. I've got £7.56. | 0:32:11 | 0:32:16 | |
You've spent your money, sir. | 0:32:16 | 0:32:18 | |
That was the easiest shopping I've ever done in my life. | 0:32:18 | 0:32:21 | |
-Deal done, sir. -Deal done, well, I'll give you my money. | 0:32:22 | 0:32:25 | |
That's a tenner for that, sir. | 0:32:25 | 0:32:27 | |
-And all I have in the world for this, sir. -£7... | 0:32:27 | 0:32:30 | |
-56p. -Jill, we'll be having egg and chips for tea tonight. | 0:32:30 | 0:32:34 | |
Yes, yes. And I won't be. | 0:32:34 | 0:32:38 | |
Ah, poor old Roscoe. So, with all our expert shopping done and dusted, | 0:32:38 | 0:32:42 | |
it's time to reconvene. | 0:32:42 | 0:32:43 | |
It's the moment to reveal all to each other, and Charlie's up first. | 0:32:43 | 0:32:48 | |
Oh, Roscoe! | 0:32:48 | 0:32:51 | |
Look at this! | 0:32:51 | 0:32:53 | |
You have bought a pair of Chinese carved | 0:32:53 | 0:32:58 | |
water buffalo with figures on. | 0:32:58 | 0:33:01 | |
Look at that. On the stands as well! | 0:33:01 | 0:33:03 | |
They could do £300. | 0:33:03 | 0:33:05 | |
-You could wipe me off... -Thomas! | 0:33:05 | 0:33:07 | |
You could destroy me now! £100? | 0:33:07 | 0:33:09 | |
110 and he gave me £10 luck money back. | 0:33:10 | 0:33:13 | |
-So, £100? Those are really good. -They're good, aren't they? | 0:33:13 | 0:33:16 | |
Oh, do I detect the green-eyed monster there, Thomas? | 0:33:16 | 0:33:20 | |
We saw that. How much was that? | 0:33:20 | 0:33:22 | |
-That was £25. -Oh, Rosc! Profit, profit. | 0:33:22 | 0:33:27 | |
-And can I, what is this hideous ivorene...? -Have a look at that. | 0:33:27 | 0:33:31 | |
-No, no, it's wonderful. -Ah, and it comes off. | 0:33:31 | 0:33:33 | |
-It's a little necessaire. -Oh, a little necessaire. | 0:33:33 | 0:33:36 | |
-Look. -Oh, I love it! | 0:33:36 | 0:33:38 | |
That's divided them. | 0:33:38 | 0:33:40 | |
Excite me. | 0:33:40 | 0:33:42 | |
-CHARLIE SINGS -# Dee-dee, dee-dee... # | 0:33:42 | 0:33:43 | |
-There we are. -Oh, that's a good form. -That's beautiful. -That's a good form. | 0:33:43 | 0:33:47 | |
Good thing, isn't it? She's got a good look to her. | 0:33:47 | 0:33:50 | |
-May I handle her? -Of course you can touch her. | 0:33:50 | 0:33:52 | |
Who's that modelled after? | 0:33:52 | 0:33:54 | |
I don't know. It's like a Lorenzl piece, yeah. | 0:33:54 | 0:33:56 | |
Has the foot been off? | 0:33:56 | 0:33:58 | |
It's got a crack on it, yeah, that's why it was only £60. | 0:33:58 | 0:34:01 | |
Are these spears or are they paddles? | 0:34:01 | 0:34:04 | |
(Paddles.) £35. | 0:34:04 | 0:34:06 | |
They don't look very old to me. | 0:34:06 | 0:34:08 | |
-I said they weren't, they're sort of 1920s. -But they're fun. | 0:34:08 | 0:34:11 | |
That I love, the shape of that is fabulous. That's very good. | 0:34:11 | 0:34:15 | |
-Did you buy that for less than £100? -Oh, yeah. | 0:34:15 | 0:34:17 | |
Oh, creepy, creepy boy. | 0:34:17 | 0:34:21 | |
-What was it, 75 notes? -Exactly, £75! -Yeah, but that's lovely. | 0:34:21 | 0:34:25 | |
And it's such a good saleable thing. | 0:34:25 | 0:34:27 | |
You did spend more than me, congratulations! | 0:34:27 | 0:34:30 | |
I told you I'd spend more than you! | 0:34:30 | 0:34:31 | |
All very cordial, but let's see what they really think. | 0:34:31 | 0:34:35 | |
I must say, this time, I'd rather have my lots than Thomas's. | 0:34:35 | 0:34:38 | |
There's a pair of water buffalo on Charlie's table | 0:34:38 | 0:34:41 | |
which are magnificent. | 0:34:41 | 0:34:43 | |
Very jealous. These could be the ones which he beats me with. | 0:34:44 | 0:34:48 | |
His figure after he thinks Lorenzl, Priest, whoever, | 0:34:48 | 0:34:52 | |
is nice, but that broken foot, I think, is relevant. | 0:34:52 | 0:34:56 | |
I can't stand that clown. I can't stand it. | 0:34:56 | 0:34:59 | |
I'd like to think I'm going to claw back 100 or so, and then | 0:34:59 | 0:35:03 | |
we'll be 2-2 going to the last one and that'll be quite exciting. | 0:35:03 | 0:35:08 | |
Thomas and Charlie kicked off this leg in Church Stretton, Shropshire, | 0:35:08 | 0:35:12 | |
then meandered back and forth over the English-Welsh border. | 0:35:12 | 0:35:15 | |
Now, they're returning to Shropshire | 0:35:15 | 0:35:17 | |
for an evening auction in Minsterley. | 0:35:17 | 0:35:19 | |
-Look at that, Roscoe! -Oh, I feel like a condemned man already. | 0:35:21 | 0:35:25 | |
Oh, shut up! We've got the water buffalo, haven't we? Honestly! | 0:35:25 | 0:35:30 | |
Come on, get in! | 0:35:30 | 0:35:31 | |
The auction venue ce soir is Hendersons, a busy | 0:35:31 | 0:35:35 | |
and fast-growing family-run business owned by auctioneer Phil Griffiths. | 0:35:35 | 0:35:40 | |
So, what does he think of our experts' choices? | 0:35:40 | 0:35:42 | |
The terracotta garden urn is my favourite. | 0:35:42 | 0:35:44 | |
I think people are going to really like it. | 0:35:44 | 0:35:47 | |
Commercial, be nice to have a pair, | 0:35:47 | 0:35:49 | |
but, erm, yeah, I think, probably, | 0:35:49 | 0:35:51 | |
I can see that making 120 to 150. | 0:35:51 | 0:35:54 | |
The market in Chinese antiques at the moment is very good, | 0:35:54 | 0:35:57 | |
so I think probably they could be around 100 to 150. | 0:35:57 | 0:36:01 | |
Again, you know, they could even do a little bit better than that. | 0:36:01 | 0:36:06 | |
Charlie started this leg with £170.56, | 0:36:06 | 0:36:10 | |
and spent every single penny on five auction lots. | 0:36:10 | 0:36:13 | |
Thomas kicked off with £485.84, | 0:36:14 | 0:36:19 | |
and spent £203, also on five auction lots. | 0:36:19 | 0:36:22 | |
Now, where have those cheeky chappies got to? | 0:36:23 | 0:36:27 | |
Ay 'up! | 0:36:27 | 0:36:28 | |
I say, they look almost presentable. | 0:36:28 | 0:36:30 | |
What a good idea this was of yours! | 0:36:32 | 0:36:34 | |
Well, it's an evening auction, isn't it? | 0:36:34 | 0:36:36 | |
Are you modelling yourself on James Bond? You look dapper like Sean Connery. | 0:36:36 | 0:36:39 | |
"The name's Bond. Charlie Bond." | 0:36:39 | 0:36:42 | |
More like Basildon Bond! | 0:36:42 | 0:36:44 | |
Yeah, no time to waste. | 0:36:44 | 0:36:46 | |
The auction's about to begin, | 0:36:46 | 0:36:47 | |
and first up it's Charlie's cross-stitch panel. | 0:36:47 | 0:36:51 | |
What shall we say, £50-60? Start with 30. 30? 20. 20's bid. | 0:36:51 | 0:36:56 | |
-We've got 20, that's quite good for me. -26? 28, 30 now. -Oh! | 0:36:56 | 0:37:02 | |
All done at £30. | 0:37:02 | 0:37:04 | |
It's a well-needed profit for Charlie, albeit a small one. | 0:37:04 | 0:37:08 | |
How can I be excited? It's washed its face. | 0:37:08 | 0:37:11 | |
Thomas's deed box is up next. | 0:37:11 | 0:37:13 | |
What shall we say for it? 50 or 60? | 0:37:13 | 0:37:14 | |
-30, then. 30 is bid, 32, 35. -Look at the lady in the front row. | 0:37:14 | 0:37:19 | |
Thomas, you're a genius! Look! | 0:37:19 | 0:37:22 | |
-50. At £50. -She must be a Swallow. | 0:37:22 | 0:37:24 | |
-Thomas, I'm learning from a master. -No further interest. | 0:37:24 | 0:37:28 | |
Are we all done with it at £50? Selling at 50, then. | 0:37:28 | 0:37:31 | |
An excellent profit for Thomas. | 0:37:31 | 0:37:33 | |
The boy can do no wrong. | 0:37:33 | 0:37:35 | |
-I actually am a bit in shock. -It's phenomenal. | 0:37:35 | 0:37:38 | |
Don't be down-hearted, Charlie. It's the first of the two pheasants. | 0:37:38 | 0:37:42 | |
Now your pin-cushion. | 0:37:42 | 0:37:44 | |
-Starting with 10, 10 is bid. £10 bid. At 12, 14. -Taking off! | 0:37:44 | 0:37:48 | |
£14 in the front row, at £14. Are we all done with this lot? | 0:37:48 | 0:37:52 | |
Selling, then, at 14. | 0:37:52 | 0:37:54 | |
Mr Auctioneer, you are the business! | 0:37:54 | 0:37:57 | |
An excellent profit, Charlie. | 0:37:57 | 0:38:00 | |
Seldom can a man have been so excited by £14. | 0:38:00 | 0:38:03 | |
It's Thomas's pheasant now. Will it fly as well? | 0:38:03 | 0:38:07 | |
Start me, 30? 30? 20, 20's bid. | 0:38:07 | 0:38:10 | |
-22. 25. -I don't want to be greedy. | 0:38:10 | 0:38:14 | |
Those pheasants have done well, haven't they? | 0:38:14 | 0:38:17 | |
Another profit for Thomas. | 0:38:17 | 0:38:18 | |
Anyone for coffee? | 0:38:19 | 0:38:21 | |
-Start with £10, then. -Ooh, 10! | 0:38:21 | 0:38:24 | |
10 is bid. | 0:38:24 | 0:38:25 | |
At £10 on the front row. | 0:38:25 | 0:38:26 | |
12, 14. | 0:38:26 | 0:38:29 | |
Come on, madam. Give the lady a nudge. Madam, cafe au lait! | 0:38:29 | 0:38:32 | |
-18, keep going, madam. -Roscoe will give you a big kiss. | 0:38:32 | 0:38:36 | |
Go on, Roscoe will give you a kiss, there we are. | 0:38:36 | 0:38:39 | |
On the front row and selling at 22, all done. | 0:38:39 | 0:38:42 | |
Charlie's first loss, | 0:38:44 | 0:38:45 | |
especially after the auction house takes its commission. | 0:38:45 | 0:38:48 | |
Congratulations, madam, and thank you. From the bottom of my heart. | 0:38:48 | 0:38:53 | |
Now, will Thomas's paddles take him up the creek? | 0:38:53 | 0:38:56 | |
Starting with 30, 20, then. 20 is bid, 22, 25, 28. | 0:38:56 | 0:39:00 | |
At £30 in the doorway. | 0:39:00 | 0:39:02 | |
At £30, is there any further interest...? | 0:39:02 | 0:39:04 | |
-First loss of the day. -£30. Are we all done at 30? | 0:39:04 | 0:39:07 | |
-That's your first loss of the day. -It is, isn't it? | 0:39:09 | 0:39:12 | |
Yes, it is, but you're still winning by a country mile, Thomas. | 0:39:12 | 0:39:15 | |
My heart bleeds for you. | 0:39:15 | 0:39:17 | |
-It doesn't at all! -It does, Thomas. -Go away. | 0:39:17 | 0:39:20 | |
Charlie loved it, Thomas hated it. | 0:39:21 | 0:39:23 | |
What will the bidders think of the wee little needle case? | 0:39:23 | 0:39:27 | |
Start me at £10. 10 is bid, 12, 14, 16. | 0:39:27 | 0:39:30 | |
There's a man bidding round the corner going like the clappers! | 0:39:30 | 0:39:34 | |
-25. -Look at that, Roscoe. 25. | 0:39:34 | 0:39:36 | |
30 now. 32. 34, 36. | 0:39:36 | 0:39:40 | |
-Thomas! -Roscoe! -You hated this, Thomas! | 0:39:40 | 0:39:43 | |
You're going to win, you're going to thrash me! | 0:39:43 | 0:39:45 | |
44. | 0:39:45 | 0:39:47 | |
46. At £46. | 0:39:47 | 0:39:49 | |
There is a God! | 0:39:49 | 0:39:51 | |
48. 50. | 0:39:51 | 0:39:53 | |
-I hate it! -At £50, then. | 0:39:53 | 0:39:55 | |
-Is that all? -I can't believe...! | 0:39:55 | 0:39:58 | |
A stonking profit for Charlie. There is hope yet. | 0:39:58 | 0:40:02 | |
-Put it there. -It's renewed my faith in my, er... | 0:40:02 | 0:40:05 | |
I can't stand it! I can't stand it! | 0:40:05 | 0:40:09 | |
Thomas's garden urn is up next. | 0:40:09 | 0:40:12 | |
What will we say for this? I think perhaps £100 to start it. | 0:40:12 | 0:40:14 | |
50 to go, 50 is bid. | 0:40:14 | 0:40:16 | |
5, 60, 5, 70, 5, 80. | 0:40:16 | 0:40:20 | |
Getting better. | 0:40:20 | 0:40:21 | |
-90. At £90, 5. -Oh, it's going well now. | 0:40:21 | 0:40:24 | |
-95. -It's a good profit. -Are we all done? | 0:40:24 | 0:40:26 | |
Sold, 95. | 0:40:26 | 0:40:28 | |
A tidy profit for Thomas. | 0:40:28 | 0:40:30 | |
-A working profit. -Can't complain. -No, better than not buying it. | 0:40:30 | 0:40:35 | |
Now it's Charlie's big hope. | 0:40:35 | 0:40:37 | |
He needs his water buffalo to make a large profit | 0:40:37 | 0:40:40 | |
to stand any chance of catching up with Thomas. | 0:40:40 | 0:40:43 | |
50 to go. 50 is bid. | 0:40:43 | 0:40:45 | |
5, 60, 5, 70, 5. | 0:40:45 | 0:40:48 | |
At £75. I've 80 now, 5. | 0:40:48 | 0:40:53 | |
At £85, 90, 5. 110. | 0:40:53 | 0:40:58 | |
110, 120. | 0:40:58 | 0:41:00 | |
At 130. | 0:41:00 | 0:41:02 | |
At 130, 140. | 0:41:02 | 0:41:04 | |
Getting there, getting there. We need a lot more than 140. | 0:41:04 | 0:41:07 | |
-Selling at 140. -Oh, Roscoe, profit! | 0:41:07 | 0:41:10 | |
Oh, dear. It's a profit, but nowhere near what Charlie was hoping for. | 0:41:10 | 0:41:15 | |
I'm well chuffed. | 0:41:15 | 0:41:17 | |
I wanted £250 for those, Thomas. | 0:41:17 | 0:41:20 | |
Charlie's only chance is for Thomas to make a devastating loss | 0:41:20 | 0:41:25 | |
on the last lot of the day, his Art Deco figure. | 0:41:25 | 0:41:28 | |
-3,600. -Start me at £100. | 0:41:28 | 0:41:32 | |
50 to go, 40 is bid. I have 45, 50. At £50 now. | 0:41:32 | 0:41:38 | |
The dealer, I know, is bidding for this. | 0:41:38 | 0:41:41 | |
70 now, 5. £80, 85 now, on the front row. 90 is bid. | 0:41:41 | 0:41:46 | |
That's 30 quid less 10, 15... | 0:41:46 | 0:41:50 | |
100, and 10. | 0:41:50 | 0:41:52 | |
Now you're going, now you're going. | 0:41:52 | 0:41:53 | |
-130. -Good effort. -130. -Yes! | 0:41:53 | 0:41:58 | |
-Oh, God, Thomas! Thomas! -That's a good profit. | 0:41:58 | 0:42:01 | |
Very sporting of you, Charlie. A resounding profit for Thomas. | 0:42:01 | 0:42:05 | |
-Well done, old bean. -Well done. | 0:42:05 | 0:42:07 | |
Congratulations. We both made profits. | 0:42:07 | 0:42:09 | |
I think that's not bad, I think you've done jolly well. | 0:42:09 | 0:42:12 | |
I'm getting better. Another 15 legs, I'll have you. | 0:42:12 | 0:42:15 | |
So, Charlie started this leg with £170.56 | 0:42:17 | 0:42:20 | |
and has made a profit of £39.36 after auction costs. | 0:42:20 | 0:42:25 | |
That leaves him with £209.92 to carry forward. | 0:42:25 | 0:42:29 | |
Thomas began this leg with £485.84 and made a slightly larger profit | 0:42:31 | 0:42:36 | |
of £67.60, meaning he beat Charlie yet again. | 0:42:36 | 0:42:42 | |
Our planter has £553.44 to spend on the last leg. | 0:42:42 | 0:42:47 | |
Phew! | 0:42:47 | 0:42:49 | |
Well done, Thomas. Where would Sir like to go this evening? | 0:42:49 | 0:42:51 | |
-Well, are you going to drive me? -The casino? -The casino! | 0:42:51 | 0:42:55 | |
Marvellous! Oh, well... | 0:42:56 | 0:42:58 | |
-You're back over that £200. -Thank heaven for small mercies! It's dark! | 0:42:59 | 0:43:04 | |
-The night is yet young! -Oh, stop talking in that way! | 0:43:04 | 0:43:08 | |
Next time on the Antiques Road Trip Thomas meets his match. | 0:43:10 | 0:43:13 | |
If you don't give me the money I'll show you the door. | 0:43:13 | 0:43:16 | |
And Charlie tries a new approach. | 0:43:16 | 0:43:18 | |
This is my lucky day! | 0:43:18 | 0:43:20 | |
Melt into my arms! | 0:43:20 | 0:43:22 |